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"I AM NOT ASLEEP."

—Marietta: A Maid of Venice.

THE NOVELS OF F. MARION CRAWFORD

In Twenty-five Volumes — Authorized Edition

MARIETTA

A Maid of Venice

BY

F. MARION CRAWFORD

WITH FRONTISPIECE

P. F. COLLIER & SON
NEW YORK

1901

CHAPTER I

Very little was known about George, the Dalmatian, and the servants in the house of Angelo Beroviero, as well as the workmen of the latter's glass furnace, called him Zorzi, distrusted him, suggested that he was probably a heretic, and did not hide their suspicion that he was in love with the master's only daughter, Marietta. All these matters were against him, and people wondered why old Angelo kept the waif in his service, since he would have engaged any one out of a hundred young fellows of Murano, all belonging to the almost noble caste of the glass-workers, all good Christians, all trustworthy, and all ready to promise that the lovely Marietta should never make the slightest impression upon their respectfully petrified hearts. But Angelo had not been accustomed to consider what his neighbours might think of him or his doings, and most of his neighbours and friends abstained with singular unanimity from thrusting their opinions upon him. For this, there were three reasons: he was very rich, he was the greatest living artist in working glass, and he was of a choleric temper. He confessed the latter fault with great humility to the curate of San Piero each year in Lent, but he would never admit it to any one else. Indeed, if any of his family ever suggested that he was somewhat hasty, he flew into such an ungovernable rage in proving the contrary that it was scarcely wise to stay in the house while the fit lasted. Marietta alone was safe. As for her brothers, though the elder was nearly forty years old, it was not long since his father had given him a box on the ears which made him see simultaneously all the colours of all the glasses ever made in Murano before or since. It is true that Giovanni had timidly asked to be told one of the secrets for making fine red glass which old Angelo had learned long ago from old Paolo Godi of Pergola, the famous chemist; and these secrets were all carefully written out in the elaborate character of the late fifteenth century, and Angelo kept the manuscript in an iron box, under his own bed, and wore the key on a small silver chain at his neck.

He was a big old man, with fiery brown eyes, large features, and a very pale skin. His thick hair and short beard had once been red, and streaks of the strong colour still ran through the faded locks. His hands were large, but very skilful, and the long straight fingers were discoloured by contact with the substances he used in his experiments.

He was jealous by nature, rather than suspicious. He had been jealous of his wife while she had lived, though a more devoted woman never fell to the lot of a lucky husband. Often, for weeks together, he had locked the door upon her and taken the key with him every morning when he left the house, though his furnaces were almost exactly opposite, on the other side of the narrow canal, so that by coming to the door he could have spoken with her at her window. But instead of doing this he used to look through a little grated opening which he had caused to be made in the wall of the glass-house; and when his wife was seated at her window, at her embroidery, he could watch her unseen, for she was beautiful and he loved her. One day he saw a stranger standing by the water's edge, gazing at her, and he went out and threw the man into the canal. When she died, he said little, but he would not allow his own children to speak of her before him. After that, he became almost as jealous of his daughter, and though he did not lock her up like her mother, he used to take her with him to the glass-house when the weather was not too hot, so that she should not be out of his sight all day.

Moreover, because he needed a man to help him, and because he was afraid lest one of his own caste should fall in love with Marietta, he took Zorzi, the Dalmatian waif, into his service; and the three were often together all day in the room where Angelo had set up a little furnace for making experiments. In the year 1470 it was not lawful in Murano to teach any foreign person the art of glass-making; for the glass-blowers were a sort of nobility, and nearly a hundred years had passed since the Council had declared that patricians of Venice might marry the daughters of glass-workers without affecting their own rank or that of their children. But old Beroviero declared that he was not teaching Zorzi anything, that the young fellow was his servant and not his apprentice, and did nothing but keep up the fire in the furnace, and fetch and carry, grind materials, and sweep the floor. It was quite true that Zorzi did all these things, and he did them with a silent regularity that made him indispensable to his master, who scarcely noticed the growing skill with which the young man helped him at every turn, till he could be entrusted to perform the most delicate operations in glass-working without any especial instructions. Intent upon artistic matters, the old man was hardly aware, either, that Marietta had learned much of his art; or if he realised the fact he felt a sort of jealous satisfaction in the thought that she liked to be shut up with him for hours at a time, quite out of sight of the world and altogether out of harm's way. He fancied that she grew more like him from day to day, and he flattered himself that he understood her. She and Zorzi were the only beings in his world who never irritated him, now that he had them always under his eye and command. It was natural that he should suppose himself to be profoundly acquainted with their two natures, though he had never taken the smallest pains to test this imaginary knowledge. Possibly, in their different ways, they knew him better than he knew them.

The glass-house was guarded from outsiders as carefully as a nunnery, and somewhat resembled a convent in having no windows so situated that curious persons might see from without what went on inside. The place was entered by a low door from the narrow paved path that ran along the canal. In a little vestibule, ill-lighted by one small grated window, sat the porter, an uncouth old man who rarely answered questions, and never opened the door until he had assured himself by a deliberate inspection through the grating that the person who knocked had a right to come in. Marietta remembered him in his den when she had been a little child, and she vaguely supposed that he had always been there. He had been old then, he was not visibly older now, he would probably never die of old age, and if any mortal ill should carry him off, he would surely be replaced by some one exactly like him, who would sleep in the same box bed, sit all day in the same black chair, and eat bread, shellfish and garlic off the same worm-eaten table. There was no other entrance to the glass-house, and there could be no other porter to guard it.

Beyond the vestibule a dark corridor led to a small garden that formed the court of the building, and on one side of which were the large windows that lighted the main furnace room, while the other side contained the laboratory of the master. But the main furnace was entered from the corridor, so that the workmen never passed through the garden. There were a few shrubs in it, two or three rose-bushes and a small plane-tree. Zorzi, who had been born and brought up in the country, had made a couple of flower-beds, edged with refuse fragments of coloured and iridescent slag, and he had planted such common flowers as he could make grow in such a place, watering them from a disused rain-water cistern that was supposed to have been poisoned long ago. Here Marietta often sat in the shade, when the laboratory was too close and hot, and when the time was at hand during which even the men would not be able to work on account of the heat, and the furnace would be put out and repaired, and every one would be set to making the delicate clay pots in which the glass was to be melted. Marietta could sit silent and motionless in her seat under the plane-tree for a long time when she was thinking, and she never told any one her thoughts.

She was not unlike her father in looks, and that was doubtless the reason why he assumed that she must be like him in character. No one would have said that she was handsome, but sometimes, when she smiled, those who saw that rare expression in her face thought she was beautiful. When it was gone, they said she was cold. Fortunately, her hair was not red, as her father's had been or she might sometimes have seemed positively ugly; it was of that deep ruddy, golden brown that one may often see in Venice still, and there was an abundance of it, though it was drawn straight back from her white forehead and braided into the smallest possible space, in the fashion of that time. There was often a little colour in her face, though never much, and it was faint, yet very fresh, like the tint within certain delicate shells; her lips were of the same hue, but stronger and brighter, and they were very well shaped and generally closed, like her father's. But her eyes were not like his, and the lids and lashes shaded them in such a way that it was hard to guess their colour, and they had an inscrutable, reserved look that was hard to meet for many seconds. Zorzi believed that they were grey, but when he saw them in his dreams they were violet; and one day she opened them wide for an instant, at something old Beroviero said to her, and then Zorzi fancied that they were like sapphires, but before he could be sure, the lids and lashes shaded them again, and he only knew that they were there, and longed to see them, for her father had spoken of her marriage, and she had not answered a single word.

When they were alone together for a moment, while the old man was searching for more materials in the next room, she spoke to Zorzi.

"My father did not mean you to hear that," she said.

"Nevertheless, I heard," answered Zorzi, pushing a small piece of beech wood into the fire through a narrow slit on one side of the brick furnace. "It was not my fault."

"Forget that you heard it," said Marietta quietly, and as her father entered the room again she passed him and went out into the garden.

But Zorzi did not even try to forget the name of the man whom Beroviero appeared to have chosen for his daughter. He tried instead, to understand why Marietta wished him not to remember that the name was Jacopo Contarini. He glanced sideways at the girl's figure as she disappeared through the door, and he thoughtfully pushed another piece of wood into the fire. Some day, perhaps before long, she would marry this man who had been mentioned, and then Zorzi would be alone with old Beroviero in the laboratory. He set his teeth, and poked the fire with, an iron rod.

It happened now and then that Marietta did not come to the glass-house. Those days were long, and when night came Zorzi felt as if his heart were turning into a hot stone in his breast, and his sight was dull, and he ached from his work and felt scorched by the heat of the furnace. For he was not very strong of limb, though he was quick with his hands and of a very tenacious nature, able to endure pain as well as weariness when he was determined to finish what he had begun. But while Marietta was in the laboratory, nothing could tire him nor hurt him, nor make him wish that the hours were less long. He thought therefore of what must happen to him if Jacopo Contarini took Marietta away from Murano to live in a palace in Venice, and he determined at least to find out what sort of man this might be who was to receive for his own the only woman in the world for whose sake it would be perfect happiness to be burned with slow fire. He did not mean to do Contarini any harm. Perhaps Marietta already loved the man, and was glad she was to marry him. No one could have told what she felt, even from that one flashing look she had given her father. Zorzi did not try to understand her yet; he only loved her, and she was his master's daughter, and if his master found out his secret it would be a very evil day for him. So he poked the fire with his iron rod, and set his teeth, and said nothing, while old Beroviero moved about the room.

"Zorzi," said the master presently, "I meant you to hear what I said to my daughter."

"I heard, sir," answered the young man, rising respectfully, and waiting for more.

"Remember the name you heard," said Beroviero.

If the matter had been any other in the world, Zorzi would have smiled at the master's words, because they bade him do just what Marietta had forbidden. The one said "forget," the other "remember." For the first time in his life Zorzi found it easier to obey his lady's father than herself. He bent his head respectfully.

"I trust you, Zorzi," continued Beroviero, slowly mixing some materials in a little wooden trough on the table. "I trust you, because I must trust some one in order to have a safe means of communicating with Casa Contarini."

Again Zorzi bent his head, but still he said nothing.

"These five years you have worked with me in private," the old man went on, "and I know that you have not told what you have seen me do, though there are many who would pay you good money to know what I have been about."

"That is true," answered Zorzi.

"Yes. I therefore judge that you are one of those unusual beings whom God has sent into the world to be of use to their fellow-creatures instead of a hindrance. For you possess the power of holding your tongue, which I had almost believed to be extinct in the human race. I am going to send you on an errand to Venice, to Jacopo Cantarini. If I sent any one from my house, all Murano would know it to-morrow morning, but I wish no one here to guess where you have been."

"No one shall see me," answered Zorzi. "Tell me only where I am to go."

"You know Venice well by this time. You must have often passed the house of the Agnus Dei."

"By the Baker's Bridge?"

"Yes. Go there alone, to-night and ask for Messer Jacopo; and if the porter inquires your business, say that you have a message and a token from a certain Angelo. When you are admitted and are alone with Messer Jacopo, tell him from me to go and stand by the second pillar on the left in Saint Mark's, on Sunday next, an hour before noon, until he sees me; and within a week after that, he shall have the answer; and bid him be silent, if he would succeed."

"Is that all, sir?"

"That is all. If he gives you any message in answer, deliver it to me to-morrow, when my daughter is not here."

"And the token?" inquired Zorzi.

"This glass seal, of which he already has an impression in wax, in case he should doubt you."

Zorzi took the little leathern bag which contained the seal. He tied a piece of string to it, and hung it round his neck, so that it was hidden in his doublet like a charm or a scapulary. Beroviero watched him and nodded in approval.

"Do not start before it is quite dark," he said. "Take the little skiff. The water will be high two hours before midnight, so you will have no trouble in getting across. When you come back, come here, and tell the porter that I have ordered you to see that my fire is properly kept up. Then go to sleep in the coolest place you can find."

After Beroviero had given him these orders, Zorzi had plenty of time for reflection, for his master said nothing more, and became absorbed in his work, weighing out portions of different ingredients and slowly mixing each with the coloured earths and chemicals that were already in the wooden trough. There was nothing to do but to tend the fire, and Zorzi pushed in the pieces of Istrian beech wood with his usual industrious regularity. It was the only part of his work which he hated, and when he was obliged to do nothing else, he usually sought consolation in dreaming of a time when he himself should be a master glass-blower and artist whom it would be almost an honour for a young man to serve, even in such a humble way. He did not know how that was to happen, since there were strict laws against teaching the art to foreigners, and also against allowing any foreign person to establish a furnace at Murano; and the glass works had long been altogether banished from Venice on account of the danger of fire, at a time when two-thirds of the houses were of wood. But meanwhile Zorzi had learned the art, in spite of the law, and he hoped in time to overcome the other obstacles that opposed him.

There was strength of purpose in every line of his keen young face, strength to endure, to forego, to suffer in silence for an end ardently desired. The dark brown hair grew somewhat far back from the pale forehead, the features were youthfully sharp and clearly drawn, and deep neutral shadows gave a look of almost passionate sadness to the black eyes. There was quick perception, imagination, love of art for its own sake in the upper part of the face; its strength lay in the well-built jaw and firm lips, and a little in the graceful and assured poise of the head. Zorzi was not tall, but he was shapely, and moved without effort.

His eyes were sadder than usual just now, as he tended the fire in the silence that was broken only by the low roar of the flames within the brick furnace, and the irregular sound of the master's wooden instrument as he crushed and stirred the materials together. Zorzi had longed to see Contarini as soon as he had heard his name; and having unexpectedly obtained the certainty of seeing him that very night, he wished that the moment could be put off, he felt cold and hot, he wondered how he should behave, and whether after all he might not be tempted to do his enemy some bodily harm.

For in a few minutes the aspect of his world had changed, and Contarini's unknown figure filled the future. Until to-day, he had never seriously thought of Marietta's marriage, nor of what would happen to him afterwards; but now, he was to be one of the instruments for bringing the marriage about. He knew well enough what the appointment in Saint Mark's meant: Marietta was to have an opportunity of seeing Contarini before accepting him. Even that was something of a concession in those times, but Beroviero fancied that he loved his child too much to marry her against her will. This was probably a great match for the glass-worker's daughter, however, and she would not refuse it. Contarini had never seen her either; he might have heard that she was a pretty girl, but there were famous beauties in Venice, and if he wanted Marietta Beroviero it could only be for her dowry. The marriage was therefore a mere bargain between the two men, in which a name was bartered for a fortune and a fortune for a name. Zorzi saw how absurd it was to suppose that Marietta could care for a man whom she had never even seen; and worse than that, he guessed in a flash of loving intuition how wretchedly unhappy she might be with him, and he hated and despised the errand he was to perform. The future seemed to reveal itself to him with the long martyrdom of the woman he loved, and he felt an almost irresistible desire to go to her and implore her to refuse to be sold.

Nine-tenths of the marriages he had ever heard of in Murano or Venice had been made in this way, and in a moment's reflection he realised the folly of appealing even to the girl herself, who doubtless looked upon the whole proceeding as perfectly natural. She had of course expected such an event ever since she had been a child, she was prepared to accept it, and she only hoped that her husband might turn out to be young, handsome and noble, since she did not want money. A moment later, Zorzi included all marriageable young women in one sweeping condemnation: they were all hard-hearted, mercenary, vain, deceitful—anything that suggested itself to his headlong resentment. Art was the only thing worth living and dying for; the world was full of women, and they were all alike, old, young, ugly, handsome—all a pack of heartless jades; but art was one, beautiful, true, deathless and unchanging.

He looked up from the furnace door, and he felt the blood rush to his face. Marietta was standing near and watching him with her strangely veiled eyes.

"Poor Zorzi!" she exclaimed in a soft voice. "How hot you look!"

He did not remember that he had ever cared a straw whether any one noticed that he was hot or not, until that moment; but for some complicated reason connected with his own thoughts the remark stung him like an insult, and fully confirmed his recent verdict concerning women in general and their total lack of all human kindness where men were concerned. He rose to his feet suddenly and turned away without a word.

"Come out into the garden," said Marietta. "Do you need Zorzi just now?" she asked, turning to her father, who only shook his head by way of answer, for he was very busy.

"But I assure you that I am not too hot," answered Zorzi. "Why should I go out?"

"Because I want you to fasten up one of the branches of the red rose. It catches in my skirt every time I pass. You will need a hammer and a little nail."

She had not been thinking of his comfort after all, thought Zorzi as he got the hammer. She had only wanted something done for herself. He might have known it. But for the rose that caught in her skirt, he might have roasted alive at the furnace before she would have noticed that he was hot. He followed her out. She led him to the end of the walk farthest from the door of the laboratory; the sun was low and all the little garden was in deep shade. A branch of the rose-bush lay across the path, and Zorzi thought it looked very much as if it had been pulled down on purpose. She pointed to it, and as he carefully lifted it from the ground she spoke quickly, in a low tone.

"What was my father saying to you a while ago?" she asked.

Zorzi held up the branch in his hand, ready to fasten it against the wall, and looked at her. He saw at a glance that she had brought him out to ask the question.

"The master was giving me certain orders," he said.

"He rarely makes such long speeches when he gives orders," observed the girl.

"His instructions were very particular."

"Will you not tell me what they were?"

Zorzi turned slowly from her and let the long branch rest on the bush while he began to drive a nail into the wall. Marietta watched him.

"Why do you not answer me?" she asked.

"Because I cannot," he said briefly.

"Because you will not, you mean."

"As you choose." Zorzi went on striking the nail.

"I am sorry," answered the young girl. "I really wish to know very much. Besides, if you will tell me, I will give you something."

Zorzi turned upon her suddenly with angry eyes.

"If money could buy your father's secrets from me, I should be a rich man by this time."

"I think I know as much of my father's secrets as you do," answered Marietta more coldly, "and I did not mean to offer you money."

"What then?" But as he asked the question Zorzi turned away again and began to fasten the branch.

Marietta did not answer at once, but she idly picked a rose from the bush and put it to her lips to breathe in its freshness.

"Why should you think that I meant to insult you?" she asked gently.

"I am only a servant, after all," answered Zorzi, with unnecessary bitterness. "Why should you not insult your servants, if you please? It would be quite natural."

"Would it? Even if you were really a servant?"

"It seems quite natural to you that I should betray your father's confidence. I do not see much difference between taking it for granted that a man is a traitor and offering him money to act as one."

"No," said Marietta, smelling the rose from time to time as she spoke, "there is not much difference. But I did not mean to hurt your feelings."

"You did not realise that I could have any, I fancy," retorted Zorzi, still angry.

"Perhaps I did not understand that you would consider what my father was telling you in the same light as a secret of the art," said Marietta slowly, "nor that you would look upon what I meant to offer you as a bribe. The matter concerned me, did it not?"

"Your name was not spoken. I have fastened the branch. Is there anything else for me to do?"

"Have you no curiosity to know what I would have given you?" asked Marietta.

"I should be ashamed to want anything at such a price," returned Zorzi proudly.

"You hold your honour high, even in trifles."

"It is all I have—my honour and my art."

"You care for nothing else? Nothing else in the whole world?"

"Nothing," said Zorzi.

"You must be very lonely in your thoughts," she said, and turned away.

As she went slowly along the path her hand hung by her side, and the rose she held fell from her fingers. Following her at a short distance, on his way back to the laboratory, Zorzi stooped and picked up the flower, not thinking that she would turn her head. But at that moment she had reached the door, and she looked back and saw what he had done. She stood still and held out her hand, expecting him to come up with her.

"My rose!" she exclaimed, as if surprised. "Give it back to me."

Zorzi gave it to her, and the colour came to his face a second time. She fastened it in her bodice, looking down at it as she did so.

"I am so fond of roses," she said, smiling a little. "Are you?"

