MADAME FLIRT
A ROMANCE OF
"THE BEGGAR'S OPERA"
BY
CHARLES E. PEARCE
"Why how now Madam Flirt"—Lucy.
AUTHOR OF
"STIRRING DEEDS IN THE GREAT WAR," "A QUEEN OF THE PADDOCK,"
"CORINTHIAN JACK," ETC.
LONDON
STANLEY PAUL & CO.
31, ESSEX STREET, STRAND, W.C.2.
Printed in Great Britain at the Athenæum Printing Works, Redhill
First Published in 1922.
CONTENTS
- [CHAPTER I] "IF YOUR NAME ISN'T POLLY IT OUGHT TO BE"
- [CHAPTER II] "GO YOUR OWN WAY YOU UNGRATEFUL MINX"
- [CHAPTER III] "OH, MISTRESS MINE, WHERE ART THOU ROAMING?"
- [CHAPTER IV] "IF WE'RE NOT TO BE MARRIED TELL ME"
- [CHAPTER V] "MANY A MAN WOULD GIVE A HANDFUL OF GUINEAS FOR A KISS FROM SALLY SALISBURY"
- [CHAPTER VI] MOTHER AND DAUGHTER
- [CHAPTER VII] "I WISH I WERE A RICH LADY FOR YOUR SAKE"
- [CHAPTER VIII] "YOU'VE A MIGHTY COAXING TONGUE"
- [CHAPTER IX] "YOU WERE BRAVE AND FOUGHT FOR ME"
- [CHAPTER X] IN THE CHAPTER COFFEE HOUSE
- [CHAPTER XI] LAVINIA'S PILGRIMAGE
- [CHAPTER XII] "ARE WORDS THE ONLY SIGNS OF LOVE?"
- [CHAPTER XIII] "I'M FIXED ON POLLY PEACHUM"
- [CHAPTER XIV] "I WISH YOU GOOD NIGHT AND MORE SENSE"
- [CHAPTER XV] "A MAN SHOULD FIGHT HIS WAY THROUGH THE WORLD"
- [CHAPTER XVI] "THEY'RE TO MEET AT ROSAMOND'S POND"
- [CHAPTER XVII] "THERE ARE SO MANY WAYS OF MAKING LOVE"
- [CHAPTER XVIII] "SOME DAY YOU'LL BE THE TALK OF THE TOWN"
- [CHAPTER XIX] AT ROSAMUND'S POND
- [CHAPTER XX] "WHAT DID I TELL THEE, POLLY?"
- [CHAPTER XXI] "IF WE FIGHT.... WHAT SAY YOU TO LAVINIA FENTON?"
- [CHAPTER XXII] "MOLL'S SINGIN' BROUGHT HER LUCK AND MAY BE YOURS WILL TOO"
- [CHAPTER XXIII] "HALF LONDON WILL BE CALLING YOU POLLY"
- [CHAPTER XXIV] "FOR THE SECOND TIME VANE HAD RISKED HIS LIFE FOR HER"
- [CHAPTER XXV] "MR. RICH HAS GIVEN ME AN ENGAGEMENT"
- [CHAPTER XXVI] "POLLY IS TO BE MY NAME FOR EVER AFTER"
- [CHAPTER XXVII] THE CURTAIN FALLS
MADAME FLIRT
CHAPTER I
"IF YOUR NAME ISN'T POLLY IT OUGHT TO BE"
"As pretty a wench as man ever clapped eyes on. Wake up, Lance, and look at her."
The portly man of genial aspect sitting in the corner of the bow window of the Maiden Head Inn at the High Street end of Dyott Street in the very heart of St. Giles, clapped his sleeping friend on the shoulder and shook him. The sleeper, a young man whose finely drawn features were clouded with the dregs of wine, muttered something incoherently, and with an impatient twist shifted his body in the capacious arm-chair.
"Let him alone, Mr. Gay. When a man's in his cups he's best by himself. 'Twill take him a day's snoring to get rid of his bout. The landlord here tells me he walked with the mob from Newgate to Tyburn and back and refreshed himself at every tavern on the way, not forgetting, I warrant you, to fling away a guinea at the Bowl, the Lamb, and the 'Black Jack' over yonder, and drink to the long life of the daring rogue in the cart and the health of the hangman to boot."
"Long life indeed, my lord. A couple of hours at most. Not that the length of life is to be measured by years. I don't know but what it's possible to cram one's whole existence into a few hours, thanks to that thief of time," rejoined John Gay pointing to the bottle on the table.
The poet's placid face saddened. John Gay had always taken life as a pleasure, but there is no pleasure without pain as he had come to discover. Maybe at that moment a recollection of his follies gave his conscience a tinge. Of Gay it might be said that he had no enemies other than himself.
"Oh, the passing hour is the best doubtless, since we never know whether the next may not be the worst," laughed Henry St. John, Lord Bolingbroke. "I'll wager Jack Sheppard's best was when the noose was round his neck. The rascal will trouble nervous folks no more. After all he was of some use. See that drunken rabble. But for the brave show he made at Tyburn yesterday, would those ladies and gentlemen be merry making, think you, and would the tavern keepers and the gin sellers be putting money in their pockets?"
Gay turned his eyes to the open window.
"I don't want to think of the rascally knave or the rabble either. My thoughts are on yonder pretty little jade. Look for yourself, Bolingbroke. You're not so insensible to beauty as Lance Vane is at this moment."
"Faith, I hope not. Where's the charmer?" said Bolingbroke walking to the window.
"Stay. She's going to sing. She has the voice of a nightingale. I've heard her before. Lord! to think she has to do it for a living!"
"Humph. She has courage. Most girls would die rather than rub shoulders with that frousy, bestial, drunken mob."
"Aye, but that little witch subdues them all with her voice. What says Will Congreve? Music has charms to soothe a savage breast? Listen."
A girl slight in figure but harmoniously proportioned had placed herself about two yards from the bow window. She fixed her eyes on Gay and her pretty mouth curved into a smile. Then she sang. The ditty was "Cold and Raw," a ballad that two hundred years ago or so, never failed to delight everybody from the highest to the lowest. She gave it with natural feeling and without any attempt at display. The voice was untrained but this did not matter. It was like the trill of a bird, sweet, flexible and pure toned.
"A voice like that ought not to be battered about. It's meant for something better than bawling to a mob. What says your lordship?"
Bolingbroke's face had become grave, almost stern. His high, somewhat narrow, slightly retreating forehead, long nose and piercing eyes lent themselves readily to severity. Twenty-five years before it was not so. He was then the gayest of the gay and in the heyday of his career. Much had happened since then. Disappointed political ambitions and political flirtations with the Jacobite party had ended in exile in France, from which, having been pardoned, he had not long returned.
Meeting Gay, the latter suggested a prowl in St. Giles, where life was in more than its usual turmoil consequent upon the execution of Jack Sheppard; so Viscount Bolingbroke revisited the slums of St. Giles, which had been the scene of many an orgy in his hot youth.
The nobleman returned no answer to Gay's question. His thoughts had gone back to his early manhood when he took his pleasure wherever he found it. In some of his mad moods St. Giles was more to his taste than St. James's. So long as the face was beautiful, and the tongue given to piquant raillery, any girl was good enough for him. He was of the time when a love intrigue was a necessary part of a man's life, and not infrequently of a woman's too.
Successful lover though he had been he was not all conquering. The ballad singer's tender liquid tones carried his memory back to the low-born girl with the laughing eyes who had captured his heart. She sold oranges about the door of the Court of Requests, she sang ballads in the street, she was a little better than a light of love, yet Bolingbroke could never claim her as his own. It angered him sorely that she had a smile for others. But he bore her no malice, or he would hardly have written his poetical tribute commencing:—
"Dear, thoughtless Clara, to my verse attend,
Believe for once the lover and the friend."
So Gay's words were unheeded. A heavy step sounded on the sanded floor. A big man with features formed on an ample mould had entered. Gay was entranced by the singer and did not hear him. The newcomer stood silently behind the poet. He too, was listening intently.
The girl's voice died into a cadence. Gay beckoned to her and she came up to the window.
"Finely sung, Polly," cried Gay. "Who taught thee, child?"
"I taught myself, sir," said she dropping a curtsey.
"Then you had a good teacher. There's a crown for you."
"Oh sir ... it's too much."
"Nay, Polly—if your name isn't Polly it ought to be. What does your mother call you?"
"Mostly an idle slut, sir."
Her face remained unmoved save her eyes, which danced with sly merriment.
The men at the window burst into a roar of laughter. He who had entered last laughed the loudest and deepest, and loud and deep as was that laugh it was full of music. At its sound Gay turned sharply.
"What? Dick Leveridge? You've come at the right moment. We need someone who knows good music when he hears it. What of this pretty child's voice. Is it good?"
"Is it good? I'll answer your question, Mr. Gay, by asking you another. Are you good at verses?"
"'Tis said my 'Fables' will be pretty well. The young Prince William will have the dedication of it and if his mother, the Princess of Wales approves, methinks my fortune's made," cried Gay buoyantly.
"Glad to hear it," replied Leveridge, dryly. "If I know anything about His Royal Highness you'll gain a fortune sooner by writing a ballad or two for this pretty songster. Make her famous as you made me with 'All in the Downs' and 'T'was when the seas were roaring.'"
Gay's face brightened.
"Faith, Dick, you've set my brain working. I'll think on't, but that means I must keep my eye on the wench."
"Oh, I'll trust you for that," rejoined Leveridge, the ghost of a smile flitting across his solemn visage.
Meanwhile the girl had retreated a yard or two from the window, her gaze fixed wistfully on Gay and Leveridge. She knew from their looks that she was the subject of their talk.
Gay turned from his friend Richard Leveridge, the great bass singer of the day, and rested his hands on the window sill. Bolingbroke had sunk into his chair, and buried in his thoughts, was slowly sipping his wine. Lancelot Vane continued to breathe heavily.
"Come here, child," said Gay through the open window and sinking his voice. The crowd had pressed round her and were clamourous for her to sing again. Some had thrown her a few pence for which a couple of urchins were groping on the ground.
The girl approached.
"Now Polly——"
"My name's Lavinia—Lavinia Fenton, sir," she interrupted.
"Too fine—too fine. I like Polly better. Never mind. If it's Lavinia, Lavinia it must be. What's your mother? Where does she live?"
"At the coffee house in Bedfordbury."
"Does she keep it?"
"Yes, sir."
"And what do you do?"
"Wait on the customers—sometimes."
"And sometimes you sing in the streets—round the taverns, eh?"
"Only when mother drives me out."
"Oh. She ill treats you, does she? That bruise on your shoulder—was it her work?"
The girl nodded.
"You wouldn't mind if you left your mother and did nothing but sing?"
"Oh, that would be joy," cried the girl squeezing her hands tightly together to stifle her emotions. "But how can I?"
"It may be managed, perhaps. I must see your mother——"
He was interrupted by a deafening roar—hoarse, shrill, raucous, unmistakably drunken. A huge, ragged multitude had poured into the High Street from St. Martin's Lane, jostling, fighting, cursing, eager for devilment, no matter what. They rushed to the hostelries, they surrounded the street sellers of gin, demanding the fiery poisonous stuff for which they had no intention of paying.
The landlord of the "Maiden Head" hurried into the room somewhat perturbed.
"Best shut the window, gentlemen," said he. "This vile scum's none too nice. Anything it wants it'll take without so much as by your leave, or with your leave."
"What does it mean, landlord?" asked Bolingbroke.
"Oh's all over Jack Sheppard. The people are mad about the rascal just because the turnkeys couldn't hold him, nor prison walls for the matter o' that. He was clever in slipping out o' prison I grant ye. Well, sirs, his body was to be handed over to the surgeons like the rest o' the Tyburn gentry, but his friends would have none of it. A bailiff somehow got hold of the corpse to make money out of it—trust them sharks for that when they see a chance—an' smuggled it to his house in Long Acre. It got wind afore many hours was past and the mob broke into the place, the Foot Guards was called out an' there's been no end of a rumpus."
"Faith, my poor Gay," said Bolingbroke with a sardonic smile, "the people make more fuss over a burglar than over a ballad maker. And what's become of the noble Sheppard's body, landlord?"
"It's hidden somewhere. They say as it'll be buried to-night in St. Martin's Churchyard. So the people'll get their way after all."
"As they mostly do if they make noise enough," rejoined Bolingbroke refreshing himself with a pinch of snuff.
"Yes, your honour, and——"
The sound of a loud high pitched, strident voice floated into the room through the open window. Gay, whose eyes had never shifted from the girl outside, saw her cheeks suddenly blanch. She looked round hurriedly like a frightened rabbit seeking a way of escape.
"Bring the girl in, landlord," exclaimed the poet hastily. "She'll come to harm else. Lord! Look at those drunken beasts. No—no"—the landlord was about to shut the latticed windows—"run to the door, child. Quick."
A howling sottish mob mad with drink, clamouring, gesticulating, men and women jostling each other, embracing vulgarly, their eyes glassy, their faces flushed, was approaching the inn.
The mob was headed by a handsome woman. She was in the plenitude of fleshly charms. Her dress, disordered, showed her round solidly built shoulders, her ample bust. Some day unless her tastes and her manner of life altered she would end in a bloway drab, every vestige of beauty gone in masses of fat. But at that moment she was the model of a reckless Bacchante, born for the amusement and aggravation of man.
Her maddening eyes were directed on the Maiden Head inn. Her full lips were parted in a harsh boisterous laugh; her white teeth gleamed; the blood ran riot in her veins; she was the embodiment of exuberant, semi-savage, animal life. She danced up to the open window. The sight of the sleeping Lance Vane had drawn her thither.
Up to that moment Lavinia Fenton's back was towards the woman. Lavinia tried to get away without notice, but the Bacchante's escort was too numerous, too aggressive, too closely packed. They hoped for some fun after their own tastes.
"Mercy on me," muttered Gay apprehensively, "that impudent hussy, Sally Salisbury. And drunk too. This means trouble. Dick," he whispered hurriedly to Leveridge, "you can use your fists if need be. I've seen you have a set-to in Figg's boxing shed. That girl's in danger. Sally's bent on mischief. There's murder in her eyes. Come with me."
Leveridge nodded and followed his friend out of the room.
Gay's action was none too prompt. No sooner had Sally Salisbury—destined to be, a few years later, the most notorious woman of her class—set eyes on the girl than her brows were knitted and her lips and nostrils went white. Her cheeks on the other hand blazed with fury. She gripped the shrinking girl and twisted her round. Then she thrust her face within a few inches of Lavinia's.
"What do you mean by coming here, you squalling trollop?" she screamed. "How dare you poach on my ground, you——"
How Sally finished the sentence can be very well left to take care of itself.
Lavinia despite her terror of the beautiful virago never lost her self-control.
"You're welcome to this ground every inch of it, but I suppose I've as much right to walk on it as you have," said she.
"Don't talk to me, you little trull, or you'll drive me to tear your eyes out. Take that."
With the back of her disengaged hand she struck the girl's cheek.
CHAPTER II
"GO YOUR OWN WAY YOU UNGRATEFUL MINX"
The mob roared approval at the prospect of a fight, and though the combatants were unfairly matched some of the ruffians urged the girl to retaliate.
"Go for her hair, little un," one shouted. "There's plenty of it. Once you get a fair hold and tear out a handful she'll squeak, I'll warrant."
The advice was not taken and maybe nobody expected it would be. Anyway, before Sally could renew the attack her arm was seized by a man, slight in stature and with a naturally humorous expression on his lean narrow face and in his bright twinkling eyes.
"Enough of this brawling, mistress. If you must fight choose someone as big and as strong as yourself, not a lambkin."
The crowd knew him and whispers went round. "That's Spiller—Jemmy Spiller the famous play actor." "No, is it though. Lord, he can make folks laugh—ah, split their sides a'most. I see him last Saturday at Master Rich's theayter in the Fields, and I thought I should ha' died."
Spiller was better at making people laugh than at holding an infuriated woman. But he had two friends with him, stalwart butchers from Clare Market, and he turned the task over to them with the remark that they were used to handling mad cattle.
At this point Gay and Leveridge forced their way through the crowd. Gay saw the red angry mark on the girl's pallid face and guessed the cause. He drew her gently to him.
"Run inside the house. I'll join you presently," he whispered.
She thanked him with her eyes and vanished. Gay turned to Spiller.
"You deserve a double benefit at Drury Lane, Jemmy, for what you did just now. That wild cat was about to use her claws," said he.
"Aye, and her teeth too, Mr. Gay."
"You'll need a mouthful of mountain port after that tussle. And your friends as well, when they've disposed of Mistress Salisbury."
The butchers had removed her out of harm's way. Some of her lady friends and sympathisers had joined her; and a couple of young "bloods" who had come to see the fun of an execution, with money burning holes in their pockets, being captured, the party subsided into the "Bowl" where a bottle of wine washed away the remembrance of Sally Salisbury's grievance. But she vowed vengeance on the "squalling chit" sooner or later.
Meanwhile the object of Sally Salisbury's hoped for revenge was sitting in a dark corner of the coffee room of the Maiden Head tavern. She felt terribly embarrassed and answered Bolingbroke's compliments in monosyllables. He pressed her to take some wine but she refused. To her great relief he did not trouble her with attentions.
Then Gay entering with Spiller and his butcher friends, and Leveridge, as soon as he could, approached her.
"Tell me, Polly,—my tongue refuses to say Lavinia—how you have offended that vulgar passionate woman?"
"I don't know. Jealousy, I suppose. She's burning to sing but she can't. Sing, why she sets one's teeth on edge! It might be the sharpening of a knife on a grindstone. She would be a play actress, and Mrs. Barry at Drury Lane promised to help her, but they quarrelled. Sally wanted to be a great actress all at once, but you can't be, can you, sir?"
She looked at the poet earnestly. Her large grey eyes were wonderfully expressive, and Gay did not at once answer. He was thinking how sweet was the face, and how musical and appealing the voice.
"True, child, and that you should say it shows your good sense. Wait here a few minutes and then you shall take me to your mother."
Gay crossed the room to his friends, and they talked together in low voices. Spiller and Leveridge had much to say—indeed it was to these two, who had practical knowledge of the theatre, to whom he appealed. Bolingbroke sat silently listening.
Gay's project concerning his new found protégée was such as would only have entered into the brain of a dreamy and impecunious poet. He saw in Lavinia Fenton the making of a fine actress—not in tragedy but in comedy—and of an enchanting singer. But to be proficient she must be taught not only music, but how to pronounce the English language properly. She had to a certain extent picked up the accent of the vulgar. It was impossible, considering her surroundings and associations, to be otherwise. But proper treatment and proper companions would soon rid her of this defect.
Both Spiller and Leveridge agreed she was fitted for the stage. But how was she to be educated? And what was the use of education while she was living in a Bedfordbury coffee house!
"She must be sent to a boarding school and be among gentlefolk," declared Gay energetically.
"Excellent," said Bolingbroke, speaking for the first time, "and may I ask who will pay for the inestimable privilege of placing her among the quality?"
The irony in St. John's voice did not go unnoticed by Gay, but he continued bravely.
"I will, if her mother won't."
"You? My good friend, you can scarce keep yourself. But 'tis like you to add to the burden of debt round your neck rather than reduce it. Have you been left a fortune? Have your dead South Sea Shares come back to life?"
"Nay, Bolingbroke, don't remind me of my folly," rejoined Gay, a little piqued. "We can't always be wise. Thou thyself—but let that pass, the future is the foundation of hope. Before long I shall be in funds. The 'Fables' will be in the booksellers' hands ere the month is out."
"Oh, that's well. But the booksellers, though eager enough to sell their wares, are not so ready to pay the writer his due. Moreover if I know anything of John Gay, of a certainty all the money he puts in his pocket will go out of the hole at the other end."
"I know—I know," rejoined the poet hastily. "But I'm not thinking alone of the booksellers. It is a 'place' I shall have and an annual income that will sweep away all my anxieties."
"Then you're in favour with the Princess and her obedient servant Sir Robert—or is Walpole her master? What will the Dean of St. Patrick and Mr. Pope say to your surrender?"
"No, no. I will never write a word in praise of either. There's not a word in the 'Fables' that can be twisted into bolstering up the Government."
