A Prairie Infanta.—Frontispiece
"THE DOCTOR SCOWLED OVER HIS GLASSES AS HE LISTENED."
See p. [79]


A
Prairie Infanta

By
Eva Wilder Brodhead


Illustrated


PHILADELPHIA
HENRY ALTEMUS COMPANY


Copyright, 1904, by Henry Altemus

The pictures in this book have been reproduced by the courtesy of "The Youth's Companion"


CONTENTS

  • PAGE
  • CHAPTER ONE
  • The Power of Consolation [13]
  • CHAPTER TWO
  • A Sacred Charge [37]
  • CHAPTER THREE
  • A True Benefactress [61]
  • CHAPTER FOUR
  • Wise Impulses [85]
  • CHAPTER FIVE
  • Destiny Presses [109]
  • CHAPTER SIX
  • Bewildering Satisfaction [133]

ILLUSTRATIONS

  • PAGE
  • "The doctor scowled over his glasses as he listened" [Frontispiece]
  • "'I will not go with you!'" [29]
  • "'He is Tesuque, the rain-god'" [55]
  • "'I hoped you'd be able to lend me a hand'" [101]
  • "'Do not make the thread short, Lolita'" [123]
  • "'Tia, you are a lady of fortune'" [153]

THE
POWER OF CONSOLATION


A PRAIRIE INFANTA

CHAPTER ONE
THE POWER OF CONSOLATION

At the first glance there appeared to be nothing unusual in the scene confronting Miss Jane Combs as she stood, broad and heavy, in her doorway that May morning, looking up and down the single street of the little Colorado mining-town.

Jane's house was broad and heavy also—a rough, paintless "shack," which she had built after her own ideals on a treeless "forty" just beyond the limits of Aguilar. It was like herself in having nothing about it calculated to win the eye.

Jane, with her rugged, middle-aged face, baggy blouse, hob-nailed shoes and man's hat, was so unfeminine a figure as she plowed and planted her little vega, that some village wag had once referred to her as "Annie Laurie." Because of its happy absurdity the name long clung to Jane; but despite such small jests every one respected her sterling traits,—every one, that is, except Señora Vigil, who lived hard by in a mud house like a bird's nest, and who cherished a grudge against her neighbor.

For, years before, when Jane's "forty" was measured off by the surveyor, it had been developed that the Vigil homestead was out of bounds, and that a small strip of its back yard belonged in the Combs tract. Jane would have waived her right, but the surveyor said that the land office could not "muddle up" the records in any such way; she must take her land. And Jane had taken it, knowing, however, that thereafter even the youngest Vigil, aged about ten months, would regard her as an enemy.

Just now, too, as Alejandro Vigil, a ragged lad with a scarlet cap on his black head, went by, driving his goats to pasture, he had said "rogue!" under his breath. Jane sighed at the word, and her eyes followed him sadly up the road, little thinking her glance was to take in something which should print itself forever in her memory, and make this day different from all other days.

In the clear sun everything was sharply defined. From the Mexican end of town,—the old "plaza,"—which antedated coal-mines and Americanisms, gleamed the little gold cross of the adobe Church of San Antonio. Around it were green, tall cottonwoods and the straggling mud-houses and pungent goat-corrals of its people. Toward the cañon rose the tipple and fans of the Dauntless colliery, banked in slack and slate, and surrounded by paintless mine-houses, while to the right swept the ugly shape of the company's store. The mine end of the town was not pretty, nor was it quiet, like the plaza. Just at present the whistle was blowing, and throngs of miners were gathering at the mouth of the slope. From above clamored the first "trip" of cars. Day and its work had begun.

Alejandro's red cap was a mere speck in the cañon, and his herd was sprinkled, like bread-crumbs, over the slaty hills. But over in the Vigil yard the numberless other little Vigils were to be seen, and Jane, as she looked, began to see that some sort of excitement was stirring them. The señora herself stood staring, wide-eyed and curious. Ana Vigil, her eldest girl, was pointing. Attention seemed to be directed toward something at the foot of the hill behind Jane's house, and she turned to see what was going on there.

A covered wagon, of the prairie-schooner type, was drawn up at the foot of the rise. Three horses were hobbled near by, and a little fire smoked itself out, untended. The whole thing meant merely the night halt of some farer to the mountains. Jane, about to turn away, saw something, however, which held her. In the shadow of the wagon the doctor's buggy disclosed itself. Some one lay ill under the tunnel of canvas.

She had just said this to herself when out upon the sunny stillness rang a sharp, lamentable cry, such as a child might utter in an extremity of fear or pain. The sound seemed to strike a sudden horror upon the day's bright face, and Jane shivered. She made an impulsive step out into her corn-field, hardly knowing what she meant to do. And then she saw the doctor alighting from the wagon, and pausing to speak to a man who followed him.

This man wore a broad felt hat, whose peaked crown was bound in a silver cord which glittered gaily above the startled whiteness of his face. He had on buckskin trousers, and there was a dash of color at his waist, like a girdle, which gave a sort of theatric air to his gesture as he threw up his arms wildly and turned away.

The doctor seemed perplexed. He looked distractedly about, and seeing Jane Combs in her field, called to her and came running. He reached the fence breathless, for he was neither so young nor so slim as the man leaning weeping against the wagon-step.

"Will you go over there, Miss Combs?" he panted. "There's a poor woman in that wagon breathing her last. They were on their way from Taos to Cripple Creek—been camping along the way for some time. Probably they struck bad water somewhere. She's had a low fever. The husband—Keene, his name is—came for me at daybreak, but it was too late. She seems to be a Mexican, though the man isn't. What I want you to do is to look after a child—a little girl of ten or twelve—who is there with her mother. She must be brought away. Did you hear her cry out just now?—that desperate wail? We'd just told her!"

"I guess everybody heard it," said Jane. Mechanically she withdrew the bolt of the gate, which forthwith collapsed in a tangle of barbed wire. Tramping over this snare, Jane faced the doctor as he wiped his brows. "I aint much hand with children," she reminded him. "You better send Señora Vigil, too."

As she strode toward the wagon, the man in the sombrero looked up. He was good-looking, in a girlish sort of way, with a fair skin and blue eyes. A lock of damp, yellow hair fell over his forehead, and he kept pushing it back as if it confused and blinded him.

"Go in, ma'am—go in!" he said, brokenly. "Though I do not reckon any one can do much for her. Poor Margarita! I wish I'd made her life easier—but luck was against me! Go in, ma'am!"

As Jane, clutching the iron brace, clambered up the step and pulled back the canvas curtain, the inner darkness struck blank upon her sun-blinded eyes. Then presently a stretch of red stuff, zigzagged with arrow-heads of white and orange and green, grew distinct, and under the thick sweep of the Navajo blanket, the impression of a long, still shape. The face on the flat pillow was also still, with closed eyes whose lashes lay dark upon the lucid brown of the cheek. A braid of black hair, shining like a rope of silk, hung over the Indian rug. Heavy it hung, in a lifeless fall, which told Jane that she was too late for any last service to the stranger lying before her under the scarlet cover.

Neither human kindness nor anything could touch her farther. "The tale of what we are" was ended for her; and from the peace of the quiet lips it seemed as if the close had been entirely free of bitterness or pain. Jane moved toward the sleeper. She meant to lay the hands together, as she remembered her mother's had been laid long ago in the stricken gloom of the Kansas farmhouse which had been her home; but suddenly there was a movement at her feet, and she stopped, having stumbled over some living thing in the shadows of the couch, something that stirred and struggled and gasped passionately, "Vamos! Vamos!"

Such was the wrathful force of this voice which, with so little courtesy, bade the intruder begone, as fairly to stagger the well-meaning visitor.

