THE SPRING OF THE YEAR
DALLAS LORE SHARP

SPRING OF THE YEAR—SHADBUSH (CHAPTER I)

The Dallas Lore Sharp Nature Series

THE SPRING OF THE YEAR

BY
DALLAS LORE SHARP
AUTHOR OF “THE LAY OF THE LAND,” “THE FACE OF THE FIELDS,” “THE FALL OF THE YEAR,” “WINTER,” ETC.

ILLUSTRATED BY
ROBERT BRUCE HORSFALL

BOSTON NEW YORK CHICAGO
HOUGHTON MIFFLIN COMPANY
The Riverside Press Cambridge

COPYRIGHT, 1904, 1905, AND 1906, BY THE CHAPPLE PUBLISHING CO., LTD.
COPYRIGHT, 1905, BY THE REVIEW OF REVIEWS BOOK COMPANY
COPYRIGHT, 1908, 1911, AND 1912, BY DALLAS LORE SHARP
COPYRIGHT, 1909, BY THE ATLANTIC MONTHLY COMPANY
ALL RIGHTS RESERVED

The Riverside Press
CAMBRIDGE . MASSACHUSETTS
U . S . A

TO MY SISTER
JENNIE
THE BEST OF COMPANIONS
IN THE WOODS AND FIELDS
THROUGH WHICH WE
WENT TO SCHOOL

CONTENTS

ILLUSTRATIONS

INTRODUCTION

It has been my aim in the thirty-nine chapters of the three books in this series to carry my readers through the weeks of all the school year, not however as with a calendar, for that would be more or less wooden and artificial; but by readings, rather, that catch in a large way the spirit of the particular season, that give something definite and specific in the way of suggestions for tramps afield with things to look for and hear and do. Naturally many of the birds and animals and flowers mentioned, as well as woods and aspects of sky and field, are those of my own local environment—of my New England surrounding—and so must differ in some details from those surrounding you in your far Southern home or you on your distant Pacific coast, or you in your rich and varied valley of the Mississippi, or you on your wide and generous prairie. But the similarities and correspondences, the things and conditions we have in common, are more than our differences. Our sun, moon, sky, earth—our land—are the same, our love for this beautiful world is the same, as is that touch of nature which we all feel and which makes us all kin. Wherever, then, in these books of the seasons, the things treated differ from the things around you, read about those things for information, and in your journeys afield fill in the gaps with whatever it is that completes your landscape, or rounds out your cycle of the seasons, or links up your endless chain of life.

While I have tried to be accurate throughout these books, still it has not been my object chiefly to write a natural history—volumes of outdoor facts; but to quicken the imaginations behind the sharp eyes, behind the keen ears and the eager souls of the multitude of children who go to school, as I used to go to school, through an open, stirring, beckoning world of living things that I longed to range and understand.

The best thing that I can do as writer, that you can do as teacher, if I may quote from the last paragraph—the keynote of these volumes—is to “go into the fields and woods, go deep and far and frequently, with eyes and ears and all your souls alert.”

Mullein Hill, May, 1912

THE SPRING OF THE YEAR

CHAPTER I
“SPRING! SPRING! SPRING!”

Who is your spring messenger? Is it bird or flower or beast that brings your spring? What sight or sound or smell spells S-P-R-I-N-G to you, in big, joyous letters?

Perhaps it is the frogs. Certainly I could not have a real spring without the frogs. They have peeped “Spring!” to me every time I have had a spring. Perhaps it is the arbutus, or the hepatica, or the pussy-willow, or the bluebird, or the yellow spice-bush, or, if you chance to live in New England, perhaps it is the wood pussy that brings your spring!

Beast, bird, or flower, whatever it is, there comes a day and a messenger and—spring! You know that spring is here. It may snow again before night: no matter; your messenger has brought you the news, brought you the very spring itself, and after all your waiting through the winter months are you going to be discouraged by a flurry of snow?

“All white and still lie stream and hill—

The winter dread and drear!

When from the skies a bluebird flies,

And—spring is here!”

To be sure, it is here, if the bluebird is your herald.

But how much faith in the weather you must have, and how you must long for the spring before the first bluebird brings it to you! Some sunny March day he drops down out of the blue sky, saying softly, sweetly, “Florida, florida!” as if calling the flowers; and then he is gone!—gone for days at a time, while it snows and blows and rains, freezes and thaws, thaws, thaws, until the March mud looks fitter for clams than for flowers.

So it is with the other first signs. If you want springtime ahead of time, then you must have it in your heart, out of reach of the weather, just as you must grow cucumbers in a hothouse if you want them ahead of time. But there comes a day when cucumbers will grow out of doors; and there comes a day when the bluebird and the song sparrow and all the other heralds stay, when spring has come whether you have a heart or not.

What day is that in your out-of-doors, and what sign have you to mark it? Mr. John Burroughs says his sign is the wake-robin, or trillium. When I was a school-boy it used to be for me the arbutus; but nowadays it is the shadbush: I have no sure settled spring until I see the shadbush beginning to open misty white in the edge of the woods. Then I can trust the weather; I can open my beehives; I can plough and plant my garden; I can start into the woods for a day with the birds and flowers; for when the shadbush opens, the great gate to the woods and fields swings open—wide open to let everybody in.

But perhaps you do not know what the shadbush is? That does not matter. You can easily enough find that out. Some call it June-berry; others call it service-berry; and the botany calls it A-me-lan’chi-er ca-na-den’sis! But that does not matter either. For this is not a botany lesson. It is an account of how springtime comes to me, and when and what are its signs. And I would have you read it to think how springtime comes to you, and when and what are its signs. So, if the dandelion, and not the shadbush, is your sign, then you must read “dandelion” here every time I write “shadbush.”

There is an old saying, “He that would bring home the wealth of the Indies must carry the wealth of the Indies out”; which is to say, those who bring home the wealth of the Indies, must carry out some kind of wealth in exchange. So you who would enjoy or understand what my shadbush means to me must have a shadbush of your own, or a dandelion, or something that is a sign to you that spring is here. Then, you see, my chapter in the book will become your own.

There are so many persons who do not know one bird from another, one tree from another, one flower from another; who would not know one season from another did they not see the spring hats in the milliner’s window or feel the need of a change of coat. I hope you are not one of them. I hope you are on the watch, instead, for the first phœbe or the earliest bloodroot, or are listening to catch the shrill, brave peeping of the little tree-frogs, the hylas.

As for me, I am on the watch for the shadbush. Oh, yes, spring comes before the shadbush opens, but it is likely not to stay. The wild geese trumpet spring in the gray March skies as they pass; a February rain, after a long cold season of snow, spatters your face with spring; the swelling buds on the maples, the fuzzy kittens on the pussy-willows, the opening marsh-marigolds in the meadows, the frogs, the bluebirds—all of these, while they stay, are the spring. But they are not sure to stay over night, here in New England. You may wake up and find it snowing—until the shadbush opens. After that, hang up your sled and skates, put away your overcoat and mittens; for spring is here, and the honey-bees will buzz every bright day until the October asters are in bloom.

I said if you want springtime ahead of time you must have it in your heart. Of course you must. If your heart is warm and your eye is keen, you can go forth in the dead of winter and gather buds, seeds, cocoons, and living things enough to make a little spring. For the fires of summer are never wholly out. They are only banked in the winter, smouldering always under the snow, and quick to brighten and burst into blaze. There comes a warm day in January, and across your thawing path crawls a woolly-bear caterpillar; a mourning-cloak butterfly flits through the woods, and the juncos sing. That night a howling snowstorm sweeps out of the north; the coals are covered again. So they kindle and darken, until they leap from the ashes of winter a pure, thin blaze in the shadbush, to burn higher and hotter across the summer, to flicker and die away—a line of yellow embers—in the weird witch-hazel of the autumn.

At the sign of the shadbush the doors of my springtime swing wide open. My birds are back, my turtles are out, my long sleeping woodchucks are wide awake. There is not a stretch of woodland or meadow now that shows a trace of winter. Over the pasture the bluets are beginning to drift, as if the haze on the distant hills, floating down in the night, had been caught in the dew-wet grass. They wash the field to its borders in their delicate azure hue. At the sign of the shadbush the doors of my memory, too, swing wide open, and I am a boy again in the meadows of my old home. The shadbush is in blossom, and the fish are running—the sturgeon up the Delaware; the shad up Cohansey Creek; and through the Lower Sluice, these soft, stirring nights, the catfish are slipping. Is there any real boy now in Lupton’s Meadows to watch them come? Oh yes, doubtless; and doubtless there ever shall be. But I would go down for this one night, down in the May moonlight, and listen, as I used to listen years ago, for the quiet splash splash splash, as the swarming catfish pass through the shallows of the main ditch, up toward the dam at the pond.

