JACK

“With a k, sir; with a k. The name is written and pronounced as in English. The child’s godfather was English. A major-general in the Indian army. Lord Pembroke. You know him, perhaps? A man of distinction and of the highest connections. But—you understand—M. l’Abbé! How deliciously he danced! He died a frightful death at Singapore some years since, in a tiger-chase organized in his honor by a rajah, one of his friends. These rajahs, it seems, are absolute monarchs in their own country,—and one especially is very celebrated. What is his name? Wait a moment. Ah! I have it. Rana-Ramah.”

“Pardon me, madame,” interrupted the abbé, smiling, in spite of himself, at the rapid flow of words, and at the swift change of ideas. “After Jack, what name?”

With his elbow on his desk, and his head slightly bent, the priest examined from out the corners of eyes bright with ecclesiastical shrewdness, the young woman who sat before him, with her Jack standing at her side.

The lady was faultlessly dressed in the fashion of the day and the hour. It was December, 1858. The richness of her furs, the lustrous folds of her black costume, and the discreet originality of her hat, all told the story of a woman who owns her carriage, and who steps from her carpets to her coupé without the vulgar contact of the streets. Her head was small, which always lends height to a woman. Her pretty face had all the bloom of fresh fruit. Smiling and gay, additional vivacity was imparted by large, clear eyes and brilliant teeth, which were to be seen even when her face was in repose. The mobility of her countenance was extraordinary. Either this, or the lips half parted as if about to speak, or the narrow brow,—something there was, at all events, that indicated an absence of reflective powers, a lack of culture, and possibly explained the blanks in the conversation of this pretty woman; blanks that reminded one of those little Japanese baskets fitting one into another, the last of which is always empty.

As to the child, picture to yourself an emaciated boy of seven or eight, who had evidently outgrown his strength. He was dressed as English boys are dressed, and as befitted his name spelled with a k. His legs were bare, and he wore a Scotch cap and a plaid. The costume was in accordance with his years, but not with his long neck and slim figure.

He seemed embarrassed by it himself, for, awkward and timid, he would occasionally glance at his half-frozen legs with a despairing expression, as if he cursed within his soul Lord Pembroke and the whole Indian army.

Physically, he resembled his mother, with a look of higher breeding, and with the transformation of a pretty woman’s face to that of an intelligent man. There were the same eyes, but deeper in color and in meaning; the same brow, but wider; the same mouth, but the lips were firmly closed.

Over the woman’s face, ideas and impressions glided without leaving a furrow or a trace; in fact, so hastily, that her eyes always seemed to retain a certain astonishment at their flight. With the child, on the contrary, one felt that impressions remained, and his thoughtful air would have been almost painful, had it not been combined with a certain caressing indolence of attitude that indicated a petted child.

Now leaning against his mother, with one hand in her muff, he listened to her words with adoring attention, and occasionally looked at the priest and at all the surroundings with timid curiosity. He had promised not to cry, but a stifled sob shook him at times from head to foot. Then his mother looked at him, and seemed to say, “You know what you promised.” Then the child choked back his tears and sobs; but it was easy to see that he was a prey to that first agony of exile and abandonment which the first boarding-school inflicts on those children who have lived only in their homes.

This examination of mother and child, made by the priest in two or three minutes, would have satisfied a superficial observer; but Father O———, who had been the director for twenty-five years of the aristocratic institution of the Jesuits at Vaurigard, was a man of the world, and knew too well the best Parisian society, all its shades of manner and dialect, not to understand that in the mother of his new pupil he beheld a representative of an especial class.

The self-possession with which she entered his office,—self-possession too apparent not to be forced,—her way of seating herself, her uneasy laugh, and above all, the overwhelming flood of words with which she sought to conceal a certain embarrassment, all created in the mind of the priest a vague distrust. Unhappily, in Paris the circles are so mixed, the community of pleasures and similarity of toilets have so narrowed the line of demarcation between fashionable women of good and bad society, that the most experienced may at times be deceived, and this is the reason that the priest regarded this woman with so much attention. The principal difficulty in arriving at a decision arose from the unconnected style of her conversation; but the embarrassed air of the mother when he asked for the other name of the child, settled the question in his mind.

She colored, hesitated. “True,” she said; “excuse me; I have not yet presented myself. What could I have been thinking of?” and drawing a small, highly-perfumed case from her pocket, she took from it a card, on which, in long letters, was to be read the insignificant name—

Ida de Barancy

Over the face of the priest flashed a singular smile.

“Is this the child’s name?” he asked.

The question was almost an impertinence. The lady understood him, and concealed her embarrassment under an assumption of great dignity.

“Certainly, sir, certainly.”

“Ah!” said the priest, gravely.

It was he now who found it difficult to express what he wished to say. He rolled the card between his fingers with a little movement of the lips natural to a man who measures the weight and effect of the words he is about to speak.

Suddenly he arose from his chair, and approaching one of the large windows that looked on a garden planted with fine trees, and reddened by the wintry sun, tapped lightly on the glass. A black silhouette was drawn on the window, and a young priest appeared immediately within the room.

“Duffieux,” said the Superior, “take this child out to walk with you. Show him our church and our hot-houses; he is tired of us, poor little man!”

Jack supposed that he was sent out to walk so that he might be spared the pain of saying good-bye to his mother, and his terrified, despairing expression so touched the kind priest that he hastily added,—

“Don’t be frightened, Jack. Your mother is not going away; you will find her here.”

The child still hesitated.

“Go, my dear,” said Madame de Barancy, with a queenly gesture.

Then he went without another word, as if he were already conquered by life, and prepared for all its evils.

When the door closed behind him, there was a moment of silence. The steps of the child and his companion were heard on the frozen gravel, and dying away, left no sound save the crackling of the fire, the chirps of the sparrows on the eaves, the distant pianos, and an indistinct murmur of voices—the hum of a great boarding-school.

“This child seems to love you, madame,” said the Superior, touched by Jack’s submission.

“Why should he not love me?” answered Madame de Barancy, somewhat melodramatically; “the poor dear has but his mother in the world.”

“Ah! you are a widow?”

“Alas! yes, sir. My husband died ten years ago, the very year of our marriage, and under the most painful circumstances. Ah! Monsieur l’Abbé, romance-writers, who are at a loss to invent adventures for their heroines, do not know that many an apparently quiet life contains enough for ten novels. My own story is the best proof of that. The Comte de Barancy belonged, as his name will tell you, to one of the oldest families in Touraine.”

She made a fatal mistake here, for Father O——— was born at Amboise, and knew the nobility of the entire province. So he at once consigned the Comte de Barancy to the society of Major-General Pembroke and the Rajah of Singapore. He did not let this appear, however, and contented himself with replying gently to the soi-disant comtesse,—

“Do you not think with me, madame, that there would be some cruelty in sending away a child that seems so warmly attached to you? He is still very young; and do you think his physical health good enough to support the grief of such a separation?”

“But you are mistaken, sir,” she answered, promptly. “Jack is a very robust child; he has never been ill. He is a little pale, perhaps, but that is owing to the air of Paris, to which he has never been accustomed.”

Annoyed to find that she was not disposed to comprehend him, the priest continued,—

“Besides, just now our dormitories are full; the scholastic year is very far advanced; we have even been obliged to decline receiving new pupils until the next term. You would be compelled to wait until then, madame; and even then—”

She understood him at last.

“So,” she said, turning pale, “you refuse to receive my son. Do you refuse also to tell me why?”

“Madame,” answered the priest, “I would have given much if this explanation could have been avoided. But since you force it upon me, I must inform you that this institution, whose head I am, exacts from the families who confide their children to us the most unexceptionable conduct and the strictest morality. In Paris there are many laical institutions where your little Jack will receive every care, but with us it would be impossible. I beg of you,” he added, with a gesture of indignant protestation, “do not make me explain further. I have no right to question you, no right to reproach you. I regret the pain I am now giving, and believe me when I say that my words are as painful to myself as to you.”

While the priest spoke, over the countenance of Madame de Barancy flitted shadows of anger, grief, and confusion. At first she tried to brave it out, throwing her head back disdainfully; but the kind words of the priest falling on her childish soul made her burst suddenly into a passion of sobs and tears.

“She was so unhappy,” she cried, “no one could ever know all she had done for that child! Yes, the poor little fellow had no name, no father, but was that any reason why a crime should be made of his misfortune, and that he should be made responsible for the faults of his parents? Ah! M. l’Abbé, I beg of you—”

As she spoke she took the priest’s hand. The good father sought to disengage it with some little embarrassment.

“Be calm, dear madame,” he cried, terrified by these tears and outcries, for she wept, like the child that she was, with vehement sobs, and with the abandonment in fact of a somewhat coarse nature. The poor man thought, “What could I do with her if this lady should be taken ill?”

But the words he used to calm her only excited her more.

She wished to justify herself, to explain things, to narrate the story of her life, and, willing or not, the Superior found himself compelled to follow her through an obscure recital, whose connecting thread she broke at every step, without looking to see how she should ever get back again to the light.

The name of Barancy was not hers, but if she should tell him her name, he would be astonished. The honor of one of the oldest families in France was concerned, and she would rather die than speak.

The Superior hastened to assure her that he had no intention of questioning her, but she would not listen to him. She was started, and a wind-mill under full sail would have been more easily arrested than her torrent of words, of which probably not one was true, for she contradicted herself perpetually throughout her incoherent discourse, yet withal there was something sincere, something touching even in this love between mother and child. They had always been together. He had been taught at home by masters, and she wished now to separate from him only because of his intelligence and his eyes that saw things that were not intended for his vision.

“The best thing to do, it seems to me,” said the priest, gravely, “would be to live such a life that you need fear neither the scrutiny of your child nor of any one else.”

“That was my wish, sir,” she answered. “As Jack grew older, I wished to make his home all that which it ought to be. Besides, before long, my position will be assured. For some time I have been thinking of marrying, but to do this it was necessary to send my boy away for a time that he might obtain the education worthy of the name he ought to bear. I thought that nowhere could he do as well as here, but at one blow you repulse him and discourage his mother’s good resolutions.”

Here the Superior arrested her with an exclamation of astonishment. He hesitated a moment; then looking her straight in her eyes, said,—

“So be it, madame. I yield to your wishes. Little Jack pleases me very much; I consent to receive him among our pupils.”

“My dear sir!”

“But on two conditions.”

“I am ready to accept all.”

“The first is, that until the day that your position is assured, the child shall spend his vacations under this roof, and shall not return to yours.”

“But he will die, my poor Jack, if he does not see his mother!”

“Oh, you can come here whenever you please; only—and this is my second condition—you will not see him in the parlor, but always here in my private room, where I shall take care that you are not interfered with and that no one sees you.”

She rose in indignation.

The idea that she could never enter the parlor, or be present on the reception-days, when she could astonish the other guests with the beauty of her child, with the richness of her toilette, that she could never say to her friends, “I met at the school, yesterday, Madame de C———, or Madame de V———,” that she must meet Jack in secret, all this revolted her.

The astute priest had struck well.

“You are cruel with me, sir. You oblige me to refuse the favor for which I have so earnestly entreated, but I must protect my dignity as woman and mother. Your conditions are impossible. And what would my child think—”

She stopped, for outside the glass she saw the fair, curly head of the child, with eyes brightened by the fresh air and by his anxiety. Upon a sign from his mother, he entered quickly.

“Ah, mamma, how good you are! I was afraid you were gone!”

She took his hand hastily.

“You will go with me,” she answered; “we are not wanted here.”

And she sailed out erect and haughty, leading the boy, who was stupefied by this departure which so strongly resembled a flight. She hardly acknowledged the respectful salute of the good father, who had also risen hastily from his chair; but quickly as she moved, it was not too quick for Jack to hear a gentle voice murmur, “Poor child! poor child!” in a tone of compassion that went to his heart. He was pitied—and why? For a long time he pondered over this.

The Superior was not mistaken. Madame la Comtesse Ida de Barancy was not a comtesse at all. Her name was not Barancy, and possibly not even Ida. Whence came she? Who was she? No one could say. These complicated existences have fortunes so diverse, a past so long and so varied, that one never knows the last shape they assume. One might liken them to those revolving lighthouses that have long intervals of shadow between their gleams of fire. Of one thing only was there any certainty: she was not a Parisian, but came from some provincial town whose accent she still retained. It was said that at the Gymnase, one evening, two Lyons merchants thought they recognized in her a certain Mélanie Favrot, who formerly kept an establishment of “gloves and perfumery;” but these merchants were mistaken.

Again, an officer in the Hussars insisted that he had seen her eight years before at Orleans. He also was mistaken. And we all know that resemblances are often impertinences.

Madame de Barancy had however travelled much, and made no concealment of the fact, but an absolute sorcerer would have been needed to evolve any facts from the contradictory accounts she gave of her origin and her life. One day Ida was born in the colonies, spoke of her mother, a charming créole, of her plantation and her negroes. Another time she had passed her childhood in a great chateau on the Loire. She seemed utterly indifferent as to the manner in which her hearers would piece together these dislocated bits of her existence.

As may be imagined, in these fantastic recitals, vanity reigned triumphant, the vanity of a chattering paroquet. Bank and money, titles and riches, were the texts of her discourse. Rich she certainly was. She had a small hotel on the Boulevard Haussmann; she had horses and carriages, gorgeous furniture in most questionable taste, three or four servants, and led a most indolent existence, trifling away her life among women like herself, less confident in her bearing, perhaps, than they, from her provincial birth and breeding. This, and a certain freshness, the result of a childhood passed in the open air, all kept her somewhat out of the current of Parisian life, where, too, being so newly arrived, she had not yet found her place.

Once each week, a man of middle age, and of distinguished appearance, came to see her. In speaking of him, Ida always said “Monsieur” with an air of such respect that one would have supposed him to be at the court of France in the days when the brother of the king was so denominated. The child spoke of him simply as “our friend.” The servants announced him as “M. le Comte,” but among themselves they called him “the old gentleman.”

The old gentleman was very rich, for madame spared nothing, and there was an enormous expenditure going on constantly in the house. This was managed by Mademoiselle Constant, Ida’s waiting-maid. It was this woman who gave her mistress the addresses of the tradespeople, who guided her inexperience through the mazes of life in Paris; for Ida’s pet dream and hope was to be taken for a woman of irreproachable character, and of the highest fashion.

Thus it will be seen into what state of mind the reception of Father O——— had thrown her, and in what a rage she left his presence. An elegant coupé awaited her at the door of the Institution. She threw herself into it with her child, retaining only sufficient self-command to say “home,” in so loud a voice that she was heard by a group of priests who were talking together, and who quickly dispersed before this whirlwind of furs and curled hair. In fact, as soon as the carriage-door was closed, the unhappy woman sank into a corner, not in her usual coquettish position, but overwhelmed and in tears, stifling her sobs in the quilted cushions.

What a blow! The priest had refused to take her child, and at the first glance had discovered the humiliating truth that she believed to have thoroughly disguised under the luxurious surroundings of a woman of the world and of an irreproachable mother.

Her wounded pride recalled with renewed flushes of shame the keen eyes of the good father. She recalled all her falsehood, all her folly, and remembered his incredulous smile at almost her first words.

Silent and motionless in the other corner of the carriage sat Jack, looking sadly at his mother, unable to comprehend her despair. He vaguely conceived himself to be in fault, the dear little fellow, and yet was secretly glad that he had not been left at the school.

For a fortnight he had heard of it night and day; his mother had extorted a promise from him not to weep; his trunk was packed, and all was ready, and the child’s heart was full of trouble; and now at the last moment he was reprieved.

If his mother had not been in so much trouble now, he would have thanked her; how happy would he have been curled up at her side, under her furs, in the little coupé in which they had had so many happy hours together—hours which were now to be repeated. And Jack thought of the afternoons in the Bois, of the long drives through the gay city of Paris—a city so new to both of them, and full of excitement and interest. A monument, perhaps, or even a mere street incident, delighted them.

“Look, Jack—”

“Look, mamma—”

They were two children together, and together they peered from the window,—the child’s head with its golden curls close to the mother’s face tightly veiled in black lace.

A despairing cry from Madame de Barancy aroused the boy from all these sweet recollections. “Mon dieu!” she cried, wringing her hands, “what have I done to be so wretched?”

This exclamation naturally elicited no response, and little Jack, not knowing what to say, or how to console her, timidly caressed her hand, even at last kissing it with the fervor of a lover.

She started and looked wildly at him.

“Ah! cruel, cruel child, what harm you have done me in this world!”

Jack turned pale. “I? What have I done?”

He loved but one person on the face of the earth, his mother. He thought her absolutely perfect; and without knowing it, he had injured her in some mysterious way. The poor child was now overwhelmed with despair also, but remained utterly silent, as if the noisy demonstrations of his mother had shocked him, and made him ashamed of any manifestations on his own part. He was seized with a sort of nervous spasm. His mother took him in her arms. “No, no, dear child, I was only in jest; be sensible, dear. What! must I rock my long-legged boy as if he were a baby? No, little Jack, you never did me any harm. It is I who did wrong. Come, do not weep any more. See, I am not crying.”

And the strange creature, forgetful of her recent grief, laughed gayly, that Jack too might laugh. It was one of the privileges of this inconsequent nature never to retain impressions for any length of time. Singularly enough, too, the tears she had just shed only seemed to add new freshness and brilliancy to her youthful beauty, as a sudden shower upon a dove’s plumage seems to bring out new lustre without penetrating below the surface.

“Where are we now?” said she, suddenly dropping the window that was covered with mist. “At the Madeleine. How quickly we have come! We must stop somewhere; at the pastry-cook’s, I think. Dry your eyes, little one, we will buy some meringues.”

They alighted at the fashionable confectioner’s, where there was a great crowd. Rich furs and rustling silks crushed each other; and women’s faces with veils half lifted were reflected in the surrounding mirrors which were set in gilt frames and cream-colored panels; glittering glass, and a variety of cakes and dainties delighted the spectators. Madame de Barancy and her child were much looked at. This charmed her, and this small success following upon the mortification of the previous hour, gave her an appetite. She called for a quantity of meringues and nougat, and finished by a glass of wine. Jack followed her example, but with more moderation, his great grief having filled his eyes with unshed tears and his heart with suppressed sighs.

When they left the shop the weather was so fine, although cold, and the flower-market of the Madeleine so fragrant with the sweet perfume of violets, that Ida determined to dismiss the carriage and return on foot. Briskly, and yet with a certain slowness of step, that indicated a woman accustomed to admiration, she started on her walk, leading Jack by the hand. The fresh air, the gay streets and attractive shops, quite restored Ida’s good-humor. Then suddenly, by what connection of ideas I know not, she remembered a masqued ball to which she was going that night, preceded by a restaurant dinner.

“Mercy! I had forgotten. Hurry! little Jack—quick!” She wanted flowers, a bouquet, a dozen forgotten trifles: and the child, whose life had always been made up of just such trifles, and who felt as much as his mother the subtile charm of these elegances, followed her in high glee, delighted by the idea of the fête that he was not to see. The toilette of his mother always interested him, and he fully appreciated the admiration her beauty excited as they went through the streets and into the various shops.

“Exquisite! exquisite! Yes, you may send it to me—Boulevard Haussmann.”

Madame de Barancy tossed down her card, and went out, talking gayly to Jack of the beauty of her purchases. Suddenly she assumed a graver air. “Remember, Jack, what I say. Do not tell our good friend that I went to this ball; it is a great secret, It is five o’clock. How Constant will scold!”

She was not mistaken.

Her maid, a tall, stout person of forty years, ugly and masculine, rushed toward Ida as she entered the house.

“The costume is here. There is no sense in being so late. Madame will not be ready in season. No one could make her toilette in such a little while.”

“Don’t scold, Constant. If you only knew what had happened. Look!” and she pointed to Jack.

The factotum seemed utterly out of patience. “What! Master Jack back again! That is very naughty, sir, after all you promised. The police will have to come and take you to school; your mother is too good.”

“No, no, it was not he. The priest would not have him. Do you understand? They insulted me!” Whereupon she began to cry again, and to ask of heaven why she was so unhappy. What with the meringues and the nougat, the wine and the heat of the room, she soon felt very ill. She was carried to her bed; salts and ether were hastily sought. Mademoiselle Constant acquitted herself with the propriety of a woman who is no stranger to such scenes, went in and out of the room, opened and shut wardrobes, with a certain self-possession that seemed to say, “This will soon pass off.” But she did not perform her duties in silence.

“What folly it was to take this child to the Fathers! As if it was a place for him in his position! It would not have been done certainly, had I been consulted. I would engage to find a place for this boy at very short notice.”

Jack, terrified at seeing his mother so ill, had seated himself on the edge of the bed; where, looking at her anxiously, he in silence asked her pardon for the sorrow he had caused her.

“There! get away, Master Jack. Your mother is all right. I must help her dress now.”

“What! You do not mean, Constant, that I must go to this ball. I have no heart to amuse myself.”

“Pshaw! I know you, madame. You have but five minutes. Just look at this pretty costume, these rose-colored stockings, and your little cap.”

She shook out the skirts, displayed the trimming, and jingled the little bells which adorned it, and Ida ceased to resist.

While his mother was dressing, Jack went into the boudoir, and remained alone in the dark. The little room, perfumed and coquettish, was, it is true, partially illuminated by the gas lamps on the boulevard. Sadly enough the child leaned against the windows and thought of the day that was just over. By degrees, without knowing how, he felt himself to be “the poor child” of whom the priest had spoken in such compassionate tones.

It is so singular to hear one’s self pitied when one believes one’s self to be happy. There are sorrows, in fact, so well concealed, that those who have caused them, and even sometimes their victims, do not divine them.

The door opened—his mother was ready.

“Come in, Master Jack, and see if this is not lovely.”

Ah! what a charming Folly! Silver and pink, lustrous satin and delicate lace. What a lovely rustling of spangles when she moved!

The child looked on in admiration, while the mother, light and airy, waving her Momus staff, smiled at Jack, and smiled at herself in the Psyche, without at that time asking heaven why she was so unhappy. Then Constant threw over her shoulders a warm cloak, and accompanied her to the carriage, while Jack, leaning over the railing, watched from stair to stair, moving almost as if she were dancing the little pink slippers embroidered with silver, that bore his mother to balls where children could not go. As the last sound of the silver bells died away, he turned towards the salon, disturbed and anxious for the first time by the solitude in which he ordinarily passed his evenings.

When Madame de Barancy dined out, Master Jack was confided to the tender mercies of Constant. “She will dine with you,” said Ida.

Two places were laid in the dining-room that seemed so huge on such days. But very often Constant, finding her dinner anything but cheerful, took the child and joined her companions below, where they feasted gayly. The table-cloth was soiled, and the conversation was not of the purest; and very often the conduct of the mistress of the house was commented upon, in words to be sure that were slightly veiled, so as not to frighten the child. This evening there was a grand discussion as to the refusal of the Fathers to receive the boy. The coachman declared that it was all for the best,—that the priests would have made of the child “a hypocrite and a Jesuit.”

Constant protested against these words. She was not a professor of religion, she said, but she would not hear it spoken ill of. Then the discussion changed to the great disappointment of Jack, who listened with all his little ears, hoping to hear why this priest, who appeared so good, was not willing to receive him.

But for the moment Jack was of little consequence; each was absorbed in narrating his or her religious convictions.

The coachman, who had been drinking, said that his God was the sun; in fact, he, like the elephants, adored the sun! Suddenly some one asked how he knew that elephants adored the sun.

“I saw it once in a photograph,” said he, sternly. Upon which Mademoiselle Constant vehemently accused him of impiety and atheism; while the cook, a stout Picardian with true peasant shrewdness, told them to be quiet.

“Hush!” she said; “you should never quarrel over your religions.”

And Jack—what was he doing all this time?

At the end of the table, stupefied by the heat and the interminable discussions of these brutes, he slept, with his head on his arms, and his fair curls spread over his velvet sleeves. In his unrestful slumber he heard the hum of the servants’ voices, and at last he fancied that they were talking of him; but the voices seemed to reach from afar off—through a fog, as it were.

“Who is he, then?” asked the cook.

“I don’t know,” answered Constant; “but one thing is certain, he can’t remain here, and she wishes me to find a school for him.”

Between a yawn and a hiccough, the coachman spoke,—

“I know a capital school, and one that will, just answer your purpose. It is called the Moronval College—no, not college—but the Moronval Academy. But what of that? it is a college all the same. I put my child there once, when I was ordered off with the Egyptian army. The grocer gave me the prospectus, and I think I have it still.”

He looked in his portfolio, and from among the tumbled and soiled papers he extracted one, dirtier even than the others.

“Here it is!” he cried, with an air of triumph.

He unfolded the prospectus and began to read, or rather to spell with difficulty:

“Gymnase Moronval—in the—in the—”

“Give it to me,” said Mademoiselle Constant; and taking it from him, she read it at one glance.

“Moronval Academy—situated in the finest quarter of Paris—a family school—large garden—the number of pupils limited—course of instruction—particular attention paid to the correction of the accent of foreigners—”

Mademoiselle Constant interrupted herself here to breathe, and to exclaim, “This seems all right enough!”

“I think so,” said the cook.

The reading of the prospectus was resumed, but Jack was soundly asleep, and heard no more.

He was dreaming. Yes, while his future was thus under discussion around this kitchen-table, while his mother was dancing as Folly in her rose-colored skirts and silver bells, he was dreaming of the kind priest, and of the tender voice that had murmured—“Poor child!”

CHAPTER II.
THE SCHOOL IN THE AVENUE MONTAIGNE.

“23 Avenue Montaigne, in the best quarter of Paris,” said the prospectus. And no one can deny that the Avenue Montaigne is well situated in the Champs Elysées, but it has an incongruous unfinished aspect, as of a road merely sketched and not completed.

By the side of the fine hotels with their plate-glass windows hung with silken draperies, stand the houses of workmen, whence issue the noise of hammers and grating of saws. One part of the Faubourg seems also to be relinquished to gardens after the style of Mabille.

At the time of which I speak, and possibly now? from the avenue ran two or three narrow lanes whose sordid aspect offered a strange contrast to the superb buildings near them. One of these lanes opened at the number 23, and announced on a gilded sign swinging in the passage, that the Moronval Academy was there situated. This sign, however, once passed, it seemed to you that you were taken back forty years, and to the other end of Paris. The black mud, the stream in the centre of the lane, the reverberations from the high walls, the drinking-shops built from old planks, all seemed to belong to the past. From every nook and cranny, from stairs and balconies, whence fluttered linen hung to dry, streamed forth a crowd of children escorted by an army of lean and hungry cats. It was amazing to see that so small a spot could accommodate such a number of persons. English grooms in shabby liveries, worn-out jockeys, and dilapidated body-servants, seemed there to congregate. To these must be added the horde of workpeople who returned at sunset; those who let chairs, or tiny carriages drawn by goats; dog-fanciers, beggars of all sorts, dwarfs from the hippodrome and their microscopic ponies. Picture all these to yourself, and you will have some idea of this singular spot—so near to the Champs Elysées that the tops of the green trees were to be seen, and the roar of carriages was but faintly subdued.

