Stern

a novel by

BRUCE JAY FRIEDMAN

STERN

Simon and Schuster

New York · 1962

ALL RIGHTS RESERVED
INCLUDING THE RIGHT OF REPRODUCTION
IN WHOLE OR IN PART IN ANY FORM
COPYRIGHT © 1962 BY BRUCE JAY FRIEDMAN
PUBLISHED BY SIMON AND SCHUSTER, INC.
ROCKEFELLER CENTER, 630 FIFTH AVENUE
NEW YORK 20, N.Y.

SECOND PRINTING

LIBRARY OF CONGRESS CATALOG CARD NUMBER: 62-16385
MANUFACTURED IN THE UNITED STATES OF AMERICA
BY THE BOOK PRESS, BRATTLEBORO, VERMONT

To My Darling Ginger

Prologue

One day in early summer it seemed, miraculously, that Stern would not have to sell his house and move away. Some small blossoms had appeared on one of the black and mottled trees of what Stern called his Cancer Garden, and there was talk of a child in the neighborhood for his son, a lonely boy who sat each day in the center of Stern's lawn and sucked on blankets. Stern had found a swift new shortcut across the estate which cut his walking time down ten minutes to and from the train, and the giant gray dogs which whistled nightly across a fence and took his wrists in their mouths had grown bored and preferred to hang back and howl coldly at him from a distance. A saintlike man in brown bowler had come to Stern with a plan for a new furnace whose efficient ducts would eliminate the giant froglike oil burner that squatted in Stern's basement, grunting away his dollars and his hopes. On an impulse, Stern had flung deep-blue drapes upon the windows of his cold, carpetless bedroom, frustrating the squadron of voyeurs he imagined clung silently outside from trees to watch him mount his wife. And Stern had begun to play "Billy One-Foot" again, a game in which he pretended his leg was a diabolical criminal. "I'll get that old Billy One-Foot this time," his son Donald would say, flinging his sucking blanket to the wind and attacking Stern's heavy leg. And Stern, whose leg for months had remained immobile, would lift and twirl it about once again, saying, "Oh no, you don't. No one can ever hope to defeat the powerful Billy One-Foot."

It was as though a great eraser had swept across Stern's mind, and he was ready to start fresh again, enjoying finally this strange house so far from the safety of his city.

After leaving the home-coming train on one of these new nights, Stern, a tall, round-shouldered man with pale, spreading hips, flew happily across the estate, the dogs howling him on, reached his house, and, kissing his fragrant, long-nosed wife deep in her neck, pulled off a panty thread that had been hanging from her shorts. He asked her if anything was new and she said she had taken their son Donald about a mile down the road to see the new boy she'd heard about. When the children ran together, the boy's father had stopped cutting his lawn, pushed her down, and picked up his child, saying, "No playing here for kikes."

"What do you mean he pushed you down?" Stern asked.

"He sort of pushed me. I can't remember. He shoved me and I fell in the gutter."

"Did he actually shove you?" asked Stern.

"I don't know. I don't remember. But he saw me."

"What do you mean he saw you?"

"I was wearing a skirt. I wasn't wearing anything underneath."

"And he saw you?"

"I think he probably did," Stern's wife said.

"How long were you down there?"

"Just a minute. I don't know. I don't want to talk about it any more. What difference does it make?"

"I didn't know you went around not wearing anything. You did that at college, but I thought you stopped doing that."

Stern knew who the man was without asking more about him and was not surprised at what he had said. The first Saturday after they moved in, Stern had driven around the sparsely populated neighborhood, smiling out the window at people and getting a few nods in return. He had then come to this man, who was standing in the middle of the road. The man had taken a long time getting out of the way, and when Stern had smiled at him, he had tilted his head incredulously, put his hands on his hips, and, with his shirt flopping madly in the wind, looked wetly in at Stern.

Stern had held the smile on his own face as he drove by, letting it get smaller and smaller and sitting very stiffly, as though he expected something to hit him on the back of the head. On one other occasion, Stern had driven by to check the man and had seen him standing on his lawn in a T-shirt, arms heavy and molded inside flapping sleeves, his head tilted once again. And then Stern had stopped driving past the man's house and, through everything that happened afterward, had blacked the man out of his mind. Yet he had waited nonetheless for the day his wife would say this to him.

There was half an hour of daylight remaining. Stern's son flew to the top of a living-room bookcase and said, "Get me down from this blazing fire," and Stern climbed after him, throwing imaginary pails of water on the boy, and then swept him down to administer artificial respiration. They saw Popeye together on television, Stern's wife bringing them hamburgers while they watched the set. When he had eaten, Stern said he was going to see the man, and his wife for some reason said, "Be right back."

He did not take the car, wanting the walk so he could perhaps stop breathing hard. On the way over, he kept poking his fingers into his great belly, doing it harder and harder, making blotches in his white skin, to see if he could take body punches without losing his wind. He hit himself as hard as he could that way but decided that no matter how hard you did it to yourself, it wasn't the same as someone else. As he hit himself, a small temple of sweetness formed in his middle; he tried to press it aside, as though he could shove it along down to his legs, where it would be out of the way, but it would not move. The man's house was small and immaculately landscaped, but with a type of shrub Stern felt was much too commercial. It might have been considered beautiful at one time. A child's fire wagon stood outside. Stern walked past the house, near to the curb, and then walked on by it, stopping fifty yards or so away in a small wooded glade and ducking down to do some push-ups. He got up to nine, cheated another two, and when he arose, the sweetness was still there. He saw that he had gotten something on his hand, either manure or heavily fertilized earth. He wiped it on his olive-drab summer suit pants and kept wiping it as he walked back to the man's house again, past it, and on down the road to his own.

His wife was scrubbing some badly laid tile on the floor of the den, pretending the deep crevasses didn't exist. She was a long-nosed woman of twenty-nine with flaring buttocks and great eyes that seemed always on the edge of tears.

"Can you remember whether he actually shoved you down?" he asked her. "Whether there was physical contact?"

"I don't remember. Maybe he didn't."

"Because if there was physical contact, that's one thing. If he just said something, well, a man can say something. I just wish you had something on under there. I didn't know you go around that way. Don't do it any more."

"Did you see him?" his wife asked.

"No," said Stern.

"It doesn't make any difference," she said, continuing on the tile.

Part One

It was a lovely house, seated in the middle of what once had been a pear orchard, and yet it had seemed way out on a limb, a giddy place to live, so far from the protection of Stern's city. Mr. Iavone, the real-estate agent who had taken Stern and his wife to the house, said, "If you like this one, it's going to be a matter of kesh. Tell me how much kesh you can raise and I'll see what I can do." Mr. Iavone was a grim, short-tempered man who had been showing them selections all day, and when they finally drove up to this one, Stern felt under obligation to buy some house, any house, since Mr. Iavone had spent so much time with them. Golden children began to spill out of it, and the one that caught Stern's attention was a blinking woman-child with sunny face and plump body tumbling out of tight clothes. Stern, had his life depended on it, would not have been able to tell whether she was a woman or a child. Iavone, in an aside to Stern, told him that the girl-woman was the reason the Spensers were selling the house, that she had taken to doing uncontrollable things in cars with high-school boys, bringing shame to Mr. Spenser, her father, who was in data systems.

The house had many rooms, a dizzying number to Stern, for whom the number of rooms was all-important. As a child he had graded the wealth of people by the number of rooms in which they lived. He himself had been brought up in three in the city and fancied people who lived in four were so much more splendid than himself.

But now he was considering a house with a wild and guilty number of rooms, enough to put a triumphant and emphatic end to his three-room status. Perhaps, Stern thought, one should do this more gradually. A three-room fellow should ease up to six, then eight, and, only at that point, up to the unlimited class. Perhaps when a three-roomer moved suddenly into an unlimited affair he would each day faint with delirium.

While Stern examined the house, Mr. Iavone sat at the piano and played selections from Chopin, gracefully swaying back and forth on the stool, his fingers, which had seemed to be real-estate ones, now suddenly full of stubby culture. (Later, Stern heard that Mr. Iavone always went to the piano for prospective buyers to show he did not drive a hard bargain. Actually, his favorite relaxation was boccie.)

Mr. Spenser, a man with purple lips and stiff neck, who seemed to Stern as though he belonged to a company that offered many benefits, walked around the house with Stern, clearing his throat a lot and talking about escrow. Stern listened, with a dignified look on his face, but did not really hear Mr. Spenser. Escrow was something that other people knew about, like stocks and bonds. "I don't want to hear about stocks," Stern's mother had once said. "It's not for our kind. Not with the way your father makes a living. There's blood on every dollar." Stern was sure now that if he stopped everything and took a fourteen-year course in escrow, he would still be unable to get the hang of it because it wasn't for his kind. Still, he felt very dignified walking around a house with a data systems man and talking about escrow. Mrs. Spenser invited Stern and his wife and child into the kitchen and brought out a jar of jam.

"Did you make that in this house?" Stern asked.

"Yes," said Mrs. Spenser, a skeletal woman Stern imagined had been worn down by her husband's dignified but fetishistic lovemaking requests.

"This is quite a house," said Stern.

The price was $27,000. Someone had told Stern always to bid $5,000 under the asking price, and, adding on $1,000 to be nice, he said, "How about $23,000?" Mr. Spenser muttered something about expediting the escrow and then said OK. Stern's heart sank. He had been willing to go to $25,000, and his face got numb, and then he began to tingle the way he once had after taking a one-penny sharpener from the five-and-ten and then waiting by the counter, unable to move, to get his Dutch Rubbing from the store owner. Getting the house as low as he had, he felt a great tenderness for Mr. Spenser; he wanted to throw his arms around the stiff-necked man, who probably knew nothing of Broadway plays with Cyril Ritchard, and say, "You fool. I just got two thousand dollars from you. How much could you get paid by your company, which probably gives you plenty of benefits but only meek Protestant salaries? Don't you know that just because a man says one price doesn't mean that's all he'll pay? You've got to hold on to those two thousands, because even though you're a churchgoer you've got a glandular daughter who'll always be doing things in cars and forcing you to move to other neighborhoods, pretending you're moving because of oil burners or escrow."

Mr. Iavone left the piano and said to Stern, "I see we have nice people on both sides. Would you like to leave some kesh now?"

"I want someone to see the house," said Stern.

"But you've already talked price," said Mr. Iavone. He grabbed his coat and slammed the top of the piano. "You bring people out, you're a gentleman with them, you spend the day," he said, "and you wind up holding the bag. You think they're nice people.... I closed three million dollars' worth of homes last year."

"I've always lived in apartments and I want someone I know to look it over. Then I'll buy it," said Stern, but Iavone slammed shut the front door. Mr. Spenser cleared his throat, and Stern was certain that the next day he would tell the other data systems people in his company about the tall, soft man who had come out, talked price, and then left without buying, the first time this had ever happened in the history of American house-buying.

"I think I'm just going to take it without doing any inspecting," said Stern. "Sometimes it's better that way." Mr. Spenser called back Iavone, who came in and said, "I knew there were nice people on both sides. If we can get the kesh settled, we'll be on our way." There was much handshaking all around, and Iavone played a jubilant march on the piano.

The closing was held several weeks later in the office of Mr. Spenser's attorney, a polite man whose barren office had only one small file in it. Stern felt a wave of pity for this attorney whose entire law practice could be squeezed into that little file cabinet. He wanted to say to him, "Stop being so polite. Be more aggressive and you'll have larger cabinets." Stern's own attorney was Saul Fleer, an immaculate man with clean fingers, who took out a little pad when he met Stern at the station and, writing, said, "The train was eighty-nine cents. I enter every penny right in here." Stern and Fleer had cokes, Fleer paying for his own and then writing "$.05" on the pad.

At the closing, Mr. Spenser and his wife sat upright, close together, their arms locked as though they were about to defend a frontier home together. Their marriage was a serious one; this was a serious, adult matter; and at such times they locked arms, sat upright, and faced things together. They blended in with their polite lawyer, and Stern had the feeling they paid him in jellies.

Stern thought Fleer drove too hard a bargain and cringed down in his seat each time Fleer, pointing a clean finger at legal papers, shouted at the Spensers' attorney, "You can get away with this out here. If I had you back in the city, you wouldn't try anything like this." Stern wanted to tell Fleer not to yell at the man, that he had only a small file.

On the matter of who should pay a certain fifty dollars, Fleer said, "I'd like to see you try a trick like this in the city."

Iavone said, "You put a gun right to my head. I have three million dollars' worth of closings a year, and this is the first time I've ever had a gun put to my head."

He walked out of the room, and, after a while, the Spensers, arms still locked, rose grimly and followed him, as though their property had been erased by an Indian raid. Their attorney, smiling politely, walked out, too. Stern wanted to be with them on the side of politeness and marital arm-linking and not have an attorney who waved fingers at people and was from the city.

"Do I have the house?" he asked.

"You saw what happened," said Fleer, stuffing papers into a briefcase, his face colored with anger. "They're strong out here. I'd like to get them in the city." Then Stern, because he didn't want Iavone to fall under his yearly three million, because the polite lawyer's tiny file touched him, and because he felt vaguely un-American, whispered, "I'll pay the fifty." Fleer said, "Aagh," and threw up his hands in disgust. Stern went to the staircase and, in a cracked voice, hollered, "Mr. Iavone." The papers were signed, and immediately afterward Iavone began calling him "Stern" instead of "Mr. Stern." At the end of the closing Mr. Spenser handed over the key, and Stern, who had always lived in the city, suddenly became frightened about being away from it. He wondered with a chill whether he really did want to live "out here."

