TRANSCRIBER’S NOTE

The footnote in Paragraph #35 on [page 69] (the only one in the book) was moved to follow the paragraph from which it is referenced.

Obvious typographical errors and punctuation errors have been corrected after careful comparison with other occurrences within the text and consultation of external sources.

The cover image was created by the transcriber and is placed in the public domain.

More detail can be found at the [end of the book].

FORES’S SPORTING ENGRAVINGS,

ACCURATELY COLOURED FROM THE ORIGINAL PICTURES.

FORES’S NATIONAL SPORTS.

FOX HUNTING.

From the Original Pictures by MR. J. F. HERRING, Sen.

A SERIES OF FOUR ADMIRABLY COLOURED ENGRAVINGS.

Price to Subscribers, £10 10s.—Size, with margin for Framing, 45 inches long by 26 high.

The Set comprises—

Plate I.—THE MEET.

“Delightful scene!

Where all around is gay—men, horses, dogs,

And in each smiling countenance appears

Fresh blooming health and universal joy.”

“Then to the copse,

Thick with entangling grass or prickly furze,

With silence lead thy many-coloured hounds

In all their beauty’s pride.”—Somervile.

Plate II.—THE FIND.

“Hark! what loud shouts

Re-echo thro’the groves: he breaks away;

Shrill horns proclaim his flight; each straggling hound

Strains o’er the lawn to reach the distant pack.

’Tis triumph all and joy.”

“Hark! on the drag I hear

Their doubtful notes preluding to a cry;

More nobly full, and swell’d with every mouth.”

—Somervile.

Plate III.—THE RUN.

“The riders bend

O’er their arch’d necks; with steady hands, by turns

Indulge their speed, or moderate their rage.”

“Happy the man who with unrivall’d speed

Can pass his fellows, and with pleasure view

The struggling pack.”—Somervile.

Plate IV.—THE KILL.

“The pack inquisitive, with clamour loud,

Drag out their trembling prize; and on his blood

With greedy transport feast.”

“A chosen few

Alone the sport enjoy, nor droop beneath

Their pleasing toils.”—Somervile.

Corresponding in Size and Style with FORES’S NATIONAL SPORTS—

Plate I.—The START FOR THE DERBY.
Plate II.—STEEPLE-CHASE CRACKS.

Price £3 3s. 0d. each.

Coloured in close imitation of the Original Pictures by Mr. J. F. Herring, Sen.

LONDON: PUBLISHED BY MESSRS. FORES, 41, PICCADILLY,

(CORNER OF SACKVILLE STREET.)

FORES’S HUNTING SCENES,

Price 12s. each, Coloured, from Pictures by H. Alken.

Plate 1. The First introduction to Hounds.

A string of young horses, crossed by a pack of hounds in full cry, put on their mettle for the chase, proving “What’s bred in the bone will show in the flesh.”

Plate 2. Renewal of Acquaintance with Hounds.

The young bloods represented in Plate 1., having had their day, now form a team, and being brought out for “the change,” are startled by the well-known music of “hounds giving tongue,” and dash after them in true hunting style, as they were wont to do.

FORES’S HUNTING ACCOMPLISHMENTS,

INDISPENSABLE WITH HOUNDS.

Six Plates, price £1 5s., Coloured, from Original Drawings by H. Alken.

• 1. GOING ALONG A SLAPPING PACE.
• 2. TOPPING A FLIGHT OF RAILS, AND COMING WELL INTO THE NEXT FIELD.
• 3. SWISHING A RASPER.
• 4. IN AND OUT CLEVER.
• 5. CHARGING AN OX FENCE.
• 6. FACING A BROOK.

FORES’S HUNTING CASUALTIES,

THAT MAY OCCUR WITH HOUNDS.

Six Plates, price £1 5s., Coloured, from Original Drawings by H. Alken.

