MANSLAUGHTER

CHAPTER I

Whenever she and Lydia had a scene Miss Bennett thought of the first scene she had witnessed in the Thorne household. She saw before her a vermillion carpet on a mottled marble stair between high, polished-marble walls. There was gilt in the railing, and tall lanky palms stood about in majolica pots. Up this stairway an angry man was carrying an angrier child. Miss Bennett could see that broad back in its heavy blue overcoat, and his neck, above which the hair was still black, crimsoning with fury and exertion. On one side of him she could see the thin arms and clutching hands of the little girl, and on the other the slender kicking legs, expressing passionate rebellion in every spasmodic motion. The clutching hands caught the tip of a palm in passing, and the china pot went rolling down the stairs and crashed to bits, startling the two immense great Dane puppies which had been the occasion of the whole trouble.

The two figures, swaying and struggling, went on up; for though the man was strong, a writhing child of ten is no light burden; and the stairs, for all their grandeur, were steep, and the carpet so thick that the foot sank into it as into new-fallen snow. Just as they passed out of sight Miss Bennett saw the hands of the child, now clenched fists, begin to beat on the man's arms, and she heard the clear, defiant young voice repeating, "I will keep them! I will!" The man's "You won't" was not spoken, but was none the less understood. Miss Bennett knew that when the heads of the stairs was reached the blows would be returned with interest.

Usually in the long struggle between these two indomitable wills Miss Bennett had been on Joe Thorne's side, coarse, violent man though he was, for she was old-fashioned and believed that children ought to obey. But this night he had alienated her sympathy by being rude to her—for the first and last time. He had come home after one of his long absences to the hideous house in Fifth Avenue in which he took so much pride, and had found these two new pets of Lydia's careening about the hall like young calves. He had turned on Miss Bennett.

"What the hell do you let her do such things for?" he had demanded, and Miss Bennett had answered with unusual spirit.

"Because she's so badly brought up, Mr. Thorne, that no one can do anything with her."

Lydia had stood by defiantly, glancing from one to the other, with a hand in the collar of each of her dogs, her face pale, her jaw set, her head not much above the sleek battleship-gray heads of the great Danes, her small body pulled first one way and then the other by their gambols. All the time she was saying over and over, "I will keep them! I will! I will!"

She hadn't kept them; she had lost that particular skirmish in the long war. Not till some years later did she begin to win; but whether she lost or won, Miss Bennett was always conscious of a rush of pity for the slim, black-eyed little girl thrusting her iron will so fearlessly against that of the man from whom she had inherited it.

And for the Lydia of to-day, now engaged in thrusting her will against the will of the world, Miss Bennett felt the same unreasoning pity—pity which rendered her weak in her own defense when any dispute arose between them. She and Lydia had been having a scene now; only a little scene—hardly more than a discussion.

Morson saw it clearly when he came in after luncheon to get the coffee cups, although a complete and decorous silence greeted his entrance. He saw it in the way in which his young employer was standing, as erect as an Indian, looking slantingly down her cheek at her companion. Miss Bennett was sitting on the sofa with her feet in their high-heeled satin slippers crossed, and she was slipping the rings nervously up and down her fine, thin fingers.

She was a small, well-made woman, to whom prettiness had come with her gray hair. The perfection of all her appointments, which might once have been interpreted as the vanity of youth, turned out to be a settled nicety that stood her in good stead in middle life and differentiated her at fifty-five—a neat, elegant little figure among her contemporaries.

The knowledge that he was interrupting a discussion did not hurry Morson any more than the faintest curiosity delayed him. He brushed up the hearth, turned a displaced chair, collected the cups on his tray and left the room at exactly the same pace at which he had entered it. He had known many scenes in his day.

As soon as the door closed behind him Miss Bennett said: "Of course, if you meant you don't want me to ask my friends to your house you are perfectly within your rights, but I could not stay with you, Lydia."

"You know I don't mean that, Benny," said the girl without either anger or apology in her voice. "I'm delighted to have you have anyone at all when I'm not here and anyone amusing when I am. The point is that those old women were tiresome. They bored you and you knew that they were going to bore me. You sacrificed me to make a Roman holiday for them."

Miss Bennett could not let this pass.

"You should feel it an honor—a woman like Mrs. Galton, whose work among the female prisoners of this——"

"Noble women, noble women, I have no doubt, but bores, and it makes me feel sick, literally sick, to be bored."

"Don't be coarse, Lydia."

"Sick—here," said Lydia with a sharp dig of her long fingers on her diaphragm. "Let's be clear about this, Benny. I can't stand having my own tiresome friends about, and I will not put up with having yours."

Lydia had come home after a morning of shopping in town. Disagreeable things had happened, only Benny did not know that. She had bought a hat—a tomato-colored hat—had worn it a block and decided it was a mistake, and had gone back and wanted to change it, and the woman had refused to take it back. There had been little consolation in removing her custom from the shop forever—she had been forced to keep the hat. Then motoring back to Long Island a tire had gone, and she had come in late for luncheon to find Benny amiably entertaining the two old ladies.

The very fact that they were, as she said, noble women, that their minds moved with the ponderous exactitude characteristic of so many good executives, made their society all the more trying to Lydia. She wearied of them, wearied, as Mariana in the Moated Grange. She had so often asked Benny not to do this to her and after all it was her house.

"You're very hard, my dear," said her companion—"very hard and very ignorant and very young. If you could only find an interest in such work as Mrs. Galton is doing——"

"Good heavens, was this a benevolent plot on your part to find me an interest?"

Miss Bennett looked dignified and a little stubborn, as if she were accustomed to being misunderstood, as if Lydia ought to have known that she had had a reason for what she did. As a matter of fact, she had no plan; she was not a plotter. That was one of the difficulties between her and Lydia. Lydia arranged her life, controlled her time and her surroundings. Miss Bennett amiably drifted, letting events and her friends control. She could never understand why Lydia held her responsible for situations which it seemed to her simply happened, and yet she could never resist pretending that she had deliberately brought them about. She began to think now that it had been her idea, not Mrs. Galton's, to get Lydia interested in prison reform.

"No one can be happy, Lydia, without an unselfish interest, something outside of themselves."

Lydia smiled. There was something pathetic in poor little ineffective Benny trying to arrange her life for her.

"I contrive to be fairly happy, thank you, Benny. I've got to leave you, because I have an engagement at Eleanor's at four, and it's ten minutes before now."

"Lydia, it's ten miles!"

"Ten miles—ten minutes."

"You'll be killed if you drive so recklessly."

"No Benny, because I drive very well."

"You'll be arrested then."

"Even less."

"How can you be so sure?"

That was something that it was better not to tell, so Lydia went away laughing, leaving Miss Bennett to wonder, as she always did after one of these interviews, how it was possible to feel so superior to Lydia when they were apart and so ineffectual when they were together. She always came to the same conclusion—that she was betrayed by her own fineness; that she was more aware of shades, of traditions than this little daughter of a workingman. Lydia was not little. She was half a foot taller than Adeline Bennett's own modest five-feet-two, but the adjective expressed a latent wish. Miss Bennett often introduced it into her descriptions. A nice little man, a clever little woman, a dear little person were some of her favorite tags. They made her bulk larger in her own vision.

The little daughter of the workingman ran upstairs for her hat. She found her maid, Evans, engaged in polishing her jewels. The rite of polishing Miss Thorne's jewels took place in the bathroom, which was also a dressing room, containing long mirrors, a dressing table, cupboards with glass doors through which Miss Thorne's bright hats and beribboned underclothes showed faintly. It was carpeted and curtained and larger than many a hall bedroom.

Here Evans, a pale, wistful English girl, was spreading out the jewelry as she finished each piece, laying them on a white towel where the rays of the afternoon sun fell upon them—the cabochon ruby like a dome of frozen blood, the flat, clear diamond as blue as ice, and the band of emeralds and diamonds for her hair flashing rays of green and orange lights. Lydia liked her jewelry for the best of all reasons—she had bought most of it herself. She particularly liked the emerald band, which made her look like an Eastern princess in a Russian ballet, and in her opinion exactly fitted her type. But her beauty was not so easily classified as she thought. To describe her in words was to describe a picture by Cabanel of The Star of the Harem—such a picture as the galleries of the second half of the nineteenth century were sure to contain—the oval face, the splendid dark eyes, the fine black eyebrows, the raven hair; but Lydia's skin was not transparently white, and a slight heightening of her cheek bones and a thrust forward of her jaw suggested something more Indian than Eastern, something that made her seem more at home on a mountain trail than on the edge of a marble pool.

As she entered, Evans was brushing the last traces of powder from a little diamond bracelet less modern than the other pieces. Lydia took it in her hand.

"I almost forgot I had that," she said.

Three or four years before, when she had first known Bobby Dorset, when they had been very young, he had given it to her. It had been his mother's, and she had worn it constantly for a year or so. An impulse of tenderness made her slip it on her arm now, and as it clung there like a living pressure the heavy feeling of it faintly revived a whole cycle of old emotions. She thought to herself that she had some human affections after all.

"It ought to be reset, miss," said Evans. "The gold spoils the diamonds."

"You do keep my things beautifully, Evans."

The girl colored at the praise, not often given by her rapidly moving young mistress, and the muscles twitched in her throat.

"A hat—any hat, Evans."

She pulled it on with one quick, level glance in the glass, and was gone with the bracelet, half forgotten, on her arm.

During the few minutes that Lydia had been upstairs a conflict had gone on in the mind of Miss Bennett downstairs. Should she be offended or should she be superior? Was it more dignified to be angry because she really could not allow herself to be treated like that? Or should she forgive because she was obviously so much older and wiser than Lydia?

She decided—as she always did—in favor of forgiveness, and as she heard Lydia's quick light footsteps crossing the hall she called out, "Don't drive the little car too fast!"

"Not over sixty," Lydia's voice answered.

As she sprang into the gray runabout waiting at the door with its front wheels turned invitingly outward, pressed on the self-starter with her foot, slid the gears in without a sound, it looked as if she intended her reply to be taken literally. But the speedometer registered only thirty on her own drive—thirty-five as she straightened out on the highway. As she said, she never drove fast without a good reason.

Like most people of her type and situation, Lydia was habitually late. The reason she gave to herself was that she crowded a little more activity into the twenty-four hours than those who managed to be on time. But the true reason was that she preferred to be waited for rather than to run any risk of waiting herself. It seemed a distinct humiliation to her that she should await anyone else's convenience. To-day, however, she had a motive for being on time—that is to say, not more than twenty minutes late. They were going to play bridge at Eleanor's and Bobby would be there; and for some reason she never understood it fussed Bobby if she were late and everyone began abusing her behind her back; and if Bobby were fussed he lost money, and he couldn't afford to lose it. She hated Bobby to lose money—minded it for him more than he minded it for himself.

One of the facts that she saw most clearly in regard to her own life was that the man she married must be a man of importance, not only because her friends expected that of her but because she needed a purpose, a heightened interest—a great man in her life. Yet strangely enough the only men to whom her heart had ever softened were idle, worthless men, of whom Bobby was only a sample. Among women she liked the positive qualities—courage, brilliance, achievement; but among men she seemed to have selected those who needed a strong controlling hand upon their destiny. Benny said it was the maternal in her, but less friendly critics said it was the boss. Perhaps the two are not so dissociated as is generally thought. Lydia repudiated the maternal explanation without finding another. Only she knew that the very thing that made her fond of men like Bobby prevented her falling in love with them; whereas the men with whom it seemed possible to fall in love were men with whom she always quarreled, so that instead of love there was not even friendship.

Some years before she had been actually engaged to be married—though the engagement had never been announced—to an Englishman, a thin, hawk-faced man, the Marquis of Ilseboro. She was not in love with him, though he was a man with whom women did fall in love. Benny had been crazy about him. He was companionable in a silent sort of way, made love to her with extreme assurance and knew a great deal about life and women.

But from the very first their two wills had clashed in small matters—in questions of invitations, manners, Lydia's dress. Again and again Ilseboro had yielded, but yielded with a deliberation that gave no suggestion of defeat. These struggles which go on out of sight and below consciousness in most relations are never decided by the actual event but by the strength of position in which the combatants are left. Benny, for instance, sometimes did the most rebellious things, but did them in a sort of frenzy of panic, followed by unsought explanations. Ilseboro was just the reverse. He yielded because he had a positive wish to adjust himself, as far as possible, to her wishes. Lydia began to be not afraid of him, for like Caesar she was not liable to fear, but dimly aware that his was a stronger nature than her own. This means either love or hate. There had been a few hours one evening when she had felt grateful, admiring, eager to give up; when if she had loved him at all she could have worshiped him. But she did not love him, and when she saw that what he was looking forward to was fitting her into a niche which he'd been building for centuries for the wives of the Ilseboros she really hated him.

Ever since her childhood the prospect of laying aside her own will had stirred her to revolt. She could still remember waking herself up with a start in terror at the thought that in sleep she would doff her will for so many hours. Later her father had wished to send her to a fashionable boarding school; but she had made such wild scenes at the idea of being shut up—of being one of a community—that the plan had been given up. She would have married anyone in order to be free, but being already uncommonly free she rebelled at the idea of giving up her individuality by marriage, particularly by marriage with Ilseboro. She broke her engagement. Ilseboro had loved her and made himself disagreeable. She never forgot the parting curse he put upon her.

"The trouble with being such a damned bully as you are, my dear Lydia," he said, "is that you'll always get such second-rate playmates."

She answered that no one ought to know better than he did. His manner to her servants had long secretly shocked her. He spoke to them without one shade of humanity in his tone, yet oddly enough they all liked him except the chauffeur, who was an American and couldn't bear him, feeling the very essence of class superiority in that tone.

A few months later she showed an English illustrated to Miss Bennett.

"A picture of the girl Ilseboro is going to marry."

There was a pause while Miss Bennett read those romantic words: "A marriage has been arranged and will shortly take place between George Frederick Albert Reade, Marquis of Ilseboro, and——"

"She looks like a lady," said Miss Bennett.

"She looks like a rabbit," said Lydia. "Just think how Freddy will order her about!"

It was not in her nature to feel remorse for her well-considered actions, and she soon forgot that Ilseboro had ever existed, except for certain things she had learned from him—a way of being silent while people explained to you you couldn't do something you intended to do, and then doing it instead of arguing about it, as had been her old habit; and an excellent manner with butlers too.

Her foot pressed gently on the accelerator, when the road became straight, holding the car now at forty miles. On either side of the road purple cabbages grew like a tufted carpet to the very edge of the macadam, without fences or hedges to protect them. There was enough mist in the autumn air to magnify the low hills along the Sound to an imposingly vague bulk, and to turn the cloudless sky to a threatening bluish gray. In every other direction the flat, fertile, sandy plains of Long Island stretched uninterruptedly.

It was really a beautiful afternoon—too beautiful to spend playing bridge in a stuffy room. It might be more sensible, she thought, to break up the party, kidnap Bobby and drive him over to sit on the edge of the water and watch the moon rise; only she rather feared the moon was over. Of course she was dining at the Leonard Piers' that evening, but it was a party eminently chuckable—that is to say, she was going to please them rather than herself. Anyhow, she would have Eleanor move the bridge table out on the terrace. Eleanor was so stupid about preferring to play indoors.

A minute figure, smaller than a man's hand, flashed into the little mirror at her left. Was it—no—yes? A bicycle policeman! Well, she would give him a little race for his stupidity in not recognizing her. She loved speed—it made her a little drunk. The needle swung to forty-five—to fifty, and hung there. She passed a governess cart full of children with a sound like "whist" as the wind rushed by. Now there was a straight road, and clear.

The miniature figure kept growing and growing until it seemed to fill the whole circle of the mirror. The sound of the motorcycle drowned the sound of her own car. A voice shouted "Stop!" almost in her ear. Turning her head slightly to the left, she saw a khaki figure was abreast of her. She slowed the car down and stopped it. A sunburned young face flushed with anger glared at her.

"Here, what do you think this is? A race track?"

Lydia did not answer, staring straight ahead of her. She was thinking that it was a foolish waste of taxpayers' money to keep changing the policemen. Just as you reached a satisfactory arrangement with one of them you found yourself confronted by another. She wasn't in the least alarmed, though he was scolding her roughly—scolding, to be candid, very much as her own father had done. She did not object to his words, but she hated the power of the law behind them—hated the idea that she herself was not the final judge of the rate at which she should drive.

Now he was getting his summons ready. Glancing idly into her mirror, she saw far away, like a little moving picture, the governess cart come into view. She intended to settle the matter before those giggling, goggle-eyed children came abreast. She was a person in whom action followed easily and instantly from the decision to act. Most people, after making a decision, hesitate like a stream above a waterfall, and then plunging too quickly, end in foam and whirlpools. But Lydia's will, for good or evil, flowed with a steady current.

She looked down at the seat beside her for her mesh bag, opened it and found that Evans, who was a good deal of a goose, had forgotten to put her purse in it, although she knew bridge was to be played. Lydia looked up and saw that the officer of the law had followed her gesture with his eyes. She slipped Bobby's bracelet off her arm, and holding her hand well over the edge of the car dropped it on the road. She heard it tinkle on the hard surface.

"You dropped something," he said.

"No."

He swung a gaitered leg from the motorcycle and picked up the bracelet.

"Isn't this yours?"

She smiled very slightly and shook her head, once again in complete mastery of the situation.

"Whose is it then?"

"I think it must be yours," she answered with a sort of sweet contempt, and still looking him straight in the eye she leaned over and put her gear in first. He said nothing, and her car began to move forward. Presently she heard the sound of a motorcycle going in the opposite direction. She smiled to herself. There was always a way.

She found them waiting for her at Eleanor's, and she felt at once that the atmosphere was hostile; but when Lydia really liked people, and she really liked all the three who were waiting, she had command of a wonderfully friendly coöperative sort of gayety that was hard to resist.

She liked Eleanor Bellington better than any woman she knew. They had been friends since their school days. Eleanor had brains and a dry, bitter tongue, usually silent, and she wasn't the least bit afraid of Lydia. She was blond, plain, aristocratic, independent and some years Lydia's senior. Fearless in thought, she was conservative in conduct. All her activity was in the intellectual field, or else vicariously, through the activity of others. There were always two or three interesting men, coming men, men of whom one said on speaking of them "You know, he's the man——" who seemed to be intimately woven into Eleanor's everyday life. A never-ending subject of discussion among Miss Bellington's friends was the exact emotional standing of these intimacies of Nellie's.

Lydia liked Tim Andrews too—a young man of universal friendships and no emotions; but most necessary of all to her enjoyment was Bobby Dorset, who came out to meet her, sauntering down the steps with his hands in his pockets. He looked exactly as a young man ought to look—physically fit, masculine. He was young—younger than his twenty-six years. There wasn't a line of any kind in his clean-shaven face, and the time had come—had almost come—when something ought to have been written there. The page was remaining blank too long. That was the only criticism possible of Bobby's appearance, and perhaps only an elderly critic would have thought of making it. Lydia certainly did not. When he smiled at her, showing his regular, handsome teeth, she thought he was the nicest-looking person she knew.

Just as she had expected, the bridge table was set inside the house, and while she was protesting and having it moved to the terrace she mentioned that she was late because she had had a fuss with Miss Bennett.

"Dear little Benny," said Andrews. "She's like a nice brown-eyed animal with gray fur, isn't she?"

"Tim always talks as if he were in love with Benny."

"She's so gentle, Lydia, and you are so ruthless with her," said Dorset.

"I have to be, Bobby," answered Lydia, and perhaps to no one else would she have stooped to offer an explanation. "She's gentle, but marvelously persistent. She gets her own way by slow infiltration. I wish you'd all tell me what to do. Benny is a person on whom what you say in a critical way makes no impression until you say it so as to hurt her feelings, and then it makes no impression because she's so taken up with her feelings being hurt. That's my problem with her."

"It's everybody's problem with everybody," replied Eleanor.

"She likes to ask her dull friends to the house when I'm there to entertain them."

"Entertain them with a blackjack," said Bobby.

"She had two prison reformers there to-day—old women with pear-shaped faces, and I had a perfectly horrid morning in town trying to get some rags to put on my back, and—Nell, will you tell me why you recommended Lurline to me? I never saw such atrocious clothes."

"I didn't recommend her," answered Nellie, unstampeded by the attack. "I told you that pale, pearl-like chorus girl dressed there, and your latent desire to dress like a chorus girl——"

"Oh, Lydia doesn't want to dress like a chorus girl!"

"Thank you, Bobby."

"She wants to dress like the savages in Aïda."

"In mauve maillots and chains?"

"In tiger skins and beads, and crouch through the jungle."

"I was so sulky I didn't give a cent to prison reform. Do you think prisons ought to be made too comfortable? I don't want to be cruel, but——"

"Well, it's something, my dear, that you don't want to be."

"You mean I am? That's what Benny says. But I'm not. Is this ten cents a point?"

Eleanor, who like many intellectuals found her excitement in fields where chance was eliminated, protested that ten cents a point was too high, but her objections were swept away by Lydia.

"Oh, no, Eleanor; play for beans if you want; but if you are going to gamble at all——"

Tim Andrews interrupted.

"My dear Lydia," he said, "I feel it only right to tell you that the Anti-Lydia Club was being organized when you arrived. Its membership consists of all those you have bullied, and its object is to oppose you in all small matters."

"Whether I'm right or not, Tim?"

"Everybody's worst when they're right," murmured Eleanor.

"We decided before you came that we all wished to play five cents a point," Tim continued firmly.

"All right," said Lydia briskly. "Only you know it bores me, and it bores Bobby, too, doesn't it, Bobby?"

"Not particularly," replied Dorset; "but I know if it bores you none of us will have a pleasant time."

Lydia smiled.

"Is that an insult or a tribute?"

Bobby smiled back at her.

"I think it's an insult, but you rather like it."

Half an hour later they were playing for ten cents a point.

