MISS BILLY
by Eleanor H. Porter
CONTENTS
[ MISS BILLY ]
[ CHAPTER I ]
[ CHAPTER II ]
[ CHAPTER III ]
[ CHAPTER IV ]
[ CHAPTER V ]
[ CHAPTER VI ]
[ CHAPTER VII ]
[ CHAPTER VIII ]
[ CHAPTER IX ]
[ CHAPTER X ]
[ CHAPTER XI ]
[ CHAPTER XII ]
[ CHAPTER XIII ]
[ CHAPTER XIV ]
[ CHAPTER XV ]
[ CHAPTER XVI ]
[ CHAPTER XVII ]
[ CHAPTER XVIII ]
[ CHAPTER XIX ]
[ CHAPTER XX ]
[ CHAPTER XXI ]
[ CHAPTER XXII ]
[ CHAPTER XXIII ]
[ CHAPTER XXIV ]
[ CHAPTER XXV ]
[ CHAPTER XXVI ]
[ CHAPTER XXVII ]
[ CHAPTER XXVIII ]
[ CHAPTER XXIX ]
[ CHAPTER XXX ]
[ CHAPTER XXXI ]
[ CHAPTER XXXII ]
[ CHAPTER XXXIII ]
[ CHAPTER XXXIV ]
[ CHAPTER XXXV ]
[ CHAPTER XXXVI ]
[ CHAPTER XXXVII ]
[ CHAPTER XXXVIII ]
[ CHAPTER XXXIX ]
[ CHAPTER XL ]
[ CHAPTER XLI ]
[ CHAPTER XLII ]
MISS BILLY
CHAPTER I
BILLY WRITES A LETTER
Billy Neilson was eighteen years old when the aunt, who had brought her up from babyhood, died. Miss Benton's death left Billy quite alone in the world—alone, and peculiarly forlorn. To Mr. James Harding, of Harding & Harding, who had charge of Billy's not inconsiderable property, the girl poured out her heart in all its loneliness two days after the funeral.
“You see, Mr. Harding, there isn't any one—not any one who—cares,” she choked.
“Tut, tut, my child, it's not so bad as that, surely,” remonstrated the old man, gently. “Why, I—I care.”
Billy smiled through tear-wet eyes.
“But I can't LIVE with you,” she said.
“I'm not so sure of that, either,” retorted the man. “I'm thinking that Letty and Ann would LIKE to have you with us.”
The girl laughed now outright. She was thinking of Miss Letty, who had “nerves,” and of Miss Ann, who had a “heart”; and she pictured her own young, breezy, healthy self attempting to conform to the hushed and shaded thing that life was, within Lawyer Harding's home.
“Thank you, but I'm sure they wouldn't,” she objected. “You don't know how noisy I am.”
The lawyer stirred restlessly and pondered.
“But, surely, my dear, isn't there some relative, somewhere?” he demanded. “How about your mother's people?”
Billy shook her head. Her eyes filled again with tears.
“There was only Aunt Ella, ever, that I knew anything about. She and mother were the only children there were, and mother died when I was a year old, you know.”
“But your father's people?”
“It's even worse there. He was an only child and an orphan when mother married him. He died when I was but six months old. After that there was only mother and Aunt Ella, then Aunt Ella alone; and now—no one.”
“And you know nothing of your father's people?”
“Nothing; that is—almost nothing.”
“Then there is some one?”
Billy smiled. A deeper pink showed in her cheeks.
“Why, there's one—a man but he isn't really father's people, anyway. But I—I have been tempted to write to him.”
“Who is he?”
“The one I'm named for. He was father's boyhood chum. You see that's why I'm 'Billy' instead of being a proper 'Susie,' or 'Bessie,' or 'Sally Jane.' Father had made up his mind to name his baby 'William' after his chum, and when I came, Aunt Ella said, he was quite broken-hearted until somebody hit upon the idea of naming me Billy.' Then he was content, for it seems that he always called his chum 'Billy' anyhow. And so—'Billy' I am to-day.”
“Do you know this man?”
“No. You see father died, and mother and Aunt Ella knew him only very slightly. Mother knew his wife, though, Aunt Ella said, and SHE was lovely.”
“Hm—; well, we might look them up, perhaps. You know his address?”
“Oh, yes unless he's moved. We've always kept that. Aunt Ella used to say sometimes that she was going to write to him some day about me, you know.”
“What's his name?”
“William Henshaw. He lives in Boston.”
Lawyer Harding snatched off his glasses, and leaned forward in his chair.
“William Henshaw! Not the Beacon Street Henshaws!” he cried.
It was Billy's turn to be excited. She, too, leaned forward eagerly.
“Oh, do you know him? That's lovely! And his address IS Beacon Street! I know because I saw it only to-day. You see, I HAVE been tempted to write him.”
“Write him? Of course you'll write him,” cried the lawyer. “And we don't need to do much 'looking up' there, child. I've known the family for years, and this William was a college mate of my boy's. Nice fellow, too. I've heard Ned speak of him. There were three sons, William, and two others much younger than he. I've forgotten their names.”
“Then you do know him! I'm so glad,” exclaimed Billy. “You see, he never seemed to me quite real.”
“I know about him,” corrected the lawyer, smilingly, “though I'll confess I've rather lost track of him lately. Ned will know. I'll ask Ned. Now go home, my dear, and dry those pretty eyes of yours. Or, better still, come home with me to tea. I—I'll telephone up to the house.” And he rose stiffly and went into the inner office.
Some minutes passed before he came back, red of face, and plainly distressed.
“My dear child, I—I'm sorry, but—but I'll have to take back that invitation,” he blurted out miserably. “My sisters are—are not well this afternoon. Ann has been having a turn with her heart—you know Ann's heart is—is bad; and Letty—Letty is always nervous at such times—very nervous. Er—I'm so sorry! But you'll—excuse it?”
“Indeed I will,” smiled Billy, “and thank you just the same; only”—her eyes twinkled mischievously—“you don't mind if I do say that it IS lucky that we hadn't gone on planning to have me live with them, Mr. Harding!”
“Eh? Well—er, I think your plan about the Henshaws is very good,” he interposed hurriedly. “I'll speak to Ned—I'll speak to Ned,” he finished, as he ceremoniously bowed the girl from the office.
James Harding kept his word, and spoke to his son that night; but there was little, after all, that Ned could tell him. Yes, he remembered Billy Henshaw well, but he had not heard of him for years, since Henshaw's marriage, in fact. He must be forty years old, Ned said; but he was a fine fellow, an exceptionally fine fellow, and would be sure to deal kindly and wisely by his little orphan namesake; of that Ned was very sure.
“That's good. I'll write him,” declared Mr. James Harding. “I'll write him tomorrow.”
He did write—but not so soon as Billy wrote; for even as he spoke, Billy, in her lonely little room at the other end of the town, was laying bare all her homesickness in four long pages to “Dear Uncle William.”
CHAPTER II
“THE STRATA”
Bertram Henshaw called the Beacon Street home “The Strata.” This annoyed Cyril, and even William, not a little; though they reflected that, after all, it was “only Bertram.” For the whole of Bertram's twenty-four years of life it had been like this—“It's only Bertram,” had been at once the curse and the salvation of his existence.
In this particular case, however, Bertram's vagary of fancy had some excuse. The Beacon Street house, the home of the three brothers, was a “Strata.”
“You see, it's like this,” Bertram would explain airily to some new acquaintance who expressed surprise at the name; “if I could slice off the front of the house like a loaf of cake, you'd understand it better. But just suppose that old Bunker Hill should suddenly spout fire and brimstone and bury us under tons of ashes—only fancy the condition of mind of those future archaeologists when they struck our house after their months of digging!
“What would they find? Listen. First: stratum number one, the top floor; that's Cyril's, you know. They'd note the bare floors, the sparse but heavy furniture, the piano, the violin, the flute, the book-lined walls, and the absence of every sort of curtain, cushion, or knickknack. 'Here lived a plain man,' they'd say; 'a scholar, a musician, stern, unloved and unloving; a monk.'
“And what next? They'd strike William's stratum next, the third floor. Imagine it! You know William as a State Street broker, well-off, a widower, tall, angular, slow of speech, a little bald, very much nearsighted, and the owner of the kindest heart in the world. But really to know William, you must know his rooms. William collects things. He has always collected things—and he's saved every one of them. There's a tradition that at the age of one year he crept into the house with four small round white stones. Anyhow, if he did, he's got them now. Rest assured of that—and he's forty this year. Miniatures, carved ivories, bugs, moths, porcelains, jades, stamps, postcards, spoons, baggage tags, theatre programs, playing-cards—there isn't anything that he doesn't collect. He's on teapots, now. Imagine it—William and teapots! And they're all there in his rooms—one glorious mass of confusion. Just fancy those archaeologists trying to make their 'monk' live there!
“But when they reach me, my stratum, they'll have a worse time yet. You see, I like cushions and comfort, and I have them everywhere. And I like—well, I like lots of things. My rooms don't belong to that monk, not a little bit. And so you see,” Bertram would finish merrily, “that's why I call it all 'The Strata.'”
And “The Strata” it was to all the Henshaws' friends, and even to William and Cyril themselves, in spite of their objection to the term.
From babyhood the Henshaw boys had lived in the handsome, roomy house, facing the Public Garden. It had been their father's boyhood home, as well, and he and his wife had died there, soon after Kate, the only daughter, had married. At the age of twenty-two, William Henshaw, the eldest son, had brought his bride to the house, and together they had striven to make a home for the two younger orphan boys, Cyril, twelve, and Bertram, six. But Mrs. William, after a short five years of married life, had died; and since then, the house had known almost nothing of a woman's touch or care.
Little by little as the years passed, the house and its inmates had fallen into what had given Bertram his excuse for the name. Cyril, thirty years old now, dignified, reserved, averse to cats, dogs, women, and confusion, had early taken himself and his music to the peace and exclusiveness of the fourth floor. Below him, William had long discouraged any meddling with his precious chaos of possessions, and had finally come to spend nearly all his spare time among them. This left Bertram to undisputed ownership of the second floor, and right royally did he hold sway there with his paints and brushes and easels, his old armor, rich hangings, rugs, and cushions, and everywhere his specialty—his “Face of a Girl.” From canvas, plaque, and panel they looked out—those girlish faces: winsome, wilful, pert, demure, merry, sad, beautiful, even almost ugly—they were all there; and they were growing famous, too. The world of art was beginning to take notice, and to adjust its spectacles for a more critical glance. This “Face of a Girl” by Henshaw bade fair to be worth while.
Below Bertram's cheery second floor were the dim old library and drawing-rooms, silent, stately, and almost never used; and below them were the dining-room and the kitchen. Here ruled Dong Ling, the Chinese cook, and Pete.
Pete was—indeed, it is hard telling what Pete was. He said he was the butler; and he looked the part when he answered the bell at the great front door. But at other times, when he swept a room, or dusted Master William's curios, he looked—like nothing so much as what he was: a fussy, faithful old man, who expected to die in the service he had entered fifty years before as a lad.
Thus in all the Beacon Street house, there had not for years been the touch of a woman's hand. Even Kate, the married sister, had long since given up trying to instruct Dong Ling or to chide Pete, though she still walked across the Garden from her Commonwealth Avenue home and tripped up the stairs to call in turn upon her brothers, Bertram, William, and Cyril.
CHAPTER III
THE STRATA—WHEN THE LETTER COMES
It was on the six o'clock delivery that William Henshaw received the letter from his namesake, Billy. To say the least, the letter was a great shock to him. He had not quite forgotten Billy's father, who had died so long ago, it is true, but he had forgotten Billy, entirely. Even as he looked at the disconcerting epistle with its round, neatly formed letters, he had great difficulty in ferreting out the particular niche in his memory which contained the fact that Walter Neilson had had a child, and had named it for him.
And this child, this “Billy,” this unknown progeny of an all but forgotten boyhood friend, was asking a home, and with him! Impossible! And William Henshaw peered at the letter as if, at this second reading, its message could not be so monstrous.
“Well, old man, what's up?” It was Bertram's amazed voice from the hall doorway; and indeed, William Henshaw, red-faced and plainly trembling, seated on the lowest step of the stairway, and gazing, wild-eyed, at the letter in his hand, was somewhat of an amazing sight. “What IS up?”
“What's up!” groaned William, starting to his feet, and waving the letter frantically in the air. “What's up! Young man, do you want us to take in a child to board?—a CHILD?” he repeated in slow horror.
“Well, hardly,” laughed the other. “Er, perhaps Cyril might like it, though; eh?”
“Come, come, Bertram, be sensible for once,” pleaded his brother, nervously. “This is serious, really serious, I tell you!”
“What is serious?” demanded Cyril, coming down the stairway. “Can't it wait? Pete has already sounded the gong twice for dinner.”
William made a despairing gesture.
“Well, come,” he groaned. “I'll tell you at the table.... It seems I've got a namesake,” he resumed in a shaking voice, a few moments later; “Walter Neilson's child.”
“And who's Walter Neilson?” asked Bertram.
“A boyhood friend. You wouldn't remember him. This letter is from his child.”
“Well, let's hear it. Go ahead. I fancy we can stand the—LETTER; eh, Cyril?”
Cyril frowned. Cyril did not know, perhaps, how often he frowned at Bertram.
The eldest brother wet his lips. His hand shook as he picked up the letter.
“It—it's so absurd,” he muttered. Then he cleared his throat and read the letter aloud.
“DEAR UNCLE WILLIAM: Do you mind my calling you that? You see I want SOME one, and there isn't any one now. You are the nearest I've got. Maybe you've forgotten, but I'm named for you. Walter Neilson was my father, you know. My Aunt Ella has just died.
“Would you mind very much if I came to live with you? That is, between times—I'm going to college, of course, and after that I'm going to be—well, I haven't decided that part yet. I think I'll consult you. You may have some preference, you know. You can be thinking it up until I come.
“There! Maybe I ought not to have said that, for perhaps you won't want me to come. I AM noisy, I'll own, but not so I think you'll mind it much unless some of you have 'nerves' or a 'heart.' You see, Miss Letty and Miss Ann—they're Mr. Harding's sisters, and Mr. Harding is our lawyer, and he will write to you. Well, where was I? Oh, I know—on Miss Letty's nerves. And, say, do you know, that is where I do get—on Miss Letty's nerves. I do, truly. You see, Mr. Harding very kindly suggested that I live with them, but, mercy! Miss Letty's nerves won't let you walk except on tiptoe, and Miss Ann's heart won't let you speak except in whispers. All the chairs and tables have worn little sockets in the carpets, and it's a crime to move them. There isn't a window-shade in the house that isn't pulled down EXACTLY to the middle sash, except where the sun shines, and those are pulled way down. Imagine me and Spunk living there! Oh, by the way, you don't mind my bringing Spunk, do you? I hope you don't, for I couldn't live without Spunk, and he couldn't live with out me.
“Please let me hear from you very soon. I don't mind if you telegraph; and just 'come' would be all you'd have to say. Then I'd get ready right away and let you know what train to meet me on. And, oh, say—if you'll wear a pink in your buttonhole I will, too. Then we'll know each other. My address is just 'Hampden Falls.'
“Your awfully homesick namesake,
“BILLY HENSHAW NEILSON”
For one long minute there was a blank silence about the Henshaw dinner-table; then the eldest brother, looking anxiously from one man to the other, stammered:
“W-well?”
“Great Scott!” breathed Bertram.
Cyril said nothing, but his lips were white with their tense pressure against each other.
There was another pause, and again William broke it anxiously.
“Boys, this isn't helping me out any! What's to be done?”
“'Done'!” flamed Cyril. “Surely, you aren't thinking for a moment of LETTING that child come here, William!”
Bertram chuckled.
“He WOULD liven things up, Cyril; wouldn't he? Such nice smooth floors you've got up-stairs to trundle little tin carts across!”
“Tin nonsense!” retorted Cyril. “Don't be silly, Bertram. That letter wasn't written by a baby. He'd be much more likely to make himself at home with your paint box, or with some of William's junk.”
“Oh, I say,” expostulated William, “we'll HAVE to keep him out of those things, you know.”
Cyril pushed back his chair from the table.
“'We'll have to keep him out'! William, you can't be in earnest! You aren't going to let that boy come here,” he cried.
“But what can I do?” faltered the man.
“Do? Say 'no,' of course. As if we wanted a boy to bring up!”
“But I must do something. I—I'm all he's got. He says so.”
“Good heavens! Well, send him to boarding-school, then, or to the penitentiary; anywhere but here!”
“Shucks! Let the kid come,” laughed Bertram. “Poor little homesick devil! What's the use? I'll take him in. How old is he, anyhow?”
William frowned, and mused aloud slowly.
“Why, I don't know. He must be—er—why, boys, he's no child,” broke off the man suddenly. “Walter himself died seventeen or eighteen years ago, not more than a year or two after he was married. That child must be somewhere around eighteen years old!”
“And only think how Cyril WAS worrying about those tin carts,” laughed Bertram. “Never mind—eight or eighteen—let him come. If he's that age, he won't bother much.”
