In the Five Towns human nature is reported to be so hard that you can break stones on it. Yet sometimes it softens, and then we have one of our rare idylls of which we are very proud, while pretending not to be. The soft and delicate South would possibly not esteem highly our idylls, as such. Nevertheless they are our idylls, idyllic for us, and reminding us, by certain symptoms, that though we never cry there is concealed somewhere within our bodies a fount of happy tears.

The town park is an idyll in the otherwise prosaic municipal history of the Borough of Bursley, which previously had never got nearer to romance than a Turkish bath. It was once waste ground covered with horrible rubbish-heaps, and made dangerous by the imperfectly-protected shafts of disused coal-pits. Now you enter it by emblazoned gates; it is surrounded by elegant railings; fountains and cascades babble in it; wild-fowl from far countries roost in it, on trees with long names; tea is served in it; brass bands make music on its terraces, and on its highest terrace town councillors play bowls on billiard-table greens while casting proud glances on the houses of thirty thousand people spread out under the sweet influence of the gold angel that tops the Town Hall spire. The other four towns are apt to ridicule that gold angel, which for exactly fifty years has guarded the borough and only been regilded twice. But ask the plumber who last had the fearsome job of regilding it whether it is a gold angel to be despised, and—you will see!

The other four towns are also apt to point to their own parks when Bursley mentions its park (especially Turnhill, smallest and most conceited of the Five); but let them show a park whose natural situation equals that of Bursley's park. You may tell me that the terra-cotta constructions within it carry ugliness beyond a joke; you may tell me that in spite of the park's vaunted situation nothing can be seen from it save the chimneys and kilns of earthenware manufactories, the scaffoldings of pitheads, the ample dome of the rate-collector's offices, the railway, minarets of non-conformity, sundry undulating square miles of monotonous house-roofs, the long scarves of black smoke which add such interest to the sky of the Five Towns—and, of course, the gold angel. But I tell you that before the days of the park lovers had no place to walk in but the cemetery; not the ancient churchyard of St. Luke's (the rector would like to catch them at it!)—the borough cemetery! One generation was forced to make love over the tombs of another—and such tombs!—before the days of the park. That is the sufficient answer to any criticism of the park.

The highest terrace of the park is a splendid expanse of gravel, ornamented with flower-beds. At one end is the north bowling-green; at the other is the south bowling-green; in the middle is a terra-cotta and glass shelter; and at intervals, against the terra-cotta balustrade, are arranged rustic seats from which the aged, the enamoured, and the sedentary can enjoy the gold angel.

Between the southernmost seat and the south bowling-green, on that Saturday afternoon, stood Mr. James Ollerenshaw. He was watching a man who earned four-and-sixpence a day by gently toying from time to time with a roller on the polished surface of the green. Mr. James Ollerenshaw's age was sixty; but he looked as if he did not care. His appearance was shabby; but he did not seem to mind. He carried his hands in the peculiar horizontal pockets of his trousers, and stuck out his figure, in a way to indicate that he gave permission to all to think of him exactly what they pleased. Those pockets were characteristic of the whole costume; their very name is unfamiliar to the twentieth century. They divide the garment by a fissure whose sides are kept together by many buttons, and a defection on the part of even a few buttons is apt to be inconvenient. James Ollerenshaw was one of the last persons in Bursley to defy fashion in the matter of pockets. His suit was of a strange hot colour—like a brick which, having become very dirty, has been imperfectly cleaned and then powdered with sand—made in a hard, eternal, resistless cloth, after a pattern which has not survived the apprenticeship of Five Towns' tailors in London. Scarcely anywhere save on the person of James Ollerenshaw would you see nowadays that cloth, that tint, those very short coat-tails, that curved opening of the waistcoat, or those trouser-pockets. The paper turned-down collar, and the black necktie (of which only one square inch was ever visible), and the paper cuffs, which finished the tailor-made portion of Mr. Ollerenshaw, still linger in sporadic profusion. His low, flat-topped hat was faintly green, as though a delicate fungoid growth were just budding on its black. His small feet were cloistered in small, thick boots of glittering brilliance. The colour of his face matched that of his suit. He had no moustache and no whiskers, but a small, stiff grey beard was rooted somewhere under his chin. He had kept a good deal of his hair. He was an undersized man, with short arms and legs, and all his features—mouth, nose, ears, blue eyes—were small and sharp; his head, as an entirety, was small. His thin mouth was always tightly shut, except when he spoke. The general expression of his face was one of suppressed, sarcastic amusement.

He was always referred to as Jimmy Ollerenshaw, and he may strike you as what is known as a "character," an oddity. His sudden appearance at a Royal Levée would assuredly have excited remark, and even in Bursley he diverged from the ordinary; nevertheless, I must expressly warn you against imagining Mr. Ollerenshaw as an oddity. It is the most difficult thing in the world for a man named James not to be referred to as Jimmy. The temptation to the public is almost irresistible. Let him have but a wart on his nose, and they will regard it as sufficient excuse for yielding. I do not think that Mr. Ollerenshaw was consciously set down as an oddity in his native town. Certainly he did not so set down himself. Certainly he was incapable of freakishness. By the town he was respected. His views on cottage property, the state of trade, and the finances of the borough were listened to with a respectful absence of comment. He was one of the few who had made cottage property pay. It was said he owned a mile of cottages in Bursley and Turnhill. It was said that, after Ephraim Tellwright, he was the richest man in Bursley. There was a slight resemblance of type between Ollerenshaw and Tellwright. But Tellwright had buried two wives, whereas Ollerenshaw had never got within arm's length of a woman. The town much preferred Ollerenshaw.

After having duly surveyed the majestic activities of the ground-man on the bowling-green, and having glanced at his watch, Mr. Ollerenshaw sat down on the nearest bench; he was waiting for an opponent, the captain of the bowling-club. It is exactly at the instant of his downsitting that the drama about to be unfolded properly begins. Strolling along from the northern extremity of the terrace to the southern was a young woman. This young woman, as could be judged from her free and independent carriage, was such a creature as, having once resolved to do a thing, is not to be deterred from doing it by the caprices of other people. She had resolved—a resolution of no importance whatever—to seat herself on precisely the southernmost bench of the terrace. There was not, indeed, any particular reason why she should have chosen the southernmost bench; but she had chosen it. She had chosen it, afar off, while it was yet empty and Mr. Ollerenshaw was on his feet. When Mr. Ollerenshaw dropped into a corner of it the girl's first instinctive volition was to stop, earlier than she had intended, at one of the other seats.

Despite statements to the contrary, man is so little like a sheep that when he has a choice of benches in a park he will always select an empty one. This rule is universal in England and Scotland, though elsewhere exceptions to it have been known to occur. But the girl, being a girl, and being a girl who earned her own living, and being a girl who brought all conventions to the bar of her reason and forced them to stand trial there, said to herself, proudly and coldly: "It would be absurd on my part to change my mind. I meant to occupy that bench, and why should I not? There is amply sufficient space for the man and me too. He has taken one corner, and I will take the other. These notions that girls have are silly." She meant the notion that she herself had had.

So she floated forward, charmingly and inexorably. She was what in the Five Towns is called "a stylish piece of goods." She wore a black-and-white frock, of a small check pattern, with a black belt and long black gloves, and she held over her serenity a black parasol richly flounced with black lace—a toilet unusual in the district, and as effective as it was unusual. She knew how to carry it. She was a tall girl, and generously formed, with a complexion between fair and dark; her age, perhaps, about twenty-five. She had the eye of an empress—and not an empress-consort either, nor an empress who trembles in secret at the rumour of cabals and intrigues. Yes, considered as a decoration of the terrace, she was possibly the finest, most dazzling thing that Bursley could have produced; and Bursley doubtless regretted that it could only claim her as a daughter by adoption.

Approaching, step by dainty and precise step, the seat invested by Mr. James Ollerenshaw, she arrived at the point whence she could distinguish the features of her forestaller; she was somewhat short-sighted. She gave no outward sign of fear, irresolution, cowardice. But if she had not been more afraid of her own contempt than of anything else in the world, she would have run away; she would have ceased being an empress and declined suddenly into a scared child. However, her fear of her own contempt kept her spine straight, her face towards the danger, and her feet steadily moving.

"It's not my fault," she said to herself. "I meant to occupy that bench, and occupy it I will. What have I to be ashamed of?"

And she did occupy that bench. She contrived to occupy it without seeing Mr. Ollerenshaw. Each separate movement of hers denied absolutely the existence of Mr. Ollerenshaw. She arranged her dress, and her parasol, and her arms, and the exact angle of her chin; and there gradually fell upon her that stillness which falls upon the figure of a woman when she has definitively adopted an attitude in the public eye. She was gazing at the gold angel, a mile off, which flashed in the sun. But what a deceptive stillness was that stillness! A hammer was hammering away under her breast with what seemed to her a reverberating sound. Strange that that hammering did not excite attention throughout the park! Then she had the misfortune to think of the act of blushing. She violently willed not to blush. But her blood was too much for her. It displayed itself in the most sanguinary manner first in the centre of each cheek, and it increased its area of conquest until the whole of her visible skin—even the back of her neck and her lobes—had rosily yielded. And she was one of your girls who never blush! The ignominy of it! To blush because she found herself within thirty inches of a man, an old man, with whom she had never in her life exchanged a single word!

CHAPTER II

AN AFFAIR OF THE SEVENTIES

Having satisfied her obstinacy by sitting down on the seat of her choice, she might surely—one would think—have ended a mysteriously difficult situation by rising again and departing, of course with due dignity. But no! She could not! She wished to do so, but she could not command her limbs. She just sat there, in horridest torture, like a stoical fly on a pin—one of those flies that pretend that nothing hurts. The agony might have been prolonged to centuries had not an extremely startling and dramatic thing happened —the most startling and dramatic thing that ever happened either to James Ollerenshaw or to the young woman. James Ollerenshaw spoke, and I imagine that nobody was more surprised than James Ollerenshaw by his brief speech, which slipped out of him quite unawares. What he said was:

"Well, lass, how goes it, like?"

If the town could have heard him, the town would have rustled from boundary to boundary with agitated and delicious whisperings.

The young woman, instead of being justly incensed by this monstrous molestation from an aged villain who had not been introduced to her, gave a little jump (as though relieved from the spell of an enchantment), and then deliberately turned and faced Mr. Ollerenshaw. She also smiled, amid her roses.

"Very well indeed, thank you," she replied, primly, but nicely.

Upon this, they both of them sought to recover —from an affair that had occurred in the late seventies.

In the late seventies James Ollerenshaw had been a young-old man of nearly thirty. He had had a stepbrother, much older and much poorer than himself, and the stepbrother had died, leaving a daughter, named Susan, almost, but not quite, in a state of indigence. The stepbrother and James had not been on terms of effusive cordiality. But James was perfectly ready to look after Susan, his stepniece. Susan, aged seventeen years, was, however, not perfectly ready to be looked after. She had a little money, and she earned a little (by painting asters on toilet ware), and the chit was very rude to her stepuncle. In less than a year she had married a youth of twenty, who apparently had not in him even the rudiments of worldly successfulness. James Ollerenshaw did his avuncular duty by formally and grimly protesting against the marriage. But what authority has a stepuncle? Susan defied him, with a maximum of unforgettable impoliteness; and she went to live with her husband at Longshaw, which is at the other end of the Five Towns. The fact became public that a solemn quarrel existed between James and Susan, and that each of them had sworn not to speak until the other spoke. James would have forgiven, if she had hinted at reconciliation. And, hard as it is for youth to be in the wrong, Susan would have hinted at reconciliation if James had not been so rich. The riches of James offended Susan's independence. Not for millions would she have exposed herself to the suspicion that she had broken her oath because her stepuncle was a wealthy and childless man. She was, of course, wrong. Nor was this her only indiscretion. She was so ridiculously indiscreet as to influence her husband in such a way that he actually succeeded in life. Had James perceived them to be struggling in poverty, he might conceivably have gone over to them and helped them, in an orgy of forgiving charity. But the success of young Rathbone falsified his predictions utterly, and was, further, an affront to him. Thus the quarrel slowly crystallised into a permanent estrangement, a passive feud. Everybody got thoroughly accustomed to it, and thought nothing of it, it being a social phenomenon not at all unique of its kind in the Five Towns. When, fifteen years later, Rathbone died in mid-career, people thought that the feud would end. But it did not. James wrote a letter of condolence to his niece, and even sent it to Longshaw by special messenger in the tramcar; but he had not heard of the death until the day of the funeral, and Mrs. Rathbone did not reply to his letter. Her independence and sensitiveness were again in the wrong. James did no more. You could not expect him to have done more. Mrs. Rathbone, like many widows of successful men, was "left poorly off." But she "managed." Once, five years before the scene on the park terrace, Mrs. Rathbone and James had encountered one another by hazard on the platform of Knype Railway Station. Destiny hesitated while Susan waited for James's recognition and James waited for Susan's recognition. Both of them waited too long. Destiny averted its head and drew back, and the relatives passed on their ways without speaking. James observed with interest a girl of twenty by Susan's side—her daughter. This daughter of Susan's was now sharing the park bench with him. Hence the hidden drama of their meeting, of his speech, of her reply.

"And what's your name, lass?"

"Helen."

"Helen what?"

"Helen, great-stepuncle," said she.

He laughed; and she laughed also. The fact was that he had been aware of her name, vaguely. It had come to him, on the wind, or by some bird's wing, although none of his acquaintances had been courageous enough to speak to him about the affair of Susan for quite twenty years past. Longshaw is as far from Bursley, in some ways, as San Francisco from New York. There are people in Bursley who do not know the name of the Mayor of Longshaw—who make a point of not knowing it. Yet news travels even from Longshaw to Bursley, by mysterious channels; and Helen Rathbone's name had so travelled. James Ollerenshaw was glad that she was just Helen. He had been afraid that there might be something fancy between Helen and Rathbone—something expensive and aristocratic that went with her dress and her parasol. He illogically liked her for being called merely Helen—as if the credit were hers! Helen was an old Ollerenshaw name—his grandmother's (who had been attached to the household of Josiah Wedgwood), and his aunt's. Helen was historic in his mind. And, further, it could not be denied that Rathbone was a fine old Five Towns name too.

He was very illogical that afternoon; he threw over the principles of a lifetime, arguing from particulars to generals exactly like a girl. He had objected, always, to the expensive and the aristocratic. He was proud of his pure plebeian blood, as many plebeians are; he gloried in it. He disliked show, with a calm and deep aversion. He was a plain man with a simple, unostentatious taste for money. The difference between Helen's name and her ornamental raiment gave him pleasure in the name. But he had not been examining her for more than half a minute when he began to find pleasure in her rich clothes (rich, that is, to him!). Quite suddenly he, at the age of sixty, abandoned without an effort his dear prejudice against fine feathers, and began, for the first time, to take joy in sitting next to a pretty and well-dressed woman. And all this, not from any broad, philosophic perception that fine feathers have their proper part in the great scheme of cosmic evolution; but because the check dress suited her, and the heavy, voluptuous parasol suited her, and the long black gloves were inexplicably effective. Women grow old; women cease to learn; but men, never.

As for Helen, she liked him. She had liked him for five years, ever since her mother had pointed him out on the platform of Knype Railway Station. She saw him closer now. He was older than she had been picturing him; indeed, the lines on his little, rather wizened face, and the minute sproutings of grey-white hair in certain spots on his reddish chin, where he had shaved himself badly, caused her somehow to feel quite sad. She thought of him as "a dear old thing," and then as "a dear old darling." Yes, old, very old! Nevertheless, she felt maternal towards him. She felt that she was much wiser than he was, and that she could teach him a great deal. She saw very clearly how wrong he and her mother had been, with their stupidly terrific quarrel; and the notion of all the happiness which he had missed, in his solitary, unfeminised, bachelor existence, nearly brought into her eyes tears of a quick and generous sympathy.

He, blind and shabby ancient, had no suspicion that his melancholy state and the notion of all the happiness he had missed had tinged with sorrow the heart within the frock, and added a dangerous humidity to the glance under the sunshade. It did not occur to him that he was an object of pity, nor that a vast store of knowledge was waiting to be poured into him. The aged, self-satisfied wag-beard imagined that he had conducted his career fairly well. He knew no one with whom he would have changed places. He regarded Helen as an extremely agreeable little thing, with her absurd air of being grown-up. Decidedly in five years she had tremendously altered. Five years ago she had been gawky. Now ... Well, he was proud of her. She had called him great-stepuncle, thus conferring on him a sort of part-proprietorship in her; and he was proud of her. The captain of the bowling-club came along, and James Ollerenshaw gave him just such a casual nod as he might have given to a person of no account. The nod seemed to say: "Match this, if you can. It's mine, and there's nothing in the town to beat it. Mrs. Prockter herself hasn't got more style than this." (Of this Mrs. Prockter, more later.)

Helen soon settled down into a condition of ease, which put an end to blushing. She knew she was admired.

"What are you doing i' Bosley?" James demanded.

"I'm living i' Bosley," she retorted, smartly.

"Living here!" He stopped, and his hard old heart almost stopped too. If not in mourning, she was in semi-mourning. Surely Susan had not had the effrontery to die, away in Longshaw, without telling him!

"Mother has married again," said Helen, lightly.

"Married!" He was staggered. The wind was knocked out of him.

"Yes. And gone to Canada!" Helen added.

You pick up your paper in the morning, and idly and slowly peruse the advertisements on the first page, forget it, eat some bacon, grumble at the youngest boy, open the paper, read the breach of promise case on page three, drop it, and ask your wife for more coffee—hot—glance at your letters again, then reopen the paper at the news page, and find that the Tsar of Russia has been murdered, and a few American cities tumbled to fragments by an earthquake—you know how you feel then. James Ollerenshaw felt like that. The captain of the bowling-club, however, poising a bowl in his right hand, and waiting for James Ollerenshaw to leave his silken dalliance, saw nothing but an old man and a young woman sitting on a Corporation seat.

CHAPTER III

MARRYING OFF A MOTHER

"Yes," said Helen Rathbone, "mother fell in love. Don't you think it was funny?"

