The Secret Glory

By Arthur Machen

New York
Alfred A Knopf
Mcmxxii

COPYRIGHT, 1922, BY
ALFRED A. KNOPF, Inc.

Published August, 1922

Set up and printed by the Vail-Ballou Co., Binghamton, N. Y.
Paper furnished by W. F. Etherington & Co., New York, N. Y.
Bound by the H. Wolff Estate, New York, N. Y.

MANUFACTURED IN THE UNITED STATES OF AMERICA

TO
VINCENT STARRETTh3

CONTENTS

[Note]
[PREFACE]
[I]
[II]
[III]
[IV]
[EPILOGUE]
[BOOKS BY ARTHUR MACHEN]

Note

One of the schoolmasters in "The Secret Glory" has views on the subject of football similar to those entertained by a well-known schoolmaster whose Biography appeared many years ago. That is the only link between the villain of invention and the good man of real life.

PREFACE

Some years ago I met my old master, Sir Frank Benson—he was Mr. F. R. Benson then—and he asked me in his friendly way what I had been doing lately.

"I am just finishing a book," I replied, "a book that everybody will hate."

"As usual," said the Don Quixote of our English stage—if I knew any nobler title to bestow upon him, I would, bestow it—"as usual; running your head against a stone wall!"

Well, I don't know about "as usual"; there may be something to be said for the personal criticism or there may not; but it has struck me that Sir Frank's remark is a very good description of "The Secret Glory," the book I had in mind as I talked to him. It is emphatically the history of an unfortunate fellow who ran his head against stone walls from the beginning to the end. He could think nothing and do nothing after the common fashion of the world; even when he "went wrong," he did so in a highly unusual and eccentric manner. It will be for the reader to determine whether he were a saint who had lost his way in the centuries or merely an undeveloped lunatic; I hold no passionate view on either side. In every age, there are people great and small for whom the times are out of joint, for whom everything is, somehow, wrong and askew. Consider Hamlet; an amiable man and an intelligent man. But what a mess he made of it! Fortunately, my hero—or idiot, which you will—was not called upon to intermeddle with affairs of State, and so only brought himself to grief: if it were grief; for the least chink of the door should be kept open, I am inclined to hold, for the other point of view. I have just been rereading Kipling's "The Miracle of Purun Bhagat," the tale of the Brahmin Prime Minister of the Native State in India, who saw all the world and the glory of it, in the West as well as in the East, and suddenly abjured all to become a hermit in the wood. Was he mad, or was he supremely wise? It is just a matter of opinion.

The origin and genesis of "The Secret Glory" were odd enough. Once on a time, I read the life of a famous schoolmaster, one of the most notable schoolmasters of these later days. I believe he was an excellent man in every way; but, somehow, that "Life" got on my nerves. I thought that the School Songs—for which, amongst other things, this master was famous—were drivel; I thought his views about football, regarded, not as a good game, but as the discipline and guide of life, were rot, and poisonous rot at that. In a word, the "Life" of this excellent man got my back up.

Very good. The year after, schoolmasters and football had ceased to engage my attention. I was deeply interested in a curious and minute investigation of the wonderful legend of the Holy Grail; or rather, in one aspect of that extraordinary complex. My researches led me to the connection of the Grail Legend with the vanished Celtic Church which held the field in Britain in the fifth and sixth and seventh centuries; I undertook an extraordinary and fascinating journey into a misty and uncertain region of Christian history. I must not say more here, lest—as Nurse says to the troublesome and persistent child—I "begin all over again"; but, indeed, it was a voyage on perilous seas, a journey to faery lands forlorn—and I would declare, by the way, my conviction that if there had been no Celtic Church, Keats could never have written those lines of tremendous evocation and incantation.

Again; very good. The year after, it came upon me to write a book. And I hit upon an original plan; or so I thought. I took my dislike of the good schoolmaster's "Life," I took my knowledge of Celtic mysteries—and combined my information.

Original, this plan! It was all thought of years before I was born. Do you remember the critic of the "Eatanswill Gazette"? He had to review for that admirable journal a work on Chinese Metaphysics. Mr. Pott tells the story of the article.

"He read up for the subject, at my desire, in the Encyclopædia Britannica ... he read for metaphysics under the letter M, and for China under the letter C, and combined his information!"

The Secret Glory

I

A heavy cloud passed swiftly away before the wind that came with the night, and far in a clear sky the evening star shone with pure brightness, a gleaming world set high above the dark earth and the black shadows in the lane. In the ending of October a great storm had blown from the west, and it was through the bare boughs of a twisted oak that Ambrose Meyrick saw the silver light of the star. As the last faint flash died in the sky he leaned against a gate and gazed upward; and then his eyes fell on the dull and weary undulations of the land, the vast circle of dun ploughland and grey meadow bounded by a dim horizon, dreary as a prison wall. He remembered with a start how late it must be; he should have been back an hour before, and he was still in the open country, a mile away at least from the outskirts of Lupton. He turned from the star and began to walk as quickly as he could along the lane through the puddles and the sticky clay, soaked with three weeks' heavy rain.

He saw at last the faint lamps of the nearest streets where the shoemakers lived and he tramped hurriedly through this wretched quarter, past its penny shops, its raw public-house, its rawer chapel, with twelve foundation-stones on which are written the names of the twelve leading Congregationalists of Lupton, past the squalling children whose mothers were raiding and harrying them to bed. Then came the Free Library, an admirable instance, as the Lupton Mercury declared, of the adaptation of Gothic to modern requirements. From a sort of tower of this building a great arm shot out and hung a round clock-face over the street, and Meyrick experienced another shock when he saw that it was even later than he had feared. He had to get to the other side of the town, and it was past seven already! He began to run, wondering what his fate would be at his uncle's hands, and he went by "our grand old parish church" (completely "restored" in the early 'forties), past the remains of the market-cross, converted most successfully, according to local opinion, into a drinking fountain for dogs and cattle, dodging his way among the late shoppers and the early loafers who lounged to and fro along the High Street.

He shuddered as he rang the bell at the Old Grange. He tried to put a bold face on it when the servant opened the door, and he would have gone straight down the hall into the schoolroom, but the girl stopped him.

"Master said you're to go to the study at once, Master Meyrick, as soon as ever you come in."

She was looking strangely at him, and the boy grew sick with dread. He was a "funk" through and through, and was frightened out of his wits about twelve times a day every day of his life. His uncle had said a few years before: "Lupton will make a man of you," and Lupton was doing its best. The face of the miserable wretch whitened and grew wet; there was a choking sensation in his throat, and he felt very cold. Nelly Foran, the maid, still looked at him with strange, eager eyes, then whispered suddenly:

"You must go directly, Master Meyrick, Master heard the bell, I know; but I'll make it up to you."

Ambrose understood nothing except the approach of doom. He drew a long breath and knocked at the study door, and entered on his uncle's command.

It was an extremely comfortable room. The red curtains were drawn close, shutting out the dreary night, and there was a great fire of coal that bubbled unctuously and shot out great jets of flame—in the schoolroom they used coke. The carpet was soft to the feet, and the chairs promised softness to the body, and the walls were well furnished with books. There were Thackeray, Dickens, Lord Lytton, uniform in red morocco, gilt extra; the Cambridge Bible for Students in many volumes, Stanley's Life of Arnold, Coplestone's Prælectiones Academicæ, commentaries, dictionaries, first editions of Tennyson, school and college prizes in calf, and, of course, a great brigade of Latin and Greek classics. Three of the wonderful and terrible pictures of Piranesi hung in the room; these Mr.

Horbury admired more for the subject-matter than for the treatment, in which he found, as he said, a certain lack of the aurea mediocritas—almost, indeed, a touch of morbidity. The gas was turned low, for the High Usher was writing at his desk, and a shaded lamp cast a bright circle of light on a mass of papers.

He turned round as Ambrose Meyrick came in. He had a high, bald forehead, and his fresh-coloured face was edged with reddish "mutton-chop" whiskers. There was a dangerous glint in his grey-green eyes, and his opening sentence was unpromising.

"Now, Ambrose, you must understand quite definitely that this sort of thing is not going to be tolerated any longer."

Perhaps it would not have fared quite so badly with the unhappy lad if only his uncle had not lunched with the Head. There was a concatenation accordingly, every link in which had helped to make Ambrose Meyrick's position hopeless. In the first place there was boiled mutton for luncheon, and this was a dish hateful to Mr. Horbury's palate. Secondly, the wine was sherry. Of this Mr. Horbury was very fond, but unfortunately the Head's sherry, though making a specious appeal to the taste, was in reality far from good and teemed with those fiery and irritating spirits which make the liver to burn and rage. Then Chesson had practically found fault with his chief assistant's work. He had not, of course, told him in so many words that he was unable to teach; he had merely remarked:

"I don't know whether you've noticed it, Horbury, but it struck me the other day that there was a certain lack of grip about those fellows of yours in the fifth. Some of them struck me as muddlers, if you know what I mean: there was a sort of vagueness, for example, about their construing in that chorus. Have you remarked anything of the kind yourself?"

And then, again, the Head had gone on:

"And, by the way, Horbury, I don't quite know what to make of your nephew, Meyrick. He was your wife's nephew, wasn't he? Yes. Well, I hardly know whether I can explain what I feel about the boy; but I can't help saying that there is something wrong about him. His work strikes me as good enough—in fact, quite above the form average—but, to use the musical term, he seems to be in the wrong key. Of course, it may be my fancy; but the lad reminds me of those very objectionable persons who are said to have a joke up their sleeve. I doubt whether he is taking the Lupton stamp; and when he gets up in the school I shall be afraid of his influence on the other boys."

Here, again, the master detected a note of blame; and by the time he reached the Old Grange he was in an evil humour. He hardly knew which he found the more offensive—Chesson's dish or his discourse. He was a dainty man in his feeding, and the thought of the great fat gigot pouring out a thin red stream from the gaping wound dealt to it by the Head mingled with his resentment of the indirect scolding which he considered that he had received, and on the fire just kindled every drop of that corrosive sherry was oil. He drank his tea in black silence, his rage growing fiercer for want of vent, and it is doubtful whether in his inmost heart he was altogether displeased when report was made at six o'clock that Meyrick had not come in. He saw a prospect—more than a prospect—of satisfactory relief.

Some philosophers have affirmed that lunatic doctors (or mental specialists) grow in time to a certain resemblance to their patients, or, in more direct language, become half mad themselves. There seems a good deal to be said for the position; indeed, it is probably a more noxious madness to swear a man into perpetual imprisonment in the company of maniacs and imbeciles because he sings in his bath and will wear a purple dressing-gown at dinner than to fancy oneself Emperor of China. However this may be, it is very certain that in many cases the schoolmaster is nothing more or less than a bloated schoolboy: the beasts are, radically, the same, but morbid conditions have increased the venom of the former's sting. Indeed, it is not uncommon for well-wishers to the great Public School System to praise their favourite masters in terms which admit, nay, glory in, this identity. Read the memorial tributes to departed Heads in a well-known and most respectable Church paper. "To the last he was a big boy at heart," writes Canon Diver of his friend, that illiterate old sycophant who brought up the numbers of the school to such a pitch by means of his conciliator policy to Jews, Turks, heretics and infidels that there was nothing for it but to make him a bishop. "I always thought he seemed more at home in the playing fields than in the sixth-form room.... He had all the English boy's healthy horror of anything approaching pose or eccentricity.... He could be a severe disciplinarian when severity seemed necessary, but everybody in the school knew that a well-placed 'boundary,' a difficult catch or a goal well won or well averted would atone for all but the most serious offences." There are many other points of resemblance between the average master and the average boy: each, for example, is intensely cruel, and experiences a quite abnormal joy in the infliction of pain. The baser boy tortures those animals which are not méchants. Tales have been told (they are hushed up by all true friends of the "System") of wonderful and exquisite orgies in lonely hollows of the moors, in obscure and hidden thickets: tales of a boy or two, a lizard or a toad, and the slow simmering heat of a bonfire. But these are the exceptional pleasures of the virtuosi; for the average lad there is plenty of fun to be got out of his feebler fellows, of whom there are generally a few even in the healthiest community. After all, the weakest must go to the wall, and if the bones of the weakest are ground in the process, that is their fault. When some miserable little wretch, after a year or two of prolonged and exquisite torture of body and mind, seeks the last escape of suicide, one knows how the Old Boys will come forward, how gallantly they will declare that the days at the "dear old school" were the happiest in their lives; how "the Doctor" was their father and the Sixth their nursing-mother; how the delights of the Mahomedans' fabled Paradise are but grey and weary sport compared with the joys of the happy fag, whose heart, as the inspired bard of Harrow tells us, will thrill in future years at the thought of the Hill. They write from all quarters, these brave Old Boys: from the hard-won Deanery, result of many years of indefatigable attack on the fundamental doctrines of the Christian faith; from the comfortable villa, the reward of commercial activity and acuteness on the Stock Exchange; from the courts and from the camps; from all the high seats of the successful; and common to them all is the convincing argument of praise. And we all agree, and say there is nothing like our great Public Schools, and perhaps the only dissentient voices are those of the father and mother who bury the body of a little child about whose neck is the black sign of the rope. But let them be comforted: the boy was no good at games, though his torments were not bad sport while he lasted.

Mr. Horbury was an old Luptonian; he was, in the words of Canon Diver, but "a big boy at heart," and so he gave orders that Meyrick was to be sent in the study directly he came in, and he looked at the clock on the desk before him with satisfaction and yet with impatience. A hungry man may long for his delayed dinner almost with a sense of fury, and yet at the back of his mind he cannot help being consoled by the thought of how wonderfully he will enjoy the soup when it appears at last. When seven struck, Mr. Horbury moistened his lips slightly. He got up and felt cautiously behind one of the bookshelves. The object was there, and he sat down again. He listened; there were footfalls on the drive. Ah! there was the expected ring. There was a brief interval, and then a knock. The fire was glowing with red flashes, and the wretched toad was secured.

"Now, Ambrose, you must understand quite definitely that this sort of thing isn't going to be tolerated any longer. This is the third time during this term that you have been late for lockup. You know the rules: six o'clock at latest. It is now twenty minutes past seven. What excuse have you to make? What have you been doing with yourself? Have you been in the Fields?"

"No, Sir."

"Why not? You must have seen the Resolution of the Sixth on the notice-board of the High School? You know what it promised any boy who shirked rocker? 'A good sound thrashing with tuds before the First Thirty.' I am afraid you will have a very bad time of it on Monday, after Graham has sent up your name to the Room."

There was a pause. Mr. Horbury looked quietly and lengthily at the boy, who stood white and sick before him. He was a rather sallow, ugly lad of fifteen. There was something of intelligence in his expression, and it was this glance that Chesson, the Headmaster, had resented. His heart beat against his breast, his breath came in gasps and the sweat of terror poured down his body. The master gazed at him, and at last spoke again.

"But what have you been doing? Where have you been all this time?"

"If you please, Sir, I walked over to Selden Abbey."

"To Selden Abbey? Why, it's at least six miles away! What on earth did you want to go to Selden Abbey for? Are you fond of old stones?"

"If you please, Sir, I wanted to see the Norman arches. There is a picture of them in Parker's Glossary."