CHAPTER II

Lydia had offered to drop Bobby at the railroad station on her way home, although she had to go a few miles out of her way to do it. He was going back to town. It was dark by the time they started. She liked the feeling of having him there tucked in beside her while she absolutely controlled his destiny for the next half hour. She liked even to take risks with his life, more precious to her at least for the time than any other, in the hope that he would protest, but he never did. He understood his Lydia.

After a few minutes she observed, "I suppose you know Eleanor has a new young man."

"Intensely interesting, or absolutely worth while?" he asked.

"Both, according to her. She's bringing him out at the Piers' this evening. She was just asking me to be nice to him."

"Like asking the boa constrictor to be nice to a newborn lamb, isn't it?"

"If I'm nice to her men it gives her a feeling of confidence in them."

"If you're nice to them you take them away from her."

"No, Bobby. It's a funny thing, but it isn't so easy as you think to get Eleanor's men away from her."

"Ah, you've tried?"

"She has a funny kind of hold on them. It's her brains. She has brains, and they appreciate it. I don't often want her men. They're apt to be so dreadful. Do you remember the biologist with the pearl buttons on his boots? This one is in politics—or something. He has a funny name—O'Bannon."

"Oh, yes—Dan O'Bannon."

"You know him?"

"I used to know him in college. Lord, he was a wild man in those days!" Bobby snickered reminiscently. "And now he's the local district attorney."

"What does a district attorney do, Bobby?"

"Why, he's a fellow elected by the county to prosecute——"

"Look here, Bobby, if the Emmonses ask you to spend this coming Sunday with them, go, because I'm going." She interrupted him because it was the kind of explanation that she had never been able to listen to. In fact she had so completely ceased to listen that she was unaware of having interrupted the answer to her own question, and Bobby did not care to bring the matter to her attention for fear her invitation to the Emmonses might be lost in the subsequent scuffle. Besides he esteemed it his own fault. Most people who ask you a question like that really mean to say, "Would there be anything interesting to me in the answer to this question? If not, for goodness' sake don't answer it." So he gladly abandoned defining the duties of the district attorney and answered her more important statement.

"Of course I'll go, only they haven't asked me."

"They will—or else I won't go. You'll come out on Friday afternoon."

"I can't, Lydia, until Saturday."

"Now, Bobby, don't be absurd. Don't let that old man treat you like a slave."

Lydia's attitude to Bobby's work was a trifle confusing. She wished him to attain a commanding position in the financial world but had no patience with his industry when it interfered with her own plans. The attaining of any position at all seemed unlikely in Bobby's case. He was a clerk in the great banking house of Gordon & Co., a firm which in the course of a hundred and twenty-five years had built itself into the very financial existence of the country. In almost any part of the civilized globe to say you were with Gordon & Co. was a proud boast. But pride was all that a man of Bobby's type was likely to get out of it. Promotion was slow. Lydia talked of a junior partnership some day, but Bobby knew that partnerships in Gordon & Co. went to qualities more positively valuable than his. Sometimes he thought of leaving them, but he could not bear to give up the easy honor of the connection.

It was better to be a doorkeeper with Gordon & Co. than a partner with some ephemeral firm.

It amused him to hear her talk of Peter Gordon treating him like a slave. The dignified, middle-aged head of the firm, whose business was like an ancestral religion to him, hardly knew his clerks by sight.

"It isn't exactly servile to work half a day on Saturday," he said mildly.

"They'd respect you more if you asserted yourself. Do come on Friday, Bobby. I shall be so bored if you're not there."

He reflected that after all he would rather be dismissed by Gordon & Co. than by the young lady beside him.

"Dearest Lydia, how nice you can be when you want to—like all tyrants."

They had reached the small deserted wooden hut that served as a railroad station, and Lydia stopped the car.

"I suppose it's silly, but I wish you wouldn't say that—that I'm a tyrant," she said appealingly. "I don't want to be, only so often I know I know better what ought to be done. This afternoon, for instance, wasn't it much better for us all to play outside instead of in that stuffy little room of Eleanor's? Was that being a tyrant?"

"Yes, Lydia, it was; but I like it. All I ask is a little tyrant in my home."

She sighed so deeply that he leaned over and kissed her cool cheek.

"Good-by, my dear," he said.

The kiss did not go badly. He had done it as if, though not sure of success, he was not adventuring on absolutely untried ground.

"I think you'd better not do that, Bobby."

"Do you hate it?"

"Not particularly, only I don't want you to get dependent on it."

He laughed as he shut the car door. The light of the engine was visible above the low woods to their left.

"I'll take my chances on that," he said.

As she drove away she felt the injustice of the world. Everyone did ask your advice; they did want you to take an interest, but they complained when this interest led you to exert the slightest pressure on them to do what you saw was best. That was so illogical. You couldn't give a person advice that was any good unless you entered in and made their problem yours, and of course if you did that—only how few people except herself ever did it for their friends—then you were concerned, personally concerned that they should follow your advice. They were all content, too, she thought, when her tyranny worked out for their good. Bobby, for instance, had not complained of her having forced the Emmonses to ask him for Sunday. He thought that commendable. Perhaps the Emmonses hadn't. And yet how much better to be clear. She did not want to go and spend Sunday with anyone unless she could be sure of having someone to amuse her. Suppose she had gone there and found that like Benny they were using her to entertain some of their dull friends. That would have made her angry. She might have been disagreeable and broken up a friendship. This way it was safe.

She did not get home until half past seven, and she was dining at eight, fifteen minutes' drive away.

A pleasant smell of roses and wood smoke greeted her as she entered the house. She loved her house, with the broad shingles and classic pilasters of the front still untouched. Ten years ago her father had bought it—a nice old farmhouse with an ornamental band running round it below the eaves and a perfect little porch before the door. Since then she had been becoming more and more attached to it as it became more and more the work of her own creation. She had added whatever she needed without much regard to the effect of the whole—a large paneled room, English as much as anything, an inner garden suggestive of a Spanish patio, a tiled Italian hall and a long servant's wing that was nothing at all.

She put her head in the dining room, where Miss Bennett in a stately tea gown was just beginning a solitary dinner.

"Hello, Benny! Have a good dinner. I forgot to tell you I'm going to the Emmonses for Sunday, so if you want to ask someone down to keep you company, do. I'm going to be late for dinner."

Miss Bennett smiled and nodded, recognizing this as a peace demonstration. Fourteen years had taught her that Lydia was not without generosity.

Fourteen years ago this coming winter the Thornes had entered Miss Bennett's life. Old Joe Thorne had come by appointment to her little New York apartment. The appointment had been made by a friend of Miss Bennett's—Miss Bennett's friends were always looking for something desirable for her in those days. Her family, who had been identified with New York for a hundred and fifty years, had gradually declined in fortune until the panic of 1893 had almost wiped out the little fortune of Adeline and her mother, the last of the family. Adeline had been brought up, not in luxury but in a comfortable, unalterable feminine idleness. She had always had all the clothes she needed to go about among the people she knew, and they were the people who had everything. The Bennetts had never kept a carriage, but they had never stinted themselves in cabs. The truth was they had never stinted themselves in anything that they really wanted. And Adeline, when she found herself alone in the world at thirty, with an income of only a few thousand, continued the family tradition of having what she wanted. She took a small apartment, which she contrived to make charming, and she lived nicely by the aid of her old French nurse, who came and cooked for her and dressed her and turned her out as perfectly as ever. She continued to dine out every night, and though nominally she spent her summers in New York as an economy, she was always on somebody's yacht or in somebody's country house. She paid any number of visits and enjoyed life more than most people.

Her friends, however, for she had the power of creating real attachments, were not so well satisfied. At first they were persuaded that Adeline would marry—it was so obviously the thing for Adeline to do—but she was neither designing nor romantic. She lacked both the reckless emotion which may lead one to marry badly and the cold-blooded determination to marry well.

She was just past forty the day Joe Thorne came. She could still see him as he entered in his blue overcoat with a velvet collar. A big powerful man with prominent eyes like Bismarck's, and a heavy dark brown mustache bulging over his upper lip. He did not expect to give much time to the interview. He had come to see if Miss Bennett would do to bring up his daughter, who at ten years was giving him trouble. He wanted her prepared for the social opportunities he intended her to have. It seemed strange to him that a person who lived as simply as Miss Bennett could really have these social opportunities in her control, but he had been advised by people whom he trusted that such was the fact, and he accepted it.

He was the son of a Kansas farmer, had left the farm as a boy and settled in a small town, and had learned the trade of bricklaying. By hard work he gradually amassed a few hundred dollars, and this he invested in a gravel bank just outside the town. It was the only gravel bank in the neighborhood and brought him a high return on the money. Then just as the gravel was exhausted the town began to spread in that direction, and Thorne was arranging to level his property and sell it in building lots, when a still more unexpected development took place. Oil was struck in the neighborhood, and beneath Thorne's gravel lay a well.

If Fate had intended him to be poor she should never have allowed him to make his first thousand dollars, for from the moment he had any surplus everything he touched did well. In one of his trips to the Louisiana oil district he met and married a local belle, a slim, pale girl with immense dark-circled black eyes and a skin like a gardenia. She followed him meekly about the country from oil wells to financial centers until after the birth of her daughter. Then she settled down in Kansas City and waited his rare visits. The only inconsiderate thing she had ever done to him was to die and leave him with an eight-year-old daughter.

For several stormy years he tried various solutions—foreign governesses who tried to marry him, American college girls who attempted to make him take his fair share of parental responsibility, an old cousin who had been a school teacher and dared to criticize his manner of life. At last his enlarging affairs brought him to New York and he heard of Miss Bennett. He heard of her through Wiley, his lawyer. Wiley, a man in the forties, then attaining preëminence at the bar in New York, had been thought by many people to be an ideal husband for Adeline. They were old friends. He admired her, wished her well, and thought of her instantly when his new client applied to him for help.

The minute Thorne saw Miss Bennett he saw that she would do perfectly. He made her the offer of a good salary. He couldn't believe that she would refuse it. She could hardly believe it herself, for she was unaccustomed to setting up her will against anyone's least of all against a man like Joe Thorne, who had successfully battled his way up against the will of the world. The contest went on for weeks and weeks. Poor Miss Bennett kept consulting her friends, almost agreeing to go when she saw Thorne, and then telephoning him that she had changed her mind, and bringing him round to her apartment—which was just what she didn't want—to argue her into it again.

Some of her friends opposed her going to the house of a widower whose reputation in regard to women was not spotless. Others thought—though they did not say—that if she went, and succeeded in marrying him, she would be doing better than she had any right to expect. Perhaps if Miss Bennett could have fallen in love with Lydia she might have yielded, but even at ten, Lydia, a black-eyed determined little person, inspired fear more than love.

Poor Adeline grew pale and thin over the struggle. At last she decided, after due consultation with friends, to end the matter by being a little bit rude, by telling Thorne that she just didn't like the whole prospect; that she preferred her own little place and her own little life.

"Like it—like this cramped little place?" he said, looking about at the sunshine and chintz and potted daisies of her cherished home. "But I'd make you comfortable, give you what you ought to have—Europe, your friends, your carriage, everything."

He went on to argue with her that she was wrong, utterly wrong to like her own life. Her last card didn't win. She yielded at last for no better reason than that her powers of resistance were exhausted.

Thorne was then living in a house on a corner of upper Fifth Avenue, with a pale-pink brocade ballroom running across the front and taking all the morning sunshine, and a living room and library at the back so dark that you couldn't read in it at mid-day, with marble stairs and huge fire-places that didn't draw—a terrible house. Some years later, under Miss Bennett's influence, he had bought the more modest house in the Seventies where Lydia now spent her winters. But it was to the Fifth Avenue house that Miss Bennett came, and found herself plunged into one of the most desperate struggles in the world. Thorne, whose continuous interest was given to business, attempted to rule Lydia in crises—by scenes, scenes of a violence that Miss Bennett had never seen equaled. As it turned out, her coming weakened Thorne's power; not that she wasn't usually on his side—she was—but she was an audience, and Thorne had some sense of shame before an audience, while Lydia had none at all.

Many a time she had seen him box Lydia's ears and, mild as she was, had been glad to see him do it. But it was his violence that undid him. It was then that Lydia became suddenly dignified and, unbroken, contrived to make him appear like a brute.

There is nothing really more unbreakable than a child who considers neither her physical well-being nor public opinion. An older person, however violent, has learned that he must consider such questions, and it is a weakness in a campaign of violence to consider anything but the desired end.

And on the whole Thorne lost. He could make Lydia do or refrain from doing specific acts—at least he could when he was at home. He had not permitted her at ten to keep her great Danes nor at thirteen to drive a high-stepping hackney in a red-wheeled cart which she ordered for herself without consultation with anyone.

The evening after that struggle was over he had asked Miss Bennett to marry him. She knew why he did it. Lydia in the course of the row had referred to her as a paid companion. He had long been considering it as a sensible arrangement, particularly in case of his death. Miss Bennett refused him. She tried to think that she had been tempted by his offer, but she was not. To her he seemed a violent man who had been a bricklayer, and she always breathed a sigh of relief when he was out of the house. She was glad that he did not press the point, but in after years it was a solid comfort to her to remember that she might have been Lydia's stepmother if she had chosen.

But it was in the long-drawn-out contest that Thorne failed. He could not make Lydia keep governesses that she didn't like. Her method was simple—she made their lives so disagreeable that nothing could make them stay. He never succeeded in getting her to boarding school, though he and Miss Bennett, after a long conference, decided that that was the thing to do. But that failure was partly due to his failing health.

That was their last great struggle. He died in 1912. In his will he left Miss Bennett ten thousand a year, with the request that she stay with his daughter until her marriage. It touched Miss Bennett that he should have seen that she could not have stayed if she had been dependent on Lydia's capricious will. It was this that made her position possible—the fact that they both knew she could go in an instant if she wanted; not that she ever doubted that Lydia was sincerely attached to her.

CHAPTER III

When Lydia ran upstairs to dress everything was waiting for her—the lights lit, the fires crackling, her bath drawn, her underclothes and stockings folded on a chair, her green-and-gold dress spread out upon the bed, her narrow gold slippers standing exactly parallel on the floor beside it, and in the midst Evans, like a priestess waiting to serve the altar of a goddess, was standing with her eyes on the clock.

LYDIA LITTLE REALIZES WHAT A TEMPTATION SHE IS PLACING BEFORE EVANS.

Lydia snatched off her hat, rumpled her hair with both hands as Evans began to undo her blouse. She unfastened the cuff, and then looked up with pale startled eyes.

"Your bracelet, miss?"

"Bracelet?" For a second Lydia had really forgotten it.

"The little diamond bracelet. You were wearing it this afternoon."

Something panic-stricken and excited in the girl's tone annoyed Lydia.

"I must have dropped it," she said.

The maid gave a little cry as if she herself had suffered a loss.

"Oh, to lose a valuable bracelet like that!"

"If I don't mind I don't see why you should, Evans."

Evans began unhooking her skirt in silence.

Twenty minutes later she was being driven rapidly toward the Piers'. These minutes were among the most contemplative of her life, shut in for a few seconds alone without possibility of interruption. Now as she leaned back she thought how lonely her life was—always facing criticism alone. Was she a bully, as Ilseboro had said? Perhaps she was hard. But then how could you get things done if you were soft? There was Benny. Benny, with many excellent abilities, was soft, and look where she was—a paid companion at fifty-five. Lydia suspected that ten years before her father had wanted to marry Benny, and Benny had refused. Lydia thought she knew why—because Benny thought old Joe Thorne a vulgar man whom she didn't love. Very high-minded, of course, and yet wasn't there a sort of weakness in not taking your chance and putting through a thing like that? Wouldn't Benny be more a person from every point of view if she had decided to marry the old man for his money? If she had she'd have been his widow now, and Lydia a dependent step-daughter. How she would have hated that!

The Piers had built a perfect French château, and had been successful in changing the scrubby woods into gardens and terraces and groves. Lydia stepped out of the car and paused on the wide marble steps, wrapping her cloak about her with straight arms, as an Indian wraps his blanket about him. She turned her head slightly at her chauffeur's inquiry as to the hour of her return.

"Oh," she said, "eight—ten—bridge. Come back at eleven."

The mirrors in the Piers' dressing room were flattering as she dropped her cloak with one swift motion into the hands of the waiting servant and saw a reflection of her slim gold-and-green figure with the emerald band across her forehead.

She saw at a glance on entering the drawing-room that it wasn't a very good party—only eight, and nothing much in the line of bridge players. She listened temperately to Fanny Piers' explanation that four people had given out since six o'clock. She nodded, admitting the excuse and reserving the opinion that if the Piers gave better parties people wouldn't chuck them so often.

She looked about. There was Tim Andrews again. Well, she could always amuse herself well enough with Tim. May Swayne—a soft blond creature whom Lydia had known for many years and ignored. Indeed, May was as little aware of Lydia's methods as a mole of a thunderstorm. Then there was Hamilton Gore, the lean home wrecker of a former generation, not bad—a little elderly, a little too epigrammatic for the taste of this day; but still, once a home wrecker always a home wrecker. He was still stimulating. The last time she had talked to him he had called her a sleek black panther. That always pleases, of course. Since then Fanny Piers, a notable mischief-maker, had repeated something else he said. He had called her a futile barbarian. She disliked the "futile." She would take it up with him; that would amuse her if everything else failed. She would say, "Hello, Mr. Gore! I suppose you hardly expected to meet a barbarian at dinner—especially a futile one." It would make Fanny wretched, but then if Fanny would repeat things she must expect to get into trouble.

And then, of course, there was Eleanor's new best bet—the intensely interesting and absolutely worthwhile young man. Lydia looked about, and there he was. Dear me, she thought, he certainly was interesting and worth while, but not quite from the point of view Eleanor had suggested—public service and political power. He was very nice looking, tall and heavy in the shoulders. He was turned three-quarters from her as she made her diagnosis. She could see little more than his mere size, the dark healthy brown of a sunburned Anglo-Saxon skin, and the deep point at the back of his neck where short thick hair grew in a deep point. Eleanor, looking small beside him, was staring idly before her, not attempting to show him off. There was nothing cheap about Eleanor. She spoke to him now, preparing to introduce him to her friend. Lydia saw him turn, and their eyes met—the queerest eyes she had ever seen. She found herself staring into them longer than good manners allowed; not that Lydia cared much about good manners, but she did not wish to give the man the idea she had fallen in love with him at first sight; only it just happened that she had never seen eyes before that flared like torches, grew dark and light and small and large like a cat's, only they weren't the color of a cat's, being gray—a pure light gray in contrast with his dark hair and skin. There was a contrast in expression too. They were a little mad, at least fanatical, whereas his mouth was controlled and legal and humorus. What was it Bobby had said about him in college—a wild man? She could well believe it. During these few seconds Eleanor was introducing him, and she was casting about for something to say to him. That was the trouble with meeting new people—it was so much easier to chatter to old friends. Benny said that was provincial. She made a great effort.

"How are you?"—this quite in the Ilseboro manner. "Are you staying near here?"

You might have counted one-two before he betrayed the least sign of having heard her. Then he said, "Yes, I live about ten miles from here."

"Oh, of course! You're a judge or something like that, aren't you?"

Was the man a little deaf?

"Something like that."

She noted that trick of pausing a second or two before answering. Ilseboro had had it too. It was rather effective in a way. It made the other person wonder if what he had said was foolish. He wasn't deaf a bit—quite the contrary.

"Aren't you going to tell me what you are?" she said.

He shook his head gravely. Then her eye fell on Gore standing at her elbow and she couldn't resist the temptation. She turned her back on Eleanor's discovery.

"Hullo, Mr. Gore! Did you expect to meet a barbarian at dinner—especially a futile one?"

Gore, unabashed, took the whole room in.

"Now," he said in his high-pitched voice, "could anything be more barbarous than that attack? Oh, yes, I said it; and what's worse, I think it, my dear young lady—I think it!"

She turned back to O'Bannon.

"Would you think I was a barbarian?"

"Certainly not a futile one," he answered.

They went in to dinner. It was a fixed principle of Fanny Piers' life to put her women friends next to their own young men, so that Eleanor found herself next to O'Bannon at dinner. He was on his hostess' right, Gore on her left, then Lydia and Tim and May and Piers, and Eleanor again. The arrangement suited Lydia very well. She went on baiting Gore. It suited Eleanor even better. She had known Noel Piers far too long to waste any time talking to him, and as this was the arrangement he preferred, they were almost friends. This left her free to talk to O'Bannon. Her native ability, joined to her personal interest in him, made her familiar with every aspect of his work. He talked shop to her and loved it. He was telling her of a case in which labor unions, with whose aims he himself as an individual was in sympathy, had made themselves amenable to the law. That was one of the penalties of a position like his. Piers caught a few words and leaned over.

"Well, I'm pretty liberal," he said—that well-known opening of the reactionary—"but I'm not in favor of labor."

"Not even for others, Noel," said Eleanor, who did not want to be interrupted.

"I mean labor unions," replied Piers, who, though not without humor in its proper place, had too much difficulty in expressing an idea to turn aside to laugh about it. "I hope you'll be firm with those fellows, O'Bannon. I hope you're not a socialist like Eleanor."

Piers had used the word "socialist" as a hate word, and expected to hear O'Bannon repudiate the suggestion as an insult. Instead he denied it as a fact.

"No," he said, "I'm not a socialist. I think you'll find lawyers conservative as a general thing. I believe in my platform—the equal administration of the present laws. That's radical enough—for the present."

Piers gave a slight snort. Everyone, he said, believed in that.

"I don't find they do—it isn't my experience," answered O'Bannon. "Some fellows broke up a socialist meeting the other evening in New York, and no one was punished, although not only were people injured, but even property was damaged." Eleanor was the only person who caught the "even." "You know very well that if the socialists broke in on a meeting of well-to-do citizens they would be sent up the river."

Piers stared at his guest with his round, bloodshot eyes. He was a sincere man, and stupid. He reached his conclusions by processes which had nothing to do with thought, and when someone talked like this—attacking his belief that it was wrong to break up his meetings and right to break up the other man's—he felt as he did at a conjurer's performance: that it was all very clever, but a sensible person knew it was a trick, even though he could not explain how it was done.