"I planted all those you have here," he answered.

"Yes—I know."

She looked up as she spoke, and met his eyes, and all at once she laughed, not unkindly, nor as if at him, nor at what he had said, but quietly and happily, as women do when they have got what they want. Zorzi did not understand.

"You are gay," he said coldly.

"Do you wonder?" she asked. "If you knew what I know, you would understand."

"But I do not."

Zorzi went back to his furnace, Marietta exchanged a few words with her father and left the room again to go home.

In the garden she paused a moment by the rose-bush, where she had talked with Zorzi, but there was not even the shadow of a smile in her face now. She went down the dark corridor and called the porter, who roused himself, opened the door and hailed the house opposite. A woman looked out in the evening light, nodded and disappeared. A few seconds later she came out of the house, a quiet little middle-aged creature in brown, with intelligent eyes, and she crossed the shaky wooden bridge over the canal to come and bring Marietta home. It would have been a scandalous thing if the daughter of Angelo Beroviero had been seen by the neighbours to walk a score of paces in the street without an attendant. She had thrown a hood of dark green cloth over her head, and the folds hung below her shoulders, half hiding her graceful figure. Her step was smooth and deliberate, while the little brown serving-woman trotted beside her across the wooden bridge.

The house of Angelo Beroviero hung over the paved way, above the edge of the water, the upper story being supported by six stone columns and massive wooden beams, forming a sort of portico which was at the same time a public thoroughfare; but as the house was not far from the end of the canal of San Piero which opens towards Venice, few people passed that way.

Marietta paused a moment while the woman held the door open for her. The sun had just set and the salt freshness that comes with the rising tide was already in the air.

"I wish I were in Venice this evening," she said, almost to herself.

The serving-woman looked at her suspiciously.

CHAPTER II

The June night was dark and warm as Zorzi pushed off from the steps before his master's house and guided his skiff through the canal, scarcely moving the single oar, as the rising tide took his boat silently along. It was not until he had passed the last of the glass-houses on his right, and was already in the lagoon that separates Murano from Venice, that he began to row, gently at first, for fear of being heard by some one ashore, and then more quickly, swinging his oar in the curved crutch with that skilful, serpentine stroke which is neither rowing nor sculling, but which has all the advantages of both, for it is swift and silent, and needs scarcely to be slackened even in a channel so narrow that the boat itself can barely pass.

Now that he was away from the houses, the stars came out and he felt the pleasant land breeze in his face, meeting the rising tide. Not a boat was out upon the shallow lagoon but his own, not a sound came from the town behind him; but as the flat bow of the skiff gently slapped the water, it plashed and purled with every stroke of the oar, and a faint murmur of voices in song was borne to him on the wind from the still waking city.

He stood upright on the high stern of the shadowy craft, himself but a moving shadow in the starlight, thrown forward now, and now once more erect, in changing motion; and as he moved the same thought came back and back again in a sort of halting and painful rhythm. He was out that night on a bad errand, it said, helping to sell the life of the woman he loved, and what he was doing could never be undone. Again and again the words said themselves, the far-off voices said them, the lapping water took them up and repeated them, the breeze whispered them quickly as it passed, the oar pronounced them as it creaked softly in the crutch rowlock, the stars spelled out the sentences in the sky, the lights of Venice wrote them in the water in broken reflections. He was not alone any more, for everything in heaven and earth was crying to him to go back.

That was folly, and he knew it. The master who had trusted him would drive him out of his house, and out of Venetian land and water, too, if he chose, and he should never see Marietta again; and she would be married to Contarini just as if Zorzi had taken the message. Besides, it was the custom of the world everywhere, so far as he knew, that marriage and money should be spoken of in the same breath, and there was no reason why his master should make an exception and be different from other men.

He could put some hindrance in the way, of course, if he chose to interfere, for he could deliver the message wrong, and Contarini would go to the church in the afternoon instead of in the morning. He smiled grimly in the dark as he thought of the young nobleman waiting for an hour or two beside the pillar, to be looked at by some one who never came, then catching sight at last of some ugly old maid of forty, protected by her servant, ogling him, while she said her prayers and filling him with horror at the thought that she must be Marietta Beroviero. All that might happen, but it must inevitably be found out, the misunderstanding would be cleared away and the marriage would be arranged after all.

He had rested on his oar to think, and now he struck it deep into the black water and the skiff shot ahead. He would have a far better chance of serving Marietta in the future if he obeyed his master and delivered his message exactly; for he should see Contarini himself and judge of him, in the first place, and that alone was worth much, and afterwards there would be time enough for desperate resolutions. He hastened his stroke, and when he ran under the shadow of the overhanging houses his mood changed and he grew hopeful, as many young men do, out of sheer curiosity as to what was before him, and out of the wish to meet something or somebody that should put his own strength to the test.

It was not far now. With infinite caution he threaded the dark canals, thanking fortune for the faint starlight that showed him the turnings. Here and there a small oil lamp burned before the image of a saint; from a narrow lane on one side, the light streamed across the water, and with it came sounds of ringing glasses, and the tinkling of a lute, and laughing voices; then it was dark again as his skiff shot by, and he made haste, for he wished not to be seen.

Presently, and somewhat to his surprise, he saw a gondola before him in a narrow place, rowed slowly by a man who seemed to be in black like himself. He did not try to pass it, but kept a little astern, trying not to attract attention and hoping that it would turn aside into another canal. But it went steadily on before him, turning wherever he must turn, till it stopped where he was to stop, at the water-gate of the house of the Agnus Dei. Instantly he brought to in the shadow, with the instinctive caution of every one who is used to the water. Gondolas were few in those days and belonged only to the rich, who had just begun to use them as a means of getting about quickly, much more convenient than horses or mules; for when riding a man often had to go far out of his way to reach a bridge, and there were many canals that had no bridle path at all and where the wooden houses were built straight down into the water as the stone ones are to-day. Zorzi peered through the darkness and listened. The occupant of the gondola might be Contarini himself, coming home. Whoever it was tapped softly upon the door, which was instantly opened, but to Zorzi's surprise no light shone from the entrance. All the house above was still and dark, and he could barely make out by the starlight the piece of white marble bearing the sculptured Agnus Dei whence the house takes its name. He knew that above the high balcony there were graceful columns bearing pointed stone arches, between which are the symbols of the four Evangelists; but he could see nothing of them. Only on the balcony, he fancied he saw something less dark than the wall or the sky, and which might be a woman's dress.

Some one got out of the gondola and went in after speaking a few words in a low tone, and the door was then shut without noise. The gondola glided on, under the Baker's Bridge, but Zorzi could not see whether it went further or not; he thought he heard the sound of the oar, as if it were going away. Coming alongside the step, he knocked gently as the last comer had done, and the door opened again. He had already made his skiff fast to the step.

"Your business here?" asked a muffled voice out of the dark.

Zorzi felt that a number of persons were in the hall immediately behind the speaker.

"For the Lord Jacopo Contarini," he answered. "I have a message and a token to deliver."

"From whom?"

"I will tell that to his lordship," replied Zorzi.

"I am Contarini," replied the voice, and the speaker felt for Zorzi's face in the darkness, and brought it near his ear.

"From Angelo," whispered Zorzi, so softly that Contarini only heard the last word.

The door was now shut as noiselessly as before, but not by Contarini himself. He still kept his hold on Zorzi's arm.

"The token," he whispered impatiently.

Zorzi pulled the little leathern bag out of his doublet, slipped the string over his head and thrust the token into Contarini's hand. The latter uttered a low exclamation of surprise.

"What is this?" he asked.

"The token," answered Zorzi.

He had scarcely spoken when he felt Contarini's arms round him, holding him fast. He was wise enough to make no attempt to escape from them.

"Friends," said Contarini quickly, "the man who just came in is a spy. I am holding him. Help me!"

It seemed to Zorzi that a hundred hands seized him in the dark; by the arms, by the legs, by the body, by the head. He knew that resistance was worse than useless. There were hands at his throat, too.

"Let us do nothing hastily," said Contarini's voice, close beside him. "We must find out what he knows first. We can make him speak, I daresay."

"We are not hangmen to torture a prisoner till he confesses," observed some one in a quiet and rather indolent tone. "Strangle him quickly and throw him into the canal. It is late already."

"No," answered Contarini. "Let us at least see his face. We may know him. If you cry out," he said to Zorzi, "you will be killed instantly."

"Jacopo is right," said some one who had not spoken yet.

Almost at the same instant a door was opened and a broad bar of light shot across the hall from an inner room. Zorzi was roughly dragged towards it, and he saw that he was surrounded by about twenty masked men. His face was held to the light, and Contarini's hold on his throat relaxed.

"Not even a mask!" exclaimed Jacopo. "A fool, or a madman. Speak, man I Who are you? Who sent you here?"

"My name is Zorzi," answered the glass-blower with difficulty, for he had been almost choked. "My business is with the Lord Jacopo alone. It is very private."

"I have no secrets from my friends," said Contarini. "Speak as if we were alone."

"I have promised my master to deliver the message in secret. I will not speak here."

"Strangle him and throw him out," suggested the man with the indolent voice. "His master is the devil, I have no doubt. He can take the message back with him."

Two or three laughed.

"These spies seldom hunt alone," remarked another. "While we are wasting time a dozen more may be guarding the entrance to the house."

"I am no spy," said Zorzi.

"What are you, then?"

"A glass-worker of Murano."

Contarini's hands relaxed altogether, now, and he bent his ear to Zorzi's lips.

"Whisper your message," he said quickly.

Zorzi obeyed.

"Angelo Beroviero bids you wait by the second pillar on the left in Saint Mark's church, next Sunday morning, at one hour before noon, till you shall see him, and in a week from that time you shall have an answer; and be silent, if you would succeed."

"Very well," answered Contarini. "Friends," he said, standing erect, "it is a message I have expected. The name of the man who sends it is 'Angelo'—you understand. It is not this fellow's fault that he came here this evening."

"I suppose there is a woman in the case," said the indolent man. "We will respect your secret. Put the poor devil out of his misery and let us come to our business."

"Kill an innocent man!" exclaimed Contarini.

"Yes, since a word from him can send us all to die between the two red columns."

"His master is powerful and rich," said Jacopo. "If the fellow does not go back to-night, there will be trouble to-morrow, and since he was sent to my house, the inquiry will begin here."

"That is true," said more than one voice, in a tone of hesitation.

Zorzi was very pale, but he held his head high, facing the light of the tall wax candles on the table around which his captors were standing. He was hopelessly at their mercy, for they were twenty to one; the door had been shut and barred and the only window in the room was high above the floor and covered by a thick curtain. He understood perfectly that, by the accident of Angelo's name, "Angel" being the password of the company, he had been accidentally admitted to the meeting of some secret society, and from what had been said, he guessed that its object was a conspiracy against the Republic. It was clear that in self-defence they would most probably kill him, since they could not reasonably run the risk of trusting their lives in his hands. They looked at each other, as if silently debating what they should do.

"At first you suggested that we should torture him," sneered the indolent man, "and now you tremble like a girl at the idea of killing him! Listen to me, Jacopo; if you think that I will leave this house while this fellow is alive, you are most egregiously mistaken."

He had drawn his dagger while he was speaking, and before he had finished it was dangerously near Zorzi's throat. Contarini retired a step as if not daring to defend the prisoner, whose assailant, in spite of his careless and almost womanish tone, was clearly a man of action. Zorzi looked fearlessly into the eyes that peered at him through the holes in the mask.

"It is curious," observed the other. "He does not seem to be afraid. I am sorry for you, my man, for you appear to be a fine fellow, and I like your face, but we cannot possibly let you go out of the house alive."

"If you choose to trust me," said Zorzi calmly, "I will not betray you. But of course it must seem safer for you to kill me. I quite understand."

"If anything, he is cooler than Venier," observed one of the company.

"He does not believe that we are in earnest," said Contarini.

"I am," answered Venier. "Now, my man," he said, addressing Zorzi again, "if there is anything I can do for you or your family after your death, without risking my neck, I will do it with pleasure."

"I have no family, but I thank you for your offer. In return for your courtesy, I warn you that my master's skiff is fast to the step of the house. It might be recognised. When you have killed me, you had better cast it off—it will drift away with the tide."

Venier, who had let the point of his long dagger rest against Zorzi's collar, suddenly dropped it.

"Contarini," he said, "I take back what I said. It would be an abominable shame to murder a man as brave as he is."

A murmur of approval came from all the company; but Contarini, whose vacillating nature showed itself at every turn, was now inclined to take the other side.

"He may ruin us all," he said. "One word—"

"It seems to me," interrupted a big man who had not yet spoken, and whose beard was as black as his mask, "that we could make use of just such a man as this, and of more like him if they are to be found."

"You are right," said Venier. "If he will take the oath, and bear the tests, let him be one of us. My friend," he said to Zorzi, "you see how it is. You have proved yourself a brave man, and if you are willing to join our company we shall be glad to receive you among us. Do you agree?"

"I must know what the purpose of your society is," answered Zorzi as calmly as before.

"That is well said, my friend, and I like you the better for it. Now listen to me. We are a brotherhood of gentlemen of Venice sworn together to restore the original freedom of our city. That is our main purpose. What Tiepolo and Faliero failed to do, we hope to accomplish. Are you with us in that?"

"Sirs," answered Zorzi, "I am a Dalmatian by birth, and not a Venetian. The Republic forbids me to learn the art of glass-working. I have learned it. The Republic forbids me to set up a furnace of my own. I hope to do so. I owe Venice neither allegiance nor gratitude. If your revolution is to give freedom to art as well as to men, I am with you."

"We shall have freedom for all," said Venier. "We take, moreover, an oath of fellowship which binds us to help each other in all circumstances, to the utmost of our ability and fortune, within the bounds of reason, to risk life and limb for each other's safety, and most especially to respect the wives, the daughters and the betrothed brides of all who belong to our fellowship. These are promises which every true and honest man can make to his friends, and we agree that whoso breaks any one of them, shall die by the hands of the company. And by God in heaven, it were better that you should lose your life now, before taking the oath, than that you should be false to it."

"I will take that oath, and keep it," said Zorzi.

"That is well. We have few signs and no ceremonies, but our promises are binding, and the forfeit is a painful death—so painful that even you might flinch before it. Indeed, we usually make some test of a man's courage before receiving him among us, though most of us have known each other since we were children. But you have shown us that you are fearless and honourable, and we ask nothing more of you, except to take the oath and then to keep it."

He turned to the company, still speaking in his languid way.

"If any man here knows good reason why this new companion should not be one of us, let him show it now."

Then all were silent, and uncovered their heads, but they still kept their masks on their faces. Zorzi stood out before them, and Venier was close beside him.

"Make the sign of the Cross," said Venier in a solemn tone, quite different from his ordinary voice, "and repeat the words after me."

And Zorzi repeated them steadily and precisely, holding his hand stretched out before him.

"In the name of the Holy Trinity, I promise and swear to give life and fortune in the good cause of restoring the original liberty of the people of Venice, obeying to that end the decisions of this honourable society, and to bear all sufferings rather than betray it, or any of its members. And I promise to help each one of my companions also in the ordinary affairs of life, to the best of my ability and fortune, within the bounds of reason, risking life and limb for the safety of each and all. And I promise most especially to honour and respect the wives, the daughters and the betrothed brides of all who belong to this fellowship, and to defend them from harm and insult, even as my own mother. And if I break any promise of this oath, may my flesh be torn from my limbs and my limbs from my body, one by one, to be burned with fire and the ashes thereof scattered abroad. Amen."

When Zorzi had said the last word, Venier grasped his hand, at the same time taking off the mask he wore, and he looked into the young man's face.

"I am Zuan Venier," he said, his indolent manner returning as he spoke.

"I am Jacopo Contarini," said the master of the house, offering his hand next.

Zorzi looked first at one, and then at the other; the first was a very pale young man, with bright blue eyes and delicate features that were prematurely weary and even worn; Contarini was called the handsomest Venetian of his day. Yet of the two, most men and women would have been more attracted to Venier at first sight. For Contarini's silken beard hardly concealed a weak and feminine mouth, with lips too red and too curving for a man, and his soft brown eyes had an unmanly tendency to look away while he was speaking. He was tall, broad shouldered, and well proportioned, with beautiful hands and shapely feet, yet he did not give an impression of strength, whereas Venier's languid manner, assumed as it doubtless was, could not hide the restless energy that lay in his lean frame.

One by one the other companions came up to Zorzi, took off their masks and grasped his hand, and he heard their lips pronounce names famous in Venetian history, Loredan, Mocenigo, Foscari and many others. But he saw that not one of them all was over five-and-twenty years of age, and with the keenness of the waif who had fought his own way in the world he judged that these were not men who could overturn the great Republic and build up a new government. Whatever they might prove to be in danger and revolution, however, he had saved his life by casting his lot with theirs, and he was profoundly grateful to them for having accepted him as one of themselves. But for their generosity, his weighted body would have been already lying at the bottom of the canal, and he was not just now inclined to criticise the mental gifts of those would-be conspirators who had so unexpectedly forgiven him for discovering their secret meeting.

"Sirs," he said, when he had grasped the hand of each, "I hope that in return for my life, for which I thank you, I may be of some service to the cause of liberty, and to each of you in singular, though I have but little hope of this, seeing that I am but an artist and you are all patricians. I pray you, inform me by what sign I may know you if we chance to meet outside this house, and how I may make myself known."

"We have little need of signs," answered Contarini, "for we meet often, and we know each other well. But our password is 'the Angel'—meaning the Angel that freed Saint Peter from his bonds, as we hope to free Venice from hers, and the token we give is the grip of the hand we have each given you."

Being thus instructed, Zorzi held his peace, for he felt that he was in the presence of men far above him in station, in whose conversation it would not be easy for him to join, and of whose daily lives he knew nothing, except that most of them lived in palaces and many were the sons of Councillors of the Ten, and of Senators, and Procurators and of others high in office, whereat he wondered much. But presently, as the excitement of what had happened wore off, and they sat about the table, they began to speak of the news of the day, and especially of the unjust and cruel acts of the Ten, each contributing some detail learned in his own home or among intimate friends. Zorzi sat silent in his place, listening, and he soon understood that as yet they had no definite plan for bringing on a revolution, and that they knew nothing of the populace upon whose support they reckoned, and of whom Zorzi knew much by experience. Yet, though they told each other things which seemed foolish to him, he said nothing on that first night, and all the time he watched Contarini very closely, and listened with especial attention to what he said, trying to discern his character and judge his understanding.

The splendid young Venetian was not displeased by Zorzi's attitude towards him, and presently came and sat beside him.

"I should have explained to you," he said, "that as it would be impossible for us to meet here without the knowledge of my servants, we come together on pretence of playing games of chance. My father lives in our palace near Saint Mark's, and I live here alone."

At this Foscari, the tall man with the black beard, looked at Contarini and laughed a little. Contarini glanced at him and smiled with some constraint.

"On such evenings," he continued, "I admit my guests myself, and they wear masks when they come, for though my servants are dismissed to their quarters, and would certainly not betray me for a dice-player, they might let drop the names of my friends if they saw them from an upper window."

At this juncture Zorzi heard the rattling of dice, and looking down the table he saw that two of the company were already throwing against each other. In a few minutes he found himself sitting alone near Zuan Venier, all the others having either begun to play themselves, or being engaged in wagering on the play of others.

"And you, sir?" inquired Zorzi of his neighbour.

"I am tired of games of chance," answered the pale nobleman wearily.

"But our host says it is a mere pretence, to hide the purpose of these meetings."

"It is more than that," said Venier with a contemptuous smile. "Do you play?"

"I am a poor artist, sir. I cannot."