It was in this place that the Moronval Academy was situated. Two or three times during the day a tall, thin mulatto made his appearance in the street. He wore on his head a broad-brimmed Quaker hat placed so far back that it resembled a halo; long hair swept over his shoulders, and he crossed the street with a timid, terrified air, followed by a troop of boys of every shade of complexion varying from a coffee tint to bright copper, and thence to profound black. These lads wore the coarse uniform of the school, and had an unfed and uncared-for aspect.

The principal of the Moronval Academy himself took his pupils—his children of the sun, as he called them—out for their daily walks; and the comings and goings of this singular party gave the finishing touch of oddity to the appearance of the Passage des Douze Maisons.

Most assuredly, had Madame de Barancy herself brought her child to the Academy, the sight of the place would have terrified her, and she would never have consented to leave her darling there. But her visit to the Jesuits had been so unfortunate, her reception so different from that which she had anticipated, that the poor creature, timid at heart and easily disconcerted, feared some new humiliation, and delegated to Madame Constant, her maid, the task of placing Jack at the school chosen for him by her servants.

It was one cold, gray morning that Ida’s carriage drew up in front of the gilt sign of the Moronval Academy. The lane was deserted, but the walls and the signs all had a damp and greenish look, as if a recent inundation had there left its traces. Constant stepped forward bravely, leading the child by one hand, and carrying an umbrella in the other. At the twelfth house she halted. It was at the end of the lane just where it closes, save for a narrow passage into La Rue Marbouf, between two high walls on which grated the dry branches of old shrubbery and ancient trees. A certain cleanliness indicated the vicinity of the aristocratic institution; and the oyster-shells, old sardine-boxes, and empty bottles were carefully swept away from the green door, that was as solid and distrustful in aspect as if it led to a prison or a convent.

The profound silence that reigned was suddenly broken by a vigorous assault of the bell by Madame Constant. Jack felt chilled to the heart by the sound of this bell, and the sparrows on the one tree in the garden fluttered away in sudden fright.

No one opened the door, but a panel was pushed away, and behind the heavy grating appeared a black face, with protuberant lips and astonished eyes.

“Is this the Moronval Academy?” said Madame de Barancy’s imposing maid.

The woolly head now gave place to one of a different type,—a Tartar, possibly,—with eyes like slits, high cheekbones, and narrow, pointed head. Then a Creole, with a pale yellow skin, was also inspired by curiosity and peered out. But the door still remained closed, and Madame Constant was losing her temper, when a sharp voice cried from a distance,—

“Well do you never mean to open that door, idiots?”

Then they all began to whisper; keys were turned, bolts were pushed back, oaths were muttered, kicks were administered, and after many ineffectual struggles the door was finally opened; but Jack saw only the retreating forms of the schoolboys, who ran off in as much fright as did the sparrows just before.

In the doorway stood a tall, colored man, whose large white cravat made his face look still more black. M. Moronval begged Madame Constant to walk in, offered her his arm, and conducted her through a garden, large enough, but dismal with the dried leaves and débris of winter storms.

Several scattered buildings occupied the place of former flower-beds. The academy, it seemed, consisted of several old buildings altered by Moronval to suit his own needs.

In one of the alleys they met a small negro with a broom and a pail. He respectfully stood aside as they passed, and when M. Moronval said, in a low voice, “A fire in the drawing-room,” the boy looked as much startled as if he had been told that the drawing-room itself was burning.

The order was by no means an unnecessary one. Nothing could have been colder than this great room, whose waxed floor looked like a frozen, slippery lake. The furniture itself had the same polar aspect, enveloped in coverings not made for it. But Madame Constant cared little for the naked walls and the discomforts of the apartment; she was occupied with the impression she was making, and the part she was playing, that of a lady of importance. She was quite condescending, and felt sure that children must be well off in this place, the rooms were so spacious,—just as well, in fact, as if in the country.

“Precisely,” said Moronval, hesitatingly.

The black boy kindled the fire, and M. Moronval looked for a chair for his distinguished visitor. Then Madame Moronval, who had been summoned, made her appearance. She was a small woman, very small, with a long, pale face all forehead and chin. She carried herself with great erectness, as if reluctant to lose an inch of her height, and perhaps to disguise a trifling deformity of the shoulders; but she had a kind and womanly expression, and drawing the child towards her, admired his long curls and his eyes.

“Yes, his eyes are like his mother’s,” said Moronval, coolly, examining Madame Constant as he spoke.

She made no attempt to disclaim the honor; but Jack cried out in indignation, “She is not my mamma! She is my nurse!”

Upon which Madame Moronval repented of her urbanity, and became more reserved. Fortunately her husband saw matters in a different light, and concluded that a servant trusted to the extent of placing her master’s children at school, must be a person of some importance in the house.

Madame Constant soon convinced him of the correctness of this conclusion. She spoke loudly and decidedly—stated that the choice of a school had been left entirely to her own discretion, and each time that she pronounced the name of her mistress, it was with a patronizing air that drove poor Jack to the verge of despair.

The terms of the school were spoken of: three thousand francs per annum was named as the amount asked; and then Moronval launched forth on the superior advantages of his institution; it combined everything needed for the development of both soul and body. The pupils accompanied their masters to the theatre and into the world. Instead of making of the boys intrusted to his charge mere machines of Greek and Latin, he sought to develop in them every good quality, to prepare them for their duties in every position in life, and to surround them with those family influences of which they had too many of them been totally deprived. But their mental instruction was by no means neglected; quite the contrary. The most eminent men, savans and artists, did not shrink from the philanthropic duty of instructing the young in this remarkable institution, and were employed as professors of sciences, history, music, and literature. The French language was made a matter of especial importance, and the pronunciation was taught by a new and infallible method of which Madame Moronval was the author. Besides all this, every week there was a public lecture, to which friends and relatives of the pupils were invited, and where they could thoroughly convince themselves of the excellence of the system pursued at the Moronval Academy.

This long tirade of the principal, who needed, possibly, more than any one else the advantages of lessons in pronunciation from his wife, was achieved more quickly for the reason that, in Creole fashion, he swallowed half his words, and left out many of his consonants.

It mattered not, however, for Madame Constant was positively dazzled.

The question of terms, of course, was nothing to her, she said; but it was necessary that the child should receive an aristocratic and finished education.

“Unquestionably,” said Madame Moronval, growing still more erect.

Here her husband added that he only received into his establishment strangers of great distinction, scions of great families, nobles, princes, and the like. At that very time he had under his roof a child of royal birth,—a son of the king of Dahomey. At this the enthusiasm of Madame Constant burst all boundaries.

“A king’s son! You hear, Master Jack—you will be educated with the son of a king!”

“Yes,” resumed the instructor, gravely; “I have been intrusted by his Dahomian Majesty with the education of his royal Highness, and I believe that I shall be able to make of him a most remarkable man.”

What was the matter with the black boy, who was still at work at the fire, that he shook so convulsively, and made such a hideous noise with the shovel and tongs?

M. Moronval continued. “I hope, and Madame Moronval hopes, that the young king, when on the throne of his ancestors, will remember the good advice and the noble examples afforded him by his teachers in Paris, the happy years spent with them, their indefatigable cares and assiduous efforts on his behalf.”

Here Jack was surprised to see the black boy kneeling before the chimney, turn toward him, and shake his woolly head violently, while his mouth opened wide in silent but furious denial.

Did he wish to say that his royal Highness would never remember the good lessons received at the academy, or did he mean that he would never forget them? But what could this poor black boy know about it?

Madame Constant announced, in pompous terms, that she was willing to pay a quarter in advance. Moronval waved his hand condescendingly, as if to say, “There is no need of that.”

But the old house told a far different tale,—the shabby furniture, the dismantled walls, the worn carpets, as well as the threadbare coat of Moronval himself, and the shiny scant robe of the little woman with the long chin.

But that which proved the fact more than anything else was the eagerness with which the pair went to find in another room the superb register in which they inscribed the ages of the pupils, their names, and the date of their entrance into the academy.

While these important facts were being written, the black boy remained crouched in front of the fire, which seemed quite useless while he absorbed all its heat. The chimney, which at first had refused to consume the least bit of wood, as stomachs after too long fasting reject food, had now revived, and a beautiful red flame was to be seen. The negro, with his head on his hands, his eyes fixed as in a trance, looked like a little black silhouette against a scarlet background. His mouth opened in intense delight, and his eyes were perfectly round. He seemed to be drinking in the heat and the light with the greatest avidity, while outside the snow had begun to fall silently and slowly.

Jack was very sad, for he fancied that Moronval had a wicked look, notwithstanding his honeyed words. And, then, in this strange house the poor child felt himself utterly lost and desolate, discarded by his mother, and rendered still more miserable by the vague idea that these colored pupils, from every corner of the globe, had brought with them an atmosphere of unhappiness and of restlessness. He remembered, too, the Jesuits’ college, so fresh and sweet; the fine trees, the green-houses, the whole appearance of refinement, and the kind hand of the Superior laid for a moment upon his head.

Ah! why had he not remained there? And as this occurred to him, he said to himself, that perhaps they would not have him here either. He looked toward the table. There by the big register the husband and wife were busy whispering with Madame Constant. They looked at him, and he caught a word now and then. The little woman sighed, and twice Jack heard her say, as did the priest,—“Poor child!”

She also pitied him. And why? What was he, then, that they pitied him? Jack asked himself.

This compassion that others felt for him weighed sorely on his little heart. He could have wept with shame, for in his childish mind he attributed this disdainful compassion to some peculiarity of costume, his bare legs, or his long curls.

But he thought of his mother’s despair. Should he meet with another refusal? Suddenly he saw Constant draw her purse and hand to the principal some notes and gold pieces. Yes, they were going to keep him. He was delighted, poor child, for he little knew that the great misfortune of his life was now inaugurated there in that room.

At this moment a tremendous bass voice came up from the garden below, singing the chorus of an old song. The windows of the room had not recovered from the shock, when a stout, short man, in a velvet coat, close-cut hair, and heavy beard, burst into the room.

“Hallo!” he cried, in a tone of comic astonishment, “a fire in the parlor? What a luxury!” and he drew a long breath. In fact, the new-comer was in the habit of drawing long breaths at the end of each sentence, a habit he had acquired in singing; and these breaths were almost like the roaring of a wild beast. Catching sight of the strangers and the pile of money, he stopped short with the words on his lips. Delight and surprise succeeded each other on his countenance, whose muscles seemed habituated to all facial contortions.

Moronval turned gravely toward the waiting woman. “M. Labassandre, of the Imperial Academy of Music, our Professor of Music.” Labassandre bowed once, twice, three times, and then, by way of restoring his self-possession, and putting matters at once on a pleasant footing for all parties, administered a kick to the black boy, who did not seem at all astonished, but picked himself up and disappeared from the room.

The door again opened, and two persons entered. One was very ugly—a mean face without a beard, huge spectacles with convex glasses, and wearing an overcoat buttoned to the chin, which bore all up and down the front too visible indications of-the awkwardness of a near-sighted man. This was Dr. Hirsch, Professor of Mathematics and of Natural Sciences. He exhaled a strong odor of alkalies, and, thanks to his chemical manipulations, his fingers were every color of the rainbow. The last comer was very different. Imagine a handsome man, dressed with the greatest care, scrupulously gloved and shod, his hair thrown back from a forehead already unnaturally high. He had a haughty, aggressive air; his heavy blonde moustache, much twisted at the ends, and a large, pale face, gave him the look of a sick soldier.

Moronval presented him as “our great poet, Amaury d’Argenton, Professor of Literature.”

He, too, looked as astonished, when he caught sight of the gold pieces, as did Dr. Hirsch and the singer Labassandre. His cold eyes had a gleam of light, but it disappeared as he glanced from the child to his nurse.

Then he approached the other professors standing in front of the fire, and, saluting them, listened in silence. Madame Constant thought this Argenton looked proud; but upon Jack the man made a very strong impression, and the child shrank from him with terror and repugnance.

Jack felt that all these men might make him wretched, but this one more than all others. Instinctively, on seeing him enter, the child felt him to be his future enemy, and that cold, hard glance meeting his own, froze him to the core of his heart. How many times, in days to come, was he to encounter those pale, blue eyes, with half-shut, heavy lids, whose glances were cold as steel! The eyes have been called the windows of the soul, but D’Argenton’s eyes were windows so closely barred and locked, that one had no reason to suppose that there was a soul behind them.

The conversation finished between Moronval and Constant, the principal approached his new pupil, and giving him a little friendly tap on the cheek, he said, “Come, come, my young friend, you must look brighter than this.”

And in fact, Jack, as the moment drew near that he must say farewell to his mother’s maid, felt his eyes swimming in tears. Not that he had any great affection for this woman, but she was a part of his home, she saw his mother daily, and the separation was final when she was gone.

“Constant,” he whispered, catching her dress, “you will tell mamma to come and see me.”

“Certainly. She will come, of course. But don’t cry.”

The child was sorely tempted to burst into tears; but it seemed to him that all these strange eyes were fixed upon him, and that the Professor of Literature examined him with especial severity: and he controlled himself.

The snow fell heavily. Moronval proposed to send for a carriage, but the maid said that Augustin and the coupé were waiting at the end of the lane.

“A coupé!” said the principal to himself, in astonished admiration.

“Speaking of Augustin,” said she: “he charged me with a commission. Have you a pupil named Said?”

“To be sure—certainly—a delightful person,” said Moronval.

“And a superb voice. You must hear him,” interrupted Labassandre, opening the door and calling Said in a voice of thunder.

A frightful howl was heard in reply, followed by the appearance of the delightful person.

An awkward schoolboy appeared, whose tunic, like all tunics, and, indeed, like all the clothing of boys of a certain age, was too short and too tight for him; drawn in, in the fashion of a caftan, it told the story at once of an Egyptian in European clothing. His features were regular and delicate enough, but the yellow skin was stretched so tightly over the bones and muscles that the eyes seemed to close of themselves whenever the mouth opened, and vice versa.

This miserable young man, whose skin was so scanty, inspired you with a strong desire to relieve his sufferings by cutting a slit somewhere. He at once remembered Augustin, who had been his parents’ coachman, and who had given him all his cigar-stumps.

“What shall I say to him from you?” asked Constant, in her most amiable tone.

“Nothing,” answered Said, promptly.

“And your parents, how are they? Have you had any news from them lately?”

“No.”

“Have they returned to Egypt, as they thought of doing?”

“Don’t know: they never write.”

It was evident that this pupil of the Moronval Academy had not been educated in the art of conversation, and Jack listened with many misgivings.

The indifferent fashion with which this youth spoke of his parents, added to what M. Moronval had previously said of the family influences of which most of his pupils had been deprived since infancy, impressed him unfavorably.

It seemed to the child that he was to live among orphans or cast-off children, and would be himself as much cast off as if he had come from Timbuctoo or Otaheite.

Again he caught the dress of his mother’s servant. “Tell her to come and see me,” he whispered; “O, tell her to come.”

And when the door closed behind her, he understood that one chapter in his life was finished; that his existence as a spoiled child, as a petted baby, had vanished into the past, and those dear and happy days would never again return.

While he stood silently weeping, with his face pressed against a window that led into the garden, a hand was extended over his shoulder containing something black.

It was Said, who, as a consolation, offered him the stump of a cigar.

“Take this: I have a trunk full,” said the interesting young man, shutting his eyes so as to be able to speak.

Jack, smiling through his tears, made a sign that he did not dare to accept this singular gift; and Said, whose eloquence was very limited, stood silently planted by his side until M. Moronval returned.

He had escorted Madame Constant to her carriage, and came back inspired with respectful indulgence for the grief of his new pupil.

The coachman, Augustin, had such fine furs, the coupé was so well appointed, that the little fellow, Jack, profited by the magnificence of the equipage.

“That is well,” he said, benevolently, to the Egyptian. “Play together; but go to the other room, where it is warmer than here, I shall permit the boys to have a holiday in honor of the new pupil.”

Poor little fellow! He was soon surrounded by a noisy crowd, who questioned him without mercy. With his blonde curls, his plaid suit, and bare legs, he sat motionless and timid, wondering at the frantic gestipulations of these little boys of foreign birth, and among them all, looked much like an elegant little Parisian shut up in the great monkey cage in the Jardin des Plantes.

This was the idea that occurred to Moronval, but he was aroused from his silent hilarity by the noise of a discussion too animated to be altogether amiable. He heard the puffs and sighs of Labassandre and the solemn little voice of madame. Easily divining the bone of contention, he hastened to the assistance of his wife, whom he found heroically defending the money paid by Madame Constant against the demands of the professors, whose salaries were greatly in arrear.

Evariste Moronval, lawyer, politician, and littérateur, had been sent from Pointe-à-Petre in 1848 as secretary to a deputy from Guadaloupe. At that time he was just twenty-five, energetic and ambitious, with considerable ability and cultivation. Being poor, however, he accepted a dependent position which insured his expenses paid to Paris, that marvellous city, the heat of whose lurid flames extends so far over the world that it attracts even the moths from the colonies.

On landing, he left his deputy in the lurch, easily made a few acquaintances, and attempted a political career, in which path he had obtained a certain success in Guadaloupe; but he had not taken into account his horrible colonial accent, of which, notwithstanding every effort, he was never able to rid himself. The first time he spoke in public, the shouts of laughter that greeted him proved conclusively that he could never make a name, for himself in Paris as a public speaker. He then resolved to write, but he was clever enough to understand that it was far easier to win a reputation at Pointe-à-Petre than in Paris. Haughty and tenacious, and spoiled by small successes, he passed from journal to journal, without being retained for any length of time on the staff of any one. Then began those hard experiences of life which either crush a man to the earth or harden him to iron. He joined the army of the ten thousand men who live by their wits in Paris, who rise each morning dizzy with hunger and ambitious dreams, make their breakfast from off a penny-roll, black the seams of their coats with ink, whiten their shirt-collars with billiard-chalk, and warm themselves in the churches and libraries.

He became familiar with all these degradations and miseries,—to credit refused at the low eating-house, to the non-admittance to his garret at eleven o’clock at night, and to the scanty bit of candle, and to shoes in holes.

He was one of those professors of—it matters not what, who write articles for the encyclopaedias at a half centime a line, a history of the Middle Ages in two volumes, at twenty-five francs per volume, compile catalogues, and copy plays for the theatres.

He was dismissed from one institution, where he taught English, for having struck one of the pupils in his passionate, Creole fashion.

After three years of this miserable existence, when he had eaten an incalculable number of raw artichokes and radishes, when he had lost his illusions and ruined his stomach, chance sent him to give lessons in a young ladies’ school kept by three sisters. The two eldest were over forty; the third was thirty,—small, sentimental, and pretentious. She saw little prospect of marriage, when Moronval offered himself and was accepted.

Once married, they lived some time in the house with the elder sisters; both made themselves useful in giving lessons. But Moronval had retained many of his bachelor habits, which were far from agreeable in that peaceful and well-ordered boarding-school. Besides, the Creole treated his pupils too much as he might have done his slaves at work on the sugar-cane plantation.

The elder sisters, who adored Madame Moronval, were nevertheless obliged to separate from her, and paid her as an indemnification a satisfactory sum. What should be done with this money? Moronval wished to start a journal, or a review; but to make money was his first wish. Finally, a brilliant idea came to him one day.

He knew that children were sent from all parts of the world to finish their education in Paris. They came from Persia, from Japan, Hindostan, and Guinea, confided to the care of ship-captains, or to merchants. Such people being generally well provided with money, and having but little experience in getting rid of it, Moronval decided that there was an easy mine to work. Besides, the wonderful system of Madame Moronval could be applied in perfection to the correction of foreign accents, to defective pronunciation. The Professor immediately caused advertisements to be inserted in the colonial journals, where were soon to be seen the most amazing advertisements in several languages.

During the first year, the nephew of the Iman of Zanzibar, and two superb blacks from the coast of Guinea, appeared upon the scene. It was not until they arrived that Moronval bestirred himself to find a local habitation and a name. Finally, in order to combine economy with the exigencies of his new position, he hired the buildings we have just visited in this hideous Passage des Douze Maisons, and displayed in the avenue the gorgeous sign we have mentioned.

The owner of the property induced Moronval to believe that certain improvements would soon be made, in fact, that an appropriation was ordered for a new boulevard on one side of the building. This conviction induced Moronval to forget all the inconveniences, the dampness of the dormitory, the cold of certain rooms, the heat of others. This was nothing: the appropriation bill was ready for the signature, and things would be all right soon.

But Moronval was forced to endure that long period of waiting, only too well known to Parisians in the last twenty years; and this wore heavily upon him, costing him more thought and more anxiety than did the improvement or welfare of his pupils. He soon discovered that he had been hugely duped, and this discovery had the worst effect on the passionate, weak nature of the Creole. His discouragement degenerated into absolute incapacity and indolence. The pupils had no supervision whatever. Provided they went to bed early, so that they used the least possible fire and light, he was satisfied. Their day was cut up into class hours, to be sure, but these were interfered with by every caprice of the principal, who sent the pupils hither and thither on his personal service.

And Moronval called about him all his former acquaintances,—a physician without a diploma, a poet who never published, an opera singer without an engagement,—all of whom were in a state of constant indignation against the world which refused to recognize their rare merits.

Have you noticed how such people by a system of mutual attraction seem to herd together, supporting each other as it were by their mutual complaints? Inspired, in fact, by a thorough contempt for each other, they pretend to an admiring sympathy.

Imagine the lessons given, the instruction imparted by such teachers, the greater part of whose time was passed in discussions over their pipes, the smoke from which soon became so thick that they could neither see nor hear. They talked loudly, contradicted each other with vehemence in a vocabulary of their own, where art, science, and literature were picked into fragments as precious stuffs might be under the application of violent acids.

And the “children of the sun,” what became of them amid all this? Madame Moronval alone, who preserved the good traditions of her former home and school, made any attempts to perform the duties they had undertaken, but the kitchen, her needle, and the care of the great establishment absorbed a great part of her time.

As it was necessary that they should go out, their uniforms were kept in order, for the pupils were proud of their braided tunics, and of the chevrons reaching to the elbow. In the Moronval Academy, as in certain armies of South America, all were sergeants. It was a trifling compensation for the miseries of exile and for the harsh treatment of surly masters. Moronval was quite pleasant the first days of each new quarter, when his exchequer was full; he had even then been known to smile; but the rest of the time he avenged himself on these black skins for the negro blood in his own veins.

His violence accomplished that which his indolence had begun. Very soon he began to lose his pupils; of the fifteen that were there at one time there remained but eight.

“Number of pupils limited,” said the prospectus, and there was a certain amount of melancholy truth in the announcement. A dismal silence seemed to settle down on the great establishment, which was even threatened with a seizure of the furniture, when Jack appeared upon the scene. It of course was no very great sum, this quarter in advance, but Moronval understood certain prospective advantages, and even had a very clear perception of Ida’s true nature, having cross-examined Constant with very good results. This day, therefore, witnessed a certain armed neutrality between masters and pupils. A good dinner in honor of the new arrival was served, all the professors were present, and “the children of the sun” even had a drop of wine, which startling event had not happened to them for a long time.

CHAPTER III.
MÂDOU.

If the Moronval Academy still exists, I desire to stigmatize it now and forever as the most unhealthy spot I ever knew. Its dampness makes it most objectionable for children.

Imagine a long building all rez-de-chaussée, without windows, and lighted only from above. About the room hung an indescribable odor of collodion and ether, as if it had once been used by a photographer. The garden was shut in by high walls covered with ivy which dripped with moisture. The dormitory stood against a superb hotel; and on one side was a stable, always noisy with the oaths of grooms, the trampling of horses’ feet, and the rattling of pumps. From one end of the year to the other the place was always damp, the only difference being that, according to the different seasons of the year, the dampness was either very cold or very warm. In summer it was filled with moisture like a bathroom. In addition, a crowd of winged creatures, who lived among the old ivy on the walls, attracted by the brightness of the glass in the low roof, introduced themselves into the dormitory through the smallest crevice, and struck their wings against the glass, humming loudly, and finally falling on the beds in clouds.

The winter’s humidity was worse still; the cold crept into the dormitory through the uneven floors and the thin walls, but after two hours of shivering the pupils might succeed in getting warm if they drew their knees up to their chins and kept the bedclothes well over their heads. The paternal eye of Moronval saw at once the propriety of utilizing this otherwise unemployed building.

“This shall be the dormitory,” he said.

“May it not be somewhat damp?” Madame Moronval ventured to ask.

“What of that?” he answered, sternly.

In reality there was but room for ten beds; but twenty were placed there, with a lavatory at the end, a wretched bit of carpet near the door, and all was in readiness.

Why not? After all, a dormitory is only a place to sleep in, and children should be able to sleep anywhere, in spite of heat or cold, of bad air and of creeping things, in spite of the noise of pumps and of horses. They catch rheumatism, ophthalmia, and bronchitis, to be sure, but they sleep all the same the calm sweet sleep of children worn out by out-door exercise and play, and undisturbed by anxieties for the morrow. This is the popular belief in regard to children, but too many of us know that the truth is quite different. For example, the first night little Jack could not close his eyes. He had never slept in a strange house, and the change was great from his own little room at home, dimly lighted by a night-lamp, and littered with his favorite playthings, to the strange and comfortless place where he now found himself.

As soon as the pupils were in bed, a black servant took away the light, and Jack remained wide awake.

A pale moon, reflected from the snow that covered a portion of the skylight, filled the room with a bluish light. He looked at the beds, standing close together foot to foot the length of the room, most of them unoccupied, their coverings rolled up in a bundle at one end. Seven or eight were animated by an occasional snore, by a hollow cough, or a stifled exclamation.

The new-comer had the best place, a little sheltered from the wind of the door. Nevertheless, he was far from warm, and the cold kept him from sleep as much as the novelty of his surroundings. He went over and over again in his memory every trifling detail of the day’s events. He saw Moronval’s bulky white cravat, the enormous spectacles of Dr. Hirsch—his soiled and spotted overcoat; but above all he recalled the cold and haughty eyes of “his enemy,” as he already in his innermost heart called D’Argenton.

This thought struck such terror to his soul that involuntarily he looked to his mother for protection and defence.

Where was she at that moment? A dozen different clocks at that instant struck eleven. She was probably at some ball or theatre. She would soon come in, all wrapped in furs and laces. When she came, it mattered not how late, she always opened Jack’s door and bent over his bed to kiss him. Even in his sleep he was generally conscious of her presence, and smilingly opened his eyes to admire her toilette. And now he shuddered as he thought of the change; and yet it was not altogether painful, for the chevrons of his uniform delighted him, and he was happy in concealing his long legs in the skirt of his tunic. He had made two or three new acquaintances,—a thing very agreeable to most children; he had found his fellow-pupils odd enough, but their oddities interested him. They had snowballed each other in the garden, which, to a child who had been living in the warm boudoir of a pretty woman, was a very novel amusement.

One thing puzzled Jack: he had not yet seen his royal Highness. Where was the little king of Dahomey, of whom M. Moronval had spoken so warmly? Was he in the Infirmary? Ah! if he could only see him, talk with him, and make him his friend. He repeated to himself the names of the “eight children of the sun,” but there was no prince among them. Then he thought he would ask the boy Said.

“Is not his royal Highness in the school at present?” he asked.

The young man looked at him with wide-opened eyes, in astonished silence. Jack’s question remained unanswered, and the child’s thoughts ran on as he lay in his bed, listening to occasional gusts of music that rang through the house from the lungs of Labassandre, and to the perpetual sound of the pumps in the stable.

