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THE SERAPION BRETHREN.

VOLUME II.

THE SERAPION BRETHREN.

BY

ERNST THEODOR WILHELM HOFFMANN

Translated from the German

BY

LIEUT.-COLONEL ALEX. EWING,

A.P.D.,

TRANSLATOR OF J. P. RICHTER'S "FLOWER, FRUIT, AND THORN PIECES,"
ETC.

VOLUME II.

LONDON:
GEORGE BELL & SONS, YORK STREET, COVENT GARDEN,
AND NEW YORK.

1892.

LONDON:
PRINTED BY WILLIAM CLOWES AND SONS, LIMITED,
STAMFORD STREET AND CHARING CROSS.

CONTENTS.

THE SERAPION BRETHREN.

[SECTION V].

The ever-fluctuating vicissitudes of human life had once more scattered our little group of friends asunder. Sylvester had gone back to his country home; Ottmar had travelled away on business, and so had Cyprian; Vincent was still in the town, but (after his accustomed fashion) he had disappeared in the turmoil, and was nowhere to be seen; Lothair was nursing Theodore, who had been laid on a bed of sickness by a malady long struggled against, which was destined to keep him there for a considerable time.

Indeed, several months had gone by, when Ottmar (whose sudden and unlooked-for departure had been the chief cause of the breaking up of the "Club") came back, to find, in place of the full-fledged "Serapion Brotherhood," one friend, barely convalescent, and bearing the traces of a severe illness in his pale face, abandoned by the Brethren, with the exception of one, who was tasking him severely by constant outbreaks of a grim and capricious "humour."

For Lothair was once more finding himself in one of those strange and peculiar moods of mind in which all life seemed to him to have become weary, stale, flat and unprofitable, by reason of the everlasting mockery ("chaff" might be the modern expression of this idea) of the inimical daemonic power which, like a pedantic tutor, ignores and contemns the nature of men; giving man (as a tutor of the sort would do) bitter drugs and nauseous medicines, instead of sweet and delicious macaroons, to the end that his said pupil, man, may take a distaste at his own nature, enjoy it no more, and thus keep his digestion in good order.

"What an unfortunate idea it was," Lothair cried out, in the gloomiest ill-humour, when Ottmar came in and found him sitting with Theodore--"what an unfortunate idea it was of ours to insist on binding ourselves together again so closely, jumping over all the clefts which time had split between us! It is Cyprian whom we have to thank for laying the foundation-stone of Saint Serapion, on which we built an edifice which seemed destined to last a lifetime, and tumbled down into ruin in a few moons. One ought not to hang one's heart on to anything, or give one's mind over to the impressions of excitements from without; and I was a fool to do so, for I must confess to you that the way in which we came together on those Serapion evenings took such a hold on my whole being that, when the brethren so suddenly dispersed themselves over the world, my life felt to me as weary, stale, flat and unprofitable as the melancholy Prince Hamlet's did to him."

"Forasmuch as no spirit has arisen from the grave, revisiting the glimpses of the moon, to incite you to revenge," said Ottmar, with a laugh, "and as you are not called upon to send your sweetheart to a nunnery, or to thrust a poisoned rapier into the heart of a murderer-king, I think you ought not to give way to Prince Hamlet's melancholy, and should consider that it would be the grossest selfishness to renounce every league of alliance into which congenially-minded people enter because the storms of life possess the power of interfering with it. Human beings ought not to draw in their antennas at every ungentle touch, like supersensitive insects. Is the remembrance of hours passed in gladsome kindly intercourse nothing to you? All through my journeyings I have thought of you continually. On the evenings of the meetings of the Serapion Club (which, of course, I supposed to be still in full swing) I always took my place amongst you, in spirit; assimilated all the delightful and entertaining things going on amongst you (entertaining you, at the same time, with whatever the spirit moved me to contribute to you). But it is absurd to continue in this vein. Is there, in Lothair's mind, really the slightest trace of that which his momentary 'out-of-tuneness' has made him say? Does he not himself admit that the cause of his being out of tune is merely the fact of our having been dispersed?"

"Theodore's illness," said Lothair, "which nearly sent him to his grave, was not a matter, either, calculated to put me into a happy state of mind."

"No," said Ottmar, "but Theodore is well again; and as to the Serapion Club, I cannot see why it should not be considered to be in full working order, now that three of the Brethren are met together."

"Ottmar is perfectly right," said Theodore; "it is a matter of indisputable necessity that we should have a meeting, in true Serapiontic fashion, as early as possible. The germ which we form will sprout into a tree full of fresh life and vigour, bearing flowers and fruit--I mean that that bird of passage, Cyprian, will come back: Sylvester will soon be unhappy, there where he is, away; and when the nightingales cease singing, he will long for music of another kind; and Vincent will emerge from the billows again, no doubt, and chirp his little song."

"Have it your own way," said Lothair, rather more gently than before; "only don't expect me to have anything to do with it. However, I promise that I will be present when you assemble Serapiontically; and, as Theodore ought to be in the open air as much as possible, I suggest that we hold our meeting out of doors."

So they fixed upon the last day of May--which was only a few days off--for the time; and on a pretty public-garden in the neighbourhood, not too much frequented, for the place, of their next Serapiontic meeting.

A thunderstorm, passing quickly over, and merely sprinkling the trees and bushes with a few drops of Heaven's balsam, had relieved the sultry oppressiveness of the day. The beautiful garden was lying all still, in the most exquisite brightness. The delicious perfume of leaves and flowers streamed through it, while the birds, twittering and trilling in happiness, went rustling amongst the branches, and bathed themselves in the bedewed leafage.

"How refreshed I feel, through and through!" Theodore cried, when the friends had sate themselves down in the shade of some thickly-foliaged lime-trees; "every trace of illness, down to the most infinitesimal, has left me. I feel as if a redoubled life had dawned on me, in my active consciousness of reciprocity of action between me and the external. A man must have been as ill as I have been to be capable of this sensation, which, strengthening mind and body, must surely be (as I feel it to be) the true life-elixir which the Eternal Power, the ruling World-spirit, administers to us, directly and without intermediation. The vivifying breath of Nature is breathing out of my own breast. I seem to be floating in that glorious blue Heaven which is vaulted over us, with every burden lifted away from me!"

"This," said Ottmar, "shows that you are quite well again, beloved friend; and all glory to the Eternal Power which fitted you out with an organisation strong enough to survive an illness like that which you have gone through. It is a marvel that you recovered at all, and still a greater that you recovered so quickly."

"For my part," said Lothair, "I am not surprised that he got well so soon, because I never had a moment's doubt that he would. You may believe me, Ottmar, when I tell you that, wretched as the state in which his physical condition appeared to be, he was never really ill, mentally; and so long as the spirit keeps sound--well! it was really enough to vex one to death that Theodore, ill as he was, was always in better spirits than I was, although I was a perfectly well and sound man; and that, so soon as his bodily sufferings gave him an interval of rest, he delighted in the wildest fun and jests. At the same time, he has the rare power of remembering his feverish illusions. The doctor had forbidden him to talk; but when I wished to tell him this, that and the other in quiet moments, he would motion me to be silent and not disturb his thoughts, which were busy over some important composition, or other matter of the kind."

"Yes," said Theodore, laughing, "I can assure you that Lothair's communications were of a very peculiar kidney at that time. Directly after the dispersion of the Serapion Brethren he became possessed by a foul fiend of evil humours. This you probably have gathered; but you cannot, by any possibility, divine the extraordinary ideas which he got into his head at this period of gloom and dejection. One day he came to my bedside (for I had taken to my bed by that time) stating that the old Chronicle Books were the grandest and richest mines and treasure-houses of tales, legends, novels and dramas. Cyprian said the same long ago, and it is true. Next day I noticed, although my malady was besetting me sorely, that Lothair was sitting immersed in an old folio. Moreover, he went every day to the public library and got together all the old Chronicles he could lay his hands upon. That was all very well; but, besides, he got his head filled with the strange old legends which are contained in those venerable books; and when, in my hours of comparative quiet, he bestirred himself to talk to me on 'entertaining' subjects, what I heard of was war and pestilence, monstrous abortions, hurricanes, comets, fires and floods, witches, auto-da-fé's, enchantments, miracles, and, above all other subjects, his talk was of the manifold works and devices of the Devil--who, as we know, plays such an important part in all those old stories that one can hardly imagine what has become of him now, when he seems to keep so quietly in the background, unless he may perhaps have put on some new dress which renders him unrecognizable. Now tell me, Ottmar, don't you think such subjects of conversation well suited for a man in my then state of health?"

"Don't condemn me unheard," cried Lothair. "It is true, and I will maintain it fearlessly, that, for writers of tales, there is an immense amount of splendid material in those ancient Chronicles. But you know that I have never taken much interest in them, and least of all in their diablerie. However, the evening before Cyprian went away I had a great argument with him as to his having far too much to do with the Devil and his family; and I told him candidly that my present opinion of his tale, 'The Singers' Contest,' is that it is a thoroughly faulty and bungling piece of work, although when he read it to us I approved of it, for many specious reasons. Upon this he attacked me in the character of a real advocatum diaboli, and told me such a quantity of things, out of old Chronicles and from other sources, that my head fairly reeled. And then, when Theodore fell ill, I was seized upon and overmastered by real, bitter gloom and misery. Somehow, I scarce know how or why, Cyprian's 'Singers' Contest' came back to my mind again. Nay, the Devil himself appeared to me in person one night when I couldn't sleep; and although I was a good deal frightened by the evil fellow, still I could not help respecting him, and paying him my duty as an ever helpful aide-de-camp of tale-writers in lack of help; and, by way of spiting you all, I determined to set to work and surpass even Cyprian himself in the line of the fearsome and the terrible."

"You, Lothair, undertake the fearful and terrible!" said Ottmar, laughing--"you, whose bright and fanciful genius would seem expressly adapted to wave the wand of comedy!"

"Even so," said Lothair; "such was my idea. And as a first step towards carrying it out, I set to work to rummage in those old Chronicles which Cyprian had told me were the very treasure-houses of the diabolical; but I admit that it all turned out quite differently from what I had expected."

"I can fully confirm that," said Theodore. "I can assure you it is astonishing, and most delicious, the way in which the Devil and the gruesomest witch-trials adapt themselves to the mental bent and style of the author of 'Nutcracker and the King of Mice.' Just let me tell you, dear Ottmar, how I chanced to lay my hands upon an experimental essay on this subject of our doughty Lothair's. He had just left me one day when I was getting to be strong enough to creep about the room a little, and I found, upon the table where he had been writing, the truly remarkable book entitled 'Haftitii Michrochronicon Berlinense,' open at the page where, inter alia, occurs what follows:--

"'Ye Divell, in this year of Grace, appeared bodily in ye streets of Berlin, and attended funerals, conducting himself thereat sorrowfullie,' &c., &c., &c.

"You will see, my dear Ottmar, that this entertaining piece of intelligence was of a nature to delight me immensely; but some pages in Lothair's handwriting delighted me still more. In those he had welded up the accounts of this curious conduct of the Devil with a horrible case of misbirth, and a gruesome trial for witchcraft, into an ensemble of the most delightful and entertaining description. I have got those pages here; I brought them in my pocket to amuse you with them."

He took them out of his pocket and handed them to Ottmar.

"What!" cried Lothair, "the affair which I styled 'Some Account of the Life of a Well-known Character,' which I thought was torn up and destroyed long ago--the abortive product of a fit of capricious fancy; can it be that you have captured that from me and kept it, to bring me into discredit with persons of taste and culture? Here with the wretched piece of scribbling, that I may tear it up and scatter it to the winds of heaven."

"No, no," cried Theodore; "you must read it to Ottmar, as a penance for what you inflicted on me in my illness with your horrible weird Chronicle matter."

"Well," said Lothair, "I suppose I can't refuse, though I shall cut a strange figure before this very grave and carefully-behaved gentleman. However, here goes." So Lothair took the papers, and read as follows:--

[THE LIFE OF A WELL-KNOWN CHARACTER].

In the year one thousand five hundred and fifty-one there was to be seen in the streets of Berlin, particularly in the evening twilight, a gentleman of fine and distinguished appearance. He wore a rich and beautiful doublet, trimmed with sable, white galligaskins, and slashed shoes; on his head was a satin barret cap with a red feather. His manners were charming, and highly polished. He bowed politely to everybody, particularly to ladies, both married and single; and to them he was wont to address civil and complimentary speeches. He would say: "Donna! if you have any wish or desire in the depths of your heart, pray command your most humble servant, who will devote his humble powers to the utmost to be entirely at your disposal and service." This was what he said to married ladies of position. To the unmarried he said: "Heaven grant you a nice husband, worthy of your loveliness and virtues." To the men he behaved just as charmingly, and it was no wonder that everybody was fond of this stranger, and came to his assistance when he would stand hesitating, in doubt and difficulty, at some crossing, apparently not knowing how to get over it; for though a well-grown and handsomely-proportioned person in most respects, he had one lame foot, and was obliged to go about with a crutch. But as soon as anybody gave him a hand to help him at a crossing, he would instantly jump up with him some six ells or so into the air, and not come to the ground again within a distance of some twelve paces on the other side of the crossing. This rather astonished people, it need not be said, and one or two sprained their legs slightly in the process. But the stranger excused himself by saying that, before his leg was lame, he had been principal dancer at the Court of the King of Hungary; so that, when he felt himself called upon to take a jump, the old habit came back upon him, and, willy-nilly, he could not help springing up into the air as he used to do in the exercise of his profession. The people were satisfied with this explanation, and even took much delight in seeing some privy councillor, clergyman, or other person of position and respectability, taking a great jump of this sort hand-in-hand with the stranger.