• 1. A TURN OF SPEED OVER THE FLAT.
• The result of being broke in a grazing country.
• 2. A STRANGE COUNTRY.
• “Only give him his head, and he’ll bring you in at the death.”
• 3. DESPATCHED TO HEAD QUARTERS.
• Taking it with a Military Seat.
• 4. UP TO SIXTEEN STONE.
• “Master of my weight, but would rather my weight was master of him.”
• 5. A RARE SORT FOR THE DOWNS.
• “They told me he’d leave everything behind him.”
• 6. A MUTUAL DETERMINATION.
• “If he goes on at this rate I’m afraid I must part with him.”

LEFT AT HOME,

FROM THE ORIGINAL PICTURE BY MR. R. B. DAVIS.

PROOFS ... £2 2 0 | PRINTS, COLOURED £1 11 6

Represents a fine stamp of Hunter, and Hounds of perfect form, excited by the sound of the huntsman’s horn.—A subject full of life, and possessing inexpressible charms for the eye of a sportsman.

Price 5s., post free, 5s. 6d.

Fores’s Hunting Diary,

To record the sport of the season with Fox Hounds, Stag Hounds, and Harriers.

Coloured, price 10s.,

Fores’s Hunting Rack,

A Receptacle for the Appointment Cards.

Appointment Cards for Ditto, 5s.

Arranged for the Meets of Three Packs.

Pocket Hunting Maps, price 3s. 6d. and 5s. each.

PUBLISHED BY MESSRS. FORES, 41, PICCADILLY,

(CORNER OF SACKVILLE STREET.)

FORES’S CONTRASTS,

FROM ORIGINAL PICTURES BY MR. H. ALKEN.

Price 10s. each Plate, Coloured,

Illustrative of the Road, the Rail, &c.

• I.—THE DRIVER (Coachman) of 1832—THE DRIVER (Engineer) of 1852.
• II.—THE GUARD (Coach) of 1832—THE GUARD (locomotive) of 1852.
• III.—THE DRIVER of the MAIL of 1832—THE DRIVER of the MAIL of 1852.
• IV.—ST. GEORGE’S—ST. GILES’S.

FORES’S SERIES OF THE BRITISH STUD.

PORTRAITS OF CELEBRATED STALLIONS AND MARES

Whose Performances and Produce are well known on the Turf,

Price £1 1s. each, coloured, from the Original Pictures by Mr. J. F. Herring, sen.

• 1. Sir Hercules and Beeswing.
• 2. Touchstone and Emma.
• 3. Pantaloon and Languish.
• 4. Camel and Banter.
• 5. Muley Moloch and Rebecca.
• 6. Lanercost and Crucifix.
• 7. Bay Middleton and Barbelle.
• (The Sire and Dam of The Flying Dutchman.)

FORES’S RACING SCENES.

Price 21s. each, coloured, from Pictures painted expressly by Mr. J. F. Herring, sen.

Plate 1. ASCOT.

THE EMPEROR, FAUGH A BALLAGH, and ALICE HAWTHORN,

RUNNING FOR THE EMPEROR’S PLATE, VALUE 500 SOVS.

Plate 2. YORK.

THE FLYING DUTCHMAN AND VOLTIGEUR

RUNNING THE GREAT MATCH FOR 1000 SOVS. A SIDE.

FORES’S CELEBRATED WINNERS.

Price 21s. each, coloured, from Pictures by Mr. J. F. Herring, sen., and others.

• 1. THE HERO,
• WITH JOHN DAY, SEN., AND ALFRED DAY.
• 2. THE FLYING DUTCHMAN,
• WITH J. FOBERT AND C. MARLOW.
• 3. TEDDINGTON,
• WITH A. TAYLOR AND JOB MARSON.

PUBLISHED BY MESSRS. FORES, 41, PICCADILLY,

(CORNER OF SACKVILLE STREET).

FORES’S STABLE SCENES.

ENGRAVED FROM PAINTINGS BY MR. J. F. HERRING, SEN.

• Price £4 4s. the set of Four, highly coloured.
• 1. THE MAIL CHANGE.
• 2. THE HUNTING STUD.
• 3. THOROUGH-BREDS.
• 4. THE TEAM.

FORES’S COACHING RECOLLECTIONS.

ENGRAVED FROM PAINTINGS BY MR. C. C. HENDERSON.