"I want to help you, my poor child!" Jane said. And her bosom throbbed at the sight of the little, stony face now lifted upon her from the dusk of the floor—a face with a fierce gleam in its dark eyes, and clouded with a wild array of black hair in which was knotted and twisted a fantastic faja of green wool, narrowly woven.

"I ask no help!" said the child, in very good English. "Only that you go away! We—we want to be by ourselves, here—" suddenly she broke off, glancing piteously toward the couch, and crying out in a changed, husky voice, "Madre mia! muerta! muerta!"

A ray of sunshine sped into the wagon as some hand outside withdrew the rear curtain a little. It shot a sharp radiance through the red and orange of the Indian blanket, and flashed across the array of tin and copper cooking things hung against one of the arching ribs of the canvas hood. Also it disclosed how slight and small a creature it was who spoke so imperatively, asking solitude for her mourning.

Jane, viewing the little, desperate thing, seemed to find in herself no power of consolation. And as she stood wordless, with dimming eyes, there came from without a sound of mingling voices. Others were come with offers of service and sympathy. A confusion of Spanish and English hurtled on Jane's uncomprehending ear; some one climbing the step cried, "Ave Maria!" as his eyes fell on the couch. It was Pablo Vigil, a mild-eyed Mexican, with a miner's lamp burning blue in his cap.

Behind him rose the round, doughy visage of his wife, blank with awe. She muttered a saint's name as she dragged herself upward, and said, "Ay! ay! ay! the poor little one! Let me take her away! So you are here, too, Mees Combs. But she will not speak to you, eh? Lo se! lo se! She will speak to one who is like herself, a Mexican!"

She seemed to gather up the child irresistibly, murmuring over her in language Jane could not understand, "Tell me thy name, pobrecita! Maria de los Dolores, is it? A name of tears, but blessed. And they call thee Lola, surely, as the custom is? Come, querida! Come with me to my house. It will please thy mother!"

It was not precisely clear to Jane how among them the half-dozen Mexican women, who now thronged the wagon and filled it with wailing exclamations, managed to pass the little girl from hand to hand and out into the air. Seeing, however, that this was accomplished, she descended into the crowd of villagers now assembled outside. There was a strange, dumb pain in her breast as she saw the little, green-tricked head disappear in the press about the doctor's buggy. She was sensible of wishing to carry the child home to her own dwelling; and there was in her a kind of jealous pang that Señora Vigil should so easily have accomplished a task of which she herself had made a distinct failure.

"If I'd only known how to call the poor little soul a lot of coaxing names!" deplored Jane, "Then maybe she'd have come with me. She'd have been better off sleeping on my good feather bed than what she will on those ragged Mexican mats over to Vigil's." Then, observing that two burros and several goats, taking advantage of the open gate, were now gorging themselves on her alfalfa, she proceeded to make a stern end of their delight.

Early in the morning of the stranger's burial, Mexicans from up the cañon and down the creek arrived in town in ramshackle wagons, attended by dogs and colts. She who lay dead had been of their race. It was meet that she should not go unfriended to the Campo Santo. Besides, the weather was fine, and it is good to see one's kinsfolk and acquaintances now and then. The church, too, would be open, although the padre, who lived in another town, might not be there. Young and old, they crowded the narrow aisles, even up to the altar space, where a row of tapers burned in the solemn gloom. Little children were there, also, hushed with awe. And many a sad-faced Mexican mother pressed her baby closer to her heart that day, taking note of the little girl in the front pew, sitting so silent and stolid beside her weeping father.

Jane Combs was in the back of the church. In their black rebozos, the poorest class of poor Mexican women were clad with more fitness than she. For Jane, weighted with the gravity of the occasion, had donned an austere black bonnet such as aged ladies wear, and its effect upon her short locks was incongruous in the extreme. No one, however, thought of her as being more queer than usual; for her sunburned cheeks were wet with tears, and her eyes were deep with tenderness and pity as they fixed themselves upon the small, rigid figure in the shadows of the altar's dark burden.

Upon the following day, as Miss Combs opened her ditch-gate for the tide of mine water which came in a flume across the arroyo, she saw the doctor and Mr. Keene approaching. They had an absorbed air, and as she opened the door for them the doctor said, "Miss Combs, we want you to agree to a plan of ours, if you can."

Keene tilted his chair restlessly. He looked as if life was regaining its poise with him, and his voice seemed quite cheerful as he said, "Well, it's about my little girl! I'm bound for a mountain-camp, and it's no place for a motherless child. Lola's a kind of queer little soul, too! My wife made a great deal of her. She was from old Mexico, ma'am. She was a mestizo—not pure Indian, you know, but part Spanish. Her folks were rancheros, near Pachuca, where I worked in the mines. I'm from Texas, myself. They weren't like these peons about here—they were good people. They never wanted Margarita to marry me." He laughed a little. "But she did, and the old folks never let up on her. They're both dead now. We've lived hither and yon around New Mexico these ten years past, and I aint been very successful; though things will be different now that I've decided to pull out for the gold regions!"

Keene paused with an air of growing good cheer. He seemed to forget his point. Whereupon the doctor said simply: "In view of these things, Mr. Keene would like to make some arrangement for leaving his daughter here until he can look round."

"And we thought of your taking her, ma'am," broke in Keene, with renewed anxiety. "Lola's delicate and high-strung, and I don't know how to manage her like my wife did. It'll hamper me terrible to take her along. Of course she's bright," he interpolated, hastily. "She was always picking up things everywhere, and speaks two languages well. And she'd be company for you, ma'am, living alone like you do. And I'd pay any board you thought right."

A Prairie Infanta
"'I WILL NOT GO WITH YOU!'"

Jane's pulses had leaped at his suggestion. She was aware of making a resolute effort as she said, "Wouldn't Lola be happier with the Vigils?"

"Her mother wouldn't rest in her grave," cried Keene, "if she knew the child was being brought up amongst a tribe of peons! And me—I want my child to grow up an American citizen, ma'am!"

"Take the little girl, Miss Combs," advised the doctor. "It'll be good for you to have her here."

"I've got to think if it'll be good for her," said Jane.

"If that's all!" chorused the two men. They rose. The thing was settled. "I'll go and tell the Vigil tribe," said Keene, "and send Lola's things over here right off." With a wave of the hand and a relieved look, he went down the road.

That night a boy brought to Jane's door a queer little collapsible trunk of sun-cured hide, thonged fast with leather loops. The Navajo blanket was outside. Jane surmised that Mr. Keene had sent it because he dreaded its saddening associations. A message from him conveyed the information that he expected to leave town early the next morning, and that Lola would be sent over from the Vigils.

All during the afternoon Jane waited with breathless expectancy. The afternoon waned, but Lola did not come. Finally, possessed of fear and foreboding, Jane set forth to inquire into the matter.

Upon opening the Vigil gate, she saw Lola herself sitting on the doorstep, looking over toward the little wood crosses of the Mexican burying-ground. The girl hardly noted Jane's approach, but behind her, Señora Vigil came forward, shaking her head at Jane and touching her lip significantly.

"She does not know," whispered the señora. "Her papa did not say good-by. He said it was better for him to 'slip away.' And me—I could not tell her! I am only a woman."

"You think—she will not want—to live with me?"

The other's face grew very bland. "She said to-day 'how ugly' was your house," confessed Señora Vigil. "And when you was feeding your chickens she cried out, 'Hola, what a queer woman is yonder!' Children have funny things in their heads. But it is for you to tell her you come to fetch her away!" And the señora called out, "Lolita, ven aca!"

The girl looked up startled. "Que hay?" she asked, coming toward them apprehensively.

"Lola," began Jane, "your papa wants you should stay with me for a while. He—he saw how lonesome I was," she continued, unwisely, "and—and so he decided to leave you here. Lola, I hope—I—" She could not go on for the strangeness in Lola's gaze.

