COMRADE YETTA

THE MACMILLAN COMPANY
NEW YORK · BOSTON · CHICAGO
DALLAS · SAN FRANCISCO
MACMILLAN & CO., Limited
LONDON · BOMBAY · CALCUTTA
MELBOURNE
THE MACMILLAN CO. OF CANADA, Ltd.
TORONTO

COMRADE YETTA BY ALBERT EDWARDS

AUTHOR OF "A MAN'S WORLD"

New York
THE MACMILLAN COMPANY
1913
All rights reserved

Copyright, 1918,
By THE MACMILLAN COMPANY.

Set up and electrotyped. Published February, 1913.

Norwood Press
J. B. Cushing Co.—Berwick & Smith Co.
Norwood, Mass., U.S.A.

CONTENTS

COMRADE YETTA

COMRADE YETTA

BOOK I

CHAPTER I BENJAMIN'S BOOK-STORE

The girlhood of Yetta Rayefsky was passed in her father's second-hand book-store on East Broadway. In the late nineties the fame of his kindly philosophy had attracted a circle of followers, and the store became almost prosperous.

It was in a basement—four steps down from the sidewalk. The close-packed cases around the walls were filled with the wildest assortment of second-hand English books. You were likely to find a novel of Laura Jean Libby cheek by jowl with "The Book of Mormon," between two volumes of "Browning's Poems." The tables in the centre were piled chaotically with books and periodicals in Russian and Hebrew.

Every night in the week you would have found Benjamin Rayefsky and his little daughter Yetta perched on high stools back of the desk to the left of the door. He would have greeted you with his sad, wistful smile, and would have gotten down to shake hands with you. It would have surprised and hurt him if you had asked at once for a book, paid for it, and gone out. It was customary to take plenty of time and to make quite sure that he did not have in stock some book you would prefer to the one you had come after.

When he had succeeded in making you feel at home, he would have returned to his desk, and Yetta would have gone on reading aloud to him. Very likely you would have wanted to laugh at the discussions they had over how various English words should be pronounced. When they could not agree, Benjamin would write down the word on a slip of paper for Yetta to take to school in the morning and submit to the teacher. You would have wondered with amusement how much the little lassie understood of the ponderous tomes she read in her high-pitched uncertain voice.

But you would not have wanted to laugh at the memory you carried away of the couple. More than one Gentile who had dropped into the store by chance went away racking their brains to recall the Holy Picture the Rayefskys suggested. It was what the psychologists call "inverse association." The Father and Daughter inevitably called to mind the Mother and Son.

Benjamin resembled—except for an ugly scar on his forehead—Guido Reni's "Christ." There was the same poignant sadness about his mouth, the same soft beard and sensitive nose; there was the same otherworldly kindliness in his eyes and his every gesture. And little Yetta was very like the Child Mary in Titian's "Presentation."

Towards nine o'clock the little shop began to fill up. First of the regulars was a consumptive lad whose attention had been caught by an advertisement asserting that a certain encyclopædia was worth a university education. Lacking money to go to college or to acquire so large a set of books, he was reading one of these compendiums in Rayefsky's Book-store. He had reached the letter "R," and considered himself a junior. There were others who came for regular reading, but more came to talk—and to listen to Benjamin. At ten he would close Yetta's book and, putting his arm about her shoulders, begin his evening discourse. Generally his text was some phrase from his reading which had impressed him during the day. Before long the little girl's eyes would close and her head fall over on her father's shoulder.

But one night he kept her awake. There was a wedding in progress across the street. It was his custom to talk directly to some one person of his audience, and this night he addressed himself to Yetta. With poetic imagination he paraphrased the idyll of Ruth, Naomi, and Boaz, making of the story an interpretation of marriage for his daughter's guidance. Some time in the years to come a Man would claim her, and against that time he taught her the vow that Ruth made to Naomi.

"Whither thou goest, I will go; where thou lodgest, I will lodge: thy people shall be my people, and thy God my God: where thou diest will I die, and there will I be buried: the Lord do so to me, and more also, if aught but death part thee and me."

He made her repeat the vow over and over again in Hebrew until she knew it by heart.

"It is with these words, my daughter," he said, "that you must greet the Bridegroom."

Much of the gentle wisdom which her father preached to the little shopful of listeners Yetta did not fully understand. But for nine years, from the time she was six till she reached fifteen, it was the lullaby to which, every night, she fell asleep, perched on her high stool, her head on his shoulder. Much of it sank in.

This is to be the story of how little Yetta Rayefsky grew up into useful happiness. But her father's influence was the thing, more than all else, that differentiated her from thousands of other East Side girls. Without Benjamin's story, hers would be incomprehensible.

His father had been a man of means in the Russian town of Kovna. But Benjamin, the only son, had no talent for trade; he was of the type of Jews who dream. And he loved books. The library facilities of the Kovna Ghetto were limited, but he read everything on which he could lay hands. From his youth up he knew and loved the Psalms and the more poetic sections of the Prophets. The age-old beauty of the Hebrew literature was a never failing spring at which he refreshed his soul. He had also read the novels of Gogol, Korolenko, and Dostoiefsky, and the few books he could find on history and science.

A strange sort of cosmography had grown out of this ill-assorted reading. He took the Prophecies seriously and looked forward with abiding faith to the coming of the Kingdom of God on earth. Like most deeply religious people he was not strictly orthodox. He scrupulously observed the forms of Hebraic ritualism, but his real inspiration came from King David rather than from scribes who compiled the Talmud or the Rabbis who minutely interpreted the Torah. He had much sympathy with the Zionists, for they also had ardent faith in the Promises, but he took no interest in the geographical aspects of their aspirations. The Messiah, when he came, would establish His reign over all the earth. He also believed, as did the Zionists, that the Jews were the light-bearers of the human family, but he considered them a People chosen for special service—not for peculiar favors.

Added to this hoary mysticism was a very disjointed idea of world's history and a crude conception of Evolution. He believed that God's purpose with the Race was being worked out through the development of Democracy—which he understood to be another word for loving-kindness and brotherhood. He had never seen Democracy. He knew nothing of the crimes committed in its name; he had no conception of the modern Plutocracy, which is everywhere in a life-and-death struggle with Democracy—and as often as not seems to be winning the fight.

This vague idealization of Democracy was stimulated by the rare letters from his sister Martha in New York. While Benjamin was still a lad she had married David Goldstein, a ne'er-do-weel of the community, and with her dowry they had emigrated. The poor woman could hardly be blamed if she hid from her family the cruel realities of her life. She wrote what she thought would please them. As her imagination was limited, she borrowed her metaphors from the Scriptures and had milk and honey flowing down the Bowery. Benjamin often illuminated his talks on the Promised Land by references to the freedom and justice of America. It was not hard for him to believe in a Utopia. It did not seem too much to ask that all men should be as unselfish and gentle as himself.

Living thus in his dreams he grew to manhood. In the early twenties he married. His wife, fortunately, had common sense enough for two, and protected his patrimony from waste. The first child they named Benjamin, and a few years later Yetta was born.

The father held a privileged position in the Jewish community. His pure, unworldly life, his ever ready sympathy, his learning and homely wisdom, had earned him the rank of a saint. There were some, of course, who shook their heads over his dreamings. With so much money to start with, they said, he might have become rich—perhaps a "merchant of the first class." But every one loved him. The women came to him with their troubles, and even the busiest, most careworn men liked to sit for a while and hear him recite the sonorous prophecies and talk of the Kingdom which is to come.

It was in 1890 that Benjamin and his daughter were torn loose from their anchorage. The affair lacked the proportions of the later and more formal Jew-killings of Kishineff and Odessa. The cause of the outbreak was never explained, but we, who lynch negroes on so slight provocation, may not throw stones. Unexpectedly a mob—the scum of the Christian quarter—rushed into the Ghetto. At first they were intent on loot, but the hooligans had had to drink much vodka to generate sufficient courage to attack the defenceless Jews. Passions so stimulated cannot be controlled, and soon the mob was engaged in murder and rape. Benjamin went out on the street to reason with them. They left him for dead.

It was several weeks before he regained his consciousness. An ugly scar stretched from above his left eye to his ear. Many of his friends held that he never quite recovered from that wound, for as long as he lived he sometimes spoke of his wife and his son Benjamin as though they were still alive. But such lapses of memory happened rarely; generally he remembered that they had been buried while he was in the hospital. He had only Yetta left. He would surely have gone mad if he had lived on among the memories of Kovna. So he had emigrated to join his sister in the Happy Valley of America.

There was wonderful vitality to Benjamin's dreams. Even the tangible realities of Orchard Street could not obliterate them.

Many hideous things which he saw he did not understand. Among such phenomena was his brother-in-law. In the social organization of the Kovna Ghetto, David Goldstein had found no place. The opportunities for viciousness were too limited for him; he had been only a shiftless misfit. But on the East Side of New York his distorted talents found a market. He had sold them to Tammany Hall. His wife's money had been wasted in a legitimate business enterprise for which he had no fitness. A defalcation had caused his arrest, the District Leader had saved him from jail, and David found the niche into which he fitted. He was nominal owner of The Sioux Hotel—a saloon of the worst repute. The profits of vice are large, but those "higher up" always claim the lion's share. And as David had taken to drink—a rare vice among the Jews—his wife and her three children were having a very miserable time of it.

