Transcriber's Note:
A Table of Contents has been added.
A MODERN PURGATORY
By CARLO DE FORNARO
CARRANZA AND MEXICO
A MODERN PURGATORY
A MODERN PURGATORY
BY
CARLO DE FORNARO
NEW YORK
MITCHELL KENNERLEY
1917
COPYRIGHT, 1917, BY
CARLO DE FORNARO
PRINTED IN AMERICA
TO
M. L. R.
"It is believed in this country that a poor man has less chance to get justice administered to him than a rich man."
—Woodrow Wilson, in a speech in
Chicago, January 11, 1913.
CONTENTS
| PAGE | |
| INTRODUCTION | [vii] |
| THE TRIAL | [1] |
| THE TOMBS PRISON | [5] |
| THE PENITENTIARY | [29] |
| THE HOSPITAL | [69] |
INTRODUCTION
This book is a record of the prison experiences of Carlo de Fornaro, artist, writer, editor, revolutionary. It is a record of experiences in the famous Tombs Prison, in New York City, and in the New York City penitentiary on Blackwell's Island—a record of the daily happenings of life in a prison, of brutalities and stupidities and abominations; a sordid record, from the pages of which gleam many fine human things, the sympathies and kindnesses and sacrifices of men thrust by society into the dark of prison because society was afraid of them.
The book begins with the author's imprisonment, and ends with his release or discharge from prison. It is the tale of his punishment, but it tells nothing of the "crime" that brought the punishment upon him.
It is a strange story, that of the circumstances that brought him to prison and an unprecedented proceeding in the United States, a prosecution for libelling an official of a foreign government.
Carlo de Fornaro came to America when he was a young man. He was born in Calcutta, British India, in 1871, of Swiss-Italian parents; and, determined to be an artist, he studied, first architecture in Zurich, then painting in Munich. But when he came to America he found a dearth of art, and when his talent for caricature was recognized, he turned to a newspaper career.
He began in Chicago, with the old Times-Herald, but the greatest part of his work was done in New York, on the Herald, the Telegraph, the World and the Evening Sun. In 1906 he went to Mexico to visit a friend—and he stayed three years.
Mexico first interested him—the people, the problems, the smouldering fire of revolution—and then absorbed him. Porfirio Diaz was President of Mexico, and approaching the end of his long reign of power. Fornaro, always a revolutionary, became interested in politics—a dangerous interest, especially for a radical opposed to the Diaz régime. Assassination and murder and life imprisonment in dungeons immured from the world were commonplace methods used in that day to defeat the purposes of the opposition to the undermined Diaz dynasty.
But Fornaro, undeterred, went into politics. He chose the way best known to him; he organized a company and established a daily newspaper in Mexico City, of which he was Director. This was late in 1906. He continued with this newspaper for over two years, doing his share of fomenting the revolution that brought the Diaz government to its fall a few years later. Then, in 1909, he came back to New York, to continue the work in another form.
He wrote, and early in 1909 had published in New York, a book entitled "Diaz, Czar of Mexico." It was translated into Spanish, and thousands of copies were smuggled across the border into Mexico. It created an immediate sensation; it was forbidden and interdicted; copies of it were confiscated and destroyed; people selling it, distributing it, giving it away, or having it in their possession, were subject to punishment. But in the face of this it was widely distributed; it was passed from hand to hand, secretly, clandestinely; and the demand for it was so great, and the interest in it so intense, that in many cases where it was difficult to procure it, single copies were sold for as much as five dollars and ten dollars.
When the efforts to stop its distribution among the people of Mexico failed, other measures were tried. Agents of the Diaz government came to New York; they sent messages to Fornaro; they came finally to see him; and they offered him $50,000 for the entire edition and to suppress all future editions. But they were true to the practices of the system that had so long exacted tribute from the people of Mexico. They knew the amount of money that would be paid to suppress Fornaro's book—and a proposition was made to Fornaro offering him $50,000, and asking him to sign a receipt for $150,000.
They failed. Fornaro told them the book was not for sale except for distribution; it would not be suppressed for any price.
It took these agents of the Diaz government some time to realize this fact. They could not believe there was a thing their money could not buy. But when they realized it they gave up and departed. And then other tactics were begun, and this time they were more effective.
Fornaro was indicted for criminal libel. This was a logical proceeding, and not unexpected. Agents of the Diaz government, acting ostensibly for Rafael Reyes Espindola, a Mexican Congressman, and Editor of the government paper El Imparcial, presented complaints to the Grand Jury. Grand Jury proceedings are secret, and Fornaro, of course, had no opportunity to present his case before that tribunal. It was set forth that in his book, "Diaz, Czar of Mexico," Carlo de Fornaro had criminally libeled Rafael Reyes Espindola, and Fornaro was duly indicted. One of the accusations brought against Espindola in the book was that as Editor he used the government paper with impunity to murder reputations.
Fornaro was arrested on April 23, 1909. He pleaded justification. He was admitted to bail in the sum of $1,000. On June 21, 1909, a postponement of the trial was granted, to permit the defendant in support of his plea to secure, by Rogatory Letters, or Depositions, the testimony of witnesses in Mexico as to the truth of the allegations against Espindola contained in the book and complained against.
Some of the most prominent men in Mexico were among those Fornaro sought as witnesses to prove his cause. There were Francisco I. Madero, who led the revolution against Diaz, became President of Mexico and was killed when Victoriano Huerta assumed the Dictatorship of Mexico; F. Iglesias Calderon, the head of a political party, for thirty-five years a consistent opponent of the Diaz system, and the man who had furnished most of the material for Fornaro's book; Heriberto Barron, a member of the Mexican congress and a prominent journalist in Mexico City, and during the latter part of the Diaz régime an exile from Mexico; and others of equal prominence.
But the plan to secure this evidence failed. The witnesses in Mexico were "not allowed" to testify in Fornaro's favor; there was no opportunity to secure the testimony required by Fornaro, or, even if it had been secured, to get it out of Mexico; and his witnesses were threatened with punishment and retaliation if even by speaking the truth they gave aid to Fornaro.
What testimony was offered in his behalf from witnesses in Mexico was not allowed; his lawyer in Mexico City, Diodoro Battalla, a Mexican who had offered to take this case at the risk of his life, was not permitted to represent him. But a representative of the District Attorney of New York was sent to Mexico, and he was permitted to represent the state of New York in such hearings as were had in Mexico City in an endeavor to secure the evidence necessary to establish Fornaro's guilt.
On October 27, 1909, Fornaro was put on trial. The result was inevitable. Fornaro was convicted. On November 9 he was sentenced to one year at hard labor in the city penitentiary on Blackwell's Island.
After his conviction, Fornaro was held for five weeks in the Tombs prison, first awaiting his sentence, and after his sentence, during a stay pending a decision on his application for a Certificate of Reasonable Doubt, which was denied; and on December 4, 1909, he was taken to the penitentiary on Blackwell's Island to begin serving his term.