"That's as may be," James Ollerenshaw replied, in his quality of the wiseacre who is accustomed to be sagacious on the least possible expenditure of words.

"We both thought it was awfully funny," Helen said.

"Both? Who else is there?"

"Why, mother and I, of course! We used to laugh over it. You see, mother is a very simple creature. And she's only forty-four."

"She's above forty-four," James corrected.

"She told me she was thirty-nine five years ago," Helen protested.

"Did she tell ye she was forty, four years ago?"

"No. At least, I don't remember."

"Did she ever tell ye she was forty?"

"No."

"Happen she's not such a simple creature as ye thought for, my lass," observed James Ollerenshaw.

"You don't mean to infer," said Helen, with cold dignity, "that my mother would tell me a lie?"

"All as I mean is that Susan was above thirty-nine five years ago, and I can prove it. I had to get her birth certificate when her father died, and I fancy I've got it by me yet." And his eyes added: "So much for that point. One to me."

Helen blushed and frowned, and looked up into the darkling heaven of her parasol; and then it occurred to her that her wisest plan would be to laugh. So she laughed. She laughed in almost precisely the same manner as James had heard Susan laugh thirty years previously, before love had come into Susan's life like a shell into a fortress, and finally blown their fragile relations all to pieces. A few minutes earlier the sight of great-stepuncle James had filled Helen with sadness, and he had not suspected it. Now her laugh filled James with sadness, and she did not suspect it. In his sadness, however, he was glad that she laughed so naturally, and that the sombre magnificence of her dress and her gloves and parasol did not prevent her from opening her rather large mouth and showing her teeth.

"It was just like mother to tell me fibs about her age," said Helen, generously (it is always interesting to observe the transformation of a lie into a fib). "And I shall write and tell her she's a horrid mean thing. I shall write to her this very night."

"So Susan's gone and married again!" James murmured, reflectively.

Helen now definitely turned the whole of her mortal part towards James, so that she fronted him, and her feet were near his. He also turned, in response to this diplomatic advance, and leant his right elbow on the back of the seat, and his chin on his right palm. He put his left leg over his right leg, and thus his left foot swayed like a bird on a twig within an inch of Helen's flounce. The parasol covered the faces of the just and the unjust impartially.

"I suppose you don't know a farmer named Bratt that used to have a farm near Sneyd?" said Helen.

"I can't say as I do," said James.

"Well, that's the man!" said Helen. "He used to come to Longshaw cattle-market with sheep and things."

"Sheep and things!" echoed James. "What things?"

"Oh! I don't know," said Helen, sharply. "Sheep and things."

"And what did your mother take to Longshaw cattle-market?" James inquired. "I understood as she let lodgings."

"Not since I've been a teacher," said Helen, rather more sharply. "Mother didn't take anything to the cattle-market. But you know our house was just close to the cattle-market."

"No, I didn't," said James, stoutly. "I thought as it was in Aynsley-street."

"Oh! that's years ago!" said Helen, shocked by his ignorance. "We've lived in Sneyd-road for years—years."

"I'll not deny it," said James.

"The great fault of our house," Helen proceeded, "was that mother daren't stir out of it on cattle-market days."

"Why not?"

"Cows!" said Helen. "Mother simply can't look at a cow, and they were passing all the time."

"She should ha' been thankful as it wasn't bulls," James put in.

"But I mean bulls too!" exclaimed Helen. "In fact, it was a bull that led to it."

"What! Th' farmer saved her from a mad bull, and she fell in love with him? He's younger than her, I lay!"

"How did you know that?" Helen questioned. "Besides, he isn't. They're just the same age."

"Forty-four?" Perceiving delicious danger in the virgin's face, James continued before she could retort, "I hope Susan wasn't gored?"

"You're quite wrong. You're jumping to conclusions," said Helen, with an air of indulgence that would have been exasperating had it not been enchanting. "Things don't happen like that except in novels."

"I've never read a novel in my life," James defended himself.

"Haven't you? How interesting!"

"But I've known a woman knocked down by a bull."

"Well, anyhow, mother wasn't knocked down by a bull. But there was a mad bull running down the street; it had escaped from the market. And Mr. Bratt was walking home, and the bull was after him like a shot. Mother was looking out of the window, and she saw what was going on. So she rushed to the front door and opened it, and called to Mr. Bratt to run in and take shelter. And they only just got the door shut in time."

"Bless us!" muttered James. "And what next?"

"Why, I came home from school and found them having tea together."

"And ninety year between them!" James reflected.

"Then Mr. Bratt called every week. He was a widower, with no children."

"It couldn't ha' been better," said James.

"Oh yes, it could," said Helen. "Because I had the greatest difficulty in marrying them; in fact, at one time I thought I should never do it. I'm always in the right, and mother's always in the wrong. She's admitted that for years. She's had to admit it. Yet she would go her own way. Nothing would ever cure mother."

"She used to talk just like that of your grandfather," said James. "Susan always reckoned as she'd got more than her fair share of sense."

"I don't think she thinks that now," said Helen, calmly, as if to say: "At any rate I've cured her of that." Then she went on: "You see, Mr. Bratt had sold his farm—couldn't make it pay—and he was going out to Manitoba. He said he would stop in England. Mother said she wouldn't let him stop in England where he couldn't make a farm pay. She was quite right there," Helen admitted, with careful justice. "But then she said she wouldn't marry him and go out to Manitoba, because of leaving me alone here to look after myself! Can you imagine such a reason?"

James merely raised his head quickly several times. The gesture meant whatever Helen preferred that it should mean.

"The idea!" she continued. "As if I hadn't looked after mother and kept her in order, and myself, too, for several years! No. She wouldn't marry him and go out there! And she wouldn't marry him and stay here! She actually began to talk all the usual conventional sort of stuff, you know—about how she had no right to marry again, and she didn't believe in second marriages, and about her duty to me. And so on. You know. I reasoned with her—I explained to her that probably she had another thirty years to live. I told her she was quite young. She is. And why should she make herself permanently miserable, and Mr. Bratt, and me, merely out of a quite mistaken sense of duty? No use! I tried everything I could. No use!"

"She was too much for ye?"

"Oh, no!" said Helen, condescendingly. "I'd made up my mind. I arranged things with Mr. Bratt. He quite agreed with me. He took out a licence at the registrar's, and one Saturday morning—it had to be a Saturday, because I'm busy all the other days—I went out with mother to buy the meat and things for Sunday's dinner, and I got her into the registrar's office—and, well, there she was! Now, what do you think?"

"What?"

"Her last excuse was that she couldn't be married because she was wearing her third-best hat. Don't you think it's awfully funny?"

"That's as may be," said James. "When was all this?"

"Just recently," Helen answered. "They sailed from Glasgow last Thursday but two. And I'm expecting a letter by every post to say that they've arrived safely."

"And Susan's left you to take care of yourself!"

"Now, please don't begin talking like mother," Helen said, frigidly. "I've certainly got less to take care of now than I had. Mother quite saw that. But what difficulty I had in getting her off, even after I'd safely married her! I had to promise that if I felt lonely I'd go and join them. But I shan't."

"You won't?"

"No. I don't see myself on a farm in Manitoba. Do you?"

"I don't know as I do," said James, examining her appearance, with a constant increase of his pride in it. "So ye saw 'em off at Glasgow. I reckon she made a great fuss?"

"Fuss?"

"Cried."

"Oh yes, of course."

"Did you cry, miss?"

"Of course I cried," said Helen, passionately, sitting up straight. "Why do you ask such questions?"

"And us'll never see Susan again?"

"Of course I shall go over and see them," said Helen. "I only meant that I shouldn't go to stop. I daresay I shall go next year, in the holidays."

CHAPTER IV

INVITATION TO TEA

They were most foolishly happy as they sat there on the bench, this man whose dim eyes ought to have been waiting placidly for the ship of death to appear above the horizon, and this young girl who imagined that she knew all about life and the world. When I say that they were foolishly happy, I of course mean that they were most wisely happy. Each of them, being gifted with common sense, and with a certain imperviousness to sentimentality which invariably accompanies common sense, they did not mar the present by regretting the tragic stupidity of a long estrangement; they did not mourn over wasted years that could not be recalled. It must be admitted, in favour of the Five Towns, that when its inhabitants spill milk they do not usually sit down on the pavement and adulterate the milk with their tears. They pass on. Such passing on is termed callous and cold-hearted in the rest of England, which loves to sit down on pavements and weep into irretrievable milk.

Nor did Helen and her great-stepuncle mar the present by worrying about the future; it never occurred to them to be disturbed by the possibility that milk not already spilt might yet be spilt.

Helen had been momentarily saddened by private reflections upon what James Ollerenshaw had missed in his career; and James had been saddened, somewhat less, by reminiscences which had sprung out of Helen's laugh. But their melancholies had rapidly evaporated in the warmth of the unexpected encounter. They liked one another. She liked him because he was old and dry; and because he had a short laugh, and a cynical and even wicked gleam of the eye that pleased her; and because there was an occasional tone in his voice that struck her as deliciously masculine, ancient, and indulgent; and because he had spoken to her first; and because his gaze wandered with an admiring interest over her dress and up into the dome of her sunshade; and because he put his chin in his palm and leant his head towards her; and because the skin of his hand was so crinkled and glossy. And he liked her because she was so exquisitely fresh and candid, so elegant, so violent and complete a contrast to James Ollerenshaw; so absurdly sagacious and sure of herself, and perhaps because of a curve in her cheek, and a mysterious suggestion of eternal enigma in her large and liquid eye. When she looked right away from him, as she sometimes did in the conversation, the outline of her soft cheek, which drew in at the eye and swelled out again to the temple, resembled a map of the coast of some smooth, romantic country not mentioned in geographies. When she looked at him—well, the effect on him astonished him; but it enchanted him. He was discovering for the first time the soul of a girl. If he was a little taken aback he is to be excused. Younger men than he have been taken aback by that discovery. But James Ollerenshaw did not behave as a younger man would have behaved. He was more like some one who, having heard tell of the rose for sixty years, and having paid no attention to rumour, suddenly sees a rose in early bloom. At his age one knows how to treat a flower; one knows what flowers are for.

It was no doubt this knowledge of what flowers are for that almost led to the spilling of milk at the very moment when milk-spilling seemed in a high degree improbable.

The conversation had left Susan and her caprices, and had reached Helen and her solid wisdom.

"But you haven't told me what you're doing i' Bosley," said the old man.

"I've told you I'm living here," said Helen. "I've now been living here for one week and one day. I'm teaching at the Park Road Board School. I got transferred from Longshaw. I never liked Longshaw, and I always like a change."

"Yes," said Ollerenshaw, judiciously, "of the two I reckon as Bosley is the frying-pan. So you're teaching up yonder?" He jerked his elbow in the direction of the spacious and imposing terra-cotta Board School, whose front looked on the eastern gates of the park. "What dost teach?"

"Oh, everything," Helen replied.

"You must be very useful to 'em," said James. "What do they pay you for teaching everything?"

"Seventy-two pounds," said Helen.

"A month? It 'ud be cheap at a hundred, lass; unless there's a whole crowd on ye as can teach everything. Can you sew?"

"Sew!" she exclaimed. "I've given lessons in sewing for years. And cookery. And mathematics. I used to give evening lessons in mathematics at Longshaw secondary school."

Great-stepuncle James gazed at her. It was useless for him to try to pretend to himself that he was not, secretly, struck all of a heap by the wonders of the living organism in front of him. He was. And this shows, though he was a wise man and an experienced, how ignorant he was of the world. But I do not think he was more ignorant of the world than most wise and experienced men are. He conceived Helen Rathbone as an extraordinary, an amazing creature. Nothing of the kind. There are simply thousands of agreeable and good girls who can accomplish herring-bone, omelettes, and simultaneous equations in a breath, as it were. They are all over the kingdom, and may be seen in the streets and lanes thereof about half-past eight in the morning and again about five o'clock in the evening. But the fact is not generally known. Only the stern and blasé members of School Boards or Education Committees know it. And they are so used to marvels that they make nothing of them.

However, James Ollerenshaw had no intention of striking his flag.

"Mathematics!" he murmured. "I lay you can't tell me the interest on eighty-nine pounds for six months at four and a half per cent."

Consols happened to be at eighty-nine that day.

Her lips curled. "I'm really quite surprised you should encourage me to gamble," said she. "But I'll bet you a shilling I can. And I'll bet you one shilling against half-a-crown that I do it in my head, if you like. And if I lose I'll pay."

She made a slight movement, and he noticed for the first time that she was carrying a small purse as black as her glove.

He hesitated, and then he proved what a wise and experienced man he was.

"No," he said, "I'll none bet ye, lass."

He had struck his flag.

It is painful to be compelled to reinforce the old masculine statement that women have no sense of honour. But have they? Helen clearly saw that he had hauled down his flag. Yet did she cease firing? Not a bit. She gave him a shattering broadside, well knowing that he had surrendered. Her disregard of the ethics of warfare was deplorable.

"Two pounds and one half-penny—to the nearest farthing," said she, a faint blush crimsoning her cheek.

Mr. Ollerenshaw glanced round at the bowling-green, where the captain in vain tried to catch his eye, and then at the groups of children playing on the lower terraces.

"I make no doubt ye can play the piano?" he remarked, when he had recovered.

"Certainly," she replied. "Not that we have to teach the piano. No! But it's understood, all the same, that one or another of us can play marches for the children to walk and drill to. In fact," she added, "for something less than thirty shillings a week we do pretty nearly everything, except build the schools. And soon they'll be expecting us to build the new schools in our spare time." She spoke bitterly, as a native of the Congo Free State might refer to the late King of the Belgians.

"Thirty shillings a wik!" said James, acting with fine histrionic skill. "I thought as you said seventy-two pounds a month!"

"Oh no, you didn't!" she protested, firmly. "So don't try to tease me. I never joke about money. Money's a very serious thing."

("Her's a chip o' th' owd block," he told himself, delighted. When he explained matters to himself, and when he grew angry, he always employed the Five Towns dialect in its purest form.)

"You must be same as them hospital nurses," he said, aloud. "You do it because ye like it—for love on it, as they say."

"Like it! I hate it. I hate any sort of work. What fun do you suppose there is in teaching endless stupid children, and stuffing in classrooms all day, and correcting exercises and preparing sewing all night? Of course, they can't help being stupid. It's that that's so amazing. You can't help being kind to them—they're so stupid."

"If ye didn't do that, what should ye do?" James inquired.

"I shouldn't do anything unless I was forced," said she. "I don't want to do anything, except enjoy myself—read, play the piano, pay visits, and have plenty of really nice clothes. Why should I want to do anything? I can tell you this—if I didn't need the money I'd never go inside that school again, or any other!"

She was heated.

"Dun ye mean to say," he asked, with an ineffable intonation, "that Susan and that there young farmer have gone gadding off to Canada and left you all alone with nothing?"

"Of course they haven't," said Helen. "Why, mother is the most generous old thing you can possibly imagine. She's left all her own income to me."

"How much?"

"Well, it comes to rather over thirty shillings a week."

"And can't a single woman live on thirty shillings a wik? Bless us! I don't spend thirty shillings a wik myself."

Helen raised her chin. "A single woman can live on thirty shillings a week," she said. "But what about her frocks?"

"Well, what about her frocks?" he repeated.

"Well," she said, "I like frocks. It just happens that I can't do without frocks. It's just frocks that I work for; I spend nearly all I earn on them." And her eyes, descending, seemed to say: "Look at the present example."

"Seventy pounds a year on ye clothes! Ye're not serious, lass?"

She looked at him coldly. "I am serious," she said.

Experienced as he was, he had never come across a fact so incredible as this fact. And the compulsion of believing it occupied his forces to such an extent that he had no force left to be wise. He did not observe the icy, darting challenge in her eye, and he ignored the danger in her voice.

"All as I can say is you ought to be ashamed o' yourself, lass!" he said, sharply. The reflection was blown out of him by the expansion of his feelings. Seventy pounds a year on clothes!... He too was serious.

Now, James Ollerenshaw was not the first person whom Helen's passion for clothes had driven into indiscretions. Her mother, for example, had done battle with that passion, and had been defeated with heavy loss. A head-mistress and a chairman of a School Board (a pompous coward) had also suffered severely. And though Helen had been the victor, she had not won without some injury to her nerves. Her campaigns and conquests had left her, on this matter, "touchy"—as the word is used in the Five Towns.

"I shall be very much obliged if you will not speak to me in that tone," said she. "Because I cannot permit it either from you or any other man. When I venture to criticise your private life I shall expect you to criticise mine—and not before. I don't want to be rude, but I hope you understand, great-stepuncle."

The milk was within the twentieth of an inch of the brim. James Ollerenshaw blushed as red as Helen herself had blushed at the beginning of their acquaintance. A girl, the daughter of the chit Susan, to address him so! She had the incomparable insolence of her mother. Yes, thirty years ago Susan had been just as rude to him. But he was thirty years younger then; he was not a sage of sixty then. He continued to blush. He was raging. Indeed, it would be no exaggeration to assert that his health was momentarily in peril. He glanced for an instant at Helen, and saw that her nostrils were twitching. Then he looked hurriedly away, and rose. The captain of the bowling club excusably assumed that James was at length going to attack the serious business of the day.

"Now, Mr. Ollerenshaw!" the captain called out; and his tone implied, gently: "Don't you think you've kept me waiting long enough? Women are women; but a bowling-match is a bowling-match."

James turned his back on the captain, moved off, and then—how can one explain it? He realised that in the last six words of Helen's speech there had been a note, a hint, a mere nothing, of softness, of regret for pain caused. He realised, further, the great universal natural law that under any circumstances—no matter what they may be—when any man—no matter who he may be—differs from any pretty and well-dressed woman—no matter who she may be—he is in the wrong. He saw that it was useless for serious, logical, high-minded persons to inveigh against the absurdity of this law, and to call it bad names. The law of gravity is absurd and indefensible when you fall downstairs; but you obey it.

He returned to Helen, who bravely met his eyes. "I'm off home," he said, hoarsely. "It's my tea-time."

