The True History of Tom & Jerry:
or, Life in London

THE

TRUE HISTORY

OF

TOM & JERRY:

OR,

BILLY WATERS.

One notable effect of “Life in London,” particularly in its dramatised form must be recorded. It broke the heart of poor Billy Waters, the one-legged musical negro, who died in St. Giles’s workhouse, whispering with his ebbing breath, a mild anathema, which sounded very much like: “Cuss him, dam Tom—meē—Tom—meē Jerry!”

Poor Billy endeavoured, up to the period of his last illness, to obtain for a wife and two children what he termed, “An honest living by scraping de cat-gut!” by which he originally collected considerable sums of money at the West-end of the town, where his ribbon-decked cocked hat and feathers, with the grin on his countenance, and sudden turn and kick out of his wooden limb, and other antics and efforts to please, excited much mirth and attention, and were well rewarded from the pockets of John Bull.

THE
True History
OF
TOM AND JERRY;
OR,
The Day and Night Scenes,
OF
LIFE IN LONDON
From the START to the FINISH!
With a Key to the Persons and Places,
Together with a Vocabulary and Glossary
of the
Flash and Slang Terms,
occuring in the course of the work.
BY
CHARLES HINDLEY,
Editor of “The Old Book Collector’s Miscellany; or, a Collection of Readable Reprints
of Literary Rarities” “Works of John Taylor—the Water Poet,” “The Roxburghe
Ballads,” “The History of the Catnach Press,” “The Curiosities of
Street Literature,” “The Book of Ready Made Speeches,”
“Life and Times of James Catnach, late of the
Seven Dials, Ballad Monger,” “Tavern
Anecdotes and Sayings,” etc.
London:
CHARLES HINDLEY, 41, Booksellers’ Row, St. Clement Danes,
Strand, W.C.

INTRODUCTION.

hat Pierce Egan’s Life in London, or Tom and Jerry, was a success, we have plenty of printed evidence and ‘hearsay’! to prove. And we also know—beyond the shadow of a doubt, that the news of its metropolitan fame went forth with almost telegraphic speed throughout the provinces:—From John o’Groat’s House to the Land’s End!—From Dan to Beersheba!—and back again! With Life in London, its language became the language of the day; drawing-rooms were turned into chaffing cribs, and rank and beauty learned to patter flash ad nauseam.

The original work went through several editions in a very short time, and the plates, by the Brothers Cruikshank, were considered so full of amusement that they were transferred to a variety of articles without any loss of time. The Lady taking her gunpowder was enabled to amuse her visitors with the adventures of Tom and Jerry on her highly-finished tea-tray. The lovers of Irish Blackguard experienced a double zest in taking a pinch from a box, the lid of which exhibited the laughable phiz of the eccentric Bob Logic. The country folks were delighted with the handkerchief which displayed Tom getting the best of a Charley, and Dusty Bob and Black Sal “all happiness!” The Female of Quality felt interested with the lively scene of the light fantastic toe at Almack’s, when playing with her elegant fan; and the Connoisseur, with a smile of satisfaction on his countenance, contemplated his screen, on which were displayed the motley groups of high and low characters continually on the move in the metropolis.

Everybody talked of Tom and Jerry, and crowds rushed to the theatres where the uproarious adventures of these popular personages were represented in a dramatic form. Mr. W. T. Moncrieff’s adaptation brought out at the Adelphi Theatre, November 26th, 1821:—which, “by-the way,” was by far the best of the whole bunch!—ran uninterruptedly through two seasons. It then appeared in rapid succession at the Theatres all over England, Ireland, Scotland, and Wales; likewise in most of the United States of America, the West Indies, &c.

But although Life in London, or, Tom and Jerry did make our grandfathers so very—very! merry in the first quarter of the Nineteenth Century, we are constrained to admit; that it is a terrible dull and tedious work to read through in the present day, and it is on that very account, that we here place before our readers, what we are pleased to term—The True History of Tom and Jerry; for the work has a history of its own, and to exemplify the fact, we have in the first place, made numerous selections from the original work, then given the principal scenes of Moncrieff’s dramatic version of the same, the two concluding chapters of Pierce Egan’s continuation of his Life in London which he entitles—The Finish to the Adventures of Tom, Jerry, and Logic, in their Pursuits through Life In and Out of London.[1] Together with a “Key to Persons and Places, and an Etymological and Critical Vocabulary and Glossary of Flash and Slang Terms occurring in the course of this work,” as at once giving an epitome of the whole: and to our mind, sufficient to be known of Pierce Egan’s once popular work. To which we have added such historic facts and scraps of information that have come to hand during our researches in connection with the—Rise and Progress—Decline and Fall of the Book and its Story. The present generation will find in some of the scenes depicted in such glowing colours, many of the fashions, manners and customs, which prevailed in the reign of King George the Fourth, together with certain landmarks of the past, which no one need regret leaving far behind, and ought to give every encouragement to those who live under the rule of Queen Victoria to maintain a firm faith in the social progress of the age.

The first Chapter of Life in London, commences with what the author terms An Invocation, in which, after invoking!—“the pleasing, grateful, inspiring, nay, golden advantages resulting from the smiles of that supreme goddess of the gods, FAME!”—which he adds is the—“flattering unction” that all authors sigh to be anointed with. He then in very—“merry-go-round—here we go round”—sort of a way calls to his aid many of the past, and, also then, living authors, artists, publishers, and public characters of the day—“to enrich his judgment—guide his pen—inspire him with confidence—and in other ways assist him in the arduous task he has undertaken.” And thus he ‘invokes.’ Laurence Sterne—divine and humourist—(1713-68):—

—“It is to thee, Sterne, I first humbly bend my knee, and solicit thy most powerful aid. If thou didst not use up all thy stock of Sensibility before thou wert called away to enjoy the reward of thy exertions in the bowers of Elysium, pray tell me where thou didst deposit that most precious bottle, that I may with an eagerness unexampled, uncork its treasures and apply every drop after thy rich felicity: I have great need of it. And Fielding, too, thou true delineator of Human Nature, if only a small remnant of thy Mantle has been left behind, let me but know it, that I may ransack every piece-broker’s house in the kingdom, till I become the master of such an invaluable stimulus to exertion. And, although another Sophia Western, perhaps, is not to be met with in the walks of the present day, if it were my precise object, yet, let me but produce some similarity towards the double of a Tom Jones or a Booth, and the highest pinnacle of my ambition is attained. Smollett, thy touching heartfelt qualities break in upon me so penetratingly, that I must also invoke thy friendly shrine. And if a Rory Random or a Lieutenant Bowling should ever cross my path, instruct me to portray their noble traits with all that richness of colouring, and peculiar happiness of style, that once embellished thy truly characteristic pen.

—“Advance, also the Metropolitan Heroes of Literary Renown, whether of Genius great, either of romantic style, or of Poetry exquisite, of Don Juan or Lalla Rookh quality, it matters not, if generosity lie within thine inkstands, and ye put forth your good wishes for my success; show me your passports to excellence, and put me in the right road, that I may ultimately obtain your proud signatures and arrive safe at the end of my journey.

—“Reviews, those terrific Censors of the timid writer, and arbiters of the press, whether Quarterly,[2] or at Edinburgh,[3] you who apply the knife, bear it in mind that Van Butchell[4] advertises to perform cures without cutting; and that Abernethy[5] is himself alone! and also remember, thou sages of the quill, that many an unfortunate homo who has been ‘damned to everlasting Fame’ and disposed of in a Jef, in thy most omnipotent pages; yet has, from the resuscitating glossy aid of Messrs. Day & Martin, become a shining Literary Character in Paternoster Row, and formed one of the real Portraits of Life in London.

—“Come forth, my Mag of Blackwood[6]; thee, too, I must invoke! thou chiel of Satire, whose lively sallies and ‘laughing-in-the-sleeve greatness’ that would have paralysed the pencil of a Hogarth, or struck dumb the piquant ridicule of a Churchill, if the grim King of Terrors had not deprived us of their talents; I challenge thee to the scratch! ’Tis One of the Fancy calls! But, from thy lamb-like qualities and playful artillery, it must only be a private set-to with the gloves. My hand grapples with you in friendship—it possesses not weight enough to combat with thee, although the pluck, perhaps, attached to it may be always gay. Be it remembered, that Blackwood is always in training—he hits so very hard—and his Backers are likewise so numerous amongst the Greeks, Latins, Hebrews, and Classics, that it would be two to one against an open contest: therefore, good Mr. Blackwood, be just, nay, be more, ‘be merciful. It is doubly bless’d’; and you know Blacky, ‘it blesseth him that gives and him that takes.’ Then floor me not; but instead:—

Shoot thine arrow o’er thy house,—
And do not wound thy brother;

but whisper to the Pack, and particularly to the whipper-in, Old Christopher North, that ‘’Tis I’—(your flash-y friend of the South). But let me entreat of you Mr. Blackwood, to bottle-off a few of thy little mastery touches (as full of fire as thy famed whisky), and send them to me with all the speed of the mail, lest my stock of spirits should be exhausted, and that Life in London may be enriched with the fine colouring of a Meg Merrilees, if it be only in perspective.”

