[Contents.] A few minor typographical errors have been corrected.
[Index] [List of Illustrations]
(In certain versions of this etext [in certain browsers] clicking on the image will bring up a larger version.) (etext transcriber's note)

IMPRESSIONS OF SPAIN.

IMPRESSIONS
OF SPAIN.

BY
ALBERT F. CALVERT, F.R.G.S.
AUTHOR OF
The Discovery of Australia,” “The Exploration of Australia,”
My Fourth Tour in Western Australia,”
The Political Value of our Colonies,”
etc., etc.

London:
GEORGE PHILIP & SON, LIMITED, 32, Fleet Street.
Liverpool:
PHILIP, SON & NEPHEW, 45-51, South Castle Street.
All rights reserved.
1903.


TO
SEÑOR DON SEBASTIAN BARRIS.

My dear Bárris,

As the pleasure and instruction I have derived from my different visits to Spain have been contributed to so largely by your unfailing kindness and invaluable counsel, so the culminating pleasure of this modest attempt to set down my impressions of your fair country lies in the privilege of inscribing the result to you. In you I shall ever feel that I have a firm and wise friend and lenient critic, and I beg you to enhance the obligation of friendship by accepting this dedication with the assurance of my regard and esteem.

Albert F. Calvert.

“Royston,”
Swiss Cottage, N.W.

PREFACE.

THERE is a character in current drama who devoted his whole life to the writing of a book. He called it a “pamphlet,” because he had intended it to be a pamphlet when he started on his task, but in its completed state the work filled three mighty folio volumes. Although the present volume has not attained such gargantuan proportions, it is considerably longer than I had thought to make it. It is not put forward as an exhaustive or profound study of Spain and the Spaniards, but as a simple record of impressions of people I have met and places I have visited during a series of many journeyings in different parts of that greatly interesting and much misunderstood country. These impressions were meant, in the beginning, to form a small collection of sketches and appreciations; and, although the number has increased beyond the limits of my original intentions, the design and scope of the book have not been revised or amplified. The result of this desultory system of working is a string of disconnected chapters—the first fruits of fugitive note-book jottings collected over a period of several years—rather than a concentrated and comprehensive survey of the subject as a whole.

But the system was also fraught with an unforeseen technical difficulty, as I discovered when I came to arrange my illustrations. The photographs that I acquired—sometimes singly and sometimes in batches—during my frequent visits to Spain, increased out of all proportion to the “increasing purpose” of my manuscript, and in the end I was confronted with the alternative options of leaving out a great many of my most recent and best pictures of Granada and the Alhambra, or of publishing them en masse at the back of the volume.

The fact that I am even now engaged in gathering material and making notes for a work upon the Alhambra, which I hope shortly to publish, tempted me to hold these surplus illustrations in reserve. But I have hopes that the fragmentary nature of my material, and, in many cases, lack of style and finish in its transcription, may be atoned for by the variety and charm of the pictorial side of the book; and, with this desideratum in my mind, I decided to reproduce the overflow pictures in the form of an appendix.

To the many friends in Spain who have assisted me in my work, with counsel, information, practical aid, and inexhaustible hospitality, and particularly to Messrs. Hauser and Menet, Messrs. Laurent and Co., and Señor Garzon, the photographic artists who have supplied me with pictures beyond those I took myself, and favoured me with permission to reproduce them, I wish to tender my sincere and grateful thanks.

It may be that my personal relations with the Spanish people have been more fortunate than that of some other authors, whose books on Spain I have seen; but in a somewhat wide experience of countries and men, I have never met their equals in courtesy and true consideration to the stranger within their gates. I have encountered all sorts and conditions of men in the sunny South, the black North, and the thriving East of the kingdom, and from each and every one I have received nothing but kindness and good-will. I have written enthusiastically in the following pages about the Spaniards, for in every Spaniard I have met I feel that I have a friend.

A. F. C.

Authors’ Club,
London, S.W.,
November, 1903.

LIST OF ILLUSTRATIONS.

Alfonso XIII.[Frontispiece]
PORTRAITS AND PICTURES.
PAGE
The Family of Charles V., by Goya[242]
The Velasquez Gallery in the Museum, Madrid[243]
The Divine Family, by Murillo[246]
Bartolome Esteban, by Murillo[247]
The Divine Family, by Murillo[249]
The Divine Shepherd, by Murillo[250]
A Conception, by Murillo[251]
The King of Spain—1886, 1891, 1892, 1893, 1895, 1896, 1898, 1901, 1902[255]
The King and His Mother[257]
S. M. El Rey Alfonso XIII.[259]
S. A. Infanta Maria Teresa[262]
S. A. La Princesa de Asturias[263]
S. A. R. El Infante Don Carlos[264]
Antonio Fuentes[224]
Luis Mazzantini and Cuadrilla[224]
Guerrita. Bandillero[224]
The Surrender of Granada by Boabdil to Ferdinand and Isabella, 1492[Appendix]
VIEWS.
ALICANTE
Elche (Women Washing)[1]
Elche[5]
The Esplanade[83]
Esplanade and Wharf[84]
The “Martyr’s Promenade”[85], [86]
“ “(High Road)[87]
View of Elche[88]
Entrance to the Station, Elche[91]
MADRID
In Old Madrid[10]
Royal Palace[11]
A Corner in the Royal Palace[12]
The Throne Room, Royal Palace[13]
The River Manzanares[15]
Avenue of San Geronimo and Parliament House[19]
The “Puerta Del Sol,” from the Hotel de Paris[23]
The Bank of Spain[27]
The Counsellor of the Village[31]
An Orange Seller[31]
A Dancer[31]
Full List of Lottery Results[31]
Sketches in Spain[35]
A Milk Stall[39]
The Bull Ring[41]
EL ESCORIAL
Escorial Monastery, the Evangelist’s Court[44]
General View of the Monastery[45]
The Escorial Library[47]
Mass Book of Philip II., the Escorial Library[48]
The Royal Palace, Aranjuez[49]
BARCELONA
General View[51]
A Native of Catalonia[53]
The Cascade[55]
Señor Bárris’s House[57]
Snapshot in Señor Bárris’s Garden[59]
“Rambla de las Flores”[61]
The Colon (Columbus) Promenade[65]
The Columbus Column[67]
Plaza Del Rey[68]
Aragon Street[69]
Lyric Theatre[56]
Exhibition Hall[56]
Principal Theatre[56]
The Prim Memorial[106]
MONSERRAT
The Monastery[71]
TARRAGONA
The Aqueduct[73]
General View[74]
SAGUNTO
The Roman Theatre[75]
TORTOSA
General View[76]
CASTELLON
Winding of the High Road on Cuervo Mountain[77]
VALENCIA
St. Catherine’s Square and Tower[78]
General View[79]
The Exchange[81]
A Valenciana[82]
Trinity Bridge[84]
Glorieta Fountain[84]
The Mediterranean Shore[84]
Beaching the Boats[84]
Valencian Beauties[240]
A Tartana[92]
CARTHAGENA
General View[89]
MURCIA
A Native of [92], [93]
A Noon-time Halt[92]
The Harvest Cart[92]
A Cartload of Tinajas[92]
TOLEDO
Church of Santa Maria de la Blanca[95]
The Visagra Gate[96]
The Door of the Sun[97]
The Cathedral[99]
St. Martin’s Bridge[101]
Church of San Juan de Los Reyes, Courtyard[102]
The Cathedral, Central Nave[102]
“Exterior of High Altar[102]
“The Lion Door [102], [104]
“The High Altar[97]
“Sepulchre of Alonso de Carrillo[104]
“General View of the Choir-stalls[100]
“Interior[100]
Church of San Juan de Los Reyes, Retablo[104]
“ “ “ Interior[104]
Alcántara Door and Bridge[98]
“ Gate[98]
Façade of Santa Cruz[98]
The Cathedral[98]
Convent of San Juan de la Penitencia[Appendix]
CÓRDOVA
Bridge and Cathedral[104]
The Mosque[106]
Cathedral, Choir Stalls[106]
“ General Interior View[106]
At the Fountain[162]
At the Spring[162]
In the Court of Oranges[140]
The Mosque, a Corner in[Appendix]
“Interior
Cathedral, Tower
ANDALUSIA
Andalusian Gallantry[160]
BURGOS
The Cathedral, from the Castle[109]
SEGOVIA
A General View[113]
A Native[114]
AVILA
View of[115]
CIUDAD-REAL
General View[116]
CUENCA
The Valley of the Jucar[117]
View from San Juan Hill[119]
View of Cuenca[120]
GRANADA
View from the “Barranco de la Zorra” (The Fox’s Hole)[125]
The Wine Door[127]
Entrance To the Court of Lions[128]
The Infantas’ Tower[131]
El Generaliffe[133]
“ “The Acequia Court, from Main Entrance[134]
La Alcaiceria[135]
View of Albaycin[137]
Courtyard of an Arab House[139]
The Generaliffe[2]
The Ladies’ Tower, The Alhambra[15]
The Gipsy Quarters[15]
A Street in Granada[14]
Arab Silk Market[14]
Showing the Alhambra and the Sierra Nevada[128]
The Sacristy of the Cartuja Convent[120]
The Columbus Memorial[140]
Group of Gypsies[140]
Transept and High Altar, Cathedral[122]
THE ALHAMBRA
The Court of Lions[130], [132]
Hall of Ambassadors[132]
The Favourite’s Balcony[132]
The Court of Lions, A Little Temple in
“ A Peep into
“Little Eastern Temple in
“Fountain in
Hall of the Court of Justice and Court of Lions
Interior of the Mosque
The Captive’s Tower
The Sultan’s Bath
The Dressing Room
Hall of the Two Sisters
Hall of the Court of Justice
The Door of Justice
The Captive and Cadid Towers
Washington Irving Hotel
Entrances to the Alhambra
The Court of Myrtles
“Gallery in
Palace of Charles V.
“Roman Court
The Alhambra and the Sierra Nevada
The Royal Chapel, Cathedral
El Generaliffe, The Acequia Court
“Cyprus Court
“Gallery in the Acequia Court
“A Corner of the Acequia Court
SEVILLE
General View, from the Top of the “Giralda,” Looking
East
[143]
Dancing Boys, Cathedral[145]
The Tower of the Gold[146]
Girls’ Court in the Alcázar[148]
Cathedral[149]
Entrance To the Alcázar[150]
The Alcázar, Ambassador’s Hall [151], [158]
“A Doorway in[152]
Cigar Makers[154]
A Sevillian[155]
The “Sevillanas” Dance[156]
Cathedral, Exterior[146]
“Fifteenth Century Grating[152]
The Alcázar, Gardens [148], [150]
“Sultana’s Quarters[158]
“Intercolumniation, where Don Fadrique was Assassinated[158]
“The Court of Dolls[152]
San Fernando Square[150]
A Sevillian Patio[162]
A Street[152]
Gallery of Pilate’s House[152]
CADIZ
View from the Tavira Tower[165]
View from San Carlos Battery[168]
MÁLAGA
View from the “Farola Promenade”[169]
View from the “Gibralfaro”[173]
RONDA
The Gorge[176]
General View, with the Moorish Bridge of the “Tago de
Ronda”
[177]
HENDAYE
General View[181]
IRUN
General View[182]
PASAJES
View of the Town[183]
GUIPÚZCOA
Pasajes de San Juan[184]
SAN SEBASTIAN
Concha Promenade[185]
BILBAO
Suburbs[186]
General View[187]
Vizcaya Bridge[189]
Old Bilbao[190]
The Arenal Promenade[191]
The Orconero Iron Ore Company’s Wharf in Luchana[193]
GALICIA
A Native[195]
Natives[196]
Views in Galicia[199]
PONTEVEDRA
General View of Redondela[197]
General View[201]
CORUÑA
General View taken from the Old Town[200]
VIGO
View from the Castle[205]
GIJON
The Wharf[207]
SANTANDER
The Port[208]
General View[209]
LEÓN
The Cathedral[210]
Cloister in Cathedral[211]
The Cathedral Choir Stalls[211]
View taken from the Cemetery[212]
SALAMANCA
General View[213]
View of the College, from the Irlandeses[214]
ZARAGOZA
“Independencia” Promenade[215]
Pilar Church[217]
A Flemish Dance[218]
The Bouquet—The Dawn of St. John’s Day[160]
NUEVALOS
At Nuevalos[218]
THE CORONATION OF ALFONSO XIII., 1902
The King’s Carriage[264]
Arrival at the Congress[264]
Procession of the Coronation Bull-Fight[264]
LINARES
General View[340]
PONFERRADA
View of the Castle[340]
BULL-FIGHTING.
The Procession[221]
Entrance of the Bull[223]
The Picador[227]
At Close Quarters[230]
A Turn with his Back to the Bull[233]
Fixing the Banderillas[235]
The Matador[237]
The Final Stroke[239]
Entertaining the Bull-Fighters[160]
Bull-Fighters at the Tavern[240]
A Picador[240]
MINING VIEWS.
BILBAO
The Union Mine[270]
Orconera Iron Ore Company[278]
Orconera Company’s Workings[281]
The Railway System[283]
Transport of Ore, Arcocha[285]
Los Altos Hornos del Disierto[287]
RIO TINTO
Terminus of the Mine Railway[271]
The Canal System[272]
San Dionisio Shaft[306]
Mines[288]
The Lago Cutting [289], [292]
The Frames[291]
The Cuttings[293]
HUELVA
Portion of Works, and San Fernando Village[276]
Cementation Vats[277]
Head of the Sainte-Barbe Shaft[305]
ALMERIA
The Port of Almeria[294]
Washing for Alluvial Tin[296]
A Trench in Tin Ore[299]
AGUILAS
The Railway[321]
The Castle and Harbour[324]
PÁRAMO
The Old Gold Workings[303]
General View[334]
Alluvial Gold Washing[335]
ESCURIAL
Portion of Buildings[309]
A Cutting[310], [317]
“Dolores,” “Jaime,” and Main Shaft[311], [313]
Galapagar Smelting Works[313]
Engine House and Blacksmith’s Shop[315]
Snapshot Showing Cutting[318]
HUÉRCAL
Bárris Cutting[320]
The Church[322]
Heaps of Copper Ore[325]
BADAJOZ
Las Palmas Bridge[338]
MAPS.
General Map of Spain[1]
Railway Map of Spain[267]
Mining Map of Spain[273]
Map Showing Alluvial Gold District in North-West Spain[301]

CONTENTS.