"I'm not much good at an argument," he said, "but I know what's right. I know what the country needs, and if you show favoritism to these disloyal fellows I shall vote against you next time, I tell you frankly."

Lydia, hearing by the tones that the conversation across the table promised more vitality than her waning game with Gore about the barbarian epithet, dropped her own sentence and answered, "No one really believes in equality who's on top. I believe in special privilege."

O'Bannon, who had been contemptuously annoyed with Piers, was amused at Lydia's frankness as she bent her head to look at him under the candle shades and the light gleamed in her eyes and flashed on the emeralds on her forehead. Beauty, after all, is the greatest special privilege of all.

"That's what I said," he returned. "No one honestly believes in my platform—the equal administration of the present laws."

"I do," said Piers. "I do—everyone does."

O'Bannon glanced at him, and deciding that it wasn't worth while to take him round the circle again let the sentence drop.

"Do you believe in it yourself, Mr. O'Bannon?" asked Lydia, and she stretched out a slim young arm and moved the candle so that she could look straight at him or he at her. "I mean, if you caught some friend smuggling—me, for example—would you be as implacable as if you caught my dressmaker?"

"More so; you would have less excuse."

She laughed and shook her head.

"You know in your heart it never works like that."

"Unfortunately," he answered, "my office does not take me into Federal customs, or you might find I was right."

"The administration of the customs of the United States," Piers began, but his wife interrupted.

"Don't explain it, there's a dear," she said, and oddly enough he didn't.

Lydia was delighted with O'Bannon's challenging tone.

"I wish you were," she said, "because I know you would turn out to be just like everyone else. Or even if you are a superman, Mr. O'Bannon, you couldn't be sure all your underlings were equally noble."

"What you mean is that you habitually bribe customs inspectors."

"No," said Lydia, as one surprised at her own moderation—"no, I don't, for I never much mind paying duty; but if I did mind—well, I must own I have bribed other officers of the law with very satisfactory results."

O'Bannon, looking at her under the shades, thought—and perhaps conveyed his thought to her—that she could bribe him very easily with something more desirable than gold. It was Gore who began carefully to point out to her the risk run by the taker of the bribe.

"You did not think of him, my dear young lady."

"Yes, I did," answered Lydia. "He wanted the money and I wanted the freedom. It was nice for both of us." She glanced at O'Bannon, who was talking to Mrs. Piers as if Lydia didn't exist. She felt no hesitation in interrupting.

"You couldn't put me in prison for that, could you, Mr. O'Bannon?"

"No, I'm afraid not," said O'Bannon, and turned back to Fanny Piers.

After dinner she told Eleanor in strict confidence the story of the bicycle policeman, and made her promise not to tell O'Bannon.

"I shouldn't dream of telling anyone," said Eleanor with her humorous lift of the eyebrows. "I think it's a perfectly disgusting story and represents you at your worst."

When they sat down to bridge Lydia drew O'Bannon, and whatever antagonism had flashed out between them at dinner disappeared in a perfectly adjusted partnership. They found they played very much the same sort of game; they understood one another's makes and leads, and knew as if by magic the cards that the other held. It seemed as if they could not mistake each other. They were both courageous players, ready to take a chance, without overbidding. They knew when to be silent, and, with an occasional bad hand, to wait. But the bad hands were few. They had the luck not only of holding high cards but of holding cards which invariably supported each other. Their eyes met when they had triumphantly doubled their opponents' bids; they smiled at each other when they had won a slam by a subtle finesse or by patiently forcing discards. Their winnings were large. Lydia seemed as steady as a rock—not a trace of excitement in her look.

O'Bannon thought, after midnight when he was totaling the score, "I could make a terrible fool of myself about this girl."

When they were leaving he found himself standing on the steps beside her. The footman had run down the drive to see why her chauffeur, after a wait of more than an hour, wasn't bringing her car round. O'Bannon, who was driving himself in an open car, came out, turning up the collar of his overcoat, and found himself alone with her in the pale light of the waning moon, which gave, as the waning moon always does, the effect of being a strange, unfamiliar celestial visitor.

O'Bannon, like so many strict supporters of law, was subject to invasions of lawless impulses. He thought now how easy it would be to run off with a girl like this one and teach her that civilization was not such a complete protection as she thought it. What an outcry she would make, and yet perhaps she wouldn't really object! He had a theory that men and women were more susceptible to emotion in the first minutes of their meeting than at any subsequent time—at least in such first meetings as this.

She was standing wrapping her black-and-silver cloak about her with that straight-armed Indian pose.

"It's a queer light, isn't it?" she said.

He agreed. Something certainly was queer—the greenish silver light on the withered leaves or the mist like a frothy flood on the lawn. Just as she spoke two brighter lights shone through the mist—her car coming up the drive with the footman standing on the step.

"Is that yours?" he asked.

She nodded, knowing that he was watching her.

"Why don't you send it away," he went on very quietly, "and let me drive you home? This is no night for a closed car."

He hardly knew whether he had a plan or not, but his pulses beat more quickly as she walked down the steps without answering him. He did not know whether she was going to get into her car and drive away or give orders to the man to go home without her. Then he saw that the footman was closing the door on an empty car and the chauffeur releasing his brake. When she came up the steps he was looking at the moon.

"I never get used to its waning," he said, as if he had been thinking of nothing else.

She liked that—his not commenting in any way on her accepting an invitation not entirely conventional from a stranger. Perhaps he did not know that it wasn't. Oh, if he could only keep on like that—maintaining that remote impersonality until she herself wanted him to be different! But if he wrapped the lap robe about her with too lingering an arm, or else, flying to the other extreme, began to be friendly and chatty, pretending that there was nothing extraordinary in two strangers being alone like this in a sleeping, moonlit world——

He did neither. When he brought the car to the steps the lap robe was folded back on the seat so that she could wrap it about her own knees. She did so with an exclamation. The mist clung in minute drops to its rough surface.

"It's wet," she said.

He did not answer—did not speak even, when as they left the Piers' place it became necessary to choose their road. He chose without consultation.

"But do you know where I live?" she asked.

"Be content for once to be a passenger," he replied.

The answer had the good fortune to please. She leaned back, clasping her hands in her lap, relaxing all her muscles.

On the highroad she was less aware of the moon, for the headlights made the mist visible like a wall about them. She felt as if she were running through a new element and could detect nothing outside the car. She was detached from all previous experience, content to be, as he had said, for once a passenger. This was a new sensation. She remembered what Ilseboro had said about her being a bully. Well, she'd try the other thing to-night. She only hoped it wouldn't end in some sort of a scene. She glanced up at her companion's profile. It looked quiet enough, but she decided that she had better not go on much longer without making him speak. Her ear was well attuned to human vibrations, and if there were a certain low tremor in his voice—well, then it would be better to go straight home.

"This is rather extraordinary, isn't it?" she said. This might be interpreted in a number of ways.

"Yes, it is," he said, exactly matching her tone.

She tried him again.

"Did you enjoy the evening?" It seemed almost certain that he would answer tenderly, "I'm enjoying this part of it."

"It was good bridge," he said.

That sounded all right, she thought. His voice was as cool as her own. She could let things go and give herself up to enjoying the night and the moon and the motion and the damp air on her face and arms. She felt utterly at peace. Presently he turned from the highroad down a lane so untraveled that the low branches came swishing into her lap; they came out on a headland overlooking the Sound. Over the water the mist was only a thickening of the atmosphere which made the lights of a city across the water look like globes of yellow light in contrast to the clear red and white of a lighthouse in the foreground. He leaned forward and turned off the engine and lights.

Lydia found that she was trembling a little, which seemed strange, for she felt unemotional and still. And then all of a sudden she recognized that she was really waiting—waiting to feel her cheek against his rough frieze coat and his lips against hers. It was not exactly that she wanted it, but that it was inevitable—simple—not her choice—something that must be. This was an experience that she had never had before. In the silence she felt their mutual understanding rising like a tide. She had never felt so at one with any human being as with this stranger.

Suddenly he moved—but not toward her. She saw with astonishment that he was turning the switch, touching the self starter, and the next instant backing the car out. The divine moment was gone. She would never forgive him.

They drove back in silence, except for her occasional directions about the road. Her jaw was set like a little vise. Never again, she was saying to herself, would she allow herself to be a passenger. Hereafter she would control. It didn't matter what happened to you, if you were master of your own emotions. She remembered once that the husband of a friend of hers had caught her in his arms in the anteroom of a box at the opera during the darkness of a Wagnerian performance. She had felt like frozen steel—so sure of herself that she hardly hated the man—she felt more inclined to laugh at him. But this man who hadn't touched her, left her feeling outraged, humiliated—because she had wanted him to kiss her, to crush her to him——

They were at her door. She stepped out on the broad flat stones, under the trellis on which the grapevines grew so thickly that not even the flood of moonlight could penetrate the thick mass of verdure. The air was full of the smell of grapes. She knew he was following her. Suddenly she felt his hand, firm and confident on her shoulder, stopping her, turning her round. She did not resist him—she felt neither resistant nor acquiescent—only that it was all inevitable. He took her head in his two hands, looking in the dark and half drawing her to him, half bending down he pressed his lips hard against hers. She felt herself held closely in his arms; her will dissolved, her head drooped against him.

Then inside the house the steps of the faithful Morson could be heard. He must have been waiting for the sound of an approaching motor. The door opened—letting a great patch of yellow lamp light fall on the misty moonlight. Morson peered out; for a moment he thought he must have been mistaken; there appeared to be no one there. Then his young mistress, very erect, stepped out from the shadow. A tall gentleman, a stranger to Morson, said in a voice noticeably low and vibrant:

"At four to-morrow."

There was a pause. Morson holding the door open thought at first that Miss Thorne had not heard, and then she shocked him by her answer.

"No, don't come," she said. "I don't want you to come." She walked into the house, and indicated that he might shut the door. As he bolted it he could hear the motor moving away down the drive. Turning from the door, he saw Miss Thorne standing still in the middle of the hall, as if she too were listening to the lessening drum of the engine. There was a long pause, and then Morson said:

"Shall I put out the lights, Miss?"

She nodded and went slowly upstairs, like a person in a trance.

She seemed hardly aware of Evans waiting to undress her, but stood still in her bedroom, as she had stood in the hall, staring blankly in front of her. Evans took her cloak from her shoulder.

"It's quite wet, Miss," she said, "as if it had been dipped in the sea and your hair, too."

Miss Thorne did not come to life, until in unhooking her dress Evans touched her with cold fingers. Then she started, exclaiming:

"What is the matter with you, Evans," she cried. "Do go and put your hands in hot water before you touch me. Your fingers are like ice."

The girl murmured that she had been upset since the loss of the bracelet—she felt responsible for Miss Thorne's jewels.

Lydia flung down the roll of bills and cheques that represented her evening's winnings. "I could buy myself another with what I've won to-night. Don't worry about it." The idea occurred to her that she would buy herself a sort of memento mori, something to remind her not to be a weak craven female thing again—nestling against men's shoulders like May Swayne.

Evans did not answer, but gathered up the money and the jewels and carried them into the dressing room to lock them in the safe.

CHAPTER IV

Lydia would have been displeased to know how little her curt refusal affected the emotional state of the man driving away from her door. It was the deed rather than the word that he remembered—the fact that he had held a beautiful and eventually unresisting woman in his arms that occupied his attention on his way home.

He found his mother sitting up—not for him. It was many years since Mrs. O'Bannon had gone to bed before two o'clock. She was a large woman, massive rather than fat. She was sitting by the fire in her bedroom, wrapped in a warm, loose white dressing gown, as white as her hair and smooth pale skin. Her eyes retained their deep darkness. Evidently Dan's gray eyes had come from his father's Irish ancestry.

It was only the other day—after he was grown up—that O'Bannon had ceased to be afraid of his mother. She was a woman passionately religious, mentally vigorous and singularly unjust, or at least inconsistent. It was this quality that made her so confusing and, to her subordinates, alarming. She would have gone to the stake—gone with a certain bitter amusement at the folly of her destroyers—for her belief in the right; but her affections could entirely sweep away these beliefs and leave her furiously supporting those she loved against all moral principles. Her son had first noticed that trait when she sent him away to boarding school. His mother—his father had died when he was seven—was a most relentless disciplinarian as long as a question of duty lay between him and her; but let an outsider interfere, and she was always on his side. She frequently defended him against the school authorities, and even, it seemed to him, encouraged him in rebellion. In her old age most of her strong passions had died away and left only her God and her son. Perhaps it was a trace of this persecutory religion in her that made Dan accept his present office.

She looked up like a sibyl from the great volume she was reading.

"You're late, my son."

"I've been gambling, mother."

He said it very casually, but it was the last remnant of his fear that made him mention particularly those of his actions of which he knew she would disapprove. In old times he had been a notable poker player, but had abandoned it on his election as district attorney. Her brow contracted.

"You should not do such things—in your position."

"My dear mother, haven't you yet grasped that there is a touch of the criminal in all criminal prosecutors? That's what draws us to the job."

She wouldn't listen to any such theory.

"Have you lost a great deal of money?" she asked severely.

"Not enough to turn us out of the old home," he smiled. "I won something under four hundred dollars."

Her brow cleared. She liked her son to be successful, preëminent in anything—right or wrong—which he undertook.

"You made a mistake to get mixed up with people like that," she said. She knew where he had been dining.

"I can't be said to have got mixed up with them. The only one I expressed any wish to see again slammed the door in my face."

The next instant he wished he had not spoken. He hoped his mother had not noticed what he said. She remained silent, but she had understood perfectly, and he had made for Lydia an implacable enemy. A woman who slammed the door in the face of Dan was deserving of hell-fire, in Mrs. O'Bannon's opinion. She did not ask who it was, because she knew that in the course of everyday life together secrets between two people are impossible and the name would come out.

After an almost sleepless night he woke in the morning with the zest of living extraordinarily renewed within him. Every detail in the pattern of life delighted him, from the smell of coffee floating up from the kitchen on the still cold of the November morning to the sight from his window of the village children in knit caps and sweaters hurrying to school—tall, lanky, competent girls bustling their little brothers along, and inattentive boys hoisting small sisters up the school steps by their arms. Life was certainly great fun, not because there were lovely women to be held in your arms, but because when young and vigorous you can bully life into being what you want it to be. And yet, good heavens, what a girl! At four that very afternoon he would see her again.

He was in court all the morning. The courthouse, which if it had been smaller would have looked like a mausoleum in a cemetery, and if it had been larger would have looked like the Madeleine, was set back from the main street. The case he was prosecuting—a case of criminal negligence against a young driver of a delivery wagon who had run over and injured a prominent citizen—went well; that is to say, O'Bannon obtained a conviction. It had been one of those cases clear to the layman, for the young man was notoriously careless; but difficult, as lawyers tell you criminal-negligence cases are, from the legal point of view.

O'Bannon came out of court very well satisfied both with himself and the jury and drove straight to the Thorne house. The smell of the grapes started his pulses beating. Morson came to the door. No, Miss Thorne was not at home.

"Did she leave any message for me?" said O'Bannon.

"Nothing, sir, except that she is not at home."

He eyed Morson, feeling that he would be within his masculine rights if he swept him out of the way and went on into the house; but tamely enough he turned and drove away. His feelings, however, were not tame. He was furious against her. How did she dare behave like this—driving about the country at midnight, gambling, letting him kiss her, and then ordering her door slammed in his face as if he were a book agent? Civilization gave such women too much protection. Perhaps the men she was accustomed to associating with put up with that kind of treatment, but not he. He'd see her again if he wanted to—yes, if he had to hold up her car on the highroad.

He thought with approval of Eleanor, a woman who played no tricks with you but left you cool and braced like a cold shower on a hot day. Yet he found that that afternoon he did not want to see Eleanor. He drove on and on, steeping himself in the bitterness of his resentment.

At dinner his mother noticed his abstraction and feared an important case was going wrong. Afterwards, supposing he wanted to think out some tangle of the law, she left him alone—not meditating, but seething.

The next morning at half past eight he was in his office. The district attorney's office was in an old brick block opposite the courthouse. It occupied the second story over Mr. Wooley's hardware shop. As he went in he saw Alma Wooley, the fragile blond daughter of his landlord, slipping in a little late for her duties as assistant in the shop. She was wrapped in a light-blue cloak the color of her transparent turquoise-blue eyes. She gave O'Bannon a pretty little sketch of a smile. She thought his position a great one, and his age extreme—anyone over thirty was ancient in her eyes. She was profoundly grateful to him, for he had given her fiancé a position on the police force and made their marriage a possibility at least.

"How are things, Alma?" he said.

"Simply wonderful, thanks to you, Mr. O'Bannon," she answered.

He went upstairs thinking kindly of all gentle blond women. In the office he found his assistant, Foster, the son of the local high-school teacher, a keen-minded ambitious boy of twenty-two.

"Oh," said Foster, "the sheriff's been telephoning for you. He's at the Thornes'."

O'Bannon felt as if his ears had deceived him.

"Where?" he asked sternly.

"At the Thornes' house—you know, there's a Miss Thorne who lives there—the daughter of old Joe S. Thorne." Then, seeing the blank look on his chief's face, Foster explained further. "It seems there was a jewel robbery there last night—a million dollars' worth, the sheriff says." He smiled, for the sheriff was a well-known exaggerator, but he met no answering smile. "They've been telephoning for you to come over."

"Who has?" said O'Bannon.

Foster thought him unusually slow of understanding this morning, and answered patiently, "Miss Thorne has. There's been a robbery there."

The district attorney was not slow in action.

"I'll go right over," he said, and left the office.

There were some advantages in holding public office. You could be sent for in your official capacity—and stick to it, by heaven!

This time he asked no questions at the door, but entered.

Morson said timidly, "Who shall I say, sir?"

"Say the district attorney."

Morson led the way to the drawing-room and threw open the door.

"The district attorney," he announced, making it sound like a title of nobility, and O'Bannon and Lydia stood face to face again—or rather he stood. She, leaning back in her chair, nodded an adequate enough greeting to a public servant in the performance of his duty. They were not alone—a slim gray-haired lady, Miss Bennett, was named.

"I understood at my office you had sent for me," said he.

"I?" There was something wondering in her tone. "Oh, yes, the sheriff, I believe, wanted you to come. All my jewels were stolen last night. He seemed to think you might be able to do something about it." Her tone indicated that she did not share the sheriff's optimism. Miss Bennett, with a long habit of counteracting Lydia's manners, broke in.

"So kind of you to come yourself, Mr. O'Bannon."

"It's my job to come."

"Yes, of course. I think I know your mother." She was very cordial, partly because she felt something hostile in the air, partly because she thought him an attractive-looking young man. "She's so helpful in the village improvement, only we're all just a little afraid of her. Aren't you just a little afraid of her yourself?"

"Very much," he answered gravely.

Miss Bennett wished he wouldn't just stare at her with those queer eyes of his—a little crazy, she thought. She liked people to smile at her when they spoke. She went on, "Not but what we work all the better for her because we are a little afraid——"

Lydia interrupted.

"Mr. O'Bannon hasn't come to pay us a social visit, Benny," she said, and this time there was something unmistakably insolent in her tone.

O'Bannon decided to settle this whole question on the instant. He turned to Miss Bennett and said firmly, "I should like to speak to Miss Thorne alone."

"Of course," said Miss Bennett, already on her way to the door, which O'Bannon opened for her.

"No, Benny, Benny!" called Lydia, but O'Bannon had shut the door and leaned his shoulders against it.

"Listen to me!" he said. "You must be civil to me—that is, if you want me to stay here and try to get your jewels back."

Lydia wouldn't look at him.

"And what guaranty have I that if you do stay you can do anything about it?"

"I think I can get them, and I can assure you the sheriff can't." There was a long pause. "Well?" he said.

"Well what?" said Lydia, who hadn't been able to think what she was going to do.

"Will you be civil, or shall I go?"

"I thought you just said it was your duty to stay."

"Make up your mind, please, which shall it be?"

Lydia longed to tell him to go, but she did want to get her jewels back, particularly as she was setting out for the Emmonses' in a few minutes, and it would save a lot of trouble to have everything arranged before she left. She thought it over deliberately, and looking up saw that he was amused at her cold-blooded hesitation. Seeing him smile, she found to her surprise that suddenly she smiled back at him. It was not what she had intended.

"Well," she thought, "let him think he's getting the best of me. As a matter of fact, I'm using him."

She hoped he would be content with the smile, but, no, he insisted on the spoken word. She was forced to say definitely that she would be civil. She carried it off, in her own mind at least, by saying it as if it were a childish game he was playing. Having received the assurance, he moved from the door and stood opposite her, leaning on the back of a chair.

"Now tell me what happened?" he said.

She told him how she had been waked up just before dawn by the sound of someone moving in her dressing room. At first she had thought it was a window, or a curtain blowing, until she had seen a fine streak of light under the door. Then she had sprung up—to find herself locked in. She had rung her bells, pounded on the door—finally succeeded in rousing the household. The dressing room was empty, but her safe had been opened—her jewels and about five hundred dollars gone—her recent winnings at bridge.

"You've had good luck lately?" he asked.

"Good partners," she answered with one of her illuminating smiles.

She'd gone all over the house after that. Alone? No. Morson had tagged on. Morson was afraid of burglars, having had experience with them in some former place. Besides, she always had a revolver. Oh, yes, she knew how to shoot! She'd gone over the whole house—there wasn't a lock undone.

He questioned her about the servants. Suspicion seemed to point to Evans, who had the run of the safe and might so easily have failed to lock it in the evening when she had put her mistress to bed. Lydia demurred at the idea of Evans' guilt. The girl had been with her for five years.

"I don't really think she has the courage to steal," she said.

"Do you know the circumstances of her life? Anything to make her feel in special need of money just now?" he inquired.

Lydia shook her head.