Moronval’s guests were gone, with a final bang of the large gate, and all was silent. Suddenly the dormitory door was thrown open, and the small black servant entered, with a lantern in his hand.

He shook off the snow that lay thick on his black head, and crept between the two rows of beds, with his head drawn down between his shoulders, and his teeth chattering.

Jack looked at the grotesque shadows on the wall, which exaggerated all the peculiarities of the black boy—the protruding mouth, the enormous ears, and retreating forehead.

The boy hung his lantern at the end of the dormitory and stood there warming his hands, which were covered with chilblains. His face, though dirty, was so honest and kindly, that Jack’s heart warmed toward him. As he stood there the negro looked out into the garden. “Ah! the snow! the snow!” he murmured sadly.

His way of speaking, and the sweet voice, touched little Jack, who looked at the boy with lively pity and curiosity. The negro saw it, and said, half to himself, “Ah! the new pupil! Why don’t you go to sleep, little boy?”

“I cannot,” said Jack, sighing.

“It is good to sigh if you are sorry,” said the negro, sententiously. “If the poor world could not sigh, the poor world would stifle!”

As he spoke, he threw a blanket on the bed next to Jack.

“Do you sleep there?” asked the child, astonished that a servant should occupy a bed in the dormitory of the pupils. “But there are no sheets!”

“Sheets are not good for me, my skin is too black.” The negro laughed gently as he said these words, and prepared to glide into bed, half clothed as he was, when suddenly he stopped, drew from his breast an ivory smelling-bottle, and kissed it devoutly.

“What a funny medal!” cried Jack.

“It is not a medal,” answered the negro; “it is my Gri-qri.”

But Jack had no idea what a Gri-gri was, and the other explained that it was an amulet—something to bring him good luck. His Aunt Kérika had given it to him when he left his native land,—the aunt who had brought him up, and to whom he hoped to return at some future day.

“As I shall to my mamma,” said little Barancy; and both children were silent, each thinking of the one he loved most on earth.

Jack returned to the charge in a few minutes. “And your country—is it a pretty place? Is it far off? and what is its name?”

“Dahomey,” answered the negro.

Jack started up in bed.

“What! Do you know him? Did you come to this country with him?”

“Who?”

“Why, his royal Highness,—you know him,—the little king of Dahomey.”

“I am he,” said the negro, quietly.

The other looked at him in amazement. A king! this servant, whom he had seen at work all day making fires, sweeping the corridors, waiting on the table, and rinsing glasses!

The negro spoke the truth, nevertheless. The expression of his face grew very sad, and his eyes were fixed as if he were looking into the past, or toward some dear, lost land. Was it the magical word of king that led Jack to examine this black boy, seated on the edge of his bed, his white shirt open, while on his dark breast shone the ivory amulet, with new interest?

“How did all this happen?” asked the child, timidly.

The black boy turned quickly to extinguish the lantern. “M. Moronval not like it if Mâdou lets it burn.” Then he pulled his couch close to that of Jack.

“You are not sleepy,” he said; “and I never wish to sleep if I can talk of Dahomey. Listen!”

And in the darkness, where the whites only of his eyes could be seen, the little negro began his dismal tale.

He was called Mâdou,—the name of his father, an illustrious warrior, one of the most powerful sovereigns in the land of gold and ivory: to whom France, Holland, and England sent presents and envoys. His father had cannon, and soldiers, troops of elephants with trappings for war, musicians and priests, four regiments of Amazons, and two hundred wives. His palace was immense, and ornamented by spears on which hung human heads after a battle or a sacrifice. Mâdou was born in this palace. His Aunt Kérika, general-in-chief of the Amazons, took him with her in all her expeditions. How beautiful she was, this Kérika! tall and large as a man,—in a blue tunic; her naked arms and legs loaded with bracelets and anklets; her bow slung over her shoulder, and the tail of a horse streaming below her waist. Upon her head, in her woolly locks, she wore two small antelope horns joining in a half-moon; as if these black warriors had preserved among themselves the tradition of Diana the white huntress! And what an eye she had, what deftness of hand! Why, she could cut off the head of an Ashantee at a single blow. But, however terrible Kérika might have been on the battlefield, to her nephew Mâdou she was always very gentle, bestowing on him gifts of all kinds: necklaces of coral and of amber, and all the shells he desired,—shells being the money in that part of the world. She even gave him a small but gorgeous musket, presented to herself by the Queen of England, and which Kérika found too light for her own use. Mâdou always carried it when he went to the forests to hunt with his aunt.

There the trees were so close together, and the foliage so thick, that the sun never penetrated to these green temples. Then Mâdou described with enthusiasm the flowers and the fruits, the butterflies, and birds with wonderful plumage, and Jack listened in delight and astonishment. There were serpents, too, but they were harmless; and black monkeys leaped from tree to tree; and large mysterious lakes, that had never reflected the skies in their brown depths, lay here and there in the forests.

At this, Jack uttered an exclamation, “O, how beautiful it must be!”

“Yes, very beautiful,” said the black boy, who undoubtedly exaggerated a little, and saw his dear native land through the prism of absence, of childish recollections, and with the enthusiasm of his southern nature; but encouraged by his comrade’s sympathy, Mâdou continued his story.

At night the forests were very different; hunting-parties bivouacked in the jungles, building huge fires to drive away wild beasts, who were heard in the distance roaring horribly. The birds were aroused; and the bats, silent and black as shadows, attracted by the fire-light, hovered over and about it until daybreak, when they assembled on some gigantic tree, motionless, and pressed against each other, looking like some singular leaves, dry and dead.

In this open-air life the little prince grew strong and manly,—could wield a sabre and carry a gun at an age when children are usually tied to their mother’s apron-string. The king was proud of his son, the heir to his throne. But, alas! it seemed that it was not enough, even for a negro prince, to know how to shoot an elephant through the eye; he must also learn to read books and writing, for, said the wise king to his son, “White man always has paper in his pocket to cheat black man with.” Of course some European might have been found in Dahomey who could instruct the prince,—for French and English flags floated over the ships in the harbors. But the king had himself been sent by his father to a town called Marseilles, very far at the end of the world; and he wished his son to receive a similar education.

How unhappy the little prince was in leaving Kérika; he looked at his sabre, hung his gun against the wall, and set sail with M. Bonfils, a clerk in a mercantile house, who sent him home every year with the gold dust stolen from the poor negroes.

Mâdou, however, was resigned; he wished to be a great king some day, to command the troop of Amazons, to be the proprietor of these fields of corn and wheat, and of the palace filled with jars of palm-oil and with treasures of gold and ivory. To own these riches he must deserve them, and be capable of defending them when necessary,—and Mâdou early learned that it is hard to be a king; for when one has more pleasures than the rest of the world, one has also greater responsibilities.

His departure was the occasion of great public fetes, of sacrifices to the fetish and to the divinities of the sea. All the temples were thrown open for these solemnities, the prayers of the nation were offered there, and at the last moment, when the ship set sail, fifteen prisoners of war were executed on the shore, and the executioner threw their heads into a great copper basin.

“Good gracious!” gasped Jack, pulling the bedclothes over his head.

It is certainly not very agreeable to hear such stories told by the actors in them; and Jack was very glad that he was in the Moronval Academy rather than in that terrible land of Dahomey.

Mâdou seeing the effect he had produced, dwelt no longer on the ceremonies preceding his departure, but proceeded to describe his arrival and life at Marseilles.

He told of the college there, of the high walls and the benches in the court-yard, where the pupils cut their names; of the solemn professor, who sternly said, if a whisper was heard, “Not so much noise, if you please!” The close air of the recitation-rooms, the monotonous scratching of pens, the lessons repeated over and over again, were all new and very trying to Mâdou. His one idea was to get into the sun; but the walls were so high, the court-yard so narrow, that he could never find enough to bask in. Nothing amused or interested him. He was never allowed to go out as were the other pupils, and for a very good reason. At first he had induced M. Bonfils to take him to the wharves, where he often saw merchandise from his own country, and sometimes went into ecstasies at some well-known mark.

The steamers puffing and blowing, and the great ships setting their sails, all spoke to him of departure and deliverance.

Mâdou dreamed of these ships all through school-hours,—one had brought him to that cold gray land, another would take him away. And possessed by this fixed idea, he paid no attention to his A B C’s, for his eyes saw nothing save the blue of the sea and the blue of the sky above. The result of this was, that one fine day he escaped from the college and hid himself on one of the vessels of M. Bonfils; he was found in time, but escaped again, and the second time was not discovered until the ship was in the middle of the Gulf of Lyons. Any other child would have been kept on board; but when Mâdou’s name was known, the captain took his royal Highness back to Marseilles, relying on a reward.

After that, the boy became more and more unhappy, for he was kept a very close prisoner. Notwithstanding all this, he escaped once more; and this time, on being discovered, made no resistance, but obeyed so gently, and with such a sad smile, that no one had the heart to punish him. At last the principal of the institution declined the responsibility of so determined a pupil. Should he send the little prince back to Dahomey? M. Bonfils dared not permit this, fearing thereby to lose the good graces of the king. In the midst of these perplexities Moronvol’s advertisement appeared, and the prince was at once dispatched to 23 Avenue Montaigne,—“the most beautiful situation in Paris,”—where he was received, as you may well believe, with open arms. This heir of a far-off kingdom was a godsend to the academy. He was constantly on exhibition; M. Moronval showed him at theatres and concerts, and along the boulevards, reminding one of those perambulating advertisements that are to be seen in all large cities.

He appeared in society, such society at least as admitted M. Moronval, who entered a room with all the gravity of Fénélon conducting the Duke of Burgundy. The two were announced as “His Royal Highness the Prince of Dahomey, and M. Moronval, his tutor.”

For a month the newspapers were full of anecdotes of Mâdou; an attaché of a London paper was sent to interview him, and they had a long and serious talk as to the course the young prince should pursue when called to the throne of his ancestors. The English journal published an account of the curious dialogue, and the vague replies certainly left much to be desired.

At first all the expenses of the academy were discharged by this solitary pupil, Monsieur Bonfils paying the bill that was presented to him without a word of dispute. Mâdou’s education, however, made but little progress. He still continued among the A B C’s, and Madame Moronval’s charming method made no impression upon him. His defective pronunciation was still retained, and his half-childish way of speaking was not changed. But he was gay and happy. All the other children were compelled to yield to him a certain deference. At first this was a difficult matter, as his intense blackness seemed to indicate to these other children of the sun that he was a slave.

And how amiable the professors were to this bullet-headed boy, who, in spite of his natural amiability, so sturdily refused to profit by their instructions! Every one of the teachers had his own private idea of what could be done in the future under the patronage of this embryo king. It was the refrain of all their conversations. As soon as Mâdou was crowned, they would all go to Dahomey. Labassandre intended to develop the musical taste of Dahomey, and saw himself the director of a conservatory, and at the head of the Royal Chapel.

Madame Moronval meant to apply her method to class upon class of crisp black heads. But Dr. Hirsch saw innumerable beds in a hospital, upon the inmates of which he could experiment without fear of any interference from the police. The first few weeks, therefore, of his sojourn at Paris seemed to Mâdou very sweet. If only the sun would shine out brightly, if the fine rain would cease to fall, or the thick fog clear away; if, in short, the boy could once have been thoroughly warm, he would have been content; and if Kérika, with her gun and her bow, her arms covered with clanking bracelets, could occasionally have appeared in the Passage des Douze Maison, he would have been very happy.

But Destiny altered all this. M. Bonfils arrived suddenly one day, bringing most disastrous news of Dahomey. The king was dethroned, taken prisoner by the Ashantees, who meant to found a new dynasty. The royal troops and the regiment of Amazons had all been conquered and dispersed. Kérika alone was saved, and she dispatched M. Bonfils to Mâdou to tell him to remain in France, and to take good care of his Gri-gri, for it was written in the great book that if Mâdou did not lose that amulet, he would come into his kingdom. The poor little king was in great trouble. Moronval, who placed no faith in the gri-gri, presented his bill—and such a bill!—to M. Bonfils, who paid it, but informed the principal that in future, if he consented to keep Mâdou, he must not rely upon any present compensation, but upon the gratitude of the king as soon as the fortunes and chances of war should restore him to his throne. Would the principal oblige M. Bonfils by at once signifying his intentions? Moronval promptly and nobly said, “I will keep the child.” Observe that it was no longer “his Royal Highness.” And the boy at once became like all the other scholars, and was scolded and punished as they were,—more, in fact, for the professors were out of temper with him, feeling apparently, that they had been deluded by false pretences. The child could understand little of this, and tried in vain all the gentle ways that had seemed to win so much affection before. It was worse still the next quarter, when Moronval, receiving no money, realized that Mâdou was a burden to him. He dismissed the servant, and installed Mâdou in his place, not without a scene with the young prince. The first time a broom was placed in his hands and its use explained to him, Mâdou obstinately refused. But M. Moronval had an irresistible argument ready, and after a heavy caning the boy gave up. Besides, he preferred to sweep rather than to learn to read. The prince, therefore, scrubbed and swept with singular energy, and the salon of the Moronvals was scrupulously clean; but Moronval’s heart was not softened. In vain did the little fellow work; in vain did he seek to obtain a kindly word from his master; in vain did he hover about him with all the touching humility of a submissive hound: he rarely obtained any other recompense than a blow.

The boy was in despair. The skies grew grayer and grayer, the rain seemed to fall more persistently, and the snow was colder than ever.

O Kérika! Aunt Kérika! so haughty and so tender, where are you? Come and see what they are doing with your little king! How he is treated, how scantily he is fed, how ragged are his clothes, and how cold he is! He has but one suit now, and that a livery—a red coat and striped vest! Now, when he goes out with his master, he does not walk at his side—he follows him.

Mâdou’s honesty and ingenuity had, however, so won the confidence of Madame Moronval, that she sent him to market. Behold, therefore, this last descendant of the powerful Tocodonon, the founder of the Dahomian dynasty, staggering daily from the market under the weight of a huge basket, half fed and half clothed, cold to the very heart; for nothing warms him now, neither violent exercise, nor blows, nor the shame of having become a servant; nor even his hatred of “the father with a stick,” as he called Moronval.

And yet that hatred was something prodigious; and Mâdou confided to Jack his projects of vengeance.

“When Mâdou goes home to Dahomey, he will write a little letter to the father with the stick; he will tell him to come to Dahomey, and he will cut off his head into the copper basin, and afterwards will cover a big drum with his skin, and I will then march against the Ashantees,—Boum! boum! boum!”

Jack could just see in the shadow the gleam of the negro’s white eyes, and heard the raps upon the footboard of the bed, that imitated the drum, and was frightened. He fancied that he heard the whizzing of the sabres, and the heavy thud of the falling heads; he pulled the blanket over his head, and held his breath.

Mâdou, who was excited by his own story, wished to talk on, but he thought his solitary auditor asleep. But when Jack drew a long breath, Mâdou said gently, “Shall we talk some more, sir?”

“Yes,” answered Jack; “only don’t let us say any more about that drum, nor the copper basin.” The negro laughed silently. “Very well, sir; Mâdou won’t talk—you must talk now. What is your name?”

“Jack, with a k. Mamma thinks a great deal about that—”

“Is your mamma very rich?”

“Rich! I guess she is,” said Jack, by no means unwilling to dazzle Mâdou in his turn. “We have a carriage, a beautiful house on the boulevard, horses, servants, and all. And then you will see, when mamma comes here, how beautiful she is. Everybody in the street turns to look at her, she has such beautiful dresses and such jewels. We used to live at Tours; it was a pretty place. We walked in the Rue Royale, where we bought nice cakes, and where we met plenty of officers in uniform. The gentlemen were all good to me. I had Papa Leon, and Papa Charles,—not real papas, you know, because my own father died when I was a little fellow. When we first went to Paris I did not like it; I missed the trees and the country; but mamma petted me so much, and was so good to me, that I was soon happy again. I was dressed like the little English boys, and my hair was curled, and every day we went to the Bois. At last my mamma’s old friend said that I ought to learn something; so mamma took me to the Jesuit College—”

Here Jack stopped suddenly. To say that the Fathers would not receive him, wounded his self-love sorely. Notwithstanding the ignorance and innocence of his age, he felt that there was something humiliating to his mother in this avowal, as well as to himself; and then this recital, on which he had so heedlessly entered, carried him back to the only serious trouble of his life. Why had they not been willing to receive him? why did his mother weep? and why did the Superior pity him?

“Say, then, little master,” asked the negro suddenly, “what is a cocotte?”

“A cocotte?” asked Jack in astonishment. “I don’t know. Is it a chicken?”

“I heard the father with a stick say to Madame Moronval that your mother was a cocotte.”

“What an ideal. You misunderstood,” and at the thought of his mother being a hen, with feathers, wings, and claws, the boy began to laugh; and Mâdou, without knowing why, followed his example.

This gayety soon obliterated the painful impressions of their previous conversation, and the two little, lonely fellows, after having confided to each other all their sorrows, fell asleep with smiles on their lips.

CHAPTER IV.
THE REUNION.

Children are like grown people,—the experiences of others are never of any use to them.

Jack had been terrified by Mâdou’s story, but he thought of it only as a frightful tale, or a bloody battle seen at the theatre. The first months were so happy at the academy, every one was so kind, that he forgot that Mâdou for a time had been equally happy.

At table he occupied the next seat to Moronval, drank his wine, shared his dessert; while the other children, as soon as the cakes and fruit appeared, rose abruptly from the table. Opposite Jack sat Dr. Hirsch, whose finances, to judge from his appearance, were in a most deplorable condition. He enlivened the repast by all sorts of scientific jokes, by descriptions of surgical operations, by accounts of infectious diseases, and, in fact, kept his hearers au courant with all the ailments of the day; and, if he heard of a case of leprosy, of elephantiasis, or of the plague, in any quarter of the globe, he would nod his head with delight, and say, “It will be here before long—before long!”

As a neighbor at the table he was not altogether satisfactory: first, his near-sightedness made him very awkward; and, next, he had a way of dropping into your plate, or glass, a pinch of powder, or a few drops from a vial in his pocket. The contents of this vial were never the same, for the doctor made new scientific discoveries each week, but in general bicarbonate, alkalies, and arsenic (in infinitesimal doses fortunately) made the base of these medicaments. Jack submitted to these preventives, and did not venture to say that he thought they tasted very badly. Occasionally the other professors were invited, and everybody drank the health of the little De Barancy, every one was enthusiastic over his sweetness and cleverness. The singing teacher, Labassandre, at the least joke made by the child, threw himself back in his chair with a loud laugh, pounded the table with his fist, and wiped his eyes with a corner of his napkin.

Even D’Argenton, the handsome D’Argenton, relaxed, a pale smile crossed his big moustache, and his cold blue eyes were turned on the child with haughty approval. Jack was delighted. He did not understand, nor did he wish to understand, the signs made to him by Mâdou, as he waited upon the table, with a napkin in one hand and a plate in the other. Mâdou knew better than any one else the real value of these exaggerated praises and the vanity of human greatness.

He too had occupied the seat of honor, had drunk of his master’s wine, flavored by the powder from the doctor’s bottle; and the tunic, with its silver chevrons, was it not too large for Jack only because it had been made for Mâdou? The story of the little negro should have been a warning to the small De Barancy against the sin of pride, for the installation of both boys in the Moronval Academy had been precisely of the same character.

The holiday instituted in honor of Jack was insensibly prolonged into weeks. Lessons were few and far between, except from Madame Moronval, who snatched every opportunity of testing her method.

As to Moronval himself, he professed a great weakness for his new pupil. He had made inquiries in regard to the little hotel on the Boulevard Hauss-mann, and had fully acquainted himself with the resources of the lady there. When, therefore, Madame de Barancy came to see Jack, which was very often, she met with a warm reception, and had an attentive audience for all the vain and foolish stories she saw fit to tell. At first Madame Moronval wished to preserve a certain dignified coolness toward such a person, but her husband soon changed that idea, and she saw herself obliged to lay aside her womanly scruples in favor of her interests.

“Jack! Jack! here comes your mother,” some one would cry as the door opened, and Ida would sail in beautifully dressed, with packages of cakes and bonbons in her hands and her muff. It was a festival for every one; they all shared the delicacies, and Madame de Barancy ungloved her hand, the one on which were the most rings, and condescended to take a portion. The poor creature was so generous, and money slipped so easily through her fingers, that she generally brought with her cakes all sorts of presents, playthings, &c., which she distributed as the fancy struck her. It is easy to imagine the enthusiastic praises lavished upon this inconsiderate, reckless generosity. Moronval alone had a smile of pity and of envy at seeing money so wasted, which should have gone to the assistance of some brave, generous soul like himself, for example. This was his fixed idea. And as he sat looking at Ida and gnawing his finger-nails, he had an absent, anxious air like that of a man who comes to ask a loan, and has his petition on the end of his lips. Moronval’s dream for some time had been to establish a Review consecrated to colonial interests, in this way hoping to satisfy his political aspirations by recalling himself regularly to his compatriots; and, finally, who knows he might be elected deputy. But, as a commencement, the journal seemed indispensable, and he had a vague notion that the mother of his new pupil might be induced to defray the expenses of this Review, but he did not wish to move too rapidly lest he should frighten the lady away; he intended to prepare the way gently. Unfortunately, Madame de Barancy, on account of her very fickleness of nature, was difficult to reach. She would continually change the conversation just at the important point, because she found it very uninteresting.

“If she could be inspired with an idea of writing!” said Moronval to himself, and immediately insinuated to her that between Madame de Sévigné and George Sand there was a vacant niche to fill; but he might as well have attempted to carry on a conversation with a bird that was fluttering about his head.

“I am not strong-minded nor literary,” said Ida, with a half yawn, one day when he had been speaking with feverish impatience for a long time.

Moronval finally concluded that a creature so inconsequent must be dazzled, not led.

One day, when Ida was holding audience in the parlor, telling wonderful tales of her various acquaintances to whose often plebeian names she added the de as she pleased, Madame Moronval said, timidly,—

“M. Moronval would like to ask you something, but he dares not.”

“O, tell me, tell me!” said the silly little woman, with a sincere wish to oblige.

The principal was sorely tempted to ask her at once for funds for the Review, but being himself very distrustful, he thought it wiser to act with great prudence; so he contented himself with asking Madame de Barancy to be present at one of their literary reunions on the following Saturday. Formerly these little fêtes took place every week, but since Mâdou’s fall they had been very infrequent. It was in vain that Moronval had extinguished a candle with every guest that left, in vain had he dried the tea-leaves from the teapot in the sun on the window-sill, and served it again the following week, the expense still was too great. But now he determined to hazard another attempt in that direction. Madame de Barancy accepted the invitation with eagerness. The idea of making her appearance in the salon as a married woman of position was very attractive to her, for it was one round of the ladder conquered, on which she hoped to ascend from her irregular and unsatisfactory life.

This was a most splendid fête at which she assisted. In the memory of all beholders no such entertainment had taken place. Two colored lanterns hung on the acacias at the entrance, the vestibule was lighted, and at least thirty candles were burning in the salon, the floor of which Mâdou had so waxed and rubbed for the occasion that it was as brilliant and as dangerous as ice. The negro boy had surpassed himself; and here let me say that Moronval was in a great state of perplexity as to the part that the prince should take at the soirée.

Should he be withdrawn from his domestic duties and restored for one day only to his title and ancient splendor? This idea was very tempting; but, then, who would hand the plates and announce the guests? Who could replace him? No one of the other scholars, for each had some one in Paris who might not be pleased with this system of education; and finally it was decided that the soirée must be deprived of the presence and prestige of his royal Highness. At eight o’clock, “the children of the sun” took their seats on the benches, and among them the blonde head of little De Barancy glittered like a star on the dark background.

Moronval had issued numerous invitations among the artistic and literary world—the one at least which he frequented—and the representatives of art, literature, and architecture appeared in large delegations. They arrived in squads, cold and shivering, coming from the depths of Montparnasse on the tops of omnibuses, ill dressed and poor, unknown, but full of genius, drawn from their obscurity by the longing to be seen, to sing or to recite something, to prove to themselves that they were still alive. Then, after this breath of pure air, this glimpse of the heavens above, comforted by a semblance of glory and success, they returned to their squalid apartments, having gained a little strength to vegetate. There were philosophers wiser than Leibnitz; there were painters longing for fame, but whose pictures looked as if an earthquake had shaken everything from its perpendicular; musicians—inventors of new instruments; savans in the style of Dr. Hirsch, whose brains contained a little of everything, but where nothing could be found by reason of the disorder and the dust. It was sad to see them; and if their insatiate pretensions, as obtrusive as their bushy heads, their offensive pride and pompous manners, had not given one an inclination to laugh, their half-starved air and the feverish glitter of eyes that had wept over so many lost illusions and disappointed hopes, would have awakened profound compassion in the hearts of lookers-on.

Besides these there were others, who, finding art too hard a taskmistress and too niggardly in her rewards, sought other employment.. For example, a lyric poet kept an intelligence office, a sculptor was an agent for a wine merchant, and a violinist was in a gas-office.

Others less worthy allowed themselves to be supported by their wives. These couples came together, and the poor women bore on their brave, worn faces the stamp of the penalty they paid for the companionship of men of genius. Proud of being allowed to accompany their husbands, they smiled upon them with an air of gratified maternal vanity. Then there were the habitués of the house, the three professors; Labassandre in gala costume, exercising his lungs at intervals by tremendous inspirations; and D’Argenton, the handsome D’Argenton, curled and pomaded, wearing light gloves, and his manners a charming mixture of authority, geniality, and condescension.

Standing near the door of the salon, Moronval received every one, shaking hands with all, but growing very anxious as the hour grew later and the countess did not appear; for Ida de Barancy was called the countess under that roof. Every one was uncomfortable. Little Madame de Moronval went from group to group, saying, with an amiable air, “We will wait a few moments, the countess has not yet arrived!”

The piano was open, the pupils were ranged against the wall; a small green table, on which stood a glass of eau-sucré and a reading-lamp, was in readiness. M. Moronval, imposing in his white vest; Madame, red and oppressed by all the worry of the evening; and Mâdotu, shivering in the wind from the door,—all are waiting for the countess. Meanwhile, as she came not, D’Argenton consented to recite a poem that all his assistants knew, for they had heard it a dozen times before. Standing in front of the chimney, with his hair thrown back from his wide forehead, the poet declaimed, in a coarse, vulgar voice, what he called his poem.

His friends were not sparing in their praises.

“Magnificent!” said one. “Sublime!” exclaimed another; and the most amazing criticism came from yet another,—“Goethe with a heart?”

Here Ida entered. The poet did not see her, for his eyes were lifted to the ceiling. But she saw him, poor woman; and from that moment her heart was gone. She had never seen him, save in the street wearing his hat: now she beheld him in the mellow light which softened still more his pale face, wearing a dress-coat and evening gloves, reciting a love poem, and, believing in love as he did in God, he produced an extraordinary effect upon her.

He was the hero of her dreams, and corresponded with all the foolish sentimental ideas that lie hidden very often in the hearts of such women.

