Medieval People
by
EILEEN POWER
M.A., D.Lit.
Late Reader in History in the University of
London and sometime Fellow and Lecturer of
Girton College, Cambridge
'I counsel thee, shut not thy heart nor thy library'
CHARLES LAMB
First published, 1924
To
my colleagues and students
at Girton College, Cambridge
1913-20
For if heuene be on this erthe . and ese to any soule,
It is in cloistere or in scole . by many skilles I fynde;
For in cloistre cometh no man . to chide ne to fizte,
But alle is buxomnesse there and bokes . to rede and to lerne,
In scole there is scorne . but if a clerke wil lerne,
And grete loue and lykynge . for eche of hem loueth other.
--LANGLAND, Piers Plowman
Author's Preface
Social history sometimes suffers from the reproach that it is vague and general, unable to compete with the attractions of political history either for the student or for the general reader, because of its lack of outstanding personalities. In point of fact there is often as much material for reconstructing the life of some quite ordinary person as there is for writing a history of Robert of Normandy or of Philippa of Hainault; and the lives of ordinary people so reconstructed are, if less spectacular, certainly not less interesting. I believe that social history lends itself particularly to what may be called a personal treatment, and that the past may be made to live again for the general reader more effectively by personifying it than by presenting it in the form of learned treatises on the development of the manor or on medieval trade, essential as these are to the specialist. For history, after all, is valuable only in so far as it lives, and Maeterlinck's cry, 'There are no dead', should always be the historian's motto. It is the idea that history is about dead people, or, worse still, about movements and conditions which seem but vaguely related to the labours and passions of flesh and blood, which has driven history from bookshelves where the historical novel still finds a welcome place.
In the following series of sketches I have tried to illustrate at the same time various aspects of social life in the Middle Ages and various classes of historical material. Thus Bodo illustrates peasant life, and an early phase of a typical medieval estate; Marco Polo, Venetian trade with the East; Madame Eglentyne, monastic life; the Ménagier's wife, domestic life in a middle-class home, and medieval ideas about women; Thomas Betson, the wool trade, and the activities of the great English trading company of Merchants of the Staple; and Thomas Paycocke, the cloth industry in East Anglia. They are all quite ordinary people and unknown to fame, with the exception of Marco Polo. The types of historical evidence illustrated are the estate book of a manorial lord, the chronicle and traveller's tale, the bishop's register, the didactic treatise in household management, the collection of family letters, and houses, brasses, and wills. At the end of the book I have added a bibliography of the sources which form the raw material for my reconstructions, and a few additional notes and references. I hope that this modest attempt to bring to life again some of 'our fathers that begat us', may perhaps interest for an hour or two the general reader, or the teacher, who wishes to make more concrete by personification some of the general facts of medieval social and economic history.
My thanks are due to my publishers, Messrs. Methuen and Co., for allowing me to incorporate in Chapter VI the greater part of a chapter in my book 'The Paycockes of Coggeshall', and to the Cambridge University Press for similarly allowing me to repeat in Chapter III a few sentences from my study of 'Medieval English Nunneries'. I have also to thank my friends Miss M.G. Jones and Miss H.M.R. Murray of Girton College, Cambridge, for various suggestions and criticisms, and my sister Miss Rhoda Power for making the index.
May 1924
EILEEN POWER
London School of Economics and Political Science
University of London
Preface to the Tenth Edition
For years after the first edition of Medieval People had come out, Eileen Power collected notes and made plans for several essays to be included in an enlarged edition of the book. Of these essays only one, "The Precursors", had been written out in full before she died; and it has now been added to the present edition. In its published form it is not in every respect identical with the author's original text.
The essay was taking shape as Munich came and went and as the war itself was drawing near. No historian writing at that time about Rome menaced by the barbarians--and least of all an historian as sensitive to the extra-mural world as Eileen Power was--could have helped noting the similarities between the Roman Empire in the fifth or sixth centuries and Europe in the nineteen-thirties. In the end, having finished the essay, she decided to withold it from publication for the time being and to present it instead to a friendly audience as a tract for the times. This she did at a meeting of the Cambridge History Club in the winter of 1938: and for that occasion she replaced the opening and concluding pages of the original essay with passages, or rather notes for passages, more suited to the purpose.
I am sure that she never intended these passages to be perpetuated in her Medieval People and I have therefore done what I could to replace them with a reconstructed version of her first draft. The reconstruction had to be done from somewhat disjointed notes and cannot therefore be word-faithful. The readers must therefore bear in mind that the first two and the last page of the essay are mere approximations to what Eileen Power in fact wrote.
April, 1963
M.M. POSTAN
Peterhouse, Cambridge.
Contents
List of Illustrations
[I.] [BODO AT HIS WORK] From MS. Tit. B.V., Pt. I. British Museum [II.] [EMBARKATION OF THE POLOS AT VENICE] From Bodleian MS. 264. Oxford [III.] [PART OF A LANDSCAPE BY CHAO MÊNG-FU] From the original in the British Museum [IV.] [MADAME EGLENTYNE AT HOME] From MS. Add. 39843. British Museum [V.] [THE MÉNAGIER'S WIFE HAS A GARDEN PARTY] From Harl. MS. 4425. British Museum [VI.] [THE MÉNAGIER'S WIFE COOKS HIS SUPPER WITH THE AID OF HIS BOOK] From MS. Royal, 15 D. i. British Museum [VII.] [CALAIS ABOUT THE TIME OF THOMAS BETSON] From Cott. MS. Aug. i, Vol. II. British Museum [VIII.] [THOMAS PAYCOCKE'S HOUSE AT COGGESHALL] From The Paycockes of Coggeshall by Eileen Power (Methuen & Co. Ltd.) [A MAP OF THE JOURNEYS OF THE POLOS]
| [I.] | [BODO AT HIS WORK] | |
| From MS. Tit. B.V., Pt. I. British Museum | ||
| [II.] | [EMBARKATION OF THE POLOS AT VENICE] | |
| From Bodleian MS. 264. Oxford | ||
| [III.] | [PART OF A LANDSCAPE BY CHAO MÊNG-FU] | |
| From the original in the British Museum | ||
| [IV.] | [MADAME EGLENTYNE AT HOME] | |
| From MS. Add. 39843. British Museum | ||
| [V.] | [THE MÉNAGIER'S WIFE HAS A GARDEN PARTY] | |
| From Harl. MS. 4425. British Museum | ||
| [VI.] | [THE MÉNAGIER'S WIFE COOKS HIS SUPPER WITH THE AID OF HIS BOOK] | |
| From MS. Royal, 15 D. i. British Museum | ||
| [VII.] | [CALAIS ABOUT THE TIME OF THOMAS BETSON] | |
| From Cott. MS. Aug. i, Vol. II. British Museum | ||
| [VIII.] | [THOMAS PAYCOCKE'S HOUSE AT COGGESHALL] | |
| From The Paycockes of Coggeshall by Eileen Power (Methuen & Co. Ltd.) | ||
| [A MAP OF THE JOURNEYS OF THE POLOS] |
Let us now praise famous men and our fathers that begat us....
There be of them that have left a name behind them, that their praises might be reported.
And some there be which have no memorial; who are perished, as though they had never been; and are become as though they had never been born; and their children after them.
But these were merciful men, whose righteousness hath not been forgotten.
With their seed shall continually remain a good inheritance, and their children are within the covenant.
Their seed standeth fast, and their children for their sakes.
Their seed shall remain for ever, and their glory shall not be blotted out.
Their bodies are buried in peace; but their name liveth for evermore.
ECCLESIASTICUS xliv.
CHAPTER I
The Precursors
I. ROME IN DECLINE
Every schoolboy knows that the Middle Ages arose on the ruins of the Roman Empire. The decline of Rome preceded and in some ways prepared the rise of the kingdoms and cultures which composed the medieval system. Yet in spite of the self-evident truth of this historical preposition we know little about life and thought in the watershed years when Europe was ceasing to be Roman but was not yet medieval. We do not know how it felt to watch the decline of Rome; we do not even know whether the men who watched it knew what they saw, though we can be quite certain that none of them foretold, indeed could have foreseen, the shape which the world was to take in later centuries.
Yet the tragic story, its main themes and protagonists were for all to see. No observer should have failed to notice that the Roman Empire of the fourth and fifth centuries was no longer the Roman Empire of the great Antonine and Augustan age; that it had lost its hold over its territories and its economic cohesion and was menaced by the barbarians who were in the end to overwhelm it. The territory of the Roman Empire had at its height stretched from the lands bordering the North Sea to the lands on the northern fringes of the Sahara, and from the Atlantic coast of Europe to the central Asiatic Steppes; it comprised most of the regions of the former Hellenic, Iranian, and Phoenician empires, and it either ruled or kept in check great clusters of peoples and principalities beyond its Gallic and north African frontiers. From these farthest frontiers Rome of the fourth century had retreated and was still retreating.
Within its frontiers great currents of inter-regional commerce had in earlier centuries flowed along the routes which bound all the provinces of the Empire to Rome and most of the provinces to each other. But from the third century onwards the economic unity of the Empire was in dissolution, and by the fifth century most of the great currents of inter-regional trade had ceased to flow, and provinces and districts had been thrown upon themselves and their own resources. And with the wealth of the provinces reduced, their commerce restricted, the great provincial cities also declined in population, wealth, political power.
Yet to its very last days the Empire endeavoured to defend its frontiers against the converging barbarians. Not only did the Barbarian Conquests, like all conquests, threaten destruction and ruin, but the way of life the barbarians stood for was the very denial of what Roman civilization had been, though alas, was gradually ceasing to be.
However, it was not in material things, that the contemporaries found, or should have found the sharpest conflict between Rome and the barbarian prospects before it. Above all Roman civilization was a civilization of the mind. It had behind it a long tradition of thought and of intellectual achievement, the legacy of Greece, to which it had in turn made its own contribution. The Roman world was a world of schools and universities, writers, and builders. The barbarian world was a world in which mind was in its infancy and its infancy was long. The battle sagas of the race, which have all but disappeared or have survived only as legends worked up in a later age; the few rude laws which were needed to regulate personal relationships, this was hardly civilization in the Roman sense. King Chilperic, trying to make verses in the style of Sedulius, though he could not distinguish between a long foot and a short and they all hobbled; Charlemagne himself, going to bed with his slate under his pillow in order to practice in the watches of the night that art of writing which he never mastered; what have they in common with Julius Caesar and Marcus Aurelius and that great Julian called the Apostate? They sum up in their very persons the whole wide gulf that yawned between Germany and Rome.
Rome and the barbarians were thus not only protagonists but two different attitudes to life, civilization and barbarism. We cannot here discuss in detail the question as to why, in the clash between the two, it was civilization which perished and barbarism which prevailed. But it is important to remember that while the Empire tried to defend its frontiers against the barbarian hosts, it gradually opened them to barbarian settlers.
This peaceful infiltration of barbarians which altered the whole character of the society which it invaded would have been impossible, of course, if that society had not been stricken by disease. The disease is plain enough to see by the third century. It shows itself in those internecine civil wars in which civilization rends itself, province against province and army against army. It shows itself in the great inflationary crisis from about 268 and in the taxation which gradually crushed out the smaller bourgeoisie while the fortunes of the rich escaped its net. It shows itself in the gradual sinking back of an economy based upon free exchange into more and more primitive conditions when every province seeks to be self-sufficient and barter takes the place of trade. It shows itself in the decline of farming and in the workless city population kept quiet by their dole of bread and their circuses, whose life contrasted so dramatically, so terribly with that of the haughty senatorial families and the great landowners in their palatial villas and town houses. It shows itself in the rise of mystical faiths on the ruins of philosophy, and of superstition (more especially astrology) on the ruins of reason. One religion in particular grew mighty, by clasping its sacred book and addressing itself with words of hope to the victims of social injustice, but although it was able to bring comfort to individuals it could do nothing, indeed it did not try, to give new strength or inspiration to the embattled civilization. True to its own ethos it was impartial as between Barbarian and Roman, or between the Romans who prospered and ruled and those outside the pale.
The most obvious manifestation of Roman society in decline was the dwindling numbers of Roman citizens. The Empire was being depopulated long before the end of the period of peace and prosperity which stretched from Augustus to Marcus Aurelius. Does not Augustus himself summon the poor man of Fiesole who has a family of eight children, thirty-six grandchildren and eighteen great grandchildren, and organize in his honour a fête in the Capitol, accompanied by a great deal of publicity? Does not Tacitus, half-anthropologist and half-Rousseau, describing the noble savage with his eye on fellow citizens, remark that among the Germans it is accounted a shameful thing to limit the number of your children? The long duration of Augustus's legislation to raise the birthrate is significant; successful it was not, but the fact that it was maintained on the statute book and systematically revised and developed for three centuries shows that it was at least accounted necessary. It is true of course that the mortality rate was a far more important factor in those days than it is in our own, and the mortality from pestilence and civil war from Marcus Aurelius onwards was exceptional. And it is plain that the proportion of celibates was high in the Roman empire and that the fall in the fertility of marriages was going on. It is the childless marriage, the small family system that contemporary writers deplore. In Seeley's striking phrase: 'The human harvest was bad,' It was bad in all classes, but the decline was most marked in the upper ranks, the most educated, the most civilized, the potential leaders of the race. In the terrible words of Swift, facing his own madness, the Roman Empire might have cried: 'I shall die like a tree--from the top downwards.'
Why (the insistent question forces itself) did this civilization lose the power to reproduce itself? Was it, as Polybius said, because people preferred amusements to children or wished to bring their children up in comfort? Hardly, for it is more marked among the rich than the poor and the rich can have the best of both worlds. Was it because people had grown discouraged and disheartened, no longer believing in their own civilization and loath to bring children into the darkness and disaster of their war-shattered world? We do not know. But we can see the connection of the falling population with the other evils of the empire--the heavy cost of administration relatively heavier when the density of the population is low; the empty fields, the dwindling legions which did not suffice to guard the frontier.
To cure this sickness of population the Roman rulers knew no other way than to dose it with barbarian vigour. Just a small injection to begin with and then more and more till in the end the blood that flowed in its veins was not Roman but barbarian. In came the Germans to settle the frontier, to till the fields, to enlist first in the auxiliaries and then in the legions, to fill the great offices of state. The army is barbarized, and a modern writer, Mr Moss, has quoted most effectively the complaint of the Egyptian mother clamouring to get back her son who (as she says) has gone off with the barbarians--he means that he has enlisted in the Roman legions. The legions are barbarized and they barbarize the Emperor. For them he is no longer the majestic embodiment of law, he is their leader, their Führer, and they raise him on their shields. And side by side with the barbarization of the army goes the barbarization of civil manners too. In 397 Honorius has to pass an edict forbidding the wearing of German fashions within the precincts of Rome. And in the end, half barbarian themselves, they have only barbarians to defend them against barbarism.
Such was the general picture of the great ruin of civilization amidst which the Romans of the fourth, fifth, and sixth centuries lived. What then did it feel like to live at a time when civilization was going down before the forces of barbarism? Did people realize what was happening? Did the gloom of the Dark Ages cast its shadow before? It so happens that we can answer these questions very clearly if we fix our eyes on one particular part of the Empire, the famous and highly civilized province of Gaul. We can catch the decline at three points because in three consecutive centuries, Gallo-Roman writers have left us a picture of their life and times. In the fourth century we have Ausonius, in the fifth Sidonius Apollinarius, in the sixth Gregory of Tours and Fortunatus, a stranger from Italy, who made his home in Poitiers. They show us Auvergne and the Bordelais in the evening light. The fourth, the fifth, and the sixth centuries--going, going, gone!
2. AUSONIUS
Going! This is the world of Ausonius, south-western France in the latter half of the fourth century, 'an Indian summer between ages of storm and wreckage'. Ausonius himself is a scholar and a gentleman, the friend alike of the pagan Symmachus and of St Paulinus of Nela. He is for thirty years professor of rhetoric in the university of Bordeaux, for some time tutor to a prince, praetorian prefect of Gaul, consul, and in his last years just an old man contentedly living on his estates. His most famous poem is a description of the Moselle, which for all its literary affectations evokes most magically the smiling countryside which was the background of his life. High above the river on either bank stand the villas and country houses, with their courts and lawns and pillared porticos, and the hot baths from which, if you will, you can plunge into the stream. The sunny hillside is covered with vines, and from slope to hill-top the husbandmen call to each other and the wayfarer on the towpath or the bargemen floating by, shout their rude jests to the loitering vinedressers. Far out in midstream the fisherman trails his dripping net and on a rock by the shore the angler plies his rod. And, as twilight falls, the deepening shadow of the green hillside is reflected in the water and gazing downward the boatman can almost count the trembling vines and almost see the swelling of the grapes.
Equally peaceful, equally pleasant is life on Ausonius' own estate in the Bordelais, his little patrimony (he calls it) although he had a thousand acres of vineyard and tillage and wood. Miss Waddell has reminded us, on the authority of Saintsbury (whom else?) that 'to this day it boasts itself as Château-Ausone, one of the two best of the St Emilion clarets.' Here he tends his roses and sends his boy round to the neighbours to bid them to luncheon, while he interviews the cook. Six, including the host, is the right number--if more it is not a meal but a melée. Then there are all his relatives to be commemorated in verse, his grandfather and his grandmother and his sisters and his cousins and his aunts (especially his aunts).
And when the family circle palls there is the senior common room to fall back upon and the professors of Bordeaux to be celebrated in their turn. Professors were important people in the empire of the fourth century; Symmachus says that it is the mark of a flourishing state that good salaries should be paid to professors; though what exactly we are to deduce from that in the light of history I should hesitate to say. So Ausonius writes a collection of poems about the professors of Bordeaux. There are thirty-two of them and all are celebrated. There is Minervius the orator, who had a prodigious memory and after a game of backgammon was wont to conduct a post-mortem over every move. There is Anastasius the grammarian, who was so foolish as to leave Bordeaux for a provincial university and thenceforth languished in well-merited obscurity. There is Attius Tiro Delphidius, who retired from a legal career into the professorial chair, but could never be got to take any trouble with his men, to the disappointment of their parents. There is Jocundus the grammarian, who did not really deserve his title, but was such a kind man that we will commemorate him among men of worth, although he was, strictly speaking, unequal to the job. There is Exuperius, who was very good-looking and whose eloquence sounded superb until you examined it and found that it meant nothing. There is Dynamius, who slipped from the paths of virtue with a married lady in Bordeaux and left the place rather hastily, but fortunately fell on his feet in Spain. There is Victorius the usher, who liked only the most abstruse historical problems, such as what the pedigree of the sacrificial priest at Cureo was long before Numa's day, or what Castor had to say on all the shadowy kings, and who never got up as far as Tully or Virgil, though he might have done so if he had gone on reading long enough, but death cut him off too soon. They seem oddly familiar figures (except of course, Dynamius) and their chronicler contrives to make them live.
Such is the world depicted for us by Ausonius. But while this pleasant country house and senior common room life was going calmly on, what do we find happening in the history books? Ausonius was a man of nearly fifty when the Germans swarmed across the Rhine in 357, pillaging forty-five flourishing cities, and pitching their camps on the banks of the Moselle. He had seen the great Julian take up arms ('O Plato, Plato, what a task for a philosopher') and in a series of brilliant campaigns drive them out again. Ten years later when he was tutor to Gratian he had himself accompanied the emperor Valentinian on another campaign against the same foes. While he was preening himself on his consulship ten years later still, he must have heard of the disastrous battle of Adrianople in the east, when the Goths defeated a Roman army and slew an emperor. He died in 395 and within twelve years of his death the host of Germans had burst across the Rhine, 'all Gaul was a smoking funeral pyre', and the Goths were at the gates of Rome. And what have Ausonius and his correspondents to say about this? Not a word. Ausonius and Symmachus and their set ignore the barbarians as completely as the novels of Jane Austen ignore the Napoleonic wars.
3. SIDONIUS APOLLINARIS
Going, going.... Some thirty-five years after the death of Ausonius, in the midst of the disastrous sixth century, was born Sidonius Apollinaris, Gallo-Roman aristocrat, father-in-law of an emperor, sometime prefect of Rome and in the end Bishop of Clermont. Sidonius Apollinaris, 431 (or thereabouts) to 479 or perhaps a few years later. Much had happened between the death of Ausonius and his birth. The lights were going out all over Europe. Barbarian kingdoms had been planted in Gaul and Spain, Rome herself had been sacked by the Goths; and in his lifetime the collapse went on, ever more swiftly. He was a young man of twenty when the ultimate horror broke upon the West, the inroad of Attila and the Huns. That passed away, but when he was twenty-four the Vandals sacked Rome. He saw the terrible German king-maker Ricimer throne and unthrone a series of puppet emperors, he saw the last remnant of Gallic independence thrown away and himself become a barbarian subject, and he saw a few years before he died the fall of the empire in the west.
They cannot, Sidonius and his friends, ignore as Ausonius and his friends did, that something is happening to the empire. The men of the fifth century are concerned at these disasters and they console themselves, each according to his kind. There are some who think it cannot last. After all, they say, the empire has been in a tight place before and has always got out of it in the end and risen supreme over its enemies. Thus Sidonius himself, the very year after they sacked the city; Rome has endured as much before--there was Porsenna, there was Brennus, there was Hannibal.... Only that time Rome did not get over it. Others tried to use the disasters to castigate the sins of society. Thus Salvian of Marseilles who would no doubt have been called the gloomy dean if he had not been a bishop. For him all that the decadent Roman civilization needs is to copy some of the virtues of these fresh young barbarian people. There is the familiar figure of Orosius, defending the barbarians with the argument that when the Roman empire was founded it was founded in blood and conquest and can ill afford to throw stones at the barbarians; and after all the barbarians are not so bad. 'If the unhappy people they have despoiled will content themselves with the little that is left them, their conquerors will cherish them as friends and brothers.' Others, especially the more thoughtful churchmen are much concerned to explain why an empire which had flourished under paganism should be thus beset under Christianity. Others desert the Empire altogether and (like St Augustine) put their hope in a city not made with hands--though Ambrose, it is true, let fall the pregnant observation that it was not the will of God that his people should be saved by logic-chopping. 'It has not pleased God to save his people by dialectic.'