“And this—er—'Spunk'; do you take him, too? But probably he doesn't bother, either,” murmured Cyril, with smooth sarcasm.
“Gorry! I forgot Spunk,” acknowledged Bertram. “Say, what in time is Spunk, do you suppose?”
“Dog, maybe,” suggested William.
“Well, whatever he is, you will kindly keep Spunk down-stairs,” said Cyril with decision. “The boy, I suppose I shall have to endure; but the dog—!”
“Hm-m; well, judging by his name,” murmured Bertram, apologetically, “it may be just possible that Spunk won't be easily controlled. But maybe he isn't a dog, anyhow. He—er—sounds something like a parrot to me.”
Cyril rose to his feet abruptly. He had eaten almost no dinner.
“Very well,” he said coldly. “But please remember that I hold you responsible, Bertram. Whether it's a dog, or a parrot, or—or a monkey, I shall expect you to keep Spunk down-stairs. This adopting into the family an unknown boy seems to me very absurd from beginning to end. But if you and William will have it so, of course I've nothing to say. Fortunately my rooms are at the TOP of the house,” he finished, as he turned and left the dining-room.
For a moment there was silence. The brows of the younger man were uplifted quizzically.
“I'm afraid Cyril is bothered,” murmured William then, in a troubled voice.
Bertram's face changed. Stern lines came to his boyish mouth.
“He is always bothered—with anything, lately.”
The elder man sighed.
“I know, but with his talent—”
“'Talent'! Great Scott!” cut in Bertram. “Half the world has talent of one sort or another; but that doesn't necessarily make them unable to live with any one else! Really, Will, it's becoming serious—about Cyril. He's getting to be, for all the world, like those finicky old maids that that young namesake of yours wrote about. He'll make us whisper and walk on tiptoe yet!”
The other smiled.
“Don't you worry. You aren't in any danger of being kept too quiet, young man.”
“No thanks to Cyril, then,” retorted Bertram. “Anyhow, that's one reason why I was for taking the kid—to mellow up Cyril. He needs it all right.”
“But I had to take him, Bert,” argued the elder brother, his face growing anxious again. “But Heaven only knows what I'm going to do with him when I get him. What shall I say to him, anyway? How shall I write? I don't know how to get up a letter of that sort!”
“Why not take him at his word and telegraph? I fancy you won't have to say 'come' but once before you see him. He doesn't seem to be a bashful youth.”
“Hm-m; I might do that,” acquiesced William, slowly. “But wasn't there somebody—a lawyer—going to write to me?” he finished, consulting the letter by his plate. “Yes,” he added, after a moment, “a Mr. Harding. Wonder if he's any relation to Ned Harding. I used to know Ned at Harvard, and seems as if he came from Hampden Falls. We'll soon see, at all events. Maybe I'll hear to-morrow.”
“I shouldn't wonder,” nodded Bertram, as he rose from the table. “Anyhow, I wouldn't do anything till I did hear.”
CHAPTER IV
BILLY SENDS A TELEGRAM
James Harding's letter very promptly followed Billy's, though it was not like Billy's at all. It told something of Billy's property, and mentioned that, according to Mrs. Neilson's will, Billy would not come into control of her fortune until the age of twenty-one years was reached. It dwelt at some length upon the fact of Billy's loneliness in the world, and expressed the hope that her father's friend could find it in his heart to welcome the orphan into his home. It mentioned Ned, and the old college friendship, and it closed by saying that the writer, James Harding, was glad to renew his acquaintance with the good old Henshaw family that he had known long years ago; and that he hoped soon to hear from William Henshaw himself.
It was a good letter—but it was not well written. James Harding's handwriting was not distinguished for its legibility, and his correspondents rejoiced that the most of his letters were dictated to his stenographer. In this case, however, he had elected to use the more personal pen; and it was because of this that William Henshaw, even after reading the letter, was still unaware of his mistake in supposing his namesake, Billy, to be a boy.
In the main the lawyer had referred to Billy by name, or as “the orphan,” or as that “poor, lonely child.” And whenever the more distinctive feminine “her” or “herself” had occurred, the carelessly formed letters had made them so much like “his” and “himself” that they carried no hint of the truth to a man who had not the slightest reason for thinking himself in the wrong. It was therefore still for the “boy,” Billy, that William Henshaw at once set about making a place in the home.
First he telegraphed the single word “Come” to Billy.
“I'll set the poor lad's heart at rest,” he said to Bertram. “I shall answer Harding's letter more at length, of course. Naturally he wants to know something about me now before he sends Billy along; but there is no need for the boy to wait before he knows that I'll take him. Of course he won't come yet, till Harding hears from me.”
It was just here, however, that William Henshaw met with a surprise, for within twenty-four hours came Billy's answer, and by telegraph.
“I'm coming to-morrow. Train due at five P. M.
“BILLY.”
William Henshaw did not know that in Hampden Falls Billy's trunk had been packed for days. Billy was desperate. The house, even with the maid, and with the obliging neighbor and his wife who stayed there nights, was to Billy nothing but a dismal tomb. Lawyer Harding had fallen suddenly ill; she could not even tell him that the blessed telegram “Come” had arrived. Hence Billy, lonely, impulsive, and always used to pleasing herself, had taken matters in hand with a confident grasp, and had determined to wait no longer.
That it was a fearsomely unknown future to which she was so jauntily pledging herself did not trouble the girl in the least. Billy was romantic. To sally gaily forth with a pink in the buttonhole of her coat to find her father's friend who was a “Billy” too, seemed to Billy Neilson not only delightful, but eminently sensible, and an excellent way out of her present homesick loneliness. So she bought the pink and her ticket, and impatiently awaited the time to start.
To the Beacon Street house, Billy's cheerful telegram brought the direst consternation. Even Kate was hastily summoned to the family conclave that immediately resulted.
“There's nothing—simply nothing that I can do,” she declared irritably, when she had heard the story. “Surely, you don't expect ME to take the boy!”
“No, no, of course not,” sighed William. “But you see, I supposed I'd have time to—to get used to things, and to make arrangements; and this is so—so sudden! I hadn't even answered Harding's letter until to-day; and he hasn't got that—much less replied to it.”
“But what could you expect after sending that idiotic telegram?” demanded the lady. “'Come,' indeed!”
“But that's what Billy told me to do.”
“What if it was? Just because a foolish eighteen-year-old boy tells you to do something, must you, a supposedly sensible forty-year-old man obey?”
“I think it tickled Will's romantic streak,” laughed Bertram. “It seemed so sort of alluring to send that one word 'Come' out into space, and watch what happened.”
“Well, he's found out, certainly,” observed Cyril, with grim satisfaction.
“Oh, no; it hasn't happened yet,” corrected Bertram, cheerfully. “It's just going to happen. William's got to put on the pink first, you know. That's the talisman.”
William reddened.
“Bertram, don't be foolish. I sha'n't wear any pink. You must know that.”
“How'll you find him, then?”
“Why, he'll have one on; that's enough,” settled William.
“Hm-m; maybe. Then he'll have Spunk, too,” murmured Bertram, mischievously.
“Spunk!” cried Kate.
“Yes. He wrote that he hoped we wouldn't mind his bringing Spunk with him.”
“Who's Spunk?
“We don't know.” Bertram's lips twitched.
“You don't know! What do you mean?”
“Well, Will thinks it's a dog, and I believe Cyril is anticipating a monkey. I myself am backing it for a parrot.”
“Boys, what have you done!” groaned Kate, falling back in her chair. “What have you done!”
To William her words were like an electric shock stirring him to instant action. He sprang abruptly to his feet.
“Well, whatever we've done, we've done it,” he declared sternly; “and now we must do the rest—and do it well, too. He's the son of my boyhood's dearest friend, and he shall be made welcome. Now to business! Bertram, you said you'd take him in. Did you mean it?”
Bertram sobered instantly, and came erect in his chair. William did not often speak like this; but when he did—
“Yes, Will. He shall have the little bedroom at the end of the hall. I never used the room much, anyhow, and what few duds I have there shall be cleared out to-morrow.”
“Good! Now there are some other little details to arrange, then I'll go down-stairs and tell Pete and Dong Ling. And, please to understand, we're going to make this lad welcome—welcome, I say!”
“Yes, sir,” said Bertram. Neither Kate nor Cyril spoke.
CHAPTER V
GETTING READY FOR BILLY
The Henshaw household was early astir on the day of Billy's expected arrival, and preparations for the guest's comfort were well under way before breakfast. The center of activity was in the little room at the end of the hall on the second floor; though, as Bertram said, the whole Strata felt the “upheaval.”
By breakfast time Bertram with the avowed intention of giving “the little chap half a show,” had the room cleared for action; and after that the whole house was called upon for contributions toward the room's adornment. And most generously did most of the house respond. Even Dong Ling slippered up-stairs and presented a weird Chinese banner which he said he was “velly much glad” to give. As to Pete—Pete was in his element. Pete loved boys. Had he not served them nearly all his life? Incidentally it may be mentioned that he did not care for girls.
Only Cyril held himself aloof. But that he was not oblivious of the proceedings below him was evidenced by the somber bass that floated down from his piano strings. Cyril always played according to the mood that was on him; and when Bertram heard this morning the rhythmic beats of mournfulness, he chuckled and said to William:
“That's Chopin's Funeral March. Evidently Cy thinks this is the death knell to all his hopes of future peace and happiness.”
“Dear me! I wish Cyril would take some interest,” grieved William.
“Oh, he takes interest all right,” laughed Bertram, meaningly. “He takes INTEREST!”
“I know, but—Bertram,” broke off the elder man, anxiously, from his perch on the stepladder, “would you put the rifle over this window, or the fishing-rod?”
“Why, I don't think it makes much difference, so long as they're somewhere,” answered Bertram. “And there are these Indian clubs and the swords to be disposed of, you know.”
“Yes; and it's going to look fine; don't you think?” exulted William. “And you know for the wall-space between the windows I'm going to bring down that case of mine, of spiders.”
Bertram raised his hands in mock surprise.
“Here—down here! You're going to trust any of those precious treasures of yours down here!”
William frowned.
“Nonsense, Bertram, don't be silly! They'll be safe enough. Besides, they're old, anyhow. I was on spiders years ago—when I was Billy's age, in fact. I thought he'd like them here. You know boys always like such things.”
“Oh, 'twasn't Billy I was worrying about,” retorted Bertram. “It was you—and the spiders.”
“Not much you worry about me—or anything else,” replied William, good-humoredly. “There! how does that look?” he finished, as he carefully picked his way down the stepladder.
“Fine!—er—only rather warlike, maybe, with the guns and that riotous confusion of knives and scimitars over the chiffonier. But then, maybe you're intending Billy for a soldier; eh?”
“Do you know? I AM getting interested in that boy,” beamed William, with some excitement. “What kind of things do you suppose he does like?”
“There's no telling. Maybe he's a sissy chap, and will howl at your guns and spiders. Perhaps he'll prefer autumn leaves and worsted mottoes for decoration.”
“Not much he will,” contested the other. “No son of Walter Neilson's could be a sissy. Neilson was the best half-back in ten years at Harvard, and he was always in for everything going that was worth while. 'Autumn leaves and worsted mottoes' indeed! Bah!”
“All right; but there's still a dark horse in the case, you know. We mustn't forget—Spunk.”
The elder man stirred uneasily.
“Bert, what do you suppose that creature is? You don't think Cyril can be right, and that it's a—monkey?”
“'You never can tell,'” quoted Bertram, merrily. “Of course there ARE other things. If it were you, now, we'd only have to hunt up the special thing you happened to be collecting at the time, and that would be it: a snake, a lizard, a toad, or maybe a butterfly. You know you were always lugging those things home when you were his age.”
“Yes, I know,” sighed William. “But I can't think it's anything like that,” he finished, as he turned away.
There was very little done in the Beacon Street house that day but to “get ready for Billy.” In the kitchen Dong Ling cooked. Everywhere else, except in Cyril's domain, Pete dusted and swept and “puttered” to his heart's content. William did not go to the office at all that day, and Bertram did not touch his brushes. Only Cyril attended to his usual work: practising for a coming concert, and correcting the proofs of his new book, “Music in Russia.”
At ten minutes before five William, anxious-eyed and nervous, found himself at the North Station. Then, and not till then, did he draw a long breath of relief.
“There! I think everything's ready,” he sighed to himself. “At last!”
He wore no pink in his buttonhole. There was no need that he should accede to that silly request, he told himself. He had only to look for a youth of perhaps eighteen years, who would be alone, a little frightened, possibly, and who would have a pink in his buttonhole, and probably a dog on a leash.
As he waited, the man was conscious of a curious warmth at his heart. It was his namesake, Walter Neilson's boy, that he had come to meet; a homesick, lonely orphan who had appealed to him—to him, out of all the world. Long years ago in his own arms there had been laid a tiny bundle of flannel holding a precious little red, puckered face. But in a month's time the little face had turned cold and waxen, and the hopes that the white flannel bundle had carried had died with the baby boy;—and that baby would have been a lad grown by this time, if he had lived—a lad not far from the age of this Billy who was coming to-day, reflected the man. And the warmth in his heart deepened and glowed the more as he stood waiting at the gate for Billy to arrive.
The train from Hampden Falls was late. Not until quite fifteen minutes past five did it roll into the train-shed. Then at once its long line of passengers began to sweep toward the iron gate.
William was just inside the gate now, anxiously scanning every face and form that passed. There were many half-grown lads, but there was not one with a pink in his buttonhole until very near the end. Then William saw him—a pleasant-faced, blue-eyed boy in a neat gray suit. With a low cry William started forward; but he saw at once that the gray-clad youth was unmistakably one of a merry family party. He looked to be anything but a lad that was lonely and forlorn.
William hesitated and fell back. This debonair, self-reliant fellow could not be Billy! But as a hasty glance down the line revealed only half a dozen straggling women, and beyond them, no one, William decided that it must be Billy; and taking brave hold of his courage, he hurried after the blue-eyed youth and tapped him on the shoulder.
“Er—aren't you Billy?” he stammered.
The lad stopped and stared. He shook his head slowly.
“No, sir,” he said.
“But you must be! Are you sure?”
The boy laughed this time.
“Sorry, sir, but my name is 'Frank'; isn't it, mother?” he added merrily, turning to the lady at his side, who was regarding William very unfavorably through a pair of gold-bowed spectacles.
William did not wait for more. With a stammered apology and a flustered lifting of his hat he backed away.
But where was Billy?
William looked about him in helpless dismay. All around was a wide, empty space. The long aisle to the Hampden Falls train was deserted save for the baggage-men loading the trunks and bags on to their trucks. Nowhere was there any one who seemed forlorn or ill at ease except a pretty girl with a suit-case, and with a covered basket on her arm, who stood just outside the gate, gazing a little nervously about her.
William looked twice at this girl. First, because the splash of color against her brown coat had called his attention to the fact that she was wearing a pink; and secondly because she was very pretty, and her dark eyes carried a peculiarly wistful appeal.
“Too bad Bertram isn't here,” thought William. “He'd be sketching that face in no time on his cuff.”
The pink had given William almost a pang. He had been so longing to see a pink—though in a different place. He wondered sympathetically if she, too, had come to meet some one who had not appeared. He noticed that she walked away from the gate once or twice, toward the waiting-room, and peered anxiously through the glass doors; but always she came back to the gate as if fearful to be long away from that place. He forgot all about her very soon, for her movements had given him a sudden idea: perhaps Billy was in the waiting-room. How stupid of him not to think of it before! Doubtless they had missed each other in the crowd, and Billy had gone straight to the waiting-room to look for him. And with this thought William hurried away at once, leaving the girl still standing by the gate alone.
He looked everywhere. Systematically he paced up and down between the long rows of seats, looking for a boy with a pink. He even went out upon the street, and gazed anxiously in all directions. It occurred to him after a time that possibly Billy, like himself, had changed his mind at the last moment, and not worn the pink. Perhaps he had forgotten it, or lost it, or even not been able to get it at all. Very bitterly William blamed himself then for disregarding his own part of the suggested plan. If only he had worn the pink himself!—but he had not; and it was useless to repine. In the meantime, where was Billy, he wondered frantically.
CHAPTER VI
THE COMING OF BILLY
After another long search William came back to the train-shed, vaguely hoping that Billy might even then be there. The girl was still standing alone by the gate. There was another train on the track now, and the rush of many feet had swept her a little to one side. She looked frightened now, and almost ready to cry. Still, William noticed that her chin was lifted bravely, and that she was making a stern effort at self-control. He hesitated a moment, then went straight toward her.
“I beg your pardon,” he said kindly, lifting his hat, “but I notice that you have been waiting here some time. Perhaps there is something I can do for you.”
A rosy color swept to the girl's face. Her eyes lost their frightened appeal, and smiled frankly into his.
“Oh, thank you, sir! There IS something you can do for me, if you will be so kind. You see, I can't leave this place, I'm so afraid he'll come and I'll miss him. But—I think there's some mistake. Could you telephone for me?” Billy Neilson was country-bred, and in Hampden Falls all men served all other men and women, whether they were strangers or not; so to Billy this was not an extraordinary request to make, in the least.
