The Jolliest Term on Record
By ANGELA BRAZIL
"Angela Brazil has proved her undoubted talent for writing a story of schoolgirls for other schoolgirls to read."—Bookman.
A Popular Schoolgirl.
The Princess of the School.
A Harum-Scarum Schoolgirl.
The Head Girl at the Gables.
A Patriotic Schoolgirl.
For the School Colours.
The Madcap of the School.
The Luckiest Girl in the School.
The Jolliest Term on Record.
The Girls of St. Cyprian's.
The Youngest Girl in the Fifth.
The New Girl at St. Chad's.
For the Sake of the School.
The School by the Sea.
The Leader of the Lower School.
A Pair of Schoolgirls.
A Fourth Form Friendship.
The Manor House School.
The Nicest Girl in the School.
The Third Class at Miss Kaye's.
The Fortunes of Philippa.
LONDON: BLACKIE & SON, Ltd., 50 OLD BAILEY, E.C.
"LEFT ALONE, THE TWO GIRLS WERE NOT SLOW IN DISCUSSING THE WONDERFUL NEWS"
The Jolliest Term
on Record
A Story of School Life
BY
ANGELA BRAZIL
Author of "For the Sake of the School"
"The Girls of St. Cyprian's"
"The School by the Sea"
&c. &c.
Illustrated by Balliol Salmon
BLACKIE AND SON LIMITED
LONDON GLASGOW AND BOMBAY
Contents
| Chap. | Page | |
|---|---|---|
| I. | The New School | [9] |
| II. | A Scrape | [23] |
| III. | Shaking Down | [36] |
| IV. | The School Mascot | [50] |
| V. | Lilac Grange | [64] |
| VI. | An Awkward Predicament | [78] |
| VII. | The Mad Hatters | [93] |
| VIII. | An Adventure | [108] |
| IX. | The Tennis Championship | [122] |
| X. | An Antique Purchase | [136] |
| XI. | Waterloo Day | [148] |
| XII. | Katrine's Ambition | [162] |
| XIII. | Githa's Secret | [175] |
| XIV. | A Midnight Alarm | [189] |
| XV. | Amateur Artists | [202] |
| XVI. | Concerns a Letter | [215] |
| XVII. | The Wishing Well | [226] |
| XVIII. | A Discovery | [236] |
| XIX. | An Accident | [246] |
| XX. | Bob Gartley Explains | [257] |
| XXI. | The Sports | [268] |
| XXII. | The Old Oak Cupboard | [279] |
Illustrations
| Page | |
|---|---|
| "Left alone, the two girls were not slow indiscussing the wonderful news" [Frontispiece] | [14] |
| "'The Goose Girl, by all that's wonderful!'whispered Gwethyn" | [28] |
| "Gwethyn tore off the silk handkerchiefs. Shesaw at once what had happened"" | [102] |
| "The unpleasant truth was hopelessly plain—theywere prisoners in the empty house" | [118] |
| "'I believe I've broken my leg', he moaned" | [248] |
| "'This concerns us very much, Githa. It's yourgrandfather's last will'" | [284] |
THE JOLLIEST TERM ON RECORD
I
The New School
"Katrine!" said Gwethyn, in her most impressive manner, "have you noticed anything peculiar going on in this house the last two or three days?"
"Why, no," replied Katrine abstractedly, taking a fresh squeeze of cobalt blue, and mixing it carefully with the rose madder and the yellow ochre already on her palette. "Nothing at all unusual. Gwethyn, be careful! You nearly sat down on my brigand, and his head's still wet!"
"Peccavi! I didn't see he was there," apologized Gwethyn, rescuing the canvas in question, and placing it in a position of greater safety on the mantelpiece. "Considering you've got absolutely every single chair littered with books, paints, and turpentine bottles, there really doesn't seem a spot left to sit upon," she continued in an injured tone.
"Except the table," returned Katrine, hastily moving a box of pastels and a pile of loose drawings to make room. "Please don't disturb my things. I've been sorting them out, and I don't want to get them mixed up again. Squat here, if you're tired, and leave the bottles alone."
"I am tired. I'm nearly dead. I bicycled all the way to Lindley Park and back with Mona Taylor on the step. She would make me take her! And she's no light weight, the young Jumbo!"
"Poor martyr! would you like a drink of turpentine to revive you? Sorry the chocs are finished."
"Don't mock me! Mona's a decent kid, but she really was the limit to-day. I'll see myself at Jericho before I let her climb on my step again. But Kattie, to go back to what I was saying before you interrupted me—haven't you noticed there's a something, a most decided something in the wind?"
"Your imagination, my dear child, is one of your brightest talents. You're particularly clever at noticing what isn't there."
"And you're as blind as a bat! Can't you see for yourself that Father and Mother have got some secret they're keeping from us? Why are we having our summer dresses made in April? Why are all our underclothes being overhauled and counted? Why did two new trunks arrive yesterday, with K. H. M. and G. C. M. painted on them in red letters? Why did Father just begin to say something last night, and Mother shut him up in a hurry, and he look conscience-stricken, and murmur: 'I'd forgotten they don't know yet'? Girl alive! if you're blind I'm not. There's something exciting on foot. I'm wild to find out what. Why doesn't Mother tell us? It's too bad."
"She's just going to now," said a voice from the door, and a small, bright-eyed little lady walked in, laughing. "You shan't be kept in the dark any longer, poor injured creatures! I'll make a clean breast of it at last."
"Mumsie!" cried both girls, jumping up, and sweeping away the books and painting materials that encumbered the one arm-chair. "Sit here, you darling! It isn't turpentiny, really! Here's the cushion. Are you comfy now? Well, do please begin and tell. We're all in a dither to know."
"Brace your nerves then, chicks! First and foremost, Father has been asked in a hurry to go out to the Scientific Conference at Sydney, and give the lectures on Geology in place of Professor Baillie, who has been taken ill, and can't keep his engagement. He has accepted, and must start by the 28th. He wants me to go with him. We shall probably be away for three months."
"And leave us!" Gwethyn's voice was reproachful. "Are we to be two sort of half orphans for three whole months? Oh, Mumsie!"
"It can't be helped," replied Mrs. Marsden, stroking the brown head apologetically. "What a Mummie's baby you are still! Remember, it's a great honour for Father to be asked to take the Geology chair at the Conference. He's ever so pleased about it. And of course I must go too, because——"
The girls smiled simultaneously, and with complete understanding.
"If you weren't there to remind him, Mumsie, Daddie'd forget which days his lectures were on!" twinkled Katrine. "Yes, and I verily believe he'd put his coat on inside out, or wear two hats, or do something horrible, if he were thinking very hard of the Pleistocene period. He'd be utterly lost without you. No, you couldn't let him go alone!"
"It's not to be thought of," agreed Mrs. Marsden hastily.
"Pack Kattie and me inside your trunk," urged Gwethyn's beseeching voice. "I'd like to see Australia."
"Too expensive a business for four. No, we've made other plans for you. Get up, Baby! You're too heavy to nurse. Go and sit somewhere else—yes, on the table, if you like. Well, Father and I have talked the matter thoroughly over, and we've decided to send you both for a term to a boarding-school we know of in Redlandshire."
"To school!" shrieked Katrine. "But, Mumsie, I left school last Christmas! Why, I've almost turned my hair up! I can't go back and be a kid again—it's quite impossible!"
"No one wants you to do that. I have made special arrangements for you with Mrs. Franklin. You are to join some of the classes, and spend the rest of your time studying painting. Mrs. Franklin's sister, Miss Aubrey, is a very good artist, and will take you out sketching. Isn't that a cheering prospect? You've wanted so much to have lessons in landscape."
"Not so bad—but I'm suffering still from shock!" returned Katrine. "School's school, anyhow you like to put it. And when I thought I'd left for good!"
"And where do I come in?" wailed a melancholy voice from the table. "You're Katrine, and I'm only Gwethyn. I'm too mi-ser-able for words, Mumsie, you've betrayed us shamefully. I didn't think it of you. Or Daddie either. Do please change your minds!"
"No; for once we're hard-hearted parents," laughed Mrs. Marsden. "I wrote last night and arranged definitely and finally for you to go to Aireyholme on the 21st."
"I suppose I can take Tony with me?" asked Gwethyn anxiously, quitting her seat on the table to catch up a small Pekinese spaniel and press a kiss on his snub nose. "He'd break his little heart with fretting, bless him, if I left him behind. Wouldn't you, Tootitums?"