And how were they living? We have only to read the letters written by Sidonius during the period between 460 and 470, when he was living on his estate in Auvergne, to realize that on the surface all is going on exactly as before. Gaul is shrunk, it is true, to a mere remnant between three barbarian kingdoms, but save for that we might be back in the days of Ausonius. There is the luxurious villa, with its hot baths and swimming pool, its suites of rooms, its views over the lake; and there is Sidonius inviting his friends to stay with him or sending round his compositions to the professors and the bishops and the country-gentlemen. Sport and games are very popular--Sidonius rides and swims and hunts and plays tennis. In one letter he tells his correspondent that he has been spending some days in the country with his cousin and an old friend, whose estates adjoin each other. They had sent out scouts to catch him and bring him back for a week and took it in turns to entertain him. There are games of tennis on the lawn before breakfast or backgammon for the older men. There is an hour or two in the library before we sit down to an excellent luncheon followed by a siesta. Then we go out riding and return for a hot bath and a plunge in the river. I should like to describe our luscious dinner parties, he concludes, but I have no more paper. However, come and stay with us and you shall hear all about it. Clearly this is no Britain, where in the sixth century half-barbarian people camped in the abandoned villas and cooked their food on the floors of the principal rooms.
And yet ... it had gone a long way downhill since the days of Ausonius, and Sidonius could not now ignore the very existence of the barbarians. He has indeed left notable protraits of them, especially of the king of the Visigoths and of the Burgundians who ruled Lyons, where he was born. Whenever he went to stay there, he complains, they flocked about him in embarrassing friendliness, breathing leeks and onions and dressing their hair with rancid butter (they were not, it appears, constrained to choose between spears and butter). How can he compose six foot metres, he asks, with so many seven foot patrons around him, all singing and all expecting him to admire their uncouth stream of non-Latin words? The shrug of the shoulder, the genial contempt of one conscious of an infinite superiority--how clear it is. One is reminded of a verse of Verlaine
Je suis l'empire a la fin de la decadence
qui regarde passer les grands barbares blancs
But Sidonius's good nature was to be rudely shaken. All barbarians were not friendly giants, and the Visigoths next door, under their new king Euric, turned covetous eyes upon Auvergne. Sidonius had not been two years bishop of Clermont before he had to organize the defence of the city against their attack. The Avernians stood out gallantly; they would fight and they would starve, but they would defend this last stronghold of Rome in Gaul. But they were a small people; to resist successfully they must have help from Rome itself. Lest anyone should suspect me of twisting the story, I give it in the words of Sidonius's editor, writing twenty years ago.
Julius Nepos was alive to the danger that Euric might cross the Rhône; but weak as his resources were he could only hope to secure peace by negotiation. The quaestor Licinianus had been sent into Gaul to investigate the condition of affairs on the spot.... He had now returned and it was soon only too clear that hopes based on his intervention were not likely to be fulfilled. We find Sidonius writing for information.... He began to fear that something was going on behind his back, and that the real danger to Auvergne came no longer from determined enemies but from pusillanimous friends. His suspicions were only too well founded. On receipt of the quaestor's report a Council was held to determine the policy of the Empire towards the Visigothic king.... The empire did not feel strong enough to support Auvergne and it was decided to cede the whole territory to Euric, apparently without condition.
The despair of Sidonius knew no bounds and he writes a nobly indignant letter to a bishop who had been concerned in the negotiations:
The state of our unhappy region is miserable indeed. Everyone declares that things were better in wartime than they are now after peace has been concluded. Our enslavement was made the price of security for a third party; the enslavement, ah--the shame of it!, of those Avernians ... who in our own time stood forth alone to stay the advance of the common enemy.... These are the men whose common soldiers were as good as captains, but who never reaped the benefit of their victories: that was handed over for your consolation, while all the crushing burden of defeat they had to bear themselves.... This is to be our reward for braving destitution, fire, sword and pestilence, for fleshing our swords in the enemy's blood and going ourselves starved into battle. This is the famous peace we dreamed of, when we tore the grass from the crannies in the walls to eat.... For all these proofs of our devotion, it would seem that we are to be made a sacrifice. If it be so, may you live to blush for a peace without either honour or advantage.
Auvergne had been sacrificed to save Rome. But Rome was not to enjoy her peace with honour for long. These things took place in 475; and in 476 the last emperor was desposed by his barbarian bear-leader, and the empire in the west came to an end. As for Sidonius, the Goths imprisoned him for a time and before he could recover his estate he had to write a panegyric for King Euric (he who had written panegyrics for three Roman emperors). It is clear that the old country house life went on as before, though the men who exchanged letters and epigrams were now under barbarian rule. But in one letter shortly before his death there breaks from Sidonius a single line in which he unpacks his heart. O neccessitas abjecta nascendi, vivendi misera dura moriendi. 'O humiliating necessity of birth, sad necessity of living, hard necessity of dying.' Shortly after 479 he died and within twenty years Clovis had embarked upon his career of conquest and Theodoric was ruler of Italy.
4. FORTUNATUS AND GREGORY OF TOURS
Going, going, gone.... There is only the time and only the heart to look for a moment at the Frankish kingdom which once was Gaul, and to survey the world of Fortunatus and Gregory of Tours, born both of them just about a century later than Sidonius, in the 530s. For a moment when you look at Fortunatus you think the world of the sixth century is the same world as that in which Sidonius entertained his friends with epigrams and tennis. Fortunatus, that versatile, gentle, genial, boot-licking gourmet, who somehow managed to write two of the most magnificent hymns of the Christian church, came from Italy on a visit to Gaul in 565 and never left it again. He travelled all over the Frankish lands, in what had been Germania as well as in what had been Gaul. From Trier to Toulouse he made his way with ease by river and by road, and it might be Ausonius again. Fortunatus too writes a poem on the Moselle; and there is the same smiling countryside with terraced vineyards sloping down to the quiet stream and the smoke of villas rising from the woods. Fortunatus too made the round of the country houses, especially of the sumptuous villas belonging to Leontius bishop of Bordeaux, a great Gallo-Roman aristocrat, whose grandfather had been a friend of Sidonius. The hot baths, the pillared porticos, the lawns sloping to the river, are all there; the feasts are even more magnificent (they upset Fortunatus's digestion badly) and the talk is still of literature. The more intelligent of the barbarian lords have imitated this refined and luxurious life as best they may. The Franks as well as the Gallo-Romans welcome little eager Fortunatus; every count wants a set of Latin verses dedicated to himself. It is plain that some of the old country house life at least has survived. The Apollinaris set still enjoys its hot baths and its tennis; as Dill puts it, the barbarian might rule the land, but the laws of polite society would be administered as before.
But when you look again you realize that it is not the same. It is not merely because we know that even these remnants of the social and material civilization of Rome would soon themselves die away that the tragedy of the sixth century looms so dark. It is because when we look below the surface we see that the life has gone out of it all, the soul that inflamed it is dead, nothing is now left but the empty shell. These men welcome Fortunatus just because he comes from Italy, where the rot has gone less far, where there still survives some reputation for learning and for culture. They slake their nostalgia a little in the presence of that enfant perdue of a lost civilization.
For this is the world of Gregory of Tours, of which you may read in his History of the Franks. The rule under which it lives is the rule of the horrible Merovingian kings. Side by side with the villas barbarism spreads and flourishes like a jungle growth. Learning is dying--hardly the ghost of a university is left--and Gregory himself who came of a great Gallo-Roman family and was a bishop bewails his ignorance of grammar. The towns are shrinking, crouched behind their defences. The synagogues are flaming, and the first step has been taken in that tragic tale of proscription and tallage, tallage and expulsion which (it seems) must never end. As to politics, the will of the leader and his retinue is the rule of the Franks, and purge and bloodbath mark every stage in the rivalry of the Merovingian princes. The worst of them are devils like Chilperic and Fredegond, the best of them are still barbarians like that King Guntram, who fills so many indulgent pages in Gregory of Tours. He is a vaguely contemporary figure, a fat, voluble man, now purring with jovial good nature, now bursting into explosions of wrath and violence, a strange mixture of bonhomie and brutality. It is an ironic commentary on what has happened to civilization that Gregory should regard him with affection, that he should be known as 'Good King Guntram' and that the church should actually have canonized him after his death. Good King Guntram; Michelet has summed him up in a phrase 'Ce bon roi à qui on ne reprochait que deux ou trois meurtres.'
CONCLUSION
These were the men who lived through the centuries of Roman fall and Barbarian triumph, and who by virtue of their elevated position, their learning, and talents, should have seen, if not foretold, the course of events. And yet as one contemplates the world of Ausonius and Sidonius (for by the time of Gregory of Tours it was already dead) one is, I think, impelled to ask oneself the question why they were apparently so blind to what was happening. The big country houses go on having their luncheon and tennis parties, the little professors in the universities go on giving their lectures and writing their books; games are increasingly popular and the theatres are always full. Ausonius has seen the Germans overrun Gaul once, but he never speaks of a danger that may recur. Sidonius lives in a world already half barbarian, yet in the year before the Western Empire falls he is still dreaming of the consulship for his son. Why did they not realize the magnitude of the disaster that was befalling them? This is indeed a question almost as absorbing as the question why their civilization fell, for au fond it is perhaps the same question. Several answers may be suggested in explanation.
In the first place the process of disintegration was a slow one, for the whole tempo of life was slow and what might take decades in our own time took centuries then. It is only because we can look back from the vantage point of a much later age that we can see the inexorable pattern which events are forming, so that we long to cry to these dead people down the corridor of the ages, warning them to make a stand before it is too late, hearing no answering echo, 'Physician, heal thyself!' They suffered from the fatal myopia of contemporaries. It was the affairs of the moment that occupied them; for them it was the danger of the moment that must be averted and they did not recognize that each compromise and each defeat was a link in the chain dragging them over the abyss.
At what point did barbarism within become a wasting disease? Yet from the first skinclad German taken into a legion to the great barbarian patricians of Italy, making and unmaking emperors, the chain is unbroken. At what point in the assault from without did the attack become fatal? Was it the withdrawal from Dacia in 270--allow the barbarians their sphere of influence in the east of Europe, fling them the last-won recruit to Romania and they will be satiated and leave the west alone? Was it the settlement of the Goths as foederati within the Empire in 382 and the beginning of that compromise between the Roman empire and the Germans which, as Bury says, masked the transition from the rule of one to the rule of the other, from federate states within the Empire to independent states replacing it? Was this policy of appeasement the fatal error? Was it the removal of the legions from Britain, a distant people (as a Roman senator might have said) of whom we know nothing? Or was it that fatal combination of Spain and Africa, when the Vandals ensconced themselves in both provinces by 428 and the Vandal fleet (with Majorca and the islands for its bases) cut off Rome from her corn supplies and broke the backbone of ancient civilization, which was the Mediterranean sea? Not once alone in the history of Europe has the triumph of a hostile rule in Africa and Spain spelt disaster to our civilization.
But if the gradualness of this process misled the Romans there were other and equally potent reasons for their blindness. Most potent of all was the fact that they mistook entirely the very nature of civilization itself. All of them were making the same mistake. People who thought that Rome could swallow barbarism and absorb it into her life without diluting her own civilization; the people who ran about busily saying that the barbarians were not such bad fellows after all, finding good points in their regime with which to castigate the Romans and crying that except ye become as little barbarians ye shall not attain salvation; the people who did not observe in 476 that one half of the Respublica Romanorum had ceased to exist and nourished themselves on the fiction that the barbarian kings were exercising a power delegated from the Emperor. All these people were deluded by the same error, the belief that Rome (the civilization of their age) was not a mere historical fact with a beginning and an end, but a condition of nature like the air they breathed and the earth they tread Ave Roma immortalis, most magnificent most disastrous of creeds!
The fact is that the Romans were blinded to what was happening to them by the very perfection of the material culture which they had created. All around them was solidity and comfort, a material existence which was the very antithesis of barbarism. How could they foresee the day when the Norman chronicler would marvel over the broken hypocausts of Caerleon? How could they imagine that anything so solid might conceivably disappear? Their roads grew better as their statesmanship grew worse and central heating triumphed as civilization fell.
But still more responsible for their unawareness was the educational system in which they were reared. Ausonius and Sidonius and their friends were highly educated men and Gaul was famous for its schools and universities. The education which these gave consisted in the study of grammar and rhetoric, which was necessary alike for the civil service and for polite society; and it would be difficult to imagine an education more entirely out of touch with contemporary life, or less suited to inculcate the qualities which might have enabled men to deal with it. The fatal study of rhetoric, its links with reality long since severed, concentrated the whole attention of men of intellect on form rather than on matter. The things they learned in their schools had no relation to the things that were going on in the world outside and bred in them the fatal illusion that tomorrow would be as yesterday, that everything was the same, whereas everything was different.
So we take our leave of them. Going ... going ... gone! Gone altogether? Perhaps not. Hundreds of years of barbarism were to elapse before a new society arose capable of matching or even excelling Rome in material wealth, in arts, in sciences, and in gentler modes of existence--the douceur de la vie. We cannot say what date marked the moment of final recovery, or who were the men who were to represent advancing civilization as fully as Ausonius or Gregory of Tours represented civilization in retreat: Dante, Shakespeare, Capernicus, Newton? But for many centuries, perhaps a whole millennium, before western Europe scaled the heights on which these men now stood, it had been gradually raising itself from the depths of post-Roman decline. The ascent was not only slow but also discontinuous, yet it was sufficient to establish within a few centuries of Gregory of Tours a social order different from Rome and less glorious to behold across a thousand years of history, but nevertheless sufficiently exalted to draw the interest, and even to command the admiration of other still later ages. In that culture and in that social order much of what Ausonius and Sidonius and even Fortunatus represented was brought to life again, albeit in a form they would not always have recognized as their own. To this extent, at least, they were not only the epigones of Rome but the true precursors of the Middle Ages.
CHAPTER II
THE PEASANT BODO
LIFE ON A COUNTRY ESTATE IN THE TIME OF CHARLEMAGNE
Three slender things that best support the world: the slender stream of milk from the cow's dug into the pail; the slender blade of green corn upon the ground; the slender thread over the hand of a skilled woman.
Three sounds of increase: the lowing of a cow in milk; the din of a smithy; the swish of a plough.
--From The Triads of Ireland (9th century)
Economic history, as we know it, is the newest of all the branches of history. Up to the middle of the last century the chief interest of the historian and of the public alike lay in political and constitutional history, in political events, wars, dynasties, and in political institutions and their development. Substantially, therefore, history concerned itself with the ruling classes. 'Let us now praise famous men,' was the historian's motto. He forgot to add 'and our fathers that begat us'. He did not care to probe the obscure lives and activities of the great mass of humanity, upon whose slow toil was built up the prosperity of the world and who were the hidden foundation of the political and constitutional edifice reared by the famous men he praised. To speak of ordinary people would have been beneath the dignity of history. Carlyle struck a significant note of revolt: 'The thing I want to see,' he said, 'is not Red-book lists and Court Calendars and Parliamentary Registers, but the Life of Man in England: what men did, thought, suffered, enjoyed.... Mournful, in truth, it is to behold what the business called "History" in these so enlightened and illuminated times still continues to be. Can you gather from it, read till your eyes go out, any dimmest shadow of an answer to that great question: How men lived and had their being; were it but economically, as, what wages they got and what they bought with these? Unhappily you cannot.... History, as it stands all bound up in gilt volumes, is but a shade more instructive than the wooden volumes of a backgammon-board.'
Carlyle was a voice crying in the wilderness. Today the new history, whose way he prepared, has come. The present age differs from the centuries before it in its vivid realization of that much-neglected person the man in the street; or (as it was more often in the earliest ages) the man with the hoe. Today the historian is interested in the social life of the past and not only in the wars and intrigues of princes. To the modern writer, the fourteenth century, for instance, is not merely the century of the Hundred Years' War and of the Black Prince and Edward III; more significantly it is for him the era of the slow decay of villeinage in England, a fact more epoch-making, in the long run, than the struggle over our French provinces. We still praise famous men, for he would be a poor historian who could spare one of the great figures who have shed glory or romance upon the page of history; but we praise them with due recognition of the fact that not only great individuals, but people as a whole, unnamed and undistinguished masses of people, now sleeping in unknown graves, have also been concerned in the story. Our fathers that begat us have come to their own at last. As Acton put it, 'The great historian now takes his meals in the kitchen.'
This book is chiefly concerned with the kitchens of History, and the first which we shall visit is a country estate at the beginning of the ninth century. It so happens that we know a surprising amount about such an estate, partly because Charlemagne himself issued a set of orders instructing the Royal stewards how to manage his own lands, telling them everything it was necessary for them to know, down to the vegetables which they were to plant in the garden. But our chief source of knowledge is a wonderful estate book which Irminon, the Abbot of St Germain des Prés near Paris, drew up so that the abbey might know exactly what lands belonged to it and who lived on those lands, very much as William I drew up an estate book of his whole kingdom and called it Domesday Book. In this estate book is set down the name of every little estate (or fisc as it was called) belonging to the abbey, with a description of the land which was worked under its steward to its own profit, and the land which was held by tenants, and the names of those tenants and of their wives and of their children, and the exact services and rents, down to a plank and an egg, which they had to do for their land. We know today the name of almost every man, woman, and child who was living on those little fiscs in the time of Charlemagne, and a great deal about their daily lives.
Consider for a moment how the estate upon which they lived was organized. The lands of the Abbey of St Germain were divided into a number of estates, called fiscs, each of a convenient size to be administered by a steward. On each of these fiscs the land was divided into seigniorial and tributary lands; the first administered by the monks through a steward or some other officer, and the second possessed by various tenants, who received and held them from the abbey. These tributary lands were divided into numbers of little farms, called manses, each occupied by one or more families. If you had paid a visit to the chief or seigniorial manse, which the monks kept in their own hands, you would have found a little house, with three or four rooms, probably built of stone, facing an inner court, and on one side of it you would have seen a special group of houses hedged round, where the women serfs belonging to the house lived and did their work; all round you would also have seen little wooden houses, where the household serfs lived, workrooms, a kitchen, a bakehouse, barns, stables, and other farm buildings, and round the whole a hedge carefully planted with trees, so as to make a kind of enclosure or court. Attached to this central manse was a considerable amount of land--ploughland, meadows, vineyards, orchards, and almost all the woods or forests on the estate. Clearly a great deal of labour would be needed to cultivate all these lands. Some of that labour was provided by servile workers who were attached to the chief manse and lived in the court. But these household serfs were not nearly enough to do all the work upon the monks' land, and far the greater part of it had to be done by services paid by the other landowners on the estate.
Beside the seigniorial manse, there were a number of little dependent manses. These belonged to men and women who were in various stages of freedom, except for the fact that all had to do work on the land of the chief manse. There is no need to trouble with the different classes, for in practice there was very little difference between them, and in a couple of centuries they were all merged into one common class of medieval villeins. The most important people were those called coloni, who were personally free (that is to say, counted as free men by the law), but bound to the soil, so that they could never leave their farms and were sold with the estate, if it were sold. Each of the dependent manses was held either by one family or by two or three families which clubbed together to do the work; it consisted of a house or houses, and farm buildings, like those of the chief manse, only poorer and made of wood, with ploughland and a meadow and perhaps a little piece of vineyard attached to it. In return for these holdings the owner or joint owners of every manse had to do work on the land of the chief manse for about three days in the week. The steward's chief business was to see that they did their work properly, and from every one he had the right to demand two kinds of labour. The first was field work: every year each man was bound to do a fixed amount of ploughing on the domain land (as it was called later on), and also to give what was called a corvée, that is to say, an unfixed amount of ploughing, which the steward could demand every week when it was needed; the distinction corresponds to the distinction between week work and boon work in the later Middle Ages. The second kind of labour which every owner of a farm had to do on the monks' land was called handwork, that is to say, he had to help repair buildings, or cut down trees, or gather fruit, or make ale, or carry loads--anything, in fact, which wanted doing and which the steward told him to do. It was by these services that the monks got their own seigniorial farm cultivated. On all the other days of the week these hard-worked tenants were free to cultivate their own little farms, and we may be sure that they put twice as much elbow grease into the business.
But their obligation did not end here, for not only had they to pay services, they also had to pay certain rents to the big house. There were no State taxes in those days, but every man had to pay an army due, which Charlemagne exacted from the abbey, and which the abbey exacted from its tenants; this took the form of an ox and a certain number of sheep, or the equivalent in money: 'He pays to the host two shillings of silver' comes first on every freeman's list of obligations. The farmers also had to pay in return for any special privileges granted to them by the monks; they had to carry a load of wood to the big house, in return for being allowed to gather firewood in the woods, which were jealously preserved for the use of the abbey; they had to pay some hogsheads of wine for the right to pasture their pigs in the same precious woods; every third year they had to give up one of their sheep for the right to graze upon the fields of the chief manse; they had to pay a sort of poll-tax of 4d. a head. In addition to these special rents every farmer had also to pay other rents in produce; every year he owed the big house three chickens and fifteen eggs and a large number of planks, to repair its buildings; often he had to give it a couple of pigs; sometimes corn, wine, honey, wax, soap, or oil. If the farmer were also an artisan and made things, he had to pay the produce of his craft; a smith would have to make lances for the abbey's contingent to the army, a carpenter had to make barrels and hoops and vine props, a wheelwright had to make a cart. Even the wives of the farmers were kept busy, if they happened to be serfs; for the servile women were obliged to spin cloth or to make a garment for the big house every year.
All these things were exacted and collected by the steward, whom they called Villicus, or Major (Mayor). He was a very hard-worked man, and when one reads the seventy separate and particular injunctions which Charlemagne addressed to his stewards one cannot help feeling sorry for him. He had to get all the right services out of the tenants, and tell them what to do each week and see that they did it; he had to be careful that they brought the right number of eggs and pigs up to the house, and did not foist off warped or badly planed planks upon him. He had to look after the household serfs too, and set them to work. He had to see about storing, or selling, or sending off to the monastery the produce of the estate and of the tenants' rents; and every year he had to present a full and detailed account of his stewardship to the abbot. He had a manse of his own, with services and rents due from it, and Charlemagne exhorted his stewards to be prompt in their payments, so as to set a good example. Probably his official duties left him very little time to work on his own farm, and he would have to put in a man to work it for him, as Charlemagne bade his stewards do. Often, however, he had subordinate officials called deans under him, and sometimes the work of receiving and looking after the stores in the big house was done by a special cellarer.