But, merry and cheerful as he seemed to be, his behaviour changed at times in a most extraordinary manner; for he would often go about the streets at night and knock at people's doors; and when they opened to him, he would be standing there in white grave clothes, raising a terrible crying and howling, at which they were fearfully frightened; but he would apologize the following day, saying that he was compelled to do this to remind the citizens and himself of the perishableness of the body, and the imperishableness of the soul, to which their minds ought always to be carefully directed. He would weep a little as he said this, which touched the folks very much. He went to all the funerals, following the coffin with reverent step, and conducting himself like one overwhelmed with sorrow, so that he could not join in the hymns for sobbing and lamenting. But, overcome with grief as he was on those occasions, he was just as delighted and happy at marriages, which in those days were celebrated in a very splendid style at the town-hall. There he would sing all sorts of songs in a loud and delightful voice, and dance for hours on end with the bride and the young ladies (on his sound leg, adroitly drawing the lame one out of the way), behaving and evincing himself on those occasions as a man of the most delightful manners and bearing. But the best of it was that he always gave the marrying couples delightful presents, so that of course he was always a most welcome guest. He gave them gold chains, bracelets, and other valuable things; so that the goodness, the liberality, and the superior morality of this stranger became bruited abroad throughout the city of Berlin, and even reached the ears of the Elector himself. The Elector thought that a person of this sort would be a great ornament at his own Court, and caused him to be sounded as to his willingness to accept an appointment there. The stranger, however, wrote back an answer (in vermilion letters, on a piece of parchment a yard and a half in length, and the same in breadth) to the effect that he was most submissively grateful for the honour offered to him, but implored his Serene Highness to permit him to remain in the enjoyment of the citizenesque life which was so wholly conformed to all his sentiments, in peace; adding that he had selected Berlin, in preference to many other cities, as his residence, because he had nowhere else met with such charming people, persons of such truthfulness and uprightness, of so much "feeling," of such a sense for fine and delightful "manners" so exquisitely after his own heart in every respect. The Elector, and his whole Court along with him, much admired and wondered at the beautiful style in which this reply of the stranger was conceived, and the matter was allowed to rest there.

It happened that just then the lady of Councillor Walter Lütkens was, for the first time, "as ladies wish to be who love their lords"; and the old accoucheuse, Mistress Barbara Roloffin, predicted that this fine, grand lady, overflowing with health and strength, would undoubtedly bring into the world a grand and vigorous son, so that Herr Walter Lütkens was all hope and gladness. Our "stranger," who had been a guest at Lütkens's wedding, was in the habit of calling at his house now and then; and it chanced that he made one of those calls of his on an evening when Barbara Roloffin was there.

As soon as old Barbara set eyes on the stranger she gave a marvellous loud ejaculation of delight, and it appeared as though all the deep wrinkles of her face smoothed themselves out in an instant. Her pale lips and cheeks grew red, and the youth and beauty to which she had long said "good-bye" came back to her again. She cried out, "Ah, ah, Herr Junker! Is this you that I see here really and truly? Is this you, yourself? Oh, I welcome you! I am so delighted to see you!" and she was nearly falling down at his feet.

But he answered this demonstration in words of anger, whilst his eyes flashed fire. Nobody could understand what it was that he said to her. But the old woman shrunk into a corner, as pale and wrinkled as she had been at first, and whimpering faintly and unintelligibly.

"My dear Mr. Lütkens," the stranger said to the master of the house, "I hope you will take great care lest something annoying may happen in your house here. I really hope, with all my heart, that everything will go well on this auspicious occasion. But this old creature, Barbara Roloffin, is by no means so well up to her business as perhaps you suppose. She is an old acquaintance of mine, and I am sorry to say that she has on many occasions not paid proper attention to her patients."

Both Lütkens and his wife had been very anxious, and had felt most eery and uncanny about this whole business, and full of suspicion as to old Barbara Roloffin, particularly when they remembered the extraordinary transfiguration which took place in her when she saw the stranger. They had very great suspicions that she was in the practice of black and unholy arts, so that they forbade her to cross the threshold of their house any more, and they made arrangements with another accoucheuse.

On this, old Barbara was very angry, and said that Lütkens and his wife would pay very dearly for what they had done to her.

Lütkens's hope and gladness were turned into bitter heart-sorrow and deep grief, when his wife brought into the world a horrible changeling in place of the beautiful boy predicted by Barbara Roloffin. It was a creature all chestnut brown, with two horns on its head, great fat eyes, no nose whatever, a big wide mouth with a white tongue sticking out of it upside down, and no neck. Its head was down between its shoulders; its body was wrinkled and swollen; its arms came out just above its hips, and it had long, thin shanks.

Mr. Lütkens wept and lamented terribly. "Oh, just heavens!" he cried; "what in the name of goodness is going to be the outcome of this? Can this little one ever be expected to tread in his father's steps? Was there ever such a thing known as a Member of Council with a couple of horns on his head, and chestnut brown all over?"

The stranger consoled Lütkens as much as ever he could. He pointed out to him that a good education does a great deal; that though, as concerned form and appearance, the new-born thing was really to be characterized as a most arrant schismatic, still he ventured to say that it looked about it very understandingly with its fat eyes, and that there was room for a deal of wisdom between the two horns on its forehead. Also that though it might, perhaps, never be fit to be a Member of Council, it was perfectly capable of becoming a distinguished savant, inasmuch as excessive ugliness is often a characteristic of savants, and even causes them to be highly respected and much looked up to.

However, Lütkens could not but ascribe his misfortune in the depths of his heart to old Barbara Roloffin, particularly when he learned that she had been sitting at the door of the room during his wife's accouchement; and Frau Lütkens had declared, with many tears, that the old woman's face had been before her eyes all the time of it, and that she had not been able to get rid of the sight of her.

Now Mr. Lütkens's suspicions were not, it is true, enough to base any legal proceedings upon in the matter; but Heaven so ordered things that in a very short time all the infamous deeds which old Barbara had committed were brought into the clear light of day.

For it happened that shortly after those events there came on one day, about twelve at noon, a terrible storm, and a most violent wind, and the people in the streets saw Barbara Roloffin (who was on her way to attend a lady in need of her professional services) borne, rushing away on the wings of a blast, high up through the air, over the housetops and the church steeples, and set down, none the worse for the trip, in a meadow close to Berlin.

After this, of course, there could be no more doubt about the "black art" of Barbara Roloffin. Lütkens lodged his plaint before the proper tribunal, and the woman was taken into custody. She denied everything obstinately, till she was put to the rack. Upon that, unable to endure the agony, she confessed that she had been in league with the Devil, and had practised magical arts for a very long time. She admitted that she had bewitched poor Frau Lütkens, and foisted off the vile abortion upon her; and that, over and above that, she had in company with two other witches belonging to Blumber killed and boiled several children of Christian parents, with the object of causing a famine in the land.

Accordingly she was sentenced to be burnt alive in the market-place. So when the appointed day arrived old Barbara was conducted there in presence of a great concourse of people, and made to ascend the scaffold which was there erected. When ordered to take off a fur cloak which she was wearing, she would by no means obey, insisting that they should tie her to the stake just as she was. This was done. The pile of wood was already alight, and burning at all four corners, when suddenly the stranger appeared, seemingly grown to gigantic dimensions, and glaring over the heads of the populace at Barbara Roloffin with eyes of flame.

The clouds of black smoke were rolling on high, the crackling flames were catching the woman's dress, she cried out, in a terrible screaming voice, "Satan! Satan! is this how thou holdest the pact thou hast made with me? Help, Satan! Help! my time is not out yet!" and the stranger, it was found, had suddenly vanished. But from the spot where he had been standing an enormous bat went fluttering up, darted into the thick of the flames, and thence rose screaming into the air with the old woman's fur cloak; and the burning pyre went crashing down into extinction.

Horror seized upon all the spectators; every one now saw clearly that the distinguished stranger had been none other than the very Devil in person. He must have had some special grudge against the folks of Berlin, to whom he had so long behaved so smoothly and in such friendly fashion, and with hellish deceit betrayed Councillor Lütkens and many other sapient men and women.

Such is the power of the Evil One; from whom and from all his snares may Heaven in its mercy defend us all.

When Lothair had finished, he looked into Ottmar's face, in utter self-irony, with the peculiar expression of bitter sweetness which he had at his command on such occasions.

"Well," said Theodore, "what think you of Lothair's pretty little specimen of diablerie? One of the best points about it, I think, is that there is not too much of it."

Whilst Lothair had been reading, Ottmar had laughed a great deal, but towards the close he had become grave and silent. "I must admit," he said, "that in this little tale or 'prank'--for I don't know what else to call it--of Lothair's there predominates an attempt, often more or less successful, at a certain sort of amusing naïveté, very appropriate to the character of the German Devil. Also, that when he talks about the Devil's jumping over the streets hand in hand with respectable townfolk and of the 'chestnut brown schismatic,' who might turn out a quaint and ugly savant, though never a nice, natty, spick-and-span Member of Council, we see the curvets and the caprioles of the same little Pegasus which was bestridden by the author of 'Nutcracker.' Still, I think that he ought to have got on the back of a horse of a different colour; and, indeed, I cannot say what the reason exactly is why the pleasantly comic impression which the earlier part of the story produces vanishes away into nothingness; whilst, out of this nothingness, there ultimately develops a certain something which becomes most uncanny and unpleasant; and the concluding words, which are intended to do away with this feeling, do not succeed in doing away with it."

"Oh, thou most sapient of all critics," Lothair cried, "who dost such high honour to this most insignificant thing of all the insignificant things which I have ever written down as to dissect it carefully with magnifying glasses on nose, let me tell you that it served me as an anatomical study long ago. Did I not style it a mere product of a mood of caprice? Have I not anathematized it myself? However, I am glad that I read it to you, because it gives me an opportunity of speaking my mind concerning tales of this kind. And I am sure that my Serapion Brethren will agree with me. In the first place, Ottmar, I should like to trace out for you the germ of that unpleasant--or, better, 'uncanny'--feeling which you were conscious of when you were at first beginning to see what you have called the 'amusing naïveté' of it. Whatever grounds the good old Hafftitz may have had for telling us that the Devil passed a certain time leading the life of a townsman of Berlin, this remains for us a wholly 'fanciful' or 'fantastic' incident. And the quality of the 'supernatural'--the 'spookishness' (to use an expression now not unfamiliar)--which is a leading characteristic of that tremendous 'principle of negation'--that 'spirit which eternally denies and destroys'--is, by reason of the (in a manner) comic contrastedness in which it is presented, calculated to cause in us the strange sensation, compounded of terror and irony, which fetters our attention in a manner the reverse of unpleasant. But the case is quite different as to the terrible witch stories. In them actual life is brought on to the stage with all its reality of horror. When I read about Barbara Roloffin's execution, I felt as though I saw the funeral pyre smoking in the market-place. All the horror of the terrible witchcraft-trials rose to my memory. A pair of sparkling red eyes, and an attenuated weazened body, were enough to cause a poor old creature to be assumed to be a witch, guilty of every description of wicked and unholy arts and practices; to have legal process instituted against her, and to be led to the scaffold. The application of the rack, or other form of torture, confirmed the accusations against her, and decided the case."

"Still," said Theodore, "it is very remarkable that so many of those supposititious witches of their own accord confessed their pact, and other relations, with the Evil One, without any coercion whatever. Two or three years ago it happened that a number of legal documents fell into my hands relating to trials for witchcraft; and I could scarce believe my eyes when I read in them confessions of things which made my flesh creep. They told of ointments, the use of which turned human beings into various animals; they spoke of riding on broomsticks, and, in fact, of all the devilish practices which we read of in old legends. Bat, first and foremost, and invariably, those supposititious witches always openly and shamelessly avowed, and boasted--usually of their own accord--as to their unchaste relations with the unclean and diabolical 'gallant' (as their term for him was). Now, how could such things be possible?"

"Because," Lothair said, "belief in a diabolical compact actually brought such a compact about."

"How do you mean? What do you say?" the two others cried together.

"Understand me properly, that is all I ask," said Lothair, "It is matter of certainty that, in the times when nobody doubted of the direct and immediate influence of the Devil, or that he constantly appeared visibly, those miserable creatures, who were hunted down and put so mercilessly to fire and sword, actually and firmly believed in all that they were accused of; and that many, in the wickedness of their hearts, tried their utmost, by means of every description of supposed arts of witchcraft, to enter into compact with the Devil, for the sake of gain, or for the doing of evil deeds; and then, in conditions of brain-excitement, produced by beverages affecting their senses, and by terrible oaths and ceremonies of conjuration, saw the Evil One, and entered into those compacts which were to confer upon them supernatural powers. The wildest of the fabrications of the brain which those confessions contain--based upon inward conviction--do not seem too wild when one considers what strange fancies--nay, what terrible infatuations--even hysteria itself is capable of producing in women. Thus the wickedness of the hearts of those putative witches was often paid for by a fearful death. We cannot reasonably reject the testimony of those old witch-trials, for they are supported by the evidence of witnesses, or other clearly recorded facts; and there are many instances of people who have committed crimes deserving of death. Remember Tieck's magnificent tale, 'The Love-Spell.' There is a deed mentioned in the papers I have been speaking of very analogous to the crime of the horrible woman in Tieck's tale. So that a death on the funeral pyre was often really the proper punishment for those fearful misdoings."