"Oh, I see! You are a budding antiquarian, are you, Ambrose, with an interest in Norman arches—eh? I suppose we are to look forward to the time when your researches will have made Lupton famous? Perhaps you would like to lecture to the school on St. Paul's Cathedral? Pray, what are your views as to the age of Stonehenge?"

The wit was heavy enough, but the speaker's position gave a bitter sting to his lash. Mr. Horbury saw that every cut had told, and, without prejudice to more immediate and acuter pleasures, he resolved that such biting satire must have a larger audience. Indeed, it was a long time before Ambrose Meyrick heard the last of those wretched Norman arches. The method was absurdly easy. "Openings" presented themselves every day. For example, if the boy made a mistake in construing, the retort was obvious:

"Thank you, Meyrick, for your most original ideas on the force of the aorist. Perhaps if you studied your Greek Grammar a little more and your favourite Glossary of Architecture a little less, it would be the better. Write out 'Aorist means indefinite' five hundred times."

Or, again, perhaps the Classic Orders were referred to. Mr. Horbury would begin to instruct the form as to the difference between Ionic and Doric. The form listened with poor imitation of interest. Suddenly the master would break off:

"I beg your pardon. I was forgetting that we have a great architectural authority amongst us. Be so kind as to instruct us, Meyrick. What does Parker say? Or perhaps you have excogitated some theories of your own? I know you have an original mind, from the extraordinary quantities of your last copy of verse. By the way, I must ask you to write out 'The e in venio is short' five hundred times. I am sorry to interfere with your more important architectural studies, but I am afraid there is no help for it."

And so on; while the form howled with amusement.

But Mr. Horbury kept these gems for future and public use. For the moment he had more exciting work on hand. He burst out suddenly:

"The fact is, Ambrose Meyrick, you're a miserable little humbug! You haven't the honesty to say, fair and square, that you funked rocker and went loafing about the country, looking for any mischief you could lay your hands on. Instead of that you make up this cock-and-bull story of Selden Abbey and Norman arches—as if any boy in his senses ever knew or cared twopence about such things! I hope you haven't been spending the afternoon in some low public-house? There, don't speak! I don't want to hear any more lies. But, whatever you have been doing, you have broken the rules, and you must be taught that the rules have to be kept. Stand still!"

Mr. Horbury went to the bookshelf and drew out the object. He stood at a little distance behind Meyrick and opened proceedings with a savage cut at his right arm, well above the elbow. Then it was the turn of the left arm, and the master felt the cane bite so pleasantly into the flesh that he distributed some dozen cuts between the two arms. Then he turned his attention to the lad's thighs and finished up in the orthodox manner, Meyrick bending over a chair.

The boy's whole body was one mass of burning, stinging torture; and, though he had not uttered a sound during the process, the tears were streaming down his cheeks. It was not the bodily anguish, though that was extreme enough, so much as a far-off recollection. He was quite a little boy, and his father, dead long since, was showing him the western doorway of a grey church on a high hill and carefully instructing him in the difference between "billetty" and "chevronny."

"It's no good snivelling, you know, Ambrose. I daresay you think me severe, but, though you won't believe me now, the day will come when you will thank me from your heart for what I have just done. Let this day be a turning-point in your life. Now go to your work."

II

It was strange, but Meyrick never came in the after days and thanked his uncle for that sharp dose of physical and mental pain. Even when he was a man he dreamed of Mr. Horbury and woke up in a cold sweat, and then would fall asleep again with a great sigh of relief and gladness as he realised that he was no longer in the power of that "infernal old swine," "that filthy, canting, cruel brute," as he roughly called his old master.

The fact was, as some old Luptonians remarked, the two had never understood one another. With the majority of the boys the High Usher passed for a popular master enough. He had been a distinguished athlete in his time, and up to his last days at the school was a football enthusiast. Indeed, he organised a variety of the Lupton game which met with immense popularity till the Head was reluctantly compelled to stop it; some said because he always liked to drop bitter into Horbury's cup when possible; others—and with more probability on their side—maintained that it was in consequence of a report received from the school doctor to the effect that this new species of football was rapidly setting up an old species of heart disease in the weaker players.

However that might be, there could be no doubt as to Horbury's intense and deep-rooted devotion to the school. His father had been a Luptonian before him. He himself had gone from the school to the University, and within a year or two of taking his degree he had returned to Lupton to serve it as a master. It was the general opinion in Public School circles that the High Usher had counted for as much as Chesson, the Headmaster, if not for more, in the immense advance in prestige and popularity that the school had made; and everybody thought that when Chesson received the episcopal order Horbury's succession was a certainty. Unfortunately, however, there were wheels within wheels, and a total stranger was appointed, a man who knew nothing of the famous Lupton traditions, who (it was whispered) had been heard to say that "this athletic business" was getting a bit overdone. Mr. Horbury's friends were furious, and Horbury himself, it was supposed, was bitterly disappointed. He retreated to one of the few decent canonries which have survived the wave of agricultural depression; but those who knew him best doubted whether his ecclesiastical duties were an adequate consolation for the loss of that coveted Headmastership of Lupton.

To quote the memoir which appeared in the Guardian soon after his death, over some well-known initials:

"His friends were shocked when they saw him at the Residence. He seemed no longer the same man, he had aged more in six months, as some of them expressed themselves, than in the dozen years before. The old joyous Horbury, full of mirth, an apt master of word-play and logic-fence, was somehow 'dimmed,' to use the happy phrase of a former colleague, the Dean of Dorchester. Old Boys who remembered the sparkle of his wit, the zest which he threw into everything, making the most ordinary form-work better fun than the games at other schools, as one of them observed, missed something indefinable from the man whom they had loved so long and so well. One of them, who had perhaps penetrated as closely as any into the arcana of Horbury's friendship (a privilege which he will ever esteem as one of the greatest blessings of his life), tried to rouse him with an extravagant rumour which was then going the round of the popular Press, to the effect that considerable modifications were about to be introduced into the compulsory system of games at X., one of the greatest of our great Public Schools. Horbury flushed; the old light came into his eyes; his friend was reminded of the ancient war-horse who hears once more the inspiring notes of the trumpet. 'I can't believe it,' he said, and there was a tremor in his voice. 'They wouldn't dare. Not even Y. (the Headmaster of X.) would do such a scoundrelly thing as that. I won't believe it.' But the flush soon faded and his apathy returned. 'After all,' he said, 'I shouldn't wonder if it were so. Our day is past, I suppose, and for all I know they may be construing the Breviary and playing dominoes at X. in a few years' time.'

"I am afraid that those last years at Wareham were far from happy. He felt, I think, out of tune with his surroundings, and, pace the readers of the Guardian, I doubt whether he was ever quite at home in his stall. He confessed to one of his old associates that he doubted the wisdom of the whole Cathedral system. 'What,' he said, in his old characteristic manner, 'would St. Peter say if he could enter this building and see that gorgeous window in which he is represented with mitre, cope and keys?' And I do not think that he was ever quite reconciled to the daily recitation of the Liturgy, accompanied as it is in such establishments by elaborate music and all the pomp of the surpliced choir. 'Rome and water, Rome and water!' he has been heard to mutter under his breath as the procession swept up the nave, and before he died I think that he had the satisfaction of feeling that many in high places were coming round to his views.

"But to the very last he never forgot Lupton. A year or two before he died he wrote the great school song, 'Follow, follow, follow!' He was pleased, I know, when it appeared in the Luptonian, and a famous Old Boy informs me that he will never forget Horbury's delight when he was told that the song was already a great favourite in 'Chantry.' To many of your readers the words will be familiar; but I cannot resist quoting the first verse:

"I am getting old and grey and the hills seem far away,
And I cannot hear the horn that once proclaimed the morn
When we sallied forth upon the chase together;
For the years are gone—alack!—when we hastened on the track,
And the huntsman's whip went crack! as a signal to our pack
Riding in the sunshine and fair weather.
And yet across the ground
I seem to hear a sound,
A sound that comes up floating from the hollow;
And its note is very clear
As it echoes in my ear,
And the words are: 'Lupton, follow, follow, follow!'

Chorus.

"Lupton, follow away!
The darkness lies behind us, and before us is the day.
Follow, follow the sun,
The whole world's to be won,
So, Lupton, follow, follow, follow, follow away!

"An old pupil sang this verse to him on his death-bed, and I think, perhaps, that some at least of the readers of the Guardian will allow that George Horbury died 'fortified,' in the truest sense, 'with the rites of the Church'—the Church of a Great Aspiration."

Such was the impression that Mr. Horbury had evidently made upon some of his oldest friends; but Meyrick was, to the last, an infidel. He read the verses in the Guardian (he would never subscribe to the Luptonian) and jeered savagely at the whole sentiment of the memoir, and at the poetry, too.

"Isn't it incredible?" he would say. "Let's allow that the main purpose of the great Public Schools is to breed brave average boobies by means of rocker, sticker and mucker and the rest of it. Still, they do acknowledge that they have a sort of parergon—the teaching of two great literatures, two literatures that have moulded the whole of Western thought for more than two thousand years. And they pay an animal like this to teach these literatures—a swine that has not enough literature of any kind in him to save the soul of a louse! Look at those verses! Why, a decent fourth form boy would be ashamed to put his name to them!"

He was foolish to talk in this fashion. People merely said that it was evident he was one of the failures of the great Public School system; and the song was much admired in the right circles. A very well-turned idem Latine appeared in the Guardian shortly after the publication of the memoir, and the initials at the foot of the version were recognised as those of a literary dean.

And on that autumn evening, far away in the 'seventies, Meyrick, the boy, left Mr. Horbury's study in a white fury of grief and pain and rage. He would have murdered his master without the faintest compunction, nay, with huge delight. Psychologically, his frame of mind was quite interesting, though he was only a schoolboy who had just had a sound thrashing for breaking rules.

For the fact, of course, was that Horbury, the irritating influence of the Head's conversation and sherry apart, was by no means a bad fellow. He was for the moment savagely cruel, but then, most men are apt to be savagely cruel when they suffer from an inflamed liver and offensive superiors, more especially when there is an inferior, warranted defenceless, in their power. But, in the main, Horbury was a very decent specimen of his class—English schoolmaster—and Meyrick would never allow that. In all his reasoning about schools and schoolmasters there was a fatal flaw—he blamed both for not being what they never pretended to be. To use a figure that would have appealed to him, it was if one quarrelled with a plain, old-fashioned meeting-house because it was not in the least like Lincoln Cathedral. A chimney may not be a decorative object, but then it does not profess to be a spire or a pinnacle far in the spiritual city.

But Meyrick was always scolding meeting-houses because they were not cathedrals. He has been heard to rave for hours against useful, unpretentious chimney-pots because they bore no resemblance to celestial spires. Somehow or other, possibly by inheritance, possibly by the influence of his father's companionship, he had unconsciously acquired a theory of life which bore no relation whatever to the facts of it. The theory was manifest in his later years; but it must have been stubbornly, if vaguely, present in him all through his boyhood. Take, for instance, his comment on poor Canon Horbury's verses. He judged those, as we have seen, by the rules of the fine art of literature, and found them rubbish. Yet any old Luptonian would have told him that to hear the whole six hundred boys join in the chorus, "Lupton, follow away!" was one of the great experiences of life; from which it appears that the song, whatever its demerits from a literary point of view, fully satisfied the purpose for which is was written. In other words, it was an excellent chimney, but Meyrick still persisted in his easy and futile task of proving that it was not a bit like a spire. Then, again, one finds a fallacy of still huger extent in that major premiss of his: that the great Public Schools purpose to themselves as a secondary and minor object the imparting of the spirit and beauty of the Greek and Latin literatures. Now, it is very possible that at some distant period in the past this was an object, or even, perhaps, the object of the institutions in question. The Humanists, it may be conjectured, thought of school and University as places where Latin and Greek were to be learned, and to be learned with the object of enjoying the great thought and the great style of an antique world. One sees the spirit of this in Rabelais, for example. The Classics are a wonderful adventure; to learn to understand them is to be a spiritual Columbus, a discoverer of new seas and unknown continents, a drinker of new-old wine in a new-old land. To the student of those days a mysterious drowned Atlantis again rose splendid from the waves of the great deep. It was these things that Meyrick (unconsciously, doubtless) expected to find in his school life; it was for the absence of these things that he continued to scold the system in his later years; wherein, like Jim in Huckleberry Finn, he missed the point by a thousand miles.

The Latin and Greek of modern instruction are, of course, most curious and interesting survivals; no longer taught with any view of enabling students to enjoy and understand either the thought or beauty of the originals; taught rather in such a manner as to nauseate the learner for the rest of his days with the very notion of these lessons. Still, the study of the Classics survives, a curious and elaborate ritual, from which all sense and spirit have departed. One has only to recollect the form master's lessons in the Odyssey or the Bacchæ, and then to view modern Free-masons celebrating the Mystic Death and Resurrection of Hiram Abiff; the analogy is complete, for neither the master nor the Masons have the remotest notion of what they are doing. Both persevere in strange and mysterious actions from inveterate conservatism.

Meyrick was a lover of antiquity and a special lover of survivals, but he could never see that the round of Greek syntax, and Latin prose, of Elegiacs and verbs in [Greek: mi], with the mystery of the Oratio obliqua and the Optative, was one of the most strange and picturesque survivals of modern life. It is to be noted, by the way, that the very meaning of the word "scholar" has been radically changed. Thus a well-known authority points out that "Melancholy" Burton had no "scholarship" in the real sense of the word; he merely used his vast knowledge of ancient and modern literature to make one of the most entertaining and curious books that the world possesses. True "scholarship," in the modern sense, is to be sought for not in the Jacobean translators of the Bible, but in the Victorian revisers. The former made the greatest of English books out of their Hebrew and Greek originals; but the latter understood the force of the aorist. It is curious to reflect that "scholar" once meant a man of literary taste and knowledge.

Meyrick never mastered these distinctions, or, if he did so in later years, he never confessed to his enlightment, but went on railing at the meeting-house, which, he still maintained, did pretend to be a cathedral. He has been heard to wonder why a certain Dean, who had pointed out the vast improvements that had been effected by the Revisers, did not employ a few young art students from Kensington to correct the infamous drawing of the fourteenth-century glass in his cathedral. He was incorrigible; he was always incorrigible, and thus, in his boyhood, on the dark November evening, he meditated the murder of his good master and uncle—for at least a quarter of an hour.

His father, he remembered, had always spoken of Gothic architecture as the most wonderful and beautiful thing in the world: a thing to be studied and loved and reverenced. His father had never so much as mentioned rocker, much less had he preached it as the one way by which an English boy must be saved. Hence, Ambrose maintained inwardly that his visit to Selden Abbey was deserving of reward rather than punishment, and he resented bitterly, the savage injustice (as he thought it) of his caning.

III

Yet Mr. Horbury had been right in one matter, if not in all. That evening was a turning-point in Meyrick's life. He had felt the utmost rage of the enemy, as it were, and he determined that he would be a funk no longer. He would not degenerate into the state of little Phipps, who had been bullied and "rockered" and beaten into such a deplorable condition that he fainted dead away while the Headmaster was operating on him for "systematic and deliberate lying." Phipps not only fainted, but, being fundamentally sensible, as Dr. Johnson expressed it, showed a strong disinclination to return to consciousness and the precious balms of the "dear old Head." Chesson was rather frightened, and the school doctor, who had his living to get, said, somewhat dryly, that he thought the lad had better go home for a week or two.