"Ah, I had forgotten. That is very interesting. But pray do not call me 'sir' nor use any formality, unless we meet in public. At the 'Sign of the Angel' we are all brothers. Yes—yes—of course! You are a poor artist. When I expected to be obliged to cut your throat awhile ago, I really hoped that I might be able to fulfil some last wish of yours."

"I appreciated your goodness." Zorzi laughed a little nervously, now that the danger was over.

"I meant it, my friend, I do assure you. And I mean it now. One advantage of the fellowship is that one may offer to help a brother in any way without insulting him. I am not as rich as I was—I was too fond of those things once"—he pointed to the dice—"but if my purse can serve you, such as it is, I hope you will use it rather than that of another."

It was impossible to be offended, sensitive though Zorzi was.

"I thank you heartily," he answered.

"It would be a curiosity to see money do good for once," said Venier, languidly looking towards the players. "Contarini is losing again," he remarked.

"Does he generally lose much at play?" Zorzi asked, trying to seem indifferent.

Venier laughed softly.

"It is proverbial, 'to lose like Jacopo Contarini'!" he answered.

"Tell me, I beg of you, are all the meetings of the brotherhood like this one?"

"In what way?" asked Venier indifferently.

"Do you merely tell each other the news of the day, and then play at dice all night?"

"Some play cards." Venier laughed scornfully. "This is only the third of our secret sittings, I believe, but many of us meet elsewhere, during the day."

"Our host said that the society made a pretence of play in order to conspire against the State," said Zorzi. "It seems to me that this is making a pretence of conspiracy, with the chance of death on the scaffold, for the sake of dice-playing."

"To tell the truth, I think so too," answered the patrician, leaning back in his chair and looking thoughtfully at the young glass-blower. "It is more interesting to break a law when you may lose your head for it than if you only risk a fine or a year's banishment. I daresay that seems complicated to you."

Zorzi laughed.

"If it is only for the sake of the danger," he said, "why not go and fight the Turks?"

"I have tried to do my share of that," replied Venier quietly. "So have some of the others."

"Contarini?" asked Zorzi.

"No. I believe he has never seen any fighting."

While the two were talking the play had proceeded steadily, and almost in silence. Contarini had lost heavily at first and had then won back his losses and twice as much more.

"That does not happen often," he said, pushing away the dice and leaning back.

Zorzi watched him. The yellow light of the wax candles fell softly upon his silky beard and too perfect features, and made splendid shadows in the scarlet silk of his coat, and flashed in the precious ruby of the ring he wore on his white hand. He seemed a true incarnation of his magnificent city, a century before the rest of all Italy in luxury, in extravagance, in the art of wasteful trifling with great things which is a rich man's way of loving art itself; and there were many others of the company who were of the same stamp as he, but whose faces had no interest for Zorzi compared with Contarini's. Beside him they were but ordinary men in the presence of a young god.

No woman could resist such a man as that, thought the poor waif. It would be enough that Marietta's eyes should rest on him one moment, next Sunday, when he should be standing by the great pillar in the church, and her fate would be sealed then and there, irrevocably. It was not because she was only a glass-maker's daughter, brought up in Murano. What girl who was human would hesitate to accept such a husband? Contarini might choose his wife as he pleased, among the noblest and most beautiful in Italy. One or both of two reasons would explain why his choice had fallen upon Marietta. It was possible that he had seen her, and Zorzi firmly believed that no man could see her without loving her; and Angelo Beroviero might have offered such an immense dowry for the alliance as to tempt Jacopo's father. No one knew how rich old Angelo was since he had returned from Florence and Naples, and many said that he possessed the secret of making gold; but Zorzi knew better than that.

CHAPTER III

It was past midnight when Jacopo Contarini barred the door of his house and was alone. He took one of the candles from the inner room, put out all the others and was already in the hall, when he remembered that he had left his winnings on the table. Going back he opened the embroidered wallet he wore at his belt and swept the heap of heavy yellow coins into it. As the last disappeared into the bag and rang upon the others he distinctly heard a sound in the room. He started and looked about him.

It was not exactly the sound of a soft footfall, nor of breathing, but it might have been either. It was short and distinct, such a slight noise as might be made by drawing the palm of the hand quickly over a piece of stuff, or by a short breath checked almost instantly, or by a shoeless foot slipping a few inches on a thick carpet. Contarini stood still and listened, for though he had heard it distinctly he had no impression of the direction whence it had come. It was not repeated, and he began to search the room carefully.

He could find nothing. The single window, high above the floor, was carefully closed and covered by a heavy curtain which could not possibly have moved in the stillness. The tapestry was smoothly drawn and fastened upon the four walls. There was no furniture in the room but a big table and the benches and chairs. Above the tapestries the bare walls were painted, up to the carved ceiling. There was nothing to account for the noise. Contarini looked nervously over his shoulder as he left the room, and more than once again as he went up the marble staircase, candle in hand. There is probably nothing more disturbing to people of ordinary nerves than a sound heard in a lonely place and for which it is impossible to find a reason.

When he reached the broad landing he smiled at himself and looked back a last time, shading the candle with his hand, so as to throw the light down the staircase. Then he entered the apartment and locked himself in. Having passed through the large square vestibule and through a small room that led from it, he raised the latch of the next door very cautiously, shaded the candle again and looked in. A cool breeze almost put out the light.

"I am not asleep," said a sweet young voice. "I am here by the window."

He smiled happily at the words. The candle-light fell upon a woman's face, as he went forward—such a face as men may see in dreams, but rarely in waking life.

Half sitting, half lying, she rested in Eastern fashion among the silken cushions of a low divan. The open windows of the balcony overlooked the low houses opposite, and the night breeze played with the little ringlets of her glorious hair. Her soft eyes looked up to her lover's face with infinite trustfulness, and their violet depths were like clear crystal and as tender as the twilight of a perfect day. She looked at him, her head thrown back, one ivory arm between it and the cushion, the other hand stretched out to welcome his. Her mouth was like a southern rose when there is dew on the smooth red leaves. In a maze of creamy shadows, the fine web of her garment followed the lines of her resting limbs in delicate folds, and one small white foot was quite uncovered. Her fan of ostrich feathers lay idle on the Persian carpet.

"Come, my beloved," she said. "I have waited long."

Contarini knelt down, and first he kissed the arching instep, and then her hand, that felt like a young dove just stirring under his touch, and his lips caressed the satin of her arm, and at last, with a fierce little choking cry, they found her own that waited for them, and there was no more room for words. In the silence of the June night one kiss answered another, and breath mingled with breath, and sigh with sigh.

At last the young man's head rested against her shoulder among the cushions. Then the Georgian woman opened her eyes slowly and glanced down at his face, while her hand stroked and smoothed his hair, and he could not see the strange smile on her wonderful lips. For she knew that he could not see it, and she let it come and go as it would, half in pity and half in scorn.

"I knew you would come," she said, bending her head a little nearer to his.

"When I do not, you will know that I am dead," he answered almost faintly, and he sighed.

"And then I shall go to you," she said, but as she spoke, she smiled again to herself. "I have heard that in old times, when the lords of the earth died, their most favourite slaves were killed upon the funeral pile, that their souls might wait upon their master's in the world beyond."

"Yes. It is true."

"And so I will be your slave there, as I am here, and the night that lasts for ever shall seem no longer than this summer night, that is too short for us."

"You must not call yourself a slave, Arisa," answered Jacopo.

"What am I, then? You bought me with your good gold from Aristarchi the Greek captain, in the slave market. Your steward has the receipt for the money among his accounts! And there is the Greek's written guarantee, too, I am sure, promising to take me back and return the money if I was not all he told you I was. Those are my documents of nobility, my patents of rank, preserved in your archives with your own!"

She spoke playfully, smiling to herself as she stroked his hair. But he caught her hand tenderly and brought it to his lips, holding it there.

"You are more free than I," he said. "Which of us two is the slave? You who hold me, or I who am held? This little hand will never let me go."

"I think you would come back to me," she answered. "But if I ran away, would you follow me?"

"You will not run away." He spoke quietly and confidently, still holding her hand, as if he were talking to it, while he felt the breath of her winds upon his forehead.

"No," she said, and there was a little silence.

"I have but one fear," he began, at last. "If I were ruined, what would become of you?"

"Have you lost at play again to-night?" she asked, and in her tone there was a note of anxiety.

Contarini laughed low, and felt for the wallet at his aide. He held it up to show how heavy it was with the gold, and made her take it. She only kept it a moment, but while it was in her hand her eyelids were half closed as if she were guessing at the weight, for he could not see her face.

"I won all that," he said. "To-morrow you shall have the pearls."

"How good you are to me! But should you not keep the money? You may need it. Why do you talk of ruin?"

She knew that he would give her all he had, she almost guessed that he would commit a crime rather than lack gold to give her.

"You do not know my father!" he answered. "When he is displeased he threatens to let me starve. He will cut me off some day, and I shall have to turn soldier for a living. Would that not be ruin? You know his last scheme—he wishes me to marry the daughter of a rich glass-maker."

"I know." Arisa laughed contemptuously, "Great joy may your bride have of you! Is she really rich?"

"Yes. But you know that I will not marry her."

"Why not?" asked Arisa quite simply.

Contarini started and looked up at her face in the dim light. She was bending down to him with a very loving look.

"Why should you not marry?" she asked again. "Why do you start and look at me so strangely? Do you think I should care? Or that I am afraid of another woman for you?"

"Yes. I should have thought that you would be jealous." He still gazed at her in astonishment.

"Jealous!" she cried, and as she laughed she shook her beautiful head, and the gold of her hair glittered in the flickering candle-light. "Jealous? I? Look at me! Is she younger than I? I was eighteen years old the other day. If she is younger than I, she is a child—shall I be jealous of children? Is she taller, straighter, handsomer than I am? Show her to me, and I will laugh in her face! Can she sing to you, as I sing, in the summer nights, the songs you like and those I learned by the Kura in the shadow of Kasbek? Is her hair brighter than mine, is her hand softer, is her step lighter? Jealous? Not I! Will your rich wife be your slave? Will she wake for you, sing for you, dance for you, rise up and lie down at your bidding, work for you, live for you, die for you, as I will? Will she love you as I can love, caress you to sleep, or wake you with kisses at your dear will?"

"No—ah no! There is no woman in the world but you."

"Then I am not jealous of the rest, least of all, of your young bride. I will wager with myself against all her gold for your life, and I shall win—I have won already! Am I not trying to persuade you that you should marry?"

"I have not even seen her. Her father sent me a message to-night, bidding me go to church on Sunday and stand beside a certain pillar."

"To see and be seen," laughed Arisa. "It is not a fair exchange! She will look at the handsomest man in the world—hush! That is the truth. And you will see a little, pale, red-haired girl with silly blue eyes, staring at you, her wide mouth open and her clumsy hands hanging down. She will look like the wooden dolls they dress in the latest Venetian fashion to send to Paris every year, that the French courtiers may know what to wear! And her father will hurry her along, for fear that you should look too long at her and refuse to marry such a thing, even for Marco Polo's millions!"

Contarini laughed carelessly at the description.

"Give me some wine," he said. "We will drink her health."

Arisa rose with the grace of a young goddess, her hair tumbling over her bare shoulders in a splendid golden confusion. Contarini watched her with possessive eyes, as she went and came back, bringing him the drink. She brought him yellow wine of Chios in a glass calix of Murano, blown air-thin upon a slender stem and just touched here and there with drops of tender blue.

"A health to the bride of Jacopo Contarini!" she said, with a ringing little laugh.

Then she set the wine to her lips, so that they were wet with it, and gave him the glass; and as she stooped to give it, her hair fell forward and almost hid her from him.

"A health to the shower of gold!" he said, and he drank.

She sat down beside him, crossing her feet like an Eastern woman, and he set the empty glass carelessly upon the marble floor, as though it had been a thing of no price.

"That glass was made at her father's furnace," he said.

"A pity he could not have made his daughter of glass too," answered Arisa.

"Graceful and silent?"

"And easily destroyed! But if I say that, you will think me jealous, and I am not. She will bring you wealth. I wish her a long life, long enough to understand that she has been sold to you for your good name, like a slave, as I was sold, but that you gave gold for me because you wanted me for myself, whereas you want nothing of her but her gold."

"But for that—" Contarini seemed to be hesitating. "I never meant to marry her," he added.

"And but for that, you would not! But for that! But for the only thing which I have not to give you! I wish the world were mine, with all the rich secret things in it, the myriads of millions of diamonds in the earth, the thousand rivers of gold that lie deep in the mountain rocks, and all mankind, and all that mankind has, from end to end of it! Then you should have it all for your own, and you would not need to marry the little red-haired girl with the fish's mouth!"

Contarini laughed again.

"Have you seen her, that you can describe her so well? She may have black hair. Who knows?"

"Yes. Perhaps it is black, thin and coarse like the hair on a mule's tail; and she has black eyes, like ripe olives set in the white of a hard-boiled egg; and she has a dark skin like Spanish leather which shines when she is hot and is grey when she is cold; and a black down on her upper lip; and teeth like a young horse. I hate those dark women!"

"But you have never seen her! She may be very pretty."

"Pretty, then! She shall be as you choose. She shall have a round face, round eyes, a round nose and a round mouth! Her face shall be pink and white, her eyes shall be of blue glass and her hair shall be as smooth and yellow as fresh butter. She shall have little fat white hands like a healthy baby, a double chin and a short waist. Then she will be what people call pretty."

"Yes," assented Jacopo. "That is very amusing. But just suppose, for the sake of discussion—it is impossible, of course, but suppose it—that instead of there being only one perfectly beautiful woman in the world, whose name is Arisa, there should be two, and that the name of the other chanced to be Marietta Beroviero."

Arisa raised her eyes and gazed steadily at Jacopo.

"You have seen her," she said in a tone of conviction. "She is beautiful."

"No. I give you my word that I have not seen her. I only wanted to know what you would do then."

"I do not believe that any woman is as beautiful as I am," answered the Georgian, with the quiet simplicity of a savage.

"But if there were one, and you saw her?" insisted the man, to see what she would say.

"We could not both live. One of us would kill the other."

"I believe you would," said Jacopo, watching her face.

She had forgotten his presence while she spoke; a fierce hardness had come into her eyes, and her upper lip was a little raised, in a cruel expression, just showing her teeth. He was surprised.

"I never saw you like that," he said.

"You should not make me think of killing," she answered, suddenly leaving her seat and kneeling beside him on the divan. "It is not good to think too much of killing—it makes one wish to do it."

"Then try and kill me with kisses," he said, looking into her eyes, that were growing tender again.

"You would not know you were dying," she whispered, her lips quite close to his.

As she kissed him, she loosened the collar from his white throat, and smoothed his thick hair back from his forehead upon the pillow, and she saw how pale he was, under her touch.

But by and by he fell asleep, and then she very softly drew her arm from beneath his tired head, and slipped from his side, and stood up, with a little sigh of relief. The candle had burned to the socket; she blew it out.

It was still an hour before dawn when she left the room, lifting the heavy curtain that hung before the door of her inner chamber. There, a faint light was burning before a shrine in a silver cup filled with oil. As she fastened the door noiselessly behind her, a man caught her in his arms, lifting her off her feet like a child.

Shaggy black hair grew low upon his bossy forehead, his dark eyes were fierce and bloodshot, a rough beard only half concealed the huge jaw and iron lips. He was half clad, in shirt and hose, and the muscles of his neck and arms stood out like brown ropes as he pressed the beautiful creature to his broad chest.

"I thought he would never sleep to-night," she whispered.

Her eyelids drooped, and her cheeks grew deadly white, and the strong man felt the furious beating of her heart against his own breast. He was Aristarchi, the Greek captain who had sold her for a slave, and she loved him.

In the wild days of sea-fighting among the Greek islands he had taken a small trading galley that had been driven out of her course. He left not a man of her crew alive to tell whether she had been Turkish or Christian, and he took all that was worth taking of her poor cargo. The only prize of any price was the captive Georgian girl who was being brought westward to be sold, like thousands of others in those days, with little concealment and no mystery, in one of the slave markets of northern Italy. Aristarchi claimed her for himself, as his share of the booty, but his men knew her value. Standing shoulder to shoulder between him and her, they drew their knives and threatened to cut her to pieces, if he would not promise to sell her as she was, when they should come to land, and share the price with them. They judged that she must be worth a thousand or fifteen hundred pieces of gold, for she was more beautiful than any woman they had ever seen, and they had already heard her singing most sweetly to herself, as if she were quite sure that she was in no danger, because she knew her own value. So Aristarchi was forced to consent, cursing them; and night and day they guarded her door against him, till they had brought her safe to Venice, and delivered her to the slave-dealers.

Then Aristarchi sold all that he had, except his ship, and it all brought far too little to buy such a slave. She would have gone with him, for she had seen that he was stronger than other men and feared neither God nor man, but she was well guarded, and he was only allowed to talk with her through a grated window, like those at convent gates.

She was not long in the dealers' house, for word was brought to all the young patricians of Venice, and many of them bid against each other for her, in the dealers' inner room, till Contarini outbid them all, saying that he could not live without her, though the price should ruin him, and because he had not enough gold he gave the dealers, besides money, a marvellous sword with a jewelled hilt, which one of his forefathers had taken at the siege of Constantinople, and which some said had belonged to the Emperor Justinian himself, nine hundred years ago.

Then Aristarchi and his men paid the dealers their commission and took the money and the sword. But before he went from the house, the Greek captain begged leave to see Arisa once more at the grating, and he told her that come what might he should steal her away. She bade him not to be in too great haste, and she promised that if he would wait, he should have with her more gold than her new master had given for her, for she would take all he had from him, little by little; and when they had enough they would leave Venice secretly, and live in a grand manner in Florence, or in Rome, or in Sicily. For she never doubted but that he would find some way of coming to her, though she were guarded more closely than in the slave-dealers' house, where the windows were grated and armed men slept before the door, and one of the dealers watched all night.

More than a year had passed since then; the strong Greek knew every corner of the house of the Agnus Dei, and every foothold under Arisa's windows, from the water to the stone sill, by which he could help himself a little as he went up hand over hand by the knotted silk rope that would have cut to the bone any hands but his. She kept it hidden in a cushioned footstool in her inner room. Many a risk he had run, and more than once in winter he had slipped down the rope with haste to let himself gently into the icy water, and he had swum far down the dark canal to a landing-place. For he was a man of iron.

So it came about that Jacopo Contarini lived in a fool's paradise, in which he was not only the chief fool himself, but was moreover in bodily danger more often than he knew. For though Aristarchi had hitherto managed to escape being seen, he would have killed Jacopo with his naked hands if the latter had ever caught him, as easily as a boy wrings a bird's neck, and with as little scruple of conscience.

The Georgian loved him for his hirsute strength, for his fearlessness, even his violence and dangerous temper. He dominated her as naturally as she controlled her master, whose vacillating nature and love of idle ease filled her with contempt. It was for the sake of gold that she acted her part daily and nightly, with a wisdom and unwavering skill that were almost superhuman; and the Greek ruffian agreed to the bargain, and had been in no haste to carry her off, as he might have done at any time. She hoarded the money she got from Jacopo, to give it by stealth to Aristarchi, who hid their growing wealth in a safe place where it was always ready; but she kept her jewels always together, in case of an unexpected flight, since she dared not sell them nor give them to the Greek, lest they should be missed.

Of late it had seemed to them both that the time for their final action was at hand, for it had been clear to Arisa that Jacopo was near the end of his resources, and that his father was resolved to force him to change his life. There were days when he was reduced to borrowing money for his actual needs, and though an occasional stroke of good fortune at play temporarily relieved him, Arisa was sure that he was constantly sinking deeper into debt. But within the week, the aspect of his affairs had changed. The marriage with Marietta had been proposed, and Arisa had made a discovery. She told Aristarchi everything, as naturally as she would have concealed everything from Contarini.