—“And Mr. Colburn (thou indefatigable promoter of literature), thy assistance I most humbly crave! indeed, I feel assured that thy spirited and liberal disposition will not permit thee to omit informing those dashing belles and beaux, whose morning lounge gives thy repository of the mind an air of fashion, that Life in London is worthy of perusal.

********

“But thou, O Murray! whose classic front defies, with terrific awe, ill-starred, pale, wan, and shabbily-clad Genius from approaching thy splendid threshold, retreat a little from thy rigid reserve, and for once open thy doors, and take the unsophisticated Jerry Hawthorn by the hand; and although not a Childe Harold in birth, a Corsair bold, or a Hardy Vaux, wretched exile; yet let me solicit thee to introduce him to thy numerous acquaintance, that, having once obtained thy smiling sanction, Jerry may not only have the honour of being allowed to call again, but to offer his services throughout thy extended circle. Grant me but this and whether in simple quires, in humble boards, or in Russia, triumphantly gilt, so that thou promote my fame, my gratitude attends thee, and values not the mode of thy favours.”

“Christie, I am sure thy goodness will not refuse me the loan of thy erudite hammer, if not to knock down, yet to dispose of every coarse and offensive article; nay more, let them not be numbered in the catalogue of my offences.”

“O Shaughnessy, fashion me into thy fine attitudes and guard, to protect me from assaults in all the hair-breath escapes I may have to encounter in my day and midnight rambles. And thou, O mighty and powerful champion, Cribb, admired hero of the stage, teach me to make a hit of so Kean a quality, that it may not only tell, but be long remembered in the Metropolis. And Paternoster-row triumpet forth its praise and excellence throughout the most distant provinces.”

“Ackerman, if ever thou didst value the Tour of Dr. Syntax, I call upon thee now to lend thy friendly assistance and protection to Corinthian Tom and his rustic protégé poor Jerry. Present a copy of their Sprees and Rambles to the learned Doctor, and his ‘Picturesque’ brain will be all on fire for another tour, from the new scenes it will develop to his unbounded thirst for enterprise and knowledge.”

“And thou, too, Hone, thou king of parodists! turn not a deaf ear to my request, but condescendingly grant the petition of your most humble suitor. In my diversity of research, teach me ‘how to tell my story,’ that I may not only woo the public with success and fame, but produce that fine edge in sharpening up my ideas, yet, withal so smooth and oily, that instead of wounding characters, I may merely tickle them and create a smile!”

“Tremblingly alive! nay, heavily oppressed with agitation and fear, I now intrude myself into thy presence, thou renowned hero of the police, Townshend. Do not frown upon me, but stretch out thine hand to my assistance, thou bashaw of the prigs and all-but beak! The satellite of kings and princes, protector of the nobility, and one of the safe guards of the Metropolis. Listen to my application, I entreat thee, ‘my knowing one,’ and for once let me take a peep into thy hiden invaluable secrets. It is only a glance at thy reader[7] that I request:—

Wherein of hundreds topp’d, thousands lagg’d;
And of the innumerable teazings thou has book’d.

thy ‘Life in London,’ alone, is a history of such magnitude, that, if once developed, the ‘Adventures of Robinson Crusoe’ must be forgotten. O teach me, Townsey, to be as down in my portraits as thou art in giving all the light and shade of criminality to the nightly mysteries of the wary Fence when pressing for a conviction; and likewise, to keep as sharp a look out after characters in the ball-room of the Corinthians as thy penetrating eyes scour the abodes of the great when ‘at home’ to make all right. I ask no more than:

Sit mihi fas audita loqui; sit numine vestro
Pandere res altâ terra et caligine mersas.”

Pierce Egan—THE AUTHOR—Then more particularly appeals to the Brothers R. and G. Cruikshank and to ☞ HIMSELF!!! as BOXIANA, thus:—

“In all your varied portraiture of the interesting scenes of Life, let me invoke thy superior talents, Bob and George Cruikshank (thou Gillray[8] of the day, and of Don Saltero[9] greatness), to my anxious aid. Indeed, I have need of all your illustrative touches; and may we be hand-and-glove together in depicting the richness of nature, which so wantonly, at times, plays off her freaks upon half-famished bone-rakers and cinder sifters round the dust hill, that we may be found, en passant, so identified with the scene in question, as almost to form a part of the group. May you also, Bob and George, grapple with Hogarthian energy, in displaying tout a la monde the sublime and finished part of creation, whether screwed up to a semi-tone of ART, or in nobly delineating, what must always be a welcome visitor at every residence, and likewise an admired portrait over all the chimney-pieces in the kingdom—a Perfect Gentleman. But, before I dismiss you to your studies, bear it in remembrance, ‘nothing to extenuate, or set down aught in malice;’ yet be tremblingly alive to the shrug of the fastidious critic, who might, in his sneer, remark, that Caricature would be as much out of time and place in holding up to ridicule the interior of the religious good man’s closet, as it is animatedly required in giving all the rusticity and fun incident to the humours of a country life.”

—“And, thou, O BOXIANA! my dearest friend and well-wisher, thou beloved companion of all my hours, thou ‘note book’ of my Mind, and ‘pen-and-ink remembrancer’ of my passing scenes, whether in splendid palaces, lost in admiration over the fascinating works of art, or in diving into the humble cellar, passing an hour with some of mankind’s worthiest children, poor, but contented and happy,—be thou my guide and assistant! Do not desert me, at peep o’ day, when drowsy Watchmen quit their posts, and coffee-shops vomit forth their snoozing customers—those out-casts of society—to whom a table is a luxury to rest their thoughtless heads upon, and whose:—

Dry desert of a leather pocket book does not contain
A solitary farthing!

Be also at my elbow, upon the strut in Hyde Park, on Sunday’s stare, when Sol’s bright rays over Fashion’s splendid scene gives such a brilliancy of appearance. And be thou near to me, should midnight Covent Garden rows claim my attention, when noisy rattles collect together the dissipated ramblers touched with the potent juice of Bacchus, and entangled with hoarse Cyprians in the last stage of existence, till dragged to the watch-house, where the black hole gives a limit to their depravity of exclamation. In this respect, BOXIANA, let thine ear be as nice as Spagnioletti’s; anxious, like this great master of the Cremona, to give all the force and beauty of composition, but carefully to avoid a note being out of tune. Then, for once, let me entreat of thee, in soliciting thy assistance, that thou wilt take off the gloves, quit the prize ring, put down thy steamer, and for awhile dispense with thy Daffy, but, above all, stear clear from the slang,[10] except, indeed, where the instances decidedly call it forth, in order to produce an effect, and emphasis of character. Then, fare thee well?”

Vive vale—si quid novisti rectius istis,
Candidus imperti; si non, his utere mecum.—Horace.

—“Farewell and be happy—if you know of any precepts better than these, be so candid as to communicate them, if not, partake of these with me.”

———— “If a better system’s thine,
Impart it freely, or make use of mine.”