"I'm afraid that's impossible. We must board Tony out while we're away. I dare say Mrs. Wilson at the market gardens would look after him, or Mary might take him home with her. Now, Gwethyn, don't make a fuss, for I can't help it. I'm doing the best I can for everybody. You don't realize what a business it is to start for Australia at such a short notice, and have to shut up one's house, and dispose of one's family, all in three weeks' time. I'm nearly distracted with making so many arrangements."
"Poor darling little Mumsie!" said Katrine, squatting down by the arm-chair, and cuddling her mother's hand. "You'll be glad when it's over and you're safe on board ship. Which way do people sail for Australia? I don't know any geography."
"We go through the Suez Canal——"
"Oh, Mumsie! Hereward!" interrupted both the girls eagerly.
Mrs. Marsden's eyes were shining.
"I'm not counting on seeing him," she protested. "It's wildly improbable he'd get leave, and we only have a few hours, I believe, at Port Said. Still, of course, there's always just the possibility."
"Now I understand why you're so keen to go to Australia," said Gwethyn. "You darling humbug! You'd have made Daddie accept a lectureship on the top of Chimborazo, or at the North Pole, if there were a chance of seeing Hereward for ten seconds on the way. Confess you would!"
"I suppose I'm as weak-minded as most mothers who have an only son in the army," said Mrs. Marsden, rising from her basket-chair. "One can't keep one's bairns babies for ever. They grow up only too fast, and fly from the nest. Well, I've told you the great secret, so I'll leave you to digest it at your leisure, chicks. Aireyholme is a delightful school. I'm sure you'll enjoy being there. Perhaps you're going to have the time of your lives!"
Left alone, the two girls were not slow in discussing the wonderful news. The room where they were sitting was a large attic, which had been converted into a studio. The drab walls were covered with sketches in oils, water-colours, pencil or chalk; a couple of easels, paint-boxes, palettes, drawing-paper, and canvases, and a litter of small articles—india-rubbers, mediums, pastels, and stumps—gave a very artistic general effect, and suggested plenty of work on the part of the owners. Both the sisters were fond of painting, and Katrine, at any rate, spent much of her spare time here. With her blue eyes, regular features, clear pale complexion, and plentiful red-gold hair, Katrine looked artistic to her finger-tips. She was just seventeen, and, owing to her extreme predilection for painting, had persuaded her parents to take her from the High School, and let her attend the School of Art, where she could devote all her energies to her pet subject. On the strength of this promotion she regarded herself as almost, if not quite, grown up—a view that was certainly not shared by her mother, and was perhaps a determining influence in Mrs. Marsden's decision to send her to a boarding-school.
Gwethyn, two years younger, was a bright, merry, jolly, independent damsel, with twinkling hazel eyes and ripply brown hair, a pair of beguiling dimples at the corners of her mouth, and a nose which, as Tennyson kindly expresses it, was inclined to be tip-tilted. Unromantic Gwethyn did not care a toss about "High Art", though in her way she was rather clever at painting, and inclined to follow Katrine's lead. She liked drawing animals, or niggers, or copying funny pictures from comic papers; and sometimes, I fear, she was guilty of caricaturing the mistresses at school, to the immense edification of the rest of the form. While Katrine painted fairies, Gwethyn would be drawing grinning gargoyles or goblins, with a spirited dash about the lines, and much humour in the expression of the faces. Sometimes these artistic efforts, produced at inopportune moments in school, got her into trouble, but wrath from head-quarters had little permanent effect upon Gwethyn. Her irrepressible spirits bobbed cheerily up again when the scoldings were over, and her eyes, instead of being filled with penitential tears, would be twinkling with suppressed fun.
Just now she was sitting on the table in the studio, hugging Tony, and trying to adjust her mental vision to the new prospect which opened before her.
"It's hard luck to have to leave the 'High' when I'd really a chance for the tennis championship," she mourned. "I suppose they'll play tennis at this new school? I hope to goodness they won't be very prim. I guess I'll wake them up a little if they are. Katrine, do you hear? I'm going to have high jinks somehow."
"Jink if you like!" returned Katrine dolefully. "It's all very well for you—you're only changing schools. But I'd left! And I'd quite made up my mind to turn up my hair this term. Of course I'll like the landscape-painting. I can do lots of things for the sketching club while I'm away, but—it's certainly a venture! Perhaps an adventure!"
"It'll be a surprise packet, at any rate," laughed Gwethyn. "We don't know the place, or the people we're going to meet, or anything at all about it. Kattie, I felt serious a minute ago, but the sight of your lugubrious face makes me cackle. I want to sketch you for a gargoyle—a melancholy one this time. That's better! Now you're laughing! Look here, we'll have some fun out of this business, somehow. I'm going to enjoy myself, and if you don't play up and follow suit, you're no sister of mine."
A fortnight later, the two girls were waving goodbye from the window of a train that steamed slowly out of Hartfield station. Even Gwethyn looked a trifle serious as a railway arch hid the last glimpse of Mumsie standing on the platform, and Katrine conveniently got something in her eye, which required the vigorous application of her pocket-handkerchief. They cheered up, however, when the city was passed, and suburban villas began to give place to fields and hawthorn hedges. After all, novelty was delightful, and for town-bred girls three months of country life, even at school, held out attractions. It was a four hours' journey to Carford, where they changed. The express was late, and, somewhat to their dismay, they found they had missed the local train, and would have to wait three hours for the next. As it was only eight miles to Heathwell, the village where the school was situated, they decided to ride there on their bicycles, leaving their luggage to follow by rail. The prospect of a cycling jaunt seemed far pleasanter than waiting at an uninteresting junction; it would be fun to explore the country, and they would probably arrive at school earlier by carrying out this plan.
Through the sweet, fresh-scented lanes, therefore, they started, where the young leaves were lovely with the tender green of late April, and the banks gay with celandine stars and white stitchwort, and the thrushes and blackbirds were chanting rival choruses in the hedgerow, and the larks were rising up from the fields with their little brown throats bubbling over with the message of spring. On and on, mile after mile of softly undulating country, where red-roofed farms lay among orchards full of blossom, and a river wandered between banks of osiers and pollard willows, and the sleek white-faced cattle grazed in meadows flowery as gardens. It seemed a fitting way to Eden; but the girls had not quite anticipated the little Paradise that burst upon their view when a bend of the road brought them suddenly into the heart of Heathwell. Surely they must have left the present century, and by some strange jugglery of fate have turned back the clock, and found themselves transported to mediæval times. The broad village street ran from the old market hall at one end to the ancient church at the other, flanked on either side by black-and-white houses so quaint in design, and so picturesque in effect, that they might have stepped from a painting of the seventeenth century. The cobble-stoned cause-way, the irregular flights of steps, the creepers climbing to the very chimneys, the latticed windows, the swinging inn-sign with its heraldic dragon, all combined to make up a scene which was typically representative of Merrie England.
"Are we awake, or are we in an Elizabethan dream?" asked Katrine, dismounting from her bicycle to stand and survey the prospect.
"I don't know. I feel as if I were on the stage of a Shakespearian play. A crowd of peasants with May garlands ought to come running out of that archway and perform a morris dance, then the principal characters should walk on by the side wings."
"It's too fascinating for words. I wonder where Aireyholme is?"
"We shall have to ask our way. Ought one to say: 'Prithee, good knave, canst inform me?' or 'Hold, gentle swain, I have need of thy counsel'?"
"We shall start with a reputation for lunacy, if you do!"
The school proved to be not very far away from the village. Aireyholme, as it was aptly called, was a large, comfortable, rather old-fashioned house that stood on a small hill overlooking the river. Orchards, in the glory of their spring bloom, made a pink background for the white chimneys and the grey-slated roof; a smooth tennis lawn with four courts faced the front, and in a field adjoining the river were some hockey goals.
"Not so utterly benighted!" commented Gwethyn, as she and Katrine wheeled their bicycles up the drive. "There's more room for games here than we had at the 'High'. I'm glad I bought that new racket. Wonder what their play's like? I say, these are ripping courts!"
To judge by the soft thud of balls behind the bushes, and the cries that registered the scoring, several sets of tennis were in progress, and as the girls turned the corner of the shrubbery, and came out on to the carriage sweep before the front door, they had an excellent view of the lawn. Their sudden appearance, however, stopped the games. The players had evidently been expecting them, and, running up, greeted them in characteristic schoolgirl fashion.
"Hello! Are you Katrine and Gwethyn Marsden?"
"So you've turned up at last!"
"Did you miss your train?"
"Miss Spencer was in an awful state of mind when you weren't at the station. She went to meet you."
"Have you biked all the way from Carford?"
