Plashers Mead

Compton Mackenzie


PLASHERS MEAD


GUY AND PAULINE


PLASHERS MEAD

BY

COMPTON MACKENZIE

AUTHOR OF

CARNIVAL

HARPER & BROTHERS PUBLISHERS

NEW YORK & LONDON


Copyright, 1915, by Harper & Brothers


TO

GENERAL

SIR IAN HAMILTON

G.C.B., D.S.O.

AND THE GENERAL STAFF OF THE

MEDITERRANEAN EXPEDITIONARY FORCE


CONTENTS

I. [AUTUMN]
September: October: November
II. [WINTER]
December: January: February
III. [SPRING]
March: April: May
IV. [SUMMER]
June: July: August
V. [ANOTHER AUTUMN]
September: October: November
VI. [ANOTHER WINTER]
December: January: February
VII. [ANOTHER SPRING]
March: April: May
VIII. [ANOTHER SUMMER]
June: July: August
IX. [EPIGRAPH]
Guy: Pauline


AUTUMN


SEPTEMBER

The slow train puffed away into the unadventurous country; and the bees buzzing round the wine-dark dahlias along the platform were once again audible. The last farewell that Guy Hazlewood flung over his shoulder to a parting friend was more casual than it would have been had he not at the same moment been turning to ask the solitary porter how many cases of books awaited his disposition. They were very heavy, it seemed; and the porter, as he led the way towards the small and obscure purgatory through which every package for Shipcot must pass, declared he was surprised to hear these cases contained merely books. He would not go so far as to suggest that hitherto he had never faced the existence of books in such quantity, for the admission might have impugned official omniscience; yet there was in his attitude just as much incredulity mingled with disdain of useless learning as would preserve his dignity without jeopardizing the financial compliment his services were owed.

"Ah, well," he decided, as if he were trying to smooth over Guy's embarrassment at the sight of these large packing-cases in the parcel-office. "You'll want something as'll keep you busy this winter—for you'll be the gentleman who've come to live down Wychford way?"

Guy nodded.

"And Wychford is mortal dead in winter. Time walks very lame there, as they say. And all these books, I suppose, were better to come along of the 'bus to-night?"

Guy looked doubtful. It was seeming a pity to waste this afternoon without unpacking a single case. "The trap...." he began.

But the porter interrupted him firmly; he did not think Mr. Godbold would relish the notion of one of these packing-cases in his new trap.

"I could give you a hand...." Guy began again.

The porter stiffened himself against the slight upon his strength.

"It's not the heffort," he asserted. "Heffort is what I must look for every day of my life. It's Mr. Godbold's trap."

The discussion was given another turn by the entrance of Mr. Godbold himself. He was not at all concerned for his trap, and indeed by an asseverated indifference to its welfare he conveyed the impression that, new though it were, it was so much firewood, if the gentleman wanted firewood. No, the trap did not matter, but what about Mr. Hazlewood's knees?

"Ah, there you are," said the porter, and he and Mr. Godbold both stood dumb in the presence of the finally insuperable.

"I suppose it must be the 'bus," said Guy. On such a sleepy afternoon he could argue no longer. The books must be unpacked to-morrow; and the word lulled like an opiate the faint irritation of his disappointment. The porter's reiterated altruism was rewarded with a fee so absurdly in excess of anything he had done, that he began to speak of a possibility if, after all, the smallest case might not be squeezed ... but Mr. Godbold flicked the pony, and the trap rattled up the station road at a pace quite out of accord with the warmth of the afternoon. Presently he turned to his fare:

"Mrs. Godbold said to me only this morning, she said, 'You ought to have had a luggage-flap behind and that I shall always say,' And she was right. Women is often right, what's more," the husband postulated.

Guy nodded absently; he was thinking about the books.

"Very often right," Mr. Godbold murmured.

Still Guy paid no attention.

"Very often," he repeated, but as Guy would neither contradict nor agree with him, Mr. Godbold relapsed into meditation upon the justice of his observation. The pony had settled down to his wonted pace and jogged on through the golden haze of fine September weather. Soon the village of Shipcot was left behind, and before them lay the long road winding upward over the wold to Wychford. Guy thought of the friend who had left him that afternoon and wished that Michael Fane were still with him to enjoy this illimitable sweep of country. He had been the very person to share in the excitement of arranging a new house. Guy could not remember that he had ever made a suggestion for which he had not been asked; nor could he call to mind a single occasion when his appreciation had failed. And now to-night, when for the first time he was going to sleep in his own house, his friend was gone. There had been no hint of departure during the six weeks of preparation they had spent together at the Stag Inn, and it was really perverse of Michael to rush back to London now. Guy jumped down from the trap, which was climbing the hill very slowly, and stretched his long legs. He was rather bored by his loneliness, but as soon as he had stated so much to himself, he was shocked at the disloyalty to his ambition. After all, he reassured himself, he was not going back to a dull inn-parlor; to-night he was going to sleep in an hermitage for the right to enjoy the seclusion of which he had been compelled to fight very hard. It was weak to imagine he was lonely already, and to fortify himself against this mood he pulled out of his pocket his father's last letter and read it again while he walked up the hill behind the trap.

Fox Hall, Galton, Hants,
September 10th.

Dear Guy,—I agree with some of what you say, but I disagree with a good deal more, and I am entirely opposed to your method of procedure, which is to put it very mildly rather casual. Your degree was not so good as it ought to have been, but I did not reproach you, because in the Consular Service you had chosen a career which did not call specially for a first. At the same time you could, if you had worked, have got a first quite easily. Your six months with the Macedonian Relief people seems to have knocked all your consular ambitions on the head rather too easily, I confess, to make me feel very happy about your future. And now without consulting me you take a house in the country for the purpose of writing poetry! You imply in answer to my remonstrances that I am unable to appreciate the "necessity" for your step. That may be, but I cannot help asking where you would be now if I at your age, instead of helping my father with his school, had gone off to Oxfordshire to write poetry. Perhaps I had ambitions to make a name for myself with the pen. If I had, I quenched them in order to devote myself to what I considered my duty. I do not reproach you for refusing to carry on the school at Fox Hall. Your dear mother's last request was that I should not urge you to be a schoolmaster, unless you were drawn to the vocation. Her wishes I have respected, and I repeat that I am not hurt at your refusal. At the same time I cannot encourage what can only be described as this whim of yours to bury yourself in a remote village where, having saddled yourself with the responsibilities of a house, you announce your intention of living by poetry! I am the last person to underestimate the value of poetry, but as a livelihood it seems to me as little to be relied upon as the weather. However, you are of age. You have £150 a year of your own. You are with the exercise of the strictest economy independent. And this brings me to the point of your last letter in which you ask me to supplement your own income with an allowance of £150 a year from me. This inclination to depend upon your father is not what I conceive to be the artist's spirit of independence. This overdrawing upon your achievement fills me with dismay for the future. However, since I do not wish you to begin hampered by debt and as you assure me that you have spent all your own money on this idiotic house, I will give you £150, to be paid in quarterly instalments of £37 10s, as from the 21st of this month for one year. Furthermore, at the end of next year if you find that poetry is less profitable than even you expect, I will offer you a place at Fox Hall, thereby securing for you the certainty of a life moderately free from financial worries. After all, even a schoolmaster has some spare time, and I dare say our greatest poets did much of their best work in their spare time. The idea of writing poetry all day and every day appeals to me as enervating and ostentatious.

Your affectionate father,
John Hazlewood.

Guy stood still when he had finished the letter, and execrated mutely the damnable dependence that compelled him to accept gratefully and humbly this gift of £150. Yet with no money of his own coming in till December, with actually a housekeeper on her way from Cardiff and his house already furnished, he must accept the offer. In a year's time he would have proved the reasonableness of his request; and he began to compose a scene between them, in which his father would almost on bended knees beg him to accept an allowance of £300 a year in consideration of the magnificent proof he had afforded to the world of being in the direct line of English poets.

"And I mustn't forget to send him a sonnet on his birthday," said Guy to himself.

This notion restored his dignity, and he hurried on to overtake the trap which was waiting on the brow of the hill.

"You were saying something about women being right," he reminded Mr. Godbold, as he sat down again beside him. "Has it ever struck you that fathers are nearly always wrong?"

"That wouldn't do for me at all," said Mr. Godbold, shaking his head. "You see I'm the father of nine, and if I wasn't always right, sir, I shouldn't be no better than a bull in a china-shop where I live. I've got to be right, Mr. Hazlewood."

"I suppose that's what the Pope felt," Guy murmured.

"Now do you reckon this here Pope they speak of really exists in a manner of speaking?" Mr. Godbold asked, as the trap bowled along the level stretch of upland road. "You know there's some of these narrow-minded mortals at Wychford as will have it that Mr. Grey, our parson, is in with the Pope, and I said to one or two of them the other night while we were arguing in the post-office, I said, 'Have any of you wise men of Gotham ever seen this Pope as you're so knowing about?'"

"And had they?" asked Guy, encouragingly.