William Henshaw smiled.
“Certainly; I shall be very glad to telephone for you. Just tell me whom you want, and what you want to say.”
“Thank you. If you'll call up Mr. William Henshaw, then, of Beacon Street, please, and tell him Billy's come. I'll wait here.”
“Oh, then Billy did come!” cried the man in glad surprise, his face alight. “But where is he? Do YOU know Billy?”
“I should say I did,” laughed Billy, with the lightness of a long-lost child who has found a friend. “Why, I am Billy, myself!”
To William Henshaw the world swam dizzily, and went suddenly mad. The floor rose, and the roof fell, while cars and people performed impossible acrobatic feats above, below, and around him. Then, from afar off, he heard his own voice stammer:
“You—are—B-Billy!”
“Yes; and I'll wait here, if you'll just tell him, please. He's expecting me, you know, so it's all right, only perhaps he made a mistake in the time. Maybe you know him, anyhow.”
With one mighty effort William Henshaw pulled himself sharply together. He even laughed, and tossed his head in a valiant imitation of Billy herself; but his voice shook.
“Know him!—I should say I did!” he cried. “Why, I am William Henshaw, myself.”
“You!—Uncle William! Why, where's your pink?”
The man's face was already so red it could not get any redder—but it tried to do so.
“Why, er—I—it—er—if you'll just come into the waiting-room a minute, my dear,” he stuttered miserably, “I—I'll explain—about that. I shall have to leave you—for a minute,” he plunged on frenziedly, as he led the way to a seat; “A—matter of business that I must attend to. I'll be—right back. Wait here, please!” And he almost pushed the girl into a seat and hurried away.
At a safe distance William Henshaw turned and looked back. His knees were shaking, and his fingers had grown cold at their tips. He could see her plainly, as she bent over the basket in her lap. He could see even the pretty curve of her cheek, and of her slender throat when she lifted her head.
And that was Billy—a GIRL!
People near him at that moment saw a flushed-faced, nervous-appearing man throw up his hands with a despairing gesture, roll his eyes heavenward, and then plunge into the nearest telephone booth.
In due time William Henshaw had his brother Bertram at the other end of the wire.
“Bertram!” he called shakily.
“Hullo, Will; that you? What's the matter? You're late! Didn't he come?”
“Come!” groaned William. “Good Lord! Bertram—Billy's a GIRL!”
“A wh-what?”
“A girl.”
“A GIRL!”
“Yes, yes! Don't stand there repeating what I say in that idiotic fashion, Bertram. Do something—do something!”
“'Do something'!” gasped Bertram. “Great Scott, Will! If you want me to do something, don't knock me silly with a blow like that. Now what did you say?”
“I said that Billy is—a—girl. Can't you get that?” demanded William, despairingly.
“Well, by Jove!” breathed Bertram.
“Come, come, think! What shall we do?”
“Why, bring her home, of course.”
“Home—home!” chattered William. “Do you think we five men can bring up a distractingly pretty eighteen-year-old girl with curly cheeks and pink hair?”
“With wha-at?”
“No, no. I mean curly hair and pink cheeks. Bertram, do be sensible,” begged the man. “This is serious!”
“Serious! I should say it was! Only fancy what Cy will say! A girl! Holy smoke! Tote her along—I want to see her!”
“But I say we can't keep her there with us, Bertram. Don't you see we can't?”
“Then take her to Kate's, or to—to one of those Young Women's Christian Union things.”
“No, no, I can't do that. That's impossible. Don't you understand? She's expecting to go home with me—HOME! I'm her Uncle William.”
“Lucky Uncle William!”
“Be still, Bertram!”
“Well, doesn't she know your—mistake?—that you thought she was a boy?”
“Heaven forbid!—I hope not,” cried the man, fervently. “I 'most let it out once, but I think she didn't notice it. You see, we—we were both surprised.”
“Well, I should say!”
“And, Bertram, I can't turn her out—I can't, I tell you. Only fancy my going to her now and saying: 'If you please, Billy, you can't live at my house, after all. I thought you were a boy, you know!' Great Scott! Bert, if she'd once turned those big brown eyes of hers on you as she has on me, you'd see!”
“I'd be delighted, I'm sure,” sung a merry voice across the wires. “Sounds real interesting!”
“Bertram, can't you be serious and help me out?”
“But what CAN we do?”
“I don't know. We'll have to think; but for now, get Kate. Telephone her. Tell her to come right straight over, and that she's got to stay all night.”
“All night!”
“Of course! Billy's got to have a chaperon; hasn't she? Now hurry. We shall be up right away.”
“Kate's got company.”
“Never mind—leave 'em. Tell her she's got to leave 'em. And tell Cyril, of course, what to expect. And, look a-here, you two behave, now. None of your nonsense! Now mind. I'm not going to have this child tormented.”
“I won't bat an eyelid—on my word, I won't,” chuckled Bertram. “But, oh, I say,—Will!”
“Yes.”
“What's Spunk?”
“Eh?—oh—Great Scott! I forgot Spunk. I don't know. She's got a basket. He's in that, I suppose. Anyhow, he can't be any more of a bombshell than his mistress was. Now be quick, and none of your fooling, Bertram. Tell them all—Pete and Dong Ling. Don't forget. I wouldn't have Billy find out for the world! Fix it up with Kate. You'll have to fix it up with her; that's all!” And there came the sharp click of the receiver against the hook.
CHAPTER VII
INTRODUCING SPUNK
In the soft April twilight Cyril was playing a dreamy waltz when Bertram knocked, and pushed open the door.
“Say, old chap, you'll have to quit your mooning this time and sit up and take notice.”
“What do you mean?” Cyril stopped playing and turned abruptly.
“I mean that Will has gone crazy, and I think the rest of us are going to follow suit.”
Cyril shrugged his shoulders and whirled about on the piano stool. In a moment his fingers had slid once more into the dreamy waltz.
“When you get ready to talk sense, I'll listen,” he said coldly.
“Oh, very well; if you really want it broken gently, it's this: Will has met Billy, and Billy is a girl. They're due here now 'most any time.”
The music stopped with a crash.
“A—GIRL!”
“Yes, a girl. Oh, I've been all through that, and I know how you feel. But as near as I can make out, it's really so. I've had instructions to tell everybody, and I've told. I got Kate on the telephone, and she's coming over. You KNOW what SHE'LL be. Dong Ling is having what I suppose are Chinese hysterics in the kitchen; and Pete is swinging back and forth like a pendulum in the dining-room, moaning 'Good Lord, deliver us!' at every breath. I would suggest that you follow me down-stairs so that we may be decently ready for—whatever comes.” And he turned about and stalked out of the room, followed by Cyril, who was too stunned to open his lips.
Kate came first. She was not stunned. She had a great deal to say.
“Really, this is a little the most absurd thing I ever heard of,” she fumed. “What in the world does your brother mean?”
That she quite ignored her own relationship to the culprit was not lost on Bertram. He made instant response.
“As near as I can make out,” he replied smoothly, “YOUR brother has fallen under the sway of a pair of great dark eyes, two pink cheeks, and an unknown quantity of curly hair, all of which in its entirety is his namesake, is lonesome, and is in need of a home.”
“But she can't live—here!”
“Will says she shall.”
“But that is utter nonsense,” cut in Cyril.
“For once I agree with you, Cyril,” laughed Bertram; “but William doesn't.”
“But how can she do it?” demanded Kate.
“Don't know,” answered Bertram. “He's established a petticoat propriety in you for a few hours, at least. Meanwhile, he's going to think. At least, he says he is, and that we've got to help him.”
“Humph!” snapped Kate. “Well, I can prophesy we sha'n't think alike—so you'd notice it!”
“I know that,” nodded Bertram; “and I'm with you and Cyril on this. The whole thing is absurd. The idea of thrusting a silly, eighteen-year-old girl here into our lives in this fashion! But you know what Will is when he's really roused. You might as well try to move a nice good-natured mountain by saying 'please,' as to try to stir him under certain circumstances. Most of the time, I'll own, we can twist him around our little fingers. But not now. You'll see. In the first place, she's the daughter of his dead friend, and she DID write a pathetic little letter. It got to the inside of me, anyhow, when I thought she was a boy.”
“A boy! Who wouldn't think she was a boy?” interposed Cyril. “'Billy,' indeed! Can you tell me what for any sane man should have named a girl 'Billy'?”
“For William, your brother, evidently,” retorted Bertram, dryly. “Anyhow, he did it, and of course our mistake was a very natural one. The dickens of it is now that we've got to keep it from her, so Will says; and how—hush! here they are,” he broke off, as there came the sound of wheels stopping before the house.
There followed the click of a key in the lock and the opening of a heavy door; then, full in the glare of the electric lights stood a plainly nervous man, and a girl with startled, appealing eyes.
“My dear,” stammered William, “this is my sister, Kate, Mrs. Hartwell; and here are Cyril and Bertram, whom I've told you of. And of course I don't need to say to them that you are Billy.”
It was over. William drew a long breath, and gave an agonized look into his brothers' eyes. Then Billy turned from Mrs. Hartwell and held out a cordial hand to each of the men in turn.
“Oh, you don't know how lovely this is—to me,” she cried softly. “And to think that you were willing I should come!” The two younger men caught their breath sharply, and tried not to see each other's eyes. “You look so good—all of you; and I don't believe there's one of you that's got nerves or a heart,” she laughed.
Bertram rallied his wits to respond to the challenge.
“No heart, Miss Billy? Now isn't that just a bit hard on us—right at first?”
“Not a mite, if you take it the way I mean it,” dimpled Billy. “Hearts that are all right just keep on pumping, and you never know they are there. They aren't worth mentioning. It's the other kind—the kind that flutters at the least noise and jumps at the least bang! And I don't believe any of you mind noises and bangs,” she finished merrily, as she handed her hat and coat to Mrs. Hartwell, who was waiting to receive them.
Bertram laughed. Cyril scowled, and occupied himself in finding a chair. William had already dropped himself wearily on to the sofa near his sister. Billy still continued to talk.
“Now when Spunk and I get to training—oh, and you haven't seen Spunk!” she interrupted herself suddenly. “Why, the introductions aren't half over. Where is he, Uncle William—the basket?”
“I—I put it in—in the hall,” mumbled William, starting to rise.
“No, no; I'll get him,” cried Billy, hurrying from the room. She returned in a moment, the green covered basket in her hand. “He's been asleep, I guess. He's slept 'most all the way down, anyhow. He's so used to being toted 'round in this basket that he doesn't mind it a bit. I take him everywhere in it at the Falls.”
There was an electric pause. Four pairs of startled, questioning, fearful eyes were on the basket while Billy fumbled at the knot of the string. The next moment, with a triumphant flourish, Billy lifted from the basket and placed on the floor a very small gray kitten with a very large pink bow.
“There, ladies and gentlemen, may I present to you, Spunk.”
The tiny creature winked and blinked, and balanced for a moment on sleepy legs; then at the uncontrollable shout that burst from Bertram's throat, he faced the man, humped his tiny back, bristled his diminutive tail to almost unbelievable fluffiness, and spit wrathfully.
“And so that is Spunk!” choked Bertram.
“Yes,” said Billy. “This is Spunk.”
CHAPTER VIII
THE ROOM—AND BILLY
For the first fifteen minutes after Billy's arrival conversation was a fitful thing made up mostly of a merry monologue on the part of Billy herself, interspersed with somewhat dazed replies from one after another of her auditors as she talked to them in turn. No one thought to ask if she cared to go up to her room, and during the entire fifteen minutes Billy sat on the floor with Spunk in her lap. She was still there when the funereal face of Pete appeared in the doorway. Pete's jaw dropped. It was plain that only the sternest self-control enabled him to announce dinner, with anything like dignity. But he managed to stammer out the words, and then turn loftily away. Bertram, who sat near the door, however, saw him raise his hands in horror as he plunged through the hall and down the stairway.
With a motion to Bertram to lead the way with Billy, William frenziedly gripped his sister's arm, and hissed in her ear for all the world like a villain in melodrama:
“Listen! You'll sleep in Bert's room to-night, and Bert will come up-stairs with me. Get Billy to bed as soon as you can after dinner, and then come back down to us. We've got to plan what's got to be done. Sh-h!” And he dragged his sister downstairs.
In the dining-room there was a slight commotion. Billy stood at her chair with Spunk in her arms. Before her Pete was standing, dumbly staring into her eyes. At last he stammered:
“Ma'am?”
“A chair, please, I said, for Spunk, you know. Spunk always sits at the table right next to me.”
It was too much for Bertram. He fled chokingly to the hall. William dropped weakly into his own place. Cyril stared as had Pete; but Mrs. Hartwell spoke.
“You don't mean—that that cat—has a chair—at the table!” she gasped.
“Yes; and isn't it cute of him?” beamed Billy, entirely misconstruing the surprise in the lady's voice. “His mother always sat at table with us, and behaved beautifully, too. Of course Spunk is little, and makes mistakes sometimes. But he'll learn. Oh, there's a chair right here,” she added, as she spied Bertram's childhood's high-chair, which for long years had stood unused in the corner. “I'll just squeeze it right in here,” she finished gleefully, making room for the chair at her side.
When Bertram, a little red of face, but very grave, entered, the dining-room a moment later, he found the family seated with Spunk snugly placed between Billy and a plainly disgusted and dismayed brother, Cyril. The kitten was alert and interested; but he had settled back in his chair, and was looking as absurdly dignified as the flaring pink bow would let him.
“Isn't he a dear?” Billy was saying. But Bertram noticed that there was no reply to this question.
It was a peculiar dinner-party. Only Billy did not feel the strain. Even Spunk was not entirely happy—his efforts to investigate the table and its contents were too frequently curbed by his mistress for his unalloyed satisfaction. William, it is true, made a valiant attempt to cause the conversation to be general; but he failed dismally. Kate was sternly silent, while Cyril was openly repellent. Bertram talked, indeed—but Bertram always talked; and very soon he and Billy had things pretty much to themselves—that is, with occasional interruptions caused by Spunk. Spunk had an inquisitive nose or paw for each new dish placed before his mistress; and Billy spent much time admonishing him. Billy said she was training him; that it was wonderful what training would do, and, of course, Spunk WAS little, now.
Dinner was half over when there was a slight diversion created by Spunk's conclusion to get acquainted with the silent man at his left. Cyril, however, did not respond to Spunk's advances. So very evident, indeed, was the man's aversion that Billy turned in amazement.
“Why, Mr. Cyril, don't you see? Spunk is trying to say 'How do you do'?”
“Very likely; but I'm not fond of cats, Miss Billy.”
“You're not fond—of—cats!” repeated the girl, as if she could not have heard aright. “Why not?”
Cyril changed his position.
“Why, just because I—I'm not,” he retorted lamely. “Isn't there anything that—that you don't like?”
Billy considered.
“Why, not that I know of,” she began, after a moment, “only rainy days and—tripe. And Spunk isn't a bit like those.”
Bertram chuckled, and even Cyril smiled—though unwillingly.
“All the same,” he reiterated, “I don't like cats.”
“Oh, I'm so sorry,” lamented Billy; and at the grieved hurt in her dark eyes Bertram came promptly to the rescue.
“Never mind, Miss Billy. Cyril is only ONE of us, and there is all the rest of the Strata besides.”
“The—what?”
“The Strata. You don't know, of course, but listen, and I'll tell you.” And he launched gaily forth into his favorite story.
Billy was duly amused and interested. She laughed and clapped her hands, and when the story was done she clapped them again.
“Oh, what a funny house! And how perfectly lovely that I'm going to live in it,” she cried. Then straight at Mrs. Hartwell she hurled a bombshell. “But where is your stratum?” she demanded. “Mr. Bertram didn't mention a thing about you!”
Cyril said a sharp word under his breath. Bertram choked over a cough. Kate threw into William's eyes a look that was at once angry, accusing, and despairing. Then William spoke.
“Er—she—it isn't anywhere, my dear,” he stammered; “or rather, it isn't here. Kate lives up on the Avenue, you see, and is only here for—for a day or two—just now.”
“Oh!” murmured Billy. And there was not one in the room at that moment who did not bless Spunk—for Spunk suddenly leaped to the table before him; and in the ensuing confusion his mistress quite forgot to question further concerning Mrs. Hartwell's stratum.
Dinner over, the three men, with their sister and Billy, trailed up-stairs to the drawing-rooms. Billy told them, then, of her life at Hampden Falls. She cried a little at the mention of Aunt Ella; and she portrayed very vividly the lonely life from which she herself had so gladly escaped. She soon had every one laughing, even Cyril, over her stories of the lawyer's home that might have been hers, with its gloom and its hush and its socketed chairs.
As soon as possible, however, Mrs. Hartwell, with a murmured “I know you must be tired, Billy,” suggested that the girl go up-stairs to her room. “Come,” she added, “I will show you the way.”
There was some delay, even then, for Spunk had to be provided with sleeping quarters; and it was not without some hesitation that Billy finally placed the kitten in the reluctant hands of Pete, who had been hastily summoned. Then she turned and followed Mrs. Hartwell up-stairs.
