THE THREAD OF GOLD

BY ARTHUR CHRISTOPHER BENSON

FELLOW OF MAGDALENE COLLEGE, CAMBRIDGE
AUTHOR OF "THE HOUSE OF QUIET"

Quem locum nôsti mihi destinatum?
Quo meos gressus regis?

LONDON
JOHN MURRAY, ALBEMARLE STREET, W
1912

FIRST EDITION, . . . . . . . . . . November 1905
Reprinted, . . . . . . . . . . . . November 1905
Reprinted, . . . . . . . . . . . . January 1906
Reprinted, . . . . . . . . . . . . October 1906
SECOND EDITION, . . . . . . . . . December 1906
Reprinted, . . . . . . . . . . . . January 1907
THIRD EDITION, . . . . . . . . . . October 1907
Reprinted, . . . . . . . . . . . . November 1907
FOURTH EDITION (1/- net) . . . . . May 1910
Reprinted, . . . . . . . . . . . . October 1910
Reprinted, . . . . . . . . . . . . January 1911
Reprinted, . . . . . . . . . . . . May 1911
Reprinted, . . . . . . . . . . . . July 1912

[Transcriber's note: The source book had no Table of Contents and its chapters were numbered only, not titled. However, its pages had running headers which changed with each chapter. Those headers have been converted to chapter titles, and collected here as the Table of Contents.]

CONTENTS

PREFACE

I sate to-day, in a pleasant hour, at a place called The Seven Springs, high up in a green valley of the Cotswold hills. Close beside the road, seven clear rills ripple out into a small pool, and the air is musical with the sound of running water. Above me, in a little thicket, a full-fed thrush sent out one long-drawn cadence after another, in the joy of his heart, while the lengthening shadows of bush and tree crept softly over the pale sward of the old pasture-lands, in the westering light of the calm afternoon.

These springs are the highest head-waters of the Thames, and that fact is stated in a somewhat stilted Latin hexameter carved on a stone of the wall beside the pool. The so-called Thames-head is in a meadow down below Cirencester, where a deliberate engine pumps up, from a hidden well, thousands of gallons a day of the purest water, which begins the service of man at once by helping to swell the scanty flow of the Thames and Severn Canal. But The Seven Springs are the highest hill-fount of Father Thames for all that, streaming as they do from the eastward ridge of the great oolite crest of the downs that overhang Cheltenham. As soon as those rills are big enough to form a stream, the gathering of waters is known as the Churn, which, speeding down by Rendcomb with its ancient oaks, and Cerney, in a green elbow of the valley, join the Thames at Cricklade.

It was of the essence of poetry to feel that the water-drops which thus babbled out at my feet in the spring sunshine would be moving, how many days hence, beside the green playing-fields at Eton, scattered, diminished, travel-worn, polluted; but still, under night and stars, through the sunny river-reaches, through hamlet and city, by water-meadow or wharf, the same and no other. And half in fancy, half in earnest, I bound upon the heedless waters a little message of love for the fields and trees so dear to me.

What a strange parable it all made! the sparkling drops so soon lost to sight and thought alike, each with its own definite place in the limitless mind of God, all numbered, none forgotten; each drop,—bright, new-born, and fresh as it appeared, racing out so light-heartedly into the sun,—yet as old, and older, than the rocks from which it sprang! How often had those water-drops been woven into cloud-wreaths, through what centuries they had leapt and plunged among sea-billows, or lain cold and dark in the ocean depths, since the day when this mass of matter that we call the earth had been cut off and sent whirling into space, a molten drop from the fierce vortex of its central sun! And, what is the strangest thought of all, I can sit here myself, a tiny atom spun from drift of storms, and concourse of frail dust, and, however dimly and faintly, depict the course of things, trace, through some subtle faculty, the movement of the mind of God through the aeons; and yet, though I can send my mind into the past and the future, though I can see the things that are not and the things that are, I am denied the least inkling of what it all signifies, what the slow movement of the ages is all aimed at, and even what the swift interchange of light and darkness, pain and pleasure, sickness and health, love and hate, is meant to mean to me—whether there is a purpose and an end at all, or whether I am just allowed, for my short space of days, to sit, a bewildered spectator, at some vast and unintelligible drama.

Yet to-day the soft sunshine, the babbling springs, the valley brimmed with haze, the bird's sweet song, all seem framed to assure me that God means us well, urgently, intensely well. "My Gospel," wrote one to me the other day, whose feet move lightly on the threshold of life, "is the Gospel of contentment. I do not see the necessity of asking myself uneasy and metaphysical questions about the Why and the Wherefore and the What." The necessity? Ah, no! But if one is forced, against one's will and hope, to go astray in the wilderness out of the way, to find oneself lonely and hungry, one must needs pluck the bitter berries of the place for such sustenance as one can. I doubt, indeed, whether one is able to compel oneself into and out of certain trains of thought. If one dislikes and dreads introspection, one will doubtless be happier for finding something definite to do instead. But even so, the thoughts buzz in one's ears; and then, too, the very wonder about such things has produced some of the most beautiful things in the world, such as Hamlet, or Keats' Ode to the Nightingale, things we could not well do without. Who is to decide which is the nobler, wiser, righter course? To lose oneself in a deep wonder, with an anxious hope that one may discern the light; or, on the other hand, to mingle with the world, to work, to plan, to strive, to talk, to do the conventional things? We choose (so we call it) the path that suits us best, though we disguise our motives in many ways, because we hardly dare to confess to ourselves how frail is our faculty of choice at all. But, to speak frankly, what we all do is to follow the path where we feel most at home, most natural; and the longer I live the more I feel that we do the things we are impelled to do, the works prepared for us to walk in, as the old collect says. How often, in real life, do we see any one making a clean sweep of all his conditions and surroundings, to follow the path of the soul? How often do we see a man abjure wealth, or resist ambition, or disregard temperament, unexpectedly? Not once, I think, to speak for myself, in the whole of my experience.

This, then, is the motif of the following book: that whether we are conquerors or conquered, triumphant or despairing, prosperous or pitiful, well or ailing, we are all these things through Him that loves us. We are here, I believe, to learn rather than to teach, to endure rather than to act, to be slain rather than to slay; we are tolerated in our errors and our hardness, in our conceit and our security, by the great, kindly, smiling Heart that bade us be. We can make things a little easier for ourselves and each other; but the end is not there: what we are meant to become is joyful, serene, patient, waiting momently upon God; we are to become, if we can, content not to be content, full of tenderness and loving-kindness for all the frail beings that, like ourselves, suffer and rejoice. But though we are bound to ameliorate, to improve, to lessen, so far as we can, the brutal promptings of the animal self that cause the greatest part of our unhappiness, we have yet to learn to hope that when things seem at their worst, they are perhaps at their best, for then we are, indeed, at work upon our hard lesson; and perhaps the day may come when, looking back upon the strange tangle of our lives, we may see that the time was most wasted when we were serene, easy, prosperous, and unthinking, and most profitable when we were anxious, overshadowed, and suffering. The Thread of Gold is the fibre of limitless hope that runs through our darkest dreams; and just as the water-drop which I saw break to-day from the darkness of the hill, and leap downwards in its channel, will see and feel, in its seaward course, many sweet and gentle things, as well as many hard and evil matters, so I, in a year of my pilgrimage, have set down in this book, a frank picture of many little experiences and thoughts, both good and evil. Sometimes the water-drop glides in the sun among mossy ledges, or lingers by the edge of the copse, where the hazels lean together; but sometimes it is darkened and polluted, so that it would seem that the foul oozings that infect it could never be purged away. But the turbid elements, the scum, the mud, the slime—each of which, after all, have their place in the vast economy of things—float and sink to their destined abode; and the crystal drop, released and purified, runs joyfully onwards in its appointed way.

A. C. B.
CIRENCESTER, 8th April 1907.

INTRODUCTION (1906)

I am glad to have the opportunity of saying a few words in my own name about this book, because the original introduction seems to have misled some of my readers; and as I have had many kind, encouraging, and sacred messages about the book from very unexpected quarters, I should like to add a few further words of explanation.

One of the difficulties under which literary art seems to me to labour is that it feels bound to run in certain channels, to adopt stereotyped and conventional media of expression. What can be more conventional than the average play, or the average novel? People in real life do not behave or talk—at least, this is my experience—in the smallest degree as they behave or talk in novels or plays; life as a rule has no plot, and very few dramatic situations. In real life the adventures are scanty, and for most of us existence moves on in a commonplace and inconsequent way. Misunderstandings are not cleared up, complexities are not unravelled. I think it is time that more unconventional forms of expression should be discovered and used; and at least, we can try experiments; the experiment that I have here tried, is to present a sort of liber studiorum, a portfolio of sketches and impressions. The only coherence they possess is that, at the time when they were written, I was much preoccupied with the wonder as to whether an optimistic view of life was justified. The world is a very mysterious place, and at first sight it presents a sad scene of confusion. The wrong people often seem to be punished; blessings, such as those heaped upon the head of the patriarch Job, do not seem to be accumulated upon the righteous. In fact, the old epigram that prosperity is the blessing of the Old Testament, adversity the blessing of the New, seems frequently justified. But, after all, the only soul-history that one knows well enough to say whether or not the experience of life is adapted to the qualities of the particular soul, is one's own history; and, speaking for myself, I can but say, looking back upon my life, that it does seem to have been regulated hitherto by a very tender and intimate kind of guidance, though I did not always see how delicate the adaptation of it was at the time. The idea of this book, that there is a certain golden thread of hope and love interwoven with all our lives, running consistently through the coarsest and darkest fabric, was what I set out to illustrate rather than to prove. Everything that bore upon this fact, while the book was being written, I tried to express as simply and as lucidly as I could. The people who have thought the book formless or lacking in structure, are perfectly right. It is not, and it did not set out to be, a finished picture, with a due subordination of groups and backgrounds. To me personally, though a finished picture is a beautiful and an admirable thing, the loose, unconsidered sketches and studies of an artist have a special charm. Of an artist, I say; have I then a claim to be considered an artist? I cannot answer that question, but I will go further and say that the sketches of the humblest amateur have an interest for me, which their finished pictures often lack. One sees a revelation of personality, one sees what sort of things strike an individual mind as beautiful, one sees the method with which it deals with artistic difficulties. The most interesting things of the kind I have ever seen are the portfolios of sketches by Leonardo da Vinci in the Royal library at Windsor; outlines of heads, features, flowers, backgrounds, strange engines of war, wings of birds—the débris, almost, of the studio—are there piled up in confusion. And in a lesser degree the same is true of all such collections, though perhaps this shows that one is more interested in personality than in artistic performance.

A good many people, too, have a gift for presenting a simple impression of a beautiful thing, who have not the patience or the power of combination necessary for working out a finished design; and surely it is foolish to let the convention of art overrule a man's capacities? To allow that, to acquiesce in silence, to say that because one cannot express a thing in a certain way, one will not express it at all, seems to me to be making an instinct into a moral sanction. One must express whatever one desires to express, as clearly and as beautifully as possible, and one must take one's chance as to whether it is a work of art. To hold one's tongue, if anything appears to be worth saying, because one does not know the exact code of the professionals, is as foolish as if a man born in a certain class of society were to say that he would never go to any social gathering except those of his precise social equals, because he was afraid of making mistakes of etiquette. Etiquette is not a matter of principle; it was not one of the things of which Moses saw the pattern in the Mount! The only rule is not to be pretentious or assuming, not to claim that one's efforts are necessarily worthy of admiration and attention.

There is a better reason too. Orthodoxy in art is merely compliance with the instinctive methods of great artists, and no one ever succeeded in art who did not make a method of his own. Originality is like a fountain-head of fresh water; orthodoxy is too often only the unimpeachable fluid of the water company. The best hope for the art and literature of a nation is that men should try to represent and express things that they have thought beautiful in an individual way. They do not always succeed, it is true; sometimes they fail for lack of force, sometimes for lack of a sympathetic audience. I have found, in the case of this book, a good deal of sincere sympathy; and where it fails, it fails through lack of force to express thoughts that I have felt with a profound intensity. I have had critics who have frankly disliked the book, and I do not in the least quarrel with them for expressing their opinion; but one does not write solely for the critics; and on the other hand, I can humbly and gratefully say that I have received many messages, of pleasure in, and even gratitude for, the book which leave me in no sort of doubt that it was worth writing; though I wish with all my heart that it had been worthier of its motive, and had been better able to communicate the delight of my visions and dreams.

ARTHUR CHRISTOPHER BENSON.
MAGDALENE COLLEGE,
CAMBRIDGE, 24th November 1906.

THE THREAD OF GOLD

INTRODUCTION

I have for a great part of my life desired, perhaps more than I have desired anything else, to make a beautiful book; and I have tried, perhaps too hard and too often, to do this, without ever quite succeeding; by that I mean that my little books, when finished, were not worthy to be compared with the hope that I had had of them. I think now that I tried to do too many things in my books, to amuse, to interest, to please persons who might read them; and I fear, too, that in the back of my mind there lay a thought, like a snake in its hole—the desire to show others how fine I could be. I tried honestly not to let this thought rule me; whenever it put its head out, I drove it back; but of course I ought to have waited till it came out, and then killed it, if I had only known how to do that; but I suppose I had a secret tenderness for the little creature as being indeed a part of myself.

But now I have hit upon a plan which I hope may succeed. I do not intend to try to be interesting and amusing, or even fine. I mean to put into my book only the things that appear to me deep and strange and beautiful; and I can happily say that things seem to me to be more and more beautiful every day. As when a man goes on a journey, and sees, in far-off lands, things that please him, things curious and rare, and buys them, not for himself or for his own delight, but for the delight of one that sits at home, whom he loves and thinks of, and wishes every day that he could see;—well, I will try to be like that. I will keep the thought of those whom I love best in my mind—and God has been very good in sending me many, both old and young, whom I love—and I will try to put down in the best words that I can find the things that delight me, not for my sake but for theirs. For one of the strangest things of all about beauty is, that it is often more clearly perceived when expressed by another, than when we see it for ourselves. The only difficulty that I see ahead is that many of the things that I love best and that give me the best joy, are things that cannot be told, cannot be translated into words: deep and gracious mysteries, rays of light, delicate sounds.

But I will keep out of my book all the things, so far as I can, which bring me mere trouble and heaviness; cares and anxieties and bodily pains and dreariness and unkind thoughts and anger, and all uncleanness. I cannot tell why our life should be so sadly bound up with these matters; the only comfort is that even out of this dark and heavy soil beautiful flowers sometimes spring. For instance, the pressure of a care, an anxiety, a bodily pain, has sometimes brought with it a perception which I have lacked when I have been bold and joyful and robust. A fit of anger too, by clearing away little clouds of mistrust and suspicion, has more than once given me a friendship that endures and blesses me.

But beauty, innocent beauty of thought, of sound, of sight, seems to me to be perhaps the most precious thing in the world, and to hold within it a hope which stretches away even beyond the grave. Out of silence and nothingness we arise; we have our short space of sight and hearing; and then into the silence we depart. But in that interval we are surrounded by much joy. Sometimes the path is hard and lonely, and we stumble in miry ways; but sometimes our way is through fields and thickets, and the valley is full of sunset light. If we could be more calm and quiet, less anxious about the impression we produce, more quick to welcome what is glad and sweet, more simple, more contented, what a gain would be there! I wonder more and more every day that I live that we do not value better the thought of these calmer things, because the least effort to reach them seems to pull down about us a whole cluster of wholesome fruits, grapes of Eschol, apples of Paradise. We are kept back, it seems to me, by a kind of silly fear of ridicule, from speaking more sincerely and instantly of these delights.

I read the Life of a great artist the other day who received a title of honour from the State. I do not think he cared much for the title itself, but he did care very much for the generous praise of his friends that the little piece of honour called forth. I will not quote his exact words, but he said in effect that he wondered why friends should think it necessary to wait for such an occasion to indulge in the noble pleasure of praising, and why they should not rather have a day in the year when they could dare to write to the friends whom they admired and loved, and praise them for being what they were. Of course if such a custom were to become general, it would be clumsily spoilt by foolish persons, as all things are spoilt which become conventional. But the fact remains that the sweet pleasure of praising, of encouraging, of admiring and telling our admiration, is one that we English people are sparing of, to our own loss and hurt. It is just as false to refrain from saying a generous thing for fear of being thought insincere and what is horribly called gushing, as it is to say a hard thing for the sake of being thought straightforward. If a hard thing must be said, let us say it with pain and tenderness, but faithfully. And if a pleasant thing can be said, let us say it with joy, and with no less faithfulness.

Now I must return to my earlier purpose, and say that I mean that this little book shall go about with me, and that I will write in it only strange and beautiful things. I have many businesses in the world, and take delight in many of them; but we cannot always be busy. So when I have seen or heard something that gives me joy, whether it be a new place, or, what is better still, an old familiar place transfigured by some happy accident of sun or moon into a mystery; or if I have been told of a generous and beautiful deed, or heard even a sad story that has some seed of hope within it; or if I have met a gracious and kindly person; or if I have read a noble book, or seen a rare picture or a curious flower; or if I have heard a delightful music; or if I have been visited by one of those joyful and tender thoughts that set my feet the right way, I will try to put it down, God prospering me. For thus I think that I shall be truly interpreting his loving care for the little souls of men. And I call my book The Thread of Gold, because this beauty of which I have spoken seems to me a thing which runs like a fine and precious clue through the dark and sunless labyrinths of the world.

And, lastly, I pray God with all my heart, that he may, in this matter, let me help and not hinder his will. I often cannot divine what his will is, but I have seen and heard enough to be sure that it is high and holy, even when it seems to me hard to discern, and harder still to follow. Nothing shall here be set down that does not seem to me to be perfectly pure and honest; nothing that is not wise and true. It may be a vain hope that I nourish, but I think that God has put it into my heart to write this book, and I hope that he will allow me to persevere. And yet indeed I know that I am not fit for so holy a task, but perhaps he will give me fitness, and cleanse my tongue with a coal from his altar fire.

I

The Red Spring

Very deep in this enchanted land of green hills in which I live, lies a still and quiet valley. No road runs along it; but a stream with many curves and loops, deep-set in hazels and alders, moves brimming down. There is no house to be seen; nothing but pastures and little woods which clothe the hill-sides on either hand. In one of these fields, not far from the stream, lies a secluded spot that I visit duly from time to time. It is hard enough to find the place; and I have sometimes directed strangers to it, who have returned without discovering it. Some twenty yards away from the stream, with a ring of low alders growing round it, there is a pool; not like any other pool I know. The basin in which it lies is roughly circular, some ten feet across. I suppose it is four or five feet deep. From the centre of the pool rises an even gush of very pure water, with a certain hue of green, like a faintly-tinted gem. The water in its flow makes a perpetual dimpling on the surface; I have never known it to fail even in the longest droughts; and in sharp frosty days there hangs a little smoke above it, for the water is of a noticeable warmth.

This spring is strongly impregnated with iron, so strongly that it has a sharp and medical taste; from what secret bed of metal it comes I do not know, but it must be a bed of great extent, for, though the spring runs thus, day by day and year by year, feeding its waters with the bitter mineral over which it passes, it never loses its tinge; and the oldest tradition of the place is that it was even so centuries ago.