"Is he gone—my father? But no! he would not leave me behind! No! no! Dejeme! dejeme! you do not say the truth! You shall not touch me! I will not—will not go with you!" She turned wildly, dizzily, as if about to run she knew not where; and then flung herself down before Señora Vigil, clasping the Mexican woman's knees in a frantic, fainting grasp.


A SACRED CHARGE


CHAPTER TWO
A SACRED CHARGE

Jane helplessly regarded the child's despair, while Señora Vigil maintained an attitude curiously significant of deep compassion and a profound intention of neutrality. With the sound of Lola's distraught refusals in her ear, Jane felt upon her merely the instinct of flight. She rallied her powers of speech and set her hand on the gate, saying simply, "I'm going. She better stay here."

But at this the señora's face, which had exhibited a kind of woful pleasure in the excitement of the occasion, took on an anxious frown.

"And the board-money?" she exclaimed, with instant eagerness.

"I guess it'll be all right. Mr. Keene said he'd send it every month."

The señora's eyes narrowed. "He said so! Ay, but who can say he shall remember? There are eight chickens to eat of our meal already. No, Mees Combs! The muchacha was left to you. It is a charge very sacred. Ave Maria! yes!"

Jane had closed the gate. "I can't force her," she repeated.

Señora Vigil, watching her go, fell a prey to lively dissatisfaction. "Santo cielo!" she thought. "What will my Pablo say to this? I must run to the mine for a word with him. It is most serious, this business!" And casting her apron over the whip-cord braids of her coarse hair, she started hastily down toward the bridge.

Lola, crouching on the ground, watched her go. It was very quiet in the grassless yard. The Vigil children were playing in the arroyo bed. Their voices came with a stifled sound. There was nothing else to hear save the far-off moaning of a wild dove somewhere up Gonzales cañon. The echo was like a soft, sad voice. It sounded like the mournful cry of one who, looking out of heaven, saw her hapless little daughter bereaved and abandoned, and was moved, even among the blessed, to a sobbing utterance.

Lola sat up to listen. Her father had spoken of going through that cañon from which the low call came. Even now he was traveling through the green hills, regretting that he had left his child behind him at the instance of a strange woman! Even now he was doubtless deploring that he should have been moved to consider another's loneliness before his own.

"Wicked woman," thought the girl, angrily, "to ask him to leave me here—my poor papa!" She sprang to her feet, filled with an impetuous idea. She might follow her father!

There was the road, and no one by to hinder her. Even the hideous wooden house of the short-haired woman looked deserted. Lola, with an Indian's stealth of tread, crossed the bridge, and walked without suspicious haste up the empty street.

At the mouth of the cañon, taking heart of the utter wilderness all about, she began to run. Before her the great Spanish Peaks heaved their blue pyramids against the desert sky. Shadows were falling over the rough, winding road, and as she rushed on and on, many a gully and stone and tree-root took her foot unaware in the growing gray of twilight. Presently a star came out, a strange-faced star. Others followed in an unfamiliar throng, which watched her curiously when, breathless and exhausted, she dropped down beside a little spring to drink. The water refreshed her. She lay back on the cattle-tramped hill to rest.

Dawn was rosy in the east when she awoke, dazed to find herself alone in a deep gorge. Her mission recurred to her, and again she took the climbing road. Now, however, the way was hard, for it rose ever before her, and her feet were swollen.

As the day advanced it grew sultry, with a menace of clouds to the west. After a time the great peaks were lost in dark clouds, and distant thunder boomed. A lance of lightning rent the nearer sky, and flashed its vivid whiteness into the gorge. This had narrowed so that between the steep hills there was only room for the arroyo and the little roadway beside it. Before the rain began to fall on Lola's bare head, as it did shortly in sheets, the stream-bed had become a raging torrent, down which froth and spume and uprooted saplings were spinning.

In an instant the cañon was a wild tumult of thunder and roaring water, and Lola, barely keeping her feet, had laid hold of a piñon on the lower slope and was burying her head in the spiked branches. Wind and rain buffeted the child. The ground began to slip and slide with the furious downpour, but she held fast, possessed of a great fear of the torrent sweeping down below her.

As she listened to the crashing of the swollen tide, another noise seemed to mingle with the sound of the mountain waters—a sound of bellowing and trampling, as of a stampeded herd. A sudden horror of great rolling eyes and rending horns and crazy hoofs hurtled through the girl's dizzy brain. Her hands loosened. She began to slip down.

The rain had slackened when Bev Gribble, looking from his herder's hut up on the mesa, saw that his "bunch" of cattle had disappeared. Certain tracks on the left of the upland pasture exhibited traces of a hasty departure. That there had been a cloudburst over toward the Peaks he was as yet ignorant; nor did he discover this until he had caught his cow-pony and descended into the ravine.

The sun was shining now, and the arroyo was nothing more than a placid, though muddy stream. Its gleaming sides, however, spoke lucidly to Bev's intelligence, and he set the pony at a smarter pace in the marshy road.

"Sus! Sus!" said Bev to his pony, who knew Spanish best, being a bronco from the south. But Coco did not respond. Instead, he came back suddenly on his haunches, as if the rope on the cow-puncher's saddle had lurched to the leap of a steer.

Coco knew well the precise instant when it is advisable for a cow-pony to forestall the wrench of the lasso. But now the loop of hemp hung limp on the saddle-horn, and Gribble, surprised at being nearly thrown, rose in the stirrups to see what was underfoot.

A drenched thing it was which huddled at the roadside; very limp, indeed, and laxly lending itself to the motions of Gribble's hands as he lifted and shook it.

"Seems to be alive!" muttered the cow-puncher. "Where could she have dropped from? Aha! here's a broken arm! I better take her right to town to the doctor. Hi there, Coco!" He laid Lola over the saddle and mounted behind his dripping burden.

When the coal-camp came in sight on the green skirt of the plains, with the Apishapa scrolling the distance in a velvet ribbon, sunset was already forward, and the smoke of many an evening fire veined the late sky.

A man coming toward the cañon stopped at sight of Gribble. He was the store clerk going home to supper. He shouted, "Hullo, Bev! Why, what have you struck? Bless me, it's the little girl they're all hunting! She belongs to Miss Combs, it seems. Her mother died here the other day. Found her up the cañon, eh? They been all ranging north, thinking she'd taken after her pa. Maybe she thought he'd headed for La Veta pass? Looks sure 'nough bad, don't she?"

Jane, when she heard the pony cross the bridge, ran to the door, as she had run so many times during the long, anxious day. She took the girl from Gribble without a word, and bore her into the house from which she had fled with so much loathing.

"Don't look so scared!" said Gribble, kindly. "It's only a broken bone or so." As this consoling assurance seemed not to lessen Jane's alarm, he went on cheerfully to say, "There isn't one in my body hasn't been splintered by these broncos! Tinker 'em up and they're better than new. Here's doc coming lickety-switch! He'll tell you the same."

But the doctor was less encouraging. "It isn't merely a question of bones," he said, observing his patient finally in her splints and bandages. "It's the nervous strain she's lately undergone. She's been overtaxed with so much excitement and sorrow. If she pulls through, it'll be the nursing."

Jane drew a deep breath. "She won't die if nursing can save her!" said she. Her face shone with grave sacrificial tenderness, in the light of which the shortcomings of her uncouth dress and looks were for once without significance.

"She's a good woman," said the doctor, as he rode away, "though she wears her womanhood so ungraciously—as a rough husk rather than a flower. All the same, she's laying up misery for herself in her devotion to this fractious child; I wish I'd had no hand in it!"