"Not one of them," said Mr. Godbold. "And I thought to myself as I was walking up home, I thought now what if there wasn't no such thing as a Pope any more than there's women with fish-tails and all this rubbish you read of in books. If you ask my opinion of books, Mr. Hazlewood, I tell you that I think books is as bad for some people as wireworms is for carnations. They seem to regular eat into them."

Guy laughed. Misgivings about the wisdom of his choice vanished, and he was being conscious of a very intimate pleasure in thus driving back to Wychford from the station. The country tossed for miles to right and left in great stretches of pasturage, and when Mr. Godbold pulled up for a moment to look at a trace, the air, brilliantly dusted with autumnal gold, seemed to endow him with the richness of its silence; along the sparse hedgerow chicory flowers burned with the pale intense blue of the September sky above, and Guy felt like them, worshipful of the cloudless scene. The road ran along the upland for half a mile before it dipped suddenly down into the valley of the Greenrush, from which the spire of Wychford church came delicately up into the air, like a coil of smoke ascending from the opalescent corona that hung over the small town clustered against the farther hillside. Down in that valley close to the church was Plashers Mead, and Guy watched eagerly for the first sight of his long, low house. Already the sparkle of the more distant curves of the Greenrush was visible; but Plashers Mead was still hidden by the slope of the bank. Presently this broke away to a ragged hedge, and the house displayed itself as much an integral part of the landscape as an outcrop of stone.

"Tasty little place," commented Mr. Godbold while the trap jolted cautiously down the last twist of the hilly road. "But I reckon old Burrows was glad to let it. You're young, though, and I dare say you won't mind being flooded out in winter. Two years ago Burrows's son's wife's nephew was floating paper boats in the front hall. But you're young, and I dare say you'll enjoy it."

The pony swept round the corner and pulled up with a jerk at the wooden gateway in the gray wall overhung by lime-trees that concealed from the highroad the moist fields and garden of Plashers Mead.

"I'm sleeping here to-night, you know, for the first time," said Guy. He had tried all the way back not to make this announcement, but the sight of his own gateway destroyed his reserve.

"Well, you'll have a fine night, that's one good job," Mr. Godbold predicted.

"And the moon only just past the full," said Guy.

"That's right," Mr. Godbold agreed; and the tenant passed through the gateway into the garden, where every path had its own melody of running water. He examined with proprietary solicitude the espaliers of apple-trees, and admired for the twentieth time the pledge they offered by their fantastic forms of his garden's antiquity. He pinched several pippins that seemed ripe, but they were still hard; and he could find nothing over which to exert his lordship until he saw by the edge of the path a piece of groundsel. Having solemnly exterminated the weed, Guy felt that the garden must henceforth recognize him as master, and he walked on through a mass of dropsical cabbages and early kale until he came face to face with the house, the sudden view of which like this never failed to give him a peculiar pleasure. The tangled garden, long and narrow, was bounded on the right, as one entered, by the Greenrush, over which hung a thicket of yews that completely shut out the first straggling houses of Wychford. On the left the massed espaliers ended abruptly in a large water-meadow reaching to the foot of the hill along which the highroad climbed in a slow diagonal. By the corner of the house the garden had narrowed to the apex of a thin triangle, so that the windows looked out over the water-meadow and, beyond, up the wide valley of the Greenrush to where the mighty western sky rested on rounded hills. At this apex the Greenrush flung a tributary stream to wash the back of the house and one side of the orchard, whence it wound in extravagant curves towards the easterly valley. The main branch, damned up to form a deep and sluggish mill-stream, flowed straight on, dividing Guy's domain from the churchyard. At the end of the orchard on this side was a lock-gate through which a certain amount of water continuously escaped from the mill-stream, enough, indeed, to make the orchard an island, as it trickled in diamonded shallows to reinforce the idle tributary. Somewhere in the farther depths of the eastern valley all vagrant waters were united, and somewhere still more remote they came to a confluence with their father the Thames.

Guy sat upon the parapet of the well under the shade of a sycamore-tree and regarded with admiration and satisfaction the exterior of his house. He looked at the semicircular porch of stone over the front door and venerated the supporting cherubs who with puffed-out cheeks had blown defiance at wind and rain since the days of Elizabeth. He counted the nine windows, five above and four below, populating with the shapes of many friends the rooms they lightened. He looked at the steep roof of gray-stone tiles rich with the warm golden green of mossy patterns. He looked at the four pear-trees against the walls of the house barren now for many years. He looked at himself in silhouette against the silver sky of the well-water; and then he went indoors.

The big stone-paved hall was very cool, and the sound of the stream at the back came babbling through lattices open to the light of a green world. Guy could not make up his mind whether the inside of the house smelled very dry or very damp, for there clung about it that odor peculiar to rustic age, which may be found equally in dry old barns and in damp potting-sheds. He wished he could furnish the hall worthily. At present it contained only a high-back chair, an alleged contemporary of Cromwell, which was doddering beside the hooded fireplace; a warming-pan; and an oak chest which remained a chest only so long as nobody either sat upon it or lifted the lid. There was also a grandfather-clock which had suffered an abrupt resurrection of four minutes' duration when it was recently lifted out of the furniture-van, but had now relapsed into the silence of years. Leading out of the hall was a small, empty room which had been dedicated to the possession of his friend Michael Fane; together they had planned to paper it with gold and paint the ceiling black. Michael, however, had still another year at Oxford, and the room with an obelisk of lining-paper standing upright on the bare floor was now a little desolate. On the other side of the hall was the dining-room, which Guy, by taxing his resources, had managed to furnish very successfully. It was a square room painted emerald-green above the white wainscot. Two inset cupboards were filled with glass and china: there were four Chippendale chairs and an oval Sheraton table, curtains of purple silk, some old English water-colors, and two candlesticks of Sheffield plate. Beyond the dining-room was the kitchen, the corridor to which was endowed with a swinging baize door considered by the landlord to be the finest feature of the house. The problem of equipping the kitchen had seemed insoluble until Guy heard of a sale in the neighborhood. He had bicycled over to this and bought the contents of the large kitchen at auction. The result was that the dresser encroached upon the table, that the table had one leg in the fender, and that a row of graduated dish-covers, the largest of which would have sheltered two turkeys, occupied whatever space was left. All that remained of Guy's own money had been invested in his kitchen, and he accounted for the large size of everything by the fact of the auction's having been held in the open air, where everything had looked so much smaller. Now, as he contemplated dubiously the result, he wondered what Miss Peasey would say to it. She and the books would arrive together at half past nine to-night. He hoped his unknown housekeeper would not be irritated by these dish-covers, and as a precautionary measure he unhooked the largest, carried it up-stairs, and deposited it on the floor of an unfurnished bedroom. The staircase ran steep and straight up from the hall into a long corridor with more casements opening on the orchard behind. The bedroom at one end was dedicated to the hope of Michael Fane's occupation and was always referred to in letters as his: "By the way I put the largest dish-cover in your bedroom." The next two bedrooms were also empty and belonged in spirit to the friends with whom Guy had lived during his last year at Oxford. The fourth was his own, very simply and sparsely furnished in comparison with the bedroom up in the roof which was intended for Miss Peasey. The preparation of that for an elderly unmarried woman had involved a certain voluptuousness of rep and fumed oak and heavily decorated china, the fruit of the second-best bedroom in the house of the dish-covers. As Guy went up the crooked stairs and knocked his head on three successive beams, he hoped Miss Peasey would not be as disproportionately large as the kitchen dresser. Her handwriting had been spidery enough, and he pictured her hopefully as small and wizened. Miss Peasey's bower with the big dormer window surveying the tree-tops of the orchard was certainly a success, and Guy saw that Michael had with happy intuition of female aspiration hung on the wall opposite her bed a large steel-engraving of Doré's Martyrs, which had been included with two hammocks and a fishing-rod in one of the odd lots lightly bid for at the auction. There did not seem anything else she could want; so, having killed a bluebottle with a tartan pincushion, he came down-stairs.

Guy had left his own room to the last, partly because he regretted so much the delay in the arrival of those books and partly because, however inadequately equipped was the rest of the house, this room was always the final justification of his tenancy. It was a larger room than any of the others, for the corridor did not cut off its share of the back. It possessed, in addition to the usual window looking out over the western side of the valley, a very large bay which hung right over the stream, with a view of the orchard, of the church steeple, of the water-meadows beyond, and of the wold rolling across the horizon. This morning Michael and he had pushed the furniture into place, had set in order the great wicker chairs and nailed against the wall the frames of green canvas. The floor was covered with a sweet-smelling mat of Abingdon rushes; and the curtains of his old rooms in Balliol were hung in place, dim green curtains sown with golden fleurs-de-lys. The ivory image of an emaciated saint standing on the mantelshelf between candlesticks of old wrought iron was probably a Spanish Virgin, but Guy preferred to say she was Saint Rose of Lima because "O Rose of Lima" seemed a wonderful apostrophe to begin a poem. Nothing indeed remained for the room's perfection but to fill the new bookshelves on either side of the fireplace. Why had he not hired a cart in Shipcot? They would have been here by now, and he would actually have been able to begin work to-night, setting thus a noble period to these last six weeks of preparation.