All the rest of the pool is full of strange billowy cloudlike growths, like cotton-wool or clotted honey, all reddened with the iron of the spring; for it rusts on thus coming to the air. But the orifice you can always see, and that is of a dark blueness; out of which the pure green water rises among the vaporous and filmy folds, runs away briskly out of the pool in a little channel among alders, all stained with the same orange tints, and falls into the greater stream at a loop, tinging its waters for a mile.

It is said to have strange health-giving qualities; and the water is drunk beneath the moon by old country folk for wasting and weakening complaints. Its strength and potency have no enmity to animal life, for the water-voles burrow in the banks and plunge with a splash in the stream; but it seems that no vegetable thing can grow within it, for the pool and channel are always free of weeds.

I like to stand upon the bank and watch the green water rise and dimple to the top of the pool, and to hear it bickering away in its rusty channel. But the beauty of the place is not a simple beauty; there is something strange and almost fierce about the red-stained water-course; something uncanny and terrifying about the filmy orange clouds that stir and sway in the pool; and there sleeps, too, round the edges of the basin a bright and viscous scum, with a certain ugly radiance, shot with colours that are almost too sharp and fervid for nature. It seems as though some diligent alchemy was at work, pouring out from moment to moment this strangely tempered potion. In summer it is more bearable to look upon, when the grass is bright and soft, when the tapestry of leaves and climbing plants is woven over the skirts of the thicket, when the trees are in joyful leaf. But in the winter, when all tints are low and spare, when the pastures are yellowed with age, and the hillside wrinkled with cold, when the alder-rods stand up stiff and black, and the leafless tangled boughs are smooth like wire; then the pool has a certain horror, as it pours out its rich juice, all overhung with thin steam.

But I doubt not that I read into it some thoughts of my own; for it was on such a day of winter, when the sky was full of inky clouds, and the wood murmured like a falling sea in the buffeting wind, that I made a grave and sad decision beside the red pool, that has since tinged my life, as the orange waters tinge the pale stream into which they fall. The shadow of that severe resolve still broods about the place for me. How often since in thought have I threaded the meadows, and looked with the inward eye upon the green water rising, rising, and the crowded orange fleeces of the pool! But stern though the resolve was, it was not an unhappy one; and it has brought into my life a firm and tonic quality, which seems to me to hold within it something of the astringent savour of the medicated waters, and perhaps something of their health-giving powers as well.

II

The Deserted Shrine, The Manor House

I was making a vague pilgrimage to-day in a distant and unfamiliar part of the country, a region that few people ever visit, and saw two things that moved me strangely. I left the high-road to explore a hamlet that lay down in a broad valley to the left; and again diverged from the beaten track to survey an old grange that lay at a little distance among the fields. Turning a corner by some cottages, I saw a small ancient chapel, of brown weathered stone, covered with orange lichen, the roof of rough stone tiles. In the narrow graveyard round it, the grass grew long and rank; the gateway was choked by briars. I could see that the windows of the tiny building were broken. I have never before in England seen a derelict church, and I clambered over the wall to examine it more closely. It stood very beautifully; from the low wall of the graveyard, on the further side, you could look over a wide extent of rich water-meadows, fed by full streams; there was much ranunculus in flower on the edges of the water-courses, and a few cattle moved leisurely about with a peaceful air. Far over the meadows, out of a small grove of trees, a manor-house held up its enquiring chimneys. The door of the chapel was open, and I have seldom seen a more pitiful sight than it revealed. The roof within was of a plain and beautiful design, with carved bosses, and beams of some dark wood. The chapel was fitted with oak Jacobean woodwork, pews, a reading-desk, and a little screen. At the west was a tiny balustraded gallery. But the whole was a scene of wretched confusion. The woodwork was mouldering, the red cloth of the pulpit hung raggedly down, the leaves of the great prayer-book fluttered about the pavement, in the draught from the door. The whole place was gnawed by rats and shockingly befouled by birds; there was a litter of rotting nests upon the altar itself. Yet in the walls were old memorial tablets, and the passage of the nave was paved with lettered graves. It brought back to me the beautiful lines—

"En ara, ramis ilicis obsita,
Quae sacra Chryses nomina fert deae,
Neglecta; jamdudum sepultus
Aedituus jacet et sacerdos."

Outside the sun fell peacefully on the mellow walls, and the starlings twittered in the roof; but inside the deserted shrine there was a sense of broken trust, of old memories despised, of the altar of God shamed and dishonoured. It was a pious design to build the little chapel there for the secluded hamlet; and loving thought and care had gone to making the place seemly and beautiful. The very stone of the wall, and the beam of the roof cried out against the hard and untender usage that had laid the sanctuary low. Here children had been baptized, tender marriage vows plighted, and the dead laid to rest; and this was the end. I turned away with a sense of deep sadness; the very sunshine seemed blurred with a shadow of dreariness and shame.

Then I made my way, by a stony road, towards the manor-house; and presently could see its gables at the end of a pleasant avenue of limes; but no track led thither. The gate was wired up, and the drive overgrown with grass. Soon, however, I found a farm-road which led up to the house from the village. On the left of the manor lay prosperous barns and byres, full of sleek pigs and busy crested fowls. The teams came clanking home across the water-meadows. The house itself became more and more beautiful as I approached. It was surrounded by a moat, and here, close at hand, stood another ancient chapel, in seemly repair. All round the house grew dense thickets of sprawling laurels, which rose in luxuriance from the edge of the water. Then I crossed a little bridge with a broken parapet; and in front of me stood the house itself. I have seldom seen a more perfectly proportioned or exquisitely coloured building. There were three gables in the front, the central one holding a beautiful oriel window, with a fine oak door below. The whole was built of a pale red brick, covered with a grey lichen that cast a shimmering light over the front. Tall chimneys of solid grace rose from a stone-shingled roof. The coigns, parapets and mullions were all of a delicately-tinted orange stone. To the right lay a big walled garden, full of flowers growing with careless richness, the whole bounded by the moat, and looking out across the broad green water-meadows, beyond which the low hills rose softly in gentle curves and dingles.

A whole company of amiable dogs, spaniels and terriers, came out with an effusive welcome; a big black yard-dog, after a loud protesting bark, joined in the civilities. And there I sat down in the warm sun, to drink in the beauty of the scene, while the moor-hens cried plaintively in the moat, and the dogs disposed themselves at my feet. The man who designed this old place must have had a wonderful sense of the beauty of proportion, the charm of austere simplicity. Generation after generation must have loved the gentle dignified house, with its narrow casements, its high rooms. Though the name of the house, though the tale of its dwellers was unknown to me, I felt the appeal of the old associations that must have centred about it. The whole air, that quiet afternoon, seemed full of the calling of forgotten voices, and dead faces looked out from the closed lattices. So near to my heart came the spirit of the ancient house, that, as I mused, I felt as though even I myself had made a part of its past, and as though I were returning from battling with the far-off world to the home of childhood. The house seemed to regard me with a mournful and tender gaze, as though it knew that I loved it, and would fain utter its secrets in a friendly ear. Is it strange that a thing of man's construction should have so wistful yet so direct a message for the spirit? Well, I hardly know what it was that it spoke of; but I felt the care and love that had gone to the making of it, and the dignity that it had won from rain and sun and the kindly hand of Nature; it spoke of hope and brightness, of youth and joy; and told me, too, that all things were passing away, that even the house itself, though it could outlive a few restless generations, was indeed debita morti, and bowed itself to its fall.

And then I too, like a bird of passage that has alighted for a moment in some sheltered garden-ground, must needs go on my way. But the old house had spoken with me, had left its mark upon my spirit. And I know that in weary hours, far hence, I shall remember how it stood, peering out of its tangled groves, gazing at the sunrise and the sunset over the green flats, waiting for what may be, and dreaming of the days that are no more.

III

Leucocholy

I have had to taste, during the last few days, I know not why, of the cup of what Gray called Leucocholy; it is not Melancholy, only the pale shadow of it. That dark giant is, doubtless, stalking somewhere in the background, and the shadow cast by his misshapen head passes over my little garden ground.

I do not readily submit to this mood, and I would wish it away. I would rather feel joyful and free from blame; but Gray called it a good easy state, and it certainly has its compensations. It does not, like Melancholy, lay a dark hand on duties and pleasures alike; it is possible to work, to read, to talk, to laugh when it is by. But it sends flowing through the mind a gentle current of sad and weary images and thoughts, which still have a beauty of their own; it tinges one's life with a sober greyness of hue; it heightens perception, though it prevents enjoyment. In such a mood one can sit silent a long time, with one's eyes cast upon the grass; one sees the delicate forms of the tender things that spring softly out of the dark ground; one hears with a poignant delight the clear notes of birds; something of the spring languors move within the soul. There is a sense, too, of reaching out to light and joy, a stirring of the vague desires of the heart, a tender hope, an upward-climbing faith; the heart sighs for a peace that it cannot attain.

To-day I walked slowly and pensively by little woods and pastures, taking delight in all the quiet life I saw, the bush pricked with points of green, the boughs thickened with small reddening buds, the slow stream moving through the pasture; all the tints faint, airy, and delicate; the life of the world seemed to hang suspended, waiting for the forward leap. In a little village I stood awhile to watch the gables of an ancient house, the wing of a ruined grange, peer solemnly over the mellow brick wall that guarded a close of orchard trees. A little way behind, the blunt pinnacles of the old church-tower stood up, blue and dim, over the branching elms; beyond all ran the long, pure line of the rising wold. Everything seemed so still, so serene, as a long, pale ray of the falling sun, which laboured among flying clouds, touched the westward gables with gold—and mine the only troubled, unquiet spirit. Hard by there was an old man tottering about in a little garden, fumbling with some plants, like Laertes on the upland farm. His worn face, his ragged beard, his pitifully-patched and creased garments made him a very type of an ineffectual sadness. Perhaps his thoughts ran as sadly as my own, but I do not think it was so, because the minds of many country-people, and of almost all the old, of whatever degree, seem to me free from what is the curse of delicately-trained and highly-strung temperaments—namely, the temptation to be always reverting to the past, or forecasting the future. Simple people and aged people put that aside, and live quite serenely in the moment; and that is what I believe we ought all to attempt, for most moments are bearable, if one only does not import into them the weight of the future and the regret of the past. To seize the moment with all its conditions, to press the quality out of it, that is the best victory. But, alas! we are so made that though we may know that a course is the wise, the happy, the true course, we cannot always pursue it. I remember a story of a public man who bore his responsibilities very hardly, worried and agonised over them, saying to Mr Gladstone, who was at that time in the very thick of a fierce political crisis: "But don't you find you lie awake at night, thinking how you ought to act, and how you ought to have acted?" Mr Gladstone turned his great, flashing eyes upon his interlocutor, and said, with a look of wonder: "No, I don't; where would be the use of that?" And again I remember that old Canon Beadon—who lived, I think, to his 104th year—said to a friend that the secret of long life in his own case was that he had never thought of anything unpleasant after ten o'clock at night. Of course, if you have a series of compartments in your brain, and at ten o'clock can turn the key quietly upon the room that holds the skeletons and nightmares, you are a very fortunate man.

But still, we can all of us do something. If one has the courage and good sense, when in a melancholy mood, to engage in some piece of practical work, it is wonderful how one can distract the great beast that, left to himself, crops and munches the tender herbage of the spirit. For myself I have generally a certain number of dull tasks to perform, not in themselves interesting, and out of which little pleasure can be extracted, except the pleasure which always results from finishing a piece of necessary work. When I am wise, I seize upon a day in which I am overhung with a shadow of sadness to clear off work of this kind. It is in itself a distraction, and then one has the pleasure both of having fought the mood and also of having left the field clear for the mind, when it has recovered its tone, to settle down firmly and joyfully to more congenial labours.

To-day, little by little, the cloudy mood drew off and left me smiling. The love of the peaceful and patient earth came to comfort me. How pure and free were the long lines of ploughland, the broad back of the gently-swelling down! How clear and delicate were the February tints, the aged grass, the leafless trees! What a sense of coolness and repose! I stopped a long time upon a rustic-timbered bridge to look at a little stream that ran beneath the road, winding down through a rough pasture-field, with many thorn-thickets. The water, lapsing slowly through withered flags, had the pure, gem-like quality of the winter stream; in summer it will become dim and turbid with infusorial life, but now it is like a pale jewel. How strange, I thought, to think of this liquid gaseous juice, which we call water, trickling in the cracks of the earth! And just as the fish that live in it think of it as their world, and have little cognisance of what happens in the acid, unsubstantial air above, except the occasional terror of the dim, looming forms which come past, making the soft banks quiver and stir, so it may be with us; there may be a great mysterious world outside of us, of which we sometimes see the dark manifestations, and yet of the conditions of which we are wholly unaware.

And now it grew dark; the horizon began to redden and smoulder; the stream gleamed like a wan thread among the distant fields. It was time to hurry home, to dip in the busy tide of life again. Where was my sad mood gone? The clear air seemed to have blown through my mind, hands had been waved to me from leafless woods, quiet voices of field and stream had whispered me their secrets; "We would tell, if we could," they seemed to say. And I, listening, had learnt patience, too—for awhile.

IV

The Flower

I have made friends with a new flower. If it had a simple and wholesome English name, I would like to know it, though I do not care to know what ugly and clumsy title the botany books may give it; but it lives in my mind, a perfect and complete memory of brightness and beauty, and, as I have said, a friend.

It was in a steep sea-cove that I saw it. Round a small circular basin of blue sea ran up gigantic cliffs, grey limestone bluffs; here and there, where they were precipitous, slanted the monstrous wavy lines of distorted strata, thrust up, God alone knows how many ages ago, by some sharp and horrible shiver of the boiling earth. Little waves broke on the pebbly beach at our feet, and all the air was full of pleasant sharp briny savours. A few boats were drawn up on the shingle; lobster-pots, nets, strings of cork, spars, oars, lay in pleasant confusion, by the sandy road that led up to the tiny hamlet above. We had travelled far that day and were comfortably weary; we found a sloping ledge of turf upon which we sat, and presently became aware that on the little space of grass between us and the cliff must once have stood a cottage and a cottage garden. There was a broken wall behind us, and the little platform still held some garden flowers sprawling wildly, a stunted fruitbush or two, a knotted apple-tree.

My own flower, or the bushes on which it grew, had once, I think, formed part of the cottage hedge; but it had found a wider place to its liking, for it ran riot everywhere; it scaled the cliff, where, too, the golden wall-flowers of the garden had gained a footing; it fringed the sand-patches beyond us, it rooted itself firmly in the shingle. The plant had rough light-brown branches, which were now all starred with the greenest tufts imaginable; but the flower itself! On many of the bushes it was not yet fully out, and showed only in an abundance of small lilac balls, carefully folded; but just below me a cluster had found the sun and the air too sweet to resist, and had opened to the light. The flower was of a delicate veined purple, a five-pointed star, with a soft golden heart. All the open blossoms stared at me with a tranquil gaze, knowing I would not hurt them.

Below, two fishermen rowed a boat quietly out to sea, the sharp creaking of the rowlocks coming lazily to our ears in the pauses of the wind. The little waves fell with a soft thud, followed by the crisp echo of the surf, feeling all round the shingly cove. The whole place, in that fresh spring day, was unutterably peaceful and content.

And I too forgot all my busy schemes and hopes and aims, the tiny part I play in the world, with so much petty energy, such anxious responsibility. My purple-starred flower approved of my acquiescence, smiling trustfully upon me. "Here," it seemed to say, "I bloom and brighten, spring after spring. No one regards me, no one cares for me; no one praises my beauty; no one sorrows when these leaves grow pale, when I fall from my stem, when my dry stalks whisper together in the winter wind. But to you, because you have seen and loved me, I whisper my secret." And then the flower told me something that I cannot write even if I would, because it is in the language unspeakable, of which St Paul wrote that such words are not lawful for a man to utter; but they are heard in the third heaven of God.

Then I felt that if I could but remember what the flower said I should never grieve or strive or be sorrowful any more; but, as the wise Psalmist said, be content to tarry the Lord's leisure. Yet, even when I thought that I had the words by heart, they ceased like a sweet music that comes to an end, and which the mind cannot recover.

I saw many other things that day, things beautiful and wonderful, no doubt; but they had no voice for me, like the purple flower; or if they had, the sea wind drowned them in the utterance, for their voices were of the earth; but the flower's voice came, as I have said, from the innermost heaven.

I like well to go on pilgrimage; and in spite of weariness and rainy weather, and the stupid chatter of the men and women who congregate like fowls in inn-parlours, I pile a little treasure of sights and sounds in my guarded heart, memories of old buildings, spring woods, secluded valleys. All these are things seen, impressions registered and gratefully recorded. But my flower is somehow different from all these; and I shall never again hear the name of the place mentioned, or even see a map of that grey coast, without a quiet thrill of gladness at the thought that there, spring by spring, blooms my little friend, whose heart I read, who told me its secret; who will wait for me to return, and indeed will be faithfully and eternally mine, whether I return or no.

V

The Fens

I have lately become convinced—and I do not say it either sophistically, to plead a bad cause with dexterity, or resignedly, to make the best out of a poor business; but with a true and hearty conviction—that the most beautiful country in England is the flat fenland. I do not here mean moderately flat country, low sweeps of land, like the heaving of a dying groundswell; that has a miniature beauty, a stippled delicacy of its own, but it is not a fine quality of charm. The country that I would praise is the rigidly and mathematically flat country of Eastern England, lying but a few feet above the sea, plains which were once the bottoms of huge and ancient swamps.

In the first place, such country gives a wonderful sense of expanse and space; from an eminence of a few feet you can see what in other parts of England you have to climb a considerable hill to discern. I love to feast my eyes on the interminable rich level plain, with its black and crumbling soil; the long simple lines of dykes and water-courses carry the eye peacefully out to a great distance; then, too, by having all the landscape compressed into so narrow a space, into a belt of what is, to the eye, only a few inches in depth, you get an incomparable richness of colour. The solitary distant clumps of trees surrounding a lonely farm gain a deep intensity of tint from the vast green level all about them; and the line of the low far-off wolds, that close the view many miles away, is of a peculiar delicacy and softness; the eye, too, is provided with a foreground of which the elements are of the simplest; a reedy pool enclosed by willows, the clustered buildings of a farmstead; a grey church-tower peering out over churchyard elms; and thus, instead of being checked by near objects, and hemmed in by the limited landscape, the eye travels out across the plain with a sense of freedom and grateful repose. Then, too, there is the huge perspective of the sky; nowhere else is it possible to see, so widely, the slow march of clouds from horizon to horizon; it all gives a sense of largeness and tranquillity such as you receive upon the sea, with the additional advantage of having the solid earth beneath you, green and fertile, instead of the steely waste of waters.