Two weeks later, when the news of the sentence had reached Mexico, Rafael Reyes Espindola went to a bull fight. As soon as he was seen entering the stands there was a great outcry against him from the spectators—there were over twenty-five thousand of them; they were calling him "Assassin of reputations." They pelted him with missiles and drove him out of the bull ring in confusion and ignominy. The Mexican newspapers, commenting on the incident, called it "Brutal Justice."
On October 3, 1910, Fornaro was discharged. He had served ten months in prison, which was the full term of his sentence, except for two months off for good behavior, which is provided by the laws of New York.
Within a few weeks after Fornaro's discharge from prison, after the revolution against Diaz broke out in Mexico, on November 20, 1910, Fornaro was offered $25,000 to leave the United States if there was an investigation of the manner in which evidence in his behalf was suppressed or kept from the court.
Fornaro refused it, as he refused the bribe for suppressing his book, and as he refused a pardon which he was told would be granted him unconditionally after his appeal to the Supreme Court had been lost. There never was any investigation into his case.
But the book that caused all the trouble went on. The first edition of "Diaz, Czar of Mexico" had been exhausted, and a second edition was printed. The revolutionists in Mexico still say that this book, in conjunction with Francisco I. Madero's "The Presidential Succession in 1910," were the greatest influences in bringing about the fall of Porfirio Diaz.
A MODERN PURGATORY
THE TRIAL
It is the second day of my trial. The whole performance is tiresome and monotonous in the extreme. On one side—the side of the prosecution, the side against me—the case is legally perfect, on my side there is practically no defense; and surrounded as I am by powerful and subtle political influences, I have come to the conclusion that I have as much chance of success—or escape—as the proverbial snowball in Hades.
Considering my hopeless predicament and my helplessness, I am astonished at the sneering and insulting manner of the prosecuting attorney. Why this unseemly desire to swat as insignificant a gnat as I?[1] During lunch at recess I hear that my victim and accuser is very much embarrassed and annoyed at the pertinent questions asked by the prosecutor and translated by an interpreter.
"Are you a picaroon?" queried the District Attorney.
"No," protested the blushing Mexican, "I am only a congressman."
Insults are sometimes the making of a man's reputation, but ridicule always kills, as my Mexican opponent confessed to me once in Mexico City, adding that he never paid the slightest attention to insults or libelous attacks of the Mexican press. In this case they made him change his mind and he was sent twice three thousand miles from Mexico to prosecute as libel that which he could not even read.
Finally the case is concluded and I am led through a maze into the Tombs prison to await the deliberation of the jury.
The keepers inquire as to the real meaning and equivalent in slang of the word "picaroon," and they seem disappointed at its commonplace meaning as compared to the phonetic redundance of a word which promised so much. All seem quite certain the jury won't convict, but I am of a different opinion.
After waiting more than two hours I am brought back to court to hear the decision of the jury. I notice the foreman, a gray-haired, lean person with a long neck two sizes smaller than his collar. He is speaking in a low voice. I cannot hear what he says, but when he stops, and I see two Mexican friends and refugees come towards me with tears in their eyes, then I know my fate. They pat me on the back and say encouraging things as to the effect the publicity of this conviction will have on the cause of liberal Mexico. Newspapermen and friends surround me. An adverse verdict was expected; nevertheless I am somewhat dazed. They ask for a declaration, but adequate words fail me. I can only smile and say awkwardly: "It's all in the day's work. I believe what is to be, will be." And the keepers lead me through the bridge of sighs.
FOOTNOTE:
[1] In justice to the Prosecuting Attorney it must be added that over two years after the trial he apologized to the writer in the presence of Judge John J. Freschi, at the Press Club.
THE TOMBS PRISON
The next thing I remember is being "frisked," as they say in prison parlance, when the keeper looks through the prisoner's pockets for contraband.
They lead me to my cell and the iron doors clang behind me. A deep sigh of relief escapes me. The terrific mental strain of the last ten months, the long and sleepless nights of vigil, the knowledge of impending danger, have been blown away like an unhealthy mist, and I feel calm, secure, safely barred beyond the reach of the Mexican Czar's sicarii and thugs.
The necessary things for comfort are sent by kind friends, and I inspect my future abode.
The cell is spacious, enclosed on three sides by solid steel; air, light and ventilation come through the bars; two iron beds are attached to chains on one side and let down at night; there is running water for washing, drinking and sanitary purposes. An electric bulb and a small wooden bench complete the furniture.
The first thing in the morning I make the acquaintance of a prisoner who eagerly offers to become my guide and monitor.
We walk around the spacious corridor which surrounds the prison proper like an ellipse, and by a connecting gallery cuts it in half like number 8. Three tiers of steel cages go up to the ceiling and can be observed by standing close to the wall opposite our cells.
The men in the tiers above us walk around, some one way, others the opposite, like restless animals in captivity. Some young prisoners hang on to the bars and make faces at us downstairs, reminding us of monkeys in a gigantic cage.
Side by side with tough "mugs" and countenances worthy of the gallows, we notice the apparently refined and well-mannered aristocrats of crime, dissipated looking boys, confidence men in pious demeanour, election repeaters, dandified "cadets" and "sissies." There are also sturdy looking laborers, a few black handers, a tramp or two, several negroes, two Chinamen.
A chauffeur with leggings, cap and automobile suit, tramps around with a dapper young pickpocket. They shout, laugh, talk, sing, whistle; and above all is heard the shuffling of several hundred feet walking, walking unceasingly.
A look upward to the superposed steel cages suggests their similarity to the circles in Dante's Inferno; the picture is completed by comparing my mentor to Virgil, but the sarcasm is lost on him, as he is only a very prosaic forger.
He informs me that the circle above contains the murderers, awaiting trial; higher up those on charges of grand larceny; and then follow the petty larceny men, and so on.
We who are on the ground floor have more walking space than those above us. The side walls have four rows of barred windows which give poor ventilation and poorer light. The air has a pungent, mouldy smell. The rumbling noise of the city traffic on the Centre Street side is heard plainly through the din in the prison.
My companion is a voluble and incessant gossip; his knowledge of jails, penitentiaries, and court procedure is amazing; he is a perfect walking prison encyclopedia. Nearly forty years old, he has passed twenty years behind the bars, either in Sing Sing, the Island Penitentiary or the Tombs. Very pale, clean shaven, rather plump, he speaks in a harsh whisper which gives a disagreeable impression of his uncanny knowledge; when he inquires or talks about the outside world he is like a child seeking knowledge about a strange, far-away land.
My next door neighbor is a southerner. He shot a man who cheated him out of all his money, and he spent several months in Sing Sing; now he has been brought back to the Tombs for retrial. Dark, with passionate eyes, black hair and sallow complexion, thin, calm, deliberate in manner and speech, he tells me of his case, and what led to his murderous assault, which he claims was done in self-defense. When I asked if he was resigned to return to Sing Sing, he answered with gleaming eyes: "I'll kill myself before I'll go back to that hell hole."
I
As we are forbidden to keep knives or razors in our possession, those who require a daily shave climb to the circle above to the barber shop.