So Phipps went home in a state which made his mother cry bitterly and his father wonder whether the Public School system was not over-praised. But the old family doctor went about raging and swearing at the "scoundrels" who had reduced a child of twelve to a nervous wreck, with "neurasthenia cerebralis" well on its way. But Dr. Walford had got his education in some trumpery little academy, and did not understand or value the ethos of the great Public Schools.

Now, Ambrose Meyrick had marked the career of wretched Phipps with concern and pity. The miserable little creature had been brought by careful handling from masters and boys to such a pitch of neurotic perfection that it was only necessary to tap him smartly on the back or on the arm, and he would instantly burst into tears. Whenever anyone asked him the simplest question he suspected a cruel trap of some sort, and lied and equivocated and shuffled with a pitiable lack of skill. Though he was pitched by the heels into mucker about three times a week, that he might acquire the useful art of natation, he still seemed to grow dirtier and dirtier. His school books were torn to bits, his exercises made into darts; he had impositions for losing books and canings for not doing his work, and he lied and cried all the more.

Meyrick had never got to this depth. He was a sturdy boy, and Phipps had always been a weakly little animal; but, as he walked from the study to the schoolroom after his thrashing, he felt that he had been in some danger of descending on that sad way. He finally resolved that he would never tread it, and so he walked past the baize-lined doors into the room where the other boys were at work on prep, with an air of unconcern which was not in the least assumed.

Mr. Horbury was a man of considerable private means and did not care to be bothered with the troubles and responsibilities of a big House. But there was room and to spare in the Old Grange, so he took three boys besides his nephew. These three were waiting with a grin of anticipation, since the nature of Meyrick's interview with "old Horbury" was not dubious. But Ambrose strolled in with a "Hallo, you fellows!" and sat down in his place as if nothing had happened. This was intolerable.

"I say, Meyrick," began Pelly, a beefy boy with a red face, "you have been blubbing! Feel like writing home about it? Oh! I forgot. This is your home, isn't it? How many cuts? I didn't hear you howl."

The boy took no notice. He was getting out his books as if no one had spoken.

"Can't you answer?" went on the beefy one. "How many cuts, you young sneak?"

"Go to hell!"

The whole three stared aghast for a moment; they thought Meyrick must have gone mad. Only one, Bates the observant, began to chuckle quietly to himself, for he did not like Pelly. He who was always beefy became beefier; his eyes bulged out with fury.

"I'll give it you," he said and made for Ambrose, who was turning over the leaves of the Latin dictionary. Ambrose did not wait for the assault; he rose also and met Pelly half-way with a furious blow, well planted on the nose. Pelly took a back somersault and fell with a crash to the floor, where he lay for a moment half stunned. He rose staggering and looked about him with a pathetic, bewildered air; for, indeed, a great part of his little world had crumbled about his ears. He stood in the middle of the room, wondering what it meant, whether it was true indeed that Meyrick was no longer of any use for a little quiet fun. A horrible and incredible transmutation had, apparently, been effected in the funk of old. Pelly gazed wildly about him as he tried to staunch the blood that poured over his mouth.

"Foul blow!" ventured Rawson, a lean lad who liked to twist the arms of very little boys till they shrieked for mercy. The full inwardness of the incident had not penetrated to his brain; he saw without believing, in the manner of the materialist who denies the marvellous even when it is before his eyes.

"Foul blow, young Meyrick!"

The quiet student had gone back to his place and was again handling his dictionary. It was a hard, compact volume, rebound in strong boards, and the edge of these boards caught the unfortunate Rawson full across the eyes with extraordinary force. He put his face in his hands and blubbered quietly and dismally, rocking to and fro in his seat, hardly hearing the fluent stream of curses with which the quiet student inquired whether the blow he had just had was good enough for him.

Meyrick picked up his dictionary with a volley of remarks which would have done credit to an old-fashioned stage-manager at the last dress rehearsal before production.

"Hark at him," said Pelly feebly, almost reverently. "Hark at him." But poor Rawson, rocking to and fro, his head between his hands, went on blubbering softly and spoke no word.

Meyrick had never been an unobservant lad; he had simply made a discovery that evening that in Rome certain Roman customs must be adopted. The wise Bates went on doing his copy of Latin verse, chuckling gently to himself. Bates was a cynic. He despised all the customs and manners of the place most heartily and took the most curious care to observe them. He might have been the inventor and patentee of rocker, if one judged him by the fervour with which he played it. He entered his name for every possible event at the sports, and jumped the jumps and threw the hammer and ran the races as if his life depended on it. Once Mr. Horbury had accidentally over-head Bates saying something about "the honour of the House" which went to his heart. As for cricket, Bates played as if his sole ambition was to become a first-class professional. And he chuckled as he did his Latin verses, which he wrote (to the awe of other boys) "as if he were writing a letter"—that is, without making a rough copy. For Bates had got the "hang" of the whole system from rocker to Latin verse, and his copies were much admired. He grinned that evening, partly at the transmutation of Meyrick and partly at the line he was jotting down:

"Mira loquor, cœlo resonans vox funditur alto."

In after life he jotted down a couple of novels which sold, as the journalists said, "like hot cakes." Meyrick went to see him soon after the first novel had gone into its thirtieth thousand, and Bates was reading "appreciations" and fingering a cheque and chuckling.

"Mira loquor, populo, resonans, cheque funditur alto," he said. "I know what schoolmasters and boys and the public want, and I take care they get it—sale espèce de sacrés cochons de N. de D.!"

The rest of prep. went off quite quietly. Pelly was slowly recovering from the shock that he had received and began to meditate revenge. Meyrick had got him unawares, he reflected. It was merely an accident, and he resolved to challenge Meyrick to fight and give him back the worst licking he had ever had in his life. He was beefy, but a bold fellow. Rawson, who was really a cruel coward and a sneak, had made up his mind that he wanted no more, and from time to time cast meek and propitiatory glances in Meyrick's direction.

At half-past nine they all went into their dining-room for bread and cheese and beer. At a quarter to ten Mr. Horbury appeared in cap and gown and read a chapter from St. Paul's Epistle to the Romans, with one or two singularly maundering and unhappy prayers. He stopped the boys as they were going up to their rooms.

"What's this, Pelly?" he said. "Your nose is all swollen. It's been bleeding, too, I see. What have you been doing to yourself? And you, Rawson, how do you account for your eyes being black? What's the meaning of all this?"

"Please, Sir, there was a very stiff bully down at rocker this afternoon, and Rawson and I got tokered badly."

"Were you in the bully, Bates?"

"No, Sir; I've been outside since the beginning of the term. But all the fellows were playing up tremendously, and I saw Rawson and Pelly had been touched when we were changing."

"Ah! I see. I'm very glad to find the House plays up so well. As for you, Bates, I hear you're the best outside for your age that we've ever had. Good night."

The three said "Thank you, Sir," as if their dearest wish had been gratified, and the master could have sworn that Bates flushed with pleasure at his word of praise. But the fact was that Bates had "suggested" the flush by a cunning arrangement of his features.

The boys vanished and Mr. Horbury returned to his desk. He was editing a selection called "English Literature for Lower Forms." He began to read from the slips that he had prepared:

"So all day long the noise of battle roll'd
Among the mountains by the winter sea;
Until King Arthur's table, man by man,
Had fallen in Lyonnesse——"

He stopped and set a figure by the last word, and then, on a blank slip, with a corresponding letter, he repeated the figure and wrote the note:

Lyonnesse—the Sicilly Isles.

Then he took a third slip and wrote the question:

Give the ancient name of the Sicilly Isles.

These serious labours employed him till twelve o'clock. He put the materials of his book away as the clock struck, and solemnly mixed himself his nightly glass of whisky and soda—in the daytime he never touched spirits—and bit the one cigar which he smoked in the twenty-four hours. The stings of the Head's sherry and of his conversation no longer burned within him; time and work and the bite of the cane in Meyrick's flesh had soothed his soul, and he set himself to dream, leaning back in his arm-chair, watching the cheerful fire.

He was thinking of what he would do when he succeeded to the Headmastership. Already there were rumours that Chesson had refused the Bishopric of St. Dubric's in order that he might be free to accept Dorchester, which, in the nature of things, must soon be vacant. Horbury had no doubt that the Headmastership would be his; he had influential friends who assured him that the trustees would not hesitate for an instant. Then he would show the world what an English Public School could be made. In five years, he calculated, he would double the numbers. He saw the coming importance of the modern side, and especially of science. Personally, he detested "stinks," but he knew what an effect he would produce with a great laboratory fitted with the very best appliances and directed by a highly qualified master. Then, again, an elaborate gymnasium must be built; there must be an engineer's shop, too, and a carpenter's as well. And people were beginning to complain that a Public School Education was of no use in the City. There must be a business master, an expert from the Stock Exchange who would see that this reproach was removed. Then he considered that a large number of the boys belonged to the land-owning class. Why should a country gentleman be at the mercy of his agent, forced for lack of technical knowledge to accept statements which he could not check? It was clear that the management of land and great estates must have its part in the scheme; and, again, the best-known of the Crammers must be bought on his own terms, so that the boys who wished to get into the Army or the Civil Service would be practically compelled to come to Lupton. Already he saw paragraphs in the Guardian and The Times—in all the papers—paragraphs which mentioned the fact that ninety-five per cent of the successful candidates for the Indian Civil Service had received their education at the foundation of "stout old Martin Rolle." Meanwhile, in all this flood of novelty, the old traditions should be maintained with more vigour than ever. The classics should be taught as they never had been taught. Every one of the masters on this side should be in the highest honours and, if possible, he would get famous men for the work—they should not merely be good, but also notorious scholars. Gee, the famous explorer in Crete, who had made an enormous mark in regions widely removed from the scholastic world by his wonderful book, Dædalus; or, The Secret of the Labyrinth, must come to Lupton at any price; and Maynard, who had discovered some most important Greek manuscripts in Egypt, he must have a form, too. Then there was Rendell, who had done so well with his Thucydides, and Davies, author of The Olive of Athene, a daring but most brilliant book which promised to upset the whole established theory of mythology—he would have such a staff as no school had ever dreamed of. "We shall have no difficulty about paying them," thought Horbury; "our numbers will go up by leaps and bounds, and the fees shall be five hundred pounds a year—and such terms will do us more good than anything."

He went into minute detail. He must take expert advice as to the advisability of the school farming on its own account, and so supplying the boys with meat, milk, bread, butter and vegetables at first cost. He believed it could be done; he would get a Scotch farmer from the Lowlands and make him superintendent at a handsome salary and with a share in the profits. There would be the splendid advertisement of "the whole dietary of the school supplied from the School Farms, under the supervision of Mr. David Anderson, formerly of Haddanneuk, the largest tenancy in the Duke of Ayr's estates." The food would be better and cheaper, too; but there would be no luxury. The "Spartan" card was always worth playing; one must strike the note of plain living in a luxurious age; there must be no losing of the old Public School severity. On the other hand, the boy's hands should be free to go into their own pockets; there should be no restraint here. If a boy chose to bring in Dindonneau aux truffes or Pieds de mouton à la Ste Menehould to help out his tea, that was his look-out. Why should not the school grant a concession to some big London firm, who would pay handsomely for the privilege of supplying the hungry lads with every kind of expensive dainty? The sum could be justly made a large one, as any competing shop could be promptly put out of bounds with reason or without it. On one side, confiserie; at the other counter, charcuterie; enormous prices could be charged to the wealthy boys of whom the school would be composed. Yet, on the other hand, the distinguished visitor—judge, bishop, peer or what not—would lunch at the Headmaster's house and eat the boys' dinner and go away saying it was quite the plainest and very many times the best meal he had ever tasted. There would be well-hung saddle of mutton, roasted and not baked; floury potatoes and cauliflower; apple pudding with real English cheese, with an excellent glass of the school beer, an honest and delicious beverage made of malt and hops in the well-found school brewery. Horbury knew enough of modern eating and drinking to understand that such a meal would be a choice rarity to nine rich people out of ten; and yet it was "Spartan," utterly devoid of luxury and ostentation.

Again, he passed from detail and minutiæ into great Napoleonic regions. A thousand boys at £500 a year; that would be an income for the school of five hundred thousand pounds! The profits would be gigantic, immense. After paying large, even extravagant, prices to the staff, after all building expenses had been deducted, he hardly dared to think how vast a sum would accrue year by year to the Trustees. The vision began to assume such magnificence that it became oppressive; it put on the splendours and delights of the hashish dream, which are too great and too piercing for mortal hearts to bear. And yet it was no mirage; there was not a step that could not be demonstrated, shown to be based on hard; matter-of-fact business considerations. He tried to keep back his growing excitement, to argue with himself that he was dealing in visions, but the facts were too obstinate. He saw that it would be his part to work the same miracle in the scholastic world as the great American storekeepers had operated in the world of retail trade. The principle was precisely the same: instead of a hundred small shops making comparatively modest and humdrum profits you had the vast emporium doing business on the gigantic scale with vastly diminished expenses and vastly increased rewards.

Here again was a hint. He had thought of America, and he knew that here was an inexhaustible gold mine, that no other scholastic prospector had even dreamed of. The rich American was notoriously hungry for everything that was English, from frock-coats to pedigrees. He had never thought of sending his son to an English Public School because he considered the system hopelessly behind the times. But the new translated Lupton would be to other Public Schools as a New York hotel of the latest fashion is to a village beer-shop. And yet the young millionaire would grow up in the company of the sons of the English gentlemen, imbibing the unique culture of English life, while at the same time he enjoyed all the advantages of modern ideas, modern science and modern business training. Land was still comparatively cheap at Lupton; the school must buy it quietly, indirectly, by degrees, and then pile after pile of vast buildings rose before his eyes. He saw the sons of the rich drawn from all the ends of the world to the Great School, there to learn the secret of the Anglo-Saxons.

Chesson was mistaken in that idea of his, which he thought daring and original, of establishing a distinct Jewish House where the food should be "Kosher." The rich Jew who desired to send his son to an English Public School was, in nine cases out of ten, anxious to do so precisely because he wanted to sink his son's connection with Jewry in oblivion. He had heard Chesson talk of "our Christian duty to the seed of Israel" in this connection. The man was clearly a fool. No, the more Jews the better, but no Jewish House. And no Puseyism either: broad, earnest religious teaching, with a leaning to moderate Anglicanism, should be the faith of Lupton. As to this Chesson was, certainly, sound enough. He had always made a firm stand against ecclesiasticism in any form. Horbury knew the average English parent of the wealthier classes thoroughly; he knew that, though he generally called himself a Churchman, he was quite content to have his sons prepared for confirmation by a confessed Agnostic. Certainly this liberty must not be narrowed when Lupton became cosmopolitan. "We will retain all the dignified associations which belong to the Established Church," he said to himself, "and at the same time we shall be utterly free from the taint of over-emphasising dogmatic teaching." He had a sudden brilliant idea. Everybody in Church circles was saying that the English bishops were terribly overworked, that it was impossible for the most strenuous men with the best intentions to supervise effectually the huge dioceses that had descended from the sparsely populated England of the Middle Ages. Everywhere there was a demand for suffragans and more suffragans. In the last week's Guardian there were three letters on the subject, one from a clergyman in their own diocese. The Bishop had been attacked by some rabid ritualistic person, who had pointed out that nine out of every ten parishes had not so much as seen the colour of his hood ever since his appointment ten years before. The Archdeacon of Melby had replied in a capital letter, scathing and yet humorous. Horbury turned to the paper on the table beside his chair and looked up the letter. "In the first place," wrote the Archdeacon, "your correspondent does not seem to have realised that the ethoes of the Diocese of Melby is not identical with that of sacerdotalism. The sturdy folk of the Midlands have not yet, I am thankful to say, forgotten the lessons of our great Reformation. They have no wish to see a revival of the purely mechanical religion of the Middle Ages—of the system of a sacrificing priesthood and of sacraments efficacious ex opere operato. Hence they do not regard the episcopate quite in the same light as your correspondent 'Senex,' who, it seems to me, looks upon a bishop as a sort of Christianised 'medicine-man,' endowed with certain mysterious thaumaturgic powers which have descended to him by an (imaginary) spiritual succession. This was not the view of Hooker, nor, I venture to say, has it ever been the view of the really representative divines of the Established Church of England.