That, in a few words, is the way in which the monks of St Germain and the other Frankish landowners of the time of Charlemagne managed their estates. Let us try, now, to look at those estates from a more human point of view and see what life was like to a farmer who lived upon them. The abbey possessed a little estate called Villaris, near Paris, in the place now occupied by the park of Saint Cloud. When we turn up the pages in the estate book dealing with Villaris, we find that there was a man called Bodo living there.[[1]] He had a wife called Ermentrude and three children called Wido and Gerbert and Hildegard; and he owned a little farm of arable and meadow land, with a few vines. And we know very nearly as much about Bodo's work as we know about that of a smallholder in France today. Let us try and imagine a day in his life. On a fine spring morning towards the end of Charlemagne's reign Bodo gets up early, because it is his day to go and work on the monks' farm, and he does not dare to be late, for fear of the steward. To be sure, he has probably given the steward a present of eggs and vegetables the week before, to keep him in a good temper; but the monks will not allow their stewards to take big bribes (as is sometimes done on other estates), and Bodo knows that he will not be allowed to go late to work. It is his day to plough, so he takes his big ox with him and little Wido to run by its side with a goad, and he joins his friends from some of the farms near by, who are going to work at the big house too. They all assemble, some with horses and oxen, some with mattocks and hoes and spades and axes and scythes, and go off in gangs to work upon the fields and meadows and woods of the seigniorial manse, according as the steward orders them. The manse next door to Bodo is held by a group of families: Frambert and Ermoin and Ragenold, with their wives and children. Bodo bids them good morning as he passes. Frambert is going to make a fence round the wood, to prevent the rabbits from coming out and eating the young crops; Ermoin has been told off to cart a great load of firewood up to the house; and Ragenold is mending a hole in the roof of a barn. Bodo goes whistling off in the cold with his oxen and his little boy; and it is no use to follow him farther, because he ploughs all day and eats his meal under a tree with the other ploughmen, and it is very monotonous.
Let us go back and see what Bodo's wife, Ermentrude, is doing. She is busy too; it is the day on which the chicken-rent is due--a fat pullet and five eggs in all. She leaves her second son, aged nine, to look after the baby Hildegard and calls on one of her neighbours, who has to go up to the big house too. The neighbour is a serf and she has to take the steward a piece of woollen cloth, which will be sent away to St Germain to make a habit for a monk. Her husband is working all day in the lord's vineyards, for on this estate the serfs generally tend the vines, while the freemen do most of the ploughing. Ermentrude and the serf's wife go together up to the house. There all is busy. In the men's workshop are several clever workmen--a shoemaker, a carpenter, a blacksmith, and two silversmiths; there are not more, because the best artisans on the estates of St Germain live by the walls of the abbey, so that they can work for the monks on the spot and save the labour of carriage. But there were always some craftsmen on every estate, either attached as serfs to the big house, or living on manses of their own, and good landowners tried to have as many clever craftsmen as possible. Charlemagne ordered his stewards each to have in his district 'good workmen, namely, blacksmiths, goldsmiths, silversmiths, shoemakers, turners, carpenters, swordmakers, fishermen, foilers, soapmakers, men who know how to make beer, cider, perry, and all other kinds of beverages, bakers to make pasty for our table, netmakers who know how to make nets for hunting, fishing, and fowling, and others too many to be named'.[[2]] And some of these workmen are to be found working for the monks in the estate of Villaris.
But Ermentrude does not stop at the men's workshop. She finds the steward, bobs her curtsy to him, and gives up her fowl and eggs, and then she hurries off to the women's part of the house, to gossip with the serfs there. The Franks used at this time to keep the women of their household in a separate quarter, where they did the work which was considered suitable for women, very much as the Greeks of antiquity used to do. If a Frankish noble had lived at the big house, his wife would have looked after their work, but as no one lived in the stone house at Villaris, the steward had to oversee the women. Their quarter consisted of a little group of houses, with a workroom, the whole surrounded by a thick hedge with a strong bolted gate, like a harem, so that no one could come in without leave. Their workrooms were comfortable places, warmed by stoves, and there Ermentrude (who, being a woman, was allowed to go in) found about a dozen servile women spinning and dyeing cloth and sewing garments. Every week the harassed steward brought them the raw materials for their work and took away what they made. Charlemagne gives his stewards several instructions about the women attached to his manses, and we may be sure that the monks of St Germain did the same on their model estates. 'For our women's work,' says Charlemagne, 'they are to give at the proper time the materials, that is linen, wool, woad, vermilion, madder, wool combs, teasels, soap, grease, vessels, and other objects which are necessary. And let our women's quarters be well looked after, furnished with houses and rooms with stoves and cellars, and let them be surrounded by a good hedge, and let the doors be strong, so that the women can do our work properly.'[[3]] Ermentrude, however, has to hurry away after her gossip, and so must we. She goes back to her own farm and sets to work in the little vineyard; then after an hour or two goes back to get the children's meal and to spend the rest of the day in weaving warm woollen clothes for them. All her friends are either working in the fields on their husbands' farms or else looking after the poultry, or the vegetables, or sewing at home; for the women have to work just as hard as the men on a country farm. In Charlemagne's time (for instance) they did nearly all the sheep shearing. Then at last Bodo comes back for his supper, and as soon as the sun goes down they go to bed; for their hand-made candle gives only a flicker of light, and they both have to be up early in the morning. De Quincey once pointed out, in his inimitable manner, how the ancients everywhere went to bed, 'like good boys, from seven to nine o'clock'. 'Man went to bed early in those ages simply because his worthy mother earth could not afford him candles. She, good old lady ... would certainly have shuddered to hear of any of her nations asking for candles. "Candles indeed!" she would have said; "who ever heard of such a thing? and with so much excellent daylight running to waste, as I have provided gratis! What will the wretches want next?"'[[4]] Something of the same situation prevailed even in Bodo's time.
This, then, is how Bodo and Ermentrude usually passed their working day. But, it may be complained, this is all very well. We know about the estates on which these peasants lived and about the rents which they had to pay, and the services which they had to do. But how did they feel and think and amuse themselves when they were not working? Rents and services are only outside things; an estate book only describes routine. It would be idle to try to picture the life of a university from a study of its lecture list, and it is equally idle to try and describe the life of Bodo from the estate book of his masters. It is no good taking your meals in the kitchen if you never talk to the servants. This is true, and to arrive at Bodo's thoughts and feelings and holiday amusements we must bid goodbye to Abbot Irminon's estate book, and peer into some very dark corners indeed; for though by the aid of Chaucer and Langland and a few Court Rolls it is possible to know a great deal about the feelings of a peasant six centuries later, material is scarce in the ninth century, and it is all the more necessary to remember the secret of the invisible ink.
Bodo certainly had plenty of feelings, and very strong ones. When he got up in the frost on a cold morning to drive the plough over the abbot's acres, when his own were calling out for work, he often shivered and shook the rime from his beard, and wished that the big house and all its land were at the bottom of the sea (which, as a matter of fact, he had never seen and could not imagine). Or else he wished he were the abbot's huntsman, hunting in the forest; or a monk of St Germain, singing sweetly in the abbey church; or a merchant, taking bales of cloaks and girdles along the high road to Paris; anything, in fact, but a poor ploughman ploughing other people's land. An Anglo-Saxon writer has imagined a dialogue with him:
'Well, ploughman, how do you do your work?' 'Oh, sir, I work very hard. I go out in the dawning, driving the oxen to the field and I yoke them to the plough. Be the winter never so stark, I dare not stay at home for fear of my lord; but every day I must plough a full acre or more, after having yoked the oxen and fastened the share and coulter to the plough!' 'Have you any mate?' 'I have a boy, who drives the oxen with a goad, who is now hoarse from cold and shouting,' (Poor little Wido!) 'Well, well, it is very hard work?' 'Yes, indeed it is very hard work.'[[5]]
Nevertheless, hard as the work was, Bodo sang lustily to cheer himself and Wido; for is it not related that once, when a clerk was singing the 'Allelulia' in the emperor's presence, Charles turned to one of the bishops, saying, 'My clerk is singing very well,' whereat the rude bishop replied, 'Any clown in our countryside drones as well as that to his oxen at their ploughing'?[[6]] It is certain too that Bodo agreed with the names which the great Charles gave to the months of the year in his own Frankish tongue; for he called January 'Winter-month', February 'Mud-month', March 'Spring-month', April 'Easter-month', May 'Joy-month', June 'Plough-month', July 'Hay-month', August 'Harvest-month', September 'Wind-month', October 'Vintage-month', November 'Autumn-month', and December 'Holy-month'.[[7]]
And Bodo was a superstitious creature. The Franks had been Christian now for many years, but Christian though they were, the peasants clung to old beliefs and superstitions. On the estates of the holy monks of St Germain you would have found the country people saying charms which were hoary with age, parts of the lay sung by the Frankish ploughman over his bewitched land long before he marched southwards into the Roman Empire, or parts of the spell which the bee-master performed when he swarmed his bees on the shores of the Baltic Sea. Christianity has coloured these charms, but it has not effaced their heathen origin; and because the tilling of the soil is the oldest and most unchanging of human occupations, old beliefs and superstitions cling to it and the old gods stalk up and down the brown furrows, when they have long vanished from houses and roads. So on Abbot Irminon's estates the peasant-farmers muttered charms over their sick cattle (and over their sick children too) and said incantations over the fields to make them fertile. If you had followed behind Bodo when he broke his first furrow you would have probably seen him take out of his jerkin a little cake, baked for him by Ermentrude out of different kinds of meal, and you would have seen him stoop and lay it under the furrow and sing:
Earth, Earth, Earth! O Earth, our mother!
May the All-Wielder, Ever-Lord grant thee
Acres a-waxing, upwards a-growing,
Pregnant with corn and plenteous in strength;
Hosts of grain shafts and of glittering plants!
Of broad barley the blossoms,
And of white wheat ears waxing,
Of the whole land the harvest....
Earth, Earth, Earth! O Earth, our mother!
May the All-Wielder, Ever-Lord grant thee
Acres a-waxing, upwards a-growing,
Pregnant with corn and plenteous in strength;
Hosts of grain shafts and of glittering plants!
Of broad barley the blossoms,
And of white wheat ears waxing,
Of the whole land the harvest....
Acre, full-fed, bring forth fodder for men!
Blossoming brightly, blessed become!
And the God who wrought with earth grant us gift of growing
That each of all the corns may come unto our need.[[8]]
Then he would drive his plough through the acre.
The Church wisely did not interfere with these old rites. It taught Bodo to pray to the Ever-Lord instead of to Father Heaven, and to the Virgin Mary instead of to Mother Earth, and with these changes let the old spell he had learned from his ancestors serve him still. It taught him, for instance, to call on Christ and Mary in his charm for bees. When Ermentrude heard her bees swarming, she stood outside her cottage and said this little charm over them:
Christ, there is a swarm of bees outside,
Fly hither, my little cattle,
In blest peace, in God's protection,
Come home safe and sound.
Sit down, sit down, bee,
St Mary commanded thee.
Christ, there is a swarm of bees outside,
Fly hither, my little cattle,
In blest peace, in God's protection,
Come home safe and sound.
Sit down, sit down, bee,
St Mary commanded thee.
Thou shalt not have leave,
Thou shalt not fly to the wood.
Thou shalt not escape me,
Nor go away from me.
Sit very still,
Wait God's will![[9]]
Thou shalt not have leave,
Thou shalt not fly to the wood.
Thou shalt not escape me,
Nor go away from me.
Sit very still,
Wait God's will![[9]]
And if Bodo on his way home saw one of his bees caught in a brier bush, he immediately stood still and wished--as some people wish today when they go under a ladder. It was the Church, too, which taught Bodo to add 'So be it, Lord', to the end of his charm against pain. Now, his ancestors for generations behind him had believed that if you had a stitch in your side, or a bad pain anywhere, it came from a worm in the marrow of your bones, which was eating you up, and that the only way to get rid of that worm was to put a knife, or an arrow-head, or some other piece of metal to the sore place, and then wheedle the worm out on to the blade by saying a charm. And this was the charm which Bodo's heathen ancestors had always said and which Bodo went on saying when little Wido had a pain: 'Come out, worm, with nine little worms, out from the marrow into the bone, from the bone into the flesh, from the flesh into the skin, from the skin into this arrow.' And then (in obedience to the Church) he added 'So be it, Lord'.[[10]] But sometimes it was not possible to read a Christian meaning into Bodo's doings. Sometimes he paid visits to some man who was thought to have a wizard's powers, or superstitiously reverenced some twisted tree, about which there hung old stories never quite forgotten. Then the Church was stern. When he went to confession the priest would ask him: 'Have you consulted magicians and enchanters, have you made vows to trees and fountains, have you drunk any magic philtre?'[[11]] And he would have to confess what he did last time his cow was sick. But the Church was kind as well as stern. 'When serfs come to you,' we find one bishop telling his priests, 'you must not give them as many fasts to perform as rich men. Put upon them only half the penance.'[[12]] The Church knew well enough that Bodo could not drive his plough all day upon an empty stomach. The hunting, drinking, feasting Frankish nobles could afford to lose a meal.
It was from this stern and yet kind Church that Bodo got his holidays. For the Church made the pious emperor decree that on Sundays and saints' days no servile or other works should be done. Charlemagne's son repeated his decree in 827. It runs thus:
We ordain according to the law of God and to the command of our father of blessed memory in his edicts, that no servile works shall be done on Sundays, neither shall men perform their rustic labours, tending vines, ploughing fields, reaping corn and mowing hay, setting up hedges or fencing woods, cutting trees, or working in quarries or building houses; nor shall they work in the garden, nor come to the law courts, nor follow the chase. But three carrying-services it is lawful to do on Sunday, to wit carrying for the army, carrying food, or carrying (if need be) the body of a lord to its grave. Item, women shall not do their textile works, nor cut out clothes, nor stitch them together with the needle, nor card wool, nor beat hemp, nor wash clothes in public, nor shear sheep: so that there may be rest on the Lord's day. But let them come together from all sides to Mass in the Church and praise God for all the good things He did for us on that day![[13]]
Unfortunately, however, Bodo and Ermentrude and their friends were not content to go quietly to church on saints' days and quietly home again. They used to spend their holidays in dancing and singing and buffoonery, as country folk have always done until our own gloomier, more self-conscious age. They were very merry and not at all refined, and the place they always chose for their dances was the churchyard; and unluckily the songs they sang as they danced in a ring were old pagan songs of their forefathers, left over from old Mayday festivities, which they could not forget, or ribald love-songs which the Church disliked. Over and over again we find the Church councils complaining that the peasants (and sometimes the priests too) were singing 'wicked songs with a chorus of dancing women,' or holding 'ballads and dancings and evil and wanton songs and such-like lures of the devil';[[14]] over and over again the bishops forbade these songs and dances; but in vain. In every country in Europe, right through the Middle Ages to the time of the Reformation, and after it, country folk continued to sing and dance in the churchyard. Two hundred years after Charlemagne's death there grew up the legend of the dancers of Kölbigk, who danced on Christmas Eve in the churchyard, in spite of the warning of the priest, and all got rooted to the spot for a year, till the Archbishop of Cologne released them. Some men say that they were not rooted standing to the spot, but that they had to go on dancing for the whole year; and that before they were released they had danced themselves waist-deep into the ground. People used to repeat the little Latin verse which they were singing:
Equitabat Bovo per silvam frondosam
Ducebat sibi Merswindem formosam.
Quid stamus? Cur non imus?[[15]]
Equitabat Bovo per silvam frondosam
Ducebat sibi Merswindem formosam.
Quid stamus? Cur non imus?[[15]]
Through the leafy forest, Bovo went a-riding
And his pretty Merswind trotted on beside him--
Why are we standing still? Why can't we go away?
Another later story still is told about a priest in Worcestershire who was kept awake all night by the people dancing in his churchyard and singing a song with the refrain 'Sweetheart have pity', so that he could not get it out of his head, and the next morning at Mass, instead of saying 'Dominus vobiscum', he said 'Sweetheart have pity', and there was a dreadful scandal which got into a chronicle.[[16]]
Sometimes our Bodo did not dance himself, but listened to the songs of wandering minstrels. The priests did not at all approve of these minstrels, who (they said) would certainly go to hell for singing profane secular songs, all about the great deeds of heathen heroes of the Frankish race, instead of Christian hymns. But Bodo loved them, and so did Bodo's betters; the Church councils had sometimes even to rebuke abbots and abbesses for listening to their songs. And the worst of it was that the great emperor himself, the good Charlemagne, loved them too. He would always listen to a minstrel, and his biographer, Einhard, tells us that 'He wrote out the barbarous and ancient songs, in which the acts of the kings and their wars were sung, and committed them to memory';[[17]] and one at least of those old sagas, which he liked men to write down, has been preserved on the cover of a Latin manuscript, where a monk scribbled it in his spare time. His son, Louis the Pious, was very different; he rejected the national poems, which he had learnt in his youth, and would not have them read or recited or taught; he would not allow minstrels to have justice in the law courts, and he forbade idle dances and songs and tales in public places on Sundays; but then he also dragged down his father's kingdom into disgrace and ruin. The minstrels repaid Charlemagne for his kindness to them. They gave him everlasting fame; for all through the Middle Ages the legend of Charlemagne grew, and he shares with our King Arthur the honour of being the hero of one of the greatest romance-cycles of the Middle Ages. Every different century clad him anew in its own dress and sang new lays about him. What the monkish chroniclers in their cells could never do for Charlemagne, these despised and accursed minstrels did for him: they gave him what is perhaps more desirable and more lasting than a place in history-they gave him a place in legend. It is not every emperor who rules in those realms of gold of which Keats spoke, as well as in the kingdoms of the world; and in the realms of gold Charlemagne reigns with King Arthur, and his peers joust with the Knights of the Round Table. Bodo, at any rate, benefited by Charles's love of minstrels, and it is probable that he heard in the lifetime of the emperor himself the first beginnings of those legends which afterwards clung to the name of Charlemagne. One can imagine him round-eyed in the churchyard, listening to fabulous stories of Charles's Iron March to Pavia, such as a gossiping old monk of St Gall afterwards wrote down in his chronicle.[[18]]
It is likely enough that such legends were the nearest Bodo ever came to seeing the emperor, of whom even the poor serfs who never followed him to court or camp were proud. But Charles was a great traveller: like all the monarchs of the early Middle Ages he spent the time, when he was not warring, in trekking round his kingdom, staying at one of his estates, until he and his household had literally eaten their way through it, and then passing on to another. And sometimes he varied the procedure by paying a visit to the estates of his bishops or nobles, who entertained him royally. It may be that one day he came on a visit to Bodo's masters and stopped at the big house on his way to Paris, and then Bodo saw him plain; for Charlemagne would come riding along the road in his jerkin of otter skin, and his plain blue cloak (Einhard tells us that he hated grand clothes and on ordinary days dressed like the common people);[[19]] and after him would come his three sons and his bodyguard, and then his five daughters. Einhard has also told us that:
He had such care of the upbringing of his sons and daughters that he never dined without them when he was at home and never travelled without them. His sons rode along with him and his daughters followed in the rear. Some of his guards, chosen for this very purpose, watched the end of the line of march where his daughters travelled. They were very beautiful and much beloved by their father, and, therefore, it is strange that he would give them in marriage to no one, either among his own people or of a foreign state. But up to his death he kept them all at home saying he could not forgo their society.[[20]]
Then, with luck, Bodo, quaking at the knees, might even behold a portent new to his experience, the emperor's elephant. Haroun El Raschid, the great Sultan of the 'Arabian Nights' had sent it to Charles, and it accompanied him on all his progresses. Its name was 'Abu-Lubabah', which is an Arabic word and means 'the father of intelligence[A]', and it died a hero's death on an expedition against the Danes in 810.[[21]] It is certain that ever afterwards Ermentrude quelled little Gerbert, when he was naughty, with the threat, 'Abu-Lubabah will come with his long nose and carry you off.' But Wido, being aged eight and a bread-winner, professed to have felt no fear on being confronted with the elephant; but admitted when pressed, that he greatly preferred Haroun El Raschid's other present to the emperor, the friendly dog, who answered to the name of 'Becerillo'.
[A] Abu-Lubabah.--It is remarkable that the name should have suffered no corruption in the chronicles.
It would be a busy time for Bodo when all these great folk came, for everything would have to be cleaned before their arrival, the pastry cooks and sausage-makers summoned and a great feast prepared; and though the household serfs did most of the work, it is probable that he had to help. The gossipy old monk of St Gall has given us some amusing pictures of the excitement when Charles suddenly paid a visit to his subjects:
There was a certain bishopric which lay full in Charles's path when he journeyed, and which indeed he could hardly avoid: and the bishop of this place, always anxious to give satisfaction, put everything that he had at Charles's disposal. But once the Emperor came quite unexpectedly and the bishop in great anxiety had to fly hither and thither like a swallow, and had not only the palaces and houses but also the courts and squares swept and cleaned: and then, tired and irritated, came to meet him. The most pious Charles noticed this, and after examining all the various details, he said to the bishop: 'My kind host, you always have everything splendidly cleaned for my arrival.' Then the bishop, as if divinely inspired, bowed his head and grasped the king's never-conquered right hand, and hiding his irritation, kissed it and said: 'It is but right, my lord, that, wherever you come, all things should be thoroughly cleansed.' Then Charles, of all kings the wisest, understanding the state of affairs said to him: 'If I empty I can also fill.' And he added: 'You may have that estate which lies close to your bishopric, and all your successors may have it until the end of time.' In the same journey, too, he came to a bishop who lived in a place through which he must needs pass. Now on that day, being the sixth day of the week, he was not willing to eat the flesh of beast or bird; and the bishop, being by reason of the nature of the place unable to procure fish upon the sudden, ordered some excellent cheese, rich and creamy, to be placed before him. And the most self-restrained Charles, with the readiness which he showed everywhere and on all occasions, spared the blushes of the bishop and required no better fare; but taking up his knife cut off the skin, which he thought unsavoury and fell to on the white of the cheese. Thereupon the bishop, who was standing near like a servant, drew closer and said: 'Why do you do that, lord emperor? You are throwing away the very best part.' Then Charles, who deceived no one, and did not believe that anyone would deceive him, on the persuasion of the bishop put a piece of the skin in his mouth, and slowly ate it and swallowed it like butter. Then approving of the advice of the bishop, he said: 'Very true, my good host,' and he added: 'Be sure to send me every year to Aix two cartloads of just such cheeses.' And the bishop was alarmed at the impossibility of the task and, fearful of losing both his rank and his office, he rejoined: 'My lord, I can procure the cheeses, but I cannot tell which are of this quality and which of another. Much I fear lest I fall under your censure.' Then Charles, from whose penetration and skill nothing could escape, however new or strange it might be, spoke thus to the bishop, who from childhood had known such cheeses and yet could not test them: 'Cut them in two,' he said, 'then fasten together with a skewer those that you find to be of the right quality and keep them in your cellar for a time and then send them to me. The rest you may keep for yourself and your clergy and your family.' This was done for two years, and the king ordered the present of cheeses to be taken in without remark: then in the third year the bishop brought in person his laboriously collected cheeses. But the most just Charles pitied his labour and anxiety and added to the bishopric an excellent estate whence he and his successors might provide themselves with corn and wine.[[22]]
We may feel sorry for the poor flustered bishop collecting his two cartloads of cheeses; but it is possible that our real sympathy ought to go to Bodo, who probably had to pay an extra rent in cheeses to satisfy the emperor's taste, and got no excellent estate to recompense him.