"And you think to receive your comfortable 'place' out of pure admiration of your poetical gifts? My poor Gay!"
"No. Friendship."
"Well, well, you must go your own way or you wouldn't be a poet. I leave you to your commendable work of rescuing damsels in distress."
And after refreshing himself with a pinch of snuff Bolingbroke with a wave of the hand to Gay and his friends strode from the room leaving the poet with his pleasant face somewhat overcast.
But his chagrin did not last long. His natural buoyancy asserted itself and he beckoned to Lavinia who was sitting primly on the edge of the hard chair, her folded hands resting on her lap. Before she could cross the room Spiller and Leveridge took up Bolingbroke's argument, and urged Gay not to meddle further in the matter.
"Nay, why should I not? It would be a shame and a pity that so much good talent should be wasted on the groundlings of St. Giles. Besides, there is the girl herself," Gay lowered his voice. "You wouldn't have her be like Sally Salisbury, Jemmy, would you? She has a good and innocent nature. It will be torn to tatters if she be not looked after now. No. Neither you nor Dick Leveridge will talk me out of my intent. Do you see what misguided youth may easily come to? Look at your friend Vane."
Gay pointed to the sleeping young man.
"I know—I know. The young fool," returned Spiller a little angrily. "Wine is Lancelot Vane's only weakness—well, not the only one, any pretty face turns his head."
"He's not the worse for that provided a good heart goes with the pretty face."
"Aye, if."
"Look after him then. When he awakens from his drunken fit he'll be like clay in the hands of the potters."
"Faith, you're right, Mr. Gay, but there's one thing that'll protect him—his empty purse. I doubt if he has a stiver left. I know he drew some money from the Craftsman yesterday."
"What, does he write for that scurrilous, venomous print?" cried Gay, visibly disturbed.
"Not of his own will. He hates the paper and he hates Amherst, who owns it. But what is a man to do when poverty knocks at the door?"
"That may be. Still—I wish he had nothing to do with that abusive fellow, Nicholas Amherst, who calls himself 'Caleb D'Anvers,' why I know not, unless he's ashamed of the name his father gave him. Do you know that the Craftsman is always attacking my friends, Mr. Pope, Dr. Swift, Dr. Arbuthnot? As for myself—but that's no matter."
"Oh, Amherst's a gadfly, no doubt. But your friends can take care of themselves. For every blow they get they can if it so pleases them, give two in return."
"That's true, and I'll say nothing more. I wish your friend well rid of the rascally D'Anvers. Look after him, Jemmy. Come Polly—let us to your mother."
Both Spiller and Leveridge saw that Gay was not to be turned from his resolution to help the girl, and presently she and her new found friend were threading their way through a network of courts and alleys finally emerging into the squalid thoroughfare between New Street and Chandos Street.
The dirt and the poverty-stricken aspect of the locality did not deter the poet from his intention. Bedfordbury was not worse than St. Giles. The girl led him to a shabby coffee shop from the interior of which issued a hot and sickly air.
"That's mother," she whispered when they were in the doorway.
A buxom woman not too neatly dressed, whose apron bore traces of miscellaneous kitchen work, scowled when her eyes lighted on her daughter.
"So you've come home, you lazy good-for-nothing hussy," she screamed. "Where have you been? You don't care how hard I have to work so long as you can go a pleasuring. There's plenty for you to do here. Set about washing these plates if you don't want a trouncing."
Mrs. Fenton was in a vile temper and Gay's heart somewhat failed at the sight of her. Then he glanced at the girl and her frightened face gave him courage.
"Madame," said he advancing with a polite bow, "I should like with your permission to have a few words with you in private. My business here concerns your daughter in whom I take an interest."
"Oh, and who may you be?" asked the woman ungraciously.
"My name is Gay—John Gay—but I'll tell you more when we're alone."
He cast a look around at the rough Covent Garden porters with which the place was fairly full. One of the boxes was empty and Mrs. Fenton pointed to it, at the same time ordering her daughter to go into the kitchen and make herself useful. Then she flopped down opposite Gay, separated from him by a table marked by innumerable rings left by coffee mugs.
Gay put forward his ideas and painted a glorious future for Lavinia. Her mother did not seem particularly impressed. It was doubtful indeed if she believed him.
"You'll find the wench a handful. She's been no good to me. I'd as lieve let her go her own way as keep her. A young 'oman with a pretty face hasn't got no need to trouble about getting a living. Sooner or later she'll give me the slip—but—well—if you takes her and makes a lady of her what do I get out of it?"
This was a view of the matter which had not occurred to the poet. He felt decidedly embarrassed. His project appeared to be more costly than he had at first imagined.
"It is for the benefit of your daughter," he stammered.
"Her benefit, indeed. Fiddle-de-dee! Your own you mean. I know what men are. If she was an ugly slut you wouldn't take no notice of her. Don't talk rubbish. What are you a going to give me for saying, yes. That's business, mister. Come, how much?"
The poet saw there was no other way but talking business. This embarrassed him still more for he was the last man qualified to act in such a capacity.
"I'll see what I can do," said he nervously, "but you mustn't forget that Lavinia will have to be quite two years at school, and there is her music master——"
"Oh I dare say," rejoined the lady scoffingly, "and the mantle maker, and the milliner, and the glover, and the hairdresser. That's your affair, not mine. Name a round sum and I'll try to meet you. What d'ye say?"
"Would five guineas——?"
"What!" shrieked Lavinia's mother. "And you call yourself a gentleman?"
"The sum I admit is a small one, but as you seemed anxious to get your daughter off your hands I thought I was doing you a service by putting the girl in a way to earn a good living."
"I dare say. I'm not to be taken in like that. Fine words butter no parsnips. While Lavinia's in the house I'll go bail I'll make her work. If she goes away I've got to pay someone in her place, haven't I? Twenty guineas is the very lowest I'll take, and if you was anything like the gentleman you look you'd make it double."
The haggling over such a matter and the coarse mercenary nature of the woman jarred upon the poet's sensitive soul. The plain fact that he hadn't got twenty guineas in the world could not be gainsaid. But he had rich friends. If he could only interest them in this protégée of his something might be done. And there were the "Fables."
"Twenty guineas," he repeated. "Well, I'll do my best. In two days' time, Mrs. Fenton, I will come and see you and most likely all will be settled to your satisfaction."
"Two days. Aye. No longer or maybe my price'll go up."
"I shall not fail. Now, Mrs. Fenton, before I go I'd like to see Lavinia once more."
"No, this business is between you an' me, mister. The hussy's naught to do with it. She'll have to behave herself while she's with me. That's all I have to say about her."
So Gay rose and walked out of the box feeling as though he'd been through a severe drubbing. He might have been sufficiently disheartened to shatter his castle in the air had he not seen Lavinia's big sorrowful eyes fixed upon him from the kitchen. He dared not disobey her mother's behest not to speak to her so he tried to smile encouragingly, and to intimate by his expression that all was going well. Whether he succeeded in so doing he was by no means sure.
On leaving the coffee house Gay walked towards Charing Cross and thence along the Haymarket to Piccadilly. His destination was Queensberry House to the north of Burlington Gardens. Here lived Gay's good friends the Duke and Duchess of Queensberry, and indeed Gay himself, save when he was at Twickenham with Pope.
At dinner that evening Gay broached the subject of the phenomenal singer whom he had discovered in the streets of St. Giles and his scheme concerning her. The duke laughed at the poet's visions, but the duchess was fascinated. Anything of the unusual at once appealed to the warmhearted, impulsive, somewhat eccentric, lady. Her enthusiasm where she was interested always carried her away, and her impatience and energy would not let her rest until her object was accomplished.
"I would vastly like to hear Mr. Gay's pretty nightingale. You must bring her to-morrow. I am dying to see if she is really the wonder you pretend she is. You know that the best judge of a woman is another woman. A man is apt to be partial."
"And a woman to be prejudiced," said Gay smilingly.
"Faith, Kitty," laughed the duke, "our poet has thee there."
"I deny it. But we will discuss the question after we've seen the paragon. When shall she come?"
Gay for once was shrewd.
"Not until we've settled with the mother. She's a harpy. If she knows that your grace has anything to do with the affair she'll double her price."
"Why, our Gay is teaching us something," said the Duke banteringly. "He is giving us a lesson in financial economy. Duchess, you must keep your eye on the next post vacant in the Exchequer."
"Pish!" retorted her grace. "Mr. Gay is only exercising commonsense. We all of us have a little of that commodity. If we could only have it handy when it's wanted how much better the world would be."
Neither of the men disputed the lady's proposition, and the duchess rising, left them to their wine.
Armed with the twenty guineas, Gay presented himself the following day at the Bedfordbury coffee house. Mrs. Fenton was still ungracious, but the sight of the little pile of gold and the chink of the coins mollified her humour.
"Where and when are you going to take her?" she demanded.
Gay had arranged a plan with the duchess and he replied promptly.
"She will stay here for a few days while her wardrobe is being got ready, then she is to go to Miss Pinwell's boarding school in Queen Square."
"Carry me out and bury me decent," ejaculated Mrs. Fenton. "Then I'm to be the mother of a fine lady, am I?"
"I don't say that, but a clever one if I'm not mistaken."
"Clever! Oh la! Much good will her cleverness do her. Clever! Aye in always having a crowd o' sparks a dangling after her. That Miss What's-her-name in Queen Square'll have to get up early to best Lavinia when there's a man about."
"A mother shouldn't say such ill-natured things of her own child," said Gay reprovingly. "She's hardly a woman yet."
"But she knows as much. Well, you've got your bargain. Make your best of it. What about her clothes? She's but a rag-bag though it's no fault o' mine. Pray who's going to buy her gowns, her hats, her petticoats, her laces and frills. You?"
"I? Bless me! no, woman. I know nothing about such things," rejoined Gay colouring slightly. "I will send a woman who understands the business."
"It's all one to me. Maybe you'd better tell your tale to Lavinia with your own lips. I've done with her."
"By all means. I should like to see her."
Mrs. Fenton, whose eyes all the while had been gloating over the gold on the table now swept it into her pocket. It was a windfall which had come at the right moment. She was tired of Bedfordbury. She aimed at a step higher. There was a coffee house business in the Old Bailey going cheap, the twenty pounds would enable her to buy it.
As for her daughter, she had no scruple about letting her go with a man who was quite a stranger. The girl's future didn't trouble her. Since Lavinia had entered her teens, mother and daughter had wrangled incessantly. Lavinia was amiable enough, but constant snubbing had roused a spirit which guided her according to her moods. Sometimes she was full of defiance, at others she would run out of the house, and ramble about the streets until she was dead tired.
Lavinia was shrewd enough to discover why her mother did not want her at home. Mrs. Fenton, still good-looking, was not averse to flirting with the more presentable of her customers, and as Lavinia developed into womanhood she became a serious rival to her mother, so on the whole, Gay's proposition suited Mrs. Fenton admirably, and she certainly never bothered to find out if he spoke the truth. She was not inclined to accept his story of the boarding school as a stepping-stone to the stage, but to pretend to believe it in a way quieted what little conscience she possessed. If the scheme turned out badly, why, no one could say she was to blame.
Lavinia, tremulous with excitement and looking prettier than ever, came into the room where the poet was awaiting her. Her face fell when Gay talked about the boarding school and of the possibility of her having to remain there a long time, but she brightened up on his going on to say that the period might be considerably shortened if she made a rapid improvement.
"And do you really think, sir, I shall ever be good enough to act in a theatre like Mrs. Barry and Mrs. Oldfield, and—oh, and Mrs. Bracegurdle?" cried the girl, her eyes blazing with anxious ambition.
"I don't say you'll act like them. You'll act in your own way, and if you work hard your own way will be good enough. If you succeed the friends who are now helping you will be more than rewarded."
"Ah, I will do anything to please you, sir."
She caught his hand and impulsively raised it to her lips.
Gay was a little embarrassed at this outburst. Did it mean that the girl had fallen in love with him? He checked the rising thought. Yet there was nothing outrageous in such a possibility. Lavinia was only sixteen, it is true, and romantic sixteen might see nothing incongruous in thirty-seven, which was Gay's age.
"What pleases me, child, doesn't matter," he returned hastily. "I want to see you please others—in the play house I mean."
She looked at him wistfully.
"But," he continued, "it will be time enough to talk of that when I see how you get on. Now is it all settled? You're leaving this place and your mother of your own free will—isn't that so?"
Lavinia said nothing, but pinched her lips and nodded her head vigorously. The action was sufficiently expressive and Gay was satisfied.
Three days went by. Her Grace of Queensberry's maid, a hard-faced Scotswoman who was not to be intimidated nor betrayed into confidences, superintended Lavinia's shopping and turned a deaf ear to Mrs. Fenton's scoffs and innuendoes.
The girl was transformed. Her new gowns, hats, aprons, and what not sent her into high spirits and she bade her mother adieu with a light heart.
"Go your own way, you ungrateful minx," was Mrs. Fenton's parting shot, "and when you're tired of your fine gentleman or he's tired of you, don't think you're coming back here 'cause I won't have you."
Lavinia smiled triumphantly and tripped into the hackney coach that was awaiting her.
CHAPTER III
"OH, MISTRESS MINE, WHERE ART THOU ROAMING?"
"Lavina! Have done!"
It was a whispered entreaty. The victim of the feather of a quill pen tickling her neck dared not raise her voice. Miss Pinwell, the proprietress of the extremely genteel seminary for young ladies, Queen Square—quite an aristocratic retreat some two hundred years ago—was pacing the school-room. Her cold, sharp eyes roamed over the shapely heads—black, golden, brown, auburn, flaxen—of some thirty girls—eager to detect any sign of levity and prompt to inflict summary punishment.
"Miss Fenton, why are you not working?" came the inquiry sharply from Miss Pinwell's thin lips.
Lavinia Fenton withdrew the instrument of torture and Priscilla Coupland's neck was left in peace. It was done so swiftly that Miss Pinwell's glance, keen as it was, never detected the movement. But the lady had her suspicions nevertheless, and she marched with the erectness of a grenadier to where Lavinia Fenton sat with her eyes fixed upon her copy book, apparently absorbed in inscribing over and over again the moral maxim at the top of the page, and, it may be hoped, engrafting it on her mind.
The young lady's industry did not deceive Miss Pinwell. Lavinia Fenton was the black sheep—lamb perhaps is a more fitting word, she was but seventeen—of the school. But somehow her peccadilloes were always forgiven. She had a smile against which severity—even Miss Pinwell's—was powerless.
"What were you doing just now when you were not writing?"
The head was slowly raised. The wealth of wavy brown hair fell back from the broad smooth brow. The large limpid imploring eyes looked straight, without a trace of guilt in them, at the thin-faced schoolmistress. The beautiful mouth, the upper lip of which with its corners slightly upturned was delightfully suggestive of a smile, quivered slightly but not with fear, rather with suppressed amusement.
"Nothing madam," was the demure reply.
"Nothing? I don't believe you. Your hand was not on your book. Where was it?"
"Oh, that. Yes, a wasp was flying near us. I thought it was going to settle on Priscilla Coupland's neck and I brushed it away with my pen."
Miss Pinwell could say nothing to this, especially as she distinctly heard at that moment the hum of some winged insect. It was a wasp, a real one, not the insect of Lavinia's fervid imagination. The windows were open and it had found its way in from Lamb's Conduit Fields, at a happy moment allying itself with Lavinia.
Others heard it as well and sprang to their feet shrieking. The chance of escaping from tiresome moral maxims was too good to be lost.
"Young ladies——" commanded Miss Pinwell, but she could get no further. Her voice was lost in the din. The lady no more loved wasps than did her pupils. She retreated as the wasp advanced. The intruder ranged itself on the side of the girls and circled towards their instructress with malevolence in every turn and vicious intent in its buzz.
The only one not afraid was Lavinia Fenton who, waving a pocket handkerchief met the foe bravely but without success. The enemy refused to turn tail. Other girls plucking up courage joined the champion and soon the school-room was in a hubbub. Probably the army of hoydenish maidens were not anxious the conflict should cease—it was far more entertaining than maxims, arithmetic and working texts on samples—and Miss Pinwell seeing this, summoned Bridget, the brawny housemaid, who with a canvas apron finally caught and squashed the rash intruder.
It was sometime before the excitement died down, and meanwhile Lavinia Fenton's remissness of conduct was forgotten—indeed her intrepidity singled her out for praise, which she received with becoming graciousness.
But before the day was out she relapsed into her bad ways. She could or would do nothing right. Miss Pinwell chided her for carelessness, she retorted saucily. As discipline had to be maintained she was at last condemned to an hour with the backboard and there she sat in a corner of the room on a high legged chair with a small and extremely uncomfortable oval seat made still more uncomfortable by it sloping slightly forward. As for the back, it was high and narrow. It afforded no rest for the spine. The delinquent was compelled to sit perfectly upright. Thus it was at the same time an instrument of correction and of deportment.
Whatever bodily defects the early Georgian damsels possessed they certainly had straight backs and level shoulders. The backboard was admirable training for the carriage of the stately sacque, the graceful flirting of the fan and for the dancing of the grave and dignified minuet.
The day was nearing its end. The hour for retiring was early, and at dusk the head of each bedroom took her candle from the hall table and after a low curtsy to the mistress of the establishment preceded those who slept in the same room up the broad staircase. The maidens' behaviour was highly decorous until they were safe in their respective bed-chambers, when their tongues were unloosed.
Oddly enough Lavinia, who was usually full of chatter, had to-night little to say. Her schoolmates rallied her on her silent tongue.
"Oh, don't bother me, Priscilla," she exclaimed pettishly. "I suppose I can do as I like when Miss Pinwell isn't looking."
"My dear, you generally do that when she is. I never saw such favouritism. I declare it's not fair. You were terribly tormenting all day. Anybody but you would have been sent to bed and kept on bread and water. What's the matter with you, miss?"
"Nothing. I'm tired, that's all."
"First time in your life then. You were lively enough this afternoon when you nearly got me into a scrape trying to make me laugh with your tickling. It was as much as I could do to keep from screaming," exclaimed Priscilla angrily.
"Well, you can do your screaming now if it pleases you, so long as it doesn't bring Miss Pinwell upstairs. Let me alone. I'm thinking about something."
"Some one, my dear, you mean," put in a tall fair girl, Grace Armitage by name. "Confess now, isn't it the new curate at St. George's? He seemed to have no eyes for any one but you last Sunday evening. How cruel to disturb the poor man's thoughts."
"Console yourself, Grace dear—you're never likely to do that."
The girls tittered at Lavinia's repartee. All knew that Grace Armitage was the vainest of the vain and believed every man who cast his eyes in her direction was in love with her. She went white with anger. But she was slow witted. She had no sarcastic rejoinder ready and if she had it was doubtful if she would have uttered it. Lavinia Fenton, the soul of sweetness and amiability, could show resolute fight when roused. Miss Armitage turned away with a disdainful toss of her head.
The others knew this too, for they ceased to irritate Lavinia and continued their talk among themselves. All the same, the principal topic was Lavinia Fenton. She was so strangely unlike herself to-night.
Half an hour later the room was in silence save for the whispering between the occupants of those beds sufficiently close to each other to permit this luxury. When the neighbouring clock of St. George's, Bloomsbury, chimed half-past nine even these subdued sounds had ceased.
At half-past ten the moon was at the full. The pale light streamed through the small window panes and threw the shadows of the broad framework lattice-wise on Lavinia's bed which was next the window. In daylight she had but to lie on her right side and she could see across the fields and the rising ground each side of the Fleet river to the villages of Islington and Hornsey.
Gradually the latticed shadow crept upwards. It at last reached Lavinia's face. She was not asleep. Her eyes very wide open were staring at the ceiling with a vague, wistful expression. She gave a long sigh, her body twisted, and leaning on her right elbow, her left hand insinuated itself beneath the pillow and drew forth a letter which she held in the moonlight and read. Her forehead puckered as though she were in doubt. Her steadfast eyes seemed to contradict the smile curving her upper lip. The paper slipped from her limp fingers and she pondered, her colour deepening the while. Nothing short of a love letter could have caused that delightful blush. What she read was this:—
"My Dearest Little Charmer,—
"My soul is full of expectancy. I can think of nothing but you—the divinest being that ever tortured the heart of man. But the torture is exquisite because I know when I fold you in my arms it will change to bliss. You will keep your promise and meet me at the 'Conduit Head' to-morrow midnight, will you not? I can scarce contain myself with thinking of it. If you come not what remains for me but death? Without you life is worthless. Come. My coach will be in readiness and the parson waiting for us at the Fleet.