Perhaps it was the wound across his forehead which made it difficult for Benjamin to see clearly. About all he seemed to realize was that his sister could not afford to live comfortably. He had brought with him a few thousand dollars, the wreck of his father's fortune, and, by offering to pay liberally for a room and board, he enabled his sister to move into a better flat and so dulled the edge of her poverty. Some instinctive wisdom made him resist David's impassioned appeals to invest his money in The Sioux Hotel.

But he was no more of a business man than his brother-in-law, and before long, seduced by his passion for reading, he was persuaded to buy the second-hand book-store.

It was a dark basement. There were only a few hours a day when one could read, even in the front, without a lamp. But it was Yetta's home. To be sure, she and her father slept at the Goldstein's flat and had breakfast there. But by seven they were in the book-store. For lunch they had tea and buns from the coffee-house upstairs, and at six o'clock Yetta brought their dinner from her aunt's in a pail. At first the place had seemed to Yetta very large, and the darkness in the back limitless and fearsome. Once, when her father had gone back there and she could not see him, she had become frightened and called him. He, laughing at her timidity, had taken her in his arms and they had explored all the dark corners by candle-light. She always remembered the sense of relief which had come to her when she realized how small it was.

Benjamin was thirty-four when this change in his life took place. With his scholarly turn of mind, it did not take him long to learn to read English fluently. But in his store on East Broadway he had little chance to speak the new language. Few of his customers spoke anything but Russian or Yiddish. Yetta always found it hard not to pronounce "book" "buk." This was the first word her father taught her. He was an insistent teacher. He realized his own inability to become an active unit in the seething, incomprehensible life about him. His explorations of the new world were meagre. He was tied to the store except on Saturday afternoons, and he could not desecrate the Sabbath by trolley rides. The poverty and misery which he could not ignore, he thought of as local. The unhappy lot of his people was due to their ignorance, their inability to understand the new language, their age-old habits of semiserfdom. But with Yetta it was to be different! She was to be fitted for full participation in the rich life of perfect freedom. He put especial emphasis on the language.

There were few things which made him outspokenly angry. The principal ones were the Jewish papers. Yiddish was to him the language of the Kovna Ghetto, the language of persecutions and pogroms. The pure Hebrew of the Scriptures—Yes!—he would have every child of the Race know that. He taught it to Yetta. It was the reservoir of all the rich traditions and richer promises. But Yiddish was a bastard jargon which his people had learned in captivity. It held no treasures of the past, no future hope. Let his people supplement the language of their forefathers by one of freedom. Let them learn the speech of the land of Refuge. His contempt for Yiddish, of course, isolated him from everything vital in the life of the East Side, and drove him back farther into his dreams and to Yetta.

As soon as she was old enough she went to the closely packed public school near by. While she was away, he read hungrily. He had cleared a shelf in the darkest corner of the store, and there he put by all the books which pleased him—those he wanted her to read when she grew old enough. They were not for sale. Yetta got very little play during her childhood. Back in the store, after school hours, she perched up on a high stool beside her father and went over her lessons with him.

At the end of the first year Benjamin's bank account had decreased by five hundred dollars. It had been a rare month when the total sales had equalled the month's rent and living expenses. But he was not depressed. A customer asked him one time about his business.

"Although I do not sell many books," Benjamin replied, "I have much time to read."

The second year would have been worse except for the lucky chance which secured him the agency for some Russian newspapers and considerably increased his income. If he had not so stubbornly refused to have anything to do with Yiddish, the store might have become prosperous, for he gradually learned the business and grew to use some judgment in replenishing his stock. His quaint philosophy attracted a little group of admirers. Even if they did not entirely accept his dreams, they liked to hear him talk about them.

In this environment Yetta grew into girlhood. Every day when her school work was finished she read aloud to her father from the books he had placed on the reserved shelf. It was a planless mixture—a History of the Jews, Motley and Prescott, Shakespeare and Dickens and Emerson.

The last thing she read to him was a three-volume edition of Les Miserables. She was fifteen then, and her reading was frequently interrupted by his coughs. Perhaps he had caught it from the lad who was racing with death to graduate from the Encyclopedia. Benjamin's friends shook their heads mournfully. But he expected to recover soon; was he not taking his "patent medicine" regularly? And so to the wonderful symphony of Hugo's masterpiece Benjamin coughed out his life. The third volume was read, not in the little store, but in their bedroom in the Goldstein's flat. It was the last book Yetta read for several years. When it was finished, she had begun to be afraid; she did not have the courage to begin a new book. He was too sick to listen.

CHAPTER II YETTA'S GIRLHOOD

The death of her father was a greater catastrophe to Yetta than she realized. She felt only the personal loss. Her uncle took care of the financial matters, sold the book-store, and so forth. When the funeral expenses were paid, he said there was nothing left. Coming back from the cemetery, her aunt, in as kindly a manner as was possible to so woe-begone and soured a woman, tried to explain to her what it meant to be penniless. Leave school? Go to work? She hardly listened. Her sorrow was too real, too wild and incoherent.

The Goldsteins had three children. Isaac was eighteen. Two years before he had graduated from the House of Refuge—a pickpocket of parts. He had his ups and downs, but on the whole he found money "easy," and hardly a week passed when he did not hand his mother a few dollars.

The twin daughters of sixteen were working and brought their wages home. Rosa was anæmic, querulous, and unattractive. She worked "bei buttonholes." A slight curvature of the spine, which had become apparent in her childhood, had developed into a pitiful deformity after the years bent over a machine. Rachel had monopolized all the charms of health and good spirits which should have been divided between them. Her face looked much younger than Rosa's, but her body had developed into a pleasing womanhood which had been entirely denied her sister. She was not beautiful, but she was red blooded, merry, and likable. She was a milliner and earned twice as much as Rosa.

So the Goldsteins should have been fairly prosperous, but the father's craving for alcohol had grown more rapidly than the earning capacity of his children. Poverty had weighed too heavily on Mrs. Goldstein to allow her to tolerate an idler, and besides she had always looked with disapproval on Yetta's unwomanly education. It seemed almost impious to her to have a girl in school. She had perjured herself blissfully about the age of her own daughters to avoid the Truant Officer. For a few days the family left Yetta alone in her room to cry. Then they jerked her out of the stupor of her grief, and threw her into the cauldron of modern industry.

Rachel had seen a sign which advertised the need of "beginners" in the Vest Trade. Yetta followed her docilely up two flights of dirty stairs into a long work-room, which had been made by knocking the partitions out of a tenement-house flat. It was a gloomy place, for the side windows were faced by a dingy brick wall three feet away. The end windows looked out on Allen Street. The tracks of the elevated were on a level with the floor, and every few minutes the light which might have been expected from this quarter was cut off by the rush of a train. Artificial illumination was needed all the year round.

In the street below children shouted and cried; pushcart peddlers hawked their wares in strident, rasping voices; heavy trucks, loaded with clattering milk-cans, rattled deafeningly over the cobblestones. The chaos of noise caught in the narrow cañon of the street seemed to unaccustomed ears a pandemonium which must be audible in high heaven.

But none of this noise entered the long dark room two flights up. At one end of the shop a cheap electric motor threw its energy into two revolving shafts along the ceiling; these in turn passed it down a maze of roaring belts to a dozen sewing-machines—all twelve going at top speed. It sounded as if no one of the many bearings in the room had been oiled, as if each of the innumerable cogs in the machines were a misfit. The sound seemed like a tangible substance which could be felt. There was no room left in the shop for the noises of the street. If Gabriel had blown his horn on the sidewalk below, the silent women bent over the speeding machines would not have heard—they would have missed the Resurrection.

Dazed by this strange and fearsome environment, Yetta caught tight hold of her cousin's hand. But Rachel, the adventurous, would not have been dismayed in Daniel's den of lions. She boldly led the way into the "office." Half a dozen women, all older, were already in line. The boss—a rotund, narrow-eyed man—was looking them over. But as soon as he saw the young girls he lost interest in the women.

"This is my cousin, Yetta Rayefsky," Rachel said. "She'd make a good beginner."

"Afraid of work?" he asked gruffly.

Yetta was speechlessly afraid of everything. But Rachel answered for her—a flood of extravagant, high-pitched eulogy.

"One dollar a week, while she's learning. Regular piece price when she gets a machine."

One of the older women, seeing the hopelessness of her own situation,—all the bosses preferred youth,—began to wail.

"Shut up!" the boss growled. "I will take the girl. Get out, all of you."

So Yetta was employed. At first the work consisted of carrying, piling, and wrapping bundles of vests. The loads were very heavy for her unpractised back. But she managed to live through the first day, and the next, and gradually got used to it. After a long wait she was put at a machine.

Even in such grossly mechanical work as sweat-shop labor, brains and youth count. Yetta's fingers were still plastic. Before long she had mastered the routine movements. Above all, she proved quicker than the other women in such emergencies as a broken thread. In less time than usual she worked to the top and became the "speeder," drawing almost double pay.

During the years which followed, while all that part of her brain which had to do with manual dexterity was keenly alive, the rest—the part of her brain in which her father had been interested—went to sleep. It was inevitable. Perhaps if she had been older when the crisis came, she might have made a struggle against her environment. She might have resisted her weariness for an hour or so after she came home, might have propped her eyes open and continued her studies, but she was only fifteen.