A day or two ago I found myself beside the lower waters of the Cam, in flat pastures, full of ancient thorn-trees just bursting into bloom. I gained the towing-path, which led me out gradually into the heart of the fen; the river ran, or rather moved, a sapphire streak, between its high green flood-banks; the wide spaces between the embanked path and the stream were full of juicy herbage, great tracts of white cow-parsley, with here and there a reed-bed. I stood long to listen to the sharp song of the reed-warbler, slipping from spray to spray of a willow-patch. Far to the north the great tower of Ely rose blue and dim above the low lines of trees; in the centre of the pastures lay the long brown line of the sedge-beds of Wicken Mere, almost the only untouched tract of fenland; slow herds of cattle grazed, more and more minute, in the unhedged pasture-land, and the solitary figure of a labourer moving homeward on the top of the green dyke, seemed in the long afternoon to draw no nearer. Here and there were the floodgates of a lode, with the clear water slowly spilling itself over the rim of the sluice, full of floating weed. There was something infinitely reposeful in the solitude, the width of the landscape; there was no sense of crowded life, no busy figures, intent on their small aims, to cross one's path, no conflict, no strife, no bitterness, no insistent voice; yet there was no sense of desolation, but rather the spectacle of glad and simple lives of plants and birds in the free air, their wildness tamed by the far-off and controlling hand of man, the calm earth patiently serving his ends. I seemed to have passed out of modern life into a quieter and older world, before men congregated into cities, but lived the quiet and sequestered life of the country side; and little by little there stole into my heart something of a dreamful tranquillity, the calm of the slow brimming stream, the leisurely herds, the growing grass. All seemed to be moving together, neither lingering nor making haste, to some far-off end within the quiet mind of God. Everything seemed to be waiting, musing, living the untroubled life of nature, with no thought of death or care or sorrow. I passed a trench of still water that ran as far as the eye could follow it across the flat; it was full from end to end of the beautiful water violet, the pale lilac flowers, with their faint ethereal scent, clustered on the head of a cool emerald spike, with the rich foliage of the plant, like fine green hair, filling the water. The rising of these beautiful forms, by some secret consent, in their appointed place and time, out of the fresh clear water, brought me a wistful sense of peace and order, a desire for I hardly know what—a poised stateliness of life, a tender beauty—if I could but win it for myself!

On and on, hour by hour, that still bright afternoon, I made my slow way over the fen; insensibly and softly the far-off villages fell behind; and yet I seemed to draw no nearer to the hills of the horizon. Now and then I passed a lonely grange; once or twice I came near to a tall shuttered engine-house of pale brick, and heard the slow beat of the pumps within, like the pulse of a hidden heart, which drew the marsh-water from a hundred runlets, and poured it slowly seawards. Field after field slid past me, some golden from end to end with buttercups, some waving with young wheat, till at last I reached a solitary inn beside a ferry, with the quaint title: "No hurry! five miles from anywhere." And here I met with a grave and kindly welcome, such as warms the heart of one who goes on pilgrimage: as though I was certainly expected, and as if the lord of the place had given charge concerning me. It would indeed hardly have surprised me if I had been had into a room, and shown strange symbols of good and evil; or if I had been given a roll and a bottle, and a note of the way. But no such presents were made to me, and it was not until after I had left the little house, and had been ferried in an old blackened boat across the stream, that I found that I had the gifts in my bosom all the while.

The roll was the fair sight that I had seen, in this world where it is so sweet to live. My cordial was the peace within my spirit. And as for the way, it seemed plain enough that day, easy to discern and follow; and the heavenly city itself as near and visible as the blue towers that rose so solemnly upon the green horizon.

VI

The Well and the Chapel

It is not often that one is fortunate enough to see two perfectly beautiful things in one day. But such was my fortune in the late summer, on a day that was in itself perfect enough to show what September can do, if he only has a mind to plan hours of delight for man. The distance was very blue and marvellously clear. The trees had the bronzed look of the summer's end, with deep azure shadows. The cattle moved slowly about the fields, and there was harvesting going on, so that the villages we passed seemed almost deserted. I will not say whence we started or where we went, and I shall mention no names at all, except one, which is of the nature of a symbol or incantation; for I do not desire that others should go where I went, unless I could be sure that they went with the same peace in their hearts that I bore with me that day.

One of the places we visited on purpose; the other we saw by accident. On the small map we carried was marked, at the corner of a little wood that seemed to have no way to it, a well with the name of a saint, of whom I never heard, though I doubt not she is written in the book of God.

We reached the nearest point to the well upon the road, and we struck into the fields; that was a sweet place where we found ourselves! In ancient days it had been a marsh, I think. For great ditches ran everywhere, choked with loose-strife and water-dock, and the ground quaked as we walked, a pleasant springy black mould, the dust of endless centuries of the rich water plants.

To the left, the ground ran up sharply in a minute bluff, with the soft outline of underlying chalk, covered with small thorn-thickets; and it was all encircled with small, close woods, where we heard the pheasants scamper. We found an old, slow, bovine man, with a cheerful face, who readily threw aside some fumbling work he was doing, and guided us; and we should never have found the spot without him. He led us to a stream, crossed by a single plank with a handrail, on which some children had put a trap, baited with nuts for the poor squirrels, that love to run chattering across the rail from wood to wood. Then we entered a little covert; it was very pleasant in there, all dark and green and still; and here all at once we came to the place; in the covert were half a dozen little steep pits, each a few yards across, dug out of the chalk. From each of the pits, which lay side by side, a channel ran down to the stream, and in each channel flowed a small bickering rivulet of infinite clearness. The pits themselves were a few feet deep; at the bottom of each was a shallow pool, choked with leaves; and here lay the rare beauty of the place. The water rose in each pit out of secret ways, but in no place that we could see. The first pit was still when we looked upon it; then suddenly the water rose in a tiny eddy, in one corner, among the leaves, sending a little ripple glancing across the pool. It was as though something, branch or insect, had fallen from above, the water leapt so suddenly. Then it rose again in another place, then in another; then five or six little freshets rose all at once, the rings crossing and recrossing. And it was the same in all the pits, which we visited one by one; we descended and drank, and found the water as cold as ice, and not less pure; while the old man babbled on about the waste of so much fine water, and of its virtues for weak eyes: "Ain't it cold, now? Ain't it, then? My God, ain't it?"—he was a man with a rich store of simple asseverations,—"And ain't it good for weak eyes neither! You must just come to the place the first thing in the morning, and wash your eyes in the water, and ain't it strengthening then!" So he chirped on, saying everything over and over, like a bird among the thickets.

We paid him for his trouble, with a coin that made him so gratefully bewildered that he said to us: "Now, gentlemen, if there's anything else that you want, give it a name; and if you meet any one as you go away, say 'Perrett told me' (Perrett's my name), and then you'll see!" What the precise virtue of this invocation was, we did not have an opportunity of testing, but that it was a talisman to unlock hidden doors, I make no doubt.

We went back silently over the fields, with the wonder of the thing still in our minds. To think of the pure wells bubbling and flashing, by day and by night, in the hot summer weather, when the smell of the wood lies warm in the sun; on cold winter nights under moon and stars, for ever casting up the bright elastic jewel, that men call water, and feeding the flowing stream that wanders to the sea. I was very full of gratitude to the pure maiden saint that lent her name to the well and I am sure she never had a more devout pair of worshippers.

So we sped on in silence, thinking—at least I thought—how the water leaped and winked in the sacred wells, and how clear showed the chalk, and the leaves that lay at the bottom: till at last we drew to our other goal. "Here is the gate," said my companion at last.

On one side of the road stood a big substantial farm; on the other, by a gate, was a little lodge. Here a key was given us by an old hearty man, with plenty of advice of a simple and sententious kind, until I felt as though I were enacting a part in some little Pilgrim's Progress, and as if Mr Interpreter himself, with a very grave smile, would come out and have me into a room by myself, to see some odd pleasant show that he had provided. But it was perhaps more in the manner of Evangelist, for our guide pointed with his finger across a very wide field, and showed us a wicket to enter in at.

Here was a great flat grassy pasture, the water again very near the surface, as the long-leaved water-plants, that sprawled in all the ditches, showed. But when we reached the wicket we seemed to be as far removed from humanity as dwellers in a lonely isle. A few cattle grazed drowsily, and the crisp tearing of the grass by their big lips came softly across the pasture. Inside the wicket stood a single ancient house, uninhabited, and festooned with ivy into a thing more bush than house; though a small Tudor window peeped from the leaves, like the little suspicious eye of some shaggy beast.

A stone's throw away lay a large square moat, full of water, all fringed with ancient gnarled trees; the island which it enclosed was overgrown with tiny thickets of dishevelled box-trees, and huge sprawling laurels; we walked softly round it, and there was our goal: a small church of a whitish stone, in the middle of a little close of old sycamores in stiff summer leaf.

It stood so remote, so quietly holy, so ancient, that I could think of nothing but the "old febel chapel" of the Morte d'Arthur. It had, I know not why, the mysterious air of romance all about it. It seemed to sit, musing upon what had been and what should be, smilingly guarding some tender secret for the pure-hearted, full of the peace the world cannot give.

Within it was cool and dark, and had an ancient holy smell; it was furnished sparely with seat and screen, and held monuments of old knights and ladies, sleeping peacefully side by side, heads pillowed on hands, looking out with quiet eyes, as though content to wait.

Upon the island in the moat, we learned, had stood once a flourishing manor, but through what sad vicissitudes it had fallen into dust I care not. Enough that peaceful lives had been lived there; children had been born, had played on the moat-edge, had passed away to bear children of their own, had returned with love in their hearts for the old house. From the house to the church children had been borne for baptism; merry wedding processions had gone to and fro, happy Christmas groups had hurried backwards and forwards; and the slow funeral pomp had passed thither, under the beating of the slow bell, bearing one that should not return.

Something of the love and life and sorrow of the good days passed into my mind, and I gave a tender thought to men and women whom I had never known, who had tasted of life, and of joyful things that have an end; and who now know the secret of the dark house to which we all are bound.

When we at last rose unwillingly to go, the sun was setting, and flamed red and brave through the gnarled trunks of the little wood; the mist crept over the pasture, and far away the lights of the lonely farm began to wink through the gathering dark.

But I had seen! Something of the joy of the two sweet places had settled in my mind; and now, in fretful, weary, wakeful hours, it is good to think of the clear wells that sparkle so patiently in the dark wood; and, better still, to wander in mind about the moat and the little silent church; and to wonder what it all means; what the love is that creeps over the soul at the sight of these places, so full of a remote and delicate beauty; and whether the hunger of the heart for peace and permanence, which visits us so often in our short and difficult pilgrimage, has a counterpart in the land that is very far off.

VII

The Cuckoo

I have been much haunted, indeed infested, if the word may be pardoned, by cuckoos lately. When I was a child, acute though my observation of birds and beasts and natural things was, I do not recollect that I ever saw a cuckoo, though I often tried to stalk one by the ear, following the sweet siren melody, as it dropped into the expectant silence from a hedgerow tree; and I remember to have heard the notes of two, that seemed to answer each other, draw closer each time they called.

But of late I have become familiar with the silvery grey body and the gliding flight; and this year I have been almost dogged by them. One flew beside me, as I rode the other day, for nearly a quarter of a mile along a hedgerow, taking short gliding flights, and settling till I came up; I could see his shimmering wings and his long barred tail. I dismounted at last, and he let me watch him for a long time, noting his small active head, his decent sober coat. Then, when he thought I had seen enough, he gave one rich bell-like call, with the full force of his soft throat, and floated off.

He seemed loath to leave me. But what word or gift, I thought, did he bring with him, false and pretty bird? Do I too desire that others should hatch my eggs, content with flute-like notes of pleasure?

And yet how strange and marvellous a thing this instinct is; that one bird, by an absolute and unvarying instinct, should forego the dear business of nesting and feeding, and should take shrewd advantage of the labours of other birds! It cannot be a deliberately reasoned or calculated thing; at least we say that it cannot; and yet not Darwin and all his followers have brought us any nearer to the method by which such an instinct is developed and trained, till it has become an absolute law of the tribe; making it as natural a thing for the cuckoo to search for a built nest, and to cast away its foundling egg there, as it is for other birds to welcome and feed the intruder. It seems so satanically clever a thing to do; such a strange fantastic whim of the Creator to take thought in originating it! It is this whimsicality, the bizarre humour in Nature, that puzzles me more than anything in the world, because it seems like the sport of a child with odd inconsequent fancies, and with omnipotence behind it all the time. It seems strange enough to think of the laws that govern the breeding, nesting, and nurture of birds at all, especially when one considers all the accidents that so often make the toil futile, like the stealing of eggs by other birds, and the predatory incursions of foes. One would expect a law, framed by omnipotence, to be invariable, not hampered by all kinds of difficulties that omnipotence, one might have thought, could have provided against. And then comes this further strange variation in the law, in the case of this single family of birds, and the mystery thickens and deepens. And stranger than all is the existence of the questioning and unsatisfied human spirit, that observes these things and classifies them, and that yet gets no nearer to the solution of the huge, fantastic, patient plan! To make a law, as the Creator seems to have done; and then to make a hundred other laws that seem to make the first law inoperative; to play this gigantic game century after century; and then to put into the hearts of our inquisitive race the desire to discover what it is all about; and to leave the desire unsatisfied. What a labyrinthine mystery! Depth beyond depth, and circle beyond circle!

It is a dark and bewildering region that thus opens to the view. But one conclusion is to beware of seeming certainties, to keep the windows of the mind open to the light; not to be over-anxious about the little part we have to play in the great pageant, but to advance, step by step, in utter trustfulness.

Perhaps that is your message to me, graceful bird, with the rich joyful note! With what a thrill, too, do you bring back to me the brightness of old forgotten springs, the childish rapture at the sweet tunable cry! Then, in those far-off days, it was but the herald of the glowing summer days, the time of play and flowers and scents. But now the soft note, it seems, opens a door into the formless and uneasy world of speculation, of questions that have no answer, convincing me of ignorance and doubt, bidding me beat in vain against the bars that hem me in. Why should I crave thus for certainty, for strength? Answer me, happy bird! Nay, you guard your secret. Softer and more distant sound the sweet notes, warning me to rest and believe, telling me to wait and hope.

But one further thought! One is expected, by people of conventional and orthodox minds, to base one's conceptions of God on the writings of frail and fallible men, and to accept their slender and eager testimony to the occurrence of abnormal events as the best revelation of God that the world contains. And all the while we disregard his own patient writing upon the wall. Every day and every hour we are confronted with strange marvels, which we dismiss from our minds because, God forgive us, we call them natural; and yet they take us back, by a ladder of immeasurable antiquity, to ages before man had emerged from a savage state. Centuries before our rude forefathers had learned even to scratch a few hillocks into earthworks, while they lived a brutish life, herding in dens and caves, the cuckoo, with her traditions faultlessly defined, was paying her annual visits, fluting about the forest glades, and searching for nests into which to intrude her speckled egg. The patient witness of God! She is as direct a revelation of the Creator's mind, could we but interpret the mystery of her instincts, as Augustine himself with his scheme of salvation logically defined. Each of these missions, whether of bird or man, a wonder and a marvel! But do we not tend to accept the eager and childish hopes of humanity, arrayed with blithe certainty, as a nearer evidence of the mind of God than the bird that at his bidding pursues her annual quest, unaffected by our hasty conclusions, unmoved by our glorified visions? I have sometimes thought that Christ probably spoke more than is recorded about the observation of Nature; the hearts of those that heard him were so set on temporal ends and human applications, that they had not perhaps leisure or capacity to recollect aught but those few scattered words, that seem to speak of a deep love for and insight into the things of earth. They remembered better that Christ blasted a fig-tree for doing what the Father bade the poor plant do, than his tender dwelling upon grasses and lilies, sparrow and sheep. The withering of the tree made an allegory: while the love of flowers and streams was to those simple hearts perhaps an unaccountable, almost an eccentric thing. But had Christ drawn human breath in our bleaker Northern air, he would have perhaps, if those that surrounded him had had leisure and grace to listen, drawn as grave and comforting a soul-music from our homely cuckoo, with her punctual obedience, her unquestioning faith, as he did from the birds and flowers of the hot hillsides, the pastoral valleys of Palestine. I am sure he would have loved the cuckoo, and forgiven her her heartless customs. Those that sing so delicately would not have leisure and courage to make their music so soft and sweet, if they had not a hard heart to turn to the sorrows of the world.

Yet still I am no nearer the secret. God sends me, here the frozen peak, there the blue sea; here the tiger, there the cuckoo; here Virgil, there Jeremiah; here St Francis of Assisi, there Napoleon. And all the while, as he pushes his fair or hurtful toys upon the stage, not a whisper, not a smile, not a glance escapes him; he thrusts them on, he lays them by; but the interpretation he leaves with us, and there is never a word out of the silence to show us whether we have guessed aright.

VIII

Spring-time

Yesterday was a day of brisk airs. The wind was at work brushing great inky clouds out of the sky. They came sailing up, those great rounded masses of dark vapour, like huge galleons driving to the West, spilling their freight as they came. The air would be suddenly full of tall twisted rain-streaks, and then would come a bright burst of the sun.

But a secret change came in the night; some silent power filled the air with warmth and balm. And to-day, when I walked out of the town with an old and familiar friend, the spring had come. A maple had broken into bloom and leaf; a chestnut was unfolding his gummy buds; the cottage gardens were full of squills and hepatica; and the mezereons were all thick with damask buds. In green and sheltered underwoods there were bursts of daffodils; hedges were pricked with green points; and a delicate green tapestry was beginning to weave itself over the roadside ditches.

The air seemed full of a deep content. Birds fluted softly, and the high elms which stirred in the wandering breezes were all thick with their red buds. There was so much to look at and to point out that we talked but fitfully; and there was, too, a gentle languor abroad which made us content to be silent.

In one village which we passed, a music-loving squire had made a concert for his friends and neighbours, and doubtless, too, for our vagrant delight; we stood uninvited to listen to a tuneful stir of violins, which with a violoncello booming beneath, broke out very pleasantly from the windows of a village school-room.

When body and mind are fresh and vigorous, these outside impressions often lose, I think, their sharp savours. One is preoccupied with one's own happy schemes and merry visions; the bird sings shrill within its cage, and claps its golden wings. But on such soft and languorous days as these days of early spring, when the body is unstrung, and the bonds and ties that fasten the soul to its prison are loosened and unbound, the spirit, striving to be glad, draws in through the passages of sense these swift impressions of beauty, as a thirsty child drains a cup of spring-water on a sun-scorched day, lingering over the limpid freshness of the gliding element. The airy voices of the strings being stilled, with a sort of pity for those penned in the crowded room, interchanging the worn coinage of civility, we stood a while looking in at a gate, through which we could see the cool front of a Georgian manor-house, built of dusky bricks, with coigns and dressings of grey stone. The dark windows with their thick white casements, the round-topped dormers, the steps up to the door, and a prim circle of grass which seemed to lie like a carpet on the pale gravel, gave the feeling of a picture; the whole being framed in the sombre yews of shrubberies which bordered the drive. It was hard to feel that the quiet house was the scene of a real and active life; it seemed so full of a slumberous peace, and to be tenanted only by soft shadows of the past. And so we went slowly on by the huge white-boarded mill, its cracks streaming with congealed dust of wheat, where the water thundered through the sluices and the gear rattled within.