"Still," the Archdeacon went on, "it must be admitted that the present diocese of Melby is unwieldy and, it may be fairly said, unworkable."

Then there followed the humorous anecdote of Sir Boyle Roche and the Bird, and finally the Archdeacon emitted the prayer that God in His own good time would put it into the hearts of our rulers in Church and State to give their good Bishop an episcopal curate.

Horbury got up from his chair and paced up and down the study; his excitement was so great that he could keep quiet no longer. His cigar had gone out long ago, and he had barely sipped the whisky and soda. His eyes glittered with excitement. Circumstances seemed positively to be playing into his hands; the dice of the world were being loaded in his favour. He was like Bel Ami at his wedding. He almost began to believe in Providence.

For he was sure it could be managed. Here was a general feeling that no one man could do the work of the diocese. There must be a suffragan, and Lupton must give the new Bishop his title. No other town was possible. Dunham had certainly been a see in the eighth century, but it was now little more than a village and a village served by a miserable little branch line; whereas Lupton was on the great main track of the Midland system, with easy connections to every part of the country. The Archdeacon, who was also a peer, would undoubtedly become the first Bishop of Lupton, and he should be the titular chaplain of the Great School! "Chaplain! The Right Reverend Lord Selwyn, Lord Bishop of Lupton." Horbury gasped; it was too magnificent, too splendid. He knew Lord Selwyn quite well and had no doubt as to his acceptance. He was a poor man, and there would be no difficulty whatever in establishing a modus. The Archdeacon was just the man for the place. He was no pedantic theologian, but a broad, liberal-minded man of the world. Horbury remembered, almost with ecstasy, that he had lectured all over the United States with immense success. The American Press had been enthusiastic, and the First Congregational Church of Chicago had implored Selwyn to accept its call, preach what he liked and pocket an honorarium of twenty-five thousand dollars a year. And, on the other hand, what could the most orthodox desire safer than a chaplain who was not only a bishop, but a peer of the realm? Wonderful! Here were the three birds—Liberalism, Orthodoxy and Reverence for the House of Lords—caught safe and secure in this one net.

The games? They should be maintained in all their glory, rather on an infinitely more splendid scale. Cricket and sticker (the Lupton hockey), rackets and fives, should be all encouraged; and more, Lupton should be the only school to possess a tennis court. The noble jeu de paume, the game of kings, the most aristocratic of all sports, should have a worthy home at Lupton. They would train champions; they would have both French and English markers skilled in the latest developments of the chemin de fer service. "Better than half a yard, I think," said Horbury to himself; "they will have to do their best to beat that."

But he placed most reliance on rocker. This was the Lupton football, a variant as distinctive in its way as the Eton Wall Game. People have thought that the name is a sort of portmanteau word, a combination of Rugger and Soccer; but in reality the title was derived from the field where the game used to be played in old days by the townsfolk. As in many other places, football at Lupton had been originally an excuse for a faction-fight between two parishes in the town—St. Michael's and St. Paul's-in-the-Fields. Every year, on Shrove Tuesday, the townsfolk, young and old, had proceeded to the Town Field and had fought out their differences with considerable violence. The field was broken land: a deep, sluggish stream crossed one angle of it, and in the middle there were quarries and jagged limestone rocks. Hence football was called in the town "playing rocks," for, indeed, it was considered an excellent point of play to hurl a man over the edge of the quarry on to the rocks beneath, and so late as 1830 a certain Jonas Simpson of St. Michael's had had his spine broken in this way. However, as a boy from St. Paul's was drowned in the Wand the same day, the game was always reckoned a draw. It was from the peculiarities of this old English sport that the school had constructed its game. The Town Field had, of course, long been stolen from the townsfolk and built over; but the boys had, curiously enough, perpetuated the tradition of its peculiarities in a kind of football ritual. For, besides the two goals, one part of the field was marked by a line of low white posts: these indicated the course of a non-existent Wand brook, and in the line of these posts it was lawful to catch an opponent by the throat and choke him till he turned black in the face—the best substitute for drowning that the revisers of the game could imagine. Again: about the centre of the field two taller posts indicated the position of the quarries, and between these you might be hit or kicked full in the stomach without the smallest ground of complaint: the stroke being a milder version of the old fall on the rocks.

There were many other like amenities in rocker; and Horbury maintained it was by far the manliest variant of the game. For this pleasing sport he now designed a world-wide fame. Rocker should be played wherever the English flag floated: east and west, north and south; from Hong Kong to British Columbia; in Canada and New Zealand there should be the Temenoi of this great rite; and the traveller seeing the mystic enclosure—the two goals, the line of little posts marking "brooks" and the two poles indicating "quarries"—should know English soil as surely as by the Union Jack. The technical terms of rocker should become a part of the great Anglo-Saxon inheritance; the whole world should hear of "bully-downs" and "tokering," of "outsides" and "rammers." It would require working, but it was to be done: articles in the magazines and in the Press; perhaps a story of school life, a new Tom Brown must be written. The Midlands and the North must be shown that there was money in it, and the rest would be easy.

One thing troubled Horbury. His mind was full of the new and splendid buildings that were to be erected, but he was aware that antiquity still counted for something, and unfortunately Lupton could show very little that was really antique. Forty years before, Stanley, the first reforming Headmaster, had pulled down the old High School. There were prints of it: it was a half-timbered, fifteenth-century building, with a wavering roof-line and an overhanging upper story; there were dim, leaded windows and a grey arched porch—an ugly old barn, Stanley called it. Scott was called in and built the present High School, a splendid hall in red brick: French thirteenth-century, with Venetian detail; it was much admired. But Horbury was sorry that the old school had been destroyed; he saw for the first time that it might have been made a valuable attraction. Then again, Dowsing, who succeeded Stanley, had knocked the cloisters all to bits; there was only one side of the quadrangle left, and this had been boarded up and used as a gardeners' shed. Horbury did not know what to say of the destruction of the Cross that used to stand in the centre of the quad. No doubt Dowsing was right in thinking it superstitious; still, it might have been left as a curiosity and shown to visitors, just as the instruments of bygone cruelty—the rack and the Iron Maid—are preserved and exhibited to wondering sightseers. There was no real danger of any superstitious adoration of the Cross; it was, as a matter of fact, as harmless as the axe and block at the Tower of London; Dowsing had ruined what might have been an important asset in the exploitation of the school.

Still, perhaps the loss was not altogether irreparable. High School was gone and could not be recovered; but the cloisters might be restored and the Cross, too. Horbury knew that the monument in front of Charing Cross Railway Station was considered by many to be a genuine antique: why not get a good man to build them a Cross? Not like the old one, of course; that "Fair Roode with our Deare Ladie Saint Marie and Saint John," and, below, the stories of the blissful Saints and Angels—that would never do. But a vague, Gothic erection, with plenty of kings and queens, imaginary benefactors of the school, and a small cast-iron cross at the top: that could give no offence to anybody, and might pass with nine people out of ten as a genuine remnant of the Middle Ages. It could be made of soft stone and allowed to weather for a few years; then a coat of invisible anti-corrosive fluid would preserve carvings and imagery that would already appear venerable in decay. There was no need to make any precise statements: parents and the public might be allowed to draw their own conclusions.

Horbury was neglecting nothing. He was building up a great scheme in his mind, and to him it seemed that every detail was worth attending to, while at the same time he did not lose sight of the whole effect. He believed in finish: there must be no rough edges. It seemed to him that a school legend must be invented. The real history was not quite what he wanted, though it might work in with a more decorative account of Lupton's origins. One might use the Textus Receptus of Martin Rolle's Foundation—the bequest of land c. 1430 to build and maintain a school where a hundred boys should be taught grammar, and ten poor scholars and six priests should pray for the Founder's soul. This was well enough, but one might hint that Martin Rolle really refounded and re-endowed a school of Saxon origin, probably established by King Alfred himself in Luppa's Tun. Then, again, who could show that Shakespeare had not visited Lupton? His famous schoolboy, "creeping like snail unwillingly to school," might very possibly have been observed by the poet as he strolled by the banks of the Wand. Many famous men might have received their education at Lupton; it would not be difficult to make a plausible list of such. It must be done carefully and cautiously, with such phrases as "it has always been a tradition at Lupton that Sir Walter Raleigh received part of his education at the school"; or, again, "an earlier generation of Luptonians remembered the initials 'W. S. S. on A.' cut deeply in the mantel of old High School, now, unfortunately, demolished." Antiquarians would laugh? Possibly; but who cared about antiquarians? For the average man "Charing" was derived from "chère reine," and he loved to have it so, and Horbury intended to appeal to the average man. Though he was a schoolmaster he was no recluse, and he had marked the ways of the world from his quiet study in Lupton; hence he understood the immense value of a grain of quackery in all schemes which are meant to appeal to mortals. It was a deadly mistake to suppose that anything which was all quackery would be a success—a permanent success, at all events; it was a deadlier mistake still to suppose that anything quite devoid of quackery could pay handsomely. The average English palate would shudder at the flavour of aioli, but it would be charmed by the insertion of that petit point d'ail which turned mere goodness into triumph and laurelled perfection. And there was no need to mention the word "garlic" before the guests. Lupton was not going to be all garlic: it was to be infinitely the best scholastic dish that had ever been served—the ingredients should be unsurpassed and unsurpassable. But—King Alfred's foundation of a school at Luppa's Tun, and that "W. S. S. on A." cut deeply on the mantel of the vanished High School—these and legends like unto them, these would be the last touch, le petit point d'ail.

It was a great scheme, wonderful and glorious; and the most amazing thing about it was that it was certain to be realised. There was not a flaw from start to finish. The Trustees were certain to appoint him—he had that from a sure quarter—and it was but a question of a year or two, perhaps only of a month or two, before all this great and golden vision should be converted into hard and tangible fact. He drank off his glass of whisky and soda; it had become flat and brackish, but to him it was nectar, since it was flavoured with ecstasy.

He frowned suddenly as he went upstairs to his room. An unpleasant recollection had intruded for a moment on his amazing fantasy; but he dismissed the thought as soon as it arose. That was all over, there could be no possibility of trouble from that direction; and so, his mind filled with images, he fell asleep and saw Lupton as the centre of the whole world, like Jerusalem in the ancient maps.

A student of the deep things of mysticism has detected a curious element of comedy in the management of human concerns; and there certainly seems a touch of humour in the fact that on this very night, while Horbury was building the splendid Lupton of the future, the palace of his thought and his life was shattered for ever into bitter dust and nothingness. But so it was. The Dread Arrest had been solemnly recognised, and that wretched canonry at Wareham was irrevocably pronounced for doom. Fantastic were the elements of forces that had gone to the ordering of this great sentence: raw corn spirit in the guise of sherry, the impertinence (or what seemed such) of an elderly clergyman, a boiled leg of mutton, a troublesome and disobedient boy, and—another person.

II

I

He was standing in a wild, bare country. Something about it seemed vaguely familiar: the land rose and fell in dull and weary undulations, in a vast circle of dun ploughland and grey meadow, bounded by a dim horizon without promise or hope, dreary as a prison wall. The infinite melancholy of an autumn evening brooded heavily over all the world, and the sky was hidden by livid clouds.

It all brought back to him some far-off memory, and yet he knew that he gazed on that sad plain for the first time. There was a deep and heavy silence over all; a silence unbroken by so much as the fluttering of a leaf. The trees seemed of a strange shape, and strange were the stunted thorns dotted about the broken field in which he stood. A little path at his feet, bordered by the thorn bushes, wandered away to the left into the dim twilight; it had about it some indefinable air of mystery, as if it must lead one down into a mystic region where all earthly things are forgotten and lost for ever.

He sat down beneath the bare, twisted boughs of a great tree and watched the dreary land grow darker and yet darker; he wondered, half-consciously, where he was and how he had come to that place, remembering, faintly, tales of like adventure. A man passed by a familiar wall one day, and opening a door before unnoticed, found himself in a new world of unsurmised and marvellous experiences. Another man shot an arrow farther than any of his friends and became the husband of the fairy. Yet—this was not fairyland; these were rather the sad fields and unhappy graves of the underworld than the abode of endless pleasures and undying delights. And yet in all that he saw there was the promise of great wonder.

Only one thing was clear to him. He knew that he was Ambrose, that he had been driven from great and unspeakable joys into miserable exile and banishment. He had come from a far, far place by a hidden way, and darkness had closed about him, and bitter drink and deadly meat were given him, and all gladness was hidden from him. This was all he could remember; and now he was astray, he knew not how or why, in this wild, sad land, and the night descended dark upon him.

Suddenly there was, as it were, a cry far away in the shadowy silence, and the thorn bushes began to rustle before a shrilling wind that rose as the night came down. At this summons the heavy clouds broke up and dispersed, fleeting across the sky, and the pure heaven appeared with the last rose flush of the sunset dying from it, and there shone the silver light of the evening star. Ambrose's heart was drawn up to this light as he gazed: he saw that the star grew greater and greater; it advanced towards him through the air; its beams pierced to his soul as if they were the sound of a silver trumpet. An ocean of white splendour flowed over him: he dwelt within the star.

It was but for a moment; he was still sitting beneath the tree of the twisted branches. But the sky was now clear and filled with a great peace; the wind had fallen and a more happy light shone on the great plain. Ambrose was thirsty, and then he saw that beside the tree there was a well, half hidden by the arching roots that rose above it. The water was still and shining, as though it were a mirror of black marble, and marking the brim was a great stone on which were cut the letters:

"FONS VITAE IMMORTALIS."

He rose and, bending over the well, put down his lips to drink, and his soul and body were filled as with a flood of joy. Now he knew that all his days of exile he had borne with pain and grief a heavy, weary body. There had been dolours in every limb and achings in every bone; his feet had dragged upon the ground, slowly, wearily, as the feet of those who go in chains. But dim, broken spectres, miserable shapes and crooked images of the world had his eyes seen; for they were eyes bleared with sickness, darkened by the approach of death. Now, indeed, he clearly beheld the shining vision of things immortal. He drank great draughts of the dark, glittering water, drinking, it seemed, the light of the reflected stars; and he was filled with life. Every sinew, every muscle, every particle of the deadly flesh shuddered and quickened in the communion of that well-water. The nerves and veins rejoiced together; all his being leapt with gladness, and as one finger touched another, as he still bent over the well, a spasm of exquisite pleasure quivered and thrilled through his body. His heart throbbed with bliss that was unendurable; sense and intellect and soul and spirit were, as it were, sublimed into one white flame of delight. And all the while it was known to him that these were but the least of the least of the pleasures of the kingdom, but the overrunnings and base tricklings of the great supernal cup. He saw, without amazement, that, though the sun had set, the sky now began to flush and redden as if with the northern light. It was no longer the evening, no longer the time of the procession of the dusky night. The darkness doubtless had passed away in mortal hours while for an infinite moment he tasted immortal drink; and perhaps one drop of that water was endless life. But now it was the preparation for the day. He heard the words:

"Dies venit, dies Tua
In qua reflorent omnia."