"We shall be rich," she said, twining her white arms round his swarthy neck and looking up into his murderous eyes with something like genuine adoration. "We shall get the wife's dowry for ourselves, by degrees, every farthing of it, and it shall be the dower of Aristarchi's bride instead. I shall not be portionless. You shall not be ashamed of me when you meet your old friends."

"Ashamed!" His arm pressed her to him till she longed to cry out for pain, yet she would not have had him less rough.

"You are so strong!" she gasped in a broken whisper. "Yes—a little looser—so! I can speak now. You must go to Murano to-morrow and find out all about this Angelo Beroviero and his daughter. Try to see her, and tell me whether she is pretty, but most of all learn whether she is really rich."

"That is easy enough. I will go to the furnace and offer to buy a cargo of glass for Sicily."

"But you will not take it?" asked Arisa in sudden anxiety lest he should leave her to make the voyage.

"No, no! I will make inquiries. I will ask for a sort of glass that does not exist."

"Yes," she said, reassured. "Do that. I must know if the girl is rich before I marry him to her."

"But can you make him marry her at all?" asked Aristarchi.

"I can make him do anything I please. We drank to the health of the bride to-night, in a goblet made by her father! The wine was strong, and I put a little syrup of poppies into it. He will not wake for hours. What is the matter?"

She felt the rough man shaking beside her, as if he were in an ague.

"I was laughing," he said, when he could speak. "It is a good jest. But is there no danger in all this? Is it quite impossible that he should take a liking for his wife?"

"And leave me?" Arisa's whisper was hot with indignation at the mere thought. "Then I suppose you would leave me for the first pretty girl with a fortune who wanted to marry you!"

"This Contarini is such a fool!" answered Aristarchi contemptuously, by way of explanation and apology.

Arisa was instantly pacified.

"If he should be foolish enough for that, I have means that will keep him," she answered.

"I do not see how you can force him to do anything except by his passion for you."

"I can. I was not going to tell you yet—you always make me tell you everything, like a child."

"What is it?" asked the Greek. "Have you found out anything new about him? Of course you must tell me."

"We hold his life in our hands," she said quietly, and Aristarchi knew that she was not exaggerating the truth.

She began to tell him how this was the third time that a number of masked men had come to the house an hour after dark, and had stayed till midnight or later, and how Contarini had told her that they came to play at dice where they were safe from interruption, and that on these nights the servants were sent to their quarters at sunset on pain of dismissal if Jacopo found them about the house, but that they also received generous presents of money to keep them silent.

"The man is a fool!" said Aristarchi again. "He puts himself in their power."

"He is much more completely in ours," answered Arisa. "The servants believe that his friends come to play dice. And so they do. But they come for something more serious."

Aristarchi moved his massive head suddenly to an attitude of profound attention.

"They are plotting against the Republic," whispered Arisa. "I can hear all they say."

"Are you sure?"

"I tell you I can hear every word. I can almost see them. Look here. Come with me."

She rose and he followed her to the corner of the room where the small silver lamp burned steadily before an image of Saint Mark, and above a heavy kneeling-stool.

"The foot moves," she said, and she was already on her knees on the floor, pushing the step.

It slid back with the soft sound Contarini had heard before he came upstairs. The upper part of the woodwork was built into the wall.

"They meet in the place below this," Arisa said. "When they are there, I can see a glimmer of light. I cannot get my head in. It is too narrow, but I hear as if I were with them."

"How did you find this out?" asked Aristarchi on the floor beside her, and reaching down into the dark space to explore it with his hand. "It is deep," he continued, without waiting for an answer. "There may be some passage by which one can get down."

"Only a child could pass. You see how narrow it is. But one can hear every sound. They said enough to-night to send them all to the scaffold."

"Better they than we if we ever have to make the choice," said the Greek ominously.

He had withdrawn his arm and was planted upon his hands and knees, his shaggy head hanging over the dark aperture. He was like some rough wild beast that has tracked its quarry to earth and crouches before the hole, waiting for a victim.

"How did you find this out?" he asked again, looking up.

She was standing by the corner of the stool, now, all her marvellous beauty showing in the light of the little lamp and against the wall behind her.

"I was saying my prayers here, the first night they met," she said, as if it were the most natural thing in the world. "I heard voices, as it seemed, under my feet. I tried to push away the stool, and the foot moved. That is all."

Aristarchi's jaw dropped a little as he looked up at her.

"Do you say prayers every night?" he asked in wonder.

"Of course I do. Do you never say a prayer?"

"No." He was still staring at her.

"That is very wrong," she said, in the earnest tone a mother might use to her little child. "Some harm will befall us, if you do not say your prayers."

A slow smile crossed the ruffian's face as he realised that this evil woman who was ready to commit the most atrocious deeds out of love for him, was still half a child.

CHAPTER IV

Marietta awoke before sunrise, with a smile on her lips, and as she opened her eyes, the world seemed suddenly gladder than ever before, and her heart beat in time with it. She threw back the shutters wide to let in the June morning as if it were a beautiful living thing; and it breathed upon her face and caressed her, and took her in its spirit arms, and filled her with itself.

Not a sound broke the stillness, as she looked out, and the glassy waters of the canal reflected delicate tints from the sky, palest green and faintest violet and amber with all the lovely changing colours of the dawn. By the footway a black barge was moored, piled high with round uncovered baskets of beads, white, blue, deep red and black, waiting to be taken over to Venice where they would be threaded for the East, and the colours stood out in strong contrast with the grey stones, the faint reflections in the water and the tender sky above. There were flowers on the window-sill, a young rose with opening buds, growing in a red earthen jar, and a pot of lavender just bursting into flower, with a sweet geranium beside it and some rosemary. Zorzi had planted them all for her, and her serving-woman had helped her to fasten the pots in the window, because it would have been out of the question that any man except her father should enter her room, even when she was not there. But they were Zorzi's flowers, and she bent down and smelt their fragrance. On a table behind her a single rose hung over the edge of a tall glass with a slender stem, almost the counterpart of the one in which Contarini had drunk her health at midnight. Her father had given it to her as it came from the annealing oven, still warm after long hours of cooling with many others like it. She loved it for its grace and lightness, and as for the rose, it was the one she had made Zorzi give back to her yesterday. She meant to keep it in water till it faded, and then she would press it between the first page and the binding of her parchment missal. It would keep some of its faint scent, perhaps, and if any one saw it, no one would ever guess whence it came.

It meant a great thing to her, for it had told her Zorzi's secret, which he had kept so well. He should know hers some day, but not yet, and her drooping lids could hide it if it ever came into her eyes. It was too soon to let him know that she loved him. That was one reason for hiding it, but she had another. If her father guessed that she loved the waif, it would fare ill with him. She fancied she could see the old man's fiery brown eyes and hear his angry voice. Poor Zorzi would be driven from Murano and Venice, never to set foot again within the boundaries of the Republic; for Beroviero was a man of weight and influence, of whom Venice was proud.

Youth would be very sad if it counted time and labour as it is reckoned and valued by mature age. Some day Zorzi would be no longer a mere paid helper, calling himself a servant when his humour was bitter, tending a fire on his knees and grinding coloured earths and salts in a mortar. He had the understanding of the glorious art, and the true love of it, with the magic touch; he would make a name for himself in spite of the harsh Venetian law, and some day his master would be proud to call him son. There would not be many months to wait. Months or years, what mattered, since she loved him and was at last quite sure that he loved her? To-day, that was enough. She would go over to the glass-house and sit in the garden, by the rose he had planted, and now and then she would go into the close furnace room where he worked with her father, or Zorzi would come out for something; she should be near him, she should see his face and hear his quiet voice, and she would say to herself: He loves me, he loves me—as often as she chose, knowing that it was true.

Since she knew it, she was sure that she should see it in his face, that had hidden it from her so long. There would be glances when he thought she was not watching him, his colour would come and go, as yesterday, and he would do her some little service, now and then, in which the sweet truth, against his will, should tell itself to her again and again. It would be a delicious and ever-remembered day, each minute a pearl, each hour a chaplet of jewels, from golden sunrise to golden sunset, all perfect through and through.

There were so many little things she could watch in him, now that she knew the truth, things that had long meant nothing and would mean volumes to-day. She would watch him, and then call him suddenly and see him try to hide the little gladness he would feel as he turned to her; and when they were alone a moment, she would ask him whether he had remembered to forget Jacopo Contarini's name; and some day, but not for a long time yet, she would drop a rose again, and she would turn as he picked it up, but she would not make him give it back to her, and in that way he should know that she loved him. She must not think of that, for it was too soon, yet she could almost see his face as it would be when he knew.

Yesterday her father had talked again of her marriage. A whole month had passed since he had even alluded to it, but this time he had spoken of it as a certainty; and she had opened her eyes wide in surprise. She did not believe that it was to be. How could she marry a man she did not love? How could she love any man but Zorzi? They might show her twenty Venetian patricians, that she might choose among them. Meanwhile she would show her indifference. Nothing was easier than to put on an inscrutable expression which betrayed nothing, but which, as she knew, sometimes irritated her father beyond endurance.

He had always promised that she should not be married against her will, as many girls were. Then why should she marry Contarini, any more than any other man except the one she had chosen? She need only say that Contarini did not please her, and her father would certainly not try to use force. There was therefore nothing to fear, and since her first surprise was over, she felt sure of appearing quite indifferent. She would put the thought out of her mind and begin the day with the perfect certainty that the marriage was altogether impossible.

She looked out over her flowers. The door of the glass-house was open now, and the burly porter was sweeping; she could hear the cypress broom on the flagstones inside, and presently it appeared in sight while the porter was still invisible, and it whisked out a mixture of black dust and bread crumbs and bits of green salad leaves, and the old man came out and swept everything across the footway into the canal. As he turned to go back, the workmen came trooping across the bridge to the furnaces—pale men with intent faces, very different from ordinary working people. For each called himself an artist, and was one; and each knew that so far as the law was concerned the proudest noble in Venice could marry his daughter without the least derogation from patrician dignity. The workmen differed from her own father not in station, but only in the degree of their prosperity.

If Zorzi could ever have been one of them the rest would have been simple enough. But he could not, any more than a black man could turn white at will. There was no evasion of law by which a man not born a Venetian could ever be a glass-blower, or could ever acquire the privileges possessed from birth by one of those shabby, pale young men who were crowding past the porter to go to their hard day's work. Yet dexterous as they were, there was not one that had his skill, there was not one that could compare with him as an artist, as a workman, as a man. No Indian caste, no ancient nobility, no mystic priesthood ever set up a barrier so impassable between itself and the outer world as that which defended the glass-blowers of Murano for centuries against all who wished to be initiated. Even the boys who fed the fires all night were of the calling, and by and by would become workmen, and perhaps masters, legally almost the equals of the splendid nobles who sat in the Grand Council over there in Venice.

Zorzi's very existence was an anomaly. He had no social right to be what he was, and he knew it when he called himself a servant, for the cruel law would not allow him to be anything else so long as he helped Angelo Beroviero.

Suddenly, while Marietta watched the men, Zorzi was there among them, coming out as they went in. He must have risen early, she thought, for she did not know that he had slept in the laboratory. He looked pale and thin as he flattened himself against the door-post to let a workman pass, and then slipped out himself. No one greeted him, even by a nod. Marietta knew that they hated him because he was in her father's confidence; and somehow, instead of pitying him, she was glad.

It seemed natural that he should not be one of them, that he should pass them with quiet indifference and that they should feel for him the instinctive dislike which most inferiors feel for those above them. Doubtless, they looked down upon him, or told themselves that they did; but in their hearts they knew that a man with such a face was born to be their teacher and their master, and the girl was proud of him. He treated them with more civility than they bestowed on him, but it was the courtesy of a superior who would not assert himself, who would scorn to thrust himself forward or in any way to claim what was his by right, if it were not freely offered. Marietta drew back a little, so that she could just see him between the flowers, without being seen.

He stood still, looking down at the canal till the last of the men had passed in. Then, before he went on, he raised his eyes slowly to Marietta's window, not guessing that her own were answering his from behind the rosemary and the geranium. His pale face was very sad and thoughtful as he looked up. She had never seen him look so tired. The porter had shut the door, which he never allowed to remain open one moment longer than was absolutely necessary, and Zorzi stood quite alone on the footway. As he looked, his face softened and grew so tender that the girl who watched him unseen stretched out her arms towards him with unconscious yearning, and her heart beat very fast, so that she felt the pulses in her throat almost choking her; yet her face was pale and her soft lips were dry and cold. For it was not all happiness that she felt; there was a sweet mysterious pain with it, which was nowhere, and yet all through her, that was weakness and yet might turn to strength, a hunger of longing for something dear and unknown and divine, without which all else was an empty shadow. Then her eyes opened to him, as he had never seen them, blue as the depth of sapphires and dewy with love mists of youth's early spring; it was impossible that he should stand there, just beyond the narrow water, and not feel that she saw him and loved him, and that her heart was crying out the true words he never hoped to hear.

But he did not know. And all at once his eyes fell, and she could almost see that he sighed as he turned wearily away and walked with bent head towards the wooden bridge. She would have given anything to look out and see him cross and come nearer, but she remembered that she was not yet dressed, and she blushed as she drew further back into the room, gathering the thin white linen up to her throat, and frightened at the mere thought that he should catch sight of her. She would not call her serving-woman yet, she would be alone a little while longer. She threw back her russet hair, and bent down to smell the rose in the tall glass. The sun was risen now and the first slanting beams shot sideways through her window from the right. The day that was to be so sweet had begun most sweetly. She had seen him already, far earlier than usual; she would see him many times before the little brown maid crossed the canal to bring her home in the evening.

The thought put an end to her meditations, and she was suddenly in haste to be dressed, to be out of the house, to be sitting in the little garden of the glass-house where Zorzi must soon pass again. She called and clapped her hands, and her serving-woman entered from the outer room in which she slept. She brought a great painted earthenware dish, on which fruit was arranged, half of a small yellow melon fresh from the cool storeroom, a little heap of dark red cherries and a handful of ripe plums. There was white wheaten bread, too, and honey from Aquileia, in a little glass jar, and there was a goblet of cold water. The maid set the big dish on the table, beside the glass that held Zorzi's rose, and began to make ready her mistress's clothes.

Marietta tasted the melon, and it was cool and aromatic, and she stood eating a slice of it, just where she could look through the flowers on the window-sill at the door of the glass-house, so that if Zorzi passed again she should see him. He did not come, and she was a little disappointed; but the melon was very good, and afterwards she ate a few cherries and spread a spoonful of honey on a piece of bread, and nibbled at it; and she drank some of the water, looking out of the window over the glass.

"Was it always so beautiful?" she asked, speaking to herself, in a sort of wonder at what she felt, as she set the glass upon the table.

Nella, the maid, turned quickly to her with a look of inquiry.

"What?" she asked. "What is beautiful? The weather? It is summer! Of course it is fine. Did you expect the north wind to-day, or rain from the southwest?"

Marietta laughed, sweet and low. The little maid always amused her. There was something cheerful in the queer little scolding sentences, spoken with a rising inflection on almost every word, musical and yet always seeming to protest gently against anything Marietta said.

"I know of something much more beautiful than the weather," Nella added, seeing that she got no answer except a laugh. "Do you wish to know what is more beautiful than a summer's day?"

"Oh, I know the answer to that!" cried Marietta. "You used to catch me in that way when I was a small girl."

"Well, my little lady, what is the answer? I have said nothing."

"What is more beautiful than a summer's day? Why, two summer's days, of course! I was always dreadfully disappointed when you gave me that answer, for I expected something wonderful."

Nella shook her head as she unfolded the fine linen things, and uttered a sort of little clucking sound, meant to show her disapproval of such childish jests.

"Tut, tut, tut! We are grown up now! Are we children? No, we are a young lady, beautiful and serious! Tut, tut, tut! That you should remember the nonsense I used to talk to make you stop crying for your mother, blessed soul! And I myself was so full of tears that a drop of water would have drowned me! But all passes, praise be to God!"

"I hope not," said Marietta, but so low that the woman did not hear.

"I will ask you a riddle," continued Nella presently.

"Oh no!" laughed Marietta. "I could no more guess a riddle to-day than I could give a dissertation on theology. Riddles are for rainy days in winter, when we sit by the fire in the evening wishing it were morning again. I know the great riddle at last—I have found it out. It is the most beautiful thing in the world."

"Then it is true," observed Nella, looking at her with satisfaction.

"What?" asked the young girl carelessly.

"That you are to be married."

"I hope so," answered Marietta. "Some day, but there is time yet—perhaps a very long time."

"As long as it will take to make a wedding gown embroidered with gold and pearls. Not a day longer than that." Nella looked very wise and watched her mistress's face.

"What do you mean?"

"The master has ordered just such a gown. That is what I mean. Do you think I would talk of such a beautiful thing, just to make you unhappy, if you were not to have one? But you will not forget poor Nella, my little lady? You will take me with you to Venice?"

"Then you think I am to marry some one from the city? What is his name?"

"The master knows. That is enough. But it must be the Doge's son, or at least the son of the Admiral of Venice. It will take two months to embroider the gown. That means that you are to be married in August, of course."

"Do you think so?" asked Marietta indifferently.

"I know it." And Nella gave a discontented little snort, for she did not like to have her conclusions questioned. "Am I half-witted? Am I in my dotage? Am I an imbecile? The gown is ordered, and that is the truth. Do you think the master has ordered a wedding gown embroidered with gold and pearls for himself?"

Marietta tossed her hair back and shook it down her shoulders, laughing gaily at the idea.

"Ah!" cried Nella indignantly. "Now you are mocking me! You are making a laughing-stock of your poor Nella! It is too bad! But you will be sorry that you laughed at me, when I am not here to bring you melons and cherries and tell you the news in the morning! You will say: 'Poor Nella! She was not such an ignorant person after all!' That is what you will say. I tell you that if your father orders a wedding gown, you are the only person in the house who can wear it, and he would not order it just to see how beautiful you would be as a bride! He is a serious man, the master, he is grave, he is wise! He does nothing without much reflection, and what he does is well done. He says, 'My daughter is to be married, therefore I will order a splendid dress for her.' That is what he says, and he orders it."

"That has an air of reason," said Marietta gravely. "I did not mean to laugh at you."

"Oh, very well! If you thought your father unreasonable, what should I say? He does not say one thing and do another, your father. And I will tell you something. They will make the gown even handsomer than he ordered it, because he is very rich, and he will grumble and scold, but in the end he will pay, for the honour of the house. Then you will wear the gown, and all Venice will see you in it on your wedding day."

"That will be a great thing for the Venetians," observed the young girl, trying not to smile.

"They will see that there are rich men in Murano, too. It will be a lesson for their intolerable vanity."

"Are the Venetians so very vain?"

"Well! Was not my husband a Venetian, blessed soul? It seems to me that I should know. Have I forgotten how he would fasten a cock's feather in his cap, almost like a gentleman, and hang his cloak over one shoulder, and pull up his hose till they almost cracked, so as to show off his leg? Ah, he had handsome legs, my poor Vito, and he never would use anything but pure beeswax to stiffen his mustaches. No, he never would use tallow. He was almost like a gentleman!"

Nella's little brown eyes were moist as she recalled her husband's small vanities; his dislike of tallow as a cosmetic seemed to affect her particularly.

"That is why I say that it will be a lesson to the pride of those Venetians to see your marriage," she resumed, after drying her eyes with the back of her hand. "And the people of Murano will be there, and all the glass-blowers in their guild, since the master is the head of it. I suppose Zorzi will manage to be there, too."

Nella spoke the last words in a tone of disapproval.

"Why should Zorzi not be at my wedding?" asked Marietta carelessly.

"Why should he?" asked the serving-woman with unusual bluntness. "But I daresay the master will find something for him to do. He is clever enough at doing anything."