At the sign of the shadbush how swiftly the tides of life begin to rise! How mysteriously their currents run!—the fish swimming in from the sea, the birds flying up from the South, the flowers opening fresh from the soil, the insects coming out from their sleep: life moving everywhere—across the heavens, over the earth, along the deep, dim aisles of the sea!

CHAPTER II
THE SPRING RUNNING

This title is Kipling’s; the observations that follow are mine; but the real spring running is yours and mine and Kipling’s and Mowgli the wolf-child’s, whose running Kipling has told us about. Indeed, every child of the earth has felt it, has had the running—every living thing of the land and the sea.

Everything feels it; everything is restless, everything is moving. The renter changes houses; the city dweller goes “down to the shore” or up to the mountains to open his summer cottage; the farmer starts to break up the land for planting; the schoolchildren begin to squirm in their seats and long to fly out of the windows; and “Where are you going this summer?” is on every one’s lips.

They have all caught the spring running, the only infection I know that you can catch from April skies. The very sun has caught it, too, and is lengthening out his course, as if he hated to stop and go to bed at night. And the birds, that are supposed to go to bed most promptly, they sleep, says the good old poet Chaucer, with open eye, these April nights, so bad is their case of spring running,—

“So priketh hem Nature in hir corages.”[1]

[1] So nature pricks (stirs) them in their hearts.

Their long journey northward over sea and land has not cured them yet of their unrest. Only one thing will do it (and I suppose we all should be glad), one sovereign remedy, and that is family cares. But they are yet a long way off.

Meantime watch your turkey-hen, how she saunters down the field alone, how pensive she looks, how lost for something to do and somewhere to go. She is sick with this disease of spring. Follow her, keeping out of sight yourself, and lo, a nest, hidden under a pile of brush in a corner of the pasture fence, half a mile from home!

The turkey-hen has wandered off half a mile to build her nest; but many wild birds have come on their small wings all the way from the forests of the Amazon and have gone on to Hudson Bay and the Fur Countries, just to build their nests and rear their young. A wonderful case of the spring running, you would say; and still more wonderful is the annual journey of the golden plover from Patagonia to Alaska and back, eight thousand miles each way. Yet there is another case that seems to me more mysterious, and quite as wonderful, as the sea seems more mysterious than the land.

It is the spring running of the fish. For when the great tidal waves of bird-life begin to roll northward with the sun, a corresponding movement begins among the denizens of the sea. The cold-blooded fish feel the stirring; the spring running seizes them, and in they come through the pathless wastes of the ocean, waves of them, shoals of them,—sturgeon, shad, herring,—like the waves and flocks of wild geese, warblers, and swallows overhead,—into the brackish water of the bays and rivers and on (the herring) into the fresh water of the ponds.

To watch the herring come up Weymouth Back River into Herring Run here near my home, as I do every April, is to watch one of the most interesting, most mysterious movements of all nature. It was about a century ago that men of Weymouth brought herring in barrels of water by ox-teams from Taunton River and liberated them in the pond at the head of Weymouth Back River. These fish laid their eggs in the grassy margins of the pond that spring and went out down the river to the sea. Later on, the young fry, when large enough to care for themselves, found their way down the river and out to sea.

And where did they go then? and what did they do? Who can tell? for who can read the dark book of the sea? Yet this one thing we know they did, for still they are doing it after all these hundred years,—they came back up the river, when they were full-grown,—up the river, up the run, up into the pond, to lay their eggs in the waters where they were hatched, in the waters that to them were home.

Something very much like this all the other fish are doing, as are the birds also. The spell of home is over land and sea, and has been laid upon them all. The bird companies of the fall went south at the inexorable command of Hunger; but a greater than Hunger is in command of the forces of spring. Now our vast bird army of North America, five billion strong, is moving northward at the call of Home. And the hosts of the sea, whose shining billions we cannot number,—they, too, are coming up, some of them far up through the shallow streams to the wood-walled ponds for a drink of the sweet waters of Home.

As a boy I used to go down to the meadows at night to hear the catfish coming, as now I go down to the village by day to see the herring coming. The catfish would swim in from the Cohansey, through the sluices in the bank, then up by way of the meadow ditches to the dam over which fall the waters of Lupton’s Pond.

It was a seven-or eight-foot dam, and of course the fish could not climb it. Down under the splashing water they would crowd by hundreds, their moving bodies close-packed, pushing forward, all trying to break through the wooden wall that blocked their way. Slow, stupid things they looked; but was not each big cat head pointed forward? each slow, cold brain trying to follow and keep up with each swift, warm heart? For the homeward-bound heart knows no barrier; it never stops for a dam.

The herring, too, on their way up the run are stopped by a dam; but the town, in granting to certain men the sole rights to catch the fish, stipulated that a number of the live herring, as many as several barrels full, should be helped over the dam each spring that they might go on up to the pond to deposit their eggs. If this were not done annually, the fish would soon cease to come, and the Weymouth herring would be no more.

There was no such lift for the catfish under Lupton’s dam. I often tossed them over into the pond, and so helped to continue the line; but perhaps there was no need, for spring after spring they returned. They were the young fish, I suppose, new each year, from parent fish that remain inside the pond the year round.

I cannot say now—I never asked myself before—whether it is Mother or Father Catfish who stays with the swarm (it is literally a swarm) of kitten catfish. It may be father, as in the case of Father Stickleback and Father Toadfish, who cares for the children. If it is—I take off my hat to him. I have four of my own; and I think if I had eighteen or twenty more I should have both hands full. But Father Catfish! Did you ever see his brood?

I should say that there might easily be five hundred young ones in the family, though I never have counted them. But you might. If you want to try it, take your small scoop-net of coarse cheesecloth, or mosquito-netting, and go down to the pond this spring. Close along the margin you will see holes in the shallow water running up under the overhanging grass and roots. The holes were made probably by the muskrats. It is in here that the old catfish is guarding the brood.

As soon as you learn to know the holes, you can cover the entrance with your net, and then by jumping or stamping hard on the ground above the hole, you will drive out the old fish with a flop, the family following in a fine, black cloud. The old fish will swim away, then come slowly back to the scattered swarm, to the little black things that look like small tadpoles, who soon cluster about the parent once more and wiggle away into the deep, dark water of the pond—the strangest family group that I know in all the spring world.

CHAPTER III
AN OLD APPLE TREE

Beyond the meadow, perhaps half a mile from my window, stands an old apple tree, the last of an ancient line that once marked the boundary between the “upper” and the “lower” pastures. It is a bent, broken, hoary old tree, grizzled with suckers from feet to crown. No one has pruned it for half a century; no one ever gathers its gnarly apples—no one but the cattle who love to lie in its shadow and munch its fruit.

The cows know the tree. One of their winding paths runs under its low-hung branches; and as I frequently travel the cow-paths, I also find my way thither. Yet I do not go for apples, nor just because the cow-path takes me. That old apple tree is hollow, hollow all over, trunk and branches, as hollow as a lodging-house; and I have never known it when it was not “putting up” some wayfaring visitor or some permanent lodger. So I go over, whenever I have a chance, to call upon my friends or pay my respects to the distinguished guests.

This old tree is on the neighboring farm. It does not belong to me, and I am glad; for if it did, then I should have to trim it, and scrape it, and plaster up its holes, and put a burlap petticoat on it, all because of the gruesome gypsy moths that infest my trees. Oh, yes, that would make it bear better apples, but what then would become of its birds and beasts? Everybody ought to have one apple tree that bears birds and beasts—and Baldwin apples, too, of course, if the three sorts of fruit can be made to grow on the same tree. But only the birds and beasts grow well on the untrimmed, unscraped, unplastered, unpetticoated old tree yonder between the pastures. His heart is wide open to every small traveler passing by.