Jane early came to feel what burs were in the wind for her. Lola soon returned to the world, staring wonderingly about; but even in the first moment she winced and turned her face away from Jane's eager gaze. As the girl shrank back into the pillows, Jane's lips quivered.

"Goose that I am!" she thought. "Of course my looks are strange to her! It'd be funny if she took to me right off. I aint good-looking. And her ma was real handsome!" For once in her life Jane sighed a little over her own plainness. "Children love their mothers even when they're plumb homely!" she encouraged herself. "Maybe Lola'll like me, in spite of my not being well-favored, when she finds how much I think of her."

As time passed, and Lola, with her arm in a sling, began to sit up and to creep about, there was little in her manner to show the wisdom of Jane's cheerful forecast. The girl was still and reserved, as if some ancient Aztec strain predominated in her over all others. She watched the Vigils playing, the kids gamboling, the magpies squabbling; but never a lighter look stirred the chill calm of her little, russet-toned features, or the sombre depths of her dark, long eyes.

Jane watched her in despair. "I'm afraid you aint very well contented, Lola," she said, one day. "Is there anything any one can do?" Lola was sitting in the August sunshine. A little quiver passed through her.

"I want to hear from my father," she said. "Has he—written?" Her voice was wishful, indeed, and Jane colored.

"I guess he's been so busy he hasn't got round to it yet," she said, lightly.

"I thought he hadn't," said Lola, quickly. "I—didn't expect it quite yet. He hates to write." Her accent was sharp with anxiety as she added, "But of course he sends the—board-money for me—he would remember that?" Evidently she recalled the Señora Vigil's questions and doubts on this subject, for there was such intensity of apprehension in her look that Jane felt herself full of pain.

"Of course he would remember it, my dear!" she said, on the instant; she consoled her conscience by reflecting that there was no untruth in her words. Although Mr. Keene had sent never a word or sign to Aguilar, it was measurably certain that he remembered his obligations.

"It'd just about kill that child to find out the truth," thought Jane. "She looks, anyhow, like she hadn't a friend on earth! I'm going to let her think the money comes as regular as clockwork! I d' know but I'm real glad he don't send it. Makes me feel closer to the little thing, somehow."

After a while the broken arm was pronounced whole again, and the sling was taken off.

"You're all right now," said the doctor to Lola, "and you must run out-of-doors and get some Colorado tan on your cheeks. Sabe? And eat more. Get up an appetite. How do you say that in Spanish? Tener buen diente, eh? All right. See you do it."

Lola stood at his knee, solemn and mute. She took his jests with an air of formal courtesy, barely smiling. She had a queer little half-civilized look in the neat pigtails which Jane considered appropriate to her age, and which were so tightly braided as fairly to draw up the girl's eyebrows. The emerald fajas had been laid by. To garland that viny strip in Lola's locks was beyond Jane's power.

"What a little icicle it is!" mused the doctor. "If I had taken a thorn from a dog's foot the creature would have been more grateful!"

Even as he was thinking this, he felt a sudden pressure upon his hand. Lola had seized it and was kissing the big fingers passionately, while she cried, "Gracias! mil gracias, señor! You have made me well! When my papa comes he will bless you! He will pour gold over you from head to foot!"

"That's all right, Lola," laughed the doctor. "He'll have to thank Miss Jane more than me. She pulled you through. Have you thanked her yet, Lola?"

Lola's face stiffened. "But for her I should not have been tramped by the cattle—I should have been safe in my father's wagon!" she thought. "I—have not, but I will—soon," she said. "And your housekeeper, too, for the ice-cream, and other things."

Jane, in succeeding days, took high comfort in the fact that Lola seemed to like being out-of-doors, and apparently amused herself there much after the fashion of ordinary children. She had established herself over by the ditch, and Jane could see her fetching water in a can and mixing it with a queer kind of adobe which she got half-way up the hill. That Lola should be engaged with mud casas was, indeed, hardly in accord with Jane's experience of the girl's dignity; but that she should be playing ever so foolishly in a slush of clay delighted Jane as being a healthful symptom.

"What you making down yonder, honey?" she ventured to ask.

"I am making nothing; I am finished," said Lola. "To-morrow you shall see my work." Jane felt taken aback. It had been work, then; not simple play. She awaited what should follow with curious interest.

Upon the next morning Lola ran off through the alfalfa rather excitedly. After a little she reappeared, walking slowly, with an air of importance. She carried something carefully before her, holding it above the reach of the alfalfa's snatching green fingers.

It was a square pedestal of adobe, sun-baked hard as stone, upon which sat a queer adobe creature, with a lean body and a great bulbous head. This personage showed the presence in his anatomy of an element of finely chopped straw. His slits of eyes were turned prayerfully upward. From his widely open mouth hung a thirsty mud tongue, and between his knobby knees he held an empty bowl, toward the filling of which his whole expression seemed an invocation.

"He is for you," said Lola, beaming artistic gratification. "He is to show my thanks for your caring for me in my broken-bonedness. He is Tesuque, the rain-god. You can let your ditches fill with weeds, if you like. You won't need to irrigate your vega any more. Tesuque will make showers come."

Jane trembled with surprised pleasure. The powers ascribed to Tesuque were hardly accountable for the gratification with which she received him.

"I'll value him as long as I live!" she exclaimed. "He—he's real handsome!"

"Not handsome," corrected Lola, with a tone of modest pride, "but good! He makes the rain come. In Taos are many Tesuques."

"I reckon it must rain considerable there," surmised Jane, not unnaturally.

Lola shook her head. "No. It's pretty dry—but it wouldn't rain at all, you see, if it wasn't for Tesuque!"

This logic was irresistible. Jane dwelt smilingly upon it as she set the rain-god on the mantel, with a crockery bowl of yellow daisies to maintain his state. Afterward, a dark, adder-like compunction glided through the flowery expanse of her joy in Tesuque, as she wondered if there was not something heathenish in his lordly enshrinement upon a Christian mantelpiece.

"Maybe he's an idol!" thought Jane. "Lola," she asked, perturbed, "you don't pray to Tersookey, do you?" Lola looked horrified.

"Me? Maria Santissima! I am of the Church! Tesuque is not to pray to. I hope you have not been making your worship to him. It is like this, señora: You plant the seed and the leaf comes; you set out Tesuque and rain falls. It is quite simple."

A Prairie Infanta
"'HE IS TESUQUE, THE RAIN-GOD.'"

Jane rested in this easy and convincing philosophy. She saw the joke of Lola's advice to her not to misplace her devotions, and one day she repeated the story to the doctor, showing him the rain-god.

"Do you know," said the doctor, handling Tesuque, "that this thing is surprisingly well-modeled? The Mexicans can do anything with adobe, but this has something about it beyond the reach of most of them."

After this, a pleasanter atmosphere spread in Jane's dwelling. Lola often unbent to talk. Sometimes she sewed a little on the frocks and aprons, preparing for her school career. Oftener she worked in her roofless pottery by the ditch, where many a queer jug and vase and bowl, gaudy with ochre and Indian red, came into being and passed early to dust again, for want of firing. Jane found these things engrossing. She liked to sit and watch them grow under Lola's fingers, while the purple alfalfa flowers shed abroad sweet odors, and the ditch-water sang softly at her feet. As she sat thus one afternoon, Alejandro Vigil came running across the field, waving a letter.

"'Tis for you, Lolita!" he cried. "My father read the marks. It is from Cripple Creek!"

"Oh, give me! give me!" cried Lola, flinging down a mud dish.

Jane had taken the letter. "It's for me, dear," she said, beginning to open it. "I'll read it aloud—" She paused. Her face had a gray color.

Lola held out her hands in a passion of joy and eagerness. "What does he say? Oh, hurry! Oh, let me have it!"

Jane suddenly crushed the letter, and her eyes were stern as she withdrew it resolutely from Lola's reaching fingers.