"Yes—he is clever," assented the young girl. "Why do you not like him? Give me some more water—you are always afraid that I shall use too much!"

"I have a conscience," grumbled Nella. "The water is brought from far, it is paid for, it costs money, we must not use too much of it. Every day the boats come with it, and the row of earthen jars in the court is filled, and your father pays—he always pays, and pays, and pays, till I wonder where the money all comes from. They say he makes gold, over there in the furnace."

"He makes glass," answered Marietta. "And if he orders gowns for me with pearls and gold, he will not grudge me a jug of water. Why do you dislike Zorzi?"

"He is as proud as a marble lion, and as obstinate as a Lombardy mule," explained Nella, with fine imagery. "If that is not enough to make one dislike a young man, you shall tell me so! But one of those days he will fall. There is trouble for the proud."

"How does his great pride show itself?" asked Marietta. "I have not noticed it."

"That would indeed be the end of everything, if he showed his pride to you!" Nella was much displeased by the mere suggestion. "But with us it is different. He never speaks to the other workmen."

"They never speak to him."

"And quite right, too, since he holds his head so high, with no reason at all! But it will not last for ever! I wonder what the master would think, for instance, if he knew that Zorzi takes the skiff in the evening, and rows himself over to Venice, all alone, and comes back long after midnight, and sleeps in the glass-house across the way because he cannot get into the house. Zorzi! Zorzi! The master cannot move without Zorzi! And where is Zorzi at night? At home and in bed, like a decent young man? No. Zorzi is away in Venice, heaven knows where, doing heaven knows what! Do you wonder that he is so pale and tired in the morning? It seems to me quite natural. Eh? What do you think, my pretty lady?"

Marietta was silent for a moment. It was only a servant's spiteful gossip, but it hurt her.

"Are you sure that he goes to Venice alone at night?" she asked, after a little pause.

"Am I sure that I live, that I belong to you, and that my name is Nella? Is not the boat moored under my window? Did I not hear the chain rattling softly last night? I got up and looked out, and I saw Zorzi, as I see you, taking the padlock off. I am not blind—praise be to heaven, I see. He turned the boat to the left, so he must have been going to Venice, and it was at least an hour after the midnight bells when I heard the chain again, and I looked out, and there he was. But he did not come into the house. And this morning I saw him coming out of the glass-house, just as the men went in. He was as pale as a boiled chicken."

Marietta had seen him, too, and the coincidence gave colour to the rest of the woman's tale, as would have happened if the whole story had been an invention instead of being quite true. Nella was combing the girl's thick hair, an operation peculiarly conducive to a maid's chattering, for she has the certainty that her mistress cannot get away, and must therefore listen patiently.

A shadow had fallen on the brightness of Marietta's morning. She was paler, too, but she said nothing.

"Of course he was tired," continued Nella. "Did you suppose that he would come back with pink cheeks and bright eyes, like a baby from baptism, after being out half the night?"

"He is always pale," said Marietta.

"Because he goes to Venice every night," retorted Nella viciously. "That is the good reason! Oh, I am sure of it! And besides, I shall watch him, now that I know. I shall see him whenever he takes the boat."

"It is none of your business where he goes," answered Marietta. "It does not concern any one but himself."

"Oh, indeed!" sneered Nella. "Then the honour of the house does not matter! It is no concern of ours! And your father need never know that his trusty servant, his clever assistant, his faithful confidant, who shares all his secrets, is a good-for-nothing fellow who spends his nights in gambling, or drinking, or perhaps in making love to some Venetian girl as honourable and well behaved as himself!"

Marietta had grown steadily more angry while Nella was talking. She had her father's temper, though she could control it better than he.

"I will find out whether this story is true," she said coldly. "If it is not, it will be the worse for you. You shall not serve me any longer, unless you can be more careful in what you say."

Nella's jaw dropped and her hands stood still and trembled, the one holding the comb upraised, the other gathering a quantity of her mistress's hair. Marietta had never spoken to her like this in her life.

"Send me away?" faltered the woman in utter amazement. "Send me away!" she repeated, still quite dazed. "But it is impossible—" her voice began to break, as if some one were shaking her violently by the shoulders. "Oh no, no! You w-ill n-ot—no-o-o!"

The sound grew more piercing as she went on, and the words were soon lost, as she broke into a violent fit of hysterical crying.

Marietta's anger subsided as her pity for the poor creature increased. She had made a great effort to speak quietly and not to say more than she meant, and she had certainly not expected to produce such a tremendous commotion. Nella tore her hair, drew her nails down her cheeks, as if she would tear them with scratches, rocked herself forwards and backwards and from side to side, the tears poured down her brown cheeks, she screamed and blubbered and whimpered in quick alternation, and in a few moments tumbled into the corner of a big chair, a sobbing and convulsed little heap of womanhood.

Marietta tried to quiet her, and was so sorry for her that she could almost have cried too, until she remembered the detestable things which Nella had said about Zorzi, and which the woman's screams had driven out of her memory for an instant. Then she longed to beat her for saying them, and still Nella alternately moaned and howled, and twisted herself in the corner of the big chair. Marietta wondered whether her servant were going mad, and whether this might not be a judgment of heaven for telling such atrocious lies about poor Zorzi. In that case it was of course deserved, thought she, watching Nella's contortions; but it was very sudden.

She made up her mind to call the other women, and turned to go to the door. As she did so her skirt caught a comb that lay on the edge of the table and swept it off, so that it fell upon the pavement with a dry rap. Instantly Nella sat up straight and rubbed her eyes, looking about for the cause of the sound. When she saw the comb, the serving-woman's instinct returned, and with it her normal condition of mind. She picked up the comb with a quick movement, shook her head and began combing Marietta's hair again before the girl could sit down.

Peace was restored, for she did not speak again, as she helped her mistress to finish dressing; but though Marietta tried to look kindly at her once or twice, Nella quite refused to see it, and did her duty without ever raising her eyes.

It was soon finished, for the pleasure the young girl had taken in making much of the first details of the day that was to be so happy was all gone. She did not believe her woman, but there was a cloud over everything and she was in haste to get an answer to the question which it would not be easy to ask. She must know if Zorzi had been to Venice during the night, for until she knew that, all hope of peace was at an end. Nella had meant no harm, but she had played the fatal little part in which destiny loves to go masking through life's endless play.

CHAPTER V

Zorzi had slept but little after he had at last lain down upon the long bench in the laboratory, for the scene in which he had been the chief actor that night had made a profound impression upon him. There are some men who would not make good soldiers but who can face sudden and desperate danger with a calmness which few soldiers really possess, and which is generally accompanied by some marked superiority of mind; but such exceptional natures feel the reaction that follows the perilous moment far more than the average fighting man. They are those who sometimes stem the rush of panic and turn back whole armies from ruin to victorious battle; they are those who spring forward from the crowd to save life when some terrible accident has happened, as if they were risking nothing, and who generally succeed in what they attempt; but they are not men who learn to fight every day as carelessly and naturally as they eat, drink or sleep. Their chance of action may come but once or twice in a lifetime; yet when it comes it finds them far more ready and cool than the average good soldier could ever be. Like strength in some men, their courage seems to depend on quality and very little on quantity, training or experience.

Zorzi knew very well that although the young gentlemen who were playing at conspiracy in Jacopo's house did not constitute a serious danger to the Republic, they were fully aware of their own peril, and would not have hesitated to take his life if it had not occurred to them that he might be useful. His intrepid manner had saved him, but now that the night was over he felt such a weariness and lassitude as he had never known before.

The adventure had its amusing side, of course. To Zorzi, who knew the people well, it was very laughable to think that a score of dissolute young patricians should first fancy themselves able to raise a revolution against the most firmly established government in Europe, and should then squander the privacy which they had bought at a frightful risk in mere gambling and dice-playing. But there was nothing humorous about the oath he had taken. In the first place, it had been sworn in solemn earnest, and was therefore binding upon him; secondly, if he broke it, his life would not be worth a day's purchase. He was brave enough to have scorned the second consideration, but he was far too honourable to try and escape the first. He had made the promises to save his life, it was true, and under great pressure, but he would have despised himself as a coward if he had not meant to keep them.

And he had solemnly bound himself to respect "the betrothed brides" of all the brethren of the company. Marietta was not betrothed to Jacopo Contarini yet, but there was no doubt that she would be before many days; to "respect" undoubtedly meant that he must not try to win her away from her affianced husband; if he had ever dreamt that in some fair, fantastically improbable future, Marietta could be his wife, he had parted with the right to dream the like again. Therefore, when he had stood awhile looking up at her window that morning, he sighed heavily and went away.

He had never had any hope that she would love him, much less that he could ever marry her, yet he felt that he was parting with the only thing in life which he held higher than his art, and that the parting was final. For months, perhaps for years, he had never closed his eyes to sleep without calling up her face and repeating her name, he had never got up in the morning without looking forward to seeing her and hearing her voice before he should lie down again. A man more like others would have said to himself that no promise could bind him to anything more than the performance of an action, or the abstention from one, and that the right of dreaming was his own for ever. But Zorzi judged differently. He had a sensitiveness that was rather manly than masculine; he had scruples of which he was not ashamed, but which most men would laugh at; he had delicacies of conscience in his most private thoughts such as would have been more natural in a cloistered nun, living in ignorance of the world, than in a waif who had faced it at its worst, and almost from childhood. Innocent as his dream had been, he resolved to part with it, and never to dream it again. He was glad that Marietta had taken back the rose he had picked up yesterday; if she had not, he would have forced himself to throw it away, and that would have hurt him.

So he began his day in a melancholy mood, as having buried out of sight for ever something that was very dear to him. In time, his love of his art would fill the place of the other love, but on this first day he went about in silence, with hungry eyes and tightened lips, like a man who is starving and is too proud to ask a charity.

He waited for Beroviero at the door of his house, as he did every morning, to attend him to the laboratory. The old man looked at him inquiringly, and Zorzi bent his head a little to explain that he had done what had been required of him, and he followed his master across the wooden bridge. When they were alone in the laboratory, he told as much of his story as was necessary.

He had found the lord Jacopo Contarini at his house with a party of friends, he said, and he added at once that they were all men. Contarini had bidden him speak before them all, but he had whispered his message so that only Contarini should hear it. After a time he had been allowed to come away. No—Contarini had given no direct answer, he had sent no reply; he had only said aloud to his friends that the message he received was expected. That was all. The friends who were there? Zorzi answered with perfect truth that he did not remember to have seen, any of them before.

Beroviero was silent for a while, considering the story.

"He would have thought it discourteous to leave his friends," he said at last, "or to whisper an answer to a messenger in their presence. He said that he had expected the message, he will therefore come."

To this Zorzi answered nothing, for he was glad not to be questioned further about what had happened. Presently Beroviero settled to his work with his usual concentration. For many months he had been experimenting in the making of fine red glass of a certain tone, of which he had brought home a small fragment from one of his journeys. Hitherto he had failed in every attempt. He had tried one mixture after another, and had produced a score of different specimens, but not one of them had that marvellous light in it, like sunshine striking through bright blood, which he was striving to obtain. It was nearly three weeks since his small furnace had been allowed to go out, and by this time he alone knew what the glowing pots contained, for he wrote down very carefully what he did and in characters which he believed no one could understand but himself.

As usual every morning, he proceeded to make trial of the materials fused in the night. The furnace, though not large, held three crucibles, before each of which was the opening, still called by the Italian name 'bocca,' through which the materials are put into the pots to melt into glass, and by which the melted glass is taken out on the end of the blow-pipe, or in a copper ladle, when it is to be tested by casting it. The furnace was arched from end to end, and about the height of a tall man; the working end was like a round oven with three glowing openings; the straight part, some twenty feet long, contained the annealing oven through which the finished pieces were made to move slowly, on iron lier-pans, during many hours, till the glass had passed from extreme heat almost to the temperature of the air. The most delicate vessels ever produced in Murano have all been made in single furnaces, the materials being melted, converted into glass and finally annealed, by one fire. At least one old furnace is standing and still in use, which has existed for centuries, and those made nowadays are substantially like it in every important respect.

Zorzi stood holding a long-handled copper ladle, ready to take out a specimen of the glass containing the ingredients most lately added. A few steps from the furnace a thick and smooth plate of iron was placed on a heavy wooden table, and upon this the liquid glass was to be poured out to cool.

"It must be time," said Beroviero, "unless the boys forgot to turn the sand-glass at one of the watches. The hour is all but run out, and it must be the twelfth since I put in the materials."

"I turned it myself, an hour after midnight," said Zorzi, "and also the next time, when it was dawn. It runs three hours. Judging by the time of sunrise it is running right."

"Then make the trial."

Beroviero stood opposite Zorzi, his face pale with heat and excitement, his fiery eyes reflecting the fierce light from the 'bocca' as he bent down to watch the copper ladle go in. Zorzi had wrapped a cloth round his right hand, against the heat, and he thrust the great spoon through the round orifice. Though it was the hundredth time of testing, the old man watched his movements with intensest interest.

"Quickly, quickly!" he cried, quite unconscious that he was speaking.

There was no need of hurrying Zorzi. In two steps he had reached the table, and the white hot stuff spread out over the iron plate, instantly turning to a greenish yellow, then to a pale rose-colour, then to a deep and glowing red, as it felt the cool metal. The two men stood watching it closely, for it was thin and would soon cool. Zorzi was too wise to say anything. Beroviero's look of interest gradually turned into an expression of disappointment.

"Another failure," he said, with a resignation which no one would have expected in such a man.

His practised eyes had guessed the exact hue of the glass, while it still lay on the iron, half cooled and far too hot to touch. Zorzi took a short rod and pushed the round sheet till a part of it was over the edge of the table.

"It is the best we have had yet," he observed, looking at it.

"Is it?" asked Beroviero with little interest, and without giving the glass another glance. "It is not what I am trying to get. It is the colour of wine, not of blood. Make something, Zorzi, while I write down the result of the experiment."

He took big pen and the sheet of rough paper on which he had already noted the proportions of the materials, and he began to write, sitting at the large table before the open window. Zorzi took the long iron blow-pipe, cleaned it with a cloth and pushed the end through the orifice from which he had taken the specimen. He drew it back with a little lump of melted glass sticking to it.

Holding the blow-pipe to his lips, he blew a little, and the lump swelled, and he swung the pipe sharply in a circle, so that the glass lengthened to the shape of a pear, and he blew again and it grew. At the 'bocca' of the furnace he heated it, for it was cooling quickly; and he had his iron pontil ready, as there was no one to help him, and he easily performed the feat of taking a little hot glass on it from the pot and attaching it to the further end of the fast-cooling pear. If Beroviero had been watching him he would have been astonished at the skill with which the young man accomplished what it requires two persons to do; but Zorzi had tricks of his own, and the pontil supported itself on a board while he cracked the pear from the blow-pipe with a wet iron, as well as if a boy had held it in place for him; and then heating and reheating the piece, he fashioned it and cut it with tongs and shears, rolling the pontil on the flat arms of his stool with his left hand, and modelling the glass with his right, till at last he let it cool to its natural colour, holding it straight downward, and then swinging it slowly, so that it should fan itself in the air. It was a graceful calix now, of a deep wine red, clear and transparent as claret.

Zorzi turned to the window to show it to his master, not for the sake of the workmanship but of the colour. The old man's head was bent over his writing; Marietta was standing outside, and her eyes met Zorzi's. He did not blush as he had blushed yesterday, when he looked up from the fire and saw her; he merely inclined his head respectfully, to acknowledge her presence, and then he stood by the table waiting for the master to notice him, and not bestowing another glance on the young girl.

Beroviero turned to him at last. He was so used to Marietta's presence that he paid no attention to her.

"What is that thing?" he asked contemptuously.

"A specimen of the glass we tried," answered the young man. "I have blown it thin to show the colour."

"A man who can have such execrable taste as to make a drinking-cup of coloured glass does not deserve to know as much as you do."

"But it is very pretty," said Marietta through the window, and bending forward she rested her white hands on the table, among the little heaps of chemicals. "Anneal it, and give it to me," she added.

"Keep such a thing in my house?" asked Beroviero scornfully. "Break up that rubbish!" he added roughly, speaking to Zorzi.

Without a word Zorzi smashed the calix off the iron into an old earthen jar already half full of broken glass. Then he put the pontil in its place and went to tend the fire. Marietta left the window and entered the room.

"Am I disturbing you?" she asked gently, as she stood by her father.

"No. I have finished writing." He laid down his pen.

"Another failure?"

"Yes."

"Perhaps I do not bring you good luck with your experiments," suggested the girl, leaning down and looking over his shoulder at the crabbed writing, so that her cheek almost touched his. "Is that why you wish to send me away?"

Beroviero turned in his chair, raised his heavy brows and looked up into her face, but said nothing.

"Nella has just told me that you have ordered my wedding gown," continued Marietta.

"We are not alone," said her father in a low voice.

"Zorzi probably knows what is the gossip of the house, and what I have been the last to hear," answered the young girl. "Besides, you trust him with all your secrets."

"Yes, I trust him," assented Beroviero. "But these are private matters."

"So private, that my serving-woman knows more of them than I do."

"You encourage her to talk."

Marietta laughed, for she was determined to be good-humoured, in spite of what she said.

"If I did, that would not teach her things which I do not know myself! Is it true that you have ordered the gown to be embroidered with pearls?"

"You like pearls, do you not?" asked Beroviero with a little anxiety.

"You see!" cried Marietta triumphantly. "Nella knows all about it."

"I was going to tell you this morning," said her father in a tone of annoyance. "By my faith, one can keep nothing secret! One cannot even give you a surprise."

"Nella knows everything," returned the girl, sitting on the corner of the table and looking from her father to Zorzi. "That must be why you chose her for my serving-woman when I was a little girl. She knows all that happens in the house by day and night, so that I sometimes think she never sleeps."

Zorzi looked furtively towards the table, for he could not help hearing all that was said.

"For instance," continued Marietta, watching him, "she knows that last night some one unlocked the chain that moors the skiff, and rowed away towards Venice."

To her surprise Zorzi showed no embarrassment. He had made up the fire and now sat down at a little distance, on one of the flat arms of the glass-blower's working-stool. His face was pale and quiet, and his eyes did not avoid hers.

"If I caught any one using my boat without my leave, I would make him pay dear," said Beroviero, but without anger, as if he were stating a general truth.

"Whoever it was who took the boat brought it back an hour after midnight, locked the padlock again and went away," said Marietta.

"Tell Nella that I am much indebted to her for her watchfulness. She is as good as a house-dog. Tell her to come and wake me if she sees any one taking the boat again."

"She says she knows who took it last night," observed Marietta, who was puzzled by the attitude of the two men; she had now decided that it had not been Zorzi who had used the boat, but on the other hand the story did not rouse her father's anger as she had expected.

"Did she tell you the man's name?"

"Yes."

"Who was it?"

"She said it was Zorzi." Marietta laughed incredulously as she spoke, and Zorzi smiled quietly.

Beroviero was silent for a moment and looked out of the window.

"Listen to me," he said at last. "Tell your graceless gossip of a serving-woman that I will answer for Zorzi, and that the next time she hears any one taking the boat at night she had better come and call me, and open her eyes a little wider. Tell her also that I entertain proper persons to take care of my property without any help from her. Tell her furthermore that she talks too much. You should not listen to a servant's miserable chatter."

"I will tell her," replied Marietta meekly. "Did you say that the gown was to be embroidered with pearls and silver, father, or with pearls and gold?"

"I believe I said gold," answered the old man discontentedly.

"And when will it be ready? In about two months?"

"I daresay."

"So you mean to marry me in two months," concluded Marietta. "That is not a long time."

"Should you prefer two years?" inquired Beroviero with increasing annoyance. Marietta slipped from the table to her feet.

"It depends on the bridegroom," she answered. "Perhaps I may prefer to wait a lifetime!" She moved towards the door.