Later that afternoon, he drove to the house with his wife and child and, as if to certify his possession of it in his own nonlegal way, Stern, in suit and tie, rolled from one end of the wide lawn to the other while his wife and child shrieked with joy. The boy had large eyes and a strange, flaring nose, and his looks changed; in the bright sun he seemed pathetically ugly, but then, coming swiftly out of a sleep, or by lamplight, hearing stories, his face seemed tender and lovely. Stern, standing on the lawn now, made up a game right on the spot called "Up in the Sky" in which he took his child under the armpits and swung him first between his legs and then up in the sky as far as he would go. On the way down once, the boy said, "Throw me up high enough to see God."

"How does he know about God?" Stern asked, a little chilled because he wasn't sure yet what God things to tell the child and hadn't counted on it coming up so early.

"A little girl on Sapphire Street where we used to live," said Stern's wife.

"God can beat up a gorilla," said the little boy as Stern flung him skyward. Stern threw him up again and again, once with viciousness, as though he really did want to lose him in the sky so that he would not have to figure out what to tell him about God.

A stab got Stern in the bottom of his wide, soft back then and he dropped to his knees and said, "Everyone on the giraffe." His wife and child got on, Stern becoming excited by the heat of her crotch. He went across the lawn carrying them, but there was a strained frivolity about the game. He wanted someone to see him, and when a car drove by, he smiled thinly, as if to say, "We're home-owners. See how much fun we always have and how we fit in." But when the one car had passed, there was no one left to show off for; in the distance there was a bleak, lonely, deserted estate, where once a man named Bagby had each Sunday skidded through the snow in a horse-drawn sleigh, entertaining his grandchildren. Stern went inside his house and walked from room to room, giving each one a number and hollering it out aloud as he stood in the center of each. "I always wanted a lot of rooms," he said, clasping his long-nosed, great-eyed wife to him. "Now look how many I've got."

After moving in officially several days later, Stern hired a trio of Italian gardeners to prepare the elaborate shrubs for summer—two old, cackling, slow-moving ones and a fragrant and temperamental young man who spoke no English but had worked on the gardens of Italian nobility. The old men made straight borders along their flower beds, but the young man did his in curlicues, standing off after each twirl and making indications of roundness in the air with his hands. Their price was three dollars an hour, and as they moved along Stern began to worry that they weren't working fast enough. He saw the shrub preparation costing him $800, leaving him no money for furniture. Stern wanted to tell the young man to stop doing the time-consuming curlicued borders and to do straight ones like the old men to keep the bill down. But he was afraid to say anything to a handsome young man who had worked on the grounds of Italian nobility. Stern watched the gardeners from inside the house, ducking behind a curtain so they wouldn't see him. He hoped they would hurry and perspired as the dollars ticked away in multiples of three. The old men rested on their rakes now, poking each other and cackling obscenely at the handsome young man as he made his temperamental curlicues. Then Stern lost sight of the young man and imagined that his long-nosed, great-eyed wife had inhaled his fragrance and dragged him with a sudden frenzy into the garage, her fingers digging through his black and oily young Italian hair, loving it so much more than Stern's thinning affair, which fell out now at the touch of a comb.

But the young gardener was making tiny paths in the backyard rock garden, and when he and the two cacklers were paid and had left, Stern called his family together and said, "We've got paths. I'm a guy with paths." Even though they were narrow and largely decorative, Stern insisted his wife and child walk in and out of the paths with him, the whole child and half his wife not really fitting and spilling over onto the grass.

That night, Stern gathered his wife and son to him and they sat on the front steps of the house, Stern feeling the stone cold against his wide, soft legs, bare in Bermuda shorts. They watched it get dark, felt the air get dewy and unbalancing. "This is the best time," he said, as though he had lived ten thousand nights in houses, analyzing all the various hours of the day for quality before settling upon this one as the best. The night made him feel less jittery and isolated. Whatever bad was out there would wait until the next day. He had his boy on his lap and his wife's hips against him and he was sitting on stone steps. He might have been in the city with a thousand families all around him, ten minutes from his mother's three rooms. As he sat on the stone, a fire truck screamed to a halt before his house and a man in a fireman's uniform raced across his lawn to the steps. The man was small and had low hips with powerfully thick legs. Stern, walking through meat sections at supermarkets, had always wondered who bought the pork butts and ham hocks, strange cuts of meat Stern would never consider. It seemed to Stern that this man was probably someone who ate them, and, instead of making him undernourished, their gristle and waste went to his legs and perversely made him wiry and powerful.

"We're having a firemen's ball," the man said. "Do you want to go? The twentieth of this month."

Stern smiled in what he thought was home-owning folksiness and said, "We can't make it that night. I'm sorry."

The fireman wheeled on his trunklike legs and ran apishly back to the truck.

"You were wrong," his wife said. "Everyone buys tickets. Nobody really goes. You just give them the money."

Stern, in Bermudas, ran across the lawn, shouting, "I'll take two after all," but the truck had already screamed off, and Stern heard a voice yell "Shit" into the night.

"My first thing in this town," said Stern, "and I've got an enemy." He put his great, soft body on the stoop against his wife's hips, not at all comforted by the night now, and imagined his house with all its rooms burning to the ground, his child's hair aflame, while thick-legged firemen, deliberately sluggish, turned weak water jets on the roof, far short of the mark.

The Spensers had failed to tell Stern to spray the area, and, a month after he moved in, a caterpillar army came and attacked the grounds. When Stern first saw the insects, he said, "I'm going to get them," and went out to the lawn and began to flick them off the shrubs and then step on them when they were on the ground. But there were huge wet clumps of them on everything, and he called the spray company. "It's too early to get after them," the man said. "If you get at them too early, you just waste your spray. You've got to wait till they're sitting up perky." Stern waited a day and then called again; another voice answered and told him, "It's too late. You missed the right time. They're in there solid now."

"The other man in your place said to wait," Stern said.

"I'll rap you in the teeth you get smart," the voice screamed. "I'll come right over there and get you. You want to make trouble, I'll give you trouble all right."

Stern bought some chemicals in a store and said to his wife, "I know there are billions, but I'm going to get every one of them. This is our house." He went to work on a beautiful mountain ash tree first. There was little of it showing; the tree might as well have been one large wet caterpillar. Stern sprayed at it for an hour, until his hands were broken with blisters, but only a few caterpillars fell, not really from the potency of the chemical but simply because they lost their balance and got washed off. They were hardy when they touched the ground and Stern knew they would find their way back to the tree. He stopped spraying, and in a few days the caterpillars had left and Stern and his wife were able to see that they had attacked in a funny way, eating approximately half of everything, half of each bush and half of each shrub. In front of the house stood a wild cherry tree, lovely and fruitful on one side, black, gnarled, and cancerous on the other. The plants never went back to normal, and since it was too massive a job to replace each one, Stern and his wife learned to approach them only from certain angles, ones from which they looked complete, and pretend they were whole shrubs instead of half ones. Stern was sickened by the diseased shrubs; it was not so much their appearance that troubled him but the feeling that he had betrayed a sacred trust. "The house has been standing here for thirty years with whole shrubs," he said to his wife. "We're in it a month and there are halves."

There was, too, the dog escort problem. The house was somewhat isolated from transportation conveniences, and to get to the railroad station each day (where he left for his job in the city), Stern had to cross the huge, long-deserted estate old man Bagby had once skidded across in a sleigh. It was spread out over eighty acres and took Stern twenty-three minutes each way, much too long a walk to be brisk and refreshing. The train ride then would be an hour and six minutes, which meant that Stern would be traveling roughly three hours each day. When they had first considered the house, his wife had said, "Take the ride once. It may be too long. See how you like it." But Stern had answered, "I don't want to know about it. I love the house. If I take the ride, I may not like it and we'll never live in this house. I love this house and I don't want to know about any rides."

The estate was a lonely, windless, funereal place, terribly quiet, with many odd little buildings, and for the first weeks of walking its length Stern made it his business to investigate a different one of them each morning. On one such morning, he climbed the watchtower and stood on the second floor, looking out of the cracked windows onto huge, rolling lawns and at bushes that had holes in them, seemingly torn out at random by large fists. Stern wondered how the estate was when it was new, and then he walked over to the main estate building. On an impulse, he poked his elbow through a weak door panel and looked around innocently in the clear morning as though he, too, was surprised at all the commotion. Able to open the lock now, he waited till the echo had quieted and went inside the estate building, sweating hard, and then climbed the winding steps to the second floor. Doing everything in a hurry, he stood first in the elegantly constructed floor tub of the main bedroom and then went out to the circular balcony, extended his arms, and hollered, "Throw them to the lions," to imaginary throngs below. Then he decided to take something. The rooms seemed empty, except for a packet of newspapers tied with string. Stern worked a single paper loose and, tucking it under his arm, walked swiftly down the stairs. He smelled coffee burning and then ran out the door and kept running all the way to the train, running so hard he got a pain in his chest. He did not look at the dusty newspaper until he was in the coach. It was dated 1946, and its recent vintage somehow spoiled the whole estate for him; he never went into any of the buildings again. In any case, it was not the walk through the estate each morning that troubled him so much as the walk back at night.

At the farthest corner of the estate area, near the train, stood a loosely scattered group of houses in a heavily wooded thatch. They seemed at one time to be part of the estate and were still being lived in. In darkness each night, Stern had to cross this cluster of houses. There was no easily defined road in the area, and since it was not a real community, the only light was from an occasional window; Stern had to walk through using a pocket flashlight and not really sure whether he was on someone's property. On the second night of his estate-crossing, it was not quite so dark as it was to be later on, and Stern was able to see two thin, huge dogs vault a fence that encircled one of the houses and make for him with a whistling sound. They skimmed through the night and came to an abrupt halt at his feet, their gums drawn back, teeth white, both dogs reaching high above his waist. One took Stern's wrist between his teeth, and the two animals, hugging close to his side, walked with him between them, as though they were guards taking a man to prison. Stern went along with them, not crying out, not really sure he could cry out. The houses were fairly far off; it would take a loud cry to reach them, and Stern was certain only old people lived in them and wouldn't be able to make out voices in the night. He tried not to perspire, having heard you showed your fear that way, but he wasn't able to tell whether he was or not since it was chilly. They walked a quarter of a mile with him that way, hugging him tight on both sides, until the dog released his wrist, which was soaking wet; then both turned and went back, trotting swiftly through the night. The next day, Stern bought a penknife in the station, but when the dogs vaulted the fence that evening, he was taken aback by their speed and the whistling sound. He remembered hearing once as a child that you should never draw a blade unless you really meant to use it. Deciding the blade was probably too short, he succumbed meekly and allowed the lead dog to take his wrist again. There didn't seem to be anything he could do. He had heard too that you could break a dog's back with a swift judo chop on the spine, and he took his wrist out of the dog's mouth and tapped it lightly on its leathery back, but the dog made a sound and he put his wrist back. He thought of walking up to the house from which the dogs came, but he was certain the animals were trained to kill all people who passed through the fence and would get him in the throat before he reached the door. The houses were in a vague sort of grouping, not in any definite town or area, and there didn't seem to be any way to get close enough to the dog-protected house to see its address. The following day, Stern tried to guess what the address might be and called a number on the phone. An old woman's voice, hearing his, hollered, "Crumbie, crumbie," and hung up. There didn't seem to be any special police to appeal to; nor was Stern sure an ordinance was being violated. He was afraid of the police and did not want to call them anyway. He pictured the police in the section to be large, neutral-faced men with rimless glasses who would accuse him of being a newcomer making vague troublemaking charges. They would take him into a room and hit him in his large, white, soft stomach. So each night he continued to walk slowly through the estate, waiting for the dogs, almost a little relieved when they finally whistled to his side, never really sure they wouldn't decide one night to kill him in a muffled place where there would be no one to pull them off. He saw himself fighting silently in the night with the two gray dogs, lasting eight minutes and then being found a week later with open throat by small Negro children. Certain he would be killed, if not by the dogs then because his white, soft body did not seem capable of living past fifty, he called a broker one day and doubled his insurance.

There was no one to complain to. No one who could help Stern with that kind of problem. His only neighbor at the new house was an ancient man with a thin chest who was always being placed and arranged in different positions. He would be placed in the sun and then shifted to the shade when the heat got too intense for him. Then he would be moved inside and placed before the television set, great care being taken not to jostle him. In the wintertime he would be shifted to a train going to Virginia, where he owned a small farm. Stern later heard that once he touched down in the South, he would leap spryly out of his wheelchair and rarely be seen in daylight without two plump-chested young girls at his side.

One bright day, the man sat vegetablelike in a folding chair, having recently been placed there by his wife. Stern, in a shining burst of weekend hope, had run out of doors with a two-pronged shovel and was loosening the earth around one of his half shrubs, hoping that the sun's warmth would get through to it and make the cancerous side blossom and start to flourish. Across a low fence, he saw his thin-chested neighbor and told him about the dogs. "They wait for me each night," he explained. With frail wrists, the man drew from his wallet a commissioner's badge and said, "I was very powerful when I had my health. I was able to get stop signs put up. Forget the dogs. I'll take care of them. Do you want to get me around a little to the east...." Stern shifted his neighbor around, hardly able to suppress his joy; he was thrilled to have commissioner-type power on his side and wanted to hug his neighbor's thin chest with delight. Actually he was a little afraid of him now, convinced that as a onetime commissioner he had weapons nearby and probably knew judo holds, ones you could deliver despite a thinness at the wrists. Stern looked forward to swift action, but the dogs continued to slip through the night to Stern's side until he decided the man had done nothing after all. To get any action out of him, Stern imagined his neighbor would have to be carried to the police station and placed before the chief.

The man's wife was of little help. A short woman who wore loose-flowing Alpine dirndls, she had a garbage problem and was always carrying a bagful out to a wire basket in front of her house to burn it. "I don't know where it all comes from," she would say to Stern as she made her endless pilgrimage to the basket. Often, on her way back for another load, she would see Stern across the fence, working silently to bring life back into his halves, and say, "I can remember when your house was really beautiful." Once she invited Stern and his wife into her own home. She took them into the kitchen and said, with arm extended, "This is my kitchen." Then she took them into the living room and said, "This is my living room," and so on through the house. She pointed to her husband, who had been placed in front of a fishbowl, and said, "This is my husband." Then she bid them goodbye, saying, "There was a time when your house was so lovely." She never asked them in again.