"Good-afternoon," she replied, with amiability.

"Happen you'll come along with me, like?"

The use of that word "like" at the end of an interrogative sentence, in the Five Towns, is a subject upon which a book ought to be written; but not this history. The essential point to observe is that Helen got up from the bench and said, with adorable sweetness:

"Why, I shall be charmed to come!"

("What a perfect old darling he is!" she said to herself.)

CHAPTER V

A SALUTATION

As they walked down Moorthorne-road towards the town they certainly made a couple piquant enough, by reason of the excessive violence of the contrast between them, to amuse the eye of the beholder. A young and pretty woman who spends seventy pounds a year on her ornamentations, walking by the side of a little old man (she had the better of him by an inch) who had probably not spent seventy pounds on clothes in sixty years—such a spectacle must have drawn attention even in the least attentive of towns. And Bursley is far from the least attentive of towns. James and his great-stepniece had not got as far as the new Independent Chapel when it was known in St. Luke's-square, a long way farther on, that they were together; a tramcar had flown forward with the interesting fact. From that moment, of course, the news, which really was great news, spread itself over the town with the rapidity of a perfume; no corner could escape it. All James's innumerable tenants seemed to sniff it simultaneously. And that evening in the mouth of the entire town (I am licensing myself to a little poetical exaggeration) there was no word but the word "Jimmy."

Their converse, as they descended into the town, was not effective. It was, indeed, feeble. They had fought a brief but bitter duel, and James Ollerenshaw had been severely wounded. His dignity bled freely; he made, strange to say, scarcely any attempt to staunch the blood, which might have continued to flow for a considerable time had not a diversion occurred. (It is well known that the dignity will only bleed while you watch it. Avert your eyes, and it instantly dries up.) The diversion, apparently of a trifling character, had, in truth, an enormous importance, though the parties concerned did not perceive this till later. It consisted in the passing of Mrs. Prockter and her stepson, Emanuel Prockter, up Duck Bank as James and Helen were passing down Duck Bank.

Mrs. Prockter (who by reason of the rare "k" in her name regarded herself as the sole genuine in a district full of Proctors) may be described as the dowager of Bursley, the custodian of its respectability, and the summit of its social ladder. You could not climb higher than Mrs. Prockter. She lived at Hillport, and even in that haughty suburb there was none who dared palter with an invitation from Mrs. Prockter. She was stout and deliberate. She had waving flowers in her bonnet and pictures of flowers on her silken gown, and a grey mantle. Much of her figure preceded her as she walked. Her stepson had a tenor voice and a good tailor; his age was thirty.

Now, Mrs. Prockter was simply nothing to James Ollerenshaw. They knew each other by sight, but their orbits did not touch. James would have gone by Mrs. Prockter as indifferently as he would have gone by a policeman or a lamp-post. As for Emanuel, James held him in mild, benignant contempt. But when, as the two pairs approached one another, James perceived Emanuel furtively shifting his gold-headed cane from his right hand to his left, and then actually raise his hat to Helen, James swiftly lost his indifference. He also nearly lost his presence of mind. He was utterly unaccustomed to such crises. Despite his wealthy indifference to Mrs. Prockter, despite his distinguished scorn of Emanuel, despite the richness of Helen's attire, he was astounded, and deeply impressed, to learn that Helen had the acquaintance of people like the Prockters. Further, except at grave-sides, James Ollerenshaw had never in his life raised his hat. Hat-raising formed no part of his code of manners. In his soul he looked upon hat-raising as affected. He believed that all people who raised hats did so from a snobbish desire to put on airs. Hat-raising was rather like saying "please," only worse.

Happily, his was one of those strong, self-reliant natures that can, when there is no alternative, face the most frightful situations with unthumping heart. He kept his presence of mind, and decided in the fraction of a second what he must do. The faculty of instant decision is indispensable to safety in these swift-rising crises.

He raised his hat, praying that Helen would not stop to speak. Not gracefully, not with the beauteous curves of an Emanuel did he raise his hat—but he raised it. His prayer was answered.

"There!" his chest said to Helen. "If you thought I didn't know how to behave to your conceited acquaintances, you were mistaken."

And his casual, roving eye pretended that hat-raising was simply the most ordinary thing on earth.

Such was the disturbing incident which ended the bleeding of his dignity. In order to keep up the pretence that hat-raising was a normal function of his daily life he was obliged to talk freely; and he did talk freely. But neither he nor Helen said a word as to the Prockters.

CHAPTER VI

MRS. BUTT'S DEPARTURE

James Ollerenshaw's house was within a few hundred yards of the top of Trafalgar-road, on the way from Bursley to Hanbridge. I may not indicate the exact house, but I can scarcely conceal that it lay between Nos. 160 and 180, on the left as you go up. It was one of the oldest houses in the street, and though bullied into insignificance by sundry detached and semi-detached villas opposite—palaces occupied by reckless persons who think nothing of paying sixty or even sixty-five pounds a year for rent alone—it kept a certain individuality and distinction because it had been conscientiously built of good brick before English domestic architecture had lost trace of the Georgian style. First you went up two white steps (white in theory), through a little gate in a wrought-iron railing painted the colour of peas after they have been cooked in a bad restaurant. You then found yourself in a little front yard, twelve feet in width (the whole width of the house) by six feet in depth. The yard was paved with large square Indian-red tiles, except a tiny circle in the midst bordered with black-currant-coloured tiles set endwise with a scolloped edge. This magical circle contained earth, and in the centre of it was a rhododendron bush which, having fallen into lazy habits, had forgotten the art of flowering. Its leaves were a most pessimistic version of the tint of the railing.

The façade of the house comprised three windows and a door—that is to say, a window and a door on the ground floor and two windows above. The brickwork was assuredly admirable; James had it "pointed" every few years. Over the windows the bricks, of special shapes, were arranged as in a flat arch, with a keystone that jutted slightly. The panes of the windows were numerous and small; inside, on the sashes, lay long thin scarlet sausages of red cloth and sawdust, to keep out the draughts. The door was divided into eight small panels with elaborate beadings, and over it was a delicate fanlight—one of about a score in Bursley—to remind the observer of a lost elegance. Between the fanlight and the upstairs window exactly above it was a rusty iron plaque, with vestiges in gilt of the word "Phoenix." It had been put there when fire insurance had still the fancied charm of novelty. At the extremity of the façade farthest from the door a spout came down from the blue-slate roof. This spout began with a bold curve from the projecting horizontal spout under the eaves, and made another curve at the ground into a hollow earthenware grid with very tiny holes.

Helen looked delicious in the yard, gazing pensively at the slothful rhododendron while James Ollerenshaw opened his door. She was seen by two electric cars-full of people, for although James's latchkey was very highly polished and the lock well oiled, he never succeeded in opening his door at the first attempt. It was a capricious door. You could not be sure of opening it any more than Beau Brummel could be sure of tying his cravat. It was a muse that had to be wooed.

But when it did open you perceived that there were no half measures about that door, for it let you straight into the house. To open it was like taking down part of the wall. No lobby, hall, or vestibule behind that door! One instant you were in the yard, the next you were in the middle of the sitting-room, and through a doorway at the back of the sitting-room you could see the kitchen, and beyond that the scullery, and beyond that a back yard with a whitewashed wall.

James Ollerenshaw went in first, leaving Helen to follow. He had learnt much in the previous hour, but there were still one or two odd things left for him to learn.

"Ah!" he breathed, shut the door, and hung up his hard hat on the inner face of it. "Sit ye down, lass."

So she sat her down. It must be said that she looked as if she had made a mistake and got on to the wrong side of Trafalgar-road. The sitting-room was a crowded and shabby little apartment (though clean). There was a list carpet over the middle of the floor, which was tiled, and in the middle of the carpet a small square table with flap-sides. On this table was a full-rigged ship on a stormy sea in a glass box, some resin, a large stone bottle of ink, a ready reckoner, Whitaker's Almanack (paper edition), a foot-rule, and a bright brass candlestick. Above the table there hung from the ceiling a string with a ball of fringed paper, designed for the amusement of flies. At the window was a flat desk, on which were transacted the affairs of Mr. Ollerenshaw. When he stationed himself at it in the seat of custom and of judgment, defaulting tenants, twirling caps or twisting aprons, had a fine view of the left side of his face. He usually talked to them while staring out of the window. Before this desk was a Windsor chair. There were eight other Windsor chairs in the room—Helen was sitting on one that had not been sat upon for years and years—a teeming but idle population of chairs. A horsehair arm-chair seemed to be the sultan of the seraglio of chairs. Opposite the window a modern sideboard, which might have cost two-nineteen-six when new, completed the tale of furniture. The general impression was one of fulness; the low ceiling, and the immense harvest of overblown blue roses which climbed luxuriantly up the walls, intensified this effect. The mantelpiece was crammed with brass ornaments, and there were two complete sets of brass fire-irons in the brass fender. Above the mantelpiece a looking-glass, in a wan frame of bird's-eye maple, with rounded corners, reflected Helen's hat.

Helen abandoned the Windsor chair and tried the arm-chair, and then stood up.

"Which chair do you recommend?" she asked, nicely.

"Bless ye, child! I never sit here, except at th' desk. I sit in the kitchen."

A peculiarity of houses in the Five Towns is that rooms are seldom called by their right names. It is a point of honour, among the self-respecting and industrious classes, to prepare a room elaborately for a certain purpose, and then not to use it for that purpose. Thus James Ollerenshaw's sitting-room, though surely few apartments could show more facilities than it showed for sitting, was not used as a sitting-room, but as an office. The kitchen, though it contained a range, was not used as a kitchen, but as a sitting-room. The scullery, though it had no range, was filled with a gas cooking-stove and used as a kitchen. And the back yard was used as a scullery. This arrangement never struck anybody as singular; it did not strike even Helen as singular. Her mother's house had exhibited the same oddness until she reorganised it. If James Ollerenshaw had not needed an office, his sitting-room would have languished in desuetude. The fact is that the thrifty inhabitants of the Five Towns save a room as they save money. If they have an income of six rooms they will live on five, or rather in five, and thereby take pride to themselves.

Somewhat nervous, James feigned to glance at the rent books on the desk.

Helen's eye swept the room. "I suppose you have a good servant?" she said.

"I have a woman as comes in," said James. "But her isn't in th' house at the moment."

This latter statement was a wilful untruth on James's part. He had distinctly caught a glimpse of Mrs. Butt's figure as he entered.

"Well," said Helen, kindly, "it's quite nice, I'm sure. You must be very comfortable—for a man. But, of course, one can see at once that no woman lives here."

"How?" he demanded, naïvely.

"Oh," she answered, "I don't know. But one can."

"Dost mean to say as it isn't clean, lass?"

"The brasses are very clean," said Helen.

Such astonishing virtuosity in the art of innuendo is the privilege of one sex only.

"Come into th' kitchen, lass," said James, after he had smiled into a corner of the room, "and take off them gloves and things."

"But, great-stepuncle, I can't stay."

"You'll stop for tea," said he, firmly, "or my name isn't James Ollerenshaw."

He preceded her into the kitchen. The door between the kitchen and the scullery was half-closed; in the aperture he again had a momentary, but distinct, glimpse of the eye of Mrs. Butt.

"I do like this room," said Helen, enthusiastically.

"Uninterrupted view o' th' back yard," said Ollerenshaw. "Sit ye down, lass."

He indicated an article of furniture which stood in front of the range, at a distance of perhaps six feet from it, cutting the room in half. This contrivance may be called a sofa, or it may be called a couch; but it can only be properly described by the Midland word for it—squab. No other term is sufficiently expressive. Its seat—five feet by two—was very broad and very low, and it had a steep, high back and sides. All its angles were right angles. It was everywhere comfortably padded; it yielded everywhere to firm pressure; and it was covered with a grey and green striped stuff. You could not sit on that squab and be in a draught; yet behind it, lest the impossible should arrive, was a heavy curtain, hung on an iron rod which crossed the room from wall to wall. Not much imagination was needed to realise the joy and ecstasy of losing yourself on that squab on a winter afternoon, with the range fire roaring in your face, and the curtain drawn abaft.

Helen assumed the mathematical centre of the squab, and began to arrange her skirts in cascading folds; she had posed her parasol in a corner of it, as though the squab had been a railway carriage, which, indeed, it did somewhat resemble.

"By the way, lass, what's that as swishes?" James demanded.

"What's what?"

"What's that as swishes?"

She looked puzzled for an instant, then laughed—a frank, gay laugh, light and bright as aluminium, such as the kitchen had never before heard.

"Oh!" she said. "It's my new silk petticoat, I suppose. You mean that?" She brusquely moved her limbs, reproducing the unique and delicious rustle of concealed silk.

"Ay!" ejaculated the old man, "I mean that."

"Yes. It's my silk petticoat. Do you like it?"

"I havena' seen it, lass."

She bent down, and lifted the hem of her dress just two inches—the discreetest, the modestest gesture. He had a transient vision of something fair—it was gone again.

"I don't know as I dislike it," said he.

He was standing facing her, his back to the range, and his head on a level with the high narrow mantelpiece, upon which glittered a row of small tin canisters. Suddenly he turned to the corner to the right of the range, where, next to an oak cupboard, a velvet Turkish smoking cap depended from a nail. He put on the cap, of which the long tassel curved down to his ear. Then he faced her again, putting his hands behind him, and raising himself at intervals on his small, well-polished toes. She lifted her two hands simultaneously to her head, and began to draw pins from her hat, which pins she placed one after another between her lips. Then she lowered the hat carefully from her head, and transfixed it anew with the pins.

"Will you mind hanging it on that nail?" she requested.

He took it, as though it had been of glass, and hung it on the nail.

Without her hat she looked as if she lived there, a jewel in a pipe-case. She appeared to be just as much at home as he was. And they were so at home together that there was no further necessity to strain after a continuous conversation. With a vague smile she gazed round and about, at the warm, cracked, smooth red tiles of the floor; at the painted green walls, at a Windsor chair near the cupboard—a solitary chair that had evidently been misunderstood by the large family of relatives in the other room and sent into exile; at the pair of bellows that hung on the wall above the chair, and the rich gaudiness of the grocer's almanac above the bellows; at the tea-table, with its coarse grey cloth and thick crockery spread beneath the window.

"So you have all your meals here?" she ventured.

"Ay," he said. "I have what I call my meals here."

"Why," she cried, "don't you enjoy them?"

"I eat 'em," he said.

"What time do you have tea?" she inquired.

"Four o'clock," said he. "Sharp!"

"But it's a quarter to, now!" she exclaimed, pointing to a clock with weights at the end of brass chains and a long pendulum. "And didn't you say your servant was out?"

"Ay," he mysteriously lied. "Her's out. But her'll come back. Happen her's gone to get a bit o' fish or something."

"Fish! Do you always have fish for tea?"

"I have what I'm given," he replied. "I fancy a snack for my tea. Something tasty, ye know."

"Why," she said, "you're just like me. I adore tea. I'd sooner have tea than any other meal of the day. But I never yet knew a servant who could get something tasty every day. Of course, it's quite easy if you know how to do it; but servants don't—that is to say, as a rule—but I expect you've got a very good one."

"So-so!" James murmured.

"The trouble with servants is that they always think that if you like a thing one day you'll like the same thing every day for the next three years."

"Ay," he said, drily. "I used to like a kidney, but it's more than three years ago." He stuck his lips out, and raised himself higher than ever on his toes.

He did not laugh. But she laughed, almost boisterously.

"I can't help telling you," she said, "you're perfectly lovely, great-stepuncle. Are we both going to drink out of the same cup?" In such manner did the current of her talk gyrate and turn corners.

He approached the cupboard.

"No, no!" She sprang up. "Let me. I'll do that, as the servant is so long."

And she opened the cupboard. Among a miscellany of crocks therein was a blue-and-white cup and saucer, and a plate to match underneath it, that seemed out of place there. She lifted down the pile.

"Steady on!" he counselled her. "Why dun you choose that?"

"Because I like it," she replied, simply.

He was silenced. "That's a bit o' real Spode," he said, as she put it on the table and dusted the several pieces with a corner of the tablecloth.

"It won't be in any danger," she retorted, "until it comes to be washed up. So I'll stop afterwards and wash it up myself. There!"

"Now you can't find the teaspoons, miss!" he challenged her.

"I think I can," she said.

She raised the tablecloth at the end, discovered the knob of a drawer, and opened it. And, surely, there were teaspoons.

"Can't I just take a peep into the scullery?" she begged, with a bewitching supplication. "I won't stop. It's nearly time your servant was back, if she's always so dreadfully prompt as you say. I won't touch anything. Servants are so silly. They always think one wants to interfere with them."

Without waiting for James's permission, she burst youthfully into the scullery.

"Oh," she exclaimed, "there's some one here!"

Of course there was. There was Mrs. Butt.

Although the part played by Mrs. Butt in the drama was vehement and momentous, it was nevertheless so brief that a description of Mrs. Butt is hardly called for. Suffice it to say that she had so much waist as to have no waist, and that she possessed both a beard and a moustache. This curt catalogue of her charms is unfair to her; but Mrs. Butt was ever the victim of unfairness.

James Ollerenshaw looked audaciously in at the door. "It's Mrs. Butt," said he. "Us thought as ye were out."

"Good-afternoon, Mrs. Butt," Helen began, with candid pleasantness.

A pause.

"Good-afternoon, miss."

"And what have you got for uncle's tea to-day? Something tasty?"

"I've got this," said Mrs. Butt, with candid unpleasantness. And she pointed to an oblate spheroid, the colour of brick, but smoother, which lay on a plate near the gas-stove. It was a kidney.

"H'm!"—from James.

"It's not cooked yet, I see," Helen observed. "And—"

The clock finished her remark.

"No, miss, it's not cooked," said Mrs. Butt. "To tell ye the honest truth, miss, I've been learning, 'stead o' cooking this 'ere kidney." She picked up the kidney in her pudding-like hand and gazed at it. "I'm glad the brasses is clean, miss, at any rate, though the house does look as though there was no woman about the place, and servants are silly. I'm thankful to Heaven as the brasses is clean. Come into my scullery, and welcome."