"Oh, you shall be satisfied with the bridegroom! I promise you that." The old man looked after her. At the door she turned her head, smiling.

"I may be hard to please," she said quietly, and she went out into the garden.

When she was gone Beroviero shut the window carefully, and though the round bull's-eye panes let in the light plentifully, they effectually prevented any one from seeing into the room. The door was already closed.

"You should have been more careful," he said to Zorzi in a tone of reproach. "You should not have let any one see you, when you took the boat."

"If the woman spent half the night looking out of her window, sir, I do not understand how I could have taken the boat without being seen by her."

"Well, well, there is no harm done, and you could not help it, I daresay. I have something else to say. You saw the lord Jacopo last night; what do you think of him? He is a fine-looking young man. Should not any girl be glad to get such a handsome husband? What do you think? And his name, too! one of the best in the Great Council. They say he has a few debts, but his father is very rich, and has promised me that he will pay everything if only his son can be brought to marry and lead a graver life. What do you think?"

"He is a very handsome young man," said Zorzi loyally. "What should I think? It is a most honourable marriage for your house."

"I hear no great harm of Jacopo," continued Beroviero more familiarly. "His father is miserly. We have spent much time in the preliminary arrangements, without the knowledge of the son, and the old man is very grasping! He would take all my fortune for the dowry if he could. But he has to do with a glass-blower!"

Beroviero smiled thoughtfully. Zorzi was silent, for he was suffering.

"You may wonder why I sent that message last night," began the master again, "since matters are already so far settled with Jacopo's father. You would suppose that nothing more remained but to marry the couple in the presence of both families, should you not?"

"I know little of such affairs, sir," answered Zorzi.

"That would be the usual way," continued Beroviero. "But I will not marry Marietta against her will. I have always told her so. She shall see her future husband before she is betrothed, and persuade herself with her own eyes that she is not being deceived into marrying a hunchback."

"But supposing that after all the lord Jacopo should not be to her taste," suggested Zorzi, "would you break off the match?"

"Break off the match?" cried Beroviero indignantly. "Never! Not to her taste? The handsomest man in Venice, with a great name and a fortune to come? It would not be my fault if the girl went mad and refused! I would make her like him if she dared to hesitate a moment!"

"Even against her will?"

"She has no will in the matter," retorted Beroviero angrily.

"But you have always told her that you would not marry her against her will—"

"Do not anger me, Zorzi! Do not try your specious logic with me! Invent no absurd arguments, man! Against her will, indeed? How should she know any will but mine in the matter? I shall certainly not marry her against her will! She shall will what I please, neither more nor less."

"If that is your point of view," said Zorzi, "there is no room for argument."

"Of course not. Any reasonable person would laugh at the idea that a girl in her senses should not be glad to marry Jacopo Contarini, especially after having seen him. If she were not glad, she would not be in her senses, in other words she would not be sane, and should be treated as a lunatic, for her own good. Would you let a lunatic do as he liked, if he tried to jump out of the window? The mere thought is absurd."

"Quite," said Zorzi.

Sad as he was, he could almost have laughed at the old man's inconsequent speeches.

"I am glad that you so heartily agree with me," answered Beroviero in perfect sincerity. "I do not mean to say that I would ask your opinion about my daughter's marriage. You would not expect that. But I know that I can trust you, for we have worked together a long time, and I am used to hearing what you have to say."

"You have always been very good to me," replied Zorzi gratefully.

"You have always been faithful to me," said the old man, laying his hand gently on Zorzi's shoulder. "I know what that means in this world."

As soon as there was no question of opposing his despotic will, his kindly nature asserted itself, for he was a man subject to quick changes of humour, but in reality affectionate.

"I am going to trust you much more than hitherto," he continued. "My sons are grown men, independent of me, but willing to get from me all they can. If they were true artists, if I could trust their taste, they should have had my secrets long ago. But they are mere money-makers, and it is better that they should enrich themselves with the tasteless rubbish they make in their furnaces, than degrade our art by cheapening what should be rare and costly. Am I right?"

"Indeed you are!" Zorzi now spoke in a tone of real conviction.

"If I thought you were really capable of making coloured drinking-cups like that abominable object you made this morning, with the idea that they could ever be used, you should not stay on Venetian soil a day," resumed the old man energetically. "You would be as bad as my sons, or worse. Even they have enough sense to know that half the beauty of a cup, when it is used, lies in the colour of the wine itself, which must be seen through it. But I forgive you, because you were only anxious to blow the glass thin, in order to show me the tint. You know better. That is why I mean to trust you in a very grave matter."

Zorzi bent his head respectfully, but said nothing.

"I am obliged to make a journey before my daughter's marriage takes place," continued Beroviero. "I shall entrust to you the manuscript secrets I possess. They are in a sealed package so that you cannot read them, but they will be in your care. If I leave them with any one else, my sons will try to get possession of them while I am away. During my last journey I carried them with me, but I am growing old, life is uncertain, especially when a man is travelling, and I would rather leave the packet with you. It will be safer."

"It shall be altogether safe," said Zorzi. "No one shall guess that I have it."

"No one must know. I would take you with me on this journey, but I wish you to go on with the experiments I have been making. We shall save time, if you try some of the mixtures while I am away. When it is too hot, let the furnace go out."

"But who will take charge of your daughter, sir?" asked Zorzi. "You cannot leave her alone in the house."

"My son Giovanni and his wife will live in my house while I am away. I have thought of everything. If you choose, you may bring your belongings here, and sleep and eat in the glass-house."

"I should prefer it."

"So should I. I do not want my sons to pry into what we are doing. You can hide the packet here, where they will not think of looking for it. When you go out, lock the door. When you are in, Giovanni will not come. You will have the place to yourself, and the boys who feed the fire at night will not disturb you. Of course my daughter will never come here while I am away. You will be quite alone."

"When do you go?" asked Zorzi.

"On Monday morning. On Sunday I shall take Marietta to Saint Mark's. When she has seen her husband the betrothal can take place at once."

Zorzi was silent, for the future looked black enough. He already saw himself shut up in the glass-house for two long months, or not much less, as effectually separated from Marietta by the narrow canal as if an ocean were between them. She would never cross over and spend an hour in the little garden then, and she would be under the care of Giovanni Beroviero, who hated him, as he well knew.

CHAPTER VI

Aristarchi rose early, though it had been broad dawn when he had entered his home. He lived not far from the house of the Agnus Dei, on the opposite side of the same canal but beyond the Baker's Bridge. His house was small and unpretentious, a little wooden building in two stories, with a small door opening to the water and another at the back, giving access to a patch of dilapidated and overgrown garden, whence a second door opened upon a dismal and unsavoury alley. One faithful man, who had followed him through many adventures, rendered him such services as he needed, prepared the food he liked and guarded the house in his absence. The fellow was far too much in awe of his terrible master to play the spy or to ask inopportune questions.

The Greek put on the rich dress of a merchant captain of his own people, the black coat, thickly embroidered with gold, the breeches of dark blue cloth, the almost transparent linen shirt, open at the throat. A large blue cap of silk and cloth was set far back on his head, showing all the bony forehead, and his coal-black beard and shaggy hair had been combed as smooth as their shaggy nature would allow. He wore a magnificent belt fully two hands wide, in which were stuck three knives of formidable length and breadth, in finely chased silver sheaths. His muscular legs were encased in leathern gaiters, ornamented with gold and silver, and on his feet he wore broad turned-up slippers from Constantinople. The dress was much the same as that which the Turks had found there a few years earlier, and which they soon amalgamated with their own. It set off the captain's vast breadth of shoulder and massive limbs, and as he stepped into his hired boat the idlers at the water-stairs gazed upon him with an admiration of which he was well aware, for besides being very splendidly dressed he looked as if he could have swept them all into the canal with a turn of his hand.

Without saying whither he was bound he directed the oarsman through the narrow channels until he reached the shallow lagoon. The boatman asked whither he should go.

"To Murano," answered the Greek. "And keep over by Saint Michael's, for the tide is low."

The boatman had already understood that his passenger knew Venice almost as well as he. The boat shot forward at a good rate under the bending oar, and in twenty minutes Aristarchi was at the entrance to the canal of San Piero and within sight of Beroviero's house.

"Easy there," said the Greek, holding up his hand. "Do you know Murano well, my man?"

"As well as Venice, sir."

"Whose house is that, which has the upper story built on columns over the footway?"

"It belongs to Messer Angelo Beroviero. His glass-house takes up all the left aide of the canal as far as the bridge."

"And beyond the bridge I can see two new houses, on the same side. Whose are they?"

"They belong to the two sons of Messer Angelo Beroviero, who have furnaces of their own, all the way to the corner of the Grand Canal."

"Is there a Grand Canal in Murano?" asked Aristarchi.

"They call it so," answered the boatman with some contempt. "The Beroviero have several houses on it, too."

"It seems to me that Beroviero owns most of Murano," observed the Greek. "He must be very rich."

"He is by far the richest. But there is Alvise Trevisan, a rich man, too, and there are two or three others. The island and all the glass-works are theirs, amongst them."

"I have business with Messer Angelo," said Aristarchi. "But if he is such a great man he will hardly be in the glass-house."

"I will ask," answered the boatman.

In a few minutes he made his boat fast to the steps before the glass-house, went ashore and knocked at the door. Aristarchi leaned back in his seat, chewing pistachio nuts, which he carried in an embroidered leathern bag at his belt. His right hand played mechanically with the short string of thick amber beads which he used for counting. The June sun blazed down upon his swarthy face.

At the grating beside the door the porter's head appeared, partially visible behind the bars.

"Is Messer Angelo Beroviero within?" inquired the boatman civilly.

"What is your business?" asked the porter in a tone of surly contempt, instead of answering the question.

"There is a rich foreign gentleman here, who desires to speak with him," answered the boatman.

"Is he the Pope?" asked the porter, with fine irony.

"No, sir," said the other, intimidated by the fellow's manner. "He is a rich—"

"Tell him to wait, then." And the surly head disappeared.

The boatman supposed that the man was gone to speak with his master, and waited patiently by the door. Aristarchi chewed his pistachio nut till there was nothing left, at which time he reached the end of his patience. He argued that it was a good sign if Angelo Beroviero kept rich strangers waiting at his gate, for it showed that he had no need of their custom. On the other hand the Greek's dignity was offended now that he had been made to wait too long, for he was hasty by nature. Once, in a fit of irritation with a Candiot who stammered out of sheer fright, the captain had ordered him to be hanged. Having finished his nut, he stood up in the boat and stepped ashore.

"Knock again," he said to the boatman, who obeyed.

There was no answer this time.

"I can hear the fellow inside," said the boatman.

The grating was too high for a man to look through it from outside. Aristarchi laid his knotty hands on the stone sill and pulled himself up till his face was against the grating. He now looked in and saw the porter sitting in his chair.

"Have you taken my message to your master?" inquired the Greek.

The porter looked up in surprise, which increased when he caught sight of the ferocious face of the speaker. But he was not to be intimidated so easily.

"Messer Angelo is not to be disturbed at his studies," he said. "If you wait till noon, perhaps he will come out to go to dinner."

"Perhaps!" repeated Aristarchi, still hanging by his hands. "Do you think I shall wait all day?"

"I do not know. That is your affair."

"Precisely. And I do not mean to wait."

"Then go away."

But the Greek had come on an exploring expedition in which he had nothing to lose. Hauling himself up a little higher, till his mouth was close to the grating, he hailed the house as he would have hailed a ship at sea, in a voice of thunder.

"Ahoy there! Is any one within? Ahoy! Ahoy!"

This was more than the porter's equanimity could bear. He looked about for a weapon with which to attack the Greek's face through the bars, heaping, upon him a torrent of abuse in the meantime.

"Son of dogs and mules!" he cried in a rising growl. "Ill befall the foul souls of thy dead and of their dead before them."

"Ahoy—oh! Ahoy!" bellowed the Greek, who now thoroughly enjoyed the situation.

The boatman, anxious for drink money, and convinced that his huge employer would get the better of the porter, had obligingly gone down upon his hands and knees, thrusting his broad back under the captain's feet, so that Aristarchi stood upon him and was now prepared to prolong the interview without any further effort. His terrific shouts rang through the corridor to the garden.

The first person to enter the little lodge was Marietta herself, and the Greek broke off short in the middle of another tremendous yell as soon as he saw her. She turned her face up to him, quite fearlessly, and was very much inclined to laugh as she saw the sudden change in his expression.

"Madam," he said with great politeness, "I beg you to forgive my manner of announcing myself. If your porter were more obliging, I should have been admitted in the ordinary way."

"What is this atrocious disturbance?" asked Zorzi, entering before Marietta could answer. "Pray leave the fellow to me," he added, speaking to Marietta, who cast one more glance at Aristarchi and went out.

"Sir," said the captain blandly, "I admit that my behaviour may give you some right to call me 'fellow,' but I trust that my apology will make you consider me a gentleman like yourself. Your porter altogether refused to take a message to Messer Angelo Beroviero. May I ask whether you are his son, sir?"

"No, sir. You say that you wish to speak with the master. I can take a message to him, but I am not sure that he will see any one to-day."

Aristarchi imagined that Beroviero made himself inaccessible, in order to increase the general idea of his wealth and importance. He resolved to convey a strong impression of his own standing.

"I am the chief partner in a great house of Greek merchants settled in Palermo," he said. "My name is Charalambos Aristarchi, and I desire the honour of speaking with Messer Angelo about the purchase of several cargoes of glass for the King of Sicily."

"I will deliver your message, sir," said Zorzi. "Pray wait a minute, I will open the door."

Aristarchi's big head disappeared at last.

"Yes!" growled the porter to Zorzi. "Open the door yourself, and take the blame. The man has the face of a Turkish pirate, and his voice is like the bellowing of several bulls."

Zorzi unbarred the door, which opened inward, and Aristarchi turned a little sideways in order to enter, for his shoulders would have touched the two door-posts. The slight and gracefully built Dalmatian looked at him with some curiosity, standing aside to let him pass, before barring the door again. Aristarchi, though not much taller than himself, was the biggest man he had ever seen. He thanked Zorzi, who pushed forward the porter's only chair for him to sit on while he waited.

"I will bring you an answer immediately," said Zorzi, and disappeared down the corridor.

Aristarchi sat down, crossed one leg over the other, and took a pistachio nut from his pouch.

"Master porter," he began in a friendly tone, "can you tell me who that beautiful lady is, who came here a moment ago?"

"There is no reason why I should," snarled the porter, beginning to strip the outer leaves from a large onion which he pulled from a string of them hanging by the wall.

Aristarchi said nothing for a few moments, but watched the man with an air of interest.

"Were you ever a pirate?" he inquired presently.

"No, I never served in your crew."

The porter was not often at a loss for a surly answer. The Greek laughed outright, in genuine amusement.

"I like your company, my friend," he said. "I should like to spend the day here."

"As the devil said to Saint Anthony," concluded the porter.

Aristarchi laughed again. It was long since he had enjoyed such amusing conversation, and there was a certain novelty in not being feared. He repeated his first question, however, remembering that he had not come in search of diversion, but to gather information.

"Who was the beautiful lady?" he asked. "She is Messer Angelo's daughter, is she not?"

"A man who asks a question when he knows the answer is either a fool or a knave. Choose as you please."

"Thanks, friend," answered Aristarchi, still grinning and showing his jagged teeth. "I leave the first choice to you. Whichever you take, I will take the other. For if you call me a knave, I shall call you a fool, but if you think me a fool, I am quite satisfied that you should be the knave."

The porter snarled, vaguely feeling that the Greek had the better of him. At that moment Zorzi returned, and his coming put an end to the exchange of amenities.

"My master has no long leisure," he said, "but he begs you to come in."

They left the lodge together, and the porter watched them as they went down the dark corridor, muttering unholy things about the visitor who had disturbed him, and bestowing a few curses on Zorzi. Then he went back to peeling his onions.

As Aristarchi went through the garden, he saw Marietta sitting under the plane-tree, making a little net of coloured beads. Her face was turned from him and bent down, but when he had passed she glanced furtively after him, wondering at his size. But her eyes followed Zorzi, till the two reached the door and went in. A moment later Zorzi came out again, leaving his master and the Greek together. Marietta looked down at once, lest her eyes should betray her gladness, for she knew that Zorzi would not go back and could not leave the glass-house, so that site should necessarily be alone with him while the interview in the laboratory lasted.

He came a little way down the path, then stopped, took a short knife from his wallet and began to trim away a few withered sprigs from a rose-bush. She waited a moment, but he showed no signs of coming nearer, so she spoke to him.

"Will you come here?" she asked softly, looking towards him with half-closed eyes.

He slipped the knife back into his pouch and walked quickly to her side. She looked down again, threading the coloured beads that half filled a small basket in her lap.

"May I ask you a question?" Her voice had a little persuasive hesitation in it, as if she wished him to understand that the answer would be a favour of which she was anything but certain.

"Anything you will," said Zorzi.

"Provided I do not ask about my father's secret!" A little laughter trembled in the words. "You were so severe yesterday, you know. I am almost afraid ever to ask you anything again."

"I will answer as well as I can."

"Well—tell me this. Did you really take the boat and go to Venice last night?"

"Yes."

Marietta's hand moved with the needle among the beads, but she did not thread one. Nella had been right, after all.

"Why did you go, Zorzi?" The question came in a lower tone that was full of regret.

"The master sent me," answered Zorzi, looking down at her hair, and wishing that he could see her face.

His wish was almost instantly fulfilled. After the slightest pause she looked up at him with a lovely smile; yet when he saw that rare look in her face, his heart sank suddenly, instead of swelling and standing still with happiness, and when she saw how sad he was, she was grave with the instant longing to feel whatever he felt of pain or sorrow. That is one of the truest signs of love, but Zorzi had not learned much of love's sign-language yet, and did not understand.

"What is it?" she asked almost tenderly.

He turned his eyes from her and rested one hand against the trunk of the plane-tree.

"I do not understand," he said slowly.

"Why are you so sad? What is it that is always making you suffer?"

"How could I tell you?" The words were spoken almost under his breath.

"It would be very easy to tell me," she said. "Perhaps I could help you—"

"Oh no, no, no!" he cried with an accent of real pain. "You could not help me!"

"Who knows? Perhaps I am the best friend you have in the world, Zorzi."

"Indeed I believe you are! No one has ever been so good to me."

"And you have not many friends," continued Marietta. "The workmen are jealous of you, because you are always with my father. My brothers do not like you, for the same reason, and they think that you will get my father's secret from him some day, and outdo them all. No—you have not many friends."

"I have none, but you and the master. The men would kill me if they dared."

Marietta started a little, remembering how the workmen had looked at him in the morning, when he came out.

"You need not be afraid," he added, seeing her movement. "They will not touch me."

"Does my father know what your trouble is?" asked Marietta suddenly.

"No! That is—I have no trouble, I assure you. I am of a melancholy nature."

"I am glad it has nothing to do with the secrets," said the young girl, quietly ignoring the last part of his speech. "If it had, I could not help you at all. Could I?"

That morning it had seemed an easy thing to wait even two years before giving him a sign, before dropping in his path the rose which she would not ask of him again. The minutes seemed years now. For she knew well enough what his trouble was, since yesterday; he loved her, and he thought it infinitely impossible, in his modesty, that she should ever stoop to him. After she had spoken, she looked at him with half-closed eyes for a while, but he stared stonily at the trunk of the tree beside his hand. Gradually, as she gazed, her lids opened wider, and the morning sunlight sparkled in the deep blue, and her fresh lips parted. Before she was aware of it he was looking at her with a strange expression she had never seen. Then she faintly blushed and looked down at her beads once more. She felt as if she had told him that she loved him. But he had not understood. He had only seen the transfiguration of her face, and it had been for a moment as he had never seen it before. Again his heart sank suddenly, and he uttered a little sound that was more than a sigh and less than a groan.