It seemed to the three men in the drawing-room that almost immediately came the piercing shriek, and the excited voice of their sister in expostulation. Without waiting for more they leaped to the stairway and hurried up, two steps at a time.
“For heaven's sake, Kate, what is it?” panted William, who had been outdistanced by his more agile brothers.
Kate was on her feet, her face the picture of distressed amazement. In the low chair by the window Billy sat where she had flung herself, her hands over her face. Her shoulders were shaking, and from her throat came choking little cries.
“I don't know,” quavered Kate. “I haven't the least idea. She was all right till she got up-stairs here, and I turned on the lights. Then she gave one shriek and—you know all I know.”
William advanced hurriedly.
“Billy, what is the matter? What are you crying for?” he demanded.
Billy dropped her hands then, and they saw her face. She was not crying. She was laughing. She was laughing so she could scarcely speak.
“Oh, you did, you did!” she gurgled. “I thought you did, and now I know!”
“Did what? What do you mean?” William's usually gentle voice was sharp. Even William's nerves were beginning to feel the strain of the last few hours.
“Thought I was a—b-boy!” choked Billy. “You called me 'he' once in the station—I thought you did; but I wasn't sure—not till I saw this room. But now I know—I know!” And off she went into another hysterical gale of laughter—Billy's nerves, too, were beginning to respond to the excitement of the last few hours.
As to the three men and the woman, they stood silent, helpless, looking into each other's faces with despairing eyes.
In a moment Billy was on her feet, fluttering about the room, touching this thing, looking at that. Nothing escaped her.
“I'm to fish—and shoot—and fence!” she crowed. “And, oh!—look at those knives! U-ugh!... And, my! what are these?” she cried, pouncing on the Indian clubs. “And look at the spiders! Dear, dear, I AM glad they're dead, anyhow,” she shuddered with a nervous laugh that was almost a sob.
Something in Billy's voice stirred Mrs. Hartwell to sudden action.
“Come, come, this will never do,” she protested authoritatively, motioning her brothers to leave the room. “Billy is quite tired out, and needs rest. She mustn't talk another bit to-night.”
“Of c-course not,” stammered William. And only too glad of an excuse to withdraw from a very embarrassing situation, the three men called back a faltering good-night, and precipitately fled down-stairs.
CHAPTER IX
A FAMILY CONCLAVE
“Well, William,” greeted Kate, grimly, when she came into the drawing-room, after putting her charge to bed, “have you had enough, now?”
“'Enough'! What do you mean?”
Kate raised her eyebrows.
“Why, surely, you're not thinking NOW that you can keep this girl here; are you?”
“I don't know why not.”
“William!”
“Well, where shall she go? Will you take her?”
“I? Certainly not,” declared Kate, with decision. “I'm sure I see no reason why I should.”
“No more do I see why William should, either,” cut in Cyril.
“Oh, come, what's the use,” interposed Bertram. “Let her stay. She's a nice little thing, I'm sure.”
Cyril and Kate turned sharply.
“Bertram!” The cry was a duet of angry amazement. Then Kate added: “It seems that you, too, have come under the sway of dark eyes, pink cheeks, and an unknown quantity of curly hair!”
Bertram laughed.
“Oh, well, she would be nice to—er—paint,” he murmured.
“See here, children,” demurred William, a little sternly, “all this is wasting time. There is no way out of it. I wouldn't be seen turning that homeless child away now. We must keep her; that's settled. The question is, how shall it be done? We must have some woman friend here to be her companion, of course; but whom shall we get?”
Kate sighed, and looked her dismay. Bertram threw a glance into Cyril's eyes, and made an expressive gesture.
“You see,” it seemed to say. “I told you how it would be!”
“Now whom shall we get?” questioned William again. “We must think.”
Unattached gentlewomen of suitable age and desirable temper did not prove to be so numerous among the Henshaws' acquaintances, however, as to make the selection of a chaperon very easy. Several were thought of and suggested; but in each case the candidate was found to possess one or more characteristics that made the idea of her presence utterly abhorrent to some one of the brothers. At last William expostulated:
“See here, boys, we aren't any nearer a settlement than we were in the first place. There isn't any woman, of course, who would exactly suit all of us; and so we shall just have to be willing to take some one who doesn't.”
“The trouble is,” explained Bertram, airily, “we want some one who will be invisible to every one except the world and Billy, and who will be inaudible always.”
“I don't know but you are right,” sighed William. “But suppose we settle on Aunt Hannah. She seems to be the least objectionable of the lot, and I think she'd come. She's alone in the world, and I believe the comfortable roominess of this house would be very grateful to her after the inconvenience of her stuffy little room over at the Back Bay.”
“You bet it would!” murmured Bertram, feelingly; but William did not appear to hear him.
“She's amiable, fairly sensible, and always a lady,” he went on; “and to-morrow morning I believe I'll run over and see if she can't come right away.”
“And may I ask which—er—stratum she—they—will occupy?” smiled Bertram.
“You may ask, but I'm afraid you won't find out very soon,” retorted William, dryly, “if we take as long to decide that matter as we have the rest of it.”
“Er—Cyril has the most—UNOCCUPIED space,” volunteered Bertram, cheerfully.
“Indeed!” retaliated Cyril. “Suppose you let me speak for myself! Of course, so far as truck is concerned, I'm not in it with you and Will. But as for the USE I put my rooms to—! Besides, I already have Pete there, and would have Dong Ling probably, if he slept here. However, if you want any of my rooms, don't let my petty wants and wishes interfere—”
“No, no,” interrupted William, in quick conciliation. “We don't want your rooms, Cyril. Aunt Hannah abhors stairs. Of course I might move, I suppose. My rooms are one flight less; but if I only didn't have so many things!”
“Oh, you men!” shrugged Kate, wearily. “Why don't you ask my opinion sometimes? It seems to me that in this case a woman's wit might be of some help!”
“All right, go ahead!” nodded William.
Kate leaned forward eagerly—Kate loved to “manage.”
“Go easy, now,” cautioned Bertram, warily. “You know a strata, even one as solid as ours, won't stand too much of an earthquake!”
“It isn't an earthquake at all,” sniffed Kate. “It's a very sensible move all around. Here are these two great drawing-rooms, the library, and the little reception-room across the hall, and not one of them is ever used but this. Of course the women wouldn't like to sleep down here, but why don't you, Bertram, take the back drawing-room, the library, and the little reception-room for yours, and leave the whole of the second floor for Billy and Aunt Hannah?”
“Good for you, Kate,” cried Bertram, appreciatively. “You've hit it square on the head, and we'll do it. I'll move to-morrow. The light down here is just as good as it is up-stairs—if you let it in!”
“Thank you, Bertram, and you, too, Kate,” breathed William, fervently. “Now, if you don't mind, I believe I'll go to bed. I am tired!”
CHAPTER X
AUNT HANNAH
As soon as possible after breakfast William went to see Aunt Hannah.
Hannah Stetson was not really William's aunt, though she had been called Aunt Hannah for years. She was the widow of a distant cousin, and she lived in a snug little room in a Back Bay boarding-house. She was a slender, white-haired woman with kind blue eyes, and a lovable smile. Her cheeks were still faintly pink, and her fine silver-white hair broke into little kinks and curls about her ears. According to Bertram she always made one think of “lavender and old lace.”
She welcomed William cordially this morning, though with faint surprise in her eyes.
“Yes, I know I'm an early caller, and an unexpected one,” began William, hurriedly. “And I shall have to plunge straight into the matter, too, for there isn't time to preamble. I've taken an eighteen-year-old girl to bring up, Aunt Hannah, and I want you to come down and live with us to chaperon her.”
“My grief and conscience, WILLIAM!” gasped the little woman, agitatedly.
“Yes, yes, I know, Aunt Hannah, everything you would say if you could. But please skip the hysterics. We've all had them, and Kate has already used every possible adjective that you could think up. Now it's just this.” And he hurriedly gave Mrs. Stetson a full account of the case, and told her plainly what he hoped and expected that she would do for him.
“Why, yes, of course—I'll come,” acquiesced the lady, a little breathlessly, “if—if you are sure you're going to—keep her.”
“Good! And remember I said 'now,' please—that I wanted you to come right away, to-day. Of course Kate can't stay. Just get in half a dozen women to help you pack, and come.”
“Half a dozen women in that little room, William—impossible!”
“Well, I only meant to get enough so you could come right off this morning.”
“But I don't need them, William. There are only my clothes and books, and such things. You know it is a FURNISHED room.”
“All right, all right, Aunt Hannah. I wanted to make sure you hurried, that's all. You see, I don't want Billy to suspect just how much she's upsetting us. I've asked Kate to take her over to her house for the day, while Bertram is moving down-stairs, and while we're getting you settled. I—I think you'll like it there, Aunt Hannah,” added William, anxiously. “Of course Billy's got Spunk, but—” he hesitated, and smiled a little.
“Got what?” faltered the other.
“Spunk. Oh, I don't mean THAT kind,” laughed William, in answer to the dismayed expression on his aunt's face. “Spunk is a cat.”
“A cat!—but such a name, William! I—I think we'll change that.”
“Eh? Oh, you do,” murmured William, with a curious smile. “Very well; be that as it may. Anyhow, you're coming, and we shall want you all settled by dinner time,” he finished, as he picked up his hat to go.
With Kate, Billy spent the long day very contentedly in Kate's beautiful Commonwealth Avenue home. The two boys, Paul, twelve years old, and Egbert, eight, were a little shy, it is true, and not really of much use as companions; but there was a little Kate, four years old, who proved to be wonderfully entertaining.
Billy was not much used to children, and she found this four-year-old atom of humanity to be a great source of interest and amusement. She even told Mrs. Hartwell at parting that little Kate was almost as nice as Spunk—which remark, oddly enough, did not appear to please Mrs. Hartwell to the extent that Billy thought that it would.
At the Beacon Street house Billy was presented at once to Mrs. Stetson.
“And you are to call me 'Aunt Hannah,' my dear,” said the little woman, graciously, “just as the boys do.”
“Thank you,” dimpled Billy, “and you don't know, Aunt Hannah, how good it seems to me to come into so many relatives, all at once!”
Upon going up-stairs Billy found her room somewhat changed. It was far less warlike, and the case of spiders had been taken away.
“And this will be your stratum, you know,” announced Bertram from the stairway, “yours and Aunt Hannah's. You're to have this whole floor. Will and Cyril are above, and I'm down-stairs.”
“You are? Why, I thought you—were—here.” Billy's face was puzzled.
“Here? Oh, well, I did have—some things here,” he retorted airily; “but I took them all away to-day. You see, my stratum is down-stairs, and it doesn't do to mix the layers. By the way, you haven't been up-stairs yet; have you? Come on, and I'll show you—and you, too, Aunt Hannah.”
Billy clapped her hands; but Aunt Hannah shook her head.
“I'll leave that for younger feet than mine,” she said; adding whimsically: “It's best sometimes that one doesn't try to step too far off one's own level, you know.”
“All right,” laughed the man. “Come on, Miss Billy.”
On the door at the head of the stairs he tapped twice, lightly.
“Well, Pete,” called Cyril's voice, none too cordially.
“Pete, indeed!” scoffed Bertram. “You've got company, young man. Open the door. Miss Billy is viewing the Strata.”
The bare floor echoed to a quick tread, then the door opened and Cyril faced them with a forced smile on his lips.
“Come in—though I fear there will be little—to see,” he said.
Bertram assumed a pompous attitude.
“Ladies and gentlemen; you behold here the lion in his lair.”
“Be still, Bertram,” ordered Cyril.
“He is a lion, really,” confided Bertram, in a lower voice; “but as he prefers it, we'll just call him 'the Musical Man.'”
“I should think I was some sort of music-box that turned with a crank,” bristled Cyril.
Bertram grinned.
“A—CRANK, did you say? Well, even I wouldn't have quite dared to say that, you know!”
With an impatient gesture Cyril turned on his heel. Bertram fell once more into his pompous attitude.
“Before you is the Man's workshop,” he orated. “At your right you see his instruments of tor—I mean, his instruments: a piano, flute, etc. At your left is the desk with its pens, paper, erasers, ink and postage stamps. I mention these because there are—er—so few things to mention here. Beyond, through the open door, one may catch glimpses of still other rooms; but they hold even less than this one holds. Tradition doth assert, however, that in one is a couch-bed, and in another, two chairs.”
Billy listened silently. Her eyes were questioning. She was not quite sure how to take Bertram's words; and the bare rooms and their stern-faced master filled her with a vague pity. But the pause that followed Bertram's nonsense seemed to be waiting for her to fill it.
“Oh, I should like to hear you—play, Mr. Cyril,” she stammered. Then, gathering courage. “CAN you play 'The Maiden's Prayer'?”
Bertram gave a cough, a spasmodic cough that sent him, red-faced, out into the hall. From there he called:
“Can't stop for the animals to perform, Miss Billy. It's 'most dinner time, and we've got lots to see yet.”
“All right; but—sometime,” nodded Billy over her shoulder to Cyril as she turned away. “I just love that 'Maiden's Prayer'!”
“Now this is William's stratum,” announced Bertram at the foot of the stairs. “You will perceive that there is no knocking here; William's doors are always open.”
“By all means! Come in—come in,” called William's cheery voice.
“Oh, my, what a lot of things!” exclaimed Billy. “My—my—what a lot of things! How Spunk will like this room!”
Bertram chuckled; then he made a great display of drawing a long breath.
“In the short time at our disposal,” he began loftily, “it will be impossible to point out each particular article and give its history from the beginning; but somewhere you will find four round white stones, which—”
“Er—yes, we know all about those white stones,” interrupted William, “and you'll please let me talk about my own things myself!” And he beamed benevolently on the wondering-eyed girl at Bertram's side.
“But there are so many!” breathed Billy.
“All the more chance then,” smiled William, “that somewhere among them you'll find something to interest you. Now these Chinese ceramics, and these bronzes—maybe you'd like those,” he suggested. And with a resigned sigh and an exaggerated air of submission, Bertram stepped back and gave way to his brother.
“And there are these miniatures, and these Japanese porcelains. Or perhaps you'd like stamps, or theatre programs better,” William finished anxiously.
Billy did not reply. She was turning round and round, her eyes wide and amazed. Suddenly she pounced on a beautifully decorated teapot, and held it up in admiring hands.
“Oh, what a pretty teapot! And what a cute little plate it sets in!” she cried.
The collector fairly bubbled over with joy.
“That's a Lowestoft—a real Lowestoft!” he crowed. “Not that hard-paste stuff from the Orient that's CALLED Lowestoft, but the real thing—English, you know. And that's the tray that goes with it, too. Wonderful—how I got them both! You know they 'most always get separated. I paid a cool hundred for them, anyhow.”
“A hundred dollars for a teapot!” gasped Billy.
“Yes; and here's a nice little piece of lustre-ware. Pretty—isn't it? And there's a fine bit of black basalt. And—”
“Er—Will,” interposed Bertram, meekly.
“Oh, and here's a Castleford,” cried William, paying no attention to the interruption. “Marked, too; see? 'D. D. & Co., Castleford.' You know there isn't much of that ware marked. This is a beauty, too, I think. You see this pitted surface—they made that with tiny little points set into the inner side of the mold. The design stands out fine on this. It's one of the best I ever saw. And, oh—”
“Er—William,” interposed Bertram again, a little louder this time. “May I just say—”
“And did you notice this 'Old Blue'?” hurried on William, eagerly. “Lid sets down in, you see—that's older than the kind where it sets over the top. Now here's one—”
“William,” almost shouted Bertram, “DINNER IS READY! Pete has sounded the gong twice already!”
“Eh? Oh, sure enough—sure enough,” acknowledged William, with a regretful glance at his treasures. “Well, we must go, we must go.”
“But I haven't seen your stratum at all,” demurred Billy to her guide, as they went down the stairway.
“Then there's something left for to-morrow,” promised Bertram; “but you must remember, I haven't got any beautiful 'Old Blues' and 'black basalts,' to say nothing of stamps and baggage tags. But I'll make you some tea—some real tea—and that's more than William has done, with all his hundred and one teapots!”
CHAPTER XI
BERTRAM HAS VISITORS
Spunk did not change his name; but that was perhaps the only thing that did not meet with some sort of change during the weeks that immediately followed Billy's arrival. Given a house, five men, and an ironbound routine of life, and it is scarcely necessary to say that the advent of a somewhat fussy elderly woman, an impulsive young girl, and a very-much-alive small cat will make some difference. As to Spunk's name—it was not Mrs. Stetson's fault that even that was left undisturbed.
Mrs. Stetson early became acquainted with Spunk. She was introduced to him, indeed, on the night of her arrival—though fortunately not at table: William had seen to it that Spunk did not appear at dinner, though to accomplish this the man had been obliged to face the amazed and grieved indignation of the kitten's mistress.
“But I don't see how any one CAN object to a nice clean little cat at the table,” Billy had remonstrated tearfully.