"I never see how servants spend their wages anyhow," she said. "But what makes me feel quite sure it isn't Evans is that I'm sure she would have confessed to me when I questioned her. Instead of that she's been packing my things for me just as usual."

O'Bannon cut the interview short by announcing that he'd see the sheriff. Lydia had expected—"dreaded" was her own word—that he would say something about the incidents of their last meeting. But he didn't. He left the room, saying as he went: "You'll wait here until I've had a talk with the girl."

His tone had a rising inflection of a question in it, but to Lydia it sounded like an order. She had had every intention of waiting, but now she began to contemplate the possibility of leaving at once. The car was at the door and her bags were on the car. How it would annoy him, she thought, if when he came back, instead of finding her patiently waiting to be civil, he learned that she had motored away, as much as to say: "It's your duty as an officer of the law to find my jewels, but it isn't my duty to be grateful to you."

Presently Miss Bennett and the sheriff came in together, talking—at least the sheriff was talking.

"It looks like it was her all right," he was saying, "and if so he'll get a confession out of her. That's why I sent for him. He's a great feller for getting folks to confess." Then with natural courtesy he turned to Lydia. "I was just saying to your friend, Miss Thorne, that O'Bannon's great on getting confessions."

"Really?" said Lydia. "I wonder why."

"Well," said the sheriff, ignoring the note of doubt in her wonder, "most criminals want to confess. It's a lonely thing—to have a secret and the whole world against you. He plays on that. And between you and I, Miss Thorne, there's some of this so-called psychology in it. You see, I prepare the way for him—telling how he always does get a confession, and how a confession last time saved the defendant from the chair, and a lot of stuff like that, and then he comes along, and I guess there's a little hypnotism in it too. Did you ever notice his eyes?"

"I noticed that he has them," answered Lydia.

Miss Bennett said that she had noticed them at once, as soon as he came into the room. Perhaps it was remembrance of them that made her add, "He won't be too hard on the poor girl, will he?"

O'BANNON BEGINS HIS INVESTIGATION OF THE THEFT.

"No, ma'am, he won't be hard at all," said the sheriff. "He'll just talk with her ten or fifteen minutes, and then she'll want to tell him the truth. I couldn't say how it's done."

Lydia suddenly stamped her foot.

"She's a fool if she does!" she said, biting into her words.

So this young man went in for being a woman tamer, did he?—the mistress downstairs ordered to be civil and the maid upstairs ordered to confess. If she had time, she thought, it would amuse her to show him that things did not run so smoothly as that. She almost wished that Evans wouldn't confess. It would be worth losing her jewels to see his face when he came down to announce his failure.

Steps overhead, the door opened, a voice called, "Sheriff, get your men up here, will you?"

The sheriff's face lit up.

"Didn't I tell you?" he said. "He's done it!" He hurried out of the room.

When, a few minutes later, the district attorney came down he found Miss Bennett alone. He looked about quickly.

"Where's Miss Thorne?" he said.

Miss Bennett had not wanted Lydia to go—she had urged her not to. What difference did the Emmonses make in comparison with the jewels? But now she sprang to her defense.

"She was forced to go. She had a train to catch—a long-standing engagement. She was so sorry. She left all sorts of messages." This was not, strictly speaking, true.

O'Bannon smiled slightly.

"She does not seem to take much interest in the recovery of her jewels," he said.

"She has every confidence in you," said Miss Bennett flatteringly.

Miss Bennett herself had. Never, she thought, had she seen a man who inspired her with a more comfortable sense of leadership. She saw he was not pleased at Lydia's sudden departure.

He was not. He was furious at her. His feelings about her had flickered up and down like a flame. The vision of her going over her house alone, her hair down her back and a revolver in her hand, alone—except for Morson tagging on behind—moved him with a sense of her courage; and not only her courage but her lack of self-consciousness about it. She had spoken as if anyone would have done the same. Her hardness toward the criminal had repelled him, and when he went upstairs to interview Evans a new sensation waited for him.

The robbery had not released Evans from her regular duties. She had just finished packing Lydia's things for the visit to the Emmonses, and the bedroom where she had been detained had the disheveled look of a room which had just been packed and dressed in. The bed had not been made, though its pink silk cover had been smoothed over it to allow for the folding of dresses on it. Lydia's slippers—pink mules with an edging of fur—were kicked off beside it. Long trails of tissue paper were on the floor. O'Bannon saw it all with an eye trained to observe. He saw the book of verses on the table beside her bed, the picture of the good-looking young man on her dressing table. He smelled in the air the perfume of violets, a scent which his sense remembered as having lingered in her hair. All this he took in almost before he saw the pale, black-clad criminal standing vacantly in the midst of the disorder.

"Sit down," he said.

He spoke neither kindly nor commandingly, but as if to speak were the same thing as to accomplish. Evans sat down.

It was a curious picture of Lydia that emerged from the story she finally told him—a figure kind and generous and careless and cruel, and, it seemed to him above everything else, stupid, blind about life, the lives of those about her.

Evans had a lover, a young English footman who had served a term for stealing and just lately got out with an advanced case of tuberculosis. Evans, who had remained adamant to temptation when everything was going well with him, fell at the sight of his ill health. She had attempted, lonely and inefficient as she was, to do the trick by herself. It was Lydia's irritation over Evans' regret at the loss of the bracelet that had apparently decided the girl.

"If she was so glad to be relieved of the things I thought I'd help her a bit," she said bitterly.

What seemed to O'Bannon so incomprehensible was that Lydia shouldn't have known that the girl was in some sort of trouble. The sight of the room made him vividly aware of the intimacy of daily detail that any maid has in regard to her mistress—two women, and one going through hell.

He said to Miss Bennett after they had gone downstairs again: "Didn't Miss Thorne suspect that something was going wrong with the girl?"

Miss Bennett liked the district attorney so much that she felt a strong temptation, under the mask of discussing the case, to pour out to him all her troubles—the inevitable troubles of those whose lives were bound up with Lydia's. But her standards of good manners were too rigorous to allow her to yield.

"No, I'm afraid we didn't guess," she answered. "But now that we do know, is there anything we can do for the poor thing?"

"Not just now," he answered. "The case is clear against her. But when it comes to sentencing her you could do something. Anything Miss Thorne said in her favor would be taken into consideration by the judge."

"Tell me just what it is you want her to say," answered Miss Bennett, eager to help.

"It isn't what I want," O'Bannon replied with some irritation. "My duty is to present the case against her for the state. I'm telling what Miss Thorne can do if she feels that there are extenuating circumstances; if, for instance, she thinks that she herself has been careless about her valuables."

"She will, I'm sure," said Miss Bennett with more conviction than she felt, "because, between you and me, Mr. O'Bannon, she is careless. She lost a beautiful little bracelet the other—but when you're as young and lovely and rich as she is——"

She was interrupted by the district attorney's rather curt good-by.

"Do you want to drive back with me, sheriff?"

The sheriff did, and jumping in he murmured as they drove down the road: "She is all that. She's easy to look at all right. She's handsome, and yet not—not what I should call womanly. Look out at the turn. There's a hole as you get into the main road."

"Yes, I know about it," said O'Bannon.

CHAPTER V

When Lydia came back from the Emmonses late Monday afternoon she brought Bobby Dorset with her. Miss Bennett, who was arranging Morson's vases of flowers according to her more fastidious ideas, heard them come in, as noisy and high-spirited, she thought, as a couple of puppies. Lydia was so busy giving orders to have Bobby's room got ready and to have Eleanor telephoned to come over to dinner in case they wanted to play bridge, and sending the car for her, because Eleanor was so near-sighted she couldn't drive herself, and always let her chauffeur go home, and he had no telephone—so incompetent of Eleanor—that Miss Bennett had no chance to exchange a word with her. Besides, the poor lady was taken up with the horror of the approaching bridge game. She liked a mild rubber now and then, but not with Lydia, who scolded her after each hand, remembering every play.

Lydia, who was almost without physical or moral timidity, was always fighting against a subconscious horror, a repulsion rather than a fear, that life was just a futile, gigantic, patternless confusion, a tale told by an idiot, signifying nothing, which is the horror of all materialists. When she walked into her bedroom and found her things laid out just as usual, and a new maid—a Frenchwoman, brown and middle-aged and competent—waiting for her, just as Evans had waited, one of her moods of deep depression engulfed her, just as those who fear death are sometimes brought to a realization of its approach by some everyday symbol. Lydia did not fear death, but sometimes she hated life. She never asked if it were her own relation to life that was unsatisfactory.

When she came downstairs in a tea gown of orange and brown chiffon no one but Bobby noticed that her high spirits had all evaporated.

At table, before Morson and the footman, no one mentioned the subject of the robbery, but when they were back in the drawing-room Miss Bennett introduced it by asking: "Did the new woman hook you up right? Will she do, dear?"

Lydia shrugged her shoulders, not stopping to think that Miss Bennett had spent one whole day in intelligence offices and a morning on the telephone in her effort to replace Evans.

The older woman was silenced by the shrug—not hurt, but disappointed—and in the silence Bobby said: "Oh, what happened about Evans? They took her away?"

Lydia answered, with a contemptuous raising of her chin, "She confessed—she always was a goose."

"That didn't prove it," returned Miss Bennett with spirit. "It was the wisest thing to do. The district attorney—my dear girls, if I were your age, and that man——"

"Look out!" said Lydia. "He's a great friend of Eleanor's."

"Of Eleanor?" exclaimed Miss Bennett. She was not and never had been a vain woman, but she was always astonished at men caring for a type of femininity different from her own. She liked Eleanor, but she thought her dry and unattractive, and she didn't see what a brilliant, handsome creature like O'Bannon could see in her. "Is he, really?"

"Yes, he is," said Eleanor coolly. Experience had taught her an excellent manner in this situation.

"I wish you had waited, Lydia," Miss Bennett went on. "It was very impressive the way he managed Evans, almost like a hypnotic influence. She told him everything. She seemed to give herself over into his hands. It was almost like a miracle. A moment before she had been so hostile—a miracle taking place right there in Lydia's bedroom."

Lydia, who had been bending over reorganizing the fire, suddenly straightened up with the poker in her hand and said quickly, "Where? Taking place where?"

"In your room, dear. Evans was shut up there."

"That man in my room!" said Lydia, and her whole face seemed to blaze with anger.

"It never occurred to me that you would object, my dear. He said he——"

"It should have occurred to you. I hate the idea—that drunken attorney in my bedroom. It's not decent!"

"Lydia!" said Miss Bennett.

Eleanor spoke in a voice as cold as steel.

"What do you mean by calling Mr. O'Bannon a drunken attorney?"

"He drinks—Bobby says so."

"I did not say so!"

"Why, Bobby, you did!"

"I said he used to drink when he was in college."

"Oh, well, a reformed drunkard," said Lydia, shrugging her shoulders. "I can't imagine your doing such a thing, Benny, except that you always do anything that anyone asks you to do."

Her tone was more insulting than her words, and Miss Bennett did the most sensible thing she could think of—she got up and left the room. Lydia stood on the hearthrug, tapping her foot, breathing quickly, her jaw set.

"I think Bennett's losing her mind," she said.

"I think you are," said Eleanor. "What possible difference does it make?"

"You say that because you're crazy about this man. Perhaps if I were in love with him I'd lose all my sense of delicacy too; but as it is——"

Eleanor got up.

"I think I'll take my lack of delicacy home," she said. "Tell Morson to send for the motor, will you, Bobby? Good night Lydia. I've had a perfectly horrid evening."

"Good night," said Lydia with a fierce little beck of her head.

Bobby saw Eleanor to the car, and sat with her some time in the hall while it was being brought round.

"No one could blame you for being furious; but you're not angry at her, are you, Eleanor?" he said.

"Of course I'm angry!" answered Eleanor. "She's too impossible, Bobby. You can't keep on with people who let you in for this sort of thing. I could have had a perfectly pleasant evening at home—and to come out for a row like this!"

"She doesn't do it often."

"Often! No, there wouldn't be any question then."

"She's been perfectly charming at the Emmonses'—gay and friendly, and everyone crazy about her. And by the way, Eleanor, I didn't say O'Bannon was a drunkard."

"Of course you didn't," said Eleanor.

"But he used to go on the most smashing sprees in college, and I told her about one of those and made her promise not to tell."

"A lot that would influence Lydia."

The car was at the door now, and as he put her into it he asked, "Oh, don't you feel so sorry for her sometimes that you could almost weep over her?"

"I certainly do not!" said Eleanor.

Turning from the front door, Bobby ran upstairs and knocked at Miss Bennett's door. He found her sunk in an enormous chair, looking very pathetic and more like an unhappy child than a middle-aged woman.

"It isn't bearable," she said. "Life under these conditions is too disagreeable. I don't complain of her never noticing all the little sacrifices one makes—all the trouble one takes for her sake. But when she's absolutely rude—just vulgarly, grossly rude as she was this evening——"

"Miss Bennett," said Bobby seriously, "when things go wrong with women they cry, and when things go wrong with men they swear. Lydia takes a little from both sexes. These outbursts are her equivalent for feminine tears or masculine profanity."

Miss Bennett looked up at him with her starlike eyes shining with emotion.

"But someone must teach her that she can't behave like that. I can't do it. I can only teach by being kind—endlessly kind—and she can't learn from that. So the best thing for both of us is for me to leave her and let someone else try."

Bobby sat down and took her thin aristocratic hand in both of his.

"No one can teach her, dear Benny," he said. "But life can—and will. That's my particular nightmare—that people like Lydia get broken by life—and it's always such a smash. That's why I'm content to stand by without, as most of my friends think, due regard for my own self-respect. That's why I do hope you'll contrive to. That's why she seems to me the most pathetic person I know. She almost makes me cry."

"Pathetic!" said Miss Bennett with something approaching a snort.

"Yes, like a child playing with a dynamite fuse. Even to-night she seemed to me pathetic. She can't afford to alienate the few people who really care for her—you and Eleanor and—well, of course, she won't alienate me, whatever she does."

"But she takes advantage of our affection," said Miss Bennett.

Bobby stood up.

"You bet she does!" he said. "She'll have something bitter waiting for me now when I go down, something she'll have forgotten by to-morrow and I'll remember as long as I live."

He smiled perfectly gayly and left the room. He found Lydia strolling about the drawing-room, softly whistling to herself.

"Well," she said, "my party seems to have broken up early."

"Broken's the word," answered Bobby.

"Isn't Eleanor absurd?" said Lydia. "She loves so to be superior—'Order my carriage'—like the virtuous duchess in a melodrama."

"She doesn't seem absurd to me," said Bobby.

"Oh, you've been tiptoeing about binding up everybody's wounds, I suppose," she answered. "Did you tell them that you knew I didn't mean a word I said? Ah, yes, I see you did. Well, I did mean every single word, and more. Upon my word, I wish you'd mind your own business, Bobby."

"I will," said Bobby, and got up and left the room.

He went out and walked quickly up and down the flat stones under the grape arbor. The moon was not up, and the stars twinkled fiercely in the crisp cool air. He thought of other women—lovelier and kinder than Lydia. What kept him in this bondage to her? All the time he was asking the question he was aware of her image in her orange tea gown against the dark woodwork of the room, and suddenly, before he knew it—certainly before he had made any resolve to return—he was back in the doorway, saying,

"Would you like to play a game of piquet?"

She nodded, and they sat down at the card table. Bobby's faint resentment had gone in ten minutes, but it was longer before Lydia, laying down her cards, said, as if they had just been talking about her misdeeds instead of merely thinking about them, "But Benny is awfully obstinate, isn't she? I mean the way she goes on doing things the way she thinks I ought to like them instead of finding out the way I do like."

"She's very sweet—Benny is."

"And that's just what makes everyone think me so terrible—the contrast. She's sweet, but she wants her own way just the same. Whereas I——"

"You don't want your own way, Lydia?"

They nearly fought it out all over again. This time it was Lydia who stopped the discussion with a sudden change of manner.

"The truth is, Bobby," she said with an unexpected gentleness, "that I feel dreadfully about Evans. You don't know how fond you get of a person who's about you all the time like that."

"Horrid that they'll rob you, isn't it?"

"Yes." Lydia stared thoughtfully before her. "I think what I mind most is that she wouldn't tell me—kept denying it, as if I were her enemy—and then in the first second she confessed to the district attorney."

"Oh, well, that's his profession."

She seemed to think profoundly, and her next sentence surprised him.

"Do you think there's anything really between him and Eleanor? I couldn't bear to have Eleanor marry a man like that."

Bobby, trying to be tactful, answered that he was sure Eleanor wouldn't, but as often happens to consciously tactful people, he failed to please.

"Oh," said Lydia, "you mean that you think he's crazy about her?"

"Mercy, no!" said Bobby. "I shouldn't think Eleanor was his type at all, except perhaps as a friend. It's the chorus-girl type that really stirs him."

"Oh, is it?" said Lydia, and took up the cards again.

They played two hours, and the game calmed her but could not save her from the blackness of her mood. It came upon her, as it always did if it were coming, a few minutes after she had got into bed, turned out her light and had begun to discover that sleep was not close at hand. Life seemed to her all effort without purpose. She felt like a martyr at the stake; only she had no vision to bear her company. She felt her loneliness to be not the result of anything she said or did, but inevitable. There seemed to be nothing in the universe but chaos and herself.

She turned on her light again and read until almost morning. Nights like this were not unusual with Lydia.

CHAPTER VI

Joe Thorne had been fond of telling a story about Lydia in her childhood—in the days before Miss Bennett came to them. After some tremendous scene of naughtiness and punishment, she had come to him and said: "Father, if you're not angry at me any more, I'm not angry at you." It was characteristic of her still. She was not afraid to come forward and make up, but she was shy with the spoken word. She couldn't make an emotional apology, but she managed to convey in all sorts of dumb ways that she wanted to be friends—she contrived to remember some long ungratified wish of Benny's, whether it were a present, or a politeness to some old friend, or sometimes only an errand that Benny had never been able to get her to do. There was always a definite symbol that Lydia was sorry, and she was always forgiven.

Part of Eleanor's sense of her own superiority to the world lay in being more than usually impervious to emotion. Besides she had expressed herself satisfactorily at the time by leaving the house, so that she forgave too. Only of course a scene like that is never without consequences—everybody's endurance had snapped a few more strands like a fraying rope. And there were consequences, too, in Lydia's own nature. She seemed to have become permanently wrong-headed and violent on any subject even remotely connected with the district attorney.

This was evident a few days later when a voice proclaiming itself that of Judge Homans' secretary asked her if she could make it convenient to stop at the judge's chambers that afternoon to give the court some information in regard to a former maid of hers—Evans. Lydia's tone showed that it was not at all convenient. It seemed at one instant as if she were about to refuse point-blank to go. Then she yielded, and from that minute it became clear that her mind was continually occupied with the prospect of the visit.

Late in the afternoon she appeared before the judge's desk in his little room, lined with shelves of calf-bound volumes. It was a chilly November afternoon, and she had just come from tea at the golf club after eighteen holes. She was wrapped in a bright golden-brown coat, and a tomato-colored hat was pulled down over her brows.

The judge, for no reason ascertainable, had imagined Miss Thorne, the landed proprietor, the owner of jewels of value, as a dignified woman of thirty. He looked up in surprise over his spectacles. His first idea—he lived much out of the world—was that a mistake had been made and that an unruly female offender had been brought to him, not a complaining witness.

Even after this initial misunderstanding was explained the interview did not go well. The judge was a man of sixty, clean shaven and of a waxy hue. From his high, narrow brow all his lines flowed outward. His chin was heavy and deeply creased, and he had a way at times of drawing it in to meet his heavy, hunched shoulders. A natural interest in the continuity of his own thought, joined to fifteen years of pronouncements from the bench, rendered him impervious to interruption. He now insisted on reviewing the case of Evans, while Lydia sat tossing back first one side and then the other of her heavy coat and thinking—almost saying, "Oh, the tiresome old man! Why does he tell me all this? Doesn't he know that it was my jewels that were stolen?" She began to tap her foot, a sound which to those who knew Lydia well was regarded almost as the rattle of the rattlesnake. The judge began to draw his monologue to a close.

"The district attorney tells me that you feel that there was some carelessness on your own part which might be considered in a measure as constituting an extenuating circumstance——"

He got no further.

"The district attorney says so?" said Lydia, and if he had quoted the authority of the janitor's boy her tone could not have expressed more contemptuous surprise.

His Honor, however, missed it.

"Yes," he went on, "Mr. O'Bannon tells me that the charge of your safe, without supervision——"

"Mr. O'Bannon is completely misinformed," said Lydia, shutting her eyes and raising her eyebrows.

The judge turned his head squarely to look at her.

"You mean," he said, "that you do not feel that there was any contributory carelessness which might in part explain, without in any true sense excusing——"

"Certainly not," said Lydia. "And I have never said anything to anyone that would make them think so."

"I have been misinformed as to your attitude," said the judge.

"Evidently," said Lydia, and almost at once brought the interview to a close by leaving the room.

As she walked down the path to her car a figure came out of the shadow as if it had been waiting for her. It was the same traffic policeman who had stopped her on her way to Eleanor's. He took off his brown cap. She saw his round, pugnacious head and the uncertain curve of his mouth. He was a nice-looking man, and younger than she had supposed—quite boyish in fact. She caught a glimpse of some sort of ribbon on his breast—the croix de guerre. She looked straight at him with interest, and saw that he was tense with embarrassment.

"I believe I have something of yours," he said. "I want to give it back." He was fumbling in his pocket. She couldn't really permit that.

"Bribed people," she thought, "must be content to remain bribed." She walked rapidly toward her car without answering. The chauffeur opened the door for her.

"Home," she said, and drove away.

An hour or so later the judge was giving a description of the interview to the district attorney. It began as a general indictment of the irresponsibility of the wealthy young people of to-day, touching on their dress, appearance and manners. Then it descended suddenly to the particular case.