"Yes, and we're tired, and as hungry as hunters," returned Katrine. "Our luggage is coming by the 5.30. We missed the 2.15, so we thought we'd rather ride on than wait. Where can we put our bikes?"
"I'll show you," said a tall girl, who seemed to assume the lead. "At least, Jess and Novie can put them away for you now, and I'll take you straight to Mrs. Franklin. She'll be most fearfully relieved to see you; she gets herself into such stews over anybody who doesn't arrive on the nail. I'm Viola Webster. I'll introduce the others afterwards. You'll soon get to know us all, I expect. There are thirty-six here this term, counting yourselves. Did you bring rackets? Oh, good! We're awfully keen on tennis. So are you? Dorrie Vernon will be glad to hear that. She's our games secretary. I wonder if Mrs. Franklin is in the study, or in the drawing-room? Perhaps you'd better wait here while I find her. Oh, there she is after all, coming down the stairs!"
The new world into which Katrine and Gwethyn were speedily introduced, was a very different affair from the High School which they had previously attended. The smaller number of pupils, and the fact that it was a boarding-school, made the girls on far more intimate terms with one another than is possible in a large day-school. Mrs. Franklin, the Principal, was a woman of strong character. She had been a lecturer at college before her marriage, and after her husband's death had begun her work at Aireyholme in order to find some outlet for her energies. Her two sons were both at the front, one in the Territorials, and the other as a naval chaplain. Her only daughter, Ermengarde, had lately been married to a clergyman. Tall, massive, perhaps even a trifle masculine in appearance, Mrs. Franklin hid a really kind heart under a rather uncompromising and masterful manner. She was a clever manager, an admirable housekeeper, and ruled her little kingdom well and wisely. Both in features and personality she resembled an ancient Roman matron, and among the girls she was often known as "the mother of the Gracchi".
Mrs. Franklin's sister, Miss Aubrey, who lived at the school, was an artist of considerable talent. She superintended the art teaching, and gave the rest of her time to landscape-painting, in both oil and water colours. It was largely the fact that Katrine might have sketching lessons from Miss Aubrey which had influenced Mr. and Mrs. Marsden in their choice of Aireyholme. The art department was a very important feature of that school. Any talent shown among the pupils was carefully fostered. The general atmosphere of the place was artistic; the girls were familiar with reproductions of pictures from famous galleries, they took in The Art Magazine and The Studio, they revelled in illustrated catalogues of the Salon or the Royal Academy, and dabbled in many mediums—oil, water colour, pastel, crayon, and tempera. The big studio was perhaps the pet room of the house; it was Liberty Hall, where anybody might pursue her favourite project, and though some of the attempts were certainly rather crude, they were all helpful in training eye and hand to work together.
Of the other mistresses, Miss Spencer was bookish, and Miss Andrews athletic. The former was rather cold and dignified, an excellent and painstaking, though not very inspiring teacher. She spoke slowly and precisely, and there was a smack of college about her, a scholastic officialism of manner that raised a barrier of reserve between herself and her pupils, difficult to cross. Very different was Miss Andrews, whose hearty, breezy ways were more those of a monitress than of a mistress. She laughed and joked with the girls almost like one of themselves, though she could assert her authority emphatically when she wished. Needless to say she was highly popular, and although she had only been a year at Aireyholme, she was already regarded as an indispensable feature of the establishment. Into this busy and highly organized little community Katrine and Gwethyn, as new-comers, must shake themselves down.
CHAPTER II
A Scrape
Katrine and Gwethyn had been given a bedroom over the porch, a dear little room with roses and jasmine clustering round the windows, and with an excellent view of the tennis lawn. They arranged their possessions there after tea, and when their photos, books, work-baskets, and writing-cases had found suitable niches the place began to have quite a home-like appearance.
"It's not so bad, considering it's school," commented Gwethyn; "I believe I'm going to like one or two of those girls."
"I don't know whether I'm going to like Mrs. Franklin," objected Katrine. "She's inclined to boss as if one were a kid. I hope Mother made her quite understand that I'm past seventeen, and not an 'ordinary schoolgirl'."
"You're younger than Viola Webster, though, or that other girl—what's her name?—Dorrie Vernon," returned Gwethyn. "What have you got there? Oh, Katrine! A box of hairpins! Now you promised Mumsie you wouldn't turn up your hair!"
"I was only just going to try it sometimes, for fun. When a girl is as tall as I am, it's ridiculous to see her with a plait flapping down her back. I'm sure I look older than either Viola or Dorrie. Most people would take me for eighteen." Katrine was staring anxiously at herself in the glass. "I'm not going to be treated here like a junior. They needn't begin it."
"Oh, you'll settle them all right, I dare say!" answered Gwethyn abstractedly. She was calculating the capacities of the top drawer, and, moreover, she was accustomed to these outbursts on the part of her sister.
Katrine put the hairpins, not on the dressing-table, but in a handy spot of her right-hand drawer, where she could easily get at them. It was absurd of Gwethyn to make such a fuss, so she reflected. A girl of only fifteen cannot possibly enter into the feelings of one who is nearly grown up.
She preserved a rather distant manner at supper. It would not be dignified to unbend all at once to strangers. Gwethyn, always too hail-fellow-well-met with everybody, was talking to her next neighbour, and evidently eliciting much information; an unrestrained chuckle on her part caused Mrs. Franklin to cast a glance of surprise at that particular portion of the table. By bedtime both the new-comers were feeling serious; they would not for the world have confessed to home-sickness, but Katrine observed that she hoped vessels bound for Australia never blundered into German mines, and Gwethyn said she had seen in one of the papers that there was an outbreak of enteric among the troops in Egypt, and she wondered if it were in Hereward's regiment; neither of which remarks was calculated to raise their spirits.
The beds had spring mattresses, and were quite as comfortable as those at home. By all ordinary natural laws the girls, tired with their journey, ought to have slept the slumbers of the just immediately their heads touched their pillows. Instead of doing anything so sensible, they lay talking until they were both so excited and so thoroughly wideawake that sleep refused to be wooed. Hour after hour they tossed and turned, counting imaginary sheep jumping over gates, repeating pieces of poetry, and trying the hundred-and-one expedients that are supposed to be infallible brain lullers, but all with no effect. Outside, owls were hooting a continual dismal concert of "twoo-hoo-hoo!"
"I like owls from a natural history point of view," groaned Katrine, "and I've no doubt they're only telling one another about fat mice and sparrows; but I wish they'd be quiet and not talk! They're far more disturbing than trams and taxis."
"Talk of the peace of the country! I should like to know where it is!" agreed Gwethyn, turning her pillow for the fourteenth time. "There's a cock crowing now, and a dog barking!"
"It's impossible to sleep a wink," declared Katrine, jumping out of bed in desperation, and drawing aside the window curtain. "I believe it's getting light."
There was a stirring of dawn in the air. All the world seemed wrapped in a transparent grey veil, just thin enough for objects to loom dimly through the dusk. She could see the heavy outlines of the trees at the farther side of the lawn. A thrush was already giving a preliminary note, and sparrows were beginning to twitter under the eaves.
"What's the use of stopping in bed when one can't sleep?" exclaimed Katrine. "Let us dress, find our machines, and go for a spin."
"What! Go out now?"
"Why not? People are supposed to get up early in the country."
"All right! If you're game, I am."
The two girls had not been accustomed to much discipline at home, and their notions of school rules were rudimentary. The idea of getting up so early and going out to explore struck them both as delightfully enterprising and adventurous. They made a hurried toilet, crept cautiously downstairs, and found the passage at the back of the house, where their bicycles had been temporarily placed the night before. It was an easy matter to unbolt a side door, and make their way through the garden and down the drive. Before the day was much older, they were riding along the quiet dim road in that calm silence that precedes the dawn. The air was most fresh and exhilarating. As their machines sped through the grey morning mist, they felt almost as if they were on aeroplanes, rushing among the clouds. At first all was dark and vague and mysterious, but every minute the light was growing stronger, and presently they could distinguish the gossamer, hung like a tangled magic web upon the hedges, in dainty shimmering masses, as if the pixies had been spinning and weaving in the night, and had not yet had time to carry off the result of their labours.
"It's just like a fairy tale," said Gwethyn. "Do you remember the boy who sat on the fox's tail, and they went on and on till his hair whistled in the wind? Those rabbits ought to stop and talk, and tell us about Brer Terrapin and the Tar Baby. I'm sure Uncle Remus is squatting at the foot of that tree. We shall meet the goose-girl presently, I expect."