They were uttered within his heart, and he saw that all was being made ready for a great festival. Over everything there was a hush of expectation; and as he gazed he knew that he was no longer in that weary land of dun ploughland and grey meadow, of the wild, bare trees and strange stunted thorn bushes. He was on a hillside, lying on the verge of a great wood; beneath, in the valley, a brook sang faintly under the leaves of the silvery willows; and beyond, far in the east, a vast wall of rounded mountain rose serene towards the sky. All about him was the green world of the leaves: odours of the summer night, deep in the mystic heart of the wood, odours of many flowers, and the cool breath rising from the singing stream mingled in his nostrils. The world whitened to the dawn, and then, as the light grew clear, the rose clouds blossomed in the sky and, answering, the earth seemed to glitter with rose-red sparks and glints of flame. All the east became as a garden of roses, red flowers of living light shone over the mountain, and as the beams of the sun lit up the circle of the earth a bird's song began from a tree within the wood. Then were heard the modulations of a final and exultant ecstasy, the chant of liberation, a magistral In Exitu; there was the melody of rejoicing trills, of unwearied, glad reiterations of choirs ever aspiring, prophesying the coming of the great feast, singing the eternal antiphon.

As the song aspired into the heights, so there aspired suddenly before him the walls and pinnacles of a great church set upon a high hill. It was far off, and yet as though it were close at hand he saw all the delicate and wonderful imagery cut in its stones. The great door in the west was a miracle: every flower and leaf, every reed and fern, were clustered in the work of the capitals, and in the round arch above moulding within moulding showed all the beasts that God has made. He saw the rose-window, a maze of fretted tracery, the high lancets of the fair hall, the marvellous buttresses, set like angels about this holy house, whose pinnacles were as a place of many springing trees. And high above the vast, far-lifted vault of the roof rose up the spire, golden in the light. The bells were ringing for the feast; he heard from within the walls the roll and swell and triumph of the organ:

O pius o bonus o placidus sonus hymnus eorum.

He knew not how he had taken his place in this great procession, how, surrounded by ministrants in white, he too bore his part in endless litanies. He knew not through what strange land they passed in their fervent, admirable order, following their banners and their symbols that glanced on high before them. But that land stood ever, it seemed, in a clear, still air, crowned with golden sunlight; and so there were those who bore great torches of wax, strangely and beautifully adorned with golden and vermilion ornaments. The delicate flame of these tapers burned steadily in the still sunlight, and the glittering silver censers as they rose and fell tossed a pale cloud into the air. They delayed, now and again, by wayside shrines, giving thanks for unutterable compassions, and, advancing anew, the blessed company surged onward, moving to its unknown goal in the far blue mountains that rose beyond the plain. There were faces and shapes of awful beauty about him; he saw those in whose eyes were the undying lamps of heaven, about whose heads the golden hair was as an aureole; and there were they that above the girded vesture of white wore dyed garments, and as they advanced around their feet there was the likeness of dim flames.

The great white array had vanished and he was alone. He was tracking a secret path that wound in and out through the thickets of a great forest. By solitary pools of still water, by great oaks, worlds of green leaves, by fountains and streams of water, by the bubbling, mossy sources of the brooks he followed this hidden way, now climbing and now descending, but still mounting upward, still passing, as he knew, farther and farther from all the habitations of men. Through the green boughs now he saw the shining sea-water; he saw the land of the old saints, all the divisions of the land that men had given to them for God; he saw their churches, and it seemed as if he could hear, very faintly, the noise of the ringing of their holy bells. Then, at last, when he had crossed the Old Road, and had gone by the Lightning-struck Land and the Fisherman's Well, he found, between the forest and the mountain, a very ancient and little chapel; and now he heard the bell of the saint ringing clearly and so sweetly that it was as it were the singing of the angels. Within it was very dark and there was silence. He knelt and saw scarcely that the chapel was divided into two parts by a screen that rose up to the round roof. There was a glinting of shapes as if golden figures were painted on this screen, and through the joinings of its beams there streamed out thin needles of white splendour as if within there was a light greater than that of the sun at noonday. And the flesh began to tremble, for all the place was filled with the odours of Paradise, and he heard the ringing of the Holy Bell and the voices of the choir that out-sang the Fairy Birds of Rhiannon, crying and proclaiming:

"Glory and praise to the Conqueror of Death: to the Fountain of Life Unending."

Nine times they sang this anthem, and then the whole place was filled with blinding light. For a door in the screen had been opened, and there came forth an old man, all in shining white, on whose head was a gold crown. Before him went one who rang the bell; on each side there were young men with torches; and in his hands he bore the Mystery of Mysteries wrapped about in veils of gold and of all colours, so that it might not be discerned; and so he passed before the screen, and the light of heaven burst forth from that which he held. Then he entered in again by a door that was on the other side, and the Holy Things were hidden.

And Ambrose heard from within an awful voice and the words:

Woe and great sorrow are on him, for he hath looked unworthily into the Tremendous Mysteries, and on the Secret Glory which is hidden from the Holy Angels.

II

"Poetry is the only possible way of saying anything that is worth saying at all." This was an axiom that, in later years, Ambrose Meyrick's friends were forced to hear at frequent intervals. He would go on to say that he used the term poetry in its most liberal sense, including in it all mystic or symbolic prose, all painting and statuary that was worthy to be called art, all great architecture, and all true music. He meant, it is to be presumed, that the mysteries can only be conveyed by symbols; unfortunately, however, he did not always make it quite clear that this was the proposition that he intended to utter, and thus offence was sometimes given—as, for example, to the scientific gentleman who had been brought to Meyrick's rooms and went away early, wondering audibly and sarcastically whether "your clever friend" wanted to metrify biology and set Euclid to Bach's Organ Fugues.

However, the Great Axiom (as he called it) was the justification that he put forward in defence of the notes on which the previous section is based.

"Of course," he would say, "the symbolism is inadequate; but that is the defect of speech of any kind when you have once ventured beyond the multiplication table and the jargon of the Stock Exchange. Inadequacy of expression is merely a minor part of the great tragedy of humanity. Only an ass thinks that he has succeeded in uttering the perfect content of his thought without either excess or defect."

"Then, again," he might go on, "the symbolism would very likely be misleading to a great many people; but what is one to do? I believe many good people find Turner mad and Dickens tiresome. And if the great sometimes fail, what hope is there for the little? We cannot all be—well—popular novelists of the day."

Of course, the notes in question were made many years after the event they commemorate; they were the man's translation of all the wonderful and inexpressible emotions of the boy; and, as Meyrick puts it, many "words" (or symbols) are used in them which were unknown to the lad of fifteen.

"Nevertheless," he said, "they are the best words that I can find."

As has been said, the Old Grange was a large, roomy house; a space could easily have been found for half a dozen more boys if the High Usher had cared to be bothered with them. As it was, it was a favour to be at Horbury's, and there was usually some personal reason for admission. Pelly, for example, was the son of an old friend; Bates was a distant cousin; and Rawson's father was the master of a small Grammar School in the north with which certain ancestral Horburys were somehow connected. The Old Grange was a fine large Caroline house; it had a grave front of red brick, mellowed with age, tier upon tier of tall, narrow windows, flush with the walls, and a high-pitched, red-tiled roof. Above the front door was a rich and curious wooden pent-house, deeply carven; and within there was plenty of excellent panelling, and some good mantelpieces, added, it would seem, somewhere about the Adam period. Horbury had seen its solid and comfortable merits and had bought the freehold years before at a great bargain. The school was increasing rapidly even in those days, and he knew that before long more houses would be required. If he left Lupton he would be able to let the Old Grange easily—he might almost put it up for auction—and the rent would represent a return of fifty per cent on his investment. Many of the rooms were large; of a size out of all proportion to the boys' needs, and at a very trifling expense partitions might be made and the nine or ten available rooms be subdivided into studies for twenty or even twenty-five boys. Nature had gifted the High Usher with a careful, provident mind in all things, both great and small; and it is but fair to add that on his leaving Lupton for Wareham he found his anticipations more than justified. To this day Charles Horbury, his nephew, a high Government official, draws a comfortable income from his uncle's most prudent investment, and the house easily holds its twenty-five boys. Rainy, who took the place from Horbury, was an ingenious fellow and hit upon a capital plan for avoiding the expense of making new windows for some of the subdivided studies. After thoughtful consideration he caused the wooden partitions which were put up to stop short of the ceiling by four inches, and by this device the study with a window lighted the study that had none; and, as Rainy explained to some of the parents, a diffused light was really better for the eyes than a direct one.

In the old days, when Ambrose Meyrick was being made a man of, the four boys "rattled," as it were, in the big house. They were scattered about in odd corners, remote from each other, and it seemed from everybody else. Meyrick's room was the most isolated of any, but it was also the most comfortable in winter, since it was over the kitchen, to the extreme left of the house. This part, which was hidden from the road by the boughs of a great cedar, was an after-thought, a Georgian addition in grey brick, and rose only to two stories, and in the one furnished room out of the three or four over the kitchen and offices slept Ambrose. He wished his days could be as quiet and retired as his nights. He loved the shadows that were about his bed even on the brightest mornings in summer; for the cedar boughs were dense, and ivy had been allowed to creep about the panes of the window; so the light entered dim and green, filtered through the dark boughs and the ivy tendrils.

Here, then, after the hour of ten each night, he dwelt secure. Now and again Mr. Horbury would pay nocturnal surprise visits to see that all lights were out; but, happily, the stairs at the end of the passage, being old and badly fitted, gave out a succession of cracks like pistol shots if the softest foot was set on them. It was simple, therefore, on hearing the first of these reports, to extinguish the candle in the small secret lantern (held warily so that no gleam of light should appear from under the door) and to conceal the lantern under the bed-clothes. One wetted one's finger and pinched at the flame, so there was no smell of the expiring snuff, and the lantern slide was carefully drawn to guard against the possibility of suspicious grease-marks on the linen. It was perfect; and old Horbury's visits, which were rare enough, had no terrors for Ambrose.

So that night, while the venom of the cane still rankled in his body, though it had ceased to disturb his mind, instead of going to bed at once, according to the regulations, he sat for a while on his box seeking a clue in a maze of odd fancies and conceits. He took off his clothes and wrapped his aching body in the rug from the bed, and presently, blowing out the official paraffin lamp, he lit his candle, ready at the first warning creak on the stairs to douse the glim and leap between the sheets.

Odd enough were his first cogitations. He was thinking how very sorry he was to have hit Pelly that savage blow and to have endangered Rawson's eyesight by the hard boards of the dictionary! This was eccentric, for he had endured from those two young Apaches every extremity of unpleasantness for upwards of a couple of years. Pelly was not by any means an evil lad: he was stupid and beefy within and without, and the great Public School system was transmuting him, in the proper course and by the proper steps, into one of those Brave Average Boobies whom Meyrick used to rail against afterwards. Pelly, in all probability (his fortunes have not been traced), went into the Army and led the milder and more serious subalterns the devil's own life. In India he "lay doggo" with great success against some hill tribe armed with seventeenth-century muskets and rather barbarous knives; he seems to have been present at that "Conference of the Powers" described so brightly by Mr. Kipling. Promoted to a captaincy, he fought with conspicuous bravery in South Africa, winning the Victoria Cross for his rescue of a wounded private at the instant risk of his own life, and he finally led his troop into a snare set by an old farmer; a rabbit of average intelligence would have smelt and evaded it.

For Rawson one is sorry, but one cannot, in conscience, say much that is good, though he has been praised for his tact. He became domestic chaplain to the Bishop of Dorchester, whose daughter Emily he married.

But in those old days there was very little to choose between them, from Meyrick's point of view. Each had displayed a quite devilish ingenuity in the art of annoyance, in the whole cycle of jeers and sneers and "scores," as known to the schoolboy, and they were just proceeding to more active measures. Meyrick had borne it all meekly; he had returned kindly and sometimes quaint answers to the unceasing stream of remarks that were meant to wound his feelings, to make him look a fool before any boys that happened to be about. He had only countered with a mild: "What do you do that for, Pelly?" when the brave one smacked his head. "Because I hate sneaks and funks," Pelly had replied and Meyrick said no more. Rawson took a smaller size in victims when it was a question of physical torments; but he had invented a most offensive tale about Meyrick and had told it all over the school, where it was universally believed. In a word, the two had done their utmost to reduce him to a state of utter misery; and now he was sorry that he had punched the nose of one and bombarded the other with a dictionary!

The fact was that his forebearance had not been all cowardice; it is, indeed, doubtful whether he was in the real sense a coward at all. He went in fear, it is true, all his days, but what he feared was not the insult, but the intention, the malignancy of which the insult, or the blow, was the outward sign. The fear of a mad bull is quite distinct from the horror with which most people look upon a viper; it was the latter feeling which made Meyrick's life a burden to him. And again there was a more curious shade of feeling; and that was the intense hatred that he felt to the mere thought of "scoring" off an antagonist, of beating down the enemy. He was a much sharper lad than either Rawson or Pelly; he could have retorted again and again with crushing effect, but he held his tongue, for all such victories were detestable to him. And this odd sentiment governed all his actions and feelings; he disliked "going up" in form, he disliked winning a game, not through any acquired virtue, but by inherent nature. Poe would have understood Meyrick's feelings; but then the author of The Imp of the Perverse penetrated so deeply into the inmost secrets of humanity that Anglo-Saxon criticism has agreed in denouncing him as a wholly "inhuman" writer.

With Meyrick this mode of feeling had grown stronger by provocation; the more he was injured, the more he shrank from the thought of returning the injury. In a great measure the sentiment remained with him in later life. He would sally forth from his den in quest of fresh air on top of an omnibus and stroll peacefully back again rather than struggle for victory with the furious crowd. It was not so much that he disliked the physical contest: he was afraid of getting a seat! Quite naturally, he said that people who "pushed," in the metaphorical sense, always reminded him of the hungry little pigs fighting for the largest share of the wash; but he seemed to think that, whereas this course of action was natural in the little pigs, it was profoundly unnatural in the little men. But in his early boyhood he had carried this secret doctrine of his to its utmost limits; he had assumed, as it were, the rôle of the coward and the funk; he had, without any conscious religious motive certainly, but in obedience to an inward command, endeavoured to play the part of a Primitive Christian, of a religious, in a great Public School! Ama nesciri et pro nihilo æstimari. The maxim was certainly in his heart, though he had never heard it; but perhaps if he had searched the whole world over he could not have found a more impossible field for its exercise than this seminary, where the broad, liberal principles of Christianity were taught in a way that satisfied the Press, the public and the parents.