She ceased, still holding up the kidney.

"H'm!"—from Uncle James.

This repeated remark of his seemed to rouse the fury in her. "You may 'h'm,' Mester Ollerenshaw," she glared at him. "You may 'h'm' as much as yo'n a mind." Then to Helen: "Come in, miss; come in. Don't be afraid of servants." And finally, with a striking instinct for theatrical effect: "But I go out!"

She flung the innocent and yielding kidney to the floor, snatched up a bonnet, cast off her apron, and departed.

"There!" said James Ollerenshaw. "You've done it!"

CHAPTER VII

THE NEW COOK

Ten minutes later Mr. James Ollerenshaw stood alone in his kitchen-sitting-room. And he gazed at the door between the kitchen-sitting-room and the scullery. This door was shut; that is to say, it was nearly shut. He had been turned out of the scullery; not with violence—or, rather, with a sort of sweet violence that he liked, and that had never before been administered to him by any human soul. An afternoon highly adventurous—an afternoon on which he had permitted himself to be insulted, with worse than impunity to the insulter, by the childish daughter of that chit Susan—an afternoon on which he had raised his hat to Mrs. Prockter—a Saturday afternoon on which he had foregone, on account of a woman, his customary match at bowls—this afternoon was drawing to a close in a manner which piled thrilling event on thrilling event.

Mrs. Butt had departed. For unnumbered years Mrs. Butt had miscooked his meals. The little house was almost inconceivable without Mrs. Butt. And Mrs. Butt had departed. Already he missed her as one misses an ancient and supersensitive corn—if the simile may be permitted to one; it is a simile not quite nice, but, then, Mrs. Butt was not quite nice either. The fault was not hers; she was born so.

The dropping of the kidney with a plop, by Mrs. Butt, on the hard, unsympathetic floor of the scullery, had constituted an extremely dramatic moment in three lives. Certainly Mrs. Butt possessed a wondrous instinct for theatrical effect. Helen, on the contrary, seemed to possess none. She had advanced nonchalantly towards the kidney, and delicately picked it up between finger and thumb, and turned it over, and then put it on a plate.

"That's a veal kidney," she had observed.

"Art sure it isn't a sheep's kidney, lass?" James had asked, carefully imitating Helen's nonchalance.

"Yes," she had said. "I gather you are not passionately fond of kidneys, great-stepuncle?" she had asked.

"I was once. What art going to do, lass?"

"I'm going to get our tea," she had said.

At the words, our tea, the antique James Ollerenshaw, who had never thought to have such a sensation again, was most distinctly conscious of an agreeable, somewhat disturbing sensation of being tickled in the small of his back.

"Well," he had asked her, "what can I do?"

"You can go out," she had replied. "Wouldn't it be a good thing for you to go out for a walk? Tea will be ready at half-past four."

"I go for no walk," he said, positively....

"Yes, that's all right," she had murmured, but not in response to his flat refusal to obey her. She had been opening the double cupboard and the five drawers which constituted the receptacles of the scullery-larders; she had been spying out the riches and the poverty of the establishment. Then she had turned to him, and, instead of engaging him in battle, she had just smiled at him, and said: "Very well. As you wish. But do go into the front room, at any rate."

And there he was in the middle room, the kitchen, listening to her movements behind the door. He heard the running of water, and then the mild explosion of lighting the second ring of the gas-stove; the first had been lighted by Mrs. Butt. Then he heard nothing whatever for years, and when he looked at the clock it was fourteen minutes past four. In the act of looking at the clock, his eye had to traverse the region of the sofa. On the sofa were one parasol and two gloves. Astonishing, singular, disconcerting, how those articles—which, after all, bore no kind of resemblance to any style of furniture or hangings—seemed, nevertheless, to refurnish the room, to give the room an air of being thickly inhabited which it never had before!

Then she burst into the kitchen unexpectedly, with a swish of silk that was like the retreat of waves down the shingle of some Atlantic shore.

"My dear uncle," she protested, "please do make yourself scarce. You are in my way, and I'm very busy."

She went to the cupboard and snatched at some plates, two of which she dropped on the table, and three of which she took into the kitchen.

"Have ye got all as ye want?" he questioned her politely, anxious to be of assistance.

"Everything!" she answered, positively, and with just the least hint of an intention to crush him.

"Have ye indeed!"

He did not utter this exclamation aloud; but with it he applied balm to his secret breast. For he still remembered, being an old man, her crushing him in the park, and the peril of another crushing roused the male in him. And it was with a sardonic and cruel satisfaction that he applied such balm to his secret breast. The truth was, he knew that she had not got all she wanted. He knew that, despite her extraordinary capableness (of which she was rather vain), despite her ability to calculate mentally the interest on eighty-nine pounds for six months at four-and-a-half per cent., she could not possibly prepare the tea without coming to him and confessing to him that she had been mistaken, and that she had not got everything she wanted. She would be compelled to humble herself before him—were it ever so little. He was a hard old man, and the prospect of this humbling gave him pleasure (I regret to say).

You cannot have tea without tea-leaves; and James Ollerenshaw kept the tea-leaves in a tea-caddy, locked, in his front room. He had an extravagant taste in tea. He fancied China tea; and he fancied China tea that cost five shillings a pound. He was the last person to leave China tea at five shillings a pound to the economic prudence of a Mrs. Butt. Every day Mrs. Butt brought to him the teapot (warmed) and a teaspoon, and he unlocked the tea-caddy, dispensed the right quantity of tea, and relocked the tea-caddy.

There was no other tea in the house. So with a merry heart the callous fellow (shamefully delighting in the imminent downfall of a fellow-creature—and that a woman!) went into the front room as he had been bidden. On one of the family of chairs, in a corner, was a black octagonal case. He opened this case, which was not locked, and drew from it a concertina, all inlaid with mother-of-pearl. Then he went to the desk, and from under a pile of rent books he extracted several pieces of music, and selected one. This selected piece he reared up on the mantelpiece against two brass candlesticks. It was obvious, from the certainty and ease of his movements, that he had the habit of lodging pieces of music against those two brass candlesticks. The music bore the illustrious name of George Frederick Handel.

Then he put on a pair of spectacles which were lying on the mantelpiece, and balanced them on the end of his nose. Finally he adjusted his little hands to the straps of the concertina. You might imagine that he would instantly dissolve into melody. Not at all. He glanced at the page of music first through his spectacles, and then, bending forward his head, over his spectacles. Then he put down the concertina, gingerly, on a chair, and moved the music half-an-inch (perhaps five-eighths) to the left. He resumed the concertina, and was on the very point of song, when he put down the concertina for the second time, and moved the tassel of his Turkish cap from the neighbourhood of his left ear to the neighbourhood of his right ear. Then, with a cough, he resumed the concertina once more, and embarked upon the interpretation of Handel.

It was the Hallelujah Chorus.

Any surprise which the musical reader may feel on hearing that James Ollerenshaw was equal to performing the Hallelujah Chorus on a concertina (even one inlaid with mother-of-pearl) argues on the part of that reader an imperfect acquaintance with the Five Towns. In the Five Towns there are (among piano scorners) two musical instruments, the concertina and the cornet. And the Five Towns would like to see the composer clever enough to compose a piece of music that cannot be arranged for either of these instruments. It is conceivable that Beethoven imagined, when he wrote the last movement of the C Minor Symphony, that he had produced a work which it would be impossible to arrange for cornet solo. But if he did he imagined a vain thing. In the Five Towns, where the taste for classical music is highly developed, the C Minor Symphony on a single cornet is as common as "Robin Adair" on a full brass band.

James Ollerenshaw played the Hallelujah Chorus with much feeling and expression. He understood the Hallelujah Chorus to its profoundest depths; which was not surprising in view of the fact that he had been playing it regularly since before Helen was born. (The unfading charm of classical music is that you never tire of it.)

Nevertheless, the grandeur of his interpretation of the Hallelujah Chorus appeared to produce no effect whatever in the scullery; neither alarm nor ecstasy! And presently, in the midst of a brief pianissimo passage, James's sensitive ear caught the distant sound of chopping, which quite marred the soft tenderness at which he had been aiming. He stopped abruptly. The sound of chopping intrigued his curiosity. What could she be chopping? He advanced cautiously to the doorway; he had left the door open. The other door—between the kitchen and the scullery—which had previously been closed, was now open, so that he could see from the front room into the scullery. His eager, inquisitive glance noted a plate of beautiful bread and butter on the tea-table in the kitchen.

She was chopping the kidney. Utterly absorbed in her task, she had no suspicion that she was being overlooked. After the chopping of the kidney, James witnessed a series of operations the key to whose significance he could not find.

She put a flat pan over the gas, and then took it off again. Then she picked up an egg, broke it into a coffee-cup, and instantly poured it out of the coffee-cup into a basin. She did the same to another egg, and yet another. Four eggs! The entire household stock of eggs! It was terrible! Four eggs and a kidney among two people! He could not divine what she was at.

Then she got some butter on the end of a knife and dropped it into the saucepan, and put the saucepan over the gas; and then poured the plateful of kidney-shreds into the saucepan. Then she began furiously to beat the four eggs with a fork, glancing into the saucepan frequently, and coaxing it with little touches. Then the kidney-shreds raised a sound of frizzling, and bang into the saucepan went the contents of the basin. All the time she had held her hands and her implements and utensils away from her as much as possible, doubtless out of consideration for her frock; not an inch of apron was she wearing. Now she leant over the gas-stove, fork in hand, and made baffling motions inside the saucepan with the fork; and while doing so she stretched forth her left hand, obtained some salt, and sprinkled the saucepan therewith. The business seemed to be exquisitely delicate and breathless. Her face was sternly set, as though the fate of continents depended on her nerve and audacity in this tremendous crisis. But what she was doing to the interior of the saucepan James Ollerenshaw could not comprehend. She stroked it with a long gesture; she tickled it, she stroked it in a different direction; she lifted it and folded it on itself.

Anyhow, he knew it was not scrambled eggs, because you have to stir scrambled eggs without ceasing.

Then she stopped and stood quite still, regarding the saucepan.

"You've watched me quite long enough," she said, without moving her head. She must have known all the time that he was there.

So he shuffled away, and glanced out of the window at the stir and traffic of Trafalgar-road.

"Tea's ready," she said.

He went into the kitchen, smiling, enchanted, but disturbed. She had not come to him and confessed that she could not make tea without tea-leaves. Yet there was the tea-pot steaming and puffing on the table!

CHAPTER VIII

OMELETTE

The mystery lay on a plate in the middle of the table. In colour it resembled scrambled eggs, except that it was tinted a more brownish, or coppery, gold—rather like a first-class Yorkshire pudding. He suspected for an instant that it might be a Yorkshire pudding according to the new-fangled recipe of Board Schools. But four eggs! No! He was sure that so small a quantity of Yorkshire pudding could not possibly have required four eggs.

He picked up the teapot, after his manner, and was in the act of pouring, when she struck him into immobility with a loud cry:

"Milk first!"

He understood that she had a caprice for pouring the tea on the top of the milk instead of the milk on the top of the tea.

"What difference does it make?" he demanded defiantly.

"What!" she cried again. "You think yourself a great authority on China tea, and yet you don't know that milk ought to be poured in first! Why, it makes quite a different taste!"

How in the name of Confucius did she know that he thought himself a great authority on China tea?

"Here!" she said. "If you don't mind, I'll pour out the tea. Thank you. Help yourself to this." She pointed to the mystery. "It must be eaten while it's hot, or it's worse than useless."

"What is it?" he asked, with false calm.

"It's a kidney omelette," she replied.

"Omelette!" he repeated, rather at a loss. He had never tasted an omelette; he had never seen an omelette. Omelettes form no part of the domestic cuisine of England. "Omelette!" he repeated. How was he familiar with the word—the word which conveyed nothing to his mind? Then he remembered: "You can't make an omelette without breaking eggs." Of course she had broken eggs. She had broken four eggs—she had broken the entire household stock of eggs. And he had employed that proverb scores, hundreds of times! It was one of half-a-dozen favourite proverbs which he flung at the less sagacious and prudent of his tenants. And yet it had never occurred to him to wonder what an omelette was! Now he knew. At any rate, he knew what it looked like; and he was shortly to know what it tasted like.

"Yes," she said. "Cut it with a knife. Don't be frightened of it. You'll eat it; it won't eat you. And please give me very little. I ate a quarter of a pound of chocolates after dinner."

He conveyed one-third of the confection to his plate, and about a sixth to hers.

And he tasted—just a morsel, with a dash of kidney in the centre of it, on the end of his fork. He was not aware of the fact, but that was the decisive moment of his life—sixty though he was!

Had she really made this marvel, this dream, this idyll, this indescribable bliss, out of four common fresh eggs and a veal kidney that Mrs. Butt had dropped on the floor? He had come to loathe kidney. He had almost come to swearing that no manifestation or incarnation of kidney should ever again pass between his excellent teeth. And now he was ravished, rapt away on the wings of paradisaical ecstasy by a something that consisted of kidney and a few eggs. This omelette had all the finer and nobler qualities of Yorkshire pudding and scrambled eggs combined, together with others beyond the ken of his greedy fancy. Yes, he was a greedy man. He knew he was greedy. He was a greedy man whose evil passion had providentially been kept in check for over a quarter of a century by the gross unskilfulness, the appalling monotony, of a Mrs. Butt. Could it be that there existed women, light and light-handed creatures, creatures of originality and resource, who were capable of producing prodigies like this kidney omelette on the spur of the moment? Evidently! Helen existed. And the whole omelette, from the melting of the butter to the final steady glance into the saucepan, had not occupied her more than six minutes—at most. She had tossed it off as he might have tossed off a receipt for a week's rent. And the exquisite thought in his mind, the thought of penetrating sweetness, was that whence this delicacy had come, other and even rarer delicacies might have come. All his past life seemed to him to be a miserable waste of gloomy and joyless years.

"Do you like it?" she inquired.

He paused, as though reflecting whether he liked it or not. "Ay," he said, judicially, "it's none so bad. I could do a bit more o' that."

"Well," she urged him, "do help yourself. Take it all. I shan't eat any more."

"Sure?" he said, trembling lest she might change her mind.

Then he ate the remaining half of the omelette, making five-sixths in all. He glanced at her surreptitiously, in her fine dress, on which was not a single splash or stain. He might have known that so extraordinary and exotic a female person would not concoct anything so trite as a Yorkshire pudding or scrambled eggs.

Not till the omelette was an affair of the past (so far as his plate was concerned) did he begin to attend to his tea—his tea which sustained a mystery as curious as, and decidedly more sinister than, the mystery of the omelette.

He stared into the cup; then, to use the Five Towns phrase, he supped it up.

There could be no doubt; it was his special China tea. It had a peculiar flavour (owing, perhaps, to the precedence given to milk), but it was incontestably his guarded and locked tea. How had she got it?

"Where didst find this tea, lass?" he asked.

"In the little corner cupboard in the scullery," she said. "I'd no idea that people drank such good China tea in Bursley."

"Ah!" he observed, concealing his concern under a mask of irony, "China tea was drunk i' Bursley afore your time."

"Mother would only drink Ceylon," said she.

"That doesna' surprise me," said he, as if to imply that no vagary on the part of Susan could surprise him. And he proceeded, reflectively: "In th' corner cupboard, sayst tha?"

"Yes, in a large tin box."

A large tin box. This news was overwhelming. He rose abruptly and went into the scullery. Indubitably there was a large tin box, pretty nearly half full of his guarded tea, in the corner cupboard.

He returned, the illusion of half a lifetime shattered. "That there woman was a thief!" he announced.

"What woman?"

"Mrs. Butt."

And he explained to Helen all his elaborate precautions for the preservation of his China tea. Helen was wholly sympathetic. The utter correctness of her attitude towards Mrs. Butt was balm to him. Only one theory was conceivable. The wretched woman must have had a key to his caddy. During his absence from the house she must have calmly helped herself to tea at five shillings a pound—a spoonful or so at a time. Doubtless she made tea for her private consumption exactly when she chose. It was even possible that she walked off from time to time with quantities of tea to her own home. And he who thought himself so clever, so much cleverer than a servant!

"You can't have her back, as she isn't honest, even if she comes back," said Helen.

"Oh, her won't come back," said James. "Fact is, I've had difficulties with her for a long time now."

"Then what shall you do, my poor dear uncle?"

"Nay," said he, "I mun ask you that. It was you as was th' cause of her going."

"Oh, uncle!" she exclaimed, laughing. "How can you say such a thing?" And she added, seriously: "You can't be expected to cook for yourself, can you? And as for getting a new one—"

He noticed with satisfaction that she had taken to calling him simply uncle, instead of great-stepuncle.

"A new 'un!" he muttered, grimly, and sighed in despair.

"I shall stay and look after your supper," she said, brightly.

"Yes, and what about to-morrow?" He grew gloomier.

"To-morrow's Sunday. I'll come to-morrow, for breakfast."

"Yes, and what about Monday?" His gloom was not easily to be dispersed.

"I'll come on Monday," she replied, with increasing cheerfulness.

"But your school, where ye teach everything, lass?"

"Of course, I shall give up school," said she, "at once. They must do without me. It will mean promotion for some one. I can't bother about giving proper notice. Supposing you had been dangerously ill, I should have come, and they would have managed without me. Therefore, they can manage without me. Therefore, they must."

He kept up a magnificent gloom until she left for the night. And then he danced a hornpipe of glee—not with his legs, but in his heart. He had deliberately schemed to get rid of Mrs. Butt by means of Helen Rathbone. The idea had occurred to him as he entered the house. That was why he had encouraged her to talk freely about servants by assuring her that Mrs. Butt was not in the scullery, being well aware that Mrs. Butt was in the scullery. He had made a tool of the unsuspecting, good-natured Helen, smart though she was! He had transitory qualms of fear about the possible expensiveness of Helen. He had decidedly not meant that she should give up school and nearly thirty shillings a week. But, still, he had managed her so far, and he reckoned that he could continue to manage her.