Guy dragged a chair into the bay window and, balancing his long legs on the sill, he made numerous calculations in which Miss Peasey's wages, the weekly bills for food, and the number of times he would have to go up to London were set against £150 a year. When he woke up, the lime-trees that bordered the highroad had flung their shadows half-way across the meadow, and the air was a fume of golden gnats against the dipping sun. Within ten minutes the sun vanished, and the mists began to rise. Guy, feeling rather chilly and ashamed of himself for falling asleep, rose hurriedly and went up into the town. He interviewed the driver of the omnibus and told him to look out for his books, and as an afterthought he mentioned the arrival of Miss Peasey. He wished now he had written and told his housekeeper to spend the night in Oxford; and he hoped she would not be prejudiced against Plashers Mead by a five-mile drive in a cold omnibus after her tiring journey from Cardiff. He dawdled about the steep village street for a while, gossiping with tradesmen at their doors and watching the warmth fade out of the gray houses in the falling dusk. Then he went to eat his last meal in the Stag Inn.

After supper Guy returned to Plashers Mead, wandering round the house, dropping a great deal of candle-grease everywhere, and working himself up into a state of anxiety over Miss Peasey's advent. It would be terrible if she demanded her fare back to Wales the moment she arrived; and to propitiate her he put the best lamp in the kitchen, whence (as with such illumination it looked more than ever protuberant) he took another dish-cover up to Michael's bedroom. Since it was still but a few minutes after eight and the omnibus would not come for another hour and a half, he lit all the wax candles in his own room and wondered what to do. The tall shadows wavering in the draught were seeming cold and uncomfortable without a fire, so he restlessly threw back the curtains of the bay window to watch the rising of the moon. At that instant her rim appeared above the black hills, and presently a great moon of dislustered gold swam along the edge of the earth. Although she appeared to shed no light, the valley responded to her presence, and Guy was lured from his room to walk for a while in the dews.

Out in the orchard a heavy mist wrapped him in wet folds of silver; yet overhead there was clear starlight, and he could watch the slow burnishing of the moon's face in her voyage up the sky. It was a queer country in which he found himself, where all the tree-tops seemed to be floating away from invisible trunks, and where for a while no sound was audible but his own footsteps making a music almost of violins in the saturated grass. The moon wrought upon the vapors a shifting damascene; and far behind, as it seemed, a rufous stain showed where the candles in his room were still alight. Gradually a variety of sounds began to play upon the silence. He could hear the dry squeak of a bat and cows munching in the meadows on the other side of the stream. The stream itself babbled and was still, babbled and was still; while along the bank voles were taking the water with splashes that went up and down a scale like the deep notes of a dulcimer. Far off, an owl hooted, an otter barked; and then as he crossed the middle of the orchard he was hearing nothing but apples fall with solemn thud, until the noise of the lock-gate swallowed all lighter sounds. Here the mist had temporarily dissolved, and in the moonlight he could see water gushing forth like an arch of lace and the long bramble-sprays combing the shallows below. Soon the orchard was left behind and he was in the mist of a wide meadow, where all was silent again except for the faint sobbing of the grass to his footsteps. He walked straight into the moon's face, stumbling from time to time over molehills with an eery fragrance of fresh-turned soil, and wishing he could ever say in verse a little of the magic this autumnal night was shedding upon his fancy.

"By gad! if I can't write here, I ought to be shot," he declared.

The church clock struck the half-hour as appositely as if his own father had said something about the need for hurrying up and showing what he could do.

"Ah, but I'm not going to be hurried," said Guy, aloud. And since the clock could not answer him again, it was as good as having the best of an argument.

Guy walked on, and after a while could hear once more the purling of the stream. He thought there was something strangely human about this river in the way it wandered so careless of direction. When he had left these banks, they had been going away from him: now here they were coming back like himself towards the moon, so that presently he was able without changing his course to walk under their border of willows. The mist had drifted away from the stream, leaving the spires of loosestrife plainly visible, and more dimly on the other side the forms of huge cattle at pasture. There was, too, a smell of meadowsweet softening with a summer languor the sharp September night. The willows gave way to overhanging thickets of hawthorn, as the river suddenly swept round to make a noose that was completed but a few yards ahead of where he was standing. He could not see on account of the bushes the size of the peninsula so formed, and when suddenly he heard from the depths a sound of laughter, so full was his brain of moonshine that if he had come face to face with a legendary queen of fairies, he would hardly have been surprised. It was with the deliberate encouragement of a vision surpassing all the fantasies of moon and mist that Guy stopped; and, indeed, on a sensuous impulse to pamper his imagination with an unsolved mystery he had almost turned round to go back. Curiosity, however, was too strong; for, as he paused irresolute, the fairy mirth tinkling again from the recesses of that bewitched inclosure died away upon the murmur of a conversation, and he could not leave any longer inviolate that screen of hawthorns.

In the apogee of the river's noose two girls, clearly seen against the silver glooms beyond, were bending over a basket. Their heads were close together, and it was not until Guy was almost on top of them that he realized how impertinent his intrusion might seem. He drew back, blushing, just as one of the girls became aware of his presence and jumped up with an "oh" that floated away from her as lightly as a moth upon the moonshine. Her sister (Guy decided at once they were sisters) jumped up also and, luckily for him, since it offered the opportunity of a natural apology, overturned the basket. For a moment the three of them gazed at one another over the mushrooms that were tumbled upon the grass to be an elfin city of the East, so white and cold were their cupolas under the moon.

"Can't I help to pick them up?" Guy asked, wondering to himself why on this night of nights that was the real beginning of Plashers Mead he should be blessed by this fortunate encounter. The two girls were wearing big white coats of some rough tweed or frieze on which the mist lay like gossamer; and, as neither of them had a hat, Guy could see that one was very dark and the other fair.

"We wondered who you were," said the dark one.

"I live at Plashers Mead," said Guy.

"I know; I've seen you often," she answered.

"And Father says every day, 'My dears, I really must call upon that young man.'"

It was the fair one who spoke, and Guy recognized that it was her laughter he had first heard.

"My other sister is somewhere close by," said the dark one.

Guy was kneeling down to gather up the mushrooms, and he looked round to see another white figure coming towards them.

"Oh, Margaret, do let's introduce him to Monica. It will be such fun," cried the fair sister.

Guy saw that Margaret was shaking her head, but nevertheless when the third sister came near enough she did introduce him. Monica was more like Margaret, but much fairer than the first fair sister; and with her reserve and her pale-gold hair she seemed, as she greeted him, to be indeed a wraith of the moon.

"Shall I carry the mushrooms back for you?" Guy offered.

"Oh no, thanks," said Monica, quickly. "The Rectory is quite out of your way."

He felt the implication of an eldest sister's disapproval, and not wishing to spoil the omens of romance, he left the three sisters by the banks of the Greenrush and was soon on his way home through the webs of mist.

How extraordinary that he and Michael should have spent six weeks at Wychford without realizing that the Rector had three such daughters. Godbold had gossiped about him only this afternoon, reporting that he was held by some of his parishioners to be in with the Pope: they might more justly suspect him of being in with Titania. Monica, Margaret ... he had not heard the name of the third. Monica had seemed a little frigid, but Margaret and ... really when the omnibus arrived he must find out the name of the Rector's third daughter, of that one so obviously the youngest, with her light-brown hair and her laugh of which even now, as he paused, he fancied he could still hear the melodious echo. Monica, Margaret, and ... Rose, perhaps, for there had been something of a dewy eglantine about her. Surely that was indeed the echo of their voices; but, as upon distance the wayward sound eluded him, the belfry clock with whir and buzz and groan made preparation to strike the hour. Nine strokes boomed, leaving behind them a stillness absolute. The poet thought of time before him, of the three sisters by the river, of fame to come, and of his own fortune in finding Plashers Mead. Four months ago he had been in Macedonia, full of pro-consular romance, and now he was in England with a much keener sense of every moment's potentiality than he had ever known in the dreams of Oriental dominion. This sublunary adventure indicated how great a richness of pastoral life lay behind the slumber of a forgotten town; and it was seeming more than ever a pity Michael had not waited until to-night, so that he also might have met Monica and Margaret and that smallest innominate sister with the light-brown hair. Guy could not help arranging with himself for his friend to fall in love with one of them; and since he at once allotted Monica to Michael, he knew that he himself preferred one of the others. But which? Oh, it was ridiculous to ask such questions after seeing three girls for three minutes of moonlight. Perhaps it really had been sorcery, and in the morning, when he met them in Wychford High Street, they would appear dull and ordinary. They could not be so beautiful as he thought they were, he decided, since if they were he must have heard of their beauty. Nevertheless, it was in a mood of almost elated self-congratulation that Guy found himself hurrying through the orchard towards the candle-light of his room.

