POEMS
OF
ARTHUR HUGH CLOUGH
Engraved by C. H. Jeens.
POEMS
OF
ARTHUR HUGH CLOUGH
SOMETIME FELLOW OF ORIEL COLLEGE
OXFORD
London
MACMILLAN AND CO., Limited
NEW YORK: THE MACMILLAN COMPANY
1898
First published elsewhere. First printed for Macmillan & Co.
1891. Reprinted 1895, 1898.
CONTENTS.
| PAGE | |
| [EARLY POEMS.] | |
| An Evening Walk in Spring | [3] |
| An Incident | [5] |
| The Thread of Truth | [6] |
| Revival | [7] |
| The Shady Lane | [8] |
| The Higher Courage | [9] |
| Written on a Bridge | [10] |
| A River Pool | [10] |
| In a Lecture-Room | [11] |
| ‘Blank Misgivings of a Creature moving about in Worlds not realised’ | [12] |
| A Song of Autumn | [18] |
| τὸ καλόν | [19] |
| Χρυσέα κλῄς ἐπὶ γλώσσᾳ | [20] |
| The Silver Wedding | [20] |
| The Music of the World and of the Soul | [23] |
| Love, not Duty | [25] |
| Love and Reason | [26] |
| Ὁ Θεὸς μετὰ σοῦ! | [29] |
| Wirkung in der Ferne | [30] |
| ἐπὶ Λάτμῳ | [31] |
| A Protest | [34] |
| Sic Itur | [35] |
| Parting | [36] |
| Qua Cursum Ventus | [38] |
| ‘Wen Gott betrügt, ist wohl betrogen’ | [39] |
| [POEMS ON RELIGIOUS AND BIBLICAL SUBJECTS.] | |
| Fragments of the Mystery of the Fall | [43] |
| The Song of Lamech | [69] |
| Genesis XXIV. | [72] |
| Jacob | [74] |
| Jacob’s Wives | [77] |
| The New Sinai | [81] |
| Qui laborat, orat | [85] |
| ὕμνος ἄυμνος | [86] |
| The Hidden Love | [87] |
| Shadow and Light | [89] |
| ‘With Whom is no Variableness, neither Shadow of Turning’ | [90] |
| In Stratis Viarum | [90] |
| ‘Perchè pensa? Pensando s’invecchia’ | [91] |
| ‘O thou of little Faith’ | [91] |
| ‘Through a Glass darkly’ | [92] |
| Ah! yet consider it again! | [93] |
| Noli æmulari | [93] |
| ‘What went ye out for to see?’ | [94] |
| Epi-strauss-ium | [95] |
| The Shadow (a Fragment) | [96] |
| Easter Day (Naples, 1849) | [100] |
| Easter Day, II. | [104] |
| [DIPSYCHUS] | [107] |
| Prologue | [108] |
| Part I. | [109] |
| Part II. | [127] |
| Epilogue | [167] |
| [DIPSYCHUS CONTINUED] (a Fragment) | [171] |
| [POEMS ON LIFE AND DUTY.] | |
| Duty | [181] |
| Life is Struggle | [182] |
| In the Great Metropolis | [183] |
| The Latest Decalogue | [184] |
| The Questioning Spirit | [185] |
| Bethesda (a Sequel) | [186] |
| Hope evermore and believe! | [188] |
| Blessed are they that have not seen! | [189] |
| Cold Comfort | [190] |
| Sehnsucht | [191] |
| High and Low | [193] |
| All is well | [194] |
| πάντα ῥεῖ· οὐδὲν μένει | [195] |
| The Stream of Life | [196] |
| In a London Square | [197] |
| [THE BOTHIE OF TOBER-NA-VUOLICH:] a Long-Vacation Pastoral | [199] |
| [IDYLLIC SKETCHES.] | |
| Ite Domum Saturæ, venit Hesperus | [259] |
| A London Idyll | [260] |
| Natura naturans | [262] |
| [AMOURS DE VOYAGE] | [267] |
| [SEVEN SONNETS ON THE THOUGHT OF DEATH] | [317] |
| [MARI MAGNO]; or, TALES ON BOARD | [323] |
| The Lawyer’s First Tale: Primitiæ, or Third Cousins | [329] |
| The Clergyman’s First Tale: Love is Fellow-service | [352] |
| My Tale: A la banquette; or, a Modern Pilgrimage | [361] |
| The Mate’s Story | [371] |
| The Clergyman’s Second Tale | [374] |
| The Lawyer’s Second Tale: Christian | [384] |
| [SONGS IN ABSENCE] | [399] |
| [ESSAYS IN CLASSICAL METRES.] | |
| Translations of Iliad | [417] |
| Elegiacs | [422] |
| Alcaics | [423] |
| Actæon | [423] |
| [MISCELLANEOUS POEMS.] | |
| Come, Poet, come! | [427] |
| The Dream Land | [428] |
| In the Depths | [430] |
| Darkness (a Fragment) | [430] |
| Two Moods | [431] |
| Youth and Age | [432] |
| Solvitur acris Hiems | [434] |
| Thesis and Antithesis | [434] |
| ἀνεμώλια | [436] |
| Columbus | [437] |
| Even the Winds and the Sea obey | [438] |
| Repose in Egypt | [439] |
| To a Sleeping Child | [440] |
| Translations from Goethe | [441] |
| Uranus | [442] |
| Selene | [443] |
| At Rome | [446] |
| Last Words. Napoleon and Wellington | [448] |
| Peschiera | [450] |
| Alteram Partem | [452] |
| Say not the struggle nought availeth | [452] |
EARLY POEMS.