"When we are married, as I've told you, my family cannot refuse to receive my wife, but until we are made one they will do all they can to keep us apart. My father insists upon my marrying a rich city madam, but I'll none of her. I will only have you, my beauteous Lavinia. I swear to you by all the gods that you shall be back at school before dawn, as on the night of the dance when I first saw my adorable divinity. No one will know but us two. It will be a delicious secret. After I have seen you safely to Queen Square and have parted from my dearest—it will be misery to bid thee adieu—I shall ride post haste to my father and tell him everything. He will at first be angry, but he will relent when he sees your loveliness. We shall be forgiven and Heaven will be ours.
"Panting with impatience, ever your most devoted humble servant,
Archibald Dorrimore."
Present taste would pronounce this effusion to be extravagant, rhapsodical, high-flown, super-sentimental, but it did not read so to Lavinia. It was in the fashion of the times—indeed it approached nearer modern ideas than the majority of love letters of that day which generally began with "Madam" without any endearing prefix. Lavinia liked it none the less because it was not so formal as the letters which some girls had shown her in all pride and secrecy.
But it troubled her all the same.
"I wonder if I really—really love him," she mused. "I suppose I do or I shouldn't be continually thinking about him. But to be married—oh, that's a different thing. Perhaps he'd want to live in the country. That would be horribly dull, especially if he had to come to London often. He hopes to be a great lawyer some day he says. I don't think I'd like him in a wig and gown and white bands. He would look so horribly old. Oh, but I wouldn't let him have his rooms in the Temple after we're married. He'll have to burn his musty old books. He won't need them. His father's very rich. He's told me so hundreds of times."
A half dozen times would have been nearer the mark and this would probably represent the number of their meetings, once at a ball at Sadler's Wells Gardens and afterwards at stolen opportunities which the ingenious Lavinia contrived to bring about.
To tell the honest truth, Lavinia's gallant Archibald Dorrimore, the young Templar, served only to amuse the young lady. She was not blind to the fact that he was a fop and not blessed with too much brain. She had seen many of his sort before and did not trust them. But Dorrimore struck her as more sincere than the rest. Besides, he was very good looking.
Lavinia couldn't help having admirers. Nature should not have endowed her with such alluring, innocent looking eyes, with so sweet a mouth. She had always had some infatuated young man hovering about her even when she was her mother's drudge at the coffee house in Bedfordbury. Perhaps she inherited flirting from that buxom, good-looking mother who had the reputation of knowing her way quite well where a man was concerned.
"Archibald Dorrimore will be Sir Archibald some day," she mused. "It would be rare to be called her ladyship. I can hear the footman saying: 'Your coach is waiting, my lady.' Lady Dorrimore—how well it sounds! Archibald loves me...."
May be this conviction settled the matter. The girl slid out of bed and dressed herself hurriedly, though eleven o'clock had only just struck and she had plenty of time. Perhaps she thought that if she hesitated any longer she might alter her mind and not be married after all.
Despite her haste she was not neglectful of herself. Now and again she glanced at the little mirror over which the girls squabbled daily, smoothed her rebellious hair and settled the Nithsdale hood of her cloak coquettishly. Then she noiselessly crept from the room, flitted down the staircase and was at the hall door shooting back its heavy bolts—fortunately always kept well greased—and lifting the massive chain which stretched across the centre. Street doors were well guarded and ground floor windows barred in those days, and not without reason.
The moon was still shining brightly and Lavinia drew her hood closer over her face, though there was little need, for the fields were deserted. She turned to the east, keeping in the shadow, slight as it was, of the school garden wall. When the "Conduit Head" at the top of Red Lion Street (the northern end now known as Lamb's Conduit Street) was reached she paused and her heart went pit-a-pat. If Dorrimore should not be there!
She stopped, overcome by sudden scruples. In a flash her life at the school, its monotony and discipline, the irksomeness of regular work, rose before her! She had been some months at Miss Pinwell's establishment and her restless soul pined for a change. Though she looked back to her vagabond life in the streets with a shudder, she yearned for its freedom, but without its degradations.
The step she was about to take, so she persuaded herself, meant freedom, but it also meant ingratitude towards Gay and the duchess. For the latter's opinion she did not care much. The imperious manner of her grace was not to her taste. But Mr. Gay—that was a different thing. She looked upon Gay as a father—of her own father she had but a shadowy recollection—though sometimes she thought she detected in him signs of a warmer affection than that which a father usually bestows on a daughter. She did not want this. She liked his visits. She was glad to have his praise. She laughed when he persisted in calling her Polly—why she knew not—but she was sure she could never endure his making love to her.
In her heart of hearts she was afraid of this. The dread had much to do with her encouragement of Dorrimore. Of course if she married it would mean an estrangement between her and Gay and his powerful friends, and most likely the end of her ambition to be a great actress. Her mind had long been torn, and at the eleventh hour when she was on her way to meet her fate in Dorrimore she still hesitated. If she really loved Dorrimore there would have been no hesitation. But she had never met any man who did more than flatter her and gratify the pleasure she felt at being admired.
Her decision was in the balance. The weight of a feather would turn the scale one way or another. The feather came in the shape of Dorrimore himself. There he was in three cornered hat and cloak, his powdered wig white in the moonlight, pacing up and down, his hand resting on his sword hilt. He caught sight of the shrinking figure in the shadow and the hat was doffed in a profound bow. Undoubtedly a good looking young man, but as undoubtedly a fop of the first water with his ruffles and bosom of Mechlin lace, red heels to his shoes, gold clocks on his silk stockings and the whiff of scent which heralded his coming.
When near enough his arm went round her and he drew back her hood. He kissed her closely, so closely indeed that his ardour almost frightened her, though she knew not why. He withdrew his lips and gazed into her face, his own paling under the violence of his passion.
"Dearest Lavinia," he murmured. "You are the loveliest creature in the world and I protest I am the luckiest of men. Have you no words of love for me? Why so silent?"
She had not uttered a word. The rise and fall of her bosom showed her agitation.
"I'm here. I'm here. Isn't that enough?" she faltered.
"Faith you're right, sweetheart. Then let us waste no time. My coach is yonder."
He slid her arm within his and drew her forward. He was not unconscious of a certain reluctance in her movements and a shyness in her manner, but he put both down to maiden modesty. Her restraint made her all the more enchanting and he quickened his pace. She was compelled to accommodate her steps to his, but she did so unwillingly. A sudden distrust whether of him or of herself she could not quite determine—had seized her. She was repenting her rashness. She would have run from him back to the school but that he held her too tightly. Within another minute they had reached the heavy lumbering coach.
The coachman had seen them coming and descended from his box to open the door. He was a big fellow who held himself erect like a soldier. His swarthy complexion had a patch of purplish bloom spreading itself over the cheek bones which told of constant tavern lounging. A pair of hawk's eyes gleamed from under bushy beetling brows; wide loose lips and a truculent, pugnacious lower jaw completed the picture of a ruffian.
Lavinia glanced at him and that glance was enough, it deepened her distrust into repugnance. But she had no time to protest. She was hurried into the coach, Dorrimore in fact lifting her inside bodily with unnecessary violence for she was almost thrown into a corner of the back seat. Dorrimore followed, turned, shut the door and almost immediately the carriage moved. The coachman must have sprung to his box with the quickness of a harlequin. The whip cracked and the horses broke into a gallop.
CHAPTER IV
"IF WE'RE NOT TO BE MARRIED TELL ME"
The rattle of the wheels over the loose, roughly laid cobble stones, and the swaying carriage hung on leathers, forbade talking. Lavinia heard her companion's voice but she did not know what he was saying. Not that it mattered for she was in too much of a flutter to heed anything but her own emotions, and these were so confused that they told her little.
Then Dorrimore's arm stole round her waist. Well, this was not unnatural. Would they not be soon man and wife? The puzzle was that she had no feeling of response. She would rather that he did not embrace her. She did not want to be noticed. Yet she could not find it in her heart to be unkind, so she allowed him to draw her nearer, to let her head droop on his shoulder. She tried to think it was pleasant to be so loved and she lowered her eyelashes when he kissed her again and again.
Two or three minutes of oblivion. The coach had raced down Red Lion Street. It was in Holborn going eastwards and here the din and clatter were heightened by the shouts of drunken roisterers. The overhanging houses cast deep shadows and the coach was travelling in the gloom. It was past midnight and the lamps hung at every tenth house were extinguished. This was the rule.
Then Lavinia became conscious that the carriage was going down hill. It had passed Fetter Lane into which it should have turned and was proceeding towards Holborn Bridge. Why was this? Fetter Lane led into Fleet Street and so to the Fleet. Had the coachman misunderstood his instructions? She wrenched herself free and looked out of the window. She recognised St. Andrew's Church in Holborn Valley. She turned swiftly and faced Dorrimore. The coach had crossed the bridge and had commenced the steep ascent of Holborn Hill on the other side. The horses had slackened their pace. The noise was less loud.
"You said we were going to the Fleet, but we're not. Where are you taking me?"
"Don't trouble about such a trifle, darling little one," he cried gaily. "Aren't you with me? What more do you want? Come, kiss me. Let us forget everything but our two selves."
He would have embraced her but she repulsed him angrily.
"No. If you've altered your mind—if we're not to be married tell me so, and I'll leave you to yourself," she cried agitatedly.
"Leave me? And d'you think I'll let you go when you're looking handsomer than ever? Faith, what d'you take me for? You dear fluttering little Venus. Why, you're trembling? But hang me, it must be with joy as I am."
Both his arms were round her. She struggled to free herself; pushed his face away and panting, strove to reach the window, but he was strong and prevented her.
"I'll go no further with you," she cried. "Set me down at once or I'll scream for help."
"You pretty little fool. Much help you'll get here. Oh, you shall look if you want to, but your wings must be clipped first."
He gripped both her wrists and held them fast. Her frightened eyes glanced through the window. She heard a confused thud of hoofs, now and again the deep bellowing of cattle, in the distance dogs barking, drivers yelling. She could see horned heads moving up and down. The coach was now moving very slowly. It was surrounded by a drove of bullocks from the Essex marshes going to Smithfield.
"You see?" laughed Dorrimore. "D'you suppose I would set you down to be tossed and gored by vulgar cattle. Why the sight of your red ribands would send them mad, as it's nearly sent me."
"I don't care. I'd rather be with them than with you. I hate you," she screamed with tears in her voice.
"Really? I'll warrant your hate'll turn to love before we part," he jeered. "I'm not going to see you come to harm, so I shall hold your pretty wrists tightly. How round and slender they are! So, you're my prisoner."
"I'm not and I won't be."
Somehow she dragged her right wrist away and dealt him a smart blow on his cheek.
"You would fight, would you? What a little spitfire it is! No matter. I love you all the better. For every smart you give me you shall be repaid with a dozen kisses. If that isn't returning good for evil may I never handle a dice box again. There, do as you like. Lay your white hand again on my face. The bigger debt you run up the better."
Despite his banter he was very savage and he flung her hands from him. She at once laid hold of the strap to open the window. He burst into a loud laugh.
"So the bird would escape," said he mockingly. "I thought as much."
She tugged at the strap but tugged in vain. The window refused to budge. Then it flashed across her mind that it was all part of a plan. She was to be trapped. The story of a Fleet marriage was a concoction to bait the trap. She flung herself in the corner, turned her back upon her captor and pulled her hood over her face.
She knew that for the time being she was helpless. What was the good of wasting her strength in struggles, her spirit in remonstrance and be laughed at for her pains? So she sat sullenly and turned a deaf ear to Dorrimore's triumphant endearments.
That wrestle with the window strap had done one thing. It had told her where she was. Lavinia knew her London well. Her rambles as a child had not been confined to Charing Cross and St. Giles. She had often wandered down to London Bridge. She loved the bustling life on the river; she delighted in gazing into the shop windows of the quaint houses on the bridge which to her youthful imagination seemed to be nodding at each other, for so close were some that their projecting upper storeys nearly touched.
She decided in that confused glance of hers through the window that the coach was nearing the extreme end of the Poultry. She recognised the Poultry Compter with its grim entrance and wondered whether the coach would go straight on to Cornhill and then turn northward towards Finsbury Fields, or southward to London Bridge.
For the moment all she thought of was her destination, and when she was able without attracting her companion's, attention again to peep out of the window she saw the coach was at the foot of London Bridge. The driver had been compelled to walk his horses, so narrow and so dark was the passage way.
The nightbirds of London were on their rambles looking out for prey; the bridge was thronged. The people for the most part were half drunk—they were the scourings from the low taverns in the Southwark Mint. Lavinia had been revolving a plan of escape, but to launch herself among an unruly mob ready for any devilry might be worse than remaining where she was. But in spite of all that she did not cease to think about her plan and watched for an opportunity when the worst of the rabble should have passed.
Suddenly the coach came to a standstill. Shouts and oaths—more of the latter than the former—were heard, and Dorrimore after fretting and fuming lowered the window on his side and put out his head.
"What the devil's hindering you?" he demanded angrily, of the coachman.
"That monstrously clumsy waggon; the stubborn knave of a waggoner has gotten the middle of the road and there he sticks. He'll draw neither to the left or the right. I've a mind to get down and baste the surly bumpkin's hide."
"Don't be a fool. Keep where you are. We must wait. Speak him fair."
Two things struck Lavinia. One was the open window. Evidently Dorrimore had thought it only necessary to secure one window—that on the side where she was sitting. If she were on the opposite side how easy to slip her hand through the opening and turn the handle of the door. But this was impossible. She could not hope to succeed.
The other thing which fixed itself in her mind was the familiar tone of the coachman towards Dorrimore. It was more that of an equal than of a menial. This impression confirmed her suspicion that she was trapped. Dorrimore had doubtless enlisted the services of a confidential friend rather than trust to a servant whose blabbing tongue might serve to betray him.
Meanwhile Dorrimore's head was still out of the window. He was calling to the waggoner and offering him a crown to pull his horses and load to one side, but it was no easy task to move the gigantic lumbering wain with its tilt as big as a haystack and its wheels a foot thick. Lavinia had her eyes fixed at the window on her side, intent on watching a little group of persons who were curious to see the result of the deadlock. They were quietly disposed apparently.
Swiftly she bent down, slipped off one of her high heeled shoes and straightened her body. The next moment there was the crash of broken glass. She had struck the window with the heel of her shoe and had thrust her hand through the jagged hole, turned the handle, opened the door and had jumped out. Dorrimore, intent upon parleying with the waggoner, had either not heard the smash or had attributed the cause to anything but the real one.
The group were startled by the flying figure. In her haste and agitation she had stumbled on alighting and would have fallen but for a man who caught her.
"S'death madam, are you hurt?" she heard him say.
"No, no. For Heaven's sake don't stay me. I'm in great danger. I'm running from an enemy. Oh, let me go—let me go!"
"But you're wounded. See."
Blood was on her arm. A drop or two had fallen on the man's ruffles. She had cut herself in her wild thrust through the jagged hole in the door.
"It's nothing," she breathed. "Oh, if you've any pity don't keep me."
The man made no reply. He whipped out his handkerchief, tied it round the cut and holding her arm tightly, forced a way through the crowd towards the Southwark side of the bridge.
He might have got her away unobserved had it not been for Dorrimore's coachman. The fellow uttered a yell and leaving his horses to take care of themselves leaped from the box.
"A guinea to any one who stops that woman," he shouted.
Lavinia and her companion had nearly reached the obstructive waggon. A dozen persons or so were between them and the yelling coachman. If they succeeded in passing the waggon there might be a chance of escaping in the darkness. But the onlookers crowding between the obstruction and the shops—there were in those days no pavements—were too much interested in what was going on to move, and the two found themselves wedged in a greasy, ragged mob.
Then came a rush from behind by those eager to earn a guinea and things became worse. The girl, helped by the young man—she had seen enough of him to know that he was both young and good-looking—urged her way through the crowd, and those in front, seeing she looked like a gentlewoman and knowing nothing of the guinea offered for her capture stood back and she passed through. At that moment she felt her companion's grasp relax. Then his fingers slipped from her arm. Some one had struck him.
"Run to the stairs and take a boat," he whispered. "Perhaps you haven't any money. Here's my purse," and he pushed it into her hand.
"No, I won't have it," she faltered.
"You must. Quick! Fly!"
"But what of you?"
"I shall stay here, face the mob and give you time to get away."
She would have refused. She would have remained with her champion, but the swaying mob ordered otherwise. She found herself separated from him and carried onward whether she would or not. She was terribly frightened and knew not what to do. Hoarse shouts pursued her; she heard the sound of blows. Somehow no one seemed to notice her. Probably the fighting was more to their taste. Suddenly she found herself alone. The archway called the Traitors' Gate which then formed the entrance to the bridge from the Surrey side was behind her. Crowds were pouring through the Gate eager to see what the rumpus was about or to take part in it on the chance of plunder, and they did not heed the shrinking figure in the deep doorway of a house close to the bridge.
Lavinia was torn with anxiety. The young man whose purse she was holding tightly—how was he faring? She could not help him by staying. Dorrimore and Dorrimore's coachman with the guinea he had offered for her capture had to be thought of. Her danger was by no means over. The roadway was comparatively clear. Now was her chance if she was ever to have one. She stole from the doorway; the stairs leading to the river were close at hand and down these she sped.
The tide was at low ebb. She was standing on the shingle. But she looked in vain for a waterman. There were plenty of boats on the river, most of them loaded with merry parties returning from Spring Gardens, Vauxhall, and no boats were plying for hire. She dared not ascend to the Borough. Bullies and thieves abounded in the southern approaches to the bridge. She crept down to one of the abutments of the bridge and tremulously listened to the turmoil going on above.
Meanwhile the man who had come to her rescue was being hardly pressed. He was surrounded by a mob led by Dorrimore's coachman. It was not the leader who had struck the blow which made him lose his hold of Lavinia's arm, but one of the mob for no motive other than a love for brutality. The coachman had forced his way to the front a minute or so afterwards. Almost at the same time a stone hit Lavinia's champion in the cheek, cutting it and drawing blood.
"Cowards!" he shouted. "If you're for fighting at least fight fair. Who did that?" and he laid his hand on the hilt of his sword.
"At your service, sir. Give me the credit of it. Captain Jeremy Rofflash isn't the man to let the chance of a little pretty sword play go by."
The speaker was the man who acted as Dorrimore's coachman. He was every inch a braggadocio. There were many such who had been with Marlborough and had returned to their native country to earn their living by their wits and by hiring out their swords.
The fellow who called himself Jeremy Rofflash had not time to draw his sword; the fist of the man he had thought to frighten had shot out swift as an arrow, catching him between the eyes and tumbling him backwards.
At the sight of the young gallant's spirit a number of the mob instantly ranged themselves on his side. Others came on like infuriated animals on the off chance of Captain Jeremy Rofflash rewarding them for their services.
"You'd better show these ruffians a clean pair of heels," whispered a friendly voice in the young man's ear. "To Winchester Stairs—now's your chance before yonder bully's on his feet."
It was good advice and Lancelot Vane, the young man, budding poet and playwright, who had found himself involved in a dangerous squabble, which might mean his death, over a girl whom he had only seen for a few minutes, had the sense to take it. But it was no easy task to extricate himself. A burly ruffian was approaching him with arm uplifted and whirling a bludgeon. Vane caught the fellow a blow in the waist and he immediately collapsed. Before the prostrate man could get his wind, Vane darted through the Traitors' Gate and racing towards the Borough with a score or so of the rabble after him, darted into the first opening he came to.
CHAPTER V
"MANY A MAN WOULD GIVE A HANDFUL OF GUINEAS FOR A KISS FROM SALLY SALISBURY"
The fugitive found himself in a narrow ill-smelling, vilely paved alley to the east of the Borough. Tall, ugly, dirty houses bordered it on each side, a thick greasy mud covered the uneven stones. Dimly he was conscious of the sound of a window being opened here and there, of hoarse shouts and shrill screams, of shadowy beings who doubtless were men and women but who were more like ghosts than creatures of flesh and blood.