Early in the career of the publication of Life in London, there seems to have been some adverse criticisms by at least a section of the Press on the slang of the Author; and the somewhat highly coloured and spicey Plates of the Brothers Cruikshank, as in Chapter VI., page 84, Part III., there is the following apology, or, explanation printed as a foot-note thus:—

—“I am aware that some of my readers of a higher class of society, may feel, or seem to think, that I have introduced a little too much of the slang; but I am anxious to render myself perfectly intelligible to all parties. Half the world are up to it; and it is my intention to make the other half down to it. Life in London demands this sort of demonstration. A kind of cant phraseology is current from one end of the Metropolis to the other: indeed, even in the time of Lord Chesterfield, he complained of it. In some females of the highest rank, it is as strongly marked, as in dingy draggled-tail Sall, who is compelled to dispose of a few sprats to turn an honest penny: and while the latter, in smacking her lips, talks of her prime jackey, an out-and-out concern, a bit of good truth, &c., the former, in her dislikes, tossing her head, observes, it was shocking, quite a bore, beastly, stuff, &c. The Duchess, at an Opera, informs the Countess of a ‘row’ which occurred on the last evening with as much sang-froid, as Carrotty Poll mentions to a Costardmonger the lark she was engaged in, at a gin-spinner’s, and, in being turned out of the panny, got her ogles taken measure of for a suit of mourning. Therefore, some allowance must be made for an author who is compelled to write under a subdued tone of expression—in order to keep his promise made to the public in the Prospectus issued by him prior to the publication of the work. In fact in many instances, the language of real Life is so very strong, coarse, and even disgusting, that, in consequence of keeping the above object in view, the points of many a rich scene are in great danger of being nearly frittered away; nay, of being almost reduced to tameness and insipidity. My ingenious friends, Robert and George Cruikshank, whose talents in representing “the living manners as they rise” stand unrivalled in this peculiar line, feel as strongly impressed with the value of delicacy as I do. But if some of the plates should appear rather warm, the purchaser of ‘Life in London’ may feel assured, that nothing is added to them tending to excite, but, on the contrary, they have most anxiously, on all occasions, given the preference rather to ‘extenuate’ than to ‘set down aught in malice.’ All the Plates are the exact representations, as they occurred of the various classes of society.”

The Prospectus alluded to at page xi., was after the following form.

—“The grand object of this Work is an attempt to portray what is termed ‘Seeing Life’ in all its various bearings upon Society; from the high mettled Corinthian of St. James’ swaddled in luxury, down to the needy Flue-Faker of Wapping, born without a shirt, and destitute of a bit of scran to allay his piteous cravings. ‘Life in London’ then, is the sport in view; and provided the Chase is turned to good account. ‘Seeing Life’ will be found to have its advantages. No leaning upon the elbows is necessary to imagine scenes, after the manner of the ‘Mysteries of Udolpho,’ neither has it been deemed expedient to have a fairy stationed upon a Lake, during the thunder and lightning of some dreadful night, in order to work up the mind of the Writer to depict what he has seen, with a touch of the terrific.

“The Designs have been sketched, as they occurred, and the Artists, in conjunction with the Writer, have booked the ‘Glowing Scene, fraught with fun, gaiety, style, anecdote, and character,’ at the moment it presented itself, and which, if once lost sight of, perhaps, could never have been retraced;—instead of trusting to their recollection at an after period, which has too often been the cause of giving a sort of insipidity and dulness, characterizing ‘STILL’ instead of the fire and animation that hovers over ‘Real’ LIFE.

“It will, also, be found that ‘Jerry’ had higher objects in view, than breaking a Watchman’s lantern, and agitating a tinkler to queer the Roosters, or, that his energies and talents existed only in a Row. It is not necessary, however, to dilate on the merits of a Work that affords such an inexhaustible scope, as ‘Life in London;’ neither, perhaps, is it too much to conclude, that it will be a production, at which the Grave may smile, the Gay feel delight, the Comical laugh heartily, and the Pathetic have occasion for a wipe. The Modest it is trusted, will not have occasion to turn aside with disgust, nor the Moralist to shut the book offended. The Corinthians likewise, will have no occasion to be ashamed to acknowledge ‘Tom’ as one of their party; the Universities not the slightest complaint to expel, or even rusticate ‘Bob Logic,’ nor the large Family of the Hawthorns to disown—poor Jerry, for his Sprees and Rambles in the Metropolis.”

During the periodic publication of Life in London it was generally supposed that the character-parts! of Tom, Jerry and Logic, were portraits of particular individuals, and there was much speculation and ink-slinging in respect to “Who is Who?” In the House of Lords it was whispered that the gallant and daring Tom represented his Grace the Duke of Wellington; Jerry, his Grace the Duke of Buckingham; and Logic, no less a personage than the Lord Chancellor. In the House of Commons it was said that Tom was intended for that worthy legal bibliophile, Mr. Butterworth, the pious member for Coventry; that Mr. Martin of Galway, pleaded guilty to Jerry; and the acute and knowing Mr. Hume sat for the all-awake leary Logic. On the other hand it was positively asserted at the West-end that Tom type-ified the elegant and spirited Colonel Berkeley; that the unsophisticated hopeful sprig of rurality, Jerry, was drawn, ad vivum, from Mr. Pea-Green Hayne,[11] while Logic absolutely personated that notorious modern Greek scholar, the learned, larking, laconic, Parson Colton.[12]

In the City, per contra, it was currently reported on ’Change that Tom, from his love of fun, and knowledge of good living, was the locum tenens of that great and learned man, and most facetious Banking Baronet, Sir William—more succinctly and familiarly Billy—Curtis, of the “three R.’s” notoriety;[13]—that Jerry was the picture of Mr. Treble, X Sheriff Parkins; and that Logic was an outline of Mr. Alderman Wood. But, Mr. W. T. Moncrieff states that he can, however, safely assert that all these suppositions are totally unfounded, as the characters of Tom, Jerry and Logic, were autobiographical sketches of the artists to whom they severally originally owe their being. The talented, spirited George Cruikshank was himself, in all the better points, the Tom—of the Corinthian Order; he is so admirably delineated; his very clever brother Isaac Robert, then perhaps less experienced, condescended to pass for Jerry, and the downey Pierce Egan—“‘None but himself can be his parallel’[14]—was his own Logic—the Oxonian in green specs—gig-lamps!” Mr. Moncrieff continues—“they having tria juncta in uno produced the admirable foundation of this Piece.[15] May they speedily furnish the public with some more of their larks, sprees and rambles—the world will thank them for the gift.”

It is now a matter of history that the Brothers Cruikshank, first designed and engraved the Plates for the original Edition of Life in London, and, then, Pierce Egan wrote the letter-press up to them from month to month to the completion of the work in July, 1821.

To this order of things there was, however, one exception, namely in December, 1820,—“’twas Christmas, merry Christmas time, when ‘Man being reasonable, must get drunk,’” and Pierce Egan, admitted that he got too much Daffy aboard the over night, and that on waking up late the next morning he found his pocket-book containing his Notes! i.e., “copy” absent without leave. He therefore published at page 275 as follows:—

TO THE SUBSCRIBERS TO “LIFE IN LONDON.”

THE AUTHOR IN DISTRESS![16]

He jests at a “Lark” that never felt a SCRATCH!

My numerous and dearest Friends:—

Of necessity, I am compelled to state to you, that having accepted an invitation from Bob Logic, about three weeks since, to spend an evening with him and a few of his Swell Pals, at the Albany, I pleaded business, and that the “First of the Month” must come. “I know it,” replied Bob, “but it shall be a sober set-out: Pierce, you shall tipple as you like.” In consequence of Bob’s plausibility, I was gammoned to be one of the squad. Mixed liquors and steamers were the order of the darkey. But he praised so highly a cargo of daffy, which he had just received from the Nonpareil[17] that Daffy and water was the preferred suit. After a glass or two had been sluiced over the ivories of the party, which made some of them begin loudly to chaff, Bob gave the wink to his slavey, observing that more hot water was wanted. A large kettle, boiling at the spout, was speedily introduced, but instead of water read boiling Daffy. The assumed gravity of Bob’s mug upon playing off this trick was quite a treat, but I am happy to say Crooky booked[18] it. “Come, gents,” said Bob, “please yourselves, here is plenty of water, now mix away.” It had the desired effect. The glass was pushed about so quickly; that the “First of the Month” was soon forgotten, and we kept it up till very long after the Regulars had been tucked up in their dabs, and only the Roosters and the “Peep-o’-Day-Boys” were out on the prowl for a spree. At length a move was made, but not a rattler was to be had. Bob and the party, chaffing, proposed to see the Author safe to his sky-parlour. The boys were primed for anything. Upon turning the corner of Sydney’s Alley, into Leicester-Fields,[19] we were assailed by some trouble customers, and a turn-up was the result (as the Plate[20] most accurately represents). Bob got a stinker, and poor I received a chancery-suit upon the nob. How I reached the upper-story, I know not; but, on waking late in the day, I found my pocket-book was absent—without leave. I was in great grief at its loss, not on account of the blunt it contained—much worse—the notes in it were dearer than gold to me. The account of Jerry’s introduction to the Marchioness of Diamonds, the Duchess of Hearts, Lady Wanton, Dick Trifle, Bill Dash, &c., &c., on his appearance in Rotten Row with the Corinthian, booked on the spot. I was in a complete funk. I immediately went to sartain persons, and communicated my loss; how, where, and when; and I was consoled, that, if it were safe, Pierce Egan should have it. Day after day passed, and no account of it;—I gave it up for lost, and scratched my moppery, again and again, but could not recollect accurately, the substance of my notes. I was sorry for myself;—I was sorry for the public. However, on Friday morning last, taking a turn into Paternoster Row, my friend Jones[21] smiling, said he had got the Book:—as he is fond of a bit of gig, I thought he was in fun,—but, on handing it over to me, with the following letter, my peepers twinkled again with delight.