AN EVENING WALK IN SPRING.
It was but some few nights ago
I wandered down this quiet lane;
I pray that I may never know
The feelings then I felt, again.
The leaves were shining all about,
You might almost have seen them springing;
I heard the cuckoo’s simple shout,
And all the little birds were singing.
It was not dull, the air was clear,
All lovely sights and sounds to deal,
My eyes could see, my ears could hear,
Only my heart, it would not feel;
And yet that it should not be so,
My mind kept telling me within;
Though nought was wrong that I did know,
I thought I must have done some sin.
For I am sure as I can be,
That they who have been wont to look
On all in Nature’s face they see,
Even as in the Holy Book;
They who with pure and humble eyes
Have gazed and read her lessons high,
And taught their spirits to be wise
In love and human sympathy,—
That they can soon and surely tell
When aught has gone amiss within,
When the mind is not sound and well,
Nor the soul free from taint of sin.
For as God’s Spirit from above,
So Beauty is to them below,
And when they slight that holy love,
Their hearts that presence may not know.
So I turned home the way I came,
With downcast looks and heavy heart,
A guilty thing and full of shame,
With a dull grief that had no smart.
It chanced when I was nearly there
That all at once I raised my eyes—
Was it a dream, or vision rare,
That then they saw before them rise?
I see it now, before me here,
As often, often I have done,
As bright as it could then appear,
All shining in the setting sun.
Elms, with their mantling foliage spread,
And tall dark poplars rising out,
And blossomed orchards, white and red,
Cast, like a long low fence, about;
And in the midst the grey church-tower,
With one slight turret at its side,
Bringing to mind with silent power
Those thousand homes the elm-trees hide.
And then there came the thought of one
Who on his bed of sickness lay,
Whilst I beneath the setting sun
Was dreaming this sweet hour away.
I thought of hearts for him that beat,
Of aching eyes their watch that kept;
The sister’s and the mother’s seat—
And oh! I thought I should have wept.
And oh! my spirit melted then,
The weight fell off me that I bore,
And now I felt in truth again
The lovely things that stood before.
O blessed, blessed scene, to thee,
For that thy sweet and softening power,
I could have fallen upon my knee,
Thy stately elms, thy grey church-tower.
So then I took my homeward way,
My heart in sweet and holy frame,
With spirit, I may dare to say,
More good and soft than when I came.
1836
AN INCIDENT.
’Twas on a sunny summer day
I trod a mighty city’s street,
And when I started on my way
My heart was full of fancies sweet;
But soon, as nothing could be seen,
But countenances sharp and keen,
Nought heard or seen around but told
Of something bought or something sold,
And none that seemed to think or care
That any save himself was there,—
Full soon my heart began to sink
With a strange shame and inward pain,
For I was sad within to think
Of this absorbing love of gain,
And various thoughts my bosom tost;
When suddenly my path there crossed,
Locked hand in hand with one another,
A little maiden and her brother—
A little maiden, and she wore
Around her waist a pinafore.
And hand in hand along the street
This pretty pair did softly go,
And as they went, their little feet
Moved in short even steps and slow:
It was a sight to see and bless,
That little sister’s tenderness;
One hand a tidy basket bore
Of flowers and fruit—a chosen store,
Such as kind friends oft send to others—
And one was fastened in her brother’s.
It was a voice of meaning sweet,
And spake amid that scene of strife
Of home and homely duties meet,
And charities of daily life;
And often, should my spirit fail,
And under cold strange glances quail,
’Mid busy shops and busier throng,
That speed upon their ways along
The thick and crowded thoroughfare,
I’ll call to mind that little pair.
1836
THE THREAD OF TRUTH.
Truth is a golden thread, seen here and there
In small bright specks upon the visible side
Of our strange being’s party-coloured web.
How rich the converse! ’Tis a vein of ore
Emerging now and then on Earth’s rude breast,
But flowing full below. Like islands set
At distant intervals on Ocean’s face,
We see it on our course; but in the depths
The mystic colonnade unbroken keeps
Its faithful way, invisible but sure.
Oh, if it be so, wherefore do we men
Pass by so many marks, so little heeding?