"She came into this room in a hat the color of a flamingo"—the judge's color sense was not good—"and her skirts almost to her knees; as bold—well, I wouldn't like to tell you what my first idea was on seeing her. She was as hard as—I could have told her that some of her own father's methods were not strictly legal, only the courts were more lenient in those days. A ruthless fellow—Joe Thorne. Do you know this girl?"

"I've met her," said O'Bannon.

"She made a very unfavorable impression on me," said Judge Homans. "I don't know when a young woman of agreeable appearance—she has considerable beauty—has made such an unfavorable impression." And His Honor added, as if the two remarks had nothing to do with each other, "I shall give this unfortunate maid a very light sentence."

The district attorney bowed. It was exactly what he had always intended.

But a sentence which sounded light to Judge Homans—not less than three and a half nor more than fifteen years—sounded heavy to Lydia. She was horrified. The recent visit which, under Mrs. Galton's auspices, she had paid to a man's prison was in her mind—the darkness, the crowded cells, the pale abnormal-looking prisoners, the smell, the guards, the silence. She simply would not allow Evans to spend fifteen years in such torture. She was all the more determined because she knew, without once admitting it, that she might have prevented it.

She read the sentence in the local newspaper at breakfast—she breakfasted in bed—and the next minute she was up and in Miss Bennett's room.

"This is a little too much," she said, walking in so fast that her silk dressing gown stood out like a rose-colored balloon. "Fifteen years! Those men must be mad! Come, Benny, put on your things. You must go with me to the district attorney's office and have this arranged. Imagine it! After her confessing too! I said she was wrong to confess."

But when she reached the office she found no one there but Miss Finnegan, the stenographer.

"Where's Mr. O'Bannon?" she asked as if she had an engagement with him which he had broken.

Miss Finnegan raised her head from her keys and looked at the unexpected visitor in a tomato-colored hat, whose feet had sounded so sharp and quick on the stairs and who had thrown open the door so violently.

"Mr. O'Bannon's in court," she answered in a tone which seemed to suggest that almost anyone would know that. By this time, mounting the stairs with more dignity, Miss Bennett entered, appealing and conciliatory.

"We want so much to see him," she murmured.

Miss Finnegan softened and said that she'd telephone over to the courthouse. He might be able to get over for a minute. She telephoned and hung up the receiver in silence.

"When will he be here?" demanded Lydia.

"When he's at liberty," Miss Finnegan answered coldly.

Waiting did not calm Lydia nor the atmosphere of the office, which proclaimed O'Bannon's power. People kept coming in with the same question—when could they see the district attorney? An old foreigner was there who kept muttering something to Miss Finnegan in broken English.

"Yes, but then your son ought to plead," Miss Finnegan kept saying over and over again, punctuating her sentence with quick roulades on the typewriter.

There was a thin young man with shifty eyes, and a local lawyer with a strong flavor of the soil about him.

Miss Bennett watched Lydia anxiously. The girl was not accustomed to being kept waiting. Her bank, her dentist, the shops where she dealt had long ago learned that it saved everybody trouble to serve Miss Thorne first.

At last O'Bannon entered. Lydia sprang up.

"Mr. O'Bannon——" she began. He held up his hand.

"One minute," he said.

He was listening to the story of the old woman, not even glancing in Lydia's direction; yet something in the bend of his head, in the strain of his effort to keep his eyes on his interlocutor and his mind on what was being told him made Miss Bennett believe he was acutely aware of their presence. Yet Lydia patiently bore even this delay. Miss Bennett drew a breath of relief. The girl had evidently come resolved to show her better side. The impression was strengthened when he approached them. Lydia's manner was gentle and dignified.

"Mr. O'Bannon," said she, "I feel distressed at the sentence of my maid—Evans."

Miss Bennett looked on like a person seeing a vision—Lydia had never seemed—had never been like this—gentle, feminine, well, there was no other word for it, sweet—poignantly sweet. She did not see how anyone could resist her, and glancing at the district attorney she saw he was not resisting, on the contrary, with bent head, and his queer light eyes fixed softly on Lydia's he was drinking in every tone of her voice. Their voices sank lower and lower until they were almost whispering to each other, so low that Miss Bennett thought fantastically that anybody coming in unexpectedly might have thought they were lovers.

"She isn't a criminal," Lydia was saying. "She was tempted, and she has confessed. Won't you help me to save her?"

"I can't," he whispered back. "It's too late. She's been sentenced."

"Too late, perhaps, by the regular methods—but there are always others. You have so much power—you give people the feeling you can do anything." He shook his head, still gazing at her. "You give me that feeling. Do this for me."

"You could have done it yourself, so easily, before she was sentenced."

"I know, I know. That's why I care so. Oh, Mr. O'Bannon, just for a moment, you and I——" Her voice sank so that Miss Bennett could not hear what she said, but she saw her put her hand on his arm like a person taking possession of her own belongings. Then there was no use in listening any more, for a complete silence had fallen between them; they did not even seem to be breathing.

The district attorney suddenly raised his head with a quick shake, like a dog coming out of water, and stepped back.

"It can't be done," he said. "If I were willing to break the law into pieces, I can't do it."

Lydia's brow darkened. "You mean you won't," she said.

"No," he answered quietly. "I mean just what I say. I can't. Remember you have had two chances to help the girl—at the first complaint, and in your conversation with the judge. Why didn't you do it then?"

Why hadn't she? She didn't know, but she answered hastily:

"I did not understand——"

"You wouldn't understand," he returned, in that quiet, terrible tone that made her think somehow of Ilseboro. "I tried to tell you and you wouldn't wait to hear, and the judge tried to tell you and you wouldn't listen. People don't often get three chances in this world, Miss Thorne."

His tone maddened her, in combination with her own failure. "Are you taking it upon yourself to reprove me, Mr. O'Bannon?" she asked.

"I'm taking it upon myself to tell you how things are," he answered.

"I don't believe it is the way they are," she said.

Angry as she was, she did not mean the phrase to sound as insulting as it did. She meant that there must be some unsuspected avenue of approach; but her quick tone and insolent manner made the words themselves sound like the final insult.

O'Bannon simply turned from her, and holding up his hand to the shifty-eyed boy said clearly, "I'll see you now, Gray."

There was nothing for Lydia to do but accept her dismissal. She flounced out of the room, and all the way home in the car shocked Miss Bennett by her epithets. "Insolent country lout" was the mildest of them.

A few days afterward Miss Thorne moved back to New York to the house in the East Seventies. Miss Bennett, who hated the country, partly because there she was more under Lydia's thumb, rejoiced at being back in New York. She had many friends—was much more personally popular than her charge—and in town she could see them more easily. Every morning after she had finished her housekeeping she went out and walked round the reservoir. She liked to walk, planting her little feet as precisely as if she were dancing or skating. Then there was usually some necessary shopping for Lydia or the house or herself; then luncheon, and afterward for an hour or two her own work. She was a member of endless committees, entertainments for charitable purposes, hospital boards, reform associations. Then before five she was at home, behind the tea table, waiting on Lydia, engaged in getting rid of people whom Lydia didn't want to see and keeping those whom Lydia would want to see but had forgotten. And then dinner—at home if Lydia was giving a party; but most often both women dined out.

The winter was notable for Lydia's sudden friendship or flirtation, or affair as it was variously described, with Stephen Albee, the ex-governor of a great state. It would have seemed more natural if he had been one of Eleanor's discoveries, but he was not—he was Lydia's own find. Eleanor, with all her airs of a young old maid, had never been known to distinguish any man lacking in the physical attractions of youth. Albee, though he had been a fine-looking man once and still had a certain magnificent leonine appearance, was over fifty and showed his years. He had come to New York to conduct an important Federal investigation, and the masterly manner in which he was doing it led to presidential prophecies. Lydia's friends were beginning to murmur that it would be just like Lydia to end in the White House. Besides, the governor was rich, the owner of silver mines and a widower. It was noticed that Lydia was more respectful to him than she had ever been to anyone, followed his lead intellectually, and quoted him to the verge of being comic.

"It is painful to me," Eleanor said, "to watch the process of Lydia's discovering politics. Last Monday the existence of the Federal constitution dawned upon her, and next week states' rights may emerge."

It was equally painful to the governor's old friends to watch the even less graceful process of his discovery of social life. The two friends adventured mutually. If Lydia sat all day listening to his investigation, he appeared hardly less regularly in her opera box.

Oddly enough, they had met at a prison-reform luncheon given by the same noble women whose presence at her house had so much irritated Lydia. The object of the luncheon was to advertise the cause, to inspire workers, to raise money. Albee was the principal speaker, not because he had any special interest in prison reform, but because he was the most conspicuous public figure in New York at the moment, and as he was known not to be an orator, everyone was eager to hear him speak. Mrs. Galton, the chairman of the meeting, was shocked by his reactionary views on prisons when he expounded them to her in an attempt to evade her invitation; but with the sound worldliness which every reformer must acquire she knew that his name was far more important to her cause than his views, and with a little judicious flattery she roped him into promising he would come and say a few words—not, he specially insisted, a speech. Mrs. Galton agreed, knowing that no speaker in the world, certainly no masculine speaker, could resist the appeal of a large, warm, admiring audience when once he got to his feet. "The only difficulty will be stopping him," she thought rather sadly. It would be wise, too, she thought, to put someone next to him at luncheon who would please him. Flattery from an ugly old woman like herself wouldn't be enough. Then she remembered Lydia, whom, after their unfortunate meeting at luncheon in the autumn, she had taken through one of the men's prisons in an effort to enlist the girl's coöperation. They had had conferences over Evans too, for Lydia had not remained utterly indifferent to Evans' situation, had indeed permitted, even urged, Miss Bennett to go to visit the girl and see what could be done for her.

Miss Thorne accepted the invitation to attend the luncheon; and then, as cold-bloodedly as a diplomat might make use of a lovely courtesan, Mrs. Galton put her next to the great man at the speakers' table, where of course so young, idle and useless a person had no right to be.

The governor arrived very late, with his fingers in his waistcoat pocket to indicate to all who saw him hurrying in between the crowded tables that he had been unavoidably detained and had spent the last half hour in agonized contemplation of his watch. As a matter of fact, he had been reading the papers at his club, wishing to cut down the hour of too much food and too much noise which he knew would precede the hour of too much speaking. He knew he would sit next to Mrs. Galton, whom he esteemed as a wise and good philanthropist but dreaded as a companion.

Everything began as he feared. He took his place on Mrs. Galton's right, with an apology for having been detained—unavoidably. It had looked at one time as if he could not get there, but of course his feeling for the great work——

Mrs. Galton, who had been through all this hundreds of times and knew he had never intended to arrive a minute earlier than he did, smiled warmly, and said how fortunate they counted themselves in having obtained an hour of the time of a man whom all the world——

On the contrary, the governor esteemed it a privilege to speak on behalf of a cause which commanded the sympathy——

It was a turning point, indeed, in the history of any cause, when a man like the governor——

They would have gone on like this through luncheon, but at this moment a sudden rustling at his side made the governor turn, and there—later a good deal than he had contrived to be—was Lydia, Lydia in a tight plain dress and a small plumed hat that made her look like a crested serpent. Mrs. Galton introduced them, and with a sigh of relief settled back to eating her lunch and running over her own introductory remarks in the comfortable certainty that the governor would give her no more trouble.

He didn't. He looked at Lydia, and all his heavy politeness dropped from him. His eyes twinkled, and he said, "Come, my dear young lady, let us save time by your telling me who you are and what you do and why you are here."

This amused Lydia.

"I think," she said, "that that is the best conversational opening I ever heard. Well, I suppose I ought to say that I am here to listen to you."

"Yes, yes—perhaps," answered Albee, with a somewhat political wave of his hand, "in the same sense in which I came here to meet you—because fate, luck, divine interposition arranged it so. But why, according to your own limited views, are you here?"

"Oh, in response to a noble impulse. Don't you ever have them?"

"I did—I did when I was your age," said the governor, and he leaned back and studied her with open admiration, which somehow in a man of his reputation was not offensive.

"Why are you here yourself?" said Lydia, giving him a gentle look to convey that she was very grateful to him for thinking her so handsome.

"Why, I just told you," answered the governor, "because Fate said to herself: 'Now here's poor old Stephen Albee's been having a dull hard time of it. Let's have something pleasant happen to him. Let's have him meet Miss Thorne.'"

A lady on Lydia's other side, who gave her life to the reform of criminals and particularly hated those who remained outside of penal institutions, was horrified by what she considered the flirtatious tone of the conversation. She could hear—in fact she listened—that several meetings had been arranged before the governor's time came to speak.

Everything worked out exactly as Mrs. Galton had intended. The governor—who had expected to say that he was heart and soul with this great cause, to rehearse a few historic examples of prison mismanagement, to confide to his audience that a man of national reputation was at that moment waiting to see him about something of international importance, and then to get away in time to play a few holes of golf before dark—rose to his feet, fired with the determination to make a good speech, good enough to impress Lydia; and he did. He had a simple direct manner of speaking, so that no one noticed that his sentences themselves were rather oratorical and emotional. Most speakers, too many at least, have just the opposite technic—an oratorical manner and no matter behind it. He gave the impression, without actually saying so, that the only reason he had not given his life to prison reform was that the larger duty of the public service called him, and the only reason why he did not swamp his audience with the technical details of the subject was that it was too painful, too shocking.

There was great and sincere applause as he sat down. Workers were inspired, subscriptions did flow in. Before the next speaker rose, Lydia, in sight of the whole room, walked out, followed by the great man, who had explained hastily to Mrs. Galton that he was already late for an engagement with a man of national reputation who was waiting to discuss a matter of international importance. Mrs. Galton nodded amiably. She had little further use for the governor.

The next day Lydia went downtown to hear him conducting his investigation, and was impressed by the spectacle of his dominating will and crystalline mind in action. She came every day. Her life heretofore had not stimulated her to intellectual endeavor, but now she discovered that she had a good, keen mind. She learned the procedure of the investigation, remembered the evidence, read books—Wellman on Cross-Examination and the Adventures of Sergeant Ballentine. She enjoyed herself immensely. It was the best game she had ever played. The vision of a vicarious career as the wife of a great politician was now always in the back of her mind.

Eleanor, with her superior intellectual equipment, might laugh at Lydia's late discovery of the political field; but Lydia's knowledge was not theoretical and remote, like Eleanor's. It was alive, vivified by her energy and coined into the daily action of her life. With half Eleanor's brains she was twice as effective.

She admired Albee deeply, almost dangerously, and she wanted to admire him more. She enjoyed all the symbols of his power. She liked the older, more important men of her acquaintance to come suing to her for an opportunity of meeting Albee socially. She liked to watch other women trying to draw him away from her. She even liked the way the traffic policemen would let her car through when he was in it. She liked all these things, not from vanity, as many girls would have liked them, but because they constantly held before her eyes the picture of Albee as a superman. And if Albee were a superman the problem of her life was solved. Then everything would be simple—to give her youth and beauty and money, her courage and knowledge of the world to making him supreme. It was true that he had not as yet asked her to marry him—had not even made love to her, unless admiration is love-making—but to Lydia that was a secondary consideration. The first thing was to make up her own mind.

She had two great problems to face. At first he did not want to go out at all—did not want to enter her field. He appeared to think, as so many Americans do, that there was something trivial, almost immoral, in meeting your fellow creatures except in professional relations. The second problem was worse, that having overcome his reluctance, he began to like it too much, to take it too seriously. He had never had time for it before, he said, but actually he must have felt excluded from it, either at college, or as a young man in the legislature of his state.

The first time he went to the opera with her—he was genuinely fond of music—she noticed this. Lydia's box was next to Mrs. Little's. The newspapers made her name impressive, but her slim white-haired presence made her more so. Lydia herself admired her, and if ever she thought of her own old age she thought she would like to be like Mrs. Little—a wish very unlikely of realization, for Mrs. Little had been molded by traditional obligations and sacrifices to duties which Lydia had never acknowledged.

As they were waiting in the crowded lobby of the Thirty-ninth Street entrance—all the faces above velvets and furs peering out and all the footmen's faces peering in and everyone chattering and shouting and so little apparently accomplished in the way of clearing the crowd—Albee said: "Mrs. Little has asked me to dine on the sixteenth."

Lydia caught something complaisant in the tone. The idea that he could be flattered by such an invitation was distasteful to her.

"Did you accept?" she asked in a cold tone that she tried to make noncommittal.

Fortunately politics had taught Albee caution. He had not accepted. He had said that he would let the great lady know in the morning.

"Do you think that sort of thing will amuse you?"

He answered that it would amuse him if she were going, and against her better judgment she allowed herself to believe that the eagerness in his voice had been occasioned by the promised opportunity of seeing her.

The fancy ball was more serious. The Pulsifers were giving it in their great ballroom just before Lent. Lydia and Miss Bennett were discussing costumes one afternoon at tea time when Albee was announced. Lydia had been at his investigation that morning, and had never admired him more.

"It's the Pulsifers we're talking about," said Miss Bennett as he entered. "Lydia wants to be a Japanese, but there'll be lots of them. I want her to go as an American Indian."

With a vivid recollection of him deciding a struggle that morning between two lawyers, Lydia felt ashamed, humbled, that she should be presented to him as occupied with such a subject as a fancy costume. His voice cut in.

"Oh, yes, the Pulsifers! I had a card this morning." It was the same complaisant tone—as if it mattered whether he had or not.

"Oh, do go!" cried Miss Bennett. She meant to be helpful, and added the first thing that came into her head. "You would make a wonderful Roman senator. I'll arrange your costume for you."

In a flash Lydia saw him before her, bare legged, bare armed, bare throated. She recoiled, though of course it was not his fault. If Benny had said a doge or a cardinal; but glancing at her friend she saw he was not suited to either rôle. He was not fine and thin and subtle. He was the type of a Roman senator.

"It would be a great temptation to go—to see Miss Thorne as an Indian," he answered, smiling his admiration at her.

"I don't think I shall go," said Lydia, waving her head slightly. "I don't think it's dignified—dressing up like monkeys."

Miss Bennett looked up surprised. Lydia had been so interested in the whole subject a few minutes before. She thought the girl was growing uncommonly capricious. Albee caught the note at once.

"If they would let me go as a spectator——" he began.

"That spoils it, you know," Miss Bennett answered, but Lydia interrupted:

"Of course, they'd be glad to get the governor on any terms."

But the question was more simply settled. Albee was summoned to Washington to testify before a committee of the Senate which under the guise of helping him was actually trying to steal the political thunder of his investigation and Lydia, with her Indian costume just completed—and Benny's, too, from a Longhi picture—abandoned the whole thing and went off to Washington to hear the great man testify carrying the reluctant Miss Bennett with her.

Bobby Dorset, who had said immediately just what Lydia had longed to hear Albee say—that parties like that were more trouble than they were worth—had been coerced by Lydia into going. She had made him get a Greek warrior's costume, in which he was very splendid. He was left with his costume and his party, and no Lydia to make it pleasant.

He had come in late one afternoon and had stayed on, as he often did to dinner. In the middle of the meal Lydia was called away—Governor Albee wanted to speak to her on the telephone. She sprang up from the table and left the room. Miss Bennett looked pathetically at Bobby.

"It's to decide whether we go to Washington to-morrow," she said.

"To Washington?"

"The governor is going to testify before a Senate committee and has invited us to come. It will be very interesting," Miss Bennett added loyally.

"But the Pulsifers?"

"Oh, I'm surprised Lydia cares so little for that. Of course, at my age, I'm grateful to escape it."

"Oh, Benny," said Bobby, "you're not a bit! You'd much rather go to it than to any old Senate committee. You love parties for the same reason that the lamb loved Mary."

"You make me seem very frivolous—at fifty-five," said Miss Bennett.

Then Lydia came back from the pantry, her eyes bright, and laid her hand on her companion's shoulder, a rare caress, as she passed.

"We're going, Benny. It isn't closed to the public." Her whole face was softened and lit by her pleasure.

Bobby thought, "Can it be she really cares for that old war horse?"

CHAPTER VII

It was great fun traveling with Albee. He had engaged a drawing-room on the Congressional Limited, and with a forethought, old-fashioned but agreeable, had provided newspapers and magazines and a box of candy. His secretary was hovering near with letters to be signed. The conductor came and asked whether everything was all right, governor, and people passed the door deliberately, staring in to get a glimpse of the great man; and Lydia could see that they were murmuring, "That's Albee, you know, he's going down to testify."

Lydia did not know Washington at all. She had been taken there once as a child by one of the energetic young American governesses—had gone to Mt. Vernon by boat and home by trolley, had whispered in the rotunda and looked at the statues and seen the House and been secretly glad that the Senate was in secret session so that she couldn't see that, and there would be time to go up the monument—something that she really had enjoyed—not only on account of the view, but because her governess was afraid of elevators and was terrified in the slow, jerky ascent. Then during the period of her engagement to Ilseboro she had been at one or two dinners at the British embassy. But that had been long ago, before the days of her discovery of the Federal Constitution. Of governmental Washington she knew nothing.

The Senate committee met at ten the next morning. There was a good deal of interest in the hearing, and the corridors were full of people waiting for the doors to open. Miss Bennett and Lydia were taken in first through a private room to assure their having good seats. Lydia found the committee room beautiful—more like a gentleman's library than an office—wide, high windows looking out on the Capitol grounds, tall bookcases with glass doors and blue-silk curtains, a huge polished-wood table in the center; with chairs about it for the senators.

She recognized them as they came in from Albee's description—the neat blue-eyed senator who looked like a little white fox, his enemy; the fat blond young man, full of words and smiles, who was a most ineffective friend; and the large suave chairman, in a tightly fitting plum-colored suit, with a grace of manner that kept you from knowing whether he were friend or foe.

Not that you would have suspected from anyone's manner that there was such a thing as enmity in the world—they were all so quiet and friendly. Indeed, when Albee came in he was talking—"chatting" would be a better word—with the little fox-faced senator against whom he had so specially warned Lydia. The whole tone was as if eight or ten hard-working men had called in a friend to help them out on the facts.