"There occurs to my remembrance," Theodore said, "an occasion when an accursed crime of that description chanced to be brought vividly before my own eyes, filling me with the profoundest pain and sorrow. When I was living in W---- I went to see a certain charming country seat, L----, which you know. It has been justly said of it that it seems to float like some stately swan mirrored on the beautiful lake which lies at its feet. I had heard, before, that there were dark rumours to the effect that the unfortunate possessor of it, who had died but a short time before, had carried on magical practices, with the help of an old woman; and that the aged keeper of the chateau could tell a good deal about this business, could one gain his confidence. As soon as I saw this man he struck me as a very remarkable person. Imagine to yourselves a hoary-headed old man with imprints of the profoundest terror in his face, dressed poorly, like a peasant, but indicating, by his manner, unusual cultivation. Remark that this man, whom you would have taken for an ordinary labourer at the first glance, would talk to you--if you did not happen to understand the patois of the district--in the purest French, or in equally good Italian, just as you chose. I managed to interest and to animate him by touching, as we wandered through the great halls, on the troubles which his late master had had to go through, and by showing that I was, to some extent, acquainted with the subject, and with what had happened in those bygone days. He explained the deeper meaning of many of the paintings and adornments (which, to the uninitiated, seemed mere unmeaning prettinesses), and grew more and more frank and confidential. At last he opened a small closet, floored with slabs of white marble, in which the only piece of furniture was a cauldron of brass. The walls seemed to have been stripped of their former adornments. I knew, I felt, that I was in the place where the former master of the house, blinded and befooled by his lust for sensuous enjoyment, had descended to diabolical practices. When I dropped a word or two hinting at this subject, the old man raised his eyes to heaven with an expression of the bitterest melancholy, and said, with a deep sigh, 'Ah! Holy Virgin! hast thou forgiven him?' He then silently pointed to a large marble slab embedded in the middle of the flooring. I looked at this slab with much closeness of observation, and became aware that there were reddish veins meandering about through the stone. And, as I fixed my attention upon them more and more closely, heaven aid me! the features of a human face grew more and more distinctly traceable and visible, just as when, on looking at a distorted picture through a lens specially constructed, all its lines and effects then, and not till then, grow clear and sharp.

"It was the face of a child that was looking at me out of that stone, marked with the heartrending anguish of the agony of death. I could see drops of blood welling from the breast; but the rest of the form of the body seemed to flow vaguely into indistinctness, as if a stream of water were carrying it away. It was with a hard struggle that I overcame the horror which well-nigh overmastered me. I could not bring myself to utter a word. We left that terrible, mysterious place in silence. Not till I had walked about in the park and the lawns for some time could I overcome the inexplicable feeling which had so annulled my enjoyment of that little earthly paradise. From many things which I gathered from the detached utterances of the old man, I was led to conclude that the crazy being who had thrust herself into such intimate relations with the last proprietor of the place (in other respects a large-hearted and cultivated man) had worked upon him by promising him, through the exercise of her accursed arts, the fulfilment of his dearest wishes--unfailing and everlasting happiness in love--and so led him on to unutterable crime."

"This is an affair for Cyprian," Ottmar said. "He would be as delighted over the bleeding baby in the marble, and in the old Castellan, as we." "Well," Theodore went on to say, "although all this affair may be traceable to foolish fancies--although it may be nothing but a fable kept up by the people--still, if that strangely-veined slab of marble is capable, even under the influence of a lively imagination, of showing the lineaments of a bleeding baby when looked at closely and carefully, something uncanny must have happened, or the faithful old servant could not have felt his master's guilt so deeply in his heart, nor would that strange stone give such a terrible evidence of it."

Ottmar said, replying, "We will take an early opportunity of laying this matter before Saint Serapion, that we may ascertain exactly how it stands; but for the time, I think we ought to let witches alone, and go back to our subject of the 'German Devil,' as to which I would fain say a word or two. What I am driving at is--that the characteristic German manner of treating this subject is seen in its truest colour when it is a question of the Devil's manner of conducting himself in ordinary everyday life. Whenever he takes part in that, he is thoroughly 'up' in every description of evil and mischief--in everything that is terrible and alarming. He is always on the alert to set traps for the good, so as to lead as many of them as possible over to his own kingdom; but yet he is a thoroughly fair and honourably-dealing personage, abiding by his compacts and contracts in the most accurate and punctilious manner. From this it results that he is often outwitted, so that he appears in the character of a 'stupid' Devil (and this is not improbably the origin of the common expression 'stupid devil'); but, besides all this, the character of the German Satan has a strong tincture of the burlesque mixed up with the more predominant quality of mind-disturbing terror--that horror which oppresses the mind and disorganizes it. Now, the art of portraying the Devil in this distinctively German fashion seems to be very much lost. For this aforesaid amalgamation of his characteristics does not seem to occur in any of the more recent attempts at representing him. He is either shown as a mere buffoon, or as a being so terrible that the mind is revolted by him."

"I think," said Lothair, "you are forgetting one recent story in which this said mingling of the brightly Intellectual (verging sometimes on the comic) with the Terrific is very finely managed, and in which the full effectiveness of the old-world sort of devil-spook-story is carried out in a masterly manner. I mean Fouqué's splendid tale, the 'Galgenmännlein.'[1] The terribly vivacious little creature in the phial--who comes out of it at night, and lays himself down on the breast of that master of his, who has such awful dreams--the fearsome man in the mountain glen, with his great coal-black steed which crawls up the perpendicular cliffs like a fly on a wall--in short, all the uncanny and supernatural elements which are present in the story in such plentiful measure--together rivet and strain the attention to an extent absolutely frightening; it affects one like some powerful drink, which immensely excites the senses and at the same time sheds a beneficent warmth through the heart. It is owing to the tone which pervades it all through, and to the vividness of the separate pictures, that, although at the end one is thoroughly delighted that the poor wretch does get out of the Devil's clutches, still, the element of the Intellectuality of the evil beings, and the scenes which touch upon the realm of comedy (such as the part about the 'Half Heller') stand out with the principal high-lights upon them. I scarcely can think of any tale of diablerie which has produced such an impression upon me."

[Footnote 1: Known in English as "The Bottle Imp.">[

"There can't be much doubt," said Theodore, "that Fouqué got the materials for that story out of some old chronicle."

"Even if he did," Lothair said, "I should hope you wouldn't detract from the author's merit on that score, like the more common class of critics, whose peculiar system obliges them always to try and find out the fundamental materials from which a writer has 'taken' his work. They make immense capital out of pointing out said source, and look down with great contempt on the wretched author who merely kneads his characters together out of a pre-existent dough. As if it mattered that the author absorbed into himself germs from without him! The shaping of the material is the important part of the business. We ought to think of our Patron Saint Serapion. His stories were told out of his soul as he had seen them with his eyes, not as he had read about them."

"You do me much injustice, Lothair," said Theodore, "if you suppose I am of any other opinion. And there is nobody who has shown more admirably how a subject may be vividly represented than Heinrich Kleist in his tale of Kohlhaas, the horse dealer."

"However," said Lothair, "as we have been talking of Hafftitz's book, I should like to read to you a story of which I took most of the leading ideas from the Michrochronicon. I wrote it during an attack of a very queer mood of mind, which beset me for a very considerable time. And I hope, Ottmar, my dear friend, it will lead you to admit that the 'spleen,' which Theodore says I am suffering from, is not so very serious as he would make it out to be."

He took out a manuscript, and read:

[ALBERTINE'S WOOERS].

(A story in which many utterly improbable adventures happen.)

CHAPTER I.

Which treats of Sweethearts, Weddings, Clerks of the Privy Chancery, Perturbations, Witchcraft Trials, and other delectable matters.

On the night of the autumnal equinox, Mr. Tussmann, a clerk in the Privy Chancery, was making his way from the café, where he was in the habit of passing an hour or two regularly every evening, towards his lodgings in Spandau Street. The Clerk of the Privy Chancery was excessively regular and punctilious in every action of his life. He always had just done taking off his coat and his boots at the exact moment when the clocks of St. Mary's and St. Nicholas's churches struck eleven; so that, as the reverberating echo of the last stroke died away, he always drew his nightcap over his ears, and placed his feet in his roomy slippers.

On the night we are speaking of he, in order not to be late in going through those ceremonies (for the clocks were just going to strike eleven), was just going to turn out of King Street, round the corner of Spandau Street, with a rapid sweep--almost to be denominated a jump--when the sound of a strange sort of knocking somewhere in his immediate proximity rivetted him to the spot.

And he became aware that, down at the bottom of the Town-house Tower--rendered visible by the light of the neighbouring lamp--there was a tall, meagre figure standing, wrapped in a dark cloak, knocking louder and louder on the closed shutters of Mr. Warnatz, the ironmonger's shop (which, as everybody knows, is therein situated); knocking louder and louder, and then going back a few paces and sighing profoundly, gazing up as he did so at the windows of the Tower, which were shut.

"My dear sir," said the Clerk of the Privy Chancery, addressing this personage in a civil and courteous manner, "you are evidently under some misapprehension. There is not a single human creature up in that Tower; and indeed--if we except a certain number of rats and mice, and a few little owls--not a living thing. If you wish to provide yourself with something superior in the hardware line from Warnatz's celebrated emporium here, you will have to take the trouble to come back in the forenoon."

"Respected Herr Tussmann----" the stranger began.

And Tussmann chimed in with "Clerk of the Privy Chancery, of many years seniority." He was a little annoyed, too--astonished, at all events--that the stranger seemed to know him. But the latter did not seem to mind that in the least, but recommenced:

"Respected Herr Tussmann, you are kind enough to be making a complete mistake as to the nature of my proceedings here. I do not want ironmongery or hardware of any description; neither have I anything to do with Mr. Warnatz. This is the night of the autumnal equinox, and I want to see my future wife! She has heard my ardent and longing summons, and my sighs of affection, and she will come and show herself up at that window directly."

The hollow tones in which the man spoke these words had about them something so solemn--nay, so spectral and supernatural--that the Clerk of the Privy Chancery felt an icy shudder run through his veins. The first stroke of eleven rung down from the tower of St. Mary's, and as it did so, there came a clattering and a clinking up at the broken old window of the Tower, and a female form became visible at it. As the bright light of the street lamps fell upon the face of this figure, Tussmann whimpered out in lamentable tones, "Oh, ye just powers!--Oh, ye heavenly hosts!--what--what is this?"

At the last stroke of eleven--that is, at the moment when Tussmann generally put on his nightcap--the female figure vanished.

This extraordinary apparition seemed to drive the Clerk of the Privy Chancery completely out of his senses. He sighed, groaned, gazed up at the window, and whispered "Tussmann! Tussmann! Clerk of the Privy Chancery--bethink yourself, sir! Consider what you're about. Don't let your heart be troubled. Be not deceived by Satan, good soul."

"You seem to be put out by what you have seen, Mr. Tussmann," the stranger said. "I only wanted to see my sweetheart--my wife, that is to be. You must have seen something else, apparently."

"Please, please," Tussmann said in a whimper, "I should be so much obliged to you if you would be good enough to address me by my little title. I am Clerk of the Privy Chancery, and truly, at this moment, a greatly perturbed Clerk of the Privy Chancery--in fact, one almost out of his senses. I beg you, with all due respect, my very dear sir (though I regret that I am unable to style you by your proper title, as I have not the honour to be in the least acquainted with you, having never met you before--however, I shall address you as 'Herr Geheimer Rath'--'Mr. Privy Councillor'--there are such an extraordinary number of gentlemen here in Berlin bearing that title that one can scarcely be in error in applying it)--I beg you, therefore, Herr Geheimer Rath, to be so very kind as not to keep me longer in ignorance as to whom the lady, your future wife, may be, whom you expected to see here at this hour of the night."

"You're a curious fellow, you and your 'titles,'" the stranger said, raising his voice. "If a man who knows a number of secrets and mysteries, and can give good counsel too, is one of your 'privy' or 'secret' councillors, I think I may so style myself. I am surprised that a gentleman who is so well versed in ancient writings and curious manuscripts as you are, dear Mr. Tussmann, Clerk of the Privy Chancery, should not know that when an expert--an expert, observe!--knocks at the door of this Tower here--or even on the wall of it, on the night of the autumnal equinox, there will appear to him, up at yonder window, the girl who is to be the happiest and luckiest sweetheart in Berlin till the spring equinox comes round."

"Mr. Privy Councillor," Tussmann cried, as if in a sudden inspiration, and with joyful rapture--"Most respected Mr. Privy Councillor! is that really the case?"

"It is," said the stranger. "But what's the good of our standing in the street here any longer? It is past your bed time. Let us go to the new wine-shop in Alexander Street; just that you may hear a little more about this young lady, and recover your peace of mind, which something--I have no idea what--has disturbed so tremendously."