A visit from the emperor, however, would be a rare event in his life, to be talked about for years and told to his grandchildren. But there was one other event, which happened annually, and which was certainly looked for with excitement by Bodo and his friends. For once a year the king's itinerant justices, the Missi Dominici, came round to hold their court and to see if the local counts had been doing justice. Two of them would come, a bishop and a count, and they would perhaps stay a night at the big house as guests of the abbot, and the next day they would go on to Paris, and there they would sit and do justice in the open square before the church and from all the district round great men and small, nobles and freemen and coloni, would bring their grievances and demand redress. Bodo would go too, if anyone had injured or robbed him, and would make his complaint to the judges. But if he were canny he would not go to them empty-handed, trusting to justice alone. Charlemagne was very strict, but unless the missi were exceptionally honest and pious they would not be averse to taking bribes. Theodulf, Bishop of Orleans, who was one of the Emperor's missi, has left us a most entertaining Latin poem, in which he describes the attempts of the clergy and laymen, who flocked to his court, to buy justice.[[23]] Every one according to his means brought a present; the rich offered money, precious stones, fine materials, and Eastern carpets, arms, horses, antique vases of gold or silver chiselled with representations of the labours of Hercules. The poor brought skins of Cordova leather, tanned and untanned, excellent pieces of cloth and linen (poor Ermentrude must have worked hard for the month before the justices came!), boxes, and wax. 'With this battering-ram,' cries the shocked Bishop Theodulf, 'they hope to break down the wall of my soul. But they would not have thought that they could shake me, if they had not so shaken other judges before,' And indeed, if his picture be true, the royal justices must have been followed about by a regular caravan of carts and horses to carry their presents. Even Theodulf has to admit that, in order not to hurt people's feelings, he was obliged to accept certain unconsidered trifles in the shape of eggs and bread and wine and chickens and little birds, 'whose bodies' (he says, smacking his lips) 'are small, but very good to eat.' One seems to detect the anxious face of Bodo behind those eggs and little birds.
Another treat Bodo had which happened once a year; for regularly on the ninth of October there began the great fair of St Denys, which went on for a whole month, outside the gates of Paris.[[24]] Then for a week before the fair little booths and sheds sprang up, with open fronts in which the merchants could display their wares, and the Abbey of St Denys, which had the right to take a toll of all the merchants who came there to sell, saw to it that the fair was well enclosed with fences, and that all came in by the gates and paid their money, for wily merchants were sometimes known to burrow under fences or climb over them so as to avoid the toll. Then the streets of Paris were crowded with merchants bringing their goods, packed in carts and upon horses and oxen; and on the opening day all regular trade in Paris stopped for a month, and every Parisian shopkeeper was in a booth somewhere in the fair, exchanging the corn and wine and honey of the district for rarer goods from foreign parts. Bodo's abbey probably had a stall in the fair and sold some of those pieces of cloth woven by the serfs in the women's quarter, or cheeses and salted meat prepared on the estates, or wine paid in rent by Bodo and his fellow-farmers. Bodo would certainly take a holiday and go to the fair. In fact, the steward would probably have great difficulty in keeping his men at work during the month; Charlemagne had to give a special order to his stewards that they should 'be careful that our men do properly the work which it is lawful to exact from them, and that they do not waste their time in running about to markets and fairs'. Bodo and Ermentrude and the three children, all attired in their best, did not consider it waste of time to go to the fair even twice or three times. They pretended that they wanted to buy salt to salt down their winter meat, or some vermilion dye to colour a frock for the baby. What they really wanted was to wander along the little rows of booths and look at all the strange things assembled there; for merchants came to St Denys to sell their rich goods from the distant East to Bodo's betters, and wealthy Frankish nobles bargained there for purple and silken robes with orange borders, stamped leather jerkins, peacock's feathers, and the scarlet plumage of flamingos (which they called 'phoenix skins'), scents and pearls and spices, almonds and raisins, and monkeys for their wives to play with.[[25]] Sometimes these merchants were Venetians, but more often they were Syrians or crafty Jews, and Bodo and his fellows laughed loudly over the story of how a Jewish merchant had tricked a certain bishop, who craved for all the latest novelties, by stuffing a mouse with spices and offering it for sale to him, saying that 'he had brought this most precious never-before-seen animal from Judea,' and refusing to take less than a whole measure of silver for it.[[26]] In exchange for their luxuries these merchants took away with them Frisian cloth, which was greatly esteemed, and corn and hunting dogs, and sometimes a piece of fine goldsmith's work, made in a monastic workshop. And Bodo would hear a hundred dialects and tongues, for men of Saxony and Frisia, Spain and Provence, Rouen and Lombardy, and perhaps an Englishman or two, jostled each other in the little streets; and from time to time there came also an Irish scholar with a manuscript to sell, and the strange, sweet songs of Ireland on his lips:
A hedge of trees surrounds me,
A blackbird's lay sings to me;
Above my lined booklet
The thrilling birds chant to me.
A hedge of trees surrounds me,
A blackbird's lay sings to me;
Above my lined booklet
The thrilling birds chant to me.
In a grey mantle from the top of bushes
The cuckoo sings:
Verily--may the Lord shield me!--
Well do I write under the greenwood.[[27]]
In a grey mantle from the top of bushes
The cuckoo sings:
Verily--may the Lord shield me!--
Well do I write under the greenwood.[[27]]
Then there were always jugglers and tumblers, and men with performing bears, and minstrels to wheedle Bodo's few pence out of his pocket. And it would be a very tired and happy family that trundled home in the cart to bed. For it is not, after all, so dull in the kitchen, and when we have quite finished with the emperor, 'Charlemagne and all his peerage', it is really worth while to spend a few moments with Bodo in his little manse. History is largely made up of Bodos.
CHAPTER III
Marco Polo
A VENETIAN TRAVELLER OF THE THIRTEENTH CENTURY
Et por ce, veul ie que un et autre sachent a tos iors mais les euvres des Veneciens, et qui il furent, et dont il vindrent, et qui il sont, et comment il firent la noble Cite que l'en apele Venise, qui est orendroit la plus bele dou siecle.... La place de Monseignor Saint Marc est orendroit la plus bele place qui soit en tot li monde; que de vers li soleil levant est la plus bele yglise qui soit el monde, c'est l'Yglise de Monseignor Saint Marc. Et de les cele Yglise est li paleis de Monseignor li Dus, grant e biaus a mervoilles.
--MARTINO DA CANALE
And Kinsai [Hangchow] is the greatest city in the whole world, so great indeed that I should scarcely venture to tell of it, but that I have met at Venice people in plenty who have been there.... And if anyone should desire to tell of all the vastness and great marvels of this city, a good quire of paper would not hold the matter, I trow. For 'tis the greatest and noblest city, and the finest for merchandise, that the whole world containeth.
--ODORIC OF PORDENONE
Let us go back in mind--as would that we could go back in body--to the year 1268. It is a year which makes no great stir in the history books, but it will serve us well. In those days, as in our own, Venice lay upon her lagoons, a city (as Cassiodurus long ago saw her[B]) like a sea-bird's nest afloat on the shallow waves, a city like a ship, moored to the land but only at home upon the seas, the proudest city in all the Western world. For only consider her position. Lying at the head of the Adriatic, half-way between East and West, on the one great sea thoroughfare of medieval commerce, a Mediterranean seaport, yet set so far north that she was almost in the heart of Europe, Venice gathered into her harbour all the trade routes overland and overseas, on which pack-horses could travel or ships sail. Merchants bringing silk and spices, camphor and ivory, pearls and scents and carpets from the Levant and from the hot lands beyond it, all came to port in Venice. For whether they came by way of Egypt sailing between the low banks of the Nile and jolting on camels to Alexandria, or whether they came through the rich and pleasant land of Persia and the Syrian desert to Antioch and Tyre, or whether they slowly pushed their way in a long, thin caravan across the highlands of Central Asia, and south of the Caspian Sea to Trebizond, and so sailed through the Black Sea and the Dardanelles, Venice was their natural focus. Only Constantinople might have rivalled her, and Constantinople she conquered. To Venice, therefore, as if drawn by a magnet, came the spoils of the East, and from Venice they went by horse across the Alps by the Brenner and St Gothard passes to Germany and France, or in galleys by way of the Straits of Gibraltar to England and Flanders;[[1]] and the galleys and pack-horses came back again to Venice, laden with the metals of Germany, the furs of Scandinavia, the fine wools of England, the cloth of Flanders, and the wine of France.
[B] 'Hic vobis, aquatilium avium more, domus est.'
But if geography gave Venice an unrivalled site, the Venetians did the rest. Through all the early years of their history they defied Constantinople to the east of them, and Pope and Holy Roman Emperor to the west; sometimes turning to one, sometimes to the other, but stubbornly bent all the while upon independence, replying, when invited to become subjects: 'God, Who is our help and protector has saved us to dwell upon these waters. This Venice, which we have raised in the lagoons, is our mighty habitation, no power of emperor or of prince can touch us'; apt, if threatened, to retire to their islands and derisively to fire cannon balls of bread into the mainland force, which sought to starve them out.[[2]] Always they were conscious that their future lay upon the waters, and in that East, whose colour had crept into their civilization and warmed their blood. They were eastern and western both, the Venetians, hot hearts for loving and conquering, icy heads for scheming and ruling. Bit by bit they secured the ring of mainland behind them, all the while keeping at bay the Saracen and Slav sea rovers, whose ships were the terror of the Mediterranean. Then they descended upon the pirates of Dalmatia, who thus harassed their trading vessels, and took all the Dalmatian coast. The Doge of Venice became Duke of Dalmatia. 'True it is,' says their chronicles, 'that the Adriatic Sea is in the duchy of Venice,'[[3]] and they called it the 'Gulf of Venice'. Now it was that there was first instituted the magnificent symbolical ceremony of wedding the sea, with the proud words 'Desponsamus te mare in signum veri perpetuique domini'![[4]]
She was a maiden city, bright and free,
No guile seduced, no force could violate,
And when she took unto herself a mate
She must espouse the everlasting sea.
And truly it seemed as though the very sea had sworn to honour and obey her.
Then came the Crusades, when Europe forgot its differences and threw itself upon the paynim who held the holy places of its faith, when men from all lands marched behind the banner of the Cross and the towers of Jerusalem were more real than the Tower of Babel. Now, at last, Venice saw her dream within her hand. It was Venice who provided galleys and Venice who provided convoys and commissariat and soldiers, at a good round sum; and when time came for the division of the spoil, Venice demanded in every captured town of Palestine and Syria a church, a counting-house and the right to trade without tolls. Her great chance came in the Fourth Crusade, when her old blind Doge Enrico Dandolo (whose blindness had the Nelson touch) upon the pretext that the Crusaders could not pay the transport fees agreed upon, turned the whole Crusade to the use of Venice, and conquered first Zara, which had dared to revolt from her, and then her ancient--her only--rival, the immortal Byzantium itself. It is true that the Pope excommunicated the Venetians when they first turned the armies against Zara, but what matter? They looted Constantinople and brought back the four great gilded horses to St Mark's--St Mark's, which has been compared to a robbers' cave crowded with the booty of the Levant, and which held the sacred body of the saint, stolen from Alexandria by the Venetians, nearly four centuries before, concealed in a tub of pickled pork, in order to elude the Moslems. A Venetian patriarch now said Mass in St Sophia. Venice received the proud title of 'Ruler of a half and a quarter of the Roman Empire,' ('quartæ partis et dimidiæ totius imperii Romaniæ'--the words have a ring of trumpets), and the Doge, buskined in scarlet like the ancient Roman emperors, now ruled supreme over four seas--the Adriatic, the Aegean, the Sea of Marmora, and the Black Sea. Venetian factories studded all the Levantine coasts, in Tripoli and Tyre, Salonica, Adrianople, and Constantinople, in Trebizond on the Black Sea, even at Caffa in the far Crimea, whence ran the mysterious road into Russia. Crete and Rhodes and Cyprus were hers; her galleys swept the pirates from the seas and brooked no rivals; all trade with the East must pass through Venice, and Venice only. The other trading cities of Italy struggled against her, and Genoa came near to rivalling her, but in 1258, and again in 1284, she utterly defeated the Genoese fleet. Not for the city of 'sea without fish, mountains without woods, men without faith, and women without shame' was it to bit the horses on St Mark's.[[5]] In 1268 Venice seemed supreme. Byzantium was her washpot and over the Levant she had cast her shoe. Truly her chronicler might write of her:
Dalmatia, Albania, Rumania, Greece, Trebizond, Syria, Armenia, Egypt, Cyprus, Candia, Apulia, Sicily, and other countries, kingdoms and islands were the fruitful gardens, the proud castles of our people, where they found again pleasure, profit, and security.... The Venetians went about the sea, here and there and across the sea, and in all places wheresoever water runs, and bought merchandise and brought it to Venice from every side. Then there came to Venice Germans and Bavarians, French and Lombards, Tuscans and Hungarians, and every people that lives by merchandise and they took it to their countries.
Small wonder that (as a later traveller observed) the Venetians were proud of their great rule, and when a son was born to a Venetian were wont to say among themselves, 'A Signor is born into the world.'
Is it not true to say that Venice was the proudest city on earth, la noble cite que l'en apele Venise, qui est orendroit la plus bele dou siecle?[[6]] Life was a fair and splendid thing for those merchant princes, who held the gorgeous East in fee in the year of grace 1268. In that year traders in great stone counting-houses, lapped by the waters of the canals, were checking, book in hand, their sacks of cloves, mace and nutmegs, cinnamon and ginger from the Indies, ebony chessmen from Indo China, ambergris from Madagascar, and musk from Tibet. In that year the dealers in jewels were setting prices upon diamonds from Golconda, rubies and lapis lazuli from Badakhshan, and pearls from the fisheries of Ceylon; and the silk merchants were stacking up bales of silk and muslin and brocade from Bagdad and Yezd and Malabar and China. In that year young gallants on the Rialto (scented gallants, but each, like Shakespeare's Antonio, with a ship venturing into port somewhere in the Levant) rubbed elbows with men of all nations, heard travellers' tales of all lands, and at dawn slipped along the canals in gondolas (not black in those days, but painted and hung with silk), saluting the morning with songs; and the red-haired ladies of Venice whom centuries later Titian loved to paint, went trailing up and down the marble steps of their palaces, with all the brocades of Persia on their backs and all the perfumes of Arabia to sweeten their little hands.
It was in that year, too, that one Martino da Canale, a clerk in the customs house, began to busy himself (like Chaucer after him) less with his accounts than with writing in the delectable French language ('por ce que lengue franceise cort parmi le monde, et est la plus delitable a lire et a oir que nule autre') a chronicle of Venice. It is of the water, watery, Canale's chronicle, like Ariel's dirge; he has indeed, 'that intenseness of feeling which seems to resolve itself into the elements which it contemplates.' Here is nothing indeed, of 'the surge and thunder of the Odyssey', but the lovely words sparkle like the sun on the waters of the Mediterranean, and like a refrain, singing itself in and out of the narrative, the phrase recurs, 'Li tens estoit clers et biaus ... et lors quant il furent en mer, li mariniers drecerent les voiles au vent, et lesserent core a ploine voiles les mes parmi la mer a la force dou vent';[[7]] for so much of the history of Venice was enacted upon deck. It is a passing proud chronicle, too, for Canale was, and well he knew it, a citizen of no mean city.
'Now would I,' he says, 'that every one and all know for ever the works of the Venetians, who they were and whence they came and what they are, and how they made the noble city which is called Venice, which is this day the fairest in the world. And I would that all those who are now living and those who are to come know how the noble city is builded and how all good things abound in her, and how the sire of the Venetians, the noble Doge, is powerful, and what nobility is found therein and the prowess of the Venetian people, and how they are all perfect in the faith of Jesu Christ and obedient to holy Church, and how they never disobey the commandment of holy Church. Within this noble Venice there dares to dwell neither heretic, nor usurer, murderer, thief nor robber. And I will tell you the names of all the Doges that have been in Venice, one after the other, and what they did to the honour of holy Church and of their noble City. And I will tell you the names of the noble captains whom the noble Doges sent in their time to lay low their enemies, and concerning the victories that they won I will have you know, for it is fitting.... In the year of the incarnation of our Lord Jesu Christ MCCLXVII years, in the time of Milord Renier Zeno, the high Doge of Venice, I laboured and strove until I found the ancient history of the Venetians, whence they came first and how they builded the noble city called Venice, which is today the fairest and the pleasantest in the world, full of beauty and of all good things. Merchandise flows through this noble city even as water flows from the fountains, and the salt water runs through it and round it and in all places save in the houses and the streets; and when the citizens go abroad they can return to their houses by land or by water, as they will. From all parts there come merchandise and merchants, who buy merchandise as they will and take it back to their own countries. Within this town is found food in great plenty, bread and wine, land fowl and river fowl, fresh meat and salt, and sea fish and river fish.... You may find within this fair town many men of gentle birth, both old men and young damoisaus in plenty, and merchants with them, who buy and sell, and money changers and citizens of all crafts, and therewith mariners of all sorts, and ships to carry them to all lands and galleys to lay low their enemies. And in this fair town is also great plenty of ladies and damsels and maidens, very richly apparelled.'[[8]]
It happened that there was a new Doge that year, our year 1268, Lorenzo Tiepolo by name, and a great procession of the gilds took place before the palace on the Piazza of St Mark to welcome his accession. Martino da Canale was watching it and wrote it all down in his chronicle. First came the navy sailing past in the harbour, fifty galleys and other ships, with their crews cheering and shouting on deck. Then came the gilds on foot: first the master smiths, with garlands on their heads and banners and trumpets; then the furriers apparelled in samite and scarlet silk, with mantles of ermine and vair; then the weavers richly bedight, and the ten master tailors in white with crimson stars. Then the master clothworkers passed, carrying boughs of olive and wearing crowns of olive on their heads; then the fustian makers in furred robes of their own weaving, and the quilt makers with garlands of gilt beads and white cloaks sewn with fleurs-de-lis, marching two by two, with little children singing chansonettes and cobles before them. Then came the makers of cloth of gold, all in cloth of gold, and their servants in cloth of gold or of purple, followed by the mercers in silk and the butchers in scarlet, the fish sellers robed and furred and garlanded, and the master barbers, having with them two riders attired as knights-errant, and four captive damsels, strangely garbed. Then came the glass-workers in scarlet furred with vair, and gold-fringed hoods, and rich garlands of pearls, carrying flasks and goblets of the famous Venetian glass before them, and the comb and lantern makers, with a lantern full of birds to let loose in the Doge's presence, and the goldsmiths wearing wreaths and necklaces of gold and silver beads and sapphires, emeralds, diamonds, topazes, jacinths, amethysts, rubies, jasper, and carbuncles. Master and servants alike were sumptuously clad, and almost all wore gold fringes on their hoods, and garlands of gilded beads. Each craft was accompanied by its band of divers instruments, and bore with it silver cups and flagons of wine, and all marched in fair order, singing ballads and songs of greeting, and saluted the Doge and Dogaressa in turn, crying 'Long live our lord, the noble Doge Lorenzo Tiepolo!' Gild after gild they marched in their splendour, lovely alike to ear and eye; and a week fled before the rejoicings were ended and all had passed in procession. Canale surpasses himself here, for he loved State ceremonies; he gives a paragraph to the advance of each gild, its salutation and withdrawal, and the cumulative effect of all the paragraphs is enchanting, like a prose ballade, with a repeated refrain at the end of every verse.[[9]]
What, they lived once thus in Venice, where the merchants were the kings,
Where St Mark's is, where the Doges used to wed the sea with rings?
Listening to the magnificent salutation of the Doge by the priests of St Mark's, 'Criste, vince, Criste regne, Criste inpere. Notre signor Laurens Teuples, Des gracie, inclit Dus de Venise, Dalmace atque Groace, et dominator de la quarte partie et demi de tot l'enmire de Romanie, sauvement, honor, vie, et victoire. Saint Marc, tu le aie,'[[10]] who, hearing, could have doubted that Venice, defier of Rome and conqueror of Constantinople, was the finest, richest, most beautiful, and most powerful city in the world?