"There are remedies for almost every kind of pain," said Marietta wisely, as she threaded several beads.

"Give me one for mine," he cried almost bitterly. "Bid that which is to cease from being, and that to be which is not earthly possible! Turn the world back, and undo truth, and make it all a dream! Then I shall find the remedy and forget that it was needed."

"There are magicians who pretend to do such things," she answered softly.

"I would there were!" he sighed.

"But those who come to them for help tell all, else the magician has no power. Would you call a physician, if you were ill, and tell him that the pain you felt was in your head, if it was really—in your heart?"

She had paused an instant before speaking the last words, and they came with a little effort.

"How could the physician cure you, if you would not tell him the truth?" she asked, as he said nothing. "How can the wizard work miracles for you, unless he knows what miracle you ask? How can your best friend help you if—if she does not know what help you need?"

Still he was silent, leaning against the tree, with bent head. The pain was growing worse, and harder to bear. She spoke so softly and kindly that it would have been easy to tell her the truth, he thought, for though she could never love him, she would understand, and would forgive him. He had not dreamed that friendship could be so kind.

"Am I right?" she asked, after a pause.

"Yes," he answered. "When I cannot bear it any longer, I will tell you, and you will help me."

"Why not now?"

The little question might have been ruinous to all his resolution, if Zorzi had not been almost like a child in his simplicity—or like a saint in his determination to be loyal. For he thought it loyalty to be silent, not only for the sake of the promise he had given in return for his life, but in respect of his master also, who put such great trust in him.

"Pray do not press me with the question," he said. "You tempt me very much, and I do not wish to speak of what I feel. Be my friend in real truth, if you can, and do not ask me to say what I shall ever after wish unsaid. That will be the best friendship."

Marietta looked across the garden thoughtfully, and suddenly a chilling doubt fell upon her heart. She could not have been mistaken yesterday, she could not be deceived in him now; and yet, if he loved her as she believed, she had said all that a maiden could to show him that she would listen willingly. She had said too much, and she felt ashamed and hurt, almost resentful. He was not a boy. If he loved her, he could find words to tell her so, and should have found them, for she had helped him to her utmost. Suddenly, she almost hated him, for what his silence made her feel, and she told herself that she was glad he had not dared to speak, for she did not love him at all. It was all a sickening mistake, it was all a miserable little dream; she wished that he would go away and leave her to herself. Not that she should shed a single tear! She was far too angry for that, but his presence, so near her, reminded her of what she had done. He must have seen, all through their talk, that she was trying to make him tell his love, and there was nothing to tell. Of course he would despise her. That was natural, but she had a right to hate him for it, and she would, with all her heart! Her thoughts all came together in a tumult of disgust and resentment. If Zorzi did not go away presently, she would go away herself. She was almost resolved to get up and leave the garden, when the door opened.

"Zorzi!" It was Beroviero's voice.

Aristarchi already stood in the doorway taking leave of Beroviero with, many oily protestations of satisfaction in having made his acquaintance. Zorzi went forward to accompany the Greek to the door.

"I shall never forget that I have had the honour of being received by the great artist himself," said Aristarchi, who held his big cap in his hand and was bowing low on the threshold.

"The pleasure has been all on my side," returned Beroviero courteously.

"On the contrary, quite on the contrary," protested his guest, backing away and then turning to go.

Zorzi walked beside him, on his left. As they reached the entrance to the corridor Aristarchi turned once more, and made an elaborate bow, sweeping the ground with his cap, for Beroviero had remained at the door till he should be out of sight. He bent his head, making a gracious gesture with his hand, and went in as the Greek disappeared. Zorzi followed the latter, showing him out.

Marietta saw the door close after her father, and she knew that Zorzi must come back through the garden in a few moments. She bent her head over her beads as she heard his step, and pretended not to see him. When he came near her he stood still a moment, but she would not look up, and between annoyance and disappointment and confusion she felt that she was blushing, which she would not have had Zorzi see for anything. She wondered why he did not go on.

"Have I offended you?" he asked, in a low voice.

Oddly enough, her embarrassment disappeared as soon as he spoke, and the blush faded away.

"No," she answered, coldly enough. "I am not angry—I am only sorry."

"But I am glad that I would not answer your question," returned Zorzi.

"I doubt whether you had any answer to give," retorted Marietta with a touch of scorn.

Zorzi's brows contracted sharply and he made a movement to go on. So her proffered friendship was worth no more than that, he thought. She was angry and scornful because her curiosity was disappointed. She could not have guessed his secret, he was sure, though that might account for her temper, for she would of course be angry if she knew that he loved her. And she was angry now because he had refused to tell her so. That was a woman's logic, he thought, quite regardless of the defect in his own. It was just like a woman! He sincerely wished that he might tell her so.

In the presence of Marietta the man who had confronted sudden death less than twenty-four hours ago, with a coolness that had seemed imposing to other men, was little better than a girl himself. He turned to go on, without saying more. But she stopped him.

"I am sorry that you do not care for my friendship," she said, in a hurt tone. She could not have said anything which he would have found it harder to answer just then.

"What makes you think that?" he asked, hoping to gain time.

"Many things. It is quite true, so it does not matter what makes me think it!"

She tried to laugh scornfully, but there was a quaver in her voice which she herself had not expected and was very far from understanding. Why should she suddenly feel that she was going to cry? It had seemed so ridiculous in poor Nella that morning. Yet there was a most unmistakable something in her throat, which frightened her. It would be dreadful if she should burst into tears over her beads before Zorzi's eyes. She tried to gulp the something: down, and suddenly, as she bent over the basket, she saw the beautiful, hateful drops falling fast upon the little dry glass things; and even then, in her shame at being seen, she wondered why the beads looked, bigger through the glistening tears—she remembered afterwards how they looked, so she must have noticed them at the time.

Zorzi knew too little of women to have any idea of what he ought to do under the circumstances. He did not know whether to turn his back or to go away, so he stood still and looked at her, which was the very worst thing he could have done. Worse still, he tried to reason with her.

"I assure you that you are mistaken," he said in a soothing tone. "I wish for your friendship with all my heart! Only, when you ask me—"

"Oh, go away! For heaven's sake go away!" cried Marietta, almost choking, and turning her face quite away, so that he could only see the back of her head.

At the same time, she tapped the ground impatiently with her foot, and to make matters worse, the little basket of beads began to slip off her knees at the same moment. She caught at it desperately, trying not to look round and half blinded by her tears, but she missed it, and but for Zorzi it would have fallen. He put it into her hands very gently, but she was not in the least grateful.

"Oh, please go away!" she repeated. "Can you not understand?"

He did not understand, but he obeyed her and turned away, very grave, very much puzzled by this new development of affairs, and sincerely wishing that some wise familiar spirit would whisper the explanation in his ear, since he could not possibly consult any living person.

She heard him go and she listened for the shutting of the laboratory door. Then she knew that she was quite alone in the garden, and she let the tears flow as they would, bending her head till it touched the trunk of the tree, and they wet the smooth bark and ran down to the dry earth.

Zorzi went in, and began to tend the fire as usual, until it should please the master to give him other orders. Old Beroviero was sitting in the big chair in which he sometimes rested himself, his elbow on one of its arms, and his hand grasping his beard below his chin.

"Zorzi," he said at last, "I have seen that man before."

Zorzi looked at him, expecting more, but for some time Beroviero said nothing. The young man selected his pieces of beech wood, laying them ready before the little opening just above the floor.

"It is very strange," said Beroviero at last. "He seems to be a rich merchant now, but I am almost quite sure that I saw him in Naples."

"Did you know him there, sir?" asked Zorzi.

"No," answered his master thoughtfully. "I saw him in a cart with his hands tied behind him, on his way to be hanged."

"He looks as if one hanging would not be enough for him," observed Zorzi.

Beroviero was silent for a moment. Then he laughed, and he laughed very rarely.

"Yes," he said. "It is not a face one could forget easily," he added.

Then he rose and went back to his table.

CHAPTER VII

The sun was high over Venice, gleaming on the blue lagoons that lightly rippled under a southerly breeze, filling the vast square of Saint Mark's with blinding light, casting deep shadows behind the church and in the narrow alleys and canals to northward, about the Merceria. The morning haze had long since blown away, and the outlines of the old church and monastery on Saint George's island, and of the buildings on the Guidecca, and on the low-lying Lido, were hard and clear against the cloudless sky, mere designs cut out in rich colours, as if with a sharp knife, and reared up against a background of violent light. In Venice only the melancholy drenching rain of a winter's day brings rest to the eye, when water meets water and sky is washed into sea and the city lies soaking and dripping between two floods. But soon the wind shifts to the northeast, out breaks the sun again, and all Venice is instantly in a glare of light and colour and startling distinctness, like the sails and rigging of a ship at sea on a clear day.

It was Sunday morning and high mass was over in Saint Mark's. The crowd had streamed out of the central door, spreading like a bright fan over the square, the men in gay costumes, red, green, blue, yellow, purple, brown, and white, their legs particoloured in halves and quarters, so that when looking at a group it was mere guesswork to match the pair that belonged to one man; women in dresses of one tone, mostly rich and dark, and often heavily embroidered, for no sumptuary laws could effectually limit outward display, and the insolent vanity of an age still almost mediaeval made it natural that the rich should attire themselves as richly as they could, and that the poor should be despised for wearing poor clothes.

Angelo Beroviero had a true Venetian's taste for splendour, but he was also deeply imbued with the Venetian love of secrecy in all matters that concerned his private life. When he bade Marietta accompany him to Venice on that Sunday morning, he was equally anxious that she should be as finely dressed as was becoming for the daughter of a wealthy citizen, and that she should be in ignorance of the object of the trip. She was not to know that Jacopo Contarini would be standing beside the second column on the left, watching her with lazily critical eyes; she was merely told that she and her father were to dine in the house of a certain Messer Luigi Foscarini, Procurator of Saint Mark, who was an old and valued friend, though a near connection of Alvise Trevisan, a rival glass-maker of Murano. All this had been carefully planned in order that during their absence Beroviero's house might be suitably prepared for the solemn family meeting which was to take place late in the afternoon, and at which her betrothal was to be announced, but of which Marietta knew nothing. Her father counted upon surprising her and perhaps dazzling her, so as to avoid all discussion and all possibility of resistance on her part. She should see Contarini in the church, and while still under the first impression of his beauty and magnificence, she should be told before her assembled family that she was solemnly bound to marry him in two months' time.

Beroviero never expected opposition in anything he wished to do, but he had always heard that young girls could find a thousand reasons for not marrying the man their parents chose for them, and he believed that he could make all argument and hesitation impossible. Marietta doubtless expected to have a week in which to make up her mind. She should have five hours, and even that was too much, thought Beroviero. He would have preferred to march her to the altar without any preliminaries and marry her to Contarini without giving her a chance of seeing him before the ceremony. After all, that was the custom of the day.

The fortunes of love were in his favour, for Marietta had spent three miserably unhappy days and nights since she had last talked with Zorzi in the garden. From that time he had avoided her moat carefully, never coming out of the laboratory when she was under the tree with her work, never raising his eyes to look at her when she came in and talked with her father. When she entered the big room, he made a solemn bow and occupied himself in the farthest corner so long as she remained. There is a stage in which even the truest and purest love of boy and maiden feeds on misunderstandings. In a burst of tears, and ashamed that she should be seen crying, Marietta had bidden him go away; in the folly of his young heart he took her at her word, and avoided her consistently. He had been hurt by the words, but by a kind of unconscious selfishness his pain helped him to do what he believed to be his duty.

And Marietta forgot that he had picked up the rose dropped by her in the path, she forgot that she had seen him stand gazing up at her window, with a look that could mean only love, she forgot how tenderly and softly he had answered her in the garden; she only remembered that she had done her utmost, and too much, to make him tell her that he loved her, and in vain. She could not forgive him that, for even after three days her cheeks burned fiercely whenever she thought of it. After that, it mattered nothing what became of her, whether she were betrothed, or whether she were married, or whether she went mad, or even whether she died—that would be the best of all.

In this mood Marietta entered the gondola and seated herself by her father on Sunday morning. She wore an embroidered gown of olive green, a little open at her dazzling throat, and a silk mantle of a darker tone hung from her shoulders, to protect her from the sun rather than from the air. Her russet hair was plaited in a thick flat braid, and brought round her head like a broad coronet of red gold, and a point lace veil, pinned upon it with stoat gold pins, hang down behind and was brought forward carelessly upon one shoulder.

Beside her, Angelo Beroviero was splendid in dark red cloth and purple silk. He was proud of his daughter, who was betrothed to the heir of a great Venetian house, he was proud of his own achievements, of his wealth, of the richly furnished gondola, of his two big young oarsmen in quartered yellow and blue hose and snowy shirts, and of his liveried man in blue and gold, who sat outside the low 'felse' on a little stool, staff in hand, ready to attend upon his master and young mistress whenever they should please to go on foot.

Marietta had got into the gondola without so much as glancing across the canal to see whether Zorzi were standing there to see them push off, as he often did when she and her father went out together. If he were there, she meant to show him that she could be more indifferent than he; if he were not, she would show herself that she did not care enough even to look for him. But when the gondola was out of sight of the house she wished she knew whether he had looked out or not.

Her father had told her that they were going to dine with the Procurator Foscarini and his wife. The pair had one daughter, of Marietta's age, and she was a cripple from birth. Marietta was fond of her, and it was a relief to get away from Murano, even for half a day. The visit explained well enough why her father had desired her to put on her best gown and most valuable lace. She really had not the slightest idea that anything more important was on foot.

Beroviero looked at her in silence as they sped along with the gently rocking motion of the gondola, which is not exactly like any other movement in the world. He had already noticed that she was paler than usual, but the extraordinary whiteness of her skin made her pallor becoming to her, and it was set off by the colour of her hair, as ivory by rough gold. He wondered whether she had guessed whither he was taking her.

"It is a long time since we were in Saint Mark's together," he said at last.

"It must be more than a year," answered Marietta. "We pass it often, but we hardly ever go in."

"It is early," observed Beroviero, speaking as indifferently as he could. "When we left home it lacked an hour and a half of noon by the dial. Shall we go into the church for a while?"

"If you like," replied Marietta mechanically.

Nothing made much difference that morning, but she knew that the high mass would be over and that the church would be quiet and cool. It was not at that time the cathedral of Venice, though it had always been the church in which the doges worshipped in state.

They landed at the low steps in the Rio del Palazzo, and the servant held out his bent elbow for Marietta to steady herself, though he knew that she would not touch it, for she was light and sure-footed as a fawn; but Beroviero leaned heavily on his man's arm. They came round the Patriarch's palace into the open square, whence the crowd had nearly all disappeared, dispersing in different directions. Just as they were within sight of the great doors of the church, Beroviero saw a very tall man in a purple silk mantle going in alone. It was Contarini, and Beroviero drew a little sigh of relief. The intended bridegroom was punctual, but Beroviero thought that he might have shown such anxiety to see his bride as should have brought him to the door a few minutes before the time.

Marietta had drawn her veil across her face, leaving only her eyes uncovered, according to custom.

"It is hot," she complained.

"It will be cool in the church," answered her father. "Throw your veil back, my dear—there is no one to see you."

"There is the sun," she said, for she had been taught that one of a Venetian lady's chief beauties is her complexion.

"Well, well—there will be no sun in the church." And the old man hurried her in, without bestowing a glance upon the bronze horses over the door, to admire which he generally stopped a few moments in passing.

They entered the great church, and the servant went before them, dipped his fingers in the basin and offered them holy water. They crossed themselves, and Marietta bent one knee, looking towards the high altar. A score of people were scattered about, kneeling and standing in the nave.

Contarini was leaning against the second pillar on the left, and had been watching the door when Marietta and her father entered. Beroviero saw him at once, but led his daughter up the opposite side of the nave, knelt down beside her a moment at the screen, then crossed and came down the aisle, and at last turned into the nave again by the second pillar, so as to come upon Contarini as it were unawares. This all seemed necessary to him in order that Marietta should receive a very strong and sudden impression, which should leave no doubt in her mind. Contarini himself was too thoroughly Venetian not to understand what Beroviero was doing, and when the two came upon him, he was drawn up to his full height, one gloved hand holding his cap and resting on his hip; the other, gloveless, and white as a woman's, was twisting his silky mustache. Beroviero had manoeuvred so cleverly that Marietta almost jostled the young patrician as she turned the pillar.

Contarini drew back with quick grace and a slight inclination of his body, and then pretended the utmost surprise on seeing his valued friend Messer Angelo Beroviero.

"My most dear sir!" he exclaimed. "This is indeed good fortune!"

"Mine, Messer Jacopo!" returned Beroviero with equally well-feigned astonishment.

Marietta had looked Contarini full in the face before she had time to draw her veil across her own. She stepped back and placed herself behind her father, protected as it were by their serving-man, who stood beside her with his staff. She understood instantly that the magnificent patrician was the man of whom her father had spoken as her future husband. Seen, as she had seen him, in the glowing church, in the most splendid surroundings that could be imagined, he was certainly a man at whom any woman would look twice, even out of curiosity, and through her veil Marietta looked again, till she saw his soft brown eyes scrutinising her appearance; then she turned quickly away, for she had looked long enough. She saw that a woman in black was kneeling by the next pillar, watching her intently with a sort of cold stare that almost made her shudder. Yet the woman was exceedingly beautiful. It was easy to see that, though the dark veil hid half her face and its folds concealed most of her figure. The mysterious, almond-shaped eyes were those of another race, the marble cheek was more perfectly modelled and turned than an Italian's, the curling golden hair was more glorious than any Venetian's. Arisa had come to see her master's bride, and he knew that she was there looking on. Why should he care? It was a bargain, and he was not going to give up Arisa and the house of the Agnus Dei because he meant to marry the rich glass-blower's daughter.

Marietta imagined no connection between the woman and the man, who thus insolently came to the same place to look at her, pretending not to know one another; and when she looked back at Contarini she felt a miserable little thrill of vanity as she noticed that he was looking fixedly at her, and that his eyes did not wander to the face of that other woman, who was so much more beautiful than herself. Perhaps, after all, he would really prefer her to that matchless creature close beside her! Nothing mattered, of course, since Zorzi did not love her, but after all it was flattering to be admired by Jacopo Contarini, who could choose his wife where he pleased, through the whole world.

It all happened in a few seconds. The two men exchanged a few words, to which she paid no attention, and took leave of each other with great ceremony and much bowing on both sides. When her father turned at last, Marietta was already walking towards the door, the servant by her left side. Beroviero had scarcely joined her when she started a little, and laid her hand upon his arm.

"The Greek merchant!" she whispered.

Beroviero looked where she was looking. By the first pillar, gazing intently at Arisa's kneeling figure, stood Aristarchi, his hands folded over his broad chest, his shaggy head bent forward, his sturdy legs a little apart. He, too, had come to see the promised bride, and to be a witness of the bargain whereby he also was to be enriched.

As Marietta came out of the church, she covered her face closely and drew her silk mantle quite round her, bending her head a little. The servant walked a few paces in front.

"You have seen your future husband, my child," said Beroviero.

"I suppose that the young noble was Messer Jacopo Contarini," answered Marietta coldly.

"You are hard to please, if you are not satisfied with my choice for you," observed her father.

To this Marietta said nothing. She only bent her head a little lower, looking down as she trod delicately over the hot and dusty ground.

"And you are a most ungrateful daughter," continued Beroviero, "if you do not appreciate my kindness and liberality of mind in allowing you to see him before you are formally betrothed."

"Perhaps he is even more pleased by your liberality of mind than I could possibly be," retorted the young girl with unbending coldness. "He has probably not seen many Venetian girls of our class face to face and unveiled. He is to be congratulated on his good fortune!"