"What a baby you are! But it is lovely, I agree with you. Oh, Gwethyn, look at the sky over there! That's a fairy tale, if you like. Let's stop and watch it."
It was indeed a glorious sight. The colour, which at first had been pearly-grey, had changed to transparent opal; then, blushing with a warmer hue, grew slowly to pink, amber, and violet. Great streamers of rosy orange began to stretch like ethereal fingers upwards from the horizon. The fields were in shadow, and a quiet stillness reigned, as if the world paused, waiting in hope and expectancy for that fresh and ever wonderful vision, the miracle of the returning dawn. Then the great shimmering, glowing sun lifted himself up from among the mists in the meadows, gaining in brilliance with every foot he ascended till the light burst out, a flood of brightness, and all the landscape was radiant. At that, Mother Earth seemed to bestir herself. With the new day came the fresh pulse of life, and the reawakening of myriads of nature's children. The first lark went soaring into the purply-blue overhead; the chaffinches began to tweet in the elms; a white butterfly fluttered over the hedge; and a marvellous busy throng of insect life seemed suddenly astir and ahum. It was a different world from that of an hour before—a living, breathing, working, rejoicing world; the shadows and the mystery had fled, and left it as fair as if just created.
"It was worth getting up for this!" said Katrine. "I've never seen such a transformation scene in my life. I wish I could paint it. But what colours could one use? Nothing but stained glass could give that glowing, glorious, pinky violet!"
"I haven't the least idea where we are, or how far away from the school," said Gwethyn. "We rode along quite 'on spec.', and we may have come two miles or five, for anything I know. Yes, it has been lovely, and I see you're still wrapt in a sort of rapturous dream, and up among rosy clouds, but I've come down to earth, and I'm most unromantically hungry. It seems years since we had supper last night. I wonder if we couldn't find a farm, and buy some milk."
"Rose madder mixed with violet lake, and a touch of aureolin and Italian pink might do it!" murmured Katrine.
"No, it wouldn't! They'd want current coin of the realm. Have you any pennies left in your coat pocket?"
"You mundane creature! I was talking of the sunrise, and not of mere milk. Yes, I have five pennies and a halfpenny, which ought to buy enough to take a bath in."
"I don't want a bath, only a glassful. But it's a case of 'first catch your farm'. I don't see the very ghost of a chimney anywhere, nothing but fields and trees."
"Better go on till we find one, then," said Katrine, mounting her machine again.
They rode at least half a mile without passing any human habitation; then at last the welcome sight of a gate and barns greeted them.
"It looks like the back of a farm," decided Gwethyn. "Let us leave our bikes here, and explore."
Up a short lane, and across a stack-yard, they penetrated into an orchard. Here, under a maze of pink blossom, a girl of perhaps twelve or thirteen, with a carriage whip in one hand and a bowl in the other, was throwing grain to a large flock of poultry—ducks, geese, and hens—that were collected round her.
"The goose-girl, by all that's wonderful! I told you it was a fairy-tale morning!" whispered Gwethyn. "Now for it! I'll go and demand milk. How ought one to greet a goose-girl?"
She stepped forward, but at that moment a large collie dog that had been lying unnoticed at the foot of an apple tree, sprang up suddenly, and faced her snarling.
"Good dog! Poor old fellow! Come here, then!" said Gwethyn in a wheedling voice, hoping to propitiate it, for she was fond of dogs.
Instead of being pacified by her blandishments, however, it showed its teeth savagely, and darting behind her, seized her by the skirt. Gwethyn was not strong-minded. She shrieked as if she were being murdered.
"Help! Help!" yelled Katrine distractedly.
The goose-girl was already calling off the dog, and with a well-directed lash of her long whip sent him howling away. She walked leisurely up to the visitors.
"You're more frightened than hurt," she remarked, with a half-contemptuous glance at Gwethyn. "What do you want here?"
"We came to ask if we could buy some milk," stammered Katrine. "I suppose this is a farm?"
"No, it isn't a farm, and we don't sell milk."
The girl's tone was ungracious; her appearance also was the reverse of attractive. Her sharp features and sallow complexion had an unwholesome look, her hair was lank and lustreless, and the bright, dark eyes did not hold a pleasant expression. She wore a blue gingham overall pinafore that hid her dress.
"Where are you from? And what are you doing here so early?" she continued, gazing curiously at Katrine and Gwethyn.
"We've bicycled from Aireyholme——" began Gwethyn.
"You're never the new girls? Oh, I say! Who gave you leave to go out? Nobody? Well, I shouldn't care to be you when you get back, that's all! Mrs. Franklin will have something to say!"
"Do you know her, then?" gasped Gwethyn.
"Know her? I should think I do—just a little! If you'll take my advice, you'll ride back as quick as you can. Ta-ta! I must go and feed my chickens now. Oh, you will catch it!"
She walked away, chuckling to herself as if she rather enjoyed the prospect of their discomfiture; as she turned into the garden she looked round, and laughed outright.
"What an odious girl! Who is she?" exclaimed Katrine indignantly. "She never apologized for her hateful dog catching hold of you. What does she mean by laughing at us? I should like to teach her manners."
"Perhaps we'd better be riding back," said Gwethyn uneasily. "They said breakfast was at eight o'clock. I haven't an idea what the time is. I wish we'd brought our watches."
They had cycled farther than they imagined, and in retracing their road they took a wrong turning, consequently going several miles out of their way. They were beginning to be rather tired by the time they reached Aireyholme. The excitement and romance of the spring dawn had faded. Life seemed quite ordinary and prosaic with the sun high in the heavens. Perhaps they both felt a little doubtful of their reception, though neither was prepared to admit it. As they wheeled their machines past the lower schoolroom window, where the girls were at early morning preparation, a dozen excited heads bobbed up to look at them. They took the bicycles through the side door, and left them in the passage. In the hall they met Coralie Nelson, going to practice, with a pile of music in her hand.
"Hello! Is it you?" she exclaimed. "So you've turned up again, after all! There's been a pretty hullabaloo, I can tell you! Were you trying to run away?"
"Of course not," declared Katrine airily. "We were only taking a little run on our bikes before breakfast. It was delicious riding so early."
"Was it, indeed! Well, you are the limit for coolness, I must say! You'd better go and explain to Mrs. Franklin. She's in the study, and particularly anxious to have the pleasure of seeing you. Hope you'll have a pleasant interview!"
"Hope we shall, thanks!" returned Katrine, bluffing the matter off as well as she could. "I can't see what there is to make such a fuss about! We're not late for breakfast, I suppose?"
"Oh dear me, no! You're in excellent time!" Coralie's tone was sarcastic. "Punctuality is considered a great virtue at Aireyholme. Perhaps you may be congratulated upon it! I won't prophesy! On the whole I wouldn't change into your shoes, though!"
"We don't want you to," retorted Gwethyn.
The two girls tapped at the study door, and entered with well-assumed nonchalance. Katrine, in particular, was determined to show her superiority to the conventions which might hedge in ordinary pupils. A girl of seventeen, who had left school last Christmas, must not allow herself to be treated as the rest of the rank and file. At the sight of the Principal's calm, determined face, however, her courage began to slip away. Somehow she did not feel quite so grown-up as she had expected. Mrs. Franklin had not kept school for fifteen years for nothing. Her keen, grey eyes could quell the most unruly spirit.
"Katrine and Gwethyn Marsden, what is the meaning of this?" she began peremptorily. "Who gave you leave of absence before breakfast?"
"We saw no reason to ask," replied Katrine. "We couldn't sleep, so we thought we'd get up early, and take a spin on our machines."
"Please to understand for the future that such escapades are strictly forbidden. There are certain free hours during the day, and there are definite school bounds, which one of the monitresses will explain to you later on. No girl is allowed to exceed these limits without special permission."
"'THE GOOSE GIRL, BY ALL THAT'S WONDERFUL!' WHISPERED GWETHYN"
"But I thought Mother said I wasn't to be in the ordinary school," urged Katrine.
"Your mother has placed you in my charge," frowned Mrs. Franklin, "and my decision upon every question must be final. While you are at Aireyholme you will follow our usual rules. I make exceptions for nobody. Don't let me have to remind you of this again."
The Principal's manner was authoritative; her large presence and handsome Roman features seemed to give extra weight to her words. She was evidently not accustomed to argue with her pupils. Katrine, with those steely blue eyes fixed upon her, had the wisdom to desist from further excuses. She left the room outwardly submissive, though inwardly raging. At seventeen to be treated like a kindergarten infant, indeed! Katrine's dignity was severely wounded. "I don't believe I'm going to like this place," she remarked to Gwethyn as they went upstairs.