And he sat in his room and grieved over the fashion in which he had broken this discipline. Still, something had to be done: he was compelled to stay in this place, and he did not wish to be reduced to the imbecility of wretched little Phipps who had become at last more like a whimpering kitten with the mange than a human being. One had not the right to allow oneself to be made an idiot, so the principle had to be infringed—but externally only, never internally! Of that he was firmly resolved; and he felt secure in his recollection that there had been no anger in his heart. He resented the presence of Pelly and Rawson, certainly, but in the manner with which some people resent the presence of a cat, a mouse, or a black-beetle, as disagreeable objects which can't help being disagreeable objects. But his bashing of Pelly and his smashing of Rawson, his remarks (gathered from careful observation by the banks of the Lupton and Birmingham Canal); all this had been but the means to an end, the securing of peace and quiet for the future. He would not be murdered by this infernal Public School system either, after the fashion of Phipps—which was melancholy, or after the fashion of the rest—which was more melancholy still, since it is easier to recover from nervous breakdown than from suffusion of cant through the entire system, mental and spiritual. Utterly from his heart he abjured and renounced all the horrible shibboleths of the school, its sham enthusiasm, its "ethos," its "tone," its "loyal co-operation—masters and boys working together for the good of the whole school"—all its ridiculous fetish conventions and absurd observances, the joint contrivances of young fools and old knaves. But his resistance should be secret and not open, for a while; there should be no more "bashing" than was absolutely necessary.

And one thing he resolved upon—he would make all he could out of the place; he would work like a tiger and get all the Latin and Greek and French obtainable, in spite of the teaching and its imbecile pedantry. The school work must be done, so that trouble might be avoided, but here at night in his room he would really learn the languages they pottered over in form, wasting half their time in writing sham Ciceronian prose which would have made Cicero sick, and verse evil enough to cause Virgil to vomit. Then there was French, taught chiefly out of pompous eighteenth-century fooleries, with lists of irregular verbs to learn and Babylonish nonsense about the past participle, and many other rotten formulas and rules, giving to the whole tongue the air of a tiresome puzzle which had been dug up out of a prehistoric grave. This was not the French that he wanted; still, he could write out irregular verbs by day and learn the language at night. He wondered whether unhappy French boys had to learn English out of the Rambler, Blair's Sermons and Young's Night Thoughts. For he had some sort of smattering of English literature which a Public School boy has no business to possess. So he went on with this mental tirade of his: one is not over-wise at fifteen. It is true enough, perhaps, that the French of the average English schoolboy is something fit to move only pity and terror; it may be true also that nobody except Deans and schoolmasters seems to bring away even the formulas and sacred teachings (such as the Optative mystery and the Doctrine of Dum) of the two great literatures. There is, doubtless, a good deal to be said on the subject of the Public Schoolman's knowledge of the history and literature of his own country; an infinite deal of comic stuff might be got out of his views and acquirements in the great science of theology—still let us say, Floreat!

Meyrick turned from his review of the wisdom of his elders and instructors to more intimate concerns. There were a few cuts of that vigorous cane which still stung and hurt most abominably, for skill or fortune had guided Mr. Horbury's hand so that he had been enabled here and there to get home twice in the same place, and there was one particular weal on the left arm where the flesh, purple and discoloured, had swelled up and seemed on the point of bursting. It was no longer with rage, but with a kind of rapture, that he felt the pain and smarting; he looked upon the ugly marks of the High Usher's evil humours as though they had been a robe of splendour. For he knew nothing of that bad sherry, nothing of the Head's conversation; he knew that when Pelly had come in quite as late it had only been a question of a hundred lines, and so he persisted in regarding himself as a martyr in the cause of those famous "Norman arches," which was the cause of that dear dead enthusiast, his father, who loved Gothic architecture and all other beautiful "unpractical" things with an undying passion. As soon as Ambrose could walk he had begun his pilgrimages to hidden mystic shrines; his father had led him over the wild lands to places known perhaps only to himself, and there, by the ruined stones, by the smooth hillock, had told the tale of the old vanished time, the time of the "old saints."

III

It was for this blessed and wonderful learning, he said to himself, that he had been beaten, that his body had been scored with red and purple stripes. He remembered his father's oft-repeated exclamation, "cythrawl Sais!" He understood that the phrase damned not Englishmen qua Englishmen, but Anglo-Saxonism—the power of the creed that builds Manchester, that "does business," that invents popular dissent, representative government, adulteration, suburbs, and the Public School system. It was, according to his father, the creed of "the Prince of this world," the creed that made for comfort, success, a good balance at the bank, the praise of men, the sensible and tangible victory and achievement; and he bade his little boy, who heard everything and understood next to nothing, fly from it, hate it and fight against it as he would fight against the devil—"and," he would add, "it is the only devil you are ever likely to come across."

And the little Ambrose had understood not much of all this, and if he had been asked—even at fifteen—what it all meant, he would probably have said that it was a great issue between Norman mouldings and Mr. Horbury, an Armageddon of Selden Abbey versus rocker. Indeed, it is doubtful whether old Nicholas Meyrick would have been very much clearer, for he forgot everything that might be said on the other side. He forgot that Anglo-Saxonism (save in the United States of America) makes generally for equal laws; that civil riot ("Labour" movements, of course, excepted) is more a Celtic than a Saxon vice; that the penalty of burning alive is unknown amongst Anglo-Saxons, unless the provocation be extreme; that Englishmen have substituted "Indentured Labour" for the old-world horrors of slavery; that English justice smites the guilty rich equally with the guilty poor; that men are no longer poisoned with swift and secret drugs, though somewhat unwholesome food may still be sold very occasionally. Indeed, the old Meyrick once told his rector that he considered a brothel a house of sanctity compared with a modern factory, and he was beginning to relate some interesting tales concerning the Three Gracious Courtesans of the Isle of Britain when the rector fled in horror—he came from Sydenham. And all this was a nice preparation for Lupton.

A wonderful joy, an ecstasy of bliss, swelled in Ambrose's heart as he assured himself that he was a witness, though a mean one, for the old faith, for the faith of secret and beautiful and hidden mysteries as opposed to the faith of rocker and sticker and mucker, and "the thought of the school as an inspiring motive in life"—the text on which the Head had preached the Sunday before. He bared his arms and kissed the purple swollen flesh and prayed that it might ever be so, that in body and mind and spirit he might ever be beaten and reviled and made ridiculous for the sacred things, that he might ever be on the side of the despised and the unsuccessful, that his life might ever be in the shadow—in the shadow of the mysteries.

He thought of the place in which he was, of the hideous school, the hideous town, the weary waves of the dun Midland scenery bounded by the dim, hopeless horizon; and his soul revisited the faery hills and woods and valleys of the West. He remembered how, long ago, his father had roused him early from sleep in the hush and wonder of a summer morning. The whole world was still and windless; all the magic odours of the night rose from the earth, and as they crossed the lawn the silence was broken by the enchanted song of a bird rising from a thorn tree by the gate. A high white vapour veiled the sky, and they only knew that the sun had risen by the brightening of this veil, by the silvering of the woods and the meadows and the water in the rejoicing brook. They crossed the road, and crossed the brook in the field beneath, by the old foot-bridge tremulous with age, and began to climb the steep hillside that one could see from the windows, and, the ridge of the hill once surmounted, the little boy found himself in an unknown land: he looked into deep, silent valleys, watered by trickling streams; he saw still woods in that dreamlike morning air; he saw winding paths that climbed into yet remoter regions. His father led him onward till they came to a lonely height—they had walked scarcely two miles, but to Ambrose it seemed a journey into another world—and showed him certain irregular markings in the turf.

And Nicholas Meyrick murmured:

"The cell of Iltyd is by the seashore,
The ninth wave washes its altar,
There is a fair shrine in the land of Morgan.

"The cell of Dewi is in the City of the Legions,
Nine altars owe obedience to it,
Sovereign is the choir that sings about it.

"The cell of Cybi is the treasure of Gwent,
Nine hills are its perpetual guardians,
Nine songs befit the memory of the saint."

"See," he said, "there are the Nine Hills." He pointed them out to the boy, telling him the tale of the saint and his holy bell, which they said had sailed across the sea from Syon and had entered the Severn, and had entered the Usk, and had entered the Soar, and had entered the Canthwr; and so one day the saint, as he walked beside the little brook that almost encompassed the hill in its winding course, saw the bell "that was made of metal that no man might comprehend," floating under the alders, and crying:

"Sant, sant, sant,
I sail from Syon
To Cybi Sant!"

"And so sweet was the sound of that bell," Ambrose's father went on, "that they said it was as the joy of angels ym Mharadwys, and that it must have come not from the earthly, but from the heavenly and glorious Syon."

And there they stood in the white morning, on the uneven ground that marked the place where once the Saint rang to the sacrifice, where the quickening words were uttered after the order of the Old Mass of the Britons.

"And then came the Yellow Hag of Pestilence, that destroyed the bodies of the Cymri; then the Red Hag of Rome, that caused their souls to stray; last is come the Black Hag of Geneva, that sends body and soul quick to hell. No honour have the saints any more."

Then they turned home again, and all the way Ambrose thought he heard the bell as it sailed the great deeps from Syon, crying aloud: "Sant, Sant, Sant!" And the sound seemed to echo from the glassy water of the little brook, as it swirled and rippled over the shining stones circling round those lonely hills.

So they made strange pilgrimages over the beloved land, going farther and farther afield as the boy grew older. They visited deep wells in the heart of the woods, where a few broken stones, perhaps, were the last remains of the hermitage. "Ffynnon Ilar Bysgootwr—the well of Saint Ilar the Fisherman," Nicholas Meyrick would explain, and then would follow the story of Ilar; how no man knew whence he came or who his parents were. He was found, a little child, on a stone in a river in Armorica, by King Alan, and rescued by him. And ever after they discovered on the stone in the river where the child had lain every day a great and shining fish lying, and on this fish Ilar was nourished. And so he came with a great company of the saints to Britain, and wandered over all the land.

"So at last Ilar Sant came to this wood, which people now call St. Hilary's wood because they have forgotten all about Ilar. And he was weary with his wandering, and the day was very hot; so he stayed by this well and began to drink. And there on that great stone he saw the shining fish, and so he rested, and built an altar and a church of willow boughs, and offered the sacrifice not only for the quick and the dead, but for all the wild beasts of the woods and the streams.

"And when this blessed Ilar rang his holy bell and began to offer, there came not only the Prince and his servants, but all the creatures of the wood. There, under the hazel boughs, you might see the hare, which flies so swiftly from men, come gently and fall down, weeping greatly on account of the Passion of the Son of Mary. And, beside the hare, the weasel and the pole-cat would lament grievously in the manner of penitent sinners; and wolves and lambs together adored the saint's hierurgy; and men have beheld tears streaming from the eyes of venomous serpents when Ilar Agios uttered 'Curiluson' with a loud voice—since the serpent is not ignorant that by its wickedness sorrow came to the whole world. And when, in the time of the holy ministry, it is necessary that frequent Alleluyas should be chanted and vociferated, the saint wondered what should be done, for as yet none in that place was skilled in the art of song. Then was a great miracle, since from all the boughs of the wood, from every bush and from every green tree, there resounded Alleluyas in enchanting and prolonged harmony; never did the Bishop of Rome listen to so sweet a singing in his church as was heard in this wood. For the nightingale and thrush and blackbird and blackcap, and all their companions, are gathered together and sing praises to the Lord, chanting distinct notes and yet concluding in a melody of most ravishing sweetness; such was the mass of the Fisherman. Nor was this all, for one day as the saint prayed beside the well he became aware that a bee circled round and round his head, uttering loud buzzing sounds, but not endeavouring to sting him. To be short; the bee went before Ilar, and led him to a hollow tree not far off, and straightway a swarm of bees issued forth, leaving a vast store of wax behind them. This was their oblation to the Most High, for from their wax Ilar Sant made goodly candles to burn at the Offering; and from that time the bee is holy, because his wax makes light to shine upon the Gifts."

This was part of the story that Ambrose's father read to him; and they went again to see the Holy Well. He looked at the few broken and uneven stones that were left to distinguish it from common wells; and there in the deep green wood, in the summer afternoon, under the woven boughs, he seemed to hear the strange sound of the saint's bell, to see the woodland creatures hurrying through the undergrowth that they might be present at the Offering. The weasel beat his little breast for his sins; the big tears fell down the gentle face of the hare; the adders wept in the dust; and all the chorus of the birds sang: "Alleluya, Alleluya, Alleluya!"

Once they drove a long way from the Wern, going towards the west, till they came to the Great Mountain, as the people called it. After they had turned from the high road they went down a narrow lane, and this led them with many windings to a lower ridge of the mountain, where the horse and trap were put up at a solitary tavern. Then they began to toil upward on foot, crossing many glistening and rejoicing streams that rushed out cold from the limestone rock, mounting up and up, through the wet land where the rare orchis grew amongst the rushes, through hazel brakes, through fields that grew wilder as they still went higher, and the great wind came down from the high dome above them. They turned, and all the shining land was unrolled before them; the white houses were bright in the sunlight, and there, far away, was the yellow sea and the two islands, and the coasts beyond.

Nicholas Meyrick pointed out a tuft of trees on a hill a long way off and told his son that the Wern was hidden beyond it; and then they began to climb once more, till they came at last to the line where the fields and hedges ended, and above there was only the wild mountain land. And on this verge stood an old farmhouse with strong walls, set into the rock, sheltered a little from the winds by a line of twisted beeches. The walls of the house were gleaming white, and by the porch there was a shrub covered with bright yellow flowers. Mr. Meyrick beat upon the oak door, painted black and studded with heavy nails. An old man, dressed like a farmer, opened it, and Ambrose noticed that his father spoke to him with something of reverence in his voice, as if he were some very great person. They sat down in a long room, but dimly lighted by the thick greenish glass in the quarried window, and presently the old farmer set a great jug of beer before them. They both drank heartily enough, and Mr. Meyrick said:

"Aren't you about the last to brew your own beer, Mr. Cradock?"

"Iss; I be the last of all. They do all like the muck the brewer sends better than cwrw dda."

"The whole world likes muck better than good drink, now."

"You be right, Sir. Old days and old ways of our fathers, they be gone for ever. There was a blasted preacher down at the chapel a week or two ago, saying—so they do tell me—that they would all be damned to hell unless they took to ginger-beer directly. Iss indeed now; and I heard that he should say that a man could do a better day's work on that rot-belly stuff than on good beer. Wass you ever hear of such a liarr as that?"

The old man was furious at the thought of these infamies and follies; his esses hissed through his teeth and his r's rolled out with fierce emphasis. Mr. Meyrick nodded his approval of this indignation.

"We have what we deserve," he said. "False preachers, bad drink, the talk of fools all the day long—even on the mountain. What is it like, do you think, in London?"

There fell a silence in the long, dark room. They could hear the sound of the wind in the beech trees, and Ambrose saw how the boughs were tossed to and fro, and he thought of what it must be like in winter nights, here, high upon the Great Mountain, when the storms swept up from the sea, or descended from the wilds of the north; when the shafts of rain were like the onset of an army, and the winds screamed about the walls.

"May we see It?" said Mr. Meyrick suddenly.

"I did think you had come for that. There be very few now that remember."

He went out, and returned carrying a bunch of keys. Then he opened a door in the room and warned "the young master" to take care of the steps. Ambrose, indeed, could scarcely see the way. His father led him down a short flight of uneven stone steps, and they were in a room which seemed at first quite dark, for the only light came from a narrow window high up in the wall, and across the glass there were heavy iron bars.