PAGE
[Introductory] [1]
[Madrid] [10]
[El Escorial] [43]
[Barcelona] [50]
[On the East Coast] [73]
[A Peep into Murcia] [83]
[Toledo and Córdova] [95]
[The Castiles] [108]
[Granada and the Alhambra] [122]
[Seville] [141]
[In Southern Andalusia] [164]
[The Basque Provinces] [180]
[In Northern Spain] [195]
[Bull-fighting] [220]
[The Picture Gallery, Madrid] [241]
[Viva el Rey] [254]
[Mining] [269]

ELCHE—WOMEN WASHING.

Introductory Chapter.

FROM the wild gorges and noble crags of the Pyrenees, and the treeless and apparently uninhabited sierras of the North—vast, solitary, and impressive—to the snow-capped hills of the mid-interior, “the palms and temples of the South,” and the unrivalled beauty of the country from Seville to Granada—Spain is a land to entrance the traveller. Its great and terribly chequered history is writ large upon the face of the country. Its people have undergone as great, if not greater, vicissitudes than any other people upon the earth, and to-day there does not exist a race more courtly, more sincere, and with more confidence in their country and themselves than the Spanish. As Iberia, Spain was known to the Greeks; the Phœnicians and the Carthaginians have left their traces there: as Hispania, it came beneath the sway of Imperial Rome; it was ravaged by the Franks. For three centuries it was misruled by West Gothic kings: it was conquered, pillaged, and tyrannised over by the Arabs and Moors for nearly 800 years.

Then came the period of Spain’s greatness. When Philip II. ascended the throne in 1556, he became ruler of an immense empire—the first empire on which the sun never set. Portugal was then a portion of Spain by right of conquest; Sicily, a great part of Italy, Holland, and Belgium, practically the whole of the North and the entire Continent of South America, besides the Philippines and other islands in the East, and parts of Africa, were all under Spanish rule. Before he died, in 1598, the power of Spain was at its zenith. At this period the fame and dread of her army was heard and felt through the world; her scientific and artistic eminence was unchallenged. No valour could withstand the charge of the Spanish pikemen; it was the Spanish galleys, under the command of a Spanish prince, that broke the Turks at Lepanto; the palaces of the king were adorned by the glorious genius of Velasquez and Murillo; and all Europe joined in delight over that first great novel of Cervantes.

At the beginning of the 17th century, as the Rev. Wentworth Webster concisely and luminously writes, “the Spanish armies were the first in the world, her navy was the largest: at its close the latter was annihilated, her army was unable, without assistance from Louis XIV., to establish the sovereign of her choice; population had declined from eight to less than six millions, the revenue from 280 to thirty millions; not a single soldier of talent, not a statesman remained to recall the glories of the age of Charles V. and Philip II.; the whole country grovelled in discontent at the foot of unworthy favourites raised to power by court intrigues, and dependent on a foreign prince. A period of resuscitation, under Charles III., was followed by a signal relapse. The influence of the unscrupulous Godoy led to the internal complications which lost Spain her remaining Colonial prestige, and gave the crown of Spain to Joseph Bonaparte. The Peninsular War, the loss of the whole of Spanish Continental America, and the two Carlist wars followed. The war with the United States in 1898 was the preface to the abolition in 1899 of the Spanish Colonial Office as being ‘no longer necessary.’”

In my opinion, the deprivation of her Colonial possessions has been a blessing in disguise to Spain, inasmuch as it will afford her the opportunity of embarking on much-needed schemes of domestic reform. As long as her Colonies imposed an almost intolerable drain on the national exchequer, it was impossible for Spain to attend to matters of urgent importance at home. I regret, however, that this was not accomplished in a different way. When the Spanish Government realised that America had determined to acquire Cuba, it was a great pity that they did not entertain the proposals made for the purchase of that island, instead of rendering it necessary for the Cabinet at Washington to find some excuse for the war of conquest upon which they subsequently embarked.

But in spite of the dramatic epoch-making vicissitudes, and the strongly-contrasted periods of greatness and disruption that Spain has experienced by turns, she has altered as little as any European country. The Spaniard is conservative in the best, as well as the worst sense of the word. His pride is at once his curse and his salvation; his lofty but gentle resignation is immensely attractive; his courtliness never fails him. His confidence in himself is, as has been said, unbounded. In the course of a conversation I had with a Castilian recently, he remarked: “We have been referred to as a decaying nation, a country to be plundered and divided up among the European powers. Before Spain is conquered there will be several million corpses between Madrid and the sea.”

Nobody who has any acquaintance with the Peninsula and its people can listen without impatience to the jeremiads of the superior politicians who predict the decay of Spain. For in spite of the accumulated trials, the disasters, and the strife of centuries, there has lived in the hearts and imaginations of the Spanish people a tradition too great to die. They have preserved under the stress of widely-varying fortune a fortitude and dignity which have prevented the nations, who have passed them in prosperity and power, from regarding them except with respect and admiration. Still, as in the days of Cervantes and Velasquez, the true order of nobility has not been that of formal rank so much as that of the whole nation and the characteristic Spaniard, whether the grandee of the court, or the beggar of the highway, has always known how to wrap his cloak about him with an air that seemed to make misfortunes honourable, and all the material success of the commercial ages a form of vulgarity. Notwithstanding the losses which have stripped them from generation to generation of their conquests, down even to the final blows of the war with America, they have dormant reserves of vitality and vigour only awaiting the touch of genuine leadership, and the inspiration of some hopeful national movement, to make a country containing eighteen millions of inhabitants capable of resuming its place as one of the foremost European nations.

In the past few years there has been a growing instinct in Spain that when things have reached their worst they must begin to mend, and that the disappearance of the last vestiges of external empire will assuredly mark the real beginning of national regeneration. That Spain has been mis-governed, her Governments have been incompetent, and her official parasites insatiable is only too true, and it is scarcely to be wondered at if her people have grown dispirited, pessimistic, and distrustful of everybody except their individual selves. After himself, the Spaniard’s first pride is in his native province. Northern Spain has little interest or confidence in the South, nor the East in the West; and North, East, South, and West were, until recently, supremely indifferent to the course of events in any other quarter of the globe. But this self-concentration is gradually disappearing, the Spaniard is learning to regard himself with an “outside eye,” and the outside world with a broader sympathy. Moreover, he has come to view the resources of his country in a more practical and business-like light, catching, it may be, the reflection of the awakened interest that they are attracting among the neighbouring nations.

ELCHE, ALICANTE

For many years now, Spain has formed a great and interesting problem. In a book, published in 1884, we read as follows: “English and German papers are continually proclaiming the fact, and usually painting the situation in rosy hues; statesmen are cherishing ideas of commercial treaties, and relations of closer friendship and wider import; merchants are turning eager and inquiring eyes upon the comparatively untried ground: and speculators are fondly hoping that they have at last discovered, after many lean years, an El Dorado in Spain that shall not prove barren or unfruitful.

That the reaction was imminent at the time the foregoing was penned cannot be doubted, but the hoped-for movement was checked by the declaration of war by the United States in 1899. The consequences of that terrible and futile struggle fell with paralysing severity upon the whole country, but the story of the war cannot be regarded as a fair test of the military prestige of her people. Nothing was wanting in the warlike impact to throw into relief the condition of the country as contrasted with the temper of her sons. All the chivalry of ancient Spain was fully displayed. Individual courage and bravery were splendidly in evidence. But they availed nothing against the nation that had made haste to take the fullest advantage of modern methods and appliances. The weakness of her fleet, the mismanagement of her military system, and the inefficiency of officialdom in every branch of the Government were laid bare, and it was from this combination of causes, and not from any degeneracy in her soldiers or lack of valour, that Spain owed her defeat.

But by this revelation the Spanish people were awakened to the fact that they were behind the times; that their forms of government were antiquated and inefficient; that all their national institutions cried aloud for re-organisation and reform. Slowly at first, but increasing in momentum as the blessings of peace made themselves felt, the forward movement has proceeded along the entire line of politics, commerce, and public affairs. But if the great work is to progress, as lovers of Spain would desire to see it, the difference that at present exists between the Spaniard, in his individual, his collective, and his official capacity must disappear. This distinction has been emphasised before, but it is so remarkable as to require a note in passing. Self-interest, which is an integral part of human nature, is, or rather was, the most highly-developed, in fact, the abnormal trait of the Spanish official. He was irregular in his methods, and grasping—irregular, because irregularity was connived at; greedy, because he was forced by the paucity of his pay to live by the perquisites of his office. In his collective capacity the Spaniard is mistrustful, strong-headed, and apt to prove unreliable. Yet, individually, the Spaniard is remarkable for the excellence of his personal and moral qualities. Truth and valour are his by heredity, his personal honour is unassailable, his graceful courtesy and air of high breeding make him a delightful companion and a valued friend. He is quick to take offence, but he never, through ignorance or tactlessness, proffers one; he is slow to bestow his confidence, but he never, without cause, withdraws it. You may trust him with your purse, your life, and your reputation. And this wonderful combination of qualities is common alike to the nobles, the townsmen, and the country people. All appear to have inherited the same dignity and grace of manner, and the same sterling moral qualities.

Borrow, who had an intimate knowledge of and admiration for the Spanish people, has declared that, in their social intercourse, no people in the world exhibit a juster feeling of what is due to the dignity of human nature than the Spaniards. Spain still retains all those old world, social, and personal graces with which poetry, painting, and romance have made the untravelled familiar. Grace is not necessarily a virtue, but it is a flower often found on the path that leads to it. And these flowers spring as naturally from racial instincts as do the more prominent traits exhibited in etiquette and statecraft. Spanish character is touched; nay, it is entirely imbued with the “grace of a day that is dead.” The very beggars, whom you encounter in every bye-way, do not lack this native grace which no mere acquirement could exhibit. The receiver of a dole regards it as a tacit acknowledgment that he is worthy of it on principle. But there is a certain charm in Spanish indolence, even in its indigence, which is as much a production of the country as are the soft skies and natural beauties that form its fitting background. The politeness of the peasantry is proverbial, but they are keenly alive to the point of an equal return of civility. Even the brigand was wont to regard himself as a great caballero: and he was often disarmed by a frank and confident air which tacitly acknowledged him on that footing. The idler pursues his vocation as if imbued with a full sense of its sufficiency, and supplements it with a grace beyond the reach of art. Truly this is a nation of nobles, and here is a foundation of national character which has in the past, and will again make the Spanish race one of the greatest powers of the world.

Will Spain revive? The problem is exercising the thoughts of all Europe—by those who do not know better the question is assumed to be also exercising the thoughts of all good Spaniards. As a matter of fact, the Spaniard is above such speculation. He knows his high destiny, and he will fulfil himself. His confidence is supreme, and it is justified. He has driven back every invader, and remains in full possession of one of the noblest countries in the world, nearly the size of France, with a climate which, if he were permitted to re-forest his plateaux, would be as good, though warmer, with the same power, if industry were set free, of producing wine, and oil, and wheat: and with deposits below the soil incomparably greater than those of his successful neighbour; and, perhaps, as rich as any country in the world. Spain, as we were recently reminded by a well-informed writer in the Spectator, is a “treasure house of minerals never yet rifled, though from the days of the Phœnicians to those of the Rio Tinto, countless speculators have been breaking into little corners and going away enriched.”

And what is her position to-day? She has 18,000,000 of people, who, if they are not as industrious as either Germans or Englishmen, will, when properly rewarded, work as energetically as any Southern race, and will save their wages. Her children are as brave as any in the world: able, if fairly led, to face any other troops, and with a special faculty at once of endurance and abstinence which scarcely any other troops possess. Seated on the Atlantic and the Mediterranean, with a nearly impenetrable frontier to the North, and only Africa to the South, she occupies, perhaps, the best position both for war and trade possessed by any European State: and will, with a decent administration and a new revenue, become once more as great a maritime Power as she was till Admiral Jervis defeated her fleet off Cape Vincent. She could not, perhaps, rule the Mediterranean; but she could, by alliances, render it impossible for any other Power to rule. Above all, she could suddenly add to her strength, not by conquest, but by wisely-applied pressure and support, the whole force of Portugal—Prim nearly achieved this. Spain might thus assume, with an increasing population, fairly rich and entirely contented, that position of a great Power, which she has never entirely lost. The potentialities of Spain justify Spanish pride.