The rest of the morning until dinner-time seemed a confused whirl to the Marsdens. Last night they had been let alone, but now they were initiated into the many and manifold ways of the school. They were placed respectively in the Sixth and Fifth Form; desks and lockers were apportioned to them; they were given new books, and allotted certain times for practising on the piano. At the eleven-o'clock interval they made the more intimate acquaintance of at least half of their school-fellows.
"Did you get into a scrape with Mother Franklin?" asked Coralie. "The idea of your going gallivanting off on your own this morning! By the by, your bikes have been put in the shed with the others. It's locked up at night. We get special exeats sometimes to go long rides, so don't look so doleful. Shall I tell you who some of the girls are? You know Viola Webster, our captain, and Dorrie Vernon, our tennis champion? That fair one, talking to them, is Diana Bennett. They're our monitresses. Those inseparables are Jill Barton and Ivy Parkins. The one with two pig-tails is Rose Randall; and those round-faced kids are Belgian refugees—Yvonne and Mélanie de Boeck. They're supposed to be improving our French, but as a matter of fact they talk English—of a sort—most of the time. That's Laura Browne playing tennis left-handed. I warn you that she's sure to take you up hotly for a day or two, while you're new, but she'll drop you again afterwards. Anyone else you'd like to ask about? I'll act school directory!"
Coralie rattled on in a half good-natured, half quizzical fashion, giving brief biographical sketches of her companions, introducing some, and indicating others. Most of the girls were collected round the tennis lawn watching the sets. A group of juniors seated on a bench attracted Katrine's attention. Standing near them, though somewhat apart, was one whose thin angular figure and sharp pale face seemed familiar; even without the blue overall pinafore it was easy enough to recognize her. Katrine nudged Gwethyn, and both simultaneously exclaimed: "The goose-girl!"
"Who is that dreadful child?" asked Katrine. "We met her while we were out this morning, and she wasn't civil. Her face is just the colour of a fungus!"
Coralie laughed.
"Oh! that's Githa Hamilton. She's not exactly celebrated for her sweet temper."
"So I should imagine. What was she doing out of bounds before seven o'clock?"
"She's not a boarder. She lives with an uncle and aunt, and comes to school on her bicycle. She's the only day-girl we have. I'd hate to be a day-girl—you're out of everything."
"I shouldn't think such an extraordinary little toadstool would be in anything, even if she were a boarder," commented Gwethyn, who had not forgiven the savage assault of the collie, and the contemptuous "You're more frightened than hurt!" of its mistress.
"You're about right there. Githa's no particular favourite, even in her own form."
"If I'd straight lank hair like that, I'd friz it every night," declared Gwethyn emphatically. "She's the plainest girl in the school! That's my opinion of her!"
CHAPTER III
Shaking Down
If Katrine and Gwethyn had taken a dislike to the "Toadstool", as they nicknamed Githa Hamilton, that elfish damsel seemed ready to return the sentiment with interest. She divined their weak points with horrible intuition, and her sharp little tongue was always armed with caustic remarks. She would stand watching them like a malign imp when they played tennis, sneering if they made bad strokes, and rejoicing over their opponents' scores with ostentatious triumph. At Katrine's airs of dignity she scoffed openly, and she would call in question Gwethyn's really quite harmless little exaggerations with ruthless punctiliousness. The new-comers tried to preserve an airy calm, and treat this offensive junior as beneath their notice; but she was a determined enemy, returning constantly to the assault, and the skirmishes continued.
A complete contrast to Githa's spirit of opposition was the behaviour of Laura Browne. As Coralie had predicted, she took up the new girls hotly. She walked with them or sat next to them on every possible occasion, asked for their autographs, obtained snapshots of them with her Brownie camera, and gushed over their home photos and private possessions.
"It's so nice to have someone at the school with whom I really feel I can become friends," she assured Gwethyn. "The moment I saw you both, I fell in love with you. I believe strongly in first impressions—don't you? Something seems to tell me there's to be a link between our lives. How romantic to have a brother at the front! I think his portrait in uniform is simply perfect. I shall ask you to lend it to me sometimes, when you can spare it. It does one good to look at a hero like that. I wish my brothers were old enough to join. They're at the mischievous age at present. I envy you your luck."
And Laura sighed dramatically. Katrine, mindful of Coralie's hint, received these advances with caution, but Gwethyn, who was not a very discriminating little person, felt rather flattered. After all, it is highly pleasant to be openly admired, your friendship courted, your wishes consulted, and your opinions treated with deference. In the first flush of her enthusiasm she readily drew a sketch in Laura's album, embroidered a handkerchief for her, and proffered peppermint creams as long as the box lasted. She submitted peaceably to lend penknife, scissors, pencils, or any other unconsidered trifles, and when she was obliged to ask for them back, her new friend was so ready with apologies for their non-return that she felt almost ashamed of having mentioned the matter.
Between Githa's evident dislike and Laura's fawning sycophancy was a wide gap. These two had openly declared themselves "for" or "against"; the solid block of the school stood aloof. During their first week, at least, the new girls must be on approval before they settled into the places which they would eventually occupy. Their sayings and doings were closely noted, but public opinion reserved itself. The monitresses were kind, but slightly cool. They did not altogether like Katrine's attitude. She had given them to understand that she had come to Aireyholme as an art student, and not as a pupil, and they resented the assumption of superiority implied.
"We're all art students here," Diana Bennett had replied stiffly.
"But you're not taking special private lessons from Miss Aubrey?" asked Katrine, feeling that she scored by this point.
"Viola and Dorrie and I are going in for the matric., so we haven't much time for painting. It's a jolly grind getting up all our subjects, I can tell you!"
In the privacy of their own study, the three monitresses discussed the matter at some length.
"I rather like them both," said Dorrie. "Katrine's quite an interesting sort of girl, only she has at present far too high an idea of her own importance."
"She's inclined to be a little patronizing," commented Viola. "Of course that won't do. I'm Captain here, and she'll have quite to realize that. We can't let a girl come into the school at seventeen and begin to boss the whole show."
"Rather not! There ought to be a rule to admit no one over fifteen."
"Thirteen would be better."
"Well, at any rate when they're juniors, and have time to get used to Aireyholme ways. I've been here six years, and if anyone knows the school traditions, I ought to. No, Miss Katrine Marsden mustn't be allowed to give herself airs. That I've quite made up my mind about."
"What do you think of Gwethyn?"
"She's a harum-scarum, but I like her the better of the two."
"She's inseparables with Laura Browne."
"Well, you know Laura! She goes for every new girl, and toadies till she's got all she can, or grows tired of it. Gwethyn will find her out in course of time, I suppose."
"The real gist of the matter," said Dorrie, wrinkling her brows anxiously, "is whether I'm to put them in the tennis list. They play uncommonly well."
"Oh, it wouldn't be fair to let new girls represent the school!"
"You think so? On the other hand, the school must win by hook or by crook."
"Well, I don't think it would do to make either of them a champion, putting them above the heads of those who have been here for years."
"It's a difficult question, certainly."
"Difficult? Not at all; I think it's conclusive!" snapped Viola rather sharply. "Those who are trained in Aireyholme methods are best fitted to represent Aireyholme. There can't be two opinions about it."
There was certainly some occasion for the rather jealous attitude which the monitresses were inclined to adopt towards Katrine. By the arrangement which her mother had made with Mrs. Franklin, she was really more in the position of the old-fashioned "parlour boarder" than of an ordinary pupil. She had been placed in the Sixth Form, but took less than half the classes, the rest of her time being devoted to art lessons. While others were drudging away at Latin translation, or racking their brains over mathematical problems, she was seated in the studio, blissfully painting flowers; or, greater luck still, sallying forth with paint-box and easel to sketch from nature. As the studio was the favourite haunt of most of the seniors, these special privileges were the envy of the school. Nan Bethell and Gladwin Riley, in particular, hitherto the Aireyholme art stars, felt their noses much put out of joint, and were injured that their mothers had not made a like arrangement on their behalf. They went so far as to petition Mrs. Franklin for a similar exemption from certain lessons in favour of painting. But the Principal was adamant; the Sixth was her own particular form, she was jealous of its reputation, and by no means disposed to excuse members, whom she had been coaching for months, the credit which they ought to gain for the school in the examination lists. Though art was a pet hobby at Aireyholme, it must not be allowed to usurp the chief place, to the detriment of Mrs. Franklin's own subjects.