“I know; but—er—they do, sometimes,” William had stammered; “and this is one of the times. Aunt Hannah would never stand for it—never!”
“Oh, but she doesn't know Spunk,” Billy had observed then, hopefully. “You just wait until she knows him.”
Mrs. Stetson began to “know” Spunk the next day. The immediate source of her knowledge was the discovery that Spunk had found her ball of black knitting yarn, and had delightedly captured it. Not that he was content to let it remain where it was—indeed, no. He rolled it down the stairs, batted it through the hall to the drawing-room, and then proceeded to 'chasse' with it in and out among the legs of various chairs and tables, ending in one grand whirl that wound the yarn round and round his small body, and keeled him over half upon his back. There he blissfully went to sleep.
Billy found him after a gleeful following of the slender woollen trail. Mrs. Stetson was with her—but she was not gleeful.
“Oh, Aunt Hannah, Aunt Hannah,” gurgled Billy, “isn't he just too cute for anything?”
Aunt Hannah shook her head.
“I must confess I don't see it,” she declared. “My dear, just look at that hopeless snarl!”
“Oh, but it isn't hopeless at all,” laughed Billy. “It's like one of those strings they unwind at parties with a present at the end of it. And Spunk is the present,” she added, when she had extricated the small gray cat. “And you shall hold him,” she finished, graciously entrusting the sleepy kitten to Mrs. Stetson's unwilling arms.
“But, I—it—I can't—Billy! I don't like that name,” blurted out the indignant little lady with as much warmth as she ever allowed herself to show. “It must be changed to—to 'Thomas.'”
“Changed? Spunk's name changed?” demanded Billy, in a horrified voice. “Why, Aunt Hannah, it can't be changed; it's HIS, you know.” Then she laughed merrily. “'Thomas,' indeed! Why, you old dear!—just suppose I should ask YOU to change your name! Now I like 'Helen Clarabella' lots better than 'Hannah,' but I'm not going to ask you to change that—and I'm going to love you just as well, even if you are 'Hannah'—see if I don't! And you'll love Spunk, too, I'm sure you will. Now watch me find the end of this snarl!” And she danced over to the dumbfounded little lady in the big chair, gave her an affectionate kiss, and then attacked the tangled mass of black with skilful fingers.
“But, I—you—oh, my grief and conscience!” finished the little woman whose name was not Helen Clarabella.—“Oh, my grief and conscience,” according to Bertram, was Aunt Hannah's deadliest swear-word.
In Aunt Hannah's black silk lap Spunk stretched luxuriously, and blinked sleepy eyes; then with a long purr of content he curled himself for another nap—still Spunk.
It was some time after luncheon that day that Bertram heard a knock at his studio door. Bertram was busy. His particular pet “Face of a Girl” was to be submitted soon to the judges of a forthcoming Art Exhibition, and it was not yet finished. He was trying to make up now for the many hours lost during the last few days; and even Bertram, at times, did not like interruptions. His model had gone, but he was still working rapidly when the knock came. His tone was not quite cordial when he answered.
“Well?”
“It's I—Spunk and I. May we come in?” called a confident voice.
Bertram said a sharp word behind his teeth—but he opened the door.
“Of course! I was—painting,” he announced.
“How lovely! And I'll watch you. Oh, my—what a pretty room!”
“I'm glad you like it.”
“Indeed I do; I like it ever so much. I shall stay here lots, I know.”
“Oh, you—will!” For once even Bertram's ready tongue failed to find fitting response.
“Yes. Now paint. I want to see you. Aunt Hannah has gone out anyway, and I'm lonesome. I think I'll stay.”
“But I can't—that is, I'm not used to spectators.”
“Of course you aren't, you poor old lonesomeness! But it isn't going to be that way, any more, you know, now that I've come. I sha'n't let you be lonesome.”
“I could swear to that,” declared the man, with sudden fervor; and for Billy's peace of mind it was just as well, perhaps, that she did not know the exact source of that fervency.
“Now paint,” commanded Billy again.
Because he did not know what else to do, Bertram picked up a brush; but he did not paint. The first stroke of his brush against the canvas was to Spunk a challenge; and Spunk never refused a challenge. With a bound he was on Bertram's knee, gleeful paw outstretched, batting at the end of the brush.
“Tut, tut—no, no—naughty Spunk! Say, but wasn't that cute?” chuckled Billy. “Do it again!”
The artist gave an exasperated sigh.
“My dear girl,” he protested, “cruel as it may seem to you, this picture is not a kindergarten game for the edification of small cats. I must politely ask Spunk to desist.”
“But he won't!” laughed Billy. “Never mind; we will take it some day when he's asleep. Let's not paint any more, anyhow. I've come to see your rooms.” And she sprang blithely to her feet. “Dear, dear, what a lot of faces!—and all girls, too! How funny! Why don't you paint other things? Still, they are rather nice.”
“Thank you,” accepted Bertram; dryly.
Bertram did not paint any more that afternoon. Billy found much to interest her, and she asked numberless questions. She was greatly excited when she understood the full significance of the omnipresent “Face of a Girl”; and she graciously offered to pose herself for the artist. She spent, indeed, quite half an hour turning her head from side to side, and demanding “Now how's that?—and that?” Tiring at last of this, she suggested Spunk as a substitute, remarking that, after all, cats—pretty cats like Spunk—were even nicer to paint than girls.
She rescued Spunk then from the paint-box where he had been holding high carnival with Bertram's tubes of paint, and demanded if Bertram ever saw a more delightful, more entrancing, more altogether-to-be-desired model. She was so artless, so merry, so frankly charmed with it all that Bertram could not find it in his heart to be angry, notwithstanding his annoyance. But when at four o'clock, she took herself and her cat cheerily up-stairs, he lifted his hands in despair.
“Great Scott!” he groaned. “If this is a sample of what's coming—I'm GOING, that's all!”
CHAPTER XII
CYRIL TAKES HIS TURN
Billy had been a member of the Beacon Street household a week before she repeated her visit to Cyril at the top of the house. This time Bertram was not with her. She went alone. Even Spunk was left behind—Billy remembered her prospective host's aversion to cats.
Billy did not feel that she knew Cyril very well. She had tried several times to chat with him; but she had made so little headway, that she finally came to the conclusion—privately expressed to Bertram—that Mr. Cyril was bashful. Bertram had only laughed. He had laughed the harder because at that moment he could hear Cyril pounding out his angry annoyance on the piano upstairs—Cyril had just escaped from one of Billy's most determined “attempts,” and Bertram knew it. Bertram's laugh had puzzled Billy—and it had not quite pleased her. Hence to-day she did not tell him of her plan to go up-stairs and see what she could do herself, alone, to combat this “foolish bashfulness” on the part of Mr. Cyril Henshaw.
In spite of her bravery, Billy waited quite one whole minute at the top of the stairs before she had the courage to knock at Cyril's door.
The door was opened at once.
“Why—Billy!” cried the man in surprise.
“Yes, it's Billy. I—I came up to—to get acquainted,” she smiled winningly.
“Why, er—you are very kind. Will you—come in?”
“Thank you; yes. You see, I didn't bring Spunk. I—remembered.”
Cyril bowed gravely.
“You are very kind—again,” he said.
Billy fidgeted in her chair. To her mind she was not “getting on” at all. She determined on a bold stroke.
“You see, I thought if—if I should come up here, where there wouldn't be so many around, we might get acquainted,” she confided; “then I would get to like you just as well as I do the others.”
At the odd look that came into the man's face, the girl realized suddenly what she had said. Her cheeks flushed a confused red.
“Oh, dear! That is, I mean—I like you, of course,” she floundered miserably; then she broke off with a frank laugh. “There! you see I never could get out of anything. I might as well own right up. I DON'T like you as well as I do Uncle William and Mr. Bertram. So there!”
Cyril laughed. For the first time since he had seen Billy, something that was very like interest came into his eyes.
“Oh, you don't,” he retorted. “Now that is—er—very UNkind of you.”
Billy shook her head.
“You don't say that as if you meant it,” she accused him, her eyes gravely studying his face. “Now I'M in earnest. I really want to like YOU!”
“Thank you. Then perhaps you won't mind telling me why you don't like me,” he suggested.
Again Billy flushed.
“Why, I—I just don't; that's all,” she faltered. Then she cried aggrievedly: “There, now! you've made me be impolite; and I didn't mean to be, truly.”
“Of course not,” assented the man; “and it wasn't impolite, because I asked you for the information, you know. I may conclude then,” he went on with an odd twinkle in his eyes, “that I am merely classed with tripe and rainy days.”
“With—wha-at?”
“Tripe and rainy days. Those are the only things, if I remember rightly, that you don't like.”
The girl stared; then she chuckled.
“There! I knew I'd like you better if you'd only SAY something,” she beamed. “But let's not talk any more about that. Play to me; won't you? You know you promised me 'The Maiden's Prayer.'”
Cyril stiffened.
“Pardon me, but you must be mistaken,” he replied coldly. “I do not play 'The Maiden's Prayer.'”
“Oh, what a shame! And I do so love it! But you play other things; I've heard you a little, and Mr. Bertram says you do—in concerts and things.”
“Does he?” murmured Cyril, with a slight lifting of his eyebrows.
“There! Now off you go again all silent and horrid!” chaffed Billy. “What have I said now? Mr. Cyril—do you know what I think? I believe you've got NERVES!” Billy's voice was so tragic that the man could but laugh.
“Perhaps I have, Miss Billy.”
“Like Miss Letty's?”
“I'm not acquainted with the lady.”
“Gee! wouldn't you two make a pair!” chuckled Billy unexpectedly. “No; but, really, I mean—do you want people to walk on tiptoe and speak in whispers?”
“Sometimes, perhaps.”
The girl sprang to her feet—but she sighed.
“Then I'm going. This might be one of the times, you know.” She hesitated, then walked to the piano. “My, wouldn't I like to play on that!” she breathed.
Cyril shuddered. Cyril could imagine what Billy would play—and Cyril did not like “rag-time,” nor “The Storm.”
“Oh, do you play?” he asked constrainedly.
Billy shook her head.
“Not much. Only little bits of things, you know,” she said wistfully, as she turned toward the door.
For some minutes after she had gone, Cyril stood where she had left him, his eyes moody and troubled.
“I suppose I might have played—something,” he muttered at last; “but—'The Maiden's Prayer'!—good heavens!”
Billy was a little shy with Cyril when he came down to dinner that night. For the next few days, indeed, she held herself very obviously aloof from him. Cyril caught himself wondering once if she were afraid of his “nerves.” He did not try to find out, however; he was too emphatically content that of her own accord she seemed to be leaving him in peace.
It must have been a week after Billy's visit to the top of the house that Cyril stopped his playing very abruptly one day, and opened his door to go down-stairs. At the first step he started back in amazement.
“Why, Billy!” he ejaculated.
The girl was sitting very near the top of the stairway. At his appearance she got to her feet shamefacedly.
“Why, Billy, what in the world are you doing there?”
“Listening.”
“Listening!”
“Yes. Do you mind?”
The man did not answer. He was too surprised to find words at once, and he was trying to recollect what he had been playing.
“You see, listening to music this way isn't like listening to—to talking,” hurried on Billy, feverishly. “It isn't sneaking like that; is it?”
“Why—no.”
“And you don't mind?”
“Why, surely, I ought not to mind—that,” he admitted.
“Then I can keep right on as I have done. Thank you,” sighed Billy, in relief.
“Keep right on! Have you been here before?”
“Why, yes, lots of days. And, say, Mr. Cyril, what is that—that thing that's all chords with big bass notes that keep saying something so fine and splendid that it marches on and on, getting bigger and grander, just as if there couldn't anything stop it, until it all ends in one great burst of triumph? Mr. Cyril, what is that?”
“Why, Billy!”—the interest this time in the man's face was not faint—“I wish I might make others catch my meaning as I have evidently made you do it! That's something of my own—that I'm writing, you understand; and I've tried to say—just what you say you heard.”
“And I did hear it—I did! Oh, won't you play it, please, with the door open?”
“I can't, Billy. I'm sorry, indeed I am. But I've an appointment, and I'm late now. You shall hear it, though, I promise you, and with the door wide open,” continued the man, as, with a murmured apology, he passed the girl and hurried down the stairs.
Billy waited until she heard the outer hall door shut; then very softly she crept through Cyril's open doorway, and crossed the room to the piano.
CHAPTER XIII
A SURPRISE ALL AROUND
May came, and with it warm sunny days. There was a little balcony at the rear of the second floor, and on this Mrs. Stetson and Billy sat many a morning and sewed. There were occupations that Billy liked better than sewing; but she was dutiful, and she was really fond of Aunt Hannah; so she accepted as gracefully as possible that good lady's dictum that a woman who could not sew, and sew well, was no lady at all.
One of the things that Billy liked to do so much better than to sew was to play on Cyril's piano. She was very careful, however, that Mr. Cyril himself did not find this out. Cyril was frequently gone from the house, and almost as frequently Aunt Hannah took naps. At such times it was very easy to slip up-stairs to Cyril's rooms, and once at the piano, Billy forgot everything else.
One day, however, the inevitable happened: Cyril came home unexpectedly. The man heard the piano from William's floor, and with a surprised ejaculation he hurried upstairs two steps at a time. At the door he stopped in amazement.
Billy was at the piano, but she was not playing “rag-time,” “The Storm,” nor yet “The Maiden's Prayer.” There was no music before her, but under her fingers “big bass notes” very much like Cyril's own, were marching on and on to victory. Billy's face was rapturously intent and happy.
“By Jove—Billy!” gasped the man.
Billy leaped to her feet and whirled around guiltily.
“Oh, Mr. Cyril—I'm so sorry!”
“Sorry!—and you play like that!”
“No, no; I'm not sorry I played. It's because you—found me.”
Billy's cheeks were a shamed red, but her eyes were defiantly brilliant, and her chin was at a rebellious tilt. “I wasn't doing any—harm; not if you weren't here—with your NERVES!”
The man laughed and came slowly into the room.
“Billy, who taught you to play?”
“No one. I can't play. I can only pick out little bits of things in C.”
“But you do play. I just heard you.”
Billy shrugged her shoulders.
“That was nothing. It was only what I had heard. I was trying to make it sound like—yours.”
“And, by George! you succeeded,” muttered Cyril under his breath; then aloud he asked: “Didn't you ever study music?”
Billy's eyes dimmed.
“No. That was the only thing Aunt Ella and I didn't think alike about. She had an old square piano, all tin-panny and thin, you know. I played some on it, and wanted to take lessons; but I didn't want to practise on that. I wanted a new one. That's what she wouldn't do—get me a new piano, or let me do it. She said SHE practised on that piano, and that it was quite good enough for me, especially to learn on. I—I'm afraid I got stuffy. I hated that piano so! But I was almost ready to give in when—when Aunt Ella died.”
“And all you play then is just by ear?”
“By—ear? I suppose so—if you mean what I hear. Easy things I can play quick, but—but those chords ARE hard; they skip around so!”
Cyril smiled oddly.
“I should say so,” he agreed. “But perhaps there is something else that I play—that you like. Is there?”
“Oh, yes. Now there's that little thing that swings and sways like this,” cried Billy, dropping herself on to the piano stool and whisking about. Billy was not afraid now, nor defiant. She was only eager and happy again. In a moment a dreamy waltz fell upon Cyril's ears—a waltz that he often played himself. It was not played correctly, it is true. There were notes, and sometimes whole measures, that were very different from the printed music. But the tune, the rhythm, and the spirit were there.
“And there's this,” said Billy; “and this,” she went on, sliding into one little strain after another—all of which were recognized by the amazed man at her side.
“Billy,” he cried, when she had finished and whirled upon him again, “Billy, would you like to learn to play—really play from notes?”
“Oh, wouldn't I!”
“Then you shall! We'll have a piano tomorrow in your rooms for you to practise on. And—I'll teach you myself.”
“Oh, thank you, Mr. Cyril—you don't know how I thank you!” exulted Billy, as she danced from the room to tell Aunt Hannah of this great and good thing that had come into her life.
To Billy, this promise of Cyril's to be her teacher was very kind, very delightful; but it was not in the least a thing at which to marvel. To Bertram, however, it most certainly was.
“Well, guess what's happened,” he said to William that night, after he had heard the news. “I'll believe anything now—anything: that you'll raffle off your collection of teapots at the next church fair, or that I shall go to Egypt as a 'Cooky' guide. Listen; Cyril is going to give piano lessons to Billy!—CYRIL!”
CHAPTER XIV
AUNT HANNAH SPEAKS HER MIND
Bertram said that the Strata was not a strata any longer. He declared that between them, Billy and Spunk had caused such an upheaval that there was no telling where one stratum left off and another began. What Billy had not attended to, Spunk had, he said.
“You see, it's like this,” he explained to an amused friend one day. “Billy is taking piano lessons of Cyril, and she is posing for one of my heads. Naturally, then, such feminine belongings as fancy-work, thread, thimbles, and hairpins are due to show up at any time either in Cyril's apartments or mine—to say nothing of William's; and she's in William's lots—to look for Spunk, if for no other purpose.