Madrid

IN OLD MADRID.

AMONG the cities of Spain, I write first of Madrid, because I knew it first, and because I know of no city that has been more systematically and unjustifiably maligned. My first visit to Madrid was undertaken on business grounds; but I have returned there many times since, and always with feelings of the keenest pleasure. There is, to me, what the Americans describe as a “homey” air about the city, that may in a measure be accounted for by the good fortune I have had in finding friends there. The friendship of a Spaniard is so genuine, and inspiriting, and whole-hearted, that an Englishman cannot in a moment comprehend it. When a Spaniard extends his friendship to you, your comfort, your interests, and your honour becomes as much a matter for his concern as his own. I first learned to understand this in Madrid. At that time the English were not reported to be held in favour in Spain, and I was advised to be prepared for an unfriendly reception. But I was, on that visit, and on each subsequent visit, agreeably disappointed; and although I have wandered pretty extensively over many parts of the Peninsula, I have

ROYAL PALACE, MADRID.

never found it to be other than an advantage to be an Englishman. I have seen the Britisher hustled in Paris, scowled at in Italy, and made the butt of cheap Teutonic wit in Germany, but in Spain he is invariably treated with the kindest consideration. I was told by an English engineer that the explanation of this friendly attitude, on the part of the Spanish people, was to be found in the fact that the country has not yet endured the curse of the average British tourist. It may be so, yet the influence of the English is very marked in the city of Madrid, if not to the full extent that it appears to be at first sight.

A CORNER IN THE ROYAL PALACE, MADRID.

An American writer, who “did” Spain in the customary slapdash, get-there-and-get-away-again-fashion of American globetrotters, was not a little chagrined to find in Madrid, English goods, English manners, and English influence predominating over those of any other foreign nation. In Spain, American means South American, and the Yankee is indiscriminately included in the category labelled “Ingleses.” American tram-cars and other Trans-atlantic inventions are thus wrongly credited to the English; and the writer declares that his indignation rose to fever-heat when he entered a place marked “English drinks,” and beheld a genuine American soda-fountain. It must be, I think, due not a little to this unintentional injustice to the land of the great spread-eagle that this same writer finds Madrid ill-favoured and exceedingly noisy, its bread unappetising and heavy, and its butter bad. He cannot bring himself to admire the Puerta del Sol, which is “an ordinary square, such as may be found in almost any city of a hundred thousand inhabitants;” and as for the climate, he flippantly dismisses it in a phrase—“nine months’ winter and three months’ hell.” In a more gracious mood he is inclined to think that the surroundings have been too much depreciated by tourists and guide-book makers; while in the rapid increase in the population, together with the healthy appearance of the inhabitants, he discovers an indication that it may be “not quite as bad as its reputation.”

THE THRONE ROOM, ROYAL PALACE MADRID

In the foregoing, we have a precis of the generally-accepted opinion of Madrid, and it is one in which I cannot concur. The conscious superiority of the American critic has led him into error, and I strongly deprecate these hasty and ill-formed conclusions upon the climate, the situation, and the city itself, which are responsible for its undeserved reputation. Madrid stands at an elevation of 2,500 English feet above the sea level, in the centre of an open country, and splendid views of the capital are obtained from several miles around. Whatever may be thought as to the wisdom of selecting a capital in the centre of a great plain, and with no water communication with the outposts of the kingdom, one cannot but admire both its position and the magnificence of its buildings. It is a city that, from the first moment of viewing, throughout an entire visit, commands a whole-hearted admiration. Immediately in front of the point of arrival, the Northern Station, there rises up the splendid Palacio Real, a huge building forming a square of 470 feet; and which, by reason both of its situation and general appearance, is one of the most magnificent in the world. What is true of the Palace is equally true of the other buildings of the capital, the splendour of which is common to all the public structures. But the natural features are a separate consideration.

The best view of the country surrounding the capital is to be obtained from the Parque de Madrid. Whether you like the prospect or not is purely a matter of individual taste. From this eminence, the vast campagna is stretched out to its greatest advantage; and for my own part, I know few that can compare with it. The immensity of the panorama alone entitles it to respect. On every side, save where the Guadarrama fling their rugged peaks skywards, the expanse is bordered only by the far distant horizon. The sense of space that the picture conveys is irresistibly impressive—it is more than a sight; it is an experience. I have seen it when the land has grown lifeless and shabby for want of rain, and when the coming storm has caused the swift clouds to drag their huge shadows across the broad landscape, and when, after the rains, the green pasture is lit by a purple hue, and at night, when the indigo sky is filled with a moon of such brilliancy, and stars of such irridescence, that the whole earth was more brightly illuminated than Piccadilly Circus at midnight.

The climate of Madrid has suffered greatly from the strictures of visitors, who, from one cold breeze, or a single rain storm, consider themselves competent to form, and justified in publishing abroad, their opinions. That the city is subject to sudden changes of temperature is incontestable. Perched as it is on a

THE RIVER MANZANARES, MADRID.

commanding table-land so far above the level of the sea, it is swept by every breeze that blows across the wide expanse of plains by which it is surrounded. On the northern side, the horizon is jagged by the snow-capped peaks of the noble Guadarrama; and when the wind sets in from that direction, it comes like an icy blast, bringing, as the guide-book writers aver, chills and acute pneumonia with it. But the climate, though treacherous on this account, is not unhealthy. It is true that pneumonia is unhappily prevalent among the men of Madrid, but the women are singularly free from the malady. There is a reason, of course, for this curious anomaly, and it is to be found in the different fashions in which the men and women protect themselves from the climate. The men, as a class, are abominators of fresh air, and an “eager and a nipping air” is to them a malignant danger to be avoided at any cost. They live in houses, cafes, and clubs heated to the temperature of a second-class New York hotel at mid-winter, without ventilation, and rendered stuffy from over much tobacco smoke. When they venture into the streets they encase themselves in heavy cloaks, throw the “capas,” or velvet-lined capes across their mouths, and stifle behind its oppressive folds. Is it to be wondered at, that, if by any chance the chilled wind should penetrate, or, as more often happens, deprive the muffled pedestrian for the space of a few inspirations of his accustomed protector, his lungs should suffer the inevitable consequences?

But the women face the elements with a sane hardihood that makes the “coddlings” of their men folks seem more inexplicable by comparison. Clad in sensible, thick dresses, supplemented perhaps by a fur cape, they brave the Winter winds with unmuffled throats, and their heads covered only with a light mantilla; while the working women trust almost entirely to the natural protection afforded by their splendid hair. The result is that, while pneumonia is a veritable curse to the men, it is practically unknown among the women.

The present excellent system of watering the streets that has been adopted in Madrid, has greatly moderated the excessive dryness of the atmosphere in Summer; and the increase of vegetation around and in the city is sensibly affecting the climate. I was in Madrid one Autumn in the rainy season. I have had some experience of the tropical rainfalls of mid-Australia, where sandy tracks are converted in a few hours into mighty rivers, and waggon ruts in the bosom of a hill become rushing cataracts; but the rain that I watched for a fortnight from the luxurious shelter of the Hotel de Paris was every bit as business-like and effective. When it was over, the foliage had put on a brighter green, wild flowers had sprung up in profusion, and the lazy, imperturbable Manzanares had become an angry, turbulent river. Madrid is then a sight that it is worth enduring a fortnight of incessant rain to see.

Coming as I did direct to Madrid, and regarding the city with eyes unacquainted with Spanish sights, I was quick to note all the individual characteristics of its architecture, its crowds, and its popular customs; but even without the standards of other Spanish towns by which to form a comparison, I could not fail to be impressed by the cosmopolitan appearance of the capital. Madrid and Barcelona are many years in advance of any other city in Spain; they have not outgrown their national characteristics, but they have adopted with broad-minded opportunism the improvements that intercourse with other nations has made them cognisant of. The casual visitor to Madrid would, perhaps, not regard it as a go-ahead city; and, indeed, I am assured that only those who have a long acquaintance with the Spanish capital can appreciate the advances it has made in the last half-century. It has extended its boundaries, improved its condition,

AVENUE OF SAN GERONIMO AND PARLIAMENT HOUSE, MADRID

and increased its notable buildings in an almost marvellous manner. The present Plaza de Toros, the magnificent viaduct across the Calle de Segovia, the Markets, the Hippodrome, and the Parque de Madrid are all the creation of some twenty-five years. And as Madrid has grown, the Madrileño has advanced. He, and more particularly she, has progressed at the expense of the picturesque. English women are the beneficiaries of French fashions, because they have no style of their own—no peculiar modes or costumes that became them peculiarly as a race. Somebody once said that an English woman was only a French woman badly dressed. It was a libel; but, notwithstanding, she has lent truth to the definition by her anxiety to remedy the defection. The English woman who covets the distinction of being well dressed buys her gowns in Paris; but, in so doing, she improves, she does not alter, her style of costumes. She gains in effectiveness without the sacrifice of individuality. But the Spanish woman, though having something to gain by this Parisian attachment, has something also to lose. She had her “velo”—her coquettish adornment with its rose fastening, and her fan. With these, which suited her Spanish face to perfection, she was characteristic, fascinating, adorable; but French millinery demanded the renunciation of the “velo,” and taught her to forget the witchery of the fan and the grace of the natural rose; and artists, experts, even the ordinary, impressionable Englishman without æsthetic tendencies, may be allowed a regret for the decay of a national means to a beautiful end.

To me, a stroll through the thoroughfares of Madrid is a source of never-ending pleasure. I delight in its wide, clean streets, its gay squares each containing a garden, fountain, and statuettes, its crowded cafes, its promenades, its spectacles, and its unending animation and bustle and crowded life. The street Alcalá, which divides Madrid in half, is magnificent in its proportions. The Prado, made enchanting by its carriage drives and its avenues, filled with beautiful women, is a panorama of which one cannot have a surfeit; while the people, and the variety of life in the Puerta del Sol is in itself a sight that shall not be witnessed in any other city in Europe.

The Puerta del Sol is the living room of Madrid. It is a mingling of salon, promenade, theatre, academy, garden, a square-of-arms, and a market. The Italian author, Edmondo De Amicis, was so fascinated with its attractions, that during the first few days of his stay in Madrid, he was unable to tear himself away from the spot. The change, the colour, and the contrasts that it presents are admirably summed up in his description of the crowd that from daybreak until one o’clock in the morning throng this famous thoroughfare. Here gather the merchants, the disengaged demagogues, the unemployed clerks, the aged pensioners, and the elegant young men; here they traffic, talk politics, make love, promenade, read the newspapers, hunt down their debtors, seek their friends, prepare demonstrations against the Ministry, and weave the gossip of the city. Upon the side-walks, which are wide enough to allow four carriages to pass abreast, one has to use one’s elbows to force a way. On a single paving-stone you see a civil guard, a match-vendor, a broker, a beggar, and a soldier, all in one group. Crowds of students, servants, generals, officials, peasants, toreros, and ladies pass; importunate beggars ask for alms in your ear; cocottes question you with their eyes; courtesans hit your elbow; on every side you see hats lifted, hand-shakings, smiles, pleasant greetings, cries of “Largo” from laden porters, and merchants with their wares hung from the neck; you hear shouts of newspaper sellers, shrieks of water vendors, blasts of the diligence horns, cracking of whips, clanking of sabres, strumming of guitars, and songs of the blind.

THE “PUERTA DEL SOL,” FROM THE HOTEL DE PARIS, MADRID

In this description, De Amicis does not omit a single one of the various noises and incidents that are to be heard and seen in the Puerta del Sol—indeed, the fault of his description is one of commission rather than omission. For instance, I have never yet been elbowed there by a woman, even by accident, who, to the evidence of the sense of sight, was a courtesan. This fact leads me to the reflection that in two respects Madrid is ahead of any European capital that I have visited—it neither flaunts its vices, nor finds excuse for founding a total abstinence movement. I have never seen there an intoxicated man or a representative of what Rudyard Kipling has described as “the oldest profession in the world.” I am not pretending that I believe Madrid to be entirely free from this particular traffic—no city that has American, French, or even English tourists on its visitors’ list could hope for that—but whatever there is, is kept decently out of sight. Any grandmother may inspect the photographs exhibited in the shops without a blush: and the volumes which are exposed to view in the booksellers’ windows do not appeal to the lower passions of the reading public, while as for “the curse of drink,” Spain does not understand the meaning of the phrase. The Spaniard is temperate by temperament, by custom and by heredity. The climate of Spain is antagonistic to strong drink, and the Spanish character revolts against the abuse of it. It would not be too much to say that the Spaniard regards a drunken man with much the same feelings as an Englishman looks upon the Spanish national sport of bull-fighting.