On the waiting line there is a familiar face, a young man who had been a waiter in a Broadway café. He has not lost his red cheeks and boyish manner while awaiting trial on the charge of seduction.
Those who can afford it and cannot eat the common prison fare have their meals ordered from outside restaurants. A young man with a capacious basket offers us our breakfast in the shape of bread, pies, coffee; and he also sells cigars, cigarettes, writing paper, stamps and various knickknacks.
About nine A. M. we are locked in and are allowed to buy newspapers from a boy. I scan the daily papers and notice that they are beginning to pay attention to this libel case. There are several editorials, one signed by William Randolph Hearst, whose championship in my case was a brave act, as it endangered his interests in Mexico. The mail is voluminous; scores of clippings come in from out of town papers. An unknown doctor in California sends a check, a laboring man in St. Louis sends a dollar bill, to help in the fight.
My first visitor appeared to me like a vision from a strange planet. I felt clumsy and impatient behind the cold and angular bars.
I am informed that two witnesses saw the president's brother and a prominent Mexican lawyer waiting for my verdict on the ground floor of the Criminal Court building. Those two lawyers were the king pins working the wires behind the scenes, and when the glad tidings were brought they hastened to telegraph it to Mexico.
After the visit we are let out of our cells for exercise, which takes place three times a day, morning, noon and evening.
All visitors are permitted to see the prisoners, but not twice in the same day. Keepers and matrons search the visitors, and I hear repeated complaints of the arrogant and rough behaviour of these men who seem to have no power of discrimination; they treat everybody on equal terms of brutality and incivility—those found guilty by the courts, those awaiting trial and the innocent visitors.
Newspapermen are almost daily visitors.
My friend and lawyer, K——, visits me every day in the barred chamber set apart for that purpose. As I descend to see him some one points out to me a special room wherein I recognize the banker Morse conferring with his lawyers. My friends on the New York World send an ambassador, in the person of a reporter, offering their good will and assistance. I am touched by their kindness and loyalty.
The days pass swiftly as if on wings while waiting for the sentence. My trial-lawyer, J——, visits me one evening and informs me that somebody has told the judge that I had boasted that I would get off with a fine. A strenuous denial is made, but the futility of the protest is apparent. The purpose of these underhand tactics is to prevent the imposition of a fine which could be paid by friends.
Criminal libel is a misdemeanor, and the limit or maximum sentence is one year in the penitentiary or a fine of $500, or both.
The prosecuting lawyers hope, by the imposition of a prison sentence, to frighten me into accepting either a pardon or a commutation of the sentence, thus forcing me to accept their favors and preventing further investigation into certain proceedings.
A suggestion is made to enter a protest with my ambassador. Such a procedure would empower the judge to offer me the choice between going back to Europe or serving one year in the penitentiary. The Mexican government would prefer to get rid of my agitation in this country and does not relish the idea of assisting the publicity of a willing martyr.
My suspicion of these tactics is aroused when I learn of the case of a young cockney valet who stole from his employer, and who was offered the alternative, when the judge sentenced him, of going back to England or serving five years in Sing Sing. The young valet took great pains to inform me of his case and the advantage to be derived from accepting the lesser of two evils. I mused over the incident, and wondered if the valet's case was not a gentle hint emanating from the Machiavellian brains interested in my case. The trial lawyer, J——, suggested the advisability of appealing to the governor for clemency in case of loss of the appeal. A protest to the ambassador was also proposed. I declined both suggestions.
II
I have become acquainted with a prisoner a few doors from my cell, next to the shower baths. Small of stature, almost a boy, deathly pale, dark, with strong features, this young English pickpocket is a new type in my limited experience with criminals.
Every afternoon we sit together at a five o'clock tea in his model cell. The walls are covered with half-tone pictures of famous stage beauties. He offers me the place of honor, which is an old, rickety, but comfortable armchair which belonged to Harry Thaw.
The bed, the bench, everything, is decorated with paper, cut out with infinite pains. The tea is excellent and there are also condensed milk, Huntley & Palmer's biscuits, butter and orange marmalade. Mine host seldom talks to prisoners; he says the place is filled with stool pigeons. When asked if he does not suspect me, he smiles and remarks that in his profession a deep and varied familiarity with human nature is necessary, as well as a cool head, an impassive mask, and great dexterity with hands and fingers.
Very good-naturedly he answers my questions as to his early life and the influences of which brought him to steal; he tells me also of his philosophy of life. His father and mother were both thieves, and he was taught to steal as soon as he could walk. The whole of Europe was the field of his operations.
Soon after he came to New York he was arrested, and although the detectives could not find any stolen goods on him, nevertheless he was sentenced to seven years in Sing Sing on his past criminal record, which was sent over by Scotland Yard.
Considering this man's record and nationality, the question comes to mind as to why he was not sent back to England, instead of burdening the taxpayers of the state of New York with his maintenance for seven years.
III
In the evening I was interrupted in my conversation with a confidence man by the entrance of Lupo and some of his black hand confederates. Standing against the wall while being searched he refused to answer any questions either in English or in Italian.
A dark mustache aggravated his villainous look, while his black, restless eyes surveyed his surroundings. One of his cronies muttered something, but he only growled, lifting the corners of his mouth and baring his teeth in angry contempt. Verily he gave the impression of a wolf caught in a trap, but still defiant and ferocious.
We stop at the cell of a poor German who is locked up on the charge of attempted suicide. He weeps disconsolately, like a child, the tears running down his haggard and gentle face. His clothes and linen are poor and as dirty as his face; his hair is unkempt. He wrings his hands in despair and moans: "Why did they not let me die in peace?" He was out of a job, friendless and penniless in a foreign country, and when he tried to end his misery they put him in jail. It seems a hopeless task to try and cheer him up.
A harmless looking old man with white hair and beard attracts every one's attention by the ferocity of his deed. He has killed his own daughter, a school teacher, as she was coming out of school surrounded by her young pupils. Nobody seems to know the reason for his act. The judge has just sentenced him to the electric chair, and he appears the least concerned of all as they search his cell for hidden weapons and put an extra guard to watch him for the night. An Italian priest hears his confession in his cell. When asked the reason for his inconceivable act he answers slowly that he prefers his daughter's death to her life as a prostitute. "My life is in the hands of God," he whispers, as he folds his hands in prayer. In the morning he will be taken to Sing Sing.
IV
The trusties who clean up the floor and the cells and make up our beds are mostly short term prisoners from the penitentiary. In spite of his stripes, one of them looks like a Greek athlete; his dark, curly hair, powerful chin, strong nose, the muscles showing through the striped shirt at the neck and arms, excite the respect and admiration of his fellow prisoners.
My trusty is a weak-faced individual, who is always fawning for a tip with which to gamble with his companions upstairs. His wife had him arrested for non-support. Although quite competent to make a living and to support his wife and three children, he confesses himself unable to resist the lure of the games of chance. Imprisonment has not reformed him in the least; on the contrary, indeed, for now he can gamble to his heart's content!