Lydia thought it very exciting, knowing as she did how much of hate and party politics lay behind the hearing. She was only dimly aware that her own future depended on the impression Albee might now make upon her. In his own investigation in New York he was the chief, but here he would be attacked, ruled against, tripped up if possible. There he was a general, here he was a duelist. She saw several senators glancing at her, asking who she was, and guessed that the answer was that she was the girl Albee was in love with, engaged to, making a fool of himself over—something like that. She didn't mind. She felt proud to be identified with him. She looked at him as he sat down at the chairman's right, and tried to think how she would feel if she were saying to herself, "There's my husband." Could you marry a man for whom you felt an immovable physical coldness? She thought of Dan O'Bannon's kiss, and the continuity of her thought broke up in a tangle of emotion—even there in the white morning light of that remote committee room.

The hearing was beginning; it was beginning with phrases like, "The committee would be glad, governor, if you would tell us in your own words——"

"If I might be permitted, Mister Senator, my understanding is——"

Again and again she saw the trap laid for him and thought with alarm that there was no escape, and then saw that with no effort, with just a turn of his easy wrist, he escaped, and what was more remarkable, had told the truth—yes, as she thought it over, it was nearly the truth. He was particularly successful with the fox-faced senator, whose only interest seemed to be to get the governor to say something that would look badly in newspaper headlines. She grasped Albee's method after a few instances. It was to make the senator define and redefine his question until whatever odium attached to the subject would fall on the questioner, not the answerer.

After fifteen minutes she knew that he was a match for them—his mind was quicker, subtler and more powerful. He made them all seem mentally clumsy and evilly disposed. He could put their questions, even the hostile ones, so much better than they could. Again and again, with a gentle, an almost loving smile, he would say, "I think, Mister Senator, if you will allow me, that what you really mean to ask in that last question is whether——" And a clear exact statement of the confused ideas of the senator would follow, as the senator, with an abashed nod, would be forced to admit.

Lydia, unused to this sort of thing, thought it little short of a miracle that anyone's mind could work as well as that under such pressure. He seemed to her a superman.

After the hearing they lunched downstairs in the airless basement in which the Fathers of the Senate are provided with excellent Southern dishes, served by white-jacketed negroes. Lydia met most of the notables, even the fox-faced senator, who, she was told was very much of a ladies' man. She was for the first time a satellite, a part of the suite of a great man, and glad to be.

Then, after luncheon, Benny having tactfully expressed a wish to go back to the hotel and rest, as they were going out to dinner, Lydia and the governor took a walk along the banks of the Potomac. March is very springlike in Washington. The fruit trees were beginning to bud and the air was mild and still, so that the river reflected the monument like a looking-glass.

"You seemed to me very wonderful this morning," she said.

He turned to her.

"If I were thirty years younger you wouldn't say that to me with impunity."

"If you were thirty years younger you would seem like an inefficient boy compared to what you are now." Her face, her eyes, her whole body expressed the admiration she felt for his powers.

There was a little silence; then he said gravely, "If I could only persuade myself that it was possible that a girl of your age could love a man of mine——" Lydia caught her underlip in a white tooth—she had not meant love—she had not thought it a question of that. His sensitive egotism understood her thought without any spoken word, and he added, "And I should be content with nothing else—nothing else, Lydia."

In all her cogitation on the possibility of her marriage with the governor she had somehow never thought of his expecting her to love him—to be in love with him.

She walked on a few steps, and then said, "I don't think I shall ever be in love—I never have. I feel for you a more serious respect and admiration than I have ever felt for anyone, man or woman."

"And what do you feel for this little blond whippersnapper who is always under your feet?"

"For Bobby?" Her surprise was genuine that his name should be dragged into a serious discussion. "I feel affection for Bobby. He is very useful and kind. I could never love him. Oh, mercy no!"

"Do you mean to say," said Albee, "you have never felt—you have never had a man take you in his arms, and say to yourself as he did, 'This is living'?"

"No, no, no, no! Never, never!" said Lydia. She lied passionately, so passionately that she never stopped to remember that she was lying. "I don't want to feel like that. You don't understand me, governor. To feel what I feel for you is more, much more than——"

She stopped without finishing her sentence.

"You make me very proud, very happy when you talk like that," said Albee. "I certainly never expected that the happiest time of my life—these last few weeks—would come to me after I was fifty. I wonder," he added, turning and looking her over with a sort of paternal amusement which she had grown to like—"I wonder if there were really girls like you in my own time, if I had had sense enough to find them."

Lydia, who was under the impression that her whole future was being settled there and then in Potomac Park, within sight of the White House, on which she kept a metaphysical eye, felt that this was the ideal way for a man and woman to discuss their marriage—not coldly, but without surging waves of emotion to blind their eyes. Marriage had not been actually mentioned. Nothing definite had been said by either of them when before five they came in to join Benny at tea. But Lydia had no doubt of the significance of their talk. Like most clear-sighted heiresses, she know, rationally, that her fortune was a part of her charms; but like most human beings, she found it easy to believe that she was loved for herself.

They were to go back to New York on the midnight train so that the governor might be in time for his morning's work in the investigation, but before going he was having a small dinner party. An extra man for Benny, a distinguished member of the House, and the senator from his own state—an old political ally—and his wife. His wife had been a Washington woman of an old family, and now with her husband's money and position her house was a place of some political importance.

From the moment the Framinghams arrived a cloud began to descend on Lydia. She liked them both—the fresh-faced, white-haired, clever, wise senator and his pretty, elegant wife—elegant, but a little more elaborate than the same type in New York. Mrs. Framingham's hair was more carefully curled, her dress a trifle richer and tighter, her jewels more numerous than Lydia's or Miss Bennett's; but still Lydia recognized her at once as an equal—a woman who had her own way socially in her own setting.

She liked the Framinghams—it was Albee she liked less well. He was different from the instant of their entrance. To use the language of the nursery, he began to show off, not in connection with his success of the morning—Lydia could have forgiven some vanity about that performance—but about social matters, the opera, Miss Thorne's box, and then—Lydia knew it was coming—the Pulsifers. He wanted Mrs. Framingham to know that he had been asked to the Pulsifers'. He did it this way:

"You may imagine, Mrs. Framingham, how much flattered I feel that Miss Thorne should have come on to the hearing, missing one of the most brilliant parties of the season—yes, the Pulsifers'. Of course, as far as I am concerned, it is a great relief to side-step that sort of thing. Oh, I don't wish to appear ungracious. It was very kind of Mrs. Pulsifer to invite me, but I was glad of an excuse to avoid it. Only for Miss Thorne——"

Even his voice sounded different—specious, servile—"servile" was the word in Lydia's mind. Mrs. Framingham, if she were impressed by the news that the governor could have gone if he had wanted, betrayed not the least interest. Lydia pieced out the story of her attitude to the governor. Evidently when she had been last in the capital of her husband's state Albee had been only a powerful member of the legislature—useful to her husband, but not invited to her house. All very well, thought Lydia—a criticism of Mrs. Framingham's lack of vision—if only Albee would stand by it, resent it, and not be so eager to please.

As she grew more and more silent the governor, ably seconded by Miss Bennett, grew more and more affable. It would have been a very pleasant party if Lydia had not been there. Miss Bennett could not imagine what was wrong; and even Albee, with his instinctive knowledge of human beings and his quick egotism to guide him, was too well pleased with his own relation to his party to feel anything wrong. Lydia's silence only gave him greater scope.

She did not see him alone again. After dinner they went to the theater and then to the train. In the compartment she and Benny had the little scene they always had on these occasions. Lydia assumed that she as the younger woman would take the upper berth. Miss Bennett asserted that she infinitely preferred it. Lydia ignored the assertion, doubting its accuracy. Miss Bennett insisted, and Lydia yielded—yielded largely for the reason that the dispute seemed to her undignified.

She was glad on this occasion that she was in the lower berth, for she did not sleep, and raising the shade she stared out. There was something soothing in lying back on her pillows watching the world flash past you as if you were being dragged along on a magic carpet while everyone else slept.

Her future was all in chaos again. She could never marry Albee. She thought, as she so often did, of Ilseboro's parting words about her being such a bully that she would always get second-rate playmates. It seemed to her the real trouble lay in her demand that they should be first-rate. Most women would have accepted Albee as first-rate, but she knew he wasn't. She felt tragically alone.

Their train got in at seven, and as soon as Lydia had had a bath and breakfast—that is, by nine o'clock—she was calling Eleanor on the telephone. Consideration of the fact that her friend might have been up late the night before was not characteristic of Lydia. Tragic or not, she was curious to hear what had happened at the Pulsifers'. She wanted Eleanor to come and lunch with her. No, Miss Bellington was going back to the country that morning. It was finally settled that Lydia should drive Eleanor home in the little runabout and stay for luncheon with her.

It was one of those mild days that make you think March is really a spring month. Eleanor did not like to drive fast; and Lydia, with unusual thoughtfulness, remembered her friend's wishes and drove at a moderate pace. That was one way to tell if Lydia was really fond of anyone—if she showed the sort of consideration that most people are brought up to show to all human beings. The two women gossiped like schoolgirls.

"Was Bobby too wonderful in his costume?"

"My dear, I wish you could have seen him. May Swayne made really rather a goose of herself about him."

"Yes"—this thoughtfully from Lydia—"she always does when I'm not there to protect him. And Fanny—was her Cleopatra as comic as it sounded?"

Eleanor wanted to know about Lydia's experiences—the hearing, Washington. Lydia told how magnificently the governor had defended himself, and added nothing at first about the less desirable aspects of his character. She thought this reserve arose from loyalty, but the fact that the governor was generally considered to be her own property made her feel that to criticize him was to cheapen her own assets. But she had great confidence in Eleanor, and by the time they had sat down to lunch alone together she found herself launched on the whole story of the impression Albee had made upon her. So interested, indeed, was she in the narrative that when toward the end of luncheon Eleanor was called to the telephone she hardly noticed the incident, except as it was an interruption. She sat going over it all in her mind during the few minutes that Eleanor was away, and the instant Eleanor came back she resumed what she was saying.

Eleanor was a satisfactory listener. She did not begin scolding you, telling you what you ought to have done before you had half finished. She did not allow herself to be reminded of adventures of her own and snatch the narrative away from you. She sat silent but alert, conveying by something neither words nor motion that she followed every intricacy.

Her comment was, "I feel rather sorry for Albee."

"You mean you don't think he's a worm?" Lydia was genuinely surprised.

"Oh, yes, I think he is just as you represent him! I feel sorry for people whose faults make them comic and defenseless. After all, Albee has great abilities. You don't care a bit for those, because he turns out not to be perfect. And who are you, my dear, to demand perfection?"

"I don't! I don't," cried Lydia eagerly. "Oh, Eleanor, men are fortunate! Apparently they can fall in love without a bit respecting you—all the more if they don't—but a woman must believe a man has something superior about him, if it is only his wickedness. I don't demand perfection—not a bit—but I do ask that a man's faults should not be contemptible faults; that he should have some force and snap; that he should be at least a man."

"That doesn't seem to please you always either."

"You're thinking of Ilseboro. I did like Ilseboro, though he was such a bully."

"No, I was thinking of Dan."

Lydia opened her eyes as if she couldn't imagine whom she meant.

"Of Dan?"

"Dan O'Bannon."

"Oh, it's got as far as being 'Dan' now, has it?"

"You dislike him for these very qualities you say you demand," Eleanor went on—"force and strength——"

Lydia broke in.

"Strength and force! What I really dislike about him, Eleanor dear, is that you take him so seriously. I can't bear to see you making yourself ridiculous about any man."

"I don't feel I make myself ridiculous, thank you."

"I don't mean you'd ever be undignified, but it is ridiculous for a woman of your attainment and position to take that young Irishman so seriously—a country lawyer. Why, I can't bear to name you in the same breath!"

Eleanor raised her shoulders a little.

"He'll be here in a few minutes."

"Here?" Lydia sprang up. "I'm off then!"

"I wish you wouldn't go. If you saw more of him you'd change your opinion of him."

"If I saw more of him I'd insult him. Send for my car, will you? No, no, Eleanor! I know I'm right about this—really, I am. Some day you'll come to agree with me."

"Or you with me," answered Eleanor, but she rang and ordered Lydia's car.

A few minutes later Lydia was on her way home. It was a day when everything had gone wrong, she thought; but now a cure for the nerves was open to her. The roads were empty at that hour, and her foot pressed the accelerator. She thought that if Eleanor married O'Bannon she would lose her. She would like to prevent it. With most girls she could poison their minds against a man by representing him as ludicrous, but Eleanor was not easily swayed. Lydia wondered if after they were married she could be more successful. She had never hated anyone quite the way she hated O'Bannon. It was fun, in a way, to hate a person. Her spirits began to mount as speed, like a narcotic, soothed her nerves. The road was smooth and new and had stood the winter frosts well. The first spring thaw had deposited on its cement surface a dampness which glistened here and there and made the wheels slip and the car waver like a living thing. This only increased Lydia's pleasure and fixed her attention as on the narrow ribbon of cement she passed an occasional car.

Suddenly as she dashed past a crossroad she caught a glimpse of a motorcycle and a khaki figure already preparing to mount. She turned her head far enough to be sure that it was the same man. She saw him hold up his hand, heard his voice calling to her to stop.

"No more bracelets, my friend," she thought, and her car shot forward faster than ever.

She fancied that he must be having trouble getting his engine started, for she did not hear the motorcycle behind her. She knew that just before she entered the village about half a mile ahead of her there was an unfrequented little road that ran into the highroad she was on, almost parallel to it. If she could get on that she could let the car out for miles and miles. The only trouble was that she would have to turn almost completely round and, going at this pace, that wouldn't be easy.

Presently she caught the sound of the quick, regular explosion, and the anticipated speck appeared in her mirror. All her powers were concentrated now on keeping her car straight on the slippery road, but she thought grimly, "Worse for him on two wheels than for me on four." She felt a mounting determination not to be caught—a willingness to take any risk. Still the man on the motorcycle was gaining on her. At an inequality in the road her front wheels veered sharply. With a quick twist she recovered control and went straight again. She knew how to drive, thank goodness!

With the man gaining on her, she welcomed the sight of her back road coming in on the right. Even at the pace she could get round it, she thought, by skidding her car; and the motorcycle couldn't but would shoot ahead right into the village of Wide Plains, scattering children and dogs before him as he came. She felt a wild amusement at the thought, but her face did not relax its tense sternness.

She tightened her grip on the wheel, working the car to the left, preparing for the turn, and put on her brakes hard enough to lock the back wheels, expecting to feel the quick sideways slip of a skidding car. Instead there was a terrific impact—the crash of steel and glass, a cry. Her own car shot out of her control, turning a complete circle, bounded off the road and on again, and came slowly to a standstill, pointing in the same direction as before, but some yards beyond the fork in the road. She looked about her. Fragments of the motorcycle were strewn from the corner to where in a ditch at the foot of a telegraph pole the man was lying, a featureless mass.

IT WAS A VERY TERRIFYING MOMENT FOR LYDIA.

She leaped out of her car. Amid the wreckage of the motorcycle the clock stared up at her like a little white face. The world seemed to have become silent; her feet beating on the cement as she ran made the only sound. The man lay motionless. He was bent together and strangely twisted like a boneless scarecrow thrown down by the winds. An arm was under him, his eyes were closed, blood was oozing from his mouth. She stooped over him, trying to lift his body into a more natural position; but he was a large man, and she could do nothing with him. She looked up from the struggle and found to her astonishment that she was no longer alone. People seemed to have sprung from the earth, the air was full of screams and explanations. A large touring car had come to a standstill near by. She vaguely remembered having passed it. A flivver was panting across the road. Everyone was asking questions, which she did not stop to answer. The important thing was to get the man into the touring car and take him to the hospital.

She was so absorbed in all his that her own connection with the situation did not enter her mind. As she sat in the back of the car supporting his body, the blood stiffening on her own dark clothes, she thought only of her victim. She was not the type of egotist who thinks always, "How terrible that this should have happened to me!"

She said to herself: "He probably has a wife and children. It would have been better if I had been the one to be killed."

Arrived at the hospital, she followed him into the ward where the stretcher carried him, and waited outside the screen while the nurses cut his clothes off. It seemed to her hours before the young house surgeon emerged, shaking his head.

"Fracture of the base," he said. "If he gets through the next twenty-four hours he'll have a 60 per cent chance," and he hurried away to telephone the details to his chief.

As she sat there she realized that her own body was sore and stiff. She must have wrenched herself, or struck the steering wheel in the sudden turn of the car. She felt suddenly exhausted. There seemed no point in waiting. They could telephone her the result of the night. She left her name and address and went home by train.

She made a vow to herself that she would never drive a car again. She would not explain it or discuss it, but nothing should ever induce her to touch a steering wheel. It was an inadequate expiation. Every time she shut her eyes she saw that heap of blood and steel at the foot of the telegraph pole. Oh, if time could only be turned back so that she could be starting a second time from Eleanor's door! It never crossed her mind that this terrible personal misfortune which had befallen her made her seriously amenable to the law.

CHAPTER VIII

Drummond died late in the evening. An account of the accident was in the headlines of the morning papers. Unfortunately for Lydia, he was a conspicuous local figure. He had had the early popularity of a good-looking, dissipated boy, and then he had been one of the men who had not waited for the draft but had volunteered and gone into the Regular Army, and had come home from France unwounded, with a heroic record. Moreover, there had been a long boy-and-girl love affair between him and Alma Wooley, the daughter of the hardware merchant. Mr. Wooley, who was a native Long Islander, hard and wise, had been opposed to the engagement until, after the war, the return of Drummond as a hero made opposition impossible. It was at this point that O'Bannon had come to the rescue, securing the position of traffic policeman for the young man. The marriage was to have taken place in June.

Before Drummond died he recovered consciousness long enough to recognize the pale girl at his beside and to make an ante-mortem statement as to the circumstances of the accident.

Eleanor heard of the accident in the evening, but did not know of Drummond's death until early the following morning. She called up O'Bannon, but he had already left his house. At the office she was asked if Mr. Foster would do. Mr. Foster would not do. With her clear mind and recently acquired knowledge of criminal law, she knew the situation was serious. She called up Fanny Piers and found she was spending the day in town. Noel came to the telephone. He was very casual.

"Yes, poor Lydia," he said; "uncomfortable sort of thing to have happened to you."

"Rather more than uncomfortable," answered Eleanor. "Do you know if she's been arrested?"

Piers laughed over the telephone. Of course she hadn't been. Really, his tone seemed to say, Eleanor allowed her socialistic ideas to run away with her judgment. Poor Lydia hadn't meant any harm—it was the sort of thing that might happen to anyone. Oh, they might try her—as a matter of form. But what could they do to her?

"Well," said Eleanor, "people have been known to go to prison for killing someone on the highway."

Piers agreed as if her point was irrelevant.

"Oh, yes, some of those careless chauffeurs. But a thing like this is always arranged. You'll see. You couldn't get a grand jury to indict a girl like Lydia. It will be arranged."

"Arranged," thought Eleanor as she hung up the receiver, "only at the expense of Dan O'Bannon's honor or career."

She did not want that, and yet she did want to help Lydia. She felt deeply concerned for the girl, more aware than usual of her warm, honest affection for her. She often thought of Lydia as she had appeared on her first day at school. The head mistress had brought her into the study and introduced her to the teacher in charge. All the girls had looked up and stared at the small, black-eyed new pupil with the bobbed hair and slim legs in black silk stockings, one of which she was cleverly twisting about the other. She was shy and monosyllabic, utterly unused to children of her own age; and yet even then she had shown a certain capacity for comradeship, for under the elbows of the two tall teachers she had directed a slow, shy smile at the girls as much as to say, "Wait till we get together! We'll fix them!"

She was very well turned out, for Miss Bennett had just taken charge, but not so well equipped mentally, the long succession of her governesses having each spent more time in destroying the teachings of her predecessors than in making progress on her own account. Much to Lydia's chagrin, she was put in a class of children younger than she.

This was shortly before Christmas. Before the second term she had managed to get herself transferred into a class of her contemporaries. She had never studied before, because in old times it had seemed to her the highest achievement lay in thwarting her governesses. But the instant it became desirable to attain knowledge she found no difficulty in attaining it. It had amused her studying late into the night when Miss Bennett thought she was asleep.

In the same way she had decided to make a friend of Eleanor, who was a class above her and prominent in school life. There had been nothing sentimental about the friendship. She had admired Eleanor's clear mind and moral courage then, just as she admired them now.

It was of that little girl twisting one leg about the other that Eleanor thought now with a warm affection that the later Lydia had not destroyed. She ordered her car and drove into town to the Thorne house. At the door Morson betrayed just the proper solemnity—the proper additional solemnity—for he was never gay.

Yes, Miss Thorne was in, but he could not be sure that she could see Miss Bellington at the moment. Mr. Wiley was in the drawing-room.

"Mr. Wiley?" said Eleanor, trying to remember.

"The lawyer, madam."

Eleanor hesitated.

"Tell her I'm here," she said, and presently Morson came back and conducted her to the drawing-room.

Lydia's drawing-room was brilliant with vermilion lacquer, jade, rock crystal, a Chinese painting or two and huge cushioned armchairs and sofas. Here she and Miss Bennett and Mr. Wiley were sitting—at least Mr. Wiley and Miss Bennett were sitting, and Lydia was standing, playing with a jade dog from the mantelpiece, pressing its cold surface against her cheek.

As Eleanor entered, Lydia, with hardly a sound, did a thing she had occasionally seen her do before—she suddenly seemed to radiate greeting and love and gratitude. Miss Bennett introduced Mr. Wiley.