Whenever I look over toward the old tree, I think of the old vine-covered, weather-beaten house in which my grandfather lived, where many a traveler put up over night—to get a plate of grandmother’s buckwheat cakes, I think, and a taste of her keen wit. The old house sat in under a grove of pin oak and pine,—“Underwood” we called it,—a sheltered, sheltering spot; with a peddler’s stall in the barn, a peddler’s place at the table, a peddler’s bed in the herby garret, a boundless, fathomless featherbed, of a piece with the house and the hospitality. There were larger houses and newer, in the neighborhood; but no other house in all the region, not even the tavern, two miles farther down the pike, was half so central, or so homelike, or so full of sweet and juicy gossip. The old apple tree yonder between the woods and the meadow is as central, as hospitable, and, if animals talk with one another, just as full of neighborhood news as was grandfather’s roof-tree.

Of course you would never suspect it, passing by. But then, no lover of wild things passes by—never without first stopping, and especially before an old tree all full of holes. Whenever you see a hole in a tree, in a sand-bank, in a hillside, under a rail-pile—anywhere out of doors, stop!

Stop here beside this decrepit apple tree. No, you will find no sign swinging from the front, no door-plate, no letter-box bearing the name of the family residing here. The birds and beasts do not advertise their houses so. They would hide their houses, they would have you pass by; for most persons are rude in the woods and fields, breaking into the homes of the wood-folk as they never would dream of doing in the case of their human neighbors.

There is no need of being rude anywhere, no need of being an unwelcome visitor even to the shyest and most timid of the little people of the fields. Come over with me—they know me in the old apple tree. It is nearly sundown. The evening is near, with night at its heels, for it is an early March day.

We shall not wait long. The doors will open that we may enter—enter into a home of the fields, and, a little way at least, into a life of the fields, for, as I have said, this old tree has a small dweller of some sort the year round.

On this March day we shall be admitted by my owls. They take possession late in winter and occupy the tree, with some curious fellow tenants, until early summer. I can count upon these small screech owls by February,—the forlorn month, the seasonless, hopeless, lifeless month of the year, but for its owls, its thaws, its lengthening days, its cackling pullets, its possible bluebirds, and its being the year’s end! At least the ancients called February, not December, the year’s end, maintaining, with some sense, that the making of the world was begun in March, that is, with the spring. The owls do not, like the swallows, bring the spring, but they nevertheless help winter with most seemly haste into an early grave.

If, as the dusk comes down, I cannot go over to the tree, I will go to my window and watch. I cannot see him, the grim-beaked baron with his hooked talons, his ghostly wings, his night-seeing eyes, but I know that he has come to his window in the apple-tree turret yonder against the darkening sky, and that he watches with me. I cannot see him swoop downward over the ditches, nor see him quarter the meadow, beating, dangling, dropping between the flattened tussocks; nor can I hear him, as, back on the silent shadows, he slants upward again to his tower. Mine are human eyes, human ears. Even the quick-eared meadow mouse did not hear until the long talons closed and it was too late.

SCREECH OWL—“OUT OVER THE MEADOW HE SAILS”

But there have been times when, like some belated traveler, I have been forced to cross this wild night-land of his; and I have felt him pass—so near at times that he has stirred my hair, by the wind—dare I say?—of his mysterious wings. At other times I have heard him. Often on the edge of night I have listened to his quavering, querulous cry from the elm-tops below me by the meadow. But oftener I have watched at the casement here in my castle wall.

Away yonder on the borders of night, dim and gloomy, looms his ancient keep. I wait. Soon on the deepened dusk spread his soft wings, out over the meadow he sails, up over my wooded height, over my moat, to my turret tall, as silent and unseen as the soul of a shadow, except he drift across the face of the full round moon, or with his weird cry cause the dreaming quiet to stir in its sleep and moan.

Now let us go over again to the old tree, this time in May. It will be curious enough, as the soft dusk comes on, to see the round face of the owl in one hole and, out of another hole in the broken limb above, the flat, weazened face of a little tree-toad.

Both creatures love the dusk; both have come forth to their open doors to watch the darkening; both will make off under the cover of the night—one for mice and frogs over the meadow, the other for slugs and insects over the crooked, tangled limbs of the apple tree.

It is strange enough to see them together, but it is stranger still to think of them together; for it is just such prey as this little toad that the owl has gone over the meadow to catch.

Why does he not take the supper ready here on the shelf? There may be reasons that we, who do not eat tree-toad, know nothing of; but I am inclined to believe that the owl has never seen his fellow lodger in the doorway above, though he must often have heard him trilling gently and lonesomely in the gloaming, when his skin cries for rain!

Small wonder if they have never met! for this gray, squat, disk-toed little monster in the hole, or flattened on the bark of the tree like a patch of lichen, may well be one of the things that are hidden from even the sharp-eyed owl. It is always a source of fresh amazement, the way that this largest of the hylas, on the moss-marked rind of an old tree, can utterly blot himself out before your staring eyes.

The common toads and all the frogs have enemies enough, and it would seem from the comparative scarcity of the tree-toads that they must have enemies, too; but I do not know who they are. This scarcity of the tree-toads is something of a puzzle, and all the more to me, that, to my certain knowledge, this toad has lived in the old Baldwin tree, now, for five years. Perhaps he has been several toads, you say, not one; for who can tell one tree-toad from another? Nobody; and for that reason I made, some time ago, a simple experiment, in order to see how long a tree-toad might live, unprotected, in his own natural environment.

Upon moving into this house, about nine years ago, we found a tree-toad living in the big hickory by the porch. For the next three springs he reappeared, and all summer long we would find him, now on the tree, now on the porch, often on the railing and backed tight up against a post. Was he one or many? we asked. Then we marked him; and for the next four years we knew that he was himself alone. How many more years he might have lived in the hickory for us all to pet, I should like to know; but last summer, to our great sorrow, the gypsy moth killers, poking in the hole, hit our little friend and left him dead.

It was very wonderful to me, the instinct for home—the love for home, I should like to call it—that this humble little creature showed. Now, a toad is an amphibian to the zoölogist; an ugly gnome with a jeweled eye, to the poet; but to the naturalist, the lover of life for its own sake, who lives next door to his toad, who feeds him a fly or a fat grub now and then, who tickles him to sleep with a rose leaf, who waits as thirstily as the hilltop for him to call the summer rain, who knows his going to sleep for the winter, his waking up for the spring—to such a one, I say, a tree-toad means more than the jeweled eye and the strange amphibious habits.

This small tree-toad had a home, had it in a tree, too,—in a hickory tree,—this toad that dwelt by my house.

“East, west,

Hame’s best,”

croaked our tree-toad in a tremulous, plaintive song that wakened memories in the vague twilight of more old, unhappy, far-off things than any other voice I ever knew.

These two tree-toads could not have been induced to trade houses, the hickory for the apple, because a house to a toad means home, and a home is never in the market. There are many more houses in the land than homes. Most of us are only real-estate dealers. Many of us have never had a home; and none of us has ever had, perhaps, more than one, or could have—that home of our childhood.

This toad seemed to feel it all. Here in the hickory for four years (more nearly seven, I am sure) he lived, single and alone. He would go down to the meadow when the toads gathered there to lay their eggs; but back he would come, without mate or companion, to his tree. Stronger than love of kind, than love of mate, constant and dominant in his slow cold heart was his instinct for home.

If I go down to the orchard and bring up from an apple tree some other toad to dwell in the hole of the hickory, I shall fail. He might remain for the day, but not throughout the night, for with the gathering twilight there steals upon him an irresistible longing; and guided by it, as bee and pigeon and dog and man are guided, he makes his sure way back to his orchard home.

Would my toad of the Baldwin tree go back beyond the orchard, over the road, over the wide meadow, over to the old tree, half a mile away, if I brought him from there? We shall see. During the coming summer I shall mark him in some manner, and bringing him here to the hickory, I shall then watch the old apple tree yonder to see if he returns. It will be a hard, perilous journey. But his longing will not let him rest; and, guided by his mysterious sense of direction,—for that one place,—he will arrive, I am sure, or he will die on the way.

Suppose he never gets back? Only one toad less? A great deal more than that. There in the old Baldwin he has made his home for I don’t know how long, hunting over its world of branches in the summer, sleeping down in its deep holes during the winter—down under the chips and punk and castings, beneath the nest of the owls, it may be; for my toad in the hickory always buried himself so, down in the débris at the bottom of the hole, where, in a kind of cold storage, he preserved himself until thawed out by the spring.

I never pass the old apple in the summer but that I stop to pay my respects to the toad; nor in the winter that I do not pause and think of him asleep in there. He is no longer mere toad. He has passed into the Guardian Spirit of the tree, warring in the green leaf against worm and grub and slug, and in the dry leaf hiding himself, a heart of life, within the thin ribs, as if to save the old shell of a tree to another summer.