The arrival of Miss Peasey, now that it was upon him, banished everything else; and instead of dreaming deliciously of that encounter in the water-meadows, he stood meditating on the failure of the kitchen. As he regarded the enormous dresser, the table trampling upon the fender, the seven dish-covers mocking his poor crockery, Guy had little hope that Miss Peasey would stay a week; and then suddenly, worse than any failure of equipment, he remembered that she might be hungry. He looked at his watch. A quarter past nine. Of course she would be hungry. She probably had eaten nothing but a banana since breakfast in Cardiff. Guy rushed out and surprised the landlord of the Stag by begging him to send the hostler down at once with cold beef and stout and cheese.

"There's the 'bus," he cried. "Don't forget. At once. My new housekeeper. Long journey. And salad. Forgot she'd be hungry. Salt and mustard. I've got plates."

The omnibus went rumbling past, and Guy followed at a jog-trot down the street, saw it cross the bridge, and, making a spurt, caught it up just as a woman alighted by the gate of Plashers Mead.

"Ah, Miss Peasey," said Guy, breathlessly. "I went up the street to see if the 'bus was coming. Have you had a comfortable journey?"

"Mr. Hazlewood?" asked the new housekeeper, blinking at him.

The guard of the omnibus at this moment informed Guy that he had some cases for Plashers Mead.

"Where is Mr. Hazlewood, then?" asked Miss Peasey, turning sharply.

Over her shoulder Guy saw that the guard was apparently punching the side of his head, and he said, more loudly:

"I'm Mr. Hazlewood."

"I thought you were. I'm a little bit deaf after traveling, so you'll kindly speak slightly above the usual, Mr. Hazlewood."

"I hope you've had a comfortable journey," Guy shouted.

"Oh yes, I think I shall," she said with what Guy fancied was meant to be an encouraging smile. "I hope you haven't lost any of my parcels, young man," she continued, with a severe glance at the guard.

"Four and a string-bag. Is that right, mum?" he bellowed. "She's as deaf as an adder, Mr. Hazlewood," he explained, confidentially. "We had a regular time getting of her into the 'bus before we found out she couldn't hear what was being said to her. Oh, very obstinate she was."

"This is the garden," Guy shouted, as they passed in through the gate.

"Yes, I dare say," Miss Peasey replied, ambiguously.

Guy wondered how she would ever be got up-stairs to her room.

"This is the hall," he shouted. "Rather unfurnished I'm afraid."

"Oh yes, I'm quite used to the country," said Miss Peasey.

Guy was now in a state of nervous indecision. Just as he was going to shout to Miss Peasey that the kitchen was through the baize door the hostler from the Stag came up to know whether mutton would do instead of beef, and just as he said pork would be better than nothing the guard arrived with Miss Peasey's tin box and wanted to know where he should put it. The hall seemed to be thronged with people.

"You'd like your boxes up-stairs, wouldn't you?" he shouted to the housekeeper.

"Oh, do you want to come up-stairs?" she said, cheerfully.

"No, your boxes. The kitchen's in here."

He really hustled her into the kitchen and, having got her at last in a well-lighted room, he begged her to sit down and expect her supper. By this time two men who had been summoned by the driver of the omnibus to bring in Guy's books were staggering and sweating into the hall. However, the confusion relaxed in time; and before the clock struck ten Guy was alone with Miss Peasey and without an audience was managing to make her understand most of what he was saying.

"I'll come down in about half an hour," he told her, "and show you your room."

"It's a long way," said Miss Peasey, when the moment was arrived to conduct her up the winding staircase to her bower in the roof. Guy had calculated that she would miss all the beams, and so from a desire to make the best of the staircase he had not mentioned them. He sighed with relief when she passed into her bedroom, unbumped.

"Oh, quite nice," she pronounced, looking round her.

"In the morning we'll talk over everything," said Guy, and with a hurried good-night he rushed away.

In the hall he attacked with a chisel the first packing-case. One by one familiar volumes winked at him with their gold lettering in the candle-light. He chose Keats to take up-stairs, and, having read "St. Agnes' Eve," stood by the window of his bedroom poring upon the moonlit valley.

In bed his mind skipped the stress of Miss Peasey's arrival and fled back to the meadows where he had been walking.

"Monica, Margaret...." he began, dreamily. It was a pity he had forgotten to find out the name of that sister who was so like a wild rose. Never mind; he would find out to-morrow. And for the second time that day the word lulled him like an opiate.


OCTOBER

It was a blowy afternoon early in October, and Pauline was sitting by the window of what at Wychford Rectory was still called the nursery. The persistence of the old name might almost be taken as symbolic of the way in which time had glided by that house unrecognized, for here were Monica, Margaret, and Pauline grown up before any one had thought of changing its name even to school-room. And with the old name it had preserved the character childhood had lent it. There was not a chair that did not appear now like the veteran survivor of childish wars and misappropriations, nor any table nor cupboard that did not testify to an affectionate ill-treatment prolonged over many years. On the walls the paper which had once been vivid in its expression of primitive gaiety was now faded; but the pattern of berries, birds, and daisies still displayed that eternally unexplored tangle as freshly as once it was displayed for childish fancies of adventure. Pauline had always loved the window-seat, and from here she had always seen before any one else at the Rectory the first flash of Spring's azure eyes, the first graying of Winter's locks. So now on this afternoon she could see the bullying southwest wind thunderous against whatever laggards of Summer still tried to shelter themselves in the Rectory garden. Occasionally a few raindrops seemed to effect a frantic escape from the fierce assault and cling desperately to the window-panes, but since nobody could call it a really wet day Pauline had been protesting all the afternoon against her sisters' unwillingness to go out. Staying indoors was such a surrender to the season.

"We ought to practise that Mendelssohn trio," Monica argued.

"I hate Mendelssohn," Pauline retorted.

"Well, I shall practise the piano part."

"Oh, Monica, it will sound so dreadfully empty," cried Pauline. "Won't it, Margaret?"

"I'm reading Mansfield Park. Don't talk," Margaret murmured. "If I could write like Jane Austen," she went on, dreamily, "I should be the happiest person in the world."

"Oh, but you are the happiest person already," said Pauline. "At least you ought to be, if you'd only...."

"You know I hate you to talk about him," Margaret interrupted.

Pauline was silent. It was always a little alarming when Margaret was angry. With Monica one took for granted the disapproval of a fastidious nature, and it was fun to tease her; but Margaret with her sudden alternations of hardness and sympathy, of being great fun and frightfully intolerant, it was always wiser to propitiate. So Pauline stayed in the window-seat, pondering mournfully the lawn mottled with leaves, and the lily-pond that was being seamed and crinkled by every gust of the wind that skated across the surface. The very high gray wall against which the Japanese quinces spread their peacock-tails of foliage was shutting her out from the world to-day, and Pauline wished it were Summer again so that she could hurry through the little door in the wall and across the paddock to the banks of the Greenbush. In the Rectory punt she would not have had to bother with sisters who would not come out for a walk when they were invited.

The tall trees on either side of the lawn roared in the wind and showered more leaves upon the angry air. What a long time it was to Summer, and for no reason that she could have given herself Pauline began to think about the man who had taken Plashers Mead. Of course it was obvious he would fall in love either with Monica or with Margaret, and really it must be managed somehow that he should choose Monica. Everybody fell in love with Margaret, which was so hard on poor Richard out in India, who was much the nicest person in the world, and whom Margaret must never give up. Pauline looked at her sister and felt afraid the new tenant of Plashers Mead would fall in love with her, for Margaret was so very adorable with her slim hands and her somber hair.

"Really almost more like a lily than a girl," thought Pauline. Somehow the comparison reassured her, since it was impossible to think of any one's rushing to gather a lily without a great deal of hesitation.

"I wish poor Richard would write and tell her she is like a lily, instead of always writing such a lot about the bridge he is building, though I expect it's a very wonderful bridge."

After all, Monica with her glinting evanescence was just as beautiful as Margaret, and even more mysterious; and if she only would not be so frightening to young men, who would not fall in love with her! Pauline wondered vaguely if she could not persuade Margaret to go away for a month, so that the new tenant of Plashers Mead might have had time to fall irremediably in love with Monica before she came back. Richard would certainly be dreadfully worried out in India when he heard of a young man at Plashers Mead, and certainly rather ... yes, certainly in church on Sunday he had appeared rather charming. It was only last Spring that poor Richard had wished he could be living in Plashers Mead himself, and they had had several long discussions which never shed any light upon the problem of how such an ambition would be gratified.

"I expect Monica will be like ice, and Margaret will seem so much easier to talk to, and if I dared to suggest that Monica should unbend a little she would freeze me as well. Oh, it's all very difficult," sighed Pauline to herself, "and perhaps I'd better not try to influence things. Only, if he does seem to like Margaret much better than Monica, I shall have to bring poor Richard into the conversation, which always makes Margaret cross for days."

As she came to this resolution Pauline looked half apprehensively at her sister reading in the tumble-down arm-chair by the fire. How angry Margaret would be if she guessed what was being plotted, and Pauline actually jumped when she suddenly declared that Mansfield Park was almost the best book Jane Austen ever wrote.

"Is it, darling Margaret?" said Pauline, with a disarming willingness to be told again that it certainly was.