To the care of Mr. Jones, for P. Egan.

Sir,—You see as how I have sent that ere Litter.[22] Pocket-Book, which so much row has been kicked up about amongst us. Vy it an’t vorth a single tonic,[23] Who’s to understand it? vy it’s full of pot-hooks and hangers[24]—and not a screen[25] in it. You are determined nobody shall nose your idears. If your name had not been chaunted in it, it would have been dinged into the dunagan. But remember, no conking.

From yours, &c.,
Tim Hustle.

Dec. 20, 1820.

The joy I felt on recovering my Pocket-Book I cannot communicate. The return of it, however, arrived too late to prevent the following:—

APOLOGY.

In consequence of Bob Logic’s Daffy, only one sheet of Letter Press accompanies the Plates of No. 5; but, to make up for this unavoidable deficiency, THREE SHEETS of Letter Press will be given in No. 6.

I therefore trust, under the circumstances of the case, a liberal allowance will be made, when it is recollected that such RAMBLES and SPREES FIRST gave the Author an idea of detailing some of the “rich scenes” which are only to be found in

LIFE IN LONDON.

Wishing health and happiness, united with the compliments of the season, to all my numerous Subscribers,

I remain,
Your much obliged and humble servant,
P. EGAN.

Sky-Parlour,
January 1, 1821.

In Chapter XIV. of the original Life in London, there is such a graphic description of Tom, Jerry and Logic—the Oxonian; making a “jolly Night of it” at the once famed Vauxhall Gardens: written in so truly a Piercy Egania!!! style that we are tempted to reproduce it in its entirety for the benefit of our readers, together with a few Notes of our own to follow.

——“I perceive,” said Tom, “on perusing the newspaper, Vauxhall Gardens are open, and therefore, Jerry, to-night we will pay them a visit.” “It is an extraordinary place, indeed,” replied Hawthorn, “if my Old Dad and Mam have not exaggerated its grandeur; but, as the old people have not been used to sights, it may account for their astonishment and rapture in speaking about them.” “I am not surprised at that,” answered Tom, smiling; “in my humble opinion, it has not its equal in the world. There is nothing like it in Paris. Pleasure holds her court at Vauxhall. In those gay regions, you are liable to jostle against the gods and goddesses—Bacchus you will find frequently at your elbow—Venus and the Graces passing and repassing, yet condescendingly smiling upon you—Momus surrounded by fun and laughter—Terpsichore attending upon your steps—and Apollo winding up the whole with the most pleasing harmony.” “No Lethe, then is necessary at Vauxhall, I suppose,” said Jerry, ironically, interrupting Tom. “Yes, my dear Coz,” answered the Corinthian. “It might be inferred that nearly, if not all the visitors, upon entering Vauxhall Gardens, had drank of the waters of Lethe, for everything else seems to be forgotten on joining this enchanting scene: however, I can speak for myself in this respect.” “Excellently well defined, Tom,” replied Logic. “To me, Vauxhall is the festival of Love and Harmony, and produces a most happy mixture of society. There is no precision about it, and every person can be accommodated, however substantial, or light and airy their palates. If eating, my dear Jerry, is the object in view, you will perceive tables laid out in every box, and the order is only wanted by the waiter instantly to gratify the appetite. If drinking, the punch is so prime, and immediately follows the call, that it will soon make you as lively as a harlequin. If inclined to waltz or to reel, partners can be procured without the formality of a master of the ceremonies. If you are fond of singing, the notes of that ever-green, Mrs. Bland, never fail to touch the heart. If attached to music, the able performers in the orchestra, the Pandean minstrels, and regimental bands, in various parts of the gardens, prove quite a treat. If promenading is your forte, you will find illuminated walks of the most interesting and animated description. Numerous persons of the highest quality: myriads of lovely females, with gaiety beaming upon every countenance; and the pleasure of meeting with old friends and acquaintances, render the tout ensemble impressively elegant and fascinating. Even the connoisseur in paintings may find subjects at Vauxhall too rich to be passed over in haste. In short, there is such an endless variety of amusements, in rapid succession, from the song to the dance—from refreshment to the glass—from the cascade to the fireworks, that time positively flies in these Gardens. Reflection is not admitted; and the senses are all upon the alert. You may be as extravagant as you please, or you need not spend a single farthing, if economy is your object, and not be found fault with neither. If you like it so best,” continued the Oxonian, smiling, “you may be as gay as a dancing-master, and enter into all the fun and frolic by which you are surrounded; or you can be as decorous as a parson in his pulpit, and be nothing more than a common observer. But if enjoyment is your motto, you may make the most of an evening in these Gardens more than at any other place in the Metropolis. It is all free and easy—stay as long as you like, and depart when you think proper.” “Your description is so flattering,” replied Jerry, “that I do not care how soon the time arrives for us to start.” Logic proposed a “bit of a stroll,” in order to get rid of an hour or two, which was immediately accepted by Tom and Jerry. A turn or two in Bond Street—a stroll through Piccadilly—a “look in” at Tattersall’s—a ramble through Pall Mall—and a strut on the Corinthian Path, fully occupied the time of our heroes till the hour for dinner arrived, when a few glasses of Tom’s rich wines soon put them on the qui vive; Vauxhall was then the object in view, and the Trio started, bent upon enjoying all the pleasures which this place so amply affords to its visitors.

“It is really delightful,” exclaimed Jerry, on his entering the Gardens, during the first act of the concert; “I was, on my first visit, enraptured with Sydney Gardens, at Bath; but, I must confess, that the brilliancy of this scene is so superior that it appears to me like a New World, and you have not, my friends, overrated it.”

Hawthorn, under the guidance of his pals, was not long in exploring the illuminated walks, the rotunda, and everything belonging to this fashionable place of resort. Our hero was in high spirits; Logic was also ripe for a spree; and the Corinthian so agreeable in disposition, that he made known to his two friends he was ready to accommodate them in any proposition they might feel inclined to make. Jerry expressed himself much pleased with the arrangement and performance of the concert; and he likewise observed, the music of the songs reflected considerable credit on the talents of the composer.[26] On passing through the rooms attached to the rotunda, in which the paintings of Hogarth and Hayman[27] are exhibited, and also the portraits of the late King and Queen, on their coming to the throne, Jerry, with a smile, retorted upon Logic, “that those paintings certainly could not be passed over in haste, if the proprietors of the Gardens thought catalogues were not necessary, it would, however, prove much more pleasing to the visitors if a few lines were painted under them, by way of explanation.” “I must agree with your remarks,” replied Logic; “no visitor ought to be suffered to remain in the dark on any subject amidst such a blaze of illumination. Never mind criticising any more about these pictures; let us retire to a nice little box, for I assure you my ogles have feasted enough, and I stand in need of much more substantial refreshment. Some burnt-wine, ham shavings,[28] chickens, sherry, and a lively drop of arrack-punch, my boys, will enable us to finish the evening like trumps.” “A good proposition,” cried Tom. “It is,” said Jerry; “and I second it.” The Trio immediately left the gay scene, for a short period, to partake of all the choice articles which the larder could produce to please their palates. The bottle was not suffered to stand still by our heroes, and the punch also moved off with great facility, till the lively military band invited them once more to join the merry dance, when Logic, full of fun and laughter, said, “he was now able to reel with any lady or gentleman in the Gardens.” “Yes,” replied Tom, laughing heartily, “I’ll back you on that score, Bob; but not to dance.” The elegant appearance and address of the Corinthian soon procured him lots of dashing partners: Jerry was not behind his Coz in that respect; and the agility both our heroes displayed on the “light fantastic toe” attracted numerous gazers. Logic, who was for “pushing along, keep moving,” as he termed it, was interrupted in his pursuit by a jack-o’-dandy hero, and who also quizzed the Oxonian with the appellation of “Old Barnacles.” Some sharp words passed in reply from Logic, when the dandy, who was rather snuffy, as well as impudent, put himself into a posture of defence, crying out, “Come on my fine fealow, I’ll soon spoil your daylights.” The Oxonian immediately gave the dandy so severe a blow on his head that he measured his length on the ground like a log of wood: and, on Logic perceiving the fallen dandy quite terrified, he assumed to be in a most violent rage, and addressing two of the sisterhood near him, with “My dears, if you do not hold my arms, I am so tremendous a fellow, I shall certainly do him a mischief.” This piece of bombast had the desired effect; and the dandy, amidst roars of laughter, endeavoured to get up and run away; but Logic held him, and said, “That was the way he took to correct fellows who addressed him improperly; and, to prevent mistakes in future, he advised him to remember Mr. Green Specs.” The Oxonian, anxious to keep up the fun, pretended, all of a sudden, to be in great agony, and, putting up his hand to his head, exclaimed, in a piteous tone, “I have got the worst of it after all; I have lost an eye.” “I hope not,” said a lady, a little advanced in years, who was an observer of the scene, apparently much grieved at his misfortune. “Never mind, my love,” replied Logic; “it is only a green one; I can get another,” showing his spectacles, with one of his glasses out. Bob now reeled off, receiving the applause of the spectators as a very funny fellow. On the conclusion of the dance, Tom and Jerry traversed the Gardens, and enjoyed themselves to the utmost extent in all the variety they afforded, till day-light had long given them the hint it was time to think of home. Logic, as upon former occasions, was not to be found; and the Corinthian and his Coz were compelled to leave Vauxhall without him.