Often in the dusk, especially the summer dusk, I have gone over to sit at his feet and learn some of the things that my school-teachers and college professors did not teach me.

Seating myself comfortably at the foot of the tree, I wait. The toad comes forth to the edge of his hole above me, settles himself comfortably, and waits. And the lesson begins. The quiet of the summer evening steals out with the wood-shadows and softly covers the fields. We do not stir. An hour passes. We do not stir. Not to stir is the lesson—one of the primary lessons in this course with the toad.

The dusk thickens. The grasshoppers begin to strum; the owl slips out and drifts away; a whip-poor-will drops on the bare knoll near me, clucks and shouts and shouts again, his rapid repetition a thousand times repeated by the voices that call to one another down the long empty aisles of the swamp; a big moth whirs about my head and is gone; a bat flits squeaking past; a firefly blazes, is blotted out by the darkness, blazes again, and so passes, his tiny lantern flashing into a night that seems the darker for his quick, unsteady glow.

We do not stir. It is a hard lesson. By all my other teachers I had been taught every manner of stirring, and this strange exercise of being still takes me where my body is weakest, and puts me almost out of breath.

What! out of breath by keeping still? Yes, because I had been hurrying hither and thither, doing this and that—doing them so fast for so many years that I no longer understood how to sit down and keep still and do nothing inside of me as well as outside. Of course you know how to keep still, for you are children. And so perhaps you do not need to take lessons of teacher Toad. But I do, for I am grown up, and a man, with a world of things to do, a great many of which I do not need to do at all—if only I would let the toad teach me all he knows.

So, when I am tired, I will go over to the toad. I will sit at his feet, where time is nothing, and the worry of work even less. He has all time and no task. He sits out the hour silent, thinking—I know not what, nor need to know. So we will sit in silence, the toad and I, watching Altair burn along the shore of the horizon, and overhead Arcturus, and the rival fireflies flickering through the leaves of the apple tree. And as we watch, I shall have time to rest and to think. Perhaps I shall have a thought, a thought all my own, a rare thing for any one to have, and worth many an hour of waiting.

CHAPTER IV
A CHAPTER OF THINGS TO SEE THIS SPRING

Out of the multitude of sights, which twelve sights this spring shall I urge you to see? Why the twelve, of course, that I always look for most eagerly. And the first of these, I think, is the bluebird.

I

“Have you seen a bluebird yet?” some friend will ask me, as March comes on. Or it will be, “I have seen my first bluebird!” as if seeing a first bluebird were something very wonderful and important. And so it is; for the sight of the first March bluebird is the last sight of winter and the first sight of spring. The brown of the fertile earth is on its breast, the blue of the summer sky is on its back, and in its voice is the clearest, sweetest of all invitations to come out of doors.

Where has he spent the winter? Look it up. What has brought him back so early? Guess at it. What does he say as he calls to you? Listen. What has John Burroughs written about him? Look it up and read.

II

You must see the skunk-cabbage abloom in the swamp. You need not pick it and carry it home for the table—just see it. But be sure you see it. Get down and open the big purple-streaked spathe, as it spears the cold mud, and look at the “spadix” covered with its tiny but perfect flowers. Now wait a minute. The woods are still bare; ice may still be found on the northern slopes, while here before you, like a wedge splitting the frozen soil, like a spear cleaving through the earth from the other, the summer, side of the world, is this broad blade of life letting up almost the first cluster of the new spring’s flowers. Wait a moment longer and you may hear your first bumblebee, as he comes humming at the door of the cabbage for a taste of new honey and pollen.

III

Among the other early signs of spring, you should see a flock of red-winged blackbirds! And what a sight they are upon a snow-covered field! For often after their return it will snow again, when the brilliant, shining birds in black with their red epaulets make one of the most striking sights of the season.

IV

Another bird event that you should witness is the arrival of the migrating warblers. You will be out one of these early May days when there will be a stirring of small birds in the bushes at your side, in the tall trees over your head—everywhere! It is the warblers. You are in the tide of the tiny migrants—yellow warblers, pine warblers, myrtle warblers, black-throated green warblers—some of them on their way from South America to Labrador. You must be in the woods and see them as they come.

V

You should see the “spice-bush” (wild allspice or fever-bush or Benjamin-bush) in bloom in the damp March woods. And, besides that, you should see with your own eyes under some deep, dark forest trees the blue hepatica and on some bushy hillside the pink arbutus. (For fear I forget to tell you in the chapter of things to do, let me now say that you should take a day this spring and go “may-flowering.”)

VI

There are four nests that you should see this spring: a hummingbird’s nest, saddled upon the horizontal limb of some fruit or forest tree, and looking more like a wart on the limb than a nest; secondly, the nest, eggs rather, of a turtle buried in the soft sand along the margin of a pond or out in some cultivated field; thirdly, the nest of a sun-fish (pumpkin-seed) in the shallow water close up along the sandy shore of the pond; and fourthly, the nest of the red squirrel, made of fine stripped cedar bark, away up in the top of some tall pine tree! I mean by this that there are many other interesting nest-builders besides the birds. Of all the difficult nests to find, the hummingbird’s is the most difficult. When you find one, please write to me about it.

VII

You should see a “spring peeper,” the tiny Pickering’s frog—if you can. The marsh and the meadows will be vocal with them, but one of the hardest things that you will try to do this spring will be to see the shrill little piper, as he plays his bagpipe in the rushes at your very feet. But hunt until you do see him. It will sharpen your eyes and steady your patience for finding other things.

VIII

You should see the sun come up on a May morning. The dawn is always a wonderful sight, but never at other times attended with quite the glory, with quite the music, with quite the sweet fragrance, with quite the wonder of a morning in May. Don’t fail to see it. Don’t fail to rise with it. You will feel as if you had wings—something better even than wings.

IX

You should see a farmer ploughing in a large field—the long straight furrows of brown earth; the blackbirds following behind after worms; the rip of the ploughshare; the roll of the soil from the smooth mould-board—the wealth of it all. For in just such fields is the wealth of the world, and the health of it, too. Don’t miss the sight of the ploughing.

X

Go again to the field, three weeks later, and see it all green with sprouting corn, or oats, or one of a score of crops. Then—but in “The Fall of the Year” I ask you to go once more and see that field all covered with shocks of ripened corn, shocks that are pitched up and down its long rows of corn-butts like a vast village of Indian tepees, each tepee full of golden corn.

XI

You should see, hanging from a hole in some old apple tree, a long thin snake-skin! It is the latch-string of the great crested flycatcher. Now why does this bird always use a snake-skin in his nest? and why does he usually leave it hanging loose outside the hole? Questions, these, for you to think about. And if you will look sharp, you will see in even the commonest things questions enough to keep you thinking as long as you live.

XII

You should see a dandelion. A dandelion? Yes, a dandelion, “fringing the dusty road with harmless gold.” But that almost requires four eyes—two to see the dandelion and two more to see the gold—the two eyes in your head, and the two in your imagination. Do you really know how to see anything? Most persons have eyes, but only a few really see. This is because they cannot look hard and steadily at anything. The first great help to real seeing is to go into the woods knowing what you hope to see—seeing it in your eye, as we say, before you see it in the out-of-doors. No one would ever see a tree-toad on a mossy tree or a whip-poor-will among the fallen leaves who did not have tree-toads and whip-poor-wills in mind. Then, secondly, look at the thing hard until you see in it something peculiar, something different from anything like it that you ever saw before. Don’t dream in the woods; don’t expect the flowers to tell you their names or the wild things to come up and ask you to wait while they perform for you.

CHAPTER V
IF YOU HAD WINGS

If you had wings, why of course you would wear feathers instead of clothes, and you might be a crow! And then of course you would steal corn, and run the risk of getting three of your big wing feathers shot away.

All winter long, and occasionally during this spring, I have seen one of my little band of crows flying about with a big hole in his wing,—at least three of his large wing feathers gone, shot away probably last summer,—which causes him to fly with a list or limp, like an automobile with a flattened tire, or a ship with a shifted ballast.

Now for nearly a year that crow has been hobbling about on one whole and one half wing, trusting to luck to escape his enemies, until he can get three new feathers to take the places of those that are missing. “Well, why doesn’t he get them?” you ask. If you were that crow, how would you get them? Can a crow, by taking thought, add three new feathers to his wing?