"Or perhaps Emma," Margaret murmured, and Pauline hid herself behind the curtains. How droll Father had been about the "new young creature" at Plashers Mead! It had been so difficult to persuade him to interrupt one precious afternoon of planting bulbs to do his duty either as a neighbor or as Rector of the parish. And when he came back all he would say of the visit was:

"Very pleasant, my dears. Oh yes, he showed me everything, and he really has a most remarkable collection of dish-covers—quite remarkable. But I ought not to have deserted those irises that Garstin sent me from the Taurus. Now perhaps we shall manage that obstinate little plum-colored brute which likes the outskirts of a pine forest, so they tell me."

Just as Pauline was laughing to herself at the memory of her father's visit, the Rector himself appeared on the lawn. He was in his shirt-sleeves; his knees were muddy with kneeling; and Birdwood, the gardener, all blown about by the wind, was close behind him, carrying an armful of roots.

Pauline threw up the window with a crash and called out:

"Father, Father, what a darling you look, and your hair will be swept right away, if you aren't careful."

The Rector waved his trowel remotely, and Pauline blew him kisses until she was made aware of protests in the room behind her.

"Really," exclaimed Monica. "You are so noisy. You're almost vulgar."

"Oh no, Monica," cried Pauline, dancing round the room. "Not vulgar. Not a horrid little vulgar person!"

"And what a noise you do make," Margaret joined in. "Please, Pauline, shut the window."

At this moment Mrs. Grey opened the door and loosed a whirlwind of papers upon the nursery.

"Who's vulgar? Who's vulgar?" asked Mrs. Grey, laughing absurdly. "Why, what a tremendous draught!"

"Mother, shut the door—the door," expostulated Margaret and Monica, simultaneously. "And do tell Pauline to control herself sometimes."

"Pauline, control yourself," said Mrs. Grey.

When the papers were settling down, Janet, the maid, came in to say there was a gentleman in the drawing-room, and in the confusion of the new whirlwind her entrance raised Janet was gone before any one knew who the gentleman was.

"Ugh!" Margaret grumbled. "I never can be allowed to read in peace."

"I was practising the Mendelssohn trio, Mother," said Monica, reproachfully.

"Let us all practise. Let us all practise," Mrs. Grey proposed, beaming enthusiastically upon her daughters. "That would be charming."

"Father is so sweet," said Pauline. "He's simply covered with mud."

"Has he got his kneeler?" asked Mrs. Grey.

Pauline rushed to the window again.

"Mother says 'have you got your kneeler?'"

The Rector paused vaguely, and Birdwood tried to indicate by kicking himself that he had the kneeler.

"Ah, thoughtful Birdwood," said Mrs. Grey in a satisfied voice.

"And now do you think we might have the window shut?" asked Margaret, resignedly.

Monica was quite deliberately thumping at the piano part she was practising. Mrs. Grey sat down and began to tell a long story in which three poor people of Wychford got curiously blended somehow into one, so that Pauline, who was the only daughter that ever listened, became very sympathetic over a fourth poor person who had nothing to do with the tale.

"And surely Janet came in to say something about the drawing-room," said Mrs. Grey, as she finished.

"She said a gentleman," Pauline declared.

"Oh, how vague you all are!" exclaimed Margaret, jumping up.

"Well, Margaret, you were here," Pauline said. "And so was Monica."

"But I was practising," said Monica, primly. "And I didn't hear a word Janet said."

There was always this preliminary confusion at the Rectory when a stranger was announced, and it always ended in the same way by Mrs. Grey and Monica going down first, by Pauline rushing after them and banging the door as they were greeting the visitor, and by Margaret strolling in when the stage of comparative ease had been attained. So it fell out on this occasion, for Monica's skirt was just disappearing round the drawing-room door when Pauline, horrified at the idea of having to come in by herself, cleared the last three stairs of the billowy flight with a leap and sent Monica spinning forward as the door propelled her into the room.

"Monica, I am so sorry."

"Pauline! Pauline!" said Mrs. Grey, reprovingly. "So like an avalanche always."

Guy, who had by now been waiting nearly a quarter of an hour, came forward a little shyly.

"How d'ye do, how d'ye do," said Mrs. Grey, quickly and nervously. "We're so delighted to see you. So good of you ... charming really. Pauline is always impetuous. You've come to study farming at Wychford, haven't you? Most interesting. Don't tug at me, Pauline. Monica, do ring for tea. Are you fond of music?"

Pauline withdrew from the conversation after the whispered attempt to correct her mother about Mr. Hazlewood's having taken Plashers Mead in order to be a farmer. She wanted to contemplate the visitor without being made to involve herself in the confusions of politeness. "Was he dangerous to Richard?" she asked herself, and alas, she had to tell herself that indeed it seemed probable he might be. Of course he was inevitably on the way to falling in love with Margaret, and as she looked at him with his clear-cut, pale face, his tumbled hair and large brown eyes which changed what seemed at first a slightly cynical personality to one that was almost a little wistful, Pauline began to speculate if Margaret might not herself be rather attracted to him. This was an unforeseen complication, for Margaret so far had only accepted homage. Pauline definitely began to be jealous for Richard, whose homage had been the most prodigal of any; and as Guy drawled on about his first adventure of housekeeping she told herself he was affected. The impression, too, of listening to some one more than usually self-possessed and cynical revived in her mind; and those maliciously drooping lids were obliterating the effect of the brown eyes. Sitting by herself in the oriel window, Pauline was nearly sure she did not like him. He had no business to be at the Rectory when Richard was building a bridge out in India; and now here was Margaret strolling graciously in, and almost at once obviously knowing so well how to get on with this idler. Oh, positively she disliked him. So cold and so cruel was that mouth, and so vain he was, as he sat there bending forward over hand-clasped, long, stupid, crossed legs. What right had he to laugh with Margaret about their father's visit? This stranger had assuredly never appreciated him. He was come here to spoil the happiness of Wychford, to destroy the immemorial perfection of life at the Rectory. And why would he keep looking up at herself? Margaret could be pleasant to anybody, but this intruder would soon find that she herself was loyal to the absent. Pauline wished that, when he met them all on that night of the moon, she had been so horridly rude as to make him avoid the family for ever. How could Margaret sit there talking so unconcernedly, when Richard might be dying of sunstroke at this very moment? Margaret was heartless, and this stranger with his drawl and his undergraduate affectation would encourage her to sneer at everything.

"What's the matter, Pauline dearest?" her mother turned round to ask.

"Nothing," answered Pauline, biting her lips to keep back surely the most unreasonable tears she had ever felt were springing.

"You're not cross with me for calling you a landslide?" persisted Mrs. Grey, smiling at her from the midst of a glory momentarily shed by a stormy ray of sunshine.

"Oh, Mother," said Pauline, now fairly in the midway between laughter and tears. "It was an avalanche you called me."

"Why do you always sit near a window?" asked Monica.

"She always rushes into a corner," said Margaret.

Pauline jumped up from her chair and would have run out of the room forthwith; but in passing the first table she knocked from it a silver bowl of potpourri and scattered the contents over the carpet. Down she knelt to hide her confusion and repair the damage, and at the same moment Guy plunged down beside her to help. She caught his eyes so tenderly humorous that she too laughed.

"I think it must be my fault," he said. "Don't you remember how, last time we met, your sister upset the mushrooms?"

Pauline knew she was blushing, and when the rose-leaves were all gathered up, tea came in. Her attention was now entirely occupied by preventing her mother from doing the most ridiculous things with cakes and sugar and milk, and when tea was over Guy got up to go.

There was a brief discussion after his departure, in which Margaret was so critical of his dress and of his absurdities that Pauline was reassured, and presently, indeed, found herself taking their visitor's part against her sisters.

"Quite right, quite right, Pauline," said Mrs. Grey. "He's charming ... charming ... charming! Margaret and Monica so critical. Always so critical."

Presently the family hurried out into the drive to protest against the Rector's planting any more bulbs, to tell him how unkind he had been not to come up to tea, and to warn him that the bell would sound for Evensong in two minutes. He was dragged out of the shrubbery where he had been superintending a clearance of aucubas, preparatory to planting a drift of new and very deep yellow primroses.

"Really, my dears, I have never seen Primula vulgaris so fine in texture or color. My friend Gilmour has spent ten years working up the stock. As large as florins."

So he boasted of new wonders next Spring in the Rectory garden, while his wife and daughters brushed him and dusted him and helped to button up his cassock.

"Doesn't Father look a darling?" demanded Pauline, as they watched the tall, handsome dreamer striding along the drive towards the sound of the bell, that was clanging loud and soft in its battle with the wind.

"Oh, Pauline, run after him," said Mrs. Grey, "and remind him it's the Eighteenth Sunday after Trinity. He started wrong last Sunday, and to-day's Wednesday, and it so offends some of the congregation."

Pauline overtook her father in the church porch, and he promised he would be careful to read the right collect. She had not stayed to get a hat, and therefore must wait for him outside.

"Very well, my dear child; I sha'n't be long. Do go and see if those sternbergias I planted against the south porch are in flower. Dear me, they should be, you know, after this not altogether intolerably overcast summer. Sun, though, sun! they want sun, poor dears!"

"But, Father, I can't remember what sternbergias look like."