Since the summer had been cruel to him, Stern looked forward to cold weather, when he would at least not have to bother with neighbors and to face the half shrubs each day. In the winter your shrubs were not supposed to be beautiful, and Stern watched with delight as the grass faded and the leaves dropped and his half shrubs fell in with the bleakness as though their black cancer shapes were the fault of the cold and not a caterpillar miscalculation. The snow came on fast that first winter. One night it built up to eight-inch drifts and was still dropping heavily when Stern, in low-cut Italian rubbers, left the train. The dogs did not clear the fence, hanging back instead to make cold choking sounds at him in the night—as though aware that the snow would make them clumsy, unable to terrorize Stern. He was halfway across the estate when the snow piled up knee-deep and stung its way into his eyes. He bent his great back, lowered his head, and shuffled into the wind; when he had walked far enough to get to his house and still could see no lights, he knew that he had lost his way. A great pain pounded through his nose, and he could not feel his face or catch his breath. With no knowledge of the stars, he saw himself making an endless circle in the snow and then falling silently asleep in a drift, to die of frostbite yards from his new home. The wind and snow flew at him with bitterness and his face seemed to belong to a stranger. He was unable to go further and stopped, defeated by the wind, not after a forty-day trek from Point Barrow, but twenty minutes from his commuter train. Feeling ridiculous, he sat down in the snow, but then he quickly became frightened and shouted "Get me!" into the night. He napped that way for a moment, and when he awakened things were not too much better. He urinated in the snow, feeling giddy and dangerous in this white place more private than a thousand bathrooms. When the wind hit him in his open fly, he imagined himself freezing up swiftly, breaking off with a quick snap like winter wood, and he withdrew quickly with drops remaining. Then, pulling his collar together and making a serious face, he bent to the snow again, as though, by being very businesslike about it and pretending he knew exactly where he was going, the fates would somehow carry him to his door. Later, he came out of the estate, not opposite his house, but in a new part of town. He had to walk three steep hills to his house, but then, turning a corner, with everything wet upon him, he saw it suddenly, as though through a curtain drawn open quickly. It was bathed in frosty light and all its diseased half trees and shrubs were cloaked with mounds of jeweled snow. It was an enchanted candy house, the loveliest in all the world, and Stern, standing wide-hipped and breathless as though beneath a spell, enjoyed what was to be his finest moment of the winter.

Stern thought that in the cold weather he would turn his thoughts inside to family and home, creating a handsome interior that would make up for the cancer garden. He would then lead visitors swiftly through the mottled shrubs, entertain them in interior splendor, and rush them out under cover of darkness. The paint-store owner delivered gallons of paint one Saturday morning, and then, when Stern raised his brush to deliver the first dab, the owner hollered, "Don't paint." Stern lowered the brush and the man continued to shout: "Never paint. Lay your brushes aside and, for Christ's sake, don't paint. You paint and you're a fool. Uh-uh. No painting, don't paint, never paint." And then he lowered his voice to a whisper and added, "Until you're ready to paint." He then imposed a long list of conditions which would have to be met before it would be all right for Stern to paint. "Scrape your walls, scrape your floors, paper your halls, drape your dainty pieces, test your tones, check your temp, dress properly. But, for Christ's sake, don't paint. That is, until you're ready to paint."

Stern and his wife set all the paint in the corner of the room and waited until the ideal day came along, but it never did, and they gradually lost interest in painting. It was decided they would get rolling by laying tile, and Stern's father sent Crib, an ageless Negro with great strength in his wrists, to help them lay it, his services a moving-in gift. Stern's father, a small, round-shouldered man who always wore slipovers, had worked most of his life in a shoulder pad concern for his brother, Uncle Henny, expecting to be made a partner or to take over when Henny, a coronary patient, passed on. When Henny did expire, however, the business went instead to a distant nephew who had always worked in civil service positions, and Stern's father had to continue in a subordinate position, his life more or less gone up in smoke. Crib, a sweeper and handyman, had supported Stern's father for head of the business, almost as though it had been an election, and now, years later, remained a faithful supporter of his.

"He a fair man," Crib once said to Stern. "And nobody cut a pad like him. No waste." And Stern's dad, in turn, spoke with admiration of Crib's great strength. "He must be about ninety, but he's some strong guy. You ought to see what he can lift."

Crib appeared early one morning, wide nose parched with cold, slapping himself as though he had come all forty miles on foot, and Stern, who had a special feeling for all Negroes, hugged him in a show of brotherhood. He raced upstairs to rouse his wife and bring her downstairs, long-nosed and cranky, so she could fix some bacon and eggs for the Negro. To make Crib feel at home, Stern howled with laughter as his father's friend made such remarks as "It too cold for ole Crib out here."

When Crib had cleaned his plate of eggs, Stern asked if he wanted some milk to wash them down and Crib, with a wink, said, "That ain't what I want." Catching on, Stern filled up a tumbler with rye and Crib drained it, smacking his lips. "That what I want," said Crib slyly, and Stern howled with laughter once again. "Now ole Crib fix you up," said the Negro, rising and going to the tile. He rolled his sleeves back over his great wrists, and Stern felt that even though tremendous power would not be needed to lay the tiles, it was comforting to have it on tap anyway. Crib spent the morning on his knees, measuring and arranging and muttering, "Ole Crib forgot his tile cutter." Stern silently placed a variety of sandwiches and another tumblerful of rye on a loose tile near Crib, and in the evening, when the job was finished, Stern's wife had a roast ready. Later, Crib went back to inspect his work, shaking his head and saying, "Crib wish he bring his tile cutter." Stern gave him twenty-five dollars, hugged him tightly, and saw him off, thinking for a moment how wonderful it would be if he could have Crib out there with him, using his great wrists to fight Stern's enemies, police in rimless glasses and short, powerful-legged firemen. "You made too much of a fuss over him," said Stern's wife, and Stern replied, "He's a saint. We were lucky to get him." A day later, the tiles buckled, and Stern had to put books, A Treasury of the World's Great Classics, about the room to hold them down. When the Treasury was removed, great crevasses remained between the tiles and Stern's wife said, "We really needed him."

"We got him for nothing," said Stern. "It's not a bad job. Nobody gets tile exactly right."

But the crevasses made them suddenly lose interest in fixing up the house. They left the paint cans in the corner of the living room. The floors remained bare of carpeting, the windows without drapes. They took to ducking down when passing open windows in the nude, to avoid being spotted by cars. Upstairs, in Stern's bedroom, the color scheme remained Mr. Spenser's winter-green selection, and inferior artwork whipped up by the golden Spenser children still hung about the walls.

At this point, all of the sweetness seemed to drain out of Stern, a man who had once played a thousand inventive games with his son, Donald. There were no young children in the neighborhood for the boy to play with, and often, with the air clear and sun out full, the boy would sit alone on the front stoop, stroking a blanket, shaking quietly and trying to rock himself to sleep at the height of day. "Why do you need a blanket?" Stern would ask, and his son would answer, "I don't know." And Stern, in early morning, jittery and uncertain, an endless pilgrimage in front of him, would kneel at his wife's bed and say, "For Christ's sake, see that he has activities."

"What am I going to do out here?" she would answer, and at night, when Stern had gotten past the dogs, he would find his son standing in the middle of the lawn, holding his blanket as though he had been there all day, waiting for Stern to come back. So Stern, his stomach bursting with guilt, had made up games. A favorite had been "Butterfly Hand," in which Stern's quiet, fat hand would suddenly begin to flutter and wiggle. "It's turned into a butterfly," Stern would say to his son as it flew about the room. "There'll be no controlling it now." The hand would then go still and Stern would lift his son above his head, the boy's arms extended, for a bout of "Airplane," carrying him with droning sounds about the room and then bringing him in for tabletop landings in "San Diego." Top game of all was "Billy One-Foot," in which the boy would fight an all-out battle with Stern's leg, "Billy One-Foot, the toughest of all fighters."

They had endless thumb fights, too, but now Stern could no longer muster spirit to play the games. He would sit cold and heavy in an empty room, and when the boy said, "Let's play Billy One-Foot," Stern would pat him on the head and say, "Billy One-Foot is sick now." Occasionally, he would swing his boy round the room in a circle, clamping his own eyes shut in an effort to black out a vision of himself heaving the boy headfirst against a stone wall, forever ending thoughts of God and blankets and other children.

He had always found it amusing that his wife was lax about managing things. "You think you can get away with carelessness because your behind is beautiful," he would say, and clasp her surging buttocks. But a banister was loose that winter in their bare and windy house. It fell into no special category of repair—neither carpentry nor stairway work—and when his wife was slow to have it attended to, Stern took to shocking her with vivid accounts of what would happen because of her inaction: "Your son will fall, and perhaps when you see him at the bottom of the stairs with his head open, you'll realize the importance of having it fixed" or "A slight push on top and he'll be at the bottom dead." And Stern imagined such a scene, his son with cleaved skull and Stern unable to cry convincingly. Once, a childhood friend named Ruggie had gone to climb a fire escape and given Stern his dog's leash to hold. Stern purposely let go the leash, and the dachshund ran a mile before it went beneath a speeding car. Ruggie then came back carrying the dog in a dumb march, the dachshund's body staining his sleeves, to put him some place, while Stern watched, frozen to the ground. Now Stern imagined himself with his son's smashed body in his arms, going dumbly outside to put him someplace, too. He imagined a scene in which he was putting all the dead boy's toys in a box but continually finding new ones as years rolled by.

Stern's wife, too, became sullen, mostly about having no friends. For a while, a distant cousin of Stern's named Barbie visited and served as a companion to her. But she centered everything, the food in the middle of plates, flower vases in the center of tables. She even put Stern's son in the exact center of the couch as he watched television. Stern's wife finally wearied of her because of having to listen to her constant teen-age questions. Though she was far out of her twenties, she would ask Stern's wife, "Do you think it's sinful to allow petting on a first date?" and "Will I lose Phil if I don't let him go as far as he wants?" When she left, Stern's wife had no one, and when he asked her about this, she said, "I don't need anyone," and this infuriated Stern. "You've got to have friends," he screamed at her, and then he had a picture of all three of them, his wife, his son, himself, sitting on the lawn, sucking blankets, shaking and trying to rock themselves to sleep.

He had met his wife at college after being rejected by a young girl with musical voice and tangles of blond hair who acted in Arthur Wing Pinero plays, doing deep, curtsying walk-ons that made Stern weak in his middle. He had scrupulously avoided taking the blond girl to bed, preferring to think of her as "not the kind of girl you do that with" until, disgustedly, she refused to see him, telling him, "Someday you'll understand." A week later, he met his wife, a girl with great eyes and shining black hair and no music in her voice, and, after an anecdote or two to establish his charm, he went with her to a blackened golf course and, with clenched teeth and sourness, drove his fat hand through her summer-smelling petticoats and, as she moaned "God no," kissed her and tried not to think of curtsies. Later that first night, he went into her a little, and they both froze and clung to each other. Stern at that time boarded off campus with a trembling old ex-bass fiddle player who sat each night wearing truss-like old-man belts and gadgets and twanged his instrument in the basement. The old man was not particularly nice to Stern. He feigned munificence by asking Stern to have glasses of milk but actually used him as a sourness tester. At night, while the old man sat in his bands and trusses, Stern would spirit the petticoated girl into his room, undressing her swiftly and then tasting and biting her, going at her with anger and closed eyes to drive away all traces of Victorian curtsies. She was the only daughter of a man who had missed great opportunities as a baseball executive and now lived with silver tongue and failing eyesight in an Oregon apartment. Her mother was Hungarian, had lost three children in infancy, and spent her time crocheting bitterly, dreaming of three dead sons. Lean of funds, they had sent the girl, with heavy trunk-loads of petticoats, for a single year of college and then no more. She dated constantly, afternoons and evenings, an endless succession of boys. Stern asked her what she did on these dates and she said she'd kissed most and allowed some to "kiss her on top."

"You're the only one from New York I've known, and you're different," she said to him. "You care for different things. The others just care about being a good dresser."

Psychology interested her, but she mispronounced words, and it bothered Stern, a man who waded without joy through classics, that she had never tried Turgenev. She had total recall of her childhood and, her voice filled with pain, she told Stern tales that failed to move him. "I had twelve birds, and each time I got to love one, my parents would get rid of it. I'd come home and see it not there and look all over and then I'd realize that they'd given it away. They'd just give me enough time to love it, and then it would get out of the cage and make on the floor and my father would say, 'It's a filthy animal,' and give it to a girl friend." She was aware of her long-nosed beauty and would say to Stern, "You should have seen me at eight. I tapered off a little up through ten, but at eleven my face would have killed you. I don't even want to talk about my face at thirteen. I was really beautiful then, really something." She complained much of her childhood ordeals, telling Stern, "My mother never gave me sandwiches, even though she knew I would have loved them. She'd give me what was inside, and even the bread, but not sandwiches." Most of the time she would listen to Stern, though, sitting with great and shimmering eyes as he told of New York; and when he was finished, she would say, "You really are different. You're not interested in shoes or dancing. You're the most different person I know." Their talks were only bridges, and when it seemed to Stern they had put in enough time at it so that he could feel they legitimately interested one another, he would begin to kiss her and bite her and stroke her and undress her and examine her while she stood or sat calmly, great eyes shining, and let him explore her body. When he touched her a certain way they would fly at each other and she would do a private, nervous, whimpering thing beneath him. They clung to each other all over the campus, and sometimes she came to his room with nothing beneath her summer dress. She would wheel about him, nude and happy, while Stern feigned calmness and watched her with held breath as though it were a scholarly exercise. Then his loins would go weak and he would sail at her and bite her thighs too hard. He did crazy, tangled things to her, thinking he would break her frail body, but when he had finished she would come to him with great eyes wide, scrape his neck with her nails, and ask him to "be a man again." One night, after finding the very middle of her in a new way, he called her later, trembling, and said, "I shouldn't have done that to you. Let's not do it again." But they did it again the next night in his room and the fiddler opened the door, his elasticized old-man gadgets dangling, and caught them at it. Stern, in an action he could not explain, carried her, without a word to the old man, out the window and to the garden below, and they never did that thing again.