In the meantime Katrine, quite unaware of these difficulties, wore her picturesque painting apron for several hours daily, and revelled both in her work and in the companionship of her new teacher. Miss Aubrey was the greatest possible contrast to her sister, Mrs. Franklin. Instead of being tall, imposing, and masterful, she was small, slight, and gentle in manner. "A ducky little thing", most of the girls called her, and Katrine endorsed the general opinion. Miss Aubrey certainly would not have made a good head of the establishment; she was absent-minded, dreamy, and made no attempt to uphold discipline; but in her own department she was delightful. The pupils talked with impunity in her classes, but they nevertheless worked with an enthusiasm that many a stricter teacher might have failed to inspire. There was an artistic atmosphere about Miss Aubrey; she always seemed slightly in the clouds, as if she were busier observing the general picturesque effect of life than its particular details. In appearance she was pleasing, with soft grey eyes and smooth brown hair. It was the fashion at the school to call her pretty. The girls set her down as many years younger than Mrs. Franklin. The studio was, of course, her special domain at Aireyholme; she worked much there herself, and quite a collection of her pictures adorned the walls. The crisp, bold style of painting aroused Katrine's admiration, and made her long to try her skill at landscape-sketching. Miss Aubrey had kept her at a study of flowers until she could judge her capabilities; but at the end of the first week the mistress declared her ready for more advanced work.
"I am going into the village this morning to finish a picture of my own," she announced. "You and your sister may come with me, and I will start you both at a pretty little subject."
Gwethyn, whose time-table had been left to the entire discretion of Mrs. Franklin, was highly elated to find that she was to share some of Katrine's art privileges. She had never expected such luck, and rejoiced accordingly. The fact was that Miss Aubrey wished to continue her own sketch, and to settle Katrine at an easier subject a hundred yards farther down the street. She thought it might be unpleasant for the girl to sit alone, and that the sisters would be company for each other. She would be near enough to keep an eye on them, and to come and correct their drawings from time to time. Much encumbered, therefore, with camp-stools, easels, boards, paint-boxes, and other impedimenta, but feeling almost equal to full-blown artists, the Marsdens, to the wild envy of their less fortunate school-fellows, sallied forth with Miss Aubrey down to the village. Their teacher had chosen a very picturesque little bit for their first attempt—a charming black-and-white cottage, with an uneven red-tiled roof and an irregular, tumble-down chimney. She superintended them while they opened their camp-stools and fixed their easels, then showed them where the principal lines in their sketches ought to be placed.
"You mustn't mind if people come and stare at you a little," she remarked cheerfully. "It's what all artists have to put up with. You'll get used to it. Now I'm going to my own subject. I shall come back very soon to see how you're getting on."
With great satisfaction the girls began blocking in their cottage, feeling almost like professional artists as they marked roof, angles, and points of perspective with the aid of a plumb-line.
"What a lovely little village it is!" exulted Katrine. "And so delightfully peaceful and quiet. There's nobody about."
"Yes, it's heavenly! One couldn't sit out sketching in the street at home," agreed Gwethyn enthusiastically.
Alas! their bliss was shortlived. They had scarcely been five minutes at work when they were espied by half a dozen children, who ran up promptly and joyfully to stare at their proceedings. The group of spectators seemed to consider them an attraction, for they rushed off to spread the gleeful news among their fellows, with the result that in a few moments half the youth of the neighbourhood were swarming round Katrine and Gwethyn like flies round a honey-pot. Evidently the inhabitants of the village regarded artists as a free show; not only did the small fry flock round the girls' easels, but a certain proportion of grown-ups, who apparently had nothing better to do, strolled up and made an outside ring to the increasing and interested audience.
"Do they imagine we're the vanguard of a circus, or that it's an ingenious form of advertisement?" whispered Gwethyn. "I believe they expect me to write 'Sanger's Menagerie is Coming' in big letters on my drawing-board, or perhaps 'Buy Purple Pills'!"
"I should feel more inclined to write 'Don't come within ten yards!'" groaned Katrine. "I wish they'd go away! They make me so nervous. It's horrible to feel your every stroke is being watched. I've put in my chimney quite crooked. Are they troubling Miss Aubrey, I wonder?"
Gwethyn stood up to command a full view of the street. Yes, Miss Aubrey was also surrounded by a small crowd, but she took no notice of the spectators, and was painting away as if oblivious of their presence.
"She doesn't seem to mind," commented Gwethyn. "I wish I'd her nerve."
"They seem to find us as attractive as a dancing bear," groaned Katrine. "That fat old man in the blue flannel shirt is gazing at us with the most insinuating smile. Don't look at him. Oh, why did you? You've encouraged him so much, he's coming to speak to us."
The wearer of the blue shirt appeared to think he was doing a kind action in patronizing the strangers; his smile broadened, he forced his way forward among the pushing children, and opened the conversation with a preliminary cough.
"Be you a-drawin' that old house across there?" he began consequentially. "Why, it be full o' cracks and stains, and 'ave wanted pullin' down these ten year or more!"
"It's beautiful!" replied Katrine briefly.
"Beautiful! With the tiles all cracked and the wall bulgin'? Now if you was wantin' a house to draw, you should 'a done mine. It's a new red brick, with bow windows and a slated roof, and there's a row o' nice tidy iron railings round the garden, too. You must come and take a look at it."
"We like the old cottages better, thank you," said Gwethyn, as politely as she could. "Would you please mind moving a little to the left? You're standing just exactly in my light."
"He's a picturesque figure," whispered Katrine, as their new acquaintance heaved himself heavily from the kerb-stone; then she added aloud: "I wonder if you'd mind standing still a minute or two, and letting me put you into my picture? Yes, just there, please."
"You wants to take I?" he guffawed. "Well, I never did! Best let me go home and tidy up a bit first."
"No, no! I like you as you are. Don't move! Only keep still for three minutes," implored Katrine, sketching with frantic haste.
"I don't know what my missis would say at I being took in my corduroys," remonstrated the model, who appeared half bashful and half flattered at the honour thrust upon him. "I'd change to my Sunday clothes if ye'd wait a bit, missie! Well, it be queer taste, for sure! I'd 'a thought a suit o' broadcloth would 'a looked a sight better in a picture."
"See the lady! She's a-puttin' in Abel Barnes!" gasped the children, crowding yet nearer, and almost upsetting the pair of easels in their excitement. "There's his head! There be his arm! Oh, and his legs too! It be just like him—so it be!"
"Keep back and let the ladies alone!" commanded Abel in a stentorian voice. "Where are your manners got to? If you've finished, missie, you'll maybe not object to my takin' a look. Well, for sure, there I be to the life!"
"Wherever that picture goes in all the world, Abel Barnes will go with it!" piped a small awestruck voice in the background.
"Yes, she'll take me away with her," replied Abel, in a tone that implied some gratification—perhaps a touch of vanity lingered under the blue flannel shirt. "If I'd but a-been in my Sunday clothes!" he continued regretfully. "Still, you've only to say the word, and I'll put 'em on for you any day you've a mind to take I again, and you could draw the missis too, and the house, if you like. I were goin' to give the railings a fresh coat o' paint anyways, so I may as well do it afore you begins."
Finding that Katrine would not commit herself to any rash promises, he finally strolled away, possibly to buy a tin of paint, or to review his Sunday garments in anticipation of the hoped-for portrait. The children, filled with envy at his distinction, were all eager to volunteer as models, and began posing in the road in various stiff and photographic attitudes.
"Put in I! Put in I!" implored each and all.
"I shan't put in anybody if you don't behave yourselves," replied Katrine severely. "How can I see anything when you're standing exactly in front of me? Go away at once, and leave us quiet!"
To remove themselves from the vicinity of the interesting strangers was, however, not at all in the children's calculations. They only backed, and formed a close ring again round the exasperated girls, breathing heavily, and keeping up a chorus of whispered comments. Katrine and Gwethyn sighed ruefully, but judged it better to follow Miss Aubrey's example and take no notice, hoping that their tormentors might presently tire, and run off to play marbles or hop-scotch. The cottage proved by no means an easy subject to sketch; it needed very careful spacing and drawing before they could secure a correct outline. It would have been hard enough if they had been alone and undisturbed, but to be obliged to work in full view of a frank and critical audience was particularly trying. Every time they rubbed anything out, a small voice would cry:
"Missed again! She can't do it!"
"I never realized before how often I used my india-rubber," murmured poor Gwethyn. "They seem to think I'm making a series of very bad shots."
"I wonder if I dare begin my sky, or if I ought to show the drawing to Miss Aubrey first," said Katrine. "I believe I shall venture. How I wish a motor-car would come along and scatter these wretched infants, or that their mothers would call them in for a meal!"