From that very moment she was his, and he took exclusive possession of her heart. She paid no attention to her little Jack, who made frantic signs to her as he threw her kiss after kiss; nor had she eyes for Moronval, who bowed to the ground; nor for the curious glances that examined her from head to foot, as she stood before them in her black velvet dress and her little white opera hat, trimmed with black roses and ornamented with tulle strings which wrapped about her like a scarf. Years after she recalled the profound impression of that evening, and saw as in a dream her poet as she saw him first in that salon, which seemed to her, seen through the vista of years, immense and superb. The future might heap misery upon her; her past could humiliate and wound her, crush her life, and something more precious than life itself; but the recollection of that brief moment of ecstasy could never be effaced.

“You see, madame,” said Moronval, with his most insinuating smile, “that we made a beginning before your arrival. M. le Vicomte Amaury d’Argenton was reciting his magnificent poem.”

“Vicomte!” He was noble, then!

She turned toward him, timid and blushing as a young girl.

“Continue, sir, I beg of you,” she said.

But D’Argenton did not care to do so. The arrival of the countess had injured the effect of his poem—destroyed its point; and such things are not easily pardoned. He bowed, and answered with cold haughtiness that he had finished. Then he turned away without troubling himself more about her. The poor woman felt a strange pang at her heart. She had displeased him, and the very thought was unendurable. It needed all little Jack’s tender caresses and outspoken joy—all his delight at the admiration expressed for her, the attentions of everybody, the idea that she was queen of the fete—to efface the sorrow she felt, and which she showed by a silence of at least five minutes, which silence for a nature like hers was something as extraordinary as restful. The disturbance of her entrance being at last over, every one seated himself to await the next recitation.

Mademoiselle Constant, who had accompanied her mistress, took her seat majestically on the front bench next the pupils. Jack swung himself on the arm of his mother’s chair, between her and M. Moronval, who smoothed the lad’s hair in the most paternal way.

The assemblage was really quite imposing, and Madame Moronval took dignified possession of the little table and the shaded lamp, and proceeded to read an ethnographic composition of her husband’s on the Mongolian races. It was long and tedious—one of those lucubrations that are delivered before certain scientific societies, and succeed in lulling the members to sleep. Madame Moronval took this opportunity of demonstrating the peculiarities of her method, which had the merit—if merit it were—of holding the attention as in a vice, and the words and syllables seemed to reverberate through your own brain. To see Madame Moronval open her mouth to sound her o’s, to hear the r’s rattle in her throat, was more edifying than agreeable. The mouths of the eight children opposite mechanically followed each one of her gestures, producing a most extraordinary effect; one absolutely fascinating to Mademoiselle Constant.

But the countess saw nothing of all this; she had eyes but for her poet leaning against the door of the drawing-room, with arms folded and eyes moodily cast down. In vain did Ida seek to attract his attention; he glanced occasionally about the salon, but her arm-chair might as well have been vacant; he did not appear to see her, and the poor woman was rendered so utterly miserable by this neglect and indifference, that she forgot to congratulate Moronval on the brilliant success of his essay, which concluded amid great applause and universal relief.

Then followed another brief poem by Argenton, to which Ida listened breathlessly.

“Ah, how beautiful!” she cried; “how beautiful!” and she turned to Moronval, who sat with a forced smile on his lips. “Present me to M. d’Argenton, if you please.”

She spoke to the poet in a low voice and with great courtesy. He, however, bowed very coldly, apparently careless of her implied admiration.

“How happy you are,” she said, “in the possession of such a talent!”

Then she asked where she could obtain his poems.

“They are not to be procured, madame,” answered D’Argenton, gravely.

Without knowing it, she had again wounded his sensitive pride, and he turned away without vouchsafing another syllable.

But Moronval profited by this opening. “Think of it!” he said; “think that such verses as those cannot find a publisher! That such genius as that is buried in obscurity! If we only could publish a magazine!”

“And why can you not?” asked Ida, quickly.

“Because we have not the funds.”

“But they can easily be procured. Such talent should not be allowed to languish!”

She spoke with great earnestness; and Moronval saw at once that he had played his cards well, and proceeded to take advantage of the lady’s weakness by talking to her of D’Argenton, whom he painted in glowing colors.

He spoke of him as Lara, or Manifred, a proud and independent nature, one which could not be conquered by the hardships of his lot.

Here Ida interrupted him to ask if the poet was not of noble birth.

“Most assuredly, madame. He is a viscount, and descended from one of the noblest families in Auvergne. His father was ruined by the dishonesty of an agent.”

This was his text, which he proceeded to enlarge upon, and illustrate by many romantic incidents. Ida drank in the whole story; and while these two were absorbed in earnest conversation, Jack grew jealous, and made various efforts to attract his mother’s attention. “Jack, do be quiet!” and “Jack, you are insufferable!” finally sent him off, with tearful eyes and swollen lips, to sulk in the corner of the salon. Meanwhile the literary entertainments of the evening went on, and finally Labassandre, after numerous entreaties, was induced to sing. His voice was so powerful, and so pervaded the house, that Mâdou, who was in the kitchen preparing tea, replied by a frightful war-cry. The poor fellow worshipped noise of all kinds and at all times.

Moronval and the comtesse continued their conversation; and D’Argenton, who by this time understood that he was the subject, stood in front of them, apparently absorbed in conversation with one of the professors. He appeared to be out of temper—and with whom? With the whole world; for he was one of that very large class who are at war against society, and against the manners and customs of their day.

At this very moment he was declaiming violently, “You have all the vices of the last century, and none of its amenities. Honor is a mere name. Love is a farce. You have accomplished nothing intellectually.”

“Pardon me, sir,” interrupted his hearer. But the other went on more vehemently and more aggressively. He wished, he said, that all France could hear what he thought. The nation was abased, crushed beyond all hope of recuperation. As for himself, he had determined to emigrate to America.

All this time the poet was vaguely conscious of the admiring gaze that was bent upon him. He experienced something of the same sensation that one has in the fields in the early evening, when the moon suddenly rises behind you and compels you to turn toward its silent presence. The eyes of this woman magnetized him in the same way. The words she caught in regard to leaving France struck a chill to her heart. A funereal gloom settled over the room. Additional dismay overwhelmed her as D’Argenton wound up with a vigorous tirade against French women,—their lightness and coquetry, the insincerity of their smiles, and the venality of their love.

The poet no longer conversed; he declaimed, leaning against the chimney, and careless who heard either his voice or his words.

Poor Ida, intensely absorbed as she was in him, could not realize that he was indifferent, and fancied that his invectives were addressed to herself.

“He knows who I am,” she said, and bowed her head in shame.

Moronval said aloud, “What a genius!” and in a lower voice to himself, “What a boaster!” But Ida needed nothing more; her heart was gone. Had Dr. Hirsch, who was always so interested in pathological singularities, been then at leisure, he might have made a curious study of this case of instantaneous combustion.

An hour before, Madame Moronval had dispatched Jack to bed, with two or three of the younger children; the others were gaping in silent wretchedness, stupefied by all they saw and heard. The Chinese lanterns swung in the wind each side of the garden-gate; the lane was unlighted, and not even a policeman enlivened its muddy sidewalk; but the disputative little group that left the Moronval Academy cared little for the gloom, the cold, or the dampness.

When they reached the avenue they found that the hour for the omnibus had passed. They accepted this as they did the other disagreeables of life—in the same brave spirit.

Art is a great magician. It creates a sunshine from which its devotees, as well as the poor and the ugly, the sick and the sorry, can each borrow a little, and with it gain a grace to suffer, and a calm serenity that may well be envied.

CHAPTER V.
A DINNER WITH IDA.

The next day the Moronvals received from Madame de Barancy an invitation for the following Monday; at the bottom of the note was a postscript, expressing the pleasure she should have in receiving also M. d’Argenton.

“I shall not go,” said the poet, dryly, when Moronval handed him the coquettish perfumed note. Then the principal grew very angry, as he saw his plans frustrated. “Why would not D’Argenton accept the invitation?”

“Because,” was the answer, “I never visit such women.”

“You make a great mistake,” said Moronval; “Madame de Barancy is not the kind of person you imagine. Besides, to serve a friend, you should lay aside your scruples. You see that I need the countess, that she is disposed to look favorably on my Colonial Review, and you should do all that lies in your power to favor my views. Come, now, think better of it.”

D’Argenton, after being properly entreated, finished by accepting the invitation.

On the following Monday, therefore, Moronval and his wife left the academy under the supervision of Dr. Hirsch, and presented themselves in the Boulevard Haussmann, where the poet was to join them.

Dinner was at seven; D’Argenton did not arrive until half an hour past the time. Ida was in a state of great anxiety. “Do you think he will come?” she asked; “perhaps he is ill. He looks very delicate.”

At last he appeared with the air of a conquering hero, making some indifferent excuse for his lack of punctuality. His manner, however, was less disdainful than usual, for the hotel had impressed him. Its luxury, the flowers, and thick carpets; the little boudoir with its bouquets of white lilacs; the commonplace salon, like a dentist’s waiting-room, a blue ceiling and gilded mouldings, the ebony furniture, cushioned with gold color, and the balcony exposed to the dust of the boulevard,—all charmed the attaché of the Moronval Academy, and gave him a favorable impression of wealth and high life.

The table equipage, the imposing effect produced by Augustin, in short, all the luxurious details of the house, appealed to his senses, and D’Argenton, without flattering the countess as openly as did Moronval; yet succeeded in doing so in a more subtile manner, by thawing under her influence to a very marked extent.

He was an interminable talker, and submitted with a very bad grace to any interruption. He was arbitrary and egotistical, and rang the changes on the I and the my for a whole evening, without allowing any one else to speak.

Unhappily, to be a good listener is a quality far above natures like that of the countess; and the dinner was characterized by some unfortunate incidents. D’Argenton was particularly fond of repeating the replies he had made to the various editors and theatrical managers who had declined his articles, and refused to print his prose or his verse. His mots on these occasions had been clever and caustic; but with Madame de Barancy he was never able to reach that point, preceded as it must necessarily be with lengthy explanations. At the critical moment Ida would invariably interrupt him,—always, to be sure, with some thought for his comfort.

“A little more of this ice, M. d’Argenton, I beg of you.”

“Not any, madame,” the poet would answer with a frown, and continue, “Then I said to him—”

“I am afraid you do not like it,” urged the lady.

“It is excellent, madame,—and I said these cruel words—”

Another interruption from Ida; who, later, when she saw her poet in a fit of the sulks, wondered what she had done to displease him. Two or three times during dinner she was quite ready to weep, but did her best to hide her feelings by urging all the delicacies of her table upon M. and Madame Moronval. Dinner over, and the guests established in the well warmed and lighted salon, the principal fancied he saw his way clear, and said suddenly, in a half indifferent tone, to the countess,—

“I have thought much of our little matter of business. It will cost less than I fancied.”

“Indeed!” she answered absently,

“If, madame, you would accord to me a few moments of your attention—”

But madame was occupied in looking at her poet, who was walking up and down the salon silent and preoccupied.

“Of what can he be thinking?” she said to herself.

Of his digestion only, dear reader. Suffering somewhat from dyspepsia, and always anxious in regard to his health, he never failed, on leaving the table, to walk for half an hour, no matter where he might chance to be.

Ida watched him silently. For the first time in her life she loved, really and passionately, and felt her heart beat as it had never beat before. Foolish and ignorant, while at the same time credulous and romantic; very near that fatal age—thirty years—which is almost certain to create in woman a great transformation; she now, aided by the memory of every romance she had ever read, created for herself an ideal who resembled D’Argenton. The expression of her face so changed in looking at him, her laughing eyes assumed so tender an expression, that her passion soon ceased to be a mystery to any one.

Moronval, who looked on, shrugged his shoulders, with a glance at his wife. “She is simply crazy,” he said to himself.

She certainly was crazed in a degree; and, after dinner, she tormented herself to find some way of returning to the good graces of D’Argenton, and, as he approached her in his walk, she said,—

“If M. d’Argenton wished to be very amiable, he would recite to us that beautiful poem which created such a sensation the other evening. I have thought of it all the week. There is one verse that haunts me, especially the final line:

‘And I believe in love,
As I believe in a good God above.’”

“As I believe in God above,” said the poet, making as horrible a grimace as if his finger had been caught in a vice.

The countess, who had but a vague idea of prosody, understood simply that she had again incurred the displeasure of D’Argenton. The fact is that he had begun to affect her in a manner quite beyond her own control, and which, in its unreasoning terror, was somewhat like the timid worship offered by the Japanese to their hideous idols.

Under the influence of his presence she was more foolish by far than nature had made her; her piquancy forsook her, and the versatility that rendered her so charmingly absurd was quite gone. But D’Argenton relented, and suspended his hygienic exercise for a moment.

“I shall be most happy to recite anything, madame, at your command; but what?”

Here Moronval interposed. “Recite the ‘Credo,’ my dear fellow,” he said.

“Very well, then; I am satisfied to obey you.”

The poem commenced gently enough with the words,—

“Madame, your toilette is charming.”

Then irony deepened to bitterness, bitterness to fury, and concluded in these terrific words:

“Good Lord, deliver me from this woman so terrible,
Who drains from my heart its life-blood.”

As if these extraordinary words had aroused in his memory most painful recollections, D’Argenton relapsed into silence, and said not another word the whole evening. Poor Ida was also thoughtful, haunted by vague fears of the noble ladies who had so warped the gentle spirit of her poet, so drained his heart that there was not a drop left for her.

“You know, my dear fellow,” said Moronval, as they strolled through the empty boulevards, arm-in-arm, that night, little Madame Moronval pattering on in front of them,—“you know if I can succeed in the establishment of my Review, that I shall make you editor-in-chief!”

Moronval threw the half of his cargo overboard in order to save his ship, for he saw that unless the poet was enlisted, the countess would take no interest in the scheme. D’Argenton made no reply, for he was absorbed in thoughts of Ida.

No man can play the part of a lyric poet, a martyr to love, without being conscious of, and touched by, that silent adoration which appeals to his vanity, both as a man of letters and a man of the world. Since he had seen Ida in her luxurious home, about which there was the same suspicion of vulgarity that clung about herself, the rigidity of his principles had amazingly softened.

CHAPTER VI.
AMAURY D’ARGENTON.

Amaury d’Argenton belonged to one of those ancient provincial families whose castles resembled great farms. Impoverished for the three last generations, they had finally sold their property, and come to Paris to seek their fortunes; with little change for the better, however; and for the last thirty years they had dropped the De, which Amaury ventured to resume on adopting his literary career. He meant to make it famous, and even was audacious enough to announce this intention aloud.

The childhood of the poet had been one of gloom and privation; surrounded by anxieties and by tears, by sordid cares, and that constant lack of money which imbitters the lives of so many of us, he had never laughed nor played like other children. A scholarship that was obtained for him enabled him to complete his studies, and his only recreation was obtained through the kindness of an aunt who resided in the Marais, and who gave him gloves and other trifles, which the poet very early in life learned to regard as essentials.

Such a childhood ripens early into bitter maturity. Infinite prosperity is needed to efface such early impressions, and we often see men who have attained to high honors, who are rich and powerful, and yet who have never conquered the timidity born of their early deprivations. D’Argenton’s bitterness was not without reason: at twenty-five he had succeeded in nothing; he had published a volume at his own expense, and had lived on bread and water in consequence for at least six months. He was industrious as well as ambitious; but something more than these qualities are essential to a poet, whose imagination and genius must be endowed with wings. These D’Argenton had not; he felt merely that vague uneasiness which indicates a missing limb, but that was all, and he lost both time and trouble in ineffectual efforts; his aunt aided him by a small allowance, but his life bore not the shadow of a resemblance to the picture drawn by Ida. In fact, D’Argenton had never been entangled in any serious love affair; his nature was cold and prudent, and yet he had been beloved by more than one woman. To D’Argenton, however, their society had always seemed a waste of time. Ida de Barancy was the first who had made upon him any real impression. Of this fact Ida had no idea, and whenever she met the poet on her very frequent visits to Jack, it was always with the same deprecating air and timid voice. The poet, while adopting an air of utter indifference, cultivated the affection and society of little Jack, whom he induced to talk freely of his mother.

Jack being extremely flattered, gladly gave every information in his power, and talked freely of the kind friend who was so good to mamma. The mention of this person cost the poet a strange pang. “He is so kind,” babbled Jack, “he comes to see us every day; or, if he does not come, he sends us great baskets of fruit, and playthings for me.”

“And is your mother very fond of him, too?” continued D’Argenton, without looking up from his writing.

“Yes, indeed, sir,” answered the little fellow, innocently.

But are we quite sure that he spoke so innocently. The minds of children are not always so transparent as we believe; and it is difficult to say when they understand matters that go on about them, and when they do not. That mysterious growth that is constantly going on within them, has unexpected seasons of bursting into flower, and they suddenly mass together the disconnected fragments of information they have acquired and intuitively attain the result.

Had Jack, therefore, no perception of the hidden rage that filled the heart of his professor when he questioned him in regard to their kind friend? Jack did not like D’Argenton; in addition to his first dislike, he was now actuated by strong jealousy. His mother was too much occupied by this man. When he passed the day with her, she in her turn plied him with questions, and asked if his teacher never spoke to him of her.

“Never,” said Jack, calmly. And yet that very day D’Argenton had desired him to present his compliments to the countess, with a copy of his poems; but Jack at first forgot the volume, and finally lost it, as much from cunning as from heedlessness.

Thus, while these two dissimilar natures were attracted toward each other, the child stood between them suspicious and defiant, as if he already foresaw what the future would bring about.

Every two weeks Jack dined with his mother, sometimes alone with her, sometimes with their friend. They went to the theatre in the evening, or to a concert, and Jack was sent back to school with his pockets full of dainties, in which the other children shared.

One evening, as he entered his mother’s house, he saw the dining-table laid for three, and a gorgeous display of flowers and crystal. His mother met him, exquisitely dressed, wearing in her hair sprays of white lilacs, like those that filled the vases. The blazing fire alone lighted the salon, into which she gayly drew the boy, as she said, “Guess who is here!”

“O, I know very well!” exclaimed Jack in delight; “it is our good friend.”

But it was D’Argenton, who sat in full evening dress on the sofa, near the fire. The enemy was in Jack’s own seat, and the child was so overwhelmed by his disappointment that he with difficulty restrained his tears. There was a moment of restraint and discomfort felt by all three. Just then the door was thrown open, and dinner announced by Augustin. The dinner was long and tedious to little Jack. Have you ever felt so entirely out of place that you would have gladly disappeared from off the face of the globe, painfully conscious, withal, that had you so vanished, no one would have missed you? When Jack spoke, no one listened; his questions were unheard and his wants unheeded. The conversation between his mother and D’Argenton was incomprehensible to him, although he saw that his mother blushed more than once, and hastily raised her glass to her lips as if to conceal her rising color. Where were those gay little dinners when Jack sat close at his mother’s side and reigned an absolute king at the table? This recollection came to the boy’s mind just as Madame de Barancy offered a superb pear to D’Argenton.

“That came from our friend at Tours,” said Jack, maliciously.

D’Argenton, who was about to peel the fruit, dropped it upon his plate with a shrug of the shoulders. What an angry glance Ida threw upon her child! She had never looked at him in that way before. Jack did not venture to speak again, and the evening to him was but a dreary continuation of the repast.

Ida and the poet talked in low voices, and in that confidential tone that indicates great intimacy. He told her of his sad childhood and of his early home. He described the ruined towers and the long corridors where the wind raged and howled. He then depicted his early struggles in the great city, the constant obstacles thrown in the way of the development of his genius, of his jealous rivals and literary enemies, and of the terrible epigrams which he had hurled upon them.

“Then I uttered these stinging words.” This time she did not interrupt him, but listened with a smile, and her absorption was so great that when he ceased speaking she still listened, although nothing was to be heard in the salon save the ticking of the clock and the rustling of the leaves of the album that Jack, half asleep, was turning over. Suddenly she rose with a start.

“Come, Jack, my love; call Constant to take you back to school. It is quite time.”

“O, mamma!” said the child, sadly; but he dared not say that he generally remained much later. He did not wish to be troublesome to his mother, nor to meet again such an expression in her ordinarily serene and laughing eyes, as had so startled him at the dinner-table.

She rewarded him for his self-control by a most loving embrace.

“Good night, my child!” said D’Argenton, and he drew the child toward him as if to embrace him, but suddenly, with a movement of repulsion, turned aside as he had done at dinner from the fruit.

“I cannot! I cannot!” he murmured, throwing himself back in his arm-chair and passing his handkerchief over his forehead.

Jack turned to his mother in amazement.

“Go, dear Jack. Take him away, Constant.” And while Madame de Barancy sought to conciliate her poet, the child returned with a heavy heart to his school; and in the cold dormitory, as he thought of the professor installed in his mother’s chimney-corner, said to himself, “He is very comfortable there. I wonder how long he means to stay!”

In D’Argenton’s exclamation and in his repugnance to Jack, there was certainly some acting, but there was also real feeling. He was very jealous of the child, who represented to him Ida’s past, not that the poet was profoundly in love with the countess. He, on the contrary, loved himself in her, and, Narcissus-like, worshipped his own image which he saw reflected in her clear eyes. But D’Argenton would have preferred to be the first to disturb those depths.

But these regrets were useless, though Ida shared them. “Why did I not know him earlier?” she said to herself over and over again.

“She ought to understand by this time,” said D’Argenton, sulkily, “that I do not wish to see that boy.”

But even for her poet’s sake Ida could not keep her child away from her entirely. She did not, however, go so often to the academy, nor summon Jack from school, as she had done, and this change was by no means the smallest of the sacrifices she was called upon to make.

As to the hotel she occupied, her carriage, and the luxury in which she lived, she was ready to abandon them all at a word from D’Argenton.

“You will see,” she said, “how I can aid you. I can work, and, besides, I shall not be completely penniless.”

But D’Argenton hesitated. He was, notwithstanding his apparent enthusiasm and recklessness, extremely methodical and clear-headed.

“No, we will wait a while. I shall be rich some day, and then—”

He alluded to his old aunt, who now made him an allowance and whose heir he would unquestionably be. “The good old lady was very old,” he added. And the two, Ida and D’Argenton, made a great many plans for the days that were to come. They would live in the country, but not so far away from Paris that they would be deprived of its advantages. They would have a little cottage, over the door of which should be inscribed this legend: Parva domus, magna quies. There he could work, write a book—a novel, and later, a volume of poems. The titles of both were in readiness, but that was all.

Then the publishers would make him offers; he would be famous, perhaps a member of the Academy—though, to be sure, that institution was mildewed, moth-eaten, and ready to fall.

“That is nothing!” said Ida; “you must be a member!” and she saw herself already in a corner on a reception-day, modestly and quietly dressed, as befitted the wife of a man of letters. While they waited, however, they regaled themselves on the pears sent by “the kind friend, who was certainly the best and least suspicious of men.”

D’Argenton found these pears, with their satiny skins, very delicious; but he ate them with so many expressions of discontent, and with so many little cutting remarks to Ida, that she spent much of her time in tears.

Weeks and months passed on in this way without any other change in their lives than that which naturally grew out of an increasing estrangement between Moronval and his professor of literature. The principal, daily expecting a decision from Ida on the subject of the Review, suspected D’Argenton of influencing her against the project, and this belief he ended by expressing to the poet.

One morning, Jack, who now went out but rarely, looked out of the windows with longing eyes. The spring sunshine was so bright, the sky so blue, that he longed for liberty and out-door life.

The leaf-buds of the lilacs were swelling, and the flower-beds in the garden were gently upheaved, as if with the movements of invisible life.

From the lane without came the sounds of children at play, and of singing-birds, all revelling in the sunshine. It was one of those days when every window is thrown open to let in the light and air, and to drive away all wintry shadows, all that blackness imparted by the length of the nights and the smoke of the fires.

While Jack was longing for wings, the door-bell rang, and his mother entered in great haste and much agitated, although dressed with great care. She came for him to breakfast with her in the Bois, and would not bring him back until night. He must ask Moronval’s permission first; but as Ida brought the quarterly payment, you may imagine that permission was easily granted.

“How jolly!” cried Jack; “how jolly!” and while his mother casually informed Moronval that M. d’Argenton had told her the evening previous that he was summoned to Auvergne, to his aunt who was dying, the boy ran to change his dress. On his way he met Mâdou, who, sad and lonely, was busy with his pails and brooms, and had not had time to find out that the air was soft and the sunshine warm. On seeing him, Jack had a bright idea.

“O, mamma, if we could take Mâdou!”

This permission was a little difficult to procure, so multifarious were the duties of the prince; but Jack was so persistent that kind Madame Moronval agreed for that day to assume the black boy’s place.

“Mâdou! Mâdou!” cried the child, rushing toward him. “Quick, dress yourself and come out in the carriage with us; we are going to breakfast in the Bois!”

There was a moment of confusion. Mâdou stood still in amazement, while Madame Moronval borrowed a tunic that would be suitable for him in this emergency. Little Jack danced with joy, while Madame de Barancy, excited like a canary by the noise, chattered on to Moronval, giving him details in regard to the illness of D’Argenton’s aunt.

At last they started, Jack and his mother seated side by side in the victoria, and Mâdou on the box with Augustin. The progress would hardly be regarded as a royal one, but Mâdou was satisfied. The drive itself was charming, the Avenue de l’Imperatrice was filled with people driving, riding, and walking. Children of all ages enlivened the scene. Babies, in their long white skirts, gazing about with the sweet solemnity of infancy, and older children fancifully dressed, with their tutors or nurses, crowded the pavements. Jack, in an ecstasy of delight, kissed his mother, and pulled Mâdou by the sleeve.

“Are you happy, Mâdou?”

“Yes, sir, very happy,” was the answer. They reached the Bois, in places quite green and fresh already. There were some spots where the tops of the trees were in leaf, but the foliage was so minute that it looked like smoke. The holly, whose crisp, stiff leaves had been covered with snow half the winter, jostled the timid and distrustful lilacs whose leaf-buds were only beginning to swell. The carriage drew up at the restaurant, and while the breakfast ordered by Madame de Barancy was in course of preparation, she and the children took a walk to the lake. At this early hour there were few of those superb equipages to be seen that appeared later in the day. The lake was lovely, with white swans dotting it here and there, and now and then a gentle ripple shook its surface, and miniature waves dashed against the fringe of old willows on one side.

What a walk! And what a breakfast served at the open windows! The children attacked it with the vigor of schoolboys. They laughed incessantly from the beginning to the end of the repast.

When breakfast was over, Ida proposed that they should visit the Jardin d’Acclimation.

“That is a splendid idea,” said Jack, “for Mâdou has never been there, and won’t he be amused!”

They drove through La Grande Allée in the almost deserted garden, which to the children was full of interest. They were fascinated by the animals, who, as they passed, looked at them with sleepy or inquisitive eyes, or smelled with pink nostrils at the fresh bread they had brought from the restaurant.

Mâdou, who at first had made a pretence of interest only to gratify Jack, now became absorbed in what he saw. He did not need to examine the blue ticket over the little inclosures to recognize certain animals from his own land. With mingled pain and pleasure he looked at the kangaroos, and seemed to suffer in seeing them in the limited space which they covered in three leaps.