We crossed the bridge, and walked on by a field-track that skirted the edge of the wold. How thin and clean were the tints of the dry ploughlands and the long sweep of pasture! Presently we were at the foot of a green drift-road, an old Roman highway that ran straight up into the downs. On such a day as this, one follows a spirit in one's feet, as Shelley said; and we struck up into the wold, on the green road, with its thorn-thickets, until the chalk began to show white among the ruts; and we were soon at the top. A little to the left of us appeared, in the middle of the pasture, a tiny round-topped tumulus that I had often seen from a lower road, but never visited. It was fresher and cooler up here. On arriving at the place we found that it was not a tumulus at all, but a little outcrop of the pure chalk. It had steep, scarped sides with traces of caves scooped in them. The grassy top commanded a wide view of wold and plain.

Our talk wandered over many things, but here, I do not know why, we were speaking of the taking up of old friendships, and the comfort and delight of those serene and undisturbed relations which one sometimes establishes with a congenial person, which no lapse of time or lack of communication seems to interrupt—the best kind of friendship. There is here no blaming of conditions that may keep the two lives apart; no feverish attempt to keep up the relation, no resentment if mutual intercourse dies away. And then, perhaps, in the shifting of conditions, one's life is again brought near to the life of one's friend, and the old easy intercourse is quietly resumed. My companion said that such a relation seemed to him to lie as near to the solution of the question of the preservation of identity after death as any other phenomenon of life. "Supposing," he said, "that such a friendship as that of which we have spoken is resumed after a break of twenty years. One is in no respect the same person; one looks different, one's views of life have altered, and physiologists tell us that one's body has changed perhaps three times over, in the time, so that there is not a particle of our frame that is the same; and yet the emotion, the feeling of the friendship remains, and remains unaltered. If the stuff of our thoughts were to alter as the materials of our body alter, the continuity of such an emotion would be impossible. Of course it is difficult to see how, divested of the body, our perceptions can continue; but almost the only thing we are really conscious of is our own identity, our sharp separation from the mass of phenomena that are not ourselves. And, if an emotion can survive the transmutation of the entire frame, may it not also survive the dissolution of that frame?"

"Could it be thus?" I said. "A ray of light falls through a chink in a shutter; through the ray, as we watch it, floats an infinite array of tiny motes, and it is through the striking of the light upon them that we are aware of the light; but they are never the same. Yet the ray has a seeming identity, though even the very ripples of light that cause it are themselves ever changing, ever renewed. Could not the soul be such a ray, illuminating the atoms that pass through it, and itself a perpetual motion, a constant renewal?"

But the day warned us to descend. The shadows grew longer, and a great pale light of sunset began to gather in the West. We came slowly down through the pastures, till we joined the familiar road again. And at last we parted, in that wistful silence that falls upon the mood when two spirits have achieved a certain nearness of thought, have drawn as close as the strange fence of identity allows. But as I went home, I stood for a moment at the edge of a pleasant grove, an outlying pleasaunce of a great house on the verge of the town. The trees grew straight and tall within it, and all the underwood was full of spring flowers and green ground-plants, expanding to light and warmth; the sky was all full of light, dying away to a calm and liquid green, the colour of peace. Here I encountered another friend, a retiring man of letters, who lives apart from the world in dreams of his own. He is a bright-eyed, eager creature, tall and shadowy, who has but a slight hold upon the world. We talked for a few moments of trivial things, till a chance question of mine drew from him a sad statement of his own health. He had been lately, he said, to a physician, and had been warned that he was in a somewhat precarious condition. I tried to comfort him, but he shook his head; and though he tried to speak lightly and cheerfully, I could see that there was a shadow of doom upon him.

As I turned to go, he held up his hand, "Listen to the birds!" he said. We were silent, and could hear the clear flute-like notes of thrushes hidden in the tall trees, and the soft cooing of a dove. "That gives one," he said, "some sense of the happiness which one cannot capture for oneself!" He smiled mournfully, and in a moment I saw his light figure receding among the trees. What a world it is for sorrow! My friend was going, bearing the burden of a lonely grief, which I could not lighten for him; and yet the whole scene was full of so sweet a content, the birds full of hope and delight, the flowers and leaves glad to feel themselves alive. What was one to make of it all? Where to turn for light? What conceivable benefit could result from thus perpetually desiring to know and perpetually being baffled?

Yet, after all, to-day has been one of those rare days, like the gold sifted from the débris of the mine, which has had for me, by some subtle alchemy of the spirit, the permanent quality which is often denied to more stirring incidents and livelier experiences. I had seen the mysteries of life and death, of joy and sorrow, sharply and sadly contrasted. I had been one with Nature, with all her ardent ecstasies, her vital impulses; and then I had seen too the other side of the picture, a soul confronted with the mystery of death, alone in the shapeless gloom; the very cries and stirrings and joyful dreams of Nature bringing no help, but only deepening the shadow.

And there came too the thought of how little such easy speculations as we had indulged in on the grassy mound, thoughts which seemed so radiant with beauty and mystery, how little they could sustain or comfort the sad spirit which had entered into the cloud.

So that bright first day of spring shaped itself for me into a day when not only the innocent and beautiful flowers of the world rose into life and sunshine; but a day when sadder thoughts raised their head too, red flowers of suffering, and pale blooms of sadness; and yet these too can be woven into the spirit's coronal, I doubt not, if one can but find heart to do it, and patience for the sorrowful task.

IX

The Hare

I have just read a story that has moved me strangely, with a helpless bewilderment and a sad anger of mind. When the doors of a factory, in the heart of a northern town, were opened one morning, a workman, going to move a barrel that stood in a corner, saw something crouching behind it that he believed to be a dog or cat. He pushed it with his foot, and a large hare sprang out. I suppose that the poor creature had been probably startled by some dog the evening before, in a field close to the town, had fled in the twilight along the streets, frightened and bewildered, and had slipped into the first place of refuge it had found; had perhaps explored its prison in vain, when the doors were shut, with many dreary perambulations, and had then sunk into an uneasy sleep, with frequent timid awakenings, in the terrifying unfamiliar place.

The man who had disturbed it shouted aloud to the other workmen who were entering; the doors were shut, and the hare was chased by an eager and excited throng from corner to corner; it fled behind some planks; the planks were taken up; it made, in its agony of fear, a great leap over the men who were bending down to catch it; it rushed into a corner behind some tanks, from which it was dislodged with a stick. For half an hour the chase continued, until at last it was headed into a work-room, where it relinquished hope; it crouched panting, with its long ears laid back, its pretty brown eyes wide open, as though wondering desperately what it had done to deserve such usage; until it was despatched with a shower of blows, and the limp, bleeding body handed over to its original discoverer.

Not a soul there had a single thought of pity for the creature; they went back to work pleased, excited, amused. It was a good story to tell for a week, and the man who had struck the last blows became a little hero for his deftness. The old savage instinct for prey had swept fiercely up from the bottom of these rough hearts—hearts capable, too, of tenderness and grief, of compassion for suffering, gentle with women and children. It seems to be impossible to blame them, and such blame would have been looked upon as silly and misplaced sentiment. Probably not even an offer of money, far in excess of the market value of the dead body, if the hare could be caught unharmed, would have prevailed at the moment over the instinct for blood.

There are many hares in the world, no doubt, and nous sommes tous condamnés. But that the power which could call into being so harmless, pretty, and delicately organised a creature does not care or is unable to protect it better, is a strange mystery. It cannot be supposed that the hare's innocent life deserved such chastisement; and it is difficult to believe that suffering, helplessly endured at one point of the creation, can be remedial at another. Yet one cannot bear to think that the extremity of terror and pain, thus borne by a sensitive creature, either comes of neglect, or of cruel purpose, or is merely wasted. And yet the chase and the slaughter of the unhappy thing cannot be anything but debasing to those who took part in it. And at the same time, to be angry and sorry over so wretched an episode seems like trying to be wiser than the mind that made us. What single gleam of brightness is it possible to extract from the pitiful little story? Only this: that there must lie some tender secret, not only behind what seems a deed of unnecessary cruelty, but in the implanting in us of the instinct to grieve with a miserable indignation over a thing we cannot cure, and even in the withholding from us any hope that might hint at the solution of the mystery.

But the thought of the seemly fur stained and bedabbled, the bright hazel eyes troubled with the fear of death, the silky ears, in which rang the horrid din of pursuit, rises before me as I write, and casts me back into the sad mood, that makes one feel that the closer that one gazes into the sorrowful texture of the world, the more glad we may well be to depart.

X

The Diplodocus

I have had my imagination deeply thrilled lately by reading about the discovery in America of the bones of a fossil animal called the Diplodocus. I hardly know what the word is derived from, but it might possibly mean an animal which takes twice as much, of nourishment, perhaps, or room; either twice as much as is good for it, or twice as much as any other animal. In either case it seems a felicitous description. The creature was a reptile, a gigantic toad or lizard that lived, it is calculated, about three million years ago. It was in Canada that this particular creature lived. The earth was then a far hotter place than now; a terrible steaming swamp, full of rank and luxuriant vegetation, gigantic palms, ferns as big as trees. The diplodocus was upwards of a hundred feet long, a vast inert creature, with a tough black hide. In spite of its enormous bulk its brain was only the size of a pigeon's egg, so that its mental processes must have been of the simplest. It had a big mouth full of rudimentary teeth, of no use to masticate its food, but just sufficing to crop the luxuriant juicy vegetable stalks on which it lived, and of which it ate in the course of the day as much as a small hayrick would contain. The poisonous swamps in which it crept can seldom have seen the light of day; perpetual and appalling torrents of rain must have raged there, steaming and dripping through the dim and monstrous forests, with their fallen day, varied by long periods of fiery tropical sunshine. In this hot gloom the diplodocus trailed itself about, eating, eating; living a century or so; loving, as far as a brain the size of a pigeon's egg can love, and no doubt with a maternal tenderness for its loathly offspring. It had but few foes, though, in the course of endless generations, there sprang up a carnivorous race of creatures which seem to have found the diplodocus tender eating. The particular diplodocus of which I speak probably died of old age in the act of drinking, and was engulfed in a pool of the great curdling, reedy river that ran lazily through the forest. The imagination sickens before the thought of the speedy putrefaction of such a beast under such conditions; but this process over, the creature's bones lay deep in the pool.

Another feature of the earth at that date must have been the vast volcanic agencies at work; whole continents were at intervals submerged or uplifted. In this case the whole of the forest country, where the diplodocus lay, was submerged beneath the sea, and sank to a depth of several leagues; for, in the course of countless ages, sea-ooze, to a depth of at least three miles, was deposited over the forest, preserving the trunks and even the very sprays of the tropical vegetation. Who would suppose that the secret history of this great beast would ever be revealed, as it lay century after century beneath the sea-floor? But another convulsion took place, and a huge ridge of country, forming the rocky backbone of North and South America, was thrust up again by a volcanic convulsion, so that the diplodocus now lay a mile above the sea, with a vast pile of downs over his head which became a huge range of snow mountains. Then the rain and the sun began their work; and the whole of the immense bed of uplifted ocean-silt, now become chalk, was carried eastward by mighty rivers, forming the whole continent of North America, between these mountains and the eastern sea. At last the tropic forest was revealed again, a wide tract of petrified tree-trunks and fossil wood. And then out of an excavation, made where one of the last patches of the chalk still lay in a rift of the hills, where the old river-pool had been into which the great beast had sunk, was dug the neck-bone of the creature. Curiosity was aroused by the sight of this fragment of an unknown animal, and bit by bit the great bones came to light; some portions were missing, but further search revealed the remains of three other specimens of the great lizard, and a complete skeleton was put together.

The mind positively reels before the story that is here revealed; we, who are feebly accustomed to regard the course of recorded history as the crucial and critical period of the life of the world, must be sobered by the reflection that the whole of the known history of the human race is not the thousandth, not the ten-thousandth part of the history of the planet. What does this vast and incredible panorama mean to us? What is it all about? This ghastly force at work, dealing with life and death on so incredible a scale, and yet guarding its secret so close? The diplodocus, I imagine, seldom indulged in reveries as to how it came to be there; it awoke to life; its business was to crawl about in the hot gloom, to eat, and drink, and sleep, to propagate its kind; and not the least amazing part of the history is that at length should have arisen a race of creatures, human beings, that should be able to reconstruct, however faintly, by investigation, imagination, and deduction, a picture of the dead life of the world. It is this capacity for arriving at what has been, for tracing out the huge mystery of the work of God, that appears to me the most wonderful thing of all. And yet we seem no nearer to the solution of the secret; we come into the world with this incredible gift of placing ourselves, so to speak, on the side of the Creator, of surveying his work; and yet we cannot guess what is in his heart; the stern and majestic eyes of Nature behold us stonily, permitting us to make question, to explore, to investigate, but withholding the secret. And in the light of those inscrutable eyes, how weak and arrogant appear our dogmatic systems of religion, that would profess to define and read the very purposes of God; our dearest conceptions of morality, our pathetic principles, pale and fade before these gigantic indications of mysterious, indifferent energy.

Yet even here, I think, the golden thread gleams out in the darkness; for slight and frail as our so-called knowledge, our beliefs, appear, before that awful, accumulated testimony of the past, yet the latest development is none the less the instant guiding of God; it is all as much a gift from him as the blind impulses of the great lizard in the dark forest; and again there emerges the mighty thought, the only thought that can give us the peace we seek, that we are all in his hand, that nothing is forgotten, nothing is small or great in his sight; and that each of our frail, trembling spirits has its place in the prodigious scheme, as much as the vast and fiery globe of the sun on the one hand, and, on the other, the smallest atom of dust that welters deep beneath the sea. All that is, exists; indestructible, august, divine, capable of endless rearrangement, infinite modifications, but undeniably there.

This truth, however dimly apprehended, however fitfully followed, ought to give us a certain confidence, a certain patience. In careless moods we may neglect it; in days of grief and pain we may feel that it cannot help us; but it is the truth; and the more we can make it our own, the deeper that we can set it in our trivial spirits, the better are we prepared to learn the lesson which the deepest instinct of our nature bids us believe, that the Father is trying to teach us, or is at least willing that we should learn if we can.

XI

The Beetle

How strange it is that sometimes the smallest and commonest incident, that has befallen one a hundred times before, will suddenly open the door into that shapeless land of fruitless speculation; the land on to which, I think, the Star Wormwood fell, burning it up and making it bitter; the land in which we most of us sometimes have to wander, and always alone.

It was such a trifling thing after all. I was bicycling very pleasantly down a country road to-day, when one of those small pungent beetles, a tiny thing, in black plate-armour, for all the world like a minute torpedo, sailed straight into my eye. The eyelid, quicker even than my own thought, shut itself down, but too late. The little fellow was engulphed in what Walt Whitman would call the liquid rims. These small, hard creatures are tenacious of life, and they have, moreover, the power of exuding a noxious secretion—an acrid oil, with a strong scent, and even taste, of saffron. It was all over in a moment. I rubbed my eye, and I suppose crushed him to death; but I could not get him out, and I had no companion to extract him; the result was that my eye was painful and inflamed for an hour or two, till the tiny, black, flattened corpse worked its way out for itself.

Now, that is not a very marvellous incident; but it set me wondering. In the first place, what a horrible experience for the creature; in a moment, as he sailed joyfully along, saying, "Aha," perhaps, like the war-horse among the trumpets, on the scented summer breeze, with the sun warm on his mail, to find himself stuck fast in a hot and oozy crevice, and presently to be crushed to death. His little taste of the pleasant world so soon over, and for me an agreeable hour spoilt, so far as I could see, to no particular purpose.

Now, one is inclined to believe that such an incident is what we call fortuitous; but the only hope we have in the world is to believe that things do not happen by chance. One believes, or tries to believe, that the Father of all has room in his mind for the smallest of his creatures; that not a sparrow, as Christ said, falls to the ground without his tender care. Theologians tell us that death entered into the world by sin; but it is not consistent to believe that, whereas both men and animals suffer and die, the sufferings and death of men are caused by their sins, or by the sins of their ancestors, while animals suffer and die without sin being the cause. Surely the cause must be the same for all the creation? and still less is it possible to believe that the suffering and death of creatures is caused by the sin of man, because they suffered and died for thousands of centuries before man came upon the scene.

If God is omnipotent and all-loving, we are bound to believe that suffering and death are sent by him deliberately, and not cruelly. One single instance, however minute, that established the reverse, would vitiate the whole theory; and if so, then we are the sport of a power that is sometimes kind and sometimes malignant. An insupportable thought!

Is it possible to conceive that the law of sin works in the lower creation, and that they, too, are punished, or even wisely corrected, for sinning against such light as they have? Had the little beetle that sailed across my path acted in such a way that he had deserved his fate? Or was his death meant to make him a better, a larger-minded beetle? I cannot bring myself to believe that. Perhaps a philosophical theologian would say that creation was all one, and that suffering at one point was remedial at some other point. I am not in a position to deny the possibility of that, but I am equally unable to affirm that it is so. There is no evidence which would lead me to think it. It only seems to me necessary to affirm it, in order to confirm the axiom that God is omnipotent and all-loving. Much in nature and in human life would seem to be at variance with that.

It may be said that one is making too much of a minute incident; but such incidents are of hourly occurrence all the world over; and the only possible method for arriving at truth is the scientific method of cumulative evidence. The beetle was small, indeed, and infinitely unimportant in the scheme of things. But he was all in all to himself. The world only existed so far as he was concerned, through his tiny consciousness.

The old-fashioned religious philosophers held that man was the crown and centre of creation, and that God was mainly preoccupied with man's destiny. They maintained that all creatures were given us for our use and enjoyment. The enjoyment that I derived from the beetle, in this case, was not conspicuous. But I suppose that such cheerful optimists would say that the beetle was sent to give me a little lesson in patience, to teach me not to think so much about myself. But, as a matter of fact, the little pain I suffered made me think more of myself than I had previously been doing; it turned me for the time from a bland and hedonistic philosopher into a petulant pessimist, because it seemed that no one was the better for the incident; certainly, if life is worth having at all, the beetle was no better off, and in my own case I could trace no moral improvement. I had been harmlessly enough employed in getting air and exercise in the middle of hard work. It was no vicious enjoyment that was temporarily suspended.

Again, there are people who would say that to indulge in such reveries is morbid; that one must take the rough with the smooth, and not trouble about beetles or inflamed eyes. But if one is haunted by the hopeless desire to search out the causes of things, such arguments do not assist one. Such people would say, "Oh, you must take a larger or wider view of it all, and not strain at gnats!" But the essence of God's omnipotence is, that while he can take the infinitely wide view of all created things, he can also take, I would fain believe, the infinitely just and minute point of view, and see the case from the standpoint of the smallest of his creatures!

What, then, is my solution? That is the melancholy part of it; I am not prepared to offer one. I am met on every side by hopeless difficulties. I am tempted to think that God is not at all what we imagine him to be; that our conceptions of benevolence and justice and love are not necessarily true of him at all. That he is not in the least like our conceptions of him; that he has no particular tenderness about suffering, no particular care for animal life. Nature would seem to prove that at every turn; and yet, if it be true, it leaves me struggling in a sad abyss of thought; it substitutes for our grave, beautiful, and hopeful conceptions of God a kind of black mystery which, I confess, lies very heavy on the heart, and seems to make effort vain.