• Price £5 5s. the set of Five, highly coloured.
• 1. CHANGING HORSES.
• 2. ALL RIGHT.
• 3. PULLING UP TO UNSKID.
• 4. WAKING UP.
• 5. THE OLDEN TIME.

FORES’S COACHING INCIDENTS.

ENGRAVED FROM PAINTINGS BY MR. C. C. HENDERSON:

• Price £4 10s. the set of Six, highly coloured.
• 1. KNEE DEEP.
• 2. STUCK FAST.
• 3. FLOODED.
• 4. THE ROAD v. THE RAIL.
• 5. IN TIME FOR THE COACH.
• 6. LATE FOR THE MAIL.

FORES’S SPORTING TRAPS.

FROM THE ORIGINAL PICTURES BY MR. C. C. HENDERSON.

Price 21s. each, coloured,

TO RANGE WITH THE STABLE SCENES AND COACHING RECOLLECTIONS.

• 1. GOING TO THE MOORS.
• 2. GOING TO COVER.

FORES’S ROAD SCENES.

“GOING TO A FAIR.” PAINTED BY MR. C. C. HENDERSON.

Price 15s. each, coloured.

• 1. HUNTERS AND HACKS.
• 2. CART HORSES.

PUBLISHED BY MESSRS. FORES,

AT THEIR

Sporting and Fine Engraving Repository and Frame Manufactory,

41, PICCADILLY, (CORNER OF SACKVILLE STREET.)

Fores’s Marine Sketches.

Price 10s. each, coloured; tinted, 5s. each.

• The Cutter Yacht MARIA, 170 Tons.
• The Schooner Yacht AMERICA, 180 Tons.
• The Schooner Yacht ALARM, 248 Tons.
• The Cutter Yacht VOLANTE, 49 Tons.
• The Emperor of Russia’s Iron Steam Yacht ALEXANDRIA.
• The Cutter Yacht CYNTHIA, 50 Tons.
• The Schooner Yacht NANCY DAWSON, 160 Tons.
• The Schooner Yacht WYVERN, 205 Tons. A Pair.
• The Schooner Yacht LEDA, 120 Tons. A Pair.
• YACHTING—SCENE OFF COWES, ISLE OF WIGHT.
• The ROYAL NAVY—The VICTORY SALUTING HER MAJESTY.
• Price 21s. each, coloured; 10s. 6d. plain.
• The KESTREL, R.Y.S. The DOLPHIN, R.T.Y.C.

A COLLECTION OF MARINE PICTURES AND DRAWINGS BY SUPERIOR ARTISTS.

FORES’S SPORTING SCRAPS,

Price 7s. per sheet, coloured; or 2s. each mounted as Drawings.

• 1. STEEPLECHASING.
• The Start. The Wall. The Brook. The Finish.
• 2. HUNTING.
• Going to the Meet. The Meet. Cover Side. Drawing Cover.
• 3. HUNTING.
• Tally Ho! The Burst. A Check. Full Cry.
• 4. HUNTING.
• Run to Earth. Bolting the Fox. Whoop. The Return Home.
• 5. RACING.
• Saddling. Ready for a Canter. The Start. The Struggle.
• 6. COURSING.
• Going Out. Soho! The Course. The Death.
• 7. BOATING.
• Four-Oar’d Outrigger. Pair-Oar’d Outrigger. A Funny Sculler’s Outrigger.

FORES’S STEEPLECHASE SCENES.

Six Plates, coloured, price £2 12s. 6d., from Original Drawings by Mr. H. Alken.

• 1. THE STARTING FIELD.
• “A picked lot, possessed of judgment and confidence.”
• 2. WATTLE FENCE WITH A DEEP DROP.
• “Skill and nerve brought into play.”
• 3. IN AND OUT OF THE LANE.
• “Science and a firm seat put to the test.”
• 4. THE WARREN WALL.
• “A quick eye and steady hand often save a fall.”
• 5. THE BROOK.
• “The pace and pluck clear it gallantly.”
• 6. THE RUN IN.
• “A good finisher, backed by luck, lands him a winner.”

FORES’S ANATOMICAL PLATES OF THE HORSE.