But no one molested him. This might be explained by the fact that those who saw him running took him to be some criminal fleeing from justice to take sanctuary in the Southwark slums, an impression quite sufficient to ensure their sympathy. At least, this was what at first happened. Afterwards the mob took it into their heads to pursue him and for no particular reason save devilry.
The seething crowd poured into the narrow alley. Like a hunted deer the young man ran up one court and down another, stumbling now and again half from exhaustion and half from the greasy mud covered stones. He could hear his pursuers coming nearer and nearer, but his strength was gone. He dragged himself a few steps further and staggered into a doorway, sinking on the steps in an almost fainting condition.
The next moment the door behind him opened, a hand gripped his shoulder and a woman's voice whispered:—
"Come inside. Make haste before you're seen."
The young man raised his head. He was dimly conscious of a handsome face, of a pair of bold eyes staring into his.
"Come. Why are you waiting? Do you want to be murdered?" she cried imperiously.
He struggled to his feet and she dragged him into the passage and closed the door. Scarcely had she done so when the clatter of feet and a confused sound of voices told that his pursuers were approaching. Had they tracked him to the house? The point was at once settled by a loud hammering at the door.
The woman half turned her head and cast a scornful look over her shoulder.
"Knock away, you devils. You won't break those panels in a hurry. For all that, the place isn't safe for you, Mr. Vane."
She laughed. Her laughter was loud rather than musical.
"Haven't I seen you with many a merry party at Spring Gardens? Don't you remember that mad night when one of your friends was full of wine? Didn't I cut off the end of his periwig and throw it to the mob to be scrambled for?"
Lancelot Vane's pale face flushed slightly. He hadn't a very precise recollection of what had happened on that night of frolic and revelry. Like the rest he had had his bottle or two. The full blooded handsome woman whom nothing abashed, who could take her liquor like a man, whose beauty fired the souls of the gallants hovering about her wrangling for her smiles, was part of the confused picture that had remained in his memory. He had some vague remembrance of having kissed her or that she had kissed him—it didn't matter which it was, nothing mattered very much when the wine was in and the wit was out.
Yet now when both were sober and her round, plump arm was round his shoulders on the plea of supporting him he felt embarrassed, ashamed.
"I thank you, madam, for your help," he said hurriedly. "But I won't bring trouble upon you. Those rascals are still clamouring for my blood—why I know not—and if they once burst into the house you'll suffer."
"They won't frighten me, but I wouldn't have you come to harm. There's a way of escape. I'll show it you."
With her arm still round him though there was no necessity for his strength was gradually returning, she led him up the first flight—some half dozen steps—of a narrow staircase to a small window which she threw open.
"That's the Black Ditch. It leads to the river and is fairly dry now that the tide is out. You can easily find your way to Tooley Street."
"Thanks—thanks," he murmured.
He clambered on to the window sill and gradually lowered himself. While his head, slightly thrown back, was above the sill she bent down swiftly and kissed him full on the lips.
"Many a man would give a handful of guineas for a kiss from Sally Salisbury. You shall have one for nothing. It mayn't bring you luck, but what of that?"
He let go his hold, alighted safely on his feet and ran along the ditch, every nerve quivering in a tumult of emotion, and with Sally Salisbury's strident, reckless laugh ringing in his ears.
Sally leaned her elbows on the sill and craning her head watched the receding figure of the young man. Then she straightened her body and walked leisurely from the room into one at the front of the house on the first floor. The hammering at the entrance door had never ceased. She threw open the window and looked down upon the swaying crowd.
"What do you want?" she called out.
"The man you're hiding," was the reply in a hoarse voice.
"You lie. There's no man here."
"No man where Mistress Sally Salisbury is? Ho-ho!"
She knew the voice. It was that of Captain Jeremy Rofflash.
Seizing a lamp Sally Salisbury ran down the stairs and opened the door. Holding the lamp high over her head the light fell with striking effect upon her luxuriant yellow hair clustering down upon a neck and shoulders that Juno might have envied. The resemblance did not stop here. Juno in anger could have found her double in Sally Salisbury at that moment. Evidently the visitor was unwelcome.
"What does this silly masquerade mean?" she demanded, her eyes roaming over the coachman's livery in high displeasure. "Have you turned over a new leaf and gone into honest service?"
"Honest service be damned! Honesty doesn't belong to me or to you either, Sally. Where's the man I'm looking for? I twigged the fellow just as you shut the door upon him."
"Did you? Then you're welcome to go on looking."
He strode in, muttering oaths. When the door was closed he turned upon her.
"Hang me, Sally, if I know what your game is in sheltering this spark. Anyhow you wouldn't do it if you didn't see your way to some coin out of him."
"I don't, so shut up your sauce."
"More fool you then. Look here, Sal. I've got hold of a cull or I shouldn't be in this lackey's coat. The fool's bursting with gold and he wants someone to help him to spend it. I'll be hanged if there's another woman in London like you for that fun. Now's your chance. He's sweet on a wench—a raw boarding school miss—he ran off with her an hour or so ago. The little fool thought she was going to be married by a Fleet parson, but somehow she took fright and jumped out of the coach on London Bridge. How the devil she did it beats me, though to be sure when one of your sex makes up her mind to anything she'll do it and damme, I believe Beelzebub helps her. Now then——"
"What's this gabble to do with me?" broke in Sally, disdainfully.
"Wait a minute. The wench had a friend in the crowd—a man who got her away—damn him. I jumped from the coach and we had a set to. See this?"
Scowling ferociously Rofflash pointed to a lump beneath his eye which promised to become a beautiful mouse on the morrow.
"The jackanapes got me on the hop; my foot slipped and s'life, I was down. But for that I'd ha' spitted him like a partridge. By the time I was on my legs the mob were after him. I joined in the hue and cry and we ran him down to your house. Now then, where's his hiding hole? It'll mean a matter o' twenty guineas in your pocket to give him up."
"Blood money! I don't earn my living that way. You could have spared your breath, Rofflash. The man's not here. I'll show you how he escaped. Come this way."
Sally led the fellow to the window overlooking the Black Ditch and told him the story.
"Are you bamboozling me, you jade?" growled Rofflash. "It would be like you."
"I daresay it would if it were worth my while but it isn't. Look for yourself. Can't you see the deep foot-prints in the mud?"
The waning moon gave sufficient light to show the black slimy surface of the ditch. An irregularly shaped hole immediately below the window showed where Vane had alighted. Footprints distinct enough indicated the direction taken.
"If you're not satisfied search the house."
"I'll take your word. Who's your friend? You wouldn't lift your little finger to save a stranger."
"Who's the girl?" Sally parried in a flash. "What's she like?"
Rofflash had sharp wits. Cunning was part of his trade.
"Ho ho," he thought. "Sits the wind in that quarter? I'll steer accordingly."
"The girl? As tempting as Venus and a good deal livelier, I'll swear. 'Faith, she's one worth fighting for. I'll do her gallant justice. If he's as handy with his blade as he is with his fists he'll be a pretty swordsman. He'll need all he knows, though," added Rofflash darkly, "when I meet him."
"Yes, when!" echoed Sally sarcastically. "You'll get no help from me."
"What! Sally Salisbury handing over the man she fancies to another woman? Is the world coming to an end?"
Rofflash burst into a jeering laugh. It irritated Sally beyond endurance as he intended it should. But it did not provoke the reply he hoped for.
"Mind your own business," she snapped.
"Why, that's what I'm doing and my business is yours. But if you're fool enough to chuck away a handful of guineas, why do it. All I can say is that my man would give you anything you like to ask if you'd open your mouth and tell him where your man is."
"Then I won't. That's my answer, Jeremy Rofflash. Put it in your pipe and smoke it."
Rofflash made her a profound bow and smiled mockingly.
"Have your own way, mistress. What about this? Something more in your line, I'll warrant."
He thrust his hand beneath the upper part of his long flapped waistcoat and drew out a necklace. The pearls of which it was composed were suffused with a pinkish tinge, the massive gold clasp gleamed in the lamplight. Sally's eyes flashed momentarily and then became scornful.
"I'm not going to be bribed by that either," she cried.
"Wait till you're asked, my dear. This is my business alone. It has nought to do with t'other. A week ago these pearls were round the fair neck of my Lady Wendover. I encountered her in her coach on the Bath Road near Maidenhead Thicket—my favourite trysting place with foolish dames who travel with their trinkets and fal-lals. At the sight of my barkers her ladyship screamed and fainted. This made things as easy as an old glove. Click! and the necklace was in my pocket and I was galloping back to Hounslow as if Old Nick himself was behind me."
"Well, and what have your highway robberies to do with me?"
"Just this, pretty one. My Lord Wendover's offered £1,000 reward for the return of her Ladyship's jewels. I dursn't hand 'em about. I've no fancy for the hangman's rope. But you can get rid of them and no one be the wiser."
It was true. Sally had been very useful to Rofflash in disposing of some of the trophies of his exploits on the Bath Road. The highwayman never grumbled at whatever commission she chose to take and the arrangement was to their mutual advantage.
Sally took the pearls and stroked their smooth surfaces lovingly.
"It's a shame to part with 'em."
"Aye, they'd look brave on your neck, sweetheart."
"No. I'm as loth to travel to Tyburn as you. Every fine woman of quality knows the Wendover pearls. I'd be marked at the first ridotto or masquerade I showed my face in. I'll do my best to turn 'em into money."
"You're a jewel yourself, Sally. That's all I want. Adieu, mistress, and good luck go with you."
Rofflash swaggered out and as he made his way to the bridge he pondered deeply over the mystery of woman. Here was Sally Salisbury, a "flaunting extravagant quean," always over head and ears in debt, refusing a chance to put money in her purse just because she had a fancy for a man who maybe was as poor as a church mouse. Yet, as regarded men generally, Sally was a daughter of the horseleech!
"Humph," muttered Rofflash, "so much the better. The end on't is I pocket Dorrimore's gold and no sharing out. If Sally likes to be a fool 'tis her affair and not mine. I've only got to keep my eye on her. What a woman like her wants she'll get, even if it costs her her life. Sooner or later, madam, you'll find your way to the fellow's lodgings, and it'll go hard if I'm not on the spot too."
By the time Rofflash was at the bridge the obstructing waggon had been got out of the way. Dorrimore's coach was drawn to one side and Dorrimore himself was striding impatiently up and down, occasionally refreshing himself with a pinch of snuff and indulging in oaths more or less elegant.
"Where the devil have you been, Rofflash?" he cried, testily. "And where the devil's the girl?"
"She'll be safe in your hands shortly, Mr. Archibald, never fear."
"What, have you got her?"
"Not quite, but almost as good. The spark whose arms she jumped into is her gallant, you may lay your life, and——"
"By thunder, if that's so I'll—I'll run him through, I will, by God!"
"Softly—softly. All in good time. By a bit of luck I came across a friend who knows him and has engaged to run him to earth. It only means a few guineas and I made free to promise him a purse. Within a week you'll be face to face with your rival and you'll have your revenge."
"To the devil with my revenge. It's the girl I want, you blundering idiot."
"And it's the girl you shall have, by gad. Can't you see, my good sir, that when you clap your hands on the fellow you clap your hands on the girl too?"
"S'life! Do you mean to say she's with him?"
"I'd go to a thousand deaths on that."
"I'll not believe it. The girl's a pretty fool or I shouldn't have made her sweet on me with so little trouble, but she's not that sort."
"If she isn't, all I can say is that St. Giles and Drury Lane are the places where innocent and unsuspecting maids are to be found. Ask Sally Salisbury."
"Damn Sally Salisbury," cried the fine gentleman in a fury. "D'ye think I don't know gold from dross? I'll take my oath no man had touched the lips of that coy little wench before mine did."
"By all means keep to that belief, sir. It won't do you no harm. Now if you'll take my advice you'll let me drive you to Moll King's and you'll finish the night like a man of mettle and a gentleman."
Dorrimore was in a morose and sullen mood. He wanted bracing up and he adopted Rofflash's suggestion. The coach rattled to Mrs. King's notorious tavern in Covent Garden, where thieves and scoundrels, the very dregs of London, mingled with their betters; and amid a bestial uproar, with the assistance of claret and Burgundy, to say nothing of port "laced" with brandy on the one hand, and gin and porter on the other, all differences in stations were forgotten and gentlemen and footpads were on a level—dead drunk.
CHAPTER VI
MOTHER AND DAUGHTER
A London night in the first quarter of the eighteenth century had very little rest. Until long past midnight a noisy, lawless, drunken rabble made the streets hideous. It was quite three o'clock, when as physiologists tell us the vital forces are at their lowest, before it could be said that the city was asleep. And that sleep did not last long. Soon the creaking of market cart and waggon wheels, the shouts of drovers and waggoners, tramping horses, bellowing cattle and bleating sheep would dispel the stillness and proclaim the beginning of another day.
Business in the approaches to the markets was in full swing before four o'clock. Carters and waggoners were thirsty and hungry souls and the eating houses and saloop stalls were thronged. The Old Bailey, from its nearness to Smithfield was crowded, and the buxom proprietress of Fenton's coffee house was hard put to it to serve her clamorous customers and to see that she wasn't cheated or robbed.
Mrs. Fenton had improved in appearance as well as in circumstances since she had come from Bedfordbury to the Old Bailey. She was a good-looking woman of the fleshly type, with a bosom such as Rowlandson loved to depict. She was high coloured, her eyes were deep blue, full and without a trace of softness. Her lips were red and well shaped, her teeth white and even. She was on the shady side of forty, but looked ten years younger. Her customers admired her and loved to exchange a little coarse badinage in which the good woman more than held her own.
There was a Mr. Fenton somewhere in the world, but his wife was quite indifferent to his existence. He might be in the West Indian plantations or the hulks for what she cared. She had always gone her own way and meant to do so to the end of her days.
Apparently she was not in the best of tempers this morning. A drover who attempted to jest with her was unmercifully snubbed, and so also was a master butcher from Marylebone, who as a rule was received with favour. But the lady was not in an ill temper with everybody—certainly not with the stolid farmer-like man who was plodding his way through a rumpsteak washed down by small beer.
The coffee shop was divided into boxes and the farmer-like man was seated in one near the door which opened into the kitchen. Mrs. Fenton had constantly to pass in and out and his seat was conveniently placed so as to permit her to bestow a smile upon him as she went by or to exchange a hurried word.
"The mistress is a bit sweet in that quarter, eh?" whispered a customer with a jerk of the head and a wink to Hannah the waitress, whom Mrs. Fenton had brought with her from Bedfordbury.
"I should just think she was," returned the girl contemptuously. "It makes one sick. She ought to be a done with sweetheartin'."
"A woman's never too old for that, my girl, as you'll find when you're her age. She might do worse. Dobson's got a tidy little purse put by. There aren't many in the market as does better than him. He's brought up twenty head o' cattle from his farm at Romford an' he'll sell 'em all afore night—money down on the nail, mind ye. That'll buy Mistress Fenton a few fallals if she's a mind for 'em."
"An' if she's fool enough. Why, he isn't much more than half her years and she with a grown up daughter too."
"Aye. May be the gal 'ud be more a match for Dobson than her mother."
"Don't you let my mistress hear you say that. Why she's that jealous of Lavinia she could bite the girl's head off. My! Well I never!"
Hannah started visibly and fixed her eyes on the entrance.
"What's the matter, wench?" growled the man.
"I don't believe in ghosts," returned the girl, paling a little and her hands trembling in a fashion which rather belied her words, "or I'd say as I'd just seen Miss Lavinia's sperrit look in at the door. If it isn't her ghost it's her double."
"Why don't you run outside and settle your mind?"
"'Cause it's impossible it could be her. The girl's at boarding school."
"What's that got to do with it? You go and see."
Hannah hesitated, but at last plucked up her courage and went to the door. She saw close to the wall some few yards away a somewhat draggle-tail figure in cloak and hood. Within the hood was Lavinia's face, though one would hardly recognise it as hers, so white, so drawn, were the cheeks.
"Saints alive, surely it isn't you, Miss Lavvy?" cried Hannah, clasping her hands as she ran to the fugitive.
"Indeed it is, worse luck. I'm in sad straits, Hannah. I wouldn't have come here—I know what mother is—but I couldn't think what to do."
"But good lord—the school—mercy on us child, they haven't turned you out, have they?"
"No, but they will if I go back. I dursn't do that. I couldn't get in. I've been robbed of the key. It was inside my reticule that a rogue snatched from my wrist on London Bridge."
"London Bridge! Gracious! What mischief took 'ee there and at this time o' the mornin'?"
"I don't know," sighed the girl, half wearily, half pettishly. "I can't tell you. Don't bother me any more. I'm tired to death. Take me inside Hannah, or I'll drop. I suppose mother'll be in a fury when she sees me, but it can't be helped. I don't think I care. It's nothing to do with her."
Hannah forebore pestering the girl with more questions and led her to the open door. The waitress had been with Mrs. Fenton in the squalid days of six months before at the Bedfordbury coffee shop and she well knew how Lavinia was constantly getting into a scrape, not from viciousness, but from pure recklessness and love of excitement. Her mother's treatment of her "to cure her of her ways," as the lady put it, was simply brutal.
Hannah was not a little afraid of what would happen when Mrs. Fenton set eyes on her wilful daughter. At the same time, Lavinia was not the same girl who at Bedfordbury used to run wild, half clad and half starved, and yet never looked like a beggar, so pretty and so attractive was she. Six months had developed her into a woman and the training of Miss Pinwell, the pink of gentility, had given her the modish airs of a lady of quality. True, her appearance just now had little of this "quality," her walk being in fact somewhat limping and one-sided. But there was good reason for this defect. She had lost one of her high-heeled shoes, that with which she had battered the coach window.
In spite of her protest of not caring, Lavinia's heart went pit-a-pat when she entered the hot, frowsy, greasy air of the coffee house. Customers were clamouring to be served and there was no Hannah to wait upon them. Mrs. Fenton, her eyes flashing fire, was bustling up and down between the rows of boxes and denouncing the truant waitress in vigorous Billingsgate.
Mrs. Fenton had her back turned to the door when Hannah entered with Lavinia and the two were half way down the gangway before the lady noticed them. At the sight of her daughter she dropped the dish of eggs and bacon she was about to deposit in front of a customer and stared aghast.
Every eye was turned upon Lavinia who, shaking herself free from Hannah's friendly support, hastened towards her astonished mother, anxious to avoid a scene under which in her shattered nerves she might break down.
"Devil fetch me," Mrs. Fenton ejaculated before she had recovered from the shock. "Why, you hussy——"
Lavinia did not wait to hear more. She brushed past her mother and then her strength failing her for a moment, she clutched the back of the last box to steady herself.
This box was that in which Dobson, the young cattle dealer was seated. Dobson was human. He fell instantly under the spell of those limpid, imploring eyes, the tremulous lips, and he rose and proffered his seat.
The act of courtesy was unfortunate. It accentuated Mrs. Fenton's rage. Her heart was torn by jealousy. That Lavinia had shaken her head and refused the seat made not the slightest difference. The girl had become surpassingly handsome. Despite her fury Mrs. Fenton had eyes for this. Her own daughter had attracted the notice of her man! The offence was unpardonable.
Lavinia knew nothing about this. All she wanted was to escape observation and she darted into the kitchen, Betty the cook receiving her with open mouth.
A narrow, ricketty staircase in a corner of the kitchen shut in by a door which a stranger would take for that of a cupboard led to the upper part of the house. Lavinia guessed as much. She darted to this door, flung it open and ran up the creaking stairs just as her mother, shaking with passion, entered and caught sight of her flying skirt.
"Good laux, mistress," Betty was beginning, but she could get no further. Mrs. Fenton jumped down her throat.
"Hold your silly tongue. Don't talk to me. I—the smelling salts! Quick, you slut, or I'll faint," screamed the lady.
No one could look less like fainting than did Mrs. Fenton, and so Betty thought, but she kept her thoughts to herself and fetched the restorer at which her mistress vigorously sniffed, after sinking, seemingly prostrate, into a chair. Then she fell to fanning her hot face with her apron, now and again relieving her feelings with language quite appropriate to the neighbourhood of the Old Bailey.