Under the Especial Patronage of HIS MAJESTY.

Royal Gardens, Vauxhall.—The Proprietors respectfully beg leave to acquaint the Public that these Gardens having been newly and fancifully decorated, are now open for the SEASON, every Monday, Wednesday, and Friday Evenings. TO-MORROW, June 11, Wednesday and Friday Evenings next, a Vaudeville, written by Mr. Moncrieffe, called ACTORS’ AL FRESCO; or, the Play in the Pleasure Grounds. With principally original Music composed by Messrs. T. Cooke, Blewitt, and Horn. Sir Udolph Honeysuckle, Mr. S. Bennett; Orlando Saville, Mr. Horn; Signor Patrick O’Diddle, Mr. Fitzwilliam; Jeremy Crambo, Mr. Woulds; Miss Frances Honeysuckle, Miss Graddon; Miss Penelope Honeysuckle, Miss Pearce; Sally Larkspur, Mrs. Fitzwilliam; Villagers, &c., &c.—The Vaudeville will begin at a quarter past eight.—Author and Stage Manager, Mr. Moncrieffe.

An Entirely NEW DIVERTISEMENT (composed by Mr. Ridgway), for which a numerous Corps de Ballet is engaged.

In the course of the Evening, Mr. BLACKMORE will perform his astonishing Feats on the Slack Rope.

The FIRE-WORKS, with the wonderful Ascent on the Rope, by BLACKMORE, will be exhibited with their usual splendour, by those celebrated Artists, SOUTHBY and D’ERNST.

The CONCERT, which has ever formed a prominent feature, will be performed as heretofore, in the original and much admired Orchestra, in the open Gardens; and will consist of entirely new Songs, Duets, Glees, &c., composed by Cooke, Blewitt, and Horn, and sung by Messrs. Woulds, Horn, Benson, Tinney, and Fitzwilliam, Miss Graddon, Mrs. Austin, and Mrs. Fitzwilliam.

The Military and Scotch Bands, under the direction of Mr. Hopkins will be in attendance.—Director and Leader of the Music, Mr. T. Cooke; Composers, Messrs. T. Cooke, Blewitt, and Horn.

The Scenery and Decorations by Messrs. Thorn, Cox, and Assistants. Mechanists, Messrs. Shaw, Lowe, &c.

A Spectacle of an extraordinary nature, on a scale of magnitude never yet attempted in any Country, is in preparation, and will speedily be announced.—Doors open at Seven.—Admission, 4s.

VAUXHALL.

Vauxhall Gardens—the gay and favourite spot of metropolitan amusement, and of fashionable resort in the summer season—commenced their attractions to the public on Monday. The weather was highly favourable. The entertainments of the evening commenced with a petit piece Actors’ Al Fresco; or, The Play in The Pleasure Grounds, by Mr. Moncrieffe. It was received favourably, though certainly not possessing such claims to public favour as one might expect from the popular author of Tom and Jerry, Don Giovanni, &c. The Concert consisted of entirely new songs, duets, glees, &c., composed by Horn, Cooke, and Blewitt; one of the songs—a comic one—the composition of Blewitt, possessed more merit, both as to the words and the music, than compositions for a temporary occasion, like the present, usually do. The space afforded to the public for a view of the fire-works was more limited than hitherto. This contracted allowance of accommodation, we understand, is attributable to arrangements which are making to celebrate the approaching anniversary of the Battle of Waterloo, on a scale of unequalled brilliancy and splendour. The boxes and several compartments in the gardens are painted in a pleasing light colour—a mixture of green and white—which imparts a freshness and rural appearance to the scene, far more agreeable to the eye than the gaudy tints which were adopted in the previous decorations.—Bell’s Life in London.

GRAND CORONATION FETE!

UNDER THE SPECIAL PATRONAGE OF HIS MAJESTY.

Royal Gardens, Vauxhall.—The Proprietors respectfully acquaint the Public, that it is their intention to celebrate this Anniversary TO-MORROW, Monday, 21st July, 1828, in a style very superior indeed to any Gala it has ever been in their power of producing, as they are enabled to embrace all the distinguished characteristics of the Spanish Fete, in which the Royal, Noble, and distinguished Visitors were so highly delighted on the 8th instant. The ANNIVERSARY of the CORONATION of His MAJESTY may therefore be termed a Superb Repetition of the brilliant Illuminations, extensive and novel Decorations, &c., &c., of that night; and the Public are assured, that the most splendid preparations are in progress, to entertain, delight, and surprise the Visitors. The Gardens will be made one entire scene of light, by every avenue and walk exhibiting illuminated Ornaments, Mottoes, &c., &c., in variegated Lamps and Transparencies; and the following is a slight Programme of the Night’s Amusements:—

THE HYDROPYRIC EXHIBITION, which increases nightly in the favour of the Public, will be performed with all its numerous cascades of coloured fire and variegated water.

A NEW VAUDEVILLE, in the Rotunda Theatre. The Songs, Duets, &c., adapted to familiar Airs; previously to which Master Charles will perform a Solo on the Violin.

RAMO SAMEE, the wonderful Indian Juggler, will delight the Company with his surprising performances with Knives, Balls, Pyramids, &c., &c.

A SUPERB DISPLAY of FIRE-WORKS will take place immediately after the Concert. The Proprietors pride themselves much upon the universal approbation and delight afforded by the displays of Fire-Works at Vauxhall, and which can be witnessed at no other place of amusement in the kingdom; and they pledge themselves that the Fire-Works of this Evening shall be of the very first character. The Artist has directions (regardless of expense) to produce the most splendid display.

Under the especial Patronage of HIS MAJESTY.

Royal Gardens, Vauxhall.—TO-MORROW, June 29, Wednesday, July 1, Friday July 3, will be presented, in the Rotunda, an entirely New Vaudeville, called

A DAY UP THE RIVER,

With New Music, composed by Mr. T. Cooke and Mr. Blewitt. The characters by Messrs. T. Cooke, Weekes, G. Smith, Robinson, W. H. Williams; Miss P. Horton, and Miss Helme.

A CONCERT,

In the open Orchestra, in which several New songs will be introduced for the first time.

A New Pantomime (first time), called

THE YELLOW DWARF; or Harlequin Knight of the Lion.

Under the direction of Mons. Hullin.

Mr. Grey, having been honoured every Evening with the most unbounded applause, will continue to exhibit his unrivalled

FANTOCCINI.

The Amusements will terminate with a display of

FIRE-WORKS

Towards the close of which will be exhibited an HYDROPYRIC TEMPLE, from which will issue a Grand Discharge of Fire, interspersed with Waterfalls, Cascades, Jets d’Eaux, &c.

Admission for the Season and Nightly Cards may be had at 23, Ludgate-hill; 141, Fleet-street; 8, Charing-cross; 146, Oxford-street; and at the Gardens.

Books, descriptive of the Amusements and Songs of the Opera and Concert, to be had in the Gardens only.