And thus I fall back again upon faith and hope. I know that I wish all things well, that I desire with all my heart that everything that breathes and moves should be happy and joyful; and I cannot believe in my heart that it is different with God. And thus I rest in the trust that there is somewhere, far-off, a beauty and a joy in suffering; and that, perhaps, death itself is a fair and a desirable thing.

As I rode to-day in the summer sun, far off, through the haze, I could see the huge Cathedral towers and portals looming up over the trees. Even so might be the gate of death! As we fare upon our pilgrimage, that shadowy doorway waits, silent and sombre, to receive us. That gate, the gate of death, seems to me, as in strength and health I sweep along the pleasant road of life, a terrible, an appalling place. But shall I feel so, when indeed I tread the threshold, and see the dark arches, the mysterious windows to left and right? It may prove a cool and secure haven of beauty and refreshment, rich in memory, echoing with melodious song. The poor beetle knows about it now, whatever it is; he is wise with the eternal wisdom of all that have entered in, leaving behind them the frail and delicate tabernacle, in which the spirit dwelt, and which is so soon to moulder into dust.

XII

The Farm-yard

There is a big farm-yard close to the house where I am staying just now; it is a constant pleasure, as I pass that way, to stop and watch the manners and customs of the beasts and birds that inhabit it; I am ashamed to think how much time I spend in hanging over a gate, to watch the little dramas of the byre. I am not sure that pigs are an altogether satisfactory subject of contemplation. They always seem to me like a fallen race that has seen better days. They are able, intellectual, inquisitive creatures. When they are driven from place to place, they are not gentle or meek, like cows and sheep, who follow the line of least resistance. The pig is suspicious and cautious; he is sure that there is some uncomfortable plot on foot, not wholly for his good, which he must try to thwart if he can. Then, too, he never seems quite at home in his deplorably filthy surroundings; he looks at you, up to the knees in ooze, out of his little eyes, as if he would live in a more cleanly way, if he were permitted. Pigs always remind me of the mariners of Homer, who were transformed by Circe; there is a dreadful humanity about them, as if they were trying to endure their base conditions philosophically, waiting for their release.

But cows bring a deep tranquillity into the spirit; their glossy skins, their fragrant breath, their contented ease, their mild gaze, their Epicurean rumination tend to restore the balance of the mind, and make one feel that vegetarianism must be a desirable thing. There is the dignity of innocence about the cow, and I often wish that she did not bear so poor a name, a word so unsuitable for poetry; it is lamentable that one has to take refuge in the archaism of kine, when the thing itself is so gentle and pleasant.

But the true joy of the farm-yard is, undoubtedly, in the domestic fowls. It is long since I was frightened of turkeys; but I confess that there is still something awe-inspiring about an old turkey-cock, with a proud and angry eye, holding his breath till his wattles are blue and swollen, with his fan extended, like a galleon in full sail, his wings held stiffly down, strutting a few rapid steps, and then slowly revolving, like a king in royal robes. There is something tremendous about his supremacy, his almost intolerable pride and glory.

And then we come to cocks and hens. The farm-yard cock is an incredibly grotesque creature. His furious eye, his blood-red crest, make him look as if he were seeking whom he might devour. But he is the most craven of creatures. In spite of his air of just anger, he has no dignity whatever. To hear him raise his voice, you would think that he was challenging the whole world to combat. He screams defiance, and when he has done, he looks round with an air of satisfaction. "There! that is what you have to expect if you interfere with me!" he seems to say. But an alarm is given; the poultry seek refuge in a hurried flight. Where is the champion? You would expect to see him guarding the rear, menacing his pursuer; but no, he has headed the flight, he is far away, leading the van with a desperate intentness.

This morning I was watching the behaviour of a party of fowls, who were sitting together on a dusty ledge above the road, sheltering from the wind. I do not know whether they meant to be as humorous as they were, but I can hardly think they were not amused at each other. They stood and lay very close together, with fierce glances, and quick, jerky motions of the head. Now and then one, tired of inaction, raised a deliberate claw, bowed its head, scratched with incredible rapidity, shook its tumbled feathers, and looked round with angry self-consciousness, as though to say: "I will ask any one to think me absurd at his peril." Now and then one of them kicked diligently at the soil, and then, turning round, scrutinised the place intently, and picked delicately at some minute object. One examined the neck of her neighbour with a fixed stare, and then pecked the spot sharply. One settled down on the dust, and gave a few vigorous strokes with her legs to make herself more comfortable. Occasionally they all crooned and wailed together, and at the passing of a cart all stood up defiantly, as if intending to hold their fort at all hazards. Presently a woman came out of a house-door opposite, at which the whole party ran furiously and breathlessly across the road, as if their lives depended upon arriving in time. There was not a gesture or a motion that was not admirably conceived, intensely dramatic.

Again, what is more delightfully absurd than to see a hen find a large morsel which she cannot deal with at one gulp? She has no sense of diplomacy or cunning; her friends, attracted by her motions, close in about her; she picks up the treasured provender, she runs, bewildered with anxiety, till she has distanced her pursuers; she puts the object down and takes a couple of desperate pecks; but her kin are at her heels; another flight follows, another wild attempt; for half an hour the same tactics are pursued. At last she is at bay; she makes one prodigious effort, and gets the treasure down with a convulsive swallow; you see her neck bulge with the moving object; while she looks at her baffled companions with an air of meek triumph.

Ducks, too, afford many simple joys to the contemplative mind. A slow procession of white ducks, walking delicately, with heads lifted high and timid eyes, in a long line, has the air of an ecclesiastical procession. The singers go before, the minstrels follow after. There is something liturgical, too, in the way in which, as if by a preconcerted signal, they all cry out together, standing in a group, with a burst of hoarse cheering, cut off suddenly by an intolerable silence. The arrival of ducks upon the scene, when the fowls are fed, is an impressive sight. They stamp wildly over the pasture, falling, stumbling, rising again, arrive on the scene with a desperate intentness, and eat as though they had not seen food for months.

The pleasure of these farm-yard sights is two-fold. It is partly the sense of grave, unconscious importance about the whole business, serious lives lived with such whole-hearted zeal. There is no sense of divided endeavour; the discovery of food is the one thing in the world, and the sense of repletion is also the sense of virtue. But there is something pathetic, too, about the taming to our own ends of these forest beasts, these woodland birds; they are so unconscious of the sad reasons for which we desire their company, so unsuspicious, so serene! Instead of learning by the sorrowful experience of generations what our dark purposes are, they become more and more fraternal, more and more dependent. And yet how little we really know what their thoughts are. They are so unintelligent in some regions, so subtly wise in others. We cannot share our thoughts with them; we cannot explain anything to them. We can sympathise with them in their troubles, but cannot convey our sympathy to them. There is a little bantam hen here, a great pet, who comes up to the front door with the other bantams to be fed. She has been suffering for some time from an obscure illness. She arrives with the others, full of excitement, and begins to pick at the grain thrown them; but the effort soon exhausts her; she goes sadly apart, and sits with dim eye and ruffled plumage, in silent suffering, wondering, perhaps, why she is not as brisk and joyful as ever, what is the sad thing that has befallen her. And one can do nothing, express nothing of the pathetic sorrow that fills one's mind. But, none the less, one tries to believe, to feel, that this suffering is not fortuitous, is not wasted—how could one endure the thought otherwise, if one did not hope that "the earnest expectation of the creature waiteth for the manifestation of the sons of God!"

XIII

The Artist

I have been reading with much emotion the life of a great artist. It is a tender, devoted record; and there is an atmosphere of delicate beauty about the style. It is as though his wife, who wrote the book, had gained through the years of companionship, a pale, pure reflection of her husband's simple and impassioned style, just as the moon's clear, cold light is drawn from the hot fountains of the sun. And yet, there is an individuality about the style, and the reflection is rather of the same nature as the patient likeness of expression which is to be seen in the faces of an aged pair, who have travelled in love and unity down the vale of years together.

In this artist's own writing, which has a pure and almost childlike naïveté of phrasing, there is a glow, not of rhetoric or language, but of emotion, an almost lover-like attitude towards his friends, which is yet saved from sentimentality by an obvious sincerity of feeling. In this he seems to me to be different from the majority of artistic natures and temperaments. It is impossible not to feel, as a rule, when one is brought into contact with an artistic temperament, that the basis of it is a kind of hardness, a fanaticism of spirit. There is, of course, in the artistic temperament, an abundance of sensitiveness which is often mistaken for feeling. But it is not generally an unselfish devotion, which desires to give, to lavish, to make sacrifices for the sake of the beloved. It is, after all, impossible to serve two masters; and in the highly developed artist, the central passion is the devotion to art, and sins against art are the cardinal and unpardonable sins. The artist has an eager thirst for beautiful impressions, and his deepest concern is how to translate these impressions into the medium in which he works. Many an artist has desired and craved for love. But even love in the artist is not the end; love only ministers to the sacred fire of art, and is treated by him as a costly and precious fuel, which he is bound to use to feed the central flame. If one examines the records of great artistic careers, this will, I think, be found to be a true principle; and it is, after all, inevitable that it should be so, in the case of a nature which has the absorbing desire for self-expression. Perhaps, it is not always consciously recognised by the artist, but the fact is there; he tends to regard the deepest and highest experiences of life as ministering to the fulness of his nature. I remember hearing a great master of musical art discussing the music of a young man of extraordinary promise; he said: "Yes, it is very beautiful, very pure; he is perfect in technique and expression, as far as it goes; but it is incomplete and undeveloped. What he wants is to fall in love."

A man who is not bound by the noble thraldom of art, who is full of vitality and emotion, but yet without the imperative desire for self-expression, regards life in a different mood. He may be fully as eager to absorb beautiful impressions, he may love the face of the earth, the glories of hill and plain, the sweet dreams of art, the lingering cadences of music; but he takes them as a child takes food, with a direct and eager appetite, without any impulse to dip them in his own personality, or to find an expression for them. The point for him is not how they strike him and affect him, but that they are there. Such a man will perhaps find his deepest experience in the mysteries of human relationship; and he will so desire the happiness of those he loves, that he will lose himself in efforts to remove obstacles, to lighten burdens, to give rather than to receive joy. And this, I think, is probably the reason why so few women, even those possessed of the most sensitive perception and apprehension, achieve the highest triumphs of art; because they cannot so subordinate life to art, because they have a passionate desire for the happiness of others, and find their deepest satisfaction in helping to further it. Who does not know instances of women of high possibilities, who have quietly sacrificed the pursuit of their own accomplishments to the tendance of some brilliant self-absorbed artist? With such love is often mingled a tender compassionateness, as of a mother for a high-spirited and eager child, who throws herself with perfect sympathy into his aims and tastes, while all the time there sits a gentle knowledge in the background of her heart, of the essential unimportance of the things that the child desires so eagerly, and which she yet desires so whole-heartedly for him. Women who have made such a sacrifice do it with no feeling that they are resigning the best for the second best, but because they have a knowledge of mysteries that are even higher than the mysteries of art; and they have their reward, not in the contemplation of the sacrifice that they have made, but in having desired and attained something that is more beautiful still than any dream that the artist cherishes and follows.

Yet the fact remains that it is useless to preach to the artist the mystery that there is a higher region than the region of art. A man must aim at the best 'that he can conceive; and it is not possible to give men higher motives, by removing the lower motives that they can comprehend. Such an attempt is like building without foundations; and those who have relations with artists should do all they can to encourage them to aim at what they feel to be the highest.

But, on the other hand, it is a duty for the artist to keep his heart open, if he can, to the higher influences. He must remember, that though the eye can see certain colours, and hear certain vibrations of sound, yet there is an infinite scale of colour, and an infinite gradation of sound, both above and below what the eye and the ear can apprehend, and that mortal apprehension can only appropriate to itself but a tiny fragment of the huge gamut. He ought to believe that if he is faithful to the best that he can apprehend, a door may be opened to him which may lead him into regions which are at present closed to him. To accept the artistic conscience, the artistic aim, as the highest ideal of which the spirit is capable, is to be a Pharisee in art, to be self-sufficient, arrogant, limited. It is a kind of spiritual pride, a wilful deafness to more remote voices; and it is thus of all sins, the one which the artist, who lives the life of perception, whose mind must, above all things, be open and transparent, should be loth to commit. He should rather keep his inner eye—for the artist is like the great creatures that, in the prophet's vision, stood nearest to the presence, who were full of eyes, without and within—open to the unwonted apparition which may, suddenly, like a meteor of the night, sail across the silent heaven. It may be that, in some moment of fuller perception, he may even have to divorce the sweeter and more subtle mistress in exchange for one who comes in a homelier guise, and take the beggar girl for his queen. But the abnegation will be no sacrifice; rather a richer and livelier hope.

XIV

Young Love

We had a charming idyll here to-day. A young husband and wife came to stay with us in all the first flush of married happiness. One realised all day long that other people merely made a pleasant background for their love, and that for each there was but one real figure on the scene. This was borne witness to by a whole armoury of gentle looks, swift glances, silent gestures. They were both full to the brim of a delicate laughter, of over-brimming wonder, of tranquil desire. And we all took part in their gracious happiness. In the evening they sang and played to us, the wife being an accomplished pianist, the husband a fine singer. But though the glory of their art fell in rainbow showers on the audience, it was for each other that they sang and played. We sat in the dim light of a little panelled room, the lamps making a circle of light about the happy pair; seldom have I felt the revelation of personality more. The wife played to us a handful of beautiful things; but I noticed that she could not interpret the sadder and darker strains, into which the shadow and malady of a suffering spirit had passed; but into little tripping minuets full of laughter and light, and into melodies that spoke of a pure passion of sweetness and human delight, her soul passed, till the room felt as though flooded with the warmth of the sun. And he, too, sang with all his might some joyful and brave utterances, with the lusty pride of manhood; and in a gentler love-song too, that seemed to linger in a dream of delight by crystal streams, the sweet passion of the heart rose clear and true. But when he too essayed a song of sorrow and reluctant sadness, there was no spirit in it; it seemed to him, I suppose, so unlike life, and the joy of life,—so fantastic and unreal an outpouring of the heart.

We sat long in the panelled room, till it seemed all alive with soft dreams and radiant shapes, that floated in a golden air. All that was dark and difficult seemed cast out and exercised. But it was all so sincere and contented a peace that the darker and more sombre shadows had no jealous awakening; for the two were living to each other, not in a selfish seclusion, but as though they gave of their joy in handfuls to the whole world. The raptures of lovers sometimes take them back so far into a kind of unashamed childishness that the spectacle rouses the contempt and even the indignation of world-worn and cynical people. But here it never deviated from dignity and seemliness; it only seemed new and true, and the best gift of God. These two spirits seemed, with hands intertwined, to have ascended gladly into the mountain, and to have seen a transfiguration of life: which left them not in a blissful eminence of isolation, but rather, as it were, beckoning others upwards, and saying that the road was indeed easy and plain. And so the sweet hour passed, and left a fragrance behind it; whatever might befall, they had tasted of the holy wine of joy; they had blessed the cup, and bidden us too to set our lips to it.

XV

A Strange Gathering

I was walking one summer day in the pleasant hilly country near my home. There is a road which I often traverse, partly because it is a very lonely one, partly because it leads out on a high brow or shoulder of the uplands, and commands a wide view of the plain. Moreover, the road is so deeply sunken between steep banks, overgrown with hazels, that one is hardly aware how much one climbs, and the wide clear view at the top always breaks upon the eye with a certain shock of agreeable surprise. A little before the top of the hill a road turns off, leading into a long disused quarry, surrounded by miniature cliffs, full of grassy mounds and broken ground, overgrown with thickets and floored with rough turf. It is a very enchanting place in spring, and indeed at all times of the year; many flowers grow there, and the birds sing securely among the bushes. I have always imagined that the Red Deeps, in The Mill on the Floss, was just such a place, and the scenes described as taking place there have always enacted themselves for me in the quarry. I have always had a fancy too that if there are any fairies hereabouts, which I very much doubt, for I fear that the new villas which begin to be sprinkled about the countryside have scared them all away, they would be found here. I visited the place one moonlight night, and I am sure that the whole dingle was full of a bright alert life which mocked my clumsy eyes and ears. If I could have stolen upon the place unawares, I felt that I might have seen strange businesses go forward, and tiny revels held.

That afternoon, as I drew near, I was displeased to see that my little retreat was being profaned by company. Some brakes were drawn up in the road, and I heard loud voices raised in untuneful mirth. As I came nearer I was much bewildered to divine who the visitors were. They seemed on the point of departing; two of the brakes were full, and into another some men were clambering. As I came close to them I was still more puzzled. The majority of the party were dressed all alike, in rough brown clothes, with soft black felt hats; but in each of the brakes that were tenanted sat a man as well, with a braided cap, in a sort of uniform. Most of the other men were old or elderly; some had white beards or whiskers, almost all were grizzled. They were talking, too, in an odd, inconsequent, chirping kind of way, not listening to each other; and moreover they were strangely adorned. Some had their hats stuck full of flowers, others were wreathed with leaves. A few had chains of daisies round their necks. They seemed as merry and as obedient as children. Inside the gate, in the centre of the quarry, was a still stranger scene. Here was a ring of elderly and aged men, their hats wreathed with garlands, hand-in-hand, executing a slow and solemn dance in a circle. One, who seemed the moving spirit, a small wiry man with a fresh-coloured face and a long chin-beard, was leaping high in the air, singing some rustic song, and dragging his less active companions round and round. The others all entered into the spirit of the dance. One very old and feeble man, with a smile on his face, was executing little clumsy hops, deeply intent on the performance. A few others stood round admiring the sport; a little apart was a tall grave man, talking loudly to himself, with flowers stuck all over him, who was spinning round and round in an ecstasy of delight. Becoming giddy, he took a few rapid steps to the left, but fell to the ground, where he lay laughing softly, and moving his hands in the air. Presently one of the officials said a word to the leader of the dance; the ring broke up, and the performers scattered, gathering up little bundles of leaves and flowers that lay all about in some confusion, and then trooping out to the brakes. The quarry was deserted. Several of the group waved their hands to me, uttering unintelligible words, and holding out flowers.

I was so much surprised at the odd scene that I asked one of the officials what it all meant. He said politely that it was a picnic party from the Pauper Lunatic Asylum at H——. The mystery was explained. I said: "They seem to be enjoying themselves." "Yes, indeed, sir," he said, "they are like children; they look forward to this all the year; there is no greater punishment than to deprive a man of his outing." He entered the last brake as he said these words, and the carriages moved off, a shrill and aged cheer rising from thin and piping voices on the air.