There was no such luck. The sight of the mixing of cobalt blue and Naples yellow on Katrine's palette only caused the children to press yet closer.
"Oh, look! This lady be doing it in colours!" they shouted. "She be cleverer than the other lady."
"Katrine, we must get rid of them!" exclaimed the outraged Gwethyn; then, turning to the crowd of shock heads behind, she inquired frowningly: "How is it you're not in school?"
"It's a holiday to-day!" came in prompt chorus.
"There's the Board of Guardians' meeting at the schoolhouse," explained an urchin, poking a chubby face in such close proximity to Katrine's paint-box that in self-defence she gave him a dab of blue on his freckled nose.
"It be luck for us when they have their meetings," volunteered another gleefully.
"But not for us," groaned Gwethyn. "Katrine, I wonder if the Church Catechism would rout them. I declare I'll try! It's my last weapon!"
Vain hope, alas! If Gwethyn had expected to thin the throng by acting catechist, she was much mistaken. The children had been well grounded at Sunday school, and so far from quailing at the questions were anxious to air their knowledge, and show off before visitors.
"Ask I! I can say it all from 'N. or M.' to 'charity with all men'!" piped a too willing voice. "Be you a-going to give I sweets for saying it?" inquired another, with an eye to business.
"Katrine, I shall have to beat a retreat," murmured Gwethyn. "It's impossible to paint a stroke with this sticky little crew buzzing round like flies. I don't like being a public character. I've had enough notoriety this morning to last for the rest of my life. Now then, you young rascal, if you lay a finger on that paint-box I shall call on the schoolmaster and ask him to spank you!"
At this juncture, much to the girls' relief, Miss Aubrey came to criticize their sketches. She pointed out the mistakes in their drawings, and waited while they corrected them.
"It's no use beginning the painting to-day," she remarked in a low tone. "The children are too great a nuisance. I did not know about the Board of Guardians' meeting, or I would not have brought you this morning. We must come another time, when these small folk are safely in school, and we can work undisturbed. I'm afraid you must have found them very troublesome."
"The ten plagues of Egypt weren't in it!" replied Gwethyn, joyfully closing her paint-box, and beginning to pack up her traps. "You had a crowd, too."
"Oh! I'm more accustomed to it, though I admit I'd rather dispense with an audience. If you want to be an artist, you have to learn to put up with this kind of thing. Never mind! I promise our next subject shall be in an absolutely retired spot, where no one can find us out."
CHAPTER IV
The School Mascot
Although Katrine had come to Aireyholme primarily to study art, she did not escape scot-free with respect to other lessons. Mrs. Franklin was a martinet where work was concerned. She often remarked that she did not approve of young people wasting their time, and she certainly endeavoured to put her principles into practice. She taught the Sixth Form herself. Some of the girls were preparing for their matriculation, and received special private coaching from a professor who came twice a week from Carford; but all, whether they were going in for the examination or not, were taking the same general course. Katrine had pursued her studies at Hartfield High School with very languid interest, and had joyfully abandoned them in favour of the Art School. She was not at all enthusiastic at being obliged to continue her ordinary education, and, indeed, considered the classes in the light of a grievance. It was humiliating to find herself behind the rest of the form in mathematics, to stumble in the French translation, and make bad shots at botany; particularly so before Viola Webster, who listened to her mistakes and halting recitations with a superior smile, or an amused glance at Diana Bennett.
"If we had had you at Aireyholme the last year or two, you would have reached a much higher standard by now," said Mrs. Franklin. "You must do your best to make up for lost time. An extra half-hour's preparation every day would do you no harm. You might get up a little earlier in the mornings."
Katrine, whose object was not so much to repair the gaps left in her education by the Hartfield High School as to amble through the present term with the least possible exertion of her brains, received the suggestion coldly, and forbore to act upon it.
"It's all very well for the matric. girls to get up at six and swat, but you won't find me trying it on!" she assured Gwethyn in private. "What does it matter whether I can work a rubbishy problem, or patter off a page of French poetry? I've got to take the classes, worse luck, but all the Mrs. Franklins in the world shan't make me grind."
Between Katrine and the Principal there existed a kind of armed neutrality. Mrs. Franklin persisted in regarding her as an ordinary pupil, while Katrine considered that she had come to school on a totally different footing. Neither would yield an inch. Mrs. Franklin was masterful, but Katrine was gently stubborn. It is impossible to make a girl work who is determined to idle. At art Katrine was prepared to slave, and she had already begun to worship Miss Aubrey, but as a member of the Sixth Form she was the champion slacker. The Principal by turns tried severity, cajoling, and sarcasm.
"A most talented essay!" she remarked one day, handing back an untidy manuscript. "One might regard it as a study in tautology. The word 'very' occurs seven times in a single page. It is scarcely usual for a girl of seventeen to make twelve mistakes in spelling."
"I never could spell," answered Katrine serenely.
"Then it's time you learnt. Your writing also is sprawling and careless, and you have no idea of punctuation. I wish you could have seen the neat, beautifully expressed essays that Ermengarde used to write. They were models of composition and tidiness."
A suppressed smile passed round the form. The subject of Ermengarde was a perennial joke among the girls. Mrs. Franklin did not approve of holding up present pupils as patterns, for fear of fostering their vanity, so she generally quoted her daughter as an epitome of all the virtues. It was common knowledge in the school that Ermengarde's achievements had acquired an after-reputation which at the time they certainly did not justify. So far from being a shining ornament of Aireyholme, she had generally lagged in the wake of her form. She had bitterly disappointed her mother by barely scraping through her matriculation, and failing to win a scholarship for college. Poor Ermengarde had no gift for study; she was not particularly talented in any direction, and, shirking the various careers which Mrs. Franklin urged upon her, had taken fate into her own hands by marrying a curate, albeit he was impecunious, and "not at all clever, thank goodness!", as she confided to her intimate friends. When matrimony had debarred Ermengarde from any possibility of a college degree, her mother took it for granted that she would have obtained honours if she had only tried for them, and always spoke of her with regretful admiration as one who had laid aside the laurels of the muses for the duster of domesticity. "Saint Ermengarde", so the girls called her in mockery, lived therefore as a kind of school tradition, and she would have been very much surprised, indeed, had she known the extent to which her modest efforts had been magnified.
Gwethyn, who had been placed in the Fifth Form, found her level more quickly than did Katrine in the Sixth. Her high spirits and harum-scarum ways commended her to most of her new companions. She had a racy method of speech and a humorous habit of exaggeration that were rather amusing. Fresh from V.B. at the Hartfield High School, she fell easily into the work of the form, and if she did not particularly distinguish herself, gave no special trouble. The spirited sketch which she made of Miss Spencer, pince-nez on nose and book in hand, was considered "to the life", and she was good-natured enough to make no less than five copies of it, at the earnest request of Prissie Yorke, Susie Parker, Rose Randall, Beatrix Bates, and Dona Matthews. Her drawings of imps and goblins, with which she speedily decorated the fly-leaves of her new text-books, were immensely admired. General feeling inclined to the opinion that while Katrine gave herself airs, Gwethyn was the right sort, and might be adopted, with due caution, into the heart of the form. It would, of course, be unwise to make too much fuss of her in the beginning; every new girl must go through her novitiate of snubbing, but such a jolly, happy-go-lucky specimen as this would not be long in settling into Aireyholme ways.
The new-comers had arrived on 21st April: they had therefore been a little more than a week at the school when the 1st of May ushered in the summer. May Day was kept with great ceremony at Heathwell. The old festival, abandoned for more than a hundred years, had been revived lately in the village, largely at the instance of Miss Aubrey, whose artistic spirit revelled in such picturesque scenes. She had persuaded Mr. Boswell, the local squire, to place a may-pole on a small green near the market hall, and she had herself taught the children of the Council school a number of charming folk dances. The schoolmaster and the vicar both approved of the movement, and gave every facility and encouragement, and the children themselves were highly enthusiastic. This year it was proposed to have a more than usually elaborate performance, and to take a collection in the streets in aid of the Prince of Wales's Fund. May Day fortunately fell on a Saturday, so, as the festival had been well advertised, it was hoped that visitors would come over from Carford and other places in the neighbourhood. Though the actual pageant was to be given by the Council school children, the girls at Aireyholme rendered very valuable help. They made some of the dresses, plaited garlands, stitched knots of coloured ribbons, and last, but not least, were responsible for the collecting. Fifteen of the seniors, wearing Union Jack badges on their hats, and broad bands of tricolour ribbon tied under one arm and across the shoulder, were set apart for the task, each carrying a wooden box labelled: "Prince of Wales's Fund".