The Gardens are opened every Monday, Wednesday, and Friday.

Parties desirous of Dining in the Gardens can be accommodated at or after Six o’clock.

Doors open at Seven.—Admission 4s.

Under the especial Patronage of HIS MAJESTY.

Royal Gardens, Vauxhall.—The Proprietors respectfully acquaint the Public, That these GARDENS WILL OPEN for the SEASON TO-MORROW, Monday, June 1, and will continue open during the Summer, every Monday, Wednesday and Friday; and they have the pleasure of announcing that they have succeeded in obtaining for a few Nights the powerful aid of Miss Fanny Ayton, Mesdames, Castelli and De Angioli, Signor Torri, Guiberlel, De Angiolli, and Pelegrini, to sing in

ITALIAN OPERA BUFFA.

These performers will have the honour of appearing on the first night, in Rossini’s celebrated Opera of Il Barbiere di Seviglia, which will be given in the Rotunda Theatre. The Musical Department under the direction of Mr. T. Cooke; Conductor Mr. Blewitt.

A CONCERT,

As heretofore, in the original Orchestra in the open Gardens, consisting of New Songs, Duets, &c., to be sung by Mr. W. H. Williams, Mr. Robinson, Mr. G. Smith, and Mr. Weekes (from the Theatre Royal, Drury Lane), Miss P. Horton (Pupil of Mr. Blewitt), and Miss Helme.

An entire new COMIC BALLET will be performed in the open Theatre, under the direction of Mons. Hullin, called

POLICHINEL VAMPIRE.

The Dancers principally from the Opera Theatre, assisted by numerous corps de ballet. Leader of the Ballet, Mr. R. Hughes.

The Scenery, with various paintings and many New Cosmoramas, dispersed about the Gardens, by Mr. Cocks and Assistants. The amusements will terminate with a display of

FIRE-WORKS.

Towards the close of which will be exhibited an HYDROPYRIC TEMPLE, from which will issue a Grand Discharge of Fire, interspersed with Waterfalls, Cascades, Jets d’Eaux, &c. The Fire-Works’ Artists are Mr. Southby and Mr. D’Ernst, whose inimitable displays have given such unmixed satisfaction for several successive Seasons.—The Military and Scotch Bands under the direction of Mr. Hopkins.

Admission for the Season and Nightly Cards may be had at 23, Ludgate-hill; 141, Fleet-street; 148, Oxford-street; and at the Gardens.

Books, descriptive of the Amusements and Songs of the Opera and Concerts, to be had in the Gardens only.

The Italian Opera will begin at Ten o’clock. Doors open at Seven.—Admission, 4s.

UNDER THE ESPECIAL PATRONAGE OF HIS MAJESTY.

Royal Gardens, Vauxhall.—OPEN EVERY MONDAY, WEDNESDAY, and FRIDAY.—TO-MORROW (Monday), 14th July, a variety Entertainment will be given, consisting of an entirely New Vaudeville, entitled SHE WOULD IF SHE COULD. Adapted to favourite and familiar Airs. Characters by Mr. T. Cooke, Mr. S. Bennett, Mr W. H. Williams, Miss Knight, Miss Helme, and Mrs. Younge, &c., &c., &c.—The New Pantomime, called HARLEQUIN IN THE BOTTLE.—A Concert in the open Orchestra. The Dioramic Pictures, Cosmoramas, and Spectre Grove. The unrivalled Performances of the celebrated CHING LAURO.—To conclude with the Grand Novelty of the HYDROPYRIC EXHIBITION, which is received with the most tumultuous marks of approbation, forming a display of Water and Fire-Works never before attempted in any country. The Military and Scotch Bands as usual.—Doors open at Seven.—Admission, 4s.—Books, with all the particulars of the Performance, in the Rotunda Theatre, Ballet, open Orchestra, &c., &c., to be had only in the Gardens.—Beware of spurious Pamphlets, pressed upon the Public at the entrance.

UNDER THE ESPECIAL PATRONAGE OF HIS MAJESTY.

Royal Gardens, Vauxhall.—For a FEW NIGHTS LONGER.—The Proprietors respectfully inform the Public, that in consequence of the decided favourable state of the Weather, the Gardens will be Open TO-MORROW, Wednesday and Friday, when the UNION GALA will be repeated with (if possible) increased splendour and effect. The whole of the Illuminations, Decorations, Mottoes, &c., which afforded so much delight last Evening, will be again exhibited, and a continual succession of Entertainments take place from the time the doors open, including the amusing LOTTERY PRESENTS.—Doors open at Seven. Admission, 4s.

Surrey Theatre.—Under the direction of Mr. Elliston, TO-MORROW, June 16, will be presented THE MILLER’S MAID. Giles, Mr. Rayner; Phoebe, Mrs. Fitzwilliam. With DIE NACHTIGAL UND DER RABE. And THE INCHCAPE BELL. Hans Hattock, Mr. Osbaldiston; Guy Ruthven, Mr. Rayner.—Tuesday, Inkle and Yarico. With Die Nachtigal und Der Rabe. And Giovanni in London.—Wednesday, 1st time at this Theatre, the extravaganza of Tom and Jerry; or, Life in London. After which Master Burns will appear (for the 1st time) in six characters in A Day after the Fair. With the Inchcape Bell.—Thursday, Tom and Jerry. With Die Nachtigal und Der Rabe. And The Inchcape Bell.—Friday, Tom and Jerry. With Die Nachtigal und Der Rabe. And The Inchcape Bell.—Saturday, Tom and Jerry With Die Nachtigal und Der Rabe. And Love’s Frailties.

Grand Masquerade, Argyll Rooms, first of the Season.—The brilliant éclat which has lately attended this peculiar and popular species of entertainment, urges as early re-commencement of such festive gaieties, and in compliance with the general wish, TO-MORROW, Monday, November 30, is appointed for the first GRAND FESTA DI BALLO. The Splendid Suite of Rooms will be newly Embellished, Decorated, and Brilliantly Illuminated.

LITOLF and ADAMS’ BAND, with the New Massaroni Quadrilles! arranged from the popular Music of “The Brigand,” now performing with great success at the Theatre Royal, Drury-lane, will be stationed in the Grand Ball Room, newly decorated as LE SALON DE MARS! The Emblematic Devices, Banners, Trophies, &c., &c., by the most Eminent Artists.

Numerous Professional Dancers, from the Italian Opera House, and Theatres Royal, are Expressly Engaged, to enliven the scene with a constant succession of French, English, Italian, Irish, German and Scotch, Dances, particularly The Gallopade! which will be introduced immediately after Supper.

The Court of Momus will be furnished with an Effective Band for Country Dances! and occasionally enlivened with the Eccentric Efforts of numerous Artists, expressly engaged for this SPLENDID CARNIVAL.

“All kinds of dresses splendid and fantastical;
Masks of all times and nations, Turks and Jews,
Mimes, Harlequins and Clowns, with feats gymnastical;
Greeks, Romans, Yankeedoodles and Hindoos.”—Lord Byron.

AN ELEGANT SUPPER will be provided under the superintendence of Mr. Phillips, of Steyne House, Brighton, and Oxford-street, London; and the Room will be opened at One o’Clock—to enliven which PROFESSIONAL GLEE SINGERS will be engaged, and at intervals a GRAND MILITARY BAND will perform some of the most favourite Overtures from La Muette de Portici, Siège de Corinth, Crociato in Egitto, &c., &c.

Dans l’age heureux de la folie
En fêtes, dissipant nos jours.
Nous suivons la route embellie,
Par les Muses et les Amours.
Au refrein des Tambourins,
Au tic tac des Castignettes,
Au jug jug du jus divin,
Amis, chassons le chagrin
Lorsque le Champagne.
Fait eu s’echappant Pan! Pan!
Ce doux bruit me gagne
L’ame et le tympane.

Further particulars will be duly announced.—Masks, Dominoes, Character and Fancy Dresses, to be had at the Masquerade Warehouse, Opera Colonade, Haymarket.

Tickets of Admission, One Guinea each; for Supper Tickets, 7s. 6d. each; and Private Boxes to view the Masquerade without mixing in the Motley Group, Domino, and Character Tickets, apply to Mr. Charles Wright, next the King’s Theatre, Opera Colonade, Haymarket.

DUCROW’S BENEFIT.