They parted for a year. She stayed in Oregon, and Stern, heavy with guilt as he stole a final bite, flew to New York in search of girls who knew Turgenev. A great singing freedom came over him, but the closest he came to a Turgenev lover in the following weeks was a divorcée's daughter who lived in midtown, tossed her hair, ate exquisitely, and said often, with appealing phoniness, "Perhaps I'll sleep with you. Perhaps I shan't." Mostly for Stern it was a time of long and lonely calls to Oregon while he tried to see how long he could stay away. One night her phone voice said, "The funniest thing. A Venezuelan wants to marry me. He has two children, but he says he'll leave them. I just thought I'd tell you." Stern flew with nausea to Oregon in bad weather and saw her at the airport, her great eyes lovelier than before, the Venezuelan at her side. They did an intricate Latin dance for Stern, and she said, "Look what we do together. We're always dancing." Stern excused himself to vomit in the men's room, but when he emerged he pretended to be confident and the Latin took his leave. In a hotel room, she said, "You're losing your hair," and Stern said, "I don't understand this Venezuela bit."

"I enjoy his company very much," she said, and Stern, a vomit swiftly coming on, feigned coolness one last time and said, "I'm packing." She let him fold his T-shirts and then put her head deep into his lap and said, "I've been so lousy bad," and he knew he was bound to her for a hundred years.

Now, together with her in this house, it was as though a small, cold jail cell of steel had dropped out of the sky, encircling Stern's heavy body, surrounding his movement. He tried to free himself of it; he bought his son a trampoline. The boy saw it and said, "Daddy, put a rope in the sky so when I jump I'll be able to catch it and stay up there. Maybe God will catch me. God has the biggest muscle in the world." Weekend afternoons, Stern would watch his son jump sturdily on it, feeling this would build his body and protect him from banister falls. One day, the two of them heard a shot and a long crinkling of glass and saw a boy of about eighteen fly by in the street, as though he had been fired from a gun, and land on the concrete street, his arms stiffly at attention, a soldier still marching. Fingers had broken off him, and his face had swiftly turned black. Riding a motorcycle, the boy had jumped a traffic light on the corner next to Stern's house and collided with a speeding car, which had hit him head on. Stern took his son inside, not offering to be a witness, although he had seen the accident and knew the motorcycle boy was in the wrong. He just held his son tightly and kept him inside the rest of the winter, feeling the more the boy's bones grew sturdy on the trampoline, the greater chance he would be shot out of a cannon onto the concrete.

At the end of March that year, Stern went to cover his son at night and saw that the boys head had swelled to twice its size. Stern kissed the dead side while his wife called a doctor, who said, "You've never called me before. I don't come in the middle of nights unless you're a regular patient." Stern said he would call the man and rehearsed the things he would say to him, that he had no right to call himself a doctor, that he was a peasant son of a bitch, that if he wasn't a doctor he would be selling diseased poultry to housewives. What kind of a man was he who could go to sleep while a child's fever rose and his face grew large and moonlike? He got on the phone and said, "I want to tell you that I know what you said to my wife. You wouldn't say it to a man." The doctor repeated what he had said, and Stern choked, "It's a shame."

They called a second man, Dr. Cavalucci, hesitant because of his home remedies. When Stern's chest had been inflamed or his wife's fingers had curled in shock, Cavalucci, the doctor, a soft, youthful man, wary of pills, had chuckled and begun, "Now I know this is going to sound funny, but you know those shopping bags you get at the supermarket? If you take one of them and breathe deeply into it for half an hour, you'll get to feeling better." His treatments always involved shopping bags or typewriter ribbons or old shoe polish cans, "the kind you open with a penny, brown, preferably." And he would always begin his instructions by saying, "This is going to make you feel silly, but...." That night he touched the heavy side of the boy's face and said, "I don't have one for his case. I'm taking him in." In the ambulance, Stern held the child, but now he kissed the good side of the face, afraid of what was inside the bad one, and ashamed of himself for feeling that way, and finally kissing lightly the bad side, too. He said to the doctor, "Anything I've got. Anything I own. Just make him better." But he felt as though he were giving a performance and wondered how many other men had said the same thing. The hospital had long corridors and Stern had heard it was good but needed grants. Inside, a cluster of young men gathered round the child, and when Cavalucci said they were all fine specialists, Stern wondered if he should be calling in men from Europe. When Stern was a child, a cousin of his had once fallen in love with a dying girl, and Stern remembered hearing that he had done everything for her, even to the point of "bringing in men from Europe." The phrase "men from Europe" had stuck with Stern, and he wondered how you went about getting them. It seemed so hopeless, standing in the children's ward now, just to go to the phone and get some of them over, and yet he felt that if he were a real father he would stop at nothing and bring several across. The doctors talked near the child, and when Stern asked what they were doing, Cavalucci said that two of them didn't want to go in and disturb the area and one did. Stern asked which one wanted to disturb it, and Cavalucci pointed him out. He was the surgeon. When the conference broke up, Stern glared at him but was afraid that now the man would push home his view and not only disturb the area but also try risky, tradition-breaking techniques. They waited round the clock while the live part of the face took food, and then Stern and his wife went home awhile and ate veal cutlets. They looked at each other after every bite, and when they had finished, Stern said, "He's lying there, his face as big as a house, and I just ate veal cutlets and kept them down." And then Stern wondered whether to call Winkel and whether Winkel still took cases and could come, because in his heart he still felt that all other doctors would be wrong except Winkel.

As a child, being sick had not been altogether a bad time for Stern. He would lie in his mother's bed and listen to radio shows all day, and then at night, when his fever rose, he would pull up the covers and wait to hear his father's whistle down the street, meaning he was back from work. A minute or so after the whistle, his small, round-shouldered father would stand at the bedroom door and say, "Jesus Christ ... hmmph ... oh, Jesus Christ," and shake his head sympathetically. Then, the first night of the sickness, Winkel would come, his hulking body supported by reedlike legs, and thump gravely at Stern's chest and back with thin, businesslike fingers. He liked cherry sodas, and Stern's mother would always have one ready for him after he finished up and washed his hands. She was a tall, voluptuous woman with dyed blond hair who wore bathrobes whenever Stern was sick. "Do you know what I would do for that man?" Stern's mother would say after Winkel had left. "I owe him my life. He's some guy." Stern's mother would then send Winkel a pair of tickets for the opera. When Stern got older, he would say, "But you paid him for coming," and his mother would answer, "You can't really pay a man like that, can you? You've got a lot of growing up to do." Winkel was always grave and unsmiling with Stern, and once when Stern had a stubborn pimple above his eye, Winkel squeezed it with what seemed to Stern like hatred and said, "Love sweets, don't you?" Though Winkel later specialized in gynecology, he continued to treat Stern in his teens, and Stern's mother said, "I thank my lucky stars ten times a day I have a man like that. You have a man like that, you don't need anyone else." Nine out of ten of Stern's boyhood friends were planning to become doctors, and there was a time when Stern considered the idea too. His mother told Winkel and the doctor said, "Why doesn't he ever come up and talk to me? All the other boys come up and we have long talks." Stern did not like the sound of those long talks and never went up. He knew a little about chromosomes and Ehrlemeyer flasks, but he could not imagine ever filling up a long talk with Winkel. Later, when Stern went to college, he heard that Winkel had gone on to great eminence, giving talks on television. "I can still get him, though," his mother would say. "I'm the only one he'll still come to." Winkel had been married to a woman whose frugality supposedly made him insane. Driving from Newark to the opera one night, Winkel and his wife, so the story went, had gone off the road and into a tree, the windshield shattering and glass getting into Winkel's head. With half an hour remaining to curtain time, his wife left him in the car, forehead red, hands locked about the wheel in shock, and went to redeem the tickets. Weeks later, he ran amok while performing an appendectomy and cut two deep crosses in his kneecaps with a scalpel. Now he sat in a room, his practice gone, coming into the street only for occasional cherry sodas. Stern knew what his mother would say if Stern suggested that Winkel come look at his son. "Even with half a mind he knows more than anyone else. Do you know how big that man was? And I can still get him, too. He'll come to me in two seconds if I want him, no matter how crazy he is."

The swelling disappeared mysteriously one morning, and in a few days Stern, with a leaping heart, was able to carry his son into his car and back to the house. He kept his nose deep in his son's neck and marveled that some good had come out of the sickness. He had finally been among people in this bleak town, nurses and doctors and visitors in the halls. A day later, he spotted a blossom on the cancer side of the wild cherry tree—and there were other things, too, that happened quickly. A new stop sign on Stern's corner, one that would prevent motorcycle boys being shot out of cannons; a shortcut across the estate; a plan to kill his boiler; and a new attitude on the part of the dogs.

And then, of course, a week afterward, the man had said kike and looked between his wife's legs.

There were only three other occasions on which Stern and his wife discussed the kike man. One occurred the very next night when Stern, still in his topcoat, caught her wrists around the oven and said, "I just want to see how it happened."

"What do you mean?" she said.

"I want to get a picture in my mind of what it was all about. Get on the floor and show me exactly how you were. How your legs were when you were down there. It's important."

"I wont do that," she said, breaking through to clean the oven.

"I've got to see it," said Stern, grabbing her again. "Just for a second."

"I'm not going to do anything like that. I told you to forget it."

"I'm not fooling around," he said, and, taking her around the waist, he threw her to the kitchen floor, her jumper flying back above her knees.

"You crazy bastard," she said, flicking a strip of skin from his nose in a quick swipe and getting to her feet.

"All right, then—me," said Stern, getting on the floor. "My topcoat's your dress. Tell me when I'm right." He drew the coat slightly above his knees and said, "This way?"

"I'm not doing this," his wife said. "I don't know what you want me to do."

"Were you this way?" he asked. "Just tell me that."

"No," she said.

He drew the coat up higher. "This?"

"Uh-uh," she said.

He flung the overcoat back over his hips, his legs sprawling, and said, "This way?"

"Yes," she said.

Stern said, "Jesus," and ran upstairs to sink in agony upon the bed. But he felt excited, too.

On the weekend, several days later, as Stern unloaded cans of chow mein from the supermarket, his wife said, "He has big arms."

"Who?" Stern asked, knowing full well who she meant

"The man," she said. "The man who said that thing."

"Oh," Stern said. "What do arms mean?"

The third and final time was when they sat one day beneath a birch tree while their son dug a hole in the dirt to China. The kike man drove by in his car and Stern's wife said, "I hate that man."

"You're silly," Stern said.

The man's house lay at a point equidistant between Stern's and the estate. Since Stern did not want to pass the man's house on foot anymore, he took to driving his car back and forth to the estate each day, leaving it at the estate edge each morning and picking it up at night. Once he was in his car at night, he had a choice of either driving directly past the man's house or taking a more roundabout route that avoided the man's house altogether. Each night, as he boarded the train, he would begin a struggle within himself as to which road to take. The roundabout road presented the more attractive view and Stern told himself there was no earthly reason why he should have to pass up the nicer scenery along this road. The houses were much handsomer and made Stern feel he lived in a more expensive neighborhood. Stern would start off along the finer road, but when he had gone fifty yards, he would throw his car into reverse, back up, and go down the road that led past the man's house. It was much shorter this way, of course, and Stern told himself now that distance should be the only consideration, that if he took the roundabout road, he was only doing it to avoid having to look at the man's house and was being a coward, afraid that the man would pull him out of the car and break his stomach. On the few occasions when he did follow the roundabout road all the way home, he would walk past his wife and son and lie in bed, sinking his teeth into his top lip. On most occasions, however, he drove right past the man's house, going very slowly to show he knew no fear. His license said, "Driver must wear glasses," and Stern could not drive well without them, but when he went past the man's house he slipped them off to present a picture of strength, squinting for sight so he could stay on the road. Past the house, he would duck down and slip them on again, shoulders hunched in such a way that if the man was looking after Stern, he would not see the glasses.

One night Stern drove by and saw the man's son, who would have been his own son's friend, digging in the dirt beside the curb. From that night on, Stern drove very close to the curb, imagining that he would suddenly speed up, catch the boy on his bumpers, and then go the remaining mile in seconds, disappearing undetected into his garage. And then he pictured a car fight in which the man would get Stern's boy, following him onto the lawn and pinning him against the drainpipe, while Stern, waiting upstairs, held his hands over his ears, blocking out the noise. The man would then, somehow, pick off Stern's wife in her kitchen and then drive upstairs and finish off Stern himself, cringing in his bedroom. Another night, Stern forced himself to examine the name on the man's mailbox. De Luccio. He looked it up in the telephone book that night and saw that there were eighteen others in the town. Even if he were to defeat the man, an army of relatives stood by to take his place. He wondered who he could pit against them and came up only with his married sister who lived in narrow circumstances above a store in San Diego. Once she had helped him in a snowball fight, and back to back they had done well together, until the action speeded up and ice balls began to get her in the breasts. "Stop it; she's a girl," Stern hollered, but a heavy ball split her brow and down she went, making a yowling, nasal sound. But she'd been game, standing firmly in the snow, puffing, blowing the hair out of her face, panting like a puppy. He imagined her now, back to back with him against the eighteen heavy-armed De Luccios, standing game as a puppy, until they all began to beat her breasts and easily knock her to the ground. Who else might have stood off the De Luccios? When alive, perhaps his Uncle Henny, the shoulder pad tycoon, a man of iron grip who'd been gassed in WW I. Once he had disarmed an aged knife wielder on a moving city bus. Uncle Henny would know how to handle the man. Stern could not see a picture of it in his mind, but he was sure that Uncle Henny would have been able to use his gassed lungs and steel grip to fend off the De Luccios.