At first, while still a "beginner," her earnings were so small that there was some measure of charity in her aunt's sheltering of her. She was constantly reminded of the need of increasing her wages. But before this incentive had passed, before her pay began to amount to a fair charge for her board and lodging, before her spirit had recovered from the lethargy which had followed the loss of her father, she had been taken captive by "Speed." It was the keynote of her waking life. Every detail of the sweat-shop, the talk of her table mates, the groaning song of the belts—even the vitiated air—were "suggestions" beating in on her plastic consciousness, urging ever increasing rapidity.

It had become a habit for her to hand over all her wages to her aunt. She had her father's lack of guile and less experience. The bedroom which Benjamin had shared with his daughter was rented to a stranger. Yetta had to sleep in the same bed with the twins. She had to wear their outgrown clothes. But even if she had realized how little she was getting in exchange for her wages, she would not have had the courage to go out among strangers. And she had not sufficient energy—after all the machine took—to argue about it with her bitter, hardened aunt.

The drab monotony of her sweat-shop life was unbroken. The bosses changed frequently. So did the workers. But the process was unchanged—except that each new boss shaved the price per piece and pushed up the rate of speed. And then, after three years, a little flickering gleam of sunshine fell on Yetta's face. Rachel went to a ball.

Mrs. Goldstein objected to "dance-halls" because she was old fashioned and knew nothing about them. Mr. Goldstein objected because he knew them all too well. So when Rachel announced one night at supper that she was going to "The Mask and Civic Ball of the Hester Street Democratic Club," a storm broke loose. Mr. Goldstein—none too gently—threw his daughter into the bedroom and locked the door. Later in the evening he came home a shade more drunk than usual. Smashing some furniture to wake the household, he delivered a speech on the text of female respectability and where he would rather see his daughter than in a dance-hall. The "grave" was the least unattractive place he mentioned. Rachel seemed to give in before the family wrath.

But in her trade there were frequent rush periods when it was necessary to work after supper. One night she came home unusually late. As soon as she had put out the light and crawled into bed, she woke up the two girls and confided to them in great excitement that she had been to a ball. A girl in her shop had lent her some finery, a shirtwaist, a pair of white shoes, and a hat. Of course one could not go to a dance in a shawl. It had been "something grand." She kept them awake a long time telling of the fine dresses, the "swell" music, and the good-looking men. She was too "mad about it" to sleep. She jumped out of bed and, humming a popular tune, danced a waltz for them in her nightgown. She was very sleepy in the morning, but the music was still in her ears. The other girls were rather dismayed by her rank disobedience. The morose and spiteful Rosa threatened to tell her father. Rachel herself became frightened at this and promised never to do it again.

But not many days passed before Rachel announced at supper that she would have to work late that night. Somehow Yetta knew it was a pretext. She could hardly get to sleep. She woke up the moment Rachel tiptoed into the room.

"You've been again," she said.

"Sure. But don't wake up Rosa."

"It's very wrong."

It may be that Rachel, who was only nineteen and had been brought up blindfolded, did not see anything wrong in the two dances she had attended. There are many perfectly respectable dances on the East Side. Fate may have led her to such. Or perhaps she glossed over dangers she had seen. She denied Yetta's charge. Rosa snored regularly beside them, while the two girls whispered half the night through.

Rachel's defence, although some of it was only half expressed,—she was not used to talking frankly about holy things,—was sound. After all, women do not come into the world to spend their lives in sweat-shops. They ought to marry and bear children. What chance did she have? She saw no men in her factory. It might be all right to leave such things to one's parents—if they were the right kind. But every one knew her father was a penniless, shiftless drunkard. What sort of a match could he arrange for her?

She was going to as many dances as she could. First of all, they were fun, and precious little fun did she get trimming hats for other women to wear. And then—well—she was not ugly. Perhaps some nice young man would marry her. That very evening a "swell fellow" had danced with her four times. He had wanted to walk home with her. But she would not let him do that, till she was sure he was "serious." She would see him again at a dance on Saturday night, and she would find out. What other chance had she? Her father could do nothing for her. Nor her mother. Nor her brother. Well—she was of age, she would do for herself.

"And if I was as swell looking as you are, Yetta," she said, "I'd sure get a winner. Why don't you come to a dance with me?"

The next day at the lunch hour Yetta overheard some of the girls talking about dances. Instead of going off by herself, as she generally did, to consecrate her few minutes of leisure to memories of her father, she sat down and listened to them. Yetta did not know how to dance. But the next time a hurdy-gurdy came by at noon, she began with the help of her shopmates to learn. Although she made rapid progress, although she listened eagerly to Rachel's account of stolen gayeties, she did not give in to her cousin's urgings. Her natural timidity, joined to a habit of obedience, kept her from going to a dance.

But a new element had come into her life. She began to feel that in some shameful way she was being defrauded. Was she to know nothing of Life but the sweat-shop? Was her youth to slip away uselessly? Since Rachel had spoken of her looks, she sometimes lingered before the mirrors in store windows and wondered if her smooth skin was doomed to turn wrinkled and yellow like that of the women at her table. Was she never to have children? The future, which she had never thought about before, began to look dark and fearsome. She did not feel that anything of lasting good could be gained by sneaking out to a ball, but at least, as Rachel said, it must be fun. Was she never to have any fun? Were the years—one after another—to creep by without music or laughter? Sooner or later the craving for a larger life would have forced her out to adventure with Rachel, but the temptress was suddenly removed.

Isaac Goldstein encountered his sister at a dance. He had not been home for more than a week, but he came the next day and told his parents. When Rachel came in from work that evening, the drunken father denounced her as a disgrace to his fair name. Rachel listened in sullen silence to his foul abuse until, enraged by his own eloquence, he struck her. She turned very white and then suddenly laughed.

"Good-by, Yetta and Rosie!" And then, clenching her fist at her father, she cried out: "And you—you go to Hell."

She slammed the door behind her and never came back.

David Goldstein did not often trouble to go to the Synagogue, but the next Friday night he put on his old frock-coat and frayed silk hat and in the meeting-house of the men of Kovna, he read the Service for the Dead over his pleasure-loving daughter.

Yetta was surprised to find how much she missed her cousin. To be sure she had not seen much of her—they worked in different shops. But since they had shared this secret together, it had seemed almost like having a friend. It had never been a joyous household, and now with Rachel's occasional laughs gone it was bleak indeed.

But these confidences, short-lived as they were, had—in spite of their tragic ending—done their work with Yetta. They had suddenly opened a window in the wall of the dark room where she lived. Through it she saw, as through a glass darkly, a fair garden, lit with the sunlight of laughter, a garden where blossomed the wondrous flowers of music, of joy—of Romance.

Since the recent development of "Child Study," since grave and erudite professors have written learned volumes on the subject of "Play," many things, which former generations thought lightly of, have taken on importance. In the gurgling of a month-old baby we now see an experimentation with, a training of, the vocal apparatus which may later win the plaudits of a crowded opera or sway the council chamber of a nation. It is no longer senseless and rather disgusting noise. It is part of the profound development of Man. The haphazard muscular reflexes of a five-year-old boy—the running violently to nowhere in particular, the jumping over nothing at all—is no longer, as our grandfathers held, an aimless and sometimes bothersome amusement. A human being is getting acquainted with the intricate system of nerve complexes and motor-muscles which is to carry him through his allotted work in the world. And the little girl with her sawdust doll has become a portentous thing. If she does not learn to hold it properly at seven, her real babies, when she is twenty-seven, are likely to fare badly.

Yetta had never had dolls. There had been no younger children in her household. She had never associated with boys. In a starved, vicarious way, through the confidence of Rachel, she had begun to "play" with the ideas of marriage, of home-making, of babies. An unrest, the cause of which she did not guess, had invaded her. She was just coming into womanhood. Nature was working deep and momentous changes in her being. It is a transition which may be beautiful and joyous if freedom for play is given to the developing organs and nerve-centres. Because of her starved childhood it came to Yetta late and abruptly. She was becoming a woman in an environment where nobody wanted anything but wage-earning "hands." And so to her it meant erratic moods of black despair, of uncontrolled and ludicrous lyricisms, of sudden and senseless timidities, abnormal, insane desires.

Unless something happened, her womanhood was to be wasted. She had sore need of a Prince in Silver Armor. But no Princes go about nowadays rescuing fair damsels from the Ogre Greed. However, Rachel had opened a window on a quasi-fairyland where, if there were no bona fide princes, there were at least some "swell-looking men." And just as she was getting intoxicated with the wonderful vision, the window was slammed shut in her face.

CHAPTER III THE SWEAT-SHOP

The sudden closing of the window made her prison cell seem darker than before. It needed the contrast of the vision to make her see the sordidness and squalor—the grim reality—of that long dark room, with its chaos of noise, its nerve-destroying "speed."

Scattered through the East Side of New York there are hundreds such "sweat-shops," engaged in the various branches of the "garment trade." Sometimes there will be half a dozen in the same tenement; one above another. Even the factory inspectors are never sure of the exact number. They are running so close a race with bankruptcy, it is hard to keep track of them. Often half a dozen will fail on the same day, and as many new ones will start the next. It is not on record that any one ever found a good word to say for the "sweating system." Such "shops" exist because I and you and the good wife and the priest who married you like to buy our clothes as cheaply as possible.

Yetta's "shop" manufactured vests. The four women at each table formed a "team." With separate operations on the same garment, they had to keep in exact unison. If any one slowed up, they all lost money by the delay. They were paid "by the piece," and long hours, seven days a week, brought them so infinitesimal a margin over the cost of brute necessities that the loss of a few cents a day was a tragedy for the older women with children to feed.