But was she? Listen and judge. Thousands of miles away from Venice, across the lands and seas of Asia, a little south of the Yangtze River and close to the sea stood the city of Kinsai or Hangchow, the capital of the Sung emperors, who ruled Southern China, not yet (in 1268) conquered by the Tartars.[[11]] Like Venice, Kinsai stood upon lagoons of water and was intersected by innumerable canals. It was a hundred miles in circuit, not counting the suburbs which stretched round it, and there was not a span of ground which was not well peopled. It had twelve great gates, and each of the twelve quarters which lay within the gates was greater than the whole of Venice. Its main street was two hundred feet wide, and ran from end to end of the city, broken every four miles by a great square, lined with houses, gardens, palaces, and the shops of the artisans, who were ruled by its twelve great craft gilds. Parallel with the main street was the chief canal, beside which stood the stone warehouses of the merchants who traded with India. Twelve thousand stone bridges spanned its waterways, and those over the principal canals were high enough to allow ships with their tapering masts to pass below, while the carts and horses passed overhead. In its market-places men chaffered for game and peaches, sea-fish, and wine made of rice and spices; and in the lower part of the surrounding houses were shops, where spices and drugs and silk, pearls and every sort of manufactured article were sold. Up and down the streets of Kinsai moved lords and merchants clad in silk, and the most beautiful ladies in the world swayed languidly past in embroidered litters, with jade pins in their black hair and jewelled earrings swinging against their smooth cheeks.[[12]]
On one side of this city lay a beautiful lake (famous in Chinese history, and still one of the fairest prospects upon earth), studded with wooded islands, on which stood pavilions with charming names: 'Lake Prospect', 'Bamboo Chambers', 'The House of the Eight Genii', and 'Pure Delight'. Here, like the Venetians, the men of Kinsai came for pleasure parties in barges, nobly hung and furnished, the cabins painted with flowers and mountain landscapes, and looking out they saw on one side the whole expanse of the city, its palaces, temples, convents, and gardens, and on the other the stretch of clear water, crowded with coloured pleasure boats, over which came echoing the high, clear voices and the tinkling instruments of the revellers. There is no space in which to tell of the King's palace, with its gardens and orchards, its painted pavilions, and the groves where the palace ladies coursed the game with dogs, and, tired of the pastime, flung off their robes and ran to the lake, where they disported themselves like a shoal of silver fishes. But a word must be said of the junks, which came sailing into the harbour four and twenty miles away, and up the river to the city; and of the great concourse of ships which came to Zaiton (perhaps the modern Amoy), the port of the province. Here every year came a hundred times more pepper than came to the whole of Christendom through the Levantine ports. Here from Indo China and the Indies came spices and aloes and sandalwood, nutmegs, spikenard and ebony, and riches beyond mention. Big junks laded these things, together with musk from Tibet, and bales of silk from all the cities of Mansi[C], and sailed away in and out of the East India Archipelago, with its spice-laden breezes billowing their sails, to Ceylon. There merchants from Malabar and the great trading cities of southern India took aboard their cargoes and sold them in turn to Arab merchants, who in their turn sold them to the Venetians in one or other of the Levantine ports. Europeans who saw Zaiton and the other Chinese seaports in after years were wont to say that no one, not even a Venetian, could picture to himself the multitude of trading vessels which sailed upon those eastern seas and crowded into those Chinese harbours. They said also with one accord that Kinsai was without doubt the finest and richest and noblest city in the world. To the men of Kinsai, Venice would have been a little suburb and the Levant a backyard. The whole of the east was their trading field, and their wealth and civilization were already old when Venice was a handful of mud huts peopled by fishermen.
[C] Mansi or Manji was southern China and Cathay was northern China, the boundary between them lying along the River Hoang-Ho on the east and the southern boundary of Shensi on the west.
Nor was Kinsai alone and unmatched in all its wonder and beauty, for a three days' journey from it stood Sugui, which today we call Suchow, lying also on the great canal, with its circumference of twenty miles, its prodigious multitudes swarming the streets, its physicians, philosophers, and magicians; Sugui, with the ginger which was so common that forty pounds of it might be bought for the price of a Venetian silver groat, the silk which was manufactured in such vast quantities that all the citizens were dressed in it and still ships laden with it sailed away; Sugui under whose jurisdiction were sixteen wealthy cities, where trade and the arts flourished. If you had not seen Hangchow, you would have said that there was no city in the world, not Venice nor Constantinople nor another worthy to be named in the same breath with Sugui. The Chinese indeed, seeing the riches and beauty of these two cities, doubted whether even the pleasant courts of heaven could show their equal and proudly quoted the proverb:
Shang yeu t'ien t'ang,
Hia yeu Su Hang.
(There's Paradise above, 'tis true,
But here below we've Hang and Su.)[[13]]
Kinsai seems far enough away in all conscience from Venice in the year 1268, and Venice was all unwitting of its existence, far beyond the sunrise. Yet there was in the city of the lagoons that year, watching the same procession of the gilds which Canale watched, a boy who was destined to link them for ever in the minds of men--a lean lad of fourteen, Marco Polo by name, who was always kicking his heels on the quay and bothering foreign sailors for tales of distant lands. He heard all they had to tell him very willingly, storing it up in that active brain of his, for his curiosity was insatiable; but always the tales that he heard most willingly were about the Tartars.
At this time the Tartars were at the height of their power in the West and the East. Tartars ruled at Peking all over northern China, Corea, Mongolia, Manchuria, and Tibet, and took tribute from Indo-China and Java. Tartars were spread over central Asia, holding sway in Turkestan and Afghanistan. The Golden Horde ruled the Caucasus, a large part of Russia, and a piece of Siberia. Tartars held sway in Persia, Georgia, Armenia, and a part of Asia Minor. When the great Mangu Khan died in 1259, one empire lay spread across Asia and Europe, from the Yellow River to the Danube. There had been nothing like it in the world before, and there was nothing like it again, until the Russian Empire of modern times. By 1268 it was beginning to split up into the four kingdoms of China, central Asia, Russia, and Persia, but still it was one people. Now, the attitude of the West to the Tartars at this time was very interesting. At first it feared them as a new scourge of God, like Attila and his Huns; they overran Poland, ravaged Hungary, and seemed about to break like a great flood upon the West, and overwhelm it utterly. Then the tide rolled back. Gradually the West lost its first stupefaction and terror and began to look hopefully towards the Tartars as a possible ally against its age-old foe, the Moslem. The Christians of the West knew that the Tartars had laid the Moslem power low through the length and breadth of Asia, and they knew too, that the Tartars had no very sharply defined faith and were curious of all beliefs that came their way. Gradually the West became convinced that the Tartars might be converted to Christianity, and fight side by side beneath the Cross against the hated Crescent. There grew up the strange legend of Prester John, a Christian priest-king, ruling somewhere in the heart of Asia; and indeed little groups of Nestorian Christians did still survive in eastern Asia at this time.[[14]] Embassies began to pass between Tartar khans and western monarchs, and there began also a great series of missions of Franciscan friars to Tartary, men who were ethnologists and geographers at heart as well as missionaries, and have left us priceless accounts of the lands which they visited. In the year of grace 1268, much was known about central Asia, for in 1245 the Pope had sent the Italian friar John of Plano Carpini thither, and in 1251 another friar, William of Rubruck, a French Fleming, had been sent by the saintly Louis, King of France. Both got as far as Karakorum, the Tartar camp on the borders of northern China, though they did not enter China itself. They had brought back innumerable stories about the nomad conquerors, who carried their tents on carts, and drank fermented mares' milk, about the greatness of the khan and his welcome to the strangers from the West, and the interest with which he listened to their preaching.[[15]] These tales were common property now, and Marco Polo must have listened to them.
Marco Polo was always talking of the Tartars, always asking about them. Indeed, he had reason to be interested in them. This (as we have said) was the year of grace 1268, and eight years before (some, indeed, say fifteen years) his father, Nicolo Polo, and his uncle Maffeo had vanished into Tartary. They were rich merchants, trading with their own ship to Constantinople, and there they had decided to go on a commercial venture into the lands of the Golden Horde, which lay to the north of the Black Sea. So they had sailed over to the Crimea, where they had a counting-house at Soldaia, and taking with them a store of costly jewels, for they were jewel merchants, they had set off on horseback to visit the Khan of the West Tartars. So much the Venetians knew, for word had come back from Soldaia of their venture; but they had never returned. And so Marco, kicking his heels upon the quay, caught sailor-men by the sleeve and asked them about those wild horsemen with their mares' milk and their magicians and their droves of cattle; and as he asked he wondered about his father and his uncle, and whether they were dead and lost for ever in the wilds of Tartary. But even while he asked and wondered and kicked his heels on the quay, while the Doge Tiepolo was watching the procession of the gilds and the clerk Canale was adding up customs dues or writing the ancient history of the Venetians, at that very moment the two Polos were slowly and wearily making their way across the heights of central Asia with a caravan of mules and camels, drawing near to golden Samarcand with its teeming bazaars, coming nearer and nearer to the West; and in the following year, 1269, they reached Acre, and took ship there for Venice, and so at last came home.
They had a strange story to tell, stranger and better than anything the lean, inquisitive boy had heard upon the quays. They had soon disposed of their jewels and they had spent a year at the camp of the Khan of the Golden Horde of Kipchak on the mighty River Volga. Then war broke out between that ruler and the Khan who ruled the Persian Khanate, and it cut off their way back. But Marco's curiosity was inherited; and no Venetian was ever averse to seeing strange lands and seeking out new opportunities for trade; so the Polos decided to go on and visit the Khan of central Asia or Chagatai, and perhaps make their way back to Constantinople by some unfrequented route. They struggled over plains peopled only by tent-dwelling Tartars and their herds, until at last they reached the noble city of Bokhara. They must have followed the line of the Oxus River, and if we reverse the marvellous description which Matthew Arnold wrote of that river's course in Sohrab and Rustum, we shall have a picture of the Polos' journey:
But the majestic River floated on,
Out of the mist and hum of that low land,
Into the frosty starlight, and there moved,
Rejoicing, through the hush'd Chorasmian waste
Under the solitary moon; he flow'd
Right for the Polar Star, past Orgunjè,
Brimming and bright and large: then sands begin
To hem his watery march, and dam his streams,
And split his currents; that for many a league
The shorn and parcell'd Oxus strains along
Through beds of sand and matted rushy isles--
Oxus, forgetting the bright speed he had
In his high mountain cradle in Pamere,
A foil'd circuitous wanderer:--till at last
The long'd-for dash of waves is heard, and wide
His luminous home of waters opens, bright
And tranquil, from whose floor the new-bathed stars
Emerge and shine upon the Aral Sea.
For three years the Polos remained at Bokhara, until one day it happened that an embassy came to the city, on its way back from the khan in Persia to the great Khan Kublai, who ruled in far-off China, and to whom all the Tartar rulers owed allegiance. The chief ambassador was struck with the talents and charm of the brothers, who had now become proficient in the Tartar language, and persuaded them to accompany him on his journey to the presence of the Great Khan, who had never yet set eyes on a man of the West, and would, he assured them, receive them honourably. They would not have been Venetians had they refused such an opportunity, and, taking their Venetian servants with them, they journeyed for a year with the Tartar embassy across the heart of Asia, and so reached the great Kublai Khan. Many years later Marco himself described their reception, as they had told it to him:
Being introduced to the presence of the Grand Khan Kublai, the travellers were received by him with the condescension and affability that belonged to his character, and as they were the first Latins who had made their appearance in that country, they were entertained with feasts and honoured with other marks of distinction. Entering graciously into conversations with them, he made earnest inquiries on the subject of the western parts of the world, of the Emperor of the Romans, and of other Christian kings and princes ... and above all he questioned them particularly respecting the Pope, the affairs of the Church, and the religious worship and doctrine of the Christians. Being well instructed and discreet men, they gave appropriate answers upon all these points, and as they were perfectly acquainted with the Tartar language, they expressed themselves always in becoming terms; insomuch that the Grand Khan, holding them in high estimation, frequently commanded their attendance.[[16]]
The Great Khan finally decided to send these two intelligent strangers back to their own land on a mission from himself to the Pope, asking for a hundred men of learning to be sent to teach and preach to his Tartars, and for some holy oil from the lamp which burned over Christ's sepulchre in Jerusalem. He provided them with a golden tablet of honour, which acted as a passport and secured that they should be entertained and their journey facilitated from city to city in all his dominions, and so they set forth once more upon their homeward journey, But they were delayed by the dangers and difficulties of travel, 'the extreme cold, the snow, the ice, and the flooding of the rivers', and it was three years before they at last reached Acre in the April of 1269, and finding that the Pope had died the year before, and that no election had yet been made, so that they could not immediately accomplish their mission, they decided to visit their home again, and so went back to Venice. There Nicolo found that his wife, who had been with child at his departure, was dead, leaving behind her a son Marco, our young haunter of quays.
This was the marvellous tale which the same Marco drank in from the lips of his new-found father and uncle. But more marvels were to come. For two years the Venetians remained at home, awaiting the election of a Pope in order to deliver the Great Khan's letters; but no election was made, and at last, fearing that Kublai might suspect them of playing him false, they decided to return to the East, and this time they took with them Marco, now a well-grown lad of sixteen or seventeen years with a bright eye that looked everywhere and took in everything, observant and sober beyond his age. But when they got as far as Ayas on the Gulf of Scanderoon, news was brought them of the election of Tebaldo di Piacenza as Pope Gregory X, and as Tebaldo had already interested himself in their mission, they returned with all speed to Acre, and obtained from him letters to the Khan (they had already visited Jerusalem and provided themselves with some of the holy oil), and two Dominican friars, 'men of letters and science as well as profound theologians,' though not the hundred men of learning for whom the Khan had asked; and so they set out again from Acre in November 1271. The Dominicans may have been profound theologians, but they were somewhat chicken-hearted adventurers, and when rumours reached them of wars in the district of Armenia, through which they had to pass, they hastily handed over their letters to the Venetians, put themselves under the protection of the Knights Templars, and scuttled back to the coast and safety as fast as they could go, leaving the Polos, 'undismayed by perils and difficulties, to which they had long been inured,' to proceed alone. Assuredly, St Francis crows over St Dominic somewhere in the courts of Heaven; his friars never feared for their skins, as they travelled blithely into the heat of India and the cold of central Asia; and it is easy to imagine the comments of fat William of Rubruck upon the flight of the profound theologians.
The account of this second journey of the Polos may be read in the wonderful book which Marco afterwards wrote to describe the wonders of the world. They went from Lajazzo through Turcomania, past Mount Ararat, where Marco heard tell that Noah's ark rested, and where he first heard also of the oil wells of Baku and the great inland sea of Caspian. Past Mosul and Bagdad they went, through Persia, where brocades are woven and merchants bring caravan after caravan of treasures, to Hormuz, on the Persian Gulf, into which port put the ships from India, laden with spices, drugs, scented woods, and jewels, gold tissues and elephants' teeth. Here they meant to take ship, but they desisted, perhaps because they feared to trust themselves to the flimsy nailless vessels in which the Arabs braved the dangers of the Indian Ocean. So they turned north again and prepared to make the journey by land. They traversed the salt desert of Kerman, through Balk and Khorassan to Badakhshan, where there are horses bred from Alexander the Great's steed Bucephalus, and ruby mines and lapis lazuli. It is a land of beautiful mountains and wide plains, of trout streams and good hunting, and here the brothers sojourned for nearly a year, for young Marco had fallen ill in the hot plains: a breath of mountain air blows through the page in which he describes how amid the clean winds his health came back to him. When he was well, they went on again, and ascended the upper Oxus to the highlands of Pamir, 'the roof of the world' as it has been called in our own time, a land of icy cold, where Marco saw and described the great horned sheep which hunters and naturalists still call after him the Ovis Poli,[[17]] a land which no traveller (save Benedict Goës, about 1604) described again, until Lieutenant John Wood of the Indian Navy went there in 1838. Thence they descended upon Kashgar, Yarkand, and Khotan, where jade is found, regions which no one visited again until 1860. From Khotan they pushed on to the vicinity of Lake Lob, never to be reached again until a Russian explorer got there in 1871. They halted there to load asses and camels with provisions, and then, with sinking hearts, they began the terrible thirty days' journey across the Gobi Desert. Marco gives a vivid description of its terrors, voices which seem to call the traveller by name, the march of phantom cavalcades, which lures them off the road at night, spirits which fill the air with sounds of music, drums and gongs and the clash of arms--all those illusions which human beings have heard and seen and feared in every desert and in every age.
What might this be? A thousand fantasies
Begin to throng into my memory,
Of calling shapes, and beckoning shadows dire,
And airy tongues that syllable men's names
On sands and shores and desert wildernesses.
At last they arrived safely at Tangut in the extreme north-west of China, and, skirting the frontier across the great steppes of Mongolia, they were greeted by the Khan's people, who had been sent forward to meet them at the distance of forty days' journey, and so at last they reached his presence in the May of 1275, having journeyed for three years and a half.
The Great Khan received the Polos kindly, listened attentively to the account which they gave of their mission, commended them for their zeal and fidelity, and received the holy oil and the Pope's gifts with reverence. He then observed the boy Marco, now a 'young gallant' and personable enough, no doubt, and inquired who he was, and Nicolo made answer, 'Sire, this is your servant, and my son,' to which the Khan replied, 'He is welcome, and much it pleases me,' and enrolled Marco among his own attendants. It was the beginning of a long and close association, for Kublai Khan soon found that Marco Polo was both discreet and intelligent, and began to employ him on various missions. Moreover, Marco, for his part, found that the Great Khan was always desirous of learning the manners and customs of the many tribes over whom he ruled. Kublai had to the full that noble curiosity which is the beginning of wisdom, and it irked him exceedingly that his envoys, good conscientious men, followed their noses upon his business, looking neither to right nor to left, and as like as not never even noticed that among the aboriginal hill tribes of the interior called Miaotzu there prevailed the peculiar and entertaining custom of the couvade, wherein
Chinese go to bed
And lie in, in their ladies' stead.[[18]]
'The Prince, in consequence,' says Marco, 'held them for no better than fools and dolts and would say, "I had far liever hearken about the strange things and the manners of the different countries you have seen than merely be told of the business you went upon,"'
Very different was the habit of the Venetian, who as a lad, had lent ear so readily to swarthy sailors on the Rialto. He quickly picked up several of the languages current in the Great Khan's empire, and here is his account of his proceedings when on a mission to foreign parts:
Perceiving that the Great Khan took a pleasure in hearing accounts of whatever was new to him respecting the customs and manners of people, and the peculiar circumstances of distant countries, he endeavoured, wherever he went, to obtain correct information on these subjects and made notes of all he saw and heard, in order to gratify the curiosity of his master. In short, during seventeen years that he continued in his service, he rendered himself so useful, that he was employed on confidential missions to every part of the empire and its dependencies; and sometimes also he travelled on his own private account, but always with the consent and sanctioned by the authority of the Grand Khan. In such circumstances it was that Marco Polo had the opportunity of acquiring a knowledge, either by his own observation or by what he collected from others, of so many things until his time unknown, respecting the Eastern parts of the world, and these he diligently and regularly committed to writing.... And by this means he obtained so much honour that he provoked the jealousy of other officers of the court.[[19]]
It is small wonder that when first the lad came back with his reports the Great Khan and his courtiers marvelled and exclaimed, 'If this young man live he will assuredly be a person of great worth and ability.'
It was while on these various public missions that Marco Polo journeyed through the provinces of Shansi, Shensi, and Szechuen, and skirted the edge of Tibet to Yunnan, and entered Northern Burma, lands unknown again to the West until after 1860. For three years he was himself governor of the great city of Yangchow, which had twenty-four towns under its jurisdiction, and was full of traders and makers of arms and military accoutrements.[[20]] He visited Karakorum in Mongolia, the old Tartar capital, and with his Uncle Maffeo spent three years in Tangut. On another occasion he went on a mission to Cochin China, and by sea to the southern states of India, and he has left a vivid picture of the great trading cities of Malabar. He might indeed have pondered with Ulysses,
I am become a name
For always roaming with a hungry heart,
Much have I seen and known, cities of men,
And manners, climates, countries, governments,
Myself not least, but honoured of them all.
He describes the great capital Cambaluc (Peking) in the north, and the beautiful Kinsai (Hangchow) in the south. He describes the Khan's summer palace at Shandu, with its woods and gardens, its marble palace, its bamboo pavilion swung like a tent from two hundred silken cords, its stud of white mares, and its wonder-working magicians. Indeed his description of the summer palace is better known to Englishmen than any other part of his work, for Shandu is Xanadu, which Coleridge saw in a dream after he had been reading Marco's book and wove into wonderful verse:
In Xanadu did Kubla Khan
A stately pleasure dome decree,
Where Alph the sacred river ran,
Past caverns measureless to man,
Down to a sunless sea.
And there were gardens bright with sinuous rills
Where blossomed many an incense bearing tree,
And here were forests, ancient as the hills
Enfolding sunny spots of greenery.
Nor is it only palaces which Marco Polo describes, for he tells of the great canal and inland river trade of China, the exports and imports at its harbours, the paper money, the system of posts and caravanserais, which linked it together. He gives an unsurpassed picture of that huge, rich, peaceful empire, full of wealth and commerce and learned men and beautiful things, and of its ruler Kublai Khan, one of the noblest monarchs who ever sat upon a throne, who, since 'China is a sea that salts all the rivers that flow into it,'[[21]] was far more than a barbarous Mongol khan, was in very truth a Chinese emperor, whose house, called by the Chinese the 'Yuan Dynasty', takes its place among the great dynasties of China.
Even more than Marco Polo tells us he must, indeed, have seen. The impersonality of the greater part of the book is its one blemish, for we would fain know more of how he lived in China. There is some evidence that he consorted with the Mongol conquerors rather than with the Chinese, and that Chinese was not one of the languages which he learned. He makes no mention of several characteristic Chinese customs, such as the compressed feet of the women, and fishing with cormorants (both of which are described by Ordoric of Pordenone after him); he travelled through the tea districts of Fo-kien, but he never mentions tea-drinking, and he has no word to say even of the Great Wall.[[22]] And how typical a European he is, in some ways, for all his keen interest in new and strange things. 'They are,' he says of the peaceful merchants and scholars of Suchow, 'a pusillanimous race and solely occupied with their trade and manufactures. In these indeed they display considerable ability, and if they were as enterprising, manly, and warlike as they are ingenious, so prodigious is their number that they might not only subdue the whole of the province, but carry their rule further still.'[[23]] Nearly five hundred years later we find the same judgement expressed in different words: 'Better fifty years of Europe than a cycle of Cathay.' The answer is a question: Would you rather be the pusillanimous Chinese, who painted the landscape roll of which a portion is reproduced opposite page 52, or the enterprising, manly, and warlike European of the same period, whose highest achievement in pictorial art is the picture of Marco Polo's embarkation, reproduced opposite page 21? What is civilization and what progress? Yet Marco Polo shows himself throughout his book far from unable to appreciate other standards than those of his own land and religion, for of Sakya-muni Buddha he says that, 'had he been a Christian he would have been a great saint of our Lord Jesus Christ,' and he could honour Kublai as that great Khan deserved.