The detective who arrested me on a warrant asks to speak to me, and gives as a pretext his friendship for me. He feels neither rebuked nor offended when he is told that I am careful to choose my friends among my equals. Quite modestly he admits being only a petty larceny detective, but he is now anxious to discover who and what is behind the political game played in my case. He leaves in disgust when advised to adopt Sherlock Holmes's method of deduction.
V
Next morning, handcuffed to a young prisoner and accompanied by a score of men, I am taken to a pen. The place cannot be described in decent writing, but I can safely assert that a more filthy, disgusting place does not exist in New York. The stench is so sickening that I suffer the rest of the day from a splitting headache.
After an hour's wait I am brought into the presence of a kindly faced probationary officer who asks me for addresses of friends who might write to the judge, and inquires for certain facts concerning my case which did not come out during my trial. She also begs me to write a letter giving these facts, so that she can show it to the judge before sentence is passed on me. The result is negative, as the judge has already made up his mind about my case.
The young man who was handcuffed to my wrist goes into court to get his sentence. He returns, pale, trembling, almost fainting, and can only whisper hoarsely that he is going to state's prison in the morning for four years.
Another companion in misery is an Italian waiting for trial. He is indignant, even furious, at his treatment by the District Attorney. His case is a record breaker; he has been brought up for the two hundredth time without being tried. This is done to wear him out and force him to plead guilty.
A lean, dark-haired, young man with unpleasant features, suspected of having murdered a pal, tells a story of a third degree at headquarters.
After two days and nights, passed in a cell without food and water, he says he was brought in to the presence of several masked detectives. Stripped to his bare skin, he was forced to stand on a metal rack with burning hot points until he attempted to jump off, when the whole gang of sleuths assaulted him, beat and kicked him, and forced him back.
Without rest or halt, questions were yelled at him in quick succession; when the answers did not come fast enough, they battered him unmercifully with their fists; when the answers were unsatisfactory, the vilest and foulest of insults were shouted at him, tauntingly, sneeringly, to arouse his anger and loosen his tongue.
No opportunity was given him to concentrate his mind. He was racked by a gnawing hunger, a parched throat, a delirious thirst; by painful stinging wounds of cut lips, bleeding teeth, two half closed black eyes and a constant hopping on the radiator to keep the soles of his feet from burning.
Then they tempted him by bringing a table covered with luscious, steaming food, sparkling drinks and expensive cigars. Like Tantalus, he was intercepted and derided when he attempted to partake of the food or the drink. Meanwhile the detectives ate and drank with relish almost under his nose; they drank to his health, and blew into his face the fragrant smoke of their cigars.
They continued this torture for several hours, until his body and mind could bear the strain no longer; and then he fell to the floor in a dead faint.
VI
At last I am told to appear before the judge who is to pass sentence on me. They handcuff me to a negro and we climb into the "Black Maria," an omnibus with facing seats, tightly locked, and with small holes for ventilation. A mob collects in the streets to witness our humiliation. The room in the court house is crowded with people. Several men are sentenced, one after another, in rotation. I espy some of my loyal friends there; they look pale and uncomfortable.
My name is called. I am freed of my handcuffs and I stand at the bar, facing the judge.
Instead of listening to the learned judge deliver his wise sentence, I am watching intently a lonesome fly buzzing in a vibrating aureole frantically round the top of his head. I am wondering what the judge had for luncheon. My absurd cogitations are suddenly interrupted by a phrase spoken in a louder tone than the rest of the sentence.
" ... Fornaro, that you be imprisoned for one year at hard labor in the penitentiary...." The fly stopped buzzing as the judge lifted his head to look at me.
My lawyer, K——, runs out. He is to try to get a certificate of reasonable doubt, which acts as a stay of sentence; otherwise I would be taken early in the morning to the penitentiary.
While these proceedings are going on, I am temporarily transferred to the old prison, which is full of crawling parasites. Luckily, however, in a few hours I am returned to my cell in the Tombs to wait until the certificate is either granted or denied. But the certificate is refused, of course, as I knew it would be, and as I think my lawyer knew it would be. It was a forlorn hope.
In the evening a letter is brought to me and I am asked to sign for it. It is written in Spanish and is an attack on Vice-President Corral of Mexico, who is accused of having furnished me with money to publish "Diaz, Czar of Mexico," and then of leaving me in the lurch. This piece of Spanish fiction is inspired by a bitter enemy of Corral in the hope of eliminating Corral as a Vice-Presidential candidate. But I refuse to sign the letter.
Another fairy tale comes directly from the District Attorney's office; I am told that they know that President Cabrera of Guatemala, a bitter enemy of Porfirio Diaz, has furnished me with $5,000 to publish my libelous pamphlet.
A friend arrives from Mexico and brings an oral message from Ramon Corral, who inquires if I have empowered an agent to negotiate the sale of my book for $50,000, as he doubts the statement. A letter is written advising the Vice-President that he is right in his surmise, and that the alleged agent is only trying to get money under false pretences.
A labor leader visits me offering financial help in my fight. As money will not be needed in the penitentiary, I suggest that an investigation might be started in Congress into the persecutions of Mexican liberals by American officials in this country. The promise is made and fulfilled seven months later.
VII
Two sisters of mercy come to see the prisoners during the hours of exercise; they distribute fruit, and walk freely and unconcerned among the men, who seem to think a great deal of them. One of them has kindly and intelligent looking eyes behind large, gold-rimmed spectacles, and speaks in the well modulated and authoritative voice of the woman of the world. Unlike other prison missionaries, they do not make religious propaganda by distributing tracts and pamphlets; their attitude is one of charity, humility and usefulness.
Protestant clergymen, rabbis, and even a theosophist, come to save us in spite of ourselves. Their attitude is one of aggressive virtue and militant religious contention—or contagion. A certain missionary is very indignant because I refuse to look at his tracts or listen to his childish twaddle; and finally becomes so arrogant and insulting that I have to order him away from my cell door.
THE PENITENTIARY
"As long as a nation harbors a body of men authorized to inflict punishment, as long as there are prisons in which such a body can carry out these punishments, that nation cannot call itself civilized."
Message written on his prison wall,
by Francisco Ferrer.
It was a clear December morning when, from the little boat which carried me across the river, I spied the outline of the penitentiary squatting on the lower end of Blackwell's Island. It was my first view of it and the impression made on my mind was so ominous and sinister that my heart almost sank within me as I entered the fateful gates.
"Hey, there! Where do you t'ink you are? Take dem gloves off!" shouted a tough, strong voice as I stood waiting in front of the office window, recounting my pedigree and giving up my private belongings for safe keeping. In the old prison, I found six new prisoners waiting in line.
Our hair was clipped by a convict barber, and we were ordered to divest ourselves of our civilian clothes and take a shower bath. While we were trying to dry ourselves with two small hand towels, prison underwear and striped suits were thrown at our feet.
The trousers were decidedly too long, the coat, and the rag—unjustly named a vest—both too short; a cap which came down to my eyebrows made up this uniform of degradation and infamy. Harlequin's costume never looked more ridiculous than our own, which was mended, patched and repatched from long use by generations of long-suffering convicts.