Yetta, the youngest of all, was Number One at her table.

The name of Number Two was Mrs. Levy. She was anywhere between twenty-five and fifty, bovine in appearance, but her fingers were as agile as a monkey's. She sat stolidly before her machine, her big body, which had lost all form, almost motionless, her arms alone active. Her face was void of any expression. Her washed-out eyes were half closed, for they were inflamed with tracoma. Eight years before she had brought her three children over from Galicia to join her husband and had found him dying of tuberculosis. She had been making vests ever since. She was an ideal sweat-shop worker, reliable—the kind that lasts.

Opposite her Mrs. Weinstein grabbed the vests as they left Mrs. Levy's machine. She also was a large woman, but not much over thirty, and just entering the trade. She was of merry disposition and had kept much of her youthful charm. Her hair, of course, was disordered; the cloth-dust stuck in blotches to her perspiring face. There was a smudge of machine grease over one cheek, but where her blouse—unbuttoned—exposed her throat and the rise of her breasts, the skin was still soft and white. Her husband, of whom she always spoke with fond admiration as a very kind and wise man, had deserted her a few months before. Engaged in another branch of the garment trades, he had become involved in one of the strikes which with increasing frequency were shaking the sweating system. He had been black-listed. After weeks of fruitless search for work, he had disappeared. If he found work elsewhere, he would send for his wife. He could not bear to stay and be supported by her. She had a sister, who had married well and who would not let the babies starve. Besides, she did not consider herself a regular vest-maker. Some day, soon, her husband would find work, in Boston, Philadelphia—somewhere. She was always expecting a letter to-morrow. So Mrs. Weinstein could afford to be cheerful.

But if Number Two had an unusually stolid body and phlegmatic brain—the type which suffers least from sweating; and if Number Three had been blessed with a merry, hopeful soul, Mrs. Cohen, at the foot of the table, had none of these advantages. She had been Number One, not so very long before—a marvel of speed. Then she had begun to cough. It is impossible to cough without breaking the regular rhythm which means speed. In a few months she had slipped down to the bottom. She was no older than Mrs. Weinstein, but her skin was as yellow as Mrs. Levy's, and even more unlovely, for the flesh behind it had melted away; the only prominences on her body were where her bones pushed out.

She had begun at twenty-one, when her husband died leaving her with two children. There had been another baby a couple of years later—because she had hoped the man would marry her and take her out of the inferno. He had not. And there was no hope any more, for who would marry a woman with bad lungs and three children?

Despair, while embittering her, had cleared her vision. She saw the "shop" and the "system"—and understood. She had entered the trade strong and healthy, and had been well-paid at first, when she had the great desideratum—Speed. It had seemed like good pay then. But now she knew better. They had been buying not only her day-by-day ability, they had bought up her future. For the wages of less than ten years they had bought all her life—they had bought even her children! Already the flow of vests had piled up once or twice too swiftly for her. Jake Goldfogle, the present boss, was threatening to discharge her. If she lost this job, it would be the end. The Gerry Society would surely take her babies and put them in "institutions." No, she had not been well-paid in the days when they had given her extra wages for the pace that kills. It is small pleasure for a mother to hush the hunger-cry of her children, but that was all the joy that was left to Mrs. Cohen. And if she lost her job, she would lose even this.

Just in proportion as Number Four at the bottom of the table had learned many bitter things from life, so Yetta at the head had almost everything yet to learn. She began the long lesson with a pain in her back.

It came unexpectedly. It was as much the insulting surprise of it, as the hurt itself, which made her cry out sharply and drop her work—throwing the whole team out of rhythm.

"Wos is dir, Yetta?" Mrs. Weinstein asked with motherly solicitude.

"Oy-yoy-yoy!" Yetta said, putting her hand to her back—"Es is schon verbei."

Mrs. Cohen at the bottom of the table laughed mirthlessly.

"It will come back," she screamed in Yiddish above the din of the machinery. "I know. It begins so. One speeds two, three years—four—with one it is the lungs, with another it is the back, or the eyes." She seized the momentary pause to ease herself with coughs.

Mrs. Levy, who had been long in the trade, had seen many a "speeder" give in; some slowly, some suddenly. She had seen dozens of them, fighting desperately the fight for food, slip down from the head to the foot and out—out through the door to the street and nowhere. As Mrs. Cohen had said, it was sometimes the eyes, sometimes the lungs, sometimes the back. She nodded her head in affirmation. Oh yes, she had seen it many times. She could have told the story of one mother who had gone on speeding in spite of back and lungs and eyes, had kept on speeding until one day she had fallen over her machine dead. Her hair had gotten tangled in the cogs, and they had to cut it to take her away.

Mrs. Weinstein tried to comfort Yetta.

"Don't listen to them," she said. "You are yet young—you'll be all right—"

She stopped abruptly, for the office door had opened and Jake Goldfogle came out. His ear, trained to the chaotic noise of the shop, had caught the momentary halt.

"Ober, mein Gott, wos is der mer?" he roared.

Mrs. Cohen, who had caught up with her work and was waiting for more, pointed an accusing finger at Yetta.

Jake Goldfogle was twenty-eight. This was his first "shop." The dominant expression of his face—which he tried to cover with an assumption of masterliness—was worry. The person who has been ground by poverty is never a debonaire gambler. But these ignorant, unimaginative women who slaved for him, whom he lashed with his tongue and sometimes struck, did not understand his situation, did not know of the myriad nightmares which haunted his waking as well as his sleeping hours. They bent low over their machines, hurrying under the eye of the master, holding their breath to catch the torrent of abuse they expected to hear fall on Yetta.

They did not realize—least of all did Yetta—that she was an exception. Jake swallowed the curses on his tongue and asked her in a constrained and unfamiliar voice what was wrong.

"Nothing," she said. "A pain in my back."

No sort of pain known to women was considered a valid excuse for breaking speed. She wondered with sullen, servile anger how much he would fine her. If any of the women had looked up, they would have seen strange twists on the boss's face. He turned abruptly, without a word, and went back to his office. He sat down at his desk and looked through the little window, by means of which he could, glancing up from his ledger, spy on the roomful of workers. His eyes rested a moment on Yetta's stooped back. Then, grasping his temples, he paced up and down his dingy office, cursing the day he was born. He was in love with Yetta and could not afford to tell her so.

The psychology of the refugees from Russian and Galician Ghettos, who come to live among us, is very hard for us to understand. Above all, the Jew is marked by single-mindedness and consistency of purpose. We have our Anglo-Saxon tradition of compromise and confused issues. We have generally several irons in the fire. We shift easily—often flippantly—from one purpose to another. The Semite, having once accepted a goal is hard to divert.

Coming to us, as most of them do, in abject poverty, it is small wonder that many a Jewish lad decides that the Holy Grail is made of American dollars. The surprising thing is the unswerving fidelity with which they follow the quest—a fidelity which is quite absent in the legends of King Arthur's English Knights. It is the same no matter what ideal they choose. Just as the money grubber will deny himself necessary food and overwork his wife and children to amass a little capital, so the East Side poet will stick to writing rhymes in Yiddish, although it can never give him a decent living, and the Jewish Socialist will hold fast to his principles through starvation and persecution.

Jake Goldfogle had a vague recollection of a great wave which had washed over the steerage deck of an immigrant steamer and had scared him immensely. All his other memories were set in the scenery of the New York slums. He had "got wise" young, with the wisdom of the gutter, which says that you must be either a hammer or an anvil, preyed upon or preying. For the last fifteen years he and his sister, more recently reënforced by her husband, had been engaged in a desperate struggle to pull up out of the muck.

For years the three of them had been slaves to the machine. Six months before they had put all their miserable savings, all their credit, into buying this "shop." They had accepted a highly speculative contract from which there could be no halfway issue. A dozen weeks more and it would be over—either an immense success or utter ruin. Failure meant the swallowing up in a moment of the results of their long slavery; it meant going back to the machine.

Hundreds of men throughout the city, in the different garment trades, were in exactly the same position. Ground between the gambling nature of their contracts and insufficiently secured credit, the fear of ruin in their hearts, they had been driving the rowels deeper and deeper into the flanks of the animals who worked for them—on whose backs they hoped to win to the gilded goal of success. But revolt from such conditions was inevitable. Strikes were constantly occurring. This fear was the worst of Jake Goldfogle's nightmares.

The revolt of the garment workers was as yet unorganized and chaotic. There were a dozen odd unions, but few of them were strong or well disciplined. Too many of those in the trade were immigrants from southeastern Europe and the Russian Pale—where only a few of the men are literate. Most of them were women—mothers. When the long hours in the shops were over, they hurried home to their children. It was very hard to get them to meetings.

But in spite of all these handicaps the workers were gradually organizing. Such strikes as had already occurred had had little effect except to ruin the smaller bosses. The large manufacturers could afford to wait until their "hands" were starved back to the machines. But so close was the contest,—it mattered little whether the trade was vests or shirtwaists or overalls,—that a few days' interruption was enough to ruin the weaker bosses. The small fry, like Jake, echoed the sentiments of Le Grand Monarque—The Deluge might come after, if only they could speed their contracts to completion. And so, with ever increasing viciousness, the rowels were driven deeper and deeper.