“You must know that Spunk likes William's floor the best of the bunch, there are so many delightful things to play with. Not that Spunk stays there—dear me, no. He's a sociable little chap, and his usual course is to pounce on a shelf, knock off some object that tickles his fancy, then lug it in his mouth to—well, anywhere that he happens to feel like going. Cyril has found him up-stairs with a small miniature, battered and chewed almost beyond recognition. And Aunt Hannah nearly had a fit one day when he appeared in her room with an enormous hard-shelled black bug—dead, of course—that he had fished from a case that Pete had left open. As for me, I can swear that the little round white stone he was playing with in my part of the house was one of William's Collection Number One.
“And that isn't all,” Bertram continued. “Billy brings her music down to show to me, and lugs my heads all over the rest of the house to show to other folks. And there is always everywhere a knit shawl, for Aunt Hannah is sure to feel a draught, and Billy keeps shawls handy. So there you are! We certainly aren't a strata any longer,” he finished.
Billy was, indeed, very much at home in the Beacon Street house—too much so, Aunt Hannah thought. Aunt Hannah was, in fact, seriously disturbed. To William one evening, late in May, she spoke her mind.
“William, what are you going to do with Billy?” she asked abruptly.
“Do with her? What do you mean?” returned William with the contented smile that was so often on his lips these days. “This is Billy's home.”
“That's the worst of it,” sighed the woman, with a shake of her head.
“The worst of it! Aunt Hannah, what do you mean? Don't you like Billy?”
“Yes, yes, William, of course I like Billy. I love her! Who could help it? That's not what I mean. It's of Billy I'm thinking, and of the rest of you. She can't stay here like this. She must go away, to school, or—or somewhere.”
“And she's going in September,” replied the man. “She'll go to preparatory school first, and to college, probably.”
“Yes, but now—right away. She ought to go—somewhere.”
“Why, yes, for the summer, of course. But those plans aren't completed yet. Billy and I were talking of it last evening. You know the boys are always away more or less, but I seldom go until August, and we let Pete and Dong Ling off then for a month and close the house. I told Billy I'd send you and her anywhere she liked for the whole summer, but she says no. She prefers to stay here with me. But I don't quite fancy that idea—through all the hot June and July—so I don't know but I'll get a cottage somewhere near at one of the beaches, where I can run back and forth night and morning. Of course, in that case, we take Pete and Dong Ling with us and close the house right away. I fear Cyril would not fancy it much; but, after all, he and Bertram would be off more or less. They always are in the summer.”
“But, William, you haven't yet got my idea at all,” demurred Aunt Hannah, with a discouraged shake of her head. “It's away!—away from all this—from you—that I want to get Billy.”
“Away! Away from me,” cried the man, with an odd intonation of terror, as he started forward in his chair. “Why, Aunt Hannah, what are you talking about?”
“About Billy. This is no place in which to bring up a young girl—a young girl who has not one shred of relationship to excuse it.”
“But she is my namesake, and quite alone in the world, Aunt Hannah; quite alone—poor child!”
“My dear William, that is exactly it—she is a child, and yet she is not. That's where the trouble lies.”
“What do you mean?”
“William, Billy has been brought up in a little country town with a spinster aunt and a whole good-natured, tolerant village for company. Well, she has accepted you and your entire household, even down to Dong Ling, on the same basis.”
“Well, I'm sure I'm glad,” asserted the man with genial warmth. “It's good for us to have her here. It's good for the boys. She's already livened Cyril up and toned Bertram down. I may as well confess, Aunt Hannah, that I've been more than a little disturbed about Bertram of late. I don't like that Bob Seaver that he is so fond of; and some other fellows, too, that have been coming here altogether too much during the last year. Bertram says they're only a little 'Bohemian' in their tastes. And to me that's the worst of it, for Bertram himself is quite too much inclined that way.”
“Exactly, William. And that only goes to prove what I said before. Bertram is not a spinster aunt, and neither are any of the rest of you. But Billy takes you that way.”
“Takes us that way—as spinster aunts!”
“Yes. She makes herself as free in this house as she was in her Aunt Ella's at Hampden Falls. She flies up to Cyril's rooms half a dozen times a day with some question about her lessons; and I don't know how long she'd sit at his feet and adoringly listen to his playing if he didn't sometimes get out of patience and tell her to go and practise herself. She makes nothing of tripping into Bertram's studio at all hours of the day; and he's sketched her head at every conceivable angle—which certainly doesn't tend to make Billy modest or retiring. As to you—you know how much she's in your rooms, spending evening after evening fussing over your collections.”
“I know; but we're—we're sorting them and making a catalogue,” defended the man, anxiously. “Besides, I—I like to have her there. She doesn't bother me a bit.”
“No; I know she doesn't,” replied Aunt Hannah, with a curious inflection. “But don't you see, William, that all this isn't going to quite do? Billy's too young—and too old.”
“Come, come, Aunt Hannah, is that exactly logical?”
“It's true, at least.”
“But, after all, where's the harm? Don't you think that you are just a little bit too—fastidious? Billy's nothing but a care-free child.”
“It's the 'free' part that I object to, William. She has taken every one of you into intimate companionship—even Pete and Dong Ling.”
“Pete and Dong Ling!”
“Yes.” Mrs. Stetson's chin came up, and her nostrils dilated a little. “Billy went to Pete the other day to have him button her shirt-waist up in the back; and yesterday I found her down-stairs in the kitchen instructing Dong Ling how to make chocolate fudge!”
William fell back in his chair.
“Well, well,” he muttered, “well, well! She is a child, and no mistake!” He paused, his brows drawn into a troubled frown. “But, Aunt Hannah, what CAN I do? Of course you could talk to her, but—I don't seem to quite like that idea.”
“My grief and conscience—no, no! That isn't what is needed at all. It would only serve to make her self-conscious; and that's her one salvation now—that she isn't self-conscious. You see, it's only the fault of her environment and training, after all. It isn't her heart that's wrong.”
“Indeed it isn't!”
“It will be different when she is older—when she has seen a little more of the world outside Hampden Falls. She'll go to school, of course, and I think she ought to travel a little. Meanwhile, she mustn't live—just like this, though; certainly not for a time, at least.”
“No, no, I'm afraid not,” agreed William, perplexedly, rising to his feet. “But we must think—what can be done.” His step was even slower than usual as he left the room, and his eyes were troubled.
CHAPTER XV
WHAT BERTRAM CALLS “THE LIMIT”
At half past ten o'clock on the evening following Mrs. Stetson's very plain talk with William, the telephone bell at the Beacon Street house rang sharply. Pete answered it.
“Well?”—Pete never said “hello.”
“Hello. Is that you, Pete?” called Billy's voice agitatedly. “Is Uncle William there?”
“No, Miss Billy.”
“Oh dear! Well, Mr. Cyril, then?”
“He's out, too, Miss Billy. And Mr. Bertram—they're all out.”
“Yes, yes, I know HE'S out,” almost sobbed Billy. “Dear, dear, what shall I do! Pete, you'll have to come. There isn't any other way!”
“Yes, Miss; where?” Pete's voice was dubious, but respectful.
“To the Boylston Street subway—on the Common, you know—North-bound side. I'll wait for you—but HURRY! You see, I'm all alone here.”
“Alone! Miss Billy—in the subway at this time of night! But, Miss Billy, you shouldn't—you can't—you mustn't—” stuttered the old man in helpless horror.
“Yes, yes, Pete, but never mind; I am here! And I should think if 'twas such a dreadful thing you would hurry FAST to get here, so I wouldn't be alone,” appealed Billy.
With an inarticulate cry Pete jerked the receiver on to the hook, and stumbled away from the telephone. Five minutes later he had left the house and was hurrying through the Common to the Boylston Street subway station.
Billy, a long cloak thrown over her white dress, was waiting for him. Her white slippers tapped the platform nervously, and her hair, under the light scarf of lace, fluffed into little broken curls as if it had been blown by the wind.
“Miss Billy, Miss Billy, what can this mean?” gasped the man. “Where is Mrs. Stetson?”
“At Mrs. Hartwell's—you know she is giving a reception to-night. But come, we must hurry! I'm after Mr. Bertram.”
“After Mr. Bertram!”
“Yes, yes.”
“Alone?—like this?”
“But I'm not alone now; I have you. Don't you see?”
At the blank stupefaction in the man's face, the girl sighed impatiently.
“Dear me! I suppose I'll have to explain; but we're losing time—and we mustn't—we mustn't!” she cried feverishly. “Listen then, quick. It was at Mrs. Hartwell's tonight. I'd been watching Mr. Bertram. He was with that horrid Mr. Seaver, and I never liked him, never! I overheard something they said, about some place they were going to, and I didn't like what Mr. Seaver said. I tried to speak to Mr. Bertram, but I didn't get a chance; and the next thing I knew he'd gone with that Seaver man! I saw them just in time to snatch my cloak and follow them.”
“FOLLOW them! MISS BILLY!”
“I had to, Pete; don't you see? There was no one else. Mr. Cyril and Uncle William had gone—home, I supposed. I sent back word by the maid to Aunt Hannah that I'd gone ahead; you know the carriage was ordered for eleven; but I'm afraid she won't have sense to tell Aunt Hannah, she looked so dazed and frightened when I told her. But I COULDN'T wait to say more. Well, I hurried out and caught up with Mr. Bertram just as they were crossing Arlington Street to the Garden. I'd heard them say they were going to walk, so I knew I could do it. But, Pete, after I got there, I didn't dare to speak—I didn't DARE to! So I just—followed. They went straight through the Garden and across the Common to Tremont Street, and on and on until they stopped and went down some stairs, all marble and lights and mirrors. 'Twas a restaurant, I think. I saw just where it was, then I flew back here to telephone for Uncle William. I knew HE could do something. But—well, you know the rest. I had to take you. Now come, quick; I'll show you.”
“But, Miss Billy, I can't! You mustn't; it's impossible,” chattered old Pete. “Come, let me take ye home, Miss Billy, do!”
“Home—and leave Mr. Bertram with that Seaver man? No, no!”
“What CAN ye do?”
“Do? I can get him to come home with me, of course.”
The old man made a despairing gesture and looked about him as if for help. He saw then the curious, questioning eyes on all sides; and with a quick change of manner, he touched Miss Billy's arm.
“Yes; we'll go. Come,” he apparently agreed. But once outside on the broad expanse before the Subway entrance he stopped again. “Miss Billy, please come home,” he implored. “Ye don't know—ye can't know what yer a-doin'!”
The girl tossed her head. She was angry now.
“Pete, if you will not go with me I shall go alone. I am not afraid.”
“But the hour—the place—you, a young girl! Miss Billy!” remonstrated the old man agitatedly.
“It isn't so very late. I've been out lots of times later than this at home. And as for the place, it's all light and bright, and lots of people were going in—ladies and gentlemen. Nothing could hurt me, Pete, and I shall go; but I'd rather you were with me. Why, Pete, we mustn't leave him. He isn't—he isn't HIMSELF, Pete. He—he's been DRINKING!” Billy's voice broke, and her face flushed scarlet. She was almost crying. “Come, you won't refuse now!” she finished, resolutely turning toward the street.
And because old Pete could not pick her up bodily and carry her home, he followed close at her heels. At the head of the marble stairs “all lights and mirrors,” however, he made one last plea.
“Miss Billy, once more I beg of ye, won't ye come home? Ye don't know what yer a-doin', Miss Billy, ye don't—ye don't!”
“I can't go home,” persisted Billy. “I must get Mr. Bertram away from that man. Now come; we'll just stand at the door and look in until we see him. Then I'll go straight to him and speak to him.” And with that she turned and ran down the steps.
Billy blinked a little at the lights which, reflected in the great plate-glass mirrors, were a million dazzling points that found themselves again repeated in the sparkling crystal and glittering silver on the flower-decked tables. All about her Billy saw flushed-faced men, and bright-eyed women, laughing, chatting, and clinking together their slender-stemmed wine glasses. But nowhere, as she looked about her, could Billy descry the man she sought.
The head waiter came forward with uplifted hand, but Billy did not see him. A girl at her left laughed disagreeably, and several men stared with boldly admiring eyes; but to them, too, Billy paid no heed. Then, halfway across the room she spied Bertram and Seaver sitting together at a small table alone.
Simultaneously her own and Bertram's eyes met.
With a sharp word under his breath Bertram sprang to his feet. His befogged brain had cleared suddenly under the shock of Billy's presence.
“Billy, for Heaven's sake what are you doing here?” he demanded in a low voice, as he reached her side.
“I came for you. I want you to go home with me, please, Mr. Bertram,” whispered Billy, pleadingly.
The man had not waited for an answer to his question. With a deft touch he had turned Billy toward the door; and even as she finished her sentence she found herself in the marble hallway confronting Pete, pallid-faced, and shaking.
“And you, too, Pete! Great Scott! what does this mean?” he exploded angrily.
Pete could only shake his head and glance imploringly at Billy. His dry lips and tongue refused to articulate even one word.
“We came—for—you,” choked Billy. “You see, I don't like that Seaver man.”
“Well, by Jove! this is the limit!” breathed Bertram.
CHAPTER XVI
KATE TAKES A HAND
Undeniably Billy was in disgrace, and none knew it better than Billy herself. The whole family had contributed to this knowledge. Aunt Hannah was inexpressibly shocked; she had not breath even to ejaculate “My grief and conscience!” Kate was disgusted; Cyril was coldly reserved; Bertram was frankly angry; even William was vexed, and showed it. Spunk, too, as if in league with the rest, took this opportunity to display one of his occasional fits of independence; and when Billy, longing for some sort of comfort, called him to her, he settled back on his tiny haunches and imperturbably winked and blinked his indifference.
Nearly all the family had had something to say to Billy on the matter, with not entirely satisfactory results, when Kate determined to see what she could do. She chose a time when she could have the girl quite to herself with small likelihood of interruption.
“But, Billy, how could you do such an absurd thing?” she demanded. “The idea of leaving my house alone, at half-past ten at night, to follow a couple of men through the streets of Boston, and then with my brothers' butler make a scene like that in a—a public dining-room!”
Billy sighed in a discouraged way.
“Aunt Kate, can't I make you and the rest of them understand that I didn't start out to do all that? I meant just to speak to Mr. Bertram, and get him away from that man.”
“But, my dear child, even that was bad enough!”
Billy lifted her chin.
“You don't seem to think, Aunt Kate; Mr. Bertram was—was not sober.”
“All the more reason then why you should NOT have done what you did!”
“Why, Aunt Kate, you wouldn't leave him alone in that condition with that man!”
It was Mrs. Hartwell's turn to sigh.
“But, Billy,” she contested, wearily, “can't you understand that it wasn't YOUR place to interfere—you, a young girl?”
“I'm sure I don't see what difference that makes. I was the only one that could do it! Besides, afterward, I did try to get some one else, Uncle William and Mr. Cyril. But when I found I couldn't get them, I just had to do it alone—that is, with Pete.”
“Pete!” scoffed Mrs. Hartwell. “Pete, indeed!”
Billy's head came up with a jerk. Billy was very angry now.
“Aunt Kate, it seems I've done a very terrible thing, but I'm sure I don't see it that way. I wasn't afraid, and I wasn't in the least bit of danger anywhere. I knew my way perfectly, and I did NOT make any 'scene' in that restaurant. I just asked Mr. Bertram to come home with me. One would think you WANTED Mr. Bertram to go off with that man and—and drink too much. But Uncle William hasn't liked him before, not one bit! I've heard him talk about him—that Mr. Seaver.”
Mrs. Hartwell raised both her hands, palms outward.
“Billy, it is useless to talk with you. You are quite impossible. It is even worse than I expected!” she cried, with wrathful impatience.
“Worse than you—expected? What do you mean, please?”
“Worse than I thought it would be—before you came. The idea of those five men taking a girl to bring up!”
Billy sat very still. She was even holding her breath, though Mrs. Hartwell did not know that.
“You mean—that they did not—want me?” she asked quietly, so quietly that Mrs. Hartwell did not realize the sudden tension behind the words. For that matter, Mrs. Hartwell was too angry now to realize anything outside of herself.
“Want you! Billy, it is high time that you understand just how things are, and have been, at the house; then perhaps you will conduct yourself with an eye a little more to other people's comfort. Can you imagine three young men like my brothers WANTING to take a strange young woman into their home to upset everything?”
“To—upset—everything!” echoed Billy, faintly. “And have I done—that?”
“Of course you have! How could you help it? To begin with, they thought you were a boy, and that was bad enough; but William was so anxious to do right by his dead friend that he insisted upon taking you, much against the will of all the rest of us. Oh, I know this isn't pleasant for you to hear,” admitted Mrs. Hartwell, in response to the dismayed expression in Billy's eyes; “but I think it's high time you realize something of what those men have sacrificed for you. Now, to resume. When they found you were a girl, what did they do? Did they turn you over to some school or such place, as they should have done? Certainly not! William would not hear of it. He turned Bertram out of his rooms, put you into them, and established Aunt Hannah as chaperon and me as substitute until she arrived. But because, through it all, he smiled blandly, you have been blind to the whole thing.