"No, Lola, no!" she said, in a sharp tone. "I—can't let you have this letter! I can't! I can't!"


A TRUE BENEFACTRESS


CHAPTER THREE
A TRUE BENEFACTRESS

Lola's breath was suspended in amazement. Indignation flashed from her eyes. She dropped her hands and Jane saw the fingers clench.

"It is my father's letter—and you keep it from me? You are cruel!" said Lola, passionately.

Jane's eyes, set on the ground, seemed to see there, in fiery type, the words of the paper in her grasp. Those scrawling lines, roaming from blot to blot across the soiled sheet, had communicated to Jane no pain of a personal sort. So far, indeed, as their trend took her on the score of feeling, she might even have found something satisfying in Mr. Keene's news, since this was merely a statement of his financial disability. All along Jane had been dreading the hour when, instead of this frank disclosure of "hard luck," there should come to her a parcel of money. Not to have any money to send might conjecturally be distressing to Mr. Keene; but Jane felt that he would be able to endure his embarrassment better than she herself any question of barter respecting Lola.

The very thought of being paid for what she had so freely given hurt Jane. Without realizing its coldness and emptiness, her life had been truly void of human warmth before the little, lonely girl stole in to fill it with her piteous, proud presence. A happier child, with more childish ways, might not so fully have compassed Jane's awakening; for this had been in proportion to the needs of the one who so forlornly made plea for entrance. Having once thrown wide the door of her heart, Jane had begun to understand the blessedness that lies in generosity. Lola might never care for her, indeed; but to Lola she owed the impulse of loving self-bestowal, which is as shining sunlight in the bosom.

Mr. Keene wrote that the claim he had been working had proved valueless. He expected better luck next time; but just now he could not do as he had intended for Lola; and in view of his unsettled circumstances he thought it might be well if Miss Combs could place the girl in some family where her services would be acceptable.

"Life," he wrote, was at best "a rough proposition," and it would doubtless be good for Lola, who had sundry faults of temper, to learn this fact early. For the present she would have to give up all idea of going to school. Mr. Keene would be sorry if the prospect displeased his daughter, but people couldn't have everything their own way in this world.

Such words as these Jane instinctively knew would fall crushingly upon Lola, and leave her in a sorry plight of abject, hardening thought. Therefore, steeling herself to bear the girl's misinterpretation, she said, "Lola, your father wouldn't want you to see this letter. It's on business."

"Does he say I'm not to see it?" asked Lola.

Jane's brows twisted painfully. "No," she said, "but—"

Lola turned away. Every line of her figure was eloquent of grievance. She walked off without a glance to apprise her of the anguish in Jane's face. Slowly Jane went toward the house; whereupon Alejandro Vigil, who had continued an interested spectator, followed Lola to the ditch.

"If thou hadst wept, she would have given thee the letter," he suggested. "My mother, she always gives up to us when we weep loudly. A still baby gets no milk," said Alejandro, wisely, as he hugged his bare knees.

"I am no baby!" retorted Lola. Nevertheless her voice was husky, and Alejandro watched her anxiously.

"It's no good to cry now," he advised her. "She's gone into the house."

"Tonto! Do you think I want her to see me?" wept Lola. "She is hard and cruel. O my father!"

"Come over and tell my mother about it!" urged the boy, troubled. "You are Mexican like us, no? Your mother was Mexican? Come! My mother will say what is best to do."

Lola listened. She let herself be dragged up. An adviser might speak some word of wisdom. "Come, then," she agreed.

But Señora Vigil, on hearing the story, only groaned and sighed.

"These Americans have the heart of ice!" she said. "Doubtless there was money in the letter and she did not want you to know. Serafita, leave thy sister alone, or I will beat thee! It will be best, Lolita, to say little. A close mouth catches no flies."

"I may not stay here with you?" asked Lola.

"Alas, no, little pigeon!" mourned the señora. "In the cage where thy father has put thee thou must stay! But come and tell me everything. This shall be thy house when thou art in trouble!" and thus defining the limits of her hospitality, she made a gesture toward the mud walls on which strings of goat meat were drying in a sanguinary fringe.

Autumn fell bright on the foot-hills. The plains blazed with yellow flowers which seemed to run in streams of molten gold from every cañon, and linger in great pools on the flats and line all the ditches. Ricks of green and silver rose all along the Apishapa. Alfalfa was purple to the last crop, and an air of affluence pervaded everything.

The town was thronged with ranchers, coming in to trade; the mine had started up for the winter. Men who had prospected for precious metals all summer in the mountains now bundled their pots and pans and blankets back to shelter for the winter; the long-eared burros, lost in great rolls of bedding, stood about the tipple awaiting the result of their masters' interviews with the mine boss, concerning work and the occupancy of any "shack" that might still be empty.

Now, too, the bell of the red-brick school clamored loudly of mornings; and dark, taciturn Mexican children, and paler, noisier children from the mining end of town, bubbled out of every door. Seven Vigils obeyed the daily summons, clad, boy and girl, in cotton stuff of precisely the hue of their skin. Bobbing through the gate, one after another, they were like a family of little dun-colored prairie-dogs, of a hue with their adobe dwelling, shy and brown and bright-eyed.

Among them Lola had an effect of tropical brilliancy, by reason of the red frock with which Jane had provided her. There were red ribbons also in Lola's braided hair; and the girl, although still aware of bitter wrongs, was sensible of being pleased with her raiment. More than once on her way to school that first day she looked at the breadths of her scarlet cashmere with a gratified eye; and catching her at this, Ana Vigil had sighed disapprovingly, saying, "It is too good for every day—that dress."

"It isn't too good for me!" flashed back Lola. "My father can do what he likes!"

"True," said Ana, "since he has a gold-mine. But even if I were rich, I should fear that the saints might punish me for wearing to school my best clothes. I would wish to win their good-will by wearing no finery," said Ana, piously. She was a plump girl, with eyes like splinters of coal in her suave brown face; despite the extreme softness of her voice, these glittering splinters rested with no gentle ray on Lola.

Indeed, Jane's pride in having her charge well-dressed operated largely against the girl's popularity with others of her mates than Ana. Primarily Lola's air of hauteur provoked resentment; but hauteur in poor attire would have been only amusing, while in red cashmere it was felt to be a serious matter, entailing upon every one the sense of a personal affront. Lola's quickness of retort was also against her. The swift flash of her eye, the sudden quiver of her lip, afforded continual gratification to such as had it in mind to effect her discomposure.

"They do not love you too well, Lolita," said Ana Vigil, sadly. "They say you have a sharp tongue. They say you are too well pleased with yourself. Me, I tell you what I hear because I am your friend."

"So long a tongue as yours, Ana, weaves a short web!" growled Alejandro, with a masculine distrust of his sister's friendly assumptions.

"Lola knows if I speak truth," returned Ana, tranquilly.

Lola maintained an impassive front, but she was hurt. The little tricks and taunts of her schoolfellows tormented her deeply. She had lately relapsed into the stolid indifference native to her blood, and this was her best shield, had she only known it, although it, too, for a time left her open to attack. For when she encased herself in cold silence, and stalked home with lifted head and unseeing eyes, often a little throng of Mexican children would walk behind her, imitating her stately gait and calling mockingly, "Ea! ea! See the madamisela! See the princess! She is sister to the king—that one! Vah! vah! vah!"

And mingling their voices they would sing, "Infanta! Infanta Lolita!" until Lola, stung to rage, turned upon them wildly; whereat their delighted cries served to send her flying homeward.

"I guess not even Squire Baca's girls nor Edith May Jonas had better things than you," said Jane, unaware of all this. Her own garments remained things of the baldest utility, but the village seamstress was kept busy feather-stitching and beribboning articles for Lola's wear.