"Oh yes, you can," said the Rector. "Sternbergia lutea. Amaryllidaceæ. A perfectly ordinary creature." And he vanished in the gloom of the priest's door.

As Pauline came round the corner the wind was full in her face, and under the rose-edged wrack of driving clouds the churchyard looked desolate and savage. There were no flowers to be seen but beaten-down Michaelmas daisies and bedabbled phlox. The bell had stopped immediately when the Rector arrived; and the wind seemed now much louder as it went howling round the great church or rasping through the yews and junipers. The churchyard was bounded on the northerly side by the mill-stream, along which ran a wide path between a double row of willows now hissing and whistling as they were whipped by the blasts. Pauline walked slowly down this unquiet ambulatory, gazing curiously over to the other bank of the stream, where the orchard of Plashers Mead was strewn with red apples. There in the corner by the house that was just visible stood the owner, playing with a dog, a bobtail, too, which was the kind Pauline liked best. She wanted very much to wave, but, of course, it was impossible for the Rector's daughter to do anything like that in the churchyard. Yet if he did chance to walk in her direction, she would, whatever happened, shout to him across the stream to bring the dog next time he came to the Rectory. Pauline walked four times up and down the path, but first the dog disappeared and then the owner followed him, and presently Pauline discovered that the path beside the abandoned stream was very dreary. The crooked tombstones stood up starkly; the wind sighed across the green graves of the unknown; the fiery roses were fallen from the clouds. Pauline turned away from the path and went to take shelter behind the east end of the church. From here, as she fronted the invading night, she could see the gray wall of the Rectory garden and the paddock sloping down to the river. How sad it was to think of the months that must pass before that small meadow would be speckled with fritillaries or with irises blow white and purple. The wind shrieked with a sudden gust that seemed more violent, because where she was standing not a blade of grass twitched. Pauline looked up to reassure herself that the steeple was not toppling from the tower; as she did so a gargoyle grinned down at her. The grotesque was frightening in the dusk, and she hurried round to the priest's door. The Rector came out as she reached it, and accepted vaguely the information that there were no flowers to be seen but Michaelmas daisies and phlox.

"Ah, I told Birdwood to confiscate those abominable dahlias which wretched Mrs. Godbold will plant every year. I gave her some of that new saxifrage I raised. What more does the woman want?"

Pauline hung upon his arm while they walked back to the Rectory through the darkling plantation.

"Isn't it a perfect place?" she murmured, hugging his arm closer when they came to the end of the mossy path and saw the twinkling of the drawing-room's oriel on the narrow south side, and the eleven steep gables that cleft the now scarcely luminous sky, one after another all the length of the house.

"I doubt if anything but this confounded cotoneaster would do well against this wall," replied the Rector.

He never failed to make this observation when he reached his front door; and his family knew that one day the cotoneaster would be torn down for a succession of camellias to struggle with the east winds of unkind Oxfordshire. In the hall Mrs. Grey and Margaret were bending over a table.

"Guy has left his card," said Margaret.

"Is that the man who came to see me about the rats?" asked the Rector.

"No, no, Francis," said Mrs. Grey. "Guy is the young man at Plashers Mead."

"Isn't Francis sweet?" cried Pauline, reaching up to kiss him.

"Hush, Pauline. Pauline, you must not call your father Francis in the hall," said Mrs. Grey.

"How touching of Guy to leave a card," Pauline murmured, looking at the oblong of pasteboard shimmering in the gloom.

"Now we've just time to practise the Mendelssohn trio before dinner," declared Mrs. Grey. "And that will make you warm."

The Rector wandered off to his library. Margaret and Pauline went with their mother up shadowy staircases and through shadowy corridors to the great music-room that ran half the length of the roof. Monica was already seated at the piano, all white and golden herself in the candle-light. Languidly Margaret unpacked her violoncello; Pauline tuned her violin. Soon the house was full of music, and the wind in the night was scarcely audible.


NOVEMBER

When Guy left the Rectory that October afternoon, he felt as if he had put back upon its shelf a book the inside of which, thus briefly glanced at, held for him, whenever he should be privileged to open it again, a new, indeed an almost magical, representation of life. On his fancy the Greys had impressed themselves with a kind of abundant naturalness; but however deeply he tried to think he was already plunged into the heart of their life, he realized that it was only in such a way as he might have dipped into the heart of a book. The intimacy revealed was not revealed by any inclusion of himself within the charm; and he was a little sad to think how completely he must have seemed outside the picture. Hence his first aspiration with regard to the family was somehow to become no longer a spectator, but actually a happy player in their representation of existence. Ordinarily, so far as experience had hitherto carried him, it had been easy enough to find himself on terms of intimacy with any group of human beings whose company was sufficiently attractive. For him, perhaps, it had even been particularly easy, so that he had never known the mortification of a repulse. No doubt now by contriving to be himself and relying upon the interest that was sure to be roused by his isolation and poetic ambitions, he would very soon be accorded the freedom of the Rectory. Yet such a prospect, however pleasant to contemplate, did not satisfy him, and he was already troubled by a faint jealousy of the many unknown friends of the Greys, to whom in the past the privilege of that freedom must have been frequently accorded. Guy wanted more than that; in the excess of his appreciation he wanted them to marvel at a time when they had not been aware of his existence; in fact, he was anxious to make himself necessary to their own sense of their own completeness. As he entered his solitary hall he was depressed by the extravagance of such a desire, saying to himself that he might as well sigh to become an integral figure of a pastoral by Giorgione, or of any work of art the life of which seems but momentarily stilled for the pleasure of whomsoever is observing it.

Guy was for a while almost impatient even of his own room, for he felt it was lacking in any atmosphere except the false charm of novelty. He had been here three weeks now, he and deaf Miss Peasey; and were the two of them swept away to-morrow Plashers Mead would adapt itself to new-comers. There was nothing wrong with the house; such breeding would survive any occupation it might be called upon to tolerate. On the other hand, were chance to sweep the Greys from Wychford, so essentially did the Rectory seem their creation that already it was unimaginable to Guy apart from them. And as yet he had only dipped into the volume. Who could say what exquisite and intimate paragraphs did not await a more leisurely perusal? Really, thought Guy, he might almost suppose himself in love with the family, so much did the vision of them in that shadowy drawing-room haunt his memory. Indeed, they were become a picture that positively ached in his mind with longing for the moment of its repetition. For some days he spent all his time in the orchard, throwing sticks for his new bobtail; denying himself with an absurd self-consciousness the pleasure of walking so far along the mill-stream even as the bank opposite to the Rectory paddock; denying himself a fortuitous meeting with any of the family in Wychford High Street; and on Sunday denying himself the pleasure of seeing them in church, because he felt it might appear an excuse to be noticed. The vision of the Rectory obsessed him, but so elusively that when in verse he tried to state the emotion merely for his own satisfaction, he failed, and he took refuge from his disappointment by nearly always being late for meals. Often he would see Miss Peasey walking about the orchard with desolate tinkle of a Swiss sheep-bell, the only instrument of summons that the house possessed. Miss Peasey herself looked not unlike a battered old bellwether as she wandered searching for him in the wind; and Guy used to watch her from behind a tree-trunk, laughing to himself until Bob the dog trotted from one to another, describing anxious circles round their separation.

"Your dinner's been waiting ten minutes, Mr. Hazlewood!"

"Doesn't matter," Guy would shout.

"Mutton to-day," Miss Peasey would say, and, "a little variety," she always added.

Miss Peasey's religion was variety, and her tragedy was an invention that never kept pace with aspiration. For three weeks Guy had been given on Sunday roast beef which lasted till Wednesday; while on Thursday he was given roast mutton, which as a depressing cold bone always went out from the dining-room on Saturday night. Every morning he was asked what he would like for dinner, to which he always replied that he left it to her. Once, indeed, in a fertile moment he had suggested a curry, and Miss Peasey, brightening wonderfully, had chirped:

"Ah yes, a little variety."

But in the evening the taste of hot tin that represented Miss Peasey's curry made him for ever afterwards leave the variety to her own fancy, thereby preserving henceforth that immutable alternation of roast beef and roast mutton which was the horizon of her housekeeping.

These solitary meals were lightened by the thought of the Rectory. Neither beef nor mutton seemed of much importance when his mind's eye could hold that shadowy drawing-room. There was Monica with her pale-gold hair in the stormy sunlight, cold and shy, but of such a marble purity of line that but to sit beside her was to admire a statue whose coldness made her the more admirable. There was Margaret, carved slimly out of ivory, very tall, with weight of dusky hair, and slow, fastidious voice that spoke dreamily of the things Guy loved best. There was Pauline sitting away from the others in the window-seat, away in her shyness and wildness. Was not the magic of her almost more difficult to recapture than any? A brier rose she was whose petals seemed to fall at the touch of definition, a brier rose that was waving out of reach, even of thought. Guy wished he could visualize the Rector in his own drawing-room; but instead he had to set him in Plashers Mead, of which no doubt he had thought the owner a young ass; and Guy blushed to remember the nervous idiocy which had let him take the Rector solemnly into the kitchen to look at dish-covers in a row, and deaf Miss Peasey sitting by as much fire as the table would yield to her chair. But if the Rector were missing from the picture, at any rate he could picture Mrs. Grey, shy like her daughters and with a delicious vagueness all her own. She was most like Pauline, and indeed in Pauline Guy could see her mother, as the young moon holds in her lap the wraith of the old moon....