The prison authorities, I suppose, are to be commended for their thrift; but I cannot help feeling that by putting on those frayed and wornout caricatures of uniforms we are endangering our health.
In the photographer's house behind the shower baths we are "mugged"; our Bertillon measurements are taken, even to "beauty spots" and pimples, by a red-haired, freckled-faced young man. A sign twelve inches long, black, with white numerals, is hung round my neck over a black cotton coat, and I am told to look pleasant until the camera has focussed my profile and full face.
Sitting on benches, waiting for their turn, are a dozen prisoners. They are all old, white-haired, naked and shivering; old offenders, recidivists, tramps, bums, drunken louts; lean, pale, bruised, with anemic, unhealthy skins, red noses, fishy eyes, bloated faces, large hands, knotty, ungainly feet, purple with the cold.
A very old man attracts my attention by his immobility, his general paleness, and his extraordinary gauntness, which shows the perfect outline of his muscles, and reminds me of the statue representing San Bartolommeo in the cathedral of Milan, holding his whole skin over his arm like a bath robe.
Squint-eyed and almost blind, this old man, of more than the allotted span of seventy years, seems unable to recollect his name, occupation or social status.
"A bum, I guess," remarks the keeper.
It appears that he is deaf, and his neighbour nudges him with an elbow and shouts in his ear:
"Say yes!"
"Yes, sir!" hastily answers the old man.
These derelicts of society are going to the workhouse on Monday.
Later we are ordered to clean and wash the small glass panes in the windows of the main prison. Trusties in smart, new, striped clothes, with creased pants and caps, rushed by eyeing us with curiosity. "Whatcheh in fer?" "What did the judge hand yeh?" are the leading whispered queries.
A pungent, musty, sickening smell pervades the old prison, which is barely lighted by a dismal and gray reflection filtering through the small windows. An inscription on the wall shows the date of construction to be 1864. The cell where Boss Tweed died is pointed out to me.
Suddenly the electric lights are switched on and a bell starts ringing in a loud, metallic, persistent note, not unlike the subway starting bells. A heavy, automatic, dull noise in the distance announces the approaching footsteps of the convicts returning from work. In measured step, each gang followed by its keeper, more than a thousand men march past the head keeper's desk.
All the varieties of ages, figures, physiognomies, expressions, are illustrated to my astonished eyes. Young men with red cheeks and simple faces; strong men with bullet heads, broad shouldered, surly or impassive; fat men with wabbling bellies and cheerful faces; old men bent and hoary with age; slow and listless young men with effeminate gestures; a few cripples on sticks or crutches, and wobbling along behind the lines, a paralytic led by a companion. They all file by, stamping their feet in German military fashion.
At moments the order is given to slow up or stop, and the convicts continue to move the legs in rhythmic step, their bodies almost touching, and giving the appearance of an enormous centipede dancing a gruesome, macabre saraband.
Finely shaped heads are rare; it looks as if an almighty sculptor had left his handiwork unfinished, or purposely kept it in rude outline. Foreheads are either too bulging or too retreating, eyes too sunken or too protruding, noses too large or too small, mouths too sensual or too cruel, chins too powerful or too weak.
Smiling or frowning, aggressive or indifferent, surly or pleasant, all the different expressions and gestures are sketched out in violent chiaroscuro, and compose a cartoon worthy of a Frans Hals or a Michelangelo.
My eyes absorb the kaleidoscopic, ignoble, unbelievable pageant. As an artist I am fascinated, hypnotized by this fantastic procession of human zebras, slashed with broad stripes of gray and black, with the four prison tiers as a background, and the dark blue uniforms and gold buttons of the keepers adding a touch of color.
As a human being I am shocked and repelled by this grotesque, degrading parade.
Is this really the Inferno or only the last Judgment, I ask myself?
"Get in line, you loafer!" shouts a red-faced keeper, shaking his stick at me. Thus I am awakened from my dreams.
I
I am locked in the old prison for the night—my first night in the penitentiary.
A bed made of an iron frame with coarse canvas stretched across it, two cheap cotton blankets, a straw pillow, a large covered pail and a drinking cup, complete the total of my furniture. It is the simple life with a vengeance. The bed takes up the whole length of the cell; there is no room for walking except sideways from the bucket to the cell door. Sitting in a lateral position on the couch, with my back touching the wall, I can place my legs on the opposite wall only in a bended posture.
A tier man comes to the cell shouting "Water." While pouring it into my cup from a large can I peer at his face through the bars. His pale features, beaked nose, cruel mouth and yellow eyes make him seem like some tropical carrion-eating bird. I am so fascinated by his depraved and satanic look that I allow water from the cup to drop onto the floor.
He utters curses, "not loud, but deep," and returns to mop the floor.
I try to interest myself in an old magazine, but my mind seems unable to concentrate in a continued effort; I read, but my imagination wanders away in an interminable circle without beginning or end.
The cold is intense; the blankets, thin and gray, afford no protection. My whole body is shivering and shaking uncontrollably as if in high fever, my teeth rattle like castanets accompanying a Spanish fandango. I light a cigar and watch the smoke curl slowly, lazily across the cell until it appears like a veil between the ceiling and the floor and finally settles over my couch like a pale, transparent shroud.
Evidently there is no ventilation, but I continue to puff away, hoping to fumigate and kill the fetid odor in the cell.
Everything is still except for the occasional moaning of a sick man. Finally the electric light at the foot of the bed is extinguished, and I am left in the dark.
I turn into bed with all my clothes, including cap and shoes, trusting in this manner to warm myself and in the hope of forgetting my troubles in blissful sleep.
But there seems to be no rest for me.
As soon as a little heat radiates from my body, scores of bedbugs are attracted and start a vicious, incessant campaign. When I am deceived into sleep by a lessening of their attacks, I am awakened by the cold air under the canvas, which freezes my back and forces me to shift my position.
Horrible nightmares shake me with a start as soon as I am lulled into slumber. My throat is parched as if sand had been my last meal, and I pick up the tin cup to get a drink; to my intense despair the rusty, filthy cup has a leak, and all the water has trickled to the floor.
I dream that the cell, with its massive walls reeking with stench and humidity, is growing smaller, closing upon me like an accordeon, until the cell door is as small as a keyhole from which I get the last gasp of air; then instead of air, an endless cool, refreshing flow of water runs down my throat. But, unluckily, my intense thirst awakens me and I start toward the cell door calling for water in a faint, hoarse whisper.
A keeper silences me with a gruff, impatient voice: "Where in hell do you think I can get it?"
And I can hear the water dripping lustily from a faucet into a full barrel on the ground floor!
I try philosophically to force my thoughts into past and pleasant memories, but the present distress is so tyrannical and overpowering that all the physical, moral and intellectual suffering of the world seems to be centered within the few square feet of this dungeon. My via crucis has begun. I reflect with terror that my mind may not withstand the strain of uninterrupted agony, and suicide appears as an easy solution.
The absurdity of the impulse is evident, for my death in this filthy cell, like a rat in a hole, would delight those responsible for my presence here; and furthermore it would shock and sadden those dearest to me.