Nevertheless, although Marco Polo shows less knowledge of the Chinese than one might expect from the extraordinary detail and fidelity of his observation in other directions, he must have known many of these charming and cultivated people, at Kinsai or Cambaluc, or at the city which he governed. Among others, he must have known the great artist who painted the roll mentioned above, Chao Mêng-fu, whom the Chinese called 'Sung ksüeh Tao jen' or the 'Apostle of Pine Trees and Snow'. He was a lineal descendant of the founder of the Sung dynasty and a hereditary official. When that dynasty at last fell before the Tartars, he and his friend Ch'ien Hsüan, 'the Man of the Jade Pool and Roaring Torrent', retired into private life. But in 1286 Chao Mêng-fu was summoned to court by Kublai Khan, and, to the indignation of his friend, returned and became secretary in the Board of War, occupying his time in this post (what must Marco Polo have thought of him!) in painting his marvellous pictures. He became a great favourite of the Khan and was always about the court, and Marco Polo must have known him well and perhaps have watched him at work painting those matchless landscapes, and those pictures of horses and men for which he was famous. Marco loved horses, as, indeed, he loved all kinds of sport (of which he had plenty, for the Khan was a great hunter and hawker), and he has left a word picture of the white brood mares at Shansi, which may be set beside Chao Mêng-fu's brush picture of the 'Eight Horses in the Park of Kublai Khan'.[[24]] He knew, too, perhaps Chao Mêng-fu's wife, the Lady Kuan, who painted most exquisitely the graceful bamboo and the peony, so loved by Chinese artists, and of whom it is related that 'she would watch the moving shadows of the sprays thrown by the moon on the paper windows, and transfer the fugitive outlines to paper with a few strokes of her supple brush, so that every smallest scrap of her work was mounted in albums as models for others to copy'.[[25]] Chao Mêng-fu and the Lady Kuan had a son, Chao Yung, who is of special interest to us, for he painted a picture of a Tangut hunter, and Marco Polo has also given a description of the Tartar horsemen and of the province of Tangut, where he saw and described the musk deer and the yak.
But we must return to the history of the Polos in China. From time to time in Marco's book we hear also of his father and uncle, travelling about the empire, growing rich by trade, and amassing a store of those jewels, in the value of which they were so skilled, even helping the Khan to reduce a rebel town, by constructing siege engines for him on the European model, handy Venetians that they were, who could lay their hands to anything.[[27]] Without doubt they were proud of their Marco, who from an inquisitive lad had grown to so wise and observant a man, and had risen to so high a position. So for seventeen years the three Polos abode in the Khan's service in China. The long months slipped by; and at last they began to feel upon them a longing to see Venice and the lagoons again, and to hear Mass once more beneath the majestic roof of St Mark's before they died. Moreover, Kublai Khan was growing old himself, and the favour which he had always shown to them had excited some jealousy among his own people, and they feared what might happen when he died. But the old Khan was adamant to all their prayers; wealth and honours were theirs for the asking, but he would not let them go. They might, indeed, have died in China, and we of the West might never have heard of Marco Polo or of Kublai Khan, but for a mere accident, a stroke of fate, which gave them their chance. In 1286 Arghun, the Khan of Persia, lost by death his favourite wife Bolgana, and, according to her dying wish, he sent ambassadors to the Court of Peking to ask for another bride from her own Mongol tribe. Their overland route home again was endangered by a war, and they therefore proposed to return by sea. Just at that moment, Marco Polo happened to return from a voyage on which he had been sent, and spoke with such assurance of the ease with which it had been accomplished, that the three ambassadors conceived a strong desire to take with them all three of these ingenious Venetians, who seemed to know so much about ships. Thus it was that the great Khan was prevailed upon, very reluctantly, to let them go.
Early in 1292 they set sail from the busy port of Zaiton in fourteen big Chinese junks (of which Marco, writing of the shipping of the Indian and China seas, has left an excellent description),[[28]] with the three envoys, the princess, a beautiful girl of seventeen, 'moult bèle dame at avenant,' says Marco, who had an eye for pretty ladies, and a large suite of attendants. One version of Marco's book says that they took with them also the daughter of the king of Mansi, one of those Sung princesses who in happier days had wandered beside the lake in Hangchow, and who had no doubt been brought up at Cambaluc by the care of Kublai Khan's favourite queen, the Lady Jamui. The voyage was a long and difficult one; they suffered lengthy delays in Sumatra, Ceylon, and Southern India, occupied by Marco in studying the sea charts of the coast of India which the Arab pilots showed him, and adding to his knowledge of these parts, which he had already visited. Thus it was over two years before the junks reached Persia, and two of the three envoys and a large number of their suite had died by the way. When at last they landed, it was found that Arghun, the prospective bridegroom, had meanwhile died too, leaving his throne in the charge of a regent for his young son. But on the regent's advice a convenient solution of the difficulty was found by handing the princess over to this prince, and Marco and his uncles duly conducted her to him in the province of Timochain, where Marco Polo noticed that the women were 'in my opinion the most beautiful in the world', where stood the famed and solitary arbor secco, and where men still told tales of great Alexander and Darius. There they took leave of their princess, who had come on the long voyage to love them like fathers, so Marco says, and wept sorely when they parted. It was while they were still in Persia, where they stayed for nine months after handing over the princess, that the Polos received news of the death of the Great Khan whom they had served so faithfully for so many years. He died at the ripe age of eighty, and with his death a shadow fell over central Asia, darkening the shining yellow roofs of Cambaluc,
the barren plains
Of Sericana, where Chineses drive
With sails and wind their cany waggons light,
the minarets of Persia, and the tents of wild Kipchak Tartars, galloping over the Russian steppes. So wide had been the sway of Kublai Khan. A shadow fell also upon the heart of Marco Polo. It was as though a door had clanged to behind him, never to open again. 'In the course of their journey,' he says, 'our travellers received intelligence of the Great Khan having departed this life, which entirely put an end to all prospects of their revisiting those regions.' So he and his elders went on by way of Tabriz, Trebizond, and Constantinople to Venice, and sailed up to the city of the lagoons at long last at the end of 1295.
A strange fairy-tale legend has come down to us about the return of the Polos. 'When they got thither,' says Ramusio, who edited Marco's book in the fifteenth century, 'the same fate befell them as befell Ulysses, who when he returned after his twenty years' wanderings to his native Ithaca was recognized by nobody.' When, clad in their uncouth Tartar garb, the three Polos knocked at the doors of the Ca' Polo, no one recognized them, and they had the greatest difficulty in persuading their relatives and fellow-Venetians that they were indeed those Polos who had been believed dead for so many years. The story goes that they satisfactorily established their identity by inviting all their kinsmen to a great banquet, for each course of which they put on a garment more magnificent than the last, and finally, bringing in their coarse Tartar coats, they ripped open the seams and the lining thereof, 'upon which there poured forth a great quantity of precious stones, rubies, sapphires, carbuncles, diamonds, and emeralds, which had been sewn into each coat with great care, so that nobody could have suspected that anything was there.... The exhibition of such an extraordinary and infinite treasure of jewels and precious stones, which covered the table, once more filled all present with such astonishment that they were dumb and almost beside themselves with surprise: and they at once recognized these honoured and venerated gentlemen in the Ca' Polo, whom at first they had doubted and received them with the greatest honour and reverence.[[29]] Human nature has changed little since the thirteenth century. The precious stones are a legend, but no doubt the Polos brought many with them, for they were jewel merchants by trade; they had had ample opportunities for business in China, and the Great Khan had loaded them with 'rubies and other handsome jewels of great value' to boot. Jewels were the most convenient form in which they could have brought home their wealth. But the inquiring Marco brought other things also to tickle the curiosity of the Venetians, as he lets fall from time to time in his book. He brought, for example, specimens of the silky hair of the Tangut yak, which his countrymen much admired, the dried head and feet of a musk deer, and the seeds of a dye plant (probably indigo) from Sumatra, which he sowed in Venice, but which never came up, because the climate was not sufficiently warm.[[30]] He brought presents also for the Doge; for an inventory made in 1351 of things found in the palace of Marino Faliero includes among others a ring given by Kublai Khan, a Tartar collar, a three-bladed sword, an Indian brocade, and a book 'written by the hand of the aforesaid Marco,' called De locis mirabilibus Tartarorum.[[31]]
The rest of Marco Polo's life is quickly told. The legend goes that all the youth of Venice used to resort to the Ca' Polo in order to hear his stories, for not even among the foreign sailors on the quays, where once the boy Marco had wandered and asked about the Tartars, were stories the like of his to be heard. And because he was always talking of the greatness of Kublai Khan's dominions, the millions of revenue, the millions of junks, the millions of riders, the millions of towns and cities, they gave him a nickname and jestingly called him Marco Milione, or Il Milione, which is, being interpreted, 'Million Marco'; and the name even crept into the public documents of the Republic, while the courtyard of his house became known as the Corte Milione. To return from legend to history, the ancient rivalry between Venice and Genoa had been growing during Marco Polo's absence, nor had Venice always prevailed. Often as her galleys sailed,
dipping deep
For Famagusta and the hidden sun
That rings black Cyprus with a lake of fire, ...
Questing brown slaves or Syrian oranges,
The pirate Genoese
Hell raked them till they rolled
Blood, water, fruit, and corpses up the hold.
At last in 1298, three years after Marco's return, a Genoese fleet under Lamba Doria sailed for the Adriatic, to bate the pride of Venice in her own sea. The Venetians fitted out a great fleet to meet it, and Marco Polo, the handy man who knew so much about navigation, albeit more skilled with Chinese junks than with western ships, went with it as gentleman commander of a galley. The result of the encounter was a shattering victory for the Genoese off Curzola. Sixty-eight Venetian galleys were burnt, and seven thousand prisoners were haled off to Genoa, among them Marco Polo, who had now a taste of the results of that enterprise, manliness, and warfare, whose absence he so deprecated in the men of Suchow.
But soon there began to run through the streets and courtyards of Genoa a rumour that in prison there lay a certain Venetian captain, with tales so wonderful to beguile the passing hours that none could tire of hearing them; and anon the gallants and sages and the bold ladies of Genoa were flocking, just as the men of the Rialto had flocked before, to hear his stories of Kublai Khan.
Lord of the fruits of Tartary
Her rivers silver-pale,
Lord of the hills of Tartary,
Glen, thicket, wood, and dale,
Her flashing stars, her scented breeze,
Her trembling lakes, like foamless seas,
Her bird-delighting citron-trees
In every purple vale.
'Messer Marco,' so runs Ramusio's account of the tradition which lingered in Venice in his day, 'finding himself in this position, and witnessing the general eagerness to hear all about Cathay and the Great Khan, which indeed compelled him daily to repeat his story till he was weary, was advised to put the matter in writing, so he found means to get a letter written to his father in Venice, in which he desired the latter to send those notes and memoranda which he had brought home with him.'
It happened that in prison with Marco Polo there lay a certain Pisan writer of romances, Rusticiano by name,[[32]] who had probably been taken prisoner before at the battle of Melaria (1284), when so many Pisan captives had been carried to Genoa, that the saying arose 'He who would see Pisa let him go to Genoa.' Rusticiano was skilled in the writing of French, the language par excellence of romances, in which he had written versions of the Round Table Tales, and in him Marco Polo found a ready scribe, who took down the stories as he told them, in the midst of the crowd of Venetian prisoners and Genoese gentlemen, raptly drinking in all the wonders of Kublai Khan. It was by a just instinct that, when all was written, Rusticiano prefixed to the tale that same address to the lords and gentlemen of the world, bidding them to take heed and listen, which he had been wont to set at the beginning of his tales of Tristan and Lancelot and King Arthur: 'Ye Lords, Emperors and Kings, Dukes and Marquises, Counts, Knights and Burgesses and all ye men who desire to know the divers races of men and the diversities of the different regions of the world, take ye this book and cause it to be read, and here shall ye find the greatest marvels.' But he adds, 'Marco Polo, a wise and learned citizen of Venice, states distinctly what things he saw and what things he heard from others, for this book will be a truthful one.' Marco Polo's truthful marvels were more wonderful even than the exploits of Arthur's knights, and were possibly better suited to the respectable Rusticiano's pen, for his only other claim to distinction in the eyes of posterity seems to be that in his abridgment of the Romance of Lancelot he entirely omits the episode (if episode it can be called) of the loves of Lancelot and Guinevere. 'Alas,' remarks his French editor, 'that the copy of Lancelot which fell into the hands of poor Francesca of Rimini was not one of those expurgated by Rusticiano!' [[33]]
Marco Polo was released from prison (there must have been mourning in the palaces of Genoa) and returned to Venice at the end of a year. Sometimes hereafter his name occurs in the records of Venice, as he moves about on his lawful occasions.[[34]] In 1305 we find 'Nobilis Marchus Polo Milioni' standing surety for a wine smuggler; in 1311 he is suing a dishonest agent who owes him money on the sale of musk (he, Marco, had seen the musk deer in its lair); and in 1323 he is concerned in a dispute about a party wall. We know too, from his will, that he had a wife named Donata, and three daughters, Fantina, Bellela, and Moreta. Had he loved before, under the alien skies where his youth was spent, some languid, exquisite lady of China, or hardy Tartar maid? Had he profited himself from the strange marriage customs of Tibet, of which he remarks (with one of his very rare gleams of humour), 'En cele contree aurent bien aler les jeume de seize anz en vingt quatre'? Had Fantina, Bellela, and Moreta half-brothers, flying their gerfalcons at the quails by the shores of the 'White Lake' where the Khan hunted, and telling tales of the half legendary father, who sailed away for ever when they were boys in the days of Kublai Khan? These things we cannot know, nor can we ever guess whether he regretted that only daughters sprang from his loins in the city of the lagoons, and no Venetian son to go venturing again to the far-distant country where assuredly he had left a good half of his heart. Perhaps he talked of it sometimes to Peter, his Tartar servant, whom he freed at his death 'from all bondage as completely as I pray God to release mine own soul from all sin and guilt'. Some have thought that he brought Peter the Tartar with him from the East, and the thought is a pleasant one; but it is more likely that he bought him in Italy, for the Venetians were inveterate slave-owners, and captive Tartars were held of all the slaves the strongest and best. So his life passed; and in 1324 Marco Polo died, honoured much by his fellow-citizens, after making a will which is still preserved in the library of St Mark's.
A characteristic story of his death-bed is related by a Dominican friar, one Jacopo of Acqui, who wrote some time later. 'What he told in the book,' says Jacopo, 'was not as much as he had really seen, because of the tongues of detractors, who being ready to impose their own lies on others, are over hasty to set down as lies what they in their perversity disbelieve or do not understand. And because there are many great and strange things in that book, which are reckoned past all credence, he was asked by his friends on his death-bed to correct the book, by removing everything that went beyond the facts. To which his reply was that he had not told one half of what he had really seen.'[[35]] How well one can see that last indignant flash of the dying observer, who in the long years of his youth had taken notes of strange tribes and customs for the wise and gracious Kublai Khan, and whom little men now dared to doubt. Indeed, modern discovery has entirely confirmed the exactitude of Marco Polo's observation. It is true that he sometimes repeated some very tall stories which had been told to him, of dog-faced men in the Andaman Islands and of the 'male and female islands' so beloved of medieval geographers. These were sailors' yarns, and where Marco Polo reports what he has seen with his own eyes, he reports with complete accuracy, nor does he ever pretend to have seen a place which he had not visited. The explorers of our own day, Aurel Stein, Ellsworth Huntington, and Sven Hedin, travelling in central Asia, have triumphantly vindicated him. 'It is,' says an eminent French historian, 'as though the originals of very old photographs had been suddenly rediscovered: the old descriptions of things which were unchanged could be perfectly superimposed upon present reality,'[[36]] and Huntington and Aurel Stein took with them to the inaccessible districts of central Asia as guide-books the book of the Chinese pilgrim Hiwen Thsang (seventh century) and the book of Marco Polo, and over and over again found how accurate were their descriptions.
It is indeed almost impossible to exaggerate the extent of Marco Polo's accomplishment. It is best estimated in the often-quoted words of Sir Henry Yule, whose edition of his book is one of the great works of English scholarship:
He was the first traveller to trace a route across the whole longitude of Asia, naming and describing kingdom after kingdom, which he had seen with his own eyes, the desert of Persia, the flowering plateaux and wild gorges of Badakhshan, the jade-bearing rivers of Khotan, the Mongol steppes, cradle of the power that had so lately threatened to swallow up Christendom, the new and brilliant court that had been established at Cambaluc: the first Travellers to reveal China in all its wealth and vastness, its mighty rivers, its huge cities, its rich manufactures, its swarming population, the inconceivably vast fleets that quickened its seas and inland waters; to tell us of the nations on its borders with all their eccentricities of manners and worship; of Tibet with its sordid devotees; of Burma with its golden pagodas and their tinkling crowns; of Laos, of Siam, of Cochin China, of Japan, the Eastern Thule, with its rosy pearls and golden-roofed palaces; the first to speak of that Museum of Beauty and Wonder, still so imperfectly ransacked, the Indian Archipelago, source of those aromatics then so highly prized and whose origin was so dark; of Java the Pearl of Islands; of Sumatra with its many kings, its strange costly products, and its cannibal races; of the naked savages of Nicobar and Andaman; of Ceylon, the Isle of Gems, with its Sacred Mountain and its Tomb of Adam; of India the Great, not as a dreamland of Alexandrian fables, but as a country seen and partially explored, with its virtuous Brahmans, its obscene ascetics, its diamonds and the strange tales of their acquisition, its sea-beds of pearl and its powerful sun; the first in modern times to give any distinct account of the secluded Christian Empire of Abyssinia, to speak, though indeed dimly, of Zanzibar with its negroes and its ivory and of the vast and distant Madagascar, bordering on the Dark Ocean of the South, with its Ruc and other monstrosities; and in a remotely opposite region, of Siberia and the Arctic Ocean, of dog-sledges, white bears and reindeer-riding Tunguses.[[37]]
The knowledge which Marco Polo had thus brought to Europe, the intercourse between East and West which his experience had shown to be so desirable, continued to grow after him. Merchants and missionaries alike travelled by land or sea eastward to Cathay.[[38]] Another of those indomitable Franciscan friars, John of Monte Corvino, went out at the age of fifty and became Archbishop of Peking. Churches and houses of friars were founded in some of the Chinese cities. Odoric of Pordenone, another friar, and a very good observer too, set forth in 1316 and sailed round India and through the Spice Islands by the same sea route by which the Polos had brought their Tartar princess back to Persia, and so reached Canton, 'a city as big as three Venices ... and all Italy hath not the amount of craft that this one city hath.' He left a wonderful account of his travels in China, including descriptions of Peking and Hangchow, and ends his stories with the words, 'As for me, from day to day I prepare myself to return to those countries, in which I am content to die, if it pleaseth Him from whom all good things do come'--no doubt where he had left his heart, but he died at Udine in Italy. Later there went out another friar, John Marignolli, who was Papal Legate to Peking from 1342 to 1346.
Nor was it only missionaries who went to Cathay. Odoric, speaking of the wonders of Hangchow, refers for confirmation to Venetian traders who have visited it: ''Tis the greatest city in the whole world, so great indeed that I should scarcely venture to tell of it, but that I have met at Venice people in plenty who have been there'; John of Monte Corvino was accompanied by Master Peter of Lucolongo, 'a great merchant,' and John Marignolli mentions a fondaco for the use of Christian merchants, which was attached to one of the Franciscan convents at Zaiton. Above all, there is Francis Balducci Pegolotti, that intrepid factor who served the great commercial house of the Bardi of Florence, and who wrote a priceless handbook for the use of merchants about 1340. In this he gives detailed instructions for the guidance of a merchant, who wishes to proceed from Tana on the Black Sea by the overland route across Asia to Cathay and back again with £12,000 worth of silk in his caravan, and remarks casually, in passing, 'The road you travel from Tana to Cathay is perfectly safe, whether by day or night, according to what merchants say who have used it'--'il chanmino dandare dana Tana al Ghattajo è sichurissimo![[39]] Think only of what it all means. Marco Polo travelling where no man set foot again till the twentieth century. The bells of the Christian church ringing sweetly in the ears of the Great Khan in Peking. The long road across central Asia perfectly safe for merchants. The 'many persons at Venice' who have walked in the streets of Hangchow. This is in the late thirteenth and early fourteenth centuries, in the despised and hidebound Middle Ages. È sichurissimo! It takes some of the gilt off Columbus and Vasco da Gama and the age (forsooth) of 'discovery'.
But a change came over everything in the middle of the fourteenth century. Darkness fell again and swallowed up Peking and Hangchow, the great ports, the crowding junks, the noble civilization. No longer was the great trade route sichurissimo, and no longer did Christian friars chant their Masses in Zaiton. The Tartar dynasty fell and the new rulers of China reverted to the old anti-foreign policy; moreover, Islam spread its conquests all over central Asia and lay like a rampart between the far east and west, a great wall of intolerance and hatred stronger by far than the great wall of stone which the Chinese had once built to keep out the Tartars. All Marco Polo's marvels became no more than a legend, a traveller's tale.
But that great adventurer was not done for yet. Nearly a century and a half after Marco's death a Genoese sea captain sat poring over one of the new printed books, which men were beginning to buy and to hand about among themselves. The book which he was reading was the Latin version of Marco Polo's travels. He was reading it with intentness and indeed with passion. As he read he made notes in the margin; on over seventy pages he made his notes.[[40]] From time to time he frowned and turned back and read again the tale of those great ports of Cathay and the gold-roofed palaces of Cipangu; and always he wondered how those lands might be reached, now that the wall of darkness covered central Asia, and anarchy blocked the road to the Persian Gulf. One day (may we not see him?) he lifted his head and smote his hand upon the table. 'I will sail west', he said. 'Maybe I shall find the lost island of Antilha in the western ocean, but maybe on its far rim I shall indeed come to Cipangu, for the world is round, and somewhere in those great seas beyond the coast of Europe must lie Marco Polo's rich Cathay. I will beseech the kings of England and of Spain for a ship and a ship's company, and the silk and the spices and the wealth shall be theirs. I will sail west,' said the Genoese sea captain, and he smote his thigh. 'I will sail west, west, west!' And this was the last of Messer Marco's marvels; he discovered China in the thirteenth century, when he was alive, and in the fifteenth, when he was dead, he discovered America!