The whole thing did not strike me as grotesque, but as infinitely pathetic and even beautiful. Here were these old pitiful creatures, so deeply afflicted, condemned most of them to a lifelong seclusion, who were recalling and living over again their childish sports and delights. What dim memories of old spring days, before their sad disabilities had settled upon them, were working in those aged and feeble brains! What pleased me best was the obvious and light-hearted happiness of the whole party, a compensation for days of starved monotony. No party of school-children on a holiday could have been more thoughtlessly, more intently gay. Here was a desolate company, one would have thought, of life's failures, facing one of the saddest and least hopeful prospects that the world can afford; yet on this day at least they were full to the brim of irresponsible and complete happiness and delight, tasting an enjoyment, it seemed, more vivid than often falls to my own lot. In the presence of such happiness it seemed so useless, so unnecessary to ask why so heavy a burden was bound on their backs, because here at all events was a scene of the purest and most innocent rapture. I went on my way full of wonder and even of hope. I could not fathom the deep mystery of the failure, the suffering, the weakness that runs across the world like an ugly crack across the face of a fair building. But then how tenderly and wisely does the great Artificer lend consolation and healing, repairing and filling so far as he may, the sad fracture; he seems to know better than we can divine the things that belong to our peace; so that as I looked across the purple rolling plain, with all its wooded ridges, its rich pastures, the smoke going up from a hundred hamlets, a confidence, a quiet trust seemed to rise in my mind, filling me with a strange yearning to know what were the thoughts of the vast Mind that makes us and sustains us, mingled with a faith in some large and far-off issue that shall receive and enfold our little fretful spirits, as the sea receives the troubled leaping streams, to move in slow unison with the wide and secret tides.

XVI

The Cripple

I went to-day to see an old friend whom I had not met for ten years. Some time ago he had a bad fall which for a time crippled him, but from which it was hoped he would recover; but he must have received some obscure and deep-seated injury, because after improving for a time, he began to go backwards, and has now to a great extent lost the use of his limbs. He was formerly a very active man, both intellectually and physically. He had a prosperous business in the country town on the outskirts of which he lives. He was one of those tall spare men, black-haired and black-eyed, capable of bearing great fatigue, full to the brim of vitality. He was a great reader, fond of music and art; married to a no less cultivated and active wife, but childless. There never was a man who had a keener enjoyment of existence in all its aspects. It used to be a marvel to me to see at how many points a man could touch life, and the almost child-like zest which he threw into everything which he did.

On arriving at the house, a pleasant old-fashioned place with a big shady garden, I was shown into a large book-lined study, and there presently crept and tottered into the room, leaning on two sticks, a figure which I can only say in no respect recalled to me the recollection of my friend. He was bent and wasted, his hair was white; and there was that sunken look about the temples, that tracery of lines about the eyes that tells of constant suffering. But the voice was unaltered, full, resonant, and distinct as ever. He sat down and was silent for a moment. I think that the motion even from one room into another caused him great pain. Then he began to talk; first he told me of the accident, and his journeys in search of health. "But the comfort is," he added, "that the doctors have now decided that they can do no more for me, and I need leave home no more." He told me that he still went to his business every day—and I found that it was prospering greatly—and that though he could not drive, he could get out in a wheeled chair; he said nothing of his sufferings, and presently began to talk of books and politics. Gradually I realised that I was in the company of a thoroughly cheerful man. It was not the cheerfulness that comes of effort, of a determined attempt to be interested in old pursuits, but the abundant and overflowing cheerfulness of a man who has still a firm grasp on life. He argued, he discussed with the same eager liveliness; and his laugh had the careless and good-humoured ring of a man whose mind was entirely content.

His wife soon entered; and we sat for a long time talking. I was keenly moved by the relations between them; she displayed none of that minute attention to his needs, none of that watchful anxiety which I have often thought, tenderly lavished as it is upon invalids, must bring home to them a painful sense of their dependence and helplessness; and he too showed no trace of that fretful exigence which is too often the characteristic of those who cannot assist themselves, and which almost invariably arises in the case of eager and active temperaments thus afflicted, those whose minds range quickly from subject to subject, and who feel their disabilities at every turn. At one moment he wanted his glasses to read something from a book that lay beside him. He asked his wife with a gentle courtesy to find them. They were discovered in his own breast-pocket, into which he could not even put his feeble hand, and he apologised for his stupidity with an affectionate humility which made me feel inclined to tears, especially when I saw the pleasure which the performance of this trifling service obviously caused her. It was just the same, I afterwards noticed, with a young attendant who waited on him at luncheon, an occasion which revealed to me the full extent of his helplessness.

I gathered from his wife in the course of the afternoon that though his life was not threatened, yet that there was no doubt that his helplessness was increasing. He could still hold a book and turn the pages; but it was improbable that he could do so for long, and he was amusing himself by inventing a mechanical device for doing this. But she too talked of the prospect with a quiet tranquillity. She said that he was making arrangements to direct his business from his house, as it was becoming difficult for him to enter the office.

He himself showed the same unabated cheerfulness during the whole of my visit, and spoke of the enjoyment it had brought him. There was not the slightest touch of self-pity about his talk.

I should have admired and wondered at the fortitude of this gallant pair, if I had seen signs of repression and self-conquest about them; if they had relapsed even momentarily into repining, if they had shown signs of a faithful determination to make the best of a bad business. But I could discern no trace of such a mood about either of them. Whether this kindly and sweet patience has been acquired, after hard and miserable wrestlings with despair and wretchedness, I cannot say, but I am inclined to think that it is not so. It seems to me rather to be the display of perfect manliness and womanliness in the presence of an irreparable calamity, a wonderful and amazing compensation, sent quietly from the deepest fortress of Love to these simple and generous natures, who live in each other's lives. I tried to picture to myself what my own thoughts would be if condemned to this sad condition; I could only foresee a fretful irritability, a wild anguish, alternating with a torpid stupefaction. "I seem to love the old books better than ever," my friend had said, smiling softly, in the course of the afternoon; "I used to read them hurriedly and greedily in the old days, but now I have time to think over them—to reflect—I never knew what a pleasure reflection was." I could not help feeling as he said the words that with me such a stroke as he had suffered would have dashed the life, the colour, out of books, and left them faded and withered husks. Half the charm of books, I have always thought, is the inter-play of the commentary of life and experience. I ventured to ask him if this was not the case. "No," he said, "I don't think it is—I seem more interested in people, in events, in thoughts than ever; and one gets them from a purer spring—I don't know if I can explain," he added, "but I think that one sees it all from a different perspective, in a truer light, when one's own desires and possibilities are so much more limited." When I said good-bye to him, he smiled at me and hoped that I should repeat my visit. "Don't think of me as unhappy," he added, and his wife, who was standing by him, said, "Indeed you need not;" and the two smiled at each other in a way which made me feel that they were speaking the simple truth, and that they had found an interpretation of life, a serene region to abide in, which I, with all my activities, hopes, fears, businesses, had somehow missed. The pity of it! and yet the beauty of it! as I went away I felt that I had indeed trodden on holy ground, and seen the transfiguration of humanity and pain into something august, tranquil, and divine.

XVII

Oxford

There are certain things in the world that are so praiseworthy that it seems a needless, indeed an almost laughable thing to praise them; such things are love and friendship, food and sleep, spring and summer; such things, too, are the wisest books, the greatest pictures, the noblest cities. But for all that I mean to try and make a little hymn in prose in honour of Oxford, a city I have seen but seldom, and which yet appears to me one of the most beautiful things in the world.

I do not wish to single out particular buildings, but to praise the whole effect of the place, such as it seemed to me on a day of bright sun and cool air, when I wandered hour after hour among the streets, bewildered and almost intoxicated with beauty, feeling as a poor man might who has pinched all his life, and made the most of single coins, and who is brought into the presence of a heap of piled-up gold, and told that it is all his own.

I have seen it said in foolish books that it is a misfortune to Oxford that so many of the buildings have been built out of so perishable a vein of stone. It is indeed a misfortune in one respect, that it tempts men of dull and precise minds to restore and replace buildings of incomparable grace, because their outline is so exquisitely blurred by time and decay. I remember myself, as a child, visiting Oxford, and thinking that some of the buildings were almost shamefully ruinous of aspect; now that I am wiser I know that we have in these battered and fretted palace-fronts a kind of beauty that fills the mind with an almost despairing sense of loveliness, till the heart aches with gratitude, and thrills with the desire to proclaim the glory of the sight aloud.

These black-fronted blistered facades, so threatening, so sombre, yet screening so bright and clear a current of life; with the tender green of budding spring trees, chestnuts full of silvery spires, glossy-leaved creepers clinging, with tiny hands, to cornice and parapet, give surely the sharpest and most delicate sense that it is possible to conceive of the contrast on which the essence of so much beauty depends. To pass through one of these dark and smoke-stained courts, with every line mellowed and harmonised, as if it had grown up so out of the earth; to find oneself in a sunny pleasaunce, carpeted with velvet turf, and set thick with flowers, makes the spirit sigh with delight. Nowhere in the world can one see such a thing as those great gate-piers, with a cognisance a-top, with a grille of iron-work between them, all sweetly entwined with some slim vagrant creeper, that give a glimpse and a hint—no more—of a fairy-land of shelter and fountains within. I have seen such palaces stand in quiet and stately parks, as old, as majestic, as finely proportioned as the buildings of Oxford; but the very blackness of the city air, and the drifting smoke of the town, gives that added touch of grimness and mystery that the country airs cannot communicate. And even fairer sights are contained within; those panelled, dark-roofed halls, with their array of portraits gravely and intently regarding the stranger; the chapels, with their splendid classical screens and stalls, rich and dim with ancient glass. The towers, domes, and steeples; and all set not in a mere paradise of lawns and glades, but in the very heart of a city, itself full of quaint and ancient houses, but busy with all the activity of a brisk and prosperous town; thereby again giving the strong and satisfying sense of contrast, the sense of eager and every-day cares and pleasures, side by side with these secluded havens of peace, the courts and cloister, where men may yet live a life of gentle thought and quiet contemplation, untroubled, nay, even stimulated, by the presence of a bustling life so near at hand, which yet may not intrude upon the older dream.

I do not know whether my taste is entirely trustworthy, but I confess that I find the Italianate and classical buildings of Oxford finer than the Gothic buildings. The Gothic buildings are quainter, perhaps, more picturesque, but there is an air of solemn pomp and sober dignity about the classical buildings that harmonises better with the sense of wealth and grave security that is so characteristic of the place. The Gothic buildings seem a survival, and have thus a more romantic interest, a more poetical kind of association. But the classical porticos and facades seem to possess a nobler dignity, and to provide a more appropriate setting for modern Oxford; because the spirit of Oxford is more the spirit of the Renaissance than the spirit of the Schoolmen; and personally I prefer that ecclesiasticism should be more of a flavour than a temper; I mean that though I rejoice to think that sober ecclesiastical influences contribute a serious grace to the life of Oxford, yet I am glad to feel that the spirit of the place is liberal rather than ecclesiastical. Such traces as one sees in the chapels of the Oxford Movement, in the shape of paltry stained glass, starved reredoses, modern Gothic woodwork, would be purely deplorable from the artistic point of view, if they did not possess a historical interest. They speak of interrupted development, an attempt to put back the shadow on the dial, to return to a narrower and more rigid tone, to put old wine into new bottles, which betrays a want of confidence in the expansive power of God. I hate with a deep-seated hatred all such attempts to bind and confine the rising tide of thought. I want to see religion vital and not formal, elastic and not cramped by precedent and tradition. And thus I love to see worship enshrined in noble classical buildings, which seem to me to speak of a desire to infuse the intellectual spirit of Greece, the dignified imperialism of Rome into the more timid and secluded ecclesiastical life, making it fuller, larger, more free, more deliberate.

But even apart from the buildings, which are after all but the body of the place, the soul of Oxford, its inner spirit, is what lends it its satisfying charm. On the one hand, it gives the sense of the dignity of the intellect; one reflects that here can be lived lives of stately simplicity, of high enthusiasm, apart from personal wealth, and yet surrounded by enough of seemly dignity to give life the charm of grave order and quiet solemnity. Here are opportunities for peaceful and congenial work, to the sound of mellodious bells; uninterrupted hours, as much society of a simple kind as a man can desire, and the whole with a background of exquisite buildings and rich gardens. And then, too, there is the tide of youthful life that floods every corner of the place. It is an endless pleasure to see the troops of slim and alert young figures, full of enjoyment and life, with all the best gifts of life, health, work, amusement, society, friendship, lying ready to their hand. The sense of this beating and thrilling pulse of life circulating through these sombre and splendid buildings is what gives the place its inner glow; this life full of hope, of sensation, of emotion, not yet shadowed or disillusioned or weary, seems to be as the fire on the altar, throwing up its sharp darting tongues of flame, its clouds of fragrant smoke, giving warmth and significance and a fiery heart to a sombre shrine.

And so it is that Oxford is in a sort a magnetic pole for England; a pole not, perhaps, of intellectual energy, or strenuous liberalism, or clamorous aims, or political ideas; few, perhaps, of the sturdy forces that make England potently great, centre there. The greatness of England is, I suppose, made up by her breezy, loud-voiced sailors, her lively, plucky soldiers, her ardent, undefeated merchants, her tranquil administrators; by the stubborn adventurous spirit that makes itself at home everywhere, and finds it natural to assume responsibilities. But to Oxford set the currents of what may be called intellectual emotion, the ideals that may not make for immediate national greatness, but which, if delicately and faithfully nurtured, hold out at least a hope of affecting the intellectual and spiritual life of the world. There is something about Oxford which is not in the least typical of England, but typical of the larger brotherhood that is independent of nationalities; that is akin to the spirit which in any land and in every age has produced imperishable monuments of the ardent human soul. The tribe of Oxford is the tribe from whose heart sprang the Psalms of David; Homer and Sophocles, Plato and Virgil, Dante and Goethe are all of the same divine company. It may be said that John Bull, the sturdy angel of England, turns his back slightingly upon such influences; that he regards Oxford as an incidental ornament of his person, like a seal that jingles at his fob. But all generous and delicate spirits do her a secret homage, as a place where the seeds of beauty and emotion, of wisdom and understanding, are sown, as in a secret garden. Hearts such as these, even whirling past that celestial city, among her poor suburbs, feel an inexpressible thrill at the sight of her towers and domes, her walls and groves. Quam dilecta sunt tabernacula, they will say; and they will breathe a reverent prayer that there may be no leading into captivity and no complaining in her streets.

XVIII

Authorship

I found myself at dinner the other day next to an old friend, whom I see but seldom; a quiet, laborious, able man, with the charm of perfect modesty and candour, who, moreover, writes a very beautiful and lucid style. I said to him that I conceived it to be my mission, whenever I met him, to enquire what he was writing, and to beg him to write more. He said smilingly that he was very much occupied in his work, which is teaching, and found little time to write; "besides," he said, "I think that one writes too much." He went on to say that though he loved writing well enough when he was in the mood for it, yet that the labour of shaping sentences, and lifting them to their places, was very severe.

I felt myself a little rebuked by this, for I will here confess that writing is the one pleasure and preoccupation of my own life, though I do not publish a half of what I write. It set me wondering whether I did indeed write too much; and so I said to him: "You mean, I suppose, that one gets into the habit of serving up the same ideas over and over again, with a different sauce, perhaps; but still the same ideas?" "Yes," he said, "that is what I mean. When I have written anything that I care about, I feel that I must wait a long time before the cistern fills again."

We went on to talk of other things; but I have since been reflecting whether there is truth in what my friend said. If his view is true of writing, then it is surely the only art that is so hampered. We should never think that an artist worked too much; we might feel that he did not perhaps finish his big pictures sufficiently; but if he did not spare labour in finishing his pictures, we should never find fault with him for doing, say, as Turner did, and making endless studies and sketches, day after day, of all that struck him as being beautiful. We should feel indeed that some of these unconsidered and rapid sketches had a charm and a grace that the more elaborate pictures might miss; and in any case we should feel that the more that he worked, the firmer and easier would become his sweep of hand, the more deft his power of indicating a large effect by an economy of resource. The musician, too: no one would think of finding fault with him for working every day at his art; and it is the same with all craftsmen; the more they worked, the surer would their touch be.

Now I am inclined to believe that what makes writing good is not so much the pains taken with a particular piece of work, the retouching, the corrections, the dear delays. Still more fruitful than this labour is the labour spent on work that is never used, that never sees the light. Writing is to me the simplest and best pleasure in the world; the mere shaping of an idea in words is the occupation of all others I most love; indeed, to speak frankly, I plan and arrange all my days that I may secure a space for writing, not from a sense of duty, but merely from a sense of delight. The whole world teems with subjects and thoughts, sights of beauty and images of joy and sorrow, that I desire to put into words; and to forbid myself to write would be to exercise the strongest self-denial of which I am capable. Of course I do not mean that I can always please myself. I have piles of manuscripts laid aside which fail either in conception or expression, or in both. But there are a dozen books I would like to write if I had the time.

To be honest, I do not believe in fretting too much over a piece of writing. Writing, laboriously constructed, painfully ornamented, is often, I think, both laborious and painful to read; there is a sense of strain about it. It is like those uneasy figures that one sees in the carved gargoyles of old churches, crushed and writhing for ever under a sense of weight painfully sustained, or holding a gaping mouth open, for the water-pipe to discharge its contents therethrough. However ingenious these carvings are, they always give a sense of tension and oppression to the mind; and it is the same with laboured writers; my theory of writing rather is that the conception should be as clear as possible, and then that the words should flow like a transparent stream, following as simply as possible the shape and outline of the thought within, like a waterbreak over a boulder in a stream's bed. This, I think, is best attained by infinite practice. If a piece of work seems to be heavy and muddy, let it be thrown aside ungrudgingly; but the attempt, even though it be a failure, makes the next attempt easier.

I do not think that one can write for very long at a time to much purpose; I take the two or three hours when the mind is clearest and freshest, and write as rapidly as I can; this secures, it seems to me, a clearness and a unity which cannot be attained by fretful labour, by poking and pinching at one's work. One avoids by rapidity and ardour the dangerous defect of repetition; a big task must be divided into small sharp episodes to be thus swiftly treated. The thought of such a writer as Flaubert lying on his couch or pacing his room, the racked and tortured medium of his art, spending hours in selecting the one perfect word for his purpose, is a noble and inspiring picture; but such a process does not, I fear, always end in producing the effect at which it aims; it improves the texture at a minute point; it sacrifices width and freedom.

Together with clearness of conception and resource of vocabulary must come a certain eagerness of mood. When all three qualities are present, the result is good work, however rapidly it may be produced. If one of the three is lacking, the work sticks, hangs, and grates; and thus what I feel that the word-artist ought to do is to aim at working on these lines, but to be very strict and severe about the ultimate selection of his work. If, for instance, in a big task, a section has been dully and impotently written, let him put the manuscript aside, and think no more of it for a while; let him not spend labour in attempting to mend bad work; then, on some later occasion, let him again get his conception clear, and write the whole section again; if he loves writing for itself he will not care how often this process is repeated.

I am speaking here very frankly; and I will own that for myself, when the day has rolled past and when the sacred hour comes, I sit down to write with an appetite, a keen rapture, such as a hungry man may feel when he sits down to a savoury meal. There is a real physical emotion that accompanies the process; and it is a deep and lively distress that I feel when I am living under conditions that do not allow me to exercise my craft, at being compelled to waste the appropriate hours in other occupations.

It may be fairly urged that with this intense impulse to write, I ought to have contrived to make myself into a better writer; and it might be thought that there is something either grotesque or pathetic in so much emotional enjoyment issuing in so slender a performance. But the essence of the happiness is that the joy resides in the doing of the work and not in the giving it to the world; and though I do not pretend not to be fully alive to the delight of having my work praised and appreciated, that is altogether a secondary pleasure which in no way competes with the luxury of expression.