He regretted that she had not praised his music. And Helen wrote the same evening to her mother. From a very long and very exciting letter the following excerpts may be culled:

"I saw the fat old servant in the scullery at once. But uncle thought she wasn't there. He is a funny old man—rather silly, like most old men——but I like him, and you can say what you please. He isn't silly really. I instantly decided that I would get rid of that servant. And I did do, and poor uncle never suspected. In a few days I shall come to live here. It's much safer. Supposing he was taken ill and died, and left all his money to hospitals and things, how awfully stupid that would be! I told him I should leave the school, and he didn't turn a hair. He's a dear, and I don't care a fig for his money—except to spend it for him. His tiny house is simply lovely, terrifically clean, and in the loveliest order. But I've no intention that we shall stay here. I think I shall take a large house up at Hillport. Uncle is only old in some ways; in many ways he's quite young. So I hope he won't mind a change. By the way, he told me about your age. My dearest mother, how could you—" etc.

In such manner came Helen Rathbone to keep house for her great-stepuncle.

CHAPTER IX

A GREAT CHANGE

"Helen Rathbone," said Uncle James one Tuesday afternoon, "have ye been meddling in my cashbox?"

They were sitting in the front room, Helen in a light-grey costume that cascaded over her chair and half the next chair, and James Ollerenshaw in the deshabille of his Turkish cap. James was at his desk. It is customary in the Five Towns, when you feel combative, astonished, or ironic towards another person, to address that other person by his full name.

"You left the key in your cashbox this morning, uncle," said Helen, glancing up from a book, "while you were fiddling with your safe in your bedroom."

He did not like the word "fiddling." It did not suit either his dignity or the dignity of his huge Milner safe.

"Well," he said, "and if I did! I wasn't upstairs more nor five minutes, and th' new servant had na' come! There was but you and me in th' house."

"Yes. But, you see, I was in a hurry to go out marketing, and I couldn't wait for you to come down."

He ignored this remark. "There's a tenpun' note missing," said he. "Don't play them tricks on me, lass; I'm getting an oldish man. Where hast hidden it? I mun go to th' bank." He spoke plaintively.

"My dear uncle," she replied, "I've not hidden your ten-pound note. I wanted some money in a hurry, so I took it. I've spent some of it."

"Spent some of it!" he exclaimed. "How much hast spent?"

"Oh, I don't know. But I make up my accounts every night."

"Lass," said he, staring firmly out of the window, "this won't do. I let ye know at once. This wunna' do." He was determined to be master in his own house. She also was determined to be master in his own house. Conflict was imminent.

"May I ask what you mean, uncle?"

He hesitated. He was not afraid of her. But he was afraid of her dress—not of the material, but of the cut of it. If she had been Susan in Susan's dowdy and wrinkled alpaca, he would have translated his just emotion into what critics call "simple, nervous English"—that is to say, Shakespearean prose. But the aristocratic, insolent perfection of Helen's gown gave him pause.

"Why didn't you tell me?" he demanded.

"I merely didn't think of it," she said. "I've been very busy."

"If you wanted money, why didn't you ask me for it?" he demanded.

"I've been here over a week," said she, "and you've given me a pound and a postal order for ten shillings, which I had to ask for. Surely you must have guessed, uncle, that even if I'd put the thirty shillings in the savings bank we couldn't live on the interest of it, and that I was bound to want more. Something like seventy meals have been served in this house since I entered it."

"I gave Mrs. Butt a pound a wik," he observed.

"But think what a good manager Mrs. Butt was!" she said, with the sweetness of a saint.

He was accustomed to distributing satire, but not to receiving it. And, receiving this snowball full in the mouth, he did not quite know what to do with it; whether to pretend that he had received nothing, or to call a policeman. He ended by spluttering.

"It's easy enough to ask for money when you want it," he said.

"I hate asking for money," she said. "All women do."

"Then am I to be inquiring every morning whether you want money?" he questioned, sarcastically.

"Certainly, uncle," she answered. "How else are you to know?"

Difficult to credit that that girl had been an angel of light all the week, existing in a paradise which she had created for herself, and for him! And now, to defend an action utterly indefensible, she was employing a tone that might be compared to some fiendish instrumental device of a dentist.

But James Ollerenshaw did not wish his teeth stopped, nor yet extracted. He had excellent teeth. And, in common with all men who have never taken thirty consecutive repasts alone with the same woman, he knew how to treat women, how to handle them—the trout!

He stood up. He raised all his body. Helen raised only her eyebrows.

"Helen Rathbone!" Such was the exordium. As an exordium, it was faultless. But it was destined to remain a fragment. It goes down to history as a perfect fragment, like the beginning of a pagan temple that the death of gods has rendered superfluous.

For a dog-cart stopped in front of the house at that precise second, deposited a lady of commanding mien, and dashed off again. The lady opened James's gate and knocked at James's front door. She could not be a relative of a tenant. James was closely acquainted with all his tenants, and he had none of that calibre. Moreover, Helen had caused a small board to be affixed to the gate: "Tenants will please go round to the back."

"Bless us!" he murmured, angrily. And, by force of habit, he went and opened the door. Then he recognised the lady. It was Sarah Swetnam, eldest child of the large and tumultuously intellectual Swetnam family that lived in a largish house in a largish way higher up the road, and as to whose financial stability rumour always had something interesting to say.

"Is Miss Rathbone here?"

Before he could reply, there was an ecstatic cry behind him: "Sally!" And another in front of him: "Nell!"

In the very nick of time he slipped aside, and thus avoided the inconvenience of being crushed to pulp between two locomotives under full steam. It appeared that they had not met for some years, Sally having been in London. The reunion was an affecting sight, and such a sight as had never before been witnessed in James's house. The little room seemed to be full of fashionable women, to be all gloves, frills, hat, parasol, veil, and whirling flowers; also scent. They kissed, through Sally's veil first, and then she lifted the veil, and four vermilion lips clung together. Sally was even taller than Helen, with a solid waist; and older, more brazen. They both sat down. Fashionable women have a manner of sitting down quite different from that of ordinary women, such as the wives of James's tenants. They only touch the back of the chair at the top. They don't loll, but they only escape lolling by dint of gracefulness. It is an affair of curves, slants, descents, nicely calculated. They elaborately lead your eye downwards over gradually increasing expanses, and naturally you expect to see their feet—and you don't see their feet. The thing is apt to be disturbing to unhabituated beholders.

Then fashionable women always begin their conversation right off. There are no modest or shy or decently awkward silences at the start. They slip into a conversation as a duck into water. In three minutes Helen had told Sarah Swetnam everything about her leaving the school, and about her establishment with her great-stepuncle. And Sarah seemed delighted, and tapped the tiles of the floor with the tip of her sunshade, and gazed splendidly over the room.

"And there are your books there, I see!" she said, in her positive, calm voice, pointing to a few hundred books that were stacked in a corner. "How lovely! You remember you promised to lend me that book of Thoreau's—what did you call it?—and you never did!"

"Next time you come I'll find it for you," said Helen.

Next time she came! This kind of visit would occur frequently, then! They were talking just as if James Ollerenshaw had been in Timbuctoo, instead of by the mantelpiece, when Sally suddenly turned on him.

"It must be very nice for you to have Nell like this!" She addressed him with a glowing smile.

They had never been introduced! A week ago they had passed each other in St. Luke's-square without a sign. Of the Swetnam family, James "knew" the father alone, and him slightly. What chiefly impressed him in Sarah was her nerve. He said nothing; he was tongue-tied.

"It's a great change for you," proceeded Sarah.

"Ay," he agreed; "it's that."

CHAPTER X

A CALL

The next moment the two fluffy women had decided, without in the least consulting James, that they would ascend to Helen's bedroom to look at a hat which, James was surprised to learn, Helen had seen in Brunt's window that morning and had bought on the spot. No wonder she had been in a hurry to go marketing; no wonder she had spent "some" of his ten-pound note! He had seen hats in Brunt's marked as high as two guineas; but he had not dreamt that such hats would ever enter his house. While he had been labouring, collecting his rents and arranging for repairs, throughout the length and the breadth of Bursley and Turnhill, she, under pretence of marketing, had been flinging away ten-pound notes at Brunt's. The whole business was fantastic, simply and madly fantastic; so fantastic that he had not yet quite grasped the reality of it! The whole business was unheard of. He saw, with all the clearness of his masculine intellect, that it must cease. The force with which he decided within himself that it must cease—and instanter!—bordered upon the hysterical. As he had said, plaintively, he was an oldish man. His habits, his manners, and his notions, especially his notions about money, were fixed and set like plaster of Paris in a mould. Helen's conduct was nothing less than dangerous. It might bring him to a sudden death from heart disease. Happily, he had had a very good week indeed with his rents. He trotted about all day on Mondays and on Tuesday mornings, gathering his rents, and on Tuesday afternoons he usually experienced the assuaged content of an alligator after the weekly meal. Otherwise there was no knowing what might not have been the disastrous consequences of Helen's barefaced robbery and of her unscrupulous, unrepentant defence of that robbery. For days and days he had imagined himself in heaven with a seraph who was also a good cook. He had forty times congratulated himself on catching Helen. And now ...!

But it must stop.

Then he thought of the cooking. His mouth remembered its first taste of the incomparable kidney omelette. What an ecstasy! Still, a ten-pound note for even a kidney omelette jarred on the fineness of his sense of values.

A feminine laugh—Helen's—came down the narrow stairs and through the kitchen.... No, the whole house was altered, with well-bred, distinguished women's laughter floating about the stairs like that.

He called upon his lifelong friend and comforter—the concertina. That senseless thing of rose-wood, ivory, ebony, mother-of-pearl, and leather was to him what a brother, a pipe, a bull terrier, a trusted confidant, might have been to another James. And now, in the accents of the Hallelujah Chorus, it yielded to his squeezings the secret and sublime solace which men term poetry.

Then there was a second, and equally imperious, knock at the door.

He loosed his fingers from his friend, and opened the door.

Mr. Emanuel Prockter stood on the doorstep. Mr. Emanuel Prockter wore a beautiful blue suit, with a white waistcoat and pale gold tie; yellow gloves, boots with pointed toes, a glossy bowler hat, a cane, and an eyeglass. He was an impeccable young man, and the avowed delight of his tailor, whose bills were paid by Mrs. Prockter.

"Is Miss Rathbone at home?" asked Emanuel, after a cough.

"Helen?"

"Ye-es."

"Ay," said James, grimly. "Her's quite at home."

"Can I see her?"

James opened more widely the door. "Happen you'd better step inside," said he.

"Thanks, Mr. Ollerenshaw. What—er—fine weather we're having!"

James ignored this quite courteous and truthful remark. He shut the door, went into the kitchen, and called up the stairs: "Helen, a young man to see ye."

In the bedroom, Helen and Sarah Swetnam had exhausted the Brunt hat, and were spaciously at sea in an enchanted ocean of miscellaneous gossip such as is only possible between two highly-educated women who scorn tittle-tattle. Helen had the back bedroom; partly because the front bedroom was her uncle's, but partly also because the back bedroom was just as large as and much quieter than the other, and because she preferred it. There had been no difficulty about furniture. Even so good a landlord as James Ollerenshaw is obliged now and then to go to extremes in the pursuit of arrears of rent, and the upper part of the house was crowded with choice specimens of furniture which had once belonged to the more magnificent of his defaulting tenants. Helen's bedroom was not "finished"; nor, since she regarded it as a temporary lodging rather than a permanent habitation, was she in a mind to finish it. Still, with her frocks dotted about, the hat on the four-post bed, and her silver-mounted brushes and manicure tools on the dressing-table, it had a certain stylishness. Sarah shared the bed with the hat. Helen knelt at a trunk.

"Whatever made you think of coming to Bursley?" Sarah questioned.

"Don't you think it's better than Longshaw?" said Helen.

"Yes, my darling child. But that's not why you came. If you ask me, I believe it was your deliberate intention to capture your great-uncle. Anyhow, I congratulate you on your success."

"Ah!" Helen murmured, smiling to herself, "I'm not out of the wood yet."

"What do you mean?"

"Well, you see, uncle and I haven't quite decided whether he is to have his way or I am to have mine; we were both thinking about it when you happened to call." And then, as there was a little pause: "Are people talking about us much?"

She did not care whether people were talking much or little, but she had an obscure desire to shift ever so slightly the direction of the conversation.

"I've only been here a day or two, so I can scarcely judge," said Sarah. "But Lilian came in from the art school this morning with an armful of chatter."

"Let me see, I forget," Helen said. "Is Lilian the youngest, or the next to the youngest?"

"My dearest child, Lilian is the youngest but one, of course; but she's grown up now—naturally."

"What! When I saw her last, that day when she was with you at Knype, she had a ribbon in her hair, and she looked ten."

"She's eighteen. And haven't you heard?"

"Heard what?"

"Do you mean to say you've been in Bursley a week and more, and haven't heard? Surely you know Andrew Dean?"

"I know Andrew Dean," said Helen; and she said nothing else.

"When did you last see him?"

"Oh, about a fortnight ago."

"It was before that. He didn't tell you? Well, it's just like him, that is; that's Andrew all over!"

"What is?"

"He's engaged to Lilian. It's the first engagement in the family, and she's the youngest but one."

Helen shut the trunk with a snap, then opened it and shut it again. And then she rose, smoothing her hair.

"I scarcely know Lilian," she said, coldly. "And I don't know your mother at all. But I must call and congratulate the child. No, Andrew Dean didn't breathe a word."

"I may tell you as a dreadful secret, Nell, that we aren't any of us in the seventh heaven about it. Aunt Annie said yesterday: 'I don't know that I'm so set up with it as all that, Jane' (meaning mother). We aren't so set up with it as all that."

"Why not?"

"Oh, we aren't. I don't know why. I pretend to be, lest Lilian should imagine I'm jealous."

It was at this point that the voice of James Ollerenshaw announced a young man.

The remainder of that afternoon was like a bewildering dream to James Ollerenshaw. His front room seemed to be crowded with a multitude of peacocks, that would have been more at home under the sun of Mrs. Prockter's lawns up at Hillport. Yet there were only three persons present besides himself. But decidedly they were not of his world; they were of the world that referred to him as "old Jimmy Ollerenshaw," or briefly as "Jimmy." And he had to sit and listen to them, and even to answer coherently when spoken to. Emanuel Prockter was brilliant. He had put his hat on one chair and his cane across another, and he conversed with ducal facility. The two things about him that puzzled the master of the house were—first, why he was not, at such an hour, engaged in at any rate the pretence of earning his living; and, second, why he did not take his gloves off. No notion of work seemed to exist in the minds of the three. They chattered of tennis, novels, music, and particularly of amateur operatic societies. James acquired the information that Emanuel was famous as a singer of songs. The topic led then naturally to James's concertina; the talk lightly caressed James's concertina, and then Emanuel swept it off to the afternoon tea-room of the new Midland Grand Hotel at Manchester, where Emanuel had lately been. And that led to the Old Oak Tree tea-house in Bond-street, where, not to be beaten by Emanuel, Sarah Swetnam had lately been.

"Suppose we have tea," said Helen.

And she picked up a little brass bell which stood on the central table and tinkled it. James had not noticed the bell. It was one of the many little changes that Helen had introduced. Each change by itself was a nothing—what is one small bell in a house?—yet in the mass they amounted to much. The bell was obviously new. She must have bought it; but she had not mentioned it to him. And how could they all sit at the tiny table in the kitchen? Moreover, he had no fancy for entertaining the whole town of Bursley to meals. However, the immediate prospect of tea produced in James a feeling of satisfaction, even though he remained in perfect ignorance of the methods by which Helen meant to achieve the tea. She had rung the bell, and gone on talking, as if the tea would cook itself and walk in on its hind legs and ask to be eaten.

Then the new servant entered with a large tray. James had never seen such a servant, a servant so entirely new. She was wearing a black frock and various parts of the frock, and the top of her head, were covered with stiffly-starched white linen—or was it cotton? Her apron, which had two pockets, was more elaborate than an antimacassar. Helen coolly instructed her to place the tray on his desk; which she did, brushing irreverently aside a number of rent books.

On the tray there was nothing whatever to eat but a dozen slices of the thinnest conceivable bread and butter.

Helen rose. Emanuel also rose.

Helen poured out the tea. Emanuel took a cup and saucer in one hand and the plate of bread and butter in the other, and ceremoniously approached Sarah Swetnam. Sarah accepted the cup and saucer, delicately chose a piece of bread and butter and lodged it on her saucer, and went on talking.

Emanuel returned to the table, and, reladen, approached old Jimmy, and old Jimmy had to lodge a piece of bread and butter on his saucer. Then Emanuel removed his gloves, and in a moment they were all drinking tea and nibbling bread and butter.

What a fall was this from kidney omelettes! And four had struck! Did Helen expect her uncle to make his tea off a slice of bread and butter that weighed about two drachms?

When the alleged tea was over James got on his feet, and silently slid into the kitchen. The fact was that Emanuel Prockter and the manikin airs of Emanuel Prockter made him positively sick. He had not been in the kitchen more than a minute before he was aware of amazing matters in the conversation.

"Yes," said Helen; "it's small."

"But, my child, you've always been used to a small house, surely. I think it's just as quaint and pretty as a little museum."

"Would you like to live in a little museum?"

A laugh from Emanuel, and the voice of Helen proceeding:

"I've always lived in a small house, just as I've taught six hours a day in a school. But not because I wanted to. I like room. I daresay that uncle and I may find another house one of these days."

"Up at Hillport, I hope," Emanuel put in. James could see his mincing imbecile smile through the kitchen wall.

"Who knows?" said Helen.

James returned to the front room. "What's that ye're saying?" he questioned the company.

"I was just saying how quaint and pretty your house is," said Sarah, and she rose to depart. More kissings, flutterings, swishings! Emanuel bowed.

Emanuel followed Miss Swetnam in a few minutes. Helen accompanied him to the gate, where she stayed a little while talking to him. James was in the blackest gloom.

"And now, you dear old thing," said Helen, vivaciously bustling into the house, "you shall have your tea. You've behaved like a perfect angel."

And she kissed him on the cheek, very excitedly, as he thought.