• Price 6s., mounted on Cloth to fold up like a Map,
• The Age Exhibited by the Shape of the Teeth.
• Price 5s. each, mounted on Cloth to fold up like a Map.
• The Age Exhibited by the Tables of the Teeth.
• The Structure of the Foot clearly defined.
• The Muscles and Tendons accurately delineated.

PUBLISHED BY MESSRS. FORES, 41, PICCADILLY,

(CORNER OF SACKVILLE STREET.)

FINE ENGRAVINGS,

PUBLISHED OR IN PROGRESS.

THE ARCTIC COUNCIL.

Painted by S. PEARCE, Esq. Engraved by J. SCOTT.

Artists’ Proofs, £6 6s.; Prints, £2 2s.

“THERE’S LIFE IN THE OLD DOG YET.”

PAINTED BY SIR E. LANDSEER. ENGRAVED BY H. T. RYALL, ESQ.

Artists’ Proofs, £12 12s. Prints, £3 3s.

WEIGHING THE STAG.

Painted by F. TAYLER, Esq. Engraved by T. L. ATKINSON, Esq.

Artists’ Proofs, £12 12s. Prints £4 4s.

SIR RICHARD SUTTON’S HOUNDS.

Painted by F. GRANT, Esq. Engraved by F. BROMLEY, Esq.

Proofs before Letters, £6 6s. Prints, £3 3s.

THE BEST RUN OF THE SEASON.

Painted by SIR E. LANDSEER. Engraved by T. LANDSEER, Esq.

Artists’ Proofs, £8 8s. Prints, £2 2s.

THE MONARCH OF THE GLEN.

PAINTED BY SIR E. LANDSEER. ENGRAVED BY T. LANDSEER, ESQ.

Artists’ Proofs, £10 10s. Prints, £3 3s.

NAPOLEON CROSSING THE ALPS.

Painted by M. PAUL DELAROCHE. Engraved by M. FRANCOIS.

Artists’ Proofs, £12 12s. Prints, £2 12s. 6_d._

SYMPATHY.

Painted by FRANK STONE, Esq. Engraved by T. L. ATKINSON, Esq.

Artists’ Proofs, £4 4s. Prints, £1 1s.

PORTRAIT OF LORD WILLIAM BERESFORD.

PAINTED BY R. THORBURN, ESQ. ENGRAVED BY W. J. EDWARDS, ESQ.

Proofs, £2 2s. Prints, £1 1s.

THE DUKE OF CAMBRIDGE.

PAINTED BY J. CROWLEY, Esq. ENGRAVED BY T. L. ATKINSON, Esq.

Artists’ Proofs, £5 5s. Prints, £1 11s. 6_d._

A DIALOGUE AT WATERLOO.

Painted by SIR E. LANDSEER. Engraved by T. L. ATKINSON, Esq.

Artists’ Proofs, £15 15s. Prints, £7 7s.

THE RUBBER AT WHIST.

Painted by T. WEBSTER, Esq. Engraved by L. STOCKS, Esq.

Artists’ Proofs, £8 8s. Prints, £2 2s.

THE FORESTER’S FAMILY.

PAINTED BY SIR E. LANDSEER. ENGRAVED BY T. L. ATKINSON, ESQ.

Artists’ Proofs, £10 10s. Prints, £4 4s.

MESSRS. FORES’S

REPOSITORY OF WORKS OF ART,

41, PICCADILLY (Corner of Sackville Street) LONDON.

SPORTING AND VETERINARY WORKS.

THE RACING CALENDAR. STEEPLE-CHASE CALENDAR.

STUD BOOK, AND GUIDE TO THE TURF.

LONDON, MESSRS. FORES, 41, PICCADILLY,

(CORNER OF SACKVILLE STREET.)

May and December,

FROM THE ADMIRABLE PICTURE

BY MR. J. L. BRODIE,

EXHIBITED AT THE ROYAL ACADEMY,

Engraved in Mezzotint, highly finished,

BY MR. W. H. SIMMONS.

SIZE OF THE ENGRAVING, WITH MARGIN FOR FRAMING, 30 BY 25 INCHES.