He stood in silence before the light grating where the antelopes were inclosed. The birds, too, awakened his compassion. The ostriches and cassowaries looked mournful enough in the shade of their solitary exotic; but the parrots and smaller birds in a long cage, without even a green leaf or twig, were absolutely pitiful, and Mâdou thought of the Academy Moronval and of himself. The plumage of the birds was dull and torn; they told a tale of past battles, of dismal flutterings against the bars of their prison-house. Even the rose-colored flamingoes and the long-billed ibex, who seem associated with the Nile and the desert and the immovable sphinx, all assumed a thoroughly commonplace aspect among the white peacocks and the little Chinese ducks that paddled at ease in their miniature pond.

By degrees the garden filled up with people, and there suddenly appeared at the end of the avenue so strange and fantastic a spectacle that Mâdou stood still in silent ecstasy. He saw the heads of two elephants, who were slowly approaching, waving their trunks slowly, and bearing on their broad backs a crowd of women with light umbrellas, of children with straw hats and colored ribbons. Following the elephant came a giraffe carrying his small and haughty head very high. This singular caravan wound through the circuitous road, with many nervous laughs and terrified cries.

Under the glowing sunlight every tint of color was thrown out in relief upon the thick and rugged skin of the elephants, who extended their trunks either toward the tops of the trees or to the pockets of the spectators, shaking their long ears when gently touched by some child, or by the umbrella of some laughing girl on their backs.

“What is the matter, Mâdou; you tremble. Are you ill?” asked Jack. Mâdou was absolutely faint with emotion, but when he learned that he too could mount the clumsy animals, his grave face became almost tragic in expression. Jack refused to accompany him, and remained with his mother, whom he considered too grave for this fête-day. He liked to walk close at her side, or linger behind her in the dust of her long silken skirts, which she disdained to lift. They seated themselves, and watched the little black boy climb on the back of the elephant. Once there, the child seemed in his native place. He was no longer an exile, nor the awkward schoolboy, nor the little servant, humiliated by his menial duties and by his master’s tyranny. He seemed imbued with new life, and his eyes sparkled with energy and determination. Happy little king! Two or three times he went around the garden. “Again! again!” he cried, and over the little bridge, between the inclosures of the kangaroos and other animals, he went to and fro, excited almost to madness by the heavy long strides of the elephant. Kérika, Dahomey, war-like scenes, and the hunt, all returned to his memory. He spoke to the elephant in his native tongue, and as he heard the sweet African voice, the huge creature shut his eyes with delight and trumpeted his pleasure. The zebras neighed, and the antelopes started in terror, while from the great cage of tropical birds, where the sun shone most fully, came warblings and flutterings of wings, discordant screams, and an enraged chatter, all the tumult, in short, on a small scale, of a primeval forest in the tropics.

But it was growing late. Mâdou must awaken from this beautiful dream. Besides, as soon as the sun dropped behind the horizon, the wind rose keen and cold, as so often happens in the early spring. This wintry chill affected the spirits of the children, and they grew strangely quiet and sad. Madame de Barancy for a wonder was also very silent. She had something she wished to say, and she probably found some difficulty in selecting her words, for she left them unsaid until the last moment. Then she took Jack’s hand in hers. “Listen, child, I have some bad news to tell you!”

He understood at once that some great misfortune was impending, and he turned his supplicating eyes toward his mother. She continued in a low, quick voice,—

“I am going away, my son, on a long journey; I am obliged to leave you behind, but I will write to you. Do not cry, dear, for it hurts me; I shall not be gone long, and we shall soon see each other again. Yes, very soon, I promise you.” And she threw out mysterious hints of a fortune to come, and money affairs, and other things that were not at all interesting to the child, who in reality paid little attention to her words, for he was weeping silently but chokingly. The gay streets seemed no longer the Paris of the morning, the sunshine was gone, the flowers on the corner-stands were faded, and all was very dreary, for he saw through eyes dim with tears, and the child was about to lose his mother.

CHAPTER VII.
MÂDOU’S FLIGHT.

Some time after this a letter arrived at the academy from D’Argenton.

The poet wrote to announce that the death of a relative had so changed the position of his private affairs that he must offer his resignation as Professor of Literature. In a somewhat abrupt postscript he added that Madame de Barancy was obliged to leave Paris for an indefinite time, and that she confided her little Jack to M. Moronval’s paternal care. In case of illness or accident to the child, a letter could be forwarded to the mother under cover to D’Argenton.

“The paternal care of Moronval!” Had the poet laughed aloud as he penned these words? Did he not know perfectly well the child’s fate at the academy as soon as it was understood that his mother had left Paris, and that nothing more was to be expected from her?

The arrival of this letter threw Moronval into a terrible fit of rage, which rage shook the equilibrium of the academy as a violent tornado might have done in the tropics.

The countess gone! and gone too, apparently, with that brainless fellow, who had neither wit nor imagination. Was it not shameful that a woman of her years—for she was by no means in her earliest youth—should be so heartless as to leave her child alone in Paris, among strangers.

But even while he pitied Jack, Moronval said to himself, “Wait a while, young man, and I will show you how paternally I shall manage you.”

But if he was enraged when he thought of the Review, his cherished project, he was more indignant that D’Argenton and Ida should have made use of him and his house to advance their own plans. He hurried off to the Boulevard Haussmann to learn all he could; but the mystery was no nearer elucidation.

Constant was expecting a letter from her mistress, and knew only that she had broken entirely with all past relations; that the house was to be given up, and the furniture sold.

“Ah! sir,” said Constant, mournfully, “it was an unfortunate day for us when we set foot in your old barracks!”

The preceptor returned home convinced that at the termination of the next quarter Jack would be withdrawn from the school. Deciding, therefore, that the child was no longer a mine of wealth, he determined to put an end to all the indulgences with which he had been treated. Poor Jack after this day sat at the table no longer as an equal, but as the butt for all the teachers. No more dainties, no more wine for him. There were constant allusions made to D’Argenton: he was selfish and vain, a man totally without genius; as to his noble birth, it was more than doubtful; the château in the mountains, of which he discoursed so fluently, existed only in his imagination. These fierce attacks on the man whom he detested, amused the child; but something prevented him from joining in the servile applause of the other children, who eagerly laughed at each one of Moronval’s witticisms. The fact was, that Jack dreaded the veiled allusions to his mother with which these remarks invariably terminated. He, to be sure, rarely caught their full meaning, but he saw by the contemptuous laughter that they were far from kindly. Madame Moronval would sometimes interrupt the conversation by a friendly word to Jack, or by sending him on some trifling errand. During his absence, she administered a reproof to her husband and his friends.

“Pshaw!” said Labassandre, “he does not understand.” Perhaps he did not fully, but he comprehended enough to make his heart very sore.

He had known for a long time that he had a father whose name was not the same as his own, that his mother had no husband; and, one day, when one of the schoolboys made some taunting allusion, he flew at him in a rage. The boy was nearly choked; his cries summoned Moronval to the scene, and Jack for the first time was severely flogged.

From that day the charm was broken, and Jack’s daily life did not greatly differ from that of Mâdou, who was at this time very unhappy. The pleasant weather, and the day at the Jardin d’Aclimation, had given him a terrible fit of homesickness. His melancholy at first took the form of a sullen revolt against his exacting masters. Suddenly all this was changed, the boy’s eyes grew bright, and he seemed to go about the house and the garden as if in a dream.

One night the black boy was undressing, and Jack heard him singing to himself in a language that was strange.

“What are you singing, Mâdou?”

“I am not singing, sir; I’m talking negro talk!” and Mâdou confided to his friend his intention of running away from school. He had thought of it for some time, and was only waiting for pleasant weather; and now he meant to go to Dahomey, and find Kérika. If Jack would go with him, they would go to Marseilles on foot, and then go on board some vessel. Nothing could happen to them, for he had his amulet all safe. Jack made many objections. Dahomey had no charms for him. He thought of the copper basin, and the terrible heads, with an emotion of sick horror; and, besides, how could he go so far from his mother?

“Good,” said Mâdou; “you can remain here, and I will go alone.”

“And when?”

“To-morrow,” answered the negro, resolutely closing his eyes as if he knew that he would need all the strength that sleep could give him.

The next morning, when Jack passed through the large recitation-room, he saw Mâdou busily scrubbing the floor, and concluded that he had relinquished his project.

The classes were busy for an hour or two, when Moronval appeared. “Where is Mâdou?” he asked abruptly. “He has gone to market,” answered madame. Jack, however, said to himself that Mâdou would not return.

In a little while Moronval came back and asked the same question. His wife answered, uneasily, that she could not understand the boy’s prolonged absence.

Dinner-time came, but no Mâdou, no vegetables, and no meat.

“Something must have happened,” said Madame Moronval, more indulgent than her impatient husband, who paced up and down the corridor with his rod in his hand, while the hungry schoolboys were quite ready to devour each other. Finally, Madame Moronval sallied forth herself to buy some provisions; and on her return, burdened with packages, she was greeted by an enthusiastic shout from the children, who, when the fierceness of their hunger abated, ventured on surmises as to Mâdou’s whereabouts. Moronval shrewdly suspected the truth. “How much money did he have?” he asked.

“Fifteen francs,” was his wife’s timid answer.

“Fifteen francs! Then it is certain he has run away!”

“But where has he gone?” asked the doctor; “he could hardly reach Dahomey with that amount.”

Moronval scowled fiercely, and went to report to the police, for it was very essential to him that the child should be found, or, at all events, prevented from reaching Marseilles. Moronval was in wholesome fear of Monsieur Bonfils. “The world is so wicked, you know,” he said to his wife; “the boy might make some complaints which would injure the school.” Consequently, in making his report at the police office, he stated that Mâdou had carried away a large sum. “But,” he added, assuming an air of indifference, “the money part of the matter is of very little importance, compared to the dangers that the poor child runs—this dethroned king without country or people;” and Moronval dashed away a tear.

“We will find him, my good sir,” said the official; “have no anxiety.”

But Moronval was anxious, nevertheless, and so agitated, that, instead of awaiting quietly at home the result of the investigations, as he had been advised to do, he started out himself, with all the children to join in the search.

They went to each one of the gates, interrogated the custom-house officers, and gave them a description of Mâdou. Then the party repaired to the police court, for Moronval had the singular idea that in this way his pupils might learn something of Parisian life. The children, fortunately, were too young to understand all they saw, but they carried away with them a most sinister impression. Jack especially, who was the most intelligent of the boys, returned to the academy with a heavy heart, shocked at the glimpse he had caught of this under-current of life. Over and over again he said to himself, “Where can Mâdou be?”

Then the child consoled himself with the thought that the negro was far on the road to Marseilles; which road little Jack pictured to himself as running straight as an arrow, with the sea at its termination, and the vessel lying ready to sail. Only one thing disturbed him in regard to Mâdou’s journey: the weather, that had been so fine the day of his departure, had suddenly changed; and now the rain fell in torrents,—hail too, and even snow; and the wind blew around their frail dwelling, causing the poor little children of the sun to shiver in their sleep, and dream of a rocking ship and a heavy sea. Curled up under his blankets one night, listening to the howling of the fierce wind, Jack thought of his friend, imagined him half frozen lying under a tree, his thin clothing thoroughly wet. But the reality was worse than this.

“He is found!” cried Moronval, rushing into the dining-room, one morning. “He is found; I have just been notified by the police. Give me my hat and my cane!”

He was in a state of great excitement. As much from the desire to flatter the master, as from the love of noise that characterizes boys, the children hailed this news with a wild hurrah. Jack did not speak, but sighed as he said to himself, “Poor Mâdou!”

Mâdou had been, in fact, at the station-house since the evening before. It was there, amid criminals of all grades, that the presumptive heir of the kingdom of Dahomey was found by his excellent tutor.

“Ah, my unfortunate child! have I found you at last?”

The worthy Moronval could say no more; and, on seeing him throw his long arms eagerly about the neck of the little black boy, the inspector of police could not help thinking: “At last I have seen one teacher who loves his pupils!” Mâdou, however, displayed the utmost indifference. His face was positively without expression; not a ray of shame or of apprehension was visible. His eyes were wide open, but he seemed to see nothing; his face was pale—and the pallor of a negro is something appalling. He was covered with mud from head to foot, and looked like some amphibious animal who, after swimming in the water, had rolled in the mud on the shore. No hat, and no shoes. What had happened to him? He alone could have told you, and he would not speak. The policeman said, that, making his rounds the evening before, he had found the boy hidden in a lime-kiln, that he was half-starved, and stupefied by the excessive heat. Why had he lingered in Paris?

This question Moronval did not ask; nor, indeed, did he speak one word to Mâdou during their long drive to the academy. The boy was so worn out and crushed that he sank into a corner, while Moronval glanced at him occasionally with an expression of rage that at any other time would have terrified him.

Moronval’s glance was like a keen rapier, with a flash like lightning, crossing a poor little broken blade, shivered and rusty.

When Jack saw the pitiful black face, the rags and the dirt, he could hardly recognize the little king. Mâdou, as he passed, said good morning in so mournful a tone that Jack’s eyes filled with tears. The children saw nothing more of the black boy that day. Recitations went on in their usual routine, and at intervals the sound of a lash was heard, and heavy groans from Moronval’s private study. Madame Moronval turned pale, and the book she held trembled. Even when all was again silent, Jack fancied that he still heard the groans.

At dinner the principal was radiant, though seemingly exhausted by fatigue. “The little wretch!” he said to Dr. Hirsch and his wife. “The little wretch! Just, see the state he has put me into!”

That night Jack found the bed next to his occupied. Poor Mâdou had put his master into such a state that he himself had not been able to go to bed without assistance. Madame Moronval and Dr. Hirsch were there watching the lad, whose sleep was broken by those heavy sighs and sobs common to children after a day of painful excitement.

“Then, Dr. Hirsch, you don’t think him ill?” asked Madame Moronval, anxiously.

“Not in the least, madame; that race has a covering like a monitor!”

When they were alone, Jack took Mâdou’s hand and found it as burning hot as a brick from the furnace. “Dear Mâdou,” he whispered. Mâdou half opened his eyes and looked at his friend with an expression of utter discouragement.

“It’s all over with Mâdou,” he murmured; “Mâdou has lost his Gri-gri, and will never see Dahomey again.”

This was the reason, then, that he had not left Paris. Two hours after he had run away from the academy, the fifteen francs of market-money and his medal had been stolen from him. Then, relinquishing all idea of Marseilles, of the ship and of the sea, knowing that without his Gri-gri Dahomey was unattainable, Mâdou had spent eight days and nights in the lowest depths of Paris, looking for his amulet. Fearing that Moronval would discover his whereabouts, he hid during the day and ventured into the streets only after nightfall. He slept by the side of piles of bricks and mortar, which partly protected him from the wind; or crawled into an open doorway, or under the arches of a bridge.

Favored by his size and by his color, Mâdou glided about almost unseen; he had associated with criminals of all classes, and had escaped without contamination, for he thought only of finding his amulet. He had shared a crust of bread with assassins, and drank with robbers; but the little king escaped from these dangers as he had from others in Dahomey, where, when hunting with Kérika, he had been awakened by the trumpeting of elephants and the roaring of wild beasts, and saw, under some gigantic tree, the dim shadow of some strange animal passing between himself and the bivouac fires; or caught a glimpse of some great snake slowly winding through the underbrush. But the monsters to be found in Paris are more terrible even than those in the African forests; or they would have been, had he understood the dangers he incurred. But he could not find his Gri-gri. Mâdou could not talk much, his exhaustion was so great; and Jack fell asleep with his curiosity but partially satisfied.

In the middle of the night he was awakened suddenly by a shout from Mâdou, who was singing and talking in his own language with frightful volubility. Delirium had begun.

In the morning, Dr. Hirsch announced that Mâdou was very ill. “A brain-fever!” he said, rubbing his hands in glee.

This Dr. Hirsch was a terrible man. His head was stuffed full of all sorts of Utopian ideas, of impracticable theories, and notions absolutely without method. His studies had been too desultory to amount to anything. He had mastered a few Latin phrases, and covered his real ignorance by a smattering of the science of medicine as practised among the Indians and the Chinese. He even had a strong leaning toward the magic arts, and when a human life was intrusted to his care he took that opportunity to try some experiments. Madame Moronval was inclined to call in another physician, but the principal, less compassionate, and unwilling to incur the additional expense, determined to leave the case solely in the hands of Dr. Hirsch. Wishing to have no interference, this singular physician pretended that the disease was contagious, and ordered Mâdou’s bed to be placed at the end of the garden in an old hot-house. For a week he tried on his little victim every drug he had ever heard of, the child making no more resistance than a sick dog would have done. When the doctor, armed with his bottles and his powders, entered the hot-house, the “children of the sun,” to whose minds a physician was always more or less of a magician, gathered about the door and listened, saying to each other in awed tones, “What is he going to do now to Mâdou?” But the doctor locked the door, and peremptorily ordered the children from its vicinity, telling them that they would be ill too, that Mâdou’s illness was contagious; and this last idea added additional mystery to that corner of the garden.

Jack, nevertheless, desired to see his friend so much that he alone of all the boys would have gladly passed the threshold, had it not been too closely guarded. One day, however, he seized an occasion when the doctor had gone in search of some forgotten drug, and crept softly into the improvised infirmary.

It was one of those half rustic buildings which are used as a shelter for rakes and hoes, or even to house some tender plants. Close by the side of Mâdou’s iron bed, in the corner, was a pile of earthen flowerpots; a broken trellis, some panes of glass, and a bundle of dried roots, completed the dismal picture; and in the chimney, as if for the protection of some fragile tropical plant, flickered a tiny fire.

Mâdou was not asleep. His poor little thin face had still the same expression of absolute indifference. His black hands, tightly clenched, lay on the outside of the bedclothes. There was a look of a sick animal in his whole attitude, and in the manner in which he turned his face toward the wall, as if an invisible road was open to his eyes through the white stones, and every chink in the wall had become a brilliant outlook toward a country known to him alone.

Jack whispered, “It is I, Mâdou,—little Jack.”

The child looked at him vacantly; he no longer understood the French language. In his fever, all recollection of it had vanished. Instinct had effaced all that art had inculcated, and Mâdou understood and spoke nothing save his savage dialect. At this moment, another of “the children of the sun,” Said, encouraged by Jack’s example, followed him into the sick-room, but, startled and disturbed by the strange scene, retreated to the doorway, and stood with affrighted eyes.

Mâdou drew one long, shivering sigh.

“He is going to sleep, I think,” whispered Said, shivering with terror; for, older than Jack, he intuitively felt the cold blast from the wings of Death, which already fanned the brow of the sick boy.

“Let us go,” said Jack, pale and troubled; and they hastily ran down the garden-walk, leaving their comrade alone in the twilight. Night came on. In that silent room, which the children had left, the fire crackled cheerfully, burning brightly, and illuminating every corner as if in search of something that was hidden. The light flickered on the ceiling and was reflected on every small window-pane, glanced over the little bed, and brought out the color of Mâdou’s red sleeve, until tired apparently of its fruitless search, discouraged and exhausted, and convinced that its heat was useless, for no one was there to warm. The fire gave one last expiring flicker, and then, like the poor little half-frozen king, who had so loved it, sank into eternal rest.

Poor Mâdou! The irony of destiny pursued him even after death, for Moronval hesitated whether the interment should be that of a royal prince or of a servant. On one side there were reasons of economy; on the other, vanity and policy had a word to say. After much indecision, Moronval decided to strike a great blow, thinking that, perhaps, as he had not profited much by the prince living, he might gain something from him dead. So a pompous funeral was arranged. All the daily papers published a biography of the little king of Dahomey. It was a short one, to be sure, but lengthened by a panegyric of the Moronval Institute, and of its principal. The discipline of the establishment was commended; its hygienic regulations, the peculiar skill of its medical adviser,—nothing had been forgotten, and the unanimity of the eulogiums was something quite touching.

One day in May, therefore, Paris, which, notwithstanding its innumerable occupations and its feverish excitements, has always one eye open to all that goes on,—Paris saw on its principal boulevards a singular procession. Four black boys walked by the side of a bier. Behind, a taller lad, a tone lighter in complexion, wearing a fez,—our friend Said,—carried on a velvet cushion an order or two, some royal insignia fantastic in character. Then came Moronval, with Jack and the other schoolboys. The professors followed with the habitués of the house, the literary men whom we met at the soiree. How shabby were these last! How many worn-out coats and worn-out hearts were there! How many disappointed hopes and unattainable ambitions! All these slowly marched on, embarrassed by the full light of day to which they were unaccustomed; and this melancholy escort precisely suited the little deposed king. Were not all of these persons pretendents, too, to some imaginary kingdom to which they would never succeed? Where but in Paris could such a funeral be seen? A king of Dahomey escorted to the grave by a procession of Bohemians!

To increase the dreariness of the scene, a fine cold rain began to fall, as if fate pursued the little prince, who so hated cold weather, even to the very grave. Yes, to the grave; for when the coffin had been lowered, Moronval pronounced a discourse so insincere and hard that it would not have warmed you, my poor Mâdou! Moronval spoke of the virtues and estimable qualities of the defunct, of the model sovereign he would one day have made had he lived. To those who had been familiar with that pitiful little face, who had seen the child abased by servitude, Moronval’s discourse was at once heart-breaking and absurd.

CHAPTER VIII.
JACK’S DEPARTURE.

The only sincere grief for the negro boy was felt by little Jack. The death of his comrade had impressed him to an extraordinary degree, and the lonely deathbed he had witnessed haunted him for days. Jack knew too that now he must bear alone all Moronval’s whims and caprices, for the other pupils all had some one who came occasionally to see them, and who would report any brutalities of which they were the victims. Jack’s mother never wrote to him nowadays, and no one at the Institute knew even where she was. Ah! had he but been able to ascertain, how quickly would the child have gone to her, and told her all his sorrows. Jack thought of all this as they returned from the cemetery. Labassandre and Dr. Hirsch were in front of him, talking to each other.

“She is in Paris,” said Labassandre, “for I saw her yesterday.”

Jack listened eagerly.

“And was he with her?”

She—he. These designations were certainly somewhat vague, and yet Jack knew of whom they were speaking. Could his mother be in Paris and yet not have hastened to him? All the way back to the Institute he was meditating his escape.

Moronval, surrounded by his professors and friends, walked at the head of the procession, and turned occasionally to look back upon them with a rallying gesture. This gesture was repeated by Said to the little boys, whose legs were very weary with the distance they had walked. They would increase their speed for a few rods, and then gradually drop off again. Jack contrived to linger more and more among the last.

“Come!” cried Moronval.

“Come, come!” repeated Said.

At the entrance of the Champs Elysées Saïd turned for the last time, gesticulating violently to hasten the little group. Suddenly the Egyptian’s arms fell at his side in amazement, for Jack was missing!

At first the child did not run, he was sagacious enough to avoid any look of haste. He affected, on the contrary, a lounging air. But as he drew nearer the Boulevard Haussmann, a mad desire to run took possession of him, and his little feet, in spite of himself, went faster and faster. Would the house be closed? And if Labassandre were mistaken, and his mother not in Paris, what would become of him? The alternative of a return to the academy never occurred to him. Indeed, if he had thought of it, the remembrance of the heavy blows and heartfelt sobs that he had heard all one afternoon would have filled him with terror.

“She is there,” cried the child, in a transport of joy, as he saw all the windows of the house open, and the door also as it was always when his mother was about going out. He hastened on, lest the carriage should take her away before he could arrive. But as he entered the vestibule, he was struck by something extraordinary in its appearance. It was full of people all busily talking. Furniture was being carried away: sofas and chairs, covered for a boudoir in such faint and delicate hues that in the broad light of day they looked faded. A mirror, framed in silver, and ornamented with cupids, was leaning against one of the stone pillars; a jardinière without flowers, and curtains that had been taken down and thrown over a chair, were near by. Several women richly dressed were talking together of the merits of a crystal chandelier.

Jack, in great astonishment, made his way through the crowd, and could hardly recognize the well-known rooms, such was their disorder. The visitors opened the drawers wide, tapped on the wood of the sideboard, felt of the curtains, and sometimes, as she passed the piano, a lady, without stopping or removing her gloves, would lightly strike a chord or two. The child thought himself dreaming. And his mother, where was she? He went toward her room, but the crowd surged at that moment in the same direction. The child was too little to see what attracted them, but he heard the hammer of the auctioneer, and a voice that said,—

“A child’s bed, carved and gilded, with curtains!”

And Jack saw his own bed, where he had slept so long, handled by rough men. He wished to exclaim,

“The bed is mine—my very own—I will not have it touched;” but a certain feeling of shame withheld him, and he went from room to room looking for his mother, when suddenly his arm was seized.

“What! Master Jack, are you no longer at the school?”

It was Constant, his mother’s maid—Constant, in her Sunday dress, wearing pink ribbons, and with an air of great importance.

“Where is mamma?” asked the child, in a low voice, a voice that was so pitiful and troubled that the woman’s heart was touched.

“Your mother is not here, my poor child,” she said.

“But where is she? And what are all these people doing?”

“They have come for the auction. But come with me to the kitchen, Master Jack, we can talk better there.”

There was quite a party in the kitchen,—the old cook, Augustin, and several servants in the neighborhood. They were drinking champagne around the same table where Jack’s future had been one evening decided. The child’s arrival made quite a sensation. He was caressed by them all, for the servants were really attached to his kind-hearted mother. As he was afraid that they would take him back to the Institute, Jack took good care not to say that he had run away, and merely spoke of an imaginary permission he had received to enable him to visit his mother.

“She is not here, Master Jack,” said Constant, “and I really do not know whether I ought—” Then, interrupting herself, Constant exclaimed, “O! it is too bad. I cannot keep this child from his mother!”

Then she informed little Jack that madame was at Etiolles.

The child repeated the name over and over again to himself. “Is it far from here?” he asked.

“Eight good leagues,” answered Augustin.

But the cook disputed this point; and then followed an animated discussion as to the route to be taken to reach Etiolles. Jack listened eagerly, for he had already decided to attempt the journey alone and on foot.

“Madame lives in a pretty little cottage just at the edge of a wood,” said Constant.

Jack understood by this time which side of Paris he should go out. This and the name of the village were the two distinct ideas he had. The distance did not frighten him. “I can walk all night,” he said to himself, “even if my legs are little.” Then he spoke aloud. “I must go now,” he said, “I must go back to school.” One question, however, burned on his lips. Was Argenton at Etiolles? Should he find this powerful barrier between his mother and himself? He dared not ask Constant, however. Without understanding the truth precisely, he yet felt very keenly that this was not the best side of his mother’s life, and he avoided all mention of it.

The servants said “good-bye,” the coachman shook hands with him, and then the boy found himself in the vestibule among a bustling crowd. He did not linger in this chaos, for the house had no longer any interest for him, but hurried into the street, eager to start on the journey that would end by placing him with his mother.