CHAPTER IV
Madame Eglentyne
CHAUCER'S PRIORESS IN REAL LIFE
Ther was also a Nonne, a Prioresse,
That of her smyling was ful simple and coy;
Hir grettest ooth was ne but by sëynt Loy;
And she was cleped madame Eglentyne.
Ful wel she song the service divyne,
Entuned in hir nose ful semely;
And Frensh she spak ful faire and fetisly,
After the scole of Stratford atte Bowe,
For Frensh of Paris was to hir unknowe.
At mete wel y-taught was she with-alle;
She leet no morsel from hir lippes falle,
Ne wette hir fingres in hir sauce depe.
Wel coude she carie a morsel and wel kepe,
That no drope ne fille up-on hir brest.
In curteisye was set ful muche hir lest.
Hir over lippe wyped she so clene,
That in hir coppe was no ferthing sene
Of grece, whan she dronken haddie hir draughte
Ful semely after hir mete she raughte,
And sikerly she was of greet disport,
And ful plesaunt and amiable of port,
And peyned hir to countrefete chere
Of court, and been estatlich of manere,
And to be holden digne of reverence.
But, for to speken of hir conscience,
She was so charitable and so pitous,
She wolde wepe, if that she sawe a mous
Caught in a trap, if it were deed or bledde.
Of smale houndes had she, that she fedde
With rosted flesh, or milk and wastel-breed.
But sore weep she if oon of hem were deed,
Or if men smoot it with a yerde smerte:
And al was conscience and tendre herte
Ful semely hir wimpel pinched was:
Hir nose tretys; her eyen greye as glas;
Hir mouth ful smal, and ther-to softe and reed;
But sikerly she hadde a fair foreheed;
It was almost a spanne brood, I trowe;
For, hardily, she was nat undergrowe.
Ful fetis was hir cloke, as I was war.
Of smal coral aboute hir arm she bar
A peire of bedes, gauded al with grene;
And ther-on heng a broche of gold ful shene,
On which ther was first write a crowned A,
And after, Amor vincit omnia!
--GEOFFREY CHAUCER
Prologue to the Canterbury Tales
Ther was also a Nonne, a Prioresse,
That of her smyling was ful simple and coy;
Hir grettest ooth was ne but by sëynt Loy;
And she was cleped madame Eglentyne.
Ful wel she song the service divyne,
Entuned in hir nose ful semely;
And Frensh she spak ful faire and fetisly,
After the scole of Stratford atte Bowe,
For Frensh of Paris was to hir unknowe.
At mete wel y-taught was she with-alle;
She leet no morsel from hir lippes falle,
Ne wette hir fingres in hir sauce depe.
Wel coude she carie a morsel and wel kepe,
That no drope ne fille up-on hir brest.
In curteisye was set ful muche hir lest.
Hir over lippe wyped she so clene,
That in hir coppe was no ferthing sene
Of grece, whan she dronken haddie hir draughte
Ful semely after hir mete she raughte,
And sikerly she was of greet disport,
And ful plesaunt and amiable of port,
And peyned hir to countrefete chere
Of court, and been estatlich of manere,
And to be holden digne of reverence.
But, for to speken of hir conscience,
She was so charitable and so pitous,
She wolde wepe, if that she sawe a mous
Caught in a trap, if it were deed or bledde.
Of smale houndes had she, that she fedde
With rosted flesh, or milk and wastel-breed.
But sore weep she if oon of hem were deed,
Or if men smoot it with a yerde smerte:
And al was conscience and tendre herte
Ful semely hir wimpel pinched was:
Hir nose tretys; her eyen greye as glas;
Hir mouth ful smal, and ther-to softe and reed;
But sikerly she hadde a fair foreheed;
It was almost a spanne brood, I trowe;
For, hardily, she was nat undergrowe.
Ful fetis was hir cloke, as I was war.
Of smal coral aboute hir arm she bar
A peire of bedes, gauded al with grene;
And ther-on heng a broche of gold ful shene,
On which ther was first write a crowned A,
And after, Amor vincit omnia!
--GEOFFREY CHAUCER
Prologue to the Canterbury Tales
Every one knows Chaucer's description of the Prioress, Madame Eglentyne, who rode with that very motley and talkative company on the way to Canterbury. There is no portrait in his gallery which has given rise to more diverse comment among critics. One interprets it as a cutting attack on the worldliness of the Church; another thinks that Chaucer meant to draw a charming and sympathetic picture of womanly gentleness; one says that it is a caricature, another an ideal; and an American professor even finds in it a psychological study of thwarted maternal instinct, apparently because Madame Eglentyne was fond of little dogs and told a story about a schoolboy. The mere historian may be excused from following these vagaries. To him Chaucer's Prioress, like Chaucer's monk and Chaucer's friar, will simply be one more instance of the almost photographic accuracy of the poet's observation. The rippling undercurrent of satire is always there; but it is Chaucer's own peculiar satire--mellow, amused, uncondemning, the most subtle kind of satire, which does not depend upon exaggeration. The literary critic has only Chaucer's words and his own heart, or sometimes (low be it spoken) his own desire to be original, by which to guide his judgement. But the historian knows; he has all sorts of historical sources in which to study nunneries, and there he meets Chaucer's Prioress at every turn. Above all, he has the bishop's registers.
For a long time historians foolishly imagined that kings and wars and parliaments and the jury system alone were history; they liked chronicles and Acts of Parliament, and it did not strike them to go and look in dusty episcopal archives for the big books in which medieval bishops entered up the letters which they wrote and all the complicated business of running their dioceses. But when historians did think of looking there, they found a mine of priceless information about almost every side of social and ecclesiastical life. They had to dig for it of course, for almost all that is worth knowing has to be mined like precious metals out of a rock; and for one nugget the miner often has to grub for days underground in a mass of dullness; and when he has got it he has to grub in his own heart, or else he will not understand it. The historians found fine gold in the bishops' registers, when once they persuaded themselves that it was not beneath their dignity to grub there. They found descriptions of vicarages, with all their furniture and gardens; they found marriage disputes; they found wills full of entertaining legacies to people dead hundreds of years ago; they found excommunications; they found indulgences to men for relieving the poor, repairing roads, and building bridges, long before there was any poor law, or any county council; they found trials for heresy and witchcraft; they found accounts of miracles worked at the tombs of saints and even of some quite unsaintly people, such as Thomas of Lancaster, and Edward II, and Simon de Montfort; they found lists of travelling expenses when the bishops rode round their dioceses; in one they even found a minute account of the personal appearance of Queen Philippa, then a little girl at her father's Court at Hainault, whom the Bishop of Exeter had been sent to inspect, in order to see if she were pretty and good enough to marry Edward III: she was nine years old, and the bishop said that her second teeth were whiter than her first teeth and that her nose was broad but not snub, which was reassuring for Edward.[[1]] Last, but not least, the historians found a multitude of documents about monasteries, and among these documents they found visitation records, and among visitation records they found Chaucer's Prioress, smiling full simple and coy, fair forehead, well-pinched wimple, necklace, little dogs, and all, as though she had stepped into a stuffy register by mistake for the Canterbury Tales and was longing to get out again.
This was the reason that Madame Eglentyne got into the register. In the Middle Ages all the nunneries of England, and a great many of the monasteries, used to be visited at intervals by the bishop of their diocese--or by somebody sent by him--in order to see whether they were behaving properly. It was rather like the periodical visitation of a school by one of Her Majesty's inspectors, only what happened was very different. When Her Majesty's inspector comes he does not sit in state in the hall, and call all the inmates in front of him one after another, from the head mistress to the smallest child in the first form, and invite them to say in what way they think the school is not being properly run, and what complaints they have to make against their mistresses and which girl habitually breaks the rules--all breathed softly and privately into his ear, with no one to overhear them. But when the bishop came to visit a nunnery, that is precisely what happened. First of all, he sent a letter to say he was coming, and to bid the nuns prepare for him. Then he came, with his clerks and a learned official or two, and was met solemnly by the prioress and all the nuns, and preached a sermon in their church, and was entertained, perhaps, to dinner. And then he prepared to examine them, and one by one they came before him, in order of rank, beginning with the prioress, and what they had to do was to tell tales about each other. He wanted to find out if the prioress were ruling well, and if the services were properly performed, and if the finances were in good order, and if discipline were maintained; and if any nun had a complaint, then was the time to make it.
And the nuns were full of complaints. A modern schoolgirl would go pale with horror over their capacity for tale-bearing. If one nun had boxed her sister's ears, if another had cut church, if another were too much given to entertaining friends, if another went out without a licence, if another had run away with a wandering fluteplayer, the bishop was sure to hear about it; that is, unless the whole convent were in a disorderly state, and the nuns had made a compact to wink at each other's peccadilloes; and not to betray them to the bishop, which occasionally happened. And if the prioress were at all unpopular he was quite certain to hear all about her. 'She fares splendidly in her own room and never invites us,' says one nun; 'She has favourites,' says another, 'and when she makes corrections she passes lightly over those whom she likes, and speedily punishes those whom she dislikes'; 'She is a fearful scold,' says a third; 'She dresses more like a secular person than a nun, and wears rings and necklaces,' says a fourth; 'She goes out riding to see her friends far too often,' says a fifth; 'She-is-a-very-bad-business-woman-and-she-has-let-the-house-get-into-debt-and-the-church-is-falling about-our-ears-and-we-don't-get-enough-food-and-she-hasn't-given-us-any-clothes-for-two-years-and-she-has-sold-woods-and farms-without-your-licence-and-she-has-pawned-our-best-set-of spoons; and no wonder, when she never consults us in any business as she ought to do.' They go on like that for pages, and the bishop must often have wanted to put his fingers in his ears and shout to them to stop; especially as the prioress had probably spent half an hour, for her part, in telling him how disobedient and ill-tempered, and thoroughly badly behaved the nuns were.
All these tales the bishop's clerk solemnly wrote down in a big book, and when the examination was over the bishop summoned all the nuns together again. And if they had answered 'All is well', as they sometimes did, or only mentioned trivial faults, he commended them and went his way; and if they had shown that things really were in a bad way, he investigated particular charges and scolded the culprits and ordered them to amend, and when he got back to his palace, or the manor where he was staying, he wrote out a set of injunctions, based on the complaints, and saying exactly how things were to be improved; and of these injunctions one copy was entered in his register and another was sent by hand to the nuns, who were supposed to read it aloud at intervals and to obey everything in it. We have in many bishops' registers these lists of injunctions, copied into them by the bishops' clerks, and in some, notably in a splendid fifteenth-century Lincoln register, belonging to the good bishop Alnwick, we have also the evidence of the nuns, just as it was taken down from their chattering mouths, and these are the most human and amusing of all medieval records. It is easy to see what important historical documents visitation reports are, especially in a diocese like Lincoln, which possesses an almost unbroken series of registers, ranging over the three centuries before the Dissolution, so that one can trace the whole history of some of the nunneries by the successive visitations.
Let us see what light the registers will throw upon Madame Eglentyne, before Chaucer observed her mounting her horse outside the Tabard Inn. Doubtless she first came to the nunnery when she was quite a little girl, because girls counted as grown up when they were fifteen in the Middle Ages; they could be married out of hand at twelve, and they could become nuns for ever at fourteen. Probably Eglentyne's father had three other daughters to marry, each with a dowry, and a gay young spark of a son, who spent a lot of money on fashionable suits.
Embroidered ... as it were a mede
All ful of fresshe flowers white and rede.
So he thought he had better settle the youngest at once; and he got together a dowry (it was rarely possible to get into a nunnery without one, though Church law really forbade anything except voluntary offerings), and, taking Eglentyne by the hand one summer day, he popped her into a nunnery a few miles off, which had been founded by his ancestors. We may even know what it cost him; it was rather a select, aristocratic house, and he had to pay an entrance fee of £200 in modern money; and then he had to give Eglentyne her new habit and a bed, and some other furniture; and he had to make a feast on the day she became a nun, and invite all the nuns and all his own friends; and he had to tip the friar, who preached the sermon; and, altogether, it was a great affair.[[2]] But the feast would not come at once, because Eglentyne would have to remain a novice for some years, until she was old enough to take the vows. So she would stay in the convent and be taught how to sing and to read, and to talk French of the school of Stratford-atte-Bowe with the other novices. Perhaps she was the youngest, for girls often did not enter the convent until they were old enough to decide for themselves whether they wanted to be nuns; but there were certainly some other quite tiny novices learning their lessons; and occasionally there would be a little girl like the one whose sad fate is recorded in a dull law-book, shut up in a nunnery by a wicked stepfather who wanted her inheritance (a nun could not inherit land, because she was supposed to be dead to the world), and told by the nuns that the devil would fly away with her if she tried to set foot outside the door.[[3]] However, Eglentyne had a sunny disposition and liked life in the nunnery, and had a natural aptitude for the pretty table manners which she learnt there, as well as for talking French, and though she was not at all prim and liked the gay clothes and pet dogs which she used to see at home in her mother's bower, still she had no hesitation at all about taking the veil when she was fifteen, and indeed she rather liked the fuss that was made of her, and being called Madame or Dame, which was the courtesy title always given to a nun.
The years passed and Eglentyne's life jogged along peacefully enough behind the convent walls. The great purpose for which the nunneries existed, and which most of them fulfilled not unworthily, was the praise of God. Eglentyne spent a great deal of her time singing and praying in the convent church, and, as we know,
Ful wel she song the service divyne,
Entuned in hir nose ful semely.
The nuns had seven monastic offices to say every day. About 2 a.m. the night office was said; they all got out of bed when the bell rang, and went down in the cold and the dark to the church choir and said Matins, followed immediately by Lauds. Then they went back to bed, just as the dawn was breaking in the sky, and slept again for three hours, and then got up for good at six o'clock and said Prime. After that there followed Tierce, Sext, None, Vespers, and Compline, spread at intervals through the day. The last service, compline, was said at 7 p.m. in winter, and at 8 p.m. in summer, after which the nuns were supposed to go straight to bed in the dorter, in which connexion one Nun's Rule ordains that 'None shall push up against another wilfully, nor spit upon the stairs going up and down, but if they tread it out forthwith'![[4]] They had in all about eight hours' sleep, broken in the middle by the night service. They had three meals, a light repast of bread and beer after prime in the morning, a solid dinner to the accompaniment of reading aloud in the middle of the day, and a short supper immediately after vespers at 5 or 6 p.m.
From 12 to 5 p.m. in winter and from 1 to 6 p.m. in summer Eglentyne and her sisters were supposed to devote themselves to manual or brain work, interspersed with a certain amount of sober and godly recreation. She would spin, or embroider vestments with the crowned monogram M of the Blessed Virgin in blue and gold thread, or make little silken purses for her friends and finely sewn bands for them to bind round their arms after a bleeding. She would read too, in her psalter or in such saints' lives as the convent possessed, written in French or English; for her Latin was weak, though she could construe Amor vincit omnia. Perhaps her convent took in a few little schoolgirls to learn their letters and good manners with the nuns, and when she grew older she helped to teach them to read and sing; for though they were happy, they did not receive a very extensive education from the good sisters. In the summer Eglentyne was sometimes allowed to work in the convent garden, or even to go out haymaking with the other nuns; and came back round-eyed to confide in her confessor that she had seen the cellaress returning therefrom seated behind the chaplain on his nag,[[5]] and had thought what fun it must be to jog behind stout Dan John.
Except for certain periods of relaxation strict silence was supposed to be observed in the convent for a large part of the day, and if Eglentyne desired to communicate with her sisters, she was urged to do so by means of signs. The persons who drew up the lists of signs which were in use in medieval monastic houses, however, combined a preternatural ingenuity with an extremely exiguous sense of humour, and the sort of dumb pandemonium which went on at Eglentyne's dinner table must often have been more mirth-provoking than speech. The sister who desired fish would 'wag her hands displayed sidelings in manner of a fish tail'; she who wanted milk would 'draw her left little finger in manner of milking'; for mustard one would 'hold her nose in the upper part of her right fist and rub it'; another for salt would 'fillip with her right thumb and forefinger over the left thumb'; another desirous of wine would 'move her forefinger up and down the end of her thumb afore her eye'; and the guilty sacristan, struck by the thought that she had not provided incense for the Mass, would 'put her two fingers into her nostrils'. In one such table drawn up for nuns there are no less than 106 signs, and on the whole it is not surprising that the rule of the same nuns enjoins that 'it is never lawful to use them without some reason and profitable need, for oft-times more hurt hath an evil word, and more offence it may be to God'.[[6]]
The nuns, of course, would not have been human if they had not sometimes grown a little weary of all these services and this silence; for the religious life was not, nor was it intended to be, an easy one. It was not a mere means of escape from work and responsibility. In the early golden age of monasticism only men and women with a vocation, that is to say a real genius for monastic life, entered convents. Moreover, when there they worked very hard with hand and brain, as well as with soul, and so they got variety of occupation, which is as good as a holiday. The basis of wise St Benedict's Rule was a nicely adjusted combination of variety with regularity; for he knew human nature. Thus monks and nuns did not find the services monotonous, and indeed regarded them as by far the best part of the day. But in the later Middle Ages, when Chaucer lived, young people had begun to enter monastic houses rather as a profession than as a vocation. Many truly spiritual men and women still took the vows, but with them came others who were little suited to monastic life, and who lowered its standard, because it was hard and uncongenial to them. Eglentyne became a nun because her father did not want the trouble and expense of finding her a husband, and because being a nun was about the only career for a well-born lady who did not marry. Moreover, by this time, monks and nuns had grown more lazy, and did little work with their hands and still less with their heads, particularly in nunneries, where the early tradition of learning had died out and where many nuns could hardly understand the Latin in which their services were written. The result was that monastic life began to lose that essential variety which St Benedict had designed for it, and as a result the regularity sometimes became irksome, and the series of services degenerated into a mere routine of peculiar monotony, which many of the singers could no longer keep alive with spiritual fervour. Thus sometimes (it must not be imagined that this happened in all or even in the majority of houses) the services became empty forms, to be hurried through with scant devotion and occasionally with scandalous irreverence. It was the almost inevitable reaction from too much routine.
Carelessness in the performance of the monastic hours was an exceedingly common fault during the later Middle Ages, though the monks were always worse about it than the nuns. Sometimes they 'cut' the services. Sometimes they behaved with the utmost levity, as at Exeter in 1330, where the canons giggled and joked and quarrelled during the services and dropped hot candle wax from the upper stalls on to the shaven heads of the singers in the stalls below![[7]] Sometimes they came late to matins, in the small hours after midnight. This fault was common in nunneries, for the nuns always would insist on having private drinkings and gossipings in the evening after compline, instead of going straight to bed, as the rule demanded--a habit which did not conduce to wakefulness at 1 a.m. Consequently they were somewhat sleepy at matins and found an almost Johnsonian difficulty in getting up early. Wise St Benedict foresaw the difficulty, when he wrote in his rule: 'When they rise for the Divine Office, let them gently encourage one another, because of the excuses made by those that are drowsy.'[[8]] At the nunnery of Stainfield in 1519 the bishop discovered that half an hour sometimes elapsed between the last stroke of the bell and the beginning of the service, and that some of the nuns did not sing, but dozed, partly because they had not enough candles, but chiefly because they went late to bed;[[9]] and whoever is without sin among us, let him cast the first stone! There was a tendency also among both monks and nuns to slip out before the end of the service on any good or bad excuse: they had to see after the dinner or the guest-house, their gardens needed weeding, or they did not feel well. But the most common fault of all was to gabble through the services as quickly as they could in order to get them over. They left out the syllables at the beginning and end of words, they omitted the dipsalma or pause between two verses, so that one side of the choir was beginning the second half before the other side had finished the first; they skipped sentences, they mumbled and slurred what should have been 'entuned in their nose ful semely', and altogether they made a terrible mess of the stately plainsong. So prevalent was the fault of gabbling that the Father of Evil was obliged to charter a special Devil called Tittivillus, whose sole business it was to collect all these dropped syllables and carry them back to his master in a big bag. In one way or another, we have a good deal of information about him, for he was always letting himself be seen by holy men, who generally had a sharp eye for devils. One Latin rhyme distinguishes carefully between the contents of his sack: 'These are they who wickedly corrupt the holy psalms: the dangler, the gasper, the leaper, the galloper, the dragger, the mumbler, the fore-skipper, the fore-runner and the over-leaper: Tittivillus collecteth the fragments of these men's words.'[[10]] Indeed, a holy Cistercian abbot once interviewed the poor little devil himself and heard about his alarming industry; this is the story as it is told in The Myroure of Oure Ladye, written for the delectation of the nuns of Syon in the fifteenth century: 'We read of a holy Abbot of the order of Citeaux that while he stood in the choir at matins he saw a fiend that had a long and great poke hanging about his neck and went about the choir from one to another and waited busily after all letters and syllables and words and failings that any made; and them he gathered diligently and put them in his poke. And when he came before the Abbot, waiting if aught had escaped him that he might have gotten and put in his bag, the Abbot was astonied and afeard of the foulness and misshape of him and said unto him: What art thou? And he answered and said, I am a poor devil and my name is Tittivillus and I do mine office that is committed unto me. And what is thine office? said the Abbot. He answered: I must each day, he said, bring my master a thousand pokes full of failings and of negligences and syllables and words, that are done in your order in reading and singing and else I must be sore beaten.'[[11]] But there is no reason to suppose that he often got his beating, though one may be sure that Madame Eglentyne, busily chanting through her nose, never gave him the slightest help. In his spare moments, when he was not engaged in picking up those unconsidered trifles which the monks let fall from the psalms, Tittivillus used to fill up odd corners of his sack with the idle talk of people who gossiped in church; and he also sat up aloft and collected all the high notes of vain tenors, who sang to their own glory, instead of to the glory of God, and pitched the chants three notes higher than the cracked voices of their elders could rise.