"Why, you haven't eaten anything," remonstrated Miss Peasey, breaking in upon his vision. "And I've made you a rice pudding for a little variety."

The shadowy drawing-room faded with the old chintz curtains and fragile, almost immaterial silver; the china bowls of Lowestoft; the dull, white paneling and faintly aromatic sweetness. Instead remained a rice pudding that smelled and looked as solid as a pie.

However, that very afternoon Guy was greatly encouraged to get an invitation to dinner at the Rectory from the hands of the gardener. Birdwood was one of those servants who seem to have accepted with the obligations of service the extreme responsibilities of paternity; and Guy hastened to take advantage of the chance to establish himself on good terms with one who might prove a most powerful ally.

"Not much of a garden, I'm afraid," he said, deprecatingly, to Birdwood, as they stood in colloquy outside. The gardener shook his head.

"It wouldn't do for the Rector to see them cabbages and winter greens. 'I won't have the nasty things in my garden,' he says to me, and he'll rush at them regular ferocious with a fork. 'I won't have them,' he says. 'I can't abear the sight of them,' he says. Well, of course I knows better than go for to contradict him when he gets a downer on any plant, don't matter whether it's cabbage or calceolaria. But last time, when he'd done with his massacring of them, I popped round to Mrs. Grey, and I says, winking at her very hard, but of course not meaning any disrespectfulness, winking at her very hard, I says, 'Please, mum, I want one of these new allotments from the glebe.' 'Good Heavings, Birdwood,' she says, 'whatever on earth can you want with for an allotment?' With that I winks very hard again and says in a low voice right into her ear as you might say, 'To keep the wolf from the door, mum, with a few winter greens.' That's the way we grow our vegetables for the Rectory, out of an allotment, though we have got five acres of garden. Now you see what comes of being a connosher. You take my advice, Mr. Hazlenut, and clear all them cabbages out of sight before the Rector comes round here again."

"I will certainly," Guy promised. "But you know it's a bit difficult for me to spend much money on flowers."

"We don't spend money over at the Rectory," said Birdwood, smiling in a superior way.

"No?"

"We don't spend a penny. We has every mortal plant and seed and cutting given to us. And not only that, but we gives in our turn. Look here, Mr. Hazlenut, I'm going to hand you out a bit of advice. The first time as you go round our garden with the Rector, when you turn into the second wall-garden, and see a border on your right, you catch hold of his arm and say, 'Why, good Heavings, if that isn't a new berberis.'"

"Yes, but I don't know what an old berberis looks like," said Guy, hopelessly, "let alone a new one."

"Never mind what the old ones look like. It's the new I'm telling you of. Don't you understand that everyone who comes down, from Kew even, says, 'That's a nice healthy little lot of Berberis Knightii as you've got a hold of.' 'Ha,' says the Rector. 'I thought as you'd go for to say that. But it ain't Knightii,' he chuckles, 'and what's more, it ain't got a name yet, only a number, being a new importation from China,' he says. You go and call out what I told you, and he'll be so pleased, why, I wouldn't say he won't shovel half of the garden into your hands straight off."

"Do the young ladies take an interest in flowers?" Guy asked.

"Of course they try," said Birdwood, condescendingly. "But neither them nor their mother don't seem to learn nothing. They think more of a good clump of dellyphiniums than half a dozen meconopises as some one's gone mad to discover, with a lot of murderous Lammers from Tibbet ready to knife him the moment his back's turned."

"Really?"

"Oh, I was like that myself once. I can remember the time when I was as fond of a good dahlia as anything. Now I goes sniffing the ground to see if there's any Mentha requieni left over from the frost."

"Sniffing the ground?"

"That's right. It's so small that if it wasn't for the smell any one wouldn't see it. That's worth growing, that is. Only, if you'll understand me, it takes any one who's used to looking at peonies and such like a few years to find out the object of a plant that isn't any bigger than a pimple on an elephant."

Guy was reluctant to let Birdwood go without bringing him to talk more directly of the family and less of the flowers. At the same time he felt it would be wiser not to rouse in the gardener any suspicion of how much he was interested in the Rectory; he was inclined to think he might resent it, and he wanted him as a friend.

"Who is working in your garden?" asked Birdwood, as he turned to go.

"Well, nobody just at present," said Guy, apologetically.

"All right," Birdwood announced. "I'll get hold of some one for you in less than half a pig's whisper."

"But not all the time," Guy explained, quickly. He was worried by the prospect of a gardener's wages coming out of his small income.

"Once a week he'll come in," said Birdwood.

Guy nodded.

"What's his name?"

"Graves he's called, but, being deaf and dumb, his name's not of much account."

"Deaf and dumb?" repeated Guy. "But how shall I explain what I want done?"

"I'll show you," said Birdwood. "I'll come round and put you in the way of managing him. Work? I reckon that boy would work any other mortal in Wychford to the bone. Work? Well, he can't hear nothing, and he can't say nothing, so what else can he do? And he does it. Good afternoon, Mr. Hazlenut."

And Birdwood retired, whistling very shrilly as he went down the path to the gate.

Two nights later Guy, with lighted lantern in his hand, set out to the Rectory. He did not venture to go by the orchard and the fields and so, crossing the narrow bridge over the stream, enter by way of the garden. Such an approach seemed too familiar for the present stage of his friendship, and he took the more formal route through an alley of medieval cottages that branched off Wychford High Street. Mysterious lattices blinked at him, and presently he felt the wind coming fresh in his face as he skirted the churchyard. The road continued past the back of a long row of almshouses, and when he saw the pillared gate of the Rectory drive, over which high trees were moaning darkly, Guy wondered if he were going to a large dinner-party. No word had been said of any one else's coming, but with Mrs. Grey's vagueness that portended nothing. He hoped that he would be the only guest, and, swinging his lantern with a pleased expectancy, he passed down the drive. Suddenly a figure materialized from the illumination he was casting and hailed him with a questioning "hullo?"

"Hullo," Guy responded.

"Oh, beg your pardon," exclaimed the other. "I thought it was Willsher."

"My name's Hazlewood," said Guy, a little stiffly.

"Mine's Brydone. We may as well hop in together."

Guy rather resented the implication of this birdlike intrusion in company with the doctor's son, a lanky youth whom he had often noticed slouching about Wychford in a cap ostensibly alive with artificial flies. Apparently Willsher must also be expected, against whom Guy had already conceived a violent prejudice dating from the time he called at his father's office to sign the agreement for the tenancy of Plashers Mead. It was of ill augury that the Greys should apparently be supposing that he would make a trio with Brydone and Willsher.

"Brought a lantern, eh?" said Brydone.

"Yes, this is a lantern," Guy answered, coldly.

"You'll never see me with a lantern," Brydone declared.

Guy would have liked to retort that he hoped he would never even see Brydone without one. But he contented himself by saying, with all that Balliol could bring to his aid of crushing indifference:

"Oh, really?"

Somebody behind them was running down the drive and shouting, "Hoo-oo," in what Guy considered a very objectionable voice. It probably was Willsher.

"Hullo, Charlie," said Brydone.

"Hullo, Percy," said Willsher, for it was he.

"Know this gentleman? Mr. Hazlewood?"

"Only officially. Pleased to meet you," said the new-comer.

"Not at all," answered Guy. He felt furious to think that the Greys would suppose he had arranged to arrive with these two fellows.

"Done any fishing yet?" asked Brydone.

"No, not yet," said Guy.

"Well, your bit of river has been spoilt. Old Burrows let every one go there. But when you want some good fishing, Willsher and I rent about a mile of stream further up and we'll always be glad to give you a day. Eh, Charlie?"

Charlie replied with much cordiality that Percy had taken the very words of invitation out of his mouth; and Guy, unable any longer to be frigid, said that he had some books at which they might possibly care to come and look one afternoon. Mr. Brydone and Mr. Willsher both declared they would be delighted, and the latter added in the friendliest way that he knew an old woman in Wychford who was very anxious to sell a Milton warranted to be a hundred years old at least. Was that anything in Mr. Hazlewood's way? Guy explained that a Milton of so recent a date was not likely to be much in his way, and Mr. Brydone remarked that no doubt if it had been a Stilton it would have been another matter. His friend laughed very heartily indeed at this joke, and in an atmosphere of almost hilarious good-fellowship, that was to Guy still a little mortifying, they rang the Rectory bell.

None of the family had reached the drawing-room when they were shown in, and Guy was afraid they were rather early.

"Always like this," said Brydone. "Absolutely no notion of time. Shouldn't be surprised if we had to wait another quarter of an hour. Known them for years, and they've always been like this. Eh, Charlie?"

The solicitor's son shook his head gravely. He seemed to feel that as a man of business he should display a slight disapproval of such a casual family.

"Ever since I was a kid I can remember it," he said.