Royal Amphitheatre (Astley’s).—Mr. DUCROW has the honour of announcing his BENEFIT REPRESENTATION TO-MORROW EVENING, Sept. 7. For the full detail of the Novelties prepared, it will be necessary to refer to the hand bills, but the three following are leading features totally new, and have never been performed, viz.:—BONAPARTE’S PASSAGE OF THE MOUNT ST. BERNARD, for the Stage; to commence at a Quarter-past Six; and Mr. Ducrow’s two new Scenes for the Circle, of St. George and the Dragon, with its splendid Pageant, in honour of the Champion’s brave and puissant deed. With “Make way for Liberty; or, the Flight of the Saracens.” In addition to these he will represent the Animated Venetian Statue; or, Living Models of Antiques; and will appear with Miss Woolford on the Double Tight Rope. The exercises of the German Rider, Herr Berg, and a variety of other Entertainments.—To conclude with the Grand Romantic Spectacle of THE CATARACT OF THE GANGES.—Tickets to be had and places secured at the Box Office, from Eleven till Four.

To give the present generation of playgoers an insight into the manners and customs of the so-called “good old days:” and in the “hot youth” of our great grandfathers—and mothers: when George the Fourth was King of England: the dramatic version of Tom and Jerry; or, Life in London, is occasionally revived at one or other of the Metropolitan Minor Theatres. In 1868 Mr. Joseph A. Cave produced with distinguished success Moncrieff’s Adelphi adaptation, carefully revised at the:—

VICTORIA THEATRE.

It was announced thus:—

The Performance will commence with the Rattling, Rollicking, Rumantic and Picturesque Drama of every-day Society, in its highest and lowest phases, written by that celebrated reviewer of Mankind, the late W. T. Moncrieff, entitled

TOM AND JERRY;
OR,
Life in London Fifty Years Ago!

Squire Hawthorn An Old English Gentleman, one of the olden time Mr. J. BRADSHAW

Jerry Hawthorn His Nephew, rather verdant, until brought out Mr. JAMES FAWN

Farmer Cornflower—Mr. MILLER

Sir Harry Blood—a Buck—Mr. FASHION

Bill Pointer—an awkward one—Mr. TERRIER

Claw—a Lawyer—Mr. J. BAKER

Tom, alias Corinthian Tom—a blood of the first water—Mr. J. H. FITZPATRICK

Regular a Tiger, who knows his business Miss HUNT

Servant—Mr. ALFREDS

Life in the Country—the party—preparations for the Departure of Jerry.

“Horses sound, dogs healthy, | Earths stopped, and foxes plenty.”

A Country Gentleman’s Idea of London Life.

Tom sets them on the right road—the word pledged—he shall go—one gone already—who? why, the Village Lawyer—Where? under the Table.

A Country Lane! Life and Love in a Cottage!

Tom’s Sanctum in Corinthian Lodge.

Jerry gets an Introduction to Fast Life—Tom’s Advice and Lesson—How the Trio started for Enjoyment.

BURLINGTON ARCADE.

The Lovers in Ambush—the Note—Tom receives a chaffing from Logic.

A look in at Tattersall’s—Tom and Jerry’s judgment in purchasing a Prad—how Jemmy Green bought a horse and was taken home and in by it.

Tom and Jerry express their opinion strongly—the assignation—Tom’s appointment—Logic improves Jerry’s opinion of Town Education.

Bob, Tom and Logic in prime trim—the Treat—Put round the Lush—Dusty Bob and his Sarah.

Pas de Deux Messrs. R. H. KITCHEN & T. LAMB.

Tom and Jerry in a new phase—true admirers of English pluck—a Toast, “Long Life to Gallant Tom Crib.”

“Past Twelve o’clock and a Cloudy Night”—The Bucks revel—Mrs. Tartar in a fix—Help! Help! Help!

A Row—a rally, and a Rescue—how to box a Watchman—Tom and Jerry get the best of a Charley—Tom and Jerry in trouble after a spree.

INTERIOR OF ST. DUNSTAN’S WATCHHOUSE.

BACK SLUMS IN THE HOLY LAND.

Kate, Sue and Jane in new characters—Tom, Jerry and Logic up to their larks—the Thieves’ Supper (without cant)—the raid upon the Sanctuary—a terrific mill—Tom and Jerry in their glory—TABLEAU.

LEICESTER SQUARE.

Real Old Grimaldi Comic Scene.

Clown, Mr. R. H. KITCHEN Pantaloon, Mr. TOM LAMB

Here! Hollo! Now for Fun.

☞ Magnificently Illuminated for a Fete. ☜

The Recognition—all happy—the Lovers united—grand gallop—end of Tom and Jerry’s Life in London.

Brilliant Shower of Fire by Professor Wells.
GRAND DENOUEMENT!

In consequence of the great success of the revival of Tom and Jerry at the Victoria Theatre—where it ran nine weeks: Mr. Conquest, of the Grecian, and Mrs. Lane, of the Britannia Theatre, directly afterwards produced a version of the same. A year or two after that Mr. William Holland, of the Surrey Theatre, assisted by Mr. J. A. Cave, also staged it successfully.

In May, 1886, Mr. J. A. Cave re-produced the same at The Elephant and Castle Theatre, which was set forth thus:—

ELEPHANT & CASTLE THEATRE, S.E.
Grand Theatre.
LESSEE AND MANAGER MR. J. A. CAVE.
Trains, Trams and Buses From all Parts Stop at the Doors.

TOM AND JERRY A BIG SUCCESS;
GRAND REVIVAL OF LIFE IN LONDON 100 YEARS AGO.

Cruikshank’s far-famed Pictures Realised.—Manners and Customs of the Period.—Old
Haunts of London. Life in the East. Life in the West.—Larks by Day.—Sprees by Night.
Betting Cribs.—Sparring Cribs.—All the Noted Characters in Costumes of the time.—The
most Novel, Picturesque, and Amusing Entertainment in London. See Daily Telegraph,
Globe, Morning Post, Sporting Life, Dispatch, Lloyds, &c.

Powerful Cast. All the Original Sensational Effects

Early Pass Doors open Nightly at 6.30.

SATURDAY, May 29th, 1886, and NIGHTLY at 7

TOM AND JERRY;
OR,
LIFE IN LONDON.

All the Original Music, Songs, Duets, Choruses, and Dances.
PRODUCED from the Original Adelphi Manuscript, BY MR. J. A. CAVE.

The Scenes of Old London, &c., By Mr. Hedley Churchward.

********
********

To conclude with, for the first time here, an Original Domestic Drama, of intense interest, entitled The

WREN BOYS;
Or, the Night Birds of Kerry.
Introducing the entire Company.

Stage Manager, Mr. George Skinner. Musical Director, Mr. Henri G. French.

Williams & Strahan, Printers, 74, New Cut, Lambeth.

Jesters
and
Painted Scenery.

Messrs. Hodson, Smart, West, Marks, Fairburn, Park, Skelt, and other publishers made a rich harvest out of the—“Price 1d. Plain and 2d. Coloured Characters of Tom and Jerry; or, Life in London,” together with miniature stages, and “Book of the Words” for the juvenile home-performing version of the drama.

How delightful the book, and the pictures!

—oh! the pictures are noble still!—was to the youths of England, and how eagerly all its promised feasts of pleasure were devoured by them, Thackeray has told us in his Roundabout Paper, “De Juventure” in the Cornhill Magazine for October, 1860.

A man is thirty years old before he has any settled thoughts of his Fortune: and if it is not completed before fifty; he falls a building in his old age, and dies by that time his House is in a condition to be painted and glazed.

HISTORY

OF THE

LIFE IN LONDON;

OR, THE

DAY AND NIGHT SCENES

OF

Tom and Jerry.

In the early part of the year 1820, the British public were informed through the then existing usual advertising mediums that there was about to be published, in monthly parts, “Pierce Egan’s Life in London; or, the Day and Night Scenes of Jerry Hawthorn, Esq.; and his elegant friend Corinthian Tom, accompanied by Bob Logic, the Oxonian, in their Rambles and Sprees through the Metropolis. Embellished with thirty-six Scenes from Real Life, designed and etched by I. R. and G. Cruikshank, and enriched with numerous original Designs on Wood by the same Artists.”