She gave him another kidney omelette for his tea. It was even more adorable than the former one. With the taste of it in his mouth, he could not recur to the question of the ten-pound note all at once. When tea was over she retired upstairs, and remained in retirement for ages. She descended at a quarter to eight, with her hat and gloves on. It appeared to him that her eyes were inflamed.

"I'm going out," she said, with no further explanation.

And out she went, leaving the old man, stricken daft by too many sensations, to collect his wits.

He had not even been to the bank!

And the greatest sensation of all the nightmarish days was still in reserve for him. At a quarter-past eight some one knocked at the door. He opened it, being handier than the new servant. He imagined himself ready for anything; but he was not ready for the apparition which met him on the threshold.

Mrs. Prockter, of Hillport, asked to be admitted!

CHAPTER XI

ANOTHER CALL

Mrs. Prockter was compelled to ask for admission, because James, struck moveless and speechless by the extraordinary sight of her, offered no invitation to enter. He merely stood in front of the half-opened door.

"May I come in, Mr. Ollerenshaw?" she said, very urbanely. "I hope you will excuse this very informal call. I've altered my dinner hour in order to pay it."

And she smiled. The smile seemed to rouse him from a spell.

"Come in, missis, do!" he conjured her, warmly.

He was James; he was even Jimmy; but he was also a man, very much a man, though the fact had only recently begun to impress itself on him. Mrs. Prockter, while a dowager—portly, possibly fussy, perhaps slightly comic to a younger generation—was still considerably younger than James. With her rich figure, her excellent complexion, her carefully-cherished hair, and her apparel, she was a woman to captivate a man of sixty, whose practical experience of the sex extended over nine days.

"Thank you," said she, gratefully.

He shut the front door, as if he were shutting a bird in a cage; and he also shut the door leading to the kitchen—a door which had not been shut since the kitchen fire smoked in the celebrated winter of 1897. She sat down at once in the easy-chair.

"Ah!" she exclaimed, in relief. And then she began to fan herself with a fan which was fastened to her person by a chain that might have moored a steamer.

James, searching about for something else to do while he was collecting his forces, drew the blind and lighted the gas. But it was not yet dark.

"I wonder what you will think of me, calling like this?" she said, with a sardonic smile.

It was apparent that, whatever he thought of her, she would not be disturbed or abashed. She was utterly at her ease. She could not, indeed, have recalled the moment when she had not been at her ease. She sat in the front room with all the external symptoms of being at home. This was what chiefly surprised James Ollerenshaw in his grand guests—they all took his front room for granted. They betrayed no emotion at its smallness or its plainness, or its eccentricities. He would somehow have expected them to signify, overtly or covertly, that that kind of room was not the kind of room to which they were accustomed.

"Anyhow, I'm glad to see ye, Mrs. Prockter," James returned.

A speech which did not in the least startle Mrs. Prockter, who was thoroughly used to people being glad to see her. But it startled James. He had uttered it instinctively; it was the expression of an instinctive gladness which took hold of him and employed his tongue on its own account, and which rose superior even to his extreme astonishment at the visit. He was glad to see her. She was stout and magnificent, in her silk and her ribbons. He felt that he preferred stout women to thin; and that, without being aware of it, he had always preferred stout women to thin. It was a question of taste. He certainly preferred Mrs. Prockter to Sarah Swetnam. Mrs. Prockter's smile was the smile of a benevolently cynical creature whose studies in human nature had reached the advanced stage. James was reassured by this, for it avoided the necessity for "nonsense."....Yes, she was decidedly better under a roof and a gas-jet than in the street.

"May I ask if your niece is in?" she said, in a low voice.

"She isn't."

He had been sure that she had called about Helen, if not to see Helen. But there was a conspiratorial accent in her question for which he was unprepared. So he sat down at last.

"Well," said Mrs. Prockter, "I'm not sorry she isn't. But if she had been I should have spoken just the same—not to her, but to you. Now, Mr. Ollerenshaw, I think you and I are rather alike in some things. I hate beating about the bush, and I imagine that you do."

He was flattered. And he was perfectly eased by her tone. She was a woman to whom you could talk sense. And he perceived that, though a casual observer might fail to find the points of resemblance between them, they were rather alike.

"I expect," said he, "it's pretty well known i' this town as I'm not one that beats about the bush."

"Good!" said she. "You know my stepson, Emanuel?"

"He was here a bit since," James replied.

"What do you think of him?"

"How?"

"As a man?"

"Well, missis, as we are na' beating about the bush, I think he's a foo'."

"Now that's what I like!" she exclaimed, quite ravished. "He is a fool, Mr. Ollerenshaw—between ourselves. I can see that you and I will get on together splendidly! Emanuel is a fool. I can't help it. I took him along with my second husband, and I do my best for him. But I'm not responsible for his character. As far as that goes, he isn't responsible for it, either. Not only is he a fool, but he is a conceited fool, and an idle fool; and he can't see a joke. At the same time he is quite honest, and I think he's a gentleman. But being a gentleman is no excuse for being a fool; indeed, I think it makes it worse."

"Nothing can make it worse," James put in.

She drew down the corners of her lips and stroked her fine grey hair.

"You say Emanuel has been here to-day?"

"Ay!" said James. "He came in an' had a sup o' tea."

"Do you know why he came?"

"Maybe he felt faintlike, and slipped in here, as there's no public nearer than the Queen Adelaide. Or maybe he thought as I was getting on in years, and he wanted for to make my acquaintance afore I died. I didna' ask him."

"I see you understand," said Mrs. Prockter. "Mr. Ollerenshaw, my stepson is courting your niece."

"Great-stepniece," James corrected; and added: "Is he now? To tell ye th' truth I didn't know till th' other day as they were acquainted."

"They haven't been acquainted long," Mrs. Prockter informed him. "You may have heard that Emanuel is thinking of going into partnership with Mr. Andrew Dean—a new glaze that Mr. Dean has invented. The matter may turn out well, because all that Mr. Dean really wants is a sleeping partner with money. Emanuel has the money, and I think he can be guaranteed to sleep. Your stepniece met Emanuel by accident through Mr. Dean some weeks ago, over at Longshaw. They must have taken to each other at once. And I must tell you that not merely is my stepson courting your niece, but your niece is courting my stepson."

"You surprise me, missis!"

"I daresay I do. But it is the fact. She isn't a Churchwoman; at least, she wasn't a Churchwoman at Longshaw; she was Congregational, and not very much at that. You aren't a Churchman, either; but your niece now goes to St. Luke's every Sunday. So does my stepson. Your niece is out to-night. So is my stepson. And if they are not together somewhere I shall be very much astonished. Of course, the new generation does as it likes."

"And what next?" James inquired.

"I'll tell you what next," cried the mature lady, with the most charming vivacity. "I like your niece. I've met her twice at the St. Luke's Guild, and I like her. I should have asked her to come and see me, only I'm determined not to encourage her with Emanuel. Mr. Ollerenshaw, I'm not going to have her marrying Emanuel, and that's why I've come to see you."

The horror of his complicated situation displayed itself suddenly to James. He who had always led a calm, unworried life, was about to be shoved into the very midst of a hullabaloo of women and fools.

His wizened body shrank; and he was not sure that his pride was quite unhurt. Mrs. Prockter noticed this.

"Oh!" she resumed, with undiminished vivacity, "it's not because I think your niece isn't good enough for Emanuel; it's because I think she's a great deal too good! And yet it isn't that, either. The truth is, Mr. Ollerenshaw, I'm a purely selfish woman. I'm the last person in the world to stand in the way of my poor stepson getting a better wife than he deserves. And if the woman chooses to throw herself away on him, that's not my affair. What I scent danger in is that your stepniece would find my stepson out. At present she's smitten by his fancy waistcoat. But she would soon see through the fancy waist-coat—and then there would be a scandal. If I have not misjudged your stepniece, there would be a scandal, and I do not think that I have misjudged her. She is exactly the sort of young woman who, when she had discovered she had made a mistake, would walk straight out of the house."

"She is!" James agreed with simple heartiness of conviction.

"And Emanuel, having no sense of humour, would leave nothing undone to force her back again. Imagine the scandal, Mr. Ollerenshaw! Imagine my position; imagine yours! Me, in an affair like that! I won't have it—that is to say, I won't have it if I can stop it. Now, what can we do?"

Despite the horror of the situation, he had sufficient loose, unemployed sentiment (left over from pitying himself) to be rather pleased by her manner of putting it: What can we do?

But he kept this pleasure to himself.

"Nowt!" he said, drily.

He spoke to her as one sensible person speaks to another sensible person in the Five Towns. Assuredly she was a very sensible person. He had in past years credited, or discredited, her with "airs." But here she was declaring that Helen was too good for her stepson. If his pride had momentarily suffered, through a misconception, it was now in the full vigour of its strength.

"You think we can do nothing?" she said, reflectively, and leant forward on her chair towards him, as if struck by his oracular wisdom.

"What can us do?"

"You might praise Emanuel to her—urge her on." She fixed him with her eye.

Sensible? She was prodigious. She was the serpent of serpents.

He took her gaze twinkling. "Ay!" he said. "I might. But if I'm to urge her on, why didna' ye ask her to your house like, and chuck 'em at each other?"

She nodded several times, impressed by this argument. "You are quite right, Mr. Ollerenshaw," she admitted.

"It's a dangerous game," he warned her.

She put her lips together in meditation, and stared into a corner.

"I must think it over"—she emerged from her reflections. "I feel much easier now I've told you all about it. And I feel sure that two common-sense, middle-aged people like you and me can manage to do what we want. Dear me! How annoying stepsons are! Obviously, Emanuel ought to marry another fool. And goodness knows there are plenty to choose from. And yet he must needs go and fall in love with almost the only sensible girl in the town! There's no end to that boy's foolishness. He actually wants me to buy Wilbraham Hall, furniture, and everything! What do you think it's worth, Mr. Ollerenshaw?"

"Worth? It's worth what it'll fetch."

"Eight thousand?"

"Th' land's worth that," said James.

"It's a silly idea. But he put it into my head. Now will you drop in one day and see me?"

"No," said James. "I'm not much for tea-parties, thank ye."

"I mean when I'm alone," she pleaded, delightfully; "so that we can talk over things, and you can tell me what is going on."

He saw clearly all the perils of such a course, but his instinct seized him again.

"Happen I may look in some morning when I'm round yonder."

"That will be very nice of you," she flattered him, and rose.

Helen came home about ten o'clock, and went direct to bed. Never before had James Ollerenshaw felt like a criminal, but as Helen's eyes dwelt for a moment on his in bidding him good-night, he could scarcely restrain the blush of the evildoer. And him sixty! Turn which way he would he saw nothing but worry. What an incredible day he had lived through! And how astounding was human existence!

CHAPTER XII

BREAKFAST

He had an unsatisfactory night—that is to say, in the matter of sleep. In respect of sagacity he rose richer than he had lain down. He had clearly perceived, about three a.m., that he was moving too much in circles which were foreign to him, and which called him "Jimmy." And at five a.m., when the first workmen's car woke bumpily the echoes of the morn, he had perceived that Mrs. Prockter's plan for separating Emanuel and Helen by bringing them together was not a wise plan. Of course, Helen must not marry Emanuel Prockter. The notion of such a union was ludicrous. (In spite of all the worry she was heaping upon him, he did not see any urgent reason why she should marry anybody.) But the proper method of nipping the orange-blossom in the bud was certainly to have a plain chat with Helen, one of those plain chats which can only occur, successfully, between plain, common-sense persons. He was convinced that, notwithstanding Mrs. Prockter's fears, Helen had not for an instant thought of Emanuel as a husband. It was inconceivable that she, a girl so utterly sensible, should have done so. And yet—girls! And Mrs. Prockter was no fool, come to think of it. A sterling creature. Not of his world, but nevertheless—At this point he uneasily dozed.

However, he determined to talk with Helen that morning at breakfast. He descended at half-past seven, as usual, full of a diplomatic intention to talk to Helen. She was wholly sensible; she was a person to whom you could talk. Still, tact would be needed. Lack of sleep had rendered his nervous system such that he would have preferred to receive tact rather than to give it. But, happily, he was a self-controlled man.

His post, which lay scattered on the tiles at the foot of the front door, did not interest him. He put it aside, in its basket. Nor could he work, according to his custom, at his accounts. Even the sight of the unfilled-in credit-slips for the bank did not spur him to industry. There can be no doubt that he was upset.

He walked across the room to the piles of Helen's books against the wall, and in sheer absence of mind picked one up, and sat on a chair, on which he had never before sat, and began to read the volume.

Then the hurried, pretentious striking of the kitchen clock startled him. Half-an-hour had passed in a moment. He peeped into the kitchen. Not a sign of breakfast! Not a sign of the new servant, with her starched frills! And for thirty years he had breakfasted at eight o'clock precisely.

And no Helen! Was Helen laughing at him? Was Helen treating him as an individual of no importance? It was unimaginable that his breakfast should be late. If anybody thought that he was going to—No! he must not give way to righteous resentment. Diplomacy! Tact! Forbearance!

But he would just go up to Helen's room and rap, and tell her of the amazing and awful state of things on the ground-floor. As a fact, she herself was late. At that moment she appeared.

"Good-morning, uncle."

She was cold, prim, cut off like China from human intercourse by a wall.

"Th' servant has na' come," said he, straining to be tolerant and amicable. He did his best to keep a grieved astonishment out of his voice; but he could not.

"Oh!" she murmured, calmly. It was nothing to her, then, that James's life should be turned upside down! And she added, with icy detachment: "I'm not surprised. You'll never get servants to be prompt in the morning when they don't sleep in the house. And there's no room for Georgiana to sleep in the house."

Georgiana! Preposterous name!

"Mrs. Butt was always prompt. I'll say that for her," he replied.

This, as he immediately recognised, was a failure in tact on his part. So when she said quickly: "I'm sure Mrs. Butt would be delighted to come back if you asked her," he said nothing.

What staggered his intellect and his knowledge of human nature was that she remained absolutely unmoved by this appalling, unprecedented, and complete absence of any sign of breakfast at after eight o'clock.

Just then Georgiana came. She had a key to the back door, and entered the house by way of the scullery.

"Good-morning, Georgiana," Helen greeted her, going into the scullery—much more kindly than she had greeted her uncle. Instead of falling on Georgiana and slaying her, she practically embraced her.

A gas cooking-stove is a wondrous gift of Heaven. You do not have to light it with yesterday's paper, damp wood, and the remains of last night's fire. In twelve minutes not merely was the breakfast ready, but the kitchen was dusted, and there was a rose in a glass next to the bacon. James had calmed himself by reading the book, and the period of waiting had really been very short. As he fronted the bacon and the flower, Helen carefully shut the scullery door. The Manchester Guardian lay to the left of his plate. Thoughtful! Altogether it was not so bad.

Further, she smiled in handing him his tea. She, too, he observed, must have slept ill. Her agreeable face was drawn. But her blue-and-white-striped dress was impeccably put on. It was severe, and yet very smooth. It suited her mood. It also suited his. They faced each other, as self-controlled people do face each other at breakfast after white nights, disillusioned, tremendously sensible, wise, gently cynical, seeing the world with steady and just orbs.

"I've been reading one o' your books, lass," he began, with superb amiability. "It's pretty near as good as a newspaper. There's summat about a law case as goes on for ever. It isna' true, I suppose, but it might be. The man as wrote that knew what he was talking about for once in a way. It's rare and good."

"You mean Jarndyce v. Jarndyce?" she said, with a smile—not one of her condescending smiles.

"Ay," he said, "I believe that is the name. How didst know, lass?"

"I just guessed," she answered. "I suppose you don't have much time for reading, uncle?"

"Not me!" said he. "I'm one o' th' busiest men in Bosley. And if ye don't know it now, you will afore long."

"Oh!" she cried, "I've noticed that. But what can you expect? With all those rents to collect yourself! Of course, I think you're quite right to collect them yourself. Rent-collectors can soon ruin a property." Her tone was exceedingly sympathetic and comprehending. He was both surprised and pleased by it. He had misjudged her mood. It was certainly comfortable to have a young woman in the house who understood things as she did.

"Ye're right, lass," he said. "It's small houses as mean trouble. You're never done—wi' cottage property. Always summat!"

"It's all small, isn't it?" she went on. "About how much do the rents average? Three-and-six a week?"

"About that," he said. She was a shrewd guesser.

"I can't imagine how you carry the money about," she exclaimed. "It must be very heavy for you."

"I'll tell you," he explained. "I've got my own system o' collecting. If I hadn't, I couldna' get through. In each street I've one tenant as I trust. And the other tenants can leave their rent and their rent books there. When they do that regular for a month, I give 'em twopence apiece for their children. If they do it regular for a year, I mak' 'em a present of a wik's rent at Christmas. It's cheaper nor rent-collectors."

"What a good idea!" she said, impressed. "But how do you carry the money about?"

"I bank i' Bosley, and I bank i' Turnhill, too. And I bank once i' Bosley and twice i' Turnhill o' Mondays, and twice i' Bosley o' Tuesdays. Only yesterday I was behind. I reckon as I can do all my collecting between nine o'clock Monday and noon Tuesday. I go to th' worst tenants first—be sure o' that. There's some o' 'em, if you don't catch 'em early o' Monday, you don't catch 'em at all."

"It's incredible to me how you can do it all in a day and a half," she pursued. "Why, how many houses are there?"

"Near two hundred and forty i' Bosley," he responded. "Hast forgotten th' sugar this time, lass?"

"And in Turnhill?" she said, passing the sugar. "I think I'll have that piece of bacon if you don't want it."

"Over a hundred," said he. "A hundred and twenty."

"So that, first and last, you have to handle about sixty pounds each week, and all in silver and copper. Fancy! What a weight it must be!"

"Ay!" he said, but with less enthusiasm.

"That's three thousand a-year," she continued.

Her tone was still innocuously sympathetic. She seemed to be talking of money as she might have talked of counters. Nevertheless, he felt that he had been entrapped.

"I expect you must have saved at the very least thirty thousand pounds by this time," she reflected, judicially, disinterestedly—speaking as a lawyer might have spoken.