Certainly not. That crow must wait until wing-feather season comes again, just as an apple tree must wait until apple-growing season comes to hang its boughs with luscious fruit. The crow has nothing to do with it. His wing feathers are supplied by Nature once a year (after the nesting-time), and if a crow loses any of them, even if right after the new feathers had been supplied, that crow will have to wait until the season for wing feathers comes around once more—if indeed he can wait and does not fall a prey to hawk or owl or the heavy odds of winter.

But Nature is not going to be hurried on that account, nor caused to change one jot or tittle from her wise and methodical course. The Bible says that the hairs of our heads are numbered. So are the feathers on a crow’s body. Nature knows just how many there are altogether; how many there are of each sort—primaries, secondaries, tertials, greater coverts, middle coverts, lesser coverts, and scapulars—in the wing; just how each sort is arranged; just when each sort is to be moulted and renewed. If Master Crow does not take care of his clothes, then he will have to go without until the time for a new suit comes; for Mother Nature won’t patch them up as your mother patches up yours.

But now this is what I want you to notice and think about: that just as an apple falls according to a great law of Nature, so a bird’s feathers fall according to a law of Nature. The moon is appointed for seasons; the sun knoweth his going down; and so light and insignificant a thing as a bird’s feather not only is appointed to grow in a certain place at a certain time, but also knoweth its falling off.

Nothing could look more haphazard, certainly, than the way a hen’s feathers seem to drop off at moulting time. The most forlorn, undone, abject creature about the farm is the half-moulted hen. There is one in the chicken-yard now, so nearly naked that she really is ashamed of herself, and so miserably helpless that she squats in a corner all night, unable to reach the low poles of the roost. It is a critical experience with the hen, this moulting of her feathers; and were it not for the protection of the yard it would be a fatal experience, so easily could she be captured. Nature seems to have no hand in the business at all; if she has, then what a mess she is making of it!

But pick up the hen, study the falling of the feathers carefully, and lo! here is law and order, every feather as important to Nature as a star, every quill as a planet, and the old white hen as mightily looked after by Nature as the round sphere of the universe!

Once a year, usually after the nesting-season, it seems a physical necessity for most birds to renew their plumage.

We get a new suit (some of us) because our old one wears out. That is the most apparent cause for the new annual suit of the birds. Yet with them, as with some of us, the feathers go out of fashion, and then the change of feathers is a mere matter of style, it seems.

For severe and methodical as Mother Nature must be (and what mother or teacher or ruler, who has great things to do and a multitude of little things to attend to, must not be severe and methodical?)—severe, I say, as Mother Nature must be in looking after her children’s clothes, she has for all that a real motherly heart, it seems.

For see how she looks after their wedding garments—giving to most of the birds a new suit, gay and gorgeous, especially to the bridegrooms, as if fine feathers did make a fine bird! Or does she do all of this to meet the fancy of the bride, as the scientists tell us? Whether so or not, it is a fact that among the birds it is the bridegroom who is adorned for his wife, and sometimes the fine feathers come by a special moult—an extra suit for him!

Take Bobolink, for instance. He has two complete moults a year, two new suits, one of them his wedding suit. Now, as I write, I hear him singing over the meadow—a jet-black, white, and cream-buff lover, most strikingly adorned. His wife, down in the grass, looks as little like him as a sparrow looks like a blackbird. But after the breeding-season he will moult again, changing color so completely that he and his wife and children will all look alike, all like sparrows, and will even lose their names, flying south now under the name of “reed-birds.”

Bobolink passes the winter in Brazil; and in the spring, just before the long northward journey begins, he lays aside his fall traveling clothes and puts on his gay wedding garments and starts north for his bride. But you would hardly know he was so dressed, to look at him; for, strangely enough, he is not black and white, but still colored like a sparrow, as he was in the fall. Apparently he is. Look at him more closely, however, and you will find that the brownish-yellow color is all caused by a veil of fine fringes hanging from the edges of the feathers. The bridegroom wearing the wedding veil? Yes! Underneath is the black and white and cream-buff suit. He starts northward; and, by the time he reaches Massachusetts, the fringe veil is worn off and the black and white bobolink appears. Specimens taken after their arrival here still show traces of the brownish-yellow veil.

Many birds do not have this early spring moult at all; and with most of those that do, the great wing feathers are not then renewed as are bobolink’s, but only at the annual moult after the nesting is done. The great feathers of the wings are, as you know, the most important feathers a bird has; and the shedding of them is so serious a matter that Nature has come to make the change according to the habits and needs of the birds. With most birds the body feathers begin to go first, then the wing feathers, and last those of the tail. But the shedding of the wing feathers is a very slow and carefully regulated process.

In the wild geese and other water birds the wing feathers drop out with the feathers of the body, and go so nearly together that the birds really cannot fly. On land you could catch the birds with your hands. But they keep near or on the water and thus escape, though times have been when it was necessary to protect them at this season by special laws; for bands of men would go into their nesting-marshes and kill them with clubs by hundreds!

The shedding of the feathers brings many risks to the birds; but Nature leaves none of her children utterly helpless. The geese at this time cannot fly because their feathers are gone; but they can swim, and so get away from most of their natural enemies. On the other hand, the hawks that hunt by wing, and must have wings always in good feather, or else perish, lose their feathers so slowly that they never feel their loss. It takes a hawk nearly a year to get a complete change of wing feathers, one or two dropping out from each wing at a time, at long intervals apart.

Then here is the gosling, that goes six weeks in down, before it gets its first feathers, which it sheds within a few weeks, in the fall. Whereas the young quail is born with quills so far grown that it is able to fly almost as soon as it is hatched. These are real mature feathers; but the bird is young and soon outgrows these first flight feathers, so they are quickly lost and new ones come. This goes on till fall, several moults occurring the first summer to meet the increasing weight of the little quail’s growing body.

I said that Nature was severe and methodical, and so she is, where she needs to be, so severe that you are glad, perhaps, that you are not a crow. But Nature, like every wise mother, is severe only where she needs to be. A crow’s wing feathers are vastly important to him. Let him then take care of them, for they are the best feathers made and are put in to stay a year. But a crow’s tail feathers are not so vastly important to him; he could get on, if, like the rabbit in the old song, he had no tail at all.

In most birds the tail is a kind of balance or steering-gear, and not of equal importance with the wings. Nature, consequently, seems to have attached less importance to the feathers of the tail. They are not so firmly set, nor are they of the same quality or kind; for, unlike the wing feathers, if a tail feather is lost through accident, it is made good, no matter when. How do you explain that? Do you think I believe that old story of the birds roosting with their tails out, so that, because of generations of lost tails, those feathers now grow expecting to be plucked by some enemy, and therefore have only a temporary hold?

The normal, natural way, of course, is to replace a lost feather with a new one as soon as possible. But, in order to give extra strength to the wing feathers, Nature has found it necessary to check their frequent change; and so complete is the check that the annual moult is required to replace a single one. The Japanese have discovered the secret of this check, and are able by it to keep certain feathers in the tails of their cocks growing until they reach the enormous length of ten to twelve feet.

My crow, it seems, lost his three feathers last summer just after his annual moult; the three broken shafts he carries still in his wing, and must continue to carry, as the stars must continue their courses, until those three feathers have rounded out their cycle to the annual moult. The universe of stars and feathers is a universe of law, of order, and of reason.

CHAPTER VI
A CHAPTER OF THINGS TO DO THIS SPRING

I do not know where to begin—there are so many interesting things to do this spring! But, while we ought to be interested in all of the out-of-doors, it is very necessary to select some one field, say, the birds or flowers, for special study. That would help us to decide what to do this spring.

I

If there is still room under your window, or on the clothes-pole in your yard, or in a neighboring tree, nail up another bird-house. (Get “Methods of Attracting Birds” by Gilbert H. Trafton.) If the bird-house is on a pole or post, invert a large tin pan over the end of the post and nail the house fast upon it. This will keep cats and squirrels from disturbing the birds. If the bird-house is in a tree, saw off a limb, if you can without hurting the tree, and do the same there. Cats are our birds’ worst enemies.

II

Cats! Begin in your own home and neighborhood a campaign against the cats, to reduce their number and to educate their owners to the need of keeping them well fed and shut up in the house from early evening until after the early morning; for these are the cats’ natural hunting hours, when they do the greatest harm to the birds.

This does not mean any cruelty to the cat—no stoning, no persecution. The cat is not at fault. It is the keepers of the cats who need to be educated. Out of every hundred nests in my neighborhood the cats of two farmhouses destroy ninety-five! The state must come to the rescue of the birds by some new rigid law reducing the number of cats.