Cradock lit two tall candles of yellow wax that stood in brass candlesticks on a table; and, as the flame grew clear, Ambrose saw that he was opening a sort of aumbry constructed in the thickness of the wall. The door was a great slab of solid oak, three or four inches thick—as one could see when it was opened—and from the dark place within the farmer took an iron box and set it carefully upon the floor, Mr. Meyrick helping him. They were strong men, but they staggered under the weight of the chest; the iron seemed as thick as the door of the cupboard from which it was taken, and the heavy, antique lock yielded, with a grating scream, to the key. Inside it there was another box of some reddish metal, which, again, held a case of wood black with age; and from this, with reverent hands, the farmer drew out a veiled and splendid cup and set it on the table between the two candles. It was a bowl-like vessel of the most wonderful workmanship, standing on a short stem. All the hues of the world were mingled on it, all the jewels of the regions seemed to shine from it; and the stem and foot were encrusted with work in enamel, of strange and magical colours that shone and dimmed with alternating radiance, that glowed with red fires and pale glories, with the blue of the far sky, the green of the faery seas, and the argent gleam of the evening star. But before Ambrose had gazed more than a moment he heard the old man say, in pure Welsh, not in broken English, in a resonant and chanting voice:

"Let us fall down and adore the marvellous and venerable work of the Lord God Almighty."

To which his father responded:

"Agyos, Agyos, Agyos. Mighty and glorious is the Lord God Almighty, in all His works and wonderful operations. Curiluson, Curiluson, Curiluson."

They knelt down, Cradock in the midst, before the cup, and Ambrose and his father on either hand. The holy vessel gleamed before the boy's eyes, and he saw clearly its wonder and its beauty. All its surface was a marvel of the most delicate intertwining lines in gold and silver, in copper and in bronze, in all manner of metals and alloys; and these interlacing patterns in their brightness, in the strangeness of their imagery and ornament, seemed to enthral his eyes and capture them, as it were, in a maze of enchantment; and not only the eyes; for the very spirit was rapt and garnered into that far bright world whence the holy magic of the cup proceeded. Among the precious stones which were set into the wonder was a great crystal, shining with the pure light of the moon; about the rim of it there was the appearance of faint and feathery clouds, but in the centre it was a white splendour; and as Ambrose gazed he thought that from the heart of this jewel there streamed continually a shower of glittering stars, dazzling his eyes with their incessant motion and brightness. His body thrilled with a sudden ineffable rapture, his breath came and went in quick pantings; bliss possessed him utterly as the three crowned forms passed in their golden order. Then the interwoven sorcery of the vessel became a ringing wood of golden, and bronze, and silver trees; from every side resounded the clear summons of the holy bells and the exultant song of the faery birds; he no longer heard the low-chanting voices of Cradock and his father as they replied to one another in the forms of some antique liturgy. Then he stood by a wild seashore; it was a dark night, and there was a shrilling wind that sang about the peaks of the sharp rock, answering to the deep voices of the heaving sea. A white moon, of fourteen days old, appeared for a moment in the rift between two vast black clouds, and the shaft of light showed all the savage desolation of the shore—cliffs that rose up into mountains, into crenellated heights that were incredible, whose bases were scourged by the torrents of hissing foam that were driven against them from the hollow-sounding sea. Then, on the highest of those awful heights, Ambrose became aware of walls and spires, of towers and battlements that must have touched the stars; and, in the midst of this great castle, there surged up the aspiring vault of a vast church, and all its windows were ablaze with a light so white and glorious that it was as if every pane were a diamond. And he heard the voices of a praising host, or the clamour of golden trumpets and the unceasing choir of the angels. And he knew that this place was the Sovereign Perpetual Choir, Cor-arbennic, into whose secret the deadly flesh may scarcely enter. But in the vision he lay breathless, on the floor before the gleaming wall of the sanctuary, while the shadows of the hierurgy were enacted; and it seemed to him that, for a moment of time, he saw in unendurable light the Mystery of Mysteries pass veiled before him, and the Image of the Slain and Risen.

For a brief while this dream was broken. He heard his father singing softly:

"Gogoniant y Tâd ac y Mab ac yr Yspryd Glân."

And the old man answered:

"Agya Trias eleeson ymas."

Then again his spirit was lost in the bright depths of the crystal, and he saw the ships of the saints, without oar or sail, afloat on the faery sea, seeking the Glassy Isle. All the whole company of the Blessed Saints of the Isle of Britain sailed on the adventure; dawn and sunset, night and morning, their illuminated faces never wavered; and Ambrose thought that at last they saw bright shores in the dying light of a red sun, and there came to their nostrils the scent of the deep apple-garths in Avalon, and odours of Paradise.

When he finally returned to the presence of earthly things he was standing by his father; while Cradock reverently wrapped the cup in the gleaming veils which covered it, saying as he did so, in Welsh:

"Remain in peace, O holy and divine cup of the Lord. Henceforth I know not whether I shall return to thee or not; but may the Lord vouchsafe me to see thee in the Church of the Firstborn which is in Heaven, on the Altar of the Sacrifice which is from age unto ages."

Ambrose went up the steps and out into the sunshine on the mountain side with the bewilderment of strange dreams, as a coloured mist, about him. He saw the old white walls, the yellow blossoms by the porch; above, the wild, high mountain wall; and, below, all the dear land of Gwent, happy in the summer air, all its woods and fields, its rolling hills and its salt verge, rich in a golden peace. Beside him the cold water swelled from the earth and trickled from the grey rock, and high in the air an exultant lark was singing. The mountain breeze was full of life and gladness, and the rustling and tossing of the woods, the glint and glimmer of the leaves beneath, made one think that the trees, with every creature, were merry on that day. And in that dark cell beneath many locks, beneath wood and iron, concealed in golden, glittering veils, lay hidden that glorious and awful cup, glass of wonderful vision, portal and entrance of the Spiritual Place.

His father explained to him something of that which he had seen. He told him that the vessel was the Holy Cup of Teilo sant, which he was said to have received from the Lord in the state of Paradise, and that when Teilo said Mass, using that Chalice, the choir of angels was present visibly; that it was a cup of wonders and mysteries, the bestower of visions and heavenly graces.

"But whatever you do," he said, "do not speak to anyone of what you have seen to-day, because if you do the mystery will be laughed at and blasphemed. Do you know that your uncle and aunt at Lupton would say that we were all mad together? That is because they are fools, and in these days most people are fools, and malignant fools too, as you will find out for yourself before you are much older. So always remember that you must hide the secrets that you have seen; and if you do not do so you will be sorry."

Mr. Meyrick told his son why old Cradock was to be treated with respect—indeed, with reverence.

"He is just what he looks," he said, "an old farmer with a small freehold up here on the mountain side; and, as you heard, his English is no better than that of any other farmer in this country. And, compared with Cradock, the Duke of Norfolk is a man of yesterday. He is of the tribe of Teilo the Saint; he is the last, in direct descent, of the hereditary keepers of the holy cup; and his race has guarded that blessed relic for thirteen hundred years. Remember, again, that to-day, on this mountain, you have seen great marvels which you must keep in silence."

Poor Ambrose! He suffered afterwards for his forgetfulness of his father's injunction. Soon after he went to Lupton one of the boys was astonishing his friends with a brilliant account of the Crown jewels, which he had viewed during the Christmas holidays. Everybody was deeply impressed, and young Meyrick, anxious to be agreeable in his turn, began to tell about the wonderful cup that he had once seen in an old farmhouse. Perhaps his manner was not convincing, for the boys shrieked with laughter over his description. A monitor who was passing asked to hear the joke, and, having been told the tale, clouted Ambrose over the head for an infernal young liar. This was a good lesson, and it served Ambrose in good stead when one of the masters having, somehow or other, heard the story, congratulated him in the most approved scholastic manner before the whole form on his wonderful imaginative gifts.

"I see the budding novelist in you, Meyrick," said this sly master. "Besant and Rice will be nowhere when you once begin. I suppose you are studying character just at present? Let us down gently, won't you? [To the delighted form.] We must be careful, mustn't we, how we behave? 'A chiel's amang us takin' notes,'" etc. etc.

But Meyrick held his tongue. He did not tell his form master that he was a beast, a fool and a coward, since he had found out that the truth, like many precious things, must often be concealed from the profane. A late vengeance overtook that foolish master. Long years after, he was dining at a popular London restaurant, and all through dinner he had delighted the ladies of his party by the artful mixture of brutal insolence and vulgar chaff with which he had treated one of the waiters, a humble-looking little Italian. The master was in the highest spirits at the success of his persiflage; his voice rose louder and louder, and his offensiveness became almost supernaturally acute. And then he received a heavy earthen casserole, six quails, a few small onions and a quantity of savoury but boiling juices full in the face. The waiter was a Neapolitan.

The hours of the night passed on, as Ambrose sat in his bedroom at the Old Grange, recalling many wonderful memories, dreaming his dreams of the mysteries, of the land of Gwent and the land of vision, just as his uncle, but a few yards away in another room of the house, was at the same time rapt into the world of imagination, seeing the new Lupton descending like a bride from the heaven of headmasters. But Ambrose thought of the Great Mountain, of the secret valleys, of the sanctuaries and hallows of the saints, of the rich carven work of lonely churches hidden amongst the hills and woods. There came into his mind the fragment of an old poem which he loved:

"In the darkness of old age let not my memory fail,
Let me not forget to celebrate the beloved land of Gwent.
If they imprison me in a deep place, in a house of pestilence,
Still shall I be free, when I remember the sunshine upon Mynydd Maen.
There have I listened to the singing of the lark, my soul has ascended with the song of the little bird;
The great white clouds were the ships of my spirit, sailing to the haven of the Almighty.
Equally to be held in honour is the site of the Great Mountain,
Adorned with the gushing of many waters—
Sweet is the shade of its hazel thickets,
There a treasure is preserved, which I will not celebrate,
It is glorious, and deeply concealed.
If Teilo should return, if happiness were restored to the Cymri,
Dewi and Dyfrig should serve his Mass; then a great marvel would be made visible.
O blessed and miraculous work, then should my bliss be as the bliss of angels;
I had rather behold this Offering than kiss the twin lips of dark Gwenllian.
Dear my land of Gwent, O quam dilecta tabernacula!
Thy rivers are like precious golden streams of Paradise,
Thy hills are as the Mount Syon—
Better a grave on Twyn Barlwm than a throne in the palace of the Saxons at Caer-Ludd."

And then, by the face of contrast, he thought of the first verse of the great school song, "Rocker," one of the earliest of the many poems which his uncle had consecrated to the praise of the dear old school:

"Once on a time, in the books that bore me,
I read that in olden days before me
Lupton town had a wonderful game,
It was a game with a noble story
(Lupton town was then in its glory,
Kings and Bishops had brought it fame).
It was a game that you all must know,
And 'rocker' they called it, long ago.

Chorus.

"Look out for 'brooks,' or you're sure to drown,
Look out for 'quarries,' or else you're down—
That was the way
'Rocker' to play—
Once on a day
That was the way,
Once on a day,
That was the way that they used to play in Lupton town."

Thinking of the two songs, he put out his light and, wearied, fell into a deep sleep.

IV

The British schoolboy, considered in a genial light by those who have made him their special study, has not been found to be either observant or imaginative. Or, rather, it would be well to say that his powers of observation, having been highly specialised within a certain limited tract of thought and experience (bounded mainly by cricket and football), are but faint without these bounds; while it is one of the chiefest works of the System to kill, destroy, smash and bring to nothing any powers of imagination he may have originally possessed. For if this were not done thoroughly, neither a Conservative nor a Liberal administration would be possible, the House of Commons itself would cease to exist, the Episcopus (var. Anglicanus) would go the way of the Great Bustard; a "muddling through somehow" (which must have been the brightest jewel in the British crown, wrung from King John by the barons) would become a lost art. And, since all these consequences would be clearly intolerable, the great Public Schools have perfected a very thorough system of destroying the imaginative toxin, and few cases of failure have been so far reported.

Still, there are facts which not even the densest dullards, the most complete boobies, can help seeing; and a good many of the boys found themselves wondering "what was the matter with Meyrick" when they saw him at Chapel on the Sunday morning. The news of his astounding violences both of act and word on the night before had not yet circulated generally. Bates was attending to that department, but hadn't had time to do much so far; and the replies of Pelly and Rawson to enquiries after black eyes and a potato-like nose were surly and misleading. Afterwards, when the tale was told, when Bates, having enlarged the incidents to folk-lore size, showed Pelly lying in a pool of his own blood, Rawson screaming as with the torments of the lost and Meyrick rolling out oaths—all original and all terrible—for the space of a quarter of an hour, then indeed the school was satisfied; it was no wonder if Meyrick did look a bit queer after the achievement of such an adventure. The funk of aforetime had found courage; the air of rapture was easily understood. It is probable that if, in the nature of things, it had been possible for an English schoolboy to meet St. Francis of Assisi, the boy would have concluded that the saint must have just made 200 not out in first-class cricket.

But Ambrose walked in a strange light; he had been admitted into worlds undreamed of, and from the first brightness of the sun, when he awoke in the morning in his room at the Grange, it was the material world about him, the walls of stone and brick, the solid earth, the sky itself, and the people who talked and moved and seemed alive—these were things of vision, unsubstantial shapes, odd and broken illusions of the mind. At half-past seven old Toby, the man-of-all-work at the old Grange banged at his door and let his clean boots fall with a crash on the boards after the usual fashion. He awoke, sat up in bed, staring about him. But what was this? The four walls covered with a foolish speckled paper, pale blue and pale brown, the white ceiling, the bare boards with the strip of carpet by the bedside: he knew nothing of all this. He was not horrified, because he knew that it was all non-existent, some plastic fantasy that happened to be presented for the moment to his brain. Even the big black wooden chest that held his books (Parker, despised by Horbury, among them) failed to appeal to him with any sense of reality; and the bird's-eye washstand and chest of drawers, the white water-jug with the blue band, were all frankly phantasmal. It reminded him of a trick he had sometimes played: one chose one's position carefully, shut an eye and, behold, a mean shed could be made to obscure the view of a mountain! So these walls and appurtenances made an illusory sort of intrusion into the true vision on which he gazed. That yellow washstand rising out of the shining wells of the undying, the speckled walls in the place of the great mysteries, a chest of drawers in the magic garden of roses—it had the air of a queer joke, and he laughed aloud to himself as he realized that he alone knew, that everybody else would say, "That is a white jug with a blue band," while he, and he only, saw the marvel and glory of the holy cup with its glowing metals, its interlacing myriad lines, its wonderful images, and its hues of the mountain and the stars, of the green wood and the faery sea where, in a sure haven, anchor the ships that are bound for Avalon.

For he had a certain faith that he had found the earthly presentation and sacrament of the Eternal Heavenly Mystery.