He offered no remark.

"That means another thirty pounds a week," she resumed. Decidedly she was marvellous at sums of interest.

He persisted in offering no remark.

"By the way," she said, "I must look into my household accounts. How much did you tell me you allowed Mrs. Butt a week for expenses?"

"A pound," he replied, shortly.

She made no comment. "You don't own the house, do you?" she inquired.

"No," he said.

"What's the rent?"

"Eighteen pounds," he said. Reluctant is a word that inadequately describes his attitude.

"The worst of this house is that it has no bathroom," she remarked. "Still, eighteen pounds a year is eighteen pounds a year."

Her tone was faultless, in its innocent, sympathetic common sense. The truth was, it was too faultless; it rendered James furious with a fury that was dangerous, because it had to be suppressed.

Then suddenly she left the table.

"The Kiel butter at a shilling a pound is quite good enough, Georgiana," he heard her exhorting the servant in the scullery.

Ten minutes later, she put ten sovereigns in front of him.

"There's that ten-pound note," she said, politely (but not quite accurately). "I've got enough of my own to get on with."

She fled ere he could reply.

And not a word had he contrived to say to her concerning Emanuel.

CHAPTER XIII

THE WORLD

A few days later James Ollerenshaw was alone in the front room, checking various accounts for repairs of property in Turnhill, when twin letters fell into the quietude of the apartment. The postman—the famous old postman of Bursley, who on fine summer days surmounted the acute difficulty of tender feet by delivering mails in worsted slippers—had swiftly pushed the letters, as usual, through the slit in the door; but, nevertheless, their advent had somehow the air of magic, as, indeed, the advent of letters always had. Mr. Ollerenshaw glanced curiously from his chair, over his spectacles, at the letters as they lay dead on the floor. Their singular appearance caused him to rise at once and pick them up. They were sealed with a green seal, and addressed in a large and haughty hand—one to Helen and the other to himself. Obviously they came from the world which referred to him as "Jimmy." He was not used to being thrilled by mere envelopes, but now he became conscious of a slight quickening of pulsation. He opened his own envelope—the paper was more like a blanket than paper, and might have been made from the material of a child's untearable picture-book. He had to use a stout paper-knife, and when he did get into the envelope he felt like a burglar.

The discerning and shrewd ancient had guessed the contents. He had feared, and he had also hoped, that the contents would comprise an invitation to Mrs. Prockter's house at Hillport. They did; and more than that. The signature was Mrs. Prockter's, and she had written him a four-page letter. "My dear Mr. Ollerenshaw." "Believe me, yours most cordially and sincerely, Flora Prockter."

Flora!

The strangest thing, perhaps, in all this strange history is that he thought the name suited her.

He had no intention of accepting the invitation. Not exactly! But he enjoyed receiving it. It constituted a unique event in his career. And the wording of it was very agreeable. Mrs. Prockter proceeded thus: "In pursuance of our plan"—our plan!—"I am also inviting your niece. Indeed, I have gathered from Emanuel that he considers her as the prime justification of the party. We will throw them together. She will hear him sing. She has never heard him sing. If this does not cure her, nothing will, though he has a nice voice. I hope it will be a fine night, so that we may take the garden. I did not thank you half enough for the exceedingly kind way in which you received my really unpardonable visit the other evening," etc.

James had once heard Emanuel Prockter sing, at a concert given in aid of something which deserved every discouragement, and he agreed with Mrs. Prockter; not that he pretended to know anything about singing.

He sat down again, to compose a refusal to the invitation; but before he had written more than a few words it had transformed itself into an acceptance. He was aware of the entire ridiculousness of his going to an evening party at Mrs. Prockter's; still an instinct, powerful but obscure (it was the will-to-live and naught else), persuaded him by force to say that he would go.

"Have you had an invitation from Mrs. Prockter?" Helen asked him at tea.

"Yes," said he. "Have you?"

"Yes," said she. "Shall you go?"

"Ay, lass, I shall go."

She seemed greatly surprised.

"Us'll go together," he said.

"I don't think that I shall go," said she, hesitatingly.

"Have ye written to refuse?"

"No."

"Then I should advise ye to go, my lass."

"Why?"

"Unless ye want to have trouble with me," said he, grimly.

"But, uncle——"

"It's no good butting uncle," he replied. "If ye didna' mean to go, why did ye give young Prockter to understand as ye would go? I'll tell ye why ye changed your mind, lass. It's because you're ashamed o' being seen there with yer old uncle, and I'm sorry for it."

"Uncle!" she protested. "How can you say such a thing? You ought to know that no such idea ever entered my head."

He did know that no such idea had ever entered her head, and he was secretly puzzling for the real reason of her projected refusal. But, being determined that she should go, he had employed the surest and the least scrupulous means of achieving his end.

He tapped nervously on the table, and maintained the silence of the wounded and the proud.

"Of course, if you take it in that way," she said, after a pause, "I will go."

And he went through the comedy of gradually recovering from a wound.

His boldness in accepting the invitation and in compelling Helen to accompany him was the audacity of sheer ignorance. He had not surmised the experiences which lay before him. She told him to order a cab. She did not suggest the advisability of a cab. She stated, as a platitude, the absolute indispensability of a cab. He had meant to ride to Hillport in the tramcar, which ran past Mrs. Prockter's gates. However, he reluctantly agreed to order a cab, being fearful lest she might, after all, refuse to go. It was remarkable that, after having been opposed to the policy of throwing Helen and Emanuel together, he was now in favour of it.

On the evening, when at five minutes past nine she came into the front room clad for Mrs. Prockter's party, he perceived that the tramcar would have been unsuitable. A cab might hold her. A hansom would certainly not have held her. She was all in white, and very complicated. No hat; simply a white, silver-spangled bandage round her head, neck, and shoulders!

She glanced at him. He wore his best black clothes. "You look very well," said she, surprisingly. "That old-fashioned black necktie is splendid."

So they went. James had the peculiar illusion that he was going to a belated funeral, for except at funerals he had never in his life ridden in a cab.

When he descended with his fragile charge in Mrs. Prockter's illuminated porch, another cab was just ploughing up the gravel of the drive in departure, and nearly the whole tribe of Swetnams was on the doorstep; some had walked, and were boasting of speed. There were Sarah Swetnam, her brother Ted, the lawyer, her brother Ronald, the borough surveyor, her brother Adams, the bank cashier, and her sister Enid, aged seventeen. This child was always called "Jos" by the family, because they hated the name "Enid," which they considered to be "silly." Lilian, the newly-affianced one, was not in the crowd.

"Where's Lilian?" Helen asked, abruptly.

"Oh, she came earlier with the powerful Andrew," replied the youthful and rather jealous Jos. "She isn't an ordinary girl now."

Sarah rapidly introduced her brothers and sisters to James. They were all very respectful and agreeable; and Adams Swetnam pressed his hand quite sympathetically, and Jos's frank smile was delicious. What surprised him was that nobody seemed surprised at his being there. None of the girls wore hats, he noticed, and he also noticed that the three men (all about thirty in years) wore silk hats, white mufflers, and blue overcoats.

A servant—a sort of special edition of James's Georgiana—appeared, and robbed everybody of every garment that would yield easily to pulling. And then those lovely creatures stood revealed. Yes, Sarah herself was lovely under the rosy shades. The young men were elegantly slim, and looked very much alike, except that Adams had a beard—a feeble beard, but a beard. It is true that in their exact correctness they might have been mistaken for toast-masters, or, with the slight addition of silver neck-chains, for high officials in a costly restaurant. But great-stepuncle James could never have been mistaken for anything but a chip of the early nineteenth century flicked by the hammer of Fate into the twentieth. His wide black necktie was the secret envy of the Swetnam boys.

The Swetnam boys had the air of doing now what they did every night of their lives. With facile ease, they led the way through the long hall to the drawing-room. James followed, and en route he observed at the extremity of a side-hall two young people sitting with their hands together in a dusky corner. "Male and female created He them!" reflected James, with all the tolerant, disdainful wisdom of his years and situation.

A piano was then heard, and as Ronald Swetnam pushed open the drawing-room door for the women to enter, there came the sound of a shocked "S-sh!"

Whereupon the invaders took to the tips of their toes and crept in as sinners. At the farther end a girl was sitting at a grand piano, and in front of the piano, glorious, effulgent, monarchical, stood Emanuel Prockter, holding a piece of music horizontally at the level of his waist. He had a white flower in his buttonhole, and, adhering to a quaint old custom which still lingers in the Five Towns, and possibly elsewhere, he showed a crimson silk handkerchief tucked in between his shirt-front and his white waistcoat. He had broad bands down the sides of his trousers. Not a hair of his head had been touched by the accidental winds of circumstance. He surveyed the couple of dozen people in the large, glowing room with a fixed smile and gesture of benevolent congratulation.

Mrs. Prockter was close to the door. "Emanuel is just going to sing," she whispered, and shook hands silently with James Ollerenshaw first.

CHAPTER XIV

SONG, SCENE AND DANCE

Every head was turned. Emanuel coughed, frowned, and put his left hand between his collar and his neck, as though he had concealed something there. The new arrivals slipped cautiously into chairs. James was between Helen and Jos. And he distinctly saw Jos wink at Helen, and Helen wink back. The winks were without doubt an expression of sentiments aroused by the solemnity of Emanuel's frown.

The piano tinkled on, and then Emanuel's face was observed to change. The frown vanished and a smile of heavenly rapture took its place. His mouth gradually opened till its resemblance to the penultimate vowel was quite realistic, and simultaneously, by a curious muscular co-ordination, he rose on his toes to a considerable height in the air.

The strain was terrible—like waiting for a gun to go off. James was conscious of a strange vibration by his side, and saw that Jos Swetnam had got the whole of a lace handkerchief into her mouth.

The gun went off—not with a loud report, but with a gentle and lofty tenor piping, somewhere in the neighbourhood of F, or it might have been only E (though, indeed, a photograph would have suggested that Emanuel was singing at lowest the upper C), and the performer slowly resumed his normal stature.

"O Love!" he had exclaimed, adagio and sostenuto.

Then the piano, in its fashion, also said: "O Love!"

"O Love!" Emanuel exclaimed again, with slight traces of excitement, and rising to heights of stature hitherto undreamt of.

And the piano once more, in turn, called plaintively on love.

It would be too easy to mock Emanuel's gift of song. I leave that to people named Swetnam. There can be no doubt Emanuel had a very taking voice, if thin, and that his singing gave pleasure to the majority of his hearers. More than any one else, it pleased himself. When he sang he seemed to be inspired by the fact, to him patent, that he was conferring on mankind a boon inconceivably precious. If he looked a fool, his looks seriously misinterpreted his feelings. He did not spare himself on that evening. He told his stepmother's guests all about love and all about his own yearnings. He hid nothing from them. He made no secret of the fact that he lived for love alone, that he had known innumerable loves, but none like one particular variety, which he described in full detail. As a confession, and especially as a confession uttered before many maidens, it did not err on the side of reticence. Presently, having described a kind of amorous circle, he came again to: "O Love!" But this time his voice cracked: which made him angry, with a stern and controlled anger. Still singing, he turned slowly to the pianist, and fiercely glared at the pianist's unconscious back. The obvious inference was that if his voice had cracked the fault was the pianist's. The pianist, poor thing, utterly unaware of the castigation she was receiving, stuck to her business. Less than a minute later, Emanuel's voice cracked again. This time he turned even more deliberately to the pianist. He was pained. He stared during five complete bars at the back of the pianist, still continuing his confession. He wished the audience to understand clearly where the blame lay. Finally, when he thought the pianist's back was sufficiently cooked, he faced the audience.

"I hope the pianist will not be so atrociously clumsy as to let my voice crack again," he seemed to be saying.

Evidently his reproof to the pianist's back was effectual, for his voice did not crack again.

And at length, when Jos had communicated her vibration to all her family, and every one had ceased to believe that the confession would ever end, the confession did end. It ended as it had begun, in an even, agreeable tenor piping. Emanuel was much too great an artist to allow himself to be carried away by his emotion. The concluding words were, "Oh, rapture!" and Emanuel sang them just as if he had been singing "One-and-eleven-pence three-farthings."

"Oh, rats!" said Jos, under cover of the impassioned applause.

"It was nearly as long as Jarndyce v. Jarndyce," observed Adams, under the same cover.

"What!" cried James, enchanted. "Have you been reading that too?"

Adams Swetnam and great-stepuncle James had quite a little chat on the subject of Jarndyce v. Jarndyce. Several other people, including the hostess, joined in the conversation, and James was surprised at the renown which Jarndyce v. Jarndyce seemed to enjoy; he was glad to find his view shared on every hand. He was also glad, and startled, to discover himself a personality in the regions of Hillport. He went through more formal introductions in ten minutes than he had been through during the whole of his previous life. It was a hot evening; he wiped his brow. Then iced champagne was served to him. Having fluttered round him, in her ample way, and charmingly flattered him, Mrs. Prockter left him, encircled chiefly by young women, in order to convey to later arrivals that they, and they alone, were the authentic objects of her solicitude. Emanuel Prockter, clad in triumph, approached, and questioned James, as one shrewd man of business may question another, concerning the value in the market of Wilbraham Hall.

Shortly afterwards a remarkable occurrence added zest to the party. Helen had wandered away with Sarah and Jos Swetnam. She reentered the drawing-room while James and Emanuel were in discussion, and her attitude towards Emanuel was decidedly not sympathetic. Then Sarah Swetnam came in alone. And then Andrew Dean came in alone.

"Oh, here's Andrew, Helen!" Sarah exclaimed.

Andrew Dean had the air of a formidable personage. He was a tall, heavy, dark young man, with immense sloping shoulders, a black moustache, and incandescent eyes, which he used as though he were somewhat suspicious of the world in general. If his dress had been less untidy, he would have made a perfect villain of melodrama. He smiled the unsure smile of a villain as he awkwardly advanced, with out-stretched hand, to Helen.

Helen put her lips together, kept her hands well out of view, and offered him a bow that could only have been properly appreciated under a microscope.

The episode was quite negative; but it amounted to a scene—a scene at one of Mrs. Prockter's parties! A scene, moreover, that mystified everybody; a scene that implied war and the wounded!

Some discreetly withdrew. Of these was Emanuel, who had the sensitiveness of an artist.

Andrew Dean presently perceived, after standing for some seconds like an imbecile stork on one leg, that the discretion of the others was worthy to be imitated. At the door he met Lilian, and they disappeared together arm in arm, as betrothed lovers should. Three people remained in that quarter of the drawing-room—Helen, her uncle, and Sarah Swetnam.

"Why, Nell," said Sarah, aghast, "what's the matter?"

"Nothing," said Helen, calmly.

"But surely you shake hands with Andrew when you meet him, don't you?"

"That depends how I feel, my dear," said Helen.

"Then something is the matter?"

"If you want to know," said Helen, with haughtiness, "in the hall, just now—that is—I—I overheard Mr. Dean say something about Emanuel Prockter's singing which I consider very improper."

"But we all——"

"I'm going out into the garden," said Helen.

"A pretty how-d'ye-do!" James muttered inaudibly to himself as he meandered to and fro in the hall, observing the manners and customs of Hillport society. Another couple were now occupying the privacy of the seat at the end of the side-hall, and James noticed that the heads of this couple had precisely the same relative positions as the heads of the previous couple. "Bless us!" he murmured, apropos of the couple, who, seeing in him a spy, rose and fled. Then he resumed his silent soliloquy. "A pretty how-d'ye-do! The chit's as fixed on that there Emanuel Prockter as ever a chit could be!" And yet James had caught the winking with Jos Swetnam during the song! As an enigma, Helen grew darker and darker to him. He was almost ready to forswear his former belief, and to assert positively that Helen had no sense whatever.

Mrs. Prockter loomed up, disengaged. "Ah, Mr. Ollerenshaw," she said, "everybody seems to be choosing the garden. Shall we go there? This way."

She led him down the side-hall. "By the bye," she murmured, with a smile, "I think our plan is succeeding."

And, without warning him, she sat down in the seat, and of course he joined her, and she put her head close to his, evidently in a confidential mood.

"Bless us!" he said to himself, apropos of himself and Mrs. Prockter, glancing about for spies.

"It's horrid of me to make fun of poor dear Emanuel's singing," pursued Mrs. Prockter. "But how did she take it? If I am not mistaken, she winked."

"Her winked," said James; "yes, her winked."

"Then everything's all right."

"Missis," said he, "if you don't mind what ye're about, you'll have a daughter-in-law afore you can say 'knife'!"

"Not Helen?"

"Ay, Helen."

"But, Mr. Ollerenshaw——"

Here happened an interruption—a servant with a tray of sustenance, comprising more champagne. James, prudent, would have refused, but under the hospitable urgency of Mrs. Prockter he compromised—and yielded.

"I'll join ye."

So she joined him. Then a string of young people passed the end of the side-hall, and among them was Jos Swetnam, who capered up to the old couple on her long legs.

"Oh, Mrs. Prockter," she cried, "what a pity we can't dance on the lawn!"

"I wish you could, my dear," said Mrs. Prockter.

"And why can't ye?" demanded James.

"No music!" said Jos.

"You see," Mrs. Prockter explained, "the lawn is at the far end of the garden, and it is impossible to hear the piano so far off. If it were only a little piano we could move it about, but it's a grand piano."

In James's next speech was to be felt the influence of champagne. "Look here," he said, "it's nobbut a step from here to the Green Man, is it?"

"The Green Man!" echoed Mrs. Prockter, not comprehending.

"Ay, the pub!"

"I believe there is an inn at the bend," said Mrs. Prockter; "but I don't think I've ever noticed the sign."

"It's the Green Man," said James. "If you'll send some one round there, and the respex of Mr. Ollerenshaw to Mr. Benskin—that's the land-lord—and will he lend me the concertina as I sold him last Martinmas?"

"Oh, Mr. Ollerenshaw!" shrieked Jos. "Can you play for dancing? How perfectly lovely it would be!"

"I fancy as I can keep your trotters moving, child," said he, gaily.