Meanwhile Hannah wisely kept aloof and only went to the kitchen when necessary to execute her customers' orders. Directly the fainting lady inside saw the waitress she revived.
"What's this about Lavinia? Tell me. Everything mind," she cried.
"What I don't know I can't tell, mistress. Ask her yourself," returned Hannah.
"Don't try to bamboozle me. You do know."
"I say I don't. I found her outside more dead than alive, and I brought her in. I wasn't going to let her be and all the scum of Newgate about."
"Oh, that was it. And pray how did you come to learn she was outside?"
"Because she'd looked in at the door a minute afore and was afeared to come in 'cause of you, mistress. Give me that dish o' bacon, Betty. The man who saw his breakfast tumbling on the floor is in a sad pother."
This was a shot for Mrs. Fenton. Hannah rarely sought to have words with her mistress, but when she did she stood up to her boldly. Mrs. Fenton was discomfited and Hannah, snatching the dish Betty handed to her, vanished to appease the hungry customer, leaving the angry woman to chew over her wrath as best she might.
Mrs. Fenton gradually cooled down. In half an hour's time the market would be in full swing and most of her customers would be gone. Though she was dying to know what had brought her daughter home, the story would not spoil by keeping. Besides, though she was in a pet with Dobson, she did not want to give him offence and she tried to make amends for her angry outburst by bestowing upon him extra graciousness.
Before long Hannah was quite able to attend single-handed to the few lingerers, and Mrs. Fenton went upstairs, eager to empty her vial of suppressed temper on "that chit," as she generally called Lavinia.
She entered her own bedroom expecting to find the girl there, but Lavinia had no fancy for invading her mother's domains and had gone into the garret where Hannah slept. Dead with fatigue, mentally and bodily, she had thrown herself dressed as she was on Hannah's bed and in a few minutes was in a heavy sleep. But before doing so she slipped under the bolster something she was holding in her left hand. It was the purse forced upon her by Lancelot Vane.
Mrs. Fenton stood for a minute or so looking at her daughter. She could not deny that the girl was very pretty, but that prettiness gave her no satisfaction. She felt instinctively that Lavinia was her rival.
"The baggage is handsomer than I was at her age, and I wasn't a fright either or the men wouldn't ha' been always dangling after me. With that face she ought to get a rich husband, but I'll warrant she's a silly little fool and doesn't know her value," muttered the lady, her hands on her hips.
Then her eyes travelled over the picturesque figure on the bed, noting everything—the shoeless foot, the stockings wet to some inches above the small ankles, the mud-stained skirt, the bedraggled cloak saturated for quite a foot of its length. Her hair had lost its comb and had fallen about her shoulders. Mrs. Fenton frowned as she saw these signs of disorder.
Then she caught sight of a piece of paper peeping from the bosom of the girl's dress. The next instant she had gently drawn it out and was reading it. The paper was Dorrimore's letter.
"Of course, I knew there was a man at the bottom of the business. And a marriage too. Hoity toity, that's another pair of shoes."
She threw back a fold of the cloak, and scrutinised Lavinia's left hand.
"No wedding ring!" she gasped. "I might ha' guessed as much. Oh, the little fool! Why, she's worse than I was. I wasn't to be taken in by soft whispers and kisses—well—well—well!"
The lady bumped herself into the nearest chair, breathed heavily and smoothed her apron distractedly. Then she looked at the letter again. Her glance went to the top of the sheet.
"So, no address. That looks bad. Who's Archibald Dorrimore? May be that isn't his right name. He's some worthless spark who's got hold of her for his own amusement. Oh, the silly hussy! What could that prim Mistress Pinwell have been about? A fine boarding school indeed! She can't go back. But I won't have her here turning the heads of the men. That dull lout, Bob Dobson, 'ud as lieve throw his money into her lap as he'd swallow a mug of ale. What'll her fine friends do for her now? Nothing. She's ruined herself. Well, I won't have her ruin me."
Mrs. Fenton worked her fury to such a height that she could no longer contain herself, and seizing her daughter's shoulder she shook her violently. The girl's tired eyelids slowly lifted and she looked vaguely into the angry face bending over her.
"Tell me what all this means, you jade. What have you been up to? How is it you're in such a state? Who's been making a fool of you? Who's this Dorrimore? Are you married to him or not?"
The good lady might have spared herself the trouble of pouring out this torrent of questions. The last was really the only one that mattered.
"Married? No, I'm not," said Lavinia drowsily. "Don't bother me, mother. Let me sleep. I'll tell you everything, but not—not now. I'm too tired."
"Tell me everything? I should think you will or I'll know the reason why. And it'll have to be the truth or I'll beat it out of you. Get up."
There was no help for it. Lavinia knew her mother's temper when it was roused. Slowly rubbing her eyes she sat up, a rueful and repentant little beauty, but having withal an expression in her eyes which seemed to suggest that she wasn't going to be brow-beaten without a struggle.
"I ran away from school to be married," said she with a little pause between each word. "I thought I was being taken to the Fleet, but when I saw the coach wasn't going the right way I knew I was being tricked. On London Bridge I broke the coach window, opened the door and escaped."
"A parcel of lies! I don't believe one of 'em," interjected the irate dame.
"I can't help that. It's the truth all the same. I cut my arm with the broken glass. Perhaps that'll convince you."
Lavinia held out her bandaged arm.
"No, it won't. What's become of your shoe?"
"I took it off to break the window with the heel and afterwards lost it."
Mrs. Fenton was silent. If Lavinia were telling false-hoods she told them remarkably well. She spoke without the slightest hesitation and the story certainly hung together.
"After I jumped from the coach I ran to the river, down the stairs at the foot of the bridge. The water was low and I stood under the bridge afraid to move. A terrible fight was going on above me. I don't know what it was about. The shooting and yelling went on for a long time and I dursn't stir. I would have taken a wherry but no waterman came near. Then the tide turned; the water came about my feet and I crept up the stairs. I was in the Borough, but I dursn't go far. The street was full of drunken people and I crept into a doorway and hid there. I suppose I looked like a beggar, for no one noticed me. Then when the streets were quieter I came here."
It will be noticed that Lavinia did not think it necessary to mention the handsome young man who had rescued her.
While she was recounting her adventures her mother, though listening attentively, was also pondering over the possible consequences. The story might be true or it might not, whichever it was did not matter. It was good enough for the purpose she had in her mind.
"Why didn't you go back to Miss Pinwell's?" Mrs. Fenton demanded sharply. "I see by this scrawl that it isn't the first time you've stolen out to meet this precious gallant of yours."
And Mrs. Fenton, suddenly producing the letter which she had hitherto concealed, waved it in her daughter's face. Lavinia flushed angrily and burst out:—
"You'd no right to read that letter any more than you had to steal it."
"Steal it? Tillyvalley! It's my duty to look after you and I'm going to do it. Why didn't you go back to the school as you seem to have done before?"
"Because the key of the front door was in my reticule, and that was snatched from me or it slipped from my wrist in the scuffle on the bridge."
"A pretty how de do, my young madam, upon my word. Miss Pinwell'll never take you back. Goodness knows what may happen. What'll Mr. Gay, who's been so good to you, think of your base ingratitude?"
Lavinia's eyes filled with tears. She broke down when she thought of the gentle, good-natured poet. She could only weep silently.
Mrs. Fenton saw the sign of penitence with much satisfaction and while twirling her wedding ring to assist her thoughts, suddenly said:—
"You haven't told me a word about this spark of yours. Who is he? What is he? Some draper's 'prentice, I suppose, or footman, may be out of a place for robbing his master and thinking of turning highwayman."
"Nothing of the kind," cried Lavinia, furious that her mother should think she would so bemean herself. "I hate him for his falseness, but he's a born gentleman all the same."
"Oh, is he? Let's hear all about him. There's no address on his letter. Where does he live?"
"I shan't tell you."
"Because you're ashamed. I shouldn't wonder if he wasn't a trull's bully from Lewknor's Lane or Whetstone Park. The rascals pass themselves off as sparks of fashion at ridottos, masquerades and what not and live by robbery and blood money. I warrant I'll soon run your fine gentleman to earth. He talks about telling his father. Pooh! That was but to bait the trap and you walked into it nicely."
Her mother's insinuations maddened poor Lavinia. The mention of Lewknor's Lane and Whetstone Park, two of the most infamous places in London, was amply sufficient to break her spirit, which indeed was Mrs. Fenton's intention. The worst of it was that after what had happened she had in her secret heart come round to the same opinion so far as the baiting of the trap was concerned. She was far too cast down to make any reply and wept copiously, purely through injured pride and humiliation.
"You must leave me to deal with this business, child," said Mrs. Fenton loftily. "If the young man really belongs to the quality and what he writes about his father is true, then his father must be made to pay for the injury his son's done you. I suppose he's told you who his father is and where he lives, and I want to know too. If I'm to get you out of the mess you're in you must help me."
"I won't," gasped Lavinia between her sobs. "I don't want to hear anything more about him or his father either. I wish to forget both of them."
"Humph! That won't be so easy as you'll find, you stubborn little fool. Keep your mouth shut if you like. I'll ferret out the truth without you."
And stuffing the letter into her capacious pocket, Mrs. Fenton stalked out of the room and directly she was outside she turned the key in the lock. Lavinia, too exhausted in body and too depressed in mind to think, sobbed herself to sleep.
CHAPTER VII
"I WISH I WERE A RICH LADY FOR YOUR SAKE"
Lavina awoke to find Hannah in the room. The maid had brought in a cup of chocolate and something to eat.
"I'm a dreadful sight, Hannah," said she dolefully.
"You'll be better when you've had a wash and done your hair. Your cloak's spoilt. What a pity! Take it off and let me brush away the mud and see if I can smooth out the creases."
Lavinia stretched herself, yawned and slowly pulled herself up, sitting on the side of the bed for a minute or two before she commenced her toilette. Hannah helped her to dress to the accompaniment of a running commentary on the state of her clothing.
"What am I to do about shoes?" asked Lavinia, when this part of her wearing apparel was reached.
"You won't be wanting any for a time I'm thinking, Miss Lavvy."
"Not wanting any shoes? Whatever do you mean?"
"Your mother means to lock you in this room for a while. She was for keeping you for a day or two on bread and water, but I talked her out of it."
Lavinia started in dismay. Then she burst out:—
"I won't endure such treatment. I won't, Hannah! You'll help me to run away, won't you?"
"Not till I know what's going to become of you."
"But if I'm a prisoner you're my gaoler and you can let me out whenever you choose."
"No I can't. I've to hand over the key to your mother."
"So you can after I'm gone."
"And what do you suppose I'm to say to her when that happens?"
"Oh, what you like, Hannah. I don't believe you're afraid of anybody. You're so brave," said Lavinia, coaxingly.
"Well, well, we'll see. But I warn you, child, I'm not going to let you come to harm."
Lavinia laughed and shrugged her plump shoulders. After what she had gone through the night before she felt she could face anything. She knew she could talk over the good-natured Hannah and she heard the latter lock the door without feeling much troubled.
For all that Lavinia had a good deal to worry about, and she sat sipping the chocolate while she pondered over what she should do. She could think of no one she could go to besides Mr. Gay. How would he receive her after her escapade?
"He knows so many play actors," she murmured,—"didn't he say I had a stage face? I wonder—I wonder."
And still wondering she rose and straightened the bed. Shifting the pillow she found beneath it the purse she had placed there before going to sleep. Excitement and exhaustion had driven it out of her head. She felt quite remorseful when the remembrance of the chivalrous young man came into her mind.
"Ah me," she sighed. "I'll warrant I'll never set eyes on him again. I do hope he wasn't hurt."
Lavinia looked at the purse wistfully. She had not had the opportunity of seeing what it contained. It was of silk with a silver ring at each end to keep the contents safe, and an opening between the rings. One end had money in it, in the other a piece of paper crackled. She slipped the ring at the money end over the opening and took out the coins—a guinea, a crown and a shilling.
"I don't like taking it. He gave it me to pay the waterman and I hadn't the chance. It isn't mine. I ought to return it to him. But how can I? I don't know where he lives. I don't even know his name."
Then she fingered the other end. She slid the ring but hesitated to do more. To look at the paper seemed like prying into the owner's affairs. It must be something precious for him to carry it about with him. Suppose it was a love letter from his sweetheart? She blushed at the idea. Then curiosity was roused. Her fingers crept towards the papers, for there were two. One ran thus:—
"The Duke's Theatre,
"Lincoln's Inn Fields."Sir,—
"I have read your play and herewith return it. I doubt not it has merit but it will not suit me.
"I am your obedient humble servant,
"John Rich."
Lancelot Vane, Esq.
"Poor fellow—so he writes plays. How aggravating to have such a rude letter. 'Obedient—humble—servant,' forsooth! I hate that John Rich. He's a bear."
Then Lavinia unfolded the second letter. It was more depressing than the first.
"Lancelot Vane, 3, Fletcher's Court, Grub Street," Lavinia read; "Sir,—I give you notiss that if you do nott pay me my nine weeks' rent you owe me by twelve o'clock to-morrer I shall at wunce take possesshun and have innstruckted the sheriff's offiser in ackordance therewith. Yours respeckfully, Solomon Moggs."
"Oh, a precious lot of respect indeed," cried Lavinia angrily.
The date of the letter was that of the day before. The money had consequently to be paid that very day and it was already past twelve o'clock. If the poor young man could not pay he would at that moment be homeless in the street and maybe arrested for debt and taken to the Fleet or even Newgate. Hadn't she seen the poor starving debtors stretch their hands through the "Debtors' door" in the Old Bailey and beg for alms from the passers-by with which to purchase food? She pictured the poor young man going through this humiliation and it made her shudder. He was so handsome!
And all for the want of a paltry twenty-seven shillings! Twenty-seven shillings? Was not that the exact sum of money in the purse?
"Oh, that must have been for his rent," cried Lavinia, clasping her hands in great distress. "And he gave it to me!"
She was overwhelmed. She must return the money at once. But how? She ran to the door. It was locked sure enough. The window? Absurd. It looked out upon a broad gutter and was three storeys from the street. If it were possible to lower herself she certainly could not do so in the daytime. And by nightfall it would be too late. She sat down on the side of the bed, buried her face in her hands and abandoned herself to despair.
But this feeling did not last long. Lavinia sprang to her feet, flung back her hair and secured it. Then she went once more to the window and clambered out into the broad gutter. She hadn't any clear idea what to do beyond taking stock of her surroundings. She looked over the parapet. It seemed a fearful depth down to the roadway. Even if she had a rope it was doubtful if she could lower herself. Besides, rarely at any hour even at night was the Old Bailey free from traffic. She would have to think of some other way.
She crept along the gutter in front of the next house. Dirty curtains hung at windows. There was no danger of her being seen even if the room had any occupants. She crawled onward, feeling she was a sort of Jack Sheppard whose daring escapes were still being talked about.
At the next window Lavinia hesitated and stopped. This window had no curtains. The grime of many months, maybe of years, obscured the glass. One of the small panes was broken. Gathering courage she craned her head and looked through the opening. The room was empty. The paper on the walls hung in strips. There was a little hole in the ceiling through which the daylight streamed.
If the house should, like the room, be empty! The possibility opened up all kinds of speculation in Lavinia's active brain. Why not explore the premises? Up till now she had forgotten her lost shoe. To pursue her investigations unsuitably dressed as she was would be absurd. Supposing she had a chance of escaping into the street she must be properly garbed.
She did not give herself time to think but hastened back to Hannah's room. She tried on all the shoes she could find. One pair was smaller than the rest. She put on that for the left foot. It was a little too large but near enough. Then she hurried on her hooded cloak and once more tackled the gutter. She was able to reach the window catch by putting her hand through the aperture in the broken pane. In a minute or so she was in the room, flushed, panting, hopeful.
A long, long time must have passed since that room had been swept. Flue and dust had accumulated till they formed a soft covering of nearly a quarter of an inch thick. A fusty, musty smell was in the room, in the air of the staircase, everywhere.
She feared that only the upper part of the house was uninhabited but it was not so. The place was terribly neglected and dilapidated. Holes were in the walls, some of the twisted oak stair-rails had been torn away, patches of the ceiling had fallen. But Lavinia hardly noticed anything as she flew down the stairs. The lock could not be opened from the outside without the key, but inside the handle had but to be pushed back and she was in the street. She pulled her hood well over her head and hastened towards Ludgate Hill. It was not the nearest route to Grub Street which she knew was somewhere near Moorfields, but she dared not pass her mother's house.
Lavinia knew more about London west of St. Paul's than she did east of it, and she had to ask her way. Grub Street she found was outside the city wall, many fragments of which were then standing, and she had to pass through the Cripples Gate before she reached the squalid quarter bordering Moor Fields westward, where distressed poets, scurrilous pamphleteers, booksellers' hacks and literary ne'er-do-wells dragged out an uncertain existence.
Lavinia found Fletcher's Court to be a narrow passage with old houses dating from Elizabethan times, whose projecting storeys were so close together that at the top floor one could jump across to the opposite side without much difficulty. With beating heart she entered the house, the door of which was open. She met an old woman descending a rickety tortuous staircase and stopped her.
"Can you tell me if Mr. Vane lives here?" said she.
"Well, he do an' he don't," squeaked the old dame. "Leastways he won't be here much longer. He's a bein' turned out 'cause he can't pay his rent, pore young gentleman. We're all sorry for him, so civil spoken and nice to everybody, not a bit like some o' them scribblers as do nothing but drink gin day an' night. Street's full of 'em. I can't make out what they does for a livin'! Scholards they be most of 'em I'm told. Mr. Vane's lodgin's on the top floor. You goes right up. That's old Sol Moggs' squeak as you can hear. Don't 'ee be afeared of 'im, dearie."
The old woman, who was laden with a big basket and a bundle, went out and Lavinia with much misgiving ascended the stairs. She remembered the name, Solomon Moggs. He was the landlord. If his nature was as harsh and discordant as his voice poor Lancelot Vane was having an unpleasant time.
"Ill, are ye?" she heard Moggs shrieking. "I can't help that. I didn't make you ill, did I? Maybe you was in a drunken brawl last night. It looks like it with that bandage round your head. You scribbling gentry, the whole bunch of ye, aren't much good. I don't see the use of you. Why don't ye do some honest work and pay what you owes? I can't afford to keep you for nothing. Stump up or out ye go neck and crop."
Lavinia ran up the next flight. The landing at the top was low pitched and dark. The only light was that which came from the open door of a front room. In the doorway was a little man in a shabby coat which reached down to his heels. His wig was frowsy, his three-cornered hat was out of shape and he held a big stick with which he every now and then thumped the floor to emphasise his words.
Beyond this unpleasant figure she could see a small untidy room with a sloping roof. The floor, the chairs—not common ones but of the early Queen Anne fashion with leathern seats—an old escritoire, were strewn with papers. The occupant and owner was invisible. But she could hear his voice. He was remonstrating with the little man in the doorway.
Lavinia touched the man on the shoulder. He turned, stared and seeing only a pretty girl favoured her with a leer.
"How much does Mr. Vane owe you?" said Lavinia, chinking the coins.
"Eh, my dear? Are you going to pay his debt? Lucky young man. Nine weeks at three shillings a week comes to twenty-seven shillings. There ought to be a bit for the lawyer who wrote the notice to quit. But I'll let you off that because of your pretty face."
Lavinia counted the money into the grimy outstretched paw. Moggs' face wrinkled into a smirk.
"Much obleeged, my young madam. I'll wager as the spark you've saved from being turned into the street'll thank you more to your liking than an old fellow like me could."
Solomon Moggs made a low bow and was turning away when Lancelot Vane suddenly appeared. His face was very pallid and he clutched the door to steady himself. What with his evident weakness and his bandaged head he presented rather a pitiable picture.
"What's all this?" he demanded. "I'm not going to take your money, madam."
"It's not mine," cried Lavinia in a rather disappointed tone. She could see he did not remember her.
"Faith an' that's gospel truth," chuckled Moggs. "It's mine and it's not going into anybody else's pocket." And he hastily shuffled down the staircase.
Lavinia turned to Vane a little ruffled.
"You don't recollect me," she said. "The money's ours. I didn't want it but you did and so I brought it back. I'm so glad I was in time and that you're rid of that horrid man."