But the monotony of convent life sometimes did more than make the nuns unconscious contributors to Tittivillus's sack. It sometimes played havoc with their tempers. The nuns were not chosen for convent life because they were saints. They were no more immune from tantrums than was the Wife of Bath, who was out of all charity when other village wives went into church before her; and sometimes they got terribly on each others' nerves. Readers of Piers Plowman will remember that when the seven deadly sins come in, Wrath tells how he was cook to the prioress of a convent and, says he,
Of wycked wordes I, Wrath ... here wordes imade,
Til 'thow lixte' and 'thow lixte' ... lopen oute at ones,
And eyther hitte other ... vnder the cheke;
Hadde thei had knyves, by Cryst ... her eyther had killed other.
To be sure, it is not often that we hear of anything so bad as that fifteenth-century prioress, who used to drag her nuns round the choir by their veils in the middle of the service, screaming 'Liar!' and 'Harlot!' at them;[[12]] or that other sixteenth-century lady who used to kick them and hit them on the head with her fists and put them in the stocks.[[13]] All prioresses were not 'ful plesaunt and amiable of port', or stately in their manner. The records of monastic visitations show that bad temper and petty bickering sometimes broke the peace of convent life.
But we must be back at Eglentyne. She went on living for ten or twelve years as a simple nun, and she sang the services very nicely and had a sweet temper and pretty manners and was very popular. Moreover, she was of good birth; Chaucer tells us a great deal about her beautiful behaviour at table and her courtesy, which shows that she was a lady born and bred; indeed, his description of this might have been taken straight out of one of the feudal books of deportment for girls; even her personal beauty--straight nose, grey eyes, and little red mouth--conforms to the courtly standard. The convents were apt to be rather snobbish; ladies and rich burgesses' daughters got into them, but poor and low-born girls never. So the nuns probably said to each other that what with her pretty ways and her good temper and her aristocratic connexions, wouldn't it be a good thing to choose her for prioress when the old prioress died? And so they did, and she had been a prioress for some years when Chaucer met her. At first it was very exciting, and Eglentyne liked being called 'Mother' by nuns who were older than herself, and having a private room to sit in and all the visitors to entertain. But she soon found that it was not by any means all a bed of roses; for there was a great deal of business to be done by the head of a house--not only looking after the internal discipline of the convent, but also superintending money matters and giving orders to the bailiffs on her estates, and seeing that the farms were paying well, and the tithes coming in to the churches which belonged to the nunnery, and that the Italian merchants who came to buy the wool off her sheeps' backs gave a good price for it. In all this business she was supposed to take the advice of the nuns, meeting in the chapter-house, where all business was transacted. I am afraid that sometimes Eglentyne used to think that it was much better to do things by herself, and so she would seal documents with the convent seal without telling them. One should always distrust the head of an office or school or society who says, with a self-satisfied air, that it is much more satisfactory to do the thing herself than to depute it to the proper subordinates; it either means that she is an autocrat, or else that she cannot organize. Madame Eglentyne was rather an autocrat, in a good-natured sort of way, and besides she hated bother. So she did not always consult the nuns; and I fear too (after many researches into that past of hers which Chaucer forgot to mention) that she often tried to evade rendering an account of income and expenditure to them every year, as she was supposed to do.
The nuns, of course, objected to this; and the first time the bishop came on his rounds they complained about it to him. They said, too, that she was a bad business woman and got into debt; and that when she was short of money she used to sell woods belonging to the convent, and promise annual pensions to various people in return for lump sums down, and lease out farms for a long time at low rates, and do various other things by which the convent would lose in the long run. And besides, she had let the roof of the church get into such ill repair that rain came through the holes on to their heads when they were singing; and would my lord bishop please to look at the holes in their clothes and tell her to provide them with new ones? Other wicked prioresses used sometimes even to pawn the plate and jewels of the convent, to get money for their own private purposes. But Eglentyne was not at all wicked or dishonest, though she was a bad manager; the fact was that she had no head for figures. I am sure that she had no head for figures; you have only got to read Chaucer's description of her to know that she was not a mathematician. Besides the nuns were exaggerating: their clothes were not in holes, only just a little threadbare. Madame Eglentyne was far too fastidious to allow ragged clothes about her; and as to the roof of the church, she had meant to save enough money to have some tiles put on to it, but it really was very hard to make two ends meet in a medieval nunnery, especially if (as I repeat) you had no head for figures. Probably the bishop saw how the land lay, so he ordered her never to do anything without consulting the convent, and he shut up the common seal in a box with three different sorts of locks, to which Madame Eglentyne and two of the senior nuns had the keys, so that she could not open it alone and so could not seal any business agreement without their consent. And he ordered her to keep accounts and present them every year (there are bundles of her accounts still preserved in the Record Office). Finally he deputed a neighbouring rector to act as custodian of the business affairs of the house so that she should always have his help. Things went better after that.
Eglentyne, it seems, was never really interested in business, and was quite pleased to have her time taken up with looking after internal affairs and entertaining visitors, with an occasional jaunt outside to see how the estates were getting on. And she began to find that she could lead a much freer and gayer life now that she was a prioress; for the prioress of a convent had rooms of her own, instead of sharing the common dormitory and refectory; sometimes she even had a sort of little house with a private kitchen. The abbess of one great nunnery at Winchester in the sixteenth century had her own staff to look after her, a cook, and an under cook, and a housemaid and a gentlewoman to wait upon her, like any great lady in the world, and never dined with the nuns except on state occasions. But a superior generally had with her one nun to act as her companion and assist her in the choir and be a witness to her good behaviour; this nun was called her chaplain, and was supposed to be changed every year, to prevent favouritism. It will be remembered that when Madame Eglentyne went on her pilgrimage she took her nun chaplain with her, as well as three priests; that was because no nun was ever allowed to go out alone. One of Madame Eglentyne's duties as prioress was to entertain visitors with her celebrated cheer of court, and we may be sure that she had a great many. Her sisters, who were now grand ladies with husbands and manors of their own, and her old father, and all the great people of the county came to congratulate her; and after that they used often to drop in for a dinner of chickens and wine and wastel bread if they passed the house on a journey, and sometimes they spent the night there. One or two ladies, whose husbands were away at the wars or on a pilgrimage to Rome, even came as paying guests to the convent and lived there for a whole year, for nothing pleased the country gentlemen or wealthy burgesses better than to use nunneries as boarding-houses for their women-kind.
All this was very disturbing to the peace and quiet of the nuns, and especially disturbing were the boarders, for they wore gay clothes, and had pet dogs and callers, and set a very frivolous example to the nuns. At one nunnery we find a bishop ordering: 'Let Felmersham's wife, with her whole household and other women, be utterly removed from your monastery within one year, seeing that they are a cause of disturbance to the nuns and an occasion to bad example, by reason of their attire and of those who come to visit them.'[[14]] It can be easily imagined why the bishops objected so much to the reception of these worldly married women as boarders. Just substitute for 'Felmersham's wife' 'the Wife of Bath' and all is explained. That lady was not a person whom a prioress would lightly refuse; the list of her pilgrimages alone would give her the entrée into any nunnery. Smiling her gap-toothed smile and riding easily upon her ambler, she would enter the gates, and what a month of excitement would pass before she rode away again. I am sure that it was she who taught Madame Eglentyne the most fashionable way to pinch a wimple; and she certainly introduced hats 'as broad as is a buckler or a targe' and scarlet stockings into some nunneries. The bishops disliked it all very much, but they never succeeded in turning the boarders out for all their efforts, because the nuns always needed the money which they paid for their board and lodging.
It is easy to understand that this constant intercourse with worldly visitors would give rise to the spread of worldly habits in Madame Eglentyne's nunnery. Nuns, after all, were but women, and they had the amiable vanities of their sex. But Authority (with a large A) did not consider their vanities amiable at all. It was the view of Authority that the Devil had dispatched three lesser D's to be the damnation of nuns, and those three D's were Dances, Dresses, and Dogs. Medieval England was famous for dancing and mumming and minstrelsy; it was Merry England because, however plague and pestilence and famine and the cruelties of man to man might darken life, still it loved these things. But there were no two views possible about what the Church thought of dancing; it was accurately summed up by one moralist in the aphorism, 'The Devil is the inventor and governor and disposer of dances and dancing.' Yet when we look into those accounts which Madame Eglentyne rendered (or did not render) to her nuns at the end of every year, we shall find payments for wassail at New Year and Twelfth Night, for May games, for bread and ale on bonfire nights, for harpers and players at Christmas, for a present to the Boy Bishop on his rounds, and perhaps for an extra pittance when the youngest schoolgirl was allowed to dress up and act as abbess of the convent for the whole of Innocents' Day. And when we look in the bishops' registers we shall find Madame Eglentyne forbidden 'all manner of minstrelsy, interludes, dancing or revelling within your holy place'; and she would be fortunate indeed if her bishop would make exception for Christmas, 'and other honest times of recreation among yourselves used in absence of seculars in all wise'. Somehow one feels an insistent conviction that her cheer of court included dancing.[[15]]
Then, again, there were the fashionable dresses which the visitors introduced into nunneries. It is quite certain that Madame Eglentyne was not unmoved by them; and it is a sad fact that she began to think the monastic habit very black and ugly, and the monastic life very strict; and to decide that if some little amenities were imported into it no one would be a penny the worse, and perhaps the bishop would not notice. That is why, when Chaucer met her,
Ful fetis was hir cloke, as I was war,
Of smal coral aboute hir arm she bar
A peire of bedes, gauded al with grene,
And ther-on heng a broche of gold ful shene.
Unfortunately, however, the bishop did notice; the registers are indeed full of those clothes of Madame Eglentyne's, and of the even more frivolous ones which she wore in the privacy of the house. For more than six weary centuries the bishops waged a holy war against fashion in the cloister, and waged it in vain; for as long as nuns mingled freely with secular women, it was impossible to prevent them from adopting secular modes. Occasionally a wretched bishop would find himself floundering unhandily, in masculine bewilderment, through something like a complete catalogue of contemporary fashions, in order to specify what the nuns were not to wear. Synods sat solemnly, bishops and archbishops shook their grey heads, over golden hairpins and silver belts, jewelled rings, laced shoes, slashed tunics, low necks and long trains, gay colours, costly cloth, and valuable furs. The nuns were supposed to wear their veils pinned tightly down to their eyebrows, so that their foreheads were completely hidden; but high foreheads happened to be fashionable among worldly ladies, who even shaved theirs to make them higher, and the result was that the nuns could not resist lifting up and spreading out their veils, for how otherwise did Chaucer know that Madame Eglentyne had such a fair forehead ('almost a spanne broad, I trowe')? If she had been wearing her veil properly, it would have been invisible, and the father of English poetry may be observed discreetly but plainly winking the other eye when he puts in that little touch; his contemporaries would see the point very quickly. And that brooch and that fetis cloak of hers.... Here is what some tale-bearing nuns told the Bishop of Lincoln about their Prioress, fifty years after Chaucer wrote the Canterbury Tales. 'The Prioress,' they said with their most sanctimonious air, wears golden rings exceeding costly, with divers precious stones and also girdles silvered and gilded over and silken veils and she carries her veil too high above her forehead, so that her forehead, being entirely uncovered, can be seen of all, and she wears furs of vair. Also she wears shifts of cloth of Rennes, which costs sixteen pence the ell. Also she wears kirtles laced with silk and tiring pins of silver and silver gilt and has made all the nuns wear the like. Also she wears above her veil a cap of estate, furred with budge. Item, she has on her neck a long silken band, in English a lace, which hangs down below her breast and there on a golden ring with one diamond.[[16]] Is it not Madame Eglentyne to the life? Nothing escaped our good Dan Chaucer's eye, for all that he rode always looking on the ground.
Moreover, it was not only in her dress that the Prioress and her sister nuns aped the fashions of the world. Great ladies of the day loved to amuse themselves with pet animals; and nuns were quick to follow their example. So,
Of smale houndes had she, that she fedde
With rosted flesh, or milk and wastel-breed.
But sore weep she if oon of hem were deed,
Or if men smoot it with a yerde smerte.
The visitation reports are full of those little dogs and other animals; and how many readers of the Prologue know that the smale houndes, like the fair forehead and the brooch of gold full sheen, were strictly against the rules? For the bishops regarded pets as bad for discipline, and century after century they tried to turn the animals out of the convents, without the slightest success. The nuns just waited till the bishop had gone and then whistled their dogs back again. Dogs were easily the favourite pets, though monkeys, squirrels, rabbits, birds and (very rarely) cats were also kept. One archbishop had to forbid an abbess whom he visited to keep monkeys and a number of dogs in her own chamber and charged her at the same time with stinting her nuns in food; one can guess what became of the roasted flesh or milk and wastel-breed! It was a common medieval practice to bring animals into church, where ladies often attended service with dog in lap and men with hawk on wrist; just as the highland farmer brings his collie with him today. This happened in the nunneries too. Sometimes it was the lay-boarders in the convents who brought their pets with them; there is a pathetic complaint by the nuns of one house 'that Lady Audley, who boards there, has a great abundance of dogs, insomuch that whenever she comes to church there follow her twelve dogs, who make a great uproar in church, hindering the nuns in their psalmody and the nuns thereby are terrified!'[[17]] But often enough the nuns themselves transgressed. Injunctions against bringing pet dogs into choir occur in several visitation reports, the most amusing instance being contained in those sent to Romsey Abbey by William of Wykeham in 1387, just about the same year that Chaucer was writing the Canterbury Tales: 'Item,' runs the injunction, 'whereas we have convinced ourselves by clear proofs that some of the nuns of your house bring with them to church birds, rabbits, hounds and such like frivolous things, whereunto they give more heed than to the offices of the church, with frequent hindrance to their own psalmody and to that of their fellow nuns and to the grievous peril of their souls--therefore we strictly forbid you all and several, in virtue of the obedience due to us that ye presume henceforward to bring to church no birds, hounds, rabbits or other frivolous things that promote indiscipline.... Item, whereas through hunting dogs and other hounds abiding within your monastic precincts, the alms that should be given to the poor are devoured and the church and cloister ... are foully defiled ... and whereas, through their inordinate noise divine service is frequently troubled--therefore we strictly command and enjoin you, Lady Abbess, that you remove the dogs altogether and that you suffer them never henceforth, nor any other such hounds, to abide within the precincts of your nunnery.'[[18]] But it was useless for any bishop to order Madame Eglentyne to give up her dogs, she could not even be parted from them on a pilgrimage, though they must have been a great nuisance in the inns, especially as she was so fussy about their food.
For Chaucer's prioress, we must admit, was rather a worldly lady, though her pretty clothes and little dogs were harmless enough on modern standards and one's sympathies are all against the bishops. She probably became more worldly as time went on, because she had so many opportunities for social intercourse. Not only had she to entertain visitors in the convent, but often the business of the house took her away upon journeys and these offered many opportunities for hobnobbing with her neighbours. Sometimes she had to go to London to see after a law-suit and that was a great excursion with another nun, or perhaps two, and a priest and several yeomen to look after her. Sometimes she had to go and see the bishop, to get permission to take in some little schoolgirls. Sometimes she went to the funeral of a great man, whom her father knew and who left her twenty shillings and a silver cup in his will. Sometimes she went to the wedding of one of her sisters, or to be godmother to their babies; though the bishops did not like these worldly ties, or the dances and merry-makings which accompanied weddings and christenings. Indeed her nuns occasionally complained about her journeys and said that though she pretended it was all on the business of the house, they had their doubts; and would the bishop please just look into it. At one nunnery we find the nuns complaining that their house is £20 in debt 'and this principally owing to the costly expenses of the prioress, because she frequently rides abroad and pretends that she does so on the common business of the house although it is not so, with a train of attendants much too large and tarries too long abroad and she feasts sumptuously, both when abroad and at home and she is very choice in her dress, so that the fur trimmings of her mantle are worth 100s'![[19]]
As a matter of fact there was nothing of which the church disapproved more than this habit, shared by monks and nuns, of wandering about outside their cloisters; moralists considered that intercourse with the world was at the root of all the evil which crept into the monastic system. The orthodox saying was that a monk out of his cloister was like a fish out of water; and it will be remembered that Chaucer's monk thought the text not worth an oyster. Indeed most of the monks managed to swim very well in the air, and the nuns too persisted in taking every sort of excuse for wandering in the world. Right through the Middle Ages council after council, bishop after bishop, reformer after reformer, tried in vain to keep them shut up. The greatest attempt of all began in 1300, when the pope published a Bull ordering that nuns should never, save in very exceptional circumstances, leave their convents and that no secular person should be allowed to go in and visit them, without a special licence and a good reason. This will make the modern reader pity the poor nuns, but there is no need, for nobody ever succeeded in putting it into force for more than five minutes, though the bishops spent over two centuries in trying to do so and were still trying in vain when King Henry VIII dissolved the nunneries and turned all the nuns out into the world for ever, whether they liked it or not. At one nunnery in the Lincoln diocese, when the bishop came and deposited a copy of the Bull in the house and ordered the nuns to obey it, they ran after him to the gate when he was riding away and threw the Bull at his head, screaming that they would never observe it.[[20]] The more practical bishops indeed, soon stopped trying to enforce the Bull as it stood and contented themselves with ordering that nuns were not to go out or pay visits too often, or without a companion, or without licence, or without a good reason. But even in this they were not very successful, because the nuns were most prolific in excellent reasons why they should go out. Sometimes they said that their parents were ill; and then they would go away to smooth the pillow of the sick. Sometimes they said that they had to go to market to buy herrings. Sometimes they said that they had to go to confession at a monastery. Sometimes it is really difficult to imagine what they said. What are we to think, for instance, of that giddy nun 'who on Monday night did pass the night with the Austin friars at Northampton and did dance and play the lute with them in the same place until midnight, and on the night following she passed the night with the Friars' preachers at Northampton, luting and dancing in like manner'?[[21]] Chaucer told us how the friar loved harping and how his eyes twinkled like stars in his head when he sang, but failed perhaps to observe that he had lured Madame Eglentyne into a dance.
It is indeed difficult to see what 'legitimate' excuses the nuns can have made for all their wandering about in the streets and the fields and in and out of people's houses, and it is sorely to be feared that either they were too much of a handful for Madame Eglentyne, or else she winked at their doings. For somehow or other one suspects that she had no great opinion of bishops. After all Chaucer would never have met her, if she had not managed to circumvent her own, since if there was one excuse for wandering of which the bishops thoroughly disapproved, it was precisely the excuse of pilgrimages. Madame Eglentyne was not quite as simple and coy as she looked. How many of the literary critics, who chuckle over her, know that she never ought to have got into the Prologue at all? The Church was quite clear in its mind that pilgrimages for nuns were to be discouraged. As early as 791 a council had forbidden the practice and in 1195 another at York decreed, 'In order that the opportunity of wandering may be taken from nuns we forbid them to take the path of pilgrimage.' In 1318 an archbishop of York strictly forbade the nuns of one convent to leave their house 'by reason of any vow of pilgrimage which they might have taken. If any had taken such vows she was to say as many psalters as it would have taken days to perform the pilgrimage so rashly vowed.'[[22]] One has a melancholy vision of poor Madame Eglentyne saying psalters interminably through her tretys nose, instead of jogging along so gaily with her motley companions and telling so prettily her tale of little St Hugh. Such prohibitions might be multiplied from medieval records; and indeed it is unnecessary to go further than Chaucer to understand why it was that bishops offered such strenuous opposition to pilgrimages for nuns; one has only to remember some of the folk, in whose company the prioress travelled and some of the tales they told. If one could only be certain, for instance, that she rode all the time with her nun and her priests, or at least between the Knight and the poor Parson of a town! But there were also the Miller and the Summoner and (worst of all) that cheerful and engaging sinner, the Wife of Bath. It is really quite disturbing to think what additional details the Wife of Bath may have given the prioress about her five husbands.
This then was Chaucer's prioress in real life, for the poet who drew her was one of the most wonderful observers in the whole of English literature. We may wade through hundreds of visitation reports and injunctions and everywhere the grey eyes of his prioress will twinkle at us out of their pages, and in the end we must always go to Chaucer for her picture, to sum up everything that historical records have taught us. As the bishop found her, so he saw her, aristocratic, tender-hearted, worldly, taking pains to 'countrefete there of court'; liking pretty clothes and little dogs; a lady of importance, attended by a nun and three priests; spoken to with respect by the none too mealy-mouthed host--no 'by Corpus Dominus' or 'cokkes bones' or 'tel on a devel wey' for her, but 'cometh neer, my lady prioress,' and
My lady Prioresse, by your leve
If that I wiste I sholde yow nat greve,
I wolde demen that ye tellen sholde
A tale next, if so were that ye wolde.
Now wol ye vouche-sauf, my lady dere?
He talks to no one else like that, save perhaps to the knight. Was she religious? Perhaps; but save for her singing the divine service and for her lovely address to the Virgin, at the beginning of her tale, Chaucer can find but little to say on the point;
But for speken of hir conscience (he says)
She was so charitable and so pitous,
and then, as we are waiting to hear of her almsgiving to the poor--that she would weep over a mouse in a trap, or a beaten puppy, says Chaucer. A good ruler of her house? again, doubtless. But when Chaucer met her the house was ruling itself somewhere at the 'shire's ende'. The world was full of fish out of water in the fourteenth century, and, by sëynt Loy, said Madame Eglentyne, swearing her greatest oath, like Chaucer's monk, she held that famous text not worth an oyster. So we take our leave of her, characteristically on the road to Canterbury.
CHAPTER V
The Ménagier's Wife
A PARIS HOUSEWIFE IN THE FOURTEENTH CENTURY
The sphere of woman is the home.
--Homo Sapiens
The men of the middle, as indeed of all ages, including our own, were very fond of writing books of deportment telling women how they ought to behave in all the circumstances of their existence, but more particularly in their relations with their husbands. Many of these books have survived, and among them one which is of particular interest, because of the robust good sense of its writer and the intimate and lively picture which it gives of a bourgeois home. Most books of deportment were written, so to speak, in the air, for women in general, but this was written by a particular husband for a particular wife, and thus is drawn from life and full of detail, showing throughout an individuality which its compeers too often lack. If a parallel be sought to it, it is perhaps to be found not in any other medieval treatise but in those passages of Xenophon's Economist, in which Isomachus describes to Socrates the training of a perfect Greek wife.