What is all my fortitude and philosophy worth if it cannot steady and concentrate my will at the most crucial, heart racking and desperate moment of my life?
Why should my trained mind crumble like a match box and be destroyed under physical torture, mental distress and moral humiliation?
Is not suffering the greatest of all tests, necessary, purifying and regenerating? Why not wait patiently and courageously for the day of reckoning, worthy of the gods on Olympus?
I count my heart-beats to get an idea of the passing of time. The minutes seem to have frozen on the fountain of time; they drip laboriously as if each and every one of them represented eons of memories and experiences; as if each was attempting to demonstrate that in the accounting of eternity they were as significant as centuries. In a supreme physical effort of my will I grip the bars and grit my teeth to stop the impending and foolish disintegration of my mind. The waves of despair, the racking pain, the insane delirium are slowly beaten back into submission, like a defeated army. The imagination is disciplined, the will has thrown the switch and illuminated the real inward self, as I stand watching, through the steel bars, the windows on the opposite wall. I feel calm, serene and strong.
Of a sudden, as if to illustrate my state of mind, out of the gray, blue mist, a large, luminous, rose disk slowly arises beyond the opening.
The sun, the glorious sun! Silently it looms up, magnificent through the haze, like a mirage announcing the advent of better things and more hopeful days.
The same sun I had seen arise in India, Egypt, Italy, Mexico, in many frames of classical and tropical beauty; but never has it seemed to me so divine, so perfect, so precious as on that awful morning.
II
At 6 A. M. a quick, metallic carol announces a new day—and a Sunday. With a clanking noise and in swift succession the cell doors are unlocked and on every tier the whole line of convicts walks along the galleries and down to the ground floor, to a long iron sink, divided into small dirty tubs that are filled with murky water.
Our ablutions are performed in rapid military style; those not strong or nimble enough to get near the crowded trough, before the command, "Back out," is shouted, have to return to their cells half-washed or dirty. Sometimes a laggard insists on finishing his washing; and then an angry voice assails him rudely: "Come on, you God damn bum, didn't yeh hear me? Back out!" And a guard "fans" him over the back with a club, pushing and shoving him all the way to the galleries, as a reminder to quicker obedience.
Back at the cells, every man stands at attention behind the door with hands on the bars, waiting for the keeper to count the men until he orders, "Close," and with a deafening noise every iron door bangs in unison. Then after a short rest the bell rings for breakfast, and we march into the mess hall.
What a depressing, fantastic assemblage there unfolded itself before my eyes! Row after row of cropped gray heads, the black and gray stripes, moving unceasingly in a rippling pattern, giving the semblance of an enormous, ghostly, shivering tiger skin. The faint light from the barred windows forces the tonality to a low pitch and adds to the vagueness, uneasiness and consternation of my mind.
The benches and narrow tables seat fifteen to twenty in a row; and the two mess halls over a thousand convicts.
Breakfast is served in dented low pans, filled with potato and corn beef hash, alternating every other day with oatmeal and syrup. The rusty tin cups are half filled with an unsweetened, brownish, transparent concoction called coffee, which the convicts long ago nicknamed "bootleg."
But the bread, made of wheat and cornmeal, is very good. The raising of the hand is the signal for an additional slice of bread, which is distributed by a convict, and when it reaches you it has usually been handled by ten or fifteen different, not to say unclean, hands.
The men eat voraciously and in great haste, coughing, chewing, smacking their lips; grunting and snorting like pigs with their snouts in the trough. My poor appetite is not improved by their disconcerting exhibition, and my portion is quickly swallowed by my neighbours.
On both sides of the hall we are watched by keepers standing against the wall, or perched on high stools, swinging their sticks.
On my right there is a goodnatured-looking keeper with a bullet head and sleepy eyes; on the other hand a small, wiry, thin-faced, long-nosed, white-mustached keeper, with wicked eagle eyes, who uses not only the foulest of language, but also his stick, on the slightest provocation.
After the "feed" comes the bucket parade. Each man carries his own bucket into the yard behind the prison building, facing the Brooklyn side. The Queensboro bridge on the north, with two feet on the island uniting Brooklyn and New York, appears gigantic on the horizon.
The air is cold, crisp, exhilarating, after the oppressive night. The whole prison is marching line after line to a well-shaped opening, wherein the dirty water and excreta are dumped in succession by the men, while an old convict belabors its interior with a long pole to prevent the opening being clogged. The clear morning air cannot blow away the overpowering stench of a thousand dirty buckets, intensified by the acrid smell of chloride of lime which is thrown into the hastily washed pails.
III
The resting day without reading or occupation or exercise of any sort is agonizing; intolerable in the extreme.
From four o'clock on Saturday afternoon until Monday morning at eight, except for the short freedom for meals, we are locked up in our cells. There is no exercise, no work, for almost forty hours. Most of the cases of insanity in prison are due to this enforced inaction, and the accumulation of foul air in the cells. Even the keepers who have to inspect the top tiers run swiftly along the galleries with their noses closed tight.
Hoping to break up this dreadful monotony, I attend the Catholic mass in the morning and the Protestant service in the afternoon. The one delightful and exquisite balm to our jaded minds is the music of the organs, which accompanies the singing of hymns by convicts.
The chapel on the second floor is crowded with prisoners; and on one side there are a few women, with large poke bonnets covering their faces to prevent their flirting with the men.
A convict informs me that I would have been punished "against the wall" if I had been caught going to the two services. At the slightest infraction of the rules, I learn, the offender is dragged towards the main prison and kept standing, facing the wall, sometimes all day without food or water—and there is no way of finding out what and how many rules there are.
On week days the warden stops to inquire and punishes according to the state of his mind or his stomach, or perhaps the weather.
The dinner consists of a soup of beans, carrots, lentils or potatoes; meat with vegetables, or cornbeef and cabbage; and "bootleg." For supper there is unsweetened tea, bologna sausage or red gelatine with bread.
The anticipation of another night like the last one fills my mind with uneasiness and dread and fright. The memory of it is burned forever into my consciousness. But fortunately it was not so full of terror. It was bad; but no other night ever could be as horrible as the first night I spent in that place.
IV
In the morning we are ordered into the new section of the prison. The old bums go to the workhouse, and we await our turn to be placed in the shops, according to our sentences and our work or profession. The distribution of labor among us is strange and mysterious. A butcher, for instance, is sent to work in the stone quarry, a smuggler into the kitchen gang, a lawyer in the "skin gang," a "sissy" into the coal gang, a waiter into the garden; a burglar is sent to make socks, and I am sent into the tailor shop.
In this simple distribution of labor we shall learn many things which will be highly useful and remunerative when we go out into the world again.
I am finally alone in my new cell, which is spacious, clean, airy. I can walk seven or eight paces up and down, like an animal in a cage.
The steel beds are chained to the walls; instead of the filthy canvas, a steel wire is stretched across the frame, but there is no mattress or sheets as there were in the Tombs. There is also a covered bucket in the lower corner, and a tin cup. The bars are strong, but nevertheless plenty of air and light come in from the large windows opposite our cells. Two small hand towels and a piece of scrubbing soap are added to our simple belongings.