His own father? There had been another De Luccio long years past, an orphan boy of supple athlete's body and golden hair who had kept Stern in terror for several years. The orphan would appear suddenly in an alley with a great laugh, fling Stern against a wall, lift him high, and drop him down, steal his jacket in the cold, and run away with it, come back, and punch Stern's eyes to slits. Stern never told his parents, afraid the orphan boy would come up to his three rooms, force his way in, and kill Stern's small father. One day, Stern stood talking to his father on the street when the orphan boy appeared, running a comb through his great piles of hair. "Who's that?" asked Stern's small father. "You know him, don't you?"

"Sort of," said Stern, his heart freezing.

"I think it's Rudy Vallee," said his father.

Others against the De Luccio army? How about his mother-in-law, the Hungarian woman? Stern's wife told him that once, as a little girl, she had been abused by a teacher and her Hungarian mother had gone to school and spat upon the antique teacher's face. Once, in an argument with his great-eyed wife, they both had sunk low and Stern had said, "Your mother didn't spit on the teacher. She peed on her." He saw her now against the De Luccios, slowly moving forward, peeing and spitting them backward until they turned on her and pummeled her old woman's stomach.

Stern took note of every detail of the man's house, a new one registering each night as he drove by. A television aerial. This was good. It meant the communications industry was getting through to the man, subtly driving home messages of Brotherhood. But he imagined the man watching only Westerns, contemptuously flicking off all shows that spoke of tolerance. Stern saw himself writing and producing a show about fair play, getting it shown one night on every channel, and forcing the man to watch it since the networks would be bare of Westerns.

Empty beer cans in the garbage pail. Excellent. Enough of them, taken over a period of years, would bloat his belly and deprive his arms of power. Stern wondered how much beer it would take to run a man down physically. He felt good on nights when entire cases sat atop the garbage pail and depressed when only a few scattered cans appeared.

The man's car was of prewar vintage, neatly shined and proudly kept, and as Stern drove by in his more recent Studebaker he thought to himself, "Maybe it's an economic thing. He resents my having a newer car and a bigger house. I'll take him inside and show him my empty rooms and he'll see how foolish he is, and then we'll be friends." And other times, Stern was glad he had a newer car. He wanted to say to the man, "Think kike things and be stupid and you'll always have an old car. Act enlightened and have a new one." One night he saw the man's wife walk to the gutter to shake a broom—a stocky, square, and graceless woman whose hair was without color. Stern imagined the pair at night, coming together for a graceless, hulking lay, and for a second he felt tender toward the man. There had to be gentleness in him. Once he must have had to come to this hulking woman and court her with kindness and modesty, kike thoughts the furthest thing from his mind. But, on the following night, Stern took in a sight that made his throat turn over. As he drove by, the man was looming up in front of him, standing, hands in pockets, on the lawn and wearing a veteran's organization jacket. It meant he had come through the worst part of the Normandy campaign, knew how to hold his breath in foxholes for hours at a time and then sneak out to slit a throat in silence. He was skilled as a foot fighter and went always with deadly accuracy to a man's groin. Stern pictured him at veteran beer parties, drawing laughs with stories of the kike who'd moved in down the way a mile. He'd probably had one in his outfit, a thin and scholarly dark fellow who'd slowed down campaigns. No amount of brotherhood shows would ever make a dent in his veteran's jacket.

Frightened of the jacket, Stern realized that he had never really seen the man's face, that he knew only the heaviness of his arms, an inclination of the head, and a certain wetness at the mouth. A mailbox lay opposite the man's house, and one night Stern saved a letter and stopped his car on the corner near the box. His glasses off, he inflated his chest for an appearance of power, flexed his soft arms, and trotted to the mailbox, where he slipped in the letter, and then, facing the man's house now, trotted back to his car. Stern, his glasses on the seat, could see only that the man was hooked over his car engine and that, as he trotted back to the car, the man came out of his hook and inclined his head. But, trotting as he was, Stern could make out no details of the man's face and remained in ignorance of his features. Another night the man was nowhere in sight and Stern's eyes fixed on the license plates of his car, the two first letters registering "GS." For some reason, Stern, though he looked at the plates for several nights running, could not commit the numbers to memory. But he remembered the letters and made up a organization they might have stood for, Guardian Sons, a group of twenty who sat around on Monday nights and cackled over kikes. Each time Stern saw a prewar car with "GS" letters he was certain it was the man, just coming from a meeting, his glove compartment filled with leaflets. He seemed to see such cars everywhere. Driving past the man's house, he wondered whether he might be able to steal back in dead of night and destroy the car, dismantling the wiring, and then make it back to his own house undetected. Or could police always pick up evidence of footsteps and tire tracks? And was the man a light sleeper, nerves sharpened by combat, waiting coiled and ready to leap forward and slit throats with commando neatness?

On clear weekend days during that summer, Stern was able to look straight down the street as far as a mile or so and make out the man playing softball in the road with neighboring boys. On such days, Stern would go back inside his house, his day ruined. And often, inside the house, he would think about his Jewishness.

As a boy, Stern had been taken to holiday services, where he stood in ignorance among bowing, groaning men who wore brilliantly embroidered shawls. Stern would do some bows and occasionally let fly a complicated imitative groan, but when he sounded out he was certain one of the old genuine groaners had spotted him and knew he was issuing a phony. Stern thought it was marvelous that the old men knew exactly when to bow and knew the groans and chants and melodies by heart. He wondered if he would ever get to be one of their number. He went to Hebrew School, but there seemed to be no time at all devoted to the theatrical bows and groans, and even with three years of Hebrew School under his belt Stern still felt a loner among the chanting sufferers at synagogues. After a while he began to think you could never get to be one of the groaners through mere attendance at Hebrew School. You probably had to pick it all up in Europe. At the school, Stern learned to read Hebrew at a mile-a-minute clip. He was the fastest reader in the class, and when called upon he would race across the jagged words as though he were a long-distance track star. The meaning of the words was dealt with in advanced classes, and since Stern never got to them, he remained only a swift reader who might have been performing in Swahili or Urdu. He had two teachers, one a Mr. Lititsky, who concentrated on the technique of wearing yarmulkes and hit kids with books to keep order in the class. He had poor control over the classroom and would go from child to child, slamming an odd one here and there with a textbook and saying, "Now let's get some order here." By the time he had some, the half hour was up and there was time only for a fast demonstration of how to slip on a yarmulke. Outside, some of those slammed with books would say, "If he does that again, I'm going to hit Lititsky in the titskys," always sure to draw howls of laughter.

His other teacher was a black-eyed beauty from the Middle East named Miss Ostrow who told stories of Palestinian oases, referring to Palestine over and over as "the land of milk and honey," while Stern listened, unable to see why a land filled with those commodities should be so desirable. Miss Ostrow was beautiful and wore loosely cut Iraqi blouses, and Stern loved her, although he preferred to think of her as American-born and not to dwell on her earlier days in the Palestinian date groves. She cast him as the wicked Egyptian king, Ahasuerus, in a Purim play and, until the date of the play, called him "my handsome Ahasuerus." One day, after school, she caught Stern in a crowd in front of a drugstore and embarrassed him by standing on tiptoe and waving, "Ahasuerus."

All Hebrew School led up to the Bar Mitzvah and the singing of the Haftarah. Stern, who had a good voice, took to trilling occasional high notes in his practice Haftarah rendition, and the Haftarah coach would say, "No crooning." On the day of his Bar Mitzvah, Stern sang it flawlessly and his mother, afterward, said, "You had some voice. I could have fainted."

"Yes," said the Haftarah coach, "but there was too much crooning."

No great religious traditions were handed down to Stern by his small, round-shouldered father. He was self-conscious on the subject, and a favorite joke of his was to create some outrageous supposition, such as "Do you know why we're not allowed in the Chrysler Building after eleven at night?" When Stern or his mother would answer "Why?" Stern's small dad would say slyly, "Because we're Jews," mouthing the final word with great relish and pronouncing it "chooze." Stern's mother would then double up with laughter and Stern would join in, too. A bad punster whose favorite gag word was "homogenize" ("I homogenize saw you on the street last night"), Stern's small dad had great fun with such phrases as "orange Jews" and "grapefruit Jews." When Stern would say, "I heard that, Dad," his father would say, "Yeah, but I'll bet you never heard prune Jews."

Stern considered Passover the biggest holiday of the year, and on the first night of the celebration Stern and his parents traditionally attended a Seder in the back-room apartment of his Aunt Edda's hardware store, which was closed for the holiday. (After the final prayers, Aunt Edda switched on the lights of the store and each of the Seder-goers put in a large order for hardware items, which Aunt Edda furnished them at cost.) A small, dark-haired woman with tiny feet, Aunt Edda was much revered by the other members of the family, and Stern's mother often referred to her as a "saint" and then added, "Even though she's got more money than God." When Stern walked into Seders, Aunt Edda would run to him on tiny feet, clasp his arm, and say, "I want to tell you something," after which she would stare into his eyes, hold his arm for a long time, and then say, "You're some darling boy." Aside from arranging the Seder, Aunt Edda's main function was to thrust her tiny body into the center of the Seder fights that broke out annually. One of the main antagonists was Stern's Uncle Sweets, who presided over the ceremonies—a wild-haired man with giant lips who was involved in clandestine Chicago rackets and once, bound hand and foot, had to climb out of a lake in southern Illinois to save his life. Stern was proud of him and referred to him as "my bookie uncle." He took Stern and his parents to restaurants, always ordering meat pies and picking up the checks; outside a seafood villa once, a hobo had asked him for a handout and Uncle Sweets had put a penny in his palm and offered it to the man. When the hobo went to get it, Uncle Sweets had doubled up his palm and driven his fist into the man's nose, spreading the nose across the hobo's face with a sloshing sound Stern never forgot and leaving the man in the gutter. Stern's father said, "Hmm," and his mother said, "Oooh, Sweets is some bitch," with an excited look in her eyes. Uncle Sweets, wrapped sacredly in embroidered shawls, presided over the entire ceremony with thick lips and heavy lids, pounding his chest, quaffing wine, and singing long passages with the sweet full voice and passionate fervor of an old choir boy, as though this was his one night to atone for all the mysterious goings-on in Chicago. Challenging him each year and breaking in with his own set of more militant chants was Stern's Uncle Mackie, squat, powerfully built, burned black from the sun, a Phoenix rancher who flew in each year for Seders and to have mysterious medical things done to his "plumbing." An eccentric man who had once chased Pancho Villa deep into Mexico at General Pershing's side, Uncle Mackie, when asked about his health, would bare his perfect, gleaming teeth, double over his bronzed, military-trim body, and croak, "I feel pretty lousy." Early in the evening, he would take Stern around the waist, pull him close, and whisper confidentially, "I just want to find out something. Do you still make peepee in your pants?" And then he would explode with laughter, until he checked himself, held his side, and said, "I've got to do something about the plumbing." He continued the peepee inquiries long into Stern's teens. When the Seder began, Uncle Sweets would take long difficult passages to himself, which gave him an opportunity to hit high notes galore, but soon Uncle Mackie, warming to the Seder, would break in with great clangor, doing a series of heroic-sounding but clashing chants that seemed to have been developed outdoors in Arizona. Before long, Uncle Sweets would stop and say to him, "What the hell do you know? You shit in your hat in Phoenix." And Uncle Mackie would fly at him, saying, "I'll kick your two-bit ass through the window." At this point, Aunt Edda would seize both their wrists, say, "I want to tell you something," pause for a long time, looking from one to the other, and then say, "You're both darling boys." The Seder would then continue uneasily, much tension in Uncle Sweets' choruses, Uncle Mackie continuing with much vigor but directing his efforts to another side of the room, as though trying to enlist a faction to his banner and start a split Seder. Stern wondered who he wanted to win in a fight, his bookie uncle or the peepee man who'd gone in after Pancho Villa. At the same point in every Seder, Stern's father would arise to do a brief prayer, reading in a barely perceptible whisper and in a strange accent Stern had never heard in Mr. Lititsky's class. He read uncertainly, flashing his teeth as though charm would compensate for a poor performance; others at the Seder would root him on, hollering out key words, while Stern stared at the floor, ashamed of his father's uncertain whispers and wishing he had a militant chanter for a dad. Toward the tail end of the Seder, Stern and his cousin Flip would sneak off to the bedroom, get a dictionary, and look up dirty words, such as "vulva" and "pudendum." They would then open their flies and compare pubic hair growths, Flip's always being further along since he was six months the elder. They would generally emerge in time for Uncle Gunther's entrance. A onetime Hollywood bit player who had done harem scenes in silents, Gunther worked a lathe in a ball bearing factory, drank heavily, and was always striding into speeding cars. Tension generally built throughout Seders as to whether he'd make it this year; when he did show, there would be great relief that he hadn't gotten caught on a fender. Aunt Edda would fix him an abbreviated Seder meal, and when he had finished it, the others would begin to confer gifts upon him in deference to his lowly lathe job. Uncle Gunther would wave them off disdainfully, saying, "What do you think I am," and finally race out the door and into the street, with the others behind, still thrusting forth their gifts, a crumpled twenty-dollar bill from Uncle Sweets, advice on life from Uncle Mackie of the Far West. Stern's small father would always take off an item of clothing, a vest or belt, and holler, "What do I need it for, you fool," at the fleeing Gunther, who would stop after a while, collect the items, and allow himself to be ushered back to the store, defeated; there, Aunt Edda stood waiting for him, holding sets of pots and pans and the uneaten Seder food, wrapped in packages and tied with string. And thus the curtain would come down on another religious holiday.