Wiley had established his position early in life—early for a lawyer; so now at fifty-eight he had thirty years of crowded practice behind him. In the nineties, a young man of thirty, his slim frock-coated figure, his narrow, fine features and dark, heavy mustache were familiar in most important court cases, and in the published accounts of them his name always had a prominent place. His enemies at one time had been contemptuous of his legal profundity and had said that he was more of an actor than a lawyer; but if so juries seemed to be more swayed by art than law, for Wiley had a wonderful record of successes. He was a man of scrupulous financial integrity—universally desired as a trustee—an honorable gentleman, a leader at the bar. It was hard to see how Lydia could be in better hands. He might not have been willing to undertake her case but for the fact that he had been her father's lawyer and was her trustee. He had a thorough familiarity, attained through years of conflict over finances, with all the problems of his client's disposition. He knew, for instance, that she would be absolutely truthful with him, a knowledge a lawyer so rarely has in regard to his clients. He knew, too, that she might carry this quality into the witness chair and might ruin her own case with the jury. He was a man accustomed to being listened to, and he was being listened to now.

Eleanor sat down, saying she was sorry if she interrupted them. She didn't. Wiley drew her in and made her feel one of the conference.

"I had really finished what I was saying," he added.

"I only wanted to know if the situation were serious," said Eleanor.

"Serious, Miss Bellington?" Wiley looked at her seriously. "To kill a human being while violating the law?"

"Mr. Wiley considers it entirely a question of how the case is managed," said Lydia. There was not a trace of amusement in her tone or her expression.

"To be absolutely candid," Wiley continued, "and Lydia tells me she wants the facts, I should say that if juries were normal, impartial, unemotional people Lydia would be found guilty of manslaughter in the second degree—on her own story. Fortunately, however, the collective intelligence of a jury is low; and skillfully managed, the case of a beautiful young orphan may be made very appealing, very pathetic."

"Pathos has never been my strong point," observed Lydia.

"The great danger is her own attitude," said Miss Bennett to Eleanor. "She doesn't seem to care whether she's convicted or not."

Lydia moved her shoulders with a gesture that confirmed Miss Bennett's impression, and then suddenly turned.

"I don't believe you want me for a few minutes, Mr. Wiley. I want to speak to Eleanor."

She dragged her friend away with her to her own little sitting room upstairs. Here her calm disappeared.

"Aren't lawyers terrible, Eleanor? Here I am—I've killed a man! Why shouldn't I go to prison? I'm not quixotic. I didn't want to be convicted, but Wiley shocks me, assuming that I can't be because I'm a woman and rich and he can play on the jury."

"I should not say that he assumed that you were safe, Lydia."

"Oh, yes, he does! Don't be like Benny. She sees me in stripes at once. What Wiley means is that as long as I am fortunate enough to have the benefit of his services I'm perfectly safe, not because I did not mean to kill Drummond, but because he, Wiley, will make the jury cry over me. Isn't that disgusting?"

"Yes, it is," said Eleanor.

"Oh, Eleanor, you are such a comfort!" said Lydia, and began to cry. Eleanor had never seen her cry before. She did it very gently, without sobs, and after a few minutes controlled herself again, and tucked away her handkerchief and said, "Do you think everyone would hate to have a car that had killed someone! I shall never drive again, and yet I couldn't sell it—couldn't take money for it. Will you accept it, Eleanor? You wouldn't have to drive the way I did, you know."

Eleanor, pleading the shortness of her sight, declined the car.

"You ought to go back and talk to Mr. Wiley, my dear."

Lydia shrugged her shoulders.

"I don't care much what happens to me," she said.

Eleanor hesitated. She saw suddenly that what she was about to say was the principal object of her visit.

"Lydia, I hope that you will come out all right, but you don't know Dan O'Bannon as I do, and——"

"You think he will want to convict me?"

"Not you personally, of course. But he believes in the law. He wants to believe in its honesty and equality. He suffered last month, I know, in convicting a delivery-wagon driver, and his offense wasn't half as flagrant as yours. Oh, Lydia, have some imagination! Don't you see that his own honor and democracy will make him feel it more his duty to convict you than all the less conspicuous criminals put together?"

A strange change had taken place in Lydia during this speech. At the beginning of it she had been shrunk into a corner of a deep chair; but as Eleanor spoke life seemed to be breathed into her, until she sat erect, grew tense, and finally rose to her feet.

"You mean there would be publicity, political advantage, in sending a person in my position to prison?"

"Don't be perverse, Lydia. I mean that, more than most men, he will see his duty is to treat you as he would any criminal. You make it difficult for me to tell you something that I must tell you. Mr. O'Bannon feels, I'm afraid, a certain amount of antagonism toward you."

A staring, insolent silence was Lydia's answer.

Eleanor went on: "Do you remember after dinner at the Piers' you told me about the policeman you had bribed? You asked me not to tell, but I'm sorry—I can't tell you how sorry—that I did tell. I told Dan. I would give a good deal if I hadn't, but——"

"My dear," Lydia laughed, but without friendliness, "don't distress yourself. What difference does it make? I nearly told him myself."

"It makes a great deal of difference. It made him furious against you. He felt you were debauching a young man trying to do his duty."

"What a prig you make that man out, Eleanor! But what of it?"

"I got an impression, Lydia—I don't know how—that it turned him against you; that he will be less inclined to be pitiful."

"Pitiful!" cried Lydia. "Since when have I asked Dan O'Bannon for pity? Let him do his duty, and my lawyers will do theirs; and let me tell you, Eleanor, you and he will be disappointed in the results."

Eleanor said firmly, "I think you must take back that 'you,' Lydia."

Lydia shrugged her shoulders.

"Well, you say your friend wants to convict me, and you want your friend to succeed, I suppose. That is success for him, getting people to prison, isn't it?" She began this in one of her most irritating tones; and then she suddenly repented and, putting her hand on Eleanor's shoulder, she added, "Eleanor, I'm all on edge. Thank you a lot for coming. I think I will go back and tell what you've said to old Wiley."

Eleanor waited to telephone to Fanny Piers and Mrs. Pulsifer, knowing it would be wise to create a little favorable public opinion. As she went downstairs the drawing-room door opened and Miss Bennett came softly out, shutting the door carefully behind her.

"Thank heaven for you, Eleanor!" she said. "You have certainly worked a miracle." Eleanor looked uncomprehending, and she went on: "At first she was so naughty to poor Mr. Wiley—would hardly discuss the case at all; but now since you've talked to her she is quite different. She has even consented to send for Governor Albee—the obvious thing, with his friendship and political power."

Eleanor's shoulders were rather high anyhow, and when she drew them together she looked like a wooden soldier. She did it now as she said with distaste, "But is this a question of politics?"

"My dear, you know the district attorney is a political officer, and they say this young man is extremely ambitious. Certainly he would listen—he'd have to—to a man at the head of the party like Albee. I feel much easier in my mind. The governor can do anything, and now that Lydia has come to her senses she is determined to go into court with the best case possible, and you know how clever she is. Thank you, Eleanor, for all you have done for us."

Like many workers of miracles, Eleanor went away surprised at her own powers. The idea of O'Bannon being coerced or rewarded into letting Lydia off gave her exquisite pain. She felt like warning him to do his duty, even if it meant Lydia's being found guilty. Yet she sincerely wanted Lydia saved—meant to go as far as she could to save her. She knew with what a perfect surface of honesty such things could be done; how a district attorney, while from the public's point of view prosecuting a case with the utmost vigor, might leave open some wonderful technical escape for the defense. It could be done without O'Bannon losing an atom of public respect. But she, Eleanor, would know; would know as she saw him conducting the case; would know when a year or so later, after everyone else had forgotten, he would receive his reward—some political appointment or perhaps a financial chairmanship. Albee had great powers in business as well as politics. In her own mind she formulated the words, "I have the utmost confidence in O'Bannon." But she knew, too, how all people of passionate, quick temperaments are sometimes swept by their own desires, and how easily most lawyers could find rational grounds for taking the position they desired to take. It would be so natural for any man under the plea of pity for a young woman like Lydia to allow himself to be subtly corrupted into letting her off.

Eleanor's own position was not simple. She faced it clearly. She was for Lydia, whatever happened, as far as her conduct went; but in spite of herself her sympathies swung to and fro. When women like Fanny Piers and May Swayne said, with a certain relish they couldn't keep out of their tones and reluctant dimples at the corners of their mouths, "Isn't this too dreadful about poor Lydia?" then she was whole-heartedly Lydia's. But when she detected in all her friends—except Bobby, who was frankly frightened—the belief that they were beyond the law, that nothing could happen to any member of their protected group, then she felt she would enjoy nothing so much as seeing one of them prove an exception to the general immunity.

The coroner held Lydia for the grand jury in ten thousand dollars' bail. This had been considered a foregone conclusion and did not particularly distress or alarm Eleanor. What did alarm her was her inability to get in touch with O'Bannon. In all the months of their quick, intimate friendship this had never happened before. Press of business had never kept him entirely away. Now she could not even get him to come to the telephone.

She was not the only person who was attempting to see him on Lydia's behalf. Bobby Dorset had made several efforts, and finally caught him between the courthouse and his office. Bobby took the tone that the whole thing was fantastic; that O'Bannon was too much of a gentleman to send any girl to prison, irritating the man he had come to placate by something frivolous and unreal in his manner—the only manner Bobby knew.

And then as Lydia's case grew darker Albee came. O'Bannon was in his study at home, the low-ceilinged room opening off the dining room. It had a great flat baize-covered desk, and low open shelves running round the walls, containing not only law books, but novels and early favorites—Henty and Lorna Doone and many records of travel and adventure.

Here he was sitting, supposed to be at work on the Thorne case, about nine o'clock in the evening. Certainly his mind was occupied with it and the papers were laid out before him. He was going over and over, the same treadmill that his mind had been chained to ever since he had stood by Drummond's bedside with Alma Wooley clinging, weeping, to his hand.

Lydia Thorne had committed a crime, and his duty was to present the case against the criminal. Sometimes of course a district attorney was justified in taking into consideration extenuating circumstances which could not always be brought out in court. But in this case there were no extenuating circumstances. Every circumstance he knew was against her. Her character was harsh and arrogant. She had already violated the law in bribing Drummond. First she had corrupted the poor boy, and then she had killed him. She deserved punishment more than most of the criminals who came into his court, and his duty was to present the case against her. He repeated it over and over to himself. Why, he was half a crook to consider this case as different from any other case—and if she did get off she wouldn't be grateful. She'd just assume that there had not been and never could be any question of convicting a woman like herself. He remembered her bending to look at him under the candle shades of the Piers' dinner table and announcing her disbelief in the equal administration of the laws. But yet, if she should come to him—if she would only come to him, pleading for herself as she had once for a few minutes pleaded for Evans——He could almost see her there in the circle of his reading light, close to him—could almost smell the perfume of violets.

"I hope to God she doesn't come," he said to himself, and desired it more than anything in life.

At that very moment the doorbell rang. O'Bannon's heart began to beat till it hurt him. If she were there he must see her, and if he saw her he must again take her in his arms, and if—it was his duty to present the case against her.

There was a knock on his door, and his mother entered ushering in Governor Albee. Great and wise men came from East and West to see her son, her manner seemed to say.

"Well, O'Bannon," said the governor, "I haven't seen you since—let me see—the 1916 convention, wasn't it?"

The younger man pulled himself together. He was not a politician for nothing, and he had control, almost automatically, of a simple, friendly manner.

"But I've seen you, governor," he answered. "I went in the other day to hear your cross-examination on that privileged-communication point. I learned a lot. We're all infants compared with you when it comes to that sort of thing."

"Oh"—Albee gave one of his straight-armed waves of the band—"everyone tells me you have your own method of getting the facts. I hear very fine things of you, O'Bannon. There's an impression that Princess County will soon be looking for another district attorney."

Mrs. O'Bannon stole reluctantly away, closing the door behind her. The two men went on flattering each other, as each might have flattered a woman. Both were now aware that a serious situation was before them. They began to talk of the great party to which they belonged. The governor mentioned his personal responsibility—by which he meant his personal power—as a national committeeman. He spoke of an interview with the leader of the party in New York—the purveyor of great positions.

"He's going to put the chairmanship of this new commission up to me. It's not so much financially—seventy-five hundred—but the opportunity, the reputation a fellow might make. It needs a big man, and yet a young one. I'm for putting in a young man."

That was all. The governor began after that to speak of his coming campaign for the Senate, but O'Bannon knew now exactly why he had come. He had come to offer him a bribe. It was not the first time he had been offered a bribe. He remembered a family of Italians who had come to him frankly with all their savings in a sincere belief that that was the only way to save a son and brother. They had gone away utterly unable to understand why their offering had been rejected, but with a confused impression that district attorneys in America came too high for them. He had not felt any anger against their simple effort at corruption—only pity; but a sudden furious anger swept him against Albee, so smooth, so self-satisfied. Unanalytic, like most hot-blooded people—who in the tumult of their emotions are too much occupied to analyze and when the tumult ceases are unable to believe it ever existed—O'Bannon did not understand the sequence of his emotions. For an instant he was angry, and then he felt a sort of desperate relief. At least the question of his attitude in the case was settled. Now he must prosecute to the utmost of his ability. One couldn't let a sleek, crooked old politician go through the world thinking that he had bribed you—one couldn't be bribed.

He leaned his brow on his hand, shielding his whole face from the light, while he drew patterns on the blotting paper with a dry pen. The governor broke off with an appearance of spontaneity.

"But I mustn't run on like this about my own affairs," he said. "I came, as perhaps you guessed, about this unfortunate affair of poor Miss Thorne. I don't know if you know her personally——"

He paused. He really could not remember. He believed Lydia had mentioned having seen the man somewhere.

"I've met her once or twice," said O'Bannon.

"Well, if you've seen her you know that she's a rare and beautiful creature; but if you don't know her you don't know how sensitive she is; sheltered and proud; doesn't show her deep, human feelings."

A slight movement of the district attorney's hand brought his mouth and chin into the area of illumination. Their expression was not agreeable.

"No," he said, "I must own I did not get all that."

"This whole thing is almost killing her," Albee went on. "Really I believe that if she has to go into court—well, of course she must go into court, poor child, and hear it all gone over and over before a jury. Imagine how anyone—you or I would feel if we had killed a man, and then add a young woman's natural sensitiveness and pity. You can guess what she is going through. I've sat with her for hours. It's pitiful—simply pitiful. Anything you can do, O'Bannon, that will make it easier for her I shall take as a personal favor to me, a favor I shall never forget, believe me."

The governor smiled his human, all-embracing smile, almost like a priest. There was a moment's silence. Albee's experience was that there usually was a moment while the idea sank in.

Then the younger man asked with great deliberation, "Just what is your interest in this case, Governor Albee?"

Perfectly calm himself, Albee noted with some amusement the strain in the other's tone. He had expected the question—a natural one. It was natural the fellow should wish to be assured that the favor he was about to do was a real one, a substantial one, something that would be remembered. He would be taking a certain chance, considering the newspaper interest and all the local resentment over the case. Reëlection might be rendered impossible. Albee thought to himself that Lydia would forgive a slight exaggeration of the bond between them if that exaggeration served to set her free.

"Well, that's rather an intimate question, Mister District Attorney," he said. "To most people I should answer that she is a lady whom I esteem and admire; but to you—in strictest confidence—I don't mind saying that I have every hope and expectation of making her my wife." And he added less solemnly, "What are you young fellows thinking of to let an old man like me get ahead of you, eh?" Bending forward he slapped the other man on the shoulder.

O'Bannon stood up as if a mighty hand had reached from the ceiling and pulled him upright. The action was all that was left of the primitive impulse to wring Albee's neck.

"There is nothing I can do to help Miss Thorne," he said. "You know enough about criminal procedure to know that. The case against her is very strong."

"Oh, very strong—in the newspapers," said the governor with another of his waves of his hand. "But you mustn't let your cases be tried in the newspapers. I always made it a rule never to let the newspapers influence me in a case."

"I have a better rule than that," said the other. "I don't let anything influence me except the facts in the case." He was still standing, and Albee now rose too.

"I see," he said, not quite so suavely as before. "You mean you go ahead your own way and don't mind making enemies."

"I sometimes like it," answered O'Bannon.

"Making them is all right." Albee looked right at him. "Taking the consequences of doing so isn't always so enjoyable. Good night."

When the sound of the governor's motor had died away O'Bannon went back to his desk. His mother had long ago gone upstairs, and the house was quiet. Disgust and anger were like a poison in his veins. So that vile, sleek old man was to have her? Love was out of the question? She did not even have the excuse of needing money! What a loathsome bargain! What a loathsome woman! To think he had allowed himself to be stirred by her beauty? He wouldn't touch her with his little finger now if she were the last woman in the world. Albee? Good God! There must be thirty-five years between them. Someone ought to stop it. She would be better in prison than giving herself to an old man like that. She was no ignorant child. She knew what she was doing. If he were the girl's brother or father he'd rather see her dead.

It was after midnight when he set to work on the papers in the case. He worked all night. The old servant bringing Mrs. O'Bannon her breakfast in the early morning reported Mr. Dan as being up and away. He had come into the kitchen at six for a cup of coffee, his face as white as that sheet and his eyes nearly out of his head.

This was the afternoon that Eleanor selected to take the matter into her own hands and come to his office. She came late in the afternoon. It was after six. She saw his car standing in the street and she knew he was still there. She went in past the side entrance to Mr. Wooley's shop, up the worn wooden stairs, through the glass door with its gold letters, "Office of the District Attorney of Princess County." The stenographers and secretaries had gone. Their desks were empty, their typewriters hooded. O'Bannon was standing alone in the middle of the room with his hat and overcoat on, as if he had been caught by some disagreeable thought just in the moment of departure.

Eleanor's step made no sound on the stairs. He looked up in surprise as she opened the door, and as their eyes met she knew clearly that he did not want to see her. There was something almost brutal in the way that he looked at her and then looked away again, as if he hoped she might be gone when he looked back. If she had come on her own business she would have gone. As it was, she couldn't. She came in, and closing the door behind her she leaned against the handle.

"I'm sorry to bother you, Dan," she said, "but I must talk to you about Lydia Thorne."

"Miss Thorne's friends are doing everything they can to prevent the preparation of a case against her. They take all my time in interviews," he answered.

"Who else has been here?" asked Eleanor with a sinking heart.

"Oh, Bobby Dorset has been here. That interview was brief."

"And Governor Albee?"

O'Bannon looked at her with eyes that suddenly flared up like torches.

"Yes, the old fox," he said.

There was a pause during which Eleanor did not say a word, but her whole being, body and mind, was a question; and O'Bannon, though he had become this strange, hostile creature, was yet enough her old friend to answer it.

"If you have any influence with Miss Thorne tell her to keep politics out of it—to get a good lawyer and to prepare a good case."

Eleanor saw that Albee's mission had failed. She would have rejoiced at this, except that the hostility of O'Bannon's manner hurt her beyond the power of rejoicing. She was not like Lydia—stimulated by enmity. She felt wounded and chilled by it. She told herself, as women always do in these circumstances, that there was nothing personal about his attitude, but there was something terribly personal in her not being able to change his black mood.

"She has a good lawyer—Wiley. Who can be better than Wiley?" she asked.

"He's often successful, I believe."

He began snapping out the light over the desk—a hint not too subtle. Eleanor started twice to say that most people believed that no jury would convict a girl like Lydia, but every phrase she thought of sounded like a challenge. They went downstairs. Ordinarily he would have offered to drive her home, although her own car was waiting for her. Now he took off his soft hat and was actually turning away when she caught him by the sleeve. His arm remained limp, almost humanly sulky, in her grasp.

"I've never known you like this before, Dan," she said.

"You must do me the justice to say," he answered, "that lately I have done my best to keep out of your way."

Eleanor dropped his arm and he started to move away.

"Tell me one thing," she said. "The grand jury will indict her?"

"It will."

She nodded.

"That is what Mr. Wiley thinks."

"And he also thinks, I suppose," said O'Bannon, "that no jury will convict her?"

"And what do you think?"

"I think," he answered, so slowly that each word fell clearly, "that a conviction can be had and that I shall get it."

Eleanor did not answer. The chauffeur was holding open the door of her car, and she walked forward and got into it. She had learned the thing she had come to learn—a knowledge that the stand he took was an honorable one. She was glad that his hands were clean, but in her left side her heart ached like a tooth. He seemed a stranger to her—unfriendly, remote, remote as a man struggling in a whirlpool would be remote from even the friendliest spectator on the bank.

A few days later the grand jury found a true bill against Lydia. That was no surprise even to her friends. Wiley and Albee had both prepared her for that. The crime for which she was indicted, however, came as a shock. It was manslaughter in the first degree. Albee was, or affected to be, pleased. It proved they were bluffing, he said.

"It may cost you a little more on Wiley's bill," he said. "It costs a little more, I suppose, to be acquitted of manslaughter than of criminal negligence; but on the other hand it may save you a thousand-dollar fine. A jury might conceivably find you guilty of a crime for which you could be fined, but not of one for which the only punishment is imprisonment."

Bobby thought the indictment showed conclusively that there was some crooked work going on, and wanted the district attorney's office investigated. Most of Lydia's friends began to feel that this was really carrying the thing too far.

Thus New York.

In the neighborhood of Wide Plains it was generally known that O'Bannon and Foster were working early and late, and that the district attorney's office was out to get a conviction in the Thorne case.

CHAPTER IX

"Isaac Herrick."

"Here."

"William P. McCaw—I beg your pardon—McCann."

"Here."

"Royal B. Fisher. Mr. Fisher, you were not in court yesterday. Well, you did not answer the roll. Gentlemen, if you do not answer when your names are called I shall give your names to the court officer. Grover C. Wilbur."

"Here."

The county court room with its faded red carpet and shabby woodwork had the dignity of proportion which marks rooms built a hundred years ago under the solemn Georgian tradition.

Miss Bennett and Eleanor, guided by Judge Homans' secretary, came in through a side door, and passing the large American flag which hung above the judge's empty chair, they sat down in some cross seats on the left. Beyond the railing the room was already well filled with the new panel of jurors, the witnesses, the reporters and many of Lydia's friends, who were already jostling for places.