III

Speaking of birds, let me urge you to begin your watching and study early—with the first robins and bluebirds—and to select some near-by park or wood-lot or meadow to which you can go frequently. There is a good deal in getting intimately acquainted with a locality, so that you know its trees individually, its rocks, walls, fences, the very qualities of its soil. Therefore you want a small area, close at hand. Most observers make the mistake of roaming first here, then there, spending their time and observation in finding their way around, instead of upon the birds to be seen. You must get used to your paths and trees before you can see the birds that flit about them.

IV

In this haunt that you select for your observation, you must study not only the birds but the trees, and the other forms of life, and the shape of the ground (the “lay” of the land) as well, so as to know all that you see. In a letter just received from a teacher, who is also a college graduate, occurs this strange description: “My window faces a hill on which straggle brown houses among the deep green of elms or oaks or maples, I don’t know which.” Perhaps the hill is far away; but I suspect that the writer, knowing my love for the out-of-doors, wanted to give me a vivid picture, but, not knowing one tree from another, put them all in so I could make my own choice!

Learn your common trees, common flowers, common bushes, common animals, along with the birds.

V

Plant a garden, if only a pot of portulacas, and care for it, and watch it grow! Learn to dig in the soil and to love it. It is amazing how much and how many things you can grow in a box on the window-sill, or in a corner of the dooryard. There are plants for the sun and plants for the shade, plants for the wall, plants for the very cellar of your house. Get you a bit of earth and plant it, no matter how busy you are with other things this spring.

VI

There are four excursions that you should make this spring: one to a small pond in the woods; one to a deep, wild swamp; one to a wide salt marsh or fresh-water meadow; and one to the seashore—to a wild rocky or sandy shore uninhabited by man.

There are particular birds and animals as well as plants and flowers that dwell only in these haunts; besides, you will get a sight of four distinct kinds of landscape, four deep impressions of the face of nature that are altogether as good to have as the sight of four flowers or birds.

VII

Make a calendar of your spring (read “Nature’s Diary” by Francis H. Allen)—when and where you find your first bluebird, robin, oriole, etc.; when and where you find your first hepatica, arbutus, saxifrage, etc.; and, as the season goes on, when and where the doings of the various wild things take place.

VIII

Boy or girl, you should go fishing—down to the pond or the river where you go to watch the birds. Suppose you do not catch any fish. That doesn’t matter; for you have gone out to the pond with a pole in your hands (a pole is a real thing); you have gone with the hope (hope is a real thing) of catching fish (fish are real things); and even if you catch no fish, you will be sure, as you wait for the fish to bite, to hear a belted kingfisher, or see a painted turtle, or catch the breath of the sweet leaf-buds and clustered catkins opening around the wooded pond. It is a very good thing for the young naturalist to learn to sit still. A fish-pole is a great help in learning that necessary lesson.

IX

One of the most interesting things you can do for special study is to collect some frogs’ eggs from the pond and watch them grow into tadpoles and on into frogs. There are glass vessels made particularly for such study (an ordinary glass jar will do). If you can afford a small glass aquarium, get one and with a few green water plants put in a few minnows, a snail or two, a young turtle, water-beetles, and frogs’ eggs, and watch them grow.

X

You should get up by half past three o’clock (at the earliest streak of dawn) and go out into the new morning with the birds! You will hardly recognize the world as that in which your humdrum days (there are no such days, really) are spent! All is fresh, all is new, and the bird-chorus! “Is it possible,” you will exclaim, “that this can be the earth?”

Early morning and toward sunset are the best times of the day for bird-study. But if there was not a bird, there would be the sunrise and the sunset—the wonder of the waking, the peace of the closing, day.

XI

I am not going to tell you that you should make a collection of beetles or butterflies (you should not make a collection of birds or birds’ eggs) or of pressed flowers or of minerals or of arrow-heads or of—anything. Because, while such a collection is of great interest and of real value in teaching you names and things, still there are better ways of studying living nature. For instance, I had rather have you tame a hop-toad, feed him, watch him evening after evening all summer, than make any sort of dead or dried or pressed collection of anything. Live things are better than those things dead. Better know one live toad under your doorstep than bottle up in alcohol all the reptiles of your state.

XII

Finally you should remember that kindliness and patience and close watching are the keys to the out-of-doors; that only sympathy and gentleness and quiet are welcome in the fields and woods. What, then, ought I to say that you should do finally?

CHAPTER VII
THE PALACE IN THE PIG-PEN

“You have taken a handful of my wooded acres,” says Nature to me, “and if you have not improved them, you at least have changed them greatly. But they are mine still. Be friendly now, go softly, and you shall have them all—and I shall have them all, too. We will share them together.”

And we do. Every part of the fourteen acres is mine, yielding some kind of food or fuel or shelter. And every foot, yes, every foot, is Nature’s; as entirely hers as when the thick primeval forest stood here. The apple trees are hers as much as mine, and she has ten different bird families that I know of, living in them this spring. A pair of crows and a pair of red-tailed hawks are nesting in the wood-lot; there are at least three families of chipmunks in as many of my stone-piles; a fine old tree-toad sleeps on the porch under the climbing rose; a hornet’s nest hangs in a corner of the eaves; a small colony of swifts thunder in the chimney; swallows twitter in the hay-loft; a chipmunk and a half-tame gray squirrel feed in the barn; and—to bring an end to this bare beginning—under the roof of the pig-pen dwell a pair of phœbes.

To make a bird-house of a pig-pen, to divide it between the pig and the bird—this is as far as Nature can go, and this is certainly enough to redeem the whole farm. For she has not sent an outcast or a scavenger to dwell in the pen, but a bird of character, however much he may lack in song or color. Phœbe does not make up well in a picture; neither does he perform well as a singer; there is little to him, in fact, but personality—personality of a kind and (may I say?) quantity, sufficient to make the pig-pen a decent and respectable neighborhood.

Phœbe is altogether more than his surroundings. Every time I go to feed the pig, he lights upon a post near by and says to me, “It’s what you are! Not what you do, but how you do it!”—with a launch into the air, a whirl, an unerring snap at a cabbage butterfly, and an easy drop to the post again, by way of illustration. “Not where you live, but how you live there; not the feathers you wear, but how you wear them—it is what you are that counts!”

There is a difference between being a “character” and having one. My phœbe “lives over the pig,” but I cannot feel familiar with a bird of his air and carriage, who faces the world so squarely, who settles upon a stake as if he owned it, who lives a prince in my pig-pen.

Look at him! How alert, able, free! Notice the limber drop of his tail, the ready energy it suggests. By that one sign you would know the bird had force. He is afraid of nothing, not even the cold; and he migrates only because he is a flycatcher, and is thus compelled to. The earliest spring day, however, that you find the flies buzzing in the sun, look for phœbe. He is back, coming alone and long before it is safe. He was one of the first of my birds to return this spring.

And it was a fearful spring, this of which I am telling you. How Phœbe managed to exist those miserable March days is a mystery. He came directly to the pen as he had come the year before, and his presence in that bleakest of Marches gave the weather its only touch of spring.

The same force and promptness are manifest in the domestic affairs of the bird. One of the first to arrive this spring, he was the first to build and bring off a brood—or, perhaps, she was. And the size of the brood—of the broods, for there was a second, and a third!

Phœbe appeared without his mate, and for nearly three weeks he hunted in the vicinity of the pen, calling the day long, and, toward the end of the second week, occasionally soaring into the air, fluttering, and pouring forth a small, ecstatic song that seemed fairly forced from him.

These aerial bursts meant just one thing: she was coming, was coming soon! Was she coming or was he getting ready to go for her? Here he had been for nearly three weeks, his house-lot chosen, his mind at rest, his heart beating faster with every sunrise. It was as plain as day that he knew—was certain—just how and just when something lovely was going to happen. I wished I knew. I was half in love with her myself; and I, too, watched for her.

On the evening of April 14th, he was alone as usual. The next morning a pair of phœbes flitted in and out of the windows of the pen. Here she was. Will some one tell me all about it? Had she just come along and fallen instantly in love with him and his fine pig-pen? It is pretty evident that he nested here last year. Was she, then, his old mate? Did they keep together all through the autumn and winter? If so, then why not together all the way back from Florida to Massachusetts?

Here is a pretty story. But who will tell it to me?