To anyone, other than the American on the make-haste, the Puerta del Sol, the subject from which I have digressed, is a feature which appeals irresistibly to the student of humanity. It is the centre where all the great arteries of circulation meet and diverge, where the chief pulse of Madrid life beats hardest, and the high tide of affairs flow and ebb. Here are situated many of those huge, highly-decorated cafes where the Madrilenians congregate to discuss politics, and settle the affairs of the nation over good coffee and the most excellent chocolate; here is the Home Office; and here, too, is the handsome Hotel de Paris. Even this imposing and supremely comfortable hotel is not without its detractor. The author of a book of jottings, which I came across recently, wrote of it: “I did not particularly like the place, and the manager and servants of the hotel did nothing to render our visit agreeable.” From my knowledge of the hotel and its management, I feel justified in stigmatising this expression as a gratuitous libel. A more charming welcome, or more graceful attention, or more solid comfort than I have invariably found at the Hotel de Paris, in Madrid, is not to be obtained in any hostelry in Europe. It is on these grounds that Sres. Baeza have built for the establishment they direct a reputation equal to that of the Hotel Chatham, in Paris; the Carlton, in London; the Hermitage, in Monte Carlo; and the Hotel Bristol, in Berlin. The opinion I have quoted is that of a traveller who “had heard such miserable accounts of Madrid” that he had “almost abandoned the idea of going there at all;” and who, having been there, can apply to the capital such adjectives as “cheerless,” “gloomy” and “depressing;” but yet he cannot say that he “conceived any violent hatred to the city.” In poll-parrotting the opinion of Theophile Gautier, which was expressed nearly half a century ago, about a Madrid which is as different from the capital of to-day as Madrid of to-day is, thank heaven! from Chicago, this writer, doubtless, considers that he has earned a repute for erudition and original observation surpassed only by that of Gautier himself.

In the Puerta del Sol is the Imperial cafe, an immense hall, comparable only in its size and the gaudiness of its decorations

THE BANK OF SPAIN, MADRID.

with the Fornos in the Street Alcalá, or the Colon, in Barcelona. Long after the theatres and the handsome Opera House is closed, and the hour of midnight is past, the city remains illuminated, the streets are filled with carriages, and the cafes are just as crowded as at the beginning of the evening. If you glance into the Imperial before the doors are open, or, as I was privileged to do, after the doors were closed, you would marvel, as I did, that so vast a room should find customers sufficient to fill it; yet, for the previous eight hours without intermission, each table had possessed its complement of guests, and every chair had been occupied. And, in addition to these mammoth halls, there are innumerable others throughout the city in which a hundred couples could dance easily. I have been told, and I see no reason for doubting the statement, that enormous sums are quickly amassed by the cafe proprietors in Madrid and Barcelona. For the huge Colon cafe in the latter city, the present tenant agreed to rebuild the cafe and pay the sum of £12,000 for ten years occupation only. This he did, and although only half the time of his tenure has expired, he has made a fortune after deducting the cost of building.

Wherever one wanders in this “cheerless” and “depressing” city, one’s eyes are delighted with the constantly changing groups of all ages, colour, and costume; one’s ears are filled with sounds of laughter, and song, and merriment: and one’s senses are galvanised by the vivacity, the gaiety, and the almost feverish overflow of pleasure by which one is surrounded. Stroll, if you will, through the beautiful gardens of the Plaza Mayor (the grand square of Madrid), saunter by the open shops of the Calle de Toledo, cross the oval-shaped Plaza de Oriente, which lies between the Royal Palace and the Royal Theatre, linger on any of the many handsome bridges, or promenade the beautiful prados—the Bank of Spain, one of the finest public buildings in Europe, is situated in the Salon del Prado—and you shall never escape the carnival spirit that animates young and old, rich and poor alike.

Rich as Madrid is in obelisks, fountains, and splendid statuary, it has fewer architectural and antiquarian attractions to afford the visitor than such cities as Toledo, Granada, or Córdova; but it has a Royal Picture Gallery which contains one of the finest, if not the very finest collection of old masters in the world. Velasquez is to be seen here, and here only, in all his power. Titian is also represented, as also are Raffælle, Veronese, Murillo, Juan Juanes, Rubens, Tenier, and many others. Rembrandt alone, of all the great artists, is limited to a single specimen; but there is a whole host of comparatively unknown and yet veritable masters, from the sixteenth century Antonio Moro, Coello, and Pantoja de la Cruz, through Pacheco, Ribera (with, after all, his only too life-like representations of what old days and old saints were), Zurbaran and Alonso Cano, down to Valdés Leal; or, the Goya and Lopez of but a century ago. This quiet Museo is a veritable home of art. It is all in such deliciously small compass, all so well ordered, all so good. One has not to walk miles before attaining to favourite spots, or to stare over acres of unresponsive canvas before lighting upon familiar faces, or even to command one’s temper against officialism or jostling. All is contained in a few rooms, and that by exclusion of the bad rather than through poverty. In the neighbouring Academia of San Fernando—the Academy of Fine Arts—in the Calle Alcalá, there is, besides a fine collection of minerals, precious stones, and the finest zoological department in Spain, several excellent Murillos, Riberas, and Zurbarans, a characteristic Rubens and some sketches of Goya’s. A visit should also be paid to the Armeria Real. Here is housed probably the very finest collection of armour in the world, a

THE COUNSELLOR OF THE VILLAGE. AN ORANGE SELLER.
AN ANDALUCIAN DANCER: FULL LIST OF LOTTERY RESULTS.

collection that is not only a perfect epitome of the history of the science of attack and defence, but is full likewise of touching record and suggestion.

The Royal Palace of Madrid is admittedly one of the most magnificent in the world; it is, in every sense of the word, a Royal residence. The building is a square of 470 feet by 100 feet high, occupying, it is said, the site of the original outpost alcazar of the Moors. The exterior, despite its noble proportions, does not fulfil the expectations inspired by the distant view; but once it is entered, the princely magnificence of its decorations fills the beholder with feelings of wondering ecstacy. Throughout the palace the appointments are of extreme richness, and remind one of a time when Spain was in the zenith of its glory. All the countries of Europe have been laid under tribute for the art treasures that crowd every corner. In one apartment there is a collection of timepieces, some of which are worth almost their weight in gold, and they were all collected by one monarch; while another sovereign devoted much time to completing a collection of china which is one of the proudest possessions of the palace. Other kings have covered the walls with the priceless works of old masters, and the result is a gallery of paintings of various schools which is one of the wonders of Europe. But undoubtedly the finest apartment in the palace is the throne room, which glows with rich colouring and scintillates with a lavish display of precious metals. The superb throne, made for the husband of Mary of England, is entirely of silver; the huge lions that mount guard on each side being of the same metal. Marbles of almost every colour of the rainbow are to be seen everywhere; and the furniture, made of the rarest of inlaid woods, delights the eye with its graceful form. The whole apartment is given a finished and warm appearance by the costly hangings of crimson velvet. The ball room of the palace is the largest in Europe. All the arts and manufactures seem to have contributed to its splendour.

In Madrid I sampled for the first time the cooking of the country. The untravelled Englishman still clings to the superstition that the visitor to Spain must either starve, or condescend to consume food fried in rancid oil and seasoned with garlic. The fastidious tourist will be fed as well in Spain, both in the cities and the country inns, as in any city or provincial district in Europe. That born master of commissariat, the Switzer, has introduced himself into the country; and he has banished garlic and bad oil from Spain, even as he expelled “rare” beef and parboiled cabbages in England. But the hotel charges of New York and Paris have not yet been adopted in Madrid, and one can live sumptuously at the Hotel de Paris for £1 per day. Throughout Spain the charges are remarkably reasonable, and in the principal cities 10s. a day, including wine at meals and all et ceteras, is the average at the best hotels.

But the cooking of the Hotel de Paris is not to be met with all over Spain, nor are the menus of the city caravansary the ones adopted for the general use throughout the country districts. Pork, in its various phases—bacon, ham and sausage—is the meat par excellence of provincial Spain, occupying the same elevated position in the department of gastronomy as English beef, Welsh mutton, and Irish potatoes. Judging from the Continent generally, an Englishman is apt to fancy that a rasher is a delicacy confined to the British Isles; but before he has been long in Spain, he will discover the truth of Ford’s eulogium: “The pork of Spain has always been unequalled in flavour. The bacon is fat and well flavoured; the sausages delicious, and the hams transcendently superlative, to use the very expression of Diodorus Siculus, a man of great taste, learning and judgment. Of all the things of Spain, no one need

SKETCHES IN SPAIN.

feel ashamed to plead guilty to a predilection and preference for the pig.” And wherever one travels in the peninsula, one is met by the local dish, which is, indeed, rather a dinner than a dish; and when one has become used to it, it is both satisfying and exquisite. The puchero, or stew, would have delighted the heart and stomach of Huckleberry Finn, whose gastronomic prejudices, it will be remembered, favoured a “barrel of odds and ends” in which “things get mixed up and the juice kinds of swaps around and things go better.” The chief ingredients of the national puchero are bacon, beef, fowl, according to the state of the larder, cooked in one mass with garbanzos, a bean of peculiar size and tenderness and flavour, cabbage, carrots, gourd and long-pepper, a sausage or two being thrown in by way of make weight. The puchero is amenable to unending expansion, according to the status of the householder. Where the means are straightened, it consists of meat and garbanzos only, but the wealthy housewife adds to it a hundred delicious tit-bits; and if the juice that “kinds of swaps around” is sometimes a trifle over-seasoned, the general result is, as a rule, delicious. Dumas has left it on record that he suffered from hunger in Spain. I can only suppose that the supply of puchero was insufficient for his requirements. I cannot believe that the dish deprived him of his appetite. Then, again, the Spaniards are great people for sweets; they are, indeed, masters of this branch of the culinary art, and their preserved fruits and quince jelly seems to form an indispensable complement to the dinner table; while their fruits and vegetables, their oranges, Malaga grapes, asparagus and artichokes are famous in song and story.

In one field of enterprise, and that, curiously enough, the one in which their late antagonists, the Americans, claim pre-eminence over the civilised world, viz., in the journalistic arena, Madrid is ahead of New York, England, and Paris. In influence the press of Spain is second to none; in variety it is equal to that of Paris; and in La Correspondencia de España, Madrid has invented a newspaper which has no counterpart in any other city in the world. It is supposed that nobody can retire to rest before reading the latest edition of this “night-cap of Madrid,” as it is commonly styled; and it is certain that few people in the capital, who profess to take a lively interest in the world’s doings, ever go to bed until they have perused it. It is innocent of politics, and almost contemptuous of parties. The object of its wealthy originator and proprietor is not to propagate views, but to give news. Nothing in Spain, or out of it, which reaches Madrid is omitted from La Correspondencia, of which there are three editions published during the day, the last of which appears somewhere between ten o’clock and midnight. Nobody takes it for its views, or its special articles, although the mania of the moment has seized its millionaire proprietor, and compelled him to adopt something of the movement of contemporary journalism, but for its news it is read by everybody in Madrid. Its advertisement charges are, consequently, very high; and also, consequently, it has its imitators. But they do not prosper.

Although the Spaniard has an enormous capacity for enjoyment, his popular pastimes are not numerous. Bull-fighting, as I shall explain, is meat and drink to him, and it is something more, because it is his horse-racing, cricket, football, and the prize-ring rolled into one. It is his National sport. Horse-racing is creeping into popularity; but although all Madrid attends the meetings at the Hippodrome, and ladies don their most gorgeous gowns to do honour to the sport, it is doubtful if it will imperil the strong position which the bulls hold in the affections of the people. After bull-fighting, the only other universal amusement is the guitar and the dance. The upper classes affect polo and tennis; in the Basque provinces Pelota rouses enthusiasm, and cock-fighting is still practised amongst the lower classes in most of the Spanish towns; but these must be classed in “side-shows” in the gallery of their general recreations.

A MILK STALL.

A widespread and entirely erroneous impression prevails in this country that the Spanish national dances are indecent. People who entertain this notion may dispense with it as soon as possible. Londoners are frequently given the opportunity of witnessing Spanish dancing at the Alhambra by Otero, or Guerrero, or that even more splendid exponent of the art, Consuelo Tortajada. I was present one evening at London’s Alhambra, when the last-named was dancing the “Malagueña”—a variety to which the description “poetry of motion” may be applied with full justice—and a spectator remarked to me: “Very fine, very fine indeed, but you should see it danced in Madrid. You wouldn’t recognise it for the same thing.” And his look was more meaningful than his words. Although he was not aware of it, he had informed me that he had never been to Madrid, or at least had never witnessed the Andalucian dance on the stage of a theatre there; and I suspect that if I had displayed a craving for further information, I should have been assured that Spanish women generally are ladies of flexible ethics, who indulge in cigarettes. I believe that by paying for the edifying spectacle, certain gipsy dances of the Hindoo “nautch” variety can be witnessed in the gipsy quarter of Seville; but the Spaniard leaves these exhibitions to the English and American tourists, who call it “studying the life of the country,” or “gaining experience.” Those shows have no more connection with the national dances than has burglary with the marriage service. In the streets outside the cafes, and in the theatres, the dances of Spain are as irreproachable as a pas de seul by Miss Topsy Sinden.