The most religious person Stern knew was his grandmother, who opened the neighborhood synagogue each morning at five-thirty in cold weather or warm. In arguments with friends as to whose grandmother was more religious, Stern would weigh in with "Mine opens the damned synagogue," and he would generally walk off with the honors. A woman of indeterminate age with long silver hair kept in a bun, she lived out her last years in a small flat in a house near Stern's apartment building, which she shared with another grandmother. Since her own flat faced a back alley and had no front windows, she would come and spend most of the day in Stern's apartment, where she could sit at the window, look out, and see light and people. Most of the day she prayed, bowing and singing softly and wetting the pages of her prayer book as she slapped them along. She wore coat sweaters and had long breasts that hung down to her waist; Stern, horrified by them, wondered nevertheless what old women's breasts were like—yet hoped he'd never have to look at a set. When she was finished praying, she would look out the window and spot other grandmothers and laugh at them all for having crooked feet. Stern's father teased her, and whenever he spotted another old lady in the street, he would say, "There goes one of her buddies. Don't worry. She's got a whole mob of them organized." Her mind slipped and she buried bits of food around Stern's apartment, a piece of lettuce here, a slice of orange there, under sofa cushions and behind vases. When Stern's father found one, he would say, "She's got enough buried to feed an army. Probably got a load of money, too." Stern was going to high school during this period, and when he got home each afternoon, she would be waiting with the daily newspapers, asking Stern to explain the headlines to her since she knew little English. No matter what they said—"Strike to Tie Up Pier" or "Cold Weather to Continue"—she would take them to be an accounting of one of Hitler's misdeeds and would heap curses upon his head. Her eyesight was poor, and in the evening, when the light faded, it fell upon Stern to take her home so she would not be hit by cars in crossing the several streets on the way to the flat. Stern did not care for the job and would say, "I don't want to be walking with grandmothers." Since her wind was short, it took an agonizingly long time to get her back each night. She would grip his arm, they would walk thirty paces or so, and she would ask him to stop so she could catch her breath. During the stops, Stern would shuffle his feet and say, "Are you ready?" Sometimes, with his grandmother on his arm, he would pass friends in front of a bowling alley and he would say, "This is my grandmother," as the friends watched the pair creep by. When Stern came home from summer camp one year, he said to his mother, "Where's Granma?" And she said, "She's gone." Stern said, "What do you mean?" And his mother said, "She's not here any more. She went in my arms when you were away." People never died in Stern's family. They were either "gone" or they "went" or they "were taken." Stern said, "I see," and went inside and cried into a pillow, sorry he had laughed at her Hitler curses and wishing he could take her to her flat one more time, giving her long rests on the way. He wondered, too, whether anyone would ever "go" in his arms and, if they were an old person, what it would be like, whether their breath would be bad and whether the air would go out of their long breasts—and then he punched himself in the eyes to rid himself of such thoughts.

And so Stern loved a bowing grandmother and sat through Seder duels and could race with furious speed through books of ancient Hebrew; but there was little God to his religion. When Stern went to college in Oregon, even the trappings fell away. He told the people he met at school, "I don't care much about being a Jew. There's only one thing: each year I like to go and hear the Shofar blown on Rosh Hashanah. It sort of ties the years together for me." And it was true that for a while Stern's last concession to his early Jewish days was to stand outside synagogues each year and listen to the ram's horn. It was as though listening to the ancient sound would somehow keep him just the tiniest bit Jewish, in case it turned out someday that a scorecard really was kept on people. One year he didn't go, however, and then he rarely went again, even though he kept using that "ties the years together" line when he met new girls and needed impressive attitudes. Before Stern met his wife at college and lived with the old man of dangling pelvic supports, he stayed in a boardinghouse of Jewish students, where the air was thick with self-consciousness. One of his two room-mates was a tall graceful redheaded boy with a monotonous voice that sounded as though he were in a telephone booth. His personality was limited, and since he seemed to have only one joke (When someone asked him for a match, he would answer, "Sure, my ass and your face"), he became known as "Gordon One-Gag."

"I've got lots of jokes," he would protest from inside his booth, to which Stern or the other room-mate would say, "Nonsense, One-Gag, you've only got one gag."

Stern's other room-mate was a small, flabby ex-Navy man named Footsy who had motherly-looking breasts and a large fund of anal jokes developed on shipboard. There grew up among the three a jargon and patter, all of which hinged on Jewishness. The motherly Navy man might suddenly arise during a study period, hold his stomach, and leave the room. "Where are you going?" the redhead might ask, to which Footsy would answer, "I can't stand the Jewishness in the room," bringing forth howls of amusement. Or Stern might make a remark about the weather, to which the Navy man would say, "How Jewish of you to say that." If Stern were to utter a pronouncement of any kind, one of his room-mates would invariably retort: "Said with characteristic Jewishness." Long imaginary dialogues were carried on between the redhead and the Navy man in which the redhead was a job applicant and Footsy was an employment director, reluctant to hire him. Finally, Footsy, prodded to explain why, would say briskly, "Well, if you must know, its because of certain minority characteristics we'd rather not go into," and all in the room would break up laughing. The Navy man would often do a storm trooper imitation, in which he got to say, "Line dem opp against the fwall and commence mit the shooting," and a boy down the hall named Wiegel who had sick feet would come in and do another German officer, saying, "Brink in the Jewish child. Child, ve eff had to execute your parents." The redhead would try Mussolini in his last days, but Footsy, the Navy man, would say, "Stick to your one gag." Footsy would lie in bed for hours twisting lyrics of popular songs to get Jews into them: "Beware my foolish heart" became "Beware my Jewish heart," "Fool that I am" turned into "Jew that I am," and "I'm glad I met you, wonderful you" emerged "I'm glad you're Jewish, you wonderful Jew." Stern chipped in with a full lyric that went (to the tune of "Farmer in the Dell"):

The Jews caused the war.
The Jews caused the war.
We hate the Jews
Because they caused the war.

On occasion, the president of the boardinghouse, a short boy with quivering old-man jowls, would appear in the room and say, "These things aren't funny," after which Footsy would poke Stern in the ribs and whisper, loud enough for all to hear, "He's being very Jewish," and the president would stomp off, jowls in a rage.

Although much dating was done by the social club, little attention was paid to the girls of the single Jewish sorority, who wore the traditional campus skirts and sweaters but who seemed somehow an acne-ed, large-shouldered parody of the brisk, blond girls of the gentile sororities. Only sick-footed Wiegel took out what Footsy described as "laughing, dark-eyed beauties." When Wiegel announced that he'd booked another for Saturday night, Footsy would say, "But she's a pig," to which Wiegel would answer, "Yes, but you've got to date the pigs to get to the gentile queens."

Before dates, the redhead, all dressed, might stand before Stern and say, "Check my hair."

"Fine," Stern would say.

"Suit?"

"Excellent."

"Check me for Jewishness."

"Reject," Stern would say, and all would become convulsed. Footsy would then bare a womanly breast and say, "Here, One-Gag, practice on this little beauty." After dates, all would compare how they had done, in crisp, codelike sum-ups.

"Knee and conversation," the redhead might say, and Stern would add he'd gotten "elbow and upper thigh." Footsy, who took out homelier girls, would generally have come through with "outside of bra, heavy breathing, and an ear job." Then Stern and the redhead would get into their beds, turn out the lights, and listen to Footsy do a high-pitched imitation of an imaginary date being seduced by any one of the room-mates. "Oh, Gordon, you're very cute, but I can't possibly do any screwing. I'll take off my panties, but you've got to promise there'll be no screwing. You promise?" Footsy's voice was so convincing and the girl so appealing that Stern and Wiegel (who often came in late at night for the imitations, rubbing his sick feet) would beg him to do another, substituting their names.

Going along with the Jewish comedy routines, Stern began to call Footsy, his motherly, good-natured room-mate, "Little Jew." In the morning when he woke up, he'd say, "Morning, Little Jew," and after classes he would ask, "How's Little Jew getting along?" It sounded good on Stern's tongue, nice and comfortable. He said it in two syllables, and it came out "Gee-yoo," and when he said it, he would bare his teeth and get a disgusted look on his face, which he felt would add to the irony and comic effect of the routine.

It was fun to say, and he began to call Footsy "Little Gee-yoo" at every possible opportunity, making terrible faces and then poking Footsy in the ribs with a laugh. It made him feel fine to keep saying it. One day the three room-mates were on their way to the ice-cream parlor where gentile girls hung out after class. Each time a group of girls walked by, Footsy would say to the redhead, "Tell them your one gag, One-Gag. That'll have them swarming all over us." And Stern would say to Footsy, "What did the little Gee-yoo think of that group?" At the ice-cream parlor, Stern held the door for Footsy, saying, "You first, Little Gee-yoo," and Footsy turned and said, "No more."

"What do you mean, Little Gee-yoo?"

"Don't call me that any more."

"The Little Gee-yoo doesn't like to be called Little Gee-yoo. Little Gee-yoo. Little Gee-yoo." It felt so good that Stern said it a few more times.

The three were inside the ice-cream parlor now, and Footsy said, "If you keep doing that, I have something I'll call you."

"There's nothing, Little Gee-yoo. Nothing at all."

"All right, Nose. What do you think of that? I'll call you Nose. Hello, Nose. Hello, Nose." With tweed-skirted gentile girls listening, he began to scream out the name—"Nose, Nose. Hello, Nose. What do you say, Nose?"—until Stern, thin-faced and large-nosed at the time, flew out of the door and down the street, the cry following him back to the boardinghouse. At night the room-mates did not speak until, finally, Stern said, "OK, I won't call you the name if you don't call me 'Nose,'" to which Footsy nonchalantly said, "All right." To break the tension, the redhead said, "Let me tell you my one gag. Does anyone have a match?" And Footsy said, "Save it." There was a strain between Stern and Footsy from then on. One day Stern inadvertently called him "Little Gee-yoo" again and added, "I'm sorry. It slipped out." Instead of overlooking it graciously, Footsy said, "That's all right, Nose."

"I said I didn't mean it," Stern apologized.

"That's all right," said Footsy. "You're getting one for one."

At the end of the semester, the room-mates decided that they would separate and Stern went to live with the old man who wore elastic gadgets on his groin.

In the Air Force, Stern, recently married and swiftly packing on hip fat, felt isolated, a nonflying officer in a flying service, at a time when the jets were coming in and there was no escaping them; the air was full of strange new jet sounds and the ground reverberated with the throb of them. Somehow Stern connected his nonflying status with his Jewishness, as though flying were a golden, crew-cut, gentile thing while Jewishness was a cautious and scholarly quality that crept into engines and prevented planes from lurching off the ground with recklessness. In truth, Stern feared the sky, the myriad buttons and switches on instrument panels. He was afraid of charts with grids on them, convinced he could never master anything called grids, and he was in deadly fear of phrases like "ultra high frequency" and "landing pattern." He had a recurring dream in which he was a fighter pilot, his plane attended to by a ground mechanic who resented Stern's profile for spoiling the golden, blue-eyed look of the squadron. Each day the mechanic would stand by, neutral-faced, arms folded, while Stern, able to check his plane only peremptorily, took off with heavy heart, convinced wires had been crossed and would split his aircraft in mid-flight. Stern, who traveled to distant bases to do administrative Air Force things, rode once to California as a guest on a general's luxury B-17, sitting alone in the bombardier's bubble and feeling over Grand Canyon that he had been put in a special Jewish seat and sealed off from the camaraderie in the plane's center. After eight hours of self-control, Stern felt the plane shudder and then hang uncertainly for a moment as it circled a West Coast Air Force base. He spread a thin layer of vomit around his bubble and then kneeled inside it as the plane landed, the pilots and other flying personnel filing by him in silence. Cowardly Jewish vomit staining a golden aircraft.

Stern lusted after the tiny silver wings that said you were a pilot, and once, in a Wyoming PX, he ducked his shoulders down and slipped on a pair, crouching as he did so that no one would see, holding his breath as though each second might be his last. Then he took them off and walked quickly out of the PX, feeling as though he'd looked under a skirt. A great eagle sat atop the cap of every Air Force officer, flying or nonflying, and there were those in small towns, ignorant of insignia, who thought each Air Force man was a pilot clearing the skies of Migs above Korea. One day on Rosh Hashanah, Stern, shipped for a two-week tour to Illinois, walked into a small-town synagogue, his khakis starched, his brass agleam, as though he had scored a dozen flying kills and now sought relaxation. He'd draped a tallith round his shoulders and stood, stooped with humility, in the last row of the temple, mouthing the prayer book words with all of his old speed. One by one, the congregation members, who seemed a race of Jewish midgets, turned and noticed him, and Stern, aware of their fond glances, sent forth some low groans and did several dipping knee bows he remembered from the old days. He did this to cheer them on further and to make it all the more marvelous that he, a man of the sky, took off precious flying time to pray in strange synagogues. Within minutes, the rabbi called him forward and began to heap honors upon his head. Not only was he allowed to read from the Torah but he got to kiss it, too, and then to escort it in a march around the synagogue. Ordinarily only one such honor was dealt out to a congregation member, and then only upon the occasion of a new grandson birth or wedding anniversary. The Torah back in its vault, Stern walked humbly to his seat, aware of the loving glances the tiny Jews kept shooting him. Wasn't it wonderful? A Jewish boy. A fighter. A man who had shot down planes. Yet when there's a holiday he puts on a tallith and with such sweetness comes to sit in synagogues. And did you see him pray? Even in a uniform he reads so beautifully. Stern loved it, and when they shot him glances, he responded with religious groans and dipping bows and as much humility as he could summon. When the Shofar had blown, they clustered around him, touching him, telling him what a handsome Jewish boy he was, saying how wonderful it must be to fly. They knew Jewish boys did accounting for the Army. But Stern was the first they knew who flew in planes. Dinner invitations were flung at the savior, and Stern, silent on his nonflying status, his lips sealed on the subject of his new bride, chose an orthodox watchmaker who did up timepieces for major league umpires and had a large and bovine unmarried daughter named Naomi. When Stern had finished dinner, he was left alone with the girl in a parlor that smelled of aged furniture, unchanged since it had been brought across from Albania after a pogrom. The light was subdued and Stern, belly bursting with chopped liver and noodle pudding, swiftly got her breasts out. They were large and comfortable ones, the nipples poorly placed, glancing out in opposite directions and giving her a strange, dizzying look. Stern fell upon them while the girl settled back in bovine defeat, as though she were able to tell from the sucks, greedy, anxious and lacking in tenderness, that nothing of a permanent nature would come of this, just as nothing ever came of her father's synagogue dinner invitations. She curled a finger through Stern's hair and seemed to think of the procession of dark-skinned boys who had been at her chest, wondering when a serious one would appear and want to wrap them up forever.

