Transcriber's Note:
The cover image was created by the transcriber and is placed in the public domain.
DEPARTMENT OF THE INTERIOR
Oscar L. Chapman, Secretary
UNITED STATES INDIAN SERVICE
Dillon S. Myer, Commissioner
EDUCATION DIVISION
Willard W. Beatty, Chief
Authorized by Congress
Printing Department
Haskell Institute
Price
.25
September, 1951—5M
LITTLE NAVAJO
HERDER
ANN CLARK
Illustrated by HOKE DENETSOSIE
UNITED STATES INDIAN SERVICE
HASKELL INSTITUTE—LAWRENCE, KANSAS
LITTLE NAVAJO HERDER
In Little Navajo Herder, we have brought together in one volume the pictured story of a year in the life of a little Navajo girl, which originally appeared in four separate books. In the first edition, which was prepared for classroom use in Federal Indian schools, the stories appeared in both English and Navajo. However, the popularity of Little Herder was not limited to the child readers of her own tribe. She has found her way into the hearts of Indian children throughout the nation. The universality of her appeal is indicated by increasing interest in her story by non-Indian children in home and school. Selections from her books have found their way into dozens of anthologies. This popularity with those who read only English has dictated this single volume edition in English. Again the delightful drawings by Hoke Denetsosie, a full-blood Navajo artist, are used.
Little Navajo Herder bids fair to find a permanent place in children's literature, as has Mrs. Clark's earlier volume on Pueblo life—"In My Mother's House." This book is illustrated by a Pueblo artist, Velerio Herrera, and is published by Viking Press.
Other Indian stories by Mrs. Clark have been published by the Indian Service for use in Indian schools. A complete list may be obtained from Haskell Institute, Lawrence, Kansas.
IN AUTUMN
IN AUTUMN
| Page | |
|---|---|
| Home Land | [3] |
| The Hogan | [4] |
| Night Corral | [5] |
| The Cornfield | [6] |
| My Mother | [7] |
| My Father | [8] |
| Possessions | [9] |
| The Horses | [10] |
| The Sheep | [11] |
| The Goats | [12] |
| The Lambs | [13] |
| The Trading Post | [14] |
| Selling | [15] |
| The Silversmith | [17] |
| Turquoise | [18] |
| It Is Dry | [19] |
| Sorting the Wool | [20] |
| Cleaning the Wool | [21] |
| Carding the Wool | [22] |
| Spinning | [23] |
| Autumn | [25] |
| Dyeing | [27] |
| Weaving | [29] |
| Learning To Weave | [30] |
| Flood | [32] |
| Sun | [33] |
| Herding | [34] |
HOME LAND
The land around my mother's hogan
is big.
It is still.
It has walls of red rocks.
And way, far off
the sky comes down
to touch the sands.
Blue sky is above me.
Yellow sand is beneath me.
The sheep are around me.
My mother's hogan is near.
THE HOGAN
My mother's hogan is round
and earth-color.
Its floor is smooth and hard.
It has a friendly fire
and an open door.
It is my home.
I live happily
in my mother's hogan.
NIGHT CORRAL
The night corral is fenced
with poles.
It is the home for the sheep
and the goats
when darkness comes
to my mother's land.
THE CORNFIELD
The cornfield is fenced with poles.
My mother works in the cornfield.
My father works in the cornfield.
While they are working
I walk among the corn plants.
I sing to the tall tasseled corn.
In the middle
of all these known things
stands my mother's hogan
with its open door.
MY MOTHER
My mother is sun browned color.
Her eyes are dark.
Her hair shines black.
My mother is good to look at,
but I like her hands the best.
They are beautiful.
They are strong and quick
at working,
but when they touch my hands
they are slow moving
and gentle.
MY FATHER
My father is tall.
He is strong.
He is brave.
He hunts and he rides
and he sings.
He coaxes the corn
and the squash plants
to grow
out of the sand-dry earth.
My father has magic
in his finger tips.
He can turn
flat pieces of silver
into things of beauty.
Sometimes
I hide in the wide folds
of my mother's skirts
and look out at my father.
POSSESSIONS
I have black hair.
I have white teeth.
My hands are brown
with many fingers.
My feet are brown
with many toes.
My arms are brown
and strong.
My legs are brown
and swift.
I have two eyes.
They show me how things look.
I have two ears.
They bring sounds
to stay with me
for a little while.
I have two names,
a War Name
for just me to know
but not to use,
and a nickname
for everyone to use
for every day.
But with all these things
I still am only
one little girl.
Isn't it strange?
THE HORSES
I see my father's horses
running in the wind.
I feel little
standing here
when the wind
and the horses
run by.
THE SHEEP
Of all the kinds of sheep,
Navaho sheep
give the best wool
for weaving.
My mother says
that is why
they are Navaho sheep,
because they know best
the needs of The People.
THE GOATS
Goats have long whiskers.
They have long faces.
They have long legs.
Goats are funny, I think.
THE LAMBS
Now that it is autumn,
the lambs
that were babies in the spring,
have grown.
They are almost as tall
as their mothers.
My father takes the lambs
in his wagon
to the trading post.
He takes them to sell
to the trader.
THE TRADING POST
Hosteen White Man
has the trading post.
He has hard things on the shelf.
He has soft things on the wall.
And in a jar
he has red stick candy
that he keeps just for me.
Hosteen White Man
at the trading post
is such a good man.
Sometimes, I forget he is not
one of The People.
SELLING
In his wagon
my father drives
to the trading post.
He takes the lambs
and he takes me, too.
He wants me to know
about selling.
He tells me that sometimes
he trades the lambs,
and sometimes
he gives them in payment
for a debt.
This time
he will sell them
to the trader.
When we get to the trading post
the trader looks at the lambs.
Then he tells my father
how much he will pay.
I wonder if the lambs
like to have my father
sell them to the trader.
My father sells the lambs
for hard round money
to Hosteen White Man
at the trading post.
Then he chooses cans of food
to put into his wagon,
and he gives Hosteen White Man
some of the round hard money
back again.
My father calls this selling,
but I think
it is a game
they play together,
Hosteen White Man and
my father at the trading post.
My father likes this game of selling.
He did not tell me, but, someway,
I know that he likes it.
THE SILVERSMITH
My father sits before his forge
melting bars of silver
and turning them
into silver raindrops
and silver cloud designs.
Somehow,
my father has caught the wind
within his bellows
and when he lets it go
its breath
turns the silver
to red earth color.
Its breath cools the silver
until it is hard
like something made
of gray water
and then turned to stone.
Today my father sang
as he worked
at making a bracelet
for my arm.
His song
flowed into the silver circle
making it a circle of song.
TURQUOISE
Turquoise is sky.
Turquoise is still water.
Turquoise is color-blue
and color-green
that someone
somewhere
has caught
and turned to stone.
Sometimes, turquoise
is trapped in silver,
and sometimes, in small beads
running along a white string
like beauty following
a straight trail.
IT IS DRY
My father says
over and over,
"It is dry.
It is too dry."
My father means
there has been no rain
to fill the rain pools
for the thirsty sheep.
SORTING THE WOOL
I am helping my mother
sort the wool.
This pile we will keep
to spin into yarn for weaving
because its strands
are long and unbroken.
This pile we will sell
to the trader.
Its strands are broken and short.
The trader will buy it,
but he will not pay as much
as if it were all long.
I wish that all our wool
was of long, unbroken strands.
I like to sort the wool.
It is good to feel its softness,
like making words for something
my heart has always known.