——

May and December. Engraved by W. H. Simmons, from a Painting by J. Lamont Brodie.—Fores & Co.

The visitors to the Royal Academy Exhibition of the past year, such at least of them as have an eye for the pleasing, the merry, and the bright—the admirers of Allegro, rather than her more solemn sister-nymph Penseroso—must have noticed, and having noticed, been attracted, by the clever painting of Mr. Brodie, bearing the title of “May and December.” The original picture, which can throw sunshine but on one apartment, is now multiplied; and numerous cheerful rays may beam from the walls of humbler persons of taste, less fortunate than the possessor of the artist’s first conception. Mr. Simmons has well performed his task of transferring from the canvas to the plate, the spirit, the mind, the vis comica of the original, while the depth of the middle-tinting and the chalklike softness of the flesh are evidences of his skilful care in the mechanical details. The subject, we may observe, for the information of those who did not visit the Exhibition, is a fine ripe laughing lass, a long way in her “teens,” if not just coming out of them; her face, which “smiles all over,” is turned full towards the spectator, and her half-delighted, half-mischievous eyes, are glittering with a mixture of gratified vanity, and a sense of the ludicrous absurdity of the situation of herself and her aged innamorato. The latter is indeed “December” personified. Imagine a beetle-browed, heavy-featured sexagenarian, or perchance approximating the three-score-and-ten of man’s pilgrimage, bending, with the devotion of an idol-worshipper, over one of the plump hands of his earthly divinity, which he holds in his gnarled and knotted fingers, and presses to his sensual lips, exposing over his artistically foreshortened face a polished cranium, denuded of its hirsute covering, except at the sides, where two fiercely brushed tufts of white hair still stand upright in admirable agreement with the organic development of obstinacy in its general bony contour. The accessories of the picture are also suggestive: on the left, where the mischievous maiden is seated, are a modern flower-vase, a guitar, &c., and in the chimney glass is reflected the portrait of a moustached militaire (doubtless a suitor for the fair hand here in the cold grasp of winter), which looks down on the group with an expression of appealing regret. On the right of the old man is a tankard of elegant chasing, a pen, and inkstand, and the like emblems. As a composition the picture is excellent, and as a piece of genre painting, and highly-finished engraving, “May and December” is a most agreeable and talented work.—Morning Advertiser.

PUBLISHED BY MESSRS. FORES, 41, PICCADILLY.

(CORNER OF SACKVILLE STREET.)

London: Printed by Harrison and Sons, 45, St. Martin’s Lane.

THE HORSE’S MOUTH,

SHOWING THE AGE BY THE TEETH.

THE HORSE’S MOUTH,

SHOWING THE AGE

BY

THE TEETH.

CONTAINING

A FULL DESCRIPTION OF THE PERIODS WHEN THE TEETH ARE CUT;

THE APPEARANCES THEY PRESENT;

THE TRICKS TO WHICH THEY ARE EXPOSED;

THE ECCENTRICITIES TO WHICH THEY ARE LIABLE;

AND

THE DISEASES TO WHICH THEY ARE SUBJECT.

BY

EDWARD MAYHEW, M. R. C. V. S.

DEDICATED, BY PERMISSION,

TO

THE PRESIDENT AND COUNCIL

OF

The Royal College of Veterinary Surgeons,

AND EMBELLISHED WITH

NUMEROUS COLOURED ENGRAVINGS FROM

DRAWINGS MADE EXPRESSLY FOR THE WORK, AND

TAKEN FROM AUTHENTICATED MOUTHS;

WITH

THIRTY-TWO WOOD-CUTS, ILLUSTRATIVE OF THE LETTER-PRESS.

FOURTH EDITION.

LONDON:

MESSRS. FORES, 41, PICCADILLY.

TO THE

PRESIDENT AND COUNCIL

OF THE

ROYAL COLLEGE OF VETERINARY SURGEONS,

THIS WORK

IS (BY PERMISSION) RESPECTFULLY DEDICATED,

BY THEIR OBLIGED AND

VERY OBEDIENT SERVANTS,

THE PUBLISHERS.

41, Piccadilly.

ILLUSTRATIONS.

CONTENTS.