In the Spanish theatre, with the exception of the leading playhouses in the larger cities, the two, and even more shows a night system is an ancient and universal practice. The pieces are short, and the charges for admission are not based on the idea of so much a seat, but so much a piece. Each item costs the spectator fivepence, and the audience is constantly being changed and renewed during the evening. Variety is the spice of the entertainment; and in the provincial towns, where the theatres are always well patronised, a constant change of bill is maintained. Madrid alone supports no less than nineteen theatres; and Madrid, let it be remembered, is a city with under half-a-million inhabitants. At the same rate, London would have over two hundred.

If one could extend the list of amusements without fear of being thought irreverent, I should be inclined to include the saints’ festivals in this category. Although these religious observances are conducted with sincere devotional decorum, they provide, as they do in all Roman Catholic countries, the excuse for, as well as the main feature of, a general holiday. I have seen many festival crowds in Spain, and the good humour, the innocent happiness and universal sobriety that characterise them, is to an Englishman acquainted with English holiday-makers, as novel as it is delightful. The festival of San Isidro del Campo, the tutelary saint of Madrid, is the principal festival of the Madrilenian year, and is religiously celebrated by all the lower classes and the peasants

THE BULL-RING, MADRID.

who come from the neighbouring villages. It takes place on May 15th, and provides the most genuine bit of local colour that is to be witnessed outside Toledo. The great concourse sets out early; and crossing the Manzanares, follows a road which is lined with men and women offering their “agua fresca” (cold water) from large jugs. Water, it may be noted, is the staple beverage of all Spanish fairs and festivals. On the other side of the river—in May, the Manzanares belies the description—the miscellaneous vehicles (some drawn by as many as six mules) discharge their crowded freights, and soon the country is like an ant-hill, except that ants are usually in mourning, and do not wear such bright colours as the peasant women and the soldiers who form so large a portion of the crowd. There are innumerable booths for eating and drinking, and other common features of folk festivals. More unique are the family groups scattered everywhere, eating their slices of cold meat, salad, red pepper and oranges. Many have their wine in the same old pig-skins of which one reads in Don Quixote. At every hundred yards there is some sort of primitive music, to the rhythm of which the young men and young women dance with an expression of delighted absorption. Indeed the whole crowd wear a look of indifference to the past and future, and a determination to make the most of the passing moment. Away up the hill are long rows of booths with pottery, toys for children and cakes, and further up still is the saint’s chapel, into which all the people crowd in turn to kiss a silver image held by the priest, to receive a printed picture of the saint, and to drop a copper. But that wonderful crowd, whether at dance, or meat, or its devotion, contained the greatest number of happy faces I have ever seen together in my life.

El Escorial.

ANOTHER of the Spanish royal residences, of which no other European country can boast so many, is, to give the edifice its correct title: “El Real sitio de San Lorenzo el Real del Escorial,” which is situated some twenty-five miles from Madrid. The ancient glory of El Escorial, its revenues, its monks and its magnificence, are vanished, but the activity and importance of the district have been revived by virtue of the wonderful copper mines which lie almost under the shadow of the mighty walls of the historical building. The immediate vicinity of the Escorial is extremely beautiful. Close at hand rises a mountain range, highly picturesque in form and outline, and of a colouring singularly rich and varied, while many of the upland slopes are clothed with thickets and bushy patches of copse-wood, their varied tints thrown into bright relief by the dark grey rocks cropping out here and there along the face of the mountain. Immediately below lies the park with its dark foliage of ibex, while to the east lies a tiny lake, which glistens under the early sunbeams.

The Escorial, which has been pronounced to be the “eighth wonder of the world,” owed its existence to Philip II. and the celebrated architects, Juan Bautista de Toledo and Juan de Herrera, and is at once a palace, a monastery and the pantheon of the monarchs of Spain. Formerly, it was known as the Royal Monastery of St. Lawrence, and it was raised in commemoration of the battle of St. Quentin, when the Spanish army routed the French on the festival day of the martyr, St. Lawrence. Philip II., or the architect, or both, are commonly believed to have designedly planned the outline of the building in the shape of a gridiron, out of respect for the butchered saint, whose martyrdom on one of those utensils is a matter of history. Probably, however, chance rather than design is responsible for the exact plan; though there can be no doubt, looking down at the Escorial from the top of the neighbouring mountains, that the simile is justifiable. A desire to protect majesty from the keen winds and to obtain for majesty’s apartments the bulk of the sunshine in the neighbourhood, perhaps helped to make the Escorial what it is, architecturally speaking.

ESCORIAL MONASTERY, THE EVANGELIST’S COURT.

Before the French invasion, the church teemed with treasures of art—sacred vessels of gold and silver—a multitude of shrines—reliquaires—and a tabernacle of such exquisite workmanship, that it was wont to be spoken of as worthy to be one of the ornaments of the celestial altar. All these were destroyed by La Houssage’s troopers when they occupied the Escorial in 1808, by way of giving vent to their national feeling respecting the battle of St. Quentin, two-and-a-half centuries before. The Escorial sustained a still greater loss in 1837, during the Carlist war, when about a hundred of the choicest paintings were removed, for safety’s sake, to the Museo at Madrid.

The exploration of the Escorial is a formidable undertaking, comprising as it does the inspection of a palace, a convent, two

GENERAL VIEW OF THE MONASTERY.

colleges, three chapter-houses and three libraries, with their concomitant complement of halls, dormitories, refectories and infirmaries. There are no fewer than eighty-six staircases; and someone, gifted with a turn for statistics, has calculated that to visit every individual room and to traverse each staircase and corridor, would occupy four entire days, and carry the adventurer over a distance of about a hundred and twenty English miles. The square of the building covers 500,000 feet; there are eighty-eight fountains, fifteen cloisters, sixteen courtyards, and 3,000 feet of painted fresco.

THE ESCORIAL LIBRARY.

Twenty-one years were occupied in its construction, but a century did not suffice to collect the wonderful literary treasures which it now contains. One of the most famous MSS. in the Escorial library is the “Libro de Oro,” the letters of which are composed of eight kilogrammes (18 lbs.) of gold leaf. These letters, which are of course very thin, are attached to parchment. Forty-two richly-decorated altars are to be seen in the interior of the palace church, but more wonderful in their way than the altars are the service books for the use of the choir. It is said that each leaf of each book was made from an entire calf-skin, 17,000 skins being used in the process.

MASS BOOK OF PHILIP II., THE ESCORIAL LIBRARY.

Beneath the church is the burial place of the kings of Spain; the one spot, one would imagine, where etiquette would not rule; but where, in reality, it is most rigorously observed; for right royal dust must not mingle with the dust of princes, and a separate pantheon was for this cause built for those sons of kings who had not actually worn the purple. Apart from its treasures and its curiosities, there is one quarter of the Escorial which is of particular interest to English-speaking peoples. In three small rooms, as bare as the cell of the anchorite, dwelt the husband of Queen Mary of England, that monkish and forbidding sovereign at whose command the myriad ships of the Invincible Armada were hurled against England. His ambition was to make England the appanage of Spain; all he obtained were a few English elms which still flourish in the palace gardens.

THE ROYAL PALACE, ARANJUEZ.

Yet another Royal Palace, occupying an extensive valley, surrounded by hills, is situated at Aranjuez, in the extreme south of the province of Madrid, on the left bank of the full-flowing river Tajo. In the town of Aranjuez there are splendid farms, palaces and hotels, wide thoroughfares, good churches, theatre, hospital, barracks, very beautiful promenades, and all the other adjuncts of a model town. All these, however, are surpassed by the beauty of the gardens and parks which, with the Royal Palace, are the property of the Crown. The illustration shows the side of the Royal dwelling which opens on to what are called the Island gardens, on account of their being surrounded by the waters of the river Tajo. The first thing that strikes one is the monumental fountain which deals with the allegory of the Pillars of Hercules, and was designed by the Italian sculptor, Alexander Algardi. The building, which was commenced in 1561 by Philip II. and continued by all the Bourbon kings, is elegantly proportioned, and is surrounded by delicious gardens, luxurious avenues of trees, picturesque woods, and large lakes.

Barcelona.

DON QUIXOTE was a true lover of Barcelona, which he addressed as “the home of courtesy, refuge for strangers, country of the valiant.” Its history is replete with records of its valour; its everyday life is illumined with a grave courtesy; the stranger within its gates is welcomed with a cordiality in which suspicion has no part. The Catalan is afraid of nobody on this earth; he has no use, as the Americans put it, for suspicion. He is a distinct race in costume, habits, and language; combining the grace and charm of the Spanish manner, with the mental vitality of the French, and the commercial enterprise and integrity of the English. Physically he is strong, sinewy, and active; and his dogged perseverance, his enormous powers of endurance, and his patience under privation and fatigue make him as fine a soldier as the world has seen. The Catalans take what our grandmothers used to call a proper pride in themselves. The hauteur of the proud Castilians is not theirs; they regard the poetic language and indolent gaiety of the Andalucians without envy; they know themselves to be the most serious, industrious, and progressive people in the Peninsula; they are Spaniards, but Spaniards, be it understood, of Catalonia.

This feeling is not of course peculiar to the Catalans. Spanish character, and the special localism that forms one of its most distinctive features, has changed but little since Richard Ford, writing more than half-a-century ago, said: “The inhabitants of the different provinces think, indeed, that Madrid

BARCELONA—GENERAL VIEW.

is the greatest and richest court in the world, but their hearts are in their native localities. ‘Mi paisano,’ my fellow-countryman, or rather my fellow-countyman, fellow-parishioner, does not mean Spaniard, but Andalucian, Catalonian as the case may be. When a Spaniard is asked, ‘Where do you come from?’ the reply is, ‘Soy hijo de Murcia—hijo de Granada’—‘I am a son of Murcia—a son of Granada,’ &c.” This is strictly analogous to the “children of Israel,” the “Bene” of the Spanish Moors, and to this day the Arabs of Cairo call themselves children of that town; and just as the Milesian Irishman is a “boy from Tipperary,” &c., and ready to fight with anyone who is so also, against all who are not of that ilk: similar, too, is the clanship of the highlander: indeed, everywhere, not perhaps to the same extent as in Spain, the being of the same province or town creates a powerful freemasonry: the parties cling together like old school-fellows. It is a home, and really binding feeling. To the spot of their birth, all their recollections, comparisons, and eulogies are turned: nothing, to them, comes up to their particular province; that is their real country. “La Patria,” means Spain at large, is a subject of declamation, fine words, palabras—palaver, in which all, like Orientals, delight to indulge, and to which their grandiloquent idioms lends itself readily: but their patriotism is still largely parochial, and self is the centre of Spanish gravity.

A NATIVE OF CATALONIA.

And so it happens that if the Catalan has scant liking for the romantic, pleasure-loving, guitar-thrumming Andalucian, the Andalucian, on the other hand, regards the Catalan as a hard, pedantic and unpoetic mechanic. As a matter of fact, he is straightforward without being hard, grave without pedantry, hospitable without ostentation; and, like all Spaniards, he is a poet. Poetry, as a national characteristic, is an accident of climate. Here is Barcelona, the Manchester of Spain, a hive of manufacturing industry, rejoicing in one of the most lovely sites in Europe, possessed of a climate equal to that of Naples, and with its beauty untarnished by the hand of time, or the artificer. Such an atmosphere, such skies, such stars make a people poets against their wills. I do not imply a charge against the Spaniards that they write poetry—that is an entirely different thing. They may—they do, happily, for the most part—die with all their poetry in them; but they are none the less poets; and indeed they are, as Oscar Wilde argued, the better poets on that account. For the Spanish temperament rises superior to the temptations of environment. If it were my good fortune to live perpetually beneath that star-spangled sky, I believe I could not resist the impulse to write verse. If for no other reason than for this alone I doff my beaver to the unversifying Catalan.

There is, however, another characteristic which accounts for their prosperity, and excuses the tone of superiority they adopt towards the people of the neighbouring provinces—they are not afraid of work. Since the thirteenth century, when the Catalans led the way to the whole world in maritime conquest and jurisprudence, they have never thought trade to be a degradation, but rather have ennobled it by their honesty and enterprise. The Spanish race generally has lacked the trading spirit. An intelligent American writer, who has studied the causes which have brought Spain down from her ancient eminence in the affairs of Europe, finds them in a position different from that which is generally supposed. “Pride, a weak monarch, a dissolute court, religious intolerance—all these,” says our transpontine critic, “are admirable starting points from which to prove a nation’s decline. But Spain has been by no means unique in the possession of these requisites. A close examination of intrigue, and counter-intrigue, and plot at the capital reveals a condition different from that of some other countries only in being a little later in occurrence. In

THE CASCADE, BARCELONA.

fact, all these are mere effects; the cause is the absence of that which has developed the great nations of the earth, the cause on which civilisation rests, the great primitive developing agency—the trading spirit. For seven centuries she was a battlefield. During that time, while she was keeping the Mohammedan wolf from the door of Europe, there was no chance for the development of the trading spirit. What growth came in a measure to some of the coast cities was the result of local commercial relations finding an extension and expansion between nation and nation. The spirit of getting by the good right arm grew, and produced its tradition; while the precarious cultivation of land for food, an occupation ever more and more removed from the leaders, became the work of an ignorant and unrespected class.