Lancelot Vane stared fixedly at her. The events of the night before were mixed up in his mind and he had but a dim remembrance of the girl's face. Indeed he had caught only a momentary glimpse of it.
"Was it you, madam, who were pursued by those ruffians?" he stammered. "I'm grateful that you've come to no harm."
"Oh, it was all your doing," cried Lavinia, eagerly, "you were so brave and kind. I was too frightened last night to think of anything but getting away and I didn't thank you. I want to do so now."
"No, no. It's you who should be thanked. Don't stand there, pray. Do come inside. It's a frightfully dirty room but it's the best I have."
"But I—I must get back."
"You're in no hurry, I hope. I've so much I would like to say to you."
"What can you have? We're such strangers," she protested.
"Just now we are perhaps, but every minute we talk together makes us less so. Please enter."
His voice was so entreating, his manner so deferential, she could not resist. She ventured within a few steps and while he cleared a chair from its books and papers her eyes wandered round. One end of the room was curtained off and the opening between the curtains revealed a bed. The furniture was not what one would expect to find in a garret. It was good and solid but undusted and the upholstery was faded. The general appearance was higgledy-piggledy—hand to mouth domesticity mixed up with the work by which the young man earned, or tried to earn, his living. No signs of a woman's neatness and touches of decoration could be seen.
Lavinia's glances went to the owner of the garret. After all it was only he who was of real interest. She noticed the difficulty he had in lifting a big folio from the chair. He could hardly use his right arm. She saw his hollow cheeks and the dark circles beneath his eyes. She hadn't spent years in the streets amongst the poorest not to know that his wistful look meant want of food—starvation may be.
"Won't you sit down?" he said.
She shook her head.
"This belongs to you," she said, holding out his purse. "I'm so sorry it's empty."
"I'm sorry too. You haven't spent a farthing on yourself and I meant it all for you."
"It was very foolish when you wanted money so badly."
"That doesn't matter. You wouldn't have been here now if I hadn't given it you."
Her eyes lighted up. The same thought had crossed her mind.
"How did you know I lived here?" he went on.
"Well I—I opened the other end of the purse and read what was on the papers inside. It was very wrong. You'll forgive me, won't you?"
"I'd forgive you anything. You descended upon me like an angel. Not many young ladies of your station would have had the courage to set foot in Grub Street."
A smile trembled on Lavinia's tempting lips.
"My station? What then do you think is my station?"
"How can I tell? I take you to be a lady, madam. I don't want to know any more."
At this Lavinia laughed outright. Her clothes were of good quality and of fashionable cut—the Duchess of Queensberry's maid had seen to that—her manner and air were those of a lady of quality—thanks to Miss Pinwell—but apart from these externals what was she? A coffee shop waitress—a strolling singer—a waif and stray whose mother would not break her heart if she got her living on the streets!
When she thought of the bitter truth the laughing face was clouded.
"I wish I were a lady—a rich one, I mean—for your sake," said she softly. "You look so ill. You ought to have a doctor."
"I ought to have a good many things, I daresay, that I haven't got. I have to do without."
Her eyes drooped. They remained fixed on a little gold brooch fastening her cloak. The brooch was the gift of Dorrimore. The wonder was her mother had not discovered it.
"I must go. I—I've forgotten something."
"But you'll come again, wont you?" said he imploringly. "Though to be sure there's nothing in this hovel to tempt you? Besides, the difference between us——"
"Please don't talk nonsense," she broke in. "Yes, I'll come again soon. I don't know how long I shall be—a couple of hours perhaps."
"Do you really mean that?" he cried, joyfully.
"Yes, if nothing happens to prevent me. Good-bye for a while."
She waved her hand. He caught the tips of her fingers and kissed them. One bright smile in response and she was gone.
With her heart fluttering strangely—a fluttering that Dorrimore had never been able to inspire—Lavinia flew down the staircase and sped through the streets in the direction of London Bridge.
CHAPTER VIII
"YOU'VE A MIGHTY COAXING TONGUE"
The shop on London Bridge of Dr. Mountchance, apothecary, astrologer, dealer in curios and sometimes money lender and usurer, was in its way picturesque and quaint, but to most tastes would scarcely be called inviting. Bottles of all shapes and sizes loaded the shelves, mingled with jars and vases from China, Delft ware from Holland and plates and dishes from France, which Dr. Mountchance swore were the handiwork of Palissy, the famous artist-potter. Everything had a thick coating of dust. Dried skins of birds, animals and hideous reptiles hung from the walls and ceiling; a couple of skulls grinned mockingly above a doorway leading into a little room at the rear, and it was difficult to steer one's way between the old furniture, the iron bound coffers and miscellaneous articles which crowded the shop.
In the room behind, chemical apparatus of strange construction was on one table; packets of herbs were on another; a huge tome lay opened on the floor, and books were piled on the chairs. The apartment was a mixture of a laboratory and lumber room. A furnace was in one corner, retorts, test tubes, crucibles, a huge pestle and mortar, jars, bottles were on a bench close handy.
The room was lighted by a window projecting over the Thames, and the roar of the river rushing through the narrow arches and swirling and dashing against the stone work never ceased, though it varied in violence according to wind and tide. The house was a portion of the old chapel of St. Thomas, long since converted from ecclesiastical observances to commercial uses.
Dr. Mountchance, who at this moment was at a table in the centre examining a silver flagon and muttering comments upon it, was a little man about seventy, with an enormous head and a spare body and short legs. His face was wrinkled like a piece of wet shrivelled silk and his skin was the colour of parchment. His eyes, very small and deep-set, were surmounted by heavy brows once black, now of an iron grey. His mouth was of prodigious width, the lips thin and straight and his nose long, narrow and pointed. He wore a dirty wig which was always awry, a faded mulberry coloured coat, and a frayed velvet waistcoat reaching halfway down his thighs. His stockings were dirty and hung in bags about his ankles, his feet were cased in yellow slippers more than half worn out.
Dr. Mountchance's hearing was keen. A footfall in the shop, soft as it was, caused him to look up. He saw a slight girlish figure, her cloak pulled tightly about her, a pair of bright eyes peering from beneath the hood.
The old man gave a grunt of dissatisfaction. Many of his customers were women but he liked them none the more because of their sex. They generally came to sell, not to buy, and most of them knew how to drive a hard bargain. He shuffled into the shop with a scowl on his lined yellow face.
"What d'ye want?" he growled.
Most girls would have been nervous at such a reception. Not so this one.
"I want to sell this brooch. How much will you give me for it?" said she, undauntedly.
"Don't want to buy it. Go somewhere else."
"I shan't. Too much trouble. Besides, you're going to buy it, dear Dr. Mountchance."
The imploring eyes, the beseeching voice, soft and musical, the modest yet assured manner, were too much for the old man. Unconscious of the destiny awaiting her, Lavinia was employing the same tenderness of look, the same captivating pathos of tone as when two years later she, as Polly Peachum, sang "Oh ponder well," and won the heart of the Duke of Bolton.
"H'm, h'm," grunted Mountchance, "you pretty witch. Must I humour ye?"
"Of course you must. You're so kind and always ready to help others."
The doctor showed his yellow fangs in a ghastly grin that gave a skull-like look to his dried face.
"Hold thy wheedling tongue, hussy. This trinket—gold you say?"
"Try it, you know better than I."
Dr. Mountchance took the brooch into the inner room, weighed it, tested the metal and returned to the shop.
"I can give you no more than the simple value of the gold. 'Tis not pure—a crown should content ye."
"Well, it doesn't. Do you take me for a cutpurse? I'm not that sort."
"How do I know? You use thieves' jargon. Where did you pick it up?"
Lavinia gave one of her rippling laughs.
"That's my business and not yours. I tell you it's honestly come by and I want a guinea for it. You know it's worth five and maybe more. The man who gave it me—I don't care for him you may like to know—isn't mean. He'd spend a fortune on me if I'd care to take it but I don't." She tossed her head disdainfully.
"Oh, 'tis from your gallant. Aye, men are easily fooled by bright eyes. Well—well——"
Lavinia's ingenuous story had its effect. Not a few of Dr. Mountchance's lady customers preferred money to trinkets and he did a profitable trade in buying these presents at his own price. Some of these flighty damsels were haughty and patronising and others were familiar and impudent. The old man disliked both varieties. Lavinia belonged to neither the first nor the second. She was thoroughly natural and the humour lurking in her sparkling eyes was a weapon which few could resist. Dr. Mountchance unclasped a leather pouch and extracted a guinea.
"You've a mighty coaxing tongue, you baggage. Keep it to yourself that I gave you what you asked, lest my reputation as a fair dealing man be gone for ever."
"Oh, you may trust me to keep my mouth shut," said Lavinia with mock gravity.
A sweeping curtsey and she turned towards the door. At the same moment a lady cloaked and hooded like herself entered. They stared at each other as they passed.
Lavinia recognised Sally Salisbury, though the latter was much more finely dressed than when they encountered each other outside the Maidenhead Tavern in St. Giles. Sally was not so sure about Lavinia. The slim girl was now a woman. She carried herself with an air. She had exchanged her shabby garments for clothes of a fashionable cut which she knew how to wear. Still, some chord in Sally's memory was stirred and she advanced into the shop with a puzzled look on her face.
Mountchance received his fresh customer obsequiously. He had made a good deal of money out of Sally; she never brought him anything which was not valuable and worth buying. Sometimes her treasures were presents from admirers, sometimes they were the proceeds of highway robberies. The latter yielded the most profit. The would-be sellers dared not haggle. They were only too anxious to get rid of their ill-gotten gains.
The old man bowed Sally Salisbury into his inner room. He knew that the business which had brought her to him was one that meant privacy. He ceremoniously placed a chair for her and awaited her pleasure.
The lady was in no hurry. She caught sight of the gold brooch lying on the table, took it up and examined it. On the back was graven "A.D. to Lavinia." Sally's dark arched eyebrows contracted.
"Lavinia," she thought. "So it was that little squalling cat. I hate her. She's tumbled on her feet—like all cats. But for the letters I'd say she'd flung herself at the head of my man."
Sally was thinking of her encounter with Lavinia outside the Maiden Head tavern. Lancelot Vane was then sitting in the bow window of the coffee-room. True he was in a drunken sleep but this would make no difference. Lavinia, Sally decided, was in a fair way to earn her living, much as Sally herself did—the toy of the bloods of fashion one day, the companions of highwaymen and bullies the next.
"Where did the impertinent young madam get her fine clothes and her quality air if not?" Sally asked herself, and the question was a reasonable one.
"Have you brought me ought that I care to look at, Mistress Salisbury?" broke in the old man impatiently. "You haven't come to buy that paltry trinket, I'll swear."
"How do you knew? It takes my fancy. Where did you get it?"
"I've had it but five minutes. You passed the girl who sold it me as you came in. A pretty coaxing wench. She'd make a man pour out his gold at her feet if she cared to try."
Sally's lips went pallid with passion and her white nostrils quivered.
"A common little trull," she burst out. "She should be sent to Bridewell and soundly whipped. 'Tis little more than six months she was a street squaller cadging for pence round the boozing kens of St. Giles and Clare Market. And now—pah! it makes me sick."
Sally flung the brooch upon the table with such violence it bounced a foot in the air.
"Gently—gently, my good Sally," remonstrated Mountchance, "if you must vent your fury upon anything choose your own property, not mine."
It was doubtful if the virago heard the request. She was not given to curbing her temper, and leaning back in the chair, her body rigid, she beat a tattoo with her high-heeled shoes and clenched her fists till the knuckles whitened.
Mountchance had seen hysterical women oft times and was not troubled. He opened a stoppered bottle and held its rim to the lady's nose. The moment was well chosen, Sally was in the act of drawing a deep breath, probably with the intention of relieving her feelings by shrieking aloud. The ammonia was strong and she inhaled a full dose. She gasped, she coughed, her eyes streamed, the current of her thoughts changed, she poured a torrent of unadulterated Billingsgate upon the imperturbable doctor who busied himself about other matters until Sally should think fit to regain her senses.
That time came when after a brief interval of sullenness, accompanied by much heaving of the bosom and biting of lips she deigned to produce the pearl necklace, the spoil of Rofflash's highway robbery on the Bath Road.
Mountchance looked at the pearls closely and his face became very serious.
"The High Toby game I'll take my oath," said he in a low voice. "Such a bit of plunder as this must be sent abroad. I dursn't attempt to get rid of it here."
"That's your business. My business is how much'll you give."
Dr. Mountchance named a sum ridiculously low so Sally thought. Then ensued a long haggle which was settled at last by a compromise and Sally departed.
As she hurried back to her lodgings in the Borough, Sally was quite unaware that Rofflash, disguised as a beggar with a black patch over his eye and a dirty red handkerchief tied over his head in place of his wig, was stealthily shadowing her.
CHAPTER IX
"YOU WERE BRAVE AND FOUGHT FOR ME"
Meanwhile Lavinia was hastening to Grub Street. On her way she bought a pair of shoes which if not quite in the mode were at least fellows. She also cleverly talked the shopkeeper into allowing her something on the discarded odd ones and thereby saved a shilling.
The girl's old life in roaming about the streets had sharpened her wits. Adversity had taught her much. It had given her a knowledge of persons and things denied to those to whom life had always been made easy. She had had sundry acquaintances among the pretty orange girls who plied their trade at Drury Lane and the Duke's theatres and had got to know how useful Dr. Mountchance was in buying presents bestowed upon them by young bloods flushed with wine, and in other ways. Hence when in want of money she looked upon her brooch she at once thought of the old man's shop on London Bridge.
The taverns in those days were real houses of refreshment. Food could be had at most of them as well as drink. Still a girl needed some courage to enter. The men she might meet were ready to make free in far too familiar a fashion. Lavinia stopped in front of the "Green Dragon" near the Cripples Gate, but hesitated. Many months had passed since the time when she would have boldly walked into the galleried inn-yard and asked for what she wanted. The refining influence of Miss Pinwell's genteel establishment had made her loathe the low life in which her early years had been passed.
"They can't eat me," she thought. "Besides, the poor fellow is starving."
The place was fairly quiet. One or two men of a group drinking and gossipping winked at each other when they caught sight of her pretty face, but they said nothing and she got what she asked for, a cold chicken, bread and a bottle of wine.
Lavinia hastened to Grub Street. She ran up the dirty narrow ricketty stairs, her heart palpitating with excitement, and she knocked at the garret door. It was opened immediately, Lancelot Vane stood in the doorway, his fine eyes beaming. He looked very handsome, Lavinia thought, and she blushed under his ardent gaze.
He had washed, he had shaved, he had put on his best suit and his wig concealed the cut on his forehead. He was altogether a different Lancelot from the bedraggled, woe-begone, haggard young man whom she had found in the last stage of misery two hours ago. He had moreover, enlisted the help of the old woman whom Lavinia had met on the stairs at her first visit and the place was swept and tidied. The room as well as its occupant was now quite presentable.
"I've brought you something to eat," stammered Lavinia quite shyly to her own surprise. "You don't mind, do you?"
"Not if you'll do me the honour to share it with me."
"Oh, but it will give you so much trouble. And I'm not hungry. I bought it all for you."
Lavinia was busy emptying the contents of a rush basket which the good-natured landlord of the "Green Dragon" had given her.
"Have you a plate and a knife and fork? You can't eat with your fingers, you know."
"I've two plates and two knives and forks, but the knives are not pairs. I apologise humbly for my poverty stricken household."
"That doesn't matter. I'm not going to touch a morsel."
"Neither am I then. And it isn't my hospitality, remember, but yours. Why are you such a good Samaritan?"
"You were brave and fought for me. I shall never forget last night—never."
"It will always be in my memory too, and I want our first meal together to be in my memory also. Alas! I have no tablecloth."
"But you have plenty of paper," Lavinia laughingly said. "That will do as well."
Lancelot laughed in unison and seizing a couple of sheets of foolscap he opened and spread them on the table.
"One for you and one for me, but you see I've put them together," said he with a roguish gleam in his eye.
"No, they must be separate."
But he had his way.
Soon the banquet was ready and it delighted Lavinia to see how ravenously the young man ate. At the same time it pained her for it told of days of privation. Before long they were perfectly at ease and merrily chatting about nothing in particular, under some circumstances the best kind of talk. Suddenly he said:
"I'm wondering where my next meal is to come from. I can't expect an angel to visit me every day."
"Perhaps it will be a raven. Didn't ravens feed Elijah?" said Lavinia mockingly.
"I believe so, but I'm not Elijah. I'm not even a prophet. I'm only a poor scribbler."
"You write plays, don't you?"
"I've written one but I'm afraid it's poor stuff. I meant to show it to Mr. Gay the great poet. I was told he was often to be found at the Maiden Head in St. Giles, but unluckily I was persuaded by some friends to see Jack Sheppard's last exploit at Tyburn. I drank too much—I own it to my shame—and when I reached the inn where I hoped to see Mr. Gay I fell dead asleep and never saw him. He had gone when I awoke."
Lavinia clasped her hands. A shadow passed over her bright face leaving it sad and pensive. The red mobile lips were tremulous and the eyes moist and shining. She now knew why Lancelot Vane's features had seemed so familiar to her. But not for worlds would she let him know she had seen him in his degradation.
Besides she too had memories of that day she would like to forget—save the remembrance of her meeting with Gay and his kindness to her, a kindness which she felt she had repaid with folly and ingratitude.
"Then you know Mr. Gay?" said she presently.
"I was introduced to him by Spiller the actor one night at the Lamb and Flag, Clare Market—I'll warrant you don't know Clare Market; 'tis a dirty greasy ill-smelling place where everyone seems to be a butcher——"
Lavinia said nothing. She knew Clare Market perfectly well.
"Mr. Gay was good enough to look at some poems I had with me. He praised them and I told him I'd written a play and he said he would like to see it. And then—but you know what happened. I feel I daren't face him again after disgracing myself so. What must he think of me?"
"He'll forgive you," cried Lavinia enthusiastically. "He's the dearest, the kindest, the most generous hearted man in the world. He is my best friend and——"
She stopped. She was on the point of plunging into her history and there was no necessity for doing this. She had not said a word to Lancelot Vane about herself and she did not intend to do so. He must think what he pleased about the adventure which had brought them together. He must have seen her leap from Dorrimore's carriage—nay, he may have caught sight of Dorrimore himself. Then there was the ruffian of a coachman who had pursued her. The reason of the fellow's anxiety to capture her must have puzzled Vane. Well, it must continue to puzzle him.
"Mr. Gay your friend?" returned Vane with a pang of envy. "Ah, then, you're indeed fortunate. I—you've been such a benefactor to me, madam, that I hesitate to ask another favour of you."
All familiarity had fled from him. He seemed to be no longer on an equality with her. He was diffident, he was respectful. If this girl was a friend of Mr. Gay the distinguished poet and dramatist whose latest work, "The Fables," was being talked about at Button's, at Wills', at every coffee-house where the wits gathered, she must be somebody in the world of fashion and letters. Perhaps she was an actress. She had the assured manner of one, he thought.
"What is it you want? If it's anything in my power I'd like to help you," said Lavinia with an air of gracious condescension. The young man's sudden deference amused her highly. It also pleased her.
"Thank you," he exclaimed eagerly. "I would ask you if you have sufficient acquaintance to show him my play? I'm sure he would refuse you nothing. Nobody could."
"Oh, this is very sad," said Lavinia shaking her head. "I'm afraid, Mr. Vane, you're trying to bribe me with flattery. I warn you it will be of no avail. All the same I'll take your play to Mr. Gay if you care to trust it to me."
"Trust, madam, I'd trust you with anything."
"You shouldn't be so ready to believe in people you know nothing of. But—where's this play of yours? May I look at it?"
"It would be the greatest honour you could confer upon me. I would dearly love to have your opinion," he cried, his face flushing.
"My opinion isn't worth a button, but all the same the play would interest me I'm sure."
He went to a bureau and took from one of the drawers a manuscript neatly stitched together.
"I've copied it out fairly and I don't think you'll have much difficulty in deciphering the writing."
Lavinia took the manuscript and glanced at the inscription on the first page. It ran "Love's Blindness: A Tragedy in Five Acts. By Lancelot Vane."
"Oh, it's a tragedy," she exclaimed.
He read the look of dismay that crept over her face and his heart fell.