In these things Jane developed a most prodigal pride, freely expending upon them the little patrimony which had been put in the Trinidad bank against her old age. Her usual good judgment quite failed her; and she who, patternless and guideless, slashed brown denim fearlessly into uncouth vestures for herself, now had a pulse of trepidation at laying the tissue-paper model of some childish garment for Lola upon a length of dainty wool.

"Maybe," said Lola, "the others would like me better if my father didn't get me so many things."

Jane's eyes shone with a fierce light.

"Don't they like you?" she demanded, harshly.

"Didn't you hear them calling 'infanta' after me just now?"

"Infanta—is it anything bad?" Jane's voice was so wroth that Lola laughed.

"It means princess."

"Oh!" said Jane, mollified. "If it'd been anything else, I'd have gone straight down to see the marshal!" Lola flushed a little. She thought, "How kind she is! If I could only forget—about that letter!"

The dislike of the Mexican children abated with time. They even came to admire Lola's quickness. She went above them in class—yes! but also she went above the Americans! The little Mexicans, aware of a certain mental apathy, had not enviously regarded the exploits of the "smart" Americans. If these others "went up," what did it matter? All one could do if one were Mexican was to accept defeat with dignity, and reflect upon the fact that things would be different if Spanish and not English were the language of the school.

When Lola, however, one of themselves by reason of her color and her fluency in their idiom, displayed an ability to master those remorseless obscurities of spelling and arithmetic which had seemed sufficient to dethrone reason in any but a Saxon mind, then the peon children began to find some personal satisfaction in her achievements.

Whenever Lola went above Jimmy Adkins, the mine boss's boy, and Edith May Jonas, the liveryman's only daughter, every Mexican face recorded a slow smile of triumph. "'Sta 'ueno!" they would whisper, watching Edith May, who upon such occasions was wont to enliven things by bursting into tears, and who commonly brought upon the following day a note from her mother, stating that Edith May must be excused for missing in spelling because she had not been at all well and had misunderstood the word.

The next two years also mitigated much of the constraint which had marked Miss Combs's relations with Lola. After the episode of the letter, Lola never asked news of her father. Insensibly she came to understand that if he wrote at all he wrote seldom, and solely upon the matter of her expenses. And naturally she ceased clinging warmly to the thought of his love for her. His silence and absence were not spurs to affection, although she dwelt gratefully upon the fact that he should lavish so much upon her.

Jane's money was lessening, but none of Lola's wishes had as yet been baffled. The girl had a sort of barbaric love of brightness and softness; and one day, as she looked over some fabrics for which Jane, spurred by the approach of the vacation and the fact that Lola was to have a part in the closing exercises of school, had sent to Denver, the girl said suddenly, "How good my father is to me, tia!"

Long before, she had asked Jane what she should call her, and Jane had said, "Maybe you better call me aunt."

"I will do it in Mexican, then," said Lola. "It sounds more ripe." She meant mellow, no doubt. Now, as she fingered the pretty muslin, she seemed to gather resolution to speak of something which had its difficulties. "Tia," she pursued, "he is well off—my father?"

Jane's voice had rather a feigned lightness as she replied, "You have everything you want, don't you?" No one but herself knew that for some time she had been paying Mr. Keene a monthly stipend. He had written that Lola ought not any longer to be giving her services just for board. So great a girl must be very handy about a house; and as luck still evaded him, he confessed that Lola's earnings would considerably "help him out."

Jane had not combated his views. Many Mexican children younger than Lola earned a little tending the herds and helping about the fields. They were usually boys; but Jane did not dwell on this point. She had never clearly realized, on her own part, those distinctions in labor which appertain to the sexes; she had herself always done everything that had to be done, whether it were cooking or plowing. If she had any choice, it was for pursuits of the field. Therefore, without comment, she had accepted Mr. Keene's theories as just, and began to pay him what he said would be "about right."

"Because," said Lola, "I want you to ask him something when you write. I am over fourteen now. There isn't much more for me to learn in this school. Señor Juarez and Miss Belton both tell me I ought to go to Pueblo. Edith May Jonas is going. I should like to study many things—drawing, for instance. They say I ought to study that. My mother always said she hoped I would have a chance to learn. And my father used to say, 'Oh, yes!' that he would soon have money for everything. And now he has! Will you ask him?"

Jane was dusting the mantel on which Tesuque still sat open-mouthed, with his bowl. The room had lost its former barren aspect. There was now a carpet, while muslin shades softened the glare of the Colorado sun and the view of the sterile hills. Geraniums bloomed on the window-sills, and some young cottonwoods grew greenly at the door. The scarlet Navajo blanket, which had been Lola's inheritance from the prairie-schooner, was spread across a couch, and gave a final note of warmth and comfort to the low room, now plastered in adobe from ceiling to floor. Everything that had been done was for Lola's sake, who loved warmth and color, as do all Southrons.

Tesuque alone, divinely invariable amid so much change, now seemed to wink the eye at Jane's uncertainty. For Jane knew that there was not enough money in the bank to pay for a year's schooling at Pueblo. So far she knew, yet she said simply, "I can ask him."

If Lola wanted to go to Pueblo, she must go. It would be a pity if Edith May Jonas should have better schooling than Lola, thought Jane. And as she pondered, it came forcibly to her that money need not be lacking; she could mortgage her house. She shut her eyes to all future difficulties which this must involve, and, upon a certain June day, set resolutely out to see if the doctor were willing to make the loan.

The doctor, sitting in the little office which he had built in the corner of his shady yard, scowled over his glasses as he listened.

"You're making a mistake," he said, having heard all, "to let Lola believe that her father is providing for her. I know you began it all with a view to charitable ends; but he who does evil that good may come sets his foot in a crooked path, of which none can see the close."

"I didn't want to see her breaking her heart."

"I know, but I do not believe it's ever well to compound and treat with wrong. If you'll be advised, you'll tell her the whole truth at once."

Jane sat bolt upright before him. Her arms were folded across her butternut waist, and under the man's hat a grim resolution seemed to be embodying itself.

"She wouldn't go to school at Pueblo if I told her—nor feel like she had any home—or anything in the world. And I aint going to tell her!"

"Miss Jane, Miss Jane, don't you see you're doing the girl a real injury in letting her regard you, her true benefactor, merely as the agent of her father's generosity? You have simply sustained and encouraged her worst traits. She wouldn't have been so exacting, so resentful, so easily provoked if she had known all along that she was only a poor little pensioner on your bounty. The lesson of humility would have gone far with her. No, Miss Jane, it wouldn't have hurt her to be humbled. It won't now!"

"I don't believe it ever does any one any good to be humbled!" maintained Jane, stoutly and with reason. "Especially if it's a poor, frail little soul that aint got no mother! I did what I thought best, though I can't afford it no way in the world! To prune and dress a lie aint going to make it grow into a truth!" She rose. "I guess I'll see if Henry Jonas'll be willing to take that mortgage!"

"I'm going to do it myself!" roared the doctor. "I don't want Jonas to own all the property in Aguilar!" Generosity and anger swayed him confusedly; but as he watched Jane trudging down under the Dauntless's tipple he became clear enough to register with himself a vow. "Lola has got to know the truth!" he declared. "Maybe it's none of my business, but all the same she's going to know it, and know it now!" And he got up, grimly resolute.


WISE IMPULSES


CHAPTER FOUR
WISE IMPULSES

The next day was the last of the school term, and it afforded the doctor an opportunity for carrying out his resolve. There was a base of sound reason in his purposed action. It might give the girl pain, indeed, to hear what he felt impelled to tell her; it is not pleasant to have a broken bone set, yet the end is a good one. The doctor felt that Lola's mind held a smoldering distrust of Jane, which not even the consciousness of Jane's love could dispel.