Stern stayed at her breasts like a thief, dizzy with adulterous glee. They were large, his wife's were small, and he stored up each minute as though it were gold. For hours he stayed upon her, expecting an exotic perfume he'd dreamed about to cascade from her bosom. The off-balance arrangement of her nipples prevented him from plunging on further; he was afraid there would be equal strangeness beneath her skirts. Then, too, the room smelled old and religious and Stern imagined himself piercing her and thereby summoning up the wrath of ancient Hebraic gods, ones who would sleep benignly as long as he stayed above the waist. She lay beneath him with cowlike patience while the night went by, and then Stern rose, said, "I have to go back now," and flew out of the house, reeling with guilt, a day of flying heroism beneath his belt and four hours of capacious bosom-sucking engraved in his mind that no one could ever steal.

Stern, a non-flier in a flying service, yearned for Air Force comrades but had only friends. There were two of them, non-fliers, with parasitic functions like those of Stern. One was Neidel, the Jewish captain, a finance officer who made furtive afternoon calls to grain market brokers, picking up $20,000 in barley one day, dropping it in wheat the next. A regular officer, Neidel, pockmarked and in his forties, had never married for fear of having to divert money from soybean futures. Stern occasionally had lunch with him in Neidel's old car, telling him of gentile girls from college while Neidel sweated and wolfed down economy coleslaw sandwiches he had prepared in the bachelor officer rooms. Stern's other friend was Kekras, a Greek who had failed in jets. Once lean and blond, he drank heavily now and seemed a parody of gentile fliers, his hair grown long, his khakis soiled, his face swelled up with beer. Kekras burped a lot, said next to nothing, but was a great admirer of strength, and Stern got rises out of him only with apocryphal anecdotes of Charlie Keller, ancient Yankee outfielder. "He could carry seven baseballs in one hand," Stern would report, and Kekras would shake his head and say, "What a monster."

"Some said he could even grab eight of them in his prime."

"Jesus," Kekras would say.

"I once saw him outside of Yankee Stadium," Stern would add. "He had the bushiest eyebrows I'd ever seen on a man, and you should have seen his arms. They hung down to the ground like an ape's."

"What a horse," Kekras would say, grinning and shaking his head with affection. "What an ox." And Stern was thrilled that he was talking intimately with a gentile man of the air, even though a cast-off, heavy-lidded one whose senses were too dulled for the new jets.

Stern felt like a thief throughout his Air Force tour, a sponger and a parasite, a secret vomiter masquerading in suits of Air Force blue with great heroic eagles perched atop his garrison cap. "I'd feel more comfortable wearing a different kind of uniform than the fliers," he'd tell Kekras, while the Greek burped and wondered whether Dolph Camilli's wrists were larger round than those of Johnny Mize. Only one brief moment did Stern feel in the Air Force and not an unwanted guest in a hostile house, each month taking money that should have gone to fliers.

On temporary duty in Wyoming one night, Stern had taken a seat at a bar in the officers' club next to a buxom woman quickly labeled a "hooker" by the bartender—"one of the worst I've seen in this club." Stern, who felt he'd married prematurely, now prowled tormentedly after women on his tours about the globe, keeping mental track of every loveless caress, every conversation, every female contact, as though only when he'd grabbed a certain number of breasts, stroked a certain number of thighs, racked up a magic number of sleepings would he be able to relax and be married. Bracelets of lines ringed the woman's neck, and she sat enclosed in a circle of cheap perfume, but the bourbon quickly got to Stern and turned the perfume into something desirably earthy, the neck lines into lovely chevrons of sophistication. Stern imagined taking her to his staff car, stripping off her undoubtedly worn and tragic underwear, and allowing her to entertain him with slow and worldly acts of love, and then returning quickly to the bar, possibly with an easily cleared up disease upon him, but one delicious notch closer to his magic number of sleepings. Stern sidled close to the woman, an offer of a drink on his lips, when a romantic voice behind him rang out: "Come, woman, and drink my wine. I have need of company and you seem much woman to these eyes." The hooker wheeled on her seat, said, "Scuse me," to Stern, and joined the one who had called out—a husky middle-aged man with much blond hair curled romantically down over his forehead and with deep lines burned in his face. He was wearing civilian clothes and talked in a bleary-eyed, outrageously romantic way, rising gallantly for the hooker and telling her, "Woman, you're a rare one and you've wisdom in your smile." When the hooker took her seat, the romantic man shouted to Stern, "Let the Jew join us, too. I'll not close our circle to the Jew." Stern's face froze at the bar, but he came over and said, "What do you mean, Jew?" And the man slapped his shoulder and said, "Let the Jew sit and take wine with us." Stern, oddly at ease, sat down with the pair, uncomfortable only because the man was talking so loud. "Your company is good, woman," the romantic man said, leaning back and drinking deeply. "Big Jew, you warm me with your presence." He called Stern "Jew" and "Big Jew" each time he spoke to him, and he called the hooker "woman," endowing her with a universal quality, and Stern felt a nice feeling of camaraderie sitting and drinking with the pair, the romantic gentleman who might have been an aging soldier of fortune and the wise and silent hooker who had been to many places and stayed with a legion of men. He felt as though he was in a small bar in Macao, among scarred people with grave crimes in their past, at the world's end now, saying only bitter, philosophical things and waiting to die. Ava Gardner a must for the film version. The romantic man, indeed, was a kind of soldier of fortune, a civilian flying instructor assigned to the Air Force. He had trained a small group of Israeli pilots during the Arab-Israeli war, and he had glowing things to say of Israeli skills. "You Jews fly well, Big Jew," he said to Stern, who exulted in his words. "You fly a good plane, and my hat is off to the flying Jew. I'll drink to you, Big Jew. You do well in the sky."

"I don't actually fly myself," Stern said, but the romantic man waved him off and said, "Big Jew, you fly a deadly plane. Drink deep with me. The woman drinks well, too."

The romantic gentleman went on extolling the virtues of Jewish pilots, and each time Stern insisted that he himself was no flier, the man said, "Let the Jew be silent and drink with me as a man of the sky."

A major Stern knew from the headquarters office came over with his wife then and stood alongside the table as the gentleman cried out, "The Big Jew is a modest man. Come, Jew, and tell us of your courage."

"That's disgusting," said the major's wife, and Stern said, "He's not saying it the way you think." But then, for the sake of the new couple, he turned to the middle-aged soldier of fortune and said, "Quit that. Don't keep calling me that." The gentleman said, "I've tasted too much of wine," got to his feet unsteadily, and walked out of the club, the hooker supporting his arm. The couple sat beside Stern, but as soon as the middle-aged gentleman had gone, Stern wanted to call him back. He wanted to say to the couple, "You're wrong. He wasn't saying 'Jew' like you think. He was saying Big Jew. Tall Jew. He saw me as the strong and quiet Jew in a brigade of international fighters. I might have been the Big Swede or the Big Prussian, but I was the Big Jew, the quiet, silent one with bitter memories and a past of mystery, a man you could count on to slip silently through enemy lines and slit a throat, the one with skills at demolition who could blow a bridge a thousand ways, brilliant at weaponry, a quiet man with strong and magic hands who could open any safe and fix an exhausted aircraft, fly it, too, if necessary. Send the Big Jew. He knows how to kill. He'll get through. He says little, but no one kills a man better, and it is said that when a woman has been to bed with him she will never be loved better as long as she lives."

Stern wanted to say these things to the major and his wife, just as now, ten years later, he wanted to go out of his house and say to the man who'd kiked his wife and peered between her legs, "You've got me wrong. I'm no kike. Come and see my empty house. My bank account is lean. I drive an old car, too, and Cousy thrills me at the backcourt just as you. No synagogue has seen me in ten years. It's true my hips are wide, but I have a plan for thinness. I'm no kike."

But Stern said nothing, continuing to drive hunched and tense past the man's house, until one night he saw a line of giant American flags flying thrillingly and patriotically from the man's every window. At that moment a great flower of pain billowed up within Stern's belly, filling him up gently and then settling like a parachute inside his ribs. He nursed it within him for several weeks, and then one evening, warming tea at midnight by the gas-blue light of the ancient kitchen stove, an electric shaft of pain charged through Stern's middle and flung him to the floor, his great behind slapping icily against the kitchen tile. It was as though the kike man's boot had stamped through Stern's mouth, plunging downward, elevator-swift, to lodge finally in his bowels, all the fragile and delicate things within him flung aside.

Part Two

Stern's doctor sent him first to a man with a forest of golden curls named Brewer who took pictures of his belly. Brewer had said, "Come very early; it's the only way I can get a lot of people in," and when Stern arrived, he filled him first with thick, maltlike substances, then put him inside an eyelike machine, and, taking his place on the other side of it, said, "Think of delicious dishes. Your favorites."

Stern was barefooted and wore a thin shift; the light in the streets had not yet come up and his eyes were crusted with sleep. "I may be sick," he said. "How can I think of delicious things? All right, eggs."

"Don't fool around," said the man, squinting into the machine. "I've got to get a lot of people in. Give me your favorite taste temptations; otherwise the pictures will be grainy."

"I really do like eggs," Stern said. "Late at night, when I've been out, I'd rather have them than anything."

"Are you trying to make a monkey out of me?" the man screamed, darting away from the machine. "Do you know how many I have got to get in today? You give me your favorites." He flew at Stern, fat fists clenched, blond curls shaking, like a giant, enraged baby, and Stern, frightened, said, "Soufflés, soufflés."

"That ought to do it," said the man, his eye to the machine again. "I'm not sending out any grainy pictures."

A week after the stomach pictures had been taken, Stern sat alongside an old woman with giant ankles in the outer office of Fabiola, the specialist, and it occurred to him that he would hear all the really bad news in his life in this very office; there would be today's and then, at some later date, news of lung congestions and then, finally, right here in this very room with the wallpaper and leather couches that seemed specially designed for telling people hopeless things, he would get the final word, the news that would wrap up the ball game forever. The woman beside him sorrowfully tapped her feet to an obscure Muzak ballad and, although Stern knew it was cruel, he could not help passing along his observation.

"This is a room for bad things," he said. "All the bad news in your life you get right here, right to the very end."

"I can't think now," she said, tapping away. "Not with these feet I can't."

Stern felt ashamed when he was called ahead of the giant-ankled woman, but then it occurred to him that perhaps her ankles had always been that way and were not swollen and enfeebled but sturdy with rocklike peasant power. Perhaps within her there raged fifty years more of good health; Stern was being called first because he was much further downhill, the slimness of his ankles notwithstanding.

Fabiola was a tall, brisk man who wore loose-flowing clothes and lived in the shadow of an old doctor whose practice he had taken over, the famed Robert Lualdi, a handsome, Gable-like man who had been personal physician to Ziegfeld beauties. Somewhat senile and in retirement now, the elderly Lualdi, nevertheless, would drop in at odd times during the day, often while examinations were in session, put his feet on the young doctor's desk, and reminisce about the days when he had a practice that was "really hotcha." Once, when Fabiola was examining a young woman's chest, the old man had come into the room, pronounced her breasts "honeys," and then gone winking out the door. The interruptions kept the young doctor on edge, and he had developed a brisk style, as though trying always to wind things up and thereby head off one of the elder doctor's nostalgic visits. He was holding the pictures of Stern's stomach up to the light when Stern entered, fingers dug into his great belly, as though to prevent the parachute within from blossoming out further. "You've got one in there, all right," said Fabiola. "Beauty. You ought to see the crater. That's the price we pay for civilization."

"Got what?" Stern asked.

"An ulcer."

"Oh," said Stern. He was sorry he had let the doctor talk first; it was as though if he had burst in immediately and told Fabiola what kind of a person he was, how nice and gentle, he might have been able to convince him that he was mistaken, that Stern was simply not the kind of fellow to have an ulcer. It was as though the doctor had a valise full of them, was dealing them out to certain kinds of people, and would revoke them if presented with sound reasons for doing so. Political influence might persuade the doctor to take it back, too. Once, when Stern had been unable to get into college, his uncle had reached a Marine colonel named Treadwell, who had phoned the college and smoothed his admission. Stern felt now that if only Treadwell were to call the doctor, Fabiola would call back the ulcer and give it to someone more deserving.

"Look, I don't think I want to have one of them," Stern said, getting a little dizzy, still feeling that it was all a matter of debate and that he wasn't going to get his point across. "I'm thirty-four." When the doctor heard his age, he would see immediately that he had the wrong man and apologize for inconveniencing Stern.

"That's when they start showing up. Look, we don't have to go in there if that's what you're worried about. We get at them other ways."

"What do you mean, go in there?" said Stern. Going in there was different from simply operating. He had a vision of entire armadas of men and equipment trooping into his stomach and staying there a long time. "You mean there was even a chance you might have had to go in?"