Tussmann was a most abstemious person. His sole recreation (for "dissipation" we cannot term it) consisted in his spending an hour or two every evening in a café; where, whilst he read assiduously political and other articles in newspapers, as well as books which he brought with him, he sipped a glass of good beer. Wine he seldom touched, except that after service on Sundays he allowed himself a small glass of Malaga with a biscuit, in a certain restaurant. To go about dissipating at nights was an abomination in his eyes. So that it seemed incomprehensible how, on this particular occasion, he allowed the stranger, who hurried away towards Alexander Street with long strides, resounding in the darkness, to carry him away with him without a word of objection.

When they came into the wine-shop there was nobody there but one single customer, sitting by himself at a table, with a big glass of Rhine wine before him. The depth of the wrinkled lines on his face indicated extreme age. His eyes were sharp and piercing, and his grand beard marked him as a Hebrew, faithful to the ancient laws and customs of his people. Also his costume was very much in the old Frankish style, as people dressed about the year 1720; and perhaps that was why he had the effect of having come back to life out of a period of remote antiquity.

But the stranger whom Tussmann had come across was still more remarkable of aspect.

A tall, meagre man, powerfully formed as to his limbs and muscles, seemingly about fifty years of age. His face might once have passed for handsome, and the great eyes still flashed out from under the black bushy eyebrows with youthful fire and vigour. The brow was broad and open; the nose strongly aquiline. All this would not have distinguished him from a thousand others. But, whilst his coat and trousers were of the fashion of the present day, his collar, his cloak, and his barret cap belonged to the latter part of the sixteenth century. But it was more especially the wonderful eyes of the man, and the blaze of them (which seemed to come streaming out of deep mysterious night), and the hollow tones of his voice, and his whole bearing--all in the most absolute contrast with things of the present day--it was, we say, all these things taken together which made everybody experience a strong sense of eeriness in his proximity.

He nodded to the man who was sitting at the table as if to an old acquaintance.

"Ha!" he cried, "here you are again, after all this time. How do you feel? Are you all alive and kicking?"

"Just as you see," the old man growled. "Sound as a roach. All ready on my legs at the proper time. All there--when there's anything up."

"I'm not quite so sure about that," the stranger said, laughing loudly; "we shall see!" And he ordered the waiter to bring a bottle of the oldest claret in the cellar.

"My good Mr. Privy Councillor," Tussmann began, deprecatingly. But the stranger interrupted him hastily, saying:

"Let us drop the 'titles,' Tussmann, for once and all! I am neither a Privy Councillor nor a Clerk of the Privy Council. What I am is an artist, a worker in the noble metals and the precious jewels; and my name is Leonhard."

"Oh, indeed!" Tussmann murmured to himself--"a goldsmith! a jeweller!" And he bethought himself that he might have seen at the first glance that the stranger could not possibly be an ordinary Privy Councillor, seeing that he had on an antique mantle, collar, and barret cap, such as Privy Councillors never went about in nowadays. Leonhard and Tussmann sat down at the same table with the old Jew, who received them with a grinning kind of smile.

When Tussmann, at Leonhard's instigation, had taken two or three glasses of the full-bodied wine, his pale cheeks began to glow, and as he swallowed the liquor, he glanced about him with smirks and smiles, as if the most delightful ideas were rising in his brain.

"And now," Leonhard said, "tell me openly and candidly, Mr. Tussmann, why you went on in such an extraordinary manner when the lady showed herself at the Tower-window; and what it is that your head is so very full of at the present moment. You and I are very old acquaintances, whether you believe it or not; and as to this old gentleman here, you need be on no ceremony with him."

"Oh, heavens!" answered the Privy Chancery Clerk--"Oh, good heavens! most respected Herr Professor--(I do beg you to allow me to address you by that title; I am sure you are a most celebrated artist, and quite in a position to be a professor in the Academy of Arts)--and so, most respected Herr Professor, how can I hide from you that I am, as the proverb puts it, 'walking on wooer's feet.' I am expecting to bring the happiest of brides home about the vernal equinox. Could it be otherwise than a rather startling thing, when you, most respected Herr Professor, were so very kind as to let me see a fortunate bride that is to be?"

"What!" the old Jew broke in, in a screaming voice--"What! are you thinking of marrying? Why, you're as old as the hills, and as ugly as a baboon into the bargain."

"Never mind him," Leonbard said; for Tussmann was so startled by what the old man said that he could not utter a syllable. "He means no harm, dear Mr. Tussmann, though you may think he seems to do so. I must say, candidly, that it seems to me, too, that it is a little too late in life for you to be thinking about such a thing. You must be well on to your fiftieth birthday; aren't you?"

"I shall be forty-eight," said Tussman, with a certain amount of irritability, "on the 9th of next October--St. Dionysius's day."

"Very well," said Leonhard. "But it isn't only your age that's against you--you have always been leading a simple, solitary, virginal existence. You have no knowledge or experience of women. I can't see what is to become of you in their hands!"

"Knowledge of them--experience of them! Dear Herr Professor, you must really take me for a most foolish and inconsiderate person if you think I am going to plunge into matrimony without any counsel or reflection or advice. I weigh, consider, and reflect upon every step most maturely; and, having perceived myself to be pierced to the heart by the dart of the wanton deity yclept 'Cupid' by the ancients, could I do otherwise than bend all my thoughts upon the preparation of myself for the matrimonial life? Would any one who was preparing for a difficult examination not be careful to study all the subjects on which he is to be interrogated? Very well, most respected Herr Professor, my marriage is an examination, for which I have prepared myself, and I feel pretty certain that I shall pass it admirably--with honours! Look here, at this little book, which I have always carried about in my pocket, studying it constantly, since the time when I made up my mind to fall in love and get married. Look at it, my dear sir; and you will be convinced that I am setting about this business in the most thorough and fundamental manner possible, and that I shall certainly not be found an ignoramus in it; although, as you say (and as I must admit), the feminine sex is--so far, and up to the present date--to me a complete terra incognita."

With these words Tussmann produced from his pocket a little book in parchment binding, and turned up its title-page, which ran as follows:--

"Brief Tractate on Diplomatic Acumen. Embracing methods of Self-Counsel for guidance in all Societies of our fellow-creatures, conducing to the attainment of a proper system of Conduct. Of the utmost importance to all Persons who deem themselves Wise, or wish to become Wiser. Translated from the Latin of Herr Thomasius. With a complete Index. Frankfurt and Leipzig. Johann Grossen's Successors. 1710."

"Now just let me show you," said Tussmann, with a sweet smile, "what this worthy author (in his seventh chapter, which deals with the subjects 'Wedlock, and the Duties of the Father of a Family and Master of a Household') says, in the seventh section of that chapter. You see, what he says is this:

"'Above all things, let there be no hurry about it. He who does not marry till of mature age is so much the wiser, and the better able to cope with the exigencies of the situation. Over-early marriages produce shameless, subtle, and disingenuous people, and sacrifice the vigour of both body and mind. Although the age of manhood is not the commencement of youth, the one should not terminate before the other.'"

"And then, with regard to the choice of the object of the affections--her whom one is to love and to marry--this grand Thomasius says, in his nineteenth section:

"'The middle course is the safest. We should not select one too beautiful or too ill-favoured, too rich nor too poor, too high-born or too low-born, but of like social standing with one's self. And, similarly, as regards the other qualities, the middle course will be found always the safest to follow.'"

"Very well, you see, this is what I have always guided myself by. And (as directed by Thomasius--section seventeen), not only have I had occasional conversations with the lady of my choice, but (inasmuch as, in occasional interviews, misapprehensions may arise with respect to peculiarities of character and modes of looking at matters, &c.) I have taken opportunities to have very frequent interviews and conversations with her; because those frequent interviews necessarily make it very difficult for people to conceal themselves from one another, don't you see?"

"My dear Mr. Tussmann," the goldsmith said, "it appears to me that all this sort of intercourse, 'conversation,' or whatever you please to call it, with women requires one to have a good deal of experience, extending over a very considerable period of time, if one is to avoid being befooled and made an ass of by it."

"Even in this," said Tussmann, "our grand Thomasius comes to our aid, giving us completely adequate instruction as to how we are to 'converse' with ladies, in the most rational and delightful style; even telling us exactly how and when to introduce the due amount of playfulness and wit, suitable to the occasion. My author says, in his fifth chapter, that one ought to be careful to introduce such jocular sayings sparingly--as a cook uses salt; and that pointed speeches should never be employed as weapons against others, but altogether in our own defence--just as a hedgehog uses his spines. And also, that it is wise to rely more upon the actions than upon the words; because it is often the case that what is hidden by words is made evident by actions, and that words very often do not do so much to awaken liking or disliking as actions do."

"I see," the goldsmith said, "there is no getting anything like a rise out of you. You are closed up in armour of proof. So I am prepared to bet, heavily, that you have gained the affections of the lady of your choice by means of those wonderfully deep diplomatic dodges of yours."

Tussmann answered, "I study to direct all my endeavours (following Thomasius's advice) to attain a deferential, though kindly, agreeableness of demeanour, that being the most natural and usual indication of affection, and what is most adapted to awaken liking in reciprocation: just as if you yawn, you will set an entire company gaping too, from sympathy. But, reverentially as I follow his instructions, I don't go too far; I always recollect that (as Thomasius says) women are neither good angels nor bad angels, but mere human beings; and, in fact, as regards strength of mind and body, weaker than we are, which, of course, is fully accounted for by the diversity which exists between the sexes."

"A black year come over you!" the old Jew cried wrathfully, "sitting there chattering your cursed stuff and nonsense without a stop; spoiling for me the good hour in which I hoped to enjoy myself a little after all the hard work I've been going through."

"Hold your tongue, old man," the goldsmith said. "You ought to be very thankful that we put up with you here. I can tell you your company is anything but pleasant; your manners are so abominable. You ought to be kicked out of decent society, if you had your deserts. Don't let the old man disturb you, dear Mr. Tussmann. You believe in the old times; you're fond of old Thomasius. I go a good deal further back. What I care about is the time to which, as you see, my dress partly belongs. Aye! my good friend, those were the days! It is to them that that little spell belongs which you saw me putting into practice to-night at the Town-house Tower."

"I don't quite understand you, Herr Professor,'' Tussmann said.

"Well," said the goldsmith, "there used to be splendid weddings in those old days in the Town-hall--very different affairs from the weddings nowadays. Plenty of happy brides used to look out of those Tower-windows in those days, so that it's a piece of pleasant glamour when an aerial form comes and tells us what is going to happen now, from knowledge of olden times. Let me tell you, this Berlin was a very different place in those old days; nowadays everything is marked with the same stamp of tediousness and ennui, and people ennuyer one another just because they are so ennuyées and weary in themselves. In those days there were entertainments, feastings, rejoicings worthy the name, very different from the affairs that are so called now. I shall only speak of what was done at Oculi, in the year 1581, when the Elector Augustus of Saxony, with his Consort, and Don Christian, his son, were escorted to Cologne by all the nobles and gentry. There were over a hundred horse, and the citizens of both the cities--Berlin and Cologne--and those of Spandau lined both sides of the road from the gate to the palace in complete armour. Next day there was a splendid running at the ring, at which the Elector of Saxony and Count Jost of Barby appeared, with many nobles--in fine suits of gold embroidery, and tall golden helms, golden lions' heads on their shoulders, knees, and elbows, with flesh-coloured silk on the other parts of their arms and legs, just as if they had been naked---exactly as you see the heathen warriors painted in pictures. There were singers and musicians hidden inside a gilt Noah's Ark, and on the top of it sat a little boy in flesh-coloured silk tights, with his eyes bandaged, as Cupid is represented. Two other boys, dressed as doves, with white ostrich feathers, golden eyes and beaks, drew ±he ark along; and when the prince had run at the ring and been successful, the music in the ark played, and a number of pigeons were let fly from it. One of them flapped its wings and sang a most delightful Italian aria, and did it much better than our Court singer Bernard Pasquino Grosso from Mantua did seventy years afterwards (but not so charmingly as our prime donne sing nowadays). Then there was a foot tournay, to which the Elector and the Count went in a ship, which was all dressed over with black and yellow cloth, and had a sail of gold taffeta; and behind His Highness sate the little boy who had been Cupid the day before, in a long coat of many colours, a peaked black and yellow hat, and a long grey beard. The singers and musicians were dressed in the same way; and nil round about the ship a number of gentlemen danced and jumped--gentlemen of good family, mind you!--with heads and tails of salmon, herrings, and fishes of other sorts: most delightful to behold. In the evening, about ten, there was a grand display of fireworks, with thousands of detonations; and the master-gunners played all sorts of pranks--had combats; and there were explosions of fiery stars; and fiery men and horses, strange birds and other creatures, went up into the air with a terrible rushing and banging. They went on for more than two hours, those fireworks."

Whilst the goldsmith was narrating all this, the Clerk of the Privy Chancery gave every sign of the liveliest interest and the utmost enjoyment, crying, in a sympathizing and interested manner, "Ey!--oh!--ah!"--smiling, rubbing his hands, moving backwards and forwards on his chair, and gulping down glass after glass of the wine the while.

"Dearest Professor," he cried at last, in falsetto (always a mark in him of intense enjoyment)--"My dearest, most respected Herr Professor! what delightful things you have been having the kindness to tell me about!--really quite as though you had been there and seen them yourself."

"Well!" the goldsmith said, "and wasn't I there?"

Tussmann, who didn't in the least understand this extraordinary query, was going to try to get some further light thrown upon it, when the old Jew came in with a growl, to the following effect: "Don't forget those delightful entertainments when the pyres burned in the market-place--the Berlin folks were much delighted with them, you know; and the streets ran red with the blood of the wretched victims, slain in the most terrific manner, after confessing whatever was imputed to them by the wildest infatuation and the most idiotic superstition. Don't, I merely say, forget to tell your friend about them!"

"Yes, yes," Tussmann said; "of course you mean those terrible witchcraft trials which took place in those old days. Ah! they were atrocious businesses; fortunately the enlightenment of the present age has altered all those things."

The goldsmith cast strange looks at the old Jew and at Tussmann; and presently asked the latter, with a mysterious smile, if he had ever heard about the Jew-coiner, Lippold, and what had happened to him in the year 1512.

Ere Tussmann could answer, the goldsmith went on to say: "This Jew-coiner, Lippold, was accused of an important imposture, and a serious roguery. He had at one time been much in the confidence of the Elector, and was at the head of all the affairs of the mints and the coinage in the country; always ready to produce large sums of money, no matter how large, when required. Whether because he was clever at shifts, or that he had powers at his command which enabled him to clear himself from all blame in the Elector's eyes, or that he was able to 'shoot with a silver bullet' (to use an expression of those times) those who had influence over the Elector's proceedings, he was on the very point of getting off scot free from the accusations brought against him. But he was still kept under guard, by the town-watch, in his little house in Stralau Street. And it so chanced that he had a quarrel with his wife, in the course of which she said to him, in the hearing of the guard, 'If our gracious lord the Elector only knew what a villain you are, and what atrocities you manage to commit by the help of that magic book of yours, you'd be in your coffin long ago.' This was reported to the Elector, who had careful search made in Lippold's house. The magic book was found, and, when it was examined by those who understood it, Lippold's guilt was clearly established. He had practised magical arts to give him power over the Elector, and to enable him to rule the whole country; and it was only the piety and Godfearingness of the Elector which had enabled him to withstand those spells. Lippold was burned in the market-place. But when the fire was taking effect on his body and upon the magic book, a great mouse came out from under the scaffold, and leaped into the fire. Many supposed that this was Lippold's familiar demon."

Whilst the goldsmith had been relating this, the old Jew had sate leaning his arms on the table, with his hands before his eyes, groaning and sighing like one suffering unendurable tortures. On the other hand, the Clerk of the Privy Chancery did not seem to be paying much attention to what the goldsmith was saying. He was in high good-humour, and his mind was full of quite other ideas and images; and, when the goldsmith had ended, he asked, with many smiles, and in a lisping manner: "Tell me, dear Herr Professor, if you will be so kind, was it really Miss Albertine Bosswinkel who came and looked out of the window of the Tower?"

"What?" cried the goldsmith, furiously--"what business have you with Miss Albertine Bosswinkel?"

"My dear sir!" said Tussmann, timidly--"good gracious! My dear friend, she is the very lady whom I have made up my mind to marry!"

"Good God, sir!" the goldsmith cried, with a face as red as a furnace, and eyes glaring with anger; "you must be out of your reason altogether. You, an old, worn-out pedant, to think of marrying that beautiful young creature! You, who, with all your erudition, and your 'diplomatic acumen,' taken from the idiotic treatise of that old goose Thomasius, can't see a quarter of an inch before that nose of yours! I advise you to drive every idea of the kind out of your head as quickly as you can, or you will probably find that you stand a good chance of having that weazened neck of yours drawn, on this autumn equinoctial night!"

The Clerk of the Privy Chancery was a quiet, peaceable, nay, timorous man, incapable of saying a hard word to anybody, even when attacked; but what the goldsmith had said was just a trifle too infernally insulting; and then, Tussmann had taken more strong wine than he was accustomed to. Accordingly, there was no wonder that he did what he had never done before in his life---that is, he burst into a fury, and yelled out, right into the goldsmith's teeth: "Eh! What the devil business have you with me, Mr. Goldsmith (whose acquaintance I haven't the honour of); and how dare you talk to me in this sort of way? You seem to me to be trying to make an ass of me, by all sorts of childish delusions. I presume you have the effrontery to be paying your addresses to Miss Bosswinkel yourself; you've got hold of a portrait of her on glass, and shown it at the Town-hall in a magic-lantern held under your cloak. My good sir, I know something about these matters, as well as you do; you're going the wrong way to work if you think you're going to frighten and bully me in this sort of way."

"Be careful what you're about," the goldsmith said, very quietly, and with a strange smile. "Be very careful what you're about; you've got strange sort of people to do with here."

And as he so spake, lo! instead of the goldsmith's face, there was a horrid-looking fox's face snarling and showing its teeth at Tussmann from under the goldsmith's bonnet.

The Clerk of the Privy Chancery fell back in his chair in the profoundest terror.

The old Jew did not seem to be in the least degree surprised by this transformation; rather, he had suddenly lost his mood of ill-temper altogether. He laughed, and cried, "Aha! capital sport! But there's nothing to be made by those arts. I know better ones. I can do things which were always beyond you, Leonhard."

"Let us see," said the goldsmith, who had assumed his human countenance again--"let us see what you can do."

The old man took from his pocket a large black radish, trimmed it and scraped it with a little knife, which also came from his pocket, shredded it into thin strips, and laid them in order on the table. Then he struck each of them a blow with his clenched fist; when they sprung up, one by one, ringing, in the shape of gold coins, which he took up and threw across to the goldsmith. But as soon as the goldsmith took hold of one of those coins, it fell to dust, in a little shower of crackling sparks of fire. This infuriated the old man. He went on striking the radish-shavings into gold pieces faster and faster, hitting them harder and harder, and they crackled away in the goldsmith's hand with fierier and fierier sparks.

Tussmann was nearly out of his senses with fear and agitation. At last he pulled himself together out of the swoon into which he was nearly falling, and said, in trembling accents: "Really, I must beg, with all due courtesy and respect, to say that I feel that I should much prefer to bid 'Good-evening' on this occasion." And grasping his hat and stick, he bolted out of the room as quickly as he could. When he reached the street, he heard those two uncanny people setting up a shout of screaming laughter after him, which made the blood run cold in his veins.

CHAPTER II.

In which it is related how, by the intervention of a cigar which would not draw, a love-affair was set agoing between a lady and gentleman who had previously knocked their heads together.

The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.

Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing. Edmund did not disturb himself, but went on with his sketch, till the goldsmith cried--

"That is a most extraordinary picture, young gentleman. Those will come to be something else than trees before you have done with them."

"Do you see anything out of the way, sir?" Edmund said, with flashing eyes.

"I mean," said the goldsmith, "that there are all sorts of forms and shapes peeping out from amongst those high leaves there, in ever-changing variety: geniuses, strange animals, maidens, and flowers. Yet the whole thing ought only to amount to that group of trees before us there, through which the rays of the evening sun are streaming so charmingly."

"Sir!" Edmund answered, "either you have a very profound understanding, and a most penetrating eye for matters of this kind, or I have been unusually successful in portraying my inmost feelings. Don't you perceive when, in looking at Nature, you abandon yourself to all your feelings of longing, all kinds of wonderful shapes and forms come looking at you through the trees with beautiful eyes? That was what I was trying to represent to the senses in this sketch, and I see I have succeeded."

"I understand," Leonhard said, rather coldly and dryly. "You wanted to drop study, and give yourself a rest, to refresh and strengthen your fancy."

"Not at all," Edmund answered. "I consider this way of working from Nature is my best and most useful 'study.' Study of this sort enables me to put the really poetic and imaginative element into my landscape. Unless the landscape painter is every bit as much a poet as the portrait painter, he will never be anything but a dauber."

"Heaven help us!" cried the goldsmith. "So you, dear Edmund Lehsen, are going to----"

"You know me, then, sir, do you?" the painter cried.

"Why shouldn't I?" said Leonhard. "I first made your acquaintance on an occasion which you, probably, don't remember much about; that is to say, when you were born. Considering the small experience which you had at that time, you had behaved very well--had given your mamma little trouble--and as soon as you came into the world, gave a very pretty cry of pleasure and delight. Also, you showed a great love for the daylight, which, by my advice, you were not kept away from. Because, according to the most recent medical opinions, daylight is far from having a bad effect on babies, but rather is beneficial to their bodies and their minds. Your papa was so pleased that he hopped about the room on one leg, singing

'The manly heart with love o'erflowing,'

from Mozart's 'Flauto Magico.'

"Presently he handed your little person over to me, and asked me to draw your horoscope, which I did. Afterwards I often came to your father's house, and you didn't disdain to suck at the little bags of almonds and raisins which I used to bring you. Then, when you were about six or eight, I went away on my peregrinations. When I got back to Berlin I saw with satisfaction that your father had sent you here from Münchberg to study the noble art of painting; because there is not a very large collection in Münchberg of works adapted for fundamental study, either in the shape of pictures, statues, bronzes, gems, or other art-treasures of value. That good native town of yours can scarcely vie with Rome, Florence, or Dresden in that respect; or perhaps even with what Berlin will one day become, when bran-new antiques, fished out of the Tiber, have been brought to it in some considerable quantity."

"Heavens!" Edmund cried, "the most vivid remembrances out of my childhood are awaking themselves in my mind. You are Herr Leonhard, are you not?"

"Certainly!" Leonhard answered. "Leonhard is my name. Yet I am a little astonished that you should remember me all this long time."

"I do, though," Edmund answered. "I know that I was always glad when you came to my father's, because you always brought me such delicious things to eat, and petted me. But I always felt a sort of reverential awe for you; in fact, more than that--a kind of oppressive anxiousness, which often lasted after you were gone. But what makes the remembrance of you remain so vividly in my mind is what my father used to say about you. He set great store by your friendship, because you had got him out of a number of troubles in the most wonderful way--out of some of those difficulties which come upon people in this world so often. And he used to speak in the most enthusiastic way about the extent to which you had penetrated into deep and mysterious branches of science; how you controlled many of the secret powers of Nature at your will. Not only that, but (begging your pardon for saying so) he often went so far as to give us to understand that you were really nobody other than Ahasuerus, the Wandering Jew."

"Why not the Pied Piper of Hamelin? or the King of the Kobolds?" cried the goldsmith. "All the same, there is some foundation for the idea that there is something a little out of the everyday line about me--something which I don't care to talk about, for fear of giving rise to 'unpleasantness.' I certainly did some good turns to your papa, by means of my secret knowledge, or 'art.' He was particularly pleased with the horoscope which I cast for you at your birth."

"It wasn't so very clear, though," Edmund said. "My father often told me you said I should be a great something--either a great Artist, or a great Ass. At all events, I have to thank this utterance for my father's having given consent to my wish to be a painter; and don't you think your horoscope is going to turn out true?"

"Oh, most certainly," the goldsmith answered, very dryly; "there can be no doubt about that. At this moment you are in the fairest possible way to turn out a very remarkable Ass."

"What!" cried Edmund--"you tell me so to my face!--you----"

"It rests altogether with yourself," the goldsmith said, "to avoid the bad alternative of my horoscope, and turn out a very remarkable Painter. Your drawings and sketches show that you have a rich and lively imagination, much power of expression, and a great deal of cleverness in execution. You may raise a grand edifice on those foundations. Carefully keep away from all 'modish' exaggerations and eccentricities, and apply yourself to serious study. I congratulate you upon your efforts to imitate the grave, earnest simpleness of the old German masters. But, even in that direction, you must carefully shun the precipice which so many fall over. It needs a profound intelligence, and a mind strong enough to resist the enervating influence of the Modern School, to grasp, wholly, the true spirit of the old German masters, and to penetrate completely into the significance of their pictures. Without those qualifications, the true spark will never kindle in an artist's heart, nor the genuine inspiration produce works which, without being imitations, shall be worthy of a better age. Nowadays young fellows think that when they patch together something on a Biblical subject, with figures all skin and bone, faces a yard long, stiff angular draperies, a perspective all askew, they have painted a work in the style of the great old German masters. Dead-minded imitators of that description are like the country lad who holds his bonnet before his face while the Paternoster is being sung in church, and says if he doesn't remember the words, he knows the tune."

The goldsmith said much more that was true and beautiful on the subject of the noble art of painting, and gave Edmund a great many valuable hints and lessons; so that the latter, much impressed, asked how it had been possible for him to acquire so much knowledge on the subject without being a painter himself; and why he went on living in such seclusion, and never brought his influence to bear on artistic effort of all descriptions.

"I have told you already," the goldsmith said, in a gentle and serious tone, "that my ways of looking at life, and at things in general, have been rendered exceptionally acute by a long--aye, a marvellously long--course of experience. As regards my living in seclusion, I know that wherever I should appear, I should produce a rather extraordinary effect, as a result, not only of my nature in general, but more especially of a certain power which I possess; so that my living quietly in Berlin here might not be a very easy matter. I keep thinking of a certain person who, in many respects, might have been an ancestor of mine: so marvellously like me in every respect, in body and mind too, that there are times not a few when I almost believe (perhaps it may be fancy) that I am that person. I mean a Swiss of the name of Leonhard Turnhäuser zum Thurm, who lived at the court of the Elector Johann Georg, about the year 1582. In those days, as you know, every chemist was supposed to be an alchemist, and every astronomer was called an astrologer; so Turnhäuser was very probably both. It is certain, at all events, that he did most wonderful things, and, inter alia, was a very marvellous doctor. Unfortunately, he had a trick of putting his finger in every pie, and getting conspicuously mixed up in all that was going on. This made him envied and hated; just as people who have money and make a display with it, though it may be never so well earned, bring enemies about their throats. Thus it came about that people made the Elector believe that Turnhäuser could make gold, and that, if he did not do so, he had his reasons for so abstaining. Then his enemies came to the Elector and said--'See what a cunning, shameless rascal this is. He boasts of powers which he does not possess, and carries on sorceries and Jewish deceptions, for which he ought to be burned at the stake like Lippolt the Jew.' Turnhäuser had been a goldsmith by trade, and this came out. Then everybody said he had none of the knowledge imputed to him, though he had given the most incontrovertible proofs of it in open day. They even said that he had never, himself, written any of the sage and clever books and important prognostications which he published, but had paid others to do them. In short, envy, hatred, and calumny brought matters so far that he was obliged to leave Berlin in the most secret manner, to escape the fate of the Jew Lippolt; then his enemies said he had gone to the Catholics for protection. But »that is not true. He went to Saxony, and worked at his trade there, though he did not give up the study and practice of his science."

Edmund was wonderfully attracted to this old goldsmith, who inspired in him a reverential trustfulness and confidence. Not only was he a critic of the most instructive quality, though severe; but he told Edmund secrets concerning the preparation of colours and the combining of them known to the old masters, and of the most precious importance when he put them to the test of practice. Thus there was formed, between these two, one of those alliances which come about when there is on the one hand hopeful confidence, in a young disciple, and, on the other, affectionate paternal friendship on the part of a teacher.

About this time it happened, one fine summer evening, that Herr Melchior Bosswinkel, Commissionsrath, who was taking his pleasure in the Thiergarten, could not manage to get a single one of his cigars to draw. He tried one after another, but every one of them was stopped up. He threw them away, one after another, getting more and more vexed and annoyed as he did so; at last he cried out: "Oh, God! and those are supposed to be the very finest brands to be got in Hamburg. Damme! I've spared neither trouble nor money, and here they play the very deuce with every idea of enjoyment--not one of the infernal things will draw. Can a man enjoy the beauties of nature, or take part in any sort of rational conversation, when these damnable things won't burn? Oh, God! it's terrible!"

He had involuntarily addressed these remarks to Edmund Lehsen, who happened to be close beside him with a cigar which was drawing splendidly.

Edmund, who had not the slightest idea who the Commissionsrath was, took out his cigar-case and offered it politely to this desperate person, saying that he could vouch for both the quality and the drawing powers of his cigars, although he had not got them from Hamburg, but out of a shop in Frederick Street.

The Commissionsrath accepted, full of gratitude and pleasure, with a "Much obliged, I'm sure." And as, the moment he touched the end of the cigar which Edmund was smoking with the one just obtained from him, this latter drew delightfully, and sent out the loveliest and most delicious clouds of blue odoriferous smoke, he cried, enraptured:

"Oh, my dear sir! you have really rescued me from the profoundest depths of misery. Do please to accept a thousand thanks. In fact, I would almost venture to ask you to let me have one more of those magnificent cigars of yours, to be going on with when this one is finished."

Edmund said the contents of his cigar-case were quite at the gentleman's disposal; and then they went on their several ways.

Presently, when the twilight had fallen a little, and Edmund, with the idea for a picture in his head, was making his way, rather absently, not paying much attention to those about him, pushing through amongst the chairs and tables so as to get out of the crowd, the Commissionsrath suddenly appeared in front of him, asking him if he would not come and sit down at his table. Just as he was going to decline--because he was longing to get away into the open country--he suddenly caught sight of a young lady, the very incarnation of youth, beauty, and delightsomeness, who was seated at the Commissionsrath's table.

"My daughter, Albertine," the Commissionsrath said to Edmund, who was gazing motionless at the lady, almost forgetting that it was incumbent on him to bow to her. He recognised, at the first glance, in Albertine, the beautiful creature whom he had come across at the last exhibition as she was admiring one of his own pictures. She was describing and pointing out the meaning of this fanciful picture to an old lady and two girls who were with her; explaining the peculiarities of the drawing and the grouping; applauding the painter, and saying that he was quite a young artist, though so full of promise, and that she wished she knew him. Edmund was standing close behind her, drinking in the praise which flowed from her beautiful lips. His heart was so full that he could not bring himself to go forward and say he was the painter. And at this juncture Albertine happened to drop one of her gloves, which she had taken off. Edmund stooped to pick it up, and as Albertine did the same thing at the same instant, their heads banged together with such a crash that it rang through the place.

"Oh, good gracious!" Albertine cried, holding her hands to her head.

Edmund started back in consternation and alarm. At his first step he stamped on the old lady's pug, which yelled aloud; at his second he trampled the gouty toe of a professor, who gave a tremendous shout, and devoted poor Edmund to all the infernal deities. Then the people came hurrying from the neighbouring rooms, and all the lorgnettes were fixed upon Edmund, who made the best of his way out of the place, amid the whimperings of the dog, the curses of the professor, the objurgations of the old lady, and the tittering and laughter of the girls. He made, we say, his escape in those circumstances, blushing over and over with shame and discomfiture, in complete despair, whilst a number of young ladies got out their essence-bottles and rubbed Albertine's forehead, on which a great lump was rapidly rising.

Even then, in the crisis of this ridiculous occurrence, Edmund had fallen deeply in love, though he was scarcely aware of it himself. And it was only a painful sense of his own stupidity that prevented him from going to search for her all over the town. He could not think of her otherwise than with a great red lump on her forehead, and the bitterest reproach, the most distinct expression of anger, in her face and in her whole being.

There was not the faintest trace of this, however, about her as he saw her now. She blushed indeed over and over again when she saw him, and seemed unable to control herself. But when her father asked him his name, &c., she said with a delightful smile, and in gentle accents, "that she must be much mistaken if he were not Mr. Lehsen, the celebrated painter, whose works she so immensely admired."

Those words, we need not say, ran through Edmund's nerves like an electric shock. In his emotion he was about to burst into flowers of rhetoric, but the Commissionsrath would not let him get to that, clasping him to his breast with fervour, and saying, "My dear sir, what about the cigar you promised me?" And whilst he was lighting said cigar at the ashes of the former one, he said, "So you are a painter? and a great one, from what my daughter Albertine tells me--and she knows what she is talking about in such matters, I can assure you. I'm very glad you are. I love pictures, and, as my daughter Albertine says, 'Art' altogether, most tremendously. I simply dote upon it. And I know something about it, too. I'm a first-rate judge of a picture. My daughter Albertine and I know what we're about there. We've got eyes in our heads. Tell me, my dear painter, tell me without hesitation, wasn't it you who painted those pictures which I stop and look at every day as I pass them, because I cannot help standing to admire the colouring of them? Oh, it is beautiful!"

Edmund did not quite understand how the Commissionsrath managed to see any pictures of his daily in passing them, seeing that he had never painted any signboards, that he could remember. But after a good deal of questioning, it turned out that Melchior Bosswinkel meant certain lacquered tea-trays, stove-shades, and things of that sort, which he saw and much admired in a shop-window as he went to business of a morning, after two or three sardines and a glass of Dantziger at the Sala Tarone. These productions constituted his highest ideal of the pictorial art. This disgusted the painter not a little; and he cursed, internally, Bosswinkel and his wretched chatter, which was preventing him from making any approach to the young lady. At last there came up an acquaintance, who engaged him in conversation, and Edmund took advantage of this to go and sit down beside Albertine, who seemed to be very much pleased at his doing so.

Every one who knows Miss Albertine Bosswinkel is aware that, as has been said, she is the very personification of youth, beauty, and delightsomeness; that, like all other Berlin young ladies, she dresses in the best possible taste in the latest fashions, sings in Zelter's choir, has lessons on the piano from Herr Lauska, dances most beautifully, sent a tulip charmingly embroidered and surrounded by violets to the last exhibition, and though by nature of a bright, lively temperament, is quite capable of displaying the proper amount of sentimentality required at tea-parties, at all events. Also, that she copies poetical extracts and sentences which have pleased her in the writings of Goethe, Jean Paul, and other talented men and women, in the loveliest little tiny handwriting into a nice little book with a gilt morocco cover.

Of course it was natural that, sitting beside the young painter, whose heart was beaming with the bliss of a timid affection, she should be several degrees more sentimental than was usual on the tea and reading-aloud occasions; and she lisped in the prettiest manner about such subjects as poetic feeling, depth of idea, childlike simplicity, and so forth.

The evening breeze had begun to sigh, breathing perfume from the flowers and wafting their scents on its wings; and two nightingales were singing a lovely duetto in among the thick darkling leafage, in the tenderest accents of love-complaining.

Albertine began, quoting from Fouqué--

"A rustling, whisper'd singing

Breaks thro' the leaves of spring,

And over heart, and sense, and soul

A web of love doth fling."

And Edmund, grown less timid now that the twilight was falling more deeply, took her hand and laid it on his heart, whilst he went on, continuing the quotation--

"Did I, in whispered music, sing

What my heart hears--aright--

From that sweet lay would burst, in fire,

Love's own Eternal Light."

Albertine withdrew her hand, but only to take off her glove, and then give the hand back to this lucky youngster. He was just going to kiss it fervently, when the Commissionsrath broke in with a

"Oh! I say! How chilly it's getting! I wish I had brought my great coat! Put on your shawl, Tiny! It's a fine Turkish shawl, my dear painter--cost fifty ducats. Wrap yourself up in it, Tiny; we must be getting home. Good-bye, my dear sir."

Edmund was here inspired by a happy thought. He took out his cigar case and offered the Commissionsrath a third Havannah.

"I really am excessively obliged to you," the Commissionsrath said, delighted; "you really are most kind. The police don't let one smoke walking about in the Thiergarten, for fear of the grass getting burnt; one enjoys a pipe or a cigar more for that very reason."

Bosswinkel went up to the lamp to light the cigar, and Edmund took advantage of his doing so to whisper to Albertine, very shyly, that he hoped she would let him walk home with her. She put her arm in his, they went on together, and Bosswinkel, when he joined them, seemed to consider it a matter of course that Edmund was going to walk with them all the way to town.

Anybody who has once been young, and in love--or who is both now at this present time (there are many who have never been either the one or the other)--will understand how Edmund, at Albertine's side, thought he was hovering over the tops of the trees, rather than walking through amongst them; up among the gleaming clouds, rather than down upon the earth.

Rosalind, in Shakespeare's 'As You Like It,' says that the "marks" of a man in love are "a lean cheek, a blear eye and sunken, an unquestionable spirit, a beard neglected, hose ungartered, bonnet unhanded, sleeve unbuttoned, shoe untied, and everything demonstrating a careless desolation." But those marks were as little seen in Edmund as in Orlando. Like the latter, however, who marred all the trees of the forest with carving his mistress's name on them, hung odes on the whitethorns, and elegies on the bramble-bushes, Edmund spoilt quantities of paper, parchment, canvas and colours, in besinging his beloved in verses which were wretched enough, and in drawing her, and painting her, without ever succeeding in making her in the least like--so far did his fancy soar above his capability. When to this was added the peculiar, unmistakable somnambulistic look of the love-sick, and a fitting amount of sighing at all times and seasons, it was not to be wondered at that the old goldsmith saw into his young friend's condition.

"H'm," he said; "you don't seem to think what an undesirable thing it is to fall in love with a girl who is engaged. For Albertine Bosswinkel is as good as engaged already to Tussmann, the Clerk of the Privy Chancery."

This terrible piece of news sent Edmund into the wildest despair. Leonhard waited patiently till the first paroxysm was past, and then asked if he really wanted to marry Albertine. Edmund declared that was the dearest wish of his heart, and implored the goldsmith to help him as much as ever he could to beat Tussmann out of the field, and win the lovely lady himself.

What the goldsmith thought and said was that a young artist might fall in love as much as ever he liked, but to marry straight away was a very different affair; and that was just why young Sternbald never cared to marry, and, for all he knew, was still unmarried up to that hour.

This thrust took effect, because Tieck's 'Sternbald' was Edmund's favourite book, and he would have been only too glad to have been the hero of that tale himself. So he then and there put on a very pitiful face, and was very near bursting into tears.

"Well," said the goldsmith, "whatever happens, I am going to take Tussmann off your hands. What you have got to do is to get into Bosswinkel's house, by hook or by crook, as often as you can, and attract Albertine to you as much as you can manage to do. As for my operations against the Clerk of the Privy Chancery, they can't be begun till the night of the Autumnal Equinox."

CHAPTER III.

Contains a detailed description of Mr. Tussmann, Clerk of the Privy Chancery; with the reason why he had to dismount the Elector's Horse; and other matters worthy to be read.

Dear reader! From what you have already learnt concerning Mr. Tussmann, you can see the man before you, in all his works and ways. But, as regards his outward man, I ought to add that he was short of stature, very bald, a little bow-legged, and very grotesque in his dress. He wore a coat of the most old-world cut, with endlessly long tails; a waistcoat, also of enormous length; and long white trousers, with shoes which, as he walked, made as loud a clatter as the boots of a courier. Here it should be observed that he never walked in the streets with regular steps, like most people, but jumped, so to speak, with great irregular strides, and incredible rapidity, so that the aforesaid long tails of his coat spread themselves out like wings, in the breeze which he thus created around him. Although there was something excessively comic about his face, yet there was a most kindly smile playing about his mouth which impressed you in his favour; and everybody liked him, though they laughed at the pedantry and awkwardness of his behaviour, which estranged him from the world. His passion was reading. He never went out but he had both his coat-pockets crammed full of books. He read wherever he was, and in all circumstances; walking or standing, as he took his exercise, in church and in the café. He read indiscriminately everything that came to his hand: but only out of old times, the present being hateful to him. Thus, to-day he would be studying, in the café, a work on algebra; to-morrow, 'Frederick the Great's Cavalry Regulations,' and next the remarkable book, 'Cicero proved to be a Pettifogger and a Windbag: in Ten Discourses. Anno 1720.' Moreover, he had a most extraordinary memory; he marked all the passages which particularly struck him in a book, then read all those marked passages over again, after which he never forgot them any more. Hence he was a polyhistor, and a walking encyclopædia, and people turned over the leaves of him when they wanted information on any point. It was only on the rarest occasions that he was unable to supply the information required on the spot, but, if he couldn't, he would go rummaging in various libraries till he could get at it, and then emerge with it, greatly delighted. It was remarkable that when (as usual) he was reading in society, to all appearance completely absorbed in his book, he heard, and took in, everything that was being said around him, and would often strike in with some most apposite observation, or laugh at anything witty in a high tenor laugh, without looking up from his book.

Commissionsrath Bosswinkel had been at school with Tussmann at the Grey Friars, and from that period dated the intimate friendship which there had always been between them. Tussmann saw Albertine grow up from childhood; and, on her twelfth birthday, after presenting her with a bouquet, the finest that money could procure from the first florist in Berlin, kissed her hand for the first time with an amount of courtesy and ceremonious deference which no one would have supposed him to be capable of. Dating from that day there dawned in the breast of the Commissionsrath an idea that it would be a very good thing if his old schoolfellow were to marry Albertine. He wanted to get Albertine married, and he thought this would be about the least troublesome way of getting it done. Tussmann would be content with very little in the shape of portion, and Bosswinkel hated bother of every kind, disliked making new acquaintances, and, in his capacity of a Commissionsrath, thought a great deal more of money than he ought to have done. On Albertine's eighteenth birthday he propounded this scheme (which he had previously kept to himself) to Tussmann.

The Clerk of the Privy Chancery was at first alarmed at the suggestion. The idea of entering the matrimonial estate, particularly with so youthful a lady, was more than he could quite see his way to. But he got accustomed to it by degrees, and one day, when Albertine, at her father's instigation, gave him a little purse, worked by her own hands in the prettiest of colours (addressing him by his much-prized "title" as she did so), his heart blazed up in a sudden flame of affection. He told the Commissionsrath at once that he had made up his mind to marry Albertine, and as Bosswinkel immediately embraced him in the character of his son-in-law, he, very naturally, considered himself engaged to her. There was still one little point in the matter of some importance, namely, that the young lady herself had not heard a syllable about the affair, and could not possibly have the very faintest inkling what was going forward.

At an excessively early hour of the morning, after the strange adventures which we have, in our first chapter, described as having been met with by Tussmann at the foot of the Townhouse Tower, and in the wineshop in Alexander Street, the said Clerk of the Privy Chancery came bursting, pale and wild, with distorted features, into his friend Bosswinkel's bedroom. The Commissionsrath was much alarmed and exercised in his mind, for Tussmann had never come in upon him at such an hour, and his manner and appearance clearly indicated that something most remarkable had been happening.

"What, in the name of Heaven, is the matter with you?" Bosswinkel cried. "Where have you been? What have you been up to? You look like I don't know what!"

Tussmann threw himself feebly into an arm-chair, and it was not till he had gasped for breath during several minutes that he was able to begin to speak--which he did in a whimpering voice.

"Bosswinkel! here, as you see me, in these self-same clothes, with 'Thomasius on Diplomatic Acumen' in my pocket, I come straight here from Spandau Street, where I have been running up and down, and backwards and forwards, ever since the clock struck twelve last night. I have not set a foot across my own doorstep, or seen the sight of a bed, nor have I closed an eye the whole livelong night!"

And he told the Commissionsrath all that had happened to him from the time when he first came across the mysterious and fabulous sort of Goldsmith, till he had made his escape from the winehouse as fast as he could, in his terror at the sorcery which was going on there.

"Tussmann, old fellow," said Bosswinkel, "I see what it is, you're not accustomed to liquoring up. You go to your bed every night at eleven o'clock, after a couple of glasses of beer, and last night you went and took more liquor than was good for you, long after you ought to have been asleep; no wonder you had a lot of funny dreams."

"What!" Tussmann cried; "you think I was asleep, do you, and dreaming? Don't you know I'm pretty well up in the subject of sleep and dreams. I'll prove to you out of Rudow's 'Theory of Sleep,' and explain to you, what sleep really is, and that people can sleep without dreaming at all; and as for what dreaming is, you will know as well as I do, if you will read the 'Somnium Scipionis,' and Artimidorus's great work on Dreams, and the Frankfort Dreambook; but, you see, you never read anything and that's why you are always making such a hash of everything you have to do with."

"Now, my dear old man," the Commissionsrath replied, "don't you go and get yourself into a state of excitement. I can see, easily enough, how you may have allowed yourself to break out of bounds a bit last night, and then have got somehow into company with a set of mountebanks, who got the better of you when you had more liquor than you could carry; but what I cannot make out is, why, in all the earth, when you had once got out of the place, you didn't go straight home to your bed, like a reasonable man? Whatever for did you go wandering about the streets?"

"Oh, Bosswinkel!" lamented Tussman, "my old friend! my chum at the Grey Friars!--don't you go and insult me by base insinuations of that sort. Let me tell you that the infernal, diabolical enchantment which was practised upon me did not fairly commence till I got into the street. For, when I came to the Town-hall, every one of its windows was blazing with light, and there was music playing inside--a brass band, playing waltzes and so forth. How it came about I can't tell you; but, though I'm not a particularly tall man, I found that I was able to reach up on my tiptoes so that I could see in at the windows. And what did I see?--Oh, gracious powers of Heaven! whom did I see? Your daughter, Miss Albertine Bosswinkel, dressed as a bride, and waltzing like the very deuce (if I may permit myself such an expression) with a young gentleman! I thumped on the window; I cried out, 'Dearest Miss Bosswinkel, what are you doing? What sort of goings-on are those, here, at this time of the night?' But just as I was saying so, there came some horrible beast of a fellow down King Street, pulled my legs away from under me as he passed, and ran away from me, with them, in peals of laughter. As for me, wretched Clerk of the Privy Chancery that I am, I plumped down flat into the filthy mud of the gutter. 'Watchman!' I shouted, 'Police! patrol; guard, turn out! Come here!--look sharp!--Stop the thief!--stop him!--he's got both my legs!' But upstairs in the Town-hall everything had suddenly grown pitch-dark, and my voice died away in the air. I was getting desperate, when the man came back, and, as he flew by me like a mad creature, chucked my legs back to me, throwing them right into my face. I then picked myself up, as speedily as, in my state of discomfiture, I could, and ran to Spandau Street. But when I got to my own door (with my latchkey in my hand), there was I--I, myself, standing there already, staring at me, with the same big black eyes which you see in my head at this moment. Starting back in terror, I fell against a man, who seized me with a strong grip of his arms. By the halbert he was carrying, I thought he was the watchman; so I said, 'Dearest watchman!--worthy man!--please to drive away that wraith of Clerk of the Privy Chancery Tussmann from that door there, so that I, the real Tussmann, may get into my lodgings.' But the man growled out, 'Why, Tussmann! you're surely out of your senses!' in a hollow voice; and I saw it wasn't the watchman at all, but that terrible Goldsmith who had got me in his arms. Drops of cold perspiration stood on my forehead. I said: 'Most respected Herr Professor, pray do not take it ill that I should have thought you were the watchman, in the dark. Oh, Heavens! call me whatever you choose; call me in the most uncourteous manner 'Tussmann,' without the faintest adumbration of a title at all; or even 'My dear fellow!' I will overlook anything. Only rid me of this terrible enchantment--as you can, if you choose. 'Tussmann!' he said, in that awful hollow voice of his, 'nothing shall annoy you more, if you will take your solemn oath, here where we stand, to give up all idea of marrying Miss Albertine Bosswinkel.' Commissionsrath! you may fancy what I felt when this atrocious proposition was made to me. I said: 'Dearest Herr Professor! you make my very heart bleed. Waltzing is a horrible and improper thing; and Miss Albertine Bosswinkel was waltzing upstairs there--in her wedding-dress as my bride into the bargain--with some young gentleman or other (I don't know who he was), in a manner that made my sight and my hearing abandon me, out and out. But still, for all that, I cannot let that exquisite creature go. I must cleave to her, whatever happens, come what will.' The words were scarcely out of my mouth, when that awful, abominable Goldsmith gave me a sort of shove which made me begin immediately to spin round and round, and, as if impelled by some irresistible power, I went waltzing up and down Spandau Street, with my arms clasped about a broom-handle--not a lady, but a besom, which scratched my face. And all the time there were invisible hands beating my back black and blue. More than that; all round me, wherever I turned, the place was swarming with Tussmanns waltzing with their arms round besoms. At last I fell down exhausted, and lost my consciousness. When the light shone into my eyes in the morning--oh, Bosswinkel, share my terror!--I found myself sitting up on the horse of the Elector's statue, in front of him, with my head on his cold, iron breast. Luckily the sentry must have been asleep, for I managed to get down without being seen, at the risk of my life, and got away. I ran to Spandau Street; but I got so terribly frightened again that I was obliged to come on here to you."

"Now, now, old fellow!" Bosswinkel said, "do you think I'm going to believe all this rubbish? Did ever anybody hear of magical phenomena of this sort happening in our enlightened city of Berlin?"

"Now," said Tussmann, "don't you see what a quagmire of ignorance and error the fact that you never read anything plunges you into? If you had read Hafftitz's Chronicon, you would have seen that much more extraordinary things of the kind have happened here. Commissionsrath, I go so far as to assert, and to feel quite convinced, that this Goldsmith is the very Devil, in propria persona."

"Pooh, pooh!" said Bosswinkel, "I wish you wouldn't talk such nonsense. Think a little. Of course, what happened was that you got screwed, and then went and climbed up on to the Elector's statue."

The tears came to Tussmann's eyes as he strove to disabuse Bosswinkel's mind of this idea; but Bosswinkel grew graver and graver, and at last said:

"The more I think of it, the more I feel convinced that those people you met with were old Manasseh, the Jew, and Leonhard, the goldsmith, a very clever hand at juggling tricks, who comes every now and then to Berlin. I haven't read as many books as you have, I know; but, for all that, I know well enough that they are good honest fellows, and have no more to do with black art than you or I have. I'm astonished that you, with your knowledge of law, shouldn't be aware that superstition is illegal, and forbidden under severe penalties; no practitioner of the black art could get a licence from the Government to carry it on, under any circumstances. Look here, Tussmann. I hope there is no foundation for the idea which has come into my head. No! I can't believe that you've changed your mind about marrying my daughter; that you are screening yourself behind all sorts of incredible nonsense and stuff which nobody can believe a word of; that you are going to say to me, 'Commissionsrath: You and I are men of the world, and I can't marry your daughter, because, if I do, the Devil will bolt away with my legs and beat me black and blue!' It would be too bad, Tussmann, if you were to try on a trick of that sort upon me."

Tussmann could not find words to express his indignation at this notion on the part of his old friend. He vowed, over and over again, that he was most devotedly in love with Miss Albertine; that he would die for her without the least hesitation, like a Leander or a Troilus, and that the Devil might beat him black and blue, in his innocence, as a martyr, rather than he should give Albertine up.

As he was making these asseverations, there was heard a loud knocking at the door, and in came that old Manasseh of whom Bosswinkel had been speaking.

As soon as Tussmann saw him he cried out: "Oh, gracious powers of Heaven! That's the old Jew who made the gold pieces out of the radish, and threw them in the Goldsmith's face! The dreadful Goldsmith will be coming next, I suppose."

And he was making for the door. But Bosswinkel held him fast, saying: "Wait till we see what happens." And, turning to the old Jew, he told him what Tussmann had said about him and the events of the previous night in the wineshop and in Alexander Place.

Manasseh looked at Tussmann with a malignant grin, and said: "I don't know what the gentleman means. He came into the wineshop last night with Leonhard, the goldsmith (where I happened to be taking a glass of wine to refresh me after a quantity of hard work which had occupied me till nearly midnight). The gentleman drank rather more than was good for him: he couldn't keep on his legs, and went out to the street staggering."

"Don't you see," Bosswinkel said, "this is what comes of that terrible habit of liquoring up? You'll have to leave it off, I can assure you, if you're going to be my son-in-law."

Tussmann, overwhelmed by this unmerited reproof, sank down into a chair breathless, closed his eyes, and murmured something completely unintelligible in whimpering accents.

"Of course," said Bosswinkel, "dissipating all night, and now done up and wretched."

And, in spite of all his protestations, Tussmann had to submit to Bosswinkel's wrapping a white handkerchief about his head, and sending him home in a cab to Spandau Street.

"And what's your news, Manasseh?" the Commissionsrath inquired. Manasseh simpered most deferentially, and with much amiability, and said Mr. Bosswinkel would scarcely be prepared for the news he had to tell him, which was that that splendid young fellow, his nephew Benjamin Dümmerl, worth close upon a million of money, had just been created a baron on account of his remarkable merits, was recently come back from Italy, and had fallen desperately in love with Miss Albertine, to whom he intended to offer his hand.

We see this young. Baron Dümmerl continually in the theatres, where he swaggers in a box of the first tier, and oftener still at concerts of every description. So that we well know him to be tall, and as thin as a broom-handle; that in his dusky yellow face, overshadowed by jetty locks and whiskers, in his whole being, he is stamped with the most distinctive and unmistakeable characteristics of the Oriental race to which he belongs; that he dresses in the most extravagant style of the very latest English fashion, speaks several languages, all in the self-same twang (that of "our people"); scrapes on a violin, hammers on the piano; is an art connoisseur without acknowledge of art, and would fain play the part of a literary Mecænas; tries to be witty without wit, and spirituel without esprit; is stupidly forward, noisy, and pushing. In short, to use the concise and descriptive expression of that numerous class of individuals amongst whom his desire is to shove himself, an insufferable snob and boor. When we add to all this that he is avaricious and dirtily mean in everything that he does, it cannot be otherwise than that even those less elevated souls that fall down and worship wealth very soon leave him to himself.

When Manasseh mentioned this nephew, the thought of that approximation to a million which "Benjie" possessed passed through the Commissionsrath's mind; but along with that thought came the objection which, in his opinion, made the idea of him as a son-in-law impossible.

"My good Manasseh, you are forgetting that your nephew belongs to the old religion, and that----"

"Ho!" cried Manasseh, "what does that matter? My nephew is in love with your daughter, and wants to make her happy. A drop or two of water more or less won't make much difference to him. He'll be the same man still. You just think the matter over, Herr Commissionsrath; I shall come back in a day or two with my little baron, and get your answer." With which Manasseh took his departure.

Bosswinkel began to think over the affair at once, but, spite of his boundless avarice and his utter absence of conscience or character, he could not endure the idea of Albertine's marrying that disgusting Benjamin, and in a sudden attack of rectitude he determined that he would keep his word to Tussmann.

CHAPTER IV.

TREATS OF PORTRAITS, A GREEN FACE, JUMPING MICE, AND ISRAELITISH CURSES.

Albertine, soon after she made Edmund's acquaintance, came to the conclusion that the big oil portrait of her father which hung in her room was a horribly bad likeness of him, and dreadfully scratched into the bargain. She pointed out to her father that though it was so many years since the portrait was painted, he was really looking much younger, and better in every way, than the painter had represented him. Also, she particularly disliked the gloomy, sulky expression of the face, the old-fashioned clothes, and a preposterous bunch of flowers which he was holding between his fingers in a delicate manner, displaying in so doing certain handsome diamond rings.

She talked so much, and so long, on this subject, that at last her father himself saw that the portrait was horrible, and couldn't understand how the painter had managed to turn out such a caricature of his well-looking person. And the more he thought the matter over and looked at the picture, the more he was convinced that it was an execrable daub. He determined to take it down, and stow it away in the lumber room.

Albertine said that was the best thing that could be done, but that, all the same, she was accustomed to see dear papa's picture in her room, that the bare space on the wall would be such a blank to her that she should never feel comfortable; so that the only course was for dear papa to have another portrait painted, by some painter who knew what he was about, and that she could think of nobody but Edmund Lehsen, so celebrated for his admirable portraits.

"My dear," the Commissionsrath said, "you don't know what you're talking about. Those young painters are so full of conceit, they don't know where to turn themselves, don't care how much they ask for those bits of scumblings of theirs, won't think of anything under gold Fredericks."

But Albertine declared that Edmund Lehsen painted for the love of the thing much more than for money, and would be sure to charge very little. And she kept on at her father so assiduously, that at last he agreed to go to Edmund Lehsen, and see what he would say about a portrait.

We can imagine the delight with which Edmund expressed his readiness to undertake the Commissionsrath's portrait; and his delight became rapture when he heard that it was Albertine who put the idea in her father's head. He saw, of course, that her notion was that this would give him opportunities of seeing her. So that it was a matter of course that when the Commissionsrath asked, rather anxiously, about the price, Edmund said that the honour of being admitted, for the sake of Art, to the house and society of a gentleman such as he, was more than sufficient remuneration for any little effort of his.

"Good Heavens! Can I believe my ears?" the Commissionsrath cried. "No money, dearest Mr. Lehsen? No gold Fredericks for your trouble? Not even the expense of your paints and canvas?"

Edmund laughingly said all that was too insignificant to be taken into account.

"But," Bosswinkel said, "I'm afraid you don't know that I'm thinking of having a three-quarters length life-size."

"It doesn't matter in the slightest," the painter answered.

The Commissionsrath pressed him warmly to his heart, and cried, while tears of joy rose to his eyes, "Oh, heavenly powers! Are there human souls of this degree of disinterestedness in this world which lieth in wickedness? First his cigars, and now this picture. Marvellous man!--or 'youth' I ought to say. Dear Mr. Lehsen, within your soul dwell those virtues, and that true German singleness of heart, which one reads of more than enough, but which are rare in these times of ours. But let me tell you, though I am a Commissionsrath, and dress in French fashions, I am quite of the same way of thinking as yourself. I can appreciate your large-mindedness, and am as unselfish, and as free with my money, as anybody in the land."

Crafty Miss Albertine had, of course, known exactly how Edmund would proceed with her father's commission, and her object was attained. Bosswinkel overflowed with laudation of this grand young fellow, so entirely free from the least trace of that greediness which is such a hateful quality in a man. And he ended by saying that young people, especially the artistic, always have a turn for the romantic, and set great store by withered flowers and the ribbons which some beloved girl has worn, and go out of themselves altogether over any piece of work done by the hands of those divinities; so that Albertine had better knit a little purse for Edmund, and, if she saw no particular objection, even put into it a little lock of her bonny nut-brown hair, and thus get out of any little obligation they might be thought to be under to him. To do this she had his full permission, and he undertook to answer to Tussmann on the subject. Albertine, who was not yet taken into her father's confidence as to his projects, had not the remotest notion what Tussmann might have to say to the matter, and did not take the trouble to inquire.

That very evening Edmund had his painting gear taken to Bosswinkel's house, and the next morning he made his appearance there for the first sitting.

He begged the Commissionsrath to think of the very happiest moment of his life. For instance, when his dead wife first said she loved him, or when Albertine was born, or when he unexpectedly saw some dear friend whom he had thought to be lost to him; and to try and look as he had done then.

"Wait a moment, Mr. Lehsen," said Bosswinkel; "I know what to do. One day, about three months ago, I got a letter from Hamburg telling me I had drawn a big prize in the lottery. I ran to my daughter with the letter open in my hand. That was the happiest moment I ever had in all my life. Let's choose that one; and, just to place the whole thing more vividly before your eyes--and mine--I'll go and get the letter, and be taken with it in my hand--just as I was when it came."

So Edmund had no help but to paint Bosswinkel accordingly; and he wouldn't be content, either, unless the writing on the letter was rendered legibly and distinctly, word for word, as follows:--

"Honoured Sir,

"I have the honour to inform you----"

and so forth; moreover, the envelope had to be portrayed lying on a little table, so that the address on it, displaying all the Commissionsrath's official titles written out at full length, could be clearly read. The very postmark Edmund had to copy with the utmost minuteness.

For the rest, he made a portrait of a well-looking, good-tempered, handsomely-dressed man, who did display, in some of the features of his face, a more or less distant resemblance to the Commissionsrath; so that nobody who read what was on the envelope could make any mistake as to whom the portrait was intended for.

The Commissionsrath was delighted with it. "There," he said; "there you see what a painter who knows his business can make of a more or less well-looking fellow, though he may be getting a little on in years! I begin to understand now (I didn't before), a thing that the Professor in the Humanity Class used to say, that a proper portrait ought to be a regular historical picture. Whenever I look at that one, I remember that delicious and happy moment when the news came of my prize in the lottery, and I understand the meaning of that smile on my face--that reflection of the happiness I felt within me then."

Before Albertine could carry out the plans which she had formed in her mind, her father took the initiative by begging Edmund to paint her, as well. Edmund begun this work at once; but he did not find it so easy to satisfy himself with her portrait as with her father's. He put in a most careful outline, and then rubbed it out again; outlined once more--carefully--begun to lay on some colour, and then threw the whole thing aside; commenced again; altered the pose. There was always either too much light in the room, or not enough. The Commissionsrath, who had always been present at those sittings at first, got tired presently, and betook himself elsewhere.

Upon this, Edmund came forenoon and afternoon, and if the picture did not make much progress, the love-affair made a great deal, and entwined itself more and more firmly. I have no doubt, dear reader, that your own experience has shown you that when one is in love, and wants to give to all the fond, longing words and wishes, which one has got to express, their due and proper effect, so that they may go to the listener's very heart, it is a matter of absolute necessity that one should take hold of the hand of the beloved object, press it, and kiss it; upon which, as by the operation of some sudden development of electrical force, lip goes into contact with lip; and the electricity (if that is what we are to call it), arrives at a condition of equilibrium by means of a fire-stream of sweetest kisses. Thus Edmund was very often obliged to stop painting, and not only that, but he had very frequently to get down from the scaffold upon which he and his easel were placed.

Thus it came about that, one forenoon, he was standing with Albertine at the window, where the white curtains were drawn, and (on the principle we have been explaining), in order to give more force to what he was saying to her, was holding her in his arms, and kissing her hand.

At this particular hour and moment, Mr. Tussmann, Clerk of the Privy Chancery, happened to be passing Bosswinkel's house, with the 'Treatise on Diplomatic Acumen,' and sundry tractates and pamphlets (in which the useful and the entertaining were combined in due measure) in his pockets. And although he was bounding along as fast as ever he could--according to his manner--because the clock was just on the very stroke of the hour at which he used always to enter his office, still he drew up for a moment, in order to cast a sentimental glance up at the window of his love.

There he saw, as in a cloud, Albertine with Edmund; and, although he could not make out anything at all distinctly, his heart throbbed, he knew not why. Some strange sense of anxious alarm impelled him to undertake things previously unattempted, undreamt of, namely, to go upstairs to Albertine's rooms, at this totally unprecedented hour of the day.

As he entered, Albertine was saying, quite distinctly:

"Oh, yes, Edmund! I must always--always love you!" And she pressed Edmund to her heart, whilst a whole battery of "restoration of electrical equilibrium" began to go off, rushing and sparkling.

The Clerk of the Privy Chancery walked mechanically forward into the room, and then stood, dumb and speechless, like a man in a cataleptic fit. In the height of their blissfulness the two lovers had not heard the elephantine tread of Tussmann's peculiar boot-like shoes, nor his opening of the door, nor his coming in, and striding into the middle of the room.

He now squeaked out, in his high falsetto:

"But--Miss Albertine Bosswinkel!----"

Edmund and Albertine fled apart like lightning--he to his easel, she to the chair where she was supposed to be sitting for her portrait. Tussmann, after a short pause, during which he tried to get back his breath, resumed, saying--

"But, Miss Albertine Bosswinkel, what are you doing? What are you after? First of all, you go and waltz with this young gentleman (I haven't the honour of his acquaintance), in the Town-hall at twelve o'clock at night, in a way that made me, your husband that is to be, almost lose the faculties of seeing and hearing; and now--here--in broad daylight, behind those curtains--Oh! Good gracious!--is this a way for an engaged young lady to go on?"

"Who's an engaged young lady?" Albertine cried out, in immense indignation. "Whom are you talking about, Mr. Tussmann? Tell me, if you will be so kind."

"Oh, thou, my Creator," cried Tussmann, in the fulness of his heart. "You ask, dearest Miss Albertine, who is an engaged young lady, and of whom I am talking? To whom else can I be alluding but to yourself? Are you not my future bride, whom I have so long adored in secret? Did not your dear papa ever so long ago promise me your beautiful, white, so kissable little hand?"

"Mr. Tussmann," said Albertine; "either you have been to a wineshop, early as it is in the day--(my father says you go to them a great deal more than you ought),--or you've gone out of your mind in some extraordinary way. My father can never have had the slightest idea of your marrying me."

"Dearest Miss Albertine," cried Tussmann; "consider for a moment. You have known me for many long years. Have I not always been a man of the strictest moderation and temperance? Have I ever been given to dissipation? Can you suppose that I have taken to drinking and improper conduct all at once? Dearest Miss Albertine, I shall be only too happy to close my eyes to what I have seen going on here; not a syllable concerning it shall ever pass my lips--we'll forget and forgive. But remember, adored one, that you promised to marry me out of the tower window of the Town-hall at twelve o'clock at night; and, although you were waltzing in such a style with this young gentleman (whose acquaintance, as I said, I have not the honour of), still I----"

"Don't you see?" interrupted Albertine; "don't you know, that you're talking all sorts of incoherent nonsense, like some lunatic out of the asylum? Please go away. I feel quite unwell; do go away, for goodness' sake."

Tears started in Tussmann's eyes.

"Oh, heavens!" he cried. "Treatment like this from the beloved Miss Albertine! No; I shall not go. I shall remain here till you have arrived at a truer opinion concerning my unworthy person, dearest Miss Albertine."

"Go; go!" reiterated Albertine, running into a corner of the room, and covering her face with her handkerchief.

"No, dearest Miss Albertine," answered Tussmann; "I shall not go until, in compliance with the sapient advice of Thomasius, I endeavour to----" and he made as if he would follow her into the corner.