For several days after she came, the weather continued raw and wet, so that nest-building was greatly delayed. The scar of an old, last year’s nest still showed on a stringer, and I wondered if they had decided on this or some other site for the new nest. They had not made up their minds, for when they did start it was to make three beginnings in as many places.

Then I offered a suggestion. Out of a bit of stick, branching at right angles, I made a little bracket and tacked it up on one of the stringers. It appealed to them at once, and from that moment the building went steadily on.

Saddled upon this bracket, and well mortared to the stringer, the nest, when finished, was as safe as a castle. And how perfect a thing it was! Few nests, indeed, combine the solidity, the softness, and the exquisite inside curve of Phœbe’s.

In placing the bracket, I had carelessly nailed it under one of the cracks in the loose board roof. The nest was receiving its first linings when there came a long, hard rain that beat through the crack and soaked the little cradle. This was serious, for a great deal of mud had been worked into the thick foundation, and here, in the constant shade, the dampness would be long in drying out.

The builders saw the mistake, too, and with their great good sense immediately began to remedy it. They built the bottom up thicker, carried the walls over on a slant that brought the outermost point within the line of the crack, then raised them until the cup was as round-rimmed and hollow as the mould of Mrs. Phœbe’s breast could make it.

The outside of the nest, its base, is broad and rough and shapeless enough; but nothing could be softer and lovelier than the inside, the cradle, and nothing drier, for the slanting walls of the nest shed every drop from the leafy crack above.

Wet weather followed the heavy rain until long after the nest was finished. The whole structure was as damp and cold as a newly plastered house. It felt wet to my touch. Yet I noticed that the birds were already brooding. Every night and often during the day I would see one of them in the nest—so deep in, that only a head or a tail showed over the round rim.

After several days I looked to see the eggs, but to my surprise found the nest empty. It had been robbed, I thought, yet by what creature I could not imagine. Then down cuddled one of the birds again—and I understood. Instead of wet and cold, the nest to-day was warm to my hand, and dry almost to the bottom. It had changed color, too, all the upper part having turned a soft silver-gray. She (I am sure it was she) had not been brooding her eggs at all; she had been brooding her mother’s thought of them; and for them had been nestling here these days and nights, drying and warming their damp cradle with the fire of her life and love.

In due time the eggs came,—five of them, white, spotless, and shapely. While the little phœbe hen was hatching them, I gave my attention further to the cock.

Our intimate friendship revealed a most pleasing nature in phœbe. Perhaps such close and continued association would show like qualities in every bird, even in the kingbird; but I fear only a woman, like Mrs. Olive Thorne Miller, could find them in him. Not much can be said of this flycatcher family, except that it is useful—a kind of virtue that gets its chief reward in heaven. I am acquainted with only four of the other nine Eastern members,—crested flycatcher, kingbird, wood pewee, and chebec,—and each of these has some redeeming attribute besides the habit of catching flies.

They are all good nest-builders, good parents, and brave, independent birds; but aside from phœbe and pewee—the latter in his small way the sweetest voice of the oak woods—the whole family is an odd lot, cross-grained, cross-looking, and about as musical as a family of ducks. A duck seems to know that he cannot sing. A flycatcher knows nothing of his shortcomings. He believes he can sing, and in time he will prove it. If desire and effort count for anything, he certainly must prove it in time. How long the family has already been training, no one knows. Everybody knows, however, the success each flycatcher of them has thus far attained. It would make a good minstrel show, doubtless, if the family would appear together. In chorus, surely, they would be far from a tuneful choir. Yet individually, in the wide universal chorus of the out-of-doors, how much we should miss the kingbird’s metallic twitter and the chebec’s insistent call!

There was little excitement for phœbe during this period of incubation. He hunted in the neighborhood and occasionally called to his mate, contented enough perhaps, but certainly sometimes appearing tired.

PHŒBE AND HER YOUNG

One rainy day he sat in the pig-pen window looking out at the gray, wet world. He was humped and silent and meditative, his whole attitude speaking the extreme length of his day, the monotony of the drip, drip, drip from the eaves, and the sitting, the ceaseless sitting, of his brooding wife. He might have hastened the time by catching a few flies for her or by taking her place on the nest; but I never saw him do it.

Things were livelier when the eggs hatched, for it required a good many flies a day to keep the five young ones growing. And how they grew! Like bread sponge in a pan, they began to rise, pushing the mother up so that she was forced to stand over them; then pushing her out until she could cling only to the side of the nest at night; then pushing her off altogether. By this time they were hanging to the outside themselves, covering the nest from sight almost, until finally they spilled off upon their wings.

Out of the nest upon the air! Out of the pen and into a sweet, wide world of green and blue and of golden light! I saw one of the broods take this first flight, and it was thrilling.

The nest was placed back from the window and below it, so that in leaving the nest the young would have to drop, then turn and fly up to get out. Below was the pig.

As they grew, I began to fear that they might try their wings before this feat could be accomplished, and so fall to the pig below. But Nature, in this case, was careful of her pearls. Day after day they clung to the nest, even after they might have flown; and when they did go, it was with a sure and long flight that carried them out and away to the tops of the neighboring trees.

They left the nest one at a time and were met in the air by their mother, who, darting to them, calling loudly, and, whirling about them, helped them as high and as far away as they could go.

I wish the simple record of these family affairs could be closed without one tragic entry. But that can rarely be of any family. Seven days after the first brood were awing, I found the new eggs in the nest. Soon after that the male bird disappeared. The second brood had now been out a week, and in all that time no sight or sound was had of the father.

What happened? Was he killed? Caught by a cat or a hawk? It is possible; and this is an easy and kindly way to think of him. It is not impossible that he may have remained as leader and protector to the first brood; or (perish the thought!) might he have grown weary at sight of the second lot of five eggs, of the long days and the neglect that they meant for him, and out of jealousy and fickleness wickedly deserted?

I hope it was death, a stainless, even ignominious death by one of my neighbor’s many cats.

Death or desertion, it involved a second tragedy. Five such young ones at this time were too many for the mother. She fought nobly; no mother could have done more. All five were brought within a few days of flight; then, one day, I saw a little wing hanging listlessly over the side of the nest. I went closer. One had died. It had starved to death. There were none of the parasites in the nest that often kill whole broods. It was a plain case of sacrifice,—by the mother, perhaps; by the other young, maybe—one for the other four.

But she did well. Nine such young birds to her credit since April. Who shall measure her actual use to the world? How does she compare in value with the pig? Weeks later I saw several of her brood along the meadow fence hawking for flies. They were not far from my cabbage-patch.

I hope a pair of them will return to me next spring and that they will come early. Any bird that deigns to dwell under roof of mine commands my friendship. But no other bird takes Phœbe’s place in my affections; there is so much in him to like, and he speaks for so much of the friendship of nature.

“Humble and inoffensive bird” he has been called by one of our leading ornithologies—because he comes to my pig-pen! Inoffensive! this bird with the cabbage butterfly in his beak! The faint and damning praise! And humble? There is not a humble feather on his body. Humble to those who see the pen and not the bird. But to me—why, the bird has made a palace of my pig-pen!

The very pig seems less a pig because of this exquisite association; and the lowly work of feeding the creature has been turned for me by Phœbe into a poetic course in bird study.

CHAPTER VIII
IS IT A LIFE OF FEAR?

There was a swish of wings, a flash of gray, a cry of pain; a squawking, cowering, scattering flock of hens; a weakly fluttering pullet; and yonder, swinging upward into the sky, a marsh hawk, buoyant and gleaming silvery in the sun. Over the trees he beat, circled once, and disappeared.

The hens were still flapping for safety in a dozen directions, but the gray harrier had gone. A bolt of lightning could hardly have dropped so unannounced, could hardly have vanished so completely, could scarcely have killed so quickly. I ran to the pullet, but found her dead. The harrier’s stroke, delivered with fearful velocity, had laid head and neck open as with a keen knife. Yet a little slower and he would have missed, for the pullet warded off the other claw with her wing. The gripping talons slipped off the long quills, and the hawk swept on without his quarry. He dared not come back for it at my feet; so, with a single turn above the woods he was gone.

The scurrying hens stopped to look about them. There was nothing in the sky to see. They stood still and silent a moment. The rooster chucked. Then one by one they turned back into the open pasture. A huddled group under the hen-yard fence broke up and came out with the others. Death had flashed among them, but had missed them. Fear had come, but it had gone. Within two minutes from the fall of the stroke, every hen in the flock was intent at her scratching, or as intently chasing the gray grasshoppers over the pasture.