"I don't see any reason to move in," said Fabiola. The old doctor opened the door then and, with eyes narrowed, said, "I knew I heard some tootsies in here." He limped in rakishly and took a seat next to Stern. "Excuse me," he said, "I thought you were a tootsie. My office was always full of 'em. The real cheese, too."

"I think I may be pretty sick," Stern said, and the old man rose and said, "Oh, excuse me. I'll be getting along. Well, boys, keep everything hotcha. Any tootsies, you know who to call.

"Hotcha, hotcha," he said, and winked his way out the door.

"Look," Stern said, leaning forward now. "I really don't want to have one." He felt suddenly that it was all a giant mistake, that somehow the doctor had gotten the impression he didn't mind having one, that it made no difference to Stern one way or the other. This was his last chance to explain that he really didn't want to have one.

"I don't see what's troubling you," said Fabiola. "You'd think I'd said heart or something."

"Maybe it's the name," Stern said. "I can't even get myself to say it." It sounded to Stern like a mean little animal with a hairy face. See the coarse-tufted, angry little ulcer, children. You must learn to avoid him because of his vicious temper. He is not nice like our friend the squirrel. And here Stern had one running around inside him....

"I can see all of this if I'd said heart," Fabiola said, beginning to write. "All right, we'll get right at her. We can do it without moving in."

"Don't write," said Stern, searching for some last-ditch argument that would force Fabiola to reconsider. The writing would make it final. If he could get Fabiola to hold off on that, perhaps a last-minute call from Colonel Treadwell would clear him.

"I wear these tight pants," Stern said. "Really tight. I think the homosexuals are influencing all the clothes we wear, and it's silly, but I wear them anyway. I can hardly breathe, I wear them so tight. Do you think that might have done it?"

"No," said Fabiola, filling up little pieces of paper with furious scribbles. "You've definitely got one in there."

Once, on a scholarship exam, Stern had gotten stuck on the very first question. There were more than four hundred to go, but, instead of hurrying on to the next, he had continued for some reason to wrestle with the first, aware that time was flying. Unable to break through on the answer, he had felt a thickness start up in his throat and then had pitched forward on the floor, later to be revived in the girls' bathroom, all chances of passing the exam up in smoke. The same thickness formed in his throat now and he toppled forward into Fabiola's carpeting, not quite losing consciousness.

"I didn't say heart," Fabiola said, leaning forward. "I could understand if I'd said heart."

Helped to his feet, Stern felt better immediately. It was as though he had finally demonstrated how seriously he was opposed to having an ulcer.

"I think we ought to bed this one down for a while," the doctor said, writing again. "I know an inexpensive place. Can you get free?"

"Oh, Jesus, I've really got one then," said Stern, beginning to cry. "Can't you see that I don't want one? I'm thirty-four." Fabiola stood up and Stern looked at the doctor's softly rising paunch, encased in loose-flowing trousers, and wondered how he was able to keep it free of coarse-tufted, sharp-toothed little ulcers. Fabiola's belly had a stately, relaxed strength about it, and Stern wanted to hug it and tell the doctor about the kike man, how bad it was to drive past his house every night. Then perhaps the doctor would call the man, tell him the awful thing he'd done and that he'd better not do it any more. Or else Fabiola would ride out in a car and somehow, with the stately, dignified strength of his belly, bring the man to his knees.

"It's a little place upstate," said Fabiola, leading Stern to the door. "The way you hit the floor I think we ought to bed it down awhile. They'll be ready for you in about three days."

Stern wanted to protest. He wanted to say, "Wait a minute. You don't understand. I really don't want to have one. I'm not leaving this room until I don't have one any more." But the situation had become dreamlike, as though a man was coming for his throat with a razor and he was unable to cry out. "I just didn't want this," he heard himself say sweetly.

In the corridor, the old doctor winked at Stern and said, "You boys have a couple of tootsies in there?"

"I'm awfully sick," Stern said, and went out the door.

Crying in the street, Stern hailed a cab and gave the Negro driver, a scholarly-looking gentleman, his office address. "I've just been told I've got something lousy inside me," Stern said, still crying. "Jesus, how I don't want to have it in there."

"Cut him out," the man said, shaking his head emphatically, as though he were crying "Amen" at a good sermon. "He an ulcer, cut him out an' throw him 'pon the floor. He very strong, but you throw Mr. Ulcer 'pon the floor, you see how he like that. I got an uncle, he cut one out, he live to be fifty-four."

Stern wanted to tell the man that fifty-four was no target to shoot for and that there'd be no cutting, either. He wanted to say that he thought the man's advice was terrible, but he was afraid the Negro, outwardly scholarly, had once fought as a welterweight and, irked, might quickly remove his horn-rims, back Stern against a fender, and cut him to ribbons with lethal combinations. When the cab pulled up, Stern said, "I might try cutting it out," and tipped the scholarly Negro handsomely.

At a drugstore counter near his office, Stern took a seat three stools down from the owner, Doroff the druggist, a loose and boneless man whose body seemed made of liquid and who appeared to be flowing rather than leaning against the counter. He was talking to a slender girl with long, impossibly sensual legs who twisted and untwisted them as Doroff asked her where she ate certain types of food. "Where do you gopher Chinese?" Doroff asked, and when she answered, he made a negative, fishlike face and said, "Uh-uh, the only place to go in this city is a little spot named Toy's on Fifty-third. Where do you gopher French?" He kept asking her the restaurant questions, and no matter what her answer, he would shake his head in fishlike disapproval and tell her the only good place to "gopher Indian" or to "gopher Italiano." Each time he filled her in, she would spring back suddenly, as though kissed, crossing and uncrossing her legs with glee. Stern hated the fishlike Doroff for always having cute girls on stools beside him, girls who were much too appealing for the boneless druggist, and it broke Stern's heart to see this one reacting to him with such delight. He had fears that one night the two of them would "gopher Spanish" or "gopher German" together and that before she knew what happened the boneless Doroff would be floating up against her, getting to enjoy the length of her twisting legs. He wanted to say to her now, "What's so great about him knowing restaurants? Is that something to get excited about? Yours are probably as good as his. You'd never know it to look at me now, but if I weren't so upset, I could really tell you worthwhile things. I could tell you of Turgenev."

The man who had come for Stern's order was a paunchy, gray-haired counterman who had the impression that Stern was in on things, had inside information on deals and intimate goings-on. He was always asking Stern questions impossible to answer, such as "So what's going on?" and "How'd you make it today?" No matter what Stern's answer, he would wink deeply and shake with laughter. In sober moments, he would say to Stern, "I'd like to get out of here. You hear of anything doing around, let me know." He asked Stern now, "So how'd the racket go?" And when Stern said, "Usual," he let out a hysterical bellow and said, "You really got something going, don't you?" He asked Stern then, "So what'll it be?" And Stern, who felt he had a thousand pounds above his belt, said, "Milk. Warm it. I've got something going on inside me." One of Fabiola's papers had said to drink milk, and Stern was anxious to get some down, picturing a warm flood of it streaming past his throat and pacifying temporarily a hairy, coarse-tufted angry little animal within him that squawked for nourishment.

"No warm," the man said. "You have to ask the boss."

Doroff had overheard the exchange. He had had fights with Sterns boss, Belavista, down the street, and now he said, "All right on the warm. Is that what you get working for Belavista? Ulcers?" Doroff's use of the plural form brought a flood of tears to Stern's eyes. Ulcers. Fabiola had spoken of only one, and now he pictured a sea of them fanning out inside him. The girl giggled and Stern knew that he had lost all chances to get at her legs. He rose, his body hooked in a curve of pain, and whispered, "I've only got one," and then flew through the drugstore muttering, "Where do you gopher this, where do you gopher that." He wanted to holler out "Where do you gopher shit?" but he was certain Doroff would call out a number, sixty-two, and a drugstore plan would go into operation in which all eight countermen would loyally spring over the grill and trap Stern against the paperback books, hitting him in the stomach a few times and then holding him for a paid-off patrolman.

Stern, who wrote the editorial material on product labels, traveled eight floors upward to his office now, where he was greeted by his secretary, a tall, somber girl with gently rounded but sorrowful buttocks. She had lost both parents beneath a bus, and although she served Stern with loyalty, she placed a dark and downbeat cast upon all events.

"I've got something lousy in me and I've got to go away," Stern said. "Tell Mr. Belavista I want to see him. I've got to get wound up here so I can get out."

"What is it?" she asked. "The worst?"

"No, it's not the worst," Stern said. "But it's lousy and I'd rather not have it in there."

"Things like that take a long time to get cleared up," she said. "All right, do you want the bad news now?"

"What do you mean, bad news?" Stern asked. "All right, give it to me."

"The mail hasn't come yet and you've got someone who's been waiting on the phone."

"Is that it?" Stern asked.

"Yes," she said.

"That's not so bad," said Stern. "Why do you have to make everything sound so terrible?" She walked away and Stern studied her buttocks, rising easily beneath her black skirt. On any other girl, they would have been appealing, but he could not detach them from what he knew about her and they seemed as a consequence downbeat and sorrowful; touching them would have been reaching into a grave.

Stern picked up the phone and the voice said, "Loudon here. I've got something you're going to want and I'll only take a second."

"Something lousy happened to me," said Stern, "and I'm not doing any business. I just want to get wound up here a minute."

"I'll just be a second. Here it is. Hamburg has become the wickedest city in the world. Each year thousands of tourists troop there to visit its sin spots and to be fleeced by B-girls who know every trick of the trade. Strippers along the Reeperbahn go further than in any city in the world and, if you know the right places to go, further. Outwardly having no bordellos, Hamburg actually has many, and although its prosperous citizens pretend to have no knowledge of its wickedness, scratch the surface of any old-time Hamburgite and he'll direct you to the door of an establishment where flourishes the oldest profession in the world. That's about it. I go on from there detailing with anecdotes some of the more sordid practices in this bawdy city, which has replaced Paris as Europe's mecca of sin. What do you think?"

"What do you mean?" Stern asked.

"That's it. I want to do an article of say six thousand words on it for you. I can have it ready in two weeks."

"I do labels," Stern said. "For consumer products."

"You don't think you can work it in?" the voice asked.

"I do labels," Stern said. "And I don't feel good."

Stern chewed Fabiola's stomach pills and waited for his only assistant, Glover, to end his phone conversation. A tall, yellow-haired man who frowned continually, as though the sun were in his eyes, Glover spent hours on the phone each day, exchanging anecdotes with an elaborate network of friends. Glover viewed all people and listened to all remarks with pursed lips and then assigned them a rating that seemed to have been arrived at by a Board of Good Taste, staffed by witty, wafer-thin, impeccably dressed men whose job it was to continually evaluate behavior. Glover was their branch representative in Stern's office. When Stern commented on the summer heat, Glover would pause, purse his lips, and say, "You may not know it, but you've just made one of the seven best weather remarks of the season." His ratings were enervating to Stern, as when he prefaced an item of gossip by saying, "There are only five people in America who would appreciate this story. You're one of them." Stern wanted to tell him to spend less time on the phone, but he was afraid Glover, his body trim and supple from ballet exercises, would first fly at him in an effeminate rage and then pass along the episode to the Board, which would adjudge Stern "one of the three crudest men in America."

"I've got to tell you the season's funniest tapered slacks anecdote," Glover said, entering Stern's office. "I'm passing this on to only four friends of mine."

"I'd like to listen, but I can't now," Stern said, certain the Board would get immediate notification of his conduct. "I've found out I've got something in me and I've got to go away for a while."

"Growing in you?" Glover asked, slightly amused. Stern was aware that "one of the three funniest sickness descriptions of the summer" was taking form.

"No, just in there," Stern said. "I'm not sure what it's doing." Stern had the feeling that ulcers would be frowned upon by the Board as being dirty, Jewish, unsophisticated, only for fat people, and he was careful not to identify his condition. Only dueling scars and broken legs suffered while skiing would receive high grades.

"Anyway," Stern continued, "I want you to take over and keep the labels coming." He turned his head away and said, "Long telephone calls aren't good. You might keep them short."

Glover's face swiftly filled with color. He darted toward Stern's desk with vicious ballet grace, shrieked, "I do my work," and Stern, frightened, whispered, "Then make long ones," and went past Glover's coiled body to Belavista's office.

Waiting outside his boss's suite, Stern felt a growing flatness and wondered suddenly whether Dr. Fabiola wasn't perhaps deceiving him and planning to "go in" after all. Stern had a memory of a glum morning long ago when he had worn a starched shirt and been brought in a taxi at dawn to have his tonsils removed. He had gone along sweetly and had not cried, feeling that something would come up, the hospital would be closed, or someone would discover his tonsils were really fine after all; but when he arrived, serious men had undressed him and brought a giant cup down over his face while he struggled and clutched at the air. Stern imagined himself sleeping at Fabiola's rest home and men stealing into his room at night with the same smothering cup.

Stern looked in now at Belavista, a middle-aged man with giant feet and large, wood-chopping teeth. He was born in Brazil, and the natural charcoal of his face was reinforced by frequent visits to Rio de Janeiro. Belavista had $3,000,000, and it was upsetting to Stern that there was no way to tell by looking at him that he had that much money. He might have been a man with $300,000 or even $27,500, and Stern felt that if you had millions, there ought to be a way for people to tell this at a glance. A badge you got to wear or a special millionaire's necktie.

Stern felt that if you had that much money, you ought to fill up every minute with $3,000,000 things, ones you couldn't do if you didn't have that much money. During conferences with Belavista, Stern found it unnerving to think that they were both spending minutes of life together in exactly the same way, despite the fact that his Latin boss had spectacular sums of money and Stern had only $800. When Belavista ordered a rare tropical fruit salad for lunch, it depressed Stern. It would come from a fine restaurant and the fruit would be of gourmet succulence, and yet it was within the reach of people who had only $300 in the bank.