I am not ungrateful for this delight; it may, I know, be withdrawn from me; but meanwhile the world seems to be full to the brim of expressive and significant things. There is a beautiful old story of a saint who saw in a vision a shining figure approaching him, holding in his hand a dark and cloudy globe. He held it out, and the saint looking attentively upon it, saw that it appeared to represent the earth in miniature; there were the continents and seas, with clouds sweeping over them; and, for all that it was so minute, he could see cities and plains, and little figures moving to and fro. The angel laid his finger on a part of the globe, and detached from it a small cluster of islands, drawing them out of the sea; and the saint saw that they were peopled by a folk, whom he knew, in some way that he could not wholly understand, to be dreary and uncomforted. He heard a voice saying, "He taketh up the isles as a very small thing"; and it darted into his mind that his work lay with the people of those sad islands; that he was to go thither, and speak to them a message of hope.

It is a beautiful story; and it has always seemed to me that the work of the artist is like that. He is to detach from the great peopled globe what little portion seems to appeal to him most; and he must then say what he can to encourage and sustain men, whatever thoughts of joy and hope come most home to him in his long and eager pilgrimage.

XIX

Hamlet

We were talking yesterday about the stage, a subject in which I am ashamed to confess I take but a feeble interest, though I fully recognise the appeal of the drama to certain minds, and its possibilities. One of the party, who had all his life been a great frequenter of theatres, turned to me and said: "After all, there is one play which seems to be always popular, and to affect all audiences, the poor, the middle-class, the cultivated, alike—Hamlet." "Yes," I said, "and I wonder why that is?" "Well," he said, "it is this, I think: that beneath all its subtleties, all its intellectual force, it has an emotional appeal to every one who has lived in the world; every one sees himself more or less in Hamlet; every one has been in a situation in which he felt that circumstances were too strong for him; and then, too," he added, "there is always a deep and romantic interest about the case of a man who has every possible external advantage, youth, health, wealth, rank, love, ardour, and zest, who is yet utterly miserable, and moves to a dark end under a shadow of doom."

I thought, and think this a profound and delicate criticism. There is, of course, a great deal more in Hamlet; there is its high poetry, its mournful dwelling upon deep mysteries, its supernatural terrors, its worldly wisdom, its penetrating insight; but these are all accessories to the central thought; the conception is absolutely firm throughout. The hunted soul of Hamlet, after a pleasant and easy drifting upon the stream of happy events, finds a sombre curtain suddenly twitched aside, and is confronted with a tragedy so dark, a choice so desperate, that the reeling brain staggers, and can hardly keep its hold upon the events and habits of life. Day by day the shadow flits beside him; morning after morning he uncloses his sad eyes upon a world, which he had found so sweet, and which he now sees to be so terrible; the insistent horror breeds a whole troop of spectres, so that all the quiet experiences of life, friendship, love, nature, art, become big with uneasy speculations and surmises; from the rampart-platform by the sea until the peal of ordnance is shot off, as the poor bodies are carried out, every moment brings with it some shocking or brooding experience. Hamlet is not strong enough to close his eyes to these things; if for a moment he attempts this, some tragic thought plucks at his shoulder, and bids the awakened sleeper look out into the struggling light. Neither is he strong enough to face the situation with resolution and courage. He turns and doubles before the pursuing Fury; he hopes against hope that a door of escape may be opened. He poisons the air with gloom and suspicion; he feeds with wilful sadness upon the most melancholy images of death and despair. And though the great creator of this mournful labyrinth, this atrocious dilemma, can involve the sad spirit with an art that thrills all the most delicate fibres of the human spirit, he cannot stammer out even the most faltering solution, the smallest word of comfort or hope. He leaves the problem, where he took it up, in the mighty hands of God.

And thus the play stands as the supreme memorial of the tortured spirit. The sad soul of the prince seems like an orange-banded bee, buzzing against the glass of some closed chamber-window, wondering heavily what is the clear yet palpable medium that keeps it, in spite of all its efforts, from re-entering the sunny paradise of tree and flower, that lies so close at hand, and that is yet unattainable; until one wonders why the supreme Lord of the place cannot put forth a finger, and release the ineffectual spirit from its fruitless pain. As the play gathers and thickens to its crisis, one experiences—and this is surely a test of the highest art—the poignant desire to explain, to reason, to comfort, to relieve; even if one cannot help, one longs at least to utter the yearning of the heart, the intense sympathy that one feels for the multitude of sorrows that oppress this laden spirit; to assuage if only for a moment, by an answering glance of love, the fire that burns in those stricken eyes. And one must bear away from the story not only the intellectual satisfaction, the emotional excitement, but a deep desire to help, as far as a man can, the woes of spirits who, all the world over, are in the grip of these dreary agonies.

And that, after all, is the secret of the art that deals with the presentment of sorrow; with the art that deals with pure beauty the end is plain enough; we may stay our hearts upon it, plunge with gratitude into the pure stream, and recognise it for a sweet and wholesome gift of God; but the art that makes sorrow beautiful, what are we to do with that? We may learn to bear, we may learn to hope that there is, in the mind of God, if we could but read it, a region where both beauty and sadness are one; and meanwhile it may teach us to let our heart go out, in love and pity, to all who are bound upon their pilgrimage in heaviness, and passing uncomforted through the dark valley.

XX

A Sealed Spirit

A few weeks ago I was staying with a friend of mine, a clergyman in the country. He told me one evening a very sad story about one of his parishioners. This was a man who had been a clerk in a London Bank, whose eyesight had failed, and who had at last become totally blind. He was, at the time when this calamity fell upon him, about forty years of age. The Directors of the Bank gave him a small pension, and he had a very small income of his own; he was married, with one son, who was shortly after taken into the Bank as a clerk. The man and his wife came into the parish, and took a tiny cottage, where they lived very simply and frugally. But within a year or two his hearing had also failed, and he had since become totally deaf. It is almost appalling to reflect upon the condition of helplessness to which this double calamity can reduce a man. To be cut off from the sights and sounds of the world, with these two avenues of perception closed, so as to be able to take cognisance of external things only through scent and touch! It would seem to be well-nigh unendurable! He had learnt to read raised type with his fingers, and had been presented by some friends with two or three books of this kind. His speech was, as is always the case, affected, but still intelligible. Only the simplest facts could be communicated to him, by means of a set of cards, with words in raised type, out of which a few sentences could be arranged. But he and his wife had invented a code of touch, by means of which she was able to a certain extent, though of course very inadequately, to communicate with him. I asked how he employed himself, and I was told that he wrote a good deal,—curious, rhapsodical compositions, dwelling much on his own thoughts and fancies. "He sits," said the Vicar, "for hours together on a bench in his garden, and walks about, guided by his wife. His sense of both smell and touch have become extraordinarily acute; and, afflicted as he is, I am sure he is not at all an unhappy man." He produced some of the writings of which he had spoken. They were written in a big, clear hand. I read them with intense interest. Some of them were recollections of his childish days, set in a somewhat antique and biblical phraseology. Some of them were curious reveries, dwelling much upon the perception of natural things through scent. He complained, I remember, that life was so much less interesting in winter because scents were so much less sweet and less complex than in summer. But the whole of the writings showed a serene exaltation of mind. There was not a touch of repining or resignation about them. He spoke much of the aesthetic pleasure that he received from an increased power of disentangling the component elements of a scent, such as came from his garden on a warm summer day. Some of the writings that were shown me were religious in character, in which the man spoke of a constant sense of the nearness of God's presence, and of a strange joy that filled his heart.

On the following day the Vicar suggested that we should go to see him; we turned out of a lane, and found a little cottage with a thatched roof, standing in a small orchard, bright with flowers. On a bench we saw the man sitting, entirely unconscious of our presence. He was a tall, strongly-built fellow with a beard, bronzed and healthy in appearance. His eyes were wide open, and, but for a curious fixity of gaze, I should not have suspected that he was blind. His hands were folded on his knee, and he was smiling; once or twice I saw his lips move as if he was talking to himself. "We won't go up to him," said the Vicar, "as it might startle him; we will find his wife." So we went up to the cottage door, and knocked. It was opened to us by a small elderly woman, with a grave, simple look, and a very pleasant smile. The little place was wonderfully clean and neat. The Vicar introduced me, saying that I had been much interested in her husband's writings, and had come to call on him. She smiled briskly, and said that he would be much pleased. We walked down the path; when we were within a few feet of him, he became aware of our presence, and turned his head with a quiet, expectant air. His wife went up to him, took his hand, and seemed to beat on it softly with her fingers; he smiled, and presently raised his hat, as if to greet us, and then took up a little writing-pad which lay beside him, and began to write. A little conversation followed, his wife reading out what he had written, and then interpreting our remarks to him. What struck me most was the absence of egotism in what he wrote. He asked the Vicar one or two questions, and desired to know who I was. I went and sate down beside him; he wrote in his book that it was a pleasure to him to meet a stranger. Might he take the liberty of seeing him in his own way? "He means," said the wife, smiling, "might he put his hand on your face—some people do not like it," she added apologetically, "and he will quite understand if you do not." I said that I was delighted; and the blind man thereupon laid his hand upon my sleeve, and with an incredible deftness and lightness of touch, so that I hardly felt it, passed his finger-tips over my coat and waistcoat, lingered for a moment over my watch-chain, then over my tie and collar, and then very gently over my face and hair; it did not last half a minute, and there was something curiously magnetic in the touch of the slim firm fingers. "Now I see him," he wrote; "please thank him." "It will please him," said the Vicar, "if we ask him to describe you." In a moment, after a few touches of his wife's hand, he smiled, and wrote down a really remarkably accurate picture of my appearance. We then asked him a few questions about himself. "Very well and very happy," he wrote, "full of the love of God;" and then added, "You will perhaps think that I get tired of doing nothing, but the time is too short for all I want to do." "It is quite true," said his wife, smiling as she read it. "He is as pleased as a child with everything, and every one is so good to him." Presently she asked him to read aloud to us; and in a voice of great distinctness, he read a few verses of the Book of Job from a big volume. The voice was high and resonant, but varied strangely in pitch. He asked at the end whether we had heard every word, and being told that we had, smiled very sweetly and frankly, like a boy who has performed a task well. The Vicar suggested that he should come for a turn with us, at which he visibly brightened, and said he would like to walk through the village. He took our arms, walking between us; and with a delicate courtesy, knowing that we could not communicate with him, talked himself, very quietly and simply, almost all the way, partly of what he was convinced we were passing,—guessing, I imagine, mainly by a sense of smell, and interpreting it all with astonishing accuracy, though I confess I was often unable even to detect the scents which guided him. We walked thus for half an hour, listening to his quiet talk. Two or three people came up to us. Each time the Vicar checked him, and he held out his hand to be shaken; in each case he recognised the person by the mere touch of the hand. "Mrs Purvis, isn't it? Well, you see me in very good company this morning, don't you? It is so kind of the Vicar and his friend to take me out, and it is pleasant to meet friends in the village." He seemed to know all about the affairs of the place, and made enquiries after various people.

It was a very strange experience to walk thus with a fellow-creature suffering from these sad limitations, and yet to be conscious of being in the presence of so perfectly contented and cheerful a spirit. Before we parted, he wrote on his pad that he was working hard. "I am trying to write a little book; of course I know that I can never see it, but I should like to tell people that it is possible to live a life like mine, and to be full of happiness; that God sends me abundance of joy, so that I can say with truth that I am happier now than ever I was in the old days. Such peace and joy, with so many to love me; so little that I can do for others, except to speak of the marvellous goodness of God, and of the beautiful thoughts he gives me." "Yes, he has written some chapters," said the faithful wife; "but he does not want any one to see them till they are done."

I shall never forget the sight of the two as we went away: he stood, smiling and waving his hand, under an apple-tree in full bloom, with the sun shining on the flowers. It gave me the sense of a pure and simple content such as I have rarely experienced. The beauty and strength of the picture have dwelt with me ever since, showing me that a soul can be thus shut up in what would seem to be so dark a prison, with the windows, through which most of us look upon the world, closed and shuttered; and yet not only not losing the joy of life, but seeming to taste it in fullest measure. If one could but accept thus one's own limitations, viewing them not as sources of pleasure closed, but as opening the door more wide to what remains; the very simplicity and rarity of the perceptions that are left, gaining in depth and quality from their isolation. But beyond all this lies that well-spring of inner joy, which seems to be withheld from so many of us. Is it indeed withheld? Is it conferred upon this poor soul simply as a tender compensation? Can we not by quiet passivity, rather than by resolute effort, learn the secret of it? I believe myself that the source is there in many hearts, but that we visit it too rarely, and forget it in the multitude of little cares and businesses, which seem so important, so absorbing. It is like a hidden treasure, which we go so far abroad to seek, and for which we endure much weariness of wandering; while all the while it is buried in our own garden-ground; we have paced to and fro above it many times, never dreaming that the bright thing lay beneath our feet, and within reach of our forgetful hand.

XXI

Leisure

It was a bright day in early spring; large, fleecy clouds floated in a blue sky; the wind was cool, but the sun lay hot in sheltered places.

I was spending a few days with an old friend, at a little house he calls his Hermitage, in a Western valley; we had walked out, had passed the bridge, and had stood awhile to see the clear stream flowing, a vein of reflected sapphire, among the green water-meadows; we had climbed up among the beech-woods, through copses full of primroses, to a large heathery hill, where a clump of old pines stood inside an ancient earth-work. The forest lay at our feet, and the doves cooed lazily among the tree-tops; beyond lay the plain, with a long range of smooth downs behind, where the river broadened to the sea-pool, which narrowed again to the little harbour; and, across the clustered house-roofs and the lonely church tower of the port, we could see a glint of the sea.

We sat awhile in silence; then "Come," I said, "I am going to be impertinent! I am in a mood to ask questions, and to have full answers."

"And I," said my host placidly, "am always in the mood to answer questions."

I would call my friend a poet, because he is sealed of the tribe, if ever man was; yet he has never written verses to my knowledge. He is a big, burly, quiet man, gentle and meditative of aspect; shy before company, voluble in private. Half-humorous, half melancholy. He has been a man of affairs, prosperous, too, and shrewd. But nothing in his life was ever so poetical as the way in which, to the surprise and even consternation of all his friends, he announced one day, when he was turned of forty, that he had had enough of work, and that he would do no more. Well, he had no one to say him nay; he has but few relations, none in any way dependent on him; he has a modest competence; and, being fond of all leisurely things—books, music, the open air, the country, flowers, and the like—he has no need to fear that his time will be unoccupied.

He looked lazily at me, biting a straw. "Come," said I again, "here is the time for a catechism. I have reason to think you are over forty?"

"Yes," said he, "the more's the pity!"

"And you have given up regular work," I said, "for over a year; and how do you like that?"

"Like it?" he said. "Well, so much that I can never work again; and what is stranger still is that I never knew what it was to be really busy till I gave up work. Before, I was often bored; now, the day is never long enough for all I have to do."

"But that is a dreadful confession," I said; "and how do you justify yourself for this miserable indifference to all that is held to be of importance?"

"Listen!" he said, smiling and holding up his hand. There floated up out of the wood the soft crooning of a dove, like the over-brimming of a tide of content. "There's the answer," he added. "How does that dove justify his existence? and yet he has not much on his mind."

"I have no answer ready," I said, "though there is one, I am sure, if you will only give me time; but let that come later: more questions first, and then I will deliver judgment. Now, attend to this seriously," I said. "How do you justify it that you are alone in the world, not mated, not a good husband and father? The dove has not got that on his conscience."

"Ah!" said my friend, "I have often asked myself that. But for many years I had not the time to fall in love; if I had been an idle man it would have been different, and now that I am free—well, I regard it as, on the whole, a wise dispensation. I have no domestic virtues; I am a pretty commonplace person, and I think there is no reason why I should perpetuate my own feeble qualities, bind my dull qualities up closer with the life of the world. Besides, I have a theory that the world is made now very much as it was in the Middle Ages. There was but one choice then—a soldier or a monk. Now, I have no combative blood in me; I hate a row; I am a monk to the marrow of my bones, and the monks are the failures from the point of view of race. No monk should breed monks; there are enough of his kind in the hive already."

"You a monk?" said I, laughing. "Why, you are nothing of the kind; you are just the sort of man for an adoring wife and a handful of big children. I must have a better answer."

"Well, then," said he, rather seriously, "I will give you a better answer. There are some people whose affections are made to run, strong and straight, in a narrow channel. The world holds but one woman for a man of that type, and it is his business to find her; but there are others, and I am one, who dribble away their love in a hundred channels—in art, in nature, among friends. To speak frankly, I have had a hundred such passions. I made friends as a boy, quickly and romantically, with all kinds of people—some old, some young. Then I have loved books, and music, and, above all, the earth and the things of the earth. To the wholesome, normal man these things are but an agreeable background, and the real business of life lies with wife and child and work. But to me the real things have been the beautiful things—sunrise and sunset, streams and woods, old houses, talk, poetry, pictures, ideas. And I always liked my work, too."

"And you did it well?" I said.

"Oh, yes, well enough," he replied. "I have a clear head, and I am conscientious; and then there was some fun to be got out of it at times. But it was never a part of myself for all that. And the reason why I gave it up was not because I was tired of it, but because I was getting to depend too much upon it. I should very soon have been unable to do without it."

"But what is your programme?" I said, rather urgently. "Don't you want to be of some use in the world? To make other people better and happier, for instance."

"My dear boy," said my companion, with a smile, "do you know that you are talking in a very conventional way? Of course, I desire that people should be better and happier, myself among the number; but how am I to set about it? Most people's idea of being better and happier is to make other people subscribe to make them richer. They want more things to eat and drink and wear; they want success and respectability, to be sidesmen and town councillors, and even Members of Parliament. Nothing is more hopelessly unimaginative than ordinary people's aims and ideas, and the aims and ideas, too, that are propounded from pulpits. I don't want people to be richer and more prosperous; I want them to be poorer and simpler. Which is the better man, the shepherd there on the down, out all day in the air, seeing a thousand pretty things, or the grocer behind his counter, living in an odour of lard and cheese, bowing and fussing, and drinking spirits in the evening? Of course, a wholesome-minded man may be wholesome-minded everywhere and anywhere; but prosperity, which is the Englishman's idea of righteousness, is a very dangerous thing, and has very little of what is divine about it. If I had stuck to my work, as all my friends advised me, what would have been the result? I should have had more money than I want, and nothing in the world to live for but my work. Of course, I know that I run the risk of being thought indolent and unpractical. If I were a prophet, I should find it easy enough to scold everybody, and find fault with the poor, peaceful world. But as I am not, I can only follow my own line of life, and try to see and love as many as I can of the beautiful things that God flings down all round us. I am not a philanthropist, I suppose; but most of the philanthropists I have known have seemed to me tiresome, self-seeking people, with a taste for trying to take everything out of God's hands. I am an individualist, I imagine. I think that most of us have to find our way, and to find it alone. I do try to help a few quiet people at the right moment; but I believe that every one has his own circle—some larger, some smaller—and that one does little good outside it. If every one would be content with that, the world would be mended in a trice."