"Yes. But the real tragic part doesn't come until the very last part of the fifth act."
"And what happens then?"
"The lovers both die. They do not find out how much they love each other until it is too late for them to be united, so Stephen kills Amanda and then kills himself."
"How terribly sad. But wasn't there any other way? Why couldn't you have made them happy?"
"Then it wouldn't have been a tragedy."
"Perhaps not. But what prevented them marrying?"
"Amanda, not knowing Stephen loved her, had married another man whom she didn't care for."
"I see. There was a husband in the way. Still it would have been wiser for her to have left him and run away with Stephen. It certainly would have been more in the mode."
"Not on the stage. People like to see a play that makes them cry. How they weep over the sorrows of Almeria in Mr. Congreve's 'Mourning Bride!'"
"Yes, so I've heard. I've never seen the play. The title frightens me. I don't like the notion of a mourning bride."
"Not in real life I grant you. But on the stage it's different. I'm sorry you don't care for my tragedy," he went on disappointedly.
"I never said that. How could I when I haven't read a line? That's very unjust of you."
"I humbly crave forgiveness. Nothing was further from my thoughts than to accuse you of being unjust. I ought to have said that you didn't care for tragedies, and if so mine would be included. Pray pardon me."
"How serious! You haven't offended me a bit. After all it isn't what I think of your play that's of any consequence. It's what Mr. Gay thinks and I'll do my best to take it to him."
"You will? Madam, you've made me the happiest of mortals. Let me wrap up my poor attempt at play writing."
"Why do you call it poor? And am I not to read it?"
"No, no. Not a line. You would think it tedious. I'll wait for Mr. Gay's opinion, and if that's favourable I would like with your permission to introduce a part for you."
"What, in a tragedy? I can't see myself trying to make people weep."
"But it wouldn't be a tragic part. While we've been talking it has occurred to me that the play would be improved by a little comedy."
"Yes," rejoined Lavinia eagerly, "by a character something like Cherry in the 'Beaux Stratagem?'"
"H'm," rejoined Vane. "Not quite so broad and vivacious as Cherry. That would be out of keeping."
"I'd dearly love to play Cherry," said Lavinia meditatively.
"You'd be admirable I doubt not, but——"
"Would the part you'd introduce have a song in it?"
"H'm," coughed the dramatist again. "Hardly. There are no songs in tragedies."
"I don't see why there shouldn't be. I love singing. When I'm an actress I must have songs. Mr. Gay says so."
"Then you've not been on the stage?"
"No, but I hope I shall be soon. I dream of nothing else."
Vane looked at her inquiringly. To his mind the girl seemed made for love. Surely a love affair must have been the cause of the escapade on London Bridge. How came she to be alone with a gallant in his carriage at that time of night? But he dared not put any questions to her. Her love affairs were nothing to him—so he tried to persuade himself.
He was now busy in tying up the manuscript in a sheet of paper and Lavinia was thinking hard.
The question was, what was to become of her? She had no home, for she had made up her mind she would not go back to her mother and Miss Pinwell was equally impossible. This impeccable spinster would never condone such an offence as that of which she had been guilty. Neither did Lavinia wish the compromising affair to be known in the school and talked about. She felt she had left conventional schooling for ever and she yearned to go back to life—but not the same life in which her early years had been passed.
Another worry was her shortness of money. She had but a trifle left out of the guinea her brooch had fetched. In the old days she could have soon earned a shilling or two by singing outside and inside taverns. But what she had done as a beggar maid could not be thought of in her fine clothes. And during the last six months, with good food, regular hours and systematic drilling, she had shot up half a head. She was a grown woman, and she felt instinctively that as such and with the winsome face Nature had bestowed upon her, singing outside taverns would be considered by men as a blind for something else. In addition she looked back upon her former occupation with loathing. It could not be denied that she was in an awkward plight.
She was so absorbed that she did not hear Vane who finished tieing up the packet speaking to her. Suddenly she became aware of his voice and she turned to him in some confusion.
"I beg your pardon. You were saying——"
"Pardon my presumption, I was asking whether I might have the privilege of knowing your name."
"Oh yes. Lavinia Fenton. But that's all I can tell you. You mustn't ask where I live."
"I'm not curious. I'm quite contented with what you choose to let me know."
"And with that little are you quite sure you'll trust me with your play? Suppose I lose it or am robbed?"
"I must take my chance. I've a rough draft of the whole and also all the parts written out separately. I wouldn't think of doubting you. But do you know where to find Mr. Gay?"
"Oh yes. He lives at the house of his friend, Her Grace the Duchess of Queensberry."
"That is so," rejoined Vane in a tone of evident relief. Her answer convinced him that what she said about knowing Gay was true.
"I can only promise to deliver it to him and if possible place it in his own hands. Do you believe me?"
"Indeed I do. And will you see me again and bring me an answer?"
"Why, of course," said she smilingly.
He insisted upon attending her down the staircase and when they were in the dark passage down below they bade each other adieu, he kissing her extended hand with a courteous bow which became him well.
Vane watched her thread her way along poverty-stricken Grub Street, and slowly ascended the staircase to his garret sighing deeply.
CHAPTER X
IN THE CHAPTER COFFEE HOUSE
It was nearly six o'clock when Lavinia stood on the broad steps of Queensberry House behind Burlington Gardens. Now that she was staring at the big door between the high railings with their funnel shaped link extinguishers pointing downward at her on either side her courage seemed to be slipping from her. The grotesque faces supporting the triangular portico seemed to be mocking her, the enormous knocker transformed itself into a formidable obstacle.
The adventures of the last forty-eight hours had suddenly presented themselves to the girl's mind in all their enormity. It occurred to her for the first time that she had not only thrown away the chance of her life, but that she had been guilty of black ingratitude to her benefactors. And her folly in permitting the fancy to rove towards Archibald Dorrimore, for whose foppishness she had a contempt, simply because he was rich! The recollection of this caused her the bitterest pang of all.
How could she justify her conduct to Mr. Gay! Would he not look upon her as a light o' love ready to bestow smiles upon any man who flattered her? Well, she wouldn't attempt to justify herself. Mr. Gay was a poet. He would understand. But the terrible duchess—Kitty of Queensberry who feared nothing and in the plainest of terms, if she was so minded, expressed her opinion on everything! Lavinia quaked in her shoes at the thought of meeting the high-born uncompromising dame.
"But I've promised the poor fellow. I must keep my word. I don't care a bit about myself if I can do that," she murmured.
Lavinia had a sudden heartening, and lest the feeling should slacken she seized the heavy bell-pull and gave it a violent tug.
The door was opened almost immediately by a fat hall porter who scowled when he saw a girl instead of the footman of a fine lady in her chair.
"What d'ye want? A-ringing the bell like that one would think you was my Lord Mayor."
"I'm neither the Lord Mayor nor the Lady Mayoress, as your own eyes ought to tell you. I wish to see Mr. Gay."
"Well, you can't," said the porter gruffly. "He's not here. He's staying with Mr. Pope at Twitnam."
"Twitnam? Where is Twitnam?"
"Up the river."
"How far? Can I walk there?"
"May be, but you hadn't better go on foot. It's a goodish step—ten or a dozen miles. You might go by waggon, there isn't no other way save toe and heel. An' let me give you warning, young 'oman, the roads aren't safe after dark. D'rectly you get to Knightsbridge footpads is ten a penny, let alone 'ighwaymen. Not that you're their game—leastways by the looks o' you."
"Thank you. I'm not afraid, but you mean your advice kindly and I'll not forget it. Mr. Gay's at Mr. Pope's house you say?"
"Mr. Pope's villa—he calls it. Mr. Pope's the great writer."
"I've heard of him. Which is the way after I've left Knightsbridge?"
"Why, straight along. Don't 'ee turn nayther to the right or the left, Kensington—'Ammersmith—Turn'am Green—Brentford—you goes through 'em all, if you don't get a knock on the 'ead on the way or a bullet through ye. One's as likely to 'appen as the other. I wouldn't answer fer your getting safe and sound to Twitnam unless you goes by daylight."
"That's what I must do then," said Lavinia resignedly. "Thank you kindly."
"You're welcome, I hope as how that pretty face o' yours won't get ye into trouble. It's mighty temptin'. I'd like a kiss myself."
"Would you? Then you won't have one. As for my face, I haven't any other so I must put up with it."
Dropping a curtsey of mock politeness Lavinia hastened away and did not slacken her pace till she reached Piccadilly and was facing the large open space now known as the Green Park.
It was a lovely evening and the western sun though beginning to descend, still shone brightly. The long grass invited repose and Lavinia sat down on a gentle hillock to think what her next step must be.
She was greatly disappointed at not finding Mr. Gay. She was sure he would have forgiven her escapade; he would have helped her over the two difficulties facing her—very little money and no shelter for the night. Of the two the latter was most to be dreaded.
"A year ago," she thought, "it wouldn't have mattered very much. The Covent Garden women and men from the country are kind-hearted. I'd have had a corner in a waggon and some hay to lie upon without any bother, and breakfast the next morning into the bargain. But now—in these clothes—what would they take me for?"
These reflections, all the same, wouldn't solve the problem which was troubling her and it had to be solved. She must either walk about the streets or brave the tempest of her mother's wrath. This wrath, however, didn't frighten her so much as the prospect of being again made a prisoner. Her mother, she felt sure, had some deep design concerning her, though what it was she could not conceive.
Tired of pondering over herself and her embarrassing situation Lavinia turned her mind to something far more agreeable—her promise to Lancelot Vane which of course meant thinking about Vane himself.
She couldn't help contrasting Vane with Dorrimore. She hated to remember having listened seriously to the latter's flatteries. By the light of what had happened it seemed now to her perfectly monstrous that she could ever have consented to marry him. It angered her when she thought of it—but her anger was directed more against herself than against Dorrimore.
"I suppose I ought to go back to Mr. Vane. He'll be waiting anxiously to know how I've fared, but no—I'll go to Twitenham first."
She sat for some time watching the sunset. She wove fanciful dreams in which the pallid face and large gleaming eyes of the young poet were strangely involved. With what courtly grace and reverence he had kissed her hand! Vane was a gentleman by nature; Dorrimore merely called himself one and what was more boasted of it.
But what did it matter to her? Vane had done her a service and it was only right she should repay him in some sort. This was how she tried to sum up the position. Whether Mr. Gay befriended him or not, their acquaintance would have to cease. He was penniless and so was she. If she confessed as much as this to him he would be embarrassed and distressed because he could not help her.
"I dursn't tell him," she sighed. "I'll have to do something for myself. Oh, if I could only earn some money by singing! I would love it. Not in the streets though. No, I could never do that again. Never!"
She clasped her hands tightly and her face became sad. Then her thoughts went back to Vane and she pictured him in his lonely garret perhaps dreaming of the glorious future awaiting him if his tragedy was a success, or perhaps he was dejected. After so many disappointments what ground had he for hope? Lavinia longed to whisper in his ear words of encouragement. She had treasured that look when his face lighted up at something she had said that had pleased him. And his sadness she remembered too. She was really inclined to think she liked him better when he was sad than when he was joyful. But this was because she gloried in chasing that sadness away. It was a tribute to her power of witchery.
Dusk was creeping on. She must not remain longer in that solitary expanse. She rose and sped towards Charing Cross. In the Strand citizens and their wives, apprentices and their lasses were taking the air. The scraps of talk, the laughter, gave her a sense of security. But the problem of how to pass the night was still before her. She dared not linger to think it out. She must go on. Young gallants gorgeously arrayed were swaggering arm in arm in pursuit of adventure, in plain words in pursuit of women, the prettier the better. Lavinia had scornfully repelled the advances of more than one and to loiter would but invite further unwelcome attention.
The night was come but fortunately the sky was clear, for the Strand was ill lighted. St. Mary's Church, not long since consecrated, St. Clement's Church, loomed large and shadowy in the narrow roadway, narrowing still more towards Temple Bar past the ill-favoured and unsavoury Butcher's Row on the north side of the street, where the houses of rotting plaster and timber with overhanging storeys frowned upon the passer-by and suggested deeds of violence and robbery.
Butcher's Row and its evil reputation, even the ruffians and dissolute men lurking in the deep doorways did not frighten Lavinia so much as the silk-coated and bewigged cavaliers. The days of the Mohocks were gone it was true, but lawlessness still remained.
Lavinia was perfectly conscious that she was being followed by a spark of this class. She did not dare look round lest he should think she encouraged him, but she knew all the same that he was keeping on her heels. Along Fleet Street he kept close to her and on Ludgate Bridge where the traffic was blocked by the crowd gazing into the Fleet river at some urchin's paddling in the muddy stream he spoke to her. She hadn't the least idea what he said, she was too terrified.
In the darkness of St. Paul's Churchyard she had the good luck to avoid him and she darted into Paternoster Row, and took shelter in a deep doorway. Either he had not noticed the way she went or he had given up the chase, for she saw no more of him.
The doorway in which she had sought refuge was a kind of lobby with an inner door covered with green baize. From the other side came the sound of loud talking and laughter, and the clinking of glasses. It was the Chapter Coffee House, the meeting place of booksellers, authors who had made their names, and struggling scribblers hanging on to the skirts of the muses.
The air was close. Inside the revellers may have found it insufferable. The door was suddenly opened and fastened back by one of the servants. The man looked inquiringly at the shrinking figure in the lobby. Evidently she was not a beggar and he said nothing.
Lavinia glanced inside from no feeling other than that of curiosity. At the same time she was reluctant to leave the protection of the house until she was sure her persecutor was not lurking near.
The candles cast a lurid yellowish light; the shadows were deep; only the faces of those nearest the flame could be clearly distinguished. One table was surrounded by a boisterous group in the centre of which was a fat man in a frowsy wig. He had a malicious glint in his squinting eyes and was evidently of some importance. When he spoke the others listened with respect.
This pompous personage was Edmund Curll, bookseller, whose coarse and infamous publications once brought him within the law. Curll, we are told, possessed himself of a command over all authors whatever; he caused them to write what he pleased; they could not call their very names their own. Curll was the deadly enemy of Pope and his friends, and his unlimited scurrility drew from the poet of Twickenham a retaliation every whit as coarse and as biting as anything the bookseller's warped mind ever conceived.
Had Lavinia been told this was the notorious Curll, the name would have conveyed nothing. The quarrels of poets and publishers were to her a sealed book. All that she knew was that she disliked the man at first sight, while his vile speech made her ears tingle with shame. Despite the danger possibly awaiting her in the gloom of Paternoster Row she would have fled had not the sight of one of the group at the table rooted her to the spot.
This was Lancelot Vane whom her maiden fancy had elevated into a god endowed with all the virtues and laden with misfortunes which had so drawn him towards her. Vane—alas that it should have to be written—had taken much wine—far too much!
Lavinia knew the signs. Often in the old days in St. Giles had she seen them—the eyes unnaturally bright, the face unnaturally flushed, the laugh unnaturally empty. And she had pictured Vane so sad, so depressed! The sight of him thus came upon her as a shock.
At first she was angry and then full of excuses for him. It was not his fault, she argued, but that of his companions and especially of the squint-eyed, foul-tongued man who no sooner saw that the bottle was getting low than he ordered another one.
What could she do to help him? Nothing. He was out of her reach. She remembered how he looked when she first saw him at the Maiden Head inn. He would probably look like that again before the night was ended. She could not bear to gaze upon him as he was now and she crept away with the old wives' words in her mind—Providence looks after drunken men and babes.
She stole from the lobby sad at heart. She had no longer the courage to face the dangers of the street. The deep shadow of great St. Paul's, sacred building though it was, afforded her no protection; it spoke rather of cut-throats, footpads, ruffians ready for any outrage. The din of voices, the sounds of brawling reached her from Cheapside. The London 'prentices let loose from toil and routine were out for boisterous enjoyment and may be devilry. She dared not go further eastward.
The only goal of safety she could think of was the coffee house in the Old Bailey. Why should she be afraid of her mother?
"She won't lock me up again. I'll take good care of that. I suppose she thinks I'm still a child. Mother's mistaken as she'll find out."
So she wheeled round and went back to Ludgate Hill, keeping close to the houses so that she should not attract attention.
CHAPTER XI
LAVINIA'S PILGRIMAGE
It was past nine when Lavinia turned into the Old Bailey. The chief trade done by the coffee house was in the early morning. After market hours there were few customers save when there was to be an execution at Tyburn the next morning, and those eager to secure a good sight of the ghastly procession and perhaps take part in it, assembled opposite the prison door over night. Mrs. Fenton in the evenings thought no more of business, but betook herself to the theatre or one of the pleasure gardens in the outskirts of London.
Lavinia remembered this and hoped for the best. At such a time Mrs. Fenton with her love of pleasure would hardly stay at home.
Lavinia hurried past grim Newgate and crossed the road. The coffee house was on the other side. Hannah was standing in the doorway in a cruciform attitude, her arms stretched out, each hand grasping the frame on either side. She was gossipping with a man and laughing heartily. Lavinia decided that her mother must be out. If at home she would never allow Hannah this liberty. Lavinia glided to the woman and touched one of the outstretched hands. Hannah gave a little "squark" when she felt the girl's cold fingers.
"It's only me Hannah," whispered Lavinia.
"Only me—an' who's me?... Bless us an' save us child, what do you go about like a churchyard ghost for? Where in 'eaven's name have ye sprung from? I never come across anybody like you, Miss Lavvy, for a worryin' other people. I've been a-crying my eyes out over ye."
"And mother, has she been crying too?"
"Your mother? Not she," returned Hannah with a sniff of contempt. "Catch her a-cryin' over anything 'cept when she hasn't won a prize in a lottery. But come you in. I've ever so much to tell you. You'd best be off Reuben. I'll see you later."
Reuben who was one of the men employed at Coupland's soap works in the Old Bailey, looked a little disappointed, but he obeyed nevertheless.
"You've given us a pretty fright and your lady mother's been in a mighty tantrum. I tell you it's a wonder as she didn't tear my eyes out. She swore as it was all my fault a lettin' you go. But what have you come back for?"
"I had to. But don't bother, it's only for a few hours. Mother's out I know."
"Course she is. Simpson the cattle dealer's a-beauing her to Marybone Gardens. They won't be back this side o' midnight. Now just tell me what you been a-doin' of. You're a pretty bag o' mischief if ever there was one. Who's the man this time? T'aint the one as you runned away with, is it?"
"No, indeed," cried Lavinia, indignantly. "I don't want ever to see him again."
"Well, your mother does," returned Hannah with an odd kind of laugh.
"Whatever for?"
"I'll let you have the story d'rectly, but you tell me your tale first."
By this time they were in the shop and Hannah caught sight of Lavinia's white, drawn face and her tear-swollen eyes.
"You poor baby. What's your fresh troubles?"
"Nothing—that is, not much. I'm tired. I'm faint. Give me some coffee—cocoa—anything."
Faint indeed she was. At that meal with Lancelot Vane she had eaten very sparingly. She was too excited, too much absorbed and interested in seeing him so ravenous to think of herself. In addition she had gone through much fatigue.
"Coffee—cocoa—to be sure," cried the kindly Hannah, "an' a hot buttered cake besides. You shan't say a word till I've gotten them ready."
The cook had gone. There was no one in the house save Hannah. The two went into the kitchen where the fire was burning low—with the aid of the bellows Hannah soon fanned the embers into a flame and she was not happy until Lavinia had eaten and drank.
Then Lavinia told the story of her adventures, hesitatingly at first and afterwards with more confidence seeing that Hannah sympathised and did not chide or ridicule.
"An' do 'ee mean to tell me you're going to Twitenham to-morrow?"
Lavinia nodded.
"What, over a worthless young man who gets drunk at the first chance he has?"
Lavinia fired up.
"He's not worthless and he wasn't drunk."
"Hoity-toity. What a pother to be sure. Well, I'll warrant he is by this time."
"How do you know? If he is it won't be his fault. The others were drinking and filling his glass. I saw them, the wretches," cried Lavinia with heightened colour. "But it is nothing to me," she went on tossing her head. "Why should I bother if a man drinks or doesn't drink?"
"Why indeed," said Hannah ironically. "Since you don't care we needn't talk about him."
"No, we won't, if you've only unkind things to say."