Some time previous to its appearance a great taste had exhibited itself amongst fashionable bloods for sporting works—books upon the chase, upon racing, upon boxing, and ‘sport’ generally. The demand soon brought an excellent supply, and “Boxiana,” in its own peculiar department, at once became a great favourite. Artists, too, arose, who devoted all their powers to hunting subjects, to racing favourites, and pugilistic encounters. Amongst these the names of Alkén, Dighton, Heath, Brooke, Rowlandson, &c., became very popular. One day it occurred to the editor of ‘Boxiana’ that if Londoners were so anxious for books about country and out-of-door sports, why should not Provincials and even Cockneys themselves be equally anxious to know something of “Life in London?” The editor of ‘Boxiana’ was Mr. Pierce Egan, who as the literary representative of sport and high life, had already been introduced to George IV., the character of the proposed work was mentioned to the King and his Gracious Majesty seems to have heartily approved of it, for he at once gave permission for it to be dedicated to himself. The services of Messrs. George and Robert Cruikshank were secured as illustrators.

And on the 15th July, the first number, price one shilling, was published by Messrs. Sherwood, Neely, and Jones, of Paternoster Row. This sample, or first instalment, of the entire work was quite enough for society to judge by. It took both town and country by storm. It was found to be the exact thing in literature that the readers of those days wanted. Edition after edition was called for—and supplied, as fast as the illustrations could be got away from the small army of women and children who were colouring them. With the appearance of numbers two and three, the demand increased, and a revolution in our literature, in our drama, and even in our nomenclature began to develope itself. All the announcements from Paternoster Row were of books, great and small, depicting life in London; dramatists at once turned their attention to the same subject, and tailors, bootmakers, and hatters, recommended nothing but Corinthian shapes, and Tom and Jerry patterns.[29]

Immediately Messrs. Sherwood and Co. issued the first shilling number of Mr. Pierce Egan’s work, out came Jones and Co., of Finsbury Square, with the following in sixpenny numbers:—

REAL LIFE IN LONDON;

or, The Rambles and Adventures of Bob Tallyho, Esq., and his Cousin, the Hon. Tom Dashall, through the Metropolis. Exhibiting a Living Picture of Fashionable Characters, Manners, Amusements in High and Low Life, by an Amateur. Embellished and Illustrated with a Series of Coloured Prints, Designed and Engraved by Messrs. Heath, Alkén, Dighton, Rowlandson, &c.

As may be readily conceived, the stage soon claimed “Tom and Jerry.” The first drama founded upon the work was from the pen of Mr. Barrymore, and thus announced in the bill:—“Royal Amphitheatre. Extraordinary Novelty and Eccentric Production. Monday, September 17, 1821, at half-past six o’clock precisely, will be presented, never acted, an entirely New, Whimsical, Local, Melo-Dramatic, Pantomimical Drama, with new scenery, dresses, and mechanical changes, founded on Pierce Egan’s popular work, which has lately engrossed the attention of all London, called ‘Life in London;’ or, Day and Night Scenes of Tom and Jerry, in their Rambles and Sprees through the Metropolis.” The piece prepared for stage representation by Mr. W. Barrymore.[30]

“Corinthian Tom, Mr. Gomersal; Jerry Hawthorn, Mr. Jones; and Bob Logic, Mr. Herring.”

The second dramatic version was written for the Olympic Theatre, by Charles Dibden, and thus set forth in the bill:—“Olympic Theatre. On Monday, November 12, 1821, and following evenings, will be presented a New Extravaganza of Fun, founded on Pierce Egan’s highly popular work, and interspersed with a variety of Airs and Graces, called “Life in London.”

“Tom (a Capital of the Corinthian Order) Mr. Baker.

“Jerry Hawthorn (out of Order, and more of the Composite than Corinthian, never intended for the Church, though fond of a Steeple-chase). Mr. Oxberry.

“Logic (a Chopping Boy, ‘full of wise saws and modern instances’)., by Mr. Vale.”

A
Description of the Metropolis

Written and Set to Music by
CORINTHIAN TOM.

London Town’s a dashing place—For ev’ry thing that’s going,
There’s fun and gig in every face—so natty and so knowing.
Where Novelty is all the rage—From high to low degree,
Such pretty lounges to engage—Only come and see!:—
What charming sights—On gala nights,
Masquerades—Grand parades,
Famed gas lights—Knowing fights,
Randall and Cribb—Know how to fib.
Tothill-fields—Pleasure yields.
The Norwich bull—With antics full.
Plenty of news—All to amuse;
The Monkey “Jacco”—All the crack O!
Ambroghetti’s squall—Match girl’s bawl!
Put on the gloves—Playful as doves
Then show your forte—At the Fives’ Court;
Conjurors rare—At Bartlemy fair;
Polito’s beasts—See city feasts,
Lord Mayor’s day—Then the play,
Adelphi Theatre—Pretty feature!
Rotton Row—All the Go!
In the Bench—Keep your wench.
When next you roam—Mathew’s “At Home!”
Such prime joking—Lots of smoking;
Here all dash on—In the fashion.
Chorus—Dancing, singing, full of glee,
O London, London town for me!
From ev’ry part the natives run,
To view this spot of land;
All are delighted with the fun,
Astonish’d ’tis so grand!
To Vauxhall haste to see the blaze.
Such variegated lights;
The ladies’ charms are all the gaze—
No artificial sights!:—
Lovely Faces—Full of graces,
Heavenly charms—Create alarms!
Such glances—And dances.
To the sky—See Saqui fly—
In the blaze—All to amaze.
Cyprians fine—Kids full of wine,
Orchestre grand—Pandean band;
Charming singing—Pleasure bringing;
Great attraction—And satisfaction:
Plenty of hoaxing—Strong coaxing;
Beautiful shapes—Beaux and apes,
Prone to quiz—Every phiz!
Dashing glasses—Queering lasses;
Flashy cits—Numerous wits;
Loud talking—Thousands walking:
Rare treating—Numbers eating;
Punch and wine—Every thing prime,
Grand Cascade—Once displayed;
Duke and groom—In one room;
Here all dash on—In the fashion!
Chorus—Dancing, singing, full of glee,
O London, London town for me!
And various fancies there display’d,
To please and cheer the mind;
They captivate both man and maid,
All polite and kind,
See fashion driving through each street,
With splendour and renown:
Pedestrians, too, with shining feet;
O, what a charming town!:—
Four-in-hand—Down the Strand!
Funny gigs—With knowing wigs;
Baxter’s hats—That queer the flats;
Flashy whips—With silver tips,
Leathern breech—Pretty stitch!
High-bred cattle—Tittle tattle,
Tattersall sell—Peep into “Hell!”
Full of play—And make a stay;
Hear Kean speak, Grimaldi squeak!
Courts of law—Full of jaw;
Brougham plead—Macauley read;
And Old Borum—At the Forum;
To Opera prance—See Vestris dance,
At Free and Easy—Full and greasy;
Prime song and catch—The Trotting-match
London Cries—O rare hot pies!
Sadler’s Wells—In summer tells;
Quick approach—In Hackney-coach;
Take your Daffy—All be happy:
And then dash on—In the fashion.
Chorus—Dancing, singing, full of glee,
O London, London town for me!

Mr. W. T. Moncrieff—one of the most successful and prolific writers of the day—appeared as the third on the list of dramatists, and it was announced at the Adelphi Theatre in the following style:—“On Monday, Nov. 26th, 1821, will be presented for the first time, on a scale of unprecedented extent (having been many weeks in preparation, under the superintendence of several of the most celebrated Artists, both in the Ups and Downs of Life, who have all kindly come forward to assist the Proprietors in their endeavours to render this Piece a complete out-and-outer), an entirely new Classic, Comic, Operatic, Didactic, Aristophanic, Localic, Analytic, Panoramic, Camera-Obscura-ic, Extravaganza Burletta of Fun, Frolic, Fashion, and Flash, in three acts, called ‘Tom and Jerry; or, Life in London.’ Replete with Prime Chaunts, Rum Glees, and Kiddy Catches, founded on Pierce Egan’s well-known and highly popular work of the same name, by a celebrated extravagant erratic Author. The Music selected and modified by him, from the most eminent composers, ancient and modern, and every Air furnished with an attendant train of Graces. The costume and scenery superintended by Mr. I. R. Cruikshank, from the Drawings by himself and his brother, Mr. George Cruikshank, the celebrated Artists of the original work.”

TOM AND JERRY;
OR, LIFE IN LONDON.

AN OPERATIC EXTRAVAGANZA

BY W. T. MONCRIEFF.

Dramatis Personæ.

As performed at the Adelphi Theatre.

Many of the names in the above cast will be familiar to old playgoers, as most of the persons engaged in the performance became great favourites with the public, and remained on the British stage for the remaining part of their respective lives. Now:—

“All, all are gone, the old familiar faces.”

Tom and Jerry.