The clerk of the court, immediately in front of the judge's bench, but on a lower level, having finished calling the roll, was busily writing, writing, his well-brushed red-and-silver head bent so low over his great sheets that the small bare spot on top was presented to the court room. For one moment he and a tall attendant had become human and friendly over the fact that the counsel table was not on all fours, and the day before had rocked under the thundering fist of the lawyer in the last case. But as soon as it was stabilized with little wads of paper both men returned to their accustomed solemnity, the clerk to his lists and the attendant, standing erect at the railing, to viewing the unusual crowd and exclaiming at intervals "Find seats—sit down—find seats," which was, of course, just what everybody was trying to do.

Foster came in hurriedly with a stack of large manila envelopes in his hand. He bowed nervously to Miss Bennett and sat down just in front of her with his eyes fixed on the door.

The court stenographer came in and took his place, laid his neatly sharpened pencils beside his open book, yawned and threw his arm over the back of his chair. He seemed indifferent as to what story of human frailty was by means of his incredible facility about to be transferred to the records.

Yet he was not wholly without human curiosity, for presently he leaned over to the clerk and whispered, "What did the jury find in that abduction case?"

"Acquitted."

"Well, well!"

The two men exchanged a glance that betrayed that in their opinion jurors and criminals were pretty much on the same level.

A faint stir in the court, an anticipatory cry from the attendant of "Order, order," and Lydia and Wiley came in and sat down side by side at the corner of the long table—now perfectly steady. Lydia looked pale and severe. She had devoted a great deal of thought to her dress, not through vanity, but because dress was an element in winning her case. She was dressed as simply as possible, without being theatrically simple. She wore a dark serge and a black-winged hat. She nodded to Foster, smiled at Miss Bennett and Eleanor. She began looking coolly about her. She had never been in court, and the setting interested her. It was a good deal like a theater, she thought—the railed-off space represented the stage where all action was to take place, the judge's raised bench occupying the dominating position back center, the jury box on her right with its two tiers of seats, the witness chair on its high platform and between the judge and the jury. Close to the railing and at right angles to the jury box, the eight-foot-long counsel table, where she and Wiley had taken their places with their backs to the spectators outside the railing, were so exactly like a theatrical audience. Then a gavel beat sharply. Everyone stood up almost before being directed to do so, and Judge Homans came into court. He came slowly through the side door, his hands folded in front of him, his robes flowing about him, as a priest comes from the sacristy.

The judge, like the clerk, immediately became absorbed in writing. Foster sprang up and stood at his desk talking to him, but he never raised his head. Foster kept glancing over his shoulder at the door. Lydia knew for whom he was watching—like a puppy for its supper, she thought.

A voice rang out:

"The case of the People against Lydia Thorne. Lydia Thorne to the bar."

To Lydia the words suggested an elaborate game. She glanced at Miss Bennett, suppressing a smile, and saw that her companion's nerves were shaken by the sinister sound of them. Wiley rose.

"Ready—for the defense," he said.

Foster, with his eyes still on the door, murmured with less conviction, "Ready—for the people."

The clerk, laying aside his pen, had begun to take the names of the jurors out of the box at his elbow.

"Josiah Howell."

"Seat Number 1," echoed the attendant antiphonally.

"Thomas Peck."

"Seat Number 2."

Wiley, bending to Lydia's ear, whispered, "I want you to challenge freely—anyone you feel might be antagonistic. I trust to your woman's intuition. The jury is the important——"

She ceased to hear him, for she saw Foster's face light up and she knew that at last the district attorney was in court. She recognized his step behind her, and almost immediately his tall figure came within range of her vision. He sat down on the left next to Foster, crossed his arms, fixed his eyes on each juror who entered the box. It was to Lydia like the rising of the curtain on a great play.

"William McCann."

"Seat Number 12."

The jury was complete.

O'Bannon unfolded his long person and rose. Crossing the space in front of Lydia, he came and stood in front of the jury, looking from one to another, asking routine questions, but with a grave attention that made them seem spontaneous. Did any of them know the defendant or her counsel? Had any of them ever been arrested for speeding? Had anyone of them ever injured anyone with an automobile?

To Lydia his whole personality seemed different—more aggressive, more hostile. When, in speaking, he put out his fist she noticed the powerful bulk of his hand, the strength of his wrist. She could not see his face, for he stood with shoulder turned to her, but she could see the upturned faces of the jurors.

Number 10 was in the automobile business, and was excused. Number 2 admitted a slight acquaintance with the defendant, though Lydia couldn't remember him and was inclined to think he was merely escaping duty. Number 5, in the midst of the interrogation, suddenly volunteered the information that he was conscientiously opposed to capital punishment.

At this the judge looked up from his writing and said loudly, "But this isn't a capital-punishment case."

"No, no, I know," said Number 5 apologetically. "I just thought I'd mention it."

"Don't mention anything that has no bearing on the case," said the judge, and went back to his writing.

At noon, when the court adjourned, the jury was not yet satisfactory to the prosecution.

Lydia, Miss Bennett and Wiley drove over to Eleanor's for luncheon. Of the three women Lydia was the gayest.

"He really does—that man really does expect to put me behind bars," she said.

"The prospect apparently puts you in the highest spirits," said Eleanor.

Lydia laughed, showing her bright, regular little teeth.

"I do like a good fight," she answered.

That was the way she thought of it—as a personal struggle between the district attorney and herself. Since that first interview Wiley had no indifference to complain of. On the contrary, he complimented her on her grasp of the case—she ought to have been a lawyer. She had put every fact at his disposal—every fact that had any bearing on the case. She did not consider the exact nature of her former acquaintance with O'Bannon among these; that is to say, she mentioned that she had once met him at the Piers' and played bridge with him. She added that Eleanor felt he had taken a dislike to her. Wiley said nothing, but imagined that she might have played queen to a country attorney—irritating, of course.

About everything else, however, she went into details—especially about the bribing of Drummond, over which she apparently felt no shame at all. Both Albee and Wiley, who were often together in consultation with her, were horrified—not so much at her having done it as at her feeling no remorse. Wiley spoke as her lawyer. Albee, more human, more amused, shook his head.

"Really, my dear young lady, bribery of a police officer——"

"Oh, come, governor," said Lydia. "This from you!"

"I don't know what you mean. I never offered a man a bribe in all my life," said the governor earnestly.

"And exactly what did you say to Mr. O'Bannon in your recent interview?"

Wiley and Albee protested, more as if she were breaking the rules of a game than as if she were saying anything contrary to fact. Albee explained at some length that when a man was behaving wrongly through self-interest—which was, of course, what the district attorney was doing—it was perfectly permissible to show him that self-interest might lie along opposite lines. Lydia, unconvinced by this explanation, would do nothing but laugh annoyingly. At this both men turned on her, explaining that if the bracelet could be got in evidence, if it could be shown that she had bribed the man whom she later killed, the case would go against her.

"Oh, but they can't get it in," said Albee, "not unless you fall asleep, counselor, or the district attorney is an out-and-out crook."

Wiley, more cautious, wasn't so sure. If Lydia herself took the stand——

"Of course I shall testify in my own behalf," said Lydia.

"Yes," said Albee. "Exhibit A—a beautiful woman. Verdict—not guilty."

So the discussion always came back to the sympathy of the jury—the necessity of selecting the right twelve men. Nothing else was talked of during luncheon at Eleanor's that first day. Was Number 6 hostile? Did all farmers own automobiles nowadays? Number 1 was susceptible, Miss Bennett felt sure. He hadn't taken his eyes off Lydia. Number 7, on the contrary, was hypnotized, according to Lydia, by "that man."

By three o'clock the jury was declared satisfactory to the prosecution. It was Wiley's turn. His manner was very different from O'Bannon's—more conciliating. He seemed to woo the jury with what Lydia described in her own mind as a perfumed voice.

Number 2, in answer to Wiley's questions, admitted a prejudice against automobiles, since it was now impossible to drive his cows home along the highroad. He was excused.

Number 7, who had once owned a flourishing poultry farm, had been obliged to give it up.

"On account of motors?"

"Yes, and because it didn't pay."

Did he feel his prejudice was such as to prevent his rendering an impartial verdict in this case?

Number 7 looked blank and sulky, like a little boy stumped in class, and at last said it wouldn't.

"Excused," said Wiley.

"But I said it wouldn't," Number 7 protested.

"Excused," said Wiley, fluttering his hand.

Lydia had tapped twice on the table—the agreed signal.

By four o'clock the jury was satisfactory to both sides; and then, just as Lydia's nerves were tightened for the beginning of the great game, the court adjourned until ten o'clock the next morning. The judge, looking up from his writing, admonished the jury not to discuss the case with anyone, not even among themselves. The jurors produced unexpected hats and coats like a conjuring trick. The court attendant began shouting "Keep your seats until the jury has passed out," and the whole picture of the court dissolved.

Wiley was whispering to Lydia, "A very nice jury—a very intelligent, reasonable group of men." He rubbed his hands.

Lydia's eyes followed O'Bannon's back as he left the court with Foster trotting by his side.

"I wonder if the district attorney is equally pleased with them," she said.

Bobby Dorset drove back with them and stayed to dinner. Miss Bennett, who had a headache from the hot air and the effort of concentrating her mind, would have been glad to forget the trial, but Lydia and Bobby talked of nothing else. She kept a pad and pencil at hand to note down points that occurred to her. Bobby, with a mind at once acute and trivial, had collected odd bits of information—that the judge was hostile, that the door man said the verdict would be not guilty, and he had never been wrong in twenty-seven years.

Proceedings began the next morning by O'Bannon's opening for the prosecution. Lydia saw a new weapon directed against her that her advisers did not seem to appreciate—O'Bannon's terrible sincerity. His voice had not an artificial note in it. Meaning what he said, he was able to convince the jury.

"Gentlemen of the jury," he began, "the indictment in this case is manslaughter in the first degree. That is homicide without intent to effect death by a person committing or attempting to commit a misdemeanor. The People will show that on the eleventh day of March of this year the defendant, while operating an automobile on the highways of this county in a reckless and lawless manner, killed John Drummond, a traffic policeman, who was attempting to arrest her. Drummond, whose ante-mortem statement will be put in evidence——"

Suddenly Lydia's attention lapsed. This man who was trying to send her to prison had held her in his arms. She saw again the moon and the mist, and felt his firm hand on her shoulder. Memory seemed more real than this incredible reality. Then, just as steel doors shut on the red fire of a furnace, so her mind shut out this aspect of the situation, and she found she was listening—after how long a pause she did not know—to O'Bannon's words.

"——at the entrance to the village the road divides, the right fork turning back at an angle something less than a right angle. Round this corner the defendant attempted to go by a device known as skidding a car; that is to say, still going at a high rate of speed, she turned her wheels sharply to the right and put on her brakes hard enough to lock the back wheels."

"Yes, my friend," thought Lydia, "that's the way it's done. I wonder how many times you've skidded your own car to know so much about it."

"This procedure," O'Bannon's voice continued, "which is always a somewhat reckless performance, was in this case criminal. With the officer known to be overlapping her car on the left, she might as well have picked up her car and struck him with it. Her car did so strike him, smashing his motorcycle to bits and causing the hideous injuries of which he died within a few hours."

Lydia closed her eyes. She saw that mass of bloodstained khaki and steel lying in the road and heard her own footsteps beating on the macadam.

"The People will prove that the defendant was committing a misdemeanor at the time. By Section 1950 of the Penal Law it is a misdemeanor to render the highways dangerous or to render a considerable number of persons insecure in life. The defendant in approaching the village of Wide Plains along a highway on which there were buildings and people at a rate of forty miles an hour was so endangering life. Gentlemen, there never was a simpler case as to law and fact than this one."

Lydia glanced at Wiley under her lashes. It seemed to her that O'Bannon's manner was almost perfect. She believed he had already captured the jury, but she could read nothing of Wiley's opinion in his expression. He rose more leisurely, more conversational in manner. The defense would show, he said—and his tone seemed to add "without the least difficulty"—that the motorcycle of the unfortunate young policeman had skidded and struck the automobile of the defendant, causing, to the deep chagrin of the defendant, the death of that gallant young hero. They would show that the defendant was not committing a misdemeanor at the time, for to attain a speed of twenty-five or thirty miles on a lonely road was not even violating the speed law, as everyone who owned a car knew very well. As for the indictment of manslaughter in the first degree, really—Wiley's manner seemed to say that he knew a joke was a joke, and that he had as much sense of humor as most men, but when it came to manslaughter in the first degree—"a crime, gentlemen, for which a prison sentence of twenty years may be imposed—twenty years, gentlemen." He had never in a long experience at the bar heard of a bill being found at once so spectacular and so completely at variance with the law. The defense would show them that if they followed the recommendation of his learned young friend, the district attorney, to consider the facts and the law——

His manner to O'Bannon was more paternal than patronizing. He seemed to sketch him as an eager, emotional boy intoxicated by headlines in the New York papers. Wiley radiated wisdom, pity for his client, grief for the loss of Drummond and an encouraging hope that a young man like O'Bannon would learn enough in the course of a few years to prevent his making a humiliating sort of mistake like this again. He did not say a word of this, but Lydia could see the atmosphere of his speech seeping into the jurors' minds.

Yes, she thought, it was an able opening—not the sort of ability that she would have connected with legal talent in the days when she knew less of the law; but it seemed to be the kind of magic that worked. She was pleased with her counsel, directed a flattering look at him and began to assume the air he wanted her to assume—the dovelike.

The prosecution began at once to call their witnesses—first the doctors and nurses from the hospital, establishing the cause of death. Then the exact time was established by the clock on the motorcycle—3:12, confirmed by the testimony of many witnesses. Then the ante-mortem statement was put in evidence. A long technical argument took place between the lawyers over this. It occupied all the rest of the morning session. The statement was finally admitted, but the discussion had served to impress on the jury the fact that the testimony of a witness whose credibility cannot be judged of by personal inspection, and who is saved by death from the cross-examination of the lawyer of the other side, is evidence which the law admits only under protest.

Wiley scored his first tangible success in his cross-examination of the two men who had come to Lydia's assistance. On direct examination they had testified to the high rate of speed at which Lydia had been going. Wiley, when they were turned over to him, contrived to put them in a position where they were forced either to confess that they had no knowledge of high rates of speed or else that they themselves frequently broke the law. Wiley was polite, almost kind; but he made them look foolish, and the jury enjoyed the spectacle.

This success was overshadowed by a small reverse that followed it. The prosecution had a long line of witnesses who had passed or been passed by Lydia just before the accident. One of these was a young man who was a washer in a garage about a mile away from the fatal corner. He testified in direct examination that Lydia was going forty-five miles an hour when she passed the garage.

Wiley stood up, severe and cold, his manner seeming to say, "of all things in this world, I hate a liar most!"

"And where were you at the time?"

"Standing outside the garage."

"What were you doing there?"

"Nothing."

"Nothing?"

"Smoking a pipe."

"At three o'clock in the afternoon—during working hours?" Wiley made it sound like a crime. "And during this little siesta, or holiday, you saw the defendant's car going at forty-five miles an hour—is that the idea?"

"Yes, sir."

"And will you tell the jury how it was you were able to judge so exactly of the speed of a car approaching you head-on?"

The obvious answer was that he guessed at it, but the young man did not make it.

"I do it by means of telegraph poles and counting seconds."

It then appeared that the young man was accustomed to timing automobile and motorcycle races.

Lydia saw Foster faintly smile as he glanced at his chief. Evidently the defense had fallen into a neatly laid little trap. She glanced at Wiley and saw that he was pretending to be delighted.

"Exactly, exactly!" he was saying, pointing an accusing finger at the witness; "You and Drummond used to go to motorcycle races together."

He did it very well, but it did not succeed. The jury were left with the impression that the People's witness on speed was one to be believed.

CHAPTER X

Strangely enough, the days of her trial were among the happiest and the most interesting that Lydia had ever known. They had a continuity of interest that kept her calm and equable. Usually when she woke in the softest of beds and lifted her cheek from the smoothest of pillows she asked herself what she should do that day. Choice was open to her—innumerable choices—all unsatisfactory, because her own satisfaction was the only element to be considered.

But during her trial she did not ask this question. She had an occupation and an object for living, not so much to save herself as to humiliate O'Bannon. The steady, strong interest gave shape and pattern to her days, like the thread of a string of beads.

As soon as each session was over she and Wiley, on the lawn of the courthouse or at her house if she could detain him, or she and Albee or Bobby or Miss Bennett, as the case might be, would go over each point made by the prosecution's witnesses or brought out by Wiley's cross-examination of them. The district attorney seemed to be reserving no surprises. He had a strong, straight case with Drummond's ante-mortem statement, and a great many witnesses as to Lydia's speed. The bracelet had not been admitted in evidence so far, nor had Drummond's statement referred to it, and Wiley grew more confident that it would not be allowed. The defense had felt some anxiety over the exactitude with which the hour of the accident had been established, but as Lydia did not honestly know the hour at which she had left Eleanor's nor had Eleanor or any of her servants been subpœnaed, there did not seem any danger from this point after all.

Lydia, who was to be the first witness for the defense, had thought over every point, every implication of her own testimony, until she felt sure that "that man" would not be able to catch her wrong in a single item. She did not dread the moment—she longed for it. Wiley had advised her of the danger of remembering too much—a candid "I'm afraid I don't remember that" would often convince a jury better than a too exact memory.

"And," Wiley added soothingly, "don't be frightened if the district attorney tries to browbeat you. The court will protect you, and if I seem to let it go on it will be because I see it's prejudicing the jury in your favor."

Lydia's nostrils fluttered with a long indrawn breath.

"I don't think he will frighten me," she said.

But most of all, Wiley advised her as to her bearing. She must be gentle, feminine, appealing, as if she would not voluntarily injure a fly. No matter what happened, she mustn't set her jaw and tap her foot and flash back contemptuous answers.

Lydia moved her head, looking exactly as Wiley did not want her to look.

"I cannot be appealing," she said.

"Then the district attorney will win his case," said Wiley.

There was a pause, and then Lydia said in her good-little-girl manner:

"I'll do my best."

Everybody knew that her best would be good.

The People were to close their case that morning. A witness as to Lydia's speed just before the accident was on the stand. He testified that, following her as fast as his car would go—he had no speedometer—he had not been able to keep her in sight. His name was Yakob Ussolof, and he had great difficulty with the English language. His statements were, however, clear and damaging.

The jury was almost purely Anglo-Saxon, and as Wiley rose to cross-examine the very effort he made to get the name right—"Mr.—er—Mr.—U—Ussolof"—was an appeal to their Americanism.

"Mr. Ussolof, you have driven an automobile for some years?"

"Yare, yare," said Mr. Ussolof eagerly, "for ten years now."

"How long had you owned the car you were driving on March eleventh?"

"Since fall now."

"Ah, a new car. And what was its make?"

"Flivver."

Manslaughter

MANSLAUGHTER

BY ALICE DUER MILLER

AUTHOR OF COME OUT OF THE KITCHEN, Etc.

ILLUSTRATED BY
F. R. GRUGER
AND WITH
SCENES PROM THE PHOTOPLAY
A PARAMOUNT PICTURE

GROSSET & DUNLP
PUBLISHERS NEW YORK

Made in the United States of America

COPYRIGHT, 1921, BY
ALICE DUER MILLER

First Printing, Oct., 1921
Second Printing, Oct., 1921
Third Printing, Nov., 1921
Fourth Printing, Nov., 1921
Fifth Printing, Dec., 1921
Sixth Printing, Jan., 1922
Seventh Printing, Feb., 1922

Printed in U. S. A.

SHE FELT HIS HAND, FIRM AND CONFIDENT ON HER SHOULDER.

CONTENTS

LIST OF ILLUSTRATIONS

MANSLAUGHTER

CHAPTER I

CHAPTER II

CHAPTER III

LYDIA LITTLE REALIZES WHAT A TEMPTATION SHE IS PLACING BEFORE EVANS.

CHAPTER IV

O'BANNON BEGINS HIS INVESTIGATION OF THE THEFT.

CHAPTER V

CHAPTER VI

CHAPTER VII

IT WAS A VERY TERRIFYING MOMENT FOR LYDIA.

CHAPTER VIII

CHAPTER IX

CHAPTER X

Manslaughter

MANSLAUGHTER

BY ALICE DUER MILLER

AUTHOR OF COME OUT OF THE KITCHEN, Etc.

ILLUSTRATED BYF. R. GRUGERAND WITHSCENES PROM THE PHOTOPLAYA PARAMOUNT PICTURE

GROSSET & DUNLPPUBLISHERS NEW YORK

Made in the United States of America

COPYRIGHT, 1921, BYALICE DUER MILLER

First Printing, Oct., 1921Second Printing, Oct., 1921Third Printing, Nov., 1921Fourth Printing, Nov., 1921Fifth Printing, Dec., 1921Sixth Printing, Jan., 1922Seventh Printing, Feb., 1922

Printed in U. S. A.

SHE FELT HIS HAND, FIRM AND CONFIDENT ON HER SHOULDER.

CONTENTS

LIST OF ILLUSTRATIONS

MANSLAUGHTER

CHAPTER I

CHAPTER II

CHAPTER III

LYDIA LITTLE REALIZES WHAT A TEMPTATION SHE IS PLACING BEFORE EVANS.

CHAPTER IV

O'BANNON BEGINS HIS INVESTIGATION OF THE THEFT.

CHAPTER V

CHAPTER VI

CHAPTER VII

IT WAS A VERY TERRIFYING MOMENT FOR LYDIA.

CHAPTER VIII

CHAPTER IX

CHAPTER X

ILLUSTRATED BY
F. R. GRUGER
AND WITH
SCENES PROM THE PHOTOPLAY
A PARAMOUNT PICTURE

GROSSET & DUNLP
PUBLISHERS NEW YORK

COPYRIGHT, 1921, BY
ALICE DUER MILLER

First Printing, Oct., 1921
Second Printing, Oct., 1921
Third Printing, Nov., 1921
Fourth Printing, Nov., 1921
Fifth Printing, Dec., 1921
Sixth Printing, Jan., 1922
Seventh Printing, Feb., 1922