"I am glad that you, at least, admit that there is something to be mended," I said.

"Oh, yes," said he, "the general conditions seem to me to want mending; but that, I humbly think, is God's matter, and not mine. The world is slowly broadening and improving, I believe. In these days, when we shoot our enemies and then nurse them, we are coming, I believe, to see even the gigantic absurdity of war; but all that side of it is too big for me. I am no philosopher! What I believe we ought to do is to be patient, kind, and courageous in a corner. Now, I will give you an instance. I had a friend who was a good, hard-working clergyman; a brave, genial, courageous creature; he had a town parish not far from here; he liked his work, and he did it well. He was the friend of all the boys and girls in the parish; he worked a hundred useful, humble institutions. He was nothing of a preacher, and a poor speaker; but something generous, honest, happy seemed to radiate from the man. Of course, they could not let him alone. They offered him a Bishopric. All his friends said he was bound to take it; the poor fellow wrote to me, and said that he dared not refuse a sphere of wider influence, and all that. I wrote and told him my mind—namely, that he was doing a splendid piece of quiet, sober work, and that he had better stick to it. But, of course, he didn't. Well, what is the result? He is worried to death. He has a big house and a big household; he is a welcome guest in country-houses and vicarages; he opens churches, he confirms; he makes endless poor speeches, and preaches weak sermons. His time is all frittered away in directing the elaborate machinery of a diocese; and all his personal work is gone. I don't say he doesn't impress people. But his strength lay in his personal work, his work as a neighbour and a friend. He is not a clever man; he never says a suggestive thing—he is not a sower of thoughts, but a simple pastor. Well, I regard it as a huge and lamentable mistake that he should ever have changed his course; and the motive that made him do it was a bad one, only disguised as an angel of light. Instead of being the stoker of the train, he is now a distinguished passenger in a first-class carriage."

"Well," I said, "I admit that there is a good deal in what you say. But if such a summons comes to a man, is it not more simple-minded to follow it dutifully? Is it not, after all, part of the guiding of God?"

"Ah!" said my host, "that is a hard question, I admit. But a man must look deep into his heart, and face a situation of the kind bravely and simply. He must be quite sure that it is a summons from God, and not a temptation from the world. I admit that it may be the former. But in the case of which I have just spoken, my friend ought to have seen that it was the latter. He was made for the work he was doing; he was obviously not made for the other. And to sum it up, I think that God puts us into the world to live, not necessarily to get influence over other people. If a man is worth anything, the influence comes; and I don't call it living to attend public luncheons, and to write unnecessary letters, because public luncheons are things which need not exist, and are only amusements invented by fussy and idle people. I am not at all against people amusing themselves. But they ought to do it quietly and inexpensively, and not elaborately and noisily. The only thing that is certain is that men must work and eat and sleep and die. Well, I want them to enjoy their work, their food, their rest; and then I should like them to enjoy their leisure hours peacefully and quietly. I have done as much in my twenty years of business as a man in a well-regulated state ought to do in the whole of his life; and the rest I shall give, God willing, to leisure—not eating my cake in a corner, but in quiet good fellowship, with an eye and an ear for this wonderful and beautiful world." And my companion smiled upon me a large, gentle, engaging smile.

"Yes," I said, "you have answered well, and you have given me plenty to think about. And at all events you have a point of view, and that is a great thing."

"Yes," said he, "a great thing, as long as one is not sure one is right, but ready to learn, and not desirous to teach. That is the mistake. We are children at school—we ought not to forget that; but many of us want to sit in the master's chair, and rap the desk, and cane the other children."

And so our talk wandered to other things; then we were silent for a little, while the birds came home to their roosts, and the trees shivered in the breeze of sunset; till at last the golden glow gathered in the west, and the sun went down in state behind the crimson line of sea.

XXII

The Pleasures of Work

I desire to do a very sacred thing to-day: to enunciate a couple of platitudes and attest them. It is always a solemn moment in life when one can sincerely subscribe to a platitude. Platitudes are the things which people of plain minds shout from the steps of the staircase of life as they ascend; and to discover the truth of a platitude by experience means that you have climbed a step higher.

The first enunciation is, that in this world we most of us do what we like. And the corollary to that is, that we most of us like what we do.

Of course, we must begin by taking for granted that we most of us are obliged to do something. But that granted, it seems to me that it is very rare to find people who do not take a certain pleasure in their work, and even secretly congratulate themselves on doing it with a certain style and efficiency. To find a person who has not some species of pride of this nature is very rare. Other people may not share our opinion of our own work. But even in the case of those whose work is most open to criticism, it is almost invariable to find that they resent criticism, and are very ready to appropriate praise. I had a curiously complete instance of this the other day. In a parish which I often visit, the organ in the church is what is called presided over by the most infamous executant I have ever heard—an elderly man, who seldom plays a single chord correctly, and whose attempts to use the pedals are of the nature of tentative and unsuccessful experiments. His performance has lately caused a considerable amount of indignation in the parish, for a new organ has been placed in the church, of far louder tone than the old instrument, and my friend the organist is hopelessly adrift upon it. The residents in the place have almost made up their minds to send a round-robin to the Vicar to ask that the pulsator organorum, the beater of the organ, as old Cathedral statutes term him, may be deposed. The last time I attended service, one of those strangely appropriate verses came up in the course of the Psalms, which make troubled spirits feel that the Psalter does indeed utter a message to faithful individual hearts. "I have desired that they, even my enemies," ran the verse, "should not triumph over me; for when my foot slipped, they rejoiced greatly against me." In the course of the verse the unhappy performer executed a perfect fandango on the pedals. I looked guiltily at the senior churchwarden, and saw his mouth twitch.

In the same afternoon I fell in with the organist, in the course of a stroll, and discoursed to him in a tone of gentle condolence about the difficulties of a new instrument. He looked blankly at me, and then said that he supposed that some people might find a change of instrument bewildering, but that for himself he felt equally at home on any instrument. He went on to relate a series of compliments that well-known musicians had paid him, which I felt must either have been imperfectly recollected, or else must have been of a consolatory or even ironical nature. In five minutes, I discovered that my friend was the victim of an abundant vanity, and that he believed that his vocation in life was organ-playing.

Again, I remember that, when I was a schoolmaster, one of my colleagues was a perfect byword for the disorder and noise that prevailed in his form. I happened once to hold a conversation with him on disciplinary difficulties, thinking that he might have the relief of confiding his troubles to a sympathising friend. What was my amazement when I discovered that his view of the situation was, that every one was confronted with the same difficulties as himself, and that he obviously believed that he was rather more successful than most of us in dealing with them tactfully and strictly.

I believe my principle to be of almost universal application; and that if one could see into the heart of the people who are accounted, and rightly accounted, to be gross and conspicuous failures, we should find that they were not free from a certain pleasant vanity about their own qualifications and efficiency. The few people whom I have met who are apt to despond over their work are generally people who do it remarkably well, and whose ideal of efficiency is so high that they criticise severely in themselves any deviation from their standard. Moreover, if one goes a little deeper—if, for instance, one cordially re-echoes their own criticisms upon their work—such criticisms are apt to be deeply resented.

I will go further, and say that only once in the course of my life have I found a man who did his work really well, without any particular pride and pleasure in it. To do that implies an extraordinary degree of will-power and self-command.

I do not mean to say that, if any professional person found himself suddenly placed in the possession of an independent income, greater than he had ever derived from his professional work, his pleasure in his work would be sufficient to retain him in the exercise of it. We have most of us an unhappy belief in our power of living a pleasurable and virtuous life of leisure; and the desire to live what is called the life of a gentleman, which character has lately been defined as a person who has no professional occupation, is very strong in the hearts of most of us.

But, for all that, we most of us enjoy our work; the mere fact that one gains facility, and improves from day to day, is a source of sincere pleasure, however far short of perfection our attempts may fall; and, generally speaking, our choice of a profession is mainly dictated by a certain feeling of aptitude for and interest in what we propose to undertake.

It is, then, a happy and merciful delusion by which we are bound. We grow, I think, to love our work, and we grow, too, to believe in our method of doing it. We cannot, a great preacher once said, all delude ourselves into believing that we are richer, handsomer, braver, more distinguished than others; but there are few of us who do not cherish a secret belief that, if only the truth were known, we should prove to be more interesting than others.

To leave our work for a moment, and to turn to ordinary social intercourse. I am convinced that the only thing that can account for the large number of bad talkers in the world is the wide-spread belief that prevails among individuals as to their power of contributing interest and amusement to a circle. One ought to keep this in mind, and bear faithfully and patiently the stream of tiresome talk that pours, as from a hose, from the lips of diffuse and lengthy conversationalists. I once made a terrible mistake. I complimented, from the mere desire of saying something agreeable, and finding my choice of praiseworthy qualities limited, an elderly, garrulous acquaintance on his geniality, on an evening when I had writhed uneasily under a steady downpour of talk. I have bitterly rued my insincerity. Not only have I received innumerable invitations from the man whom the Americans would call my complimentee, but when I am in his company I see him making heroic attempts to make his conversation practically continuous. How often since that day have I sympathised with St James in his eloquent description of the deadly and poisonous power of the tongue! A bore is not, as is often believed, a merely selfish and uninteresting person. He is often a man who labours conscientiously and faithfully at an accomplishment, the exercise of which has become pleasurable to him. And thus a bore is the hardest of all people to convert, because he is, as a rule, conscious of virtue and beneficence.

On the whole, it is better not to disturb the amiable delusions of our fellow-men, unless we are certain that we can improve them. To break the spring of happiness in a virtuous bore is a serious responsibility. It is better, perhaps, both in matters of work and in matters of social life, to encourage our friends to believe in themselves. We must not, of course, encourage them in vicious and hurtful enjoyment, and there are, of course, bores whose tediousness is not only not harmless, but a positively noxious and injurious quality. There are bores who have but to lay a finger upon a subject of universal or special interest, to make one feel that under no circumstances will one ever be able to allow one's thoughts to dwell on the subject again; and such a person should be, as far as possible, isolated from human intercourse, like a sufferer from a contagious malady. But this extremity of noxiousness is rare. And it may be said that, as a rule, one does more to increase happiness by a due amount of recognition and praise, even when one is recognising rather the spirit of a performance than the actual result; and such a course of action has the additional advantage of making one into a person who is eagerly welcomed and sought after in all kinds of society.

XXIII

The Abbey

The fresh wind blew cheerily as we raced, my friend and I, across a long stretch of rich fen-land. The sunlight, falling somewhat dimly through a golden haze, lay very pleasantly on the large pasture-fields. There are few things more beautiful, I think, than these great level plains; they give one a delightful sense of space and repose. The distant lines of trees, the far-off church towers, the long dykes, the hamlets half-hidden in orchards, the "sky-space and field-silence," give one a feeling of quiet rustic life lived on a large and simple scale, which seems the natural life of the world.

Our goal was the remains of an old religious house, now a farm. We were soon at the place; it stood on a very gentle rising ground, once an island above the fen. Two great columns of the Abbey Church served as gate-posts. The house itself lay a little back from the road, a comfortable cluster of big barns and outhouses, with great walnut trees all about, in the middle of an ancient tract of pasture, full of dimpled excavations, in which the turf grew greener and more compact. The farm-house itself, a large irregular Georgian building covered with rough orange plaster, showed a pleasant tiled roof among the barns, over a garden set with venerable sprawling box-trees. We found a friendly old labourer, full of simple talk, who showed us the orchard, with its mouldering wall of stone, pierced with niches, the line of dry stew-ponds, the refectory, now a great barn, piled high with heaps of grain and straw. We walked through byres tenanted by comfortable pigs routing in the dirt. We hung over a paling to watch the creased and discontented face of an old hog, grunting in shrill anticipation of a meal. Our guide took us to the house, where we found a transept of the church, now used as a brew-house, with the line of the staircase still visible, rising up to a door in the wall that led once to the dormitory, down the steps of which, night after night, the shivering and sleepy monks must have stumbled into their chilly church for prayers. The hall of the house was magnificent with great Norman arches, once the aisle of the nave.

The whole scene had the busy, comfortable air of a place full of patriarchal life, the dignity of a thing existing for use and not for show, of quiet prosperity, of garnered provender and well-fed stock. Though it made no deliberate attempt at beauty, it was full of a seemly and homely charm. The face of the old fellow that led us about, chirping fragments of local tradition, with a mild pride in the fact that strangers cared to come and see the place, wore the contented, weather-beaten look that comes of a life of easy labour spent in the open air. His patched gaiters, the sacking tied round him with a cord to serve as an apron, had the same simple appropriateness. We walked leisurely about, gathering a hundred pretty impressions,—as the old filbert-trees that fringed the orchard, the wall-flowers, which our guide called the blood-warriors, on the ruined coping, a flight of pigeons turning with a sharp clatter in the air. At last he left us to go about his little business; and we, sitting on a broken mounting-block in the sunshine, gazed lazily and contentedly at the scene.

We attempted to picture something of the life of the Benedictines who built the house. It must have been a life of much quiet happiness. We tried to see in imagination the quaint clustered fabrics, the ancient church, the cloister, the barns, the out-buildings. The brethren must have suffered much from cold in winter. The day divided by services, the nights broken by prayers; probably the time was dull enough, but passed quickly, like all lives full of monotonous engagements. They were not particularly ascetic, these Benedictines, and insisted much on manual labour in the open air. Probably at first the monks did their farm-work as well; but as they grew richer, they employed labourers, and themselves fell back on simpler and easier garden-work. Perhaps some few were truly devotional spirits, with a fire of prayer and aspiration burning in their hearts; but the majority would be quiet men, full of little gossip about possible promotions, about lands and crops, about wayfarers and ecclesiastics who passed that way and were entertained. Very few, except certain officials like the Cellarer, who would have to ride to market, ever left the precincts of the place, but laid their bones in the little graveyard east of the church. We make a mistake in regarding the life and the buildings as having been so picturesque, as they now appear after the long lapse of time. The church was more venerable than the rest; but the refectory, at the time of the dissolution, cannot have been long built; still, the old tiled place, with its rough stone walls, must have always had a quaint and irregular air.

Probably it was as a rule a contented and amiable society. The regular hours, the wholesome fatigue which the rule entailed, must have tended to keep the inmates in health and good-humour. But probably there was much tittle-tattle; and a disagreeable, jealous, or scheming inmate must have been able to stir up a good deal of strife in a society living at such close quarters. One thinks loosely that it must have resembled the life of a college at the University, but that is an entire misapprehension; for the idea of a college is liberty with just enough discipline to hold it together, while the idea of a monastery was discipline with just enough liberty to make life tolerable.

Well, it is all over now! the idea of the monastic life, which was to make a bulwark for quiet-minded people against the rougher world, is no longer needed. The work of the monks is done. Yet I gave an affectionate thought across the ages to the old inmates of the place, whose bones have mouldered into the dust of the yard where we sat. It seemed half-pleasant, half-pathetic to think of them as they went about their work, sturdy, cheerful figures, looking out over the wide fen with all its clear pools and reed-beds, growing old in the familiar scene, passing from the dormitory to the infirmary, and from the infirmary to the graveyard, in a sure and certain hope. They too enjoyed the first breaking of spring, the return of balmy winds, the pushing up of the delicate flowers in orchard and close, with something of the same pleasure that I experience to-day. The same wonder that I feel, the same gentle thrill speaking of an unattainable peace, an unruffled serenity that lies so near me in the spring sunshine, flashed, no doubt, into those elder spirits. Perhaps, indeed, their heart went out to the unborn that should come after them, as my heart goes out to the dead to-day.

And even the slow change that has dismantled that busy place, and established it as the quiet farmstead that I see, holds a hope within it. There must indeed have been a sad time when the buildings were slipping into decay, and the church stood ruined and roofless. But how soon the scars are healed! How calmly nature smiles at the eager schemes of men, breaks them short, and then sets herself to harmonise and adorn the ruin, till she makes it fairer than before, writing her patient lesson of beauty on broken choir and tottering wall, flinging her tide of fresh life over the rents, and tenderly drawing back the broken fragments into her bosom. If we could but learn from her not to fret or grieve, to gather up what remains, to wait patiently and wisely for our change!

So I reasoned softly to myself in a train of gentle thought, till the plough-horses came clattering in, and the labourers plodded gratefully home; and the sun went down over the flats in a great glory of orange light.

XXIV

Wordsworth

I believe that I was once taken to Rydal Mount as a small boy, led there meekly, no doubt, in a sort of dream; but I retain not the remotest recollection of the place, except of a small flight of stone steps, which struck me as possessing some attractive quality or other. And I have since read, I suppose, a good many descriptions of the place; but on visiting it, as I recently did, I discovered that I had not the least idea of what it was like. And I would here shortly speak of the extraordinary kindness which I received from the present tenants, who are indeed of the hallowed dynasty; it may suffice to say that I could only admire the delicate courtesy which enabled people, who must have done the same thing a hundred times before, to show me the house with as much zest and interest, as if I was the first pilgrim that had ever visited the place.

In the first place, the great simplicity of the whole struck me. It is like a little grange or farm. The rooms are small and low, and of a pleasant domesticity; it is a place apt for a patriarchal life, where simple people might live at close quarters with each other. The house is hardly visible from the gate. You turn out of a steep lane, embowered by trees, into a little gravel sweep, approaching the house from the side. But its position is selected with admirable art; the ground falls steeply in front of it, and you look out over a wide valley, at the end of which Windermere lies, a tract of sapphire blue, among wooded hills and dark ranges. Behind, the ground rises still more steeply, to the rocky, grassy heights of Nab Scar; and the road leads on to a high green valley among the hills, a place of unutterable peace.

In this warm, sheltered nook, hidden in woods, with its southerly aspect, the vegetation grows with an almost tropical luxuriance, so that the general impression of the place is by no means typically English. Laurels and rhododendrons grow in dense shrubberies; the trees are full of leaf; flowers blossom profusely. There is a little orchard beneath the house, and everywhere there is the fragrant and pungent smell of sun-warmed garden-walks and box-hedges. There are little terraces everywhere, banked up with stone walls built into the steep ground, where stonecrops grow richly. One of these leads to a little thatched arbour, where the poet often sat; below it, the ground falls very rapidly, among rocks and copse and fern, so that you look out on to the tree-tops below, and catch a glimpse of the steely waters of the hidden lake of Rydal.

Wordsworth lived there for more than thirty years; and half a century has passed since he died. He was a skilful landscape gardener; and I suppose that in his lifetime, when the walks were being constructed and the place laid out, it must have had a certain air of newness, of interference with the old wild peace of the hillside, which it has since parted with. Now it is all as full of a quiet and settled order, as if it had been thus for ever. One little detail deserves a special mention; just below the house, there is an odd, circular, low, grassy mound, said to be the old meeting-place for the village council, in primitive and patriarchal days,—the Mount, from which the place has its name.

I thought much of the stately, simple, self-absorbed poet, whom somehow one never thinks of as having been young; the lines of Milton haunted me, as I moved about the rooms, the garden-terraces:—

"In this mount he appeared; under this tree
Stood visible; among these pines his voice
I heard; here with him at this fountain talked."