“And what is the result? His entire household routine is shattered to atoms. You have accepted the whole house as if it were your own. You take Cyril's time to teach you music, and Bertram's to teach you painting, without a thought of what it means to them. There! I suppose I ought not to have said all this, but I couldn't help it, Billy. And surely now, NOW you appreciate a little more what your coming to this house has meant, and what my brothers have done for you.”
“I do, certainly,” said Billy, still in that voice that was so oddly smooth and emotionless.
“And you'll try to be more tractable, less headstrong, less assertive of your presence?”
The girl sprang to her feet now.
“More tractable! Less assertive of my presence!” she cried. “Mrs. Hartwell, do you mean to say you think I'd STAY after what you've told me?”
“Stay? Why, of course you'll stay! Don't be silly, child. I didn't tell you this to make you go. I only wanted you to understand how things were—and are.”
“And I do understand—and I'm going.”
Mrs. Hartwell frowned. Her face changed color.
“Come, come, Billy, this is nonsense. William wants you here. He would never forgive me if anything I said should send you away. You must not be angry with, him.”
Billy turned now like an enraged little tigress.
“Angry with him! Why, I love him—I love them all! They are the dearest men ever, and they've been so good to me!” The girl's voice broke a little, then went on with a more determined ring. “Do you think I'd have them know why I'm going?—that I'd hurt them like that? Never!”
“But, Billy, what are you going to do?”
“I don't know. I've got to plan it out. I only know now that I'm going, sure!” And with a choking little cry Billy ran from the room.
In her own chamber a minute later the tears fell unrestrained.
“It's home—all the home there is—anywhere!” she sobbed. “But it's got to go—it's got to go!”
CHAPTER XVII
A PINK-RIBBON TRAIL
Mrs. Stetson wore an air of unmistakable relief as she stepped into William's sitting-room. Even her knock at the half-open door had sounded almost triumphant.
“William, it does seem as if Fate itself had intervened to help us out,” she began delightedly. “Billy, of her own accord, came to me this morning, and said that she wanted to go away with me for a little trip. So you see that will make it easier for us.”
“Good! That is fortunate, indeed,” cried William; but his voice did not carry quite the joy that his words expressed. “I have been disturbed ever since your remarks the other day,” he continued wearily; “and of course her extraordinary escapade the next evening did not help matters any. It is better, I know, that she shouldn't be here—for a time. Though I shall miss her terribly. But, tell me, what is it—what does she want to do?”
“She says she guesses she is homesick for Hampden Falls; that she'd like to go back there for a few weeks this summer if I'll go with her. The—the dear child seems suddenly to have taken a great fancy to me,” explained Aunt Hannah, unsteadily. “I never saw her so affectionate.”
“She is a dear girl—a very dear girl; and she has a warm heart.” William cleared his throat sonorously, but even that did not clear his voice. “It was her heart that led her wrong the other night,” he declared. “Hers was a brave and fearless act—but a very unwise one. Much as I deplore Bertram's intimacy with Seaver, I should hesitate to take the course marked out by Billy. Bertram is not a child. But tell me more of this trip of yours. How did Billy happen to suggest it?”
“I don't know. I noticed yesterday that she seemed strangely silent—unhappy, in fact. She sat alone in her room the greater part of the day, and I could not get her out of it. But this morning she came to my door as bright as the sun itself and made me the proposition I told you of. She says her aunt's house is closed, awaiting its sale; but that she would like to open it for awhile this summer, if I'd like to go. Naturally, you can understand that I'd very quickly fall in with a plan like that—one which promised so easily to settle our difficulties.”
“Yes, of course, of course,” muttered William. “It is very fine, very fine indeed,” he concluded. And again his voice failed quite to match his words in enthusiasm.
“Then I'll go and begin to see to my things,” murmured Mrs. Stetson, rising to her feet. “Billy seems anxious to get away.”
Billy did, indeed, seem anxious to get away. She announced her intended departure at once to the family. She called it a visit to her old home, and she seemed very glad in her preparations. If there was anything forced in this gayety, no one noticed it, or at least, no one spoke of it. The family saw very little of Billy, indeed, these days. She said that she was busy; that she had packing to do. She stopped taking lessons of Cyril, and visited Bertram's studio only once during the whole three days before she went away, and then merely to get some things that belonged to her. On the fourth day, almost before the family realized what was happening, she was gone; and with her had gone Mrs. Stetson and Spunk.
The family said they liked it—the quiet, the freedom. They said they liked to be alone—all but William. He said nothing.
And yet—
When Bertram went to his studio that morning he did not pick up his brushes until he had sat for long minutes before the sketch of a red-cheeked, curly-headed young girl whose eyes held a peculiarly wistful appeal; and Cyril, at his piano up-stairs, sat with idle fingers until they finally drifted into a simple little melody—the last thing Billy had been learning.
It was Pete who brought in the kitten; and Billy had been gone a whole week then.
“The poor little beast was cryin' at the alleyway door, sir,” he explained. “I—I made so bold as to bring him in.”
“Of course,” said William. “Did you feed it?”
“Yes, sir; Ling did.”
There was a pause, then Pete spoke, diffidently.
“I thought, sir, if ye didn't mind, I'd keep it. I'll try to see that it stays down-stairs, sir, out of yer way.”
“That's all right, Pete; keep it, by all means, by all means,” approved William.
“Thank ye, sir. Ye see, it's a stray. It hasn't got any home. And, did ye notice, sir? it looks like Spunk.”
“Yes, I noticed,” said William, stirring with sudden restlessness. “I noticed.”
“Yes, sir,” said Pete. And he turned and carried the small gray cat away.
The new kitten did not stay down-stairs. Pete tried, it is true, to keep his promise to watch it; but after he had seen the little animal carried surreptitiously up-stairs in Mr. William's arms, he relaxed his vigilance. Some days later the kitten appeared with a huge pink bow behind its ears, somewhat awkwardly tied, if it must be confessed. Where it came from, or who put it there was not known—until one day the kitten was found in the hall delightedly chewing at the end of what had been a roll of pink ribbon. Up the stairs led a trail of pink ribbon and curling white paper—and the end of the trail was in William's room.
CHAPTER XVIII
BILLY WRITES ANOTHER LETTER
By the middle of June only William and the gray kitten were left with Pete and Dong Ling in the Beacon Street house. Cyril had sailed for England, and Bertram had gone on a sketching trip with a friend.
To William the house this summer was unusually lonely; indeed, he found the silent, deserted rooms almost unbearable. Even the presence of the little gray cat served only to accentuate the loneliness—it reminded him of Billy.
William missed Billy. He owned that now even to Pete. He said that he would be glad when she came back. To himself he said that he wished he had not fallen in quite so readily with Aunt Hannah's notion of getting the child away. It was all nonsense, he declared. All she needed was a little curbing and directing, both of which could just as well have been done there at home. But she had gone, and it could not be helped now. The only thing left for him to do was to see that it did not occur again. When Billy came back she should stay, except for necessary absences for school, of course. All this William settled in his own mind quite to his own satisfaction, entirely forgetting, strange to say, that it had been Billy's own suggestion that she go away.
Very promptly William wrote to Billy. He told her how he missed her, and said that he had stopped trying to sort and catalogue his collections until she should be there to help him. He told her, too, after a time, of the gray kitten, “Spunkie,” that looked so much like Spunk.
In reply he received plump white envelopes directed in the round, schoolboy hand that he remembered so well. In the envelopes were letters, cheery and entertaining, like Billy herself. They thanked him for all his many kindnesses, and they told him something of what Billy was doing. They showed unbounded interest in the new kitten, and in all else that William wrote about; but they hinted very plainly that he had better not wait for her to help him out on the catalogue, for it would soon be autumn, and she would be in school.
William frowned at this, and shook his head; yet he knew that it was true.
In August William closed the Beacon street house and went to the Rangeley Lakes on a camping trip. He told himself that he would not go had it not been for a promise given to an old college friend months before. True, he had been anticipating this trip all winter; but it occurred to him now that it would be much more interesting to go to Hampden Falls and see Billy. He had been to the Rangeley Lakes, and he had not been to Hampden Falls; besides, there would be Ned Harding and those queer old maids with their shaded house and socketed chairs to see. In short, to William, at the moment, there seemed no place quite so absorbingly interesting as was Hampden Falls. But he went to the Rangeley Lakes.
In September Cyril came back from Europe, and Bertram from the Adirondacks where he had been spending the month of August. William already had arrived, and with Pete and Dong Ling had opened the house.
“Where's Billy? Isn't Billy here?” demanded Bertram.
“No. She isn't back yet,” replied William.
“You don't mean to say she's stayed up there all summer!” exclaimed Cyril.
“Why, yes, I—I suppose so,” hesitated William. “You see, I haven't heard but once for a month. I've been down in Maine, you know.”
William wrote to Billy that night.
“My dear:—” he said in part. “I hope you'll come home right away. We want to see SOMETHING of you before you go away again, and you know the schools will be opening soon.
“By the way, it has just occurred to me as I write that perhaps, after all, you won't have to go quite away. There are plenty of good schools for young ladies right in and near Boston, which I am sure you could attend, and still live at home. Suppose you come back then as soon as you can, and we'll talk it up. And that reminds me, I wonder how Spunk will get along with Spunkie. Spunkie has been boarding out all August at a cat home, but he seems glad to get back to us. I am anxious to see the two little chaps together, just to find out how much alike they really do look.”
Very promptly came Billy's answer; but William's face, after he had read the letter, was almost as blank as it had been on that April day when Billy's first letter came—though this time for a far different reason.
“Why, boys, she—isn't—coming,” he announced in dismay.
“Isn't coming!” ejaculated two astonished Voices.
“No.”
“Not—at—ALL?”
“Why, of course, later,” retorted William, with unwonted sharpness. “But not now. This is what she says.” And he read aloud:
“DEAR UNCLE WILLIAM:—You poor dear man! Did you think I'd really let you spend your time and your thought over hunting up a school for me, after all the rest you have done for me? Not a bit of it! Why, Aunt Hannah and I have been buried under school catalogues all summer, and I have studied them all until I know just which has turkey dinners on Sundays, and which ice cream at least twice a week. And it's all settled, too, long ago. I'm going to a girls' school up the Hudson a little way—a lovely place, I'm sure, from the pictures of it.
“Oh, and another thing; I shall go right from here. Two girls at Hampden Falls are going, and I shall go with them. Isn't that a fine chance for me? You see it would never do, anyway, for me to go alone—me, a 'Billy'—unless I sent a special courier ahead to announce that 'Billy' was a girl.
“Aunt Hannah has decided to stay here this winter in the old house. She likes it ever so much, and I don't think I shall sell the place just yet, anyway. She will go back, of course, to Boston (after I've gone) to get some things at the house that she'll want, and also to do some shopping. But she'll let you know when she'll be there.
“I'll write more later, but just now I'm in a terrible rush. I only write this note to set your poor heart at rest about having to hunt up a school for me.
“With love to all,
“BILLY.”
As had happened once before after a letter from Billy had been read, there was a long pause.
“Well, by Jove!” breathed Bertram.
“It's very sensible, I'm sure,” declared Cyril. “Still, I must confess, I would have liked to pick out her piano teacher for her.”
William said nothing—perhaps because he was reading Billy's letter again.
At eight o'clock that night Bertram tapped on Cyril's door.
“What's the trouble?” demanded Cyril in answer to the look on the other's face.
Bertram lifted his eyebrows oddly.
“I'm not sure whether you'll call it 'trouble' or not,” he replied; “but I think it's safe to say that Billy is gone—for good.”
“For good! What do you mean?—that she's not coming back—ever?”
“Exactly that.”
“Nonsense! What's put that notion into your head?”
“Billy's letter first; after that, Pete.”
“Pete!”
“Yes. He came to me a few minutes ago, looking as if he had seen a ghost. It seems he swept Billy's rooms this morning and put them in order against her coming; and tonight William told him that she wouldn't be here at present. Pete came straight to me. He said he didn't dare tell Mr. William, but he'd got to tell some one: there wasn't one single thing of Miss Billy's left in her rooms nor anywhere else in the house—not so much as a handkerchief or a hairpin.”
“Hm-m; that does look—suspicious,” murmured Cyril. “What's up, do you think?”
“Don't know; but something, sure. Still, of course we may be wrong. We won't say anything to Will about it, anyhow. Poor old chap, 'twould worry him, specially if he thought Billy's feelings had been hurt.”
“Hurt?—nonsense! Why, we did everything for her—everything!”
“Yes, I know—and she tried to do EVERYTHING for us, too,” retorted Bertram, quizzically, as he turned away.
CHAPTER XIX
SEEING BILLY OFF
Early in October Mrs. Stetson arrived at the Beacon Street house, but she did not stay long.
“I've come for just a few things I want, and to do some shopping,” she explained.
“But Aunt Hannah,” remonstrated William, “what is the meaning of this? Why are you staying up there at Hampden Falls?”
“I like it there, William; and why shouldn't I stay? Surely there's no need for me to be here now, with Billy away!”
“But Billy's coming back!”
“Of course she's coming back,” laughed Aunt Hannah, “but not this winter, certainly. Why, William, what's the matter? I'm sure, I think it's a beautiful arrangement. Why, don't you remember? It's just what we said we wanted—to keep Billy away for awhile. And the best part of it is, it's her own idea from the start.”
“Yes, I know, I know,” frowned William: “but I'm not sure, after all, that that idea of ours wasn't a mistake,—a mistake that she needed to get away.”
“Never! We were just right about it,” declared Aunt Hannah, with conviction.
“And is Billy—happy?”
“She seems to be.”
“Hm-m; well, THAT'S good,” said William, as he turned to go up to his room. But as he climbed the stairs he sighed; and to hear him, one would have thought it anything but good to him—that Billy was happy.
One by one the weeks passed. Mrs. Stetson had long since gone back to Hampden Falls; and Bertram said that the Strata was beginning to look natural again. There remained now, indeed, only Spunkie, the small gray cat, to remind any one of the days that were gone—though, to be sure, there were Billy's letters, if they might be called a reminder.
Billy did not write often. She said that she was “too busy to breathe.” Such letters as did come from her were addressed to William, though they soon came to be claimed by the entire family. Bertram and Cyril frankly demanded that William read them aloud; and even Pete always contrived to have some dusting or “puttering” within earshot—a subterfuge quite well understood, but never reproved by any of the brothers.
When the Christmas vacation drew near, William wrote that he hoped Billy and Aunt Hannah would spend it with them; but Billy answered that although she appreciated their kindness and thanked them for it, yet she must decline their invitation, as she had already invited several of the girls to go home with her to Hampden Falls for a country Christmas.
For the Easter vacation William was even more insistent—but so was Billy: she had already accepted an invitation to go home with one of the girls, and she did not think it would be at all polite to change her plans now.
William fretted not a little. Even Cyril and Bertram said that it was “too bad”; that they themselves would like to see the girl—so they would!
It was in the spring, at the close of school, however, that the heaviest blow fell: Billy was not coming to Boston even then. She wrote that she and Aunt Hannah were going to “run across the water for a little trip through the British Isles”; and that their passage was already engaged.
“And so you see,” she explained, “I shall not have a minute to spare. There'll be only time to skip home for Aunt Hannah, and to pack the trunks before it'll be time to start.”
Bertram looked at Cyril significantly when this letter was read aloud; and afterward he muttered in Cyril's ear:
“You see! It's Hampden Falls she calls 'home' now—not the Strata.”
“Yes, I see,” frowned Cyril. “It does look suspicious.”
Two days before the date of Billy's expected sailing, William announced at the breakfast table that he was going away on business; might be gone until the end of the week.
“You don't say,” commented Bertram. “I'M going to-morrow, but I'm coming back in a couple of days.”
“Hm-m;” murmured William, abstractedly. “Oh, well, I may be back before the end of the week.”
Only one meal did Cyril eat alone after his brothers had gone; then he told Pete that he had decided to take the night boat for New York. There was a little matter that called him there, he said, and he believed the trip by water would be a pleasure, the night was so fine and warm.
In New York Cyril had little trouble in finding Billy, as he knew the steamship she was to take.
“I thought as long as I was in New York to-day I'd just come and say good-by to you and Aunt Hannah,” he informed her, with an evident aim toward making his presence appear to be casual.
“That was good of you!” exclaimed Billy. “And how are Uncle William and Mr. Bertram?”
“Very well, I fancy, though they weren't there when I left,” replied the man.
“Oh!—gone away?”
“Yes. A little matter of business they said; but—well, by Jove!” he broke off, his gaze on a familiar figure hurrying at that moment toward them. “There's William now!”
William, with no eyes but for Billy, came rapidly forward.
“Well, well, Billy! I thought as long as I happened to be in New York to-day I'd just run down to the boat and see you and Aunt Hannah off, and wish—CYRIL! Where did YOU come from?”
Billy laughed.