The girl, without directly formulating so strong a case against Jane, obscurely held her accountable for that division from her father which she deplored. Doubtless it was affection which had caused Jane to ask Mr. Keene to leave his child behind. Affection also might have jealously deterred Jane from giving Lola her father's infrequent letters. But affection cannot excuse what is unworthy; and Lola's thoughts ran vaguely with a distrust which did something to embitter the wholesome tides of life.

"I am right to put an end to Miss Combs's unwise benevolence," thought the doctor, as he tied his horse outside the schoolhouse.

Throngs of white-frocked girls were chattering about the yard. Rows of Mexican children squatted silent and stolid against the red walls, unmoved by those excitements of closing day which stirred their American mates to riotous glee. The wives of the miners and town merchants were arriving in twos and threes. Gaunt Mexican women, holding quiet babies in their looped rebozos, stood about, hardly ever speaking.

Señora Vigil, more lavishly built than the rest of her countrywomen and gayer of port than they, moved from group to group, talking cheerfully. Jane also awaited the opening of the schoolhouse door, watching the scene with interest and having no conception of herself as an object of note, in her elderly black bonnet and short jean skirt.

Presently Señor Juarez, the Mexican master, appeared. The bell in the slate dome rang loudly, and the throng filed indoors. There was the usual array of ceremonies appropriate to occasions like this. Small boys spoke "pieces," which they forgot, being audibly prompted, while the audience experienced untold pangs of sympathy and foreboding. Little beribboned girls exhibited their skill in dialogue, and read essays and filed through some patriotic drill, to which a forest of tiny flags gave splendid emphasis at impressive junctures.

Then Edith May Jonas, solemn with anxiety and importance, rose to sing. She was a plain, flaxen-haired girl, with a Teutonic cast of feature and a thin voice; but every one, benumbed with speechless admiration of her blue silk dress, derived from her performance an impression of surpassing beauty and unbounded talent.

"Caramba! but she is like a vision!" sighed Señora Vigil in Jane's ear. "Look at Señora Jonas, the mother! Well may she weep tears of pride! She is a great lady—Señora Jonas. Just now she have condescended to say to me, ''Ow-de-do?' and me, I bow low. 'A los pics de V. señora!' I say. Ay Dios! if I but had a child with yellow hair, like the Señorita Edith May! Que chula!"

"Sh!" breathed Jane. "There's my Lola on the platform!"

Lola had grown tall in the past year. She was fairer than the Mexicans, although not fair in the fashion of Edith May, but with a faint citron hue which, better than pink and white, befitted the extreme darkness of her hair and eyes. She wore a dress of thin white, and around her slender neck was a curious old strand of turquoise beads which had been found carefully hidden away in the Mexican trunk. There was an air of simple reserve about her which touched the doctor. She was only a child for all her stately looks, and he began to hate his task.

Lola read a little address which had been assigned to her as a representative of the highest class. She read the farewell lines almost monotonously, without effect, without inflection, almost coldly. Yet as he listened, the doctor had an impression of vital warmth underlying the restraint of the girl's tone—an impression of feeling that lay far below the surface, latent and half-suspected.

"There is something there to be reckoned with," he decided. "But what? Is it a noble impulse which will spring to life in rich gratitude when I tell her my story? Or will a mere hurt, passionate vanity rise to overwhelm us all in its acrid swell? I shall soon know."

In the buzz of gaiety and gossip which succeeded the final reading, he approached Lola and beckoned her away from the crowd. She came running to him smiling, saying, "Señor!"

"I want to say something to you, my dear. Come here where it's quiet." The doctor was finding the simplicity and trustfulness of her gaze very trying. "Lola," he continued, desperately, "I—you must listen to me." Just at this point something struck against his arm, and turning irritably, he saw Jane.

"What's all this?" said she, placidly. "What are you saying to make my little girl so wide-eyed? Remember, she has a fierce old guardian—one that expects every one to 'tend to his own affairs!" Jane spoke jestingly, but the doctor knew he was worsted. Jane had been watching him.

"But, tia!" interposed Lola, "the doctor was just going to tell me something very important!"

"He was maybe going to tell you that you are going to Pueblo next fall! Yes, honey, it's all fixed!" She turned a joyous, defiant face on the doctor, who cast his hands abroad as if he washed them of the whole affair; while Lola, beaming with pleasure, rushed off to tell the news to Señor Juarez.

"You'll regret this!" said the doctor, somehow feeling glad of his own failure.

"Well, she won't!" cried Jane, watching Lola's flight with tender eyes.

"Sometime she is going to find out all this deceit!" he added.

"I know," said Jane. "I know. And then she'll quit trusting me forever. But if I'm willing to stand it, nobody else need to worry." With this tacit rebuke she left him, and thereafter the doctor respected her wishes.

A month or so after Lola's departure northward, Jane's solicitude was enlivened by an event of startling importance. She was notified by the Dauntless Company that two entries, the fourth and fifth east, had entered her property, in which she had never suspected the presence of coal, and that the owners were prepared to negotiate with her suitable terms for the right of working the vein in question.

When the matter of royalties was settled and several hundred dollars paid to Jane's account for coal already taken out, she had a sudden rush of almost tearful joy. Every month would come to her, while the coal lasted, a determinate sum of money. She regarded the fact in a sort of ecstasy, and resolved upon many things.

First she banished from her house the shadow of the mortgage. Then, glowing with enterprise, she proceeded to extend and embellish her property in a way which speedily set the town by the ears, and aroused every one to dark prophecies as to what must happen when her money should all be gone, and nothing left her but to face poverty in the palatial five-room dwelling now growing up around the pine homestead of the past.

Lola liked adobe houses; and fortunately Enrique Diaz, the blacksmith, had a fine lot of adobes which he had made before frost, and put under cover against a possible extension of his shop, "to-morrow or some time after a while." These Jane bought, and deftly the chocolate walls arose in her vega, crowned finally with a crimson roof, which could be seen two miles off at Lynn. There was a porch, too, with snow-white pillars, and an open fireplace, all tiled with adobe, in which might blaze fires of piñon wood, full of resin and burning as nothing else can burn save driftwood, sodden with salt and oil and the mystery of old ocean.

Then, after a little, there arrived in town a vaulted box, in which the dullest fancy might conjecture a piano. Greatly indeed were heads shaken. If doom were easily invoked, Jane would hardly have lived to unpack the treasure and help to lift it up the porch steps.

"Por Dios!" gasped Ana Vigil. "It must have cost fifty dollars! And for what good, señora?"

"Lola's taking music-lessons," said Jane. "Her and Edith May Jonas is learning a duet. I want she should be able to go right on practising."

"Ah!" said Ana, innocently. "She will not say your house now is 'ugly,' will she? And you, señora, shall you get a longer dress and do your hair up, so she will not say of you like she did, 'How queer'?"

Jane looked at Ana. Surely she could not mean to be ill-tempered—Ana, with a face as broad and placid as a standing pool? No, no, Ana was too simple to wish to pain any one! Yet as Jane dwelt upon Ana's queries, it came slowly to Jane that certain changes in herself might be well.

She obeyed this wise, if late, impulse, and when Lola came home in June she had her reward. The girl cried out with surprise as she beheld on the platform at Lynn that tall figure in a soft gray gown, fashioned with some pretensions to the mode, but simple and dignified as befitted Jane's stature and look. There was a bonnet to match, too elderly for Jane's years, and of a Quakerish form. But this was less the cause for the general difference in Jane's aspect than the fact that her brown hair, parted smoothly on the broad, benignant brow, now had its ends tucked up in a neat knot.

"Tia! tia!" exclaimed Lola, herself glowing like a prairie-rose, as she dashed out of the train. "What have you done? You are good to look at! Your hair—oh, asombro!"