Bercy! Yes, Bercy was the name of the village the cook had mentioned as the first after leaving Paris. The way was not difficult to find, although it was a good distance off, but the fear of being caught by Moronval spurred him on. An inquisitive look from a policeman startled him, a shadow on the wall, or a hurried step behind, made his heart beat, and over and above the noise and confusion of the streets he seemed to hear the cry of “Stop him! Stop him!” At last he climbed over the bank and began to run on the narrow path by the water’s edge. The day was coming to an end. The river was very high and yellow from recent rains, the water rolled heavily against the arches of the bridge, and the wind curled it in little waves, the tops of which were just touched by the level rays of the setting sun. Women passed him bearing baskets of wet linen, fishermen drew in their lines, and a whole river-side population, sailors and bargemen, with their rounded shoulders and woollen hoods, hurried past him. With these there was still another class, rough and ferocious of aspect, who were quite capable of pulling you out of the Seine for fifteen francs, and of throwing you in again for a hundred sous. Occasionally one of these men would turn to look at this slender schoolboy who seemed in such a hurry.

The appearance of the shore was continually changing. In one place it was black, and long planks were laid to boats laden with charcoal. Farther on, similar boats were crowded with fruit, and a delicious odor of fresh orchards was wafted on the air. Suddenly there was a look of a great harbor; steamboats were loading at the wharves; a few rods more, and a group of old trees bathed their distorted roots in a limpid stream, and one could easily fancy one’s self twenty leagues from Paris, and in an earlier century.

But night was close at hand.

The arches of the bridges vanished in darkness; the bank was deserted, and illuminated only by that vague light which comes from even the very darkest body of water.

But still the child toiled on, and at last found himself on a long wharf, covered with warehouses and piled with merchandise. He had reached Bercy, but it was night, and he was filled with terror lest he should be stopped at the gate; but the little fugitive was hardly noticed. He passed the barrier without hindrance, and soon found himself in a long, narrow street, solitary and dimly lighted. While the child was in the life and motion of the city, he was terrified only by one thought, and that was that Moronval would find him. Now he was still afraid, but his fear was of another character—born of silence and solitude.

Yet the place where he now found himself was not the country. The street was bordered with houses on both sides, but as the child slowly toiled on, these buildings became farther and farther apart, and considerably lower in height. Although barely eight o’clock, this road was almost deserted. Occasional pedestrians walked noiselessly over the damp ground, while the dismal howling of a dog added to the cheerlessness of the scene. Jack was troubled. Each step that he took led him further from Paris, its light and its noise. He reached the last wineshop. A broad circle of light barred the road, and seemed to the child the limits of the inhabited world.

After he had passed that shop, he must go on in the dark. Should he go into the shop and ask his way? He looked in. The proprietor was seated at his desk; around a small table sat two men and a woman, drinking and talking. When Jack lifted the latch, they looked up; the three had hideous faces—such faces as he had seen at the police stations the day they were looking for Mâdou. The woman, above all, was frightful.

“What does he want?” said one of the men.

The other rose; but little Jack with one bound leaped the stream of light from the open door, hearing behind him a volley of abuse. The darkness now seemed to the child a refuge, and he ran on quickly until he found himself in the open country. Before him stretched field after field; a few small, scattered houses, white cubes, alone varied the monotony of the scene. Below was Paris, known by its long line of reddish vapor, like the reflection of a blacksmith’s forge. The child stood still. It was the first time that he had ever been alone out of doors at night. He had neither eaten nor drank all day, and was now suffering from intense thirst. He was also beginning to understand what he had undertaken.

Had he strength enough to reach his mother?

He finally decided to lie down in a furrow in the bank on the side of the road, and sleep there until daybreak. But as he went toward the spot he had selected, he heard heavy breathing, and saw that a man was stretched out there, his rags making a confused mass of dark shadow against the white stones.

Jack stood petrified, his heart in his mouth, unable to take a step forward or back. At this instant the sleeping figure began to move, and to talk, still without waking. The child thought of the woman in the wine-shop, and feared that this creature was she, or some other equally repulsive.

The shadows all about were now to his fancy peopled with these frightful beings. They climbed over the bank, they barred his further progress. If he extended his hand to the right or the left, he felt certain that he should touch them. A light and a voice aroused the child from this stupor. An officer, accompanied by his orderly, bearing a lantern, suddenly appeared.

“Good evening, gentlemen,” said the child, gently, breathless with emotion.

The soldier who carried the lantern raised it in the direction of the voice.

“This is a bad hour to travel, my boy,” remarked the officer; “are you going far?”

“O, no, sir; not very far,” answered Jack, who did not care to tell the truth.

“Ah, well! we can go on together as far as Charenton.”

What a delight it was to the child to walk for an hour at the side of these two honest soldiers, to regulate his steps by theirs, and to see the cheerful light from the lantern! From the soldier, too, he casually learned that he was on the right road.

“Now we are at home,” said the officer, halting suddenly. “Good night. And take my advice, my lad, and don’t travel alone again at night—it is not safe.” And with these parting words, the men turned up a narrow lane, swinging the lantern, leaving Jack alone at the entrance of the principal street in Charenton. The child wandered on until he found himself on the quay; he crossed a bridge which seemed to him to be thrown over an abyss, so profound were the depths below. He lingered for a moment, but rough voices singing and laughing so startled him that he took to his heels and ran until he was out of breath, and was again in the open fields. He turned and looked back; the red light of the great city was still reflected on the horizon. Afar off he heard the grinding of wheels. “Good!” said the child; “something is coming.” But nothing appeared. And the invisible wagon, whose wheels moved apparently with difficulty, turned down some unseen lane.

Jack toiled on slowly. Who was that man that stood waiting for him at the turning of the road? One man! Nay, there were two or three. But they were trees,—tall, slender poplars,—or a clump of elms—those lovely old elms which grow to such majestic beauty in France; and Jack was environed by the mysteries of nature,—nature in the springtime of the year, when one can almost hear the grass grow, the buds expand, and the earth crackle as the tender herbage shoots forth. All these faint, vague noises bewildered little Jack, who began to sing a nursery rhyme with which his mother formerly rocked him to sleep.

It was pitiful to hear the child, alone in the darkness, encouraging himself by these reminiscences of his happy, petted infancy. Suddenly the little trembling voice stopped.

Something was coming—something blacker than the darkness itself, sweeping down on the child as if to swallow him up. Cries were heard; human voices, and heavy blows. Then came a drove of enormous cattle, which pressed against little Jack on all sides; he feels the damp breath from their nostrils; their tails switch violently, and the heat of their bodies, and the odor of the stable, is almost stifling. Two boys and two dogs are in charge of these animals; the dogs bark, and the uncouth peasants yell, until the noise is appalling.

As they pass on, the child is absolutely stupefied by terror. These animals have gone, but will there not be others? It begins to rain, and Jack, in despair, fails on his knees, and wishes to die. The sound of a carriage, and the sight of two lamps like friendly eyes coming quickly toward him, revives him suddenly. He calls aloud.

The carriage stops. A head, with a travelling cap drawn closely down over the ears, bends forward to ascertain the whereabouts of the shrill cry.

“I am very tired,” pleaded Jack; “would you be so kind as to let me come into your carriage?”

The man hesitated, but a woman’s voice came to the child’s assistance. “Ah, what a little fellow! Let him come in here.”

“Where are you going?” asked the traveller.

The child hesitated. Like all fugitives, he wished to hide his destination. “To Villeneuve St George,” he answered, nervously.

“Come on, then,” said the man, with gruff kindness.

The child was soon curled up under a comfortable travelling rug, between a stout lady and gentleman, who both examined him curiously by the light of the little lamp.

Where was he going so late, and all alone, too? Jack would have liked to tell the truth, but he was in too great fear of being carried back to the Institute. Then he invented a story to suit the occasion. His mother was very ill in the country, where she was visiting. He had been told of this the night before, and he had at once started off on foot, because he had not patience to wait for the next day’s train.

“I understand,” said the lady. And the gentleman looked as if he understood also, but made many wise observations as to the imprudence of running about the country alone, there were so many dangers. Then he was asked in what house in Villeneuve his mother’s friends resided.

“At the end of the town,” answered Jack, promptly,—“the last house on the right.”

It was lucky that his rising color was hidden by the darkness. His cross-examination, however, was by no means over. The husband and wife were great talkers, and, like all great talkers, extremely curious, and could not be content until they had learned the private affairs of all those persons with whom they came in contact. They kept a little store, and each Saturday went into the country to get rid of the dust of the week; but they were making money, and some day would live altogether at Soisy-sous-Etiolles.

“Is that place far from Etiolles?” asked Jack, with a start.

“O, no, close by,” answered the gentleman, giving a friendly cut with his whip to his beast.

What a fatality for Jack! Had he not told the falsehood, he could have gone on in this comfortable carriage, have rested his poor little weary legs, and had a comfortable sleep, wrapped in the good woman’s shawl, who asked him, every little while, if he was warm enough.

If he could but summon courage enough to say, “I have told you a falsehood; I am going to the same place that you are;” but he was unwilling to incur the contempt and distrust of these good people; yet, when they told him that they had reached Villeneuve, the child could not restrain a sob.

“Do not cry, my little friend,” said the kind woman; “your mother, perhaps, is not so ill as you think, and the sight of you will make her well.”

At the last house the carriage stopped.

“Yes, this is it,” said Jack, sadly. The good people said a kind good-bye. “How lucky you are to have finished your journey,” said the woman; “we have four good leagues before us.”

Little Jack had the same, but durst not say so. He went toward the garden-gate. “Good night,” said his new friends, “good night.”

He answered in a voice choked by tears, and the carriage turned toward the right. Then the child, overwhelmed with vain regrets, ran after it with all his speed; but his limbs, weakened instead of strengthened by inadequate repose, refused all service. At the end of a few rods he could go no further, but sank on the roadside with a burst of passionate tears, while the hospitable proprietors of the carriage rolled comfortably on, without an idea of the despair they had left behind them.

He was cold, the earth was wet. No matter for that; he was too weary to think or to feel. The wind blows violently, and soon the poor little boy sleeps quietly. A frightful noise awakens him. Jack starts up and sees something monstrous—a howling, snorting beast, with two fiery eyes that send forth a shower of sparks. The creature dashed past, leaving behind him a train like a comet’s tail. A grove of trees, quite unsuspected by Jack, suddenly flashed out clearly; each leaf could have been counted. Not until this apparition was far away, and nothing of it was visible save a small green light, did Jack know that it was the express train.

What time was it? How long had he slept? He knew not, but he felt ill and stiff in every limb. He had dreamed of Mâdou,—dreamed that they lay side by side in the cemetery; he saw Mâdou’s face, and shivered at the thought of the little icy fingers touching his own. To get away from this idea Jack resumed his weary journey. The damp earth had stiffened in the cold night wind, and his own footfall sounded in his ears so unnaturally heavy, that he fancied Mâdou was at his side or behind him.

The child passes through a slumbering village; a clock strikes two. Another village, another clock, and three was sounded. Still the boy plods on, with swimming head and burning feet. He dares not stop. Occasionally he meets a huge covered wagon, driver and horses sound asleep. He asks, in a timid, tired voice, “Is it far now to Etiolles?” No answer comes save a loud snore.

Soon, however, another traveller joins the child—a traveller whose praises are sung by the cheery crowing of the cocks, and the gurgles of the frogs in the pond. It is the dawn. And the child shares the anxiety of expectant nature, and breathlessly awaits the coming of the new-born day.

Suddenly, directly in front of him, in the direction in which lay the town where his mother was, the clouds divide—are torn apart suddenly, as it were; a pale line of light is first seen; this line gradually broadens, with a waving light like flames. Jack walks toward this light with a strength imparted by incipient delirium.

Something tells him that his mother is waiting there for him, waiting to welcome him after this horrible night. The sky was now clear, and looked like a large blue eye, dewy with tears and full of sweetness. The road no longer dismayed the child. Besides, it was a smooth highway, without ditch or pavement, intended, it seemed, for the carriages of the wealthy. Superb residences, with grounds carefully kept, were on both sides of this road. Between the white houses and the vineyards were green lawns that led down to the river, whose surface reflected the tender blue and rosy tints of the sky above. O sun, hasten thy coming; warm and comfort the little child, who is so weary and so sad!

“Am I far from Etiolles?” asked Jack of some laborers who were going to their work.

“No, he was not far from Etiolles; he had but to follow the road straight on through the wood.”

The wood was all astir now, resounding with the chirping of birds and the rustling of squirrels. The refrain of the birds in the hedge of wild roses was repeated from the topmost branches of the century-old oak-trees; the branches shook and bent under the sudden rush of winged creatures; and while the last of the shadows faded away, and the night-birds with silent, heavy flight hurried to their mysterious shelters, a lark suddenly rises from the field with its wings wide-spread, and flies higher and higher until it is lost in the sky above. The child no longer walks, he crawls; an old woman meets him, leading a goat; mechanically he asks if it is far to Etiolles.

The ragged creature looks at him ferociously, and then points out a little stony path. The sunshine warms the little fellow, who stumbles over the pebbles, for he has no strength to lift his feet. At last he sees a steeple and a cluster of houses; one more effort, and he will reach them. But he is dizzy and falls; through his half-shut eyes he sees close at hand a little house covered with vines and roses. Over the door, between the wavering shadows of a lilac-tree already in flower, he saw an inscription in gold letters:—

PARVA DOMUS, MAGNA QUIES.

How pretty the house was, bathed in the fresh morning light! All the blinds are still closed, although the dwellers in the cottages are awake, for he hears a woman’s voice singing,—singing, too, his own cradle-song, in a fresh, gay voice. Was he dreaming? The blinds were thrown open, and a woman appeared in a white négligée, with her hair lightly twisted in a simple knot.

“Mamma, mamma!” cried Jack, in a weak voice.

The lady turned quickly, shaded her eyes from the sun, and saw the poor little worn and travel-stained lad.

She screamed “Jack!” and in a moment more was beside him, warming him in her arms, caressing and soothing the little fellow, who sobbed out the anguish of that terrible night on her shoulder.

CHAPTER IX.
PARVA DOMUS, MAGNA QUIES.

“No, no, Jack; no, dear child; do not be alarmed, you shall never go back to that school. Did they dare to strike you? Cheer up, dear. I tell you that you shall never go there again, but shall always be with me. I will arrange a little room for you to-day, and you will see how nice it is to be in the country. We have cows and chickens, and that reminds me the poultry has not yet been fed. Lie down, dear, and rest a while. I will wake you at dinner-time, but first drink this soup. It is good, is it not? And to think that while I was calmly sleeping, you were alone in the cold and dark night. I must go. My chickens are calling me;” and with a loving kiss Ida went off on tiptoe, happy and bright, browned somewhat by the sun, and dressed with rather a theatrical idea of the proprieties. Her country costume had a great deal of black velvet about it, and she wore a wide-brimmed Leghorn hat, trimmed with poppies and wheat.

Jack could not sleep, but his bath and the soup prepared by Mère Archambauld, his mother’s cook, had restored his strength to a very great degree, and he lay on the couch, looking about him with calm, satisfied eyes.

There was but little of the old luxury. The room he was in was large, furnished in the style of Louis XVI., all gray and white, without the least gilding. Outside, the rustling of the leaves, the cooing of the pigeons on the roof, and his mother’s voice talking to her chickens, lulled him to repose.

One thing troubled him: D’Argenton’s portrait hung at the foot of the bed, in a pretentious attitude, his hand on an open book.

The child said to himself, “Where is he? Why have I not seen him?” Finally, annoyed by the eyes of the picture, which seemed to pursue him either with a question or a reproach, he rose and went down to his mother.

She was busy in the farm-yard; her gloves reached above her elbows, and her dress, looped on one side, showed her wide striped skirt and high heels.

Mère Archambauld laughed at her awkwardness. This woman was the wife of an employé in the government forests, who attended to the culinary department at Aulnettes, as the house was called where Jack’s mother lived.

“Heavens! how pretty your boy is!” said the old woman, delighted by Jack’s appearance.

“Is he not, Mère Archambauld? What did I tell you?”

“But he looks a good deal more like you, madame, than like his papa. Good day, my dear! May I give you a kiss?”

At the word papa, Jack looked up quickly.

“Ah, well! if you can’t sleep, let us go and look at the house,” said his mother, who quickly wearied of every occupation. She shook down her skirts, and took the child over this most original house, which was situated a stone’s throw from the village, and realized better than most poets’ dreams those of D’Argenton. The house had been originally a shooting-box belonging to a distant château. A new tower had been added, and a weathercock, which last gave an aspect of intense respectability to the place. They visited the stable and the orchard, and finished their examination by a visit to the tower.

A winding staircase, lighted by a skylight of colored glass, led to a large, round room containing four windows, and furnished by a circular divan covered with some brilliant Eastern stuff. A couple of curious old oaken chests, a Venetian mirror, some antique hangings, and a high carved chair of the time of Henri II., drawn up in front of an enormous table covered with papers, composed the furniture of the apartment. A charming landscape was visible from the windows, a valley and a river, a fresh green wood, and some fair meadow-land.

“It is here that HE works,” said his mother, in an awed tone.

Jack had no need to ask who this HE might be.

In a low voice, as if in a sanctuary, she continued, without looking at her son,—

“At present he is travelling. He will return in a few days, however. I shall write to him that you are here; he will be very glad, for he is very fond of you, and is the best of men, even if he does look a little severe sometimes. You must learn to love him, little Jack, or I shall be very unhappy.”

As she spoke she looked at D’Argenton’s picture hung at the end of this room, a picture of which the one in her room was a copy; in fact, a portrait of the poet was in every room, and a bronze bust in the entrance-hall, and it was a most significant fact that there was no other portrait than his in the whole house. “You promise me, Jack, that you will love him?”

Jack answered with much effort, “I promise, dear mamma.”

This was the only cloud on that memorable day. The two were so happy in that quaint old drawing-room. They heard Mère Archambauld rattling her dishes in the kitchen. Outside of the house there was not a sound. Jack sat and admired his mother. She thought him much grown and very large for his age, and they laughed and kissed each other every few minutes. In the evening they had some visitors. Père Archambauld came for his wife, as he always did, for they lived in the depths of the forest. He took a seat in the dining-room.

“You will drink a glass of wine, Father Archambauld. Drink to the health of my little boy. Is he not nice? Will you take him with you sometimes into the forest?”

And as he drank his wine, this tawny giant, who was the terror of the poachers throughout the country, looked about the room with that restless glance acquired in his nightly watchings in the forest, and answered timidly,—

“That I will, Madame d’Argenton.”

This name of D’Argenton, thus given to his mother, mystified our little friend. But as he had no very accurate idea of either the duties or dignities of life, he soon ceased to take any notice of his mother’s new title, and became absorbed in a rough game of play with the two dogs under the table. The old couple had just gone, when a carriage was heard at the door.

“Is it you, doctor?” cried Ida from within, in joyous greeting,

“Yes, madame; I come to learn something about your sick son, of whose arrival I have heard.”

Jack looked inquisitively at the large, kindly face crowned by snowy locks. The doctor wore a coat down to his heels, and had a rolling walk, the result of twenty years of sea-life as a surgeon.

“Your boy is all right, madame. I was afraid, from what I heard through my servant, that he and you might require my services.”

What good people these all were, and how thankful little Jack felt that he had forever left that detestable school!

When the doctor left, the house was bolted and barred, and the mother and child went tranquilly to their bedroom.

There, while Jack slept, Ida wrote to D’Argenton a long letter, telling him of her son’s arrival, and seeking to arouse his sympathy for the little lonely fellow, whose gentle, regular breathing she heard at her side. She was more at her ease when two days later came a reply from her poet.

Although full of reproaches and of allusions to her maternal weakness, and to the undisciplined nature of her child, the letter was less terrible than she had anticipated. In fact, D’Argenton concluded that it was well to be relieved of the enormous expenses at the academy, and while disapproving of the escapade, he thought it no great misfortune, as the Institution was rapidly running down. “Had he not left it?” As to the child’s fixture, it should be his care, and when he returned a week later, they would consult together as to what plan to adopt.

Never did Jack, in his whole life, as child or man, pass such a week of utter happiness. His mother belonged to him alone. He had the dogs and the goat, the forest and the rabbits, and yet he did not leave his mother for many minutes at a time. He followed her wherever she went, laughed when she laughed without asking why, and was altogether content.

Another letter. “He will come to-morrow!”

Although D’Argenton had written kindly, Ida was still nervous, and wished to arrange the meeting in her own way. Consequently she refused to permit him to go with her to the station in the little carriage. She gave him several injunctions, painful to them both, as if they had each been guilty of some great fault, and to the boy inexpressibly mortifying.

“You will remain at the end of the garden,” she said, “and do not come until I call you.”

The child lingered an hour in expectation, and when he heard the grinding of the wheels, ran down the garden walk, and concealed himself behind the gooseberry bushes. He heard D’Argenton speak. His tone was harder, sterner than ever. He heard his mother’s sweet voice answer gently, “Yes, my dear—no, my dear.” Then a window in the tower opened. “Come, Jack, I want you, my child!”

The boy’s heart beat quickly as he mounted the stairs. D’Argenton was leaning back in the tall armchair, his light hair gleaming against the dark wood. Ida stood by his side, and did not even hold out her hand to the little fellow. The lecture he received was short and affectionate to a certain extent. “Jack,” he said, in conclusion, “life is not a romance; you must work in earnest. I am willing to believe in your penitence; and if you behave well, I will certainly love you, and we three may live together happily. Now listen to what I propose. I am a very busy man.—I am, nevertheless, willing to devote two hours every day to your education. If you will study faithfully, I can make of you, frivolous as you are by nature, a man like myself.”

“You hear, Jack,” said his mother, alarmed at his silence, “and you understand the sacrifice that your friend is ready to make for you—”

“Yes, mamma,” stammered Jack.

“Wait, Charlotte,” interrupted D’Argenton; “he must decide for himself: I wish to force no one.”

Jack, petrified at hearing his mother called Charlotte, and unable to find words to express his sense of such generosity, ended by saying nothing. Seeing the child’s embarrassment, his mother gently pushed him into the poet’s arms, who pressed a theatrical kiss on his brow.

“Ah, dear, how good you are!” murmured the poor woman, while the child, dismissed by an imperative gesture, hastily ran down the stairs.

In reality Jack’s installation in the house was a relief to the poet. He loved Ida, whom he called Charlotte in memory of Goethe, and also because he wished to obliterate all her past, and to wipe out even the name of Ida de Barancy. He loved her in his own fashion, and made of her a complete slave. She had no will, no opinion of her own, and D’Argenton had grown tired of being perpetually agreed with. Now, at least, he would have some one to contradict, to argue with, to tutor, and to bully; and it was in this spirit that he undertook Jack’s education, for which he made all arrangements with that methodical solemnity characteristic of the man’s smallest actions.

The next morning, Jack saw, when he awoke, a large card fastened to the wall, and on it, inscribed in the beautiful writing of the poet, a carefully prepared arrangement for the routine of the day.

“Rise at six. From six to seven, breakfast; from seven to eight, recitation; from eight to nine,” and so on.

Days ordered in this systematic manner resemble those windows whose shutters hardly permit the entrance of air enough to breathe, or light to see with. Generally these rules are made only to be broken, but D’Argenton allowed no such laxity.

D’Argenton’s method of education was too severe for Jack, who was, however, by no means wanting in intelligence, and was well advanced in his studies. He was disturbed, too, by the personality of the poet, to whom he had a very strong aversion, and above all he was overwhelmed by the new life he was leading.

Suddenly transported from the mouldy lane, and from the academy, to the country, to the woods and the fields, he was at once excited and charmed by Nature. The truest way would have been to have laid aside all books until the child himself demanded them. Often of a sunny day, when he sat in the tower opposite his teacher, he was seized with a strong desire to leap out of the window, and rush into the fresh woods after the birds that had just flown away, or in search of the squirrel of which he had caught a glimpse. What a penance it was to write his copy, while the wild roses beckoned him to come and pluck them!

“This child is an idiot,” cried D’Argenton, when to all his questions Jack stammered some answer as far from what he should have said as if he had that moment fallen from the light cloud he had been steadily watching. At the end of a month the poet announced that he relinquished the task, that it was a mere loss of precious time to himself, and of no use to the boy, who neither could nor would learn anything. In reality, he was by no means unwilling to abandon the iron rules he had established, and which pressed with severity on himself as well as on the child. Ida, or rather Charlotte, made no remonstrance. She preferred to think her boy incapable of study rather than endure the daily scenes, and the incessant lectures and tears of this educational experiment.

Above everything she longed for peace. Her aims were as restricted as her intellect, and she lived solely in the present, and any future, however brilliant, seemed to her too dearly purchased at the price of present tranquillity.

Jack was very happy when he no longer saw under his eyes that placard: “Rise at six. From six to seven, breakfast; from seven to weight,” &c. The days seemed to him longer and brighter. As if he understood that his presence in the house was often an annoyance, he absented himself for the whole day with that absolute disregard of time natural to children and loungers.

He had a great friend in the forester. As soon as he was dressed in the morning he started for Father Archambauld’s, just as the old man’s wife, before going to her Parisians, as she called her employers, served her husband’s breakfast in a fresh, clean room hung with a light green paper that represented the same hunting-scene over and over again.

When the forester had finished his meal, he and little Jack started out on a long tramp. Father Archambauld showed the child the pheasants’ nests, with their eggs like large pearls, built in the roots of the trees; the haunts of the partridges, the frightened hares, and the young kids. The hawthorn’s white blossoms perfumed the air, and a variety of wild flowers enamelled the turf. The forester’s duty was to protect the birds and their young broods from all injury, and to destroy the moles and snakes. He received a certain sum for the heads or tails of these vermin, and every six months carried to Corbiel a bag of dry and dusty relics. He would have been better pleased could he have taken also the heads of the poachers, with whom he was in constant conflict. He had also a great deal of trouble with the peasants who injured his trees.

A doe could be replaced, a dead pheasant was no great matter; but a tree, the growth of years, was a vastly different affair. He watched them so carefully that he knew all their maladies. One species of fir was attacked by tiny worms, which come in some mysterious way by thousands. They select the strongest and handsomest specimens, and take possession of them. The trees have only their resinous sap as a weapon of defence. This sap they pour over their enemies, and over their eggs deposited in the crevices of the bark. Jack watched this unequal contest with the greatest interest, and saw the slow dropping of these odorous tears. Sometimes the fir-tree won the victory, but too often it perished and withered slowly, until at last the giant of the forest; whose lofty top had been the haunt of singing-birds, where bees had made their home, and which had sheltered a thousand different lives, stood white and ghastly as if struck by lightning.

During these walks through the woods, the forester and his companion talked very little. They listened rather to the sweet and innumerable sounds about them. The sound of the wind varied with every tree that it touched. Among the pines it moaned and sighed like the sea. Among the birches and aspens, it rattled the leaves like castanets; while from the borders of the ponds, which were numerous in this part of the forest, came gentle rustlings from the long, slender, silken-coated reeds. Jack learned to distinguish all these sounds and to love them.

The little boy, however, had incurred the enmity of many of the peasants, who saw him constantly with the forester, to whom they had sworn eternal hatred. Cowardly and sulky, they touched their hats respectfully enough to Jack when they met him with Father Archambauld, but when he was alone, they shook their fists at him with horrible oaths.

There was one old woman, brown as an Indian squaw, who haunted the very dreams of the child. On his way home at sunset, he always met her with her fagots on her back. She stood in the path and assailed him with her tongue; and sometimes, merely to frighten him, ran after him for a few steps. Poor little Jack often reached his mother’s side breathless and terrified, but, after all, this only added another interest to his life. Sometimes Jack found his mother in the kitchen talking in a low voice; no sound was to be heard in the house save the ticking of the great clock in the dining-room. “Hush, my dear,” said his mother; “He is up-stairs. He is at work!”