It had been a surprising sensation to Jake Goldfogle to discover that it was more pleasant to look through his spying window at the curve of Yetta's neck and the wild little curls of rich brown hair that clustered about it than to add up columns of figures. Even the unhealthy, stooped curve of her spine as she leaned forward to the machine seemed gracious to him. He looked forward eagerly to the times, every half hour, when he went out into the shop on a tour of inspection, for then he could catch glimpses of her face. To be sure she never looked up from her work while he was watching. But there was one place where he could stand unnoticed and see her in profile. It was a marvellously regular face for the East Side. The dark curve of her eyebrows was perfect, and sometimes he could catch the gleam of her eyes. The skin of her throat was whiter even than Mrs. Weinstein's. She was a trifle thinner than Jake's ideal—but he told himself she would fill out. All this added color to his dream of success, a deeper shade to his fear of ruin.

A man of another race would probably have lost his head and asked her to marry him. But Jake had a deep-seated habit of planning for success. Long before he had noticed the grace of her body and face he had realized that she was the best worker in his shop, "the pace-maker" for the whole establishment. If success was to be won, it would be by just that very narrow margin, which the breaking in of a new "speeder" would jeopardize. So he had tried to put her out of his mind till the "rush season" was over. Intent on his main purpose he had not thought of her physical well-being. She was young and healthy looking. It had not occurred to him that a few weeks more or less would matter. The pain in her back surprised him.

If the incident had occurred in the morning, he might have called her into his office then and there and asked her to marry him. Things had looked brighter in the morning. But at lunch—a frugal affair, two sweet buns and a glass of tea—he had heard disquieting talk of the "skirt-finishers" strike. It had been more serious than most. Half a dozen shops had been already wiped out. And his informant—a hated competitor—had gloomily foretold trouble in their own trade. If strikes broke out among the "vest-makers," it would tighten credit. The call of a couple of loans would be the end of Jake. No! He could not afford to take Yetta out now. Any one who came to take her place might be infected with the virus of Unionism. His own women did not know what a strike was. No. He could not risk it. If Pincus & Company paid promptly on the next delivery, he could take up those dangerous loans and then—perhaps—

He put his face close to the spying window and looked out at Yetta's back. He wondered just where the pain had been and whether it still hurt.

"Poor little girl," he said.

But Yetta knew nothing of her boss's intention. She could see no outlet. The future stretched before her, so barren that it hurt to think of it. But she could not escape the thought. Was she to get fat and ugly like Mrs. Levy? Would the pain come again and would she slip down—as Mrs. Cohen prophesied—coughing herself to uselessness?

CHAPTER IV LIFE CALLS

In the months that followed Rachel's departure Yetta began to lose hope. She could see no promise of escape, and lethargic time gradually faded the colors of her dream. The flame of holy discontent which had blazed for a while in her soul threatened to go out. Sometimes she wondered what had happened to Rachel. But "Speed" eats up a person's power of wondering.

Yetta had been at the machine for a long time now. Her muscles had become hardened. She did not often suffer from weariness any more, but she had, without knowing it, commenced to go downhill. The immense reserve of vitality, which is the blessing of so many of her race, was running low. It was amazing how her strong young body had resisted the strain. But any doctor would have shaken his head over the future. After all there is a limit, beyond which the nerves and muscles of a woman cannot compete with electricity and steel.

One night, a few days after the pain had come in her back, an American woman knocked at the door of the Goldstein flat while Yetta and Rosa were eating supper.

"I'm a neighbor of yours," she said. "My name is Miss Brail. I've come to get acquainted."

Mrs. Goldstein looked up hostilely from her sewing. Rosa, surly as usual, went on with her eating. But Yetta offered the intruder her chair. The visitor seemed used to such cold receptions; she sat down placidly and tried violently to establish more friendly relations.

She and some other women had rented the house across the street and were going to live there. It was to be a sort of a school. First of all they were going to start a kindergarten and day nursery for the children of women who worked. Rosa interrupted harshly that there were no children in their household. Miss Brail refused to be rebuffed. They were also going to have a sewing school for young women. Rosa, who had accepted the responsibility of the conversation, although she had not stopped eating, said that she and Yetta sewed all day long and did not need to learn.

"Well," Miss Brail continued bravely, "we will have a cooking-class too."

Rosa replied that her mother cooked for them.

"But don't you want to know how to cook yourself? Some day you'll have a home of your own, and it will be worth while to know how to cook good meals cheaply. Why, if the wife only knows how to buy scientifically and understands a little of food values, you can feed the ordinary family on only—"

But once more Rosa interrupted her. She had finished her meal and, emptying her tea-cup with a noisy sip, she stood up in her gaunt, twisted unloveliness.

"Do you think any one's going to marry me?" she asked defiantly.

Miss Brail did not have the heart to answer the question truthfully. She turned towards Yetta, who—confused by the implication of her look—hung her head and blushed. Rosa laughed scornfully.

"She ain't got no money. Nobody'd marry a girl for her looks, even if she could cook."

At this blasphemy against Romance, Miss Brail became eloquent. She was very definitely unmarried herself. But not so much an "old maid" as a new woman. It would have been impossible to picture her fondling a cat. She was almost athletic in her build, her hair was combed to hide the few streaks of gray, her eyes were young and full of fire. Her tailor-made suit was attractive; in a very modern, businesslike way, even coquettish. You could not look at her without feeling that no one was to blame but herself that she was unmarried. She delivered an impassioned harangue on the subject of men. Of course there were soulless brutes who would marry only for money. But the right sort of a man would just as soon take a poor girl as a rich one if he really loved her. She knew lots of that kind. They were going to have clubs and classes for young men in the house across the way—she called it The Neighborhood House. And once a month they would have dances. She invited Rosa and Yetta to come.

At the word "dance," Mrs. Goldstein stopped sewing, and sticking her needle in her wig, got up threateningly. No! Neither her daughter nor her niece would go to a dance. With her bony hand she pointed emphatically at the door. Miss Brail protested that the Neighborhood House dances would be eminently respectable; only the young men and women they knew personally. She tried to say that it was good to give the girls a chance to meet men in clean, orderly surroundings. But she could not resist the old woman's wrath, and at last, shrugging her shoulders in defeat, she went out.

Mr. Goldstein, when he heard of the incident, added his curses to those of his wife. Dances had been the ruin of one daughter, and that was enough disaster for a self-respecting family. Besides, these Goyim were trying to undermine the True Religion. David was hardly a religious man. But social settlements always took an interest in reform politics. Tammany Hall had small reason to be friendly with them. And as he could think of no arguments, this religious talk seemed a handy weapon.

But all her uncle's and aunt's denunciations could not persuade Yetta that Miss Brail was evil. Morning and evening, as she went out to work and came home, she stopped a moment on her doorstep to note the progress of rehabilitation in the house across the way. What the East Side calls the "parlor floor" had formerly been a store. Its great plate-glass window was cleaned and a heavy curtain was stretched across the lower half, so that people on the sidewalk could not look in. White dimity curtains were hung in the upstairs windows. The fine old front door was painted white, the rusted banister of the steps was replaced by a new and graceful one of polished steel. Before long the "residents" moved in. Their arrival coincided with the appearance of beautiful potted plants inside the windows.

Although the screen hid the front parlor from the street, it was not high enough to hide it from the windows of the Goldstein's flat. From that vantage-point Yetta learned the routine of evening work in the Settlement. A bulletin-board beside the door helped her to put names to the things she saw. On Monday nights there were meetings of "The Martha Washington Club." They were young women of her own age, and Miss Brail presided. There was generally some "uptown woman" who spoke or sang to the girls. This part of the evening's entertainment lasted until nine, then they grouped about Miss Brail at the piano and practised some choral music. They ended with half an hour's dancing and went home a little after ten. Tuesday night there was a club of boys. Wednesday night a class in sewing. Thursday night "The Abraham Lincoln Debating Club" held forth. Most of them were young men in the early twenties, but a few were older. On Friday there was a "Mothers' Club," and on Saturday night a magic-lantern show.

At last it came time for the monthly dance. Yetta had noticed the announcement on the bill-board several days before. On the eventful night she pretended to be sleepy and went to bed early, but as soon as Rosa began to snore she wrapped herself in her shawl and a blanket and tiptoed out into the front room to watch the ball. The Martha Washington Club had turned out in force, dazzlingly beautiful in their best clothes. The black-suited young men of the debating club also looked very wonderful to the hungry-eyed girl who watched it from afar. As was the strange custom of The Krists, the big window was opened although it was mid-February, and the sound of the four-piece orchestra and the laughter came up, unobstructed, to Yetta's ears.

She had never been so happy in all her life, but most of the time her eyes were filled with tears. She imagined herself first as one of the girls and then as another. There was one whose shirtwaist seemed especially beautiful. Yetta was convinced that if she were a millionnaire, or if a fairy godmother should offer her one choice, she would choose just such clothes. There was one of the young men, a curly-haired, laughing fellow, whom she had noticed on Thursday nights. Whenever he took part in the debates, all the other men clapped violently. Generally she imagined herself dancing with him.

After a while the music stopped. Miss Brail and the other settlement women brought in trays loaded with lemonade and sandwiches and cakes. The curly-haired man sat down beside the girl in the resplendent waist. Hot little blushes chased themselves all over Yetta's body. It frightened her even to imagine that she was so gayly dressed, that such a man sat close to her and whispered in her ear, looking at her and laughing all the time.

The supper fire had not yet burned down in the Goldstein's sordid kitchen-eating-sitting room. It was stuffy and hot, but Yetta, in spite of her shawl and blanket, shivered when the intermission was over. The curly-haired man nonchalantly put his arm about the gorgeous shirtwaist and, with his face rather close to his partner's, swung off into a dizzy two-step. Yetta felt as if she had been suddenly caressed. She had to grit her teeth to keep them from chattering.

A tremendous storm had broken out in the breast of the little sweat-shop girl. Sometimes she had to close her eyes, the beauty of the vision was so dazzling. For a moment she would tear herself away from the blighting memory of reality, and her soul seemed to float away from her body into the brightly lit room across the way. In the most deeply spiritual sense she became part of that gay scene. She was arrayed in gorgeous clothes. Men—even the wonderful curly-haired man—sought her as a partner. And she could laugh!

But the Blessed Angel of Forgetfulness is—like her sister, the Spirit of Delight—an inconstant hussy. No Wise Man of all the ages has learned the trick of keeping her always at his side.

The memories of the day's stark realities would submerge Yetta. Back of her was the squalid flat, the snores of her loveless relatives. In her dark bedroom her one frayed dress was hung over the back of a chair, waiting for her to put it on and hurry through the dawn to Jake Goldfogle's Vest Shop. Routine—hopeless monotony! A prison tread—from the vitiated air and uneasy sleep of the tenement, so many steps to the cruel speed and inhumanity of the Machine. Then so many steps back to the tenement, and all to do over again.

In front of her—in the room across the street—"Life-as-it-might-be." Beauty—thrilling excitement—joy!

The eyes of Yetta's soul swung back and forth from one vision to the other. Through the long evening she knelt there by the window, so forgetful of her body that she did not realize how the dirty window ledge was cutting into her elbows, how her knees were being bruised on the unswept floor.

At last the musicians put away their instruments. Every one clapped insistently and crowded about Miss Brail. But she waved her watch in their face. A distant church-bell tolled midnight. Yetta stayed at her post until the last laughing couple had shaken hands with the ladies at the door. For several minutes more she watched the shadows on the upper windows, while the "residents" talked over the success of the dance. She watched till the last light was out, then she crept back to bed and cried herself to sleep.

The tears she shed that night were not the kind that heal. There was acid in them which ate into the quick. For nearly four years her body had been on the rack. Now her soul was being torn. The questionings which had troubled her after Rachel's disappearance became more and more insistent. Was she never to know what joy meant? Was day to crawl along after day in desolate and weary monotony? Was this dull ache of soul-hunger never to be relieved until some indefinite future was to find her—cheated of everything—cast out useless on the human refuse heap? Was this weary plain of uneventfulness never to be broken by any dazzling mountain peaks nor shady valley?

Shortly after the Settlement Ball, which Yetta had watched as a starveling beggar peers through a baker's window, Life suddenly opened up. The drab monotony was illumined by a lurid display of fireworks. Rockets of glaring, appalling red shot up into the night. There was a great white blaze of hope, and all the sky became suffused by the soft caressing colors of unsophisticated Romance.

The sweat-shop motor broke down. Jake Goldfogle cursed and tore his hair. He kept his "hands" waiting in idleness half through the afternoon, until the electricians had come and said that the damage could not be righted till midnight. Then Jake surlily dismissed his women. It was rare that Yetta had such a holiday. There was no reason for her to go to her dreary home. It was a precocious spring day, the sun shone with a heat that made the streets attractive.

Wandering about aimlessly, Yetta came to Hamilton Fish Park. The faint suggestion of rising sap which came to her in that open space seemed infectious. The questionings which had disturbed her returned with new force. Why? What did it all mean? Was there no escape?

Suddenly her attention was caught by a familiar figure, Rachel, arrayed in cheap finery. Yetta quickened her pace to overtake her and called her. It was a great shock to Rachel when she recognized her. She stared at her in bewilderment, but it was surely Yetta,—Yetta of the old life, of the great sad eyes, with the same old shawl over her head.

"The motor broke in my shop," Yetta explained as they sat down. "I came out for a walk. Where are you working?"

"I ain't working."

Yetta's eyes opened wider.

"Are you married," she asked with awe in her voice.

Shame closed Rachel's lips. How could she explain the grim dirtiness of Life to her ignorant little cousin? She started to get up and go away. But suddenly the heart-break of it all—the memory of the girlish dreams she had confided to Yetta—overcame her. She threw her arms around her cousin and cried, great sobs which shook them both. A few words came to her lips, the same phrase over and over: "Oh! Yetta. I wanted to be good." When the first burst of her grief was spent, she began to tell how it had all come about.

At first everything had gone smoothly. She had taken a furnished room with the girl from her shop who had lent her the hat and white shoes for her first dance. "She had a crush on me," Rachel explained. They had led a joyous but quite innocent life, working hard all day and two or three nights a week going to dances. As far as they knew how to choose they went to respectable places. Several men had paid court to Rachel. A clerk in a dry-goods store on Sixth Avenue had been in love with her. He was serious. But he was earning very little, had a marriageable sister, and wanted to wait a couple of years. She had even become engaged to one man. At first, she said, she had "been crazy about him." She had let him kiss her and make pretty violent love to her. But after a while she saw he was "a spender," too free with his money—like her father. She did not want a man like that, so she had sent him about his business. Then her room-mate "got a crush" on another girl and had left Rachel alone in the furnished room.

"What can you do?"—she began to cry again—"when you ain't got no place to have your friend call except a furnished room? All alone? A girl ain't got no chance—all alone—like that."

She could not tell Yetta what came next, so she asked about the family. As Yetta told her meagre store of news, the flood-gates of Rachel's bitter heart opened. She cursed her family. They were to blame for her disaster. Why had not her father made a decent home for his children? Was it her fault that her brother was a crook? If they had been honest and thrifty, they could have given her a marriage portion. Worse than doing nothing for her, they had even eaten up her wages. If she had been an orphan, she could have put some of her pay in the bank—she could have saved enough money to get married on.

"Don't you let them cheat you, Yetta," she broke out, "the way they cheated me. Perhaps I'm a bad woman, but I never cheated little girls the way they cheated us. I never robbed an orphan like they done to you. You're a fool to stand for it. Why should you give them your wages? Haven't they cheated you enough? They made your poor father pay too much board. The funeral never cost like they said it did. And now they're stealing your wages. I tell you what you do. You find some good woman in your shop, who'll take you to board, and put your money in the bank. But don't go to no 'furnished room.' Furnished rooms is Hell! You—"

"Hello, Ray. Introduce me to your friend."

The intruder's voice sent a convulsive shiver through Rachel. He wore a suit of dove-gray, the cuffs and collar of which were bound with silk braid. There was a large diamond in his scarlet tie. As though he did not wish to be outdone by the sun in its premature glory he wore a slightly soiled Panama hat, shaped after the fashion depicted in photographs of the German Crown Prince.

"I say," he insisted, and there was a twang of menace in his soft voice, a more evident threat in his hard domineering eyes, "I say, introduce me to your friend."

"She's my cousin, Yetta Rayefsky," Rachel replied reluctantly.

"And my name," he said with easy assurance, "is Harry Klein. I'm glad to make your acquaintance, Miss Rayefsky. Do you dance as well as your cousin?"

"I've never been to a dance," Yetta stammered.

She was very much flustered by his stare of frank admiration. No man had ever put a "Miss" to her name before. Again the hot blushes chased themselves over her body. But he did not seem to notice her embarrassment.

"I was walking along the street," he said, "and noticed Miss Goldstein here in the Park. I came to ask her to go to the Tim Sullivan ball with me to-night. Won't you come along?"

"She ain't got no clothes for a ball," Rachel said.

"I'm sure," he said, his eyes turning hard again, "that you could lend her some."

But Yetta was frightened beyond words at the bare idea of going. She refused timidly.

Harry Klein urged her, managing gracefully the while to weave in the story of his life. He was a commercial traveller for a large silk-house on Broadway. Of course it was very good pay, and in a few months he was to be taken into the firm, but it had its inconveniences. He did not get to New York very often. He liked dances, but it was no fun to go alone. Being away so much, he did not know many nice girls. He had no use for the kind you can "pick up" at a ball. He did wish she could come. He knew another travelling man who was also in town—a friend of his. It would be great fun for the four of them to go together.

But he did not push his urgings too far. He was sorry she would not come, but he hoped Miss Goldstein could find a partner for his friend. Would she come now on that errand?

"I'm sorry to run away with your cousin, Miss Rayefsky," he said, signalling Rachel to get up. "And I sure hope I'll have the pleasure of meeting you again."

He bowed very low, made a gallant flourish with his hat, and taking Rachel by the arm, started off gayly. But he turned back after a few steps.

"I'm not going to be discouraged," he said with his very best smile, "because you won't go with me to-night. I like your looks and want to get acquainted with you. I'll see you again."

Once more he flourished his hat, and rejoined Rachel.

Yetta sat still on the park bench for a long time after they had gone. She tried to make some sense out of Life. But it was all very perplexing. What did Rachel's story mean? In a vague way she had heard of the women who are called "bad." She knew their more blatant hall-marks. Rachel's cheeks were painted; she had spoken of herself as "bad." But the term did not mean anything to Yetta which could include a girl like her cousin who "wanted to be good." She understood that Rachel was unhappy, bitter, and very much ashamed, but she could not think of her as sinful or vicious. She tried—but entirely in vain—to imagine what sort of life Rachel was leading. She tried to picture in what sort of acts her "badness" consisted. She had heard somewhere of "selling love," but she had no idea how it was done. It was very perplexing for her—indeed it has perplexed older and wiser heads—to discover that "bad" people may after all be good.

But it was hard for her to keep her mind on this problem of ethics. It was very much easier to think of Harry Klein. She had never talked to so courteous and well dressed a gentleman. The dream of the curly-haired debater was wiped from her mind—Harry Klein was much better looking.

A queer question shot into her mind. Did a girl have to be "bad" to have such enchanting friends? No. That could not be. He had wanted to be friends with her. She knew she was not bad.

He had said he wanted to be her friend! The blood raced through her veins at the thought. She went over again in her mind all her arguments with Rachel. The only possible way to escape from the sweat-shop was to marry. Of course she could not hope to win so debonair a gentleman as Harry Klein. But rescue—if it were to come at all—must come in some such way. It was her only hope.

CHAPTER V HARRY KLEIN

When they were out of hearing, Harry Klein tightened his grip on Rachel's arm.

"Say, Kid, that cousin of yours is a peach. Why didn't you put me on before?"

"Oh, Jake," Rachel pleaded, "leave her alone. She ain't got no chance. She's only a kid. She ain't got no father or mother. Oh, Jake, please. Promise me you'll leave her alone. There are lots of other girls. She's only a kid. Please—"

"Oh, shut your face," he growled; "you make me tired."

And he began to whistle a light-hearted ditty. Rachel might just as well have gone to Jake Goldfogle and have asked him, for the same reasons, not to drive her cousin so hard. She might just as well have asked you or me to pay a decent price for our clothes. Harry Klein, just like Mr. Goldfogle—just like you and me—needed the money.

"Where's 'Blow Away'?" he asked, interrupting his whistling.

"He's asleep," Rachel said.

"Well—we'll wake him up."

They turned down a side street.

"Jake," Rachel began again, "I'll find you some other girl—I'll do anything for you. Oh, Jake, please."

"Shut up," he growled. "Tell your troubles to a policeman."

They went up three flights of dirty stairs to a door which Rachel opened with a latch-key. It gave on a long hall. Turning to the left, they entered a parlor fitted out with cheap plush furniture. The windows were closed, the air heavy with the scent of stale beer and cigarette smoke—all the varied stenches of a debauch.

"Wake him up," Jake ordered.

Rachel turned down the hall and opened a bedroom door. The air was even worse than in the parlor. A thin-chested youth of twenty-eight or so was asleep, lying across the bed on his face. The butt of a pistol stuck out of his hip pocket. His coat and vest and shirt were on the back of a chair, his shoes on the floor.

"Charlie," Rachel called.

There was no response. She approached the bed cautiously and gave a pull at his foot, jumping back out of reach as soon as she had touched him. There were a couple of angry grunts.

"Charlie," she called again.

He sat up with a roar of profanity.

"How many times have I told you to leave me alone when I'm sleeping? I'll break your dirty face for you."

"Jake's in the front room," she interrupted him. "Wants to see you."

"Jake?" He lowered the hand he had raised to strike her. "What in Hell does he want?"

"How do I know?"

"You never know nothing," he growled sourly, rubbing the sleep from his eyes. He shuffled down the hall in his stocking feet. When the great ones of the earth are waiting, you cannot stop to put on shoes.

"Hello, Blow Away," Jake said. "I've got something to say to you. Your bundle"—he indicated Rachel—"steered me up to a honey bunch this afternoon, named Yetta Rayefsky. The little doll took my eye. See? She's Ray's cousin. I just want you to explain to her—as a favor to me—that she mustn't butt in. The less talking she does with her mouth the better it'll be. You'd better impress it on her, so she won't forget? See?"

Charlie—alias Blow Away—saw. And Rachel saw. She cowered down in a corner and promised not to warn Yetta—if only they would not beat her. But it was a basic belief of these two gentlemen that "a beating is never wasted on a woman."... It was from this time that Rachel began to kill herself with "booze." She did not like to remember how she had betrayed Yetta. And drink helped her to forget.

There were few things which Jake, or Harry Klein—it does not matter what name we use for him, for a hundred aliases were on the back of his portrait in the Rogues' Gallery—there were not many things which he enjoyed more than seeing some one cower before him. The servility with which "Blow Away" had obeyed his orders, the wild terror and passionate pleadings of Rachel, had tickled the nerves of his perverted being, and he smacked his lips as he went downstairs and out into the twilight of the open streets.

He was the recognized leader of the principal East Side "gang"—a varied assortment of toughs, "strong-arm men," pickpockets, "panhandlers," and pimps. It must not be supposed, however, that these various professions were sharply differentiated. There is a hoary tradition which says that once upon a time the under world of New York City was divided into rigid classes and cliques, when a "dip" looked down on a beggar, and highway robbers had a professional pride which kept them from associating with panders. But in the year of grace 1903—when Jake's crooked trail ran across Yetta's path—such delicate distinctions, if they ever had existed, were entirely lost. Many a man who claimed to be a prize-fighter sometimes "stuck up a drunk." The "flyest" pickpocket did not disdain the income to be derived from the sale of "phony" jewellery. It was no longer possible to distinguish a "yeggman" from a "flopper," and even bank robbers wrote "begging letters." And of all "easy money," the easiest is from prostitution. There were very few denizens of the under world who did not have one or two women "on the string." Even the legendary aristocracy of forgers had sunk thus low.

The political manifestation of the gang over which Jake ruled was the James B. O'Rourke Democratic Club, of which he was president. This organization maintained, with the help of a subsidy from Fourteenth Street, a shabby parlor floor club-room on Broome Street. They gave one ball and one picnic a year. A central office detective, if he had attended a meeting, could have given a "pedigree" for almost all the members. But the political bigbugs, the members of the city administration, who sometimes came to visit the club, did not bring a detective with them. They saw only a roomful of ardent young Democrats. The good-will of the club was an important asset to aspiring politicians; the members would willingly vote half a dozen times for a candidate they liked.

The social centre of the gang was a "Raines Law" hotel on lower Second Avenue. It had a very glittering back parlor for "ladies." There, and in the Hungarian Restaurant next door, Jake's followers spent their moments of relaxation. The frontier between their territory and that of hostile gangs was several blocks away. The "hang out" was just inside the borders of a police precinct, with whose captain they had a treaty of peace.

The more professional headquarters were in an innocent-looking barber shop on Chrystie Street. In the back there was a pool parlor. The lamps were so shaded that the table was brilliantly illumined and the rest of the room was black. If you walked in from the brightly lighted shop in front, you could not tell how many people were there, nor how many pistols were pointed at you. From the toilet-room in the back there was an inconspicuous door into the alley, which, besides its strategic advantages, led to the back door of Pincus Kahan's pawnshop. Much stolen goods followed this route.

A sort of Robin Hood romance has been thrown around the notorious gang leaders of Lower New York. As usual, the reality back of the romance is a very sorry thing. Jake, for instance, was not an admirably clever, nor strong-willed, nor fearless specimen of the genus homo. To be sure he excelled many of his stunted, defective, and "cocaine-doped" retainers in these qualities, but above all he owed his position to a calculating, patient prudence. Discretion is certainly the better part of valor in knavery, and while most crooks are daredevils, Jake was discreet.

Since his first detention in the House of Refuge, Jake had managed to keep out of jail. On his release he had organized a "mob" of pickpockets. Most of its members were boys he had met in that worthy institution. Neither the House of Refuge nor any of the other "reformatories" are to be blamed for the crimes of those who have passed through them. Many of their inmates are taught honorable trades, and some follow them after release. Nearly half of the juvenile pickpockets who gathered about Jake had never been arrested—and they were every bit as bad as those who had been in the House of Refuge.

Owing to their leader's discretion, this little "mob," which had affiliated with the dominant East Side Gang, enjoyed an almost unbroken run of prosperity. But when he had turned eighteen, Jake retired from the active practice of his profession. There was as much money and more security in women. Nature had endowed him with the necessary external charms. He enjoyed cleanliness, he was good looking, and above all he had a soft, persuasive voice.

His covetousness, joined with a natural ability at organization, was always pushing him into new enterprises. He gathered together the wreck of the notorious Beggars' Trust. He joined "The Independent Benevolent Society," and cornered the business of supplying girls to their "brass check" houses. One after another, he gained control of the gang's most lucrative ventures. Almost any other man of the under world would have made a play for acknowledged leadership long before Jake did. He was modest, or, as his enemies said, a coward. He waited until sudden death or imprisonment had removed his principal rivals—until the leadership was practically forced upon him.

There were cleverer, more strong-willed, braver men in the gang than he. But he was never careless. A civil war within the political machine had given him an opportunity to make explicit and profitable treaties with those "higher up." He had sense enough to leave "dope" alone. He lacked the imagination to have any sentiment of loyalty or any sympathy, and this made him what is called unscrupulous. Like most cowards he was bitter and cruel in revenge. He had never killed a man with his own hands, but he ruled his organization of "thugs" through fear.

It was two days after her encounter with him in the Park before Yetta saw him again. As she came out of the factory, after the day's work, she almost ran into him.

"Why, hello, Miss Rayefsky," he greeted her. "Your cousin Ray told me where you worked. May I walk along with you?"

He walked beside her to the corner of the street where she lived. Glowing stories he told her of the Ball, how much fun he and Rachel had had, and how sorry he was that she had missed it. Really, she ought to have come. What fun was there for working girls if they did not go to dances? To be sure some girls were too crazy about it, went to balls every night and stayed up too late. He disapproved of such doings. He had to work. And he did not want to be sleepy in the office. No, indeed! A serious young man with ambitions could not afford to try the all-night game. He very seldom went to balls except on Saturday night.

Hairy Klein, alias Jake, had sized Yetta up and decided on the "serious" talk.

It was several days before he turned up again. He explained that he had been "out on the road." In the course of half a dozen such walks he opened his heart to her. There was nothing about himself which he did not tell her. She knew all his ambitions and hopes, the names of his influential relatives, the details of his serious, laborious life, and the amount of his balance in the Bowery Savings Bank. Pretty soon the "bosses" would keep their promise and take him into the firm. They would be surprised to find how much capital he had accumulated. Meanwhile he was learning the business from A to Z. What he did not know about silk was not worth knowing.

To all this fairy-story Yetta listened with credulous ears. The young man had a convincing manner; he was courteous and well dressed. And besides, Rachel would have warned her if he had been bad.

If Yetta had grown up with boys, if she had played at courtship,—as most young people happily do,—she might have seen through the surface glitter of this scoundrel. She had no standard by which to judge him.

But in a timidly defensive spirit she refused to go to a dance with him. It was partly the instinct of coquetry, which told her to struggle against capture. It was more her humility. When he said he liked her, thought she was good looking, wanted "to be her steady fellow," and so forth, it made her throb with a strange and disturbing pride. But it also made her distrustful—it was too good to be true. He had somewhat over-colored his romance. If he had only pretended to be a clerk at $11.50 a week and meagre expectations, it would have been easier to accept. But why should this rich and brilliant young conqueror want poor, penniless her?

It was not so much that she doubted Harry's truthfulness; she found her good luck unbelievable. And this uncertainty tormented her. Despite her lack of experience, she had a large fund of instinctive common sense. She realized that she could not compromise with Life. Either this man was good, wonderfully, gorgeously good, in which case the slightest distrust was folly and cruelty, or he was bad—then the smallest grain of trust would be dangerous. She felt herself utterly unable to decide wisely so momentous a question. She longed ardently for some older confidante, some woman whose goodness and wisdom she could trust. She wished she knew Miss Brail and the Settlement women. She was sure they were both wise and good.

There was her aunt. In her desperate extremity she proposed one night that Harry should call at the Goldstein's flat. But when he refused, she could not blame him. His argument was good. Her aunt was sure to oppose any one who threatened to marry Yetta and divert her earnings. He stood on the street-corner and urged her earnestly to leave her relatives. He had wormed from her all the sordid details of that miserable family. Why should she give her money to a drunkard who had no claim on her? He knew a nice respectable place where she could get a room for half her wages. She could buy some nice clothes with her savings. He made quite a pretty speech about how much better she would look in a fine dress. It was his firm conviction that she was the most beautiful girl in New York.

Yetta knew that it was foolish for her to go on living with the Goldsteins. As Rachel had said, they were and always had been cheating her. But a dread of the unknown kept her from at once accepting Harry's advice. The waves of Life were swirling about her dizzyingly, and she felt the need of a familiar haven. She held on in panic to the only home she knew, sparring blindly for time, and hoping that something would happen to convince her definitely whether or not she ought to put trust in the alluring dream.

But all the time her instinctive resistance was weakening; she had begun to give into his seduction. Her growing horror of the "sweated" monotony of her life was forcing her relentlessly into the clutches of this pander. Strain her eyes as she might she could see no door of escape unless some such lover rescued her. Whenever she tried to think of the possible dangers of believing in Harry Klein, a mocking imp jeered at her with the grim certainties of life without him. What risk was there in the dream which was worse than the inevitable barrenness and premature fading of the sweat-shop? She listened eagerly to what he said about the flat they would rent in Harlem. But with more thrilling attention, she listened to his stories of dances. Her heart hungered passionately for a little gayety. And then there was the fear that at some dance he might meet a more attractive girl and leave her.

She was no longer handing over all her wages to her aunt. Under pretext of a slack season she was holding back a couple of dollars a week. She carried these humble savings wrapped in a handkerchief inside her blouse. Every time she felt the hard lump against her body, her heart gave a little jump. She would have some money to buy a hat and some white shoes for her first dance.

Jake, alias Harry Klein, had a more devious psychology. When "Blow Away" asked him one night, in the Second Avenue "hang-out," how things were going with Ray's cousin, Jake's lying face assumed a faraway contented smile. But inwardly he was raging over Yetta's stubbornness. He was not used to such long chases. When he had first seen her, his money-loving soul had revolted at so shameful a waste of earning capacity. A pretty girl like that working in a sweat-shop! He had followed the scent without much enthusiasm. It would be an affair of a couple of weeks. Most pretty girls want good clothes to look prettier. Most of them lost their heads if a well-dressed man made love to them. The grim, hopeless monotony of poverty made most of them hungry for a larger life. It was really sickening to a man of his experience to see how greedily they swallowed his story of the silk firm on Broadway. It was—and this was his expression for supreme easiness—like stealing pennies from a blind beggar.

Yetta by her stubborn caution had won a sort of respect from him. His pride was engaged. His face flushed when he thought of her. She stirred in him something more than vexation. The girl "on his string" who was at the moment enjoying his special favor suddenly seemed stupid and insipid to him. In his distorted way he rather fell in love with Yetta. His day-dreaming moments were filled with passionate lurid pictures of possessing her. Although it was proving a long chase, he knew the odds and was sure of the outcome. Sometimes he thought almost tenderly of the time of victory. Sometimes his face hardened, and he vowed he would make her pay.

The pursuit had dragged on a solid month when quite by chance he stumbled on an argument which won his case.

He began to worry about her health. She ought to get out of the sweat-shop. It would kill her. He told her horrible stories about how women went to pieces in the sweat-shops, how they got "bad lungs," or went blind, or had things happen to them inside. He would, the very next day, find a position for her in a store or some place that would not be so hard on her. It did not matter if the wages were not so good; it broke his heart to think of her ruining her health. As soon as they took him into the firm he was going to marry her. He did not want his wife to be sick or crippled.

In his mind was a dark and sinister plan to entice Yetta from her home and establish her in nominal employment with some complaisant woman. He was really a very stupid young man. He did not realize that in all her life Yetta had never had any one worry about her health. He did not guess how his solicitude, which seemed so unselfish, had choked her throat and filled her eyes with tears. He went on with his evil eloquence, when all the time he might have put his arms about her and kissed her, and carried her off wherever he wished.

The next afternoon in the sweat-shop, the pain smote Yetta in the back once more.

CHAPTER VI THE PIT'S EDGE

This second backache did not cause any noticeable interruption in the day's routine. Yetta gritted her teeth and kept the pace—if anything, increased it. But while her fingers flew back and forth over the accustomed work, her thoughts soared far afield. If there had been persuasiveness in Harry's words, there was ten times as much eloquence in that sudden clutch of pain. As Mrs. Cohen had prophesied, it had come back. How soon would she feel it again?

At last the motor stopped its crazy rattle, the roar of the belts turned to a sob, the day's work was done. Yetta arranged her shawl with trembling fingers and hurried down the stairs. But she hesitated a moment inside the doorway before plunging out into the pack of workers who were hurrying eastward.

The ebb and flow of this tide of tenement dwellers is one of the momentous sights of Manhattan. At five in the morning the cross-town streets are almost deserted. On the Bowery the milk wagons and occasional trucks rattle northward in the false dawn. The intervals between the elevated trains are long. But the side streets are even more lifeless. Now and then shadows flit eastward—women, night workers, who scrub out the great Broadway office buildings. They would be shadows even in broad daylight. Towards six one begins to hear sharper, hurrying footfalls—coming westward. The tide has begun to flow. It grows in volume with the increasing light. The congested tenements have awakened; by six the flood is at its height. So dense is the rush that it is hard to make way against it, eastward. So fast the flow that the observer can scarcely note the faces. It is the backs which catch the eye and leave an impress on the memory. A man who walked like a soldier—upright—in that crowd would seem a monstrosity. Even the backs of the little children are bent. They seem to be carrying portly persons on their shoulders.

Then for close to twelve hours these side streets are almost deserted again—till the ebb begins. It is hard to decide which sight is the more awesome: the flow of humanity hurrying to its inhuman labor or the same crowd ebbing, hurrying to their inhuman, bestial homes.

But Yetta was not thinking of her fellow-workers. With the egoism of youth she was thinking of herself and the pain in her back. Harry had been right—the sweat-shop was killing her. There was a chance of escape and Life might never offer her another. She had come to the now-or-never place. Yetta was not a coward, she was only timid. And the bravery of timid people is sublime. For only a moment she hesitated in the dark hallway, below Goldfogle's Vest Company, and then with a smile—a fearless smile—on her lips she stepped out into the glare of the arc-light. Harry was waiting for her. She slipped her hand confidently into his arm.

"Say, Harry, to-morrow night, let's go to a ball."

"What?" he said, stopping short, to the surprise and discomfort of the home-rushing workers. "What?"

"Sure. I want some fun."

At last she had swallowed the bait! He could hardly believe his ears. But he was afraid to seem too eager. They were swept along by the hurrying crowd almost a block before he spoke.

"How about clothes?"

"I got some," she said. "I'll bring 'em to the shop and put 'em on there."