Yet, as the flock scratched, the high-stepping cock would frequently cast up his eye toward the tree-tops; would sound his alarum at the flight of a robin; and if a crow came over, he would shout and dodge and start to run. But instantly the shadow would pass, and instantly Chanticleer—

“He looketh as it were a grym leoun,

And on hise toos he rometh up and doun;

·······

Thus roial as a prince is in an halle.”

He wasn’t afraid. Cautious, alert, watchful he was, but not afraid. No shadow of dread lay dark and ominous across the sunshine of his pasture. Shadows came—like a flash; and like a flash they vanished away.

We cannot go far into the fields without sighting the hawk and the snake, whose other names are Death. In one form or another Death moves everywhere, down every wood-path and pasture-lane, through the black waters of the mill-pond, out under the open of the April sky, night and day, and every day, the four seasons through.

I have seen the still surface of a pond break suddenly with a swirl, and flash a hundred flecks of silver into the light, as the minnows leap from the jaws of the terrible pike. Then a loud rattle, a streak of blue, a splash at the centre of the swirl, and I see the pike twisting and bending in the beak of the terrible kingfisher. The killer is killed. But at the mouth of the nest-hole in the steep sand-bank, swaying from a root in the edge of the turf above, hangs the terrible black snake, the third killer; and the belted kingfisher, dropping the pike, darts off with a startled cry.

I have been afield at times when one tragedy has followed another in such rapid and continuous succession as to put a whole shining, singing, blossoming springtime under a pall. Everything has seemed to cower, skulk, and hide, to run as if pursued. There was no peace, no stirring of small life, not even in the quiet of the deep pines; for here a hawk would be nesting, or a snake would be sleeping, or I would hear the passing of a fox, see perhaps his keen, hungry face an instant as he halted, winding me.

There is struggle, and pain, and death in the woods, and there is fear also, but the fear does not last long; it does not haunt and follow and terrify; it has no being, no shape, no lair. The shadow of the swiftest scudding cloud is not so fleeting as this Fear-shadow in the woods. The lowest of the animals seem capable of feeling fear; yet the very highest of them seem incapable of dreading it. For them Fear is not of the imagination, but of the sight, and of the passing moment.

“The present only toucheth thee!”

It does more, it throngs him—our little fellow mortal of the stubble-field. Into the present is lived the whole of his life—he remembers none of it; he anticipates none of it. And the whole of this life is action; and the whole of this action is joy. The moments of fear in an animal’s life are few and vanishing. Action and joy are constant, the joint laws of all animal life, of all nature—of the shining stars that sing together, of the little mice that squeak together, of the bitter northeast storms that roar across the wintry fields.

I have had more than one hunter grip me excitedly, and with almost a command bid me hear the music of the baying pack. There are hollow halls in the swamps that lie to the east and north and west of me, that catch up the cry of the foxhounds, that blend it, mellow it, round it, and roll it, rising and falling over the meadows in great globes of sound, as pure and sweet as the pearly notes of the veery rolling round their silver basin in the summer dusk.

What music it is when the pack breaks into the open on the warm trail! A chorus then of tongues singing the ecstasy of pursuit! My blood leaps; the natural primitive wild thing of muscle and nerve and instinct within me slips its leash, and on past with the pack I drive, the scent of the trail single and sweet in my nostrils, a very fire in my blood, motion, motion, motion in my bounding muscles, and in my being a mighty music, spheric and immortal!

“The fair music that all creatures made

To their great Lord, whose love their motions swayed....”

But what about the fox, loping wearily on ahead? What part has he in the chorus? No part, perhaps, unless we grimly call him its conductor. But the point is the chorus—that it never ceases, the hounds at this moment, not the fox, in the leading rôle.

“But the chorus ceases for me,” you say. “My heart is with the poor fox.” So is mine, and mine is with the dogs too. No, don’t say “Poor little fox!” For many a night I have bayed with the pack, and as often—oftener, I think—I have loped and dodged and doubled with the fox, pitting limb against limb, lung against lung, wit against wit, and always escaping. More than once, in the warm moonlight, I, the fox, have led them on and on, spurring their lagging muscles with a sight of my brush, on and on, through the moonlit night, through the day, on into the moon again, and on until—only the stir of my own footsteps has followed me. Then, doubling once more, creeping back a little upon my track, I have looked at my pursuers, silent and stiff upon the trail, and, ere the echo of their cry has died away, I have caught up the chorus and carried it single-throated through the wheeling, singing spheres.

There is more of fact than of fancy to this. That a fox ever purposely led a dog to run to death would be hard to prove; but that the dogs run themselves to death in a single extended chase after a single fox is a common occurrence here in the woods about the farm. Occasionally the fox may be overtaken by the hounds; seldom, however, except in the case of a very young one or of one unacquainted with the lay of the land, a stranger that may have been driven into the rough country here.

I have been both fox and hound; I have run the race too often not to know that both enjoy it at times, fox as much as hound. Some weeks ago the dogs carried a young fox around and around the farm, hunting him here, there, everywhere, as if in a game of hide-and-seek. An old fox would have led the dogs on a long coursing run across the range. But the young fox, after the dogs were caught and taken off the trail, soon sauntered up through the mowing-field behind the barn, came out upon the bare knoll near the house, and sat there in the moonlight yapping down at Rex and Dewey, the house-dogs in the two farms below. Rex is a Scotch collie, Dewey a dreadful mix of dog-dregs. He had been tail-ender in the pack for a while during the afternoon. Both dogs answered back at the young fox. But he could not egg them on. Rex was too fat, Dewey had had enough; not so the young fox. It had been fun. He wanted more. “Come on, Dewey!” he cried. “Come on, Rex, play tag again! You’re still ‘it.’”

I was at work with my chickens one spring day when the fox broke from cover in the tall woods, struck the old wagon-road along the ridge, and came at a gallop down behind the hen-coops, with five hounds not a minute behind. They passed with a crash and were gone—up over the ridge and down into the east swamp. Soon I noticed that the pack had broken, deploying in every direction, beating the ground over and over. Reynard had given them the slip—on the ridge-side, evidently, for there were no cries from below in the swamp.

Leaving my work at noon, I went down to restake my cow in the meadow. I had just drawn her chain-pin when down the road through the orchard behind me came the fox, hopping high up and down, his neck stretched, his eye peeled for poultry. Spying a white hen of my neighbor’s, he made for her, clear to the barnyard wall. Then, hopping higher for a better view, he sighted another hen in the front yard, skipped in gayly through the fence, seized her, and loped across the road and away up the birch-grown hills beyond.

The dogs had been at his very heels ten minutes before. He had fooled them. And no doubt he had done it again and again. They were even now yelping at the end of the baffling trail behind the ridge. Let them yelp. It is a kind and convenient habit of dogs, this yelping, one can tell so exactly where they are. Meantime one can take a turn for one’s self at the chase, get a bite of chicken, a drink of water, a wink or two of rest, and when the yelping gets warm again, one is quite ready to pick up one’s heels and lead the pack another merry dance. The fox is quite a jolly fellow.

This is the way the races out of doors are all run off. Now and then they may end tragically. A fox cannot reckon on the hunter with a gun. He is racing against the pack of hounds. But, mortal finish or no, the spirit of the chase is neither rage nor terror, but the excitement of a matched game, the ecstasy of pursuit for the hound, the passion of escape for the fox, without fury or fear—except for the instant at the start and at the finish—when it is a finish.

This is the spirit of the chase—of the race, more truly; for it is always a race, where the stake is not life and death, but rather the joy of winning. The hound cares as little for his own life as for the life of the fox he is hunting. It is the race, instead, that he loves; it is the moments of crowded, complete, supreme existence for him—“glory” we call it when men run it off together. Death, and the fear of death, the animals can neither understand nor feel. Only enemies exist in the world out of doors, only hounds, foxes, hawks—they, and their scents, their sounds and shadows; and not fear, but readiness only. The level of wild life, of the soul of all nature, is a great serenity. It is seldom lowered, but often raised to a higher level, intenser, faster, more exultant.

The serrate pines on my horizon are not the pickets of a great pen. My fields and swamps and ponds are not one wide battle-field, as if the only work of my wild neighbors were bloody war, and the whole of their existence a reign of terror. This is a universe of law and order and marvelous balance; conditions these of life, of normal, peaceful, joyous life. Life and not death is the law; joy and not fear is the spirit, is the frame of all that breathes, of very matter itself.