Jack sat down in a corner and watched the cat lying in the sun. With the awkwardness of a child who makes a noise merely because he knows he ought not to do so, he knocked over something, or moved the table.

“Hush, dear,” exclaimed Charlotte, in distress, while Mother Archambauld, laying the table, moved on the points of her big feet—moved as lightly as possible, so as not to disturb “her master who was at work.”

He was heard up-stairs—pushing back his chair, or moving his table. He had laid a sheet of paper before him; on this paper was written the title of his book, but not another word. And yet he now had all that formerly he had said would enable him to make a reputation,—leisure, sufficient means, freedom from interruption, a pleasant study, and country air. When he had had enough of the forest, he had but to turn his chair, and from another window he obtained an admirable view of sky and water. All the aroma of the woods, all the freshness of the river, came directly to him. Nothing could disturb him, unless it might be the cooing and fluttering of the pigeons on the roof above.

“Now to work!” cried the poet. He opened his portfolio, and seized his pen, but not one line could he write. Think of it! To live in a pavilion of the time of Louis XV., on the edge of a forest in that beautiful country about Etiolles, to which the memory of the Pompadour is attached by knots of rose-colored ribbons and diamond buckles. To have around him every essential for poetry,—a charming woman named in memory of Goethe’s heroine, a Henri II. chair in which to write, a small white goat to follow him from place to place, and an antique clock to mark the hours and to connect the prosaic Present with the romance of the Past! All these were very imposing, but the brain was as sterile as when D’Argenton had given lessons all day and retired to his garret at night, worn out in body and mind.

When Charlotte’s step was heard on the stairs, he assumed an expression of profound absorption. “Come in,” he said, in reply to her knock, timidly repeated. She entered fresh and gay, her beautiful arms bared to the elbows, and with so rustic an air that the rice-powder on her face seemed to be the flour from some theatrical mill in an opéra bouffe.

“I have come to see my poet,” she said, as she came in. She had a way of drawling out the word poet that exasperated him. “How are you getting on?” she continued. “Are you pleased?”

“Pleased? Can one ever be pleased or satisfied in this terrible profession, which is a perpetual strain on every nerve!”

“That is true enough, my friend; and yet I would like to know—”

“To know what? Have you any idea how long it took Goethe to write his Faust? And yet he lived in a thoroughly artistic atmosphere. He was not condemned, as I am, to absolute solitude—mental solitude, I mean.”

The poor woman listened in silence. From having so often listened to similar complaints from D’Argenton, she had at last learned to understand the reproaches conveyed in his words.

The poet’s tone signified, “It is not you who can fill the blank around me.” In fact, he found her stupid, and was bored to death when alone with her.

Without really being conscious of it, the thing that had fascinated him in this woman was the frame in which she was set. He adored the luxury by which she was surrounded. Now that he had her all to himself—transformed and rechristened her, she had lost half her charm in his eyes, and yet she was more lovely than ever. It was amusing to witness the air of business with which he opened each morning the three or four journals to which he subscribed. He broke the seals as if he expected to find in their columns something of absorbing personal interest; as, for example, a critique of his unwritten poem, or a resume of the book that he meant some day to write. He read these journals without missing one word, and always found something to arouse his contempt or anger. Other people were so fortunate: their pieces were played; and what pieces they were! Their books were printed; and such books! As for himself, his ideas were stolen before he could write them down.

“You know, Charlotte, yesterday a new play by Emile Angier was produced; it was simply my Pommes D’Atlante.”

“But that is outrageous! I will write myself to this Monsieur Angier,” said poor Lottie, in a great state of indignation.

During these remarks, Jack said not one word; but as D’Argenton lashed himself into frenzy, his old antipathy to the child revived, and the heavy frowns with which he glanced toward the little fellow showed him very clearly that his hatred was only smothered, and would burst forth on the smallest provocation.

CHAPTER X.
THE FIRST APPEARANCE OF BÉLISAIRE.

One afternoon, when D’Argenton and Charlotte had gone to drive, Jack, who was alone with Mother Archambauld, saw that he must relinquish his usual excursion to the forest on account of a storm that was coming up.

The July sky was heavy with black clouds, copper-colored on the edges; distant rumblings of thunder were heard, and the valley had that air of expectation which often precedes a storm.

Fatigued by the child’s restlessness, the forester’s wife looked out at the weather, and said to Jack,—

“Come, Master Jack, it does not rain; and it would be very kind of you to go and get me a little grass for my rabbits.”

The child, enchanted at being of use, took a basket and went gayly off to search in a ditch for the food the rabbits liked.

The white road stretched before him, the rising wind blew the dust in clouds, when suddenly Jack heard a voice crying, “Hats! Hats to sell! Nice Panamas!”

Jack looked over the edge of the ditch, and saw a pedler carrying on his shoulders an enormous basket piled with straw hats. He walked as if he were footsore and weary.

Have you ever thought how dismal the life of an itinerant salesman must be? He knows not where he will sleep at night, or even that he can obtain the shelter of a barn; for the average peasant always regards a pedler, or any stranger, indeed, as an adventurer, and watches him with distrustful eyes.

“Hats! Hats to sell!” For whose ears did he intend this repetition of his monotonous cry? There was not a person in sight, nor a house. Was it for the benefit of the birds, who, feeling the coming of the storm, had taken shelter in the trees? The man took a seat on a pile of stones, while Jack, on the other side of the road, examined him with much curiosity. His face was forbidding to a certain extent, but expressed so much suffering in the heavy features, that Jack’s kind heart was filled with pity. At that moment a thunder-clap was heard; the man looked up at the skies anxiously, and then called to Jack to ask how far off the village was.

“Half a mile exactly,” answered the child.

“And the shower will be here in a few moments,” said the pedler, despairingly. “All my hats will be wet, and I shall be ruined.”

The child thought of his own memorable journey, and he wished to do a kind act.

“You can come to our house,” he said, “and then your hats will not be injured.” The pedler grasped eagerly at this permission, for his merchandise was so delicate. The two hurried on as fast as possible; the man walking, however, as if he were treading on hot iron.

“Are you in pain?” asked the child.

“Yes, indeed, I am; my shoes are too small for me; you see my feet are so big that I can never find anything large enough for them. O, if I should ever be rich, I would have a pair of shoes made to measure!”

They reached Aulnettes. The pedler deposited in the hall his scaffold of hats, and stood there humbly enough. But Jack led him into the dining-room, saying, “You must have a glass of wine and a bit of bread.”

Mother Archambauld frowned, but nevertheless put on the table a big loaf and a pot of wine.

“Now a slice of ham,” said Jack, in a tone of command.

“But the master does not wish any one to touch the ham,” said the old woman, grumbling. In fact, D’Argenton was something of a glutton, and there were always some dainties in the pantry preserved for his especial enjoyment.

“Never mind! bring it out!” said the child, delighted at playing the part of host.

The good woman obeyed reluctantly. The pedler’s appetite was of the most formidable description, and while he supped he told his simple story. His name was Bélisaire, and he was the eldest of a large family, and spent the summer wandering from town to town.—A violent thunder-clap shook the house, the rain fell in torrents, and the noise was terrific. At that moment some one knocked. Jack turned pale. “They have come!” he said with a gasp.

It was D’Argenton who entered, accompanied by Charlotte. They were not to have returned until late, but seeing the approach of the storm, they had given up their plan. They were, however, wet to the skin, and the poet was in a fearful rage with himself and every one else. “A fire in the parlor,” he said, in a tone of command.

But while they were taking off their wraps in the hall; D’Argenton perceived the formidable pile of hats.

“What is that?” he asked. Ah! if Jack could but have sunk a hundred feet under ground with his stranger guest and the littered table! The poet entered the room, looked about, and understood everything. The child stammered a word or two of apology, but the other did not listen.

“Come here, Charlotte. Master Jack receives his friends to-day, it seems.”

“O, Jack! Jack!” cried the mother in a horrified tone of reproach.

“Do not scold him, madame,” stammered Bélisaire. “I only am in fault!”

Here D’Argenton, out of all patience, threw open the door with a most imposing gesture. “Go at once,” he said, violently; “how dare you come into this house?”

Bélisaire, to whom no manner of humiliation was new, offered no word of remonstrance, but snatched up his basket, cast one look of distress at the tempest out-of-doors, and another of gratitude toward little Jack—who sighed as he heard the rain falling like hail on the Panamas,—and hurried down the garden walk. No sooner had the man reached the highway, than his melancholy voice resumed the cry, “Hats! Hats to sell!”

In the dining-room profound silence reigned; the servant was kindling a fire, and Charlotte was shaking the poet’s coat, while he sulkily strode up and down the room.

As he passed the table he caught sight of the ham on which the pedler’s knife had made sad havoc. D’Argenton turned pale. Remember that the ham was sacred, like his wine, his mustard, and mineral water. “What! the ham, too!” he exclaimed.

Charlotte, utterly stupefied by such audacity, could only mechanically repeat his words.

“I said, madame, that they ought not to cut the ham, that such pork was too good for such a vagabond. But the little fellow does not know much yet, he is so young.”

Jack by this time was quite alarmed at what he had done, and could only beg pardon in a troubled tone.

“Pardon, indeed!” cried the poet, giving way, as it must be admitted he rarely did, to his temper, and shaking the boy violently, exclaimed, “What right had you to touch that ham? You knew it was not yours. You know that nothing here is yours; for the bed you sleep on, for the food you eat, you are indebted to my bounty. And why should I care for you? I know not even your name!” Here an imploring gesture from Charlotte stopped the torrent of words. Mother Archambauld was still in the room, and listening with eagerness. The poet turned away suddenly, and rushed up stairs, banging the door after him.

Jack remained, looking at his mother in consternation. She wrung her pretty hands, and again implored heaven to tell her what she had done to merit such a hard fate.

This was her only resource in the serious perplexities of life; and, naturally, her question remained unanswered.

To add the finishing touch to the discomfort of the house, D’Argenton was now taken with one of “his attacks,” a form of bilious fever.

Charlotte petted and soothed him, and waited upon him by inches. The sister-of-charity spirit, that lies in the depths of every womanly nature, made her love her poet the more because he was suffering. How tenderly she protected his nerves! She laid a woollen cloth on the table under the white one to soften the noise of the plates and the silver. She piled the Henry II. chair with cushions, and had her rolls of hot flannels and her tisanes in readiness at all hours of the day and night.

Sometimes the poor little woman was fearfully rebuffed and mortified by a fretful exclamation from the poet. “Do be quiet, Charlotte; you talk too much!”

This illness brought the good-natured doctor to the house once more. Charlotte met him in the hall. “Come quick, doctor, our dear poet is suffering,” she said, anxiously.

“Nonsense, my dear; he only wants a little amusement.”

In fact, D’Argenton, who greeted the physician in the most languid tones, soon forgot to keep up the farce in the pleasure of seeing a new face, which made a pleasant break in his monotonous life, and a few moments later beheld him launched on some dazzling episode of his Parisian life. The doctor saw no reason to doubt the truth of these narrations told in such measured and careful phrases, and was always pleased with the appearance of the family,—the intellectual husband, the pretty gay wife, and the amusing child; and no intuition gave him a hint, as might have been the case with a more delicate organization, of the peculiarity and bitterness of the ties which bound the household together.

Often, therefore, on these bright midsummer days, the doctor’s horse was fastened to the palisades, while the old man drank the cool glass carefully mixed for him by Charlotte herself, and as he drank, he told of his wonderful adventures in India. Jack listened with eyes and ears wide open.

“Jack!” said D’Argenton, peremptorily, and pointed to the door.

“Let him stay, I beg of you; I like to have children around me. I am quite sure that your boy has discovered that I have a grandchild;” and the old man talked of his little Cécile, who was two years younger than Jack.

“Bring her to see us, doctor,” said Charlotte; “the two children would be so happy together.”

“Thank you, dear madame; but her grandmother would never consent. She never trusts the child to any one; and she herself never goes anywhere since our great sorrow.”

This sorrow, of which the old doctor often spoke, was the loss of his daughter and his son-in-law within a year after their marriage. Some mystery surrounded this double catastrophe. Even Mother Archambauld, who knew everything, contented herself with saying, “Yes, poor things! they have had a great deal of trouble.”

The only prescription given by the doctor was a verbal one, “Keep him amused, madame; keep him amused!”

How could poor Charlotte do this? They went off together in a little carriage; breakfast, books, and a butterfly-net accompanied them to the forest; but he was bored to death. They bought a boat, but a tête-à-tête in the middle of the Seine was worse than one on shore; and the little boat soon lay moored at the landing, half full of water and dead leaves.

Then the poet took to building; he planned a new staircase and an Italian terrace: but even this did not amuse him.

One day a man, who came to tune the pianoforte, extolled the merits of an AEolian harp. D’Argenton immediately ordered one made on a gigantic scale, and placed it on his roof. From that moment poor little Jack’s life was a burden to him. The melancholy wail of the instrument, like a soul in purgatory, pursued him in his dreams. To the child’s great relief, the poet was equally disturbed, and the harp was ordered to the end of the garden; but its shrieks and moans were still heard. D’Argenton fiercely commanded that the instrument should be buried, which was done, and the earth heaped upon it as over some mad animal. All these various occupations failing to amuse her poet, Charlotte reluctantly decided to invite some of his old friends, but was repaid for her sacrifice by witnessing D’Argenton’s joy on being told that Dr. Hirsch and Labassandre were soon to visit them.

When Jack entered the house, a few days later, he heard the voices of his old professors. The child felt an emotion of sick terror, for the sounds recalled the memory of so many wretched hours. He slipped quietly into the garden, there to await the dinner-bell.

“Come, gentlemen,” said Charlotte, smilingly, as she appeared on the terrace,—her large white apron indicating that as a good housekeeper she by no means disdained on occasion to lay aside her lace ruffles and take an active part.

The professors promptly obeyed this summons to dinner, and greeted Jack as he took his seat with every appearance of cordiality. Two large doors opened on the lawn, beyond which lay the forest.

“You are a lucky fellow,” said Labassandre. “Tomorrow I shall be in that hot, dusty town, eating a miserable dinner.”

“It is a good thing to be certain of having even a miserable dinner,” grumbled Dr. Hirsch.

“Why not remain here for a time?” said D’Argenton, cordially. “There is a room for each of you; the cellar has some good wine in it—”

“And we can make excursions,” interrupted Charlotte, gayly.

“But what would become of my rehearsals?” said Labassandre.

“But you, Dr. Hirsch,” continued Charlotte, “you are tied down to the opera-house!”

“Certainly not; and my patients are nearly all in the country at this season.”

The idea of Dr. Hirsch having any patients was very funny, and yet no one laughed.

“Well, decide!” cried the poet, “In the first place, you would be doing me a favor, and could prescribe for me.”

“To be sure. The physician here knows nothing of your constitution, while I can soon set you on your feet again. I am sick of the Institute and of Moronval, and never wish to see either more.” Thereupon the doctor launched forth in a philippic against the school which supported him. Moronval was a thorough humbug, he never paid anybody, and every one was giving him up; the affair of Mâdou had done him great injury; and finally Dr. Hirsch went so far as to compliment Jack on his energetic departure.

At this moment Dr. Rivals was shown into the dining-room; he was overjoyed at finding so gay and talkative a circle. “You see, madame, I was right: our invalid only needed a little excitement.”

“There I differ from you!” cried Dr. Hirsch, fiercely, snuffing the battle from afar.

Old Rivals examined this singular person with some distrust. “Dr. Hirsch,” said D’Argenton, “allow me to present you to Dr. Rivals.” They bowed like two duellists on the field who salute each other before crossing their swords. The country physician concluded his new acquaintance to be some famous Parisian practitioner, full of eccentricities and hobbies. D’Argenton’s illness was the occasion of a long discussion between the physicians.

It was droll to see the poet’s expression. He was inclined to take offence that Dr. Rivals should consider him a mere hypochondriac, and again to be equally annoyed when Dr. Hirsch insisted upon his having a hundred diseases, each one with a worse name than the others.

Charlotte listened with tears in her eyes.

“But this is utter nonsense,” cried Rivals, who had listened impatiently; “there are no such diseases, in the first place, and if there were, our friend has no such symptoms.”

This was too much for Dr. Hirsch, and the battle began in earnest. They hurled at each other titles of books in every language, names of every drug known and unknown to the faculty. The scene was more laughable than terrific, and was very much like one from “Molière.” Jack and his mother escaped to the piazza, Where Labassandre was already trying his voice. The winged inhabitants of the forest twittered in terror; the peacocks in the neighboring château answered by those alarmed cries with which they greet the approach of a thunder-shower; the neighboring peasants started from their sleep, and old Mother Archambauld wondered what was going on in the little house, where the moon shone so whitely on the legend in gold characters over the door:

PARVA DOMUS, MAGNA QUIES.

CHAPTER XI.
CÉCILE.

“Where are you going so early?” asked Dr. Hirsch, indolently, as he saw Charlotte, gayly dressed, prayer-book in hand, come slowly down the stairs, followed by Jack, who was once more clad in the pet costume of Lord Pembroke.

“To church, my dear sir. Has not D’Argenton told you that I have an especial duty to perform there this morning? Come with us, will you not?”

It was Assumption Day, and Charlotte had been much flattered by being asked to distribute the bread. She, with her child, took the seats reserved for them on a bench close to the choir. The church was adorned with flowers. The choir-boys were in surplices freshly ironed, and on a rustic table the loaves of bread were piled high. To complete the picture, all the foresters, in their green costumes, with their knives in their belts and their carbines in their hands, had come to join in the Te Deum of this official fête.

Ida de Barancy would have been certainly much astonished had some one told her a year before, that she would one day assist at a religious festival in a village church, under the name of the Vicomtesse D’Argenton, and that she would have all the consideration and prestige of a married woman. This new rôle amused and interested her. She corrected Jack, turned the pages of her prayer-book, and shook out her rustling silk skirts in the most edifying fashion.

When it was time for the offertory, the tall Swiss, armed with a halberd, came for Jack, and bending low whispered in his mother’s ear a question as to what little girl should be chosen to assist him; Charlotte hesitated, for “she knew so few persons in the church. Then the Swiss suggested Dr. Rivals’ grandchild—a little girl on the opposite side sitting next an old lady in black. The two children walked slowly behind the majestic official, Cécile carrying a velvet bag much too large for her little fingers, and Jack bearing an enormous wax candle ornamented with floating ribbons and artificial flowers. They were both charming: he in his Scotch costume, and she simply dressed, with waves of soft brown hair parted on her childish brow, and her face illuminated by large gray eyes. The breath of fresh flowers mingled with the fumes of incense that hung in clouds throughout the church. Cécile presented her bag with a gentle, imploring smile. Jack was very grave. The little fluttering hand in its thread glove, which he held in his own, reminded him of a bird that he had once taken from its nest in the forest. Did he dream that the little girl would be his best friend, and that, later, all that was most precious in life for him would come from her?

“They would make a pretty pair,” said an old woman, as the children passed her, and in a lower voice added, “Poor little soul, I hope she will be more fortunate than her mother!”

Their duties over, Jack returned to his place, still under the influence of the hand he had so lightly held. But additional pleasure was in store for him. As they left the church, Madame Rivals approached Madame D’Argenton and asked permission to take Jack home with her to breakfast. Charlotte colored high with gratification, straightened the boy’s necktie, and, kissing him, whispered, “Be a good child!”

From this day forth, when Jack was not at home he was at the old doctor’s, who lived in a house in no degree better than that of his neighbors, and only distinguished from them by the words Night-Bell on a brass plate above a small button at the side of the door. The walls were black with age. Here and there, however, an observant eye could see that some attempts had been made to rejuvenate the mansion; but everything of that nature had been interrupted on the day of their great sorrow, and the old people had never had the heart to go on with their improvements since; an unfinished summer-house seemed to say, with a discouraged air, “What is the use?” The garden was in a complete state of neglect. Grass grew over the walks, and weeds choked the fountain. The human beings in the house had much the same air. From Madame Rivals, who, eight years after her daughter’s death, still wore the deepest of black, down to little Cécile, whose childish face had a precocious expression of sorrow, and the old servant who for a quarter of a century had shared the griefs and sorrows of the family,—all seemed to live in an atmosphere of eternal regret. The doctor, who kept up a certain intercourse with the outer world, was the only one who was ever cheerful.

To Madame Rivals, Cécile was at once a blessing and a sorrow, for the child was a perpetual reminder of the daughter she had lost. To the doctor, on the contrary, it seemed that the little girl had taken her mother’s place, and sometimes, when he was with her alone, he would give way to a loud and merry laugh, which would be quickly silenced on meeting his wife’s sad eyes, full of astonished reproach.

Little Cécile’s life was by no means a gay one. She lived in the garden, or in a large room where a door, that was always closed, led to the apartment that had once been her mother’s, and which was full of the souvenirs of that short life. Madame Rivals alone ever entered this room, but little Cécile often stood on the threshold, awed and silent. The child had never been sent to school, and this isolation was very bad for her; she needed the association of other children. “Let us ask little D’Argenton here,” said her grandfather: “the boy is charming!”

“Yes; but who knows anything about these people? Whence do they come?” answered his wife. “Who knows them?”

“Everybody, my dear. The husband is very eccentric, certainly, but he is an artist, or a journalist rather, and they are privileged. The woman is not quite a lady, I admit, but she is well enough. I will answer for their respectability.”

Madame Rivals shook her head. She had but slight confidence in her husband’s insight into character, and sighed in an ostentatious way.

Old Rivals colored guiltily, but returned in a moment to his original idea.

“The child will be ill if she has not some change. Besides, what harm could possibly happen?”

The grandmother then consented, and Jack and Cécile became close companions. The old lady grew very fond of the little fellow. She saw that he was neglected at home, that the buttons were off his coat, and that he had no lesson-hours.

“Do you not go to school, my dear?”

“No, madame,” was the answer; and then quickly added,—for a child’s instinct is very delicate,—“Mamma teaches me.”

“I cannot understand,” said Madame Rivals to her husband, “how they can let this child grow up in this way, idling his time from morning till night.”

“The child is not very clever,” answered the doctor, anxious to excuse his friends.

“No, it is not that; it is that his stepfather does not like him.”

Jack’s best friends were in the doctor’s house. Cécile adored him. They played together in the garden if the weather was fair, in the pharmacy if it was stormy. Madame Rivals was always there, and as there was no apothecary’s store in Etiolles, put up simple prescriptions herself. She had done this for so many years, that she had attained considerable experience, and was often consulted in her husband’s absence. The children found vast amusement in deciphering the labels on the bottles, and pasting on new ones. Jack did this with all a boy’s awkwardness, while little Cécile used her hands as gravely and deftly as a woman grown.

The old physician delighted in taking the children with him when he went about the country to visit his patients. The carriage was large, the children small, so that the three were stowed in very comfortably, and merrily jogged over the rough roads. Wherever they went they were warmly welcomed, and while the doctor climbed the narrow stairs, the children roamed at will through the farm-yard and fields.

Illness among these peasant homes assumes a very singular aspect. It is never allowed to interfere with the routine and labors of daily life. The animals must be fed and housed for the night, and driven out to pasture in the morning, whether the farmer be well or ill. If ill, the wife has no time to nurse him, or even to be anxious. After a hard day’s toil she throws herself on her pallet and sleeps soundly until dawn, while her good man tosses feverishly at her side, longing for morning. Every one worshipped the doctor, who they affirmed would have been very rich, had he not been so generous.

His professional visits over, the old man and the children started for home. The Seine, misty and dark with the approach of evening, had yet occasional bars of golden light crossing its surface. Slender trees, with their foliage heavily massed at the top, like palms, and the low white houses along the brink, gave a vague suggestion of an Eastern scene. “It is like Nazareth,” said little Cécile; and the two children told each other stories while the carriage rolled slowly homeward.

Doctor Rivals soon discovered that Jack was by no means wanting in intelligence, and determined, with his natural kindness of heart, to himself supply the great deficiencies in education by giving him an hour’s instruction daily. Those of my readers who are in the habit of enjoying a siesta after dinner, will appreciate the sacrifice made by the old man, when I add that it was this precise time that he now freely gave to the little boy, who, in his turn, gratefully applied himself with his whole heart to his lessons. Cécile was almost always present, and was as pleased as Jack himself when her grandfather, examining the copy-book, said, “Well done!” To his mother, Jack said nothing of his labors; he determined to prove to her at some future day that the diagnosis of the poet had been incorrect. This concealment was rendered very easy, as the mother grew hourly more and more indifferent to her child, and more completely absorbed in D’Argenton. The boy’s comings and goings were almost unnoticed. His seat at the table was often vacant, but no one asked where he had been. New guests filled the board, for D’Argenton kept open house; yet the poet was by no means generous in his hospitality, and when Charlotte would say to him, timidly, “I am out of money, my friend,” he would reply by a wry face and the word, “Already?” But vanity was stronger than avarice, and the pleasure of patronizing his old friends, the Bohemians, with whom he had formerly lived, carried the day. They all knew that he had a pleasant home, that the air was good and the table better; consequently, one would say to another, “Who wants to go to Etiolles to-night?” They came in droves.

Poor Charlotte was in despair. “Madame Archambauld, are there eggs?—is there any game? Company has come, and what shall we give them?”

“Anything will suit, madame, I fancy, for they look half starved,” said the old woman, astonished at the unkempt, unshorn, and hungry aspect of her master’s friends.

D’Argenton delighted in showing them over the house; and then they dispersed to the fields, to the river-side, and into the forest, as happy and frolicsome as old horses turned out to grass. In the fresh country, in the full sunlight, those rusty coats and worn faces seemed more rusty and more worn than when seen in Paris; but they were happy, and D’Argenton radiant. No one ventured to dispute his eternal “I think,” and “I know.” Was he not the master of the house, and had he not the key of the wine cellar?

Charlotte, too, was well pleased. It was to her inconsequent nature and Bohemian instincts a renewal of the excitement of her old life. She was flattered and admired, and, while remaining true to her poet, was pleased to show him that she had not lost her power of charming.

Months passed on. The little house was enveloped in the melancholy mists of autumn; then winter snows whitened the roof, followed by the fierce winds of March; and finally a new spring, with its lilacs and violets, gladdened the hearts of the inmates of the cottage. Nothing was changed there. D’Argenton, perhaps, had two or three new symptoms, dignified by Doctor Hirsch with singular names. Charlotte was as totally without salient characteristics, as pretty and sentimental, as she had always been. Jack had grown and developed amazingly, and having studied industriously, knew quite as much as other boys of his age.

“Send him to school now,” said Doctor Rivals to his mother, “and I answer for his making a figure.”

“Ah, doctor, how good you are!” cried Charlotte, a little ashamed, and feeling the indirect reproach conveyed in the interest expressed by a stranger, as contrasted with her own indifference.

D’Argenton answered coldly that he would reflect upon the matter, that he had grave objections to a school, &c., and when alone with Charlotte, expressed his indignation at the doctor’s interference, but from that time took more interest in the movements of the boy.

“Come here, sir,” said Labassandre, one day, to Jack. The child obeyed somewhat anxiously. “Who made that net in the chestnut-tree at the foot of the garden?”

“It was I, sir.”

Cécile had expressed a wish for a living squirrel, and Jack had manufactured a most ingenious snare of steel wire.

“Did you make it yourself, without any aid?”

“Yes, sir,” answered the child.

“It is wonderful, very wonderful,” continued the singer, turning to the others. “The child has a positive genius for mechanics.”

In the evening there was a grand discussion. “Yes, madame/,” said Labassandre, addressing Charlotte; “the man of the future, the coming man, is the mechanic. Rank has had its day, the middle classes theirs, and now it is the workman’s turn. You may to-day despise his horny hands, in twenty years he will lead the world.”

“He is right,” interrupted D’Argenton, and Doctor Hirsch nodded approvingly. Singularly enough, Jack, who generally heard the conversation going on about him without heeding it, on this occasion felt a keen interest, as if he had a presentiment of the future.

Labassandre described his former life as a blacksmith at the village forge. “You know, my friends,” he said, “whether I have been successful. You know that I have had plenty of applause, and of medals. You may believe me or not, as you please, but I assure you I would part with all sooner than with this;” and the man rolled up his shirt-sleeve and displayed an enormous arm tattooed in red and blue. Two blacksmith’s hammers were crossed within a circle of oak-leaves; an inscription was above these emblems in small letters: Work and Liberty. Labassandre proceeded to deplore the unhappy hour when the manager of the opera at Nantes had heard him sing. Had he been let alone, he would by this time have been the proprietor of a large machine shop, with a provision laid up for his old age.

“Yes,” said Charlotte, “but you were very strong, and I have heard you say that the life was a hard one.”

“Precisely; but I am inclined to believe that the individual in question is sufficiently robust.”

“I will answer for that,” said Dr. Hirsch.

Charlotte made other objections. She hinted that some natures were more refined than others—“that certain aristocratic instincts—”

Here D’Argenton interrupted her in a rage. “What nonsense! My friends occupy themselves in your behalf, and then you find fault, and utter absurdities.”

Charlotte burst into tears. Jack ran away, for he felt a strong desire to fly at the throat of the tyrant who had spoken so roughly to his pretty mother.

Nothing more was said for some days; but the child noticed a change in his mother’s manner toward him: she kissed him often, and kissed him with that lingering tenderness we show to those we love and from whom we are about to part. Jack was the more troubled as he heard D’Argenton say to Dr. Rivals, with a satirical smile, “We are all busy, sir, in your pupil’s interest. You will hear some news in a few days that will astonish you.”

The old man was delighted, and said to his wife, “You see, my dear, that I did well to make them open their eyes.”

“Who knows? I distrust that man, and do not believe he intends any good to the child. It is better sometimes that your enemy should sit with folded arms than trouble himself about you.”

CHAPTER XII.
LIFE IS NOT A ROMANCE.

One Sunday morning, just after the arrival of the train that had brought Labassandre and a noisy band of friends, Jack, who was in the garden busy with his squirrel-net, heard his mother call him. Her voice came from the window of the poet’s room. Something in its tone, or a certain instinct so marked in some persons, told the child that the crisis had come, and he tremblingly ascended the stairs. On the Henri Deux chair D’Argenton sat, throned as it were, while Labassandre and Dr. Hirsch stood on either side. Jack saw at once that there were the tribunal, the judge, and the witnesses, while his mother sat a little apart at an open window.

“Come here!” said the poet, sternly, and with such an assumption of dignity that one was tempted to believe that the Henry Deux chair itself had spoken. “I have often told you that life is not a romance; you have seen me crushed, worn and weary with my literary labors; your turn has now come to enter the arena. You are a man,”—the child was but twelve,—“you are a man now, and must prove yourself to be one. For a year,—the year that I have been supposed to neglect you,—I have permitted you to run free, and, thanks to my peculiar talents of observation, I have been able to decide on your path in life. I have watched the development of your instincts, tastes, and habits, and, with your mother’s consent, have taken a step of importance.” Jack was frightened, and turned to his mother for sympathy. Charlotte still sat gazing from the window, shading her eyes from the sun. D’Argenton called on Labassandre to produce the letter he had received. The singer pulled out a large, ill-folded peasant’s letter, and read it aloud:—

“FOUNDRY D’INDRET.
“My Dear Brother: I have spoken to the master in regard to the young man, your friend’s son, and he is willing, in spite of his youth, to accept him as an apprentice. He may live under our roof, and in four years I promise you that he shall know his trade. Everybody is well here. My wife and Zénaïde send messages.

“Rondic.”

“You hear, Jack,” interrupted D’Argenton; “in four years you will hold a position second to none in the world,—you will be a good workman.”

The child had seen the working classes in Paris; above all, he had seen a noisy crowd of men in dirty blouses leaving a shop at six o’clock in the Passage des Douze Maisons. The idea of wearing a blouse was the first that struck him. He remembered his mother’s tone of contempt,—“Those are workmen, those men in blouses!”—he remembered the care with which she avoided touching them in the street as she passed. But he was more moved at the thought of leaving the beautiful forest, the summits of whose waving trees he even now caught a glimpse of from the window, the Rivals, and above all his mother, whom he loved so much and had found again after so much difficulty.

Charlotte, at the open window, shivered from head to foot, and her hand dashed away a tear. Was she watching in that western sky the fading away of all her dreams, her illusions, and her hopes?

“Then must I go away?” asked the child, faintly.

The men smiled pityingly, and from the window came a great sob.

“In a week we will go, my boy,” said Labassandre, cheeringly. But D’Argenton, with a frown directed to the window, said, “You can leave the room now, and be ready for your journey in a week.”

Jack ran down the stairs, and out into the village street, and did not stop to take breath until he reached the house of Dr. Rivals, who listened to his story with indignation.

“It is preposterous!” he cried. “The very idea of making a mechanic of you is absurd. I will see your father at once.”

The persons who saw the two pass through the street—the doctor gesticulating, and little Jack without a hat—concluded that some one must be ill at Aulnettes. This was not the case, however; for Dr. Rivals heard loud talking and laughing as he entered the house, and Charlotte, as she descended the stairs, was singing a bar from the last opera.

“I wish to say a few words in private to you, sir,” said Mr. Rivals.

“We are among friends,” answered D’Argenton, “and have no secrets. You have something to say, I suppose, in regard to Jack. These gentlemen know all that I have done for him, my motives, and the peculiar circumstances of the case.”

“But, my friend “—Charlotte said, timidly, fearing the explanation that was forthcoming.

“Go on, doctor,” interrupted the poet, sternly.

“Jack has just told me that you have apprenticed him to the Forge at Indret. This, of course, is a mistake on his part.”

“Not in the least, sir.”

“But you can have no conception of the child’s nature, nor of his constitution. It is his health, his very existence, with which you are trifling. I assure you, madame,” he continued, turning toward Charlotte, “that your child could not endure such a life. I am speaking now simply of his physique. Mentally and spiritually, he is equally unfitted for it.”

“You are mistaken, doctor,” interrupted D’Argenton; “I know the boy better than you possibly can. He is only fit for manual labor, and now that I offer him the opportunity of earning his daily bread in this way, of exercising the one talent he may have, he goes to you and makes complaints of me.”

Jack tried to excuse himself. His friend bade him be silent, and continued,—

“He did not complain to me. He simply informed me of your decision. I told him to come at once to his mother, and to you, and entreat you to reconsider your determination, and not degrade him in this way.”

“I deny the degradation,” shouted Labassandre. “Manual labor does not degrade a man. The Saviour of the world was a carpenter.”

“That is true,” murmured Charlotte, before whose eyes at once floated a vision of her boy as the infant Jesus in a procession on some feast-day.

“Do not listen to such utter nonsense, dear madame,” cried the doctor, exasperated out of all patience. “To make your boy a mechanic is to separate from him forever. You might send him to the other end of the world, and yet he would not be so far from you. You will see when it is too late; the day will come that you will blush for him, when he will appear before you, not as the loving, tender son, but humble and servile, as holding a social position far inferior to your own.”

Jack, who had not yet said a word, dismayed at this vivid picture of the future, started up from his seat in the corner.

“I will not be a mechanic!” he said, in a firm voice.

“O, Jack!” cried his mother, in consternation.

But D’Argenton thundered out, “You will not be a mechanic, you say? But you will eat, and sleep, and be clothed at my expense! No, sir; I have had enough of you, and I never cared much for parasites.” Then, suddenly cooling down, he concluded in a lower tone by a command to the boy to retire to his bedroom. There the child heard a loud and angry discussion going on below, but the words were not to be understood. Suddenly the hall-door opened, and Mr. Rivals was heard to say,—

“May I be hanged if I ever cross this threshold again!”

At this moment Charlotte came in, her eyes red with weeping. For the first time she seemed to have lost all consciousness of self, and had laid aside her rôle of the coquettish, pretty woman. The tears she had shed had been those that age a mother’s face, and leave ineffaceable marks upon it.

“Listen to me, Jack,” she said, tenderly. “You have made me very unhappy. You have been impertinent and ungrateful to your best friends. I know, my child, that you will be happy in your new life. I acknowledge that at first I was troubled at the idea; but you heard what they said, did you not? A mechanic is very different nowadays from what it was once. And, besides, at your age you should rely on the judgment of those older than yourself, who have only your interests at heart.”

A sob from the child interrupted her.

“Then you, too, send me away!”

The mother snatched him to her heart, and kissed him passionately. “I send you away, my darling! You know that if the matter rested with me, you should never leave me; but, my child, we must both of us be reasonable, and think a little of the future, which is dreary enough for us.” And then Charlotte hesitatingly continued, “You know, dear, you are very young, and there are many things you cannot understand. Some day, when you are older, I will tell you the secret of your birth. It is an absolute romance: some day you shall learn your father’s name. But now all that is necessary for you to understand is, that we have not a penny in the world, and are absolutely dependent on—D’Argenton.” This name the poor woman uttered with shame and hesitation, accompanied, at the same time, with a touching look of appeal to her son. “I cannot,” she continued, “ask him to do anything more for us; he has already done so much. Besides, he is not rich. What am I to do between you both? Ah, if I could only go in your place to Indret and earn my bread! And yet you would refuse an opening that gives you a certainty of earning your livelihood, and of becoming your own master.”

By the sparkle in her boy’s eyes the mother saw that these words had struck home, and in a caressing tone she continued, “Do this for me, Jack; do this for your mother. The time may come when I shall have to look to you as my sole support.” Did she really believe her own words? Was it a presentiment, one of those momentary flashes of light that illuminate the future’s dark horizon? or had she simply talked for effect?

At all events, she could have found no better way to conquer this generous nature. The effect was instantaneous. The idea that his mother some day would lean on him suddenly decided him to yield at once. He looked her straight in the eyes. “Promise me that you will never be ashamed of me when my hands are black, and that you will always love me.”

She covered her boy with kisses, concealing in this way her trouble and remorse, for from this time henceforward the unhappy woman was a prey to remorse, and never thought of her child without an agonized contraction of the heart.

But he, supposing that her embarrassment came from anxiety, and possibly from shame, tore himself away, and ran toward the stairs.

“Come, mama, I will tell him that I accept.”

“I beg your pardon, sir,” said the little fellow to D’Argenton, as he opened the door; “I was very wrong in refusing your kindness. I accept it with thanks.”

“I am happy to find that reflection has taught you wisdom. But now express your gratitude to M. Labassandre: it is he to whom you are indebted.”

The child extended his hand, which was quickly ingulfed in the enormous paw of the artist.

This last week Jack spent in his former haunts he was more anxious than sad, and the responsibility he felt made itself seen in two little wrinkles on his childish brow. He was determined not to go away without seeing Cécile.

“But, my dear, after the scene here the other day, it would not be suitable,” remonstrated his mother. But the night before Jack’s departure, D’Argenton, full of triumph at the success of his plans, consented that the boy should take leave of his friends. He went there in the evening. The house was dark, save a streak of light coming from the library—if library it could be called—a mere closet, crammed with books. The doctor was there, and exclaimed, as the door opened, “I was afraid they would not let you come to say good-bye, my boy! It was partially my fault. I was too quick-tempered by far. My wife scolded me well. She has gone away, you know, with Cécile, to pass a month in the Pyrenees with my sister. The child was not well; I think I told her of your impending departure too abruptly. Ah, these children! we think they do not feel, but we are mistaken, and they feel quite as deeply as we ourselves.” He spoke to Jack as one man to another. In fact, every one treated him in the same way at present. And yet the little fellow now burst into a violent passion of tears at the thought of his little friend having gone away without his seeing her.

“Do you know what I am doing now, my lad?” asked the old man. “Well, I am selecting some books that you must read carefully. Employ in this way every leisure moment. Remember that books are our best friends. I do not think you will understand this just yet, but one day you will do so, I am sure. In the mean time, promise me to read them,”—the old man kissed the boy twice,—“for Cécile and myself,” he said, kindly; and, as the door closed, the child heard him say, “Poor child, poor child!”

The words were the same as at the Jesuits’ College; but by this time Jack had learned why they pitied him. The next morning they started, Labassandre in a most extraordinary costume, dressed, in fact, for an expedition across the Pampas,—high gaiters, a green velvet vest, a knapsack, and a knife in his girdle. The poet was at once solemn and happy: solemn, because he felt that he had accomplished a great duty; happy, because this departure filled him with joy.

Charlotte embraced Jack tenderly and with tears. “You will take good care of him, M. Labassandre?”

“As of my best note, madame.”

Charlotte sobbed. The boy sought to hide his emotion, for the thought of working for his mother had given him courage and strength. At the end of the garden path he turned once more, that he might carry away in his memory a last picture of the house, and the face of the woman who smiled through her tears.

“Write often!” cried the mother.

And the poet shouted, in stentorian tones, “Remember, Jack, life is not a romance!”

Life is not a romance; but was it not one for him? The selfish egotist! He stood on the threshold of his little home, with one hand on Charlotte’s shoulder, the roses in bloom all about him, and he himself in a pose pretentious enough for a photograph, and so radiant at having won the day, that he forgot his hatred, and waved a paternal adieu to the child he had driven from the shelter of his roof.

CHAPTER XIII.
INDRET.

The opera-singer stood upright in the boat and cried, “Is not the scene beautiful, Jack?”

It was about four o’clock—a July evening; the waves glittered in the sunlight, and the air palpitated with heat. Large sails, that in the golden atmosphere looked snowy white, passed by from time to time; they were boats from Noirmoutiers, loaded to the brim with sparkling white salt. Peasants in their picturesque costumes were crowded in, and the caps of the women were as white as the salt Other boats were laden with grain. Occasionally a three-masted vessel came slowly up the stream, arriving, perhaps, from the end of the world after a two years’ voyage, and bearing with it something of the poetry and mystery of other lands. A fresh breeze came from the sea, and made one long for the deep blue of the ocean.

“And Indret—where is it?” asked Jack.

“There, that island opposite.”

Through the silvery mists that enveloped the island, Jack saw dimly a row of poplar-trees, and some high chimneys from which poured out a thick black smoke; at the same time he heard loud blows of hammers on iron, and a continual whistling and puffing, as if the island itself had been an enormous steamer. As the boat slowly made her way to the wharf, the child saw long, low buildings on every side, and close at the river-side a row of enormous furnaces, which were filled from the water by coal barges.

“There is Rondic!” cried the opera-singer, and from his stupendous chest sent forth a hurrah so formidable that it was heard above all the clatter of machinery.

The boat stopped, and the brothers met with effusion. The two resembled each other very much, though Rondic was older and not so stout. His face was closely shaven, and he wore a sailor’s hat that shaded a true Breton peasant face tanned by the sea, and a pair of eyes as keen as steel.

“And how are you all?” asked Labassandre.

“Well enough, well enough, thank Heaven! And this is our new apprentice?—he looks very small and not over-strong.”

“Strong as an ox, my dear; and warranted by all the physicians in Paris!”

“So much the better, for it is a hard life here. But now hasten, for we must present ourselves to the Director at once.”

They turned into a long avenue lined by fine trees. The avenue terminated in a village street, with white houses on both sides, inhabited by the master and head-workmen. At this hour all was silent; life and movement were concentrated at the factory; and, but for the linen drying in the yards, an occasional cry of an infant, and a pot of flowers at the window, one would have supposed the place uninhabited.

“Ah, the flag is lowered!” said the singer, as they reached the door. “Once that terrified me!” and he explained to Jack that when the flag was dropped from the top of the staff, it meant that the doors of the factory were closed. So much the worse for late comers; they were marked as absent, and at the third offence dismissed. They were now admitted by the porter. There was a frightful tumult pervading the large halls which were crossed by tramways. Iron bars and rolls of copper were piled between old cannons brought there to be recast. Rondic pointed out all the different branches of the establishment; he could not make himself understood save by gestures, for the noise was deafening.

Jack was able to see the interiors of the various workshops, the doors being set widely open on account of the heat; he saw rapid movements of arms and blackened faces; he saw machines in motion, first in shadow, and then with a red light playing over their polished surface.

Puffs of hot air, a smell of oil and of iron, accompanied by an impalpable black dust, a dust that was as sharp as needles and sparkled like diamonds,—all this Jack felt; but the peculiar characteristic of the place was a certain jarring, something like the effort of an enormous beast to shake off the chains that bound him in some subterranean dungeon.

They had now reached an old château of the time of the League.

“Here we are,” said Rondic; and addressing his brother, “Will you go up with us?”

“Indeed I will; I am, besides, by no means unwilling to see ‘the monkey’ once more, and to show him that I have become somebody and something.”

He pulled down his velvet vest, and glanced at his yellow boots and knapsack. Rondic made no remark, but seemed somewhat annoyed.

They passed through the low postern; on either side of the hall were small and badly lighted rooms, where clerks were very busy writing. In the inner room, a man with a stern and haughty face sat writing under a high window.

“Ah, it is you, Père Rondic!”

“Yes, sir; I come to present the new apprentice, and to thank you for—”

“This is the prodigy, then, is it? It seems, young man, that you have an absolute talent for mechanics. But, Rondic, he does not look very strong. Is he delicate?”

“No, sir; on the contrary, I have been assured that he is remarkably robust.”

“Remarkably,” repeated Labassandre, coming forward, and, in reply to the astonished glance of the Director, proceeded to say that he left the manufactory six years before to join the opera in Paris.

“Ah, yes, I remember,” answered the Director, coldly enough, rising at the same time as if to indicate that the conversation was at an end. “Take away your apprentice, Rondic, and try and make a good workman of him. Under you he must turn out well.”

The opera-singer, vexed at having produced no effect, went away somewhat crestfallen. Rondic lingered and said a few words to his master, and then the two men and the child descended the stairs together, each with a different impression. Jack thought of the words “he does not look very strong,” while Labassandre digested his own mortification as he best might. “Has anything gone wrong?” he suddenly asked his brother,—“the Director seems even more surly now than in my day.”

“No; he spoke to me of Chariot, our poor sister’s son, who is giving us a great deal of trouble.”

“In what way?” asked the artist.

“Since his mother’s death he drinks and gambles, and has contracted debts. He is a wonderful draughtsman, and has high wages, but spends them before he has them. He has promised us all to reform, but he breaks his promises as fast as he makes them. I have paid his debts for him several times, but I can never do it again. I have my own family, you see, and Zénaïde is growing up, and she must be established. Poor girl! Women have more sense than we. I wanted her to marry her cousin, but she would not consent. Now we are trying to separate him from his bad acquaintances here, and the Director has found a situation at Nantes; but I dare say the obstinate fellow will object. You will reason with him to-night, can’t you? He will, perhaps, listen to you.”

“I will see what I can do,” answered Labassandre, pompously.

As they talked they reached the main street, crowded at this hour with all classes of people, some in mechanics’ blouses, others wearing coats. Jack was struck with the contrast presented by a crowd like this to one in Paris, composed of similar classes.

Labassandre was greeted with enthusiasm. The whisper went about that he received a hundred thousand francs per year for merely singing. His theatrical costume won universal admiration, and his bland smile shone first on one side and then on the other, as he nodded patronizingly to first one and then another of his old friends.

At the door of Rondic’s house stood a young woman talking to a youth two or three steps below. Jack thought she must be the old man’s daughter, and then remembered that he had married a second time. She was tall and slender, young and pretty, with a gentle face, white throat, and a graceful head which bent slightly forward as if bowed by its rich weight of hair. Unlike the Breton peasants, she wore no cap; her light dress and black apron were totally unlike the costume of a working woman.

“Is she not pretty?” asked Rondic of his brother. “She has been giving a lecture to her nephew.”

Madame Rondic turned at that moment, and greeted them warmly. “I hope,” she said to the child, “that you will be happy with us.”

They entered the house, and as they took their seats at the table, Labassandre said with a theatrical start, “And where is Zénaïde?”

“We will not wait for her,” answered Rondic; “she will be here presently. She is at work now at the château, for she has become a famous seamstress.”

“Indeed! Then she must have learned also to keep her temper well under control, if she can work at the Director’s,” said Labassandre, “for he is such an arrogant, haughty person—”

“You are very much mistaken,” interrupted Rondic; “he is, on the contrary, a most excellent man; strict, perhaps, but when a master has to manage two thousand operatives, he must be somewhat of a disciplinarian. Is not that so, Clarisse?” and the old man turned to his wife, who, seemingly occupied with her dinner, paid no attention to him. A certain preoccupation was very evident.

At this moment the youth, with whom Madame Rondic had been talking at the door, came in and shook hands with his uncle Labassandre, who replied coldly to his greeting; thinking, possibly, of the remonstrances he had promised to lavish upon him. Zénaïde quickly followed: a plump little girl, red and out of breath; not pretty, and square in face and figure, she looked like her father. She wore a white cap, and her short skirts, and small shawl pinned over her shoulders, increased her general clumsiness. But her heavy eyebrows and square chin indicated an unusual amount of firmness and decision, offering the strongest possible contrast to the gentle, irresolute expression of her stepmother’s sweet face. Without a moment’s delay, not waiting to detach the enormous shears that hung at her side, or to disembarrass herself of the needles and pins which glittered on her breast like a cuirass, the girl slipped into a seat next to Jack. The presence of the strangers did not abash her in the least. Whatever she had to say she said, simply and decidedly; but when she spoke to her cousin Chariot, it was in a vexed tone.

He did not appear to notice this, but replied with jests which left more than one scar.

“And I wished them to marry each other,” said Father Rondic, in a despairing, complaining tone, as he heard them dispute.

“And I made no objection,” said the young man with a laugh, as he looked at his cousin.

“But I did, then,” answered the girl abruptly, frowning and unabashed. “And I am glad of it. Had I married you, my handsome cousin, I should have drowned myself by this time!”

These words were said with so much unction that for a few moments the handsome cousin was silent and discomfited.

Clarisse was startled, and turned to her daughter-in-law with a timid look of appeal.

“Listen, Chariot,” said Rondic, anxious to change the conversation: “to prove to you that the Director is a good man. He has found a splendid place at Guérigny for you. You will have a better salary there than here, and “—here Rondic hesitated, glanced at the irresponsive face of the youth, then at his daughter and at his wife, as if at a loss to finish his phrase.

“And, it is better to go away, uncle, than to be dismissed!” answered Chariot, roughly. “But I do not agree with you. If the Director does not want me, let him say so,—and I will then look out for myself!”

“He is right!” cried Labassandre, thumping loud applause on the table. A hot discussion now arose; but Chariot was firm in his refusal.

Zénaïde did not open her lips, but she never took her eyes from her stepmother, who was busy about the table.

“And you, mamma,” said she at last, “is it not your opinion that Chariot should go to Guérigny?”

“Certainly, certainly,” answered Madame Rondic, quickly, “I think he ought to accept the offer.”

Chariot rose quickly from his chair.

“Very well,” he said, moodily, “since every one wishes to get rid of me here, it is easy for me to decide. I shall leave in a week; in the meantime I do not wish to hear any more about it.”

The men now adjourned to a table in the garden, neighbors came in, and to each as he entered Rondic offered a measure of wine; they smoked their pipes, and talked and laughed loudly and roughly.

Jack listened to them sadly. “Must I become like these?” he said to himself, with a thrill of horror.

During the evening Rondic presented the lad to the foreman of the workshops. Labescam, a heavy Cyclops, opened his eyes wide when he saw his future apprentice, dressed like a gentleman, with such dainty white hands. Jack was very delicate and girlish in his appearance. His curls were cut, to be sure, but the short hair was in crisp waves, and the air of distinction characteristic of the boy, and which so irritated D’Argenton, was more apparent in his present surroundings than in his former home. Labescam muttered that he looked like a sick chicken.

“O,” said Rondic, “it is only the fatigue of his journey and these clothes that give him that look;” and then turning to his wife, the good man said,

“You must find a blouse for the apprentice; and now send him to bed, he is half asleep, and to-morrow the poor lad must be up at five o’clock!”

The two women took Jack into the house: it was small and of two stories, the first floor divided into two rooms—one called the parlor, which had a sofa, armchairs, and some large shells on the chimney-piece.

One of the rooms above was nearly filled by a very large bed hung with damask curtains trimmed with heavy ball fringe. In Zénaïde’s room the bed was in the wall, in the old Breton style. A wardrobe of carved oak filled one side of the room; a crucifix and holy images, hung over by rosaries of all kinds, made of ivory, shells, and American corn, completed the simple arrangements. In a corner, however, stood a screen which concealed the ladder that led to the loft where the apprentice was to sleep.

“This is my room,” said Zénaïde, “and you, my boy, will be up there just over my head. But never mind that; you may dance as much as you please, I sleep too soundly to be disturbed.”

Jack / 1877

JACK

By Alphonse Daudet

Translated by Mary Neal Sherwood

From The Fortieth Thousand, French Edition.

Estes And Lauriat, 1877

JACK

CHAPTER I.VAURIGARD.

CHAPTER II.THE SCHOOL IN THE AVENUE MONTAIGNE.

CHAPTER III.MÂDOU.

CHAPTER IV.THE REUNION.

CHAPTER V.A DINNER WITH IDA.

CHAPTER VI.AMAURY D’ARGENTON.

CHAPTER VII.MÂDOU’S FLIGHT.

CHAPTER VIII.JACK’S DEPARTURE.

CHAPTER IX.PARVA DOMUS, MAGNA QUIES.

CHAPTER X.THE FIRST APPEARANCE OF BÉLISAIRE.

CHAPTER XI.CÉCILE.

CHAPTER XII.LIFE IS NOT A ROMANCE.

CHAPTER XIII.INDRET.

CHAPTER I.
VAURIGARD.

CHAPTER II.
THE SCHOOL IN THE AVENUE MONTAIGNE.

CHAPTER III.
MÂDOU.

CHAPTER IV.
THE REUNION.

CHAPTER V.
A DINNER WITH IDA.

CHAPTER VI.
AMAURY D’ARGENTON.

CHAPTER VII.
MÂDOU’S FLIGHT.

CHAPTER VIII.
JACK’S DEPARTURE.

CHAPTER IX.
PARVA DOMUS, MAGNA QUIES.

CHAPTER X.
THE FIRST APPEARANCE OF BÉLISAIRE.

CHAPTER XI.
CÉCILE.

CHAPTER XII.
LIFE IS NOT A ROMANCE.

CHAPTER XIII.
INDRET.