“With the absence of trade goes the absence of knowledge of the outside world; and though a certain general knowledge was brought back by the Europe-conquering soldiers of Charles and Philip, it was a knowledge of how easily gain could be made in the old way, rather than a stimulus to the merchant.

“Without the logical traditions of buying and selling, raised up through generations, Spain could hardly avoid the errors of government which the want of such traditions bring. She could scarcely hope not to become the victim of each and every scheme for a financial millennium, as a nation, which we are all accustomed to smile at when played in the more self-evident form of personal charlatanry. And, most of all, the dignity of work has been lost. The Spanish labourer pitied himself—and was pitied.

“Up to the beginning of the Cuban war, however, a better condition had been developing. Education, and a knowledge of the outside world, were bringing home to this nation that to be the proudest man in the world it is well to have a basis for that pride in tangible rather than traditional things; and of so excellent a nature have I found the Spaniard when one knows him, that I cannot help believing in his ultimate development.

“But few, I know, cross the threshold of the Spanish house to find how good a man at heart the owner is. He is proud, it is true, and does not much favour the stranger; but it is the pride of a reserved nature, not of a weak one.”

There is indeed much truth to be found in this view of the situation. Spain has never been a great commercial nation; she

LYRIC THEATRE.

EXHIBITION HALL.

PRINCIPAL THEATRE

is, in fact, only now entering for the first time the commercial arena. No nation in Europe commenced her career on a trade basis. Conquest in the early ages was the only acknowledged industry; and the empires of Carthage, Phœnicia, Rome, Spain, and Great Britain all rose to greatness by the right of might. England was a young nation when Spain commenced to decline after centuries of conquest and supremacy, and England was ripe to receive the impression of the value of commerce as a maker and sustainer of kingdoms. Germany did not become a great power until the supremacy of trade was universally acknowledged; America was cradled in a counting house, and brought up in the atmosphere of profit and loss.

SEÑOR BÁRRIS’S HOUSE, BARCELONA.

Barcelona, of all the cities of Spain, has never been blind to the advantages of commerce; and to-day, the city, in its bustling activity, its red-hot life, its ceaseless movement and sense of prosperity resembles all the great commercial cities of the world—London, New York, Melbourne, Liverpool, and Chicago. But in one respect it more nearly approaches London in the resemblance, by reason of an ill-favoured side of approach. I have often met at Tilbury or Liverpool—but Tilbury especially—friends who have been on their first visit to our Metropolis, and I have begged them, as a personal favour, not to form any opinion of the city from the railway-carriage windows. The squalor and dreariness of the eastern approach to London is only mildly reproduced by the southern environs of Barcelona. Indeed, when one makes one’s first acquaintance with it, it is difficult to believe that it is the boastedly first city of Spain. Yet the boast is not unjustified in so far, at least, as the concerns of every-day life, polity and progress are concerned. When once the visitor is within the circle of her brighter ways, he will look in vain for any of the smudginess whose kingdom and on-coming have been heralded by smudge; he will speedily recognise the fact that here is rolling by him a greater volume of trade than in all the other great centres of Spanish commercial life put together. Everywhere in Barcelona there is apparent the lively, virile animation, bred of a prosperous and forceful existence; and it is this which constitutes one of the great charms of the place. In no town-ways of Spain, not even in those of Seville, is the visitor so well rewarded as in Barcelona.

On one of my visits to Barcelona, I arrived in the city during the labour riots last year. Trains had been fired at and attacked with stones, so the windows of the carriages were barricaded, and all precautions were taken for the safety of the passengers. We were allowed, however, to enter the station unmolested; and although the crowded streets were paraded by the military, and a further outburst of public feeling was expected, the force of the human volcano had evidently expended itself before our arrival. Much property had been damaged; and, on all sides, one saw windows riddled with bullets, or smashed with stones, and evidences that the industrious and law-abiding Barcelonian is a Spaniard when roused. There was an alertness akin to menace in the flashing glances that inspected us that seemed to threaten all kind of unpleasant eventualities. But we walked through the streets in perfect safety; and my good friend, who had driven in from his country house to meet me, along roads patrolled by soldiers and skirted by turbulent rioters, apologised delightfully for the insecurity of the highways which rendered him unable to offer me the hospitality of his house until the following day. The risk he had run in coming in to Barcelona to welcome me did not occur to him. I was his friend—he had not given a thought

SNAPSHOT IN SEÑOR BÁRRIS’S GARDEN, BARCELONA.

for his skin. As we promenaded the streets, he approached men and asked them questions about the riot, and the scowl disappeared from their faces as a sea-mist lifts from the cliffs as they gave us the required information. I have written that the Spaniard’s good manners are the result not of an acquired and superficial politeness, but are derived from a natural and national courtesy that is inbred in the race. There is in their attentions a vein of selfishness which is half its charm. A stranger will do you a courtesy for which your thanks can only half pay him—the other half-payment he himself contributes for the service. He has pleased you, and in so doing he has pleased himself. And one feels that he has pleasure in his own unselfishness. It is impossible to be many hours in Spain without recognising this delightful trait. You step into a shop and inquire the way to the cathedral. The friendly shopkeeper places himself immediately at your disposal. He takes down his capa, and personally conducts you to the desired spot. It is the same always. You ask for your bearings of a member of the famous guardia civil, and the pair will solemnly march you to your destination; or the first pedestrian you meet proceeding in the opposite direction, faces about on the instant, and retraces his steps through the length or breadth of a town to put you on the right road.

We have no force in this country that corresponds with the Guardia Civil; perhaps the Royal Irish Constabulary are their nearest counterpart in organisation and fine morale. This body, which is composed of 20,000 foot and 500 mounted guards, are neither soldiers nor policemen, but they combine the duties of both. Their splendid physique, and smart, soldierly bearing—only the best men in the Spanish Army are admitted to the ranks of the Civil Guards—give one a feeling of security and a sense of order that nothing else seems to impart. They are stationed in every town and small village throughout the country. They patrol the roads, they accompany every train, and are to be seen at every station; they are to be encountered everywhere, and always in pairs. Dressed in blue tunic and trousers of the same colour, with light buff-coloured belts, cocked hats, and top-boots, they carry their well-polished rifles in a manner which engenders the respect of evil-doers. In contrast with the leisurely life around them, they stride through the traffic, in it, but not of it—a class apart. They are, indeed, apart in habit

“RAMBLA DE LAS FLORES,” BARCELONA.

as well as in appearance. Their association with the outer world is almost entirely official. They live in barracks, mess together, and hold themselves aloof. Their esprit de corps is as perfect as their discipline; they cannot be bribed, nor induced to accept a reward for any service they may render you. The safety of property and life in Spain is in their keeping; and it may be said without exaggeration that they have done more to establish order in the Peninsula than any other body.

Barcelona, besides being a busy, wide-awake, and rapidly-growing commercial and industrial centre, contrasting strongly with some other Spanish cities that still seem to be shrouded in the mists of the middle ages, has also acquired the reputation of being a beautiful city—beautiful, of course, in the modern sense; for, where modern enterprise rules, the old-time beauty is apt to take flight. Its situation, on a slope running down from the mountains to the sea, is both healthful and picturesque. Its streets and boulevards are wide, regular, and well made; and its main avenue, the Rambla, has been styled, not without justice, the “Unter den Linden” of Barcelona. This line of promenade, formed by the Ramblas of Santa Monica, del Centro, de San José, de Estudios, de Canaletas, and the Paseo de Gracia is a veritable triumph of boulevarding. Europe may be challenged to produce anything finer. It runs from the port right through the heart of the town, and out into the country, a practically uninterrupted series of carriage drives and public promenades, shaded nearly all the way by over-arching plane-trees. The lower portions are lined with handsome shops and cafés, with the best hotels and theatres; and all the upper reach—the Gracia Paseo—with the imposing blocks of houses of the Ensanche, the residential region, par excellence, of the city.

The little Rambla de San José, too, may justly be accorded its more popular name of “de las Flores:” for here each morning is held the flower market, when both sides of the broad central walk are lined with stacks heaped up in dazzling profusion with all the floral wealth which southern sunlight, nature, and art can produce. Here, amid the splendid highways of the city, one may find a continual occupation for both eye and mind in the ever-shifting and gorgeous colouring, and in all the movements of the colossal game of life. The hour does not signify—early or late, morning, afternoon, or night, it is all one—for Barcelona folk seem to be able to do without sleep; and at all times the air is deliciously soft, and yet so fresh, from the sea and from the hill-country which backs up the city, that one is ever impelled onwards. In the full artery of the life of it, one comes across the Lonja, the Casas Consistoriales and Diputacion, but one looks in vain for the great cathedral, the Churches of Santa Maria del Mar, Santa Ana, Santa Maria del Pino, the old Benedictine Monastery of San Pablo del Campo, the Roman remains, and the fine Renaissance houses. These are not for those who run to see, but are hidden away, tucked out of sight, so to speak, in a most vexatious and puzzling manner.

In Barcelona, we have the old town with its narrow, tortuous lanes, and the new town with its streets laid out at right angles, its handsome houses, and its air of general prosperity. The trade of the city is ever increasing, and its prospects are almost illimitable. The wealth of the city has overflowed into the handsome suburb of Paseo de Gracia, with its villas and miniature palaces, and its population of nearly 40,000 inhabitants. The port of Barcelona has, in the process of improvement, effaced the historical Muralla del Mar; and its site is now occupied by a broad, handsome quay, laid out with palms, and enriched with a wonderful stone and bronze column, 197 feet high, surmounted with a statue of Columbus. More handsome and lofty houses are to be found in the Plaza Real; the finest

THE COLON (COLUMBUS) PROMENADE, BARCELONA.

shops are situated in the Calle de Fernando; while the Calle Ancha is given over to banks and insurance offices. In the Plaza del Palacio is the beautiful fountain in Carrara marble representing the four Catalonian provinces of Barcelona, Lérida, Tarragona, and Gerona. Another superb piece of street ornamentation is the Columbus Memorial, which was erected in 1889. It is built at the end of the Rambla in the Plaza de la Paz, and has the picturesque silhouette of Montjuich for a background. The pedestal, which is octagonal in form, rests on a circular base, flanked by four spacious ledges, decorated with eight lions, and from it rises the iron column, crowned by a magnificent Corinthian capital supporting a bronze globe; above which, in graceful pose, is seen the statue of the immortal discoverer, also in bronze. Many historical and allegorical statues embellish this memorial, and also high reliefs in copper depicting the chief events in the life of Columbus and a great number of ornaments and other details, all equally elegant. From the ground to the top of the statue the monument is 180 feet in height. The vaulted arches underneath are used as a burying-place for distinguished Catalan sailors. A lift runs inside the column to the top, and a magnificent panoramic view is to be obtained from the capital. I have referred especially to this column and the fountain because to my mind they are the most imposing of the many columns, pyramids, and statues that abound in the squares and thoroughfares of the city.

THE COLUMBUS COLUMN, BARCELONA.

Dark, mysterious, and imposing, the Gothic Cathedral is worthy of a place by the most beautiful of Spain. After the great Cathedral of Seville, I know no other that impresses one in the same way as the Cathedral of Barcelona. The fine proportions and carefully-arranged lighting are common to them both. At Tarragona, Salamanca, Toledo, Burgos, Leon, and Santiago, we can see work that will bear more close analysis and confer great teaching; but the Catalan here teaches us his school of stern, solid, domestic architecture, and he conveys his lesson by the finest of examples. Here we may learn that little faults on the part of old workers, and big, glaring faults on the part of their successors are powerless to detract from the effect of awful solemnity and majesty of their splendid vistas, to stultify the great ideas and fine grasp upon the subject of scale with which the Cathedral was carried out. Beside this, its numerous fine bits of enriched detail work and its glorious stained glass are mere matters of detail—and the election of models—and they are scarcely noticed.

PLAZA DEL REY, BARCELONA.

ARAGON STREET, BARCELONA.

I have listened to some beautiful music beautifully rendered in the Cathedral of Barcelona, and in many of the great cathedrals in Spain; and I have seen an audience go into ecstacies over a piece of vocalisation in the Opera House at Madrid; but I should hesitate to describe the Spanish as a musical nation. Singing among the working people is a habit and a relaxation, but it is scarcely an art. The working people of Barcelona, or of the Peninsula generally for that matter, are not naturally musical; but they do not sing the less on that account. One day as I sat in a friend’s room in the Hotel and listened to the servants chortling incessantly as they went about their work, I asked a trifle impatiently: “Do these good people never cease their singing?” He looked up with a quizzical twinkle in his questioning eyes. “Singing?” he asked. I held up my finger, and the sound of three different voices, uplifted in three different ecstacies, came from the corridor. “Oh! that,” he replied, still smiling: “Yes, they do a good deal of it. So you call that singing; now I think that is very amiable of you.” I asked him why their songs were unduly long; and learned that as each vocalist improvises his or her own song, both words and music, it is only limited by his or her individual fancy. “But what are the subjects of their ballads?” I protested, and my friend responded, “Oh! just anything—a bullfight, a tender tale of love, a report of a police court case with ten adjournments.” Schubert, it is said, could set a handbill to music, but these people improvise a romantic opera out of an overdue laundry account. Their guitar playing has little but mere form; and their dancing—the dancing of the working-classes who picnic by the wayside and dance for the sheer love of it and the joy of living—is governed, or seems to be, by the whim of the performer. When the children are not playing at bullfights, they are indulging in one or other of their innumerable singing and dancing games.

Besides the interest it affords in itself, Barcelona is within hail of Monserrat, the pride of Catalonia, and one of the natural wonders of Spain, which lies some thirty miles north from the city. Antonio Gallenga has written of this wonderful mountain: “It is the loftiest and grandest temple and most formidable citadel that was worked by God’s hands. The Monastery, standing as it does, squeezed on its narrow ledge, with an abyss of untold fathoms at its feet, and the weight of three great rocky masses hanging over its head, must look both mean in size and tame in taste, crushed by the Titanic grandeur, by the sublime harmony and the terrible power exhibited by the Supreme Architect in this His masterpiece of earthly handiwork.”

Nor is the description out of keeping with the subject. Seen from the road, this terrible yet beautiful mountain, throwing off its morning mantle of mists and lifting its weird peaks to the sun, presents a vision of entrancing loveliness. At its base, the Monastery, vast in size and hideous in its severity, is almost a blot upon the landscape. But the climb from the Monastery to the summit of Monserrat is fraught with a succession of overpowering sensations, of perpetual contrast between terror and delight. The immense mass of mountain, about twenty-five miles in circumference at its base, is composed of a grey conglomerate of the granite type, brittle and crumbling; and by its nature assuming every variety of fanciful and weird appearances, baffling the utmost extent of men’s inventive powers. For about half the distance to the top its body remains solid; then rent asunder in every direction, it towers in thousands of fantastic pinnacles to its highest point, some four thousand feet above the sea. “There is hardly a spot,” says Gallenga, “where you do not feel that you stand on a thousand feet precipice; hardly a nook where some great boulder, as big as the Vatican Palace, is not suspended over your head, ready, as you fancy, to slide down in avalanche at every burst of the storm wind.” There are huge, straight columns, the bases and shafts of which have thus been crumbling away for thousands of years; while the top, or as one may say, the capital, still hangs up in air on nothing. Impervious as those crags and cliffs appear, they are, however, crossed by paths running like threads on the edge of the precipice.

THE MONASTERY, MONSERRAT.

Further up, the crest is formed by the jagged teeth of the Saw. Here are a myriad points and aiguilles clustering in groups of pinnacles tapering like the fingers of a man’s hand; further, a whole multitude of rocky excrescences which have been and can be equally compared to rough-hewn chessmen in battle array, or to chessmen strewn carelessly over the board, some standing up sharp and erect, some fallen prostrate and broken. The grand rugged scenery is softened and toned down by a most wonderful profusion of vegetation, consisting of box, ilex, myrtle, ivy, heather, laurel, and other evergreens; which, growing in every crack and crevice where they can possibly find a hold, and flourishing at all seasons, transform this mountain into a marvel of grey and green.

The walk from the Monastery to the summit occupies about three hours, and is one of the most remarkable to be found in Europe. The path is narrow, but it has been planned with consummate artistic skill. It winds over a broad area among and around the various crags and stone seracs, onwards and ever upwards until it ends, at last, at the highest point. Sometimes it leads through a narrow valley walled in on both sides by wild sentinels of rock, again through creeping masses of myrtle, ivy, and jessamine, or under bowers of ilex and box. And then, suddenly, unexpectedly, you have attained to the apparently inaccessible summit, and you stand on the brink of precipices and overlook Monserrat spread out beneath like an enormous Medusa, its thousands of tentacles raised aloft on every side, enclosing deep abysses whose terribleness is mitigated by a lining of perpetual green. Beyond lies the sun-backed, flowerless plain, through which silver rivers turn and return on their journey to the sea. To the north, distant but clearly defined against the blue background of sky, a line of snowy Pyrenees smile coolness down upon the torrid lowlands; while to the east, beyond the hazy suggestion of Barcelona, a glittering silver rim of sea wafts inland the softest of noonday breezes.

On the East Coast.

THE AQUEDUCT, TARRAGONA.

MONSERRAT, according to the guide books, may be hurriedly visited from Barcelona by means of a return ticket for the day; but one can imagine few persons who would be content with so hasty an inspection of one of the most remarkable sights in Spain. One returns from the mountain to Barcelona with one’s mind crowded with wonderful sights, and one’s senses stirred with a new idea of the beautiful. Where shall one look, one asks oneself, for its equal? But Spain is full of spots of almost dazzling beauty. Within a hundred miles to the southward, following the coast-line, is situated Tarragona. To know Tarragona is to love her, for her natural self first, her oak forests, soft verdure and park-like land, then for her treasures of infinitely beautiful architectural work; and again for her simple kindness and good fellowship, her gorgeous colouring, her brilliant sky, her gorgeous sunsets, and her outlook over the long sweep of rich country, rock-bound coast and glinting sea. Here is another of Spain’s many abodes of loveliness—a paradise of far-reaching plains, dotted with villages and homesteads, coloured with rich gardens, orange-groves and vineyards, and shaded by a rich fringe of olive and fir trees, that lose themselves against the distant rich brown hills. And on the other side the fertile plain slopes gently down to the ancient pine woods, beyond which lie the fringe of yellow sands and dark green ocean.

Tarragona has her records too, and a history among the most ancient in the kingdom. She once boasted her million of inhabitants, her government, her luxury, and her art. The Phœnicians made the town a maritime settlement, the Romans made it an imperial city, the Goths selected it as their capital. The Moors “made of the city a heap,” and the ruins remained uninhabited for four centuries. She can point to her grand Cyclopean walls and gateways, her Phœnician well, her so-called “tomb” of the Scipio, her amphitheatre, her Capital, and her Roman aqueduct striding across the valley, and seemingly defying time to destroy it.

GENERAL VIEW, TARRAGONA.

THE ROMAN THEATRE, SAGUNTO.

But if Tarragona’s one-time million inhabitants has dwindled to its present population of some thirty thousand souls, it must always be remembered, to its credit, that a few years ago it was only a dull, dry, sleepy old town—a place of dusty meats and sour wines—a temple of the past. But Tarragona has no intention of resting satisfied with a great yesterday; she is intent upon making a future for herself. The new has overridden the old, the town has put away its look of despairing incongruity and uselessness, and has put on the “handsomeness” of modern cityhood. The streets palpitate with the life of commerce; and the harbour shelters many ships that call for cargoes of wine, nuts, almonds and oil. Most of the native wines are excellent, and can compare with those grown in any part of Spain; but they are put, unfortunately, to base uses, and scarcely ever reach the consumer in their pure state. The lighter vintages are bought by Marseilles and Paris, where they are transformed into vin ordinaire, while the full-bodied varieties, known as “Spanish Reds,” are sold in England and America under the name of port.

The road from Tarragona to Valencia runs over the richly fruitful plain that is bordered on the left by great brown hills, and the lovely sea upon the right. In the Tortosa region, only the presence of the olives and algarrobos, instead of oaks and elms amid the soft green prettiness of the landscape, forbids the delusion that one is in Sussex or Devonshire.

GENERAL VIEW, TORTOSA.

The famous marble, known in Italy as broceatello de spagna, and largely employed in the decoration of churches in Rome, is quarried near Tortosa, and the city itself has its place in song and story. Tubal, Hercules, and St. Paul, according to Martorel, were all connected with Tortosa; and the latter is further stated to have instituted Monseñor Ruf as bishop here. Under the Moors the place became the key of the east coast, and from time immemorial it has been acquainted with warfare and the clash of arms. It withstood the siege of Louis de Débonnaire, son of Charlmagne, in 811, but two years later the city fell and had to be recaptured by the Moors. Since then it has been four times besieged and thrice taken; to-day it is chiefly noted for its imposing appearance, its fine Gothic cathedral, and its picturesque bridge of boats. Sixty-five miles to the southward is Castellon, which, though a flourishing place in a garden of plenty, is of only Moorish origin, and consequently an infant among the towns of Spain. Naturalists make it their headquarters; and it is the junction for the copper, cinnabar, and lead mines that abound at Espadeno.

WINDING OF THE HIGH ROAD ON CUERVO MOUNTAIN, CASTELLON.

A stop must be made at Murviedro, which flourished under its old title of Sanguntum. Then it was a seaport city of magnificence, richness and power; to-day it consists of a wild bare hill, studded with white houses, traversed by long lines of wall and crowned by an old castle. Two thousand years ago it was laid in ruins by the Carthagenian army, and it has been little else than a heap of ruins ever since. The Roman Theatre, which still remains, is placed in a bend of the northern skirt of the hill between the town and the immense fortress which crowns the mountain. It has seats built of blue limestone and

ST. CATHERINE’S SQUARE AND TOWER, VALENCIA.

cement, petrified by the action of the centuries which have elapsed since it was built, which, according to the most authoritative opinion, was in the first century of our era. The stage, which measures about 165 feet in length and 19½ feet in width, was vaulted, some of the vaults being still in existence. The

GENERAL VIEW, VALENCIA.

amphitheatre was composed of three series or groups of steps separated by wider ones which served for landings. A spacious portico ran round with small columns, statues, and a triple row of seats. At present the theatre is surrounded by a wall which prevents it from falling entirely to ruin, a consummation which would be due more to the vandalism of men than to the ravages of time.

The population of Valencia, the third city in Spain, which according to the last census was 150,000, makes this an important centre, but it is not an outwardly picturesque city. This is due to the flatness of the country, which prevents a good view of its buildings, as well as to the luxuriant vegetation which, surrounding the town on all sides, hides from the observer.

THE EXCHANGE, VALENCIA.

Valencia has little to boast in the way of archæological prizes. Her old churches and palaces, her tapia walls and massive gates, with most of her ancient monuments, are gone; and only a few beautiful bits—the late Gothic Lonja, the octagonal Miguelete belfry-tower, and some odd portions of the cathedral—remain. The very beautiful Lonja (Exchange), the ornamentation of which is characteristic of the Renaissance, is situated in the large Market square. The Lonja comprises the handsome Hall of Trade, the Watch Tower, on the ground floor of which is the chapel, and the Pavilion of the Consulado de Mar, which was previously used for offices and as a commercial hall. Extensive restoration work has recently been carried out in the building, which has suffered great mutilations. The Silk Exchange, besides being a market for this article, contains the commercial bourse, the municipal courts and other government offices. But if the city has swept herself almost clean of her precious art relics, she has assumed an air of modern alertness, and developed a commendable intention to move with the times. The improvements being carried out in the city of the Cid have almost entirely transformed Santa Catalina Square. Both the Santa Catalina and the Rhein Square near by, in the heart of the city, contain magnificent buildings, luxurious cafés, and all kinds of shops. There is a vast amount of bright life and gorgeous colouring in the streets and market places, with a quite Catalan forcefulness of character. The Valenciana is, moreover, a progressive and very excitable individual, and he imparts a special charm of fervour into all his affairs. On the occasions of their feasts and sports, the varied costumes of the lower classes—especially that of the huerta man, or peasant from the garden—may be seen in perfection. With his brilliantly-coloured manta thrown loosely over a white linen shirt and black velveteen jacket, and with a bright kerchief knotted round his head, he is perhaps the best-dressed individual in the whole Peninsula, and he looks as if he thought so into the bargain.

A VALENCIANA.

A Peep into Murcia.

THE ESPLANADE, ALICANTE.

THERE are some parts of Spain over which I have travelled as the long hand travels round a clock dial—without haste, but without stopping. I have seen Murcia, as it were, from a moving platform, and the impression I derived of “African Spain,” as this quarter of the country has been called, has left me with the desire to return and spend a round of months amid its floral enchantments. This little province was the spot cherished by the Carthagenians, who found consolation in its possession for the loss of Sicily, and from it they derived the mineral wealth which enabled Hannibal to make war against Rome itself. The Goths of Murcia held their territory so stoutly against the Moors that during the lifetime of the warlike Theodimah the province was allowed to retain its independence. Under the Moors, Murcia was transformed into one continuous huerta or garden; and after the disruption of the Kalifate of the Ummeyahs, it held its own as an independent State from 1038 to 1091, when internal dissensions among the members of the ruling Beni-Tahar family prepared the way for the triumph of the Spaniards. But to this day Murcia is regarded by the Spaniards as the Bœotia of the south.

ESPLANADE AND WHARF, ALICANTE.

At Alicante I spent four-and-twenty hours, but half as many weeks would not exhaust its attractions. I saw the ruined Castle of San Fernando from a distance, and made the acquaintance of the Castle of Santa Bárbara only from the outside. I perambulated the palm-shaded Paseo de los Martires, and the well-paved and capacious harbour, where the work of exporting minerals from Almagra and other places was going forward. There is always an air of bustling activity about the wharf,

TRINITY BRIDGE.

GLORIETA FOUNTAIN.

THE MEDITERRANEAN SHORE.

BEACHING THE BOATS.

which is alive with small wagons, roofed over by a cover of heavy matting, made of esparto grass. Esparto, which resembles the spear-grass that flourishes on the sandy sea-shores of Lancashire, grows wild in vast quantities in this district. It is very wiry and tenacious in fibre, and is worked up by the natives into an infinite variety of purposes—such as matting, baskets, soles of sandals, &c. It is also largely exported to England, France, and the United States. It is the best substitute for rags in the manufacture of paper, and between 80,000 and 100,000 tons are annually imported into this country for that purpose. The Iberian whips, described by Horace, were manufactured of this material. The women and children are largely employed in the hand manufacture of esparto, and in the silkworm-gut industry, of which Murcia is the centre in this part of Spain.

THE “MARTYR’S” PROMENADE, ALICANTE.

The huerta, or garden of Alicante, is situated at some two or three miles from the town to the north, and is irrigated from the artificial Pantano de Tibi, of Moorish constructure. It is an oasis in a wilderness of sand and dust. The fields that surround this garden are parched and dry; the almond and fig trees that line the road are coated with dust that clings to them like thin snow, and the almond nuts resemble plaster imitations of themselves. And in the midst of this blistered country nestles the luscious huerta—a wide stretch of verdant plantations, thickly foliaged, cool, sweet, and refreshing, with villas embowered among its oranges and palms, a film of dim mountains in the background, and away to the south the silent brimming sea.

THE “MARTYR’S” PROMENADE, ALICANTE.

I received an invitation to inspect the tobacco factory in the northern suburb, and listened to enthusiastic descriptions of the beauty of many of the 6,000 girls employed there; but my time was limited, and I was compelled to postpone the pleasure of a visit.

From Alicante, past Elche to Murcia, lies a tract of African Spain—a vast plain covered with plantations of orange, lemon, pomegranate, fig and olive, among which scattered palms lift their broad heads with stately pride. At intervals, small towns, very Oriental in appearance, with domed, azure-tiled mosques, nestle among the palms, and add to the attractiveness of a scene of enthralling beauty. “Why is this lovely corner of the world so little known?” wrote a German enthusiast; and his question has been capped by the more prosaic cyclist, who asked: “Why are the people of these towns so rude and annoying, and why do the children favour us with a shower of stones?” One has not to ponder long in order to solve the cyclist’s problem. Cycles are as rarely seen in Murcia as bears in Bloomsbury, and it is scarcely surprising in the circumstances if the indefatigable wheelist is regarded with many wondering and sarcastic stares. But the peasant children in Spain, and especially in Southern

THE “MARTYR’S” PROMENADE (HIGH ROAD), ALICANTE.

Spain, are, as a rule, chartered libertines. Until they are old enough to make themselves useful they are quite spoiled. On the assumption that children can do no wrong, they are permitted to do exactly what they please. The girls amuse themselves with singing and dancing, and the boys, in Southern Spain especially, find a favourite diversion in imitating the perils of the bull ring. Amongst themselves they are, even in argument, punctiliously polite; with the inoffensive stranger they are wary and not disobliging; but to the peripatetic oddity they are annoying in the manner that boys, given the same provocation, display all the world over.

VIEW OF ELCHE, ALICANTE.

Elche, rising from among its thousands of date-palms to a height of fifty feet, resembles an oasis in the desert. All around, the country is flat and fertile—a slumberland of soft greens and unbroken peacefulness. From Elche one passes to Granja, with its double-towered Moorish church, its old castillo clinging to the frowning height, its houses built into the rock of the mountain, and overgrown with aloes, fig, and cacti. There are Calossa de Segura and Albatera, flat-roofed and minareted; and from these spots may be seen the Montaña de Calossa, where amethyst steeps, glowing in the afternoon light, contrast with the varied tints of the plain in an ensemble of colour and outline nowhere surpassed in effect.

Carthagena, one of the three arsenals of Spain, and the largest

GENERAL VIEW, CARTHAGENA.

port in the country after Vigo, lies to the south. From here is shipped the silver and lead ores, iron ores, manganiferous iron ores, calamine, blend and copper ores from the rich mines in the surrounding districts, and also from the mines of the interior. In the suburbs of Sta. Lucia are extensive lead smelting and desilverization works, and the goods terminus of the steam tramway which connects Carthagena with La Union, the centre of the mining district. Escombreras, on a bay just outside the harbour, was at one time an important smelting and shipping place, but at the present time only one large furnace is open there. The country around Carthagena has been so wastefully denuded of forest as to make it an unmitigated desert. The landscape is a barren, burning waste, and the city itself is destitute of any semblance of greenness. Carthagena, which is considered impregnable to a foreign foe, was besieged by the Government soldiery in 1873, when a Commune was established there by Roque Barcia. A very little artillery practice directed against the walls, however, impressed Barcia with the advisability of taking a trip to Africa, and the Commune was at an end. There is an academy for cadets in the place, and blind people are numerous—a fact which may be owing to the excessive dazzle of the sunlight and absence of verdure. The men of Carthagena are so big, and the donkeys are so minute, that the latter are almost hidden beneath their human burdens.

ENTRANCE TO THE STATION, ELCHE.

The Moorish city of Murcia, the capital of its province, is a picturesque town in a beautiful setting. The city is one magnificent mass of varied colours, and all around, as far as the eye can see, are rare tropical shrubs and wide vistas of luxurious vegetation. Murcia is the land of roses—the Mecca of the floriculturist—the Canaan of the tribe of Art. I did not see its Gothic Cathedral, its picture gallery, nor its churches of Sta. Catalina or San Nicolas—I was there and away again, carrying

A NATIVE OF MURCIA.

with me an impression of sunshine, and roses, and soft airs. The country is intersected with swiftly flowing brooks, that part in and out beneath the tall palms. Here the dark-complexioned and Oriental-looking Murcian washerwomen, dressed in brightly-coloured garments, assemble to follow their daily avocations; and the chatter, the laughter, and the brilliant hues of the many shawls are a perpetual delight to the ear and the eye. The men have the reputation of being the most ill-disposed and revengeful of any in Spain. The only indication I could discover of abnormal belligerency about them was in their practice of carrying the long Albacete knife; but I am inclined to the opinion that it is worn more for ornament than use. The teamsters, it is true, have a fierce aspect, and their manners are not improved by strong drink; but I have never met teamsters

A TARTAÑA, VALENCIA.

THE HARVEST CART, MURCIA.

A NOON-TIME HALT, MURCIA.

A CARTLOAD OF TINAJAS, MURCIA.

in any part of the globe who were celebrated for remarkable sobriety, or angelic dispositions. The Murcian girls, as the traveller will observe at the various railway stations where they sell flowers and sweets, are pretty and engaging, and their costumes are charmingly picturesque.

The present city was built by the Moors from the remains of the Roman Murgi in the early part of the 8th century. It was taken by the Spaniards under St. Ferdinand in 1240, and was reconquered by Alonso el Sabio, who left his heart and bowels to the Dean and Chapter; and these precious relics, preserved in a sarcophagus, are still to be seen in the Presbytery of the Gothic Cathedral.

A NATIVE OF MURCIA.

From the palm-land of Murcia one passes over the unvarying, toneless plains of La Mancha to the Sierra Morena mountains, and beyond them to the daisy and buttercup-spread fields of Andalucia, which stretch away to the south, and lose themselves in a wide perspective, bounded by gold-shot undulating hills. The road runs down long slopes of flaming poppies, and beside gardens of blooming wild roses, amid extremes of perfectly-blended colour, to Bailen and Jaén, and the snow-crowned Sierra Nevada which surrounds Granada. Bailen is famous only as being the scene of the battle in which the French, under Duport, were defeated by the Spanish forces led by Castaños. Jaén, or Gien, the Arab word for fertility, is delightfully situated amid a jumble of mountains which are covered with luxuriant vegetation. Under the Moors it was a petty independent kingdom; but its ancient walls and its castle, which stands like a sentinel commanding the gorge of the mountain approach from Granada, have been almost entirely destroyed, and its own formidable bulwarks are reduced to a single gate. Jaén, like Baeza, surrendered to the victorious St. Ferdinand in the XIIIth century, and the two towns conjointly form the see of a Bishop.

Toledo and Cordova.

CHURCH OF SANTA MARIA DE LA BLANCA, TOLEDO.

SPAIN is a country that has never laid aside the sword, or cast off her armour. Her martial spirit is lulled to rest, but its memory is kept alive in the frowning battlements, the gaunt fortresses that crown each peopled eminence, and guard the approaches of its ancient, war-scarred cities. Imperial Toledo, “the crown of Spain, the light of the world, free from the time of the mighty Goths,” as Padilla describes it, is a rock built upon a rock 1,820 feet above the sea. It is a mighty citadel, almost engirdled by the rushing Tagus, and armed at every point by massive Moorish masonry—solid, venerable, invincible. Toledo, in the heyday of its history, contained, beside the cathedral, one hundred and ten churches, thirty-four hospitals, a university, and four colleges. Toledo, or Toledoth, the Hebrew “city of generations,” has now only fifty-nine churches; its hospitals have been reduced to four; its fame as a seat of learning is a tale that is told. John Lomas, who wrote of this city that it “never had rest until it entered into the tomb; blighted, but not destroyed. There is the old Toledo yet, simply fossilised—a theatre with the actors gone and the scenery left. But the curtain will never be drawn up again, or the music re-commence. Rome may play the wanton with each succeeding age, and deck herself out in obedience to every passing fashion. But Toledo—? She is at least faithful to the dead past. The liveliest imagination cannot picture her as a creature of to-day, a receptive pupil of nineteenth century science and improvement. And so she keeps her old ways: her old tongue, thank heaven! knowing nothing of the mixed dialects and slang that mark off progress; her old narrow streets and solid buildings that are so beautifully fitted for defence, intrigue, and shelter, and would spell ruin to any enterprising company that should attempt to adapt them to the requirements of the new life that has come into the world. She has been poked at—twice—by inquisitive, bustling railroads, without the slightest electrifying results. So she retains her old Soko, and will have nought to do with the correct Plaza de la Constitucion, her old stern inconveniences and her old traditions.”

THE VISAGRA GATE, TOLEDO.

In many respects the foregoing is a faithful picture of Toledo of to-day. But will the curtain never be drawn up again? Will the music never re-commence? I may be wrong, but I cannot share this opinion. Writing eighteen years after Mr. Lomas, I have been privileged to find his prognostications already proving incorrect. The power and virility upon which Spain built up her greatness may slumber for awhile; but even in the fastnesses

Toledo.

THE HIGH ALTAR, TOLEDO CATHEDRAL.

of the Castilian mountains it has never died. The machinery of the curtain of the theatre of Toledo is a trifle rusty, the pulleys are jambed from long disuse; but that curtain is rising steadily if slowly, and already I can hear the tuning up of fiddles in its ancient orchestra. The ancient spirit still burns in the Toledans, and the ancient prosperity of their city is surely recovering itself. Since 1884 much re-building has been done, and more is in progress; whilst new and handsome shops are seen in the principal thoroughfares where an increase of population and traffic is apparent.

THE DOOR OF THE SUN, TOLEDO.

But one must live in such a city as Toledo in order to appreciate the changes that are being wrought in her. The casual visitor cannot hope to detect the specks of modernity in this vast temple of the antique. Its ancient grandeur is comparatively impervious to the pretty wiles of modern improvement. One’s eyes wander from the newly-built emporiums to the immensity of its enduring monuments, and one’s mind flings back instinctively into the past, out of which they arose to defy the hand of Time himself. And so the majority of book-makers, who take Spain for their subject, overlook the present condition of the country; the instant life that rushes before their eyes escapes their notice. And, indeed, it requires an effort, even on the part of a shrewd and unemotional observer, to stand beneath the shadow of the ruins of the old Alcázar and keep one’s mind from slipping backwards into the history of a city which presents an epitome of the principal arts, religions, and race-lives which have dominated the world for the last two thousand years. This was the theatre in which grim tragedy was ever played, where waves of strife, rapine, and misfortune swept remorselessly across its stage in constant succession; where Jew and Roman, Goth and Moor in turn played their stern parts. Here the voice of the Goth echoes amid Roman ruins, and the step of the Christian treads on the heel of the Moor. Here are palaces without nobles, churches without congregations, walks without people; and over all that silence which is so peculiar to the ancient cities of Spain. Before England was, Toledo had been.

In a city which holds one spellbound by its past, it must be difficult for the present to make headway. Wörmann has well described Toledo as “a gigantic open-air museum of the architectural history of early Spain, arranged upon a lofty and conspicuous table of rock;” and Street has declared: “Few cities I have ever seen can compete in artistic interest with it; and none, perhaps, come up to it in the singular magnificence of its situation, and the endless novelty and picturesqueness of its every corner.” And the grandeur is emphasised by the silence that serves to enhance the awe that the place inspires in the heart of the visitor. Such occasional sounds as are heard echo along the narrow streets, and turn innumerable corners, and the noise of a passing horse reverberates like the clatter of a charging squadron. But horses are few, and carriages are very far between, for the ascents of Toledo are formidable, and its turnings are endless. One must be resident in the city for months in order to learn its topography: the visitor must engage a guide, or be prepared to make a dozen inquiries on a journey from the Hotel de Castilla to the Cathedral. It is a maze built of masonry; an ideal place in which to lose oneself. One can walk for miles through these stone passages and make

Toledo.

ALCÁNTARA DOOR AND BRIDGE.