“He just happened to be in town, too, Uncle William, like you,” she explained. “And I'm sure I think it's lovely of you to be so kind. Aunt Hannah'll be up right away. She went down to the stateroom to—” This time it was Billy who stopped abruptly. The two men facing her could not see what she saw, and not until their brother Bertram's merry greeting fell on their ears did they understand her sudden silence.
“And is this the way you meant to run away from us, young lady?” cried Bertram. “Not so fast! You see, I happened to be in New York this morning, and so I—” Something in Billy's face sent a pause to his words just as his eyes spied the two men at the girl's side. For a moment he stared dumbly; then he gave a merry gesture of defeat.
“It's all up! I might as well confess. I'VE been planning this thing for three weeks, Billy, ever since your letter came, in fact. As for my two fellow-sinners here, I'll wager they weren't two days behind me in their planning. So now, own up, boys!”
William and Cyril, however, did not have to “own up.” Mrs. Stetson appeared at the moment and created, for them, a very welcome diversion.
Long minutes later, when the good-byes had become nothing but a flutter of white handkerchiefs from deck to shore, and shore to deck, William drew a long sigh.
“That's a nice little girl, boys, a nice little girl!” he exclaimed. “I declare! I didn't suppose I'd mind so much her going so far away.”
CHAPTER XX
BILLY, THE MYTH
To all appearances it came about very naturally that Billy did not return to America for some time. During the summer she wrote occasionally to William, and gave glowing accounts of their travels. Then in September came the letter telling him that they had concluded to stay through the winter in Paris. Billy wrote that she had decided not to go to college. She would take up some studies there in Paris, she said, but she would devote herself more particularly to her music.
When the next summer came there was still something other than America to claim her attention: the Calderwells had invited her to cruise with them for three months. Their yacht was a little floating palace of delight, Billy declared, not to mention the charm of the unknown lands and waters that she and Aunt Hannah would see.
Of all this Billy wrote to William—at occasional intervals—but she did not come home. Even when the next autumn came, there was still Paris to detain her for another long winter of study.
In the Henshaw house on Beacon Street, William mourned not a little as each recurring season brought no Billy.
“The idea! It's just as if one didn't have a namesake!” he fumed.
“Well, did you have one?” Bertram demanded one day. “Really, Will, I'm beginning to think she's a myth. Long years ago, from the first of April till June we did have two frolicsome sprites here that announced themselves as 'Billy' and 'Spunk,' I'll own. And a year later, by ways devious and secret, we three managed to see the one called 'Billy' off on a great steamship. Since then, what? A word—a message—a scrap of paper. Billy's a myth, I say!”
William sighed.
“Sometimes I don't know but you are right,” he admitted. “Why, it'll be three years next June since Billy was here. She must be nearly twenty-one—and we know almost nothing about her.”
“That's so. I wonder—” Bertram paused, and laughed a little, “I wonder if NOW she'd play guardian angel to me through the streets of Boston.”
William threw a keen glance into his brother's face.
“I don't believe it would be quite necessary, NOW, Bert,” he said quietly.
The other flushed a little, but his eyes softened.
“Maybe not, Will; still—one can always find some use for—a guardian angel, you know,” he finished, almost under his breath.
To Cyril Bertram had occasionally spoken, during the last two years, of their first suspicions concerning Billy's absence. They speculated vaguely, too, as to why she had gone, and if she would ever come back; and they wondered if anything could have wounded her and sent her away. To William they said nothing of all this, however; though they agreed that they would have asked Kate for her opinion, had she been there. But Kate was not there. As it chanced, a good business opportunity had called Kate's husband to a Western town very soon after Billy herself had gone to Hampden Falls; and since the family's removal to the West, Mrs. Hartwell had not once returned to Boston.
It was in April, three years since Billy's first appearance in the Beacon Street house, that Bertram met his friend, Hugh Calderwell, on the street one afternoon, and brought him home to dinner.
Hugh Calderwell was a youth who, Bertram said, had been born with a whole dozen silver spoons in his mouth. And, indeed, it would seem so, if present prosperity were any indication. He was a good-looking young fellow with a frank manliness that appealed to men, and a deferential chivalry that appealed to women; a combination that brought him many friends—and some enemies. With plenty of money to indulge a passion for traveling, young Calderwell had spent the most of his time since graduation in daring trips into the heart of almost impenetrable forests, or to the top of almost inaccessible mountains, with an occasional more ordinary trip to give variety. He had now come to the point, however, where he was determined to “settle down to something that meant something,” he told the Henshaws, as the four men smoked in Bertram's den after dinner.
“Yes, sir, I have,” he iterated. “And, by the way, the little girl that has set me to thinking in such good earnest is a friend of yours, too,—Miss Neilson. I met her in Paris. She was on our yacht all last summer.”
Three men sat suddenly erect in their chairs.
“Billy?” cried three voices. “Do you know Billy?”
“To be sure! And you do, too, she says.”
“Oh, no, we don't,” disputed Bertram, emphatically. “But we WISH we did!”
His guest laughed.
“Well, I fancy you DO know her, or you wouldn't have answered like that,” he retorted. “For you just begin to know Miss Billy when you find out that you DON'T know her. She is a charming girl—a very charming girl.”
“She is my namesake,” announced William, in what Bertram called his “finest ever” voice that he used only for the choicest bits in his collections.
“Yes, she told me,” smiled Calderwell. “'Billy' for 'William.' Odd idea, too, but clever. It helps to distinguish her even more—though she doesn't need it, for that matter.”
“'Doesn't need it,'” echoed William in a puzzled voice.
“No. Perhaps you don't know, Mr. Henshaw, but Miss Billy is a very popular young woman. You have reason to be proud of your namesake.”
“I have always been that,” declared William, with just a touch of hauteur.
“Tell us about her,” begged Bertram. “You remember I said that we wished we did know her.”
Calderwell smiled.
“I don't believe, after all, that you do know much about her,” he began musingly. “Billy is not one who talks much of herself, I fancy, in her letters.”
William frowned. This time there was more than a touch of hauteur in his voice.
“MISS NEILSON is not one to show vanity anywhere,” he said, with suggestive emphasis on the name.
“Indeed she isn't,” agreed Calderwell, heartily. “She is a fine girl—quite one of the finest I know, in fact.”
There was an uncomfortable silence. Over in the corner Cyril puffed at his cigar with an air almost of boredom. He had not spoken since his first surprised questioning with the others, “Do you know Billy?” William was still frowning. Even Bertram wore a look that was not quite satisfied.
“Miss Neilson has spent two winters in Paris now, you know,” resumed Calderwell, after a moment; “and she is very popular both with the American colony, and with the other students. As for her 'Aunt Hannah'—they all make a pet of her; but that is, perhaps, because Billy herself is so devoted.”
Again William frowned at the familiar “Billy”; but Calderwell talked on unheeding.
“After all, I'm not sure but some of us regard 'Aunt Hannah' with scant favor, occasionally,” he laughed; “something as if she were the dragon that guarded the princess, you know. Miss Billy IS popular with the men, and she has suitors enough to turn any girl's head—but her own.”
“Suitors!” cried William, plainly aghast. “Why, Billy's nothing but a child!”
Calderwell gave an odd smile.
“How long is it since you've seen—Miss Neilson?” he asked.
“Two years.”
“And then only for a few minutes just before she sailed,” amended Bertram. “We haven't really seen much of her since three years ago.”
“Hm-m; well, you'll see for yourself soon. You know she's coming home next month.”
Not one of the brothers did know it—but not one of them intended that Calderwell should find out that they did not.
“Yes, she's coming home,” said William, lifting his chin a little.
“Oh, yes, next month,” added Bertram, nonchalantly.
Even Cyril across the room was not to be outdone.
“Yes. Miss Neilson comes home next month,” he said.
CHAPTER XXI
BILLY, THE REALITY
Very early in May came the cheery letter from Billy herself announcing the news of her intended return.
“And I shall be so glad to see you all,” she wrote in closing. “It seems so long since I left America.” Then she signed her name with “kindest regards to all”—Billy did not send “love to all” any more.
William at once began to make plans for his namesake's comfort.
“But, Will, she didn't say she was coming here,” Bertram reminded him.
“She didn't need to,” smiled William, confidently. “She just took it for granted, of course. This is her home.”
“But it hasn't been—for years. She's called Hampden Falls 'home.'”
“I know, but that was before,” demurred William, his eyes a little anxious. “Besides, they've sold the house now, you know. There's nowhere for her to go but here, Bertram.”
“All right,” acquiesced the younger man, still doubtingly. “Maybe that's so; maybe! But—” he did not finish his sentence, and his eyes were troubled as he watched his brother begin to rearrange Billy's rooms. In time, however, so sure was William of Billy's return to the Beacon Street house, that Bertram ceased to question; and, with almost as much confidence as William himself displayed, he devoted his energies to the preparations for Billy's arrival.
And what preparations they were! Even Cyril helped this time to the extent of placing on Billy's piano a copy of his latest book, and a pile of new music. Nor were the melodies that floated down from the upper floor akin to funeral marches; they were perilously near to being allied to “ragtime.”
At last everything was ready. There was not one more bit of dust to catch Pete's eye, nor one more adornment that demanded William's careful hand to adjust. In Billy's rooms new curtains graced the windows and new rugs the floors. In Mrs. Stetson's, too, similar changes had been made. The latest and best “Face of a Girl” smiled at one from above Billy's piano, and the very rarest of William's treasures adorned the mantelpiece. No guns nor knives nor fishing-rods met the eyes now. Instead, at every turn, there was a hint of feminine tastes: a mirror, a workbasket, a low sewing-chair, a stand with a tea tray. And everywhere were roses, up-stairs and down-stairs, until the air was heavy with their perfume. In the dining-room Pete was again “swinging back and forth like a pendulum,” it is true; but it was a cheerful pendulum to-day, anxious only that no time should be lost. In the kitchen alone was there unhappiness, and there because Dong Ling had already spoiled a whole cake of chocolate in a vain attempt to make Billy's favorite fudge. Even Spunkie, grown now to be sleek, lazy, and majestically indifferent, was in holiday attire, for a brand-new pink bow of huge dimensions adorned his fat neck—for the first time in many months.
“You see,” William had explained to Bertram, “I put on that ribbon again because I thought it would make Spunkie seem more homelike, and more like Spunk. You know there wasn't anything Billy missed so much as that kitten when she went abroad. Aunt Hannah said so.”
“Yes, I know,” Bertram had laughed; “but still, Spunkie isn't Spunk, you understand!” he had finished, with a vision in his eyes of Billy as she had looked that first night when she had triumphantly lifted from the green basket the little gray kitten with its enormous pink bow. This time there was no circuitous journeying, no secrecy in the trip to New York. Quite as a matter of course the three brother made their plans to meet Billy, and quite as a matter of course they met her. Perhaps the only cloud in the horizon of their happiness was the presence of Calderwell. He, too, had come to meet Billy—and all the Henshaw brothers were vaguely conscious of a growing feeling of dislike toward Calderwell.
Billy was unmistakably glad to see them—and to see Calderwell. It was while she was talking to Calderwell, indeed, that William and Cyril and Bertram had an opportunity really to see the girl, and to note what time had done for her. They knew then, at once, that time had been very kind.
It was a slim Billy that they saw, with a head royally poised, and a chin that was round and soft, and yet knew well its own mind. The eyes were still appealing, in a way, yet behind the appeal lay unsounded depths of—not one of the brothers could quite make up his mind just what, yet all the brothers determined to find out. The hair still curled distractingly behind the pretty ears, and fluffed into burnished bronze where the wind had loosened it. The cheeks were paler now, though the rose-flush still glowed warmly through the clear, smooth skin. The mouth—Billy's mouth had always been fascinating, Bertram suddenly decided, as he watched it now. He wanted to paint it—again. It was not too large for beauty nor too small for strength. It curved delightfully, and the lower lip had just the fullness and the color that he liked—to paint, he said to himself.
William, too, was watching Billy's mouth; in fact—though he did not know it—one never was long near Billy without noticing her mouth, if she talked. William thought it pretty, merry, and charmingly kissable; but just now he wished that it would talk to him, and not to Calderwell any longer. Cyril—indeed, Cyril was paying little attention to Billy. He had turned to Aunt Hannah. To tell the truth, it seemed to Cyril that, after all, Billy was very much like other merry, thoughtless, rather noisy young women, of whom he knew—and disliked—scores. It had occurred to him suddenly that perhaps it would not be unalloyed bliss to take this young namesake of William's home with them.
It was not until an hour later, when Billy, Aunt Hannah, and the Henshaws had reached the hotel where they were to spend the night, that the Henshaw brothers began really to get acquainted with Billy. She seemed then more like their own Billy—the Billy that they had known.
“And I'm so glad to be here,” she cried; “and to see you all. America IS the best place, after all!”
“And of America, Boston is the Hub, you know,” Bertram reminded her.
“It is,” nodded Billy.
“And it hasn't changed a mite, except to grow better. You'll see to-morrow.”
“As if I hadn't been counting the days!” she exulted. “And now what have you been doing—all of you?”
“Just wait till you see,” laughed Bertram. “They're all spread out for your inspection.”
“A new 'Face of a Girl'?”
“Of course—yards of them!”
“And heaps of 'Old Blues' and 'black basalts'?” she questioned, turning to William.
“Well, a—few,” hesitated William, modestly.
“And—the music; what of that?” Billy looked now at Cyril.
“You'll see,” he shrugged. “There's very little, after all—of anything.”
Billy gave a wise shake of her head.
“I know better; and I want to see it all so much. We've talked and talked of it; haven't we, Aunt Hannah?—of what we would do when we got to Boston?”
“Yes, my dear; YOU have.”
The girl laughed.
“I accept the amendment,” she retorted with mock submission. “I suppose it is always I who talk.”
“It was—when I painted you,” teased Bertram. “By the way, I'll LET you talk if you'll pose again for me,” he finished eagerly.
Billy uptilted her nose.
“Do you think, sir, you deserve it, after that speech?” she demanded.
“But how about YOUR art—your music?” entreated William. “You have said so little of that in your letters.”
Billy hesitated. For a brief moment she glanced at Cyril. He did not appear to have heard his brother's question. He was talking with Aunt Hannah.
“Oh, I play—some,” murmured the girl, almost evasively. “But tell me of yourself, Uncle William, and of what you are doing.” And William needed no second bidding.
It was some time later that Billy turned to him with an amazed exclamation in response to something he had said.
“Home with you! Why, Uncle William, what do you mean? You didn't really think you'd got to be troubled with ME any longer!” she cried merrily.
William's face paled, then flushed.
“I did not call it 'trouble,' Billy,” he said quietly. His grieved eyes looked straight into hers and drove the merriment quite away.
“Oh, I'm so sorry,” she said gently. “And I appreciate your kindness, indeed I do; but I couldn't—really I couldn't think of such a thing!”
“And you don't have to think of it,” cut in Bertram, who considered that the situation was becoming much too serious. “All you have to do is to come.”
Billy shook her head.
“You are so good, all of you! But you didn't—you really didn't think I WAS—coming!” she protested.
“Indeed we did,” asserted Bertram, promptly; “and we have done everything to get ready for you, too, even to rigging up Spunkie to masquerade as Spunk. I'll warrant that Pete's nose is already flattened against the window-pane, lest we should HAPPEN to come to-night; and there's no telling how many cakes of chocolate Dong Ling has spoiled by this time. We left him trying to make fudge, you know.”
Billy laughed—but she cried, too; at least, her eyes grew suddenly moist. Bertram tried to decide afterward whether she laughed till she cried, or cried till she laughed.
“No, no,” she demurred tremulously. “I couldn't. I really have never intended that.”
“But why not? What are you going to do?” questioned William in a voice that was dazed and hurt.
The first question Billy ignored. The second she answered with a promptness and a gayety that was meant to turn the thoughts away from the first.
“We are going to Boston, Aunt Hannah and I. We've got rooms engaged for just now, but later we're going to take a house and live together. That's what we're going to do.”
CHAPTER XXII
HUGH CALDERWELL
In the Beacon Street house William mournfully removed the huge pink bow from Spunkie's neck, and Bertram threw away the roses. Cyril marched up-stairs with his pile of new music and his book; and Pete, in obedience to orders, hid the workbasket, the tea table, and the low sewing-chair. With a great display of a “getting back home” air, Bertram moved many of his belongings upstairs—but inside of a week he had moved them down again, saying that, after all, he believed he liked the first floor better. Billy's rooms were closed then, and remained as they had for years—silent and deserted.
Billy with Aunt Hannah had gone directly to their Back Bay hotel. “This is for just while I'm house-hunting,” the girl had said. But very soon she had decided to go to Hampden Falls for the summer and postpone her house-buying until the autumn. Billy was twenty-one now, and there were many matters of business to arrange with Lawyer Harding, concerning her inheritance. It was not until September, therefore, when Billy once more returned to Boston, that the Henshaw brothers had the opportunity of renewing their acquaintance with William's namesake.
“I want a home,” Billy said to Bertram and William on the night of her arrival. (As before, Mrs. Stetson and Billy had gone directly to a hotel.) “I want a real home with a furnace to shake—if I want to—and some dirt to dig in.”