1839
REVIVAL.
So I went wrong,
Grievously wrong, but folly crushed itself,
And vanity o’ertoppling fell, and time
And healthy discipline and some neglect,
Labour and solitary hours revived
Somewhat, at least, of that original frame.
Oh, well do I remember then the days
When on some grassy slope (what time the sun
Was sinking, and the solemn eve came down
With its blue vapour upon field and wood
And elm-embosomed spire) once more again
I fed on sweet emotion, and my heart
With love o’erflowed, or hushed itself in fear
Unearthly, yea celestial. Once again
My heart was hot within me, and, me seemed,
I too had in my body breath to wind
The magic horn of song; I too possessed
Up-welling in my being’s depths a fount
Of the true poet-nectar whence to fill
The golden urns of verse.
1839
THE SHADY LANE.
Whence comest thou, shady lane? and why and how?
Thou, where with idle heart, ten years ago,
I wandered, and with childhood’s paces slow
So long unthought of, and remembered now!
Again in vision clear thy pathwayed side
I tread, and view thy orchard plots again
With yellow fruitage hung,—and glimmering grain
Standing or shocked through the thick hedge espied.
This hot still noon of August brings the sight;
This quelling silence as of eve or night,
Wherein Earth (feeling as a mother may
After her travail’s latest bitterest throes)
Looks up, so seemeth it, one half repose,
One half in effort, straining, suffering still.
1839
THE HIGHER COURAGE.[1]
Come back again, my olden heart!—
Ah, fickle spirit and untrue,
I bade the only guide depart
Whose faithfulness I surely knew:
I said, my heart is all too soft;
He who would climb and soar aloft
Must needs keep ever at his side
The tonic of a wholesome pride.
Come back again, my olden heart!—
Alas, I called not then for thee;
I called for Courage, and apart
From Pride if Courage could not be,
Then welcome, Pride! and I shall find
In thee a power to lift the mind
This low and grovelling joy above—
’Tis but the proud can truly love.
Come back again, my olden heart!—
With incrustations of the years
Uncased as yet,—as then thou wert,
Full-filled with shame and coward fears:
Wherewith amidst a jostling throng
Of deeds, that each and all were wrong,
The doubting soul, from day to day,
Uneasy paralytic lay.
Come back again, my olden heart!
I said, Perceptions contradict,
Convictions come, anon depart,
And but themselves as false convict.
Assumptions, hasty, crude and vain,
Full oft to use will Science deign;
The corks the novice plies to-day
The swimmer soon shall cast away.
Come back again, my olden heart!
I said, Behold, I perish quite,
Unless to give me strength to start,
I make myself my rule of right:
It must be, if I act at all,
To save my shame I have at call
The plea of all men understood,—
Because I willed it, it is good.
Come back again, my olden heart!
I know not if in very deed
This means alone could aid impart
To serve my sickly spirit’s need;
But clear alike of wild self-will,
And fear that faltered, paltered still,
Remorseful thoughts of after days
A way espy betwixt the ways.
Come back again, old heart! Ah me!
Methinks in those thy coward fears
There might, perchance, a courage be,
That fails in these the manlier years;
Courage to let the courage sink,
Itself a coward base to think,
Rather than not for heavenly light
Wait on to show the truly right.
1840
WRITTEN ON A BRIDGE.
When soft September brings again
To yonder gorse its golden glow,
And Snowdon sends its autumn rain
To bid thy current livelier flow;
Amid that ashen foliage light
When scarlet beads are glistering bright,
While alder boughs unchanged are seen
In summer livery of green;
When clouds before the cooler breeze
Are flying, white and large; with these
Returning, so may I return,
And find thee changeless, Pont-y-wern.
1840
A RIVER POOL.
Sweet streamlet bason! at thy side
Weary and faint within me cried
My longing heart,—In such pure deep
How sweet it were to sit and sleep;
To feel each passage from without
Close up,—above me and about,
Those circling waters crystal clear,
That calm impervious atmosphere!
There on thy pearly pavement pure,
To lean, and feel myself secure,
Or through the dim-lit inter-space,
Afar at whiles upgazing trace
The dimpling bubbles dance around
Upon thy smooth exterior face;
Or idly list the dreamy sound
Of ripples lightly flung, above
That home, of peace, if not of love.
1840
IN A LECTURE-ROOM.
Away, haunt thou not me,
Thou vain Philosophy!
Little hast thou bestead,
Save to perplex the head,
And leave the spirit dead.
Unto thy broken cisterns wherefore go,
While from the secret treasure-depths below,
Fed by the skiey shower,
And clouds that sink and rest on hill-tops high,
Wisdom at once, and Power,
Are welling, bubbling forth, unseen, incessantly?
Why labour at the dull mechanic oar,
When the fresh breeze is blowing,
And the strong current flowing,
Right onward to the Eternal Shore?
1840