Upon this, two spinsters, the Misses Webber, wearing duplicates of one anxious visage, supervened, and, with strange magic gestures, beckoned Mrs. Prockter away. News of the episode between Andrew Dean and Helen had at length reached them, and they had deemed it a sacred duty to inform the hostess of the sad event. They were of the species of woman that spares neither herself nor others. Their fault was, that they were too compassionate for this world. Promising to send the message to Mr. Benskin, Mrs. Prockter vanished to her doom.

Within a quarter of an hour a fête unique in the annals of Hillport had organised itself on the lawn in the dim, verdurous retreats behind Mrs. Prockter's house. The lawn was large enough to be just too small for a tennis-court. It was also of a pretty mid-Victorian irregularity as regards shape, and guarded from the grim horizons of the Five Towns by a ring of superb elms. A dozen couples, mainly youngish, promenaded upon its impeccable surface in obvious expectation; while on the borders, in rustic chairs, odd remnants of humanity, mainly oldish, gazed in ecstasy at the picturesque ensemble. In the midst of the lawn was Mrs. Prockter's famous weeping willow, on whose branches Chinese lanterns had been hung by a reluctant gardener, who held to the proper gardener's axiom that lawns are made to be seen and not hurt. The moon aided these lanterns to the best of her power. Under the tree was a cane chair, and on the cane chair sat an ageing man with a concertina between his hands. He put his head on one side and played a few bars, and the couples posed themselves expectantly.

"Hold on a bit!" the virtuoso called out. "It's a tidy bit draughty here."

He put the concertina on his knees, fumbled in his tail-pocket, and drew forth a tasselled Turkish cap, which majestically he assumed; the tassel fell over his forehead. He owned several Turkish caps, and never went abroad without one.

Then he struck up definitely, and Mrs. Prockter's party had resolved itself, as parties often do, into a dance. In the blissful excitation caused by the ancient and jiggy tunes which "Jimmy" played, the sad episode of Helen Rathbone and Andrew Dean appeared to be forgotten. Helen danced with every man except Andrew, and Andrew danced with every woman except Helen. But Mrs. Prockter had not forgotten the episode; nor had the Misses Webber. The reputation of Mrs. Prockter's entertainments for utter correctness, and her own enormous reputation for fine tact, were impaired, and Mrs. Prockter was determined that that which ought to happen should happen.

She had a brief and exceedingly banal interview with Helen, and another with Andrew. And an interval having elapsed, Andrew was observed to approach Helen and ask her for a polka. Helen punctiliously accepted. And he led her out. The outraged gods of social decorum were appeased, and the reputations of Mrs. Prockter and her parties stood as high as ever. It was well and diplomatically done.

Nevertheless, the unforeseen came to pass. For at the end of the polka Helen fainted on the grass; and not Andrew but Emanuel was first to succour her. It was a highly disconcerting climax. Of course, Helen, being Helen, recovered with singular rapidity. But that did not lighten the mystery.

In the cab, going home, she wept. James could scarcely have believed it of her.

"Oh, uncle," she half whispered, in a voice of grief, "you fiddled while Rome was burning!"

This obscure saying baffled him, the more so that he had been playing a concertina and not a fiddle at all. His feelings were vague, and in some respects contradictory; but he was convinced that Mrs. Prockter's scheme for separating Helen and the Apollo Emanuel was not precisely succeeding.

CHAPTER XV

THE GIFT

After that night great-stepuncle James became more than a celebrity—he became a notoriety in Bursley. Had it not been for the personal influence of Mrs. Prockter with the editor of the Signal, James's exploits upon the concertina under weeping willows at midnight would have received facetious comment in the weekly column of gossip that appears in the great daily organ of the Five Towns on Saturdays. James, aided by nothing but a glass or two of champagne, had suddenly stepped into the forefront of the town's life. He was a card. He rather liked being a card.

But within his own heart the triumph and glory of James Ollerenshaw were less splendid than outside it. Helen, apparently ashamed of having wept into his waistcoat, kept him off with a kind of a rod of stiff politeness. He could not get near her, and for at least two reasons he was anxious to get near her. He wanted to have that frank, confidential talk with her about the general imbecility of her adorer, Emanuel Prockter—that talk which he had failed to begin on the morning when she had been so sympathetic concerning his difficulties in collecting a large income. Her movements from day to day were mysterious. Facts pointed to the probability that she and Emanuel were seeing each other with no undue publicity. And yet, despite facts, despite her behaviour at the party, he could scarcely believe that shrewd Helen had not pierced the skin of Emanuel and perceived the emptiness therein. At any rate, Emanuel had not repeated his visit to the house. The only visitors had been Sarah Swetnam and her sister Lilian, the fiancée of Andrew Dean. The chatter of the three girls had struck James as being almost hysterically gay. But in the evening Helen was very gloomy, and he fancied a certain redness in her eyes. Though Helen was assuredly the last woman in the world to cry, she had, beyond doubt, cried once, and he now suspected her of another weeping.

Even more detrimental to his triumph in his own heart was the affair of the ten-pound note, which she had stolen (or abstracted if you will) and then restored to him with such dramatic haughtiness. That ten pounds was an awful trial to him. It rankled, not only with him, but (he felt sure) with her. Still, if she had her pride, he also had his. He reckoned that she had not rightly behaved in taking the note without his permission, and that in returning the full sum, and pretending that he had made it necessary for her to run the house on her own money, she had treated him meanly. The truth was, she had wounded him—again. Instincts of astounding generosity were budding in him, but he was determined to await an advance from her. He gave her money for housekeeping, within moderation, and nothing more.

Then one evening she announced that the morrow would be her birthday. James felt uneasy. He had never given birthday presents, but he well knew that presents were the correct things on birthdays. He went to bed in a state of the most absurd and causeless mental disturbance. He did not know what to do. Whereas it was enormously obvious what to do.

He woke up about one o'clock, and reflected, with an air of discovery: "Her tone was extremely friendly when she told me it was her birthday to-morrow. She meant it as an advance. I shall take it as an advance."

About half-past one he said to himself: "I'll give her a guinea to spend as she likes." It did genuinely seem to him a vast sum. A guinea to fritter away!

However, towards three o'clock its vastness had shrunk.

"Dashed if I don't give the wench a fiver!" he exclaimed. It was madness, but he had an obscure feeling that he might have had more amusement if he had begun being mad rather earlier in life.

Upon this he slept soundly till six o'clock.

His mind then unfortunately got entangled in the painful episode of the ten-pound note. He and Helen had the same blood in their veins. They were alike in some essential traits. He knew that neither of them could ever persuade himself, or herself, to mention that miserable ten-pound note again.

"If I gave her a tenner," he said, "that would make her see as I'd settled to forget that business, and let bygones be bygones. I'll give her a tenner."

It was preposterous. She could not, of course, spend it. She would put it away. So it would not be wasted.

Upon this he rose.

Poor simpleton! Ever since the commencement of his relations with Helen, surprise had followed surprise for him. And the series was not ended.

The idea of giving a gift made him quite nervous. He fumbled in his cashbox for quite a long time, and then he called, nervously:

"Helen!"

She came out of the kitchen into the front room. (Dress: White muslin—unspeakable extravagance in a town of smuts.)

"It's thy birthday, lass?"

She nodded, smiling.

"Well, tak' this."

He handed her a ten-pound note.

"Oh, thank you, uncle!" she cried, just on the calm side of effusiveness.

At this point the surprise occurred.

There was another ten-pound note in the cashbox. His fingers went for a stroll on their own account and returned with that note.

"Hold on!" he admonished her for jumping to conclusions. "And this!" And he gave her a second note. He was much more startled than she was.

"Oh, thank you, uncle!" And then, laughing: "Why, it's nearly a sovereign for every year of my life!"

"How old art?"

"Twenty-six."

"I'm gone dotty!" he said to his soul. "I'm gone dotty!" And his eyes watched his fingers take six sovereigns out of the box, and count them into her small white hand. And his cheek felt her kiss.

She went off with twenty-six pounds—twenty-six pounds! The episode was entirely incredible.

Breakfast was a most pleasing meal. Though acknowledging himself an imbecile, he was obliged to acknowledge also that a certain pleasure springs from a certain sort of imbecility. Helen was adorable.

Now that same morning he had received from Mrs. Prockter a flattering note, asking him, if he could spare the time, to go up to Hillport and examine Wilbraham Hall with her, and give her his expert advice as to its value, etc. He informed Helen of the plan.

"I'll go with you," she said at once.

"What's in the wind?" he asked himself. He saw in the suggestion a device for seeing Emanuel.

"The fact is," she added, "I want to show you a house up at Hillport that might do for us."

He winced. She had said nothing about a removal for quite some time. He hated the notion of removal. ("Flitting," he called it.) It would mean extra expense, too. As for Hillport, he was sure that nothing, except cottages, could be got in Hillport for less than fifty pounds a year. If she thought he was going to increase his rent by thirty-two pounds a year, besides rates, she was in error. The breakfast finished in a slight mist. He hardened. The idea of her indicating houses to him! The idea of her assuming that—— Well, no use in meeting trouble half-way!

CHAPTER XVI

THE HALL AND ITS RESULT

"Yes," said Mrs. Prockter, gazing about her, to James Ollerenshaw, "it certainly is rather spacious."

"Rather spacious!" James repeated in the secret hollows of his mind. It was not spacious; it was simply fantastic. They stood, those two—Mrs. Prockter in her usual flowered silk, and James in his usual hard, rent-collecting clothes—at the foot of the double staircase, which sprang with the light of elegance of wings from the floor of the entrance-hall of Wilbraham Hall. In front of them, over the great door, was a musicians' gallery, and over that a huge window. On either side of the great door were narrow windows which looked over stretches of green country far away from the Five Towns. For Wilbraham Hall was on the supreme ridge of Hillport, and presented only its back yard, so to speak, to the Five Towns. And though the carpets were rolled up and tied with strings, and though there were dark rectangular spaces on the walls showing where pictures had been, the effect of the hall was quite a furnished effect. Polished oak and tasselled hangings, and monstrous vases and couches and chairs preserved in it the appearance of a home, if a home of giants.

Decidedly it was worthy of the mighty reputations of the extinct Wilbrahams. The Wilbrahams had gradually risen in North Staffordshire for two centuries. About the Sunday of the Battle of Waterloo they were at their apogee. Then for a century they had gradually fallen. And at last they had extinguished themselves in the person of a young-old fool who was in prison for having cheated a pawnbroker. This young-old fool had nothing but the name of Wilbraham to his back. The wealth of the Wilbrahams, or what remained of it after eight decades of declension, had, during the course of a famous twenty years' law-suit between the father of the said young-old fool and a farming cousin in California, slowly settled like golden dust in the offices of lawyers in Carey-street, London. And the house, grounds, lake, and furniture (save certain portraits) were now on sale by order of the distant winner of the law-suit. And both Mrs. Prockter and James could remember the time when the twin-horsed equipage of the Wilbrahams used to dash about the Five Towns like the chariot of the sun. The recollection made Mrs. Prockter sad, but in James it produced no such feeling. To Mrs. Prockter, Wilbraham Hall was the last of the stylish port-wine estates that in old days dotted the heights around the Five Towns. To her it was the symbol of the death of tone and the triumph of industrialism. Whereas James merely saw it as so much building land upon which streets of profitable and inexpensive semi-detached villas would one day rise at the wand's touch of the man who had sufficient audacity for a prodigious speculation.

"It 'ud be like living in th' covered market, living here," James observed.

The St. Luke's Market is the largest roof in Bursley. And old inhabitants, incapable of recovering from the surprise of marketing under cover instead of in an open square, still, after thirty years, refer to it as the covered market.

Mrs. Prockter smiled.

"By the way," said James, "where's them childer?"

The old people looked around. Emanuel and Helen, who had entered the proud precincts with them, had vanished.

"I believe they're upstairs, ma'am," said the fat caretaker, pleating her respectable white apron.

"You can go," said Mrs. Prockter, curtly, to this vestige of grandeur. "I will see you before I leave."

The apron resented the dismissal, and perhaps would have taken it from none but Mrs. Prockter. But Mrs. Prockter had a mien, and a flowered silk, before which even an apron of the Wilbrahams must quail.

"I may tell you, Mr. Ollerenshaw," she remarked, confidentially, when they were alone, "that I have not the slightest intention of buying this place. Emanuel takes advantage of my good nature. You've no idea how persistent he is. So all you have to do is to advise me firmly not to buy it. That's why I've asked you to come up. He acknowledges that you're an authority, and he'll be forced to accept your judgment."

"Why didn't ye say that afore, missis?" asked James bluntly.

"Before when?"

"Before that kick-up (party) o' yours. He got out of me then as I thought it were dirt cheap at eight thousand."

"But I don't want to move," pleaded Mrs. Prockter.

"I'm asking ye why ye didn't tell me afore?" James repeated.

Mrs. Prockter looked at him. "Men are trying creatures!" she said. "So it seems you can't tell a tarradiddle for me?" And she sighed.

"I don't know as I object to that. What I object to is contradicting mysen."

"Why did you bring Helen?" Mrs. Prockter demanded.

"I didna'. She come hersen."

They exchanged glances.

"And now she and Emanuel have run off."

"It looks to me," said James, "as if your plan for knocking their two heads together wasna' turning out as you meant it, missis."

"And what's more," said she, "I do believe that Emanuel wants me to buy this place so that when I'm gone he can make a big splash here with your niece and your money, Mr. Ollerenshaw! What do you think of that?"

"He may make as much splash as he's a mind to, wi' my niece," James answered. "But he won't make much of a splash with my money, I can promise ye." His orbs twinkled. "I can promise ye," he repeated.

"To whom do you mean to leave it, then?"

"Not to his wife."

"H'm! Well, as we're here, I suppose we may as well see what there is to be seen. And those two dreadful young people must be found."

They mounted the stairs.

"Will you give me your arm, Mr. Ollerenshaw?"

To such gifts he was not used. Already he had given twenty-six pounds that day. The spectacle of Jimmy ascending the state staircase of Wilbraham Hall with all the abounding figure of Mrs. Prockter on his arm would have drawn crowds had it been offered to the public at sixpence a head.

They inspected the great drawing-room, the great dining-room, the great bedroom, and all the lesser rooms; the galleries, the balconies, the panellings, the embrasures, the suites and suites and suites of Georgian and Victorian decaying furniture; the ceilings and the cornices; the pictures and engravings (of which some hundreds remained); the ornaments, the clocks, the screens, and the microscopic knick-knacks. Both of them lost count of everything, except that before they reached the attics they had passed through forty-five separate apartments, not including linen closets. It was in one of the attics, as empty as Emanuel's head, that they discovered Emanuel and Helen, gazing at a magnificent prospect over the moorlands, with the gardens, the paddock, and Wilbraham Water immediately beneath.

"We've been looking for you everywhere," Helen burst out. "Oh, Mrs. Prockter, do come with me to the end of the corridor, and look at three old distaffs that I've found in a cupboard!"

During the absence of the women, James Ollerenshaw contradicted himself to Emanuel for the sweet sake of Emanuel's stepmother. Little by little they descended to the earth, with continual detours and halts by Helen, who was several times lost and found.

"I've told him," said James, quietly and proudly. "I've told him it's no use to you unless you want to turn it into a building estate."

They separated into two couples at the gate, with elaborate formalities on the part of Emanuel, which Uncle James more or less tried to imitate.

"Well?" murmured James, sighing relief, as they waited for the electric tram in that umbrageous and aristocratic portion of the Oldcastle-road which lies nearest to the portals of Wilbraham Hall. He was very pleased with himself, because, at the cost of his own respect, he had pleased Mrs. Prockter.

"Well?" murmured Helen, in response, tapping on the edge of the pavement the very same sunshade in whose company James had first made her acquaintance. She seemed nervous, hesitating, apprehensive.

"What about that house as ye've so kindly chosen for me?" he asked, genially. He wanted to humour her.

She looked him straight in the eyes. "You've seen it," said she.

"What!" he snorted. "When han I seen it?"

"Just now," she replied. "It's Wilbraham Hall. I knew that Mrs. Prockter wouldn't have it. And, besides, I've made Emanuel give up all idea of it."

He laughed, but with a strange and awful sensation in his stomach.

"A poor joke, lass!" he observed, with the laugh dead in his throat.

"It isn't a poor joke," said she. "It isn't a joke at all."

"Didst thou seriously think as I should buy that there barracks to please thee?"

"Certainly," she said, courageously. "Just that—to please me."

"I'm right enough where I am," he asserted, grimly. "What for should I buy Wilbraham Hall? What should I do in it?"

"Live in it."

"Trafalgar-road's good enough for me."

"But it isn't good enough for me," said she.

"I wouldna' ha' minded," he said, savagely—"I wouldna' ha' minded going into a house a bit bigger, but—"

"Nothing is big enough for me except Wilbraham Hall," she said.

He said nothing. He was furious. It was her birthday, and he had given her six-and-twenty pounds—ten shillings a week for a year—and she had barely kissed him. And now, instantly after that amazing and mad generosity, she had the face to look cross because he would not buy Wilbraham Hall! It was inconceivable; it was unutterable. So he said nothing.

"Why shouldn't you, after all?" she resumed. "You've got an income of nearly five thousand a year." (Now he hated her for the mean manner in which she had wormed out of him secrets that previously he had shared with no one.) "You don't spend the twentieth part of it. What are you going to do with it? What are you going to do with it? You're getting an old man." (Cold horrors!) "You can't take it with you when you leave the Five Towns, you know. Whom shall you leave your money to? You'll probably die worth a hundred thousand pounds, at this rate. You'll leave it to me, of course. Because there's nobody else for you to leave it to. Why can't you use it now, instead of wasting it in old stockings?"

"I bank my money, wench," he hissingly put in.

"Old stockings!" she repeated, loudly. "We could live splendidly at Wilbraham Hall on two thousand a year, and you would still be saving nearly three thousand a year."

He said nothing.

Helen with the High Hand (2nd ed.)

BY THE SAME AUTHOR

HELEN WITH THE HIGH HAND

IDYLLIC DIVERSION

BY ARNOLD BENNETT

CONTENTS

CHAPTER I