He smiled again, with the quaint smile of an angel in an old Italian picture, as he realized more fully the strangeness of the whole position and the odd humours which would relieve to play a wonderful game of make-believe; the speckled walls, for instance, were not really there, but he was to behave just as if they were solid realities. He would presently rise and go through an odd pantomine of washing and dressing, putting on brilliant boots, and going down to various mumbo-jumbo ceremonies called breakfast, chapel and dinner, in the company of appearances to whom he would accord all the honours due to veritable beings. And this delicious phantasmagoria would go on and on day after day, he alone having the secret; and what a delight it would be to "play up" at rocker! It seemed to him that the solid-seeming earth, the dear old school and rocker itself had all been made to minister to the acuteness of his pleasure; they were the darkness that made the light visible, the matter through which form was manifested. For the moment he enclosed in the most secret place of his soul the true world into which he had been guided; and as he dressed he hummed the favourite school song, "Never mind!"

"If the umpire calls 'out' at your poor second over,
If none of your hits ever turns out a 'rover,'
If you fumble your fives and 'go rot' over sticker,
If every hound is a little bit quicker;
If you can't tackle rocker at all, not at all,
And kick at the moon when you try for the ball,
Never mind, never mind, never mind—if you fall,
Dick falls before rising, Tom's short ere he's tall,
Never mind!
Don't be one of the weakest who go to the wall:
Never mind!"

Ambrose could not understand how Columbus could have blundered so grossly. Somehow or other he should have contrived to rid himself of his crew; he should have returned alone, with a dismal tale of failure, and passed the rest of his days as that sad and sorry charlatan who had misled the world with his mad whimsies of a continent beyond the waters of the Atlantic. If he had been given wisdom to do this, how great—how wonderful would his joys have been! They would have pointed at him as he paced the streets in his shabby cloak; the boys would have sung songs about him and his madness; the great people would have laughed contemptuously as he went by. And he would have seen in his heart all that vast far world of the west, the rich islands barred by roaring surf, a whole hemisphere of strange regions and strange people; he would have known that he alone possessed the secret of it. But, after all, Ambrose knew that his was a greater joy even than this; for the world that he had discovered was not far across the seas, but within him.

Pelly stared straight before him in savage silence all through breakfast; he was convinced that mere hazard had guided that crushing blow, and he was meditating schemes of complete and exemplary vengeance. He noticed nothing strange about Meyrick, nor would he have cared if he had seen the images of the fairies in his eyes. Rawson, on the other hand, was full of genial civility and good fellowship; it was "old chap" and "old fellow" every other word. But he was far from unintelligent, and, as he slyly watched Meyrick, he saw that there was something altogether unaccustomed and incomprehensible. Unknown lights burned and shone in the eyes, reflections of one knew not what; the expression was altered in some queer way that he could not understand. Meyrick had always been a rather ugly, dogged-looking fellow; his black hair and something that was not usual in the set of his features gave him an exotic, almost an Oriental appearance; hence a story of Rawson's to the effect that Meyrick's mother was a nigger woman in poor circumstances and of indifferent morality had struck the school as plausible enough.

But now the grimness of the rugged features seemed abolished; the face shone, as it were, with the light of a flame—but a flame of what fire? Rawson, who would not have put his observations into such terms, drew his own conclusions readily enough and imparted them to Pelly after Chapel.

"Look here, old chap," he said, "did you notice young Meyrick at breakfast?"

Pelly simply blasted Meyrick and announced his intention of giving him the worst thrashing he had ever had at an early date.

"Don't you try it on," said Rawson. "I had my eye on him all the time. He didn't see I was spotting him. He's cracked; he's dangerous. I shouldn't wonder if he were in a strait waistcoat in the County Lunatic Asylum in a week's time. My governor had a lot to do with lunatics, and he always says he can tell by the eyes. I'll swear Meyrick is raging mad."

"Oh, rot!" said Pelly. "What do you know about it?"

"Well, look out, old chap, and don't say I didn't give you the tip. Of course, you know a maniac is stronger than three ordinary men? The only thing is to get them down and crack their ribs. But you want at least half a dozen men before you can do it."

"Oh, shut up!"

So Rawson said no more, remaining quite sure that he had diagnosed Ambrose's symptoms correctly. He waited for the catastrophe with a dreadful joy, wondering whether Meyrick would begin by cutting old Horbury's throat with his own razor, or whether he would rather steal into Pelly's room at night and tear him limb from limb, a feat which, as a madman, he could, of course, accomplish with perfect ease. As a matter of fact, neither of these events happened. Pelly, a boy of the bulldog breed, smacked Ambrose's face a day or two later before a huge crowd of boys, and received in return such a terrific blow under the left ear that a formal fight in the Tom Brown manner was out of the question.

Pelly reached the ground and stayed there in an unconscious state for some while; and the other boys determined that it would be as well to leave Meyrick to himself. He might be cracked but he was undoubtedly a hard hitter. As for Pelly, like the sensible fellow that he was, he simply concluded that Meyrick was too good for him. He did not quite understand it; he dimly suspected the intrusion of some strange forces, but with such things he had nothing to do. It was a fair knock-out, and there was an end of it.

Bates had glanced up as Ambrose came into the dining-room on the Sunday morning. He saw the shining face, the rapturous eyes, and had silently wondered, recognising the presence of elements which transcended all his calculations.

Meanwhile the Lupton Sunday went on after its customary fashion. At eleven o'clock the Chapel was full of boys. There were nearly six hundred of them there, the big ones in frock-coats, with high, pointed collars, which made them look like youthful Gladstones. The younger boys wore broad, turn-down collars and had short, square jackets made somewhat in the Basque fashion. Young and old had their hair cut close to the scalp, and this gave them all a brisk but bullety appearance. The masters, in cassock, gown and hood, occupied the choir stalls. Mr. Horbury, the High Usher, clothed in a flowing surplice, was taking Morning Prayer, and the Head occupied a kind of throne by the altar.

The Chapel was not an inspiring building. It was the fourteenth century, certainly, but the fourteenth century translated by 1840, and, it is to be feared, sadly betrayed by the translators. The tracery of the windows was poor and shallow; the mouldings of the piers and arches faulty to a degree; the chancel was absurdly out of proportion, and the pitch-pine benches and stalls had a sticky look. There was a stained-glass window in memory of the Old Luptonians who fell in the Crimea. One wondered what the Woman of Samaria by the Well had to do either with Lupton or the Crimea. And the colouring was like that used in very common, cheap sweets.

The service went with a rush. The prayers, versicles and responses, and psalms were said, the officiant and the congregation rather pressing than pausing—often, indeed, coming so swiftly to cues that two or three words at the end of one verse or two or three at the beginning of the next would be lost in a confused noise of contending voices. But Venite and Te Deum and Benedictus were rattled off to frisky Anglicans with great spirit; sometimes the organ tooted, sometimes it bleated gently, like a flock of sheep; now one might have sworn that the music of penny whistles stole on the ear, and again, as the organist coupled up the full organ, using suddenly all the battery of his stops, a gas explosion and a Salvation Army band seemed to strive against one another. A well-known nobleman who had been to Chapel at Lupton was heard to say, with reference to this experience: "I am no Ritualist, heaven knows—but I confess I like a hearty service."

But it was, above all, the sermon that has made the Chapel a place of many memories. The Old Boys say—and one supposes that they are in earnest—that the tall, dignified figure of the Doctor, standing high above them all, his scarlet hood making a brilliant splash of colour against the dingy, bilious paint of the pale green walls, has been an inspiration to them in all quarters of the globe, in all manner of difficulties and temptations.

One man writes that in the midst of a complicated and dangerous deal on the Stock Exchange he remembered a sermon of Dr. Chesson's called in the printed volume, "Fighting the Good Fight."

"You have a phrase amongst you which I often hear," said the Head. "That phrase is 'Play the game,' and I wish to say that, though you know it not; though, it may be, the words are often spoken half in jest; still, they are but your modern, boyish rendering of the old, stirring message which I have just read to you.

"Fight the Good Fight.' 'Play the Game.' Remember the words in the storm and struggle, the anxiety and stress that may be—nay, must be—before you—etc., etc., etc."

"After the crisis was over," wrote the Stock Exchange man, "I was thankful that I had remembered those words."

"That voice sounding like a trumpet on the battle-field, bidding us all remember that Success was the prize of Effort and Endurance——" So writes a well-known journalist.

"I remembered what the Doctor said to us once about 'running the race,'" says a young soldier, recounting a narrow escape from a fierce enemy, "so I stuck to my orders."

Ambrose, on that Sunday morning, sat in his place, relishing acutely all the savours of the scene, consumed with inward mirth at the thought that this also professed to be a rite of religion. There was an aimless and flighty merriment about the chant to the Te Deum that made it difficult for him to control his laughter; and when he joined in the hymn "Pleasant are Thy courts above," there was an odd choke in his voice that made the boy next to him shuffle uneasily.

But the sermon!

It will be found on page 125 of the Lupton Sermons. It dealt with the Parable of the Talents, and showed the boys in what the sin of the man who concealed his Talent really consisted.

"I daresay," said the Head, "that many of the older amongst you have wondered what this man's sin really was. You may have read your Greek Testaments carefully, and then have tried to form in your minds some analogy to the circumstances of the parable—and it would not surprise me if you were to tell me that you had failed.

"What manner of man was this? I can imagine your saying one to another. I shall not be astonished if you confess that, for you at least, the question seems unanswerable.

"Yes; Unanswerable to you. For you are English boys, the sons of English gentlemen, to whom the atmosphere of casuistry, of concealment, of subtlety, is unknown; by whom such an atmosphere would be rejected with scorn. You come from homes where there is no shadow, no dark corner which must not be pried into. Your relations and your friends are not of those who hide their gifts from the light of day. Some of you, perhaps, have had the privilege of listening to the talk of one or other of the great statesmen who guide the doctrines of this vast Empire. You will have observed, I am sure, that in the world of politics there is no vain simulation of modesty, no feigned reluctance to speak of worthy achievement. All of you are members of this great community, of which each one of us is so proud, which we think of as the great inspiration and motive force of our lives. Here, you will say, there are no Hidden Talents, for the note of the English Public School (thank God for it!) is openness, frankness, healthy emulation; each endeavouring to do his best for the good of all. In our studies and in our games each desires to excel to carry off the prize. We strive for a corruptible crown, thinking that this, after all, is the surest discipline for the crown that is incorruptible. If a man say that he loveth God whom he hath not seen, and love not his brother whom he hath seen! Let your light shine before men. Be sure that we shall never win Heaven by despising earth.

"Yet that man hid his Talent in a napkin. What does the story mean? What message has it for us to-day?

"I will tell you.

"Some years ago during our summer holidays I was on a walking tour in a mountainous district in the north of England. The sky was of a most brilliant blue, the sun poured, as it were, a gospel of gladness on the earth. Towards the close of the day I was entering a peaceful and beautiful valley amongst the hills, when three sullen notes of a bell came down the breeze towards me. There was a pause. Again the three strokes, and for a third time this dismal summons struck my ears. I walked on in the direction of the sound, wondering whence it came and what it signified; and soon I saw before me a great pile of buildings, surrounded by a gloomy and lofty wall.

"It was a Roman Catholic monastery. The bell was ringing the Angelus, as it is called.

"I obtained admittance to this place and spoke to some of the unhappy monks. I should astonish you if I mentioned the names of some of the deluded men who had immured themselves in this prison-house. It is sufficient to say that among them were a soldier who had won distinction on the battle-field, an artist, a statesman and a physician of no mean repute.

"Now do you understand? Ah! a day will come—you know, I think, what that day is called—when these poor men will have to answer the question: 'Where is the Talent that was given to you?'

"'Where was your sword in the hour of your country's danger?'

"'Where was your picture, your consecration of your art to the service of morality and humanity, when the doors of the great Exhibition were thrown open?'

"'Where was your silver eloquence, your voice of persuasion, when the strife of party was at its fiercest?'

"'Where was your God-given skill in healing when One of Royal Blood lay fainting on the bed of dire—almost mortal—sickness?'

"And the answer? 'I laid it up in a napkin.' And now, etc., etc."

Then the whole six hundred boys sang "O Paradise! O Paradise!" with a fervour and sincerity that were irresistible. The organ thundered till the bad glass shivered and rattled, and the service was over.

V

Almost the last words that Ambrose had heard after his wonderful awaking were odd enough, though at the time he took little note of them, since they were uttered amidst passionate embraces, amidst soft kisses on his poor beaten flesh. Indeed, if these words recurred to him afterwards, they never made much impression on his mind, though to most people they would seem of more serious import than much else that was uttered that night! The sentences ran something like this:

"The cruel, wicked brute! He shall be sorry all his days, and every blow shall be a grief to him. My dear! I promise you he shall pay for to-night ten times over. His heart shall ache for it till it stops beating."

There cannot be much doubt that this promise was kept to the letter. No one knew how wicked rumours concerning Mr. Horbury got abroad in Lupton, but from that very day the execution of the sentence began. In the evening the High Usher, paying a visit to a friend in town, took a short cut through certain dark, ill-lighted streets, and was suddenly horrified to hear his name shrieked out, coupled with a most disgusting accusation. His heart sank down in his breast; his face, he knew, was bloodless; and then he rushed forward to the malpassage whence the voice seemed to proceed.

There was nothing there. It was a horrid little alley, leading from one slum to another, between low walls and waste back-gardens, dismal and lampless. Horbury ran at top speed to the end of it, but there was nothing to be done. A few women were gossiping at their doors, a couple of men slouched past on their way to the beer-shop at the corner—that was all. He asked one of the women if she had seen anybody running, and she said no, civilly enough—and yet he fancied that she had leered at him.

He turned and went back home. He was not in the mood for paying visits. It was some time before he could compose his mind by assuring himself that the incident, though unpleasant, was not of the slightest significance. But from that day the nets were about his feet, and his fate was sealed.

Personally, he was subjected to no further annoyance, and soon forgot that unpleasant experience in the back-street. But it seems certain that from that Sunday onwards a cloud of calumny overshadowed the High Usher in all his ways. No one said anything definite, but everyone appeared to be conscious of something unpleasant when Horbury's name was mentioned. People looked oddly at one another, and the subject was changed.

One of the young masters, speaking to a colleague, did indeed allude casually to Horbury as Xanthias Phoceus. The other master, a middle-aged man, raised his eyebrows and shook his head without speaking. It is understood that these muttered slanders were various in their nature; but, as has been said, everything was indefinite, intangible as contagion—and as deadly to the master's worldly health.

That horrible accusation which had been screamed out of the alley was credited by some; others agreed with the young master; while a few had a terrible story of an idiot girl in a remote Derbyshire village. And the persistence of all these fables was strange.

It was four years before Henry Vibart Chesson, D. D., ascended the throne of St. Guthmund at Dorchester; and all through those four years the fountain of evil innuendo rose without ceasing. It is doubtful how far belief in the truth of these scandals was firm and settled, or how far they were in the main uttered and circulated by ill-natured people who disliked Horbury, but did not in their hearts believe him guilty of worse sins than pompousness and arrogance. The latter is the more probable opinion.

Of course, the deliberations of the Trustees were absolutely secret, and the report that the Chairman, the Marquis of Dunham, said something about Cæsar's wife is a report and nothing more. It is evident that the London press was absolutely in the dark as to the existence of this strange conspiracy of vengeance, since two of the chief dailies took the appointment of the High Usher to the Headmastership as a foregone conclusion, prophesying, indeed, a rule of phenomenal success. And then Millward, a Winchester man, understood to be rather unsound on some scholastic matters—"not quite the right man"; "just a little bit of a Jesuit"—received the appointment, and people did begin to say that there must be a screw loose somewhere. And Horbury was overwhelmed, and began to die.