Guy tried to tell himself that all this talk of intimacy was merely due to the accidental associations of country life over many years. But it was with something very like apprehension that he waited for the Greys to come down. It would be dreadful to find that Brydone and Willsher had a status in the Rectory. When, however, their hosts appeared, Guy realized with a tremendous relief that Brydone and Willsher obviously existed outside his picture of the Rectory. To be sure, they were Charlie and Percy to Monica, Margaret, and Pauline; but galling as this was, Guy told himself that after a lifelong acquaintance nothing else could be expected.

It pleased Guy really that the dinner was not a great success, for he was able to fancy that the Greys were encumbered by the presence of Brydone and Willsher. Monica was silent; Margaret was deliberately talking about things that could not possibly interest either of the young men; and Pauline was trying to save the situation by wild enthusiasms which were continually being repressed by her sisters. Mrs. Grey alternated between helping to check Pauline and behaving in exactly the same way herself. As for the Rector, he sat silent with a twinkle in his eye. Guy wished regretfully, when the time came to depart, that he could have stayed another few minutes to mark his superiority to the other guests; but alas, he was still far from that position, and no doubt he would never attain to it.

"Oh, have you brought a lantern?" asked Pauline, excitedly, in the hall. "Oh, I wish I could walk back with you. I love lantern-light."

"Pauline! Pauline! Do think what you're saying," Mrs. Grey protested.

"I like lantern-light, too," Margaret proclaimed.

"When you come to see us again," said Pauline, "will you bring your dog?"

"Oh, I say, shall I?" asked Guy, flushing with pleasure.

"Such a lamb, Margaret," said Pauline, kissing her sister impulsively and being straightly reproved for doing so.

The good-nights were all said, and Guy walked up the drive with Brydone and Willsher.

"Queer family, aren't they?" commented the doctor's son.

"Extraordinarily charming," said Guy.

"I've known them all my life," said Willsher, a little querulously. "And yet I never seem to know them any better."

Guy was so much elated by this admission that he repeated more warmly his invitation to come and see him and his books, and parted from the two friends very pleasantly.

Two or three days later Guy thought he might fairly make his dinner call, and with much forethought did not take Bob with him, so that soon there might be an excuse to come again to effect that introduction. Mrs. Grey and Monica were out; and Guy was invited to have tea in the nursery with Margaret and Pauline. He was conscious that an honor had been paid to him, partly by intuition, partly because neither of the girls said a conventional word about not going into the drawing-room. He felt, as he sat in that room fragrant with the memories of what must have been an idyllic childhood, the thrill that, as a child, he used to feel when he read, "The Queen was in her parlor eating bread and honey." This was such another parlor infinitely secluded from the world; and he thought he had never experienced a more breathless minute of anticipation than when he followed the girls along the corridor to their nursery. The matting worn silky with age seemed so eternally unprofaned, and on the wall outside the door the cuckoo calling five o'clock was like a confident bird in some paradise where neither time nor humanity was of much importance. Janet, the elderly parlor-maid, came stumping in behind them with the nursery tea-things; and, as Guy sat by the small hob-grate and saw the moist autumnal sun etherealize with wan gold the tattered volumes of childhood, the very plum cake on the tea-table was endowed with the romantic perfection of a cake in a picture-book. When the sun dipped behind the elms Guy half expected that Margaret and Pauline would vanish too, so exactly seemed they the figures that, were this room a mirage, he would expect to find within as guardians of the rare seclusion. Guy never could say what was talked about that afternoon; for when he found himself outside once again in the air of earth, he was bemused with the whole experience, as if suddenly released from enchantment. Out of a multitude of impressions, which had seemed at the time most delicately strange and potent, only a few incidents quite commonplace haunted his memory tangibly enough to be seized and cherished. Tea-cups floating on laughter against that wall-paper of berries, birds, and daisies; a pair of sugar-tongs clicking to the pressure of long, white fingers (so much could he recapture of Margaret); crumpets in a rosy mist (so much was Pauline); a copper kettle singing; the lisp of the wind; a disarray of tambour-frames and music, these were all that kept him company on his way back to Plashers Mead through the colorless twilight.

Chance favored Guy next day by throwing him into the arms of the Rector, who asked if he were fond enough of flowers to look round the garden at a dull season of the year. Guy was so much elated that, if love of flowers meant more frequent opportunities of going to the Rectory, he would have given up poetry to become a professional gardener. Of course there was nothing to see, according to the Rector—a few nerines of his own crossing in the greenhouse; a Buddleia auriculata honeycomb-scented in the angle of two walls; the double Michaelmas daisy, an ugly brute already condemned to extermination; a white red-hot-poker, evidently a favorite of the Rector's by the way he gazed upon it and said so casually Kniphofia multiflora, as if it were not indeed a treasure blooming in Oxfordshire's dreary Autumn.

"Tulips to go in next week," said the Rector, rolling the prospect upon his tongue with meditative enjoyment. "A friend of mine has just sent me some nice fellows from Bokhara and Turkestan. I ought to get them in this week, but Birdwood must finish with these roses. And I've got a lot of clusiana too that ought to be in. I am going to try her in competition with shrubbery roots and see if they'll make her behave herself."

"Could I come in and help?" offered Guy.

"Well, now that would certainly be most kind," said the Rector; and his thin, handsome face lit up with the excitement of infecting Guy with his own passion. "But aren't you busy?"

"Oh no. I usually work at night."

So Guy came to plant tulips, and from planting tulips to being asked to lunch was not far, and from finishing off a few left over to being asked to tea was not far, either. Moreover, when the tulips were all planted there were gladioli to be sorted and put away. Incidentally, too, the punt had to be calked and the boat-house had to be strengthened, so that in the end it was half-way into November before Guy realized he had been coming to the Rectory almost every day. The more he came, however, the more he was fascinated by the family. They still eluded him, and he was always aware, particularly between Margaret and Pauline, of a life in which as yet he hardly shared. At the same time, so familiar now were the inner places of the house and most of all the nursery, he felt as if happily there would come a day when to none of the sisters would he seem more noticeable than one of their tumble-down arm-chairs.

Once or twice he stayed to dinner, and the long dining-room with the sea-gray wall-paper and curtains of the strawberry-thief design was always entered with a particular contentment of spirit. The table was very large, for somebody always forgot to take out the extra leaf put in for a dinner sometime last summer, or perhaps two summers ago. The result was that the Rector was far away in the shadows at one end; Mrs. Grey equally remote at the other; while Guy would in turn be near to Margaret or Pauline or even Monica in the middle. Old-fashioned glasses with spirals of green and white blown in their stems; silver that was nearly diaphanous with use and age; candlesticks solid as the Ionic columns they counterfeited, or tapering and fluted with branches that carried the candle-flames like flowers, everything seemed as if it had been created for this room alone. From the wall a lacquered clock as round and big and benign as the setting sun wavered in the coppery shadows of the fire, and with scarcely the sound of a tick showed forth time. Guy had never appreciated the sacredness of eating in good company until he dined casually like this at the Rectory. He never knew what he ate and always accepted what was put before him like manna; yet he was always conscious of having enjoyed the meal, and next morning he used to face, unabashed, Miss Peasey's tale of ruined tapioca which had waited for him too long.

The seal of perfection was generally set on these unexpected dinners by chamber-music afterwards, when under the arched roof of the big music-room for an hour or more of trios and quartets Guy contemplated that family. The Greys could not have revealed the design of their life with anything but chamber-music, and setting aside any expression of inward things, thought Guy, how would it be possible to imagine them more externally decorative than seated so at this formal industry of art? He liked best perhaps the trios, when he and Mrs. Grey, each in a Caroline chair with tall wicker back, remained outside, and yet withal as much in the picture as two donors painted by an old Florentine. Monica in a white dress sat straight and stiff, with pale-gold hair that seemed the very color of the refined, the almost rarefied accompaniment upon which her fingers quivered and rippled. Something of her own coldness and remoteness and crystalline severity she brought to her instrument, as if upon a windless day a fountain played forth its pattern. Margaret's amber dress deepened from the shade of Monica's hair, and Margaret's eyes glowed deep and solemn as the solemn depths of the violoncello over which she hung with a thought of motherhood in the way she cherished it. Was it she, wondered Guy, who was the ultimate lure of this house, or was it Pauline? Of her, as she swayed to the violin, nothing could be said but that from a rose-bloomed radiance issued a sound of music. And how clearly in the united effect of the three sisters was written the beauty of their lives. Guy could almost see every hour of their girlhood passing in orderly pattern as the divine Houris dance along a Grecian frieze. There was neither passion nor sentiment in the music; there was neither sorrow nor regret. It was heartless in its limpid beauty; it was remote as a cloud against the sunrise; cold as water was it, and incommunicable as a dream; yet in solitude when Guy reconjured the sound afterwards, it returned to his memory like fire.

A great occasion for Guy was the afternoon when first the Greys came to tea with him at Plashers Mead. Himself went into Wychford and bought the cakes, so many that Miss Peasey held up her hands with that ridiculously conventional gesture of surprise she used, exclaiming: