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LYING PROPHETS

A NOVEL

BY EDEN PHILLPOTTS

Author of "Down Dartmoor Way," "Some Everyday Folks" "The End of a Life," etc.

"'Tis like this: your man did take plain Nature for God, an' he did talk fulishness 'bout finding Him in the scent o' flowers, the hum o' bees an' sichlike. Mayhap Nature's a gude working God for a selfish man but she ed'n wan for a maid, as you knaws by now. Then your faither—his God do sit everlastingly alongside hell-mouth, an' do laugh an' girn to see all the world a walkin' in, same as the beasts walked in the Ark. Theer's another picksher of a God for 'e; but mark this, gal, they be lying prophets—lying prophets both!"—Book II., Chapter XI.

BOOK ONE

ART

CHAPTER ONE

NEWLYN

Away beyond the village stands a white cottage with the sea lapping at low cliffs beneath it. Plum and apple orchards slope upward behind this building, and already, upon the former trees, there trembles a snowy gauze where blossom buds are breaking. Higher yet, dark plowed fields, with hedges whereon grow straight elms, cover the undulations of a great hill even to its windy crest, and below, at the water line, lies Newlyn—a village of gray stone and blue, with slate roofs now shining silver-bright under morning sunlight and easterly wind. Smoke softens every outline; red-brick walls and tanned sails bring warmth and color through the blue vapor of many chimneys; a sun-flash glitters at this point and that, denoting here a conservatory, there a studio. Enter this hive and you shall find a network of narrow stone streets; a flutter of flannel underwear, or blue stockings, and tawny garments drying upon lines; little windows, some with rows of oranges and ginger-beer bottles in them; little shops; little doors, at which cluster little children and many cats, the latter mostly tortoise-shell and white. Infants watch their elders playing marbles in the roadway, and the cats stretch lazy bodies on the mats, made of old fishing-net, which lie at every cottage door. Newlyn stands on slight elevations above the sea level, and at one point the road bends downward, breaks and fringes the tide, leading among broken iron, rusty anchors, and dismantled fishing-boats, past an ancient buoy whose sides now serve the purposes of advertisement and tell of prayer-meetings, cheap tea, and so forth. Hard by, the mighty blocks of the old breakwater stand, their fabric dating from the reign of James I., and taking the place of one still older. But the old breakwater is no more than a rialto for ancient gossips now; and far beyond it new piers stretch encircling arms of granite round a new harbor, southward of which the lighthouse stands and winks his sleepless golden eye from dusk to dawn. Within this harbor, when the fishing fleet is at home, lie jungles of stout masts, row upon row, with here and there a sail, carrying on the color of the plowed fields above the village, and elsewhere, scraps of flaming bunting flashing like flowers in a reed bed. Behind the masts, along the barbican, the cottages stand close and thick, then clamber and straggle up the acclivities behind, decreasing in their numbers as they ascend. Smoke trails inland on the wind—black as a thin crepe veil, from the funnel of a coal "tramp" about to leave the harbor, blue from the dry wood burning on a hundred cottage hearths. A smell of fish—where great split pollocks hang drying in the sun—of tar and tan and twine—where nets and cordage lie spread upon low walls and open spaces—gives to Newlyn an odor all its own; but aloft, above the village air, spring is dancing, sweet-scented, light-footed in the hedgerows, through the woods and on the wild moors which stretch inland away. There the gold of the gorse flames in many a sudden sheet and splash over the wastes whereon last year's ling-bloom, all sere and gray, makes a sad-colored world. But the season's change is coming fast. Celandines twinkle everywhere, and primroses, more tardy and more coy, already open wondering eyes. The sea lies smooth with a surface just wind-kissed and strewed with a glory of sun-stars. Away to the east, at a point from which brown hills, dotted with white dwellings, tend in long undulations to the cliffs of the Lizard, under fair clouds all banked and sunny white against the blue, rises St. Michael's Mount, with a man's little castle capping Nature's gaunt escarpments and rugged walls. Between Marazion and Newlyn stretches Mount's Bay; while a mile or two of flat sea-front, over which, like a string of pearls, roll steam clouds, from a train, bring us to Penzance. Then—noting centers of industry where freezing works rise and smelting of ore occupies many men (for Newlyn labors at the two extremes of fire and ice)—we are back in the fishing village again and upon the winding road which leads therefrom, first to Penlee Point and the blue-stone quarry, anon to the little hamlet of Mousehole beyond.

Beside this road lay our white cottage, with the sunshine lighting up a piece of new golden thatch let into the old gray, and the plum-trees behind it bursting into new-born foam of flowers. Just outside it, above the low cliff, stood two men looking down into the water, seen dark green below through a tangle of brier and blackthorn and emerald foliage of budding elder. The sea served base uses here, for the dust and dirt of many a cottage was daily cast into the lap of the great scavenger who carried all away. The low cliffs were indeed spattered with filth, and the coltsfoot, already opening yellow blossoms below, found itself rudely saluted with cinders and potato-peelings, fishes' entrails, and suchlike unlovely matter.

The men were watching a white fleet of bird boats paddling on the sea, hurrying this way and that, struggling—with many a plunge and flutter and plaintive cry—for the food a retreating tide was bearing from the shore.

"'White spirits and gray,' I call them," said the younger of the two spectators. "The gulls fascinate me always. They are beautiful to see and hear and paint. Swimming there, and wheeling between the seas in rough weather, or hanging almost motionless in midair with their heads turning first this way, then that, and their breasts pressed against the wind—why, they are perfect always, the little winged gods of the sea."

"Gods kissing carrion," sneered the other. "Beautiful enough, no doubt, but their music holds no charm for me. Nothing is quite beautiful which has for its cause something ugly. Those echoing cries down there are the expression of a greedy struggle, no more. I hate your Newlyn gulls. They are ruined, like a thousand other wild things, by civilization. I see them scouring the fields and hopping after the plowman like upland crows. A Cornish seabird should fight its battle with the sea and find its home in the heart of the dizzy cliffs, sharing them with the samphire. But your 'white spirits and gray' behave like gutter-fed ducks."

The first speaker laughed and both strolled upon their way. They were artists, but while Edmund Murdoch dwelt at Newlyn and lived by his profession, the older man, John Barron, was merely on a visit to the place. He had come down for change and with no particular intention to work. Barron was wealthy and wasted rare talents. He did not paint much, and the few who knew his pictures deplored the fact that no temporal inducement called upon him to handle his brush oftener. A few excused him on the plea of his health, which was at all times indifferent, but he never excused himself. It needed something far from the beaten track to inspire him, and inspiration was rare. But let a subject once grip him and the artist's life centered and fastened upon it until his work was done. He sacrificed everything at such a time; he slaved; labor was to him as a debauch to the drunkard, and he wearied body and mind and counted his health nothing while the frenzy held him. Then, his picture finished, at the cost of the man's whole store of nervous energy and skill, he would probably paint no more for many months. His subject was always some transcript from nature, wrought out with almost brutal vigor and disregard of everything but truth. His looks belied his work curiously. A small, slight man he was, with sloping shoulders and the consumptive build. But the breadth of his head above the ears showed brain, and his gray eyes spoke a strength of purpose upon which a hard, finely-modeled mouth set the seal. Once he had painted in the West Indies: a picture of two negresses bathing at Tobago. Behind them hung low tangles of cactus, melo-cactus and white-blossomed orchid; while on the tawny rocks glimmered snowy cotton splashed with a crimson turban; but the marvel of the work lay in the figures and the refraction of their brown limbs seen through crystal-clear water. The picture brought reputation to a man who cared nothing for it; and Barron's "Bathing Negresses" are only quoted here because they illustrate his method of work. He had painted from the sea in a boat moored fore and aft; he had kept the two women shivering and whining in the water for two hours at a time. They could not indeed refuse the gold he offered for their services, but one never lived to enjoy the money, for her prolonged ablutions in the cause of art killed her a week after her work was done.

John Barren was a lonely sybarite with a real love for Nature and absolutely primitive instincts with regard to his fellow-creatures. The Land's End had disappointed him; he had found Nature neither grand nor terrific there, but sleepy and tame as a cat after a full meal. Nor did he derive any pleasure from the society of his craft at Newlyn. He hated the clatter of art jargon, he flouted all schools, and pointed out what nobody doubts now: that the artists of the Cornish village in reality represented nothing but a community of fellow-workers, all actuated indeed by love of art, but each developing his own bent without thought for his neighbor's theory. Barron indeed made some enemies before he had been in the place a week, and the greater lights liked him none the better for vehemently disclaiming the honor when they told him he was one of themselves. "The shape of a brush does not make men paint alike," he said, "else we were all equal and should only differ in color. Some of you can no more paint with a square brush than you can with a knife. Some of you could not paint though your palettes were set with Nature's own sunset colors. And others of you, if you had a rabbit's scut at the end of a hop-pole and the gray mud from a rain puddle, would produce work worth considering. You are a community of painters—some clever, some hopeless—but you are not a school, and you may thank God for it."

John Barron was rough tonic, but the fearless little man generally found an audience at the end of the day in this studio or that. The truth of much that he said appealed to the lofty-minded and serious; his dry cynicism, savage dislike of civilization, and frank affection for Nature, attracted others. He hit hard, but he never resented rough knocks in return, and no man had seen him out of temper with anything but mysticism and the art bred therefrom. Upon the whole, however, his materialism annoyed more than his wit amused.

Upon the evening which followed his insult to the Newlyn gulls, Barron, with Edmund Murdoch and some other men, was talking in the studio of one Brady, known to fame as the "Wrecker," from his love for the artistic representation of maritime disaster. Barron liked this man, for he was outspoken and held vigorous views, but the two quarreled freely.

"Fate was a fool when she chucked her presents into the lap of a lazy beggar like you," said Brady, addressing the visitor. "And thrice a fool," he added, "to assort her gifts so ill."

"Fate is a knave, a mad thing playing at cat's cradle with the threads of our wretched little lives," answered John Barron, "she is a coward—a bully. She hits the hungry below the belt; she heaps gold into the lap of the old man, but not till he has already dug his own grave to come at it; she gives health to those who must needs waste all their splendid strength on work; and wealth to worthless beings like myself who are always ailing and who never spend a pound with wisdom. Make no dark cryptic mystery of Fate when you paint her. She looks to me like a mischievous monkey poking sticks into an ant-hill."

"She's a woman," said Murdoch.

"She's three," corrected Brady; "what can you expect from three women rolled into one?"

"Away with her! Waste no incense at her shrine. She'll cut the thread no sooner because you turn your back on her. Fling overboard your mythologies, dead and alive, and kneel to Nature. A budding spike of wild hyacinth is worth all the gods put together. Go hand in hand with Nature, I say. Ask nothing from her; walk humbly; be well content if she lets you but turn the corner of one page none else have read. That's how I live. My life is not a prayer exactly—"

"I should say not," interrupted Brady.

"But a hymn of praise—a purely impersonal existence, lived all alone, like a man at a prison window. This carcass, with its shaky machinery and defective breathing apparatus, is the prison. I look out of the window till the walls crumble away—"

"And then?" asked one Paul Tarrant, a painter who prided himself on being a
Christian as well.

"Then, the spark which I call myself, goes back to Nature, as the cloud gives the raindrop back to the sea from whence the sun drew it."

"A lie, man!" answered the other hotly.

"Perhaps. It matters nothing. God—if there be a God—will not blame me for making a mistake. Meantime I live like the rook and the thrush. They never pray, they praise, they sing 'grace before meat' and after it, as Nature taught them."

"A simple child of Nature—beautiful spectacle," said Brady. "But I'm sorry all the same," he continued, "that you've found nothing in Cornwall to keep you here and make you do some work. You talk an awful deal of rot, but we want to see you paint. Isn't there anything or anybody worthy of you here?"

"As a matter of face, I've found a girl," said Barron.

There was a clamor of excitement at this news, above which Brady's bull voice roared approval.

"Proud girl, proud parents, proud Newlyn!" he bellowed.

"The mood ripens too," continued Barren quietly. "'Sacrifice all the world to mood' is my motto. So I shall stop and paint."

A moment later derisive laughter greeted Barron's decision, for Murdoch, in answer to a hail of questions, announced the subject of his friend's inspiration.

"We strolled round this morning and saw Joan Tregenza in an iron hoop with a pail of water slung at either hand."

"So your picture begins and ends where it is, Barron, my friend; in your imagination. Did it strike you when you first saw that vision of loveliness in dirty drab that she was hardly the girl to have gone unpainted till now?" asked Brady.

"The possibility of previous pictures is hardly likely to weigh with me. Why, I would paint a drowned sailor if the subject attracted me, and that though you have done it," answered the other, nodding toward a big canvas in the corner, where Brady's picture for the year approached completion.

"My dear chap, we all worship Joan—at a distance. She is not to be painted. Tears and prayers are useless. She has a flinty father—a fisherman, who looks upon painting as a snare of the devil and sees every artist already wriggling on the trident in his mind's eye. Joan has also a lover, who would rather behold her dead than on canvas."

"In fact these Methodist folk take us to be what you really are," said Brady bluntly. "Old Tregenza tars us every one with the same brush. We are lost sinners all."

"Well, why trouble him? A fisherman would have his business on the sea.
Candidly, I must paint her. The wish grows upon me."

"Even money you don't get as much as a sketch," said Murdoch.

"Have any of you tried approaching her directly, instead of her relations?"

"She's as shy as a hawk, man."

"That makes me the more hopeful. You fellows, with your Tam o' Shanters and aggressive neckties and knickerbockers and calves, would frighten the devil. I'm shy myself. If she's natural, then we shall possibly understand each other."

"I'll bet you ten to one in pounds you won't have your wish," said Brady.

"No, shan't bet. You're all so certain. Probably I shall find myself beaten like the rest of you. But it's worth trying. She's a pretty thing."

"How will you paint her if you get the chance?"

"Don't know yet. I should like to paint her in a wolf-skin with a thread of wolf's teeth round her neck and a celt-headed spear in her hand."

"Art will be a loser by the pending repulse," declared Brady. "And now, as my whisky-bottle's empty and my lamp going out, you chaps can follow its example whenever you please."

So the men scattered into a starry night, and went, each his way, through the streets of the sleeping village.

CHAPTER TWO

IN A HALO OF GOLD

Edmund Murdoch's studio stood high on Newlyn hill, and Barron had taken comfortable rooms in a little lodging-house close beside it. The men often enjoyed breakfast in each other's company, but on the following morning, when Murdoch strolled over to see his friend, he found that his rooms were empty.

Barron, in fact, was already nearly a mile from Newlyn, and, at the moment when the younger artist sought him, he stood upon a footpath which ran through plowed fields to the village of Paul. In the bottom of his mind ran a current of thought occupied with the problem of Joan Tregenza, but, superficially, he was concerned with the spring world in which he walked. He stood where Nature, like Artemis, appeared as a mother of many breasts. Brown and solemn in their undulations, they rose about and around him to the sky-line, where the land cut sharply against a pale blue heaven from which tinkled the music of larks. He watched a bird wind upward in a spiral to its song throne; he noted the young wheat brushing the earth with a veil of green; he dawdled where elms stood, their high tops thick with blossom; and he delayed for full fifteen minutes to see the felling of one giant tree. A wedge-shaped cut had been made upon the side where the great elm was to fall, and, upon the other side, two men were sawing through the trunk. There was no sound but the steady hiss of steel teeth gnawing inch by inch to the wine-red heart of the tree. Sunshine glimmered on its leafy crown, and as yet distant branch and bough knew nothing of the midgets and Death below.

Barron took pleasure in seeing the great god Change at work, but he mourned in that a masterpiece, on which Nature had bestowed half a century and more of love, must now vanish.

"A pity," he said, while the executioners rested a few moments from their labors, "a pity to cut down such a noble tree."

One woodman laughed, and the other—an old rustic, brown and bent—made answer:

"I sez 'dang the tree!' Us doan't take no joy in thrawin' en, mister. I be bedoled wi' pain, an' this 'ere sawin's just food for rheumatiz. My back's that bad. But Squire must 'ave money, an' theer's five hundred pounds' value o' ellum comin' down 'fore us done wi' it."

The saw won its way; and between each spell of labor, the ancient man held his back and grumbled.

"Er's Billy Jago," confided the second laborer to Barron, when his companion had turned aside to get some steel wedges and a sledge-hammer. "Er's well-knawn in these paarts—a reg'lar cure. Er used tu work up Drift wi' Mister Chirgwin."

Billy added two wedges to those already hammered into the saw-cut, then, with the sledge, he drove them home and finished his task. The sorrowful strokes rang hollow and mournful over the land, sadder to Barron's ear than fall of earth-clod on coffin-lid. And, upon the sound, a responsive shiver and uneasy tremor ran through trunk and bough to topmost twig of the elm—a sudden sense, as it seemed, of awful evil and ruin undreamed of, but now imminent. Then the monster staggered and the midget struck his last blow and removed himself and his rheumatism. Whereupon began that magnificent descent. Slowly, with infinitely solemn sweep, the elm's vast height swung away from its place, described a wide aerial arc, and so, with the jolting crash and rattle of close thunder, roared headlong to the earth, casting up a cloud of dust, plowing the grass with splintered limbs, then lying very still. From glorious tree to battered log it sank. No man ever saw more instant wreck and ruin fall lightning-like on a fair thing. The mass was crushed flat and shapeless by its own vast weight, and the larger boughs, which did not touch the earth, were snapped short off by the concussion of their fall.

Billy Jago held his back and whined while Barron spoke, as much to himself as the woodman.

"Dear God!" he said, "to think that this glory of the hedge-row—this kingdom of song birds—should come to the making of pauper coffins and lodging-house furniture!"

"Squire must have money; an' folks must have coffins," said Billy. "You can sleep your last sleep so sound in ellum as you can in oak, for that matter."

Feeling the truth of the assertion, Barron admitted it, then turned his back on the fallen king and pursued his way with thoughts reverting to the proposed picture. There was nothing to alarm Joan Tregenza about him; which seemed well, as he meant to approach the girl herself at the first opportunity, and not her parents. Barron did not carry "artist" stamped upon him. He was plainly attired in a thick tweed suit and wore a cap of the same material. The man appeared insignificantly small. He was clean-shaved and looked younger than his five-and-thirty years seen a short distance off, but older when you stood beside him. He strolled now onward toward the sea, and his cheeks took some color from the fine air. He walked with a stick and carried a pair of field-glasses in a case slung over his shoulder. The field-glasses had become a habit with him, but he rarely used them, for his small slate-colored eyes were keen.

Once and again John Barron turned to look at St. Michael's Mount, seen afar across the bay. The magic of morning made it beautiful and the great pile towered grandly through a sunny haze. No detail disturbed the eye under this effect of light, and the mount stood vast, dim, golden, magnified and glorified into a fairy palace of romance built by immortal things in a night. Seen thus, it even challenged the beholder's admiration, of which he was at all times sparing. Until that hour, he had found nothing but laughter for this same mount, likening the spectacle of it, with its castle and cottages, now to a senile monarch with moth-eaten ermine about his toes and a lop-sided crown on his head, now to a monstrous sea-snail creeping shoreward.

Barron, having walked down the hill to Mouse-hole, breasted slowly the steep acclivity which leads therefrom toward the west. Presently he turned, where a plateau of grass sloped above the cliffs into a little theater of banks ablaze with gorse. And here his thoughts and the image they were concerned with perished before reality. Framed in a halo of golden furze, her hands making a little penthouse above her brow, and in her blue eyes the mingled hue of sea and sky, stood a girl looking out at the horizon. The bud of a wondrous fair woman she was, and Barron saw her slim yet vigorous figure accentuated under its drab-brown draperies by a kindly breeze. He noted the sweet, childish freshness of her face, her plump arms filling the sleeves of rusty black, and her feet in shoes too big for them. Her hair was hidden under a linen sun-bonnet, but one lock had escaped, and he noted that it was the color of wheat ripe for the reaping. He regretted it had not been darker, but observed that it chimed well enough with the flaming flowers behind it. And then he frankly praised Nature in his heart for sending her servant such a splendid harmony in gold and brown. There stood his picture in front of him. He gazed a brief second only, and then his quick mind worked to find what human interest had brought Joan Tregenza to this place and turned her eyes to the sea. It might be that herein existed the possibility of the introduction he desired. He felt that victory probably depended on the events of the next two or three minutes. He owed a supreme effort of skill and tact to Fate, which had thus befriended him, and he rose to the occasion.

The girl looked up as he came suddenly upon her, but his eyes were already away and fixed upon the horizon before she turned. Observing that he was not regarding her, she put up her hands again and continued to scan the remote sea-line where a thin trail of dark smoke told of a steamer, itself apparently invisible. Barron took his glasses from their case, and seeing that the girl made no movement of departure, acted deliberately, and presently began to watch a fleet of brown sails and black hulls putting forth from the little harbor below. Then, without looking at her or taking his eyes from the glasses, he spoke.

"Would you kindly tell me what those small vessels are below there just setting out to sea?" he asked.

The girl started, looked round, and, realizing that he had addressed her, made answer:

"They'm Mouzle [Footnote: Mouzle—Mousehole.] luggers, sir."

"Luggers, are they? Thank you. And where are they sailing to? Do you know?"

"Away down-long, south'ard o' the Scillies mostly, arter mackerl. Theer's a power o' mackerl bein' catched just now—thousands an' thousands—but some o' they booats be laskin'—that's just fishin' off shore."

"Ah, a busy time for the fishermen."

"Iss, 'tis."

"Thank you. Good-morning."

"Good-marnin', sir."

He started as though to continue his walk along the cliffs beyond the plateau and the gorse; then he stopped suddenly, actuated, as it seemed, by a chance thought, and turned back to the girl. She was looking out to sea again.

"By the way," he said, unconcernedly, and with no suggestion that anything in particular was responsible for his politeness. "I see you are on the lookout there for something. You may have my glass a moment, if you like, before I go on. They bring the ships very close."

The girl flushed with shy pleasure and seemed a little uncertain what to answer. Barron, meanwhile, showed no trace of a smile, but looked bored if anything, and, with a serious face, handed her the glass, then walked a little way off. He was grave and courteous, but made no attempt at friendship. He had noticed when Joan smiled that her teeth were fine, and that her full face, though sweet enough, was a shade too plump.

"Thank 'e kindly, sir," she said, taking the glass. "You see theer's a gert ship passin' down Channel, an'—an' my Joe's aboard 'er, an' they'm bound for furrin' paarts, an' I promised as I'd come to this here horny-winky [Footnote: Horny-winky—Lonely. Fit place for horny-winks.] plaace to get a last sight o' the vessel if I could." He made no answer, and, after a pause, she spoke again.

"I caan't see naught, but that's my fault, p'raps, not bein' used to sich things."

"Let me try and find the ship," he said, taking the glass, which he had put out of focus purposely. Then, while scanning the horizon where he had noted the smoke-trail, he spoke, his head turned from her.

"Who's Joe, if I may ask? Your brother, I daresay?"

"No, sir; Joe'm my sweetheart."

"There's a big three-masted ship being taken down the Channel by a small steamer."

"Ah! then I reckon that's the 'Anna,' 'cause Joe said 'twas tolerable certain they'd be in tow of a tug."

"You can see the smoke on the edge of the sea. Look below it."

He handed the glasses to her again and heard a little laugh of delight break from her lips. The surprise of the suddenly-magnified spectacle, visible only as a shadow to the naked eye, brought laughter; and Barron, now that the girl's attention was occupied, had leisure to look at her. She was more than a pretty cottage maid, and possessed some distinction and charm. There was a delicacy about her too—a sweet turn of lip, a purity of skin, a set of limb—which gave the lie to her rough speech. She was all Saxon to look at, with nothing of the Celt about her excepting her name and the old Cornish words upon her lips. Those he rejoiced in, for they showed that she still remained a free thing, primitive, innocent of School Boards, or like frost-biting influences.

Barron took mental notes. Joan Tregenza was a careless young woman, it seemed. Her dress had a button or two missing in front, and a safety-pin had taken their place. Her drab skirt was frayed a little and patched in one corner with a square of another material. But the colors were well enough, from the artist's point of view. He noted also that the girl's stockings were darned and badly needed further attention, for above her right shoe-heel a white scrap of Joan was visible. Her hands were a little large, but well shaped; her pose was free and fine, though the field-glasses spoiled the picture and the sun-bonnet hid the contour of her head.

"So you walked out from Mouzle to see the last of Joe's ship?" he asked, quite seriously and with no light note in his voice.

"From Newlyn. I ed'n a Mouzle maid," she answered.

"Is the 'Anna' coming home again soon?"

"No, sir. Her's bound for the Gulf of Californy, round t'other side the world, Joe sez. He reckons to be back agin' come winter."

"That's a long time."

"Iss, 'tis."

But there was no sentiment about the answer. Joan gazed without a shadow of emotion at the vanishing ship, and alluded to the duration of her sweetheart's absence in a voice that never trembled. Then she gave the glass back to Barron with many thanks, and evidently wanted to be gone, but stopped awkwardly, not quite knowing how to depart.

Meanwhile, showing no further cognizance of her, Barron took the glasses himself and looked at the distant ship.

"A splendid vessel," he said. "I expect you have a picture of her, haven't you?"

"No," she answered, "but I've got a lil ship Joe cut out o' wood an' painted butivul. Awnly that's another vessel what Joe sailed in afore."

"I'll tell you what I'll do," he said, "because you were good enough to explain all about the fishing-boats. I'll make a tiny picture of the 'Anna' and paint it and give it to you."

But the girl took fright instantly.

"You'm a artist, then?" she said, with alarm in her face and voice.

He shook his head.

"No, no. Do I look like an artist? I'm only a stranger down here for a day or two. I paint things sometimes for my own amusement, that's all."

"Pickshers?"

"They are not worth calling pictures. Just scraps of the sea and trees and cliffs and sky, to while away the time and remind me of beautiful things after I have left them."

"You ban't a artist ezacally, then?"

"Certainly not. Don't you like artists?"

"Faither don't. He'm a fisherman an' caan't abear many things as happens in the world. An' not artists. Genlemen have arsked him to let 'em take my picksher, 'cause they've painted a good few maidens to Newlyn; an' some of 'em wanted to paint faither as well; but he up an' sez 'No!' short. Paintin's vanity 'cordin' to faither, same as they flags an' cannels an' moosic to Newlyn church is vanity. Most purty things is vanity, faither reckons."

"I'm sure he's a wise man. And I think he's right, especially about the candles and flags in church. And now I must go on my walk. Let me see, shall I bring you the little picture of Joe's ship here? I often walk out this way."

He assumed she would take the picture, and now she feared to object.
Moreover, such a sketch would be precious in her eyes.

"Maybe 'tis troublin' of 'e, sir?"

"I've promised you. I always keep my word. I shall be here to-morrow about mid-afternoon, because it is lonely and quiet and beautiful. I'm going to try and paint the gorse, all blazing so brightly against the sky."

"Them prickly fuzz-bushes?"

"Yes; because they are very beautiful."

"But they'm everywheres. You might so well paint the bannel [Footnote: Bannel—Broom.] or the yether on the moors, mightn't 'e?"

"They are beautiful, too. Remember, I shall have Joe's ship for you to-morrow."

He nodded without smiling, and turned away until a point of the gorse had hidden her from sight. Then he sat down, loaded his pipe, and reflected.

"'Joe's ship,'" he said to himself, "a happy title enough."

And meantime the girl had looked after him with wonder and some amusement in her eyes, had rubbed her chin reflectively—a habit caught from her father—and had then scampered off smiling to herself.

"What a funny gent," she thought, "never laughs nor nothin'. An' I judged he was a artist! But wonnerful kind, an' wonnerful queer, wi' it, sure 'nough."

CHAPTER THREE

THE TREGENZAS

Joan Tregenza lived in a white cottage already mentioned: that standing just beyond Newlyn upon a road above the sea. The cot was larger than it appeared from the road and extended backward into an orchard of plum and apple-trees. The kitchen which opened into this garden was stone-paved, cool, comfortable, sweet at all times with the scent of wood smoke, and frequently not innocent of varied fishy odors. But Newlyn folk suck in a smell of fish with their mothers' milk. 'Tis part of the atmosphere of home.

When Joan returned from her visit to Gorse Point, she found a hard-faced woman, thin of figure, with untidy hair, wrinkled brow and sharp features, engaged about a pile of washing in the garden at the kitchen-door. Mrs. Tregenza heard the girl arrive, and spoke without lifting her little gray eyes from the clothes. Her voice was hard and high and discontented, like that of one who has long bawled into a deaf man's ear and is weary of it.

"Drabbit you! Wheer you bin? Allus trapsing out when you'm wanted; allus caddlin' round doin' nothin' when you ban't. I s'pose you think breakfus' can be kep' on the table till dinner, washing-day or no?"

"I don't want no breakfus', then. I tuke some bread an' drippin' long with me. Wheer's Tom to?"

"Gone to schule this half-hour. 'Tis nine o'clock an' past. Wheer you bin,
I sez? 'Tain't much in your way to rise afore me of a marnin'."

"Out through Mouzle to Gorse P'int to see Joe's ship pass by; an' I seen en butivul."

"Thank the Lard he's gone. Now, I s'pose, theer'll be a bit peace in the house, an' you'll bide home an' work. My fingers is to the bone day an' night."

"He'll be gone a year purty nigh."

"Well, the harder you works, the quicker the time'll pass by. Theer's nuthin' to grizzle at. Sea-farin' fellers must be away most times. But he'm a good, straight man, an' you'm tokened to en, an' that's enough. Bide cheerful an' get the water for washin'. If they things of faither's bant dry come to-morrer, he'll knaw the reason why."

Joan accepted Mrs. Tregenza's comfort philosophically, though her sweetheart's departure had not really caused her any emotion. She visited the larder, drank a cup of milk, and then, fetching an iron hoop and buckets, went to a sunken barrel outside the cottage door, into which, from a pipe through the road-bank, tumbled a silver thread of spring water.

Of the Tregenza household a word must needs be spoken. Joan's own mother had died twelve years ago, and the anxious-natured woman who took her place proved herself a good step-parent enough. Despite a disposition prone to worry and to dwell upon the small tribulations of life, Thomasin Tregenza was not unhappy, for her husband enjoyed prosperity and a reputation for godliness unequaled in Newlyn. A great, weather-worn, gray, hairy man was he, with a big head and a furrowed cliff of a forehead that looked as though it had been carved by its Creator from Cornish granite. Tregenza indeed might have stood for a typical Cornish fisher—or a Breton. Like enough, indeed, he had old Armorican blood in his veins, for many hundreds of Britons betook themselves to ancient Brittany when the Saxon invasion swept the West, and many afterward returned, with foreign wives, to the homes of their fathers. Michael Tregenza had found religion, of a sort fiery and unlovely enough, but his convictions were definite, with iron-hard limitations, and he looked coldly and without pity on a damned world, himself saved. Gray Michael had no sympathy with sin and less with sinners. He found the devil in most unexpected quarters and was always dragging him out of surprising hiding-places and exhibiting him triumphantly, as a boy might show a bird's egg or butterfly. His devil dwelt at penny readings, at fairs and festivals, in the brushes of the artists, in a walk on a Sunday afternoon undertaken without a definite object, sometimes in a primrose given by a boy to a girl. Of all these bitter, self-righteous, censorious little sects which raise each its own ladder to the Throne of Grace at Newlyn, the Luke Gospelers was the most bitter, most self-righteous, most censorious. And of all those burning lights which reflected the primitive savagery of the Pentateuch from that fold, Gray Michael's beacon flamed the fiercest and most bloody red. There was not a Gospeler, including the pastor of the flock, but feared the austere fisherman while admiring him.

Concerning his creed, at the risk of wearying you, it must be permitted to speak here; for only by grasping its leading features and its vast unlikeness to the parent tree can a just estimate of Michael Tregenza be arrived at. Luke Gospeldom had mighty little to do with the Gospel of Luke. The sect numbered one hundred and thirty-four just persons, at war with principalities and powers. They were saturated with the spirit of Israel in the Wilderness, of Esau, when every man's hand was against him. At their chapel one heard much of Jehovah, the jealous God, of the burning lakes and the damnation reserved for mankind, as a whole. Every Luke Gospeler was a Jehovah in his own right. They walked hand in hand with God; they realized the dismay and indignation Newlyn must occasion in His breast; they sympathized heartily with the Everlasting and would have called down fire from Heaven themselves if they could. Many openly wondered that He delayed so long, for, from a Luke Gospeler's point of view, the place with its dozen other chapels—each held in error by the rest, and all at deadly war among themselves—its most vile ritualistic church of St. Peter, its public-houses, scandals, and strifes, was riper for destruction than Sodom. However, the hundred and thirty-four served to stave off celestial brimstone, as it seemed.

It is pitiable, in the face of the majestic work of John Wesley in Cornwall, to see the shattered ruins of it which remain. When the Wesleys achieved their notable revival and swept off the dust of a dead Anglicanism which covered religious Cornwall like a pall in the days of the Georges, the old Celtic spirit, though these heroes found it hard enough to rekindle, burst from its banked-up furnaces at last and blazed abroad once more. That spirit had been bred by the saint bishops of Brito-Celtic days, and Wesley's ultimate success was a grand repetition of history, as extant records of the ancient use of the Church in Cornwall prove. Its principle was that he who filled a bishop's office should, before all things, conduct and develop missionary enterprise; and the moral and physical courage of the Brito-Celtic bishops, having long slumbered, awoke again in John Wesley. He built on the old foundations, he gave to the laymen a power at that time blindly denied them by the Church—the power which Irish and Welsh and Breton missionary saints of old had vested in them. Wesley—himself a giant—made wise use of the strong where he found them, and if a man—tinker or tinner, fisher or jowster—could preach and grip an audience, that man might do so. Thus had the founders of the new creed developed it; thus does the Church to-day; but when John Wesley filled his empty belly with blackberries at St. Hilary, in 1743; when he thundered what he deemed eternal truth through Cornwall, year after year for half a century; when he faced a thousand perils by sea and land and spent his arduous days "in watchings often, in hunger and thirst, in fasting often, in cold and nakedness"; when, in fine, this stupendous man achieved the foundations of Methodism, the harvest was overripe, at any rate, in Cornwall. No Nonconformist was he, though few enough of his followers to-day remember that, if they ever knew it. He worked for his church; he was a link between it and his party; his last prayer was for church and king—a fact which might have greatly shocked the Luke Gospelers had such come to their ears. For John Wesley was their only saint, and they honestly believed that they alone of all Methodist communities were following in his footsteps. Poor souls! they lived as far from what Wesley taught as it is easily possible to conceive. As for Gray Michael, he was under the impression that he and his sect worthily held aloft the true light which Wesley brought in person to Newlyn, and he talked with authority upon the subject of his master and his master's doings. But he knew little about the founder of Methodism in reality, and still less about the history of the Methodist movement. Had he learned that John Wesley himself was once accused of Popish practices; had he known that not until some years after the great preacher's death did his party, in conference assembled, separate itself from the Church of England, he had doubtless been much amazed. Though saturated with religious feeling, the man was wholly ignorant of religious history in so far as it affected his own country. To him all saints not mentioned in Scripture were an abomination and invention of Rome. Had he been informed that the venerable missionary saints of his mother land were in no case Romish, another vast surprise must have awaited him.

Let it not for an instant be supposed that the Luke Gospelers represented right Methodism. But they fairly exemplified a sorry side of it; those little offshoots of which dozens have separated from the parent tree; and they exhibited most abundantly in themselves that canker-worm of Pharisaism which gnaws at the root of all Nonconformity. This offense, combined with such intolerance and profound ignorance as was to be found amid the Luke Gospelers, produced a community merely sad or comic to consider according to the point of view.

An instance of Michael Tregenza's attitude to the Church will illustrate better than analysis the lines of thought on which he served his Creator.

Once, when she was thirteen, Joan had gone to an evening service at St. Peter's, because a friend had dared her to do so. Her father was at sea and she believed the delinquency could by no possibility reach his ears. But a Luke Gospeler heard the dread tidings and Michael Tregenza was quickly informed of his daughter's lapse. He accused Joan quietly enough, and she confessed.

"Then you'm a damned maiden," he said, "'cause you sinned open-eyed."

He thought the matter over for a week, and finally an idea occurred to him.

"'Tis wi'in the power o' God to reach even you back," he declared to Joan, "an' He's put in my mind that chastenin' might do it. A sore body's saved many sowls 'fore now."

Whereupon he took his daughter into the little parlor, shut the door, and then flogged her as he would have flogged a boy—only using his hard hand instead of a stick. "Get thee behind her, Satan! Get thee behind her, Satan! Get thee behind her, Satan!" he groaned with every blow, while Joan grit her teeth and bore it as long as she could, then screamed and fainted. That was how the truth about heaven and hell came to her. She had never felt physical pain before, and eternal torment was merely an idea. From that day, however, she was frightened and listened to her father gladly and wept tears of thankfulness when, a month after her flogging, he explained that he had wrestled with the Lord for her soul and how it had been borne in upon him that she was saved alive. She had reached the age of seventeen now, and felt quite confident upon the subject of eternity as became a right Luke Gospeler. Unlike other women of the sect, however, and despite extreme ignorance on all subjects, the girl had a seed of humor in her nature only waiting circumstances to ripen. She felt pity, too, for the great damned world, and though religion turned life sad-colored, her own simple, healthy, animal nature and high spirits brought ample share of sunshine and delight. She was, in fact, her mother's child rather than her father's. His ancestors before him had fought the devil and lived honest lives under a cloud of fear; Michael's own brother had gone religious mad, when still a young man, and died in a lunatic asylum; indeed the awful difficulty of saving his soul had been in the blood of every true Tregenza for generations. But Joan's mother came of different stock. The Chirgwins were upland people. They dwelt at Drift and elsewhere, went to the nearest church, held simple views, and were content with orthodox religion. Mr. Tregenza said of them that they always wanted and expected God to do more than His share. But he married Joan Chirgwin, nevertheless; and now he saw her again, fair, trustful, light-hearted, in his daughter. The girl indeed had more of her mother in her than Gray Michael liked. She was superstitious, not after the manner of the Tregenzas, but in a direction that must have brought her father's loudest thunders upon her head if the matter had come to his ears. She loved the old stories of the saints and spirits, she gloried secretly in the splendid wealth of folklore and tradition her mother's people and those like them possessed at command. Her dead parent had whispered and sung these matters into Joan's baby ears until her father stopped it. She remembered how black he looked when she lisped about the piskeys; and though to-day she half believed in demon and fairy, goblin and giant, and quite believed in the saints and their miracles, she kept this side of her intelligence close locked when at home, and only nodded very gravely when her father roared against the blighting credulity of men's minds and the follies for which fishers and miners, and indeed the bulk of the human family in Cornwall, must some day burn.

People outside the fold said that the Luke Gospelers killed Tregenza's first wife. She, of course, accepted her husband's convictions, but it had never been in her tender heart to catch the true Luke Gospel spirit. She was too full of the milk of human kindness, too prone to forgive and forget, too tolerant and ready to see good in all men. The fiery sustenance of the new tenets withered her away like a scorched flower, and she died five years after her child was born. For a space of two years the widower remained one; then he married again, being at that time a hale man of forty, the owner of his own fishing-boat, and at once the strongest personality and handsomest person in Newlyn. Thomasin Strick, his second wife, was already a Luke Gospeler and needed no conversion. People laughed in secret at their wooing, and likened it to the rubbing of granite rocks or a miner's pick striking fire from tin ore. A boy presently came to them; and now he was ten and his mother forty. She passed rightly for a careful, money-loving soul, and a good wife, with the wit to be also a good Luke Gospeler. But her tongue was harder than her heart. Father and mother alike thought the wide world of their boy, though the child was brought up under an iron rod. Joan, too, loved her half-brother, Tom, very dearly, and took a pride only second to her stepmother's in the lad's progress and achievements. More than once, though only Joan and he knew it, she had saved his skin from punishment, and she worshiped him with a frank admiration which was bound to win Mrs. Tregenza's regard. Joan quite understood the careful and troubled matron, never attached undue importance to her sharp words, and was usually at her elbow with an ear for all grievances and even a sympathetic word if the same seemed called for. Mrs. Tregenza had to grumble to live, and Joan was the safety-valve, for when her husband came off the sea he would have none of it.

Life moved uniformly for these people, being varied only by the seasons of the year and the different harvests from the sea which each brought with it. Pollock, mackerel, pilchards, herrings—all had their appointed time, and the years rolled on, marked by events connected with the secular business of life on one hand and that greater matter of eternity upon the other. Thus mighty catches of fish held the memory with mighty catches of men. One year the take of mackerel had been beyond all previous recollection; on another occasion three entire families had joined the Luke Gospelers, and so promised to increase the scanty numbers of the chosen. There were black memories, too, and black years, casting gloomy shadows. Widows and orphans knew what it was to watch for brown sails that came into the harbor's sheltering arms no more; and spiritual death had overtaken more than one Luke Gospeler. Such turned their backs upon the light and exchanged Truth for the benighted parody of religion displayed by Bible Christians, by Plymouth Brethren or by the Church of England.

Six months before the day on which she saw his ship through Barron's glasses, Joan had been formally affianced to Joe Noy, with her father's permission and approval. The circumstances of the event demand a word, for Joe had already been engaged once before: to Mary Chirgwin, a young woman who was first cousin to Joan and a good deal older. She was an orphan and dwelt at Drift with Thomas Chirgwin, her uncle. The sailor had thereby brightened an unutterably lonely life and brought earthly joy to one who had never known it. Then Gray Michael got hold of the lad, who was naturally of a solid and religious temperament, and up to that time of the order of the Rechabites. As a result, Joe Noy joined the Luke Gospelers and called upon his sweetheart to do likewise. But she recollected her aunt, Joan's mother, and being made of stern stuff, stuck to the Church of England as she knew it, counting salvation a greater thing than even a home of her own. The struggle was sharp between them; neither would give way; their engagement was therefore broken, and the girl's solitary golden glimpse of happiness in this world shattered. She found it hard to forgive the Tregenzas, and when, six months afterward, the sleepy farm life at Drift was startled by news of Joan's love affair, Mary, in the first flush of her reawakened agony, spoke bitterly enough; and even that most mild-mannered of men, her uncle, said that Michael Tregenza had done an ugly act.

But the fisherman was at no time concerned with Mary or with Joan. The opportunity to get a soul into the fold had offered and been accepted. Any matter of earthly love-making counted little beside this. When Joe broke with Mary, his mentor declared the action inevitable, as the girl would not alter her opinions, and when, presently, young Noy fell in love with Joan, her father saw no objection, for the sailor was honest, already a stanch Luke Gospeler and a clean liver.

Perhaps at that moment there was hardly another eligible youth in Newlyn from Tregenza's point of view. He held Joan a girl to be put under stern marital rule as soon as possible, and Joe promised to make a godly husband with a strong will, while his convictions and view of life were altogether satisfactory, being modeled on Michael's own. The arrangement suited Joan. She believed she loved Joe very dearly, and she looked forward with satisfaction to marrying him in about a year's time, when he should have won a ship-master's certificate. But she viewed his departure without suffering and would not have willingly foregone her remaining year of freedom. She respected Joe very much and knew he would make a good partner and give her a position above the everyday wives of Newlyn; moreover, he was a fine figure of a man. But he lacked mental breadth, and that fact sometimes tickled her dormant sense of humor. He copied her father so exactly, and she, who lived with the real thunder, never could show sufficient gravity or conviction in the presence of the youthful and narrow-minded Noy's second-hand echoes. Mary Chirgwin was naturally a thousand times more religious-minded than Joan, and sometimes Joe wished the sober mind of his first love could be transported to the beautiful body of his second; but he kept this notion to himself, studied to please his future father-in-law, which he succeeded in doing handsomely, and contented himself, in so far as his lady was concerned, by reflecting that the necessary control over her somewhat light mind would be his in due season.

To return from this tedious but necessary glimpse at the position and belief of these people to Joan and the washing, it is to be noted that she quickly made up for lost time, and, without further mentioning the incidents of her morning's excursion, began to work. She pulled up her sleeves, dragged her dress about her waist, then started to cleanse the thick flannels her father wore at sea, his long-tailed shirts and woolen stockings. The Tregenzas were well-to-do folk, and did not need to use the open spaces of the village for drying of clothes. Joan presently set up a line among the plum-trees, and dawdled over the hanging out of wet garments, for it was now noon, sunny, mild, and fresh, with a cool salt breeze off the sea. The winter repose of the bee-butts had been broken at last, and the insects were busy with the plum-blossom and among the little green flowerets on the gooseberry bushes. Beyond, sun-streaked and bright, extended apple-trees with whitewashed stems and a twinkle of crimson on their boughs, where buds grew ripe for the blowing.

Joan yawned and blinked up at the sun to see if it was dinner time. Then she watched a kitten hunting the bees in the gooseberry bushes. Presently the little creature knocked one to the ground and began to pat it and pounce upon it. Then the bee, using Nature's weapon to preserve precious life, stung the kitten; and the kitten hopped into the air much amazed. It shook its paw, licked it, shook it again. Joan laughed, and two pigs at the bottom of the garden heard her and grunted and squealed as they thrust expectant noses through the palings of their sty. They connected the laugh with their dinner, but Joan's thoughts were all upon her own.

A few minutes later Thomasin Tregenza called her, and, as they sat down, Tom arrived from school. He was a brown-faced, dark-eyed, black-haired youngster, good-looking enough, but not at that moment.

"Aw! Jimmery! fightin' agin," said his mother, viewing two swollen lips, a bulged ear, and an eye half closed.

"I've downed Matthew Bent, Joan! Ten fair rounds, then he gived up."

"Fight, fight, fight—'tis all you think of," said his parent, while Joan poured congratulations on the conqueror.

"'Tweer bound to come arter the football, when he played foul, an' I tawld en so. Now, we'm friends."

"Be he bruised same as you?"

"A sight worse; he's a braave picksher, I tell 'e! I doubt he won't come to schule this arternoon. That'll shaw. I be gwaine, if I got to crawl theer."

"An' him a year older than what you be!" said Joan.

"Iss, Mat's 'leben year old. I'll have some vinegar an' brown paper to this here eye, mother."

"Ait your mayte, ait your mayte fust," she answered. "Plague 'pon your fightin'!"

"But that Bent bwoy's bin at en for months; an' a year older too," said
Joan.

"Iss, the bwoy's got no more'n what 'e desarved. For that matter, they Bents be all puffed up, though they'm so poor as rats, an' wi'out 'nough religion to save the sawl of a new-born babe 'mongst the lot of 'em."

Tom, with his mouth full of fish and potato pie, told the story of his victory, and the women made a big, hearty meal and listened.

"He cockled up to me, an' us beginned fightin' right away, an' in the third round I scat en on the mouth an' knocked wan 'is teeth out. An' in the fifth round he dropped me a whister-cuff 'pon the eye as made me blink proper."

"Us doan't want to knaw no more 'bout it," declared his mother after dinner was over. "You've laced en an' that's enough. You knaw what faither'll say. You did ought to fight no battle but the Lard's. Now clap this here over your eye for a bit, then be off with 'e."

Tom marched away to school earlier than usual that afternoon, while the women went to the door and watched him trudge off, both mightily proud of his performance and his battered brown face.

"He be a reg'lar lil apty-cock, [Footnote: Apty-cock—Brave, plucky youngster.] sure 'nough!" said Joan.

Mrs. Tregenza answered with a nod and looked along the road after her son. There was a softer expression in her eyes as she watched him. Besides, she had eaten well and was comfortable. Now she picked her teeth with a pin, and snuffed the sea air, and gave a passing neighbor "good-afternoon" with greater warmth of manner than usual. Presently her mood changed; she noisily rated herself and her stepdaughter for standing idling; then both went back to their work.

CHAPTER FOUR

BARRON BEGINS TO LEARN THE GORSE

Between four and five o'clock in the morning of the following day the master of the white cottage came home. His wife expected him and was getting breakfast when Michael tramped in—a very tall, square-built man, clad to the eye in tanned oilskin overalls, sou'wester, and jackboots. The fisherman returned to his family in high good temper; for the sea had yielded silvery thousands to his drift-nets, and the catch had already been sold in the harbor for a handsome figure. The brown sails of Tregenza's lugger flapped in the bay among a crowd of others, and every man was in a hurry to be off again at the earliest opportunity. Already the first boats home were putting to sea once more, making a wide tack across the mouth of the bay until nearly abreast of St. Michael's Mount, then tearing away like race horses with foam flying as they sailed before the eastern wind for the Scilly Islands and the mackerel.

Michael kissed his wife and Joan also, as she came to the kitchen sleepy-eyed in the soft light to welcome him. Then, while Mrs. Tregenza was busied with breakfast and the girl cleaned some fish, he went to his own small room off the kitchen and changed his clothes—all silvery, scale-spotted and blood-smeared—for the clean garments which were spread and waiting. First the man indulged in luxuries. He poured out a large tub of fresh water and washed himself; he even cleaned his nails and teeth—hyberbolic refinements that made the baser sort laugh at him behind his back.

At the meal which followed his toilet Tregenza talked to his wife and daughter upon various subjects. He spoke slowly and from the lungs with the deep echoing voice of one used to vocal exercise in the open air.

"I seed the 'Anna' yesterday, Joan," he said, "a proud ship, full-rigged wi' butivul lines. Her passed wi'in three mile of us or less off the islands."

Joan did not hint at her visit to Gorse Point of the previous day, but her stepmother mentioned it, and her father felt called upon to reprimand his daughter, though not very seriously.

"'Twas a empty, vain thing to do," he said.

"I promised Joe, faither."

"Why, then you was right to go, though a fulish thing to promise en.
Wheer's Tom to?"

Tom came down a minute later. The swelling of his lips was lessened, but his ear had not returned to a normal size and his eye was black.

"Fighting again?" Michael began, looking up from his saucer and fixing his eyes on his son.

"Please, faither, I—"

"Doan't say naught. You'm so fond of it that I judges you'd best begin fightin' the battle o' life right on end. 'Tain't no use keepin' you to schule no more. 'Tis time you comed aboard."

Tom crowed with satisfaction, and Mrs. Tregenza sighed and stopped eating. This event had been hanging over her head for many a long day now; but she had put the thing away, and secretly hoped that after all Tregenza would change his mind and apprentice the boy to a shore trade. However, Tom had made his choice, and his father meant him to abide by it. No other life appealed to the boy; heredity marked him for the sea, and he longed for the hard business to begin.

"I'll larn you something besides fisticuffs, my beauty. 'Tis all well-a-fine, this batterin' an' bruisin', but it awnly breeds the savage in 'e, same as raw meat do in a dog. No more fightin' 'cept wi' dirty weather an' high seas an' contrary winds, an' the world, the flaish an' the devil. I went to sea as a lugger-bwoy when I was eight year old, an' ain't bin off the water more'n a month to wance ever since. This day two week you come along wi' me. That'll give mother full time to see 'bout your kit."

Joan wept, Thomasin Tregenza whined, and Tom danced a break-down and rolled away to see some fisher-boy friends in the harbor before school began. Then Michael, calling his daughter to him, walked with her among his plum-trees, talked of God with some quotations, and looked at his pigs. Presently he busied himself and made ready for sea in a little outhouse where paint and ship's chandlery were stored; and finally, the hour then being half past seven, he returned to his labors. Joan walked with him to the harbor and listened while he talked of the goodness of God to the Luke Gospelers at sea; how the mackerel had been delivered to them in thousands, and how the Bible Christians and Primitive Methodists had fared by no means so happily. The tide was high, and Gray Michael's skiff waited for him at the pierhead beside the lighthouse. He soon climbed down into it, and the little boat, rowed by two strong pairs of hands, danced away to the fleet. Already the luggers were stretching off in a long line across the bay; and among them appeared a number of visitors: Lowestoft yawls come down to the West after the early mackerel. They were big, stout vessels, and many had steam-power aboard. Joan watched her father's lugger start and saw it overhaul not a few smaller ships before she turned from the busy harbor homeward. That morning she designed to work with a will, for the afternoon was to be spent on Gorse Point if all went well, and she already looked forward somewhat curiously to her next meeting with the singular man who had lent her his field-glass.

Mrs. Tregenza was in sorry, snappy case all day. The blow had fallen, and within a fort-night Tom would go to sea. This dismal fact depressed her not a little, and she snuffled over her ironing, and her voice grated worse than usual upon the ear.

"He's such a hot-headed twoad of a bwoy. I knaw he'll never get on 'pon the water. I doubt us'll hear he's bin knocked overboard or some sich thing some day; an' them two brothers, they Pritchards, as allus sails 'long wi' Tregenza, they'm that comical-tempered every one knaws. Oh, my God, why couldn' he let the bwoy larn a land trade—carpenterin' or sich like?"

"But, you see, faither's a rich man, an' some time Tom'll fill his shoes. Faither do awn his bwoat an' the nets tu, which is more'n most Newlyn men does."

"Iss, I should think 'twas," said Mrs. Tregenza, forgetting her present sorrow in the memory of such splendid circumstances. "Theer ban't wan feller as awns all like what faither do. The Lard helps His chosen, not but what Tregenza allus helped hisself an' set the example to Newlyn from his boyhood."

Mrs. Tregenza always licked her lips when she talked about money or religion, and she did so now.

Among Cornish drifters Gray Michael's position was undoubtedly unique, for under the rules of the Cornish fishery he enjoyed exceptional advantages owing to his personal possession both of boat and nets. The owner of a drift-boat takes one-eighth part of the gross proceeds of a catch, and the remaining seven-eighths are divided into two equal parts of which one part is subdivided among the crew of the boat, while the other goes to the owner or owners of the nets used on board. The number of nets to a boat is about fifty as a rule, and a man to possess his own boat and outfit must be unusually well-to-do.

But it was partly for this reason that Mrs. Tregenza refused to be comforted. She grudged every farthing spent on anything, and much disliked the notion of tramping to Penzance to expend the greater part of a five-pound note on Tom's sea outfit. In a better cause she would not have thought it ill to expend money upon him. His position pointed to something higher than a fisherman's life. He might have aspired to a shop in the future together with a measure of worldly prosperity and importance not to be expected for any mere seafarer. But Tom had settled the matter by deciding for himself, and his father had approved the ambition, so there the matter ended, save for grumbling and sighing. Joan, too, felt sore enough at heart when she heard that the long-dreaded event lay but a fortnight in the future. But she knew her father, and felt sure that the certainty of Tom's going to sea at the appointed time would now only be defeated by death or the Judgment Day. So she did not worry or fret. Nothing served to soothe her stepmother, however, and the girl was glad to slip off after dinner, leaving Thomasin with her troubles.

Joan made brisk way through Mousehole and in less than an hour stood out among the furzes in the little lonely theater above the cliffs. For a moment she saw nothing of John Barron, then she found him sitting on a camp-stool before a light easel which looked all legs with a mere little square patch of a picture perched upon them. Joan walked to within a few yards of the artist and waited for him to speak. But eye, hand, brain were all working together on the sketch before him, and if he saw the visitor at all, which was doubtful, he took no notice of her. Joan came a little closer, and still John Barron ignored her presence. Then she grew uncomfortable, and, feeling she must break the silence, spoke.

"I be come, sir, 'cordin' to what you said."

He added a touch and looked up with no recognition in his eyes. His forehead frowned with doubt apparently, then he seemed to remember. "Ah, the young woman who told me about the luggers." Suddenly he smiled at her, the first time she had seen him do so.

"You never mentioned your name, I think?"

"Joan Tregenza, sir."

"I promised you a little picture of that big ship, didn't I?"

"You was that kind, sir."

"Well, I haven't forgotten it. I finished the picture this morning and I think you may like it, but I had to leave it until to-morrow, because the paints take so long to dry."

"I'm sure I thank you kindly, sir."

"No need. To-morrow it will be quite ready for you, with a frame and all complete. You see I've begun to try and paint the gorse." He invited her by a gesture to view his work. She came closer, and as she bent he glanced up at her with his face for a moment close to hers. Then she drew back quickly, blushing.

"'Tis butivul—just like them fuzzes."

He had been working for two hours before she came, painting a small patch of the gorse. Old gnarled stems wound upward crookedly, and beneath them lay a dead carpet of gorse needles with a blade or two of grass shooting through. From the roots and bases of the main stems sprouted many a shoot of young gorse, their prickles tender as the claws of a new-born kitten, their shape, color, and foliage of thorns quite different to the mature plant above. There, in the main masses of the shrub, mossy brown buds in clumps foretold future splendor. But already much gold had burst the sheath and was ablaze, scenting the pure air, murmured over by many bees.

"You could a'most pick thicky theer flowers," declared Joan of the picture.

"Perhaps presently, when they are painted as I hope to paint them. This is only a rough bit of work to occupy my hand and eye while I am learning the gorse. Men who paint seriously have to learn trees and blossoms just as they have to learn faces. And we are never satisfied. When I have painted this gorse, with its thorns and buds, I shall sigh for more truth. I cannot paint the soul of each little yellow flower that opens to the sun; I cannot paint the sunny smell that is sweet in our nostrils now. God's gorse scents the air; mine will only smell of fat oil. What shall I do?"

"I dunnaw."

"No more does anybody. It can't be helped. But I must try my best and make it real—each spike, as I see it—the dead gray ones on the ground and the live green ones on the tree, and the baby ones and the old gray-pointed ones, which have seen their best days and will presently die and fall—I must paint them all, Joan."

She laughed.

"Don't laugh," he said, very seriously. "Only an artist would laugh at me, not you who love Nature. There lives a great painter, Joan, who paints pictures that nobody else in the wide world can paint. He is growing old, but he is not too old to take trouble still. Once, when he was a young man, he drew a lemon-tree far away in Italy. It was only a little lemon-tree, but the artist rose morning after morning and drew it leaf by leaf, twig by twig, until every leaf and bud and lemon and bough had appeared. It was not labored and false; it was grand because it was true: a joy forever; work Old Masters had loved; full of distinction and power and patience almost Oriental. A thing, Joan Tregenza, worth a wilderness of 'harmonies' and 'impressions,' 'nocturnes' and 'notes,' smudges and audacities. But I suppose that is all gibberish to you?"

"Iss, so it be," she admitted.

"Learn to love everything that is beautiful, my good child. But I think you do, unconsciously perhaps."

"I don't take much 'count of things." "Yes, unconsciously. You have a cowslip there stuck in your frock, though where you got it from I can't imagine. The flower is a month too early."

"Iss, 'tis, I found en in a lew, sunshiny plaace. Us have got a frame for growin' things under glass, an' it had bin put down 'pon top this cowslip an' drawed 'en up."

"Will you give it to me?"

She did so, and he smelled it.

"D'you know that the green of the cowslip is the most beautiful green in all Nature, Joan? Here, I have a flower, too; we will exchange if you like."

He took a scrap of blackthorn bloom from his coat and held it out to her, but she shrank backward and he learned something.

"Please not that—truly 'tis the dreadfulest wicked flower. Doan't 'e arsk
I to take en."

"Unlucky?"

"Iss fay! Him or her as first brings blackthorn in the house dies afore it blows again. Truth—solemn—us all knaws it down in these paarts. 'Tis a bewitched thing—a wicked plant, an' you can see it grawin' all humpetty-backed an' bent an' crooked. Wance, when a man killed hisself, they did use to bury en wheer roads met an' put a blackthorn stake through en; an' it all us grawed arter; an' that's the worstest sort o' all."

"Dear, dear, I'm glad you told me, Joan; I will not wear it, nor shall you," he said, and flung it down and stamped on it very seriously.

The girl was gratified.

"I judge you'm a furriner, else you'd knawn 'bout the wickedness o' blackthorn."

"I am. Thank you very much. But for you I should have gone home wearing it.
That puts me in your debt, Joan."

"'Tain't nothin', awnly there's a many coorious Carnish things like that.
An' coorious customs what some doan't hold with an' some does."

She sat down near the cliff edge with her back to him, and he smiled to himself to find how quickly his mild manners and reserve had put the girl at her ease. She looked perfect that afternoon and he yearned to begin painting her; but his scheme of action demanded time for its perfect fulfillment and ultimate success. He let the little timorous chatterbox talk. Her voice was soft and musical as the cooing of a wood-dove, and the sweet full notes chimed in striking contrast to her uncouth speech. But Joan's diction gave pleasure to the listener. It had freedom and wildness, and was almost wholly innocent of any petrifying educational influences.

Joan, for her part, felt at ease. The man was so polite and so humble. He thanked her for her information so gratefully. Moreover, he evidently cared so little about her or her looks. She felt perfectly safe, for it was easy to see that he thought more of the gorse than anything.

"My faither's agin such things an' sayin's," she babbled on, "but I dunnaw. They seems truth to me, an' to many as is wiser than what I be. My mother b'lieved in 'em, an' Joe did, till faither turned en away from 'em. But when us plighted troth, I made en jine hands wi' me under a livin' spring o' water, though he said 'twas heathenish. Awnly, somehow, I knawed 'twas a proper thing to do."

"I should like to hear more about these old customs some day," he said, as though Joan and he were to meet often in the future, "and I should be obliged to you for telling me about them, because I always delight in such matters."

She was quicker of mind than he thought, and rose, taking his last remark as a hint that he wished to be alone.

"Don't go, Joan, unless you must. I'm a very lonely man, and it is a great pleasure to me to hear you talk. Look here."

She approached him, and he showed her a pencil sketch now perched on the easel—a drawing considerably larger than that upon which he had been working when she arrived.

"This is a rough idea of my picture. It is going to be much larger though, and I have sent all the way to London for a canvas on which to paint it."

'"Twill be a gert big picksher then?"

"So big that I think I must try and get something into it besides the gorse. I want something or other in the middle, just for a change. What could I paint there?"

"I dunnaw."

"No more do I. I wonder how that little white pony tethered yonder would do?"

Joan laughed.

"You'd never get the likes o' him to bide still for 'e."

"No, I'm afraid not; and I doubt if I'm clever enough to paint him either. You see, I'm only a beginner—not like these clever artists who can draw anything. Well, I must think: to-morrow is Sunday. I shall begin my big picture on Monday if the weather keeps kind. I shall paint here, in the open air. And I will bring your ship, too, if you care to take the trouble to come for it."

"Yes, an' thank 'e, sir."

"Not at all. I owe you thanks. Just think if I had gone home with that horrid blackthorn."

He turned to his work as though she were no longer present and the girl prepared to depart.

"I'll bid you good-arternoon now, sir," she said timidly.

He looked up with surprise.

"Haven't you gone, Joan? I thought you had started. Good-by until Monday.
Remember, if it is cold or rainy I shall not be here."

The girl trotted off; and when she had gone Barren drew her from memory in the center of his sketch. The golden glories of the gorse were destined to be no more than a frame for something fairer.

CHAPTER FIVE

COLD COMFORT

John Barron made other preparations for his picture besides those detailed to Joan Tregenza. He designed a large canvas and proposed to paint it in the open air according to his custom. His health had improved, and the sustained splendor of the spring weather flattered hopes that, his model once won, the work he proposed would grow into an accomplished fact. There was no cottage where he might house his picture and materials within half a mile of Gorse Point, but a granite cow-byre rose considerably nearer, at a corner of an upland field. Wind-worn and lichen-stained it stood, situated not more than two hundred yards from the spot on which Barron's picture was to be painted. A pathway to outlying farms cut the fields hard by the byre, and about it lay implements of husbandry—a chain harrow and a rusty plow. Black, tar-pitched double doors gave entrance to the shed, and light entered from a solitary window now roughly nailed up from the outside with boards. A padlock fastened the door, but, by wrenching down the covering of the window, Barron got sight of the interior. A smell of vermin and decay rose from the inner darkness; then, as his eyes focused the gloom, he noted a dry, spacious chamber likely enough to answer his purpose. Brown litter of last year's fern filled one corner, and in it was marked a lair as of some medium-sized beast; elsewhere a few sacks with spades and picks and a small pile of potatoes appeared: the roots were all sprouting feebly from white eyes, as though they knew spring held the world, though neither sunshine warmed them nor soft earth aided their struggle for life. Here the man might well keep his canvas and other matters. Assuming that temporary possession of the shed was possible, his property would certainly be safe enough there; for artists are respected in and about Newlyn, and their needs considered when possible. A farm, known as Middle Hemyll, showed gray chimneys above the fields, half a mile distant, and, after finding the shed, Barron proceeded thither to learn its ownership. The master of Middle Hemyll speedily enlightened him, and the visitor learned that not only did he speak to the possessor of the cow-byre, but that Farmer Ford was a keen supporter of art, and would be happy to rent his outhouse for a moderate consideration.

"The land ban't under pasture now, an' the plaace ed'n much used just this minute, so you'm welcome if you mind to. My auld goat did live theer wance, but er's dead this long time. Maybe you seed the carcass of en, outside? I'll have the byre cleared come to-morrer; an' if so be you wants winders in the roof, same as other paintin' gents, you'll have to put 'em theer wi' your awn money."

Barron explained that he only needed the shed as a storehouse for his picture and tools.

"Just so, just so. Then you'll find a bwoy wi' the key theer to-morrer, an' all vitty; an' you can pay in advancement or arter, as you please to. Us'll say half-a-crown a week, if that'll soot 'e."

The listener produced half-a-sovereign, much to Farmer Ford's gratification, and asked that a lad or man might be found to return with him there and then to the shed.

"I am anxious to see the place and have it in order before I go back to Newlyn," he explained. "I will pay you extra for the necessary labor, and it should not take above an hour."

"No more 'twill, an' I'll come 'long with 'e myself this minute," answered the other.

Getting a key to the padlock, and a big birch broom, he returned with
Barron, and soon had the doors of the disused byre thrown open to the air.

"I shut en up when the auld goat went dead. Theer a used to lie in the corner, but now he'm outside, an' I doubt the piskeys, what they talks 'bout, be mighty savage wi' me for not buryin' the beast, 'cause all fairies is 'dicted to goats, they do say, an' mighty fond o' the milk of 'em."

Farmer Ford soon cleared the place of potatoes, sacks, and tools. Then, taking his broom, he made a clean sweep of dust and dirt.

"Theer's a many more rats here than I knawed seemin'ly," he said, as he examined a sink in the stones of the floor, used for draining the stalls; "they come up here for sartain, an' runs out 'long the heydge to the mangel-wurzel mound, I lay."

Without, evidences of the vermin were clear enough. Long hardened tracks, patted down by many paws, ran this way and that; and the main rat thoroughfare extended, as the farmer foretold, to a great mound where, stowed snugly in straw under earth, lay packed the remains of a mangel-wurzel crop. At one end the store had been opened and drawn upon for winter use; but a goodly pile of the great tawny globes still remained, small lemon-colored leaves sprouting from them. Farmer Ford, however, viewed the treasure without satisfaction.

"Us killed a power o' sheep wi' they blarsted roots last winter," he said. "You'd never think now as the frost could touch 'em, but it did though, awin' to the wicked long winter. It got to 'em, sure 'nough, an' theer was frost in 'em when us gived 'em to the sheep, an' it rotted theer innards, poor twoads, an' they died, more'n a score."

Barron listened thoughtfully to these details, then pointed to an ugly sight beyond the wurzel mound.

"I should like that removed," he said.

It was the dead goat, withered to a mummy almost, with horns and hide intact, and a rat-way bored through the body of the beast under a tunnel of its ribs.

"Jimmery! to see what them varmints have done to 'en! But I'll bury what's left right on en; an' I'll stop the sink in the house, then you'll be free of 'em."

These things the farmer did, and presently departed, promising to revisit the spot ere long with some dogs and a ferret or two. So Barron was left master of the place. He found it dry, weather-proof and well suited to his requirements in every respect. The concerns which he had ordered from London would be with him by Saturday night if all went well, and he decided that they should be conveyed to the byre at an early hour on Monday morning.

The next day was Sunday, and half a dozen men, with Barron and Murdoch among them, strolled into Brady's great whitewashed studio to see and criticise his academy picture which was finished. Everybody declared that the artist had excelled himself in "The End of the Voyage." It represented a sweep of the rocky coast by the Lizard, a wide gray sand, left naked by the tide, with the fringe of a heavy sea churning on it, and sea-fowl strutting here and there. In the foreground, half buried under tangles of brown weed torn from the rocks by past storms, lay a dead sailor, and a big herring-gull, with its head on one side and a world of inquiry in its yellow eyes, was looking at him. Tremendous vigor marked the work, and only a Brady could have come safely through the difficulties which had been surmounted in its creation. Everybody sang praises, and Barron nodded warm approval, but said nothing until challenged.

"Now, find the faults, then tell me what's good," said the gigantic painter. He stood there, burly, hearty, physically splendid—the man of all others in that throng who might have been pointed to as the creator of the solemn gray picture before them.

"Leave fault-finding to Fleet Street," said Barron; "let the press people tell you where you are wrong. I am no critic and I know what a mountain of hard work went to this."

"That's all right, old man; never mind the work—or me. Be impartial."

"Why should I? To be impartial, as this world wags, is to be friendless."

"Good Lord! d'you think I mind mauling? There's something wrong or you wouldn't be so deucedly evasive. Out with it!"

"Well, your sailor's not dead."

Brady roared with laughter.

"Man! the poor devil's been in the water a week!"

"Not he. 'Tis a mistake in nine painted corpses out of ten. If you want to paint a drowned man, wait till you've seen one close. That sailor in the seaweed's asleep. Sleep is graceful, remember; death by drowning is generally ugly—stiff, stark, hideous, eyeless, fish-gnawed a week after the event. But what does it matter? You've painted a great picture. That sea, with the circular swirl, as each wave goes back into the belly of the next, is well done; and those lumps of spume fluttering above watermark—that was finely noted. Easy to write down in print, but difficult as the fiend to paint. And the picture is full of wind too. Your troubles are amply repaid and I congratulate you. A man who could paint that will go as far as he likes."

The simple Brady forgot the powder in swallowing the jam. Barron had touched those things in his work which were precious to him. His impulsive nature took fire, and there was almost a quiver of emotion in his big voice as he answered:

"Damn it, you're a brick! I'd sooner hear you praise those lumps of sea-spume, racing over the sand there, than see my picture on the line."

But sentiment was strange to John Barron's impersonal nature, and he froze.

"Another fault exists which probably nobody will tell you but me. Your seaweed's great, and you knew it by heart before you painted it—that I'll swear to, but your sleeper there would never lie in the line of it as you have him. Reflect: the sea must float the light weed after it could move him no more. He should be stogged in the sand nearer the sea."

Brady, however, contested this criticism, and so the talk wore on until the men separated. But the Irishman called on Barron after midday dinner and together they strolled through Newlyn toward the neighboring village. Chance brought them face to face with two persons more vital to the narrative than themselves, and, pausing to chronicle the event of the meeting, we may leave the artists and follow those whom they encountered.

Gray Michael kept ashore on Sundays, and today, having come off the sea at dawn, was not again putting forth until next morning. He had attended meeting with his wife, his daughter and his son; he had dined also, and was now walking over to Mousehole that he might bring some religious comfort to a sorely stricken Luke Gospeler—a young sheep but lately won to the fold and who now lay at the point of death. Joan accompanied him, and upon the way they met John Barron and his companion. The girl blushed hotly and then chilled with a great disappointment, for Barron's eyes were on the sea; he was talking as he passed by, and he apparently saw neither her nor her Sunday gown; which circumstance was a sorrow to Joan. But in reality Barron missed nothing. He had shivered at her green dress and poor finery long before she reached him. Her garb ruffled his senses and left him wounded.

"There goes your beauty," laughed Brady; "how would you like to paint her in that frock with those sinful blue flowers in her hat?"

"Nature must weep to see the bizarre carnival these people enjoy on the Seventh Day," answered the other. "Their duns and drabs, their russets and tawny tones of red and orange, are of their environment, the proper skins for their bodies; but to think of that girl brightening the eyes of a hundred louts by virtue of those fine feathers! Dream of her in the Stone Age, clad in a petticoat torn from a wolf, with her straw-colored hair to her waist and a necklace of shells or wild beasts' teeth between her breasts! And the man—her father, I suppose—what a picture his cursed broadcloth and soft black hat make of him—like the head of a patriarch stuck on a tailor's dummy."

Meanwhile, ignorant of these startling criticisms, Mr. Tregenza and his daughter pursued their road, and presently stopped before a cottage in one of the cobble-paved alley-ways of Mousehole. A worn old woman opened the door and courtesied to Gray Michael. He wished her good-afternoon, then entered the cottage, first bidding Joan return in an hour. She had friends near at hand, and hurried off, glad to escape the sight of sickness and the prayers she knew that her father would presently deliver.

"How be en?" inquired the fisherman, and the widowed mother of the patient answered:

"Better, I do pray. Er was in the doldrums issterday an' bad by night also, a dwaling an' moaning gashly, but, the Lard be praised, he'm better in mind by now, an' I do think 'tis more along of Bible-readin' than all the doctor's traade [Footnote: Traade—Physic.] he've took. I read to en 'bout that theer bwoy, the awnly son o' his mother, an' her a widder-wumman, an' how as the Lard brought en round arter he'd gone dead."

Gray Michael sniffed and made no comment.

"I'll see en an' put up a prayer or so," he said.

"An' the Lard'll reward it, Mr. Tregenza."

Young Albert Vallack greeted the visitor with even greater reverence than his mother had done. He and the old woman were Falmouth folks and had drifted Westerly upon the father's death, until chance anchored them in Newlyn. Now the lad—a dissolute youth enough, until sudden illness had frightened him to religion—was dying of consumption, and dying fast, though as yet he knew it not.

"'Tis handsome in you, a comin' to see the likes o' me," said the patient, flushing with satisfaction. "You'm like the stickler at a wras'lin' match, Mister Tregenza, sir; you sees fair play betwixt God an' man."

"So you'm better, Albert, your mother sez."

"Iss, a bit. Theer's more kick an' sprawl [Footnote: Kick an' sprawl—Strength, vitality.] in me than theer 'ave bin; an' I feels more hopeful like 'bout the future."

Self-righteousness in a new-fledged Luke Gospeler, who had been of the fold but three months and whose previous record was extremely unsatisfactory, irritated Gray Michael not a little.

"Bwoy!" he said loudly, "doan't 'e be deceived that way. 'Gird 'e wi' sackcloth, lament and howl; for the fierce anger o' the Lard is not turned back from us.' Three months o' righteousness is a purty bad set off 'gainst twenty years o' sin, an' it doan't become 'e to feel hopeful, I 'sure ye."

The sick man's color paled, and a certain note as of triumph in his voice died out of it. His mother had left them, feeling that her presence might hinder conversation and lessen the comfort which Mr. Tregenza had brought.

"I did ought to be chap-fall'n, I s'pose."

"Iss, you did, my son, nobody more'n you. Maybe you'll live; maybe you'll die; but keep humble. I doan't wish to deceive 'e. Us ain't had time to make no certainty 'bout things. You'm in the Lard's hand, an' it becomes 'e to sing small, an' remember what your life's bin."

The other grew uneasy and his voice faltered while he still fought for a happy eternity.

"I'd felt like 'twas all right arter what mother read."

"Not so. God's a just God 'fore everything. Theer ed'n no favorin' wi' Him. I hopes you'll live this many a day, Vallack; an' then, when your hour comes, you'll have piled up a tidy record an' can go wi' a certainty faacin' you. Seems you'm better, an' us at chapel's prayed hot an' strong to the Throne that you might be left to work out your salvation now your foot's 'pon the right road."

"But if I dies, mister?"

"'The prayer of the righteous man availeth much,'" answered Gray Michael evasively. "I be come," he added, "to read the Scriptures to 'e."

"You all prayed for me, sir?"

"Iss, every man, but theer was no mincin' matters, Albert. Us was arskin' for a miserable sinner, a lost sheep awnly just strayed back, an' we put it plain as that was so."

"'Tweer mighty kind o' the Luke Gosp'lers, sir."

"'Twas their dooty. Now I be gwaine to read the Book."

"I feels that uneasy now," whined the sufferer, in a voice where fear spoke instead of hope, "but I s'pose 'tis a sign o' graace I should be?"

"Iss, 'tis. I've comed to tell 'e the truth, for 'tis ill as a man should be blind to facts on what may be his last bed 'bove the airth. Listen to this, my son, an' if theer's anything you doan't onderstand, arsk me an' I'll thraw light 'pon it."

He read, with loud, slow voice, the fifty-fifth chapter of Isaiah, and that glorious clarion of great promise gave Michael the lie and drowned his own religious opinions as thunder drowns the croaking of marsh frogs; but he knew it not. The brighter burned his own shining light, the blacker the shadows it threw upon the future of all sinners.

As Tregenza finished and put down his Bible, the other spoke and quoted eagerly:

"'Incline your ear an' come unto Me; fear, an' your sawl shall live!' Theer do seem a hope in that if it ed'n awver-bold me thinkin' so?" he asked.

"That's like them Church o' Englanders, a tearin' wan text away from t'others an' readin' it accordin' as they pleases. I'll expound it all to wance, as a God-fearin' man did ought to treat the Scriptures."

Gray Michael's exposition illustrated nothing beyond his own narrow intellectual limitations. His cold cloud of words obscured the prophet's sunshine, and the light went out of the dying man's eyes, leaving only alarm. He trembled on the brink of the horrid truth; he heard it thinly veiled in the other's stern utterance, saw it looking from his hard blue eyes. After the sermon, silence followed, broken by Vallack, who coughed once and again, then raised himself and braced his heart to the tremendous question that demanded answering.

"I wants your awn feelin' like, mister. I must have it. I caan't sleep no more wi'out knawin' the best or worst. You be the justest man ever I seed or heard tell on out the Scriptures. An' I wants 'e to gimme your opinion like. S'pose you was the Judge an' I comed afore 'e an' the Books was theer and you'd read 'em an' had to conclude 'pon 'em—?"

The fisherman reflected. Vallack's proposition did not strike him as particularly grotesque. He felt it was a natural question, and he only regretted that it had been put, because, though he had driven more than one young man to righteousness along the path of terror, in this present case the truth came too late save to add another horror to death. He believed in all sincerity that as surely as the young man before him presently died, so surely would he be damned, but he saw no particular object in stating the fact. Such intelligence might tell upon Vallack's physical condition—a thing of all others to be avoided, for Gray Michael held that the sufferer's only chance of a happy eternity was increased and lengthened opportunity in time.

"It ed'n for me to sit in the Judgment Seat, Albert. 'Vengeance is mine, sayeth the Lard.' You must allus hold in mind that theer's mighty few saved alive, best o' times. Many be called, but few chosen. Men go down to the graave every second o' the day an' night, but if you could see the sawls a streamin' away, thicker'n a cloud of starlings, you'd find a mass, black as a storm, went down long, an' awnly just a summer cloud like o' the blessed riz up. Hell's bigger'n Heaven; an' er's need to be, for Heaven's like to be a lonely plaace, when all's said. I won't speak no more 'bout that subjec'. 'Tis good fashion weather for 'e just now, an us'll hope as you ban't gwaine to die for many a day."

"Say it out, mister, say it out. I knaws what you means. You reckons if I gaws I'm lost."

"My poor sawl, justice is justice; an' the Lard's all for justice an' no less. Theer's no favorin' wi' Him, Albert."

"But mightn't He favor the whole bilin' of us—good'n bad—cause He made us?"

"Surely not. Wheer's the justice o' that? If He done that, how'd the godly get their fair dues—eh? Be the righteous man to share God's Heaven wi' publicans an' sinners? That ed'n justice anyhow. Don't fret, lad; tears won't mend bad years. Bide quiet an' listen to me whiles I pray for 'e."

The man in the bed had grown very white, his eyes burned wildly out of a shrunken face, and he gripped the sheets and shivered in pure physical terror.

"I caan't die, I caan't die, not yet," he groaned, "pray to the Lard to keep me from dyin' yet a while, mister. Arsk en to give me just a lil time, 'cause I'm that sorry for my scarlet sins."

Thereupon Michael knelt, clasped his hands so close that the bent finger-joints grew white, raised his massive head upward and prayed with his eyes closed. The intercession for life ended, he rose up, shook Vallack by the hand, and so departed.

"Allus, when you've got the chance, bear the balm o' Gilead to a sinner's couch," he said to his daughter as they walked home. "'Tis the duty of man an' maid to spread the truth an' bring peace to the troubled, an' strength to the weak-hearted, an' rise up them that fall."

A week later Mr. Tregenza heard how Albert Vallack had burst a blood-vessel and died, fighting horribly with awful invisible terrors.

"Another sawl gone down into the Pit," he said. "I reckon fewer an' fewer be chosen every year as the world do grow older an' riper for the last fires."

CHAPTER SIX

FAIRY STORIES

Joan found her sketch waiting for her the next day when she reached Gorse Point about eleven o'clock; and she also discovered John Barron with a large canvas before him. He had constructed his picture and already made many drawings for it. Now he knew exactly what he wanted, and he designed to paint Joan standing looking out at a distant sea which would be far behind the spectator of the picture. When she arrived, on a fine morning and mild, Barron rose from his camp-stool, lifted up a little canvas which stood framed at his side and presented it to her. The sketch in oils of the "Anna" was cleverer than Joan could possibly know, but she took no small delight in it and in the setting of rough deal brightly gilded.

"Sure 'tis truly good of 'e, sir!"

"You are more than welcome. Only let me say one word, Joan. Keep your picture hidden away until Joe comes back from sea and marries you. From what you tell me, your father might not like you to have this trifle, and I should be very sorry to annoy him."

"I waddun' gwaine to show en," she confessed. "I shall store the picksher away as you sez."

"You are wise. Now look here, doesn't this promise to be a big affair? The gorse will be nearly as large as life, and I've been wondering ever so long what I shall put in the middle; and whatever do you think I've thought of?"

"I dunnaw. That white pony us saw, p'raps?"

"No; something much prettier. How would it do, d'you think, if you stood here in front of the gorse, just to fill up the middle piece of the picture?"

"Oh, no, no! My faither—"

"You misunderstand, Joan. I don't want a picture of you, you know; I'm going to paint the gorse. But if you just stood here, you'd make a sort of contrast with your brown frock. Not a portrait at all, only just a figure to help the color. Besides, you mustn't think I'm an artist, I shouldn't go selling the picture or hanging it up for everybody to stare at it. I'm certain your father wouldn't mind, and I'll tell him all about it afterward, if you like."

She hesitated and reflected with trouble in her eyes, while Barron quietly took the picture he had brought her and wrapped it up in a piece of paper. His object was to remind her without appearing to do so of her obligation to him, and Joan was clever enough to take the hint, though not clever enough to see that it was an intentional one.

"Would it be a long job, sir?" she asked at length.

"Yes, it would; because I'm a slow painter and rather stupid. But I should think it very, very kind of you. I'm not strong, you know, and I daresay this is the last picture I shall ever paint."

"You ed'n strong, sir?"

"Not at all."

She was silent, and a great sympathy rose in her girl's heart, for frail health always made her sad.

"You don't judge 'tis wrong then for a maiden to be painted in a picksher?"

"Certainly not, Joan. I should never suggest such a thing to you if I thought it was in the least wrong. I know it isn't wrong."

"I seed you issterday," she said, changing the subject suddenly, "but you dedn see me, did 'e?"

"Yes, I did, and your father. He is a grand-looking man. By the way, Joan, I think I never told you my name. I'm called John; that's short and simple, isn't it?"

"Mister Jan," she said.

"No, not 'mister'—just 'Jan,'" he answered, adopting her pronunciation. "I don't call you 'Miss' Joan."

She looked at once uncomfortable and pleased.

"We must be friends," the man continued calmly, "now you have promised to let me put you here among the gorse bushes."

"Sure, I dunnaw 'bout the picksher, Mister Jan."

"Well, you would be doing me a great service. I want to paint you very much and I think you will be kind."

He looked into her eyes with a steady, inquiring glance, and Joan experienced a new emotion. Joe had never looked like that; nor yet her father. She felt a will stronger than her own was busy with her inclinations. Volition remained free, and yet she doubted whether under any circumstances could she refuse his petition. As it happened, however, she already liked the man. He was so respectful and polite. Moreover, she felt sad to hear that he suffered in health. He would not ask her to do wrong and she felt certain that she might trust him. A trembling wish and a longing to comply with his request already mastered her mind.

"You'm sure—gospel truth—theer ed'n no harm in it?"

"Trust me."

In five minutes he had posed her as he wished and was drawing, while every word he spoke put Joan more at her ease. The spice of adventure and secrecy fired her and she felt the spirit of romance in her blood, though she knew no name for it. Here was a secret delight knocking at the gray threshold of every-day life—an adventure which might last for many days.

Barron, to touch the woman in her if he could, harped upon her gown and the color of it, on her shoes and sun-bonnet—on everything but herself. Presently he reaped his reward.

"Ban't you gwaine to paint my faace as well, Mister Jan."

"Yes, if I can. But your eyes are blue, and blue eyes are hard to paint well. Yours are so very blue, Joan. Didn't Joe ever tell you that?"

"No—that's all fulishness."

"Nothing that's true is foolish. Now I'm going to make some little sketches of you, so as to get each fold and shadow in your dress right."

Barron drew rapidly, and Joan—ever ready to talk to a willing listener when her confidence was won—prattled on, turning the conversation as usual to the matters she loved. Upon her favorite subjects she dared not open her mouth at home, and even her lover refused to listen to the legends of the land, but they were part of the girl's life notwithstanding, drawn into her blood from her mother, a thousand times more real and precious than even the promised heaven of Luke Gospeldom, not to be wholly smothered at any time. Occasionally, indeed, uneasy fears that discussion of such concerns was absolutely sinful kept her dumb for a week, then the religious wave swept on, and Cornish folk-lore, with its splendor and romance, again filled her heart and bubbled from her lips. Her little stories pleased Barron mightily. Excitement heightened Joan's beauty. Her absolute innocence at the age of seventeen struck him as remarkable. It seemed curious that a child born in a cottage, where realities and facts are apt to roughly front boy and girl alike, should know so little. She was a beautiful, primitive creature, with strange store of fairy fable in her mind; a treasury which brought color and joy into life. So she prattled, and the man painted.

Pure artistic interest filled Barron's brain at this season; not a shadow of passion made his pencil shaky or his eye dim; he began to learn the girl with as little emotion as he had learned the gorse. He asked her to unfasten the top button of her dress that he might see the lines of her plump throat, and she complied without hesitation or ceasing from her chatter. He noted where the tan on her neck faded to white under her dress, and occupied himself with all the artistic problems she unconsciously spread before him; while she merely talked, garnered in his questions and comments on all she said, and found delight in the apparent interest and entertainment her conversation afforded him.

"I seed a maggotty-pie [Footnote: Maggotty-pie—Magpie.] comin' along this marnin'," she said. "Wan's bad an' a sign o' sorrer; but if you spits twice over your left shoulder it doan't matter so much. But I be better off than many maidens, 'cause I be saint-protected like."

"That's interesting, Joan."

"Faither'd be mad if I let on 'bout it to him, so I doesn't. He doan't b'lieve much in dead saints, though Carnwall's full of 'em. Have 'e heard tell 'bout Saint Madern?"

"Ah, the saint of the well?"

"Iss, an' the brook as runs by the Madern chapel."

"I sketched the little ruin of the baptistery some time ago."

"'Twas tho't a deal of wance, an' the holy water theer was reckoned better for childern than any doctor's traade as ever was. My mother weer a Madern cheel; an' 'er ordained I should be as well, an' when faither was to sea, as fell out just 'pon the right day, mother took me up theer. That was my awn mother as is dead. More folks b'lieved in the spring then than what do now, 'cause that was sebenteen year agone. An' from bein' a puny cheel I grawed a bonny wan arter dipping. But some liked the crick-stone better for lil baabies than even the Madern brook."

"Mên-an-tol that stone is called?"

"So 'tis, awnly us knaws it as the crick-stone. Theer's a big hole in en, an' if a cheel was passed through nine times runnin', gwaine 'gainst the way of the sun every time, it made en as strong as a lion. An' 'tis good for grawn people tu, awnly folks is afeared to try now 'cause t'others laugh at en. But I reckon the Madern brook's holy water still. An' theer's wonnerful things said 'bout the crick-stones an' long stones tu. A many of 'em stands round 'bout these paarts."

"D'you know Mên Scryfa—the stone with the writing on it? That's a famous long stone, up beyond Lanyon Farmhouse."

"I've seed en, 'pon the heath. 'Tis butivul an' solemn an' still, all aloan out theer in a croft to itself. I trapsed up-long wan day an' got beside of en an' ate a pasty wi' Joe. But Joe chid me, an' said 'tweer a heathenish thing sticked theer by the Phoenicians, as comed for tin in Solomon's times."

"Don't you believe that, Joan. Mên Scryfa marks the memory of a good
Briton—one who knew King Arthur, very likely. I love the old stones too.
You are right to love them. They are landmarks in time, books from which we
may read something of a far, fascinating past."

"Iss, but I ded'n tell 'e all 'bout the Madern waters. The best day for 'em be the fust Sunday in May; an' come that, the mothers did use to gaw up to the chapel—dozens of 'em—wi' poor lil baabies. They dipped 'em naked in the brook, an' 'twas just a miracle for rashes and braggety legs and sich like. An', arterward, the mothers made offerin's to the saint. 'Twas awnly the thot like, but folks reckoned the saint 'ud take the will for the act, 'cause poor people couldn' give a saint nothin' worth namin'."

Barren had heard of the votive offerings left by the faithful in past days at St. Madron's shrine, but felt somewhat surprised to find the practice dated back to a time so recent as Joan's infancy. He let her talk on, for the subject was evidently dear to the girl.

"And what did the mothers give the saint?"

"Why, rags mostly. Just a rag tored off a petticoat, or some sich thing. They hanged 'em up around about on the thorn bushes to shaw as they'd a done more for the good saint if they'd had the power. An' theer's another marvelous thing as washin' in thicky waters done: it kep' the fairies off—the bad fairies, I mean. 'Cause theer'm gude an' bad piskeys, same as gude an' bad men folks."

"You believe in fairies, Joan?"

She looked at him shyly, but he had apparently asked for information and was not in the least amused.

"I dunnaw. P'raps. Iss, I do, then! Many wiser'n me do b'lieve in 'em. You arsk the tinners—them as works deep. They knaws; they've 'eard the knackers an' gathorns many a time, an' some's seen 'em. But the mine fairies be mostly wicked lil humpetty-backed twoads as'll do harm if they can; an' the buccas is onkind to fishermen most times; an' 'tis said they used to bide in the shape of a cat by day. But theer be land fairies as is mighty good-hearted if a body behaves seemly."

"I believe in the fairies too," said Barren gravely, "but I've never seen one."

"Do 'e now, Mister Jan! Then I'm sure theer is sich things. I ne'er seed wan neither; but I'd love to. Some maids has vanished away an' dwelt 'mong 'em for many days an' then comed home. Theer's Robin o' the Carn as had a maiden to work for en. You may have heard the tale?"

"No, never."

"'Tis a fine tale; an' the gal had a braave time 'mongst the lil people till she disobeyed 'em an' found herself back 'mongst men folk agin. But in coorse some of them—the piskeys, I mean—works for men folk themselves. My gran'mother Chirgwin, when she was very auld, seed 'em a threshin' corn in a barn up Drift. They was tiny fellers wi' beards an' red faaces, an' they handled the flails cruel clever. Then, arter a bit, they done the threshin' an' was kickin' the short straw out the grain, which riz a gert dust; an' the piskeys all beginned sneezin'. An' my gran'mother, as was peepin' through the door unbeknown to 'em, forgot you must never speak to a piskey, an' sez, 'God bless 'e, hi men!' 'cause that's what us allus sez if a body sneezes. Then they all took fright an' vanished away in the twinkle of a eye. Which must be true, 'cause my awn gran'mother tawld it. But they ded'n leave the farm, though nobody seed 'em again, for arter that 'tis said as the cows gived a wonnerful shower o' milk, better'n ever was knawn before. An' I 'sure 'e I'd dearly like to be maiden to good piskeys if they'd let me work for 'em."

"Ah, I'm certain you would suit them well, Joan; and they would be lucky to get you, I think; but I hope they won't go and carry you off until I've done with you, at any rate."

She laughed, and he bid her put down her hand from her eyes and rest. He had brought some oranges for her, but judged the friendship had gone far enough, and first decided not to produce them. Half an hour later, however, when the sitting was ended, he changed his mind.

"Can you come to-morrow, Joan? I am entirely in your hands, remember, and must consider your convenience always. In fact, I am your servant and shall wait your pleasure at all times."

Joan felt proud and rather important.

"I'll come at 'leben o'clock to-morrow, but I doubt I caan't be here next day, Mister Jan."

"Thank you very much. To-morrow at eleven will do splendidly. By the way, I have an orange here—two, in fact. I thought we might be thirsty. Will you take one to eat going home?"

He held out the fruit and she took it.

"My! What a butivul orange!"

"Good-by until to-morrow, Joan; and thank you for your great kindness to a very friendless man. You'll never be sorry for it, I'm sure."

He bowed gravely and took off his cap, then turned to his easel; and she blushed with a lively pleasure. She had seen gentlemen take off their hats to ladies, but no man had ever paid her that respect until then, and it seemed good to her. She marched off with her picture and her orange, but did not eat the fruit until out of sight of Gorse Point.

The man painting there already began to fill a space in Joan's thoughts. He knew so much and yet was glad to learn from her. He never laughed or talked lightly. He put her in mind of her father for that reason, but then his heart was soft, and he loved Nature and beautiful things, and believed in fairies and spoke no ill of anybody. Joan speculated as to how these meetings could be kept a secret and came to the conclusion it would not be difficult to hide them. Then, reaching home, she hid her picture behind the pig-sty until opportunity offered for taking it indoors to her own bedroom unobserved.

As for John Barren, he felt kindly enough toward his model. He could hold himself with an iron hand when he pleased, and proposed that the growing friendship should ripen into a fine work of art and no more. But what might go to the making of the picture could not be foretold. He would certainly allow nothing to check inspiration or stand between him and the very best he had power to achieve. No sacrifice could be too great for Art, and Barron, who was now awake and alive for an achievement, would, according to his rule, count nothing hard, nothing impossible that might add a grain of value to the work. His own skill and Joan's beauty were brought in contact and he meant to do everything a man might do to make the result immortal. But the human instruments necessary to such work counted for nothing, and their personal prosperity and welfare would weigh no more with him than the future of the brushes which he might use, after he had done with them.

CHAPTER SEVEN

UNCLE CHIRGWIN

Joan's first announcement upon the following morning was a regret that the sitting must be short.

"We'm mighty busy, come wan thing an' another," she said. "Mother's gwaine to Penzance wi' my brother to buy his seafarin' kit; and Uncle Chirgwin, as keeps a farm up Drift, be comin' to dinner, which he ain't done this long time; an' faither may by chance be home tu, so like as not, for the first bwoats be tackin' back from the islands a'ready."

"You shall stop just as short a time as you choose, Joan. It was very good of you to come at all under these circumstances," declared the artist.

"Us be fine an' busy when uncle comes down-long, an' partickler this time, 'cause theer've bin a differ'nce of 'pinion 'bout—'bout a matter betwixt him and faither, but now he's wrote through the post to say as he'm comin', so 'tis all right, I s'pose, an' us'll have to give en a good dinner anyways."

"Of course you must," admitted Barren, working steadily the while.

"He'm a dear sawl, an' I likes en better'n anybody in the world, I think, 'cept faither. But he's easier to please than faither, an' so humble as a beggar-man. An' I wants to make some cakes for en against tea-time, 'cause when he comes, he bides till candle-lighting or later."

Presently the artist bid her rest for a short while, and her thoughts reverted to him and the picture.

"I hope as you'm feelin' strong an' no worser, Mister Jan," she said timidly.

He was puzzled for a moment, then recollected that he had mentioned his health to her.

"Thank you very much for asking, Joan. It was good and thoughtful. I am no worse—rather better if anything, now I come to think about it. Your Cornish air is kind to me, and when the sun shines I am happy."

"How be the picksher farin'?"

"I get on well, I think."

"'Tis cruel clever of 'e, Mister Jan. An' you'll paint me wi' the fuzz all around?"

"That is what I hope to do; a harmony in brown and gold."

"You'll get my likeness tu, I s'pose, same as the photograph man done it last winter to Penzance? Me an' Joe was took side by side, an' folks reckoned 'twas the moral of us, specially when the gen'leman painted Joe's hair black an' mine yeller for another shillin' cost."

"It must have been very excellent."

"Iss, 'twas for sartain."

"What did Mr. Tregenza say of it?"

"Well, faither, he'm contrary to sich things, as I tawld 'e, Mister Jan. Faither said Joe'd better by a deal keep his money in his purse; but he let me have the picksher, an' 'tis nailed up in a lil frame, what Joe made, at home in the parlor."

She stopped a moment and sighed, then spoke again.

"Faither's a wonnerful God-fearin' man, sure 'nough."

"Is he a God-loving man too, Joan?"

"I dunnaw. That ed'n 'sackly the same, I s'pose?"

"As different as fear and love. I'm not an atom frightened of God myself—no more than I am of you."

"Lard! Mister Jan."

"Why should I be? You are not frightened of the air you breathe—yet that is part of God; you are not frightened of the gold gorse or the blue sky—yet they are part of God too. God made you—you are part of God—a deliberate manifestation of Him. What's the use of being frightened? You and I can only know God by the shapes He takes—by the bluebells and the ferns and the larks in the sky, and the rabbits and wild things."

His effort to inspire the girl with Nature-worship, though crudely cast in a fashion most likely to attract her, yet failed just then, and failed ludicrously. Her mind comprehended barely enough to accept his idea in a sense suggested by her acquaintance with fable, and when he instanced a rabbit as an earthly manifestation of the Everlasting, she felt she could cap the example from her own store of knowledge.

"I reckon I sees what you'm meanin', Mister Jan. Theer's things us calls witch-hares in these paarts up-long. The higher-quarter people have seed 'em 'fore now; nothin' but siller bullets will kill 'em. They goes loppettin' about down lawnly lanes on moonlight nights, an' they draws folks arter 'em. But if you could kill wan of 'em 'tis said as they'd turn into witches theer an' then. So you means that God A'-mighty' takes shaapes sometimes same as they witches do, doan't 'e?"

"Not quite that, Joan. What I want you to know is that the great Being you call God is nearer to you here, on Gorse Point, than in the Luke Gospelers' meeting-house, and He takes greater delight in a bird's song than in all your father's prayers and sermons put together. That is because the great Being taught the bird to sing Himself, but He never taught your father to pray."

"I dunnaw 'sackly what you means, Mister Jan, but I judges you ban't so religious like as what faither is."

"Religion came from God to man, Joan, because man wanted it and couldn't get on comfortably without it; but theology—if you know what that means—man invented for himself. Religion is the light; theology is the candlestick. Never quarrel with any man's candlestick as long as you can see his light burning bravely. Mr. Tregenza thinks all men are mistaken but the Luke Gospelers—so you told me. But if that is the case, what becomes of all your good Cornish saints? They were not Luke Gospelers—at least I don't think they were."

Joan frowned over this tremendous problem, then dismissed it for the pleasanter and simpler theme John Barron's last remark suggested.

"Them saints was righteous men anyhow, an' they worked miracles tu, so it ban't no gude sayin' they wasn't godly in their ways, the whole boilin' of 'em. Theer's St. Piran, St. Michael, St. Austell, St. Blazey, St. Buryan, St. Ives, St. Sennen, St. Levan, an' a many more, I could call home if I was to think. Did 'e ever hear tell 'bout St. Neot, Mister Jan?"

"'No, Joan; I'm afraid I don't know much about him."

"Not 'bout they feesh?"

"Tell me, while you rest a minute or two."

"'Tis a holy story, an' true as any Bible tale, I should guess. St. Neot had a well, an' wan day he seed three feesh a swimmin' in it an' he was 'mazed to knaw how they comed theer. So a angel flew down an' tawld en that they was put theer for his eatin', but he must never draw out more'n wan at a time. Then he'd all us find three when he comed again. An' so he did; but wance he failed sick an' his servant had to look arter his vittles meantime. He was a man by the name of Barius, an' he judged as maybe a change of eatin' might do the saint good. So he goes an' takes two o' them feesh 'stead o' wan as the angel said. An' he b'iled wan feesh, an' fried t'other, an' took 'em to St. Neot; an' when he seed what his man been 'bout, he was flustered, I tell 'e. Then the saint up and done a marvelous straange thing, for he flinged them feesh back in the well, just as they was, and began praayin' to the Lard to forgive his man. An' the feesh comed alive ag'in and swimmed around, though Barius had cleaned 'em, I s'pose, an' took the guts out of 'em an' everything. Then the chap just catched wan feesh proper, an' St. Neot ate en, an' grawed well by sundown. So he was a saint anyways."

"You can't have a miracle without a saint, of course, Joan?"

"Or else the Lard. But I'll hold in mind what you sez 'bout Him bein' hid in flowers an' birds an' sich like, 'cause that's a butivul thing to knaw."

"And in the stars and the sun and the moon, Joan; and in the winds and clouds. See how I've got on to-day. I don't think I ever did so much work in an hour before."

She looked and blushed to note her brown frock and shoes.

"You've done a deal more to them fuzzes than what you have to me, seemin'ly," she said.

"That's because the gorse is always here and you are not. I work at the gorse morning after morning, when the sun is up, until my fingers ache. You'll see great changes in the picture of yourself soon though."

But she was not satisfied, of course misunderstanding the unfinished work.

"You mustn't say anything yet, you know, Joan," added the artist, seeing her pouting lips.

"But—but you've drawed me as flat as a cheeld, an' I be round as a wummon, ban't I?" she said, holding out her hands that he might see her slight figure. Her blue eyes were clouded, for she deemed that he had put an insult upon her budding womanhood. Barren showed no sign of his enjoyment, but explained as clearly as possible that she was looking at a thing wholly unfinished, indeed scarce begun.

"You might as well grumble with me for not painting your fingers or your face, Joan. I told you I was a slow artist; only be patient; I'm going to do all fitting honor to every scrap of you, if only you will let me."

"Warmer words had come to his lips, but he did not suffer them to pass.
Then the girl's beautiful face broke into a smile again.

"I be nigher eighteen than sebenteen, you knaw, Mister Jan. But, coorse, I hadn't no bizness to talk like that to 'e, 'cause what do I knaw 'bout sich things?"

"You shan't see the picture again till it is finished, Joan. It was my fault for showing it to you like that, and you had every right to protest. Now you must go, for it's long past twelve o'clock."

"I'm afeared I caan't come to-morrer."

"As you please. I shall be here every day, ready and only too glad to see you."

"An'—an' you ban't cross wi' me for speakin' so rude, Mister Jan?"

"Cross, Joan? No, I'm never cross with anybody but myself. I couldn't be cross with my kind little friend if I tried to be."

He shook hands; it was the first occasion that he had done so, and she blushed. His hand was cold and thin, and she heard one of the bones in it give a little crack as he held her palm within his own for the briefest space of time. Then, as usual, the moment after he had said "good-by," he appeared to become absolutely unconscious of her presence, and returned to his picture.

Joan's mind dwelt much upon the artist after she had departed, and every train of reflection came back to the last words Barron spoke that morning. He had called her his kind little friend. It was very wonderful, Joan thought, and a statement not to be explained at all. Her stepmother's voice cut these pleasant memories sharply, and she returned home to find that Uncle Chirgwin had already arrived—a fact his old gray horse, tethered in the orchard, and his two-wheeled market cart, drawn up in the side-lane, testified to before Mrs. Tregenza announced it.

"Out again, of coorse, just because you knawed I was to be drove off my blessed legs to-day. I'll tell your faither of 'e, so I will. Gals like you did ought to be chained 'longside theer work till 'tis done."

Uncle Chirgwin sat by the fireside with a placid if bored expression on his round face. His hands were folded on his stomach; his short legs were stuck out before him; his head was quite bald, his color high, his gray eyes weak, though they had some laughter hidden in them. His double chin was shaved, but a very white bristle of stubbly whisker surrounded it and ascended to where all that remained of his hair stuck, like two patches of cotton wool, above his ears. The old man wore a suit of gray tweed and blinked benignly through a pair of spectacles. He had already heard enough of Mrs. Tregenza's troubles to last some time, and turned with pleasure to Joan as she entered. So hearty indeed was the greeting and a kiss which accompanied it that his niece felt the displeasure which her uncle had recorded by post upon the occasion of her engagement to Mary Chirgwin's former sweetheart existed no more.

"My ivers! a braave, bowerly maid you'm grawin', sure 'nough! Joan'll be a wummon 'fore us can look round, mother."

"Iss—an' a fine an' lazy wummon tu. I wish you could make her work like what Mary does up Drift."

"Well, I dunnaw. You see there's all sorts of girls, same as plants an' 'osses an' cetera. Some's for work, some's for shaw. You 'specks a flower to be purty, but you doan't blame a 'tater plant 'cause 'e ed'n particular butivul. Same wi' 'osses, an' wi' gals. Joan's like that chinee plate 'pon the bracket, wi' the pickshers o' Saltash Burdge 'pon en, an' gold writin' under; an' Mary's like that pie-dish, what you put in the ubben a while back. Wan's for shaw, t'other's for use—eh?"

"Gwan! you'm jokin', Uncle Thomas!" said Joan.

"An' a poor joke tu, so 'tis. You'd turn any gal's 'ead wi' your stuff, Chirgwin. Wheer's the gude of a fuzz-pole o' yeller hair an' a pair o' blue eyes stuck 'pon top of a idle, good-for-nothin' body? Maidens caan't live by looks in these paarts, an' they'll find theerselves in trouble mighty quick if they tries to."

Uncle Chirgwin instantly admitted that Mrs. Tregenza had the better of the argument. He was a simple man with a soft heart and no brains worth naming. Most people laughed at him and loved him. As sure as he went to Penzance on market-day, he was cordially greeted and made much of, and robbed. People suspected that his shrewd, black-eyed niece stood between him and absolute misfortune. She never let him go to market without her if she could help it; for, on those infrequent occasions when he jogged to town with his gray horse and cart alone, he always went with a great trust of the world in his heart and endeavored to conduct the sale of farm produce in the spirit of Christianity, which was magnificent but not business. Mr. Chirgwin's simple theories had kept him a poor man; yet the discovery, often repeated, that his knowledge of human nature was bad, never imbittered him, and he mildly persisted in his pernicious system of trusting everybody until he found he could not; unlike his neighbors who trusted nobody until they found that they could. The farmer had blazed with indignation when Joe Noy flung over Mary Chirgwin because she would not become a Luke Gospeler. But the matter was now blown over, for the jilted girl, though the secret bitterness of her sorrow still bred much gall in her bosom, never paraded it or showed a shadow of it in her dark face. Uncle Thomas greatly admired Mary and even feared her; but he loved Joan, for she was like her dead mother outwardly and like himself in character: a right Chirgwin, loving sunshine and happiness, herself sunshiny and happy.

"'Pears I've comed the wrong day, Joan," he said presently, when Mrs. Tregenza's back was turned, "but now I be here, you must do with me as you can."

"Mother's gwaine to town wi' Tom bimebye; then me an' you'll have a talk, uncle, wi'out nothin' to let us. You'm lookin' braave, me auld dear."

He liked a compliment, and anticipated pleasure from a quiet afternoon with his niece. She bustled about, as usual, to make up for lost time; and presently, when the cloth was laid, walked to the cottage door to see if her father's lugger was at its moorings or in sight. Meantime Mrs. Tregenza, having brought forth dinner from the oven, called at the back door to her son in a voice harsh and shrill beyond customary measure, as became her exceptional tribulations.

"Come in, will 'e, an' ait your food, bwoy. Theer ed'n no call to kick out they boots agin' the pig's 'ouse because I be gwaine to buy new wans for 'e presently."

Fired by a word which she had heard from John Barron, that flowers became the house as well as the garden, Joan plucked an early sprig of pink ribe and the first buds of wall-flower before returning to the kitchen. These she put in a jug of water and planted boldly upon the dinner-table as Mrs. Tregenza brought out a pie.

"Butivul, sure 'nough," said Mr. Chirgwin, drawing in his chair. His eye was on the pie-dish, but Joan thought he referred to her bouquet.

"Lard! what'll 'e do next? Take they things off the table to wance, Joan."

"But Uncle Thomas sez they'm butivul," she pleaded.

"They be pleasant," admitted Mr. Chirgwin, "but bloody-warriors [Footnote: Bloody-warrior—Wall-flower.] be out o' plaace 'pon the dinner-table. I was 'ludin' to this here. You do brown a 'tater to rights, mother."

Mrs. Tregenza's shepherd's pies had a reputation, and anybody eating of one without favorable comment was judged to have made a hole in his manners. Now she helped the steaming delicacy and sighed as she sat down before her own ample share.

"Lard knaws how I done it to-day. 'Tis just a enstance how some things comes nachrul to some people. You wants a light hand wi' herbs an' to knaw your ubben. Get the brandy, Joan. Uncle allus likes the edge off drinkin' water."

The Tregenzas were teetotalers, but a bottle of brandy for medicinal purposes occupied the corner of a certain cupboard.

"You puts it right, mother. 'Tis just the sharpness I takes off. I can't drink no beer nowadays, though fond o' it, 'cause 'tis belly-vengeance stuff arter you gets past a certain time o' life. But I'd as soon have tea."

"That's bad to drink 'long wi' vlaish," said Mrs. Tregenza. "Tea turns mayte leather-hard an' plagues the stomach cruel, as I knaws to my cost."

They ate in silence a while, then, having expressed and twice repeated a wish that Mary could be taught to make shepherd's pies after the rare fashion of his hostess, Mr. Chirgwin turned to Tom.

"So you'm off for a sailor bwoy, my lad?"

"Iss, uncle, an' mother gwaine to spend fi' puns o' money on my kit."

"By Golles! be she now? I lay you'll be smart an' vitty!"

"That he will!" said Joan, but Mrs. Tregenza shook her head.

"I did sadly want en to be a landsman an' 'prenticed to some good body in bizness. It's runnin' 'gainst dreams as I had 'fore the bwoy was born, an' the voice I heard speakin' by night arter I were churched by the Luke Gosp'lers. But you knaw Michael. What's dreams to him, nor yet voices?"

"The worst paart 'bout 'em, if I may say it, is that they'm so uncommon well acquainted like wi' theer awn virtues. I mean the Gosp'lers an' all chapel-members likewise. It blunts my pleasure in a good man to find he knaws how good he is. Same as wan doan't like to see a purty gal tossin' her head tu high."

"You caan't say no sich thing o' Michael, I'm sure," remonstrated Mrs. Tregenza instantly; "he'm that modest wi' his righteousness as can be. I've knawn en say open in prayer, 'fore the whole chapel, as he's no better'n a crawlin' worm. An' if he's a worm, what's common folks like you an' me? Awnly Michael doan't seem to take 'count in voices an' dreams, but I knaws they'm sent a purpose an' not for nort."

Mr. Chirgwin admitted his own ridiculous religious insignificance as contrasted with Gray Michael. Indeed the comparison, so little in his favor, amused him extremely. He sipped his brandy and water and enjoyed a treacle-pudding which followed the pie. Then, when Joan was clearing up and Mrs. Tregenza had departed to prepare for her visit to Penzance, Uncle Thomas began to puff out his cheeks, and blow, and frown, and look uneasily to the right and left—actions invariably performed when he contemplated certain monetary achievements of which he was only too fond. The sight of Mary's eyes upon him had often killed such indiscretions in the bud, but she was not present just then, so, with further furtive glances, he brought out his purse, opened it, and found a half-sovereign which reposed alone in the splendor of a separate compartment. Uncle Chirgwin then beckoned to Tom, who had gone into the garden till his mother should be ready to start.

"Good speed to 'e, bwoy," he said, "an' may the Lard watch over 'e by land an' sea. Take you this lil piece o' money to buy what you've a mind to; an' knaw you've got a auld man's blessin' 'long wi' it."

"Mother," said Tom, a minute later, "uncle have gived me a bit o' gawld!"

She took the coin from him and her eyes rested on it lovingly while the outlines of her face grew softer and she moistened her lips.

"First gawld's ever I had," commented Tom.

"You'm 'mazin' generous wi' your moneys, uncle, an' I thank 'e hearty for the bwoy. Mighty good of 'e—so much money to wance," said Thomasin, showing more gratification than she knew.

"I wants en to be thrifty," answered the old man, very wisely. "You knaws how hard it is to teach young people the worth o' money."

"Ay, an' some auld wans! Blest if I doan't think you'd give your head away if 'e could. But I'll take this here half-suvrin' for Tom. 'Tis a nest-egg as he shall add to as he may."

Tom did not foresee this arrangement, and had something to say as he tramped off with his mother to town; but though he could do more with her and get more out of her than anybody else in the world, money was a subject concerning which Mrs. Tregenza always had her way. She understood it and loved it and allowed no interference from anybody, Michael alone excepted. But he cared not much for money and was well content to let his wife hold the purse; yet when he did occasionally demand an account, it was always forthcoming to the uttermost farthing, and he fully believed what other people told him that Thomasin could make a sixpenny-piece go further than any other woman in Newlyn.

Mother and son presently departed; while Mr. Chirgwin took off his coat, lighted his pipe, and walked with Joan round about the orchard. He foretold great things for the plums, now in full flower; he poked the pigs with his stick and spoke encouragingly of their future also. Then he discussed Joan's prospects and gladdened her heart by telling her the past must be let alone and need never be reverted to again.

"Mary's gettin' over it tu," he said, "least-ways I think she is. Her knaws wheer to look for comfort, bless her. Us must all keep friendly for life's not long enough to do 'nough good in, I allus says, let alone the doin' o' bad."

Then he discussed Joe Noy, and Joan was startled to find, when she came to think seriously upon the subject, that though but a week and three days had passed since she bid her lover "good-by," yet the picture of him in her mind already grew a trifle dim, and the prospect of his absence for a year held not the least sorrow in it for her.

Presently, after looking to his horse, Uncle Thomas hinted at forty winks, if the same would be quite convenient, and Joan, settling him with some approach to comfort upon a little horsehair sofa in the parlor, turned her attention to the making of saffron cakes for tea.

CHAPTER EIGHT

THE MAKING OF PROGRESS

John Barron held strong theories about the importance of the mental condition when work was in hand. Once fairly engaged upon a picture, he painted very fast, labored without cessation, and separated himself as far as might be from every outside influence. No new interests were suffered to intrude upon his mind; no distractions of any sort, intellectual or otherwise, were permitted to occupy even those leisure intervals which of necessity lay between the periods of his work. On the present occasion he merely fed and slept and dwelt solitary, shunning society of every sort and spending as little time in Newlyn as possible. Fortunately for his achievement the weather continued wonderfully fine and each successive day brought like conditions of sunshine and color, light and air. This circumstance enabled him to proceed rapidly, and another fact also contributed to progress; the temperature kept high and the cow-byre, wherein Barren stored his implements and growing picture, proved so well-built and so snug withal that on more than one occasion he spent the entire night there. Sweet brown bracken filled a manger, and of this he pulled down sufficient quantities to make, with railway rugs, an ample bed. The outdoor life appeared to suit his health well; some color had come to his pale cheeks; he felt considerably stronger in body and mentally invigorated by the strain of work now upon him.

But though he turned his back on his fellow-men they sought him out, and rumors at length grew to a certainty that Barron was busy painting somewhere on the cliffs beyond Mousehole. Everybody supposed he had abandoned his ambition to get a portrait of Joan Tregenza; but one man was in his confidence: Edmund Murdoch. The young artist had been useful to Barron. On many occasions he tramped out from Newlyn with additions to the scanty larder kept at the cow-byre. He would bring hard-boiled eggs, sandwiches, bottles of soda-water and whisky; and once he arrived at six o'clock in the morning with a pony cart in which was a little oil stove. Barron had confided in Murdoch, but begged he would let it be known that he courted no society for the present. As the work grew he spent more and more time upon it. He explained to his friend quite seriously that he was painting the gorse, but that Joan Tregenza had consented to fill a part of the picture—a statement which amused the younger artist not a little.

"But the gorse is extraordinary, I'll admit. You must have worked without ceasing. She will be exquisite. Where shall you get the blue for her eyes?"

"Out of the sky and the sea."

"Does the girl inspire you herself, John? I swear something has. This is going to be great."

"It's going to be true, that's all. No, Joan is a dear child, but her body's no more than a perfect casket to a commonplace little soul. She talks a great deal and I like nothing better than to listen; for although what she says is naught, yet her manner of saying it does not lack charm. Her voice is wonderfully sweet—it comes from her throat like a wood-pigeon's, and education has not ruined her diction."

"She's as shy as any wood-pigeon, too—we all know that; and you've done a clever thing to tame her."

"God forbid that I should tame her. We met and grew friendly as wild things both. She is a child of Nature, her mind is as pure as the sea. Moreover, Joan walks saint-guided. Folklore and local twaddle does not appeal overmuch to me, as you know, yet the stories drop prettily from her lips and I find pleasure in listening."

Murdoch whistled.

"By Jove! I never heard you so enthusiastic, so positive, so personally alive and awake and interested. Don't fall in love with the girl before you know it."

To this warning Barron made a curious reply.

"Everything depends on my picture. You know my rule of life; to sacrifice all things to mood. I shall do so here. The best I can do must be done whatever the cost."

A shadow almost sinister lay behind the utterance, yet young Murdoch could not fathom it. Barren spoke in his usual slow, unaffected tones, and painted all the time; for the conversation took place on Gorse Point.

"Not sure if I quite understand you, old man," said Murdoch.

"It doesn't matter in the least if you don't, my dear fellow."

His words were hardly civil, but the tone in which Barren spoke robbed the utterance of any offense.

"All you need do," he continued, "is to keep silent in the interests of art and of Joan. I don't want her precious visits to me to get back to her father's ears or they will cease, and I don't wish to do her a bad turn in her home, for I owe her a great debt of gratitude. If men ask what I'm doing, lie to them and beg them not to disturb me, for the sake of Art. What a glint the east wind gives to color! Yet this is hardly to be called an east wind, so soft and balmy does it keep."

"Well, you seem to be the better for your work, at any rate. You're getting absolutely fat. If Newlyn brings you health as well as fame, I hope you'll retract some of the many hard things you have said about it."

"It has brought me an interest, and for that at any rate I am grateful. Good-by. I shall probably come down to-night, despite the fact that you have replenished my stores so handsomely."

Murdoch started homeward and met Joan Tregenza upon the way. She had given Barron one further sitting after Uncle Chirgwin's call at Newlyn, but since the last occasion, and for a period of two days, chance prevented the girl from paying him another visit. Now she arrived, however, as early as half-past ten, and Murdoch, while he passed her on the hill from Mousehole, envied his friend the morning's work before him.

Joan was very hot and very apologetic upon her arrival.

"I began to fear you had forgotten me," the artist said, but she was loud in protestations to the contrary.

"No, no, Mister Jan. I've fretted 'bout not comin' up like anything; ay, an' I've cried of a night 'cause I thot you'd be reckoning I waddun comin' no more. But 'tweern't my doin' no ways."

"You hadn't forgotten me?"

"Indeed an' I hadn't. An' I'd be sorrerful if I thot you thot so."

She walked to the old position before the gorse and fell naturally into it, speaking the while.

"Tis this way: mother's been bad wi' faace ache arter my brother Tom went to sea wi' faither. An' mother grizzled an' worrited herself reg'lar ill an' stopped in bed two days an' kep on whinin' 'bout what I was to do if she died; cause she s'posed she was gwained to. But so soon as Tom comed off his first trip, mother cheered wonnerful, an' riz up to see to en, an' hear tell 'bout how he fared on the water."

"Your head a wee bit higher, Joan. Well, I'm thankful to see you again. I was getting very, very lonely, I promise you. And the more I thought about the picture the more unhappy I became. There's such a lot to do and only such a clumsy hand to do it. The better I know you, Joan, the harder become the problems you set me. How am I going to get your soul looking out of your eyes, d'you think? How am I to make those who may see my picture some day—years after you and I are both dead and gone, Joan—fall in love with you?"

"La! I dunnaw, Mister Jan."

"Nor do I. How shall I make the picture so true that generations unborn will delight in the portrait and deem it great and fine?"

"I dunnaw."

"And yet you deserve it, Joan, for I don't think God ever made anything prettier."

She blushed and looked softly at him, but took no alarm; for though such a compliment had never before been paid her, yet, as Barron spoke the words, slowly, critically, without enthusiasm or any expression of pleasure on his face, they had little power to alarm. He merely stated what he seemed to regard as a fact. There was almost a suggestion of irritation in his utterance, as though his model's rare beauty only increased his own artistic difficulties; and, perhaps fearing from her smile that she found undue pleasure in his statement, he added to it:

"I don't say that to natter you, Joan. I hate compliments and never pay them. I told you, remember, that your wrists were a thought too big."

"You needn't be sayin' it over an' over, Mister Jan," she answered, her smile changing to a pout.

"But you wouldn't like me any more if I stopped telling you the truth. We have agreed to love what is true and to worship Mother Nature because she always speaks the truth."

The girl made no answer, and he went on working for a few moments, then spoke again.

"I'm selfish, Joan, and think more of my picture than I do of my little model. Put down your arm and take a good rest. I tried holding my hand over my eyes yesterday to see how long I could do so without wearying myself. I found that three minutes was quite enough, but I have often kept you posed for five."

"It hurted my arm 'tween the shoulder an' elbow a lil bit at first, but
I've grawed used to it now."

"How ever shall I repay you, kind Joan, for all your trouble and your long walks and pretty stories?"

"I doan't need no pay. If 'twas a matter o' payin', 'twould be a wrong thing to do, I reckon. Theer's auld Bascombe up Paul—him wi' curls o' long hair an' gawld rings in's ears. Gents pays en to take his likeness; an' theer's gals make money so, more'n wan; but faither says 'tis a heathenish way of livin' an' not honest. An'—an' I'd never let nobody paint me else but you, Mister Jan, 'cause you'm different."

"Well, you make me a proud man, Joan. I'm afraid I must be a poor substitute for Joe."

He noticed she had never mentioned her sweetheart since their early interviews, and wanted to ascertain of what nature was Joan's affection for the sailor. He did not yet dream how faint a thing poor Joe had shrunk to be in Joan's mind, or how the present episode in her life was dwarfing and dominating all others, present and past.

Nor did the girl's answer to his remark enlighten him.

"In coorse you an' Joe's differ'nt as can be. You knaws everything seemin'ly an' be a gen'le-man; Joe's only a seafarin' man, an' 'e doan't knaw much 'cept what he's larned from faither. But Joe used to say a sight more'n what you do, for all that."

"I like to hear you talk, Joan; perhaps Joe liked to hear himself talk. Most men do. But, you see, the things you have told me are pleasant to me and they were not to Joe, because he didn't believe in them. Don't look at me, Joan; look right away to the edge of the sea."

"You'm surprised like as I talks to ye, Mister Jan. Doan't ladies talk so free as what I do?"

"Other women talk, but they are very seldom in earnest like you are, Joan. They don't believe half they say, they pretend and make believe; they've got to do so, poor things, because the world they live in is all built up on ancient foundations of great festering lies. The lies are carefully coated over and disinfected as much as possible and quite hidden out of sight, but everybody knows they are there—everybody knows the quaking foundations they tread upon. Civilization means universal civility, I suppose, Joan; and to be civil to everybody argues a great power of telling lies. People call it tact. But I don't like polite society myself, because my nose is sensitive and I smell the stinking basis through all the pretty paint. You and I, Joan, belong to Nature. She is not always civil, but you can trust her; she is seldom polite, but she never says what is not true."

"You talk as though 'e ded'n much like ladies an' gen'lemen, same as you be."

"I don't, and I'm not what you understand by 'a gentleman,' Joan. Gentlemen and ladies let me go among them and mix with them, because I happen to have a great deal of money—thousands and thousands of pounds. That opens the door to their drawing-rooms, if I wanted to open it, but I don't. I've seen them and gone about among them, and I'm sick of them. If a man wishes to know what polite society is let him go into it as a very wealthy bachelor. I'm not 'a gentleman,' you know, Joan, fortunately."

"Surely, Mister Jan!"

"No more than you're a lady. But I can try to be gentle and manly, which is better. You and I come from the same class, Joan; from the people. The only difference is that my father happened to make a huge fortune in London. Guess what he sold?"

"I dunnaw."

"Fish—just plaice and flounders and herrings and so forth. He sold them by tens of thousands. Your father sells them too. But what d'you think was the difference? Why, your father is an honest man; mine wasn't. The fishermen sold their fish, after they had had the trouble and danger of catching them, to my father; and then my father sold them again to the public; and the fishermen got too little and the public paid too much, and so—I'm a very rich man to-day—the son of a thief."

"Mister Jan!"

"Nobody ever called him a thief but me. He was a great star in this same polite society I speak of. He fed hundreds of fat people on the money that ought to have gone into the fishermen's pockets; and he died after eating too much salmon and cucumber at his own table. Poetic justice, you know. There are stained glass windows up to his memory in two churches and tons of good white marble were wasted when they made his grave. But he was a thief, just as surely as your father is an honest man; so you have the advantage of me, Joan. I really doubt if I'm respectable enough for you to know and trust."

"I'd trust 'e with anything, Mister Jan, 'cause you'm plain-spoken an' true."

"Don't be too sure—the son of a thief may have wrong ideas and lax principles. Many things not to be bought can easily be stolen."

Again he struck a sinister note, but this time on an ear wholly unable to appreciate or suspect it. Joan was occupied with Barron's startling scraps of biography, and, as usual, when he began talking in a way she could not understand, turned to her own thoughts. This sudden alteration of his position she took literally. It struck her in a happy light.

"If you'm not a gen'leman then you wouldn' look down 'pon me, would 'e?"

"God forbid! I look up to you, Joan."

She was silent, trying to master this remarkable assertion. The artist stood no longer upon that lofty pedestal where she had placed him; but the change of attitude seemed to bring him a little closer, and Joan forgot the fall in contemplating the nearer approach.

"That's why I asked you not to call me 'Mister Jan,"' Barron added after a pause. "We are, you see, only different because I'm a man and you're a woman. Money merely makes a difference to outside things, like houses and clothes. But you've got possessions which no money can bring to me: a happy home and a lover coming back to you from the sea. Think what it must be to have nobody in the world to care whether you live or die. Why, I haven't a relation near enough to be even interested in all my money—there's loneliness for you!"

Joan felt full of a great pity, but could not tell how to express it. Even her dull brains were not slow enough to credit his frank assertion that he and she were equals; but she accepted the statement in some degree, and now, with her mind wandering in his lonely existence, wondered if she might presume to express sympathy for him and proclaim herself his friend. She hesitated, for such friendship as hers, though it came hot from her little heart, seemed a ludicrous thing to offer this man. Every day of intercourse with him filled her more with wonder and with admiration; every day he occupied a wider place in her thoughts; and at that moment his utterances and his declaration of a want in life made him more human than ever to her, more easily to be comprehended, more within the reach of her understanding. And that was not a circumstance calculated to lessen her regard for him by any means. Until that day he had appeared a being far apart, whose interests and main threads of life belonged to another sphere; now he had deliberately come into her world and declared it his own.

The silence became painful to Joan, but she could not pluck up courage enough to tell the artist that she at least was a friend. Finally she spoke, feeling that he waited for her to do so, and her words led to the point, for she found, in his answer to them, that he took her goodwill for granted.

"Ain't you got no uncles nor nothin' o' that even, Mister Jan?"

He laughed and shook his head.

"Not one, Joan—not anybody in all the world to think twice about me but you."

Her heart beat hard and her breath quickened, but she did not speak. Then Barron, putting down his brushes and beginning to load a pipe, that his next remark might not seem too serious, proceeded:

"I call you 'friend,' Joan, because I know you are one. And I want you to think of me sometimes when I am gone, will you?"

He went on filling his pipe, and then, looking suddenly into her eyes, saw there a light that was strange—a light that he would have given his soul to put into paint—a light that Joe's name never had kindled and never could. Joan wiped her hand across her mouth uneasily; then she twisted her hands behind her back, like a schoolgirl standing in class, and made answer with her eyes on the ground.

"Iss, I will, then, Mister Jan; an' maybe I couldn't help it if I would."

He lighted his pipe carefully before answering.

"Then I shall be happy, Joan."

But while she grew rose-red at the boldness of her sudden announcement, he took care neither to look at her nor to let her know that he had realized the earnestness with which she spoke. And when, ten minutes later, she had departed, he mused speculatively on the course of their conversation, asking himself what whim had led him to pretend to so much human feeling and to lament his loneliness. This condition of his life he loved above all others. No man, woman or child had the right to interfere with his selfish, impersonal existence, and he gloried in the fact. But to the scraps of his life's history, which he had spread before Joan in their absolute truth, he had added this fiction of friendless loneliness, and it had worked a wonder. He saw that he was growing to be much to her, and the problem lying in his path rose again, as it had for a moment when Murdoch warned him in jest against falling in love with Joan Tregenza. Dim suspicions crossed his mind with greater frequency, and being now a mere remorseless savage, hunting to its completion a fine picture, he made no effort to shut their shadows from his calculation. Everything which bore even indirectly upon his work received its share of attention; to mood must all sacrifices be made; and now a new mood began to dawn in him. He knew it, he accepted it. He had not sought it, but the thing was there, and Nature had sent it to him. To shun it and fly from it meant a lie to his art; to open his arms to it promised the destruction of a human unit. Barron was not the man to hesitate between two such courses. If any action could heighten his inspiration, add a glimmer of glory to his picture, or get a shadow more soul into the painted blue eyes of the subject, he held such action justified. For the present his mind was chaos on the subject, and he left the future to work itself out as chance might determine.

His painting was all he concerned himself with, and should Nature ultimately indicate that greater perfection might be achieved through worship and even sacrifice at her shrine, neither worship nor sacrifice would be withheld.

CHAPTER NINE A WEDDING

Joan Tregenza went home in a dream that day. She did not know where to begin thinking. "Mister Jan" had told her so many astounding things; and her own heart, too, had made bold utterances—concerning matters which she had crushed out of sight with some shame and many secret blushes until now. But, seen in the light of John Barron's revelations, this emotion which she had thrust so resolutely to the back of her mind could remain there no more. It arose strong, rampant and ridiculous; only from her point of view no humor distinguished it. This man, then, was like herself, made of the same flesh and blood, sprung from the people. That fact, though possessing absolutely no significance whatever in reality, struck Joan with great force. Her highly primitive instincts stretched a wide gulf between the thing called "gentleman" and other men; which was the result of training from parents of the old-fashioned sort, whose world lay outside and behind the modern spirit; who had reached the highest development of their intelligence and formed their opinions before the passing of the Education Act. Gray Michael naturally held the great ones of the earth as objects of pity from an eternal standpoint, but birth weighed with him, and, in temporal concerns, he treated his superiors with all respect and civility when rare chance brought him into contact with them. He viewed uneasily the last outcome of progress and the vastly increased facilities for instruction of the juvenile population. The age was sufficiently godless, in his judgment; and he had found that a Board School education was the first nail in the coffin of every young man's faith.

Joan, therefore, allowing nothing for the value of riches, of education, of intellect, was content to accept Barron's own cynical statement in a spirit widely different from the speaker's. He had sneered at himself, just as he had sneered at his own dead father. But Joan missed all the bitterness of his speech. To her he was simply a wondrously honest man who loved truth for itself, who could never utter anything not true, who held it no offense to speak truth even of the dead. Gentle or simple, he seemed infinitely superior to all men whom she had met with. And yet this beautiful nature walked through the world quite alone. He had asked her to remember him when he was gone; he had said that she was his friend. And he cared little for women—there was perhaps no other woman in the world he had called a friend. Then the girl's heart fluttered at the presumption of her silly, soaring thoughts, and she glanced nervously to the right and to the left of the lonely road, as though fearful that some hidden eavesdropper might peep into her open mind. The magic spell was upon her. This little, pale, clever man, so quiet, so strange, so unlike anything else within her seventeen years of experience, had wrought Nature's vital miracle, and Joan, who, until then, believed herself in love with her sailor sweetheart, now stood aghast before the truth, stood bewildered between the tame and bloodless fantasy of her affection for Joe Noy and this wild, live reality. She looked far back into a past already dim and remembered that she had told Joe many times how she loved him with all her heart. But the words were spoken before she knew that she possessed a heart at all. Yet Joe then formed no inconsiderable figure in life. She had looked forward to marriage with him as a comfortable and sufficient background for present existence; she had viewed Joe as a handsome, solid figure—a man well thought of, one who would give her a home with bigger rooms and better furniture in it than most fishermen's daughters might reasonably hope for. But this new blinding light was more than the memory of Joe could face uninjured. He shriveled and shrank in it. Like St. Michael's Mount, seen afar, through curtains of rain, Joe had once bulked large, towering, even grand, but under noonday sun the great mass dwindles as a whole though every detail becomes more apparent; and so with poor Joe Noy. Removed to a distance of a thousand miles though he was, Joan had never known him better, never realized the height, breadth, depth of him so acutely as now she did. The former ignorance in such a case had been bliss indeed, for whereunto her present acquired wisdom might point even she dared not consider. Any other girl must have remained sufficiently alive to the enormous disparity every way between herself and the artist; and Joan grasped the difference, but from the wrong point of view. The man's delicacy of discernment, his wisdom, his love of the things which she loved, his fine feeling, his humility—all combined in Joan's judgment to place him far above herself, though she had not words to name the qualities; but whereas another lowly woman, reaching this point, must, if she possessed any mother-wit or knowledge of the world, have awakened to the danger and grown guarded, Joan, claiming little wit to speak of, and being an empty vessel so far as knowledge of the world was concerned, saw no danger and allowed her thoughts to run away with her in a wholly insane direction. This she did for two reasons: because she felt absolutely safe, and because she suspected that Nature, who was "Mister Jan's" God, had now come to be her God also. The man was very wise, and he hated everything which lacked truth: therefore he would always do what was right, and he would not be less true to her than he was to the world. Truth was his guiding star, and he had always found Nature true. Therefore, why should not Joan find it true? Nature was talking to her now and teaching her rapidly. She must be content to wait and learn. The two men, Noy and Barren, fairly represented the opposite views of life each entertained, and Joan felt the new music wake a thousand sleeping echoes in her heart while the old grew more harsh and unlovely as she considered it. Joe had so many opinions and so little information; "Mister Jan" knew everything and asserted nothing save what Nature had taught him. Joe was so self-righteous and overbearing, so like her father, so convinced that Luke Gospeldom was the only gate to glory; "Mister Jan" had said there was more of the Everlasting God in a bluebell than in the whole of the Old Testament; he had declared that the smell of the gorse and the sunshine on the deep sea were better things than the incense and banners at St. Peter's; he had asserted that the purring of kittens was sweeter to the Father of all than the thunder of a mighty organ played in the noblest cathedral ever made with hands. All these foolish and inconsequent comparisons, uttered thoughtlessly by Barron's lips while his mind was on his picture, seemed very fine to Joan; and the finer because she did not understand them. Again, Joe rarely listened to her; this man always did, and he liked to hear her talk: he had declared as much.

Her brains almost hurt Joan on her way back to the white cottage that morning. They seemed so loaded; they lifted her up high above the working-day world and made her feel many years older. Such reflections and ideas came to grown women doubtless, she thought. A great unrest arose from the shadows of these varied speculations—a great unrest and disquiet—a feeling of coming change, like the note in the air when the swallows meet together in autumn, like the whisper of the leaves on the high tops of the forest before rain. Her heart was very full. She walked more slowly as the thoughts weighed heavier; she went back to her home round-eyed and solemn, wondering at many things, at the extension of the horizon of life, at the mental picture of Joe standing clearly out of the mists, viewed from a woman's standpoint.

That day much serving awaited her; but, at every turn and pause in the small affairs of her duty, Joan's mind swooped back like a hawk to the easel on Gorse Point; and when it did, her cheeks flushed and she turned to bend over sink or pig's trough to hide the new fire that burned in her heart and lighted her eyes.

Mrs. Tregenza, who had suffered from neuralgia and profound depression of spirit upon Tom's departure to the sea, but who comforted herself even in her darkest hour by reflection that no lugger boy ever joined the fishing fleet with such an equipment of new clothes as her son, was somewhat better and more cheerful now that the lad had made his first trip and survived it. Moreover, Tom would be home again that night in all probability, and, since Michael was last ashore, the butcher from Paul had called and offered three shillings and sixpence more for the next pig to be killed than ever a Tregenza pig had fetched until that day. Life therefore held some prosperity in it, even for Thomasin.

After their dinner both women, the elder with a shawl muffled about her face, went down the road to Newlyn to see a sight. They stopped at George Trevennick's little house. It had a garden in front of it with a short flagstaff erected thereon, and all looked neat, trim and ship-shape as became the home of a retired Royal Navy man. A wedding was afoot, and Mr. Trevennick, who never lost an opportunity to display his rare store of bunting, had plentifully shaken out bright reds and yellows, blues and greens. The little flags fluttered in four streamers from the head of the flagstaff, and their colors looked harsh and crude until associated with the human interests they marked.

Already many children gazed with awe from the road, while a favored few, including the Tregenzas, stood in Mr. Trevennick's garden, which was raised above the causeway. Great good-humor prevailed, together with some questionable jesting, and Joan heard the merriment with a sense of discomfort. They would talk like this when Joe came back to marry her; but the great day of a maid's life had lost its greatness for her now. The rough, good-natured fun grated on her nerves as it had never grated before; because, though she only guessed at the sly jokes of her elders, something told her that "Mister Jan" would have found no pleasure in such merriment. Mrs. Tregenza talked, Mr. Trevennick smoked, and Sally Trevennick, the old sailor's daughter, entertained the party and had a word for all. She was not young, and not well-favored, and unduly plump, but a sweet-hearted woman nevertheless, with a great love for the little children. This indeed presently appeared, for while the party waited there happened a tragedy in the street which brought extreme sorrow to a pair of very small people. They had a big crabshell full of dirt off the road which they drew after them by a string, and in which they took no small pride and pleasure; but a young sailor, coming hastily round a corner, trampled upon the shell, smashed it, and passed laughing on. The infants, overwhelmed by this sudden disaster to their most cherished earthly possession, crushed to the earth by this blotting out of the sunshine of the day, lifted up their voices and wept before the shattered ruins. One, the biggest, dropped the useless string and put his face against the wall, that his extreme grief might be hidden; but the smaller hesitated not to make his sorrows widely known. He bawled, then took a deep breath and bawled again. As the full extent of his loss was borne in upon him, he absolutely danced with access of frenzied grief; and everybody laughed but fat Sally Trevennick. Her black eyes grew clouded, and she went down into the road to bring comfort to the sufferers.

"Never mind, then; never mind, you bwoys; us'll get 'e another braave shell, so us will. Theer, theer, give over an' come 'long wi' me an' see the flags. Theer's many bigger auld crabshells wheer that comed from, I lay. Your faither'll get 'e another."

She took a hand of each babe and brought them into the garden, from which they could look down upon their fellows. Such exaltation naturally soothed their sufferings, and amid many gasps and gurgles they found a return to peace in the close contemplation of Mr. Trevennick's flagstaff and the discussion of a big saffron pasty.

Presently the bridegroom and his young brother passed on the way to church. Both looked the reverse of happy; both wore their Sunday broadcloth, and both swung along as fast as their legs would carry them. They were red hot and going five miles an hour; but, though Mousehole men, everybody in Newlyn knew them, and they were forced to run the gauntlet of much chaff.

"Time was when they did use to thrash a new-married couple to bed," said Mr. Trevennick. "'Twas an amoosin' carcumstance an' I've 'elped at many, but them good auld doin's is dyin' out fast."

Mrs. Tregenza was discussing the bridegroom's family.

"He be a poor Billy-be-damned sort o' feller, I've allus heard, an' awnly a common tinner, though his faither were a grass cap'n at Levant Mine."

"But he's a steady chap," said Sally; "an' them in his awn station sez he's reg'lar at church-goin' an' well thot 'pon by everybody. 'Tedn' all young pairs as parson'll ax out, I can tell 'e. He wants to knaw a bit 'fore 'e'll marry bwoys an' gals; but theer weren't no trouble 'bout Mark Taskes."

"Sure I'm glad to hear it, Sally, 'cause if he caan't do everything, everything won't be done. They Penns be a pauper lot—him a fish-jouster as ain't so much as his awn donkey an' cart, an' lame tu. Not that 'twas his awn fault, I s'pose, but they do say a lame chap's never caught in a good trick notwithstandin'."

"Here comes the weddeners!" said Joan, "but 'tedn' a very braave shaw," she added. "They'm all a-foot, I do b'lieve."

"Aw, my dear sawl! look at that now!" cried Mrs. Tregenza. "Walkin', ackshally walkin'. Well—well!"

The little bride advanced between her father and mother, while relations and friends marched two and two behind. A vision it was of age and youth, of bright spring flowers, of spotless cotton and black broadcloth. A matron or two marched in flaming colors; a few fishermen wore their blue jerseys under their reefer jackets; the smaller children were led by hand; and the whole party numbered twelve all told. Mr. Penn looked up at the flags as he limped along, and a great delight broke out upon his face; the bride's mother beamed with satisfaction at a compliment not by any means expected, for the Penns were a humble folk; and the bride blushed and stole a nervous peep at the display. Mr. Penn touched his hat to the party in the garden, and Mr. Trevennick, feeling the eye of the multitude upon him, loudly wished the wedding party well as it passed by.

"Good speed to 'e an' to the maid, Bill Penn. May she live 'appy an' be a credit to all parties consarned."

"Thank 'e, thank 'e, kindly, Mr. Trevennick. An' us takes it mighty favorable to see your butivul flags a hangin' out—mighty favorable, I 'sure 'e."

So the party tramped on and ugly Sally looked after them with dim eyes; but
Mrs. Tregenza's thin voice dried them.

"A bad come-along o't for a gal to walk 'pon sich a day. They did ought to a got her a lift to her weddin', come what might."

"Maybe 'tis all wan to them poor dears. A coach an' four 'orses wouldn' make that cheel no better pleased. God bless her, did 'e look 'ow she flickered up when she seed faither's flags a flyin'?"

"Theer's a right way an' a wrong o' doin' weddin's, Sarah, an' 'tedn' a question whether a gal's better pleased or no. It's all wan to a dead corpse whether 'tis took to the yard in a black hearse wi' plumes, same as what us shall be, or whether 'tis borne 'pon wan o' them four 'anded stretchers used for carryin' fishin' nets, same as poor Albert Vallack was a while back—but wan way's proper an' t'other 'edn'."

"They'm savin' the money for the feed. Theer's gwaine to be a deal o' clome liftin' at Perm's cottage bimebye," said another of the party.

"No honeymoon neither, so I hear tell," added Mrs. Tregenza.

"But Taskes have bought flam-new furniture for his parlor, they sez," declared the former speaker.

"Of coorse. Still no honeymoon 'tall! Who ever heard tell of sich a thing nowadays? I wonder they ban't 'shamed."

"Less shame, Mrs. Tregenza, than trapsing off to Truro or somewheers an' wastin' their time an' spendin' money they'll be wanting back agin 'fore Christmas," retorted Sally, with some warmth.

But Mrs. Tregenza only shook her head and sighed.

"You speaks as a onmarried wummon, Sarah; but if you comed to be a bride you'd sing dif-fer'nt. No honeymoon's wrong, an' your faither'll tell the same."

Mr. Trevennick admitted that no honeymoon was bad. He went further and declared the omission of such an institution to be unprincipled. He even said that had he known of this serious defect in the ceremonies he should certainly have abstained from lending the brightness of his bunting to them. Then he went to eye the flags from different points of view, while Sally, in a minority of one, turned to Joan.

"And what do you say?" she asked. "You'm 'mazin' quiet an' tongue-tied for you. I s'pose you'm thinkin' of the time when Joe Noy comes home. I lay you'll have a honeymoon anyways."

"Iss, that you may depend 'pon," said Mrs. Tregenza.

And Joan, who had in truth been thinking of her sweetheart's return, grew red, whereat they all laughed. But she felt secretly superior to every one of them, for the shrinking process began to extend beyond Joe now. A fortnight before, she had been much gratified by allusions to the future and felt herself an important individual enough. Then, she must have shared her stepmother's pity at the poverty of the pageant which had just passed by. But now the world had changed. Matrimony with Joe Noy was not a subject which brought present delight to her, but the little bride who had just gone to her wedding filled Joan's thoughts. What was in that girl's heart, she greatly wondered. Did Milly Penn feel for long-legged Mark Taskes what Joan felt for "Mister Jan"? Was it possible that any other woman had ever experienced similar mysterious splendors of mind? She could not tell, but it seemed unlikely to her; it appeared improbable that an ordinary man had power to inspire another heart with such golden magic as glorified her own.

Presently she departed with her stepmother, whereupon Sally Trevennick relieved her pent-up feelings.

"Thank the Lard that chitter-faaced wummon edn' gwaine to the weddin' any ways! Us knaws she's a dear good sawl 'nough; but what wi' her sour voice, an' her sour way o' talkin', an' her sour 'pinions, she'm enough to set a rat-trap's teeth on edge."

CHAPTER TEN

MOONLIGHT

That evening Thomasin had another spasm of face-ache and went to bed soon after drinking tea. Michael was due at home about ten o'clock or earlier, and Joan—having set out supper, made all ready, and ascertained that her stepmother had gone to sleep—walked out to the pierhead, there to wait for Mr. Tregenza and Tom. Under moonlight, the returning luggers crept homeward, like inky silhouettes on a background of dull silver. Every moment added to the forest of masts anchored at the moorings outside the harbor; every minute another rowing-boat shot between the granite piers, slid silently into the darkness under shore, leaving moonlit rings widening out behind at each dip of the oars. Joan sat down under the lighthouse and waited in the stillness for her father's boat. Yellow flashes, like fireflies, twinkled along through Newlyn, and above them the moon brought out square patches of silver-bright roof seen through a blue night. Now and then a bell rang in the harbor, and lights leaped here and there, mingling red snakes and streamers of fire with the white moonbeams where they lay on still water. Then Joan knew the fish were being sold by auction, and she grew anxious for her father's return, fearing prices might have fallen before he arrived. Great periods of silence lay between the ringings of the bell, and at such times only faint laughter floated out from shore, or blocks chipped and rattled as a sail came down or a concertina squeaked fitfully where it was played on a Norwegian iceboat at the harbor quay. The tide ran high, and Joan watched the lights reflected in the harbor and wondered why the gold of them contrasted so ill with the silver from the moon.

Presently two men came along to the pierhead. They smoked, looked at the sea, and did not notice her where she sat in shadow. One, the larger, wore knickerbockers, talked loudly, and looked a giant in the vague light; the other was muffled up in a big ulster, and Joan would not have recognized Barron had he not spoken. But he answered his friend, and then the girl's heart leaped to hear that quiet, unimpassioned voice. He spoke of matters which she did not understand, of pictures and light and all manner of puzzles set by Nature for the solution of art; but though for the most part his remarks conveyed no meaning to her, yet he closed a sentence with words that made her happy, and warmed her heart and left a precious memory behind them.

"Moonlight is a problem only less difficult than sunshine," he said to his friend. "Where are you going to get that?" and he pointed to the sea.

"It's been jolly well done all the same."

"Never. It is not to be done. You can suggest by a trick, but God defend us from tricks and sleight-of-hand in connection with the solemn business of painting pictures. Let us be true or nothing."

They walked away together, and Joan pondered over the last words. Truth seemed an eternal, abiding passion with John Barron, and the contemplation of this idea gave her considerable pleasure. She did not know that a man may be at once true to his art and a liar to his fellows.

Presently her father returned with Tom, and the three walked home together. Gray Michael appeared quietly satisfied that his son was shaping well and showing courage and nerve. But he silenced the lad quickly enough when Tom began to talk with some gasconade concerning greet deeds done westward of the Scilly Islands.

"'Let another man praise thee an' not thine awn mouth,' my bwoy," said Mr. Tregenza. "It ban't the wave as makes most splash what gaws highest up the beach, mind. You get Joan to teach 'e how to peel 'taties, 'cause 'tis a job you made a tidy bawk of, not to mention no other. Keep your weather-eye liftin' an' your tongue still. Then you'll do. An' mind—the bwoat's clean as a smelt by five o'clock to-morrow marnin', an' no later."

Tom, dashed by these base details, answered seaman fashion:

"Ay, ay, faither."

Then they all tramped home, and the boy enjoyed the glories of a late supper, though he was half asleep before he had finished it.

CHAPTER ELEVEN

THE KISS

By half-past five o'clock, Mr. Tregenza's black lugger was off again in a gray dawn all tangled with gold on the eastern horizon.

His mother had given Tom an early breakfast at half-past four, and the youngster, agape and dim-eyed at first, speedily brightened up, for he had a willing listener, in the candle-light and poured a tale of moving incidents into Thomasin's proud but uneasy mind.

"Them Pritchards sez as they'll make a busker [Footnote: Busker—A rare good fisherman.] of me, 'cause it blawed a bit issterday marnin', but 'twas all wan to me; an' you abbun no call to fret yourself, nohow, mother, 'cause faither's 'lowed to be the best sailor in the fleet an' theer ban't a better foul-weather boat sails from Newlyn than ourn."

He chattered on, larding his discourse with new words picked up aboard, and presently rolled off to get things shipshape just as his father came down to breakfast.

When the men had gone, little remained to be done that day, and, by half-past seven, about which hour Mrs. Tregenza went into the village that she might whine with a widow who had two boys in the fleet, Joan found herself free until the afternoon. She determined therefore to reach Gorse Point before the artist should arrive there, and set off accordingly.

Early though she was, she had but a short time to wait, for Barron appeared with his big canvas by nine o'clock. She thought he showed more pleasure than usual at the sight of her. Certainly he shook hands and congratulated her upon such early hours.

"This is an unexpected pleasure, Joan. You must have been up betimes indeed."

"Iss fay, us took breakfus' by five, an' faither sailed 'fore half-past.
'Tis busy times for fishin' folk when the mackerl begins shoalin'."

"I'm glad I came back to my den in the fields yonder and didn't stop in Newlyn last night. You must see my little cow-byre some day or other, Joan. I've made it wonderfully snug. Farmer Ford is good enough to let me take possession of it for the present; and I've got food and drink stowed away, and a beautiful bed of sweet, withered bracken. I sleep well there, and the dawn comes in and wakens me."

"You ban't feared o' piskeys nor nothin' in a lawnsome plaace like thicky byre?"

"No, no—the rats are rather intrusive, though."

"But they'm piskeys or spriggans so like's not! You see, the lil people takes all manner o' shaapes, Mister Jan; an' they chaanges 'em tu, but every time they chaanges they've got to alter into somethin' smaller than what they was before. An' so, in coorse of time, they do say they comes down into muryans an' such like insects."

"Piskeys or no piskeys, I've caught several in a trap and killed them."

"They'm gashly things, rats, an' I shouldn't think as no good piskeys would turn into varmints like them."

"More should I. But something better than rats came to see me last night,
Joan. Guess who it was."

"I dunnaw."

"Why, you came!"

"Me, Mister Jan! You must a bin dreamin'!"

"Yes, of course I was; but such a lovely dream, Joan! You see, men who paint pictures and love what is beautiful and dream about beautiful things and beautiful people see all sorts of visions sometimes. I have pictures in my head a thousand times more splendid than any I shall ever put upon canvas, because mere paint-brushes cannot do much, even when they are in the cleverest hands; but a man's brain is not bound down by material, mechanical matters. My brain made a picture of you last night—a picture that came and looked at me on my fern bed—a picture so real, so alive that I could see it move and hear it laugh. You think that wonderful. It isn't really, because my brain has done nothing but think of you now for nearly six weeks. My eye studies you and stamps you upon my brain; then, when night comes, and no man works, and the world is dark and silent, my brain sets off on its own account and raises up a magic vision just to show me what you really are—how different to this poor daub here."

"Lard, Mister Jan! I never heard tell of sich a coorious thing as that."

"And the pretty dream-Joan can talk almost as well as you can! Why, last night, while I was half awake and half asleep, she put her hand upon my shoulder and said kind things, but I dared not move or kiss her hand at first for fear she would vanish if I did."

Joan laughed.

"That is a funny story, sure 'nough," she said. "I 'specs 'twas awnly another fairy body, arter all."

"No, it wasn't. She had your voice and your spirit in her; and that picture which my brain painted for me was so much better than the thing my hand has painted that, in the morning, I was almost tempted to destroy this altogether. But I didn't."

"An' what did this here misty sort o' maid say to 'e?"

"Strange things, strange things. Things I would give a great deal to hear you say. It seemed that you had come, Joan, it seemed that you had purposely come from your little cottage on the cliff through the darkness before dawn. Why? To share my loneliness, to brighten my poor shadowy life. Dreams are funny things, are they not? What d'you think you said?"

"Sure I dunnaw."

"Why, you said that you were not going to leave me any more; that you believed in me and that you had come to me because it was bad for a man to live all alone in the world. You said that you felt alone too—without me. And it made me feel happy to hear you say that, though I knew, all the time, that it was not the real beautiful Joan who spoke to me."

Thereupon the girl asked a question which seemed to argue some sharpening of intelligence within her.

"An' when I spoke that, what did you say, Mister Jan?"

"I didn't say anything at all. I just took that sweet Joan-of-dreams into my arms and kissed her."

He was looking listlessly out over the sea as he spoke, and Joan felt thankful his eyes were turned away from her, for this wonderful dream incident made her grow hot all over. He seemed to divine by her silence that his answer to her question had not added to her happiness.

"I shouldn't have told you that, Joan, only you asked me. You see, in dreams, we are real in some senses, though unreal in others. In dreams the savage part of us comes to the top and Nature can whisper to us. She chooses night to do so and often speaks to men in visions, because by day the voice of the world is in their ears and they have no attention for any other. It was strange, too, that I should fancy such a thing—should imagine I was kissing you—because I never kissed a woman in my life."

But from her point of view this falsehood was not so alluring as he meant to make it sound.

"'Twould be wrong to kiss any maiden, I reckon, onless you was tokened to her or she were your awn sister."

"But, as we look at life, we're all brothers and sisters, Joan—with Nature for our mother. We agreed about that long ago."

He turned to his easel, and she went and stood where her feet had already made a brown mark on the grass.

"I seen you last night, but you dedn' see me," she said, changing the conversation with abruptness.

"Yes, I did," he answered, "sitting under the shadow of the lighthouse, waiting for Mr. Tregenza, I expect."

"An' you never took no note o' me!"

He flung down his brushes, turned away from the picture before he had touched it, and went and lay near the edge of the cliff.

"Come here, Joan, and I will tell you why I didn't notice you, though I longed to do so. Come and sit down by me and I'll explain why I seemed so rude."

She came slowly and sat down some distance from him, putting her elbows on her knees and looking away to sea.

"'Tweern't kind," she said, "but when you'm with other folks, I s'pose you'm ashamed o' me 'spite what you tawld me 'bout yourself."

"You mustn't say that, Joan, or you'll make me unhappy. Ashamed of you! Is it likely I'm ashamed of the only friend I've got in the world? No, I'm frightened of losing you; I'm selfish; I couldn't make you known to any other man because I should be afraid you'd like him better than me, and then I should have no friend at all. So I wouldn't speak and reveal my treasure to anybody else. I'm very fond of my friend, and very proud of her, and as greedy as a miser over his gold."

Joan took a long breath before this tremendous assertion. He had told her in so many words that he was fond of her; and he had mentioned it most casually as a point long since decided. Here was the question which she had asked herself so often answered once for all. Her heart leaped at tidings of great joy, and as she looked up into his face the man saw infinite wonder and delight in her own. Mind was adding beauty to flesh, and he, fast losing the artist's instinct before another, thought she had never looked so lovely as then.

"Oh, Mister Jan, you'm fond o' me!"

"Why, didn't you know it, Joan? Did it want my words to tell you so? Hadn't you guessed it?"

He rose slowly and approached his picture.

"Oh, how I wish this was a little more like my dream and like reality! I need inspiration, Joan; I have reached a point beyond which I cannot go. My colors are dead; my soul is dead. Something must happen to me or I shall never finish this."

"Ban't you so well as you was?"

"No, Joan, I'm not. A thing has come between me and my happiness, between me and my picture. I know not what to call it. Nature has sent it."

"Then 'tis right an' proper, I s'pose?"

"I suppose so, but it stops work. It makes my hand shake and my heart throb fast and my brains grow hot."

"Can't 'e take no physic for't?"

"Why, yes, but I hesitate."

He turned to her and went close to her.

"Let me look at you, Joan—close—very close—so close that I can feel your breath. It was so easy to learn the furze; it is so hard to learn you."

"Sure I've comed out butivul in the picksher."

"Not yet, not yet."

He put his hands on her shoulders and looked into her eyes until she grew nervous and brushed her hand across her cheek. Then, without a second's warning, he bent down and kissed her on the mouth.

"Mister Jan! How could 'e! 'Tis wrong—wrong of 'e! I'd never a thot—"

She started from him, wild, alarmed, blushing hotly; and he shook his head at her dismay and answered very calmly, very seriously:

"It was not wrong, Joan, or I should not have done it. You heard me ask to whom I should pray for inspiration, and Nature told me I must seek it from you. And I have."

"You shouldn't never a done it. I trusted 'e so!"

"But I had to do it. Nature said 'Kiss her, and you will find what you want.' Do you understand that? I have touched you and I am awake and alive again; I have touched you, Joan, and I am not hopeless and sad, but happy. Nature thought of me, Joan, when she made you and brought you into the world; and she thought of sweet Joan when she fashioned Jan. Believe it—you must believe it."

"You did ought to a arsked me."

"Listen. Nature let you live quiet in the country—for me, Joan. She let me live all lonely in the world—for you. Only for you. Can't you understand?"

"You did ought to a arsked me. Kissing be wrong 'tween us. You knaws it,
Mr. Jan."

"It is right and proper and fair and beautiful," he said quietly. "My heart sang when I kissed you, Joan, and so did yours. D'you know why? Because we are two halves of a whole. Because the sunshine of your life would go out without me; because my life, which never had any sunshine in it until now, has been full of sunshine since I knew Joan."

"I dunnaw. 'Twadden a proper thing to do, seein' how I trusted 'e."

"We are children of Nature, Joan. I always do what she tells me. I can't help it. I have obeyed her all my life. She tells me to love you, Joan, and I do. I'm very sorry. I thought she had told you to love me, but I suppose I was wrong. Never mind this once. Forgive me, Joan. I'll even fight Nature rather than make you angry with me. Let me finish my picture and go away. Come. I've no business to waste your precious time, though you have been so kind and generous with it. Only I was tired and hopeless and you came like a drink of wine to me, Joan; and I drank too much, I suppose."

He picked up his brushes, spoke in a sad minor key, and seemed crushed and weary. The flash died from his face and he looked older again. Joan, the mistress of the situation, found it wholly bitter. She was bewildered, for affairs had proceeded with such rapidity. He had declared frankly that he loved her, and yet had stopped there. To her ideas it was impossible that a man should say as much as that to a woman and no more. Love invariably meant ultimate union for life, Joan thought. She could not understand any other end to it. The man talked about Nature as a little child talks of its mother. He had deemed himself entirely in the right; yet something—not Nature, she supposed—had told her that he was wrong. But who was she to judge him? Who was she to say where his conduct erred? He loved truth. It was not a lie to kiss a girl. He promised nothing. How could he promise anything or propose anything? Was she not another man's sweetheart? That doubtless had been the reason why he had said no more than that he loved her. To love her could be no sin. Nature had told him to; and God knew how she loved him now.

But she could not make it up with him. A cold curtain seemed to have fallen between them. The old reserve which had only melted after many meetings, was upon him again. He stood, as it seemed, on the former pedestal. A strange, surging sensation filled her head—a sense of helpless fighting against a flood of unhappy affairs. All the new glory of life was suddenly tarnished through her own act, and she felt that things could never be the same again.

She thought and thought. Then John Barron saw Joan's blue eyes begin to wink ominously, the corners of her bonny mouth drag down and something bright twinkle over her cheek. He took no notice, and when he looked up again, she had moved away and was sitting on the grass crying bitterly with her hands over her face. The sun was bright, a lark sang overhead; from adjacent inland fields came the jolt and clank of a plow with a man's voice calling to his horses at the turns. The artist put down his palette and walked over to Joan.

"My dear, my dear," he said, "d'you know what's making you so unhappy?"

She sobbed on and did not answer.

"I can tell you, I think. You don't quite know whether to believe me or not, Joan. That is very natural. Why should you believe me? And yet if you knew—"

She sat up, swallowed some of her tears, and smudged her face with her knuckles. He took a clean handkerchief from his pocket and handed it to her. It was cool and pleasant, and she went on crying a while, but tears which were comforting and different to the first stinging drops bred from a sudden, forlorn survey of life. He talked on, and his voice soothed her. He kept his distance, and presently, as her ruffled spirit grew calmer, his remarks assumed a brighter note.

"Has my poor little Lady of the Gorse forgiven me at last? She won't punish me any more, I know, and it is a very terrible punishment to see tears in her eyes."

Then she found her tongue again and words to answer him, together with fluttering sighs that told the tears were ended.

"I dunnaw why for I cried, Mr. Jan, but I seemed 'mazed like. I'm a stupid fule of a maid, I reckon, an' I s'pose 'tis auld-fashioned notions as I've got 'bout what be right an' wrong. But, coorse, you knaws better'n what I can; an' you'd do me no hurt 'cause you loves me—you've said it; an'—an'—I love 'e tu, Mister Jan, I 'sure 'e—better'n anything in all the world."

"Why, that's good, sweet news, Joan; and Nature told me the truth after all! We're bound to love one another. She made us for that very reason!"

He knew that her mind was full of the tangles of life and that she wanted him to solve some of the riddles just then uppermost in her own existence. He felt that Joe was in her thoughts, and he easily divined her unuttered question as to why Nature had sent Joe before she had sent him. But, though answers and explanations of her troubles were not likely to be difficult, he had no wish to make them or to pursue the subject just then. Indeed, he bid Joan depart an hour before she need have done so. Her face was spoiled for that sitting, and matters had progressed up to the threshold of the barrier. Before that could be broken down, she must be made to feel that she was necessary to the happiness of his life; as he already felt that she was necessary to the completion of his picture. She loved him very dearly, and he, though love was not possible to his nature, could feel the substitute. He had fairly stepped out of his impersonal shell into reality. Presently he would return to his shell again. For a moment a model had grown more to him than a picture; and he told himself that he must obey Nature in order adequately to serve Art.

He picked up the handkerchief he had lent Joan, looked at the dampness of the tear-stains, and then spread it in the sun to dry.

CHAPTER TWELVE

JOAN WALKS HOME

While John Barren determined that a space of time extending over some days should now separate him from Joan, she, for her part, had scarce left Gorse Point after the conversation just chronicled when there came a great longing in her heart to return thither. As she walked home she viewed wearily the hours which lay between her and the following morning when she might go back to him and see his face again. Time promised to drag for the next day and night. Already she framed in her mind the things her mouth should say to-morrow; and that almost before she was beyond sight of the man's easel. Her fears had vanished with her tears. The future was entirely in his hand now, for she had accepted his teaching, endeavored to look at life with his eyes, made his God her own, so far as she had wit to gather what his God was. She accepted the situation with trust, and felt responsibility shifted on to "Mister Jan's" shoulders with infinite relief. He was very wise and knew everything and loved the truth. It is desirable to harp and harp upon this ever-recurring thought: the artist's grand love for truth; because all channels of Joan's mind flowed into this lake. His sincerity begat absolute trust. And, as John Barren and his words and thoughts filled the foreground of life for her, so, correspondingly, did the affairs of her home, with all the circumstances of existence in the old environment, peak and dwindle toward shadowy insignificance. Her father lost his majestic proportions; the Luke Gospelers became mere objects for compassion; the petty, temporal interests and concerns of the passing hour appeared mere worthless affairs for the occupation and waste of time. "Mister Jan" loved her, and she loved him, and what else mattered? Past hours of unrest and wakefulness were forgotten; her tears washed the dead anxieties clean away; and the kiss which had caused them, though it scorched her lip when it fell there, was now set as a seal and a crowning glory to her life. He never kissed any other woman. That pledge of this rare man's affection had been won by the magic of love, and Joan welcomed Nature gladly and called it God with a warm heart and thankful soul; for Nature had brought about this miracle. Her former religion worked no wonders; it had only conveyed terror to her and a comprehensive knowledge of hell. "Mister Jan" smiled at hell and she could laugh at her old fears. How was it possible to hesitate between two such creeds? She did not do so, and, with final acceptation of the new, and secret rejection of the old, came a great peace to Joan's heart with the whisper of many voices telling her that she had done rightly.

So the storm gave place to periods of delicious calm and content only clouded by a longing to be back with the artist again. He loved her; the voice of his love was the song of the spring weather, and the thrush echoed it and the early flowers wrote it on the hedgerows. God was everywhere to her open eyes. Everything that was beautiful, everything that was good, seemed to have been created for her delight during that homeward walk. She was mightily lifted up. Nature seemed so strong, so kind, such a guardian angel for a maiden. And the birds sang out that "Mister Jan" was Nature's priest and could do no wrong; and that to obey Nature was the highest good.

From which reflection rose a hazy happiness—dim, beautiful and indefinable as the twinkling gold upon the sea under the throne of the sun. Joan dwelt on the memory of the day which was now over for her, and on the thought of morning hours which to-morrow would bring. But she looked no further; and backward she did not gaze at all. No thought of Joe Noy dimmed her mental delight; no shadowy cloud darkened the horizon then. All was bright, all perfect. Her mind seemed to be breaking its little case, as the butterfly bursts the chrysalis. Her life till then had been mere grub existence; now she could fly and had seen the sun drawing the scent from flowers. Great ideas filled her soul; new emotions awoke; she was like a baby trying to utter the thing he has no word for; her vocabulary broke down under the strain, and as she walked she gave thanks to Nature in a mere wordless song, like the lark, because she could not put her acknowledgment into language. But the great Mother, to whom Life is all in all, the living individual nothing, looked on at a world wakening from sleep and viewed the loves of the flowers and the loves of the birds and beasts and fishes with concern as keen as the love in the blue eyes of Joan upon her homeward way.

Busy indeed at this vernal season was the mysterious Nurse of God's little world. Her hands rested not from her labors. She worked strange wonders on the waste, by magic of a million breaking buds, by burying of the dead, by wafting of subtle pollen-life from blossom to blossom. And in cliffs above the green waters the nests of her wild-fowl were already lined with wool and feather; neither were her samphires forgotten in their dizzy habitations; and salt spray sprinkled her uncurling sea ferns in caves and crannies where they grew. She laughed at the porpoises rolling their fat sides into sunshine; she brought the sea-otter where it should find fish for its young; she led giant congers to drowned men; she patted the sleek head of the sad-eyed seal. Elsewhere she showed the father-hawk a leveret crouching in his form; she took young rabbits to the new spring grass; the fox to the fowl, the fly to the spider, the blight to the bud. Her weakly nestlings fell from tree and cliff to die, but she beheld unmoved; her weasel sucked the gray-bird's egg, yet no hand was raised against the thief, no voice comforted the screaming agony of the mother. With the van of her legions she moved, and the suffering stragglers cried in vain, for her concerns were not with them. She did no right, she worked no evil; she was not cruel, neither shall we call her kind. The servant of God was she, then as always, heedful of His utterances, obedient to His laws. Which laws, when man better divines, he shall learn thy secret too, Nurse of the world, but not sooner.

CHAPTER THIRTEEN LONELY DAYS

Having already learned from experience that hard work quickens the flight of time, Joan, returning in happy mood to her home and with no trace of the past tears upon her cheeks, surprised Mrs. Tregenza by a display of most unusual energy and activity. She helped the butcher to get the pig into a low cart built expressly for the conveyance of such unwieldy animals; she looked mournfully at her departing companion, knowing that the morrow had nothing for him but a knife, that he had eaten his last meal. And while Joan listened to the farewell grunts of the fattest pig which had ever adorned her father's sty, Mrs. Tregenza counted the money and bit a piece here and there, and wondered if she could get the next young pig from Uncle Chirgwin for even a lower figure than the last.

The day which had wrought such wonders for Joan's inner life, and brought to her eyes a sort of tears unshed till then, ended at last, and for her a sleepless night followed upon it. Not until long past one o'clock in the morning did she lose consciousness, and then the thoughts of the day broke loose again in visions, taking upon themselves fantastic shapes and moving amid dream scenery of strange splendor. Now it was her turn to conjure brain pictures out of fevered thoughts, and she woke at last with a start in the dawn, to see a faint light painting the square of her bedroom window. Looking out, she found the world dimly visible, a darker shadow through the gloom where the fishing-boats were gathering in the bay, the lighthouse lamp still shining, stars twinkling overhead, absolute silence everywhere, and a cold bite about the air. The girl went back to bed again, but slept no more and anon arose, dressed, set about morning duties, and, much to Mrs. Tregenza's astonishment, had the fire burning and breakfast ready by the time her stepmother appeared.

"Aw jimmery!" Thomasin exclaimed, as Joan came in from the outhouse to find her warming cold hands at the fire, "I couldn't b'lieve my eyes at first an' thot the piskey men had come to do us a turn spite o' what faither sez. You've turned over a leaf seemin'ly. Workin' out o' core be a new game for you."

"I couldn' sleep for thinkin' 'bout—'bout the pig an' wan thing an' 'nother."

"He's pork now, or nearly. You heard butcher promise me some nattlins, dedn' 'e? You'd best walk up to Paul bimebye an' fetch, 'em. 'Tis easier to call to mind other folk's promises than our awn. He said the same last pig-killin' an' it comed to nort."

Joan escaped soon after breakfast and set off eagerly enough. She took a basket with her and designed to call at Paul on the way home again. Moreover, she chose a longer route to Gorse Point than that through Mousehole, for her very regular habits of late had caused some comment in that village, and more than one acquaintance had asked her, half in jest, half in earnest, who it was she went to see up Mousehole hill. This had frightened Joan twice already, and to-day, for the first time, she took the longer route above Paul Church-town. It brought her over fields near the cow-byre where Barren spent much of his time and kept his picture; and when she saw her footpath must pass the door of the little house, a flutter quickened her pulses and she branched away over the field and proceeded to the cliffs through a gap in the hedge some distance from the byre.

But as Joan came out upon the sward through the furzes her heart sank in sight of loneliness. She was not early to-day, but she had come earlier than "Mister Jan." The gray figure was invisible. There were the marks on the turf where his easel and camp-stool stood; there was the spot his feet were wont to press, and her own standing-point against the glimmering gorse; but that was all. She knew of no reason for his delay. The weather was splendid, the day was warm, and he had never been so late before within her recollection. Joan, much wondering, sat down to wait with her eyes upon the sea, her ears alert for the first footstep, and her mind listening also. Time passed, and indefinite uneasiness grew into a fear; then that expanded and multiplied as her mind approached the problem of "Mister Jan's" non-appearance from a dozen different standpoints. Hope declared some private concern had kept him and he would not be long in coming; fear inquired what unforeseen incident was likely to have risen since yesterday—asked the question and answered it a dozen ways. The girl waited, walked here and there, scanned the footpath and the road, returned, sat down in patience, ate a cake she had brought, and so whiled the long minutes away. The fears grew as hour and half-hour passed—fears for him, not herself. The crowning despair did not touch her mind till later, and her first sorrow was a simple terror that harm had fallen upon the man. He had told her that he valued life but little, that at best no great length of days awaited him; and now she thought that wandering about the cliffs by night he might have met the death he did not fear. Then she remembered he was but a sick man always, with frail breathing parts; and her thoughts turned to the shed, and she pictured him lying ill there, unable to communicate with friends, perhaps waiting and praying long hours for her footfall as she had been waiting and praying for his. Upon this most plausible possibility striking Joan, her heart beat at her breast and her cheeks grew white. She rose from her seat upon the cliff, turned her face to the cow-byre and made a few quick steps in that direction. Then a vague flutter of sense, as of warning where no danger is visible, slowed her speed for a moment; but her heart was strung to action, and the strange new voice did not sound like Nature's, so she put it aside and let it drown into silence before the clamor of fear for "Mister Jan's" well-being. Indeed, that dim premonitory whisper excited a moment's anger in the girl that any distrust could shadow her love for such a one at such a time. She hated herself, held the thought a sin of her own commission, and sped onward until she stood upon the northern side of the byre in a shadow cast from it by the sun. The place was padlocked, and at that sight Joan's spirits, though they rose in one direction, yet fell in another. One fear vanished, a second loomed the larger; for the padlock, while it indicated that the artist had left his lonely habitation for the time, did not explain his absence now or dispel the possibilities of an accident or disaster. The tar-pitched double door of the shed was fast and offered no peep-hole; but Joan went round to the south side, where an aperture appeared and where a little glass window had taken the place of the wooden shutters. Sunshine lighted the shed inside; she could see every detail of the chamber, and she photographed it on her mind with a quick glance. A big easel with the life-size picture of herself upon it stood in the middle of the shed, and a smaller easel appeared hard by. The artist's palettes, brushes and colors littered a bench, and bottles and tumblers were scattered among them. Two pipes which she had seen in his mouth lay together upon a box on the floor, and beside them stood a tin of tobacco wrapped in yellow paper. A white umbrella and some sticks stood in one corner, and another she saw was filled by some railway rugs spread over dried bracken. Two coats hung on nails in the wall, and above one was suspended a Panama hat which Barren often wore when painting. Something moved suddenly, and, looking upon the stone floor, she saw a rat-trap with a live rat in it. The beast was running as far as it could this way and that, poking its nose up and trying the roof of its prison. She noticed its snout was raw from thrusting between the wire, and she wished she could get in to kill it. She did not know that it was a mother rat with young ones outside squeaking faintly in the stack of mangel-wurzels; she did not know, as it hopped round and round, that its beady eyes were glittering with a great agony, and that the Mother of all was powerless to break down a mere wire or two and save it.

Presently, worn and weary, Joan trudged home again, with no very happy mind. She found food for comfort in one reflection alone: the artist had made no special appointment for that day, and it might be that business or an engagement at Newlyn, Penzance or elsewhere was occupying his time. She felt it must be so, and tried hard to convince herself that he would surely be at the usual spot upon the morrow.

So she walked home unhappy; and time, which had dragged yesterday, to-day stood still. Before night she had lived an age; the hours of darkness were endless, but her father's return furnished excuse for another morning of early rising; and when Gray Michael and Tom had eaten, donned clean raiment and returned to the sea, Joan, having seen them to the pierhead, did not go home, but hastened straight away for Gorse Point, and arrived there earlier than ever she had done before. There was something soothing to her troubled mind in being upon the spot sacred to him. Though he was not present, she seemed closer far to him on Gorse Point than anywhere else. His foot had marked the turf there; his eye had mirrored the furzes a hundred times; she knew just where his shadow had fallen as he stood painting, and the spot upon which he was wont to sit by the cliff-edge when came the time for rest. Beside this holy place she now seated herself and waited with hope higher in the splendor of morning; for sorrows, fears and ills are always blackest when the sun has set, and every man or woman can better face trouble on opening their eyes in a sunny dawn than after midnight has struck, a sad day left them weakened, and nothing wakes in the world but Care and themselves.

The morning wore away, and the old fears returned with greater force to chill her soul. The sun was burnishing the sea, and she watched Mousehole luggers putting out and dancing away through the gold. Under the cliffs the gulls wheeled with sad cries and the long-necked cormorants hastened backward and forward, now flying fast and low over the water, now fishing here and there in couples. She saw them rear in the water as they dived, then go down head first, leaving a rippling circle which widened out and vanished long before the fishers bobbed up again twenty yards further on. Time after time she watched them, speculating vaguely after each disappearance as to how long the bird would remain out of sight. Then she turned her face to the land, weary of waiting, weary of the bright sea and sky, and the music of the gulls, and of life. She sat down again presently, and put her hand over her face and struggled with her thoughts. Manifold fears compassed her mind about, but one, not felt till then, rose now, a giant above the rest. Yesterday she had been all alarm for "Mister Jan"; to-day there came terror for herself. Something said "He has gone, he has left you." Her brain, without any warning, framed the words and spoke them to her. It was as though a stranger had brought the news, and she rose up white and stricken at this fatal explanation of the artist's continued absence. She put the thought from her as she had put another, but it returned with pertinacity, and each time larger than before, until the fear filled all her mind and made her wild and desperate, under the conviction of a sudden, awful life-quake launched against her existence to shatter all her new joy and dash the brimming cup of love from her lips.

Hours passed, and she grew somewhat faint and hollow every way—in head and heart and stomach. Her eyes ached, her brains were worn out with thinking; she felt old, and her body was heavy and energy dead. The world changed, too. The gorse looked strange as the sun went round, the lark sang no more, the wind blew coldly, and the sea's gold was darkened by a rack of flying clouds whose shadows fell purple and gray upon the waters. He had gone; he had left her; perhaps she would never see him or hear of him again. Then the place grew hateful to her and terrible as a grave. She dragged herself away, dizzy, weary, wretched; and not until half way home again did she find power to steady her mind and control thought. Then the old alarm returned—that first fear which had pictured him dead, perhaps even now rolling over and over under the precipices, or hid forever in the cranny of some dark cavern at the root of the cliffs, where high tides spouted and thundered and battered the flesh off his bones against granite. She suffered terribly in mind upon that homeward journey. Her own light and darkness mattered nothing now, and her personal and selfish fears had vanished before she reached Newlyn. She was thinking how she should raise an alarm, how she should tell his friends, who possibly imagined "Mister Jan" safe and comfortable in his cow-byre. But who were his friends and how should she approach them without such a step becoming known and getting talked about? Her misery was stamped on her face when she at last returned to the white cottage at three o'clock in the afternoon of that day, and Mrs. Tregenza saw it there.

"God save us! wheer you bin to, an' what you bin 'bout? You'm so pasty an' round-eyed as if you'd bin piskey-led somewheers. An' me worn to death wi' work. An' wheer'm the nattlins an' the basket?"

Joan had quite forgotten her commission and left the basket on Gorse Point.

"I'll gaw back bimebye," she said. "I bin walkin' 'long the cliffs in the sun an' forgot the time. Gimme somethin' t'ate, mother; I be hungry an' fainty like wi' gwaine tu far. I could hardly fetch home."

"You'm a queer twoad," said Thomasin, "an' I doan't knaw what's come over 'e of late days. 'Pears to me you'm hidin' summat; an' if I thot that, I'd mighty quick get faither to find out what 'twas, I can tell 'e."

Then she went off, and brought some cold potatoes and dripping, with bread and salt, and a cup of milk.

CHAPTER FOURTEEN

LESSONS LEARNED

The lesson which he had set for Joan Tregenza's learning taught John Barron something also. Eight-and-forty hours he stayed in Newlyn, and was astounded to find during that period what grip this girl had got upon his mind, how she had dragged him out of himself. His first thought was to escape all physical excitement and emotion by abandoning his picture almost upon the moment of its completion and abandoning his model too; but various considerations cried out against such a course. To go was to escape no difficulty, but to fly from the spoils of victory. The fruit only wanted plucking, and, through pleasure, he believed that he would proceed to speedy, easy and triumphant completion of his picture. No lasting compunction colored the tenor of his thoughts. Once, indeed, upon the day when he returned to Gorse Point and saw Joan again, some shadow of regret for her swept through his brain; but that and the issue of it will be detailed in their place.

Time went heavily for him away from Joan. He roamed listlessly here and there and watched the weather-glass uneasily; for this abstention from work was a deliberate challenge to Providence to change sunshine for rain and high temperature for low. Upon the third day therefore he returned at early morning to his picture in the shed. The greater part was finished, and the masses of gorse stood out strong, solid and complete with the slender brown figure before them. The face of it was very sweet, but to Barron it seemed as the face of a ghost, with no hot blood in its veins, no live interests in its eyes.

"'Tis the countenance of a nun," he said sneeringly to himself. "No fire, no love, no story—a sweet virgin page of life, innocent of history or of interest as a new-blown lily." The problem was difficult, and he had now quite convinced himself that solution depended on one course alone. "And why not?" he asked himself. "Why, when pleasures are offered, shall I refuse them? God knows Nature is chary enough with her delights. She has sowed death in me, here in my lungs. I shall bleed away my life some day or die strangled, unless I anticipate the climax and choose another exit. Why not take what she throws to me in the meantime?"

He walked down to the Point, set up his easel and waited, feeling that Joan had certainly made two pilgrimages since his last visit and little doubting that she would come a third time. Presently indeed she did, scarcely daring to raise her eyes, but flushing with great waves of joy when she saw him, and crying "Mister Jan!" in a triumphant ripple of music from a full heart. Then the artist rose very boldly and put his arms round her and looked into her face, while she nestled close to him and shut her eyes with a sigh of sheer content and thankfulness. She had learned her lesson thoroughly enough; she felt she could not live without him now, and when he kissed her she did not start from the caress, but opened her eyes and looked into his face with great yearning love.

"Oh, thank the good God you'm comed back agin to me! To think it be awnly two lil days! An' the time have seemed a hunderd years. I thot 'e was lost or dead or killed, an' I seed 'e, when I slept, a tossin' over down in the zawns [Footnote: Zawns—Sea caves.] where the sea roars an' makes the world shake. Oh, Mister Jan, an' I woke screamin', an' mother comed up, an' I near spoke your name, but not quite."

"You need not have feared for me, Joan, though I have been very miserable too, my little sweetheart; I have indeed. I was overworked and worried and wretched, so I stopped in Newlyn, but being away from you had only taught me I cannot exist away from you. The time was long and dreary, and it would have been still worse had I known that you were unhappy."

"'Tweer wisht days for me, Mister Jan. I be such a poor lass in brains, an' I could awnly think of trouble 'cause I loved 'e so true. 'Tedn' like the same plaace when you'm away. Then I thot you'd gone right back to Lunnon, an' I judged my heart 'ud break for 'e, I did."

"Poor little blue-eyed woman! Could you really think I was such a brute?"

"'Twas awnly wan thot among many. I never thot so much afore in my life. An' I looked 'bout tu; an' I went up to the lil byre, where your things was, an' peeped in en. But I seed naught of 'e, awnly a gashly auld rat in a trap. But 'e won't gaw aways like that ag'in, will 'e?"

"No, no. It was too bad."

"Coorse I knawed that if all was well with 'e, you'd a done the right thing, but it 'peared as if the right thing couldn' be to leave me, Mister Jan—not now, now you be my world like; 'cause theer edn' nothin' or nobody else in the world but you for me. 'Tis wicked, but t'others be all faded away; an' faither's nort, an' Joe's nort, alongside o' you."

He did not answer, and began to paint. Joan's face was far short of looking its best; there were dark shadows under her eyes and less color than usual brightened her cheeks. He tried to work, but circumstances and his own feelings were alike against him. He was restless and lacked patience, nor could his eye see color aright. In half an hour he had spoiled not a little of what was already done. Then he took a palette-knife, made a clean sweep of much previous labor and began again. But the music of her happy voice was in his blood. The child had come out of the valley of sorrow and she was boisterously happy and her laughter made him wild. Mists gathered in his eyes and his breath caught now and again. Passion fairly gripped him by the throat till even the sound of his own voice was strange to him and he felt his knees shake. He put down his brushes, turned from the picture, and went to the cliff-edge, there flinging himself down upon the grass.

"I cannot paint to-day, Joan; I'm too over-joyed at getting you back to me. My hand is not steady, and my Joan of paint and canvas seems worse and feebler than ever beside your flesh and blood. You don't know—you cannot guess how I have missed you."

"Iss fay, but I can, Mister Jan, if you felt same as what I done. 'Tweer cruel, cruel. But then you've got a many things an' folks to fill up your time along with; I abbun got nothin' now but you."

"I expect Joe often thinks about you."

"I dunnaw. 'Tis awful wicked, but Joe he gone clean out my mind now. I thot I loved en, but I was a cheel then an' I didn't 'sackly knaw what love was; now I do. 'Twadden what I felt for Joe Noy 'tall; 'tis what I feels for you, Mister Jan."

"Ah, I like to hear you say that. Nature has brought you to me, Joan, my little jewel; and she has brought Jan to you. You could not understand that last time I told you; now you can and you do. We belong to each other—you and I—and to nobody else."

"I'd be well content to belong to 'e, Mister Jan. You'm my good fairy, I reckon. If I could work for 'e allus an' see 'e an' 'ear 'e every day, I shouldn' want nothin' better'n that."

Then it was that the shade of a compunction and the shadow of a regret touched John Barron; and it cooled his hot blood for a brief moment, and he swore to himself he would try to paint her again as she was. He would fight Nature for once and try if pure intellect was strong enough to get the face he wanted on to the canvas without the gratification of his flesh and blood. In which determination glimmered something almost approaching to self-sacrifice in such a man. He did not answer Joan's last remark, but rose and went to his picture, and she, thinking herself snubbed by his silence after her avowal, grew hot and uncomfortable.

"The weather is going to change, sweetheart," he said, allowing himself the luxury of affectionate words in the moment of his half-hearted struggle; "the weather-glass creeps back slowly. We must not waste time. Come, Joan; we are the children of Nature, but the slaves of Art. Let me try again."

But she, who had spoken in all innocence and with a child's love, was pained that he should have taken no note of her speech. She was almost angry that he had power to conjure such words to her lips; and yet the anger vanished from her mind quickly enough and her thoughts were all happy as she resumed her pose for him.

The past few days had vastly deepened and widened her mental horizon; and now Barron for the first time saw something of what he wanted in her eyes as she gazed away over the sea and did not look at him as usual. There, sure enough, was the soul that he knew slept somewhere, but had never seen until then. And the sight of it came as a shock and swept away his sophistries and ugly-woven ideas. Inclination had told him that Nature, through one channel only, would bring the mystery of hidden thought to Joan's blue eyes, and he had felt well satisfied to believe it was so; but now even the plea of Art could not excuse the thing which had grown within him of late, for experiences other than those he dreamed of had glorified the frank blue eyes and brought mind into them. Now it only remained for him to paint them if he could. Not wholly untroubled, but never much more beautiful than that morning, Joan gazed out upon the remote sea. Then the thoughtful mood passed, and she laughed and babbled again, and the new-born beauty departed from her eyes for a season, and the warm blood raced through her veins, and she was all happiness. Meanwhile nothing came of his painting and he was not sorry when she ended the ordeal.

"The bwoats be comin' back home along, Mister Jan. I doan't mark faither's yet, but when 'tis wance in sight he'll be to Newlyn sooner'n me. So I'd best be gwaine, though it edn' more than noon, I s'pose. An' my heart's a tidy sight lighter now than 'tweer issterday indeed."

"I'm almost afraid to let you go, Joan."

She looked at him curiously, waiting for his bidding, but he seemed moody, and said no more.

"When be you comin' next?"

"To-morrow and to-morrow and to-morrow, my pearl above price. It is so hard, so very hard," he answered. "Fine or wet I shall be here to-morrow, for I am not going back to Newlyn again till my work is done. Three more sittings, Joan, if you have enough patience—"

"In coorse, Mister Jan."

She did not explain to him what difficulties daily grew in the way of her coming, how rumor was alive, and how her stepmother had threatened more than once to tell Gray Michael that his wayward daughter was growing a gadabout. Joan had explained away her roaming with a variety of more or less ingenious lies, and she always found her brain startlingly fertile where the artist and his picture were concerned. She felt little doubt that three more visits to Gorse Point might be achieved—ay, and thirty more if necessary. But afterward? What would follow the painting of the picture? She asked herself the question as he kissed her, with a kiss that was almost rough, while he bid her go quickly; and the former reply to every doubt made answer. Her fears fled as usual before the invigorating spectacle of this sterling, truth-loving man. With him all the future remained and with him only. Hers was the pleasant, passive task of obedience to one utterly trusted and passionately loved. Her fate lay hidden in his heart, as the fate of the clay lies hid in the brain of the potter.

And so home she went, walking in a sunshine of her own thoughts. The clouds were gone; they massed gloomily on the horizon of the past; but looking forward, she saw no more of them. All time to come was at the disposition of the wisest man she had ever met. She did not know or guess at the battle which this same wise man had fought and lost under her eyes; she gathered nothing of the truth from his gloom, his silence, his changed voice, his sudden farewell. She did not know passion when she saw it; and the ugly visible signs thereof told no tale to her.

CHAPTER FIFTEEN

STORM

That night the change came and the wind veered first to the south, then to the southwest. By morning, gray clouds hid the sky and hourly grew darker and lower. As yet no rain fell, but the world had altered, and every light-value, from an artist's standpoint, was modified.

John Barren sat by his stove in the byre, made himself a cup of black coffee, and presently, wrapped in a big mackintosh, walked out to Gorse Point. His picture he left, of course, at the shed, for painting was out of the question.

Nature, who had been smiling so pleasantly in sunshine these many days, now awoke in a grim gray mood. The sea ran high, its white foam-caps and ridges fretting the rolling volume of it; the luggers fought their way out with buried noses and laboring hulls; rain still held off, but it was coming quickly, and the furze and the young grasses panted for it on Gorse Point. Below the cliffs a wild spirit inhabited the sea fowl, and they screamed and wheeled in many an aerial circle, now sliding with motionless outstretched wing upon the gathering gale, now beating back against it, now dancing in a fleet and making music far away in the foam. Upon the beach the dry sand whipped round in little whirls and eddies where wind-gusts caught it; the naked rocks poked shining weed-covered heads out of a low tide, and the wet white light of them glimmered raw through the gray tones of the atmosphere. Now and then a little cloud of dust would puff out from the cliff-face where the wind dislodged a dry particle of stone or mould; elsewhere Barren saw the sure-rooted samphire and tufts of sea-pink, innocent of flowers as yet; and sometimes little squeaking dabs of down might also be observed below where infant gulls huddled together in the ledges outside their nests and gazed upon a condition of things as yet beyond their experience.

Joan came presently to find the artist looking out at the sea.

"You ban't gwaine to paint, I s'pose, 'cause o' this ugly fashion weather?" she said.

"No, sweetheart! All the gold has gone out of the world, and there is nothing left but lead and dross. See how sharp the green is under the gray, and note the clearness of the air. Everything is keen and hard upon the eye to-day; the sky is full of rain and the sea is a wild harmony in gray and silver."

"Iss, the cleeves be callin' this marnin'. 'Tis a sort o' whisper as comes to a body's ear, an' it means that the high hills knaws the rain is nigh. An' they tell it wan to t'other, and moans it mournful over the valleys 'pon the wind. 'The storm be comin', the storm be comin',' they sez."

The south and west regions of distance blackened as they sat there on the cliff, and upon the sea separate heavy gusts of wind roughened up the hollows of the waves. Which effect seen from afar flickered weirdly like a sort of submarine lightning shivering white through dark water. Presently a cloud broke, showing a bank of paler gray behind, and misty silver arrows fell in broad bands of light upon the sea. They sped round, each upon the last, like the spokes of a gigantic wheel trundling over the world; then the clouds huddled together again and the gleam of brightness died.

"You'm wisht this marnin', Mister Jan. You abbun so much as two words for me. 'Tis 'cause you caan't paint your picksher, I reckon."

He sighed and took her hand in his.

"Don't think that, my Joan. Once I cared nothing for you, everything for my picture; now I care nothing for my picture, everything for you. And the better I love you, the worse I paint you. That's funny, isn't it?"

"Iss, 'tis coorious. But I'm sure you do draw me a mighty sight finer than I be. 'Tis wonnerful clever, an' theer edn' no call to be sad, for no man else could a done better, I lay."

He did not answer, and still held her hand. Then there came a harder breath of wind with a sob of sound in it, while already over the distant sea swept separate gray curtains of rain.

"It's coming, Joan; the storm. It's everywhere, in earth and air and water; and in my blood. I am savage to-day, Joan, savage and thirsty. What will be the end of it?"

He spoke wildly, like the weather. She did not understand, but she felt his hand clinch tightly over hers, and, looking at the white thin fingers crooked round her wrist, they brought to her mind the twisted claws of a dead sea-gull she remembered to have found upon the beach.

"What will be the end of it, Joan? Can't you answer me?"

"Doan't 'e, Mister Jan; you'm hurtin' my hand. I s'pose as a sou'westerly gale be comin'. Us knaws 'em well enough in these paarts. Faither reckoned theer was dirty weather blawin' up 'fore he sailed. He was away by daylight. The gales do bring trouble to somebody most times."

"What will be the end of us, I mean, not of the weather? The rain will come and the clouds will melt, and we know, as sure as God's in heaven, that we shall see sunshine and blue sky again. But what about our storm, Joan; the storm of love that's burst in my heart for you—what follows that?"

His question frightened her. She had asked herself the same and been well content to leave an answer to him. Here he was faced with a like problem and now invited her to solve it.

"I dunnaw. I thot such love never comed to no end, Mister Jan. I thot 'tweer good to wear; but—but how do I knaw if you doan't?"

"You trust me, Joan?"

"Why, who should I trust, if 'tweern't you? I never knawed any person else as set such store 'pon the truth. I doan't s'pose the cherrybims in heaven loves it more'n what you do."

"Here's the rain on the back of the wind," he said.

A few heavy drops fell, cold as ice upon his burning face, and Joan laughed as she held out her hand, on which a great splash as big as a shilling had spread.

"That be wan of Tregagle's tears," she said, "an' 'tis the voice of en as you can hear howlin' in the wind. He's allus a bawlin' an' squealin', poor sawl, but you can awnly hear en now an' again 'fore a storm when the gale blaws his hollerin' this way."

"Who was Tregagle?"

"He was a lawyer man wance, an' killed a many wives, an' did a many shameful deeds 'fore he went dead. Then, to Bodmin Court, theer comes a law case, an' they wanted Tregagle, an' a man said Tregagle was the awnly witness, and another said he wadden. The second man up an' swore 'If Tregagle saw it done, then I wish to God he may rise from's graave and come this minute.' Then, sure enough, the ghost of Tregagle 'peared in the court-house an' shawed the man was a liar. But they couldn' lay the ghost no more arter; an' it was a devil-ghost, which is the worstest kind; an' it stuck close to thicky lyin' man an' wouldn' leave en nohow. But at last a white witch bound the spirit an' condemned it to empty out Dosmery Pool wi' a crogan wi' a hole in it. A crogan's a limpet shell, which you mightn't knaw, Mister Jan. Tregagle, he done that party quick, an' then he was at the man again; but a passon got the bettermost of en an' tamed en wi' Scripture till Tregagle was as gentle as a cheel. Then they set en to work agin an' bid en make a truss o' sand down in Gwenvor Cove, an' carry it 'pon his shoulder up to Carn Olva. Tregagle weer a braave time doin' that, I can 'sure 'e, but theer comed a gert frost wan winter, an' he got water from the brook an' poured it 'pon the truss o' sand, so it froze hard. Then he carried it up Carn Olva; an' then, bein' a free spirit agin, he flew off quicker'n lightning to that lyin' man to tear en to pieces this time. But by good chance, when Tregagle comed to en, the man weer carryin' a lil baaby in's arms—a lil cheel as had never done a single wicked act, bein' tu young; so Tregagle couldn' do no hurt. An' they caught en again, an' passon set en 'pon another job: to make a truss o' sand in Whitsand Bay wi'out usin' any fresh water. But Tregagle caan't never do that; so he cries bitter sometimes, an' howls; an' when 'e howls you knaw the storm's a comin' to scatter the truss o' sand he's builded up."

Barron followed the legend with interest. Tregagle and his victim and the charm of the pure child that saved one from the other filled his thought and the event to which Fate was now relentlessly dragging him. He argued with himself a little; then the rain came down and the wind leaped like a lion over the edge of the land, and the man's blood boiled as he breathed ocean air.

"Us'll be wetted proper. I'll run for it, Mister Jan, an' you'd best to go up-long to your lil lew house. Wet's bad for 'e, I reckon."

"No," he said, "I can't let you go, Joan. Look over there. Another flood is going to burst, I think. Follow me quickly, quickly."

The rain came slanting over the gorse in earnest, but Joan hesitated and hung back. Louder than the wind, louder than the cry of the birds, than the howling of Tregagle, than the calling of the cleeves, spoke something. And it said "Turn, on the wing of the storm; fly before it, alone. Let this man walk in the teeth of the gale if he will; but you, Joan Tregenza, follow the wind and set your face to the east, where the sole brightness now left in the sky is shining."

Sheets of gray swept over them; the world was wet in an instant; a little mist of water splashed up two inches high off the ground; the gorse tossed and swayed its tough arms; the sea and the struggling craft upon it vanished like a dream; from the heart of the storm cried gulls, themselves invisible.

"Come, Joan, we shall be drowned."

He had wrapped her in a part of the mackintosh, and laughed as he fastened them both into it and hugged her close to himself. But she broke away, greatly fearing, yet knowing not what she feared.

"I reckon I'd best run down fast. Indeed an' I want to go."

"Go? Where? Where should you go? Come to me, Joan; you shall; you must. We two, sweetheart—we two against the rain and the wind and the world. Come! It will kill me to stand here, and you don't want that."

"But—"

"Come, I say. Quicker and quicker! We two—only we two. Don't make me command you, my priceless treasure of a Joan. Come with me. You are mine now and always. Quicker and quicker, I say. God! what rain!"

Still she hesitated and he grew angry.

"This is folly, madness. Where is your trust and belief? You don't trust, nor love, nor—"

"Doan't 'e say that! Never say that! It edn' true. You'm all to me, an' you knaws it right well, an' I'll gaw to the world's end with 'e, I will—ay, an' trust 'e wi' my life!"

He moved away and she followed, hastening as he hastened. Unutterable desolation marked the spot. Life had vanished save only where sheep clustered under a bank with their tails to the weather, and long-legged lambs blinked their yellow eyes and bleated as the couple passed. Despite their haste the man and the girl were very wet before reaching the shelter of the byre. Rain-water dribbled off his cap on to his hot face and his feet were soaking. Joan was breathless with haste; her draggled skirts clung to her; and the struggle against the storm made her giddy.

So they reached the place of shelter; and the gale burst over it with a great, crowning yell of wind and hurtle of rain. Then John Barren opened the byre door and Joan Tregenza passed in before him; whereupon he followed and shut the door.

A loose slate clattered upon the roof, and from inside the byre it sounded like a hand tapping high above the artist's bed of brown fern—tapping some message which neither the man nor the girl could read—tapping, tapping, tapping tirelessly upon ears wholly deaf to it.

BOOK TWO

NATURE

CHAPTER ONE

AN INTERVAL

For a week the rain came down and it blew hard from the west. Then the weather moderated, and there were intervals of brightness and mild, damp warmth that brought a green veil trembling over the world like magic. The elms broke into a million buds, the pear trees in sunny corners put forth snowy flowers; the crimson knobs of the apple-blossom prepared to unfold. In the market gardens around and about Newlyn the plums were already setting, the wallflowers, which make a carpet of golden-brown beneath the fruit-trees in many orchards, were velvety with bloom; the raspberry canes, bent hoop-like in long rows, beautifully brightened the dark earth with young green; and verdure likewise twinkled even to the heart of the forests, to the stony nipples of the moor's vast, lonely bosom. So spring came, heralded by the thrush; borne upon the wings of the western wind. And then followed a brief change with more heavy rains and lower temperature.

The furzes on Gorse Point were a scented glory now—a nimbus of gold for the skull of the lofty cliff. Here John Barren and Joan Tregenza had met but twice since the beginning of the unsettled weather. For her this period was in a measure mysterious and strange. Centuries of experience seemed to separate her from the past, and, looking backward, infinite spaces of time already stretched between what had been and what was. Now overmuch sorrow mingled with her reflections, though a leaven of it ran through all—a sense of loss, of sacrifice, of change, which flits, like the shadow of a summer cloud, even through the soul of the most deeply loving woman who ever opened her eyes to smile upon the first day-dawn of married life. But Joan's sorrow was no greater than that, and little unquiet or uneasiness went with it. She had his promises; from him they could but be absolute; and not a hundred attested ceremonies had left her heart more at ease. In fact she believed that John Barren was presently going to marry her, and that when he vanished from Newlyn, she, as the better-loved part of himself, would vanish too. It was the old, stale falsehood which men have told a hundred thousand times; which men will go on telling and women believing, because it is the only lie which meets all requirements of the case and answers its exact purpose effectively. Age cannot wither it, for experience is no part of the armor of the deceived, and Love and Trust have never stopped to think since the world began.

As for the artist, each day now saw him slipping more deeply, more comfortably back into the convolutions of his old impersonal shell. He had been dragged out, not unwilling, by a giant passion, and he had sacrificed to it, sent it to sleep again, and so returned. He felt infinitely kind to Joan. A week after her visit to the linhay he, while sitting alone there, had turned her picture about on the easel, withdrawn its face from the wall and studied his work. And looking, with restored critical faculty and cold blood, he loved the paint for itself and deemed it very good. The storm was over, the transitory lightnings drowned lesser lights no more, and that steady beacon-flame of his life, which had been merged, not lost, in the fleeting blaze, now shone out again, steadfast and clear. Such a revulsion of feeling argued well for the completion of his picture, ill for the model of it.

They sat one day, as the weather grew more settled, beside a granite bowlder, which studded the short turf at the extremity of Gorse Point, where it jutted above the sea. Joan, with her chin upon her hands, looked out upon the water; Barron, lying on a railway-rug, leaned back and smoked his pipe and studied her face with the old, keen, passionless eagerness of their earliest meetings.

"When'll 'e tell me, Jan love? When'll 'e tell me what 'e be gwaine to do? Us be wan now—you an' me—but the lines be all the lovin'est wife can p'int to in proof she be a wife. Couldn't us be axed out in church purty soon?"

He did not make immediate answer, but only longed for his easel. There, in her face, was the wistful, far-away expression he had sighed for; a measure of thought had come to the little animal—her brains were awake and her blue eyes had never looked liked this before. Joan asked the question again, and Barren answered.

"The same matter was in my own mind, sweetheart. I am in a mighty hurry too, believe it. You are safe with your husband, Joan. You belong to me now, and you must trust the future with me. All that law demands to make us man and wife it shall have; and all religion clamors for as well, if that is a great matter to you. But not here—in this Newlyn. I think of you when I say that, Joan, for it matters nothing to me."

"Iss. I dunnaw what awful sayin's might go abroad. Things is all contrary to home as 'tis. Mother's guessed part an' she tawld faither I weer gwaine daft or else in love wi' some pusson else than Joe. An' faither was short an' sharp, an' took me out walkin', an' bid me bide at home an' give over trapsin' 'bout. An' 'e said as 'ow I was tokened to Joe Noy an' bound by God A'mighty to wait for en if 'twas a score years. But if faither had knawed I weer never for Noy, he'd a' said more'n that. I ban't 'feared o' faither now I knaws you, Jan, but I be cruel 'feared o' bein' cussed, 'cause theer's times when cusses doan't fall to the ground but sticks. 'Twouldn' be well for the likes o' you to have a ill-wished, awver-luked body for wife. An' if faither knawed 'bout you, then I lay he'd do more'n speak. So like's not he'd strike me dead for't, bein' that religious. But you must take me away, Jan, dear heart. I'm yourn now an' you must go on lovin' me allus, 'cause theer'll never be nobody else to not now. I've chose you an' gived 'e myself an' I caan't do no more."

He listened to her delicious voice, and shut out the crude words as much as might be while he marked the music. He was thinking that if Joan had possessed a reasonable measure of intellect, a foundation for an education, he would have been satisfied to keep her about him during that probably limited number of years which must span his existence. But the gulf between them was too wide; and, as for the present position, he considered that no harm had been done which time would not remedy. Joan was not sufficiently intelligent to suffer long or much. She would forget quickly. She was very young. Her sailor must return before the end of the year. Then he began to think of money, and then sneered at himself. But, after all, it was natural that he should follow step by step upon the beaten track of similar events. "Better not attempt originality," he thought, "for the thing I have done is scarce capable of original treatment. I suppose the curtain always rings down on a check—either taken or spurned."

"So you think you can give them all up for poor me, Joan? Your home, your father, brother, mother—all?"

"I've gived up a sight more'n them, Jan. I've gived 'e what's all to a maiden. But my folks weern't hard to give up. 'Tis long since they was ought to me now. I gaws an' comes from the cottage an' sez, all the time, 'this ban't home no more. Mister Jan's home be mine,' I sez to myself. An' each time as I breaks bread, an' sleeps, an' wakes, an' looks arter faither's clothes I feels 'tis wan time nigher the last. They'll look back an' think what a snake 'twas they had 'bout the house, I s'pose. Mother'll whine an' say, 'Ah! 'er was a bitter weed for sartain,' an' faither'll thunder till the crocks rattle an' bid none dare foul the air wi' my name no more. But I be wearyin' of 'e wi' my clackin', Jan, dear heart?"

"Not so, Joan—never think that. I could listen to you till Doomsday. Only we must act now and talk presently. I know you're tired of the picture, and you were cross last time we met because I could speak of it; but I must for a moment more. It cries out to be finished. A few hours' good work and all's done. The weather steadies now and the glass is rising, so our sittings may begin in a day or two. Let me make one last, grand struggle. Then, if I fail, I shall fling the picture over this cliff, and my palette and brushes after it. So we will keep our secret a little longer. Then, when the picture is made or marred, away we'll go, and by the time they miss you from your old home you will be half way to your new one."

But she did not heed the latter part of his remarks, for her thoughts were occupied with what had gone before.

"'Pears, when all's said, you'd sooner have the picksher Joan than the real wan. 'Tis all the picksher an' the picksher an' the picksher."

This was not less than the truth, but of course he blamed her for so speaking, and said her words hurt him.

"'Tis this way," she said, "I've larned so much since I knawed 'e, an' I be like as if I was woke from a sleep. Things is all differ'nt now; but 'tis awnly my gert love for 'e as makes me 'feared sometimes 'cause life's too butivul to last. An' the picksher frights me more'n fancy, 'cause, seemin'ly, theer's two Joans, an' the picksher Joan's purtier than me. 'Er's me, but better'n me. 'Er's allus bright an' bonny; 'er's never crossed an' wisht; 'er 'olds 'er tongue an' doan't talk countrified same as me. Theer'll never be no tears nor trouble in her eyes; she'll bring 'e a name, an' bide purty an'—an' I hates the picksher now, so I do."

Barron listened with considerable interest to these remarks. There was passion in Joan's voice as she concluded, and her emotion presently found relief in tears. She only uttered thoughts long in her mind, without for an instant guessing the grim truth or suspecting what his work was to the man; yet, things being as they were, she felt some real passing pain to find him devote so much thought to it. Before the storm his painting had sunk to insignificance, since then it began to grow into a great matter again; and Joan was honestly jealous of the attention the artist bestowed upon it now. If she had dared, she would have asked him to destroy it; but something told her he would refuse. No fear for the future was mingled with this emotion. Only his mighty interest in the work annoyed her. It was a natural petty jealousy; and when John Barron laughed at her and kissed her tears away, she laughed too and felt a little ashamed, though none the less glad that she had spoken.

But while he flung jests at her anger, Barron felt secretly surprised to note the strides his Awdrey's mind was making. Much worth consideration appeared in her sudden attack upon the picture. She had evidently been really reflecting, with coherence and lucidity. That astonished him. But still he answered with a laugh.

"Jealous, Joan! Jealous of yourself—of the poor painted thing which has risen from the contents of small tubes smeared over a bit of canvas! My funny little dear delight! Will you always amuse me, I wonder? I hope you will. Nobody else can. Why, the gorse there will grumble next and think I love my poor, daubed burlesque of its gold better than the thing itself. If I find pleasure in the picture, how much the more must I love the soul of it? You see, I'm ambitious. You are quite the hardest thing I ever found to paint, and so I go on trying and trying. Hard to win and hard to paint, Joan."

She stretched out her hands to him and shook her head.

"Not hard to win, Jan. Easy enough to win to you. I ne'er seed the likes o' you in my small world. Not hard to win I wasn't."

"You won't refuse me a few more sittings, then, because you have become my precious wife?"

"In coorse not. An' I'm so sorry I was cranky. I 'dedn' mean what I said ezacally."

To-day, coming fresh to his ear after a week's interval, after several days spent with cultured friends and acquaintances in Newlyn, Joan's rustic speech grated more painfully than usual. Once he had found pleasure in it; but he was not a Cornishman to love the sound of those venerable words which sprinkled Joan's utterances and which have long since vanished from all vocabularies save those of the common people; and now her language began to get upon his nerves and jar them. He was tired of it. Often, while he painted, she had prattled and he, occupied with his work, had heard nothing; but to-day he recognized the debt he owed and listened patiently for a considerable time. Her deep expectancy irritated him too. He had anticipated that, however, and was aware that her trust and confidence in him were alike profound. Perhaps a shadow of fear, distrust or uneasiness had pleased him better. He was snugly back in his tub of impersonality from which he liked to view the fools' show drift pass. His last experiment in the actively objective had ruined a girl and promised to produce a fine picture. And that was the end of it. No fellow-creature could ever share this cynic's barrel with him.

Presently Joan departed upon her long tramp home. She had gone to convey a message to one of Thomasin Tregenza's friends at Paul. And when the girl left him, with a promise to come at all costs upon the next sunny morning, Barron began to think about money again. He found that the larger the imaginary figures, the smaller shadow of discomfort clouded his thoughts. So he decided upon an act of princely generosity, as the result of which resolve peace returned and an unruffled mind. For the musty conventionality of his conclusion, it merely served as a peg upon which to hang thoughts not necessary to set down here.

CHAPTER TWO

THE PARTING

Joan had only told her lover a part of what happened in her home when Thomasin broke her suspicions to Gray Michael. He had taken the matter very seriously indeed, delivered a stern homily and commanded his daughter to read the Book of Ecclesiasticus through thrice.

"'The gad-about is a vain thing and a mighty cause for stumblin'.' You mind that, an' take better care hencefarrard to set a right example to other maids an' not lead 'em wrong. Theer shan't be no froward liver under this roof, Joan Tregenza, an' you, as be my awn darter's the last I'd count to find wanderin'."

She lied as to particulars. She had no fear of her father now as a man, but hard words always hurt her, and superstition, though she was fast breaking from many forms of it under Barron's tuition, still chained her soul in some directions. Did her father know even a shadow of the truth, some dire and blasting prediction would probably result from it, and though personally he was little to her now, as a mouthpiece of supernatural powers he might bring blighting words upon her; for he walked with God. But Michael's God was Joan's no more. She had fled from that awful divinity to the more beautiful Creator of John Barron. He was kind and gentle, and she loved to hear His voice in the hum of the bees upon the gorse and see His face everywhere in the fair on-coming of spring. Nature, as she understood it now, chimed with the things her mother had taught Joan. She found room for all the old, pretty stories in this new creed. The dear saints fitted in with it, and their wonders and mysteries, and the comprehensive if vague knowledge that "God is Love." She believed she understood the truth about religion at last; and Nature smiled very sweetly at her and shared in the delight of the time. So she walked dreaming on toward the invisible door of her fool's paradise, and never guessed how near it was or what Nature would look like from the other side.

She still dwelt at the little home on the cliff, so unreal and shadowy now; she built cloud castles ablaze with happiness; she found falsehood not difficult, for her former absolute truthfulness deadened her stepmother's suspicion. Certain lies told at home enabled her to keep faith with the artist; and the weather also befriending him, three more sittings in speedy succession brought John Barron to the end of his labors. After Joan's exhibition of jealousy he was careful to say little about his work and affect no further interest in it. He let her chatter concerning the future, told her of his big house in London, and presently took care to drop hints from time to time that the habitation was by no means as yet ready to receive his bride. She always spoke on the assumption that when the picture was done he would leave for London and take her with him. She already imagined herself creeping off to join him at the station, sitting beside him in the train, and then rolling away, past Marazion, into the great unfamiliar world which lay beyond. And he knew that no such thing would happen. He intended that Joan should become a pleasant memory, with the veil of distance and time over it to beautify what was already beautiful. He wanted to remember the music of her throbbing voice, and forget the words it used to utter. The living girl's part was played and ended. Their lives had crossed at right angles and would never meet again. "Nature makes a glorious present to Art, and I am privileged to execute the deed of gift," thought Barron; "that is the position in an epigram." He felt very grateful to Joan. He knew her arm must have ached often enough, but whether her heart would presently do so he hardly felt qualified to judge. The incidents of that stormy day might have been buried in time ten years, so faint was his recollection of them now. He remembered the matter with no greater concern than the image of the shivering negresses in the blue water at Tobago.

And so the picture, called "Joe's Ship," was finished, and while it fell far short of what Barron had hoped, yet he knew his work was great and the best thing he had done. A packing case for the canvas was already ordered and he expected it upon the identical day that saw his farewell to Joan.

Bit by bit he had broken to her that it was not his intention to take her with him, but that he must go to his house alone and order things in readiness. Then he would come back and fetch her. And she had accepted the position and felt wondrous sad at the first meeting with Barren after the completion of the picture. It seemed as though a great link was broken between them, and she realized now what folly her dislike of his work had been.

"I wish I could take you right away with me, Joan, my little love; but a bachelor's house is a comfortless concern from a woman's point of view. You will hear from me in a day or two. You must call at the post-office in Penzance for letters, because I shall not send them here."

"You'll print out what you writes big, so's I doan't miss nort, won't 'e?"

"I'll make the meaning as clear as possible, Joan."

"'Tis wisht to think as theer'll be hunderds o' miles 'twixt us. I doan't know how I be gwaine to live the days out."

"Only a fortnight, remember."

"Fourteen whole days an' nights."

"Yes, indeed. It seems a terribly long time. You must comfort me, sweetheart, and tell me that they will be very quickly done with."

Joan laughed at this turning of the tables.

"I reckon a man's allus got a plenty things to make time pass for en. But 'tis different wi' a gal."

She trusted him as she trusted God to lift the sun out of the eastern sea next morning and swing it in its solemn course over heaven. And as there was no fear of danger and no shadow of distrust upon her, Joan made a braver parting than her lover expected.

"Some men are coming to see my picture presently," he said, very gently. "I expect my sweet Joan would like to be gone before they arrive."

She took the hint, braced her heart for the ordeal, and rose from where they had been sitting on Gorse Point. She looked dreamily a moment at the furzes and the place whereon she had stood so often, then turned to the man and came close and held up four little spring lilies which she had brought with her. Her voice grew unsteady, but she mastered it again and smiled at him.

"I brot these for 'e, dear Jan. Us calls 'em butter-an'-eggs, 'cause o' the colors, I s'pose. They'm awnly four lil flowers. Will 'e keep 'em? An'—an' give me summat as I can knaw's just bin in your hand, will 'e? 'Tis fulishness, dear heart, but I'm thinkin' 'twould make the days a dinky bit shorter."

He took the gift, thought a moment, and gave her a little silver ring off his finger. Then he kissed her, pressed her close to him and said "good-by," asking God to bless her, and so forth.

With but a few tears rebelling against her determination, Joan prayed good upon his head, repaid the caress, begged him for his love to come quickly back again, then tore herself away, turned and hastened off with her head held bravely up. But the green fields swam and the sea danced for her a moment later. The world was all splashed and blotched and misty. "I'll be braave like him," she thought, smothering the great sobs and rubbing her knuckles into her eyes till she hurt them. But she could not stem the sorrow in a moment, and, climbing through a gap in the hedge, she sat down, where only ewes and lambs might see, and cried bitterly a while. And so weeping, a sensation, strange, vague, tremendous, came into her being; and she knew not what it meant; but the mystery of it filled her with great awe. "'Tis God," she said to herself, "'tis God's hand upon me. He've touched me, He've sealed me to dear, dear Jan. 'Tis a feelin' to bring happiness along with it, nor sorrer." She battled with herself to read the wonder aright, and yet at the bottom of her heart was fear. Then physical sensations distracted her; she found her head was aching and her body feeling sick. Truly the girl had been through an ordeal that day, and so she explained her discomfort. "I be wivvery an' wisht along o' leavin' en," she said; "oh! kind, good God A'mighty, as hears all, send en back to me, send en back to me very soon, for I caan't live wi'out en no more."

As for the man, he sighed when Joan disappeared; and the expiration of breath was short and sharp as the sound of a key in a lock. He had in truth turned the key upon a diary to be opened no more; for the sweetness of the closed chapter was embalmed in memory, blazoned on canvas. Yet there was bitterness, too, of a sort in his sigh, and the result of this sunken twinge at his heart appeared when Brady, Tarrant and one or two other artists presently joined him. They saw their companion was perturbed, and found him plunged into a black, cynic fit more deeply than usual. He spared no subject, no individual, least of all himself.

Paul Tarrant—a Christian painter, already mentioned—was the first to find fault with Barron's picture. The rest had little but praise for it, and Brady, who grew madly enthusiastic, swore that "Joe's Ship" was the finest bit of work that ever went out of Cornwall. But Tarrant cherished a private grievance, and, as his view of art and ethics made it possible for him, from his standpoint, to criticise the picture unfavorably in some respects, he did so. It happened that he had recently finished a curious work for the Academy: a painting called "The Good Shepherd." It represented a young laboring man with a face of rare beauty but little power, plodding homeward under setting sunlight. Upon his arm he bore a lamb, and behind his head the sinking sun made a glorious nimbus. Barron had seen this work, admired some of the painting, but bluntly sneered at the false sentiment and vulgar parade of religious conviction which, as he conceived, animated the whole. And now, the other man, in whose heart those contemptuous words still rankled, found his turn had come. He had bitterly resented Barron's sarcastic reference to those holy things which guided his life; there was something of feminine nature in him too; so he did not much regret the present opportunity.

"And you, Tarrant? This gives you scant pleasure—eh?" asked Barron.

"It is very wonderful painting, but there's nothing under the paint that I can see."

"Nothing but the canvas—in so far at least as the spectator is concerned.
Every work of art must have a secret history only known to its creator."

"What the divil d'you mean, Paul?" asked Brady.

"You know what I mean well enough," answered the first speaker coldly. "My views are not unfamiliar to any of you. Here is a thing without a soul—to me."

"God! you say that! You can look at those eyes and say that?"

"I admire the painting, but cui bono? Who is the better, the wiser?
There is nothing under the paint."

"You are one of those who turn shadows into crosses, clouds into angels. Is it not so?" asked Barron smiling; and the other fired at this allusion to his best known picture.

"I am one of those who know that Art is the handmaid of God," he answered hotly. "I happen to believe in Jesus Christ, and I conceive that no picture is worthy to be called great or worthy of any Christian's painting unless it possess some qualities calculated to ennoble the mind of those who see. Art is the noblest labor man can employ time upon. The thing comes from God; it is a talent only to be employed in the highest sense when devoted to His glory."

"Then what of heathen art? You let your religion distort your view of Nature. You sacrifice truth to a dogma. Nature has no ethics. You profess to paint facts and paint them wrong. You are not a mystic; that we could understand and criticise accordingly. You try to run with the hare and hunt with the hounds. You talk about truth and paint things not true."

"From your standpoint possibly. Yours is the truth of naturalism; mine is the truth of Faith."

"If you are going to entrench yourself behind Faith, I have done, of course. Only, don't go about saying, as you did just now, that Art is the noblest labor man can employ time upon. That's bosh, pure and simple. There are some occupations not so noble, that is all. Art is a heathen and always will be, and you missionary-men, with a paint-brush in one hand and a Bible in the other, are even worse than certain objectionable literary celebrities, whose novels reek of the 'new journalism' and the Sermon on the Mount—the ridiculous and sublime in tasteless combination. You missionaries, I say, sap the primitive strength of Art; you demoralize her. To dare to make Art pander to a passing creed is vile—worse than the spectacle of the Salvation Army trying to convert Buddhists. That I saw in India, and laughed. But we won't quarrel. You paint Faith's jewelry; I'll amuse myself with Truth's drabs and duns. The point of view is all. I depict pretty Joan Tregenza looking over the sea to catch a glimpse of her sweetheart's outward-bound ship. I paint her just as I saw her. There was no occasion to leave out or put in. I reveled in a mere brutal transcript of Nature. You would have set her down by one of the old Cornish crosses praying to Christ to guard her man. And round her you would have wrought a world of idle significance. You would have twisted dogma into the flowers and grass-blades. The fact that the girl happened to be practically brainless and a Luke Gospeler would not have weighed with you a moment."

"I'm weary of the old cant about Nature," said Tarrant. "You're a naturalist and a materialist. That ends it. There is no possibility of argument between us."

"Would the man who painted that gorse cant?" burst out Brady. "Damn it all, Tarrant, if a chap can teach us to paint, perhaps he can teach us something else as well. Look at that gorse, I tell you. That's the truth, won with many a wrestle and heartache, I'll swear. You know as well as I do what went to get that, and yet you say there's nothing behind the paint. That's cant, if you like. And as to your religious spirit, what's the good of preaching sermons in paint if the paint's false? We're on it now and I'll say what I believe, which is that your 'Good Shepherd' is all wrong, apart from any question of sentiment at all. Your own party will probably say it's blasphemous, and I say it's ridiculous. You've painted a grand sky and then ruined it with the subject. Did you ever see a man's head bang between you and a clear setting sun? Any way, that figure of yours was never painted with a sunset behind him, I'll swear."

"You can't paint truth as you find it and preach truth as you believe it on the same canvas if you belong to any creed but mine," said Barron calmly. "You build on the foundations of Art a series of temples to your religious convictions. You blaze Christianity on every canvas. I suppose that is natural in a man of your opinions, but to me it is as painful as the spectacle of advertisements of quack nostrums planted, as you shall see them, beside railway lines—here in a golden field of buttercups, there rising above young barley. Of course, I don't presume to assert that your faith is a quack nostrum; only real Art and Religion won't run in double harness for you or anybody. They did once, but the world has passed beyond that point."

"Never," answered Tarrant. "We have proof of it. Souls have been saved by pictures. That is as certain as that God made the earth and everything on it."

"There again! Every word you speak only shows how difficult it is for us to exchange ideas. Why is it so positively certain that God made the earth and everything on it? To attribute man's origin direct to God is always, in my mind, the supreme proposition of human conceit. Did it need a God to manufacture you or me or Brady? I don't think so. Consider creation. I suppose if an ant could gauge the ingenuity of a steam engine, he would attribute it without hesitation to God, but it happens that the steam engine is the work of a creature—a being standing somewhere between God and the ant, but much nearer the latter than the former. You follow me? Even Tarrant will admit, for it is an article of his creed, that there exist many beings nearer to God than man. They have wings, he would tell us, and are eternal, immortal, everlasting."

"I see," said Brady, "you're going to say next that faulty concerns like this particular world are the work of minor intelligences. What rot you can talk at times, old man!"

"Yet is it an honor to God Almighty that we attribute the contents of this poor pill of a planet to Him? I think it would be an insult if you ask me. Out of respect to the Everlasting, I would rather suppose that the earth, being by chance a concern too small for His present purposes, He tosses it, as we toss a dog a bone, to some ingenious archangel with a theory. Then you enjoy the spectacle of that seraph about as busy over this notable world as a child with a mud pie. The winged one sets to work with a will. A little pinch of life; develops under his skillful manipulation; evolution takes its remorseless course through the wastes of Time until—behold! the apotheosis of the ape at last. Picture that well-meaning but muddle-headed archangel's dismay at such a conclusion! All his theories and conceits—his splendid scheme of evolution and the rest—end in a mean but obstinate creature with conscious intelligence and an absolute contempt and disregard for Nature. This poor Frankenstein of a cherub watches the worm he has produced defy him and refuse absolutely to obey his most fundamental postulates or accept his axioms. The fittest survive no more; these gregarious, new-born things presently form themselves into a pestilential society, they breed rubbish, they—"

"By God! stop it, John," said Murdoch. "Now you're going too far. Look at Tarrant. He'd burn you over a slow fire for this if he could. Speak for yourself at any rate, not for us."

"I do," answered the other bitterly. "I speak for myself. I know what a poor, rotten cur I am physically and mentally—not worth the bread I eat to keep me alive. And shall I dare say that God made me?"

"But what's the end of this philosophy of despair, old chap?" asked Brady; "what becomes of your worst of all possible planets?"

"The end? Dust and ashes. My unfortunate workman, having blundered on for certain millions of years tinkering and patching and improving his dismal colony, will give the thing up; and God will laugh and show him the mistakes and then blot the essay out, as a master runs his pen through the errors in a pupil's exercise. The earth grows cold at last, and the herds of humanity die, and the countless ages of agony and misery are over. Yes, the poor vermin perish to the last one; then their black tomb goes whirling on until it shall be allowed to meet another like itself, when a new sun shines in heaven and space is the richer by one more star."

"May God forgive you for your profanity, John Barren," said Tarrant. "That He places in your hand such power and suffers your brain to breed the devil's dung that fills it, is to me a mystery. May you live to learn your errors and regret them."

He turned away and two men followed him. Conversation among those who remained reverted to the picture; and presently all were gone, excepting only Barren, who had to wait and see his work packed.

Remorse will take strange shapes. His bitter tirade against his environment and himself was the direct result of this man's recent experiences. He knew himself for a mean knave in his dealings with an innocent girl and the thought turned the aspect of all things into gall.

Solitude brought back a measure of peace. The picture was packed and started to Penzance railway-station, while Barron's tools also went, by pony-cart, back to his rooms in Newlyn. He was to leave upon the following morning with Murdoch and others who were taking their work to the Exhibitions.

Now he looked round the cow-byre before locking it for the last time and returning the key to Farmer Ford's boy, who waited outside to receive it. "The chapter is ended," he said to himself. "The chapter which contains the best thing that ever I did, and, I suppose, the worst, as morals have it. Yet Art happily rises above those misty abstractions which we call right and wrong. She resembles Nature herself there. Both demand their sacrifices. 'The white martyrdom of self-denial, the red martyrdom of blood—each is a thousand times recorded in the history of painting and will be a thousand times again."

CHAPTER THREE

THE ACT OF FAITH

So John Barren set forth, well content to believe that he would never again visit Cornwall, and Joan called at the Penzance post-office on the morning which followed his departure. Her geographical knowledge was scanty. Truro and Plymouth, in her belief, lay somewhere upon the edge of the world; and she scarcely imagined that London could be much more remote. But no letter awaited her, and life grew to be terribly empty. For a week she struggled with herself to keep from the post-office, and then, nothing doubting that her patience would now be well rewarded, Joan marched off with confidence for the treasure. But only a greater disappointment than the last resulted; and she went home very sorrowful, building up explanations of the silence, finding excuses for "Mister Jan." The prefix to his name, which had dropped during their latter intimacy, returned to her mind now the man was gone: as "Mister Jan" it was that she thought about him and prayed for him.

The days passed quickly, and when a fortnight stood between herself and the last glimpse of her lover, Joan began to grow very anxious. She wept through long nights now, and her father, finding the girl changed, guessed she had a secret and told his wife to find it out. But it was some time before Thomasin made any discovery, for Joan lied stoutly by day and prayed to God to pardon by night. She strove hard to follow the teaching of the artist, to find joy in flowers and leaves, in the spring music of birds, in the color of the sea. But now she dimly guessed that it was love of him which went so far to make all things beautiful, that it was the magic and wisdom of his words which had gilded the world with gold and thrown new light upon the old familiar objects of life. Nature's organ was dumb now that the hands which played upon it so skillfully had passed far away. But she was loyal to her teacher; she remembered many things which he had said and tried hard to feel as he felt, to put her hand in beautiful Mother Nature's and walk with her and be at peace. Mister Jan would soon return; the fortnight was already past; each day as she rose she felt he might come to claim her before the evening.

And, meanwhile, other concerns occupied her thoughts. The voice which spoke to her after she bid John Barren "good-by," had since then similarly sounded on the ear of her heart. Alike at high noon and in the silence of the night watches it addressed her; and the mystery of it, taken with her other sorrows, began to affect her physically. For the first time in her life the girl felt ill in body. Her appetite failed, dawn found her sick and weary; her glass told her of a white, unhappy face, of eyes that were lighted from within and shone with strange thoughts. She was always listening now—listening for the new voice, that she might hear the word it uttered. Her physical illness she hid with some cunning and put a bright face upon life as far as she could do so before those of her home; but the task grew daily more difficult. Then, with a period of greatly increased discomfort, Joan grew alarmed and turned to the kind God of "Mister Jan," and made great, tearful praying for a return of strength. Her petition was apparently granted, for the girl enjoyed some improvement of health and spirit. Whereupon she became fired with a notable thought, and determined to seek her patron saint where still she suspected his power held sway: at the little brook which tinkles along beside the ruins of St. Madron's chapel in a fair coomb below the Cornish moorlands. The precious water, as Joan remembered, had brought strength and health to her when a baby; and now the girl longed to try its virtues again, and a great conviction grew upon her that the ancient saint never forgot his own little ones. Opportunity presently offered, and through the first misty gray of a morning in early April, she set out upon her long tramp from Newlyn through Madron to the ruined baptistery.

St. Madron, or Padern, lived in the sixth century, somewhat earlier than Augustine. A Breton by birth, he labored chiefly in Wales, established a monastery on Brito-Celtic lines in Cardiganshire, and became its bishop when a see was established in that district. He traveled far, visited Mount's Bay and established the church of Madron, still sacred to his name, while doubtless the brook and chapel hard by were associated with him from the same period. In Scawen's time folk were wont to take their hurts thither on Corpus Christi evening, drink of the water, deposit an offering, and repose upon the chapel floor till dawn. Then, drinking again, they departed whole, if faith sufficiently mighty had supported them. Norden remarks of the water that "its fame was great for the supposed vertue of healinge, which St. Maderne had thereunto infused; and maine votaries made anuale pilgrimages unto it…." In connection with the custom of immersion here indicated, we find there obtained the equally venerable practice of hanging votive rags upon the thorn bushes round about the chapel. This conceit is ancient as Japan, and one not only in usage to this day among the Shintoists of that land, but likewise common throughout Northern Asia and, nearer home, in the Orkneys, in Scotland, in Ireland. Older far than Christianity are these customs; the megalithic monuments of the pagan witness similar practices in remote corners of the earth; rag-trees, burdened with the tattered offerings of the devout, yet stud the desert of Suez, and those who seek shall surely find some holy well or grave hard at hand in every case. To mark and examine the junction of these venerable fancies with Christian superstition is no part of our present purpose, but that ideas, pagan in their birth, have lent themselves with sufficient readiness to successive creeds and been knit into the dogmas of each in turn, is certain enough. Thus, through Cornwall, the imaginings of wizard and wonder-worker in hoary time come, centuries later, to be the glory and special power of a saint. Such fantastic lore was definitely interdicted in King Edgar's reign, when "stone worshipings, divinations, well worshipings and necromances" were proclaimed things heathen, and unhallowed; but with the advent of the Saint-Bishops from Wales, from Ireland, from Brittany, primitive superstitions were patched upon the new creed, and, to suit private purposes, the old giants of the Christian faith sanctified holy well and holy stone, posing by right divine as sure dispensers of the hidden virtue in stream and granite. But the roots of these fables burrow back to paganism. Hundreds of weakly infants were passed through Mên-an-tol—the stone with a hole or the "crick-stone"—in the names of saints; and hundreds had already been handed through it centuries before under like appeal to pagan deities.

Of Madron baptistery, now a picturesque ruin, it seems clear that until the Reformation regular worship and the service of baptism were therein celebrated. The place has mercifully escaped all restoration or renovation and stands at this moment open to the sky in the slow hand of Time. A brook runs babbling outside, but the holy well or colymbethra is now dry, though it might easily be filled again. This interesting portion of the chapel remains intact, and the entrance to it lies upon the level of the floor according to ancient custom, being so ordered that the adult to undergo baptism might step down into the water, and that not without dignity.

Hither came Joan. Her patchwork of faith and Nature-worship was a live thing to her now, and she found no difficulty in reconciling the sweet saint-stories heard in childhood from her dead mother's lips, with the beautiful and fair exposition of truth which "Mister Jan" found written large upon the world by Nature in spring-time.

It was half-past four o'clock when she trudged through Madron to see the gray church and the little gray houses all sleeping under the gray sky. She plodded on up the hill past the gaunt workhouse which stands at the top of it; and what had seemed soft, sweet repose among the cottage homes, felt like cold death beneath these ashy walls. To Joan, the workhouse was a word of shame unutterable. Those among whom she lived would hurl the word against enemies as a prophecy of the utmost degradation. She shivered as she passed, and was sad, knowing that a whole world of poverty, failure, sorrow, regret, was hidden away in that cold, still pile. But the hand of sleep lay softly there; only a sick soul or two stirred, the paupers were the equal of princes till a hoarse bell brought them back out of blessed unconsciousness.

Bars of light streaked the east, and Joan, only stopping at the hill crest to see dawn open silver eyes on the sea, hastened inland through silent, dewy fields. Presently a fence and wall cut civilization from the wild land of the coomb, and the girl proceeded where grass-grown cart-ruts wound among furze and heather and the silver coils of new-born bracken just beginning to peep up above the dead fern of last year. This hollow ran between undulations of fallow and meadow; no harrow clinked as yet; only the cows stood here and there above the dry patches on the dewy fields where their bodies had lain in sleep. She saw their soft eyes and smelled the savor of them. Presently the cart-ruts disappeared in fine grass all bediamonded, knobbed with heather, sprouting rusty-red, and sprinkled with tussocks of coarser grass, whereon green blades sprang up above the dead ones, where they struggled, matted and bleached and sere. Rabbits flashed here and there, the white under-side of their little scuts twinkling through the gorse; and then the birds woke up; a thrush sang low, sleepy notes from the heart of a whitethorn; yellowhammers piped their mournful calls from the furze. On Joan's left hand there now rose a clump of wind-worn beech-trees, their brown spikes breaking to green, even where dead red leaves still clung to the parent branches. Beneath them ran a hedge of earth above a deep pool or two, very clear and fringed with young rushes, upright and triumphant above the old dead ones. Everywhere Joan saw Life trampling and leaping, growing and laughing over the ruins of things that had lived and died. It saddened her a little. Did Nature forget so soon? Then she told herself that kind Nature had loved them and gloried in them too; and now she would presently bury all her dead children in beautiful graves of new green. The mosses and marsh were lovely and the clear pools full of living creatures. But these things were not saint-blessed and eternal. No spring fed these silent wells, no holy man of old had ever smiled upon them.

A stepping-stone by a wall lay before her now; this she crossed, heard the stream murmuring peace, and hastened, and presently stood beside it. Here were holy ground and water; here were peace and a place to pray in. Blue forget-me-nots looked wondering up, seeing eyes as blue as their own, and she smiled at them and drank of the ripples that ran at their roots. Gray through the growing haze of green, a ruined wall showed close to the girl. The blackthorns' blooms were faded around her, the hawthorn was not yet powdered with white. She cast one look to right and left before entering the chapel. A distant view of the moorland rose to the sky, and the ragged edge of the hills was marked by a gaunt engine-stack noting past enterprise, triumphs long gone by, ruined hopes but recently dead. Snug fox-covers of rhododendron swept up toward the head of the coomb; and below, distant half a mile or more, cottages already showed a glimmer of gold on their thatches where the increasing splendor of day brightened them, and morning mists were raising jeweled arms. Then Joan passed into the ruin through that narrow opening which marks the door of it. The granite walls now stand about the height of a man's shoulder and the chamber itself is small. Stone seats still run round two sides of it; ivy and stone-worts and grasses have picked the mortar from the walls and clothed them, even as emerald moss and gray lichens and black and gold glorify each piece of granite; a may-bush, tangled about a great shiny ivy-tod, surmounts the western walls above the dried well; furzes and heather and tall grasses soften the jagged outlines of the ruin, and above a stone altar, at the east end of it, rises another white-thorn. At this season of the year the subsequent floral glories of the little chapel were only indicated: young briers already thrust their soft points over the stone of the altar and the first leaves of foxgloves were unfolding, with dandelions and docks, biting-stone-crop and ferns, ragged-robins and wild geraniums. These infant things softened no outline yet. The flat paving of the floor, where it yet remained, was bedded in grass; a little square incision upon the stone of the altar glimmered full of water and reflected the light from fleecy clouds which now climbed into heaven, bearing sunrise fires upward over a pale blue sky.

Here, under the circumambient, sparkling clearness, coolness and silence, Joan stood with strange medley of thoughts upon her soul. The saints and the fairies mingled there with visions of Nature, always smiling, with a vague shadow of one great God above the blue, but dim and very far away; and a nearer picture which quickened her heart-beat: the picture of "Mister Jan." Here she felt herself at one with the world spread round her. The mother eyes of a blackbird, sitting upon her eggs in the ivy-tod, kept their bright gold on Joan, but showed no fear; the young rabbits frisked at hand; a mole poked his snout and little paddle-paws out of the grass; all was peace and happiness, it seemed, with the voice of good St. Madron murmuring love in his brooklet at hand.

Joan knelt down by the old altar and bowed her head there and prayed to Nature and to God. At first merely wordless prayers full of passionate entreaty rose to the Throne; then utterance came in a wild simple throng of petitions; and all her various knowledge, won from her mother and John Barren, found a place. Pan and Christ might each have heard and listened, for she called on the gods of earth and heaven from a heart that was full.

"Kind Mother o' the flowers, doan't 'e forget a poor maiden what loves 'e so dear. I be sad an' sore-hearted 'cause things is bad wi' me now Mister Jan's gone; an' I knaws as I've lied an' bin wicked 'bout Joe, but, kind Mother, I awnly done what Mister Jan, as was wise an' loved me, bid. Oh, God A'mighty, doan't 'E let en forget me, 'cause I've gived up all—all the lil I had for en, an' Nature made me as I be. Oh, kind God, make me happy an' light-hearted an' strong agin, same as the lil birds an' sich like is happy an' strong; an' forgive me for all my sins an' make me well for Mister Jan, an' clever for Mister Jan, so's I'll be a fine an' good wife to en. An' forgive me for lyin', 'cause what I done was Nature, 'cordin' to Mister Jan; an' Nature's kind to young things, 'cordin' to Mister Jan; an' I be young yet. An' make me a better lass, for I caan't abear to feel as I do; an' make me think o' the next world arter this wan. But, oh, dear God, make me well an' braave agin, for 'tis awful wisht for me wi'out Mister Jan; an' make Mister Jan strong too. I be all in a miz-maze and doan't knaw wheer to turn 'cept to Nature, dear Lard. Oh, kind God A'mighty, lemme have my angel watchin' over me close, same as what mother used to say he did allus. An' bring Mister Jan back long very quick, 'cause I'm nothin' but sadness wi'out en. An', dear St. Madern, I ax 'e to bless me same as you done when—when I was a lil baaby, 'cause I be gwaine to bathe in your brook, bein' a St. Madern cheel. Oh, dear, good God o' all things, please to help me an' look to me, 'cause I be very sad, an' I never done no harm to none, for Jesus Christ's sake. Amen."

Then she said the Lord's Prayer, because her mother had taught her that no human petition was ever heard unless accompanied by it. And it seemed as though the lark, winding upward with wide spiral to his song-throne in the sky and tinkling thin music on the morning wind, was her messenger: which thought was beautiful to Joan and made her heart glad.

Never had she looked fairer. Her blue eyes were misty, but the magic of prayer, the glory of speaking straight to the Father of all, call Him what she might, had nobly fortified her sinking spirit. Peace brooded in her soul then, and faith warmed her blood. She was sure her prayer would be answered; she was certain that her health and her loved one would both come back to her. And she stood by the altar and smiled at the golden morning, herself the fairest thing the sun shone upon.

Having peeped shyly about her, Joan took off her clothes, placed them on the altar-stones, shook down her hair, and glided softly to the stream. At one point its waters caught the sunshine and babbled over white sand between many budding spikes of wild parsley and young fronds of fern. Naked and beautiful the girl stood, her bright hair glinting to her waist, all rippled with the first red gold of the morning, her body very white save where the sun and western wind had browned both arms and neck; her form innocent as yet of the mystery hid for her in Time. Joan's fair limbs spoke of blood not Cornish, of days far past when a race of giants swept up from behind the North Sea to tread a new earth and take wives of the little dark women of the land, abating the still prevalent nigrescence of the Celt with Saxon eyes and hair, adding their stature and their strength to races unborn. A sweet embodiment of all that was lovely and pure and fresh, she looked—a human incarnation of youth and springtime.

There was a pool deeper than the general shallowness of the stream which served for Joan's bath, and she entered there, where soft white sand made pleasant footing for her toes, where more forget-me-nots twinkled their turquoise about the margin, where shining gorse towered like a sentinel above.

She suffered the holy water to flow over every inch of her body, and then, rubbing her white self red and glowing with the dead brake fern of last year and squeezing the water out of her hair, Joan quickly dressed again and prepared to depart. She was about to leave a fragment torn from her skirt hanging by the chapel, but changed her mind, and getting a splinter of granite, rough-edged, she began to chip away a tress of her own bright hair, sawing it off upon the stone table as best she could. Like a fallen star it presently glimmered in the thorn bush above St. Madron's altar where she wound the little lock, presently to bring gold to the nests and joy to the heart of small feathered folk.

Joan walked home with the warm blood racing in her veins, roses on her cheeks and the glory of hope in her eyes. Already she felt her prayers were being heard; already she was thanking God for heeding her cry, and St Madron for the life-giving waters of his holy stream. Thee, where finches chattered and fluttered forward, breakfasting together in pleasant company, a shadow and a swift, strong wing flashed across Joan's sight—and a hawk struck. The little people shrieked, a few gray feathers puffed here and there, and one spark of life was blown out that other sparks might shine the brighter. For presently Joan's kind "Mother o' the flowers" watched the beaks of fledgeling hawks grow red, and the parent bird of prey's cold eyes brightened with satisfaction; as will every parent eye brighten at the spectacle of baby things eating wholesome food with hearty appetite.

The death of the small fowl clouded the pilgrim's thoughts, but only for a moment. Sentiment and emotion had passed; now she was eager with delicious physical hunger and longing for her breakfast. The girl had not felt so well or so happy for a considerable time. Half her prayer, she told herself, was answered already; and the other half, relating to "Mister Jan," would doubtless meet with similar merciful response ere many hours had flown.

So joyfully homeward out of dreamland into a world of facts Joan hastened.

CHAPTER FOUR

A THOUSAND POUNDS

A glad heart shortens the longest road, and Joan, whose return journey from the holy well was for the most part downhill, soon found herself back again in Penzance. The fire of devotion still actuated her movements, and she walked fearlessly, doubting nothing, to the post-office. There would be a letter to-day; she knew it; she felt it in her consciousness, as a certainty. And when she asked for it and mentioned her name, she put her hand out and waited until the sleepy-eyed clerk rummaged through a little pile of letters standing together and tied with a separate string. She watched him slowly untie them and scan the addresses, grumbling as he did so. Then he came to the last of all and read out:

"'Miss Joan Tregenza, Post-Office, Penzance. To be left until called for.'"

"Mine, mine, sir! I knawed 'e'd have it! I knawed as the kind, good—"

Then she stopped and grew red, while the clerk looked at her curiously and then yawned. "What's a draggle-tailed chit like her got to do with such a thing?" he wondered, and then spoke to Joan:

"Here you are; and you must sign this paper—it's a registered letter."

Joan, her hand shaking with excitement, printed her name where he directed, thanked the man with a smile that softened him, and then hastened away.

The girl was faint with hunger and happiness before she reached home. She did not dare to open the letter just then, but took it from her pocket a dozen times before she reached Newlyn and feasted her eyes on her own name, very beautifully and legibly printed. He had written it! His precious hand had held the pen and formed each letter.

Deep, wordless thanks welled up in Joan's heart, for God was not very far away, after all. He had heard her prayer already, and answered it within an hour. No doubt it was easy for Him to grant such a little prayer. It could be nothing much to God that one small creature should enjoy such happiness; but what seemed wonderful was that He should have any time to listen at all, that He should have been able to turn from the mighty business of the great awakening world and give a thought to her.

"Sure 'twas the lil lark as the good Lard heard, an' my asking as went up-long wi' en," said Joan to herself.

She found her father at home and the family just about to take breakfast. Gray Michael had returned somewhat unexpectedly, with a fine catch, and did not intend sailing again before the evening tide. A somewhat ominous silence greeted the girl, a silence which her father was the first to break.

"Ayte your food, my lass, an' then come in the garden 'long with me," he said. "I do want a word with 'e, an' things must be said which I've put off the sayin' of tu long. So be quick's you can."

But this sauce did not spoil the girl's enjoyment of her porridge and treacle. She ate heartily, and her happy humor seemed catching, at least so far as Tom was concerned. A bright color warmed Joan's cheek; the cloud that had dimmed her eyes was there no longer; and more than once Mr. Tregenza looked at his wife inquiringly, for the tale she had been telling of Joan's recent moods and disorder was at variance with her present spirits and appetite. After breakfast she went to her room while her father waited; and then it was that Joan snatched a moment to open John Barron's letter. There would be no time to read it then, she knew: that delicious task must take many hours of loving labor; but she wanted to count the pages and see "Mister Jan's" name at the end. She knew that crosses meant kisses, too. There might be crosses somewhere. So she opened the envelope in a fever of joyous excitement, being careful, however, not to tear a letter of the superscription. And from it there came a fat, folded pile of tissue paper. Joan knew it was money, and flung it on her bed and fumbled with sinking heart for something better. But there was nothing else—only ten pieces of tissue-paper. She remembered seeing her father with similar pieces; and her mother saying there was nothing like Bank of England notes. But they had been crumpled and dirty, these were snowy white. Each had a hundred pounds marked upon it; and Joan was aware that ten times a hundred is a thousand. But a thousand pounds possessed no more real meaning for her than a million of money does for the average man. She could not estimate its significance in the least or gauge its possibilities. Only she knew that she would far rather have had a few words from "Mister Jan" than all the money in the world.

Mr. Tregenza's voice below broke in upon the girl's disappointment, and, hastily hiding the money under some linen in a little chest of drawers, where the picture of Joe's ship was also concealed, she hurried to join her father. But the empty envelope, with her name printed on it, she put into her pocket that it might be near her.

Joan did not for an instant gather what meaning lay under this great gift of money, and to her the absence of a letter was no more than a passing sorrow. She read nothing between the lines of this silence; she only saw that he had not forgotten, and only thought that he perhaps imagined such vast sums of money would give her pleasure and make the waiting easier. What were banknotes to Joan? What was life to her away from him? She sighed, and fell back upon the thought of his wisdom and knowledge. He must be in the right to delay, because he was always in the right. A letter would presently come to explain why he had sent the money and to treat of his return. The girl felt that she had much to thank God for, after all. He had sent her the letter; He had answered her prayer in His own way. It ill became her, she thought, to question more deeply. She must wait and be patient, however hard the waiting.

So thinking, she joined her father. Tom was away up the village, Mrs. Tregenza found plenty to occupy her mind and body indoors; Joan and Mr. Tregenza had the garden to themselves. He was silent until they reached the wicket, then, going through it, he led the way slowly up a hill which wound above the neighboring stone quarry; and as he walked he addressed Joan. She, weary enough already, prayed that her parent intended going no further than the summit of the hill; but when he spoke she forgot physical fatigue, for his manner was short and stern.

"Theer's things bein' hid 'twixt you an' me, darter, an' 'tis time you spoke up. Every parent's got some responsibility in the matter of his cheel's sawl, an', if theer's aught to knaw, 'tis I must hear it. 'The faither waketh for the darter when no man knaweth,' sez the Preacher, an' he never wrote nothin' truer. I've waked for you, Joan. 'Keep a sure watch over a shameless darter,' sez the Preacher agin; but God forbid you'm that. Awnly you'm allus wool-gatherin', an' roamin', an' wastin' time. An' time wance squandered do never come agin. I hear tell this has been gwaine forrard since Joe went to sea. What's the matter with 'e? Say it out plain an' straight an' now this minute."

Joan had particularly prayed by the Madron altar that the Everlasting would keep her from lying. She remembered the fact as her father put his question; and she also recollected that John Barron had told her to say nothing about their union until he returned to her. So she lied again, and that the more readily because Gray Michael's manner of asking his question put a reasonable answer into her head.

"I s'pose as it might be I'm wisht 'cause o' Joe Noy, faither."

"Then look 'e to it an' let it cease. Joe's in the hand o' the Lard same as we be. He's got to work out his salvation in fear an' tremblin' same as us. Some do the Lard's work ashore, some afloat, some—sich as me—do it by land an' sea both. You doan't work Joe no good trapsing 'bout inland, here, theer, an' everywheers; an' you do yourself harm, 'cause it makes 'e oneasy an' restless. Mendin' holes an' washin' clothes an' prayin' to the Lard to 'a' mercy on your sinful sawl's what you got to do. Also learnin' to cook 'gainst the time you'm a wife an' the mother o' childern, if God so wills. But this ban't no right way o' life for any wan, gentle or simple, so mend it. A gad-about, lazy female's hell-meat in any station. Theer's enough of 'em as 'tis, wi'in the edge o' Carnwall tu. What was you doin' this marnin'? Mother sez 'er heard you stirrin' 'fore the birds."

"I went out a long walk to think, faither."

"What 'e want to think 'bout? Your plaace is to du, not to think. God'll think for 'e if 'e ax; an' the sooner you mind that an' call 'pon the A'mighty the better; 'cause the Devil's ready an' willin' to think for 'e tu. Read the Book more an' look about 'e less. Man's eyes, an' likewise maid's, is best 'pon the ground most time. Theer's no evil writ theer. The brain of man an' woman imagineth ill nearly allus, for why? 'Cause they looks about an' sees it. Evil comes in through the eyes of 'em; evil's pasted large 'pon every dead wall in Newlyn. Read the Book—'tis all summed up in that. You've gotten a power o' your mother in 'e yet. Not but you've bin a good darter thus far, save for back-slidin' in the past; but I saved your sawl then, thanks be to the voice o' God in me, an' I saved your mother's sawl, though theer was tidy wraslin' for her; an' I'll save yourn yet if you'll do your paart."

Here Gray Michael paused and turned homeward, while Joan congratulated herself upon the fact that a conversation which promised to be difficult had ended so speedily and without misfortune. Then her father asked her another question.

"An' what's this I hear tell 'bout you bein' poorly? You do look so well as ever I knawed 'e, but mother sez you'm that cranky with vittles as you never was afore, an' wrong inside likewise."

"Ban't nothin', faither. 'Tis awver an' done. I ate tu much or some sich thing an' I be bonny well agin now."

"Doan't be thinkin' then. 'Tis all brain-sickness, I'll lay. I doan't want no doctor's traade in my 'ouse if us can keep it outside. The Lard's my doctor. Keep your sawl clean, an' the Lard'll watch your body. 'E's said as much. 'E knaws we'm poor trashy worms an' even a breath o' foul air'll take our lives onless 'E be by to filter it. Faith's the awnly medicine worth usin'."

Joan remembered her morning bath and felt comforted by this last reflection. Had she not already found the magic result? For a moment she thought of telling her father what she had done, but she changed her mind. Such faith as that would have brought nothing but wrath upon her.

While Mr. Tregenza improved the hour and uttered various precepts for his daughter's help and guidance, Thomasin was occupied at home with grave thoughts respecting Joan. She more than suspected the truth from signs of indisposition full of meaning to a mother; but while duly mentioning the girl's illness, Mrs. Tregenza did not dare to breathe the color of her own explanation. She prayed to God in all honesty to prove her wrong, but her lynx eyes waited to read the truth she feared. If things were really so with Joan, then they could not be hid from her eyes much longer; and in the event of her suspicions proving correct, Mrs. Tregenza told herself, as a right Luke Gospeler, she must proclaim her horrid discovery and let the perdition of her husband's daughter be generally made manifest. She knew so many were called, so few chosen. No girl had ever been more surely called than Joan: her father's trumpet tongue had thundered the ways of righteousness into her ears from her birth; but, after all, it began to look as though she was not chosen. The circumstance, of course, if proved, would rob her of every Luke Gospeler's regard. No weak pandering with sentiment and sin was permitted in that fold. And Mrs. Tregenza had little pity herself for unfortunate or mistaken women. Let a girl lose her character and Thomasin usually refused to hear any plea of mercy from any source. Only once did she find extenuating circumstances: in a case where a ruined farmer's daughter brought an action for breach of promise and won it, with heavy damages. But money acted in a peculiar way with this woman. It put her conscience and her judgment out of focus, softened the outlines of events, furnished excuses for unusual practices, gilded with a bright lining even the blackest cloud of wrongdoing. Where Mrs. Tregenza could see money she could see light. Money made her charitable, broad-minded, even tolerant. She knew she loved it, and was careful to keep the fact out of Gray Michael's sight as far as possible. She held the purse, and he felt that it was in good hands, but cautioned her from time to time against the awful danger of letting a lust for this world's wealth come between the soul and God.

And now a course long indicated in Thomasin's mind was being by her pursued. Having convinced herself that under the present circumstances any step to found or dispel her fears concerning Joan would be just and proper, she took the exceptional one of searching the girl's little room while her stepdaughter was out with Michael. Even as Mr. Tregenza turned to go homeward again, his wife stood in the midst of Joan's small sanctuary, and cast keen, inquiring eyes about her. She rarely visited the apartment, and had not been in it for six months. Now she came to set doubt at rest if possible, or confirm it. Her own secret opinion was that Joan had come to serious trouble with her superiors. In that case letters, presents or tokens had probably passed into her hands; and, if such existed, in this room they would be.

"God send as I'm makin' a mistake an' shaan't find nothin' 'tall," said
Mrs. Tregenza to herself. And then she began her scrutiny.

CHAPTER FIVE THE TRUTH

Thomasin saw that all things about Joan's room were neat, spotless, and in order. For one brief moment a sense of disquiet at the action before her touched the woman's heart and head; but duty alike to her husband and her stepdaughter demanded the search in her opinion. Should there be nothing to find, so much the better; if, on the other hand, matters affecting Joan's temporal and eternal welfare were here hidden, then they could not be uncovered too quickly. She looked first through the girl's little wooden trunk, the key of which was in the lock, but nothing save a childish treasure or two rewarded Mrs. Tregenza here. In a broken desk, which had belonged to her mother, Joan kept a few Christmas cards, and two silhouettes: one of Uncle Thomas, of Drift, one of Mary Chirgwin. Here were also some cooking recipes copied in her mother's writing, an agate marble which Joan had found on Penzance beach, lavender tied up in a bag, and an odd toy that softened Thomasin's heart not a little as she picked it up and looked at it. The thing brought back to her memory a time four years earlier. It was a small, grotesque figure on wires, built up of chestnuts and acorns with a hazel-nut for its head and black pins stuck in for the eyes. She remembered Tom making it and giving it to Joan on her birthday. Then the memory of Joan's love for Tom from the time he was born came like a glow of sunshine into the mother's heart, and for a moment she was minded to relinquish her unpleasant task upon the spot; but she changed her intention again and proceeded. The box held little else save a parcel of old clothes tied up with rosemary in brown paper. These the woman surveyed curiously, and knew, without being told, that they had belonged to Joan's mother. For some reason the spectacle killed sentiment and changed her mood. She shut down the box, and then, going to the chest of drawers, pulled out each compartment in turn. Nothing but Joan's apparel and her few brooches and trinkets appeared here. The history of each and all was familiar to Mrs. Tregenza. But on reaching the bottom drawer of the chest, she found it locked and the key absent. To continue her search, however, was not difficult. Nothing separated the drawers, and by removing that above the last, the contents of the lowest lay at her mercy, It was full of linen for the most part, but hidden at the bottom, Thomasin made a discovery, and found certain matters which at once spoke of tremendous mystery, and, to her mind, indicated the nature of it. First she came upon the little picture of Joe's ship in its rough gilded frame. This might be an innocent gift from some of the young men who had asked in the past to be allowed to paint Joan and received a curt negative from Gray Michael. But the other discovery meant more. Pushing her hand about the drawer she found a pile of paper, felt the crackle of it, and pulled it eagerly to the light. Then, and before she learned the grandeur of the sum, she was seized with a sudden palpitation and sat down on Joan's bed. Her mouth grew full as a hungry man's before a feast, her lips were wet, her hand shook as she opened and spread the notes. Then she counted them and sat gasping like a landed fish. Thomasin had never seen so much money before in her life. A thousand pounds! Unlike Joan, to whom the sum conveyed no significance, Mrs. Tregenza could estimate it. Her mind reached that far, and the bank-notes, for her, lay just within the estimation of avarice. Every snowy fragment meant a hundred pounds—a hundred sovereigns—two hundred ten-shilling pieces. The first shock overpast, and long before she grew sufficiently calm to associate the treasure with its possessor, Mrs. Tregenza began spending in her mind's eye. The points in house and garden, outhouse and sty, whereon money might be advantageously expended, rose up one after the other. Then she put aside eight hundred and fifty out of the grand total and pictured herself taking it to the bank. She thought of a nest-egg that would "goody" against the time Tom should grow into a man; she saw herself among the neighbors, pointed at, whispered of as a woman with hundreds and hundreds of pounds put by; she saw the rows of men sitting basking about in Newlyn, as their custom is when off the sea; and she heard them drop words of admiration at the sight of her. Presently, however, this gilded vision vanished, and she began to connect the money with Joan. She solved the mystery then with a brutal directness which hit the mark in one direction; as to the source of the money, but went wide of it in some measure upon the subject of the girl. Thomasin held briefly that her stepdaughter had fallen, and now, knowing her condition, had informed some man of it, with the result that from him came this unutterable gift. That the money made an enormous difference to Mrs. Tregenza's mental attitude must be confessed. She found herself fashioning absolute excuses for Joan. Girls so often came to ill through no fault of their own. The man must at least have been a gentleman to pay for his pleasure in four figures. Four figures! Here she stopped thinking in order to picture the vision of a unit followed by three ciphers. Then she marveled as to what manner of man he was who could send a girl like Joan a thousand pounds. She never heard of such a price for the value received. Her respect for Joan began to increase when she realized that the money was hers. Probably there was even more where that came from. "Anyway," she reflected, "it ban't no use cryin' ower spilt milk. What's done's done. An' a thousand pounds'll go long ways to softenin' the road. She might travel up-long to Truro to my cousin an' bide quiet theer till arter, an' no harm done, poor lass. When all's said, us knaws the Lard Hissel weer mighty easy wi' the like o' she, an' worser wenches tu. But Michael—God A'mighty knaws he won't be easy. She'm a damned wummon, I s'pose, but she's got to live through 'er life here—damned or saved; an' she's got a thousand pound to do't with. A terrible braave dollop o' money, sure 'nough. To think 'ow 'ard a man's got to work 'fore he earns five of 'em!" But her imagination centered upon Gray Michael now, and she almost forgot the banknotes for a moment. She thought of his agony and trembled for the result. He might strike Joan down and kill her. The man's anger against evil-doers was always a terrific thing; and he had no idea of the value of money. She hazarded guesses at the course he would pursue, and each idea was blacker than the last. Then Thomasin fell to wondering what Michael would be likely to do with the money. She sighed at this thought, and then she grew pale at the imaginary spectacle of her husband tearing the devil-sent notes to pieces and scattering them over the cliff to the sea. This horrible possibility stung her to another train of ideas. Might it be within her power to win Joan's secret, share it, and keep it from the father? Her pluck, however, gave way when she looked a little deeper into the future. She would have done most things in her power for a thousand pounds, but she would not have dared any treachery to Michael. The woman put the notes together and stroked them and listened to the rustle of them and rubbed her hard cheek with them. Then, looking from the little window of Joan's garret, she saw the girl herself approaching with Mr. Tregenza. They were nearly home again, so Thomasin returned the money and the picture to their places in the chest of drawers, smoothed the bed, where she had been sitting for half an hour, and went downstairs still undetermined as to a course of action.

Before dinner was eaten, however, she had decided that her husband must know the truth. Even her desire toward the money cooled before the prospect of treachery to him. Fear had something to do with this decision, but the woman's own principles were strong. It is unlikely that in any case they would have broken down. She sent Joan on an errand to the village after the meal was ended; and upon her departure addressed her husband hurriedly.

"You said I was 'mazed to dinner, an' so I was. I've gotten bad news for 'e, Michael, touchin' Joan."

"No more o' that, mother," he answered, "I've talked wi' she an' said a word in season. She'm well in body an' be gwaine to turn a new leaf, so theer's an end o' the matter."

"'Tedn' so," she declared, "I've bin in the gal's room an' I've found—but you bide here an' I'll bring 'em to 'e. Hold yourself back, Michael, for us caan't say nothin' sure till us knaws the truth from Joan."

"She've tawld me the truth out a walkin' an' I've shawed her the narrer path. What should you find?"

"Money—no lil come-by-chance neither; more money than ever you or me seed in our born days afore or shall agin."

"You'm dreamin', wummon!" he said.

"God knaws I wishes it weer so," she answered, and went once more to Joan's room.

Gray Michael was walking up and down the kitchen when she returned, and Thomasin said nothing, but put money and picture upon the table. Her husband fought with himself a moment, as it appeared, then seemed to pray a while, standing still with his hand pressed over his eyes, and finally sat himself down beside the things which Thomasin had brought.

"I'd no choice but to tell 'e," she said.

Gray Michael's eyes were on the picture and utter astonishment appeared in them.

"Why! 'tis Joe Noy's ship. Us seed her off the islands, outward bound! He might 'a' gived it her hisself surely?"

"But t'other thing; the money. Count them notes. Noy never gived Joan them."

He spread the parcel, counted the money, and sat back thunderstruck.

"God in heaven! A thousan' pound, an' notes as never went through no dirty hands neither! What do it mean?"

"How should I tell what it means? I found the whole fortune hid beneath her smickets. Lard knaws how she comed by it. What have the likes o' she to give for money?"

"What do 'e mean by that?" he blazed out, rising to his feet and clinching his fists.

"Ax your darter. Do 'e think I'd dare to say a word onless I was sartain sure? You'd smash me, your own wife, if I weer wrong, like enough. I ban't wrong. Joan's wi' cheel or I never was. Maybe that thraws light on the money, maybe it doan't. I did pray as it might 'a' comed out to be her man at sea. But you'll find it weern't. God help 'e, Michael, my heart do bleed for 'e. Can 'e find it in 'e to be merciful same as the Lard in like case, or—?"

He raised his hand to stop her. He was sitting back in his chair with a face that had grown gray even to the skin, with eyes that looked out at nothing. There was a moment's silence save for the tall clock in the corner; then Tregenza brushed beads of water off his forehead and dried his hand on his trousers. He raised his eyes to the roof and gripped his hands together on his chest and slowly spoke a text which his wife had heard upon his lips before, but only at times of deep concern or emotion.

"'The Lard is king, be the people never so impatient; He sitteth between the cherubims, be the airth never so unquiet.'"

Few saw any particular meaning in this quotation applied in moments of stress, as Michael usually employed it; but to the man it was a supreme utterance, the last word to be spoken in the face of all the evil and wickedness of the world. Come what might, God still reigned in heaven.

He spoke aloud thus far, and afterward, by the movement of his beard and lip, Thomasin could see he was still talking or praying.

"Let the Lard lead 'e, husband, in this hard pass," she said. "'Vengeance is Mine,' the Book sez."

He turned his eyes upon her. His brows were dragged down upon them; he had brushed his gray hair like bristles upright on his head; across the mighty wall of his forehead jagged cross-lines were stamped, like the broken strata over a cliff-face.

"Ay, you say it. Vengeance be God's awn, an' mercy be God's awn. 'Tedn' for no man to meddle wi' them. Us caan't be aught but just. She'll have justice from me—no more'n that. 'Tis all wan now. Wanton or no wanton, she've flummoxed me this day. The giglot lied an' said the thing that was not. She'm not o' the Kingdom—the fust Tregenza as ever lied—the fust."

"God send it edn' as bad as it do look, master. 'Er caracter belike ban't gone. S'pose as she'm married?"

"Hould your clack, wummon. I be thinkin'."

He was thinking, indeed. In the face of this discovery, the ghost of an idea, which had haunted Gray Michael's mind more than once during the upbringing of Joan, returned a greater and more pronounced shadow than ever before. The conviction carried truth stamped upon it from the standpoint of his present horrid knowledge. To an outsider his thought had appeared absolutely devilish, to the man himself it was as a buoy thrown to one drowning. The belief flooded his mind, swept him away, convinced him. Its nature presently appeared as he answered Thomasin. She was still thinking of the thousand pounds.

"Theer's no word in the Book agin mercy, Michael. Joan's your awn darter—froward or not froward."

"You'm wrong theer," he said. He was now cool and quiet. "I did think so wance; I did tell her so when us walked not two hour agone. Now I sees differ'nt. She'm none o' mine. She'm no Tregenza. Be Nature, as made us God-fearin' to a man, to a wummon, to a cheel, gwaine to lie after generations 'pon generations? Look back at them as bred me, an' them as bred them—back, an' back, an' back. All Tregenzas was o' the Lard's harvest; an' should I, as feared God more'n any o' 'em, an' fought for the Lard of Hosts 'fore I was higher'n this table—should I—Michael Tregenza, breed a damned sawl? The thot's comed black an' terrible 'pon my mind 'fore to-day; an' I've put en away from me, judgin' 'twas the devil. Now I knaw 'twas God spoke; now I knaw that her's none o' my gettin'. 'Who honoreth his faither shall 'a' joy o' his awn childern.' Shall I, as weer a pattern son, be cussed wi' a strumpet for a darter?"

"You'm speakin' a hard thing o' dead bones, then. The Chirgwins is upland folks o' long standin', knawn so far as the Land's End, an' up Drift an' down Lizard likewise."

"She've lied to me," was his answer; "she've lied oftentimes; she'm false to whatever I did teach her; she've sawld herself—she've—no more on it—no more on it but awnly this: I call 'pon God A'mighty to bear witness she'm no Tregenza—never—never."

"'Tweer her mother in the gal; but doan't 'e say more 'bout that, Michael.
Poor dear sawl, she'm dead an' gone, an' she loved 'e wi' all her 'eart, as
I, what knawed her, can testify to."

"No more o' that," he said, "the gal's comin'. Thank God she ban't no cheel o' mine—thank God, as 'ave tawld me 'tedn' so. He whispered it, an' I put it away an' away. Now I knaws. You bide here, Thomasin Tregenza, and I'll speak what's fittin'."

Thus in one moment this hideous conviction was stamped upon the man's soul for life. He judged the dead mother by the daughter and visited the child's sin upon the parent's memory. Any conclusion more monstrous, more directly opposed to every natural instinct, can hardly be conceived, but the man had been strangling natural instincts for fifty years. Only pride of family remained. There were but few Tregenzas left and soon there would be none unless Tom carried on the name. Michael was the quintessence of the Tregenza spirit, the fruit of generations, the high-water mark. He stood on that giddy pinnacle which has religious mania for its precipice. To damn a dead woman was easier than to accept a wanton daughter. Better an unfaithful wife than that any soul born of Tregenza blood should be lost. So he washed his hands of both, thanking God, who had launched the truth into his mind at last; and then he rose to his feet as Joan entered the room.

She stood for a moment in the doorway with her blue eyes fixed in amazement upon the kitchen table. Then she grew very red to the roots of her hair and came forward. There was almost a joy in her mind that the long story of falsehood must end at last. She did not fear her father now and looked up into his face quite calmly as she approached the table.

"These be mine," she said. "Was it you, faither, as took 'em from wheer they was?"

"'Twas me, Joan," answered Mrs. Tregenza; "an' I judge the Lard led me."