"Eh, would you have me tell you how well you've behaved and how good you are? First you run away to be married to a man you don't care for, and in the next breath you take no end of trouble and tire yourself to death over another man you say you don't care for either. Are you going through your life like that—men loving you and you leaving them?"
"You're talking nonsense, Hannah. You know nothing about it," cried Lavinia angrily. "Let me manage my own affairs my own way and tell me what mother's doing. You read me a riddle about her just now."
"'Tisn't much of a riddle. It's just what one might guess she'd do when she's on the scent for money. You've become mighty valuable to her all of a sudden."
"I! Valuable? Oh la! That's too funny."
"You think so, do you child? Wait till you hear. I call it a monstrous shame an' downright wicked. A mother sell her own child! It's horrible—horrible."
"What are you talking about, you tiresome Hannah?" cried the girl opening her eyes very wide.
"Ah, you may well ask. After you was locked up she pocketted that letter from your spark and off she went to his lodgings in the Temple. She well plied herself with cordials an' a drop o' gin or two afore she started, an' my name's not Hannah if she didn't repeat the dose as she came back. I knowed it at once by her red face an' her tongue a-wagging nineteen to the dozen. She can't keep her mouth shut when she's like that. It all comed out. She'd been to that Mr. Der—Dor—what's his name?"
"Dorrimore. Yes—yes. Go on. I want to hear," exclaimed Lavinia breathlessly.
"I wouldn't ha' said a word agen her if she'd insisted upon the fine young gentleman paying for his frolic a trying to fool you—which he didn't do an' you may thank yourself for your sperrit Miss Lavvy—that was only what a mother ought to do, but to sell her own child to make money out of her own flesh an' blood—well I up an' told her to her face what I thought of her."
"Make money out of me, good gracious Hannah, how?"
"The fellow offered her fifty guineas if she'd hand you over to him. He swore he'd make a lady of you."
"What! Marry me?"
"Marry you! Tilly vally, no such thing. He'd spend money on you—fine dresses, trinkets, fallals and all that, but a wedding ring, the parson—not a bit of it. An' when he tired of you he'd fling you away like an old glove."
"Would he?" cried Lavinia indignantly. "Then he won't."
"No, but it means a tussle with your mother. What a tantrum she went in to be sure when she found you was gone. She fell upon poor me an' called me all the foul names she could lay her tongue to. Look at these."
Hannah pushed back her cap and her hair and showed four angry red streaks down the side of her face. Mrs. Fenton had long nails and knew how to use them.
Lavinia was horrified. Throwing her arms round the honest creature's neck she kissed her again and again. Then she exclaimed despairingly:—
"What am I do to do to-night? I dursn't stay here."
"I'm not so sure about that. I'm thinking it can be managed. Your mother's gone to Marybone Gardens with Dawson, the Romford cattle dealer. They won't be home till latish an' I'll go bail as full o' strong waters as they can carry. It's not market day to-morrow and your mother'll lie in bed till noon. You can share my bed an' I'll let 'ee out long afore the mistress wakes."
"Oh thank you—thank you Hannah. How clever you are to think of all this."
"Not much cleverness either. Trust a woman for finding out a way when love's hanging on it."
"Love?" rapped out Lavinia sharply.
"Aye, it's love as is taking you to Twitenham with the young man's rubbishy play."
"You've not read it, Hannah. It's not fair to call it rubbishy."
"Not read it, no, nor never shall, and may be I'll never see it acted either. But I hope it will be, Lavinia, for your sake. But take care, it's ill falling in love with a man who's fond of his cups."
Lavinia made no reply. Her face had suddenly gone grave.
Hannah ceased to tease her and bustled about to get supper—something warm and comforting, stewed rabbit and toasted cheese to follow.
The bedroom shared by Lavinia and Hannah was in the front of the house. About two o'clock both were awakened by the champing of a horse and the squeaking and scraping of wheels followed by a loud wrangling in a deep bass growl and a shrill treble.
"That's the mistress—drat her," grumbled Hannah from under the coverlet. "She's a-beatin' down the coachman. She always does it."
The hubbub was ended, and not altogether to the satisfaction of the hackney coachman judging by the way he banged his door. Mrs. Fenton stumbled up the stairs to her room rating the extortion of drivers, and after a time all was silence.
Daylight was in the room when Lavinia awoke. She slipped quietly out of bed not wanting to disturb Hannah, but the latter was a light sleeper.
"Don't you get up," said Lavinia. "I can dress and let myself out without bothering you."
"What, an' go into the early morning air wi'out a bite or sup inside you? I'm not brute beast enough to let you do that."
And Hannah bounced out of bed bringing her feet down with a thump which must have awakened Mrs. Fenton in the room below had the lady been in a normal condition, which fortunately was not the case.
Within half an hour the two stole out of the house, and on reaching the Ludgate Hill end of the Old Bailey turned eastwards. Their destination was the Stocks Market occupying the site where the present Mansion House stands. The Stocks Market was the principal market in London at that time, Fleet Market was not in existence and Covent Garden, then mainly a fashionable residential quarter, was only in its infancy as to the sale of fruit and vegetables.
But the Stocks Market eastwards of St. Paul's was not in the direction of Twickenham, or Twitenham as it was then called. Why then were Lavinia and Hannah wending their way thither?
It was in this wise. Hannah was quick witted and fertile in resources. Moreover she was a native of Mortlake, then surrounded by fruit growing market gardens and especially celebrated for its plums, the fame of which for flavour and colour and size has not quite died out in the present day. Hannah had had her sweethearting days along by the riverside and in pleasant strolls on Sheen Common, and not a few of her swains cherished tender recollections of her fascinating coquetry. She knew very well she would find some old admirer at the Stocks Market who for auld lang syne would willingly give Lavinia a seat in his covered cart returning to Mortlake with empty baskets. And Mortlake of course, is no very long distance from Twickenham.
So it came about. The clock of St. Christopher le Stocks struck five as the two young women entered the market. The Bank of England as we now know it did not then exist. St. Christopher's, hemmed in by houses, occupied the site of the future edifice, as much in appearance like a prison as a bank. Sir Thomas Gresham's Exchange then alone dominated the open space at the entrance of the Poultry.
The market was in full swing. Shopkeepers, hucksters and early risen housewives keen on buying first hand and so saving pennies were bargaining at the various stalls. Hannah went about those set apart for fruit and soon spotted some one she knew—a waggoner of honest simple looks. His mouth expanded into the broadest of grins and he coloured to his ears when he caught sight of Hannah.
"Ecod Hannah, my gal, if the sight o' 'ee baint good fur sore eyes. I'm in luck sure-ly. Fi' minutes more an' 'ee'd ha' found me gone. Dang me if 'ee baint bonnier than ever."
"Don't 'ee talk silly, Giles Topham. Keep your nonsense for Hester Roberts."
"Hester Roberts! What be that flirty hussy to I?" retorted Giles indignantly.
"You know best about that, Giles. What be 'ee to me? That's more to the purpose I'm thinking."
"I be a lot to 'ee Hannah. Out wi' the truth now, an' tell me if I baint."
Lavinia was beginning to feel herself superfluous in the midst of this rustic billing and cooing, and was moving a few steps off when Hannah having whispered a few words to Giles which might have been a reproof or the reverse beckoned to her, and without further ado told her old sweetheart what she wanted.
"I'd a sight sooner take 'ee Hannah—meanin' no offence to 'ee miss—but if it can't be, why——"
"Of course it can't, you booby. You know that as well as I do."
"Aye. Some other time may be," rejoined Giles grinning afresh. "So 'ee be a-goin' to see the great Mr. Pope? 'Ee'll have to cross by the ferry and 'tis a bit of a walk there from Mortlake but I'll see 'ee safe."
"I should think you would or I'll never speak to you again."
Giles gave another of his grins and set to work arranging the baskets in his cart so as to form a seat for Lavinia, and having helped the girl to mount, bade Hannah adieu, a matter which took some few minutes and was only terminated by a hearty kiss which Hannah received very demurely. Then Giles after a crack of his whip started his horse, at the head of which he marched, and with waving handkerchiefs by Hannah and Lavinia the cart took the road to London Bridge.
The nearest way to Mortlake would have been the Middlesex side, crossing the river at Hammersmith, but Hammersmith Bridge had not been thought of and the cart had to plod through Lambeth, Vauxhall, Wandsworth, Putney and Barnes.
At intervals Giles climbed into the cart and entertained Lavinia with guileless talk, mainly relating to Hannah and her transcendent virtues. Nor did he stop at Hannah herself but passed on to her relatives, her mother who was dead and her grandmother who was ninety and "as hale an' hearty as you please."
"A wonnerful old dame she be an' mighty handy with her needle, a'most as she used to be when she was a girl a-working at the tapestry fact'ry by the riverside. It were a thunderin' shame as ever the tapestry makin' was done away with at Mortlake an' taken to Windsor. It was the King's doin's that was. Not his Majesty King George, but King Charles—long afore my time, fifty years an' more agone. Lords an' ladies used to come to Mortlake then I'm told an' buy the wool picture stuff, all hand sewn, mind ye, to hang on the walls o' their great rooms. Some of it be at 'Ampton Palace this very day."
Thus and much more Giles went on and Lavinia listened attentively. The cart rumbled through the narrow main street of Mortlake and reached Worple way where Giles and his mother lived in a cottage in the midst of a big plum orchard.
The old woman was astonished to see a pretty girl seated in her son's cart but the matter was soon explained, and she insisted upon Lavinia having a meal before going on to Twickenham.
Then Giles volunteered to show Lavinia the way to the ferry, the starting point of which on the Surrey side was near Petersham Meadows, and in due time she was landed at Twickenham.
CHAPTER XII
"ARE WORDS THE ONLY SIGNS OF LOVE?"
Lavinia easily found her way to Pope's villa. The first man of whom she inquired knew the house well and guided her to it.
The house was somewhat squat and what we should now call double fronted. The back looked on to a garden bordering the river, the front faced a road on the other side of which was a high wall with a wooded garden beyond.
"That be Mr. Pope's house, young madam, an' that be his garden too, t'other side o' that wall. He be but a feeble shrivelled up whey-faced little gentleman, thin as a thread paper an' not much taller than you yourself. I'm told as he baint forty, but lor, he might be ninety by his looks. We folk in the village don't see much of him an' I doubt if he wants to see us."
"Gracious! Why is that? What makes him so unsociable?"
"He's always ailing, poor gentleman. Why, if ye went by his face he might have one foot in the grave. When he fust comed to live here he hated to have to cross the road to get to that there garden t'other side, so what do'e do but have a way dug under the road. It be a sort o' grotto, they say, with all kinds o' coloured stones and glasses stuck about an' must ha' cost a pile o' money. I s'pose rich folk must have their whims and vapours an' must gratify 'em too, or what be the good o' being rich, eh? Thank 'ee kindly young madam."
Lavinia, upon whom the good Hannah had pressed all the coins that were in her pocket, gave the man a few coppers and summoning her courage she grasped the bell-pull hanging by the door in the wall fronting the house. Her nerves were somewhat scattered and she could not say whether the clang encouraged or depressed her. May be the latter, for a sudden desire seized her to run away.
But before desire had become decision the door in the wall had opened and a soberly attired man-servant was staring at her inquiringly. Lavinia regained her courage.
"I want to see Mr. Gay please. I'm told he's staying with Mr. Pope."
"Aye. What's your business?"
"That's with Mr. Gay, not with you," rejoined Lavinia sharply.
The man either disdained to bandy words or had no retort ready. He admitted the visitor and conducted her into the house. Lavinia found herself in a small hall, stone paved, with a door on either side. The hall ran from the front to the back of the house and at the end a door opened into a wooden latticed porch. Beyond was a picturesque garden and further still the river shining in the sun. She heard men talking and apparently disputing. The shrill tones of one voice dominated the rest.
The servant bade her wait in the hall while he went to Mr. Gay. He did not trouble to ask her name.
While he was gone Lavinia advanced to the open door, drawn thither by curiosity. A garden grateful to the eye was before her. It had not the grotesque formality of the Dutch style which came over with William of Orange—the prim beds with here and there patches and narrow walks of red, flat bricks, the box trees cut and trimmed in the form of peacocks with outstretched tails, animals, anything absurd that the designer fancied. Close to the river bank drooped a willow, and a wide spreading cedar overspread a portion of the lawn.
Underneath the cedar four men were sitting round a table strewn with papers. Lavinia easily recognised the portly form of her patron, Gay. Next to him was a diminutive man, his face overspread by the pallor of ill-health. He was sitting stiff and bolt upright and upon his head in place of a fashionable flowing wig was a sort of loose cap.
"That must be Mr. Pope, the queer little gentleman the countryman told me of," thought Lavinia.
She saw the servant in a deferential attitude standing for some time between Mr. Pope and Mr. Gay waiting for an opportunity to announce his errand. For the moment the discussion was too absorbing for anyone of the four to pay attention to the man.
"Mr. Rich no high opinion has of either music or musicians," said one of the disputants, a lean, dried-up looking man who spoke with a strong guttural accent. This was Dr. Pepusch, musical director at John Rich's theatre, the "Duke's," Portugal Street, Lincoln's Inn Fields.
"Dr. Pepusch is right," rejoined Gay. "That is why I favoured Cibber. But from his reception of me I doubt if he'll take the risk of staging the play."
"Cibber likes not you, Mr. Gay, and he hates me," said Pope with his acid smile. "He's a poet—or thinks he's one—and poets love not one another. Nothing is so blinding to the merits of others as one's own vanity."
"Nay, Mr. Pope, is not that assumption too sweeping?" put in the fourth man, of cheerful, rubicund countenance and, like Gay, inclined to corpulency. "What about yourself and Mr. Gay? Is there anyone more conscious of his talents and has done more to foster and encourage them than you? Who spoke and wrote in higher praise of Will Congreve than John Dryden?"
"Your argument's just, Arbuthnot," rejoined Pope. "And that's why I rejoice that the King, his Consort and the Statesman who panders to her spite and lives only for his own ambition have insulted our friend. Their taste and their appreciation of letters found their level when they considered the author of the 'Trivia' and the 'Fables' was fittingly rewarded by the appointment of 'gentleman usher' to a princess—a footman's place, forsooth!"
It was too true. George the First was dead, George the Second had succeeded and with the change of government Gay hoped to obtain the "sinecure" which would have kept him in comfort to the end of his days. He was bitterly disappointed. The post bestowed upon him was a degradation.
"Say no more on that head," exclaimed Gay hastily, "I would forget that affront."
"But not forgive. We're all of us free to carry the battle into the enemy's camp and with the more vigour since you are fighting with us, John Gay. The 'Beggar's Opera'—'tis mainly the Dean's idea—the title alone is vastly fine—will give you all the chance in the world. Pray do not forget the Dean's verses he sent you 't'other day. They must be set to good music, though for my own part I know not one tune from another."
Snatching a sheet of paper from the table Pope, in his thin, piping voice, read with much gusto:—
"Through all the employments of life
Each neighbour abuses his brother,
Trull and rogue they call husband and wife,
All professions be-rogue one another.
"The priest calls the lawyer a cheat,
The lawyer be-knaves the divine,
And the statesman because he's so great
Thinks his trade as honest as mine."
"Aye; that should go home. Faith, I'd give my gold headed cane to see Sir Robert's face when he hears those lines," laughed the cheery physician. "Who will sing them, Mr. Gay?"
"I know not yet; we've settled upon very few things. Our good musician, Dr. Pepusch, is ready whenever I hand him the verses and the tunes to set them to. Why, I've not decided the names of the characters, and that let me tell you, doctor, is no easy matter. I call the first wench Peggy Peachum, but it doesn't please me. I——"
At that moment Pope caught sight of his man fidgetting first on one foot and then on the other.
"What d'ye want sirrah?" demanded the poet irritably.
"A young girl, sir, desires to see Mr. Gay. She couldn't tell me her business with him."
A roar of laughter was heard, in the midst of which Gay looked puzzled and a trifle foolish.
"Oh poor Gay, to think thy light damsels cannot let thee alone but must follow thee to my pure Eve-less abode," said Pope mockingly.
"Nay, 'tis nothing of the kind. You accuse me unjustly. I know no light o' love. To prove it your servant shall bring the girl here and you may see her for yourself. I've no love secrets."
"What if you had, man? No one would blame you. Not I for one. Get as much enjoyment as you can out of life, but not in excess. 'Tis excess that kills," said Arbuthnot laying his hand on Gay's.
There was a meaning in the contact which emphasised the doctor's words. Self indulgence was Gay's failing as all his friends knew.
"Well—well," rejoined Gay somewhat embarrassed. "Be it so, I—conduct the girl hither—have I your permission, Mr. Pope?"
"With all my heart—provided she's worth looking at."
"I know nothing of her looks. Quick, Stephen, your master and these gentlemen are impatient."
The man hastened away to the house and presently was seen crossing the lawn with Lavinia by his side.
"'Faith, you've good taste, Mr. Gay," said Arbuthnot with a chuckle. "A trim built wench, upon my word. And she knows how to walk. She hasn't the mincing gait of the city madams of the Exchange nor the flaunting strut of the dames of the Mall or the Piazza."
Gay made no reply. The girl's carriage and walk were indeed natural and there was something in both which was familiar to him. But he could not fix them. He would have to wait until the sheltering hood was raised and the face revealed.
This came about when Lavinia was a couple of yards or so from the man. Gay bent forward and rose slightly from his chair. An expression half startled, half puzzled stole over his face.
"Gad! Polly—or am I dreaming?"
"Lavinia sir," came the demure answer accompanied by a drooping of the long lashes and a low curtsey.
"Lavinia of course, but to me always Polly. Gentlemen, this is Miss Lavinia Fenton, the nightingale I once told you of."
"Aye," rejoined Pope, "I remember. She was flying wild in the fragrant groves of St. Giles and you limed her. Good. Now that she's here she must give us a sample of her powers. I pray that your nightingale, Mr. Gay, be not really a guinea fowl. Your good nature might easily make you imagine one to be the other."
"I protest. You are thinking of yourself. I'll swear you cannot tell the difference. You put all the music you have into your verse. I doubt if you could even whistle 'Lillibulero,' though there's not a snub nosed urchin in his Majesty's kingdom who can't bawl it."
"That may be, but I can neither whistle nor am I a snub-nosed urchin. I apologise for my defects," retorted the poet.
A general laugh followed at this and Gay, somewhat discomfited, turned to Lavinia.
"Now, Polly, what has brought you here, child? But looking at you I doubt if I ought to call you child. 'Tis months since I saw thee and I vow in that time you've become a young woman."
"I'm very sorry, sir. I could not help it," said Lavinia meekly.
"Help it! Faith, no! 'Tis very meritorious of you. But tell me. Has the admirable Miss Pinwell granted you a holiday, or is it your birthday and you've come for a present, or what?"
"Neither the one nor the other, sir. I—I rather think I've left school."
"Left school! And without apprising me who am, you know, in a way sponsor for you? But may be you've written the duchess?"
Lavinia shook her head and cast down her eyes.
"Left school," repeated Gay lifting his wig slightly and rubbing his temple. "Surely—surely you haven't misbehaved and have been expelled. Miss Pinwell I know is the perfection of prim propriety, but——"
"Quite true, sir, so she is," burst out Lavinia impetuously, "and I've done nothing wicked—not really wicked—only silly, but I'm sure Miss Pinwell wouldn't take me back. You see, sir, I—oh well, I suppose I must confess I ran away—I meant to return and nobody would have been the wiser—but things happened that I didn't expect and—and oh, I do hope you'll forgive me."
Lavinia's pleading voice quivered. Her eyes were fixed imploringly on Gay. Tears were glistening in them, the pose of her figure suggested a delightful penitence. The susceptible poet felt his emotions stirred.
"Forgive you? But you haven't told me what I am to forgive. You ran away from school you say. What made you? Had you quarrelled with anyone?"
"Oh no—not then—the quarrel was after I left the school."
"After—hang me if I understand. Whom did you quarrel with?"
"The—the person I—I ran away with."
Lavinia's confession was uttered in the softest of whispers. It was inaudible to anyone save Gay. Her face had suddenly become scarlet.
"The per—oh, there's a mystery here. Mr. Pope—gentlemen," Gay went on turning to the others, "will you excuse me if I draw apart with our young madam. She has propounded to me an enigma which must be solved."