The number of my cell is 23, the last one in our row, and on the second tier, which contains men who work in the tailor shop. The shops stand together, in a separate building between the prison and the river, on the Brooklyn side. The shops where they make brushes, shoes, beds, and the tailor and repair shops, are under one roof, and under the control of a contractor. In the shops all kinds of work are performed: repairing, cutting and making clothes for outgoing prisoners; there are machines turning out underwear and socks; mattresses are made, stuffed and sewn up. At one end of the large room a keeper sits on a platform, while another surveys it from the other end.
Although the prisoners are forbidden to talk, nevertheless they communicate as freely as if the rule did not exist. When I attempted to ask my neighbour a question, he hushed me up with a hissing noise—but he answered my question. His lips did not move, but I could hear him talk in a faint murmur which would have been inaudible ten paces away.
It is very hard at first to follow this new method of carrying on conversation, as in everyday life one is used to watching a man's eyes and lips while listening to his voice. But after a while the hearing becomes used to it and is trained to listen and catch these slightest sounds, which escape the untrained ear of the keeper.
The convicts never glance into the speaker's face or at his lips; they look straight ahead and talk in the manner of ventriloquists, but instead of using a loud and clear tone they whisper in a low murmur. Men who have passed years in jail can always be recognized by their monotonous, whispering manner and their almost expressionless faces. This form of speech is necessary in order to avoid punishment.
Under the pretext of helping me, a young convict comes over to my side of the shop. He shows me the intricate workings of the machine which turns out the uncut cloth for the prisoners. Later it is cut and fashioned into prison underwear.
On top of the machine the spools feed the thread incessantly. Care has to be taken not to use "sabotage" methods, as punishment is meted out unmercifully by the contractor, who seems to have as much power over us as the warden.
My other companion is a young Russian sailor, healthy looking, fair and quite peaceful when let alone. He warns me that my anxious instructor is a "stool pigeon," who proves his status by giving me very detailed instructions as to how to manage to escape successfully.
I ask why he has not put his own methods into practice; and he gives as an excuse that he is going to be released in a few days.
Then he furnishes me with paper, pencil, and soap; and he even offers to send out letters for me. When I answer that I have no letters to write he recites an endless list of rules, and tells me how to evade them, and how to keep the friendship of the keepers.
He reveals to my astonished ears the underground system of communication with the outer world. With money and friends a convict can get all the contraband he desires: dope, newspapers, matches, letters—coming in and going out—whiskey, writing paper and pens, stamps, delicacies, tobacco. My mentor has passed a year in the penitentiary for the offense of "repeating," or of voting many times on election day. The gang leader who paid him for his work is looking out for him from his Brooklyn haunts.
Facing us there is a long table at which old convicts are sitting, without making a pretence at working. As long as they keep quiet nobody notices them. Some of them look over seventy years old; sad-faced, pallid, curved, almost venerable in their old age. They are mostly old sneak thieves and pickpockets, the wrecks and failures of their profession. They sit like graven images, silently, patiently, hour after hour, year in and year out, until some fine day one of them will be found rigid in his cell, and then four striped convicts and a keeper acting as a pallbearer will carry him away in a large black coffin to the morgue.
To-day for the first time since my incarceration I beheld the reflection of my face in a mirror. The sight was humiliating and shocking in the extreme. My keen sense of caricature lowered my well fed conceit half way down the ladder of vanity.
Then I consoled myself by thinking of all the good-looking, impressive, well-groomed men friends, enemies and acquaintances of mine; and I tried to imagine them with clipped hair, togged out in ill-fitting, patched, striped garments and cap; collarless and tieless; with a week's growth of beard on their cheeks—and the comparison made me laugh and cheered me up considerably.
The Deputy Warden comes in on his daily visit. His approach has been telegraphed in some mysterious manner and the whole shop takes on a lively bustling appearance. Second in rank as an officer of the penitentiary, the "Dep," a tall, good-looking man, strides into the room like a Prussian officer. He is not disliked by the convicts, as he seems just in his dealings with them.
Going back from work through the yards, a fat German convict who had been working in the brush shops, broke away from the line and, before he could be stopped, jumped into the river in an attempt to drown himself. A few shots were fired. A negro and two white convicts jumped in after him, and with the help of a keeper who patrols the island in a row boat, they fished him out. They laid him flat on the ground and worked to revive him.
His fat belly stuck out like a barrel, his face was livid, his lips purple. Finally he opened his eyes, and sputtered and murmured: "Let me die! Let me die!" "Shut up, you s——!" yelled an angry keeper, and he was dragged feet first to the hospital.
V
My skin has been itching for two days, and I attribute it to the coarse underwear and ill-fitting clothes. In my cell after the day's work I make a careful inspection and am quite frightened to find my whole body covered with red spots. Evidently I have caught some skin disease from those tattered old rags which have been worn by generations of unclean and diseased convicts. The thought of having to pass a year in a prison hospital is anything but cheerful.
I turn my thoughts to other things by trying to read a novel from the prison library. A slip had been left in the cell to be filled out with the name of any book that I might desire to read. In my innocence I put down "Shakespeare's plays or the Bible." A novel entitled "Truthful Jane" was left in their stead.
But I cannot read. And so I start instead to inspect my surroundings. The new cells compare very favorably with the cells of the old prison, which are really holes in the wall and reeking with the mysterious unwholesome smell of rat holes and graveyards.
At one end of the cell opposite the door are two small openings for ventilation; one at the top on the right hand side and the other at the bottom on the left. In trying to find out the depth and direction of the holes I plunge my arm into the opening, and my hand feels a square object. It is a small bible! I am delighted by the discovery. On the fly leaf there is some handwriting in pencil in a careful, intelligent hand: "To my successor: May this book while away your long and weary hours and make you forget your troubles and worries as it did to me. Don't forget to replace the book where you found it when you leave."
A tier man comes to the cells with a light for those who care to smoke. He is a pleasant-faced individual, quite polite and ready to do any small services within his limited powers. I find out that he has been condemned to a year for keeping back mail in the post office. The tier man who had made such a disagreeable impression on me that first night in the old prison, is a church thief.
My battered and rusty cup has been filled up with water. I am afraid to drink from it, as it might have been used by some consumptive or syphilitic convict. Necessity being a great inventor, I press some paper to the rim of the cup to prevent my lips from touching it.
As I walk up and down the cell I am always unconsciously trying to put my cold hands in my trousers pockets, only to discover over and over again that there are no pockets there, only one on the inside of the coat.
The clipping of my hair so close to the skin at the height of the cold season has brought a cold in the head. I have no handkerchief, and shall have to wait a whole month until they allow me to write to have a few sent by mail.
These apparent trifles, and all the nagging, idiotic rules, invented by senile commissions and wardens to torment the helpless captives of society, are always magnified by men brooding in the solitude of cells. But I have made up my mind not to permit anything to ruffle my equanimity, so I pick up some letters from friends and read and reread their cheering contents. If people who write to their unfortunate friends in prison only guessed how they yearned to receive those familiar scrawls, and how they are treasured and memorized, they would write oftener.