But when the white burros of the mail wagon, wildly skimming the plains, brought them in sight of the new house, Lola's joy turned white on her cheeks, and she clutched Jane's arm.

"Tia—our house! It is gone—gone!"

Then was Jane's time to laugh with sheer happiness, to throw open gate and door and usher her guest into the old room where Tesuque sat and the Navajo blanket still covered the couch as of yore, and nothing was altered except that now other rooms opened brightly on all sides, and in one a piano displayed its white teeth in beaming welcome.

Lola's blank face, whereon every moment printed a new delight, was to Jane a sight hardly to be matched. The satisfaction grew also with time, as the piano awoke to such strains as Lola had mastered, and people strolled up from the village ways to listen, and, to Jane's deep gratification, to praise the musician. The Mexicans came in throngs, filling the air with a chorus of "Caspitas!" and "Carambas!" None of them called Lola "Infanta" nowadays unless it were in a spirit of friendly pleasantry; and she herself had lost much of the air which had brought this contemptuous honor upon her childish head.

"She is Mexican—yes!" they nodded to one another, deriving much simple satisfaction from the circumstance. For was it not provocative of racial pride that one of their compatriots should be able to make tunes—actual tunes!—issue from those keys which responded to their own tentative touches merely with thin shrieks or a dull, rumbling note?

"Lolita is like she was," remarked Alejandro Vigil to his sister on the morning of the Fourth of July, as they wandered around the common beyond the arroyo.

This space of desert had an air of festive import, for unwonted celebrations of the day were forward. A pavilion roofed with green boughs had been built for the occasion, on the skirts of an oval course which was to be the ground of sundry feats of cowboy horsemanship, and of a foot-race between Piedro Cordova and the celebrated Valentino Cortés. There would be music, also, before long. Already the sound of a violin in process of tuning rang cheerfully through the open. The Declaration of Independence was to be read by the lawyer, who might be seen in the pavilion wiping his brow in anticipation of this exciting duty. A tribe of little girls, who were to sing national airs, were even now climbing into the muslin-draped seats of the lumber-wagon allotted them.

It was to be a great day for Aguilar! People from Santa Clara and Hastings and Gulnare were arriving in all manner of equipages. Mexican vehicles made a solid stockade along the west of the track. In the upper benches of the pavilion were ranged the flower and chivalry of the town—the families of the mine boss, the liveryman, the lawyer, the schoolmaster and several visiting personages. Jane, in her gray gown, was among them; beside her sat Lola, with Edith May Jonas.

"And did you think going away to school would make her different?" inquired Ana of her brother. "What should it do to her, 'Andro? Make her white like Miss Jonas? Vaya! Lola is only a Mexican!"

"She is not ashamed to be one, either!" cried Alejandro, accepting Ana's tacit imputation of some inferiority in their race. "And she is white enough," he added, regarding Lola as she sat smiling and talking, with the boughy eaves making little shadows across the rim of her broad straw hat.

"Who said she was ashamed?" asked Ana, with suspicious suavity. "You hear words that have not been spoken. I tell you of your faults, hermano mio, because I love you!"

Alejandro turned off in a sulk, and, leaving Ana to her own resources, went toward the place where the ponies and burros were tethered. It was comparatively lonely here, and Alejandro began to make friends with a disconsolate burro who was bewailing his fate in a series of lamentable sounds.

"Ha, bribon!" he said, pinching the burro's ears. "What is the use of wasting breath? Sus, sus, amigo!" The burro began to buck and Alejandro stepped back. As he did so he saw approaching him from behind the wagons a man in tattered garments, with a hat dragged over his eyes, and a great mass of furzy yellow beard.

"Here, you!" said this person. "Oh, you're Mexican! Ya lo veo—"

A Prairie Infanta
"'I HOPED YOU'D BE ABLE TO LEND ME A HAND.'"

"Me, I spik English all ri'!" retorted Alejandro, with dignity. "Spik English if you want. I it onnerstan'."

"I see. Well, look here!" He withdrew a folded paper from his pocket. "I want you to take this note over to that lady in the gray dress in the pavilion. Sabe 'pavilion'? All right! Don't let any one else see it. Just hand it to her quietly and tell her the gentleman's waiting."

Alejandro took the note reluctantly. Why should he put himself at the behest of this vagabundo who impeached his English? The man, however, had an eye on him. It was an eye which Alejandro felt to be impelling. He decided to take the note to the lady in gray.

Jane, as Alejandro smuggled the paper into her hand, caught a glimpse of the writing and felt her heart sink. Lola and Edith May Jonas were whispering together. They had not noticed Alejandro.

"The man is waiting," said the boy, in her ear.

Jane touched Lola. "Keep my seat, dear," she said. "Some one wants to speak to me." And she followed Alejandro across the field.

Alejandro's vagabundo came forward to meet her with an air of light cordiality. His voice was the voice which had greeted her first from the steps of the prairie-schooner in which Lola's mother lay dead.

"It's me!" conceded Mr. Keene, pleasantly. "In rather poor shape, as you see. It's always darkest before dawn! You're considerable changed, ma'am—and to the better. I would hardly have known you. Is that girl in the big white hat Lola? Well, well! Now, ma'am I'll tell you why I'm here."

He proceeded to speak of an opportunity of immediate fortune which was open to him, after prolonged disaster, if only the sum of five hundred dollars might be forthcoming. A friend of his in Pony Gulch had sent him glowing reports of the region. "All I want is a grub-stake," said Mr. Keene, "and I'm sure to win!"

"I haven't that much money in the world!" said Jane.

Keene sighed. "Well, I hoped you'd be able to lend me a hand, but if you can't, you can't! There seems to be nothing for me but to go back North, and try to earn something to start on. I guess it'd be well for me to take Lola along. She's nearly grown now, and they need help the worst kind in the miners' boarding-house where I stay up in Cripple. I told the folks that keep it—I owe 'em considerable—that I'd bring back my daughter with me to assist 'em in the dining-room, and they said all right, that'd suit 'em. Wages up there are about the highest thing in sight. Equal to the altitude. And it'll give me a chance to look round."

Jane was staring at him. "You would do that?" she breathed. "You'd take that delicate girl up there to wait on a lot of rough miners? I've worked for her and loved her and sheltered her from everything! She's not fit for any such life! She sha'n't go!"

Keene had been touched at first. At Jane's last assertion, however, he began to look sulky.

"Well, I guess it's for me to say what she shall do!" he signified. "I guess it's not against the law or the prophets for a daughter to assist her father when he's in difficulties. And Lola'll recognize her duty. I'll just go over yonder to the pavilion, ma'am, and see what she says."


DESTINY PRESSES


CHAPTER FIVE
DESTINY PRESSES

Jane stood confounded. Her aghast mind, following Mr. Keene's project, seemed to see him rakishly ascending the pavilion steps, among a wondering throng, and making way to Lola as she sat, happy and honored, with her friends. Jane had a sharp prevision of Lola's face when her father should appear before her, so different from the tender ideal of him which she had cherished, so intent upon himself, so bent upon shattering with his first word to his child all those visions of unselfish kindness and generosity which had made her thoughts of him beautiful.

Lola would go with him. She would rise and leave her home, friends and happy prospects to follow him to whatever life he might judge best, however rough, however wild. In ordinary circumstances Jane could not deny to herself that this course would be the right course for a daughter; that such an one would do well to succor a father's failings, to add hope to his despondency and love to the mitigation of his trials. But Mr. Keene was not despondent, nor were his trials of a sort which might not easily be tempered by something like industry on his own part. He was frankly idle. He loved better than simple work the precarious excitement of prospecting—an occupation which, except in isolated and accidental instances, cannot be pursued to any good save with the aid of science and capital.