The festivities were to begin at three o'clock, to fit in with the times of the local railway trains. The morning was a busy whirl of preparation. Miss Aubrey, with the monitresses as special helpers, flitted backwards and forwards between Aireyholme and the village, making last arrangements and putting finishing touches. Katrine and Gwethyn had never before had the opportunity of witnessing such a spectacle, so they were full of excitement at the prospect. At half-past two, Mrs. Franklin, mistresses, and girls sallied forth to the scene of action, and secured an admirable position on the steps of the market hall, whence they could have a good view of the proceedings.
It was a balmy, sunny day, and the lovely weather, combined with the quaint programme, had tempted many visitors from various places in the district. The trains arrived full, and Heathwell for once was overflowing. Not only had people made use of the railway, but many had come on bicycles, and motor-cars added to the crush. The local shops, and even the cottages, had taken advantage of the occasion to sell lemonade and ginger beer, and had hung out home-written signs announcing their willingness to provide teas and store cycles. The village was en fête, and the general atmosphere was one of jollity and enjoyment.
The children were waiting in the school play-ground, under the superintendence of their teachers and Miss Aubrey. Precisely as the church clock struck three, the procession started. It was led by the band of the local corps of boy scouts, the drummer very proud indeed in the possession of the orthodox leopard skin, which had been presented only the week before by a local magnate. After the scouts came a number of children, dressed in Kate Greenaway costumes, and carrying May knots—sticks surmounted with wreaths of flowers and green leaves. A band of little ones, representing fairies, heralded the approach of the May Queen, who drove in great state in a tiny carriage drawn by a very small Shetland pony, led by a page resplendent in ribbons and buckles. The carriage was so covered with flowers that it well resembled the car of Friga, the spring goddess of Scandinavian mythology, who gave her name to Friday. No deity, classic or Teutonic, could have been prettier than the flaxen-haired little maiden, who sat up stiffly, trying with great dignity to support her regal honours. Her courtiers walked behind her, and after came a band of morris dancers, jingling their bells as they went. The pageant paraded down the High Street, made a circuit round the market hall, and drew up round the may-pole on the strip of green. A platform had been erected here, with a throne for the Queen, so her little majesty was duly handed out of her carriage, and installed in the post of honour. Amid ringing cheers the crown was placed on her curly head, and the sceptre delivered to her, while small courtiers bowed with a very excellent imitation of mediæval grace.
"What an absolute darling the Queen is!" remarked Gwethyn, who, with Katrine, was an ecstatic spectator.
"It's little Mary Gartley," replied Coralie Nelson. "They're the best-looking family in the village—six children, and all have those lovely flaxen curls. I never saw such beautiful hair. Look at that tiny wee chap who's standing just by the pony. That's Hugh Gartley. Isn't he an absolute cherub? We've had him for a model at the studio. We call him 'The School Mascot', because he's brought us such luck. Miss Aubrey's picture of him has got into the Academy, and Gladwin Riley's sketch won first prize in a magazine competition, and Hilda Smart's photo of him also took a prize in a paper. He scored three successes for Aireyholme. He's the sweetest little rascal. Even Mrs. Franklin can't resist patting him on the head, and giving him biscuits."
"He's an absolute angel!" agreed the Marsdens enthusiastically.
When the coronation of the May Queen was duly accomplished, the sports began. A band of dainty damsels, holding coloured ribbons, plaited and unplaited the may-pole, much to the admiration of the crowd, who encored the performance. The fairies gave a pretty exhibition, waving garlands of flowers as they trod their fantastic measure; the morris dancers capered their best, and the Boy Scouts' band did its utmost in providing the music. It was a very charming scene; so quaint amid the old-world setting of the picturesque village that the spectators clapped and cheered with heartiest approval. The little actors, excited by the applause, began to go beyond control, and to run about helter-skelter, waving their garlands and shouting "hurrah!" The crowd also was breaking up. A train was nearly due, and some of the visitors made a rush for the station. A char-à-banc with three horses started from the "Bell and Dragon". At that identical moment little Hugh Gartley, seeing some attraction on the opposite pavement, threw discipline to the winds and dashed suddenly across the road, in front of the very wheels of the passing char-à-banc. Katrine happened to be watching him. With a leap and a run she was down the steps of the market hall and in the street. Before the child, or anyone else, realized his danger, she had snatched him from the front of the horses, and had dragged him on to the pavement. The driver pulled up in considerable alarm.
"It's not my fault," he protested. "Kids shouldn't bolt across like that."
Finding there was no harm done, he drove on. The incident was over so quickly that it was hardly noticed by the general public. Little Hugh Gartley, much scared, clung crying to Katrine's hand. She took him in her arms and comforted him with chocolates. He made friends readily, and instead of rejoining the May dancers, insisted upon staying with her for the rest of the performance. Katrine was fond of children, and enjoyed petting the pretty little fellow. She kept him by her until the procession passed on its return to the schoolhouse, then she made him slip in amongst the other masqueraders.
The fifteen collectors had been busy all the afternoon handing round their boxes, and anticipated quite a good harvest.
"I shouldn't be surprised if we'd taken seven or eight pounds; many people put in silver," said Diana Bennett. "It will be grand when the boxes are opened."
"You missed the excitement near the market hall," volunteered Coralie. "Katrine Marsden rescued Hugh Gartley from being run over. She snatched him back just in the nick of time."
"Oh, it was nothing!" protested Katrine.
"Indeed it was splendid presence of mind! He might have been killed if you hadn't dashed down so promptly and snatched him."
Katrine's action in saving the school mascot was soon noised abroad among the girls, and brought her a quite unexpected spell of popularity, chiefly with the juniors and the Fifth Form, however. The Sixth, led by the monitresses, still hung back, jealous of their privileges, and unwilling to tolerate one who persisted in considering herself a "parlour boarder", and, as they expressed it, "putting on side!" It was really mostly Katrine's own fault: her previous acquaintance with school life ought to have taught her wisdom; but seventeen is a crude age, and not given to profiting by past experience. Some of the pin-pricks she sustained were well deserved.
On the evening of May Day, being a Saturday as well as a special festival, the monitresses decided to give a cocoa party in their study, and invite the rest of the form.
"We got eight pounds, fifteen and twopence halfpenny in the collecting boxes this afternoon," announced Viola, "and we ought to drink the health of the Prince of Wales's Fund in cocoa. We'll have a little rag-time fun, too, just among ourselves."
"All serene!" agreed Diana. "This child's always ready for sport. What about biscuits?"
"We may send out for what we like. I interviewed the Great Panjandrum, and she was affability itself."
"Good! Cocoanut fingers for me. And perhaps a few Savoys."
"Right-o! Make your list. Tomlinson is to go and fetch them."
"We shall have to borrow cups from the kitchen," said Dorrie, who had been investigating inside the cupboard. "Since that last smash we're rather low down in our china—only four cups left intact."
"Go and ask the cook for five more, then."
"Five? That'll only make nine."
"Quite enough."
"Aren't you going to invite Katrine Marsden?"
Viola pulled a long face.
"Is it necessary? She doesn't consider herself one of the Sixth."
"But she is, really. It seems rather marked to leave her out."
"Oh, well!" rather icily. "Ask her if you like, of course. I'm sure I don't want to keep her out of things if she cares to join in."
Dorrie accordingly ran up to the studio, where Katrine was sitting putting a few finishing touches to the study of tulips upon which she had been engaged during the last week.
"We're having a cocoa party at eight in our study. Awfully pleased to see you. Just our own form," announced Dorrie heartily.
"Thanks very much," returned Katrine casually, "but I really don't think I shall have time to come. I want to finish these tulips."
"Isn't it getting too dark for painting?"
"Oh, no! The light's good for some time yet, and Miss Aubrey's probably coming upstairs to go on with her still-life study. I love sitting with her. She's most inspiring."
"Comme vous voulez, mademoiselle!" answered Dorrie, retiring in high dudgeon to report to her fellow-monitresses. They were most indignant at the slight.
"Cheek!"
"Turns up her nose at our invitation, does she?"
"She can please herself, I'm sure."
"She's no loss, at any rate."
"Look here!" said Dorrie. "I've got an idea. We'll pay her out for this. She's counting on Miss Aubrey going to sit with her in the studio, and having a delightful tête à tête. Let's ask Miss Aubrey to our cocoa party."
"Splendiferous!"
"Girl alive, you're a genius! Go instanter!"