A night keeper walks by like a shadow, flashing a bull's eye lamp into the cells to catch us in any infringements of the rules.
There is only one rule tacked up on the walls, but the other 999 we have to guess or learn from fellow convicts. The list of rules which we have to find out at our own expense or from wiser convicts would fill up a small volume.
As there are no written rules, and nobody informs us of all the unwritten rules on our entrance here, as is done in Sing Sing, the thought comes to my mind that this apparent forgetfulness is really meant to give the warden and the keepers an unchallenged power of persecution over suspected and unruly convicts.
Most of the punishments inflicted by the warden are for infractions of rules which the newcomers are in entire ignorance of, and these infractions occur no matter how obedient and willing the new arrivals may be to keep within bounds of the prison laws. The foreigners, Italians, Slavs and Teutons, all those who do not know English and who cannot learn the rules from their fellow prisoners, are the greatest sufferers from this carelessness, whether it is intentional or otherwise.
VI
After breakfast I was watching from my cell some sparrows that had nested inside the prison walls, high up on top of the large windows facing the tiers. I dropped some bread crumbs on the floor of the gallery, and some on my cell floor, to induce the little birds to come in.
At first they were afraid to trust themselves inside the bars of my cell; but they kept fluttering about nervously outside, keeping up an incessant twitter and chatter that sounded quite musical to my ears.
Finally they grew bolder, and recklessly they flew into my cell, first peeping at me, with bended heads as if they would ask: "Are we really safe here from capture or treachery of any kind?" And hastily picking up the crumbs, they flew out to inform their companions of the god-send of fat bread crumbs in a large, barred room, instead of the poor hunting in the prison courtyard.
Then they came back fearlessly, and thanked me with quick little nods of their pretty heads, and sidelong trusting looks from their black beads of eyes; with low, graceful courtesies and a cheerful piping song.
And then one morning a keeper who had been attracted by the noise, shooed the birds away and swore in a gruff voice, warning me that it was against the rules to throw crumbs on the floor, as well as to keep bread in my pockets or in my cell.
Once a week the prisoners are privileged to wait in line to see the warden, to protest against any injustice, to recount a grievance, or to ask a favor.
Like a dozen or more I stood waiting for the quick-lunch justice of the Czar of the penitentiary. After a while he appeared, accompanied by a tall young secretary who jotted down our names and the details of the business on hand. Walking slowly, with bent shoulders, hands behind his back, the warden seemed to be about seventy-five years old. His face was furrowed with irregular, meaningless wrinkles, and he had small shifty eyes, with white hair and a white beard. He had a habit of staring at the convict who was speaking to him, and suddenly bending one ear toward the speaker as if he were partially deaf.
The warden's answers came quickly, in the jerky, high pitched voice of the Sistine Chapel cantors, and often breaking under the strain of anger. A convict suffering from locomotor ataxia, leaning on a walking stick, hanging on to a companion, begged for permission to get a pair of crutches ... his mother would get them for him.
"What for?" queried the warden, innocently.
"Because I can't walk with this stick," answered the convict.
"Then why don't you get a cab!" said the warden. And he snickered and then coarsely guffawed.
Again he furiously upbraided another petitioner.
"Where do you think you are? At the Waldorf-Astoria? Next thing they'll be asking me to get them flowers, candy and theatre tickets. I am here to see that you are punished. See?"
After having thus vented his spleen he uttered some alleged witticism at the expense of the helpless convict, and showed a great appreciation of his own humor, uncovering a row of yellow, brown, half-decayed teeth in a sneering grin most unpleasant to behold.
My turn came, and I asked for an extra blanket, as the cold was intense and the metal springs of the bed offered no protection against it. This it seemed was also against the rules. When I suggested that as he was the warden he could make and unmake the rules, he did not answer, but asked irrelevantly how I liked his hotel?
I answered that it was preferable to the castle of San Juan de Ulloa in Vera Cruz.
He looked puzzled, then he smiled as if he saw the point.
"We'll take care of you," he repeated twice, waving a thin, wrinkled, old hand.
VII
At lunch time the sick convicts ask their keepers for permission to see the doctor. They are kept waiting in line near the head keeper's desk. The head keeper is a person of great power in the prison, only third in importance of rank, but as he comes in daily contact with the convicts, his good or ill will is felt more keenly than the warden's. The discipline of the prison, the distribution of the mails, of the clothes, underwear, shoes, all the details of management, are carried on through him.
As we were waiting for the doctor, the head keeper came along to look us over. He had a big brown face, and a large mustache covered his mouth; two piercing gray eyes gave the impression of an unlimited reserve of pent-up bile, anger and contempt, which at times flowed in a torrent of choice and rare blasphemies.
"Damn you, wop! I'll cure you! You s——!" he shouted, and with both hands he clutched the neck of an Italian, and shook him as savagely as a terrier shakes a rat. His face red and with sickness in his eyes, the unfortunate man tried to explain that he had a sore throat and a fever; but without success. He only aroused another fit of anger.
"You're a faker, that's what you are! You're all fakers, every one of you!" he yelled at us, and finished up by spitting on the floor. The next moment he punished a convict for doing the selfsame thing.
A young doctor hardly out of his teens entered the old prison, escorted by a convict carrying a tray filled with medicine bottles.
Sick prisoners are cured in the simple, old-fashioned way of having mixtures administered to them, the medicine bottles being labeled according to the contents, and the most prevalent ailments, which do not require the remanding of the sick man to the hospital. Cough mixture seemed to be quite popular, fever mixture less so, then followed constipation and diarrhœa mixture, toothache mixture, court-plaster, some pills, and various ingredients for venereal diseases, some cotton gauze, and the indispensable large bottles containing salts and codliver oil.
The visit did not take long. Those who had come twice on the line without having been found sick were punished "against the wall."
After a short inspection the doctor ordered me to the hospital, without allaying my fears by any diagnosis or declaration of a disease, but cautioned me to take a hot bath every day, and to rub the skin with sulphur ointment.
THE HOSPITAL
The hospital is situated on top of the chapel, over the main entrance and hall of the prison.
Two spacious rooms are dedicated to that purpose. The smaller one with a bathroom faces the Brooklyn side and overlooks the mess hall, the keepers' dining room and kitchen, and is usually kept apart for the consumptives. The larger room, also with a bathroom, contains a dozen beds, a closet for underwear and clothes, another for the crockery, two tables, two medicine closets, chairs, and some small tables for patients near each bed.
Six windows face towards East 55th Street on the Manhattan side. Two higher windows look over the roof of the prison, across the Queensboro bridge. The hardwood flooring, the small hospital cots, with mattresses, white pillows and spreads, all spotlessly clean, made the place look quite cheerful and sunny. Every opening was heavily barred. A spacious, clean and airy prison, but still a prison, with a tantalizing outlook towards New York, which seemed so near that one could discern people on the other side of the river.