"By my faith!" exclaimed Beroviero, "it is hard to satisfy you!"

"I have asked nothing."

"Do you mean to say that you have any objections to allege against such a marriage?"

"Have I said that I should oppose it? One may obey without enthusiasm." She laughed coldly.

"Like the unprofitable servant! I had expected something more of you, my child. I have been at infinite pains and I am making great sacrifices to procure you a suitable husband, and there are scores of noble girls in Venice who would give ten years of their lives to marry Jacopo Contarini! And you say that you obey my commands without enthusiasm! You are an ungrateful—"

"No, I am not!" interrupted Marietta firmly. "I would rather not marry at all—"

"Not marry!" repeated Beroviero, interrupting her in a tone of profound stupefaction, and standing still in the sun as he spoke. "Why—what is the matter?"

"Is it so strange that I should be contented with my girl's life?" asked Marietta. "Should I not be ungrateful indeed, if I wished to leave you and become the wife of a man I have just seen for the first time?"

"You use most extraordinary arguments, my dear," replied Beroviero, quite at a loss for a suitable retort. "Of course, I have done my best to make you happy."

He paused, for she had placed him in the awkward position of being angry because she did not wish to leave him.

"I really do not know what to say," he added, after a moment's reflection.

"Perhaps there is nothing to be said," answered Marietta, in a tone of irritating superiority, for she certainly had the best of the discussion.

They had reached the gondola by this time, and as the servant sat within hearing at the open door of the 'felse,' they could not continue talking about such a matter. Beroviero was glad of it, for he regarded the affair as settled, and considered that it should be hastened to its conclusion without any further reasoning about it. If he had sent word to young Contarini that the answer should be given him in a week, that was merely an imaginary formality invented to cover his own dignity, since he had so far derogated from it as to allow the young man to see Marietta. In reality the marriage had been determined and settled between Beroviero and Contarini's father before anything had been said to either of the young people. The meeting in the church might have been dispensed with, if the patrician had been able to answer with certainty for his wild son's conduct. Jacopo had demanded it, and his father was so anxious for the marriage that he had communicated the request to Beroviero. The latter, always for his dignity's sake, had pretended to refuse, and had then secretly arranged the matter for Jacopo, as has been seen, without old Contarini's knowledge.

Marietta leaned back under the cool, dark 'felse,' and her hands lay idly in her lap. She felt that she was helpless, because she was indifferent, and that she could even now have changed the course of her destiny if she had cared to make the effort. There was no reason for making any. She did not believe that she had really loved Zorzi after all, and if she had, it seemed to-day quite impossible that she should ever have married him. He was nothing but a waif, a half-nameless servant, a stranger predestined to a poor and obscure life. As she inwardly repeated some of these considerations, she felt a little thrust of remorse for trying to look down on him as impossibly far below her own station, and a small voice told her that he was an artist, and that if he had chanced to be born in Venice he would have been as good as her brothers.

The future stretched out before her in a sort of dull magnificence that did not in the least appeal to her simple nature. She could not tell why she had despised Jacopo Contarini from the moment she looked into his beautiful eyes. Happily women are not expected to explain why they sometimes judge rightly at first sight, when a wise man is absurdly deceived. Marietta did not understand Jacopo, and she easily fancied that because her own character was the stronger she should rule him as easily as she managed Nella. It did not occur to her that he was already under the domination of another woman, who might prove to be quite as strong as she. What she saw was the weakness in his eyes and mouth. With such a man, she thought, there was little to fear; but there was nothing to love. If she asked, he would give, if she opposed him, he would surrender, if she lost her temper and commanded, he would obey with petulant docility. She should be obliged to take refuge in vanity in order to get any satisfaction out of her life, and she was not naturally vain. The luxuries of those days were familiar to her from her childhood. Though she had not lived in a palace, she had been brought up in a house that was not unlike one, she ate off silver plates and drank from glasses that were masterpieces of her father's art, she had coffers full of silks and satins, and fine linen embroidered with gold thread, there was always gold and silver in her little wallet-purse when she wanted anything or wished to give to the poor, she was waited on by a maid of her own like any fine lady of Venice, and there were a score of idle servants in a house where there were only two masters—there was nothing which Contarini could give her that would be more than a little useless exaggeration of what she had already. She had no particular desire to show herself unveiled to the world, as married women did, and she was not especially attracted by the idea of becoming one of them. She had been brought up alone, she had acquired tastes which other women had not, and which would no longer be satisfied in her married life, she loved the glass-house, she delighted in taking a blow-pipe herself and making small objects which she decorated as she pleased, she felt a lively interest in her father's experiments, she enjoyed the atmosphere of his wisdom though it was occasionally disturbed by the foolish little storms of his hot temper. And until now, she had liked to be often with Zorzi.

That was past, of course, but the rest remained, and it was much to sacrifice for the sake of becoming a Contarini, and living on the Grand Canal with a man she should always despise.

It was clearly not the idea of marriage that surprised or repelled her, not even of a marriage with a man she did not know and had seen but once. Girls were brought up to regard marriage as the greatest thing in life, as the natural goal to which all their girlhood should tend, and at the same time they were taught from childhood that it was all to be arranged for them, and that they would in due course grow fond of the man their parents chose for them. Until Marietta had begun to love Zorzi, she had accepted all these things quite naturally, as a part of every woman's life, and it would have seemed as absurd, and perhaps as impossible, to rebel against them as to repudiate the religion in which she had been born. Such beliefs turn into prejudices, and assert themselves as soon as whatever momentarily retards them is removed. By the time the gondola drew alongside of the steps of the Foscarini palace, Marietta was convinced that there was nothing for her but to submit to her fate.

"Then I am to be married in two months?" she said, in a tone of interrogation, and regardless of the servant.

Beroviero bent his head in answer and smiled kindly; for after all, he was grateful to her for accepting his decision so quietly. But Marietta was very pale after she had spoken, for the audible words somehow made it all seem dreadfully real, and out of the shadows of the great entrance hall that opened upon the canal she could fancy Zorzi's face looking at her sadly and reproachfully. The bargain was made, and the woman he loved was sold for life. For one moment, instinctive womanhood felt the accursed humiliation, and the flushing blood rose in the girl's cool cheeks.

She would have blushed deeper had she guessed who had been witnesses of her first meeting with Contarini, and old Beroviero's temper would have broken out furiously if he could have imagined that the Greek pirate who had somehow miraculously escaped the hangman in Naples had been contemplating with satisfaction the progress of the marriage negotiations, sure that he himself should before long be enjoying the better part of Marietta's rich dowry. If the old man could have had vision of Jacopo's life, and could have suddenly known what the beautiful woman in black was to the patrician, Contarini's chance of going home alive that day would have been small indeed, for Beroviero might have strangled him where he stood, and perhaps Aristarchi would have discreetly turned his back while he was doing it. For a few minutes they had all been very near together, the deceivers and the deceived, and it was not likely that they should ever all be so near again.

Contarini had never seen the Greek, and Arisa was not aware that he was in the church. When Beroviero and Marietta were gone, Jacopo turned his back on the slave for a moment as if he meant to walk further up the church. Aristarchi watched them both, for in spite of all he did not quite trust the Georgian woman, and he had never seen her alone with Jacopo when she was unaware of his own presence. Yet he was afraid to go nearer, now, lest Arisa should accidentally see him and betray by her manner that she knew him.

Jacopo turned suddenly, when he judged that he could leave the church without overtaking Beroviero, and he walked quietly down the nave. He passed close to Arisa, and Aristarchi guessed that their eyes met for a moment. He almost fancied that Contarini's lips moved, and he was sure that he smiled. But that was all, and Arisa remained on her knees, not even turning her head a little as her lover went by.

"Not so ugly after all," Contarini had said, under his breath, and the careless smile went with the words.

Arisa's lip curled contemptuously as she heard. She had drawn back her veil, her face was raised, as if she were sending up a prayer to heaven, and the light fell full upon the magnificent whiteness of her throat, that showed in strong relief against the black velvet and lace. She needed no other answer to what he said, but in the scorn of her curving mouth, which seemed all meant for Marietta, there was contempt for him, too, that would have cut him to the quick of his vanity.

Aristarchi walked deliberately by the pillar to the aisle, as he passed, and listened for the flapping of the heavy leathern curtain at the door. Then he stole nearer to the place where Arisa was still kneeling, and came noiselessly behind her and leaned against the column, and watched her, not caring if he surprised her now.

But she did not turn round. Listening intently, Aristarchi heard a soft quick whispering, and he saw that it was punctuated by a very slight occasional movement of her head.

He had not believed her when she had told him that she said her prayers at night, but she was undoubtedly praying now, and Aristarchi watched her with interest, as he might have looked at some rare foreign animal whose habits he did not understand. She was very intently bent on what she was saying, for he stayed there some time, scarcely breathing, before he turned away and disappeared in the shadows with noiseless steps.

CHAPTER VIII

All through the long Sunday afternoon Zorzi sat in the laboratory alone. From time to time, he tended the fire, which must not be allowed to go down lest the quality of the glass should be injured, or at least changed. Then he went back to the master's great chair, and allowed himself to think of what was happening in the house opposite.

In those days there was no formal betrothal before marriage, at which the intended bride and bridegroom joined hands or exchanged the rings which were to be again exchanged at the wedding. When a marriage had been arranged, the parents or guardians of the young couple signed the contract before a notary, a strictly commercial and legal formality, and the two families then announced the match to their respective relatives who were invited for the purpose, and were hospitably entertained. The announcement was final, and to break off a marriage after it had been announced was a deadly offence and was generally an irreparable injury to the bride.

In Beroviero's house the richest carpets were taken from the storerooms and spread upon the pavement and the stairs, tapestries of great worth and beauty were hung upon the walls, the servants were arrayed in their high-day liveries and spoke in whispers when they spoke at all, the silver dishes were piled with sweetmeats and early fruits, and the silver plates had been not only scoured, but had been polished with leather, which was not done every day. In all the rooms that were opened, silken curtains had been hung before the windows, in place of those used at other times. In a word, the house had been prepared in a few hours for a great family festivity, and when Marietta got out of the gondola, she set her foot upon a thick carpet that covered the steps and was even allowed to hang down and dip itself in the water of the canal by way of showing what little value was set upon it by the rich man.

Zorzi had known that the preparations were going forward, and he knew what they meant. He would rather see nothing of them, and when the guests were gone, old Beroviero would come over and give him some final instructions before beginning his journey; until then he could be alone in the laboratory, where only the low roar of the fire in the furnace broke the silence.

Marietta's head was aching and she felt as if the hard, hot fingers of some evil demon were pressing her eyeballs down into their sockets. She sat in an inner chamber, to which only women were admitted. There she sat, in a sort of state, a circlet of gold set upon her loosened hair, her dress all of embroidered white silk, her shoulders covered with a wide mantle of green and gold brocade that fell in heavy folds to the floor. She wore many jewels, too, such as she would not have worn in public before her marriage. They had belonged to her mother, like the mantle, and were now brought out for the first time. It was very hot, but the windows were shut lest the sound of the good ladies' voices should be heard without; for the news that Marietta was to be married had suddenly gone abroad through Murano, and all the idlers, and the men from the furnaces, where no work was done on Sunday, as well as all the poor, were assembled on the footway and the bridge, and in the narrow alleys round the house. They all pushed and jostled each other to see Beroviero's friends and relations, as they emerged from beneath the black 'felse' of their gondolas to enter the house. In the hall the guests divided, and the men gathered in a large lower chamber, while the women went upstairs to offer their congratulations to Marietta, with many set compliments upon her beauty, her clothes and her jewels, and even with occasional flattering allusions to the vast dowry her husband was to receive with her.

She listened wearily, and her head ached more and more, so that she longed for the coolness of her own room and for Nella's soothing chatter, to which she was so much accustomed that she missed it if the little brown woman chanced to be silent.

The sun went down and wax candles were brought, instead of the tall oil lamps that were used on ordinary days. It grew hotter and hotter, the compliments of the ladies seemed more and more dull and stale, her mantle was heavy and even the gold circlet on her hair was a burden. Worse than all, she knew that every minute was carrying her further and further into the dominion of the irrevocable whence she could never return.

She had looked at the palaces she had passed in Venice that morning, some in shadow, some in sunlight, some with gay faces and some grave, but all so different from the big old house in Murano, that she did not wish to live in them at all. It would have been much easier to submit if she had been betrothed to a foreigner, a Roman, or a Florentine. She had been told that Romans were all wicked and gloomy, and that Florentines were all wicked and gay. That was what Nella had heard. But in a sense they were free, for they probably did what was good in their own eyes, as wicked people often do. Life in Venice was to be lived by rule, and everything that tasted of freedom was repressed by law. If it pleased women to wear long trains the Council forbade them; if they took refuge in long sleeves, thrown back over their shoulders, a law was passed which set a measure and a pattern for all sleeves that might ever be worn. If a few rich men indulged their fancy in the decoration of their gondolas, now that riding was out of fashion, the Council immediately determined that gondolas should be black and that they should only be gilt and adorned inside. As for freedom, if any one talked of it he was immediately tortured until he retracted all his errors, and was then promptly beheaded for fear that he should fall again into the same mistake. Nella said so, and told hideous tales of the things that had been done to innocent men in the little room behind the Council chamber in the Palace. Besides, if one talked of justice, there was Zorzi's case to prove that there was no justice at all in Venetian law. Marietta suddenly wished that she were wicked, like the Romans and the Florentines; and even when she reflected that it was a sin to wish that one were bad, she was not properly repentant, because she had a very vague notion of what wickedness really was. Righteousness seemed just now to consist in being smothered in heavy clothes, in a horribly hot room, while respectable women of all ages, fat, thin, fair, red-haired, dark, ugly and handsome, all chattered at her and overwhelmed her with nauseous flattery.

She thought of that morning in the garden, three days ago, when something she did not understand had been so near, just before disappearing for ever. Then her throat tightened and she saw indistinctly, and her lips were suddenly dry. After that, she remembered little of what happened on that evening, and by and by she was alone in her own room without a light, standing at the open window with bare feet on the cold pavement, and the night breeze stirred her hair and brought her the scent of the rosemary and lavender, while she tried to listen to the stars, as if they were speaking to her, and lost herself in her thoughts for a few moments before going to sleep.

Zorzi was still sitting in the big chair against the wall when he heard a footstep in the garden, and as he rose to look out Beroviero entered. The master was wrapped in a long cloak that covered something which he was carrying. There was no lamp in the laboratory, but the three fierce eyes of the furnace shed a low red glare in different directions. Beroviero had given orders that the night boys should not come until he sent for them.

"I thought it wiser to bring this over at night," he said, setting a small iron box on the table.

It contained the secrets of Paolo Godi, which were worth a great fortune in those times.

"Of all my possessions," said the old man, laying his hands upon the casket, "these are the most valuable. I will not hide them alone, as I might, because if any harm befell me they would be lost, and might be found by some unworthy person."

"Could you not leave them with some one else, sir?" asked Zorzi.

"No. I trust no one else. Let us hide them together to-night, for to-morrow I must leave Venice. Take up one of the large flagstones behind the annealing oven, and dig a hole underneath it in the ground. The place will be quite dry, from the heat of the oven."

Zorzi lit a lamp with a splinter of wood which he thrust into the 'bocca' of the furnace; he took a small crowbar from the corner and set to work. The laboratory contained all sorts of builder's tools, used when the furnace needed repairing. He raised one of the slabs with difficulty, turned it over, propped it with a billet of beech wood, and began to scoop out a hole in the hard earth, using a mason's trowel. Beroviero watched him, holding the box in his hands.

"The lock is not very good," he said, "but I thought the box might keep the packet from dampness."

"Is the packet properly sealed?" asked Zorzi, looking up.

"You shall see," answered the master, and he set down the box beside the lamp, on the broad stone at the mouth of the annealing oven. "It is better that you should see for yourself."

He unlocked the box and took out what seemed to be a small book, carefully tied up in a sheet of parchment. The ends of the silk cord below the knot were pinched in a broad red seal. Zorzi examined the wax.

"You sealed it with a glass seal," he observed. "It would not be hard to make another."

"Do you think it would be so easy?" asked Beroviero, who had made the seal himself many years ago.

Zorzi held the impression nearer to the lamp and scrutinised it closely.

"No one will have a chance to try," he said, with a slight gesture of indifference. "It might not be so easy."

The old man looked at him a moment, as if hesitating, and then put the packet back into the box and locked the latter with the key that hung from his neck by a small silver chain.

"I trust you," he said, and he gave the box to Zorzi, to be deposited in the hole.

Zorzi stood up, and taking a little tow from the supply used for cleaning the blow-pipes, he dipped it into the oil of the lamp and proceeded to grease the box carefully before hiding it.

"It would rust," he explained.

He laid the box in the hole and covered it with earth before placing the stone over it.

"Be careful to make the stone lie quite flat," said Angelo, bending down and gathering his gown off the floor in a bunch at his knees. "If it does not lie flat, the stone will move when the boys tread on it, and they may think of taking it up."

"It is very heavy," answered the young man. "It was as much as I could do to heave it up. You need not be afraid of the boys."

"It is not a very safe place, I fear, after all," returned Beroviero doubtfully. "Be sure to leave no marks of the crowbar, and no loose earth near it."

The heavy slab slipped into its bed with a soft thud. Zorzi took the lamp and examined the edges. One of them was a little chipped by the crowbar, and he rubbed it with the greasy tow and scattered dust over it. Then he got a cypress broom and swept the earth carefully away into a heap. Beroviero himself brought the shovel and held it close to the stones while Zorzi pushed the loose earth upon it.

"Carry it out and scatter it in the garden," said the old man.

It was the first time that he had allowed his affection for Zorzi to express itself so strongly, for he was generally a very cautious person. He took the young man's hand and held it a moment, pressing it kindly.

"It was not I who made the law against strangers, and it was not meant for men like you," he added.

Zorzi knew how much this meant from such a master and he would have found words for thanks, had he been able; but when he tried, they would not come.

"You may trust me," was all he could say.

Beroviero left him, and went down the dark corridor with the firm step of a man who knows his way without light.

In the morning, when he left the house to begin his journey, Zorzi stood by the steps with the servant to steady the gondola for him. His horses were to be in waiting in Venice, whence he was to go over to the mainland. He nodded to the young man carelessly, but said nothing, and no one would have guessed how kindly he had spoken to him on the previous night. Giovanni Beroviero took ceremonious leave of his father, his cap in his hand, bending low, a lean man, twenty years older than Marietta, with an insignificant brow and clean-shaven, pointed jaw and greedy lips. Marietta stood within the shadow of the doorway, very pale. Nella was beside her, and Giovanni's wife, and further in, at a respectful distance, the serving-people, for the master's departure was an event of importance.

The gondola pushed off when Beroviero had disappeared under the 'felse' with a final wave of the hand. Zorzi stood still, looking after his master, and Marietta came forward to the doorstep and pretended to watch the gondola also. Zorzi was the first to turn, and their eyes met. He had not expected to see her still there, and he started a little. Giovanni looked at him coldly.

"You had better go to your work," he said in a sour tone. "I suppose my father has told you what to do."

The young artist flushed, but answered quietly enough.

"I am going to my work," he said. "I need no urging."

Before he put on his cap, he bent his head to Marietta; then he passed on towards the bridge.

"That fellow is growing insolent," said Giovanni to his sister, but he was careful that Zorzi should not hear the words. "I think I shall advise our father to turn him out."

Marietta looked at her brother with something like contempt.

"Since when has our father consulted you, or taken your advice?" she asked.

"I presume he takes yours," retorted Giovanni, regretting that he could not instantly find a sharper answer, for he was not quick-witted though he was suspicious.

"He needs neither yours nor mine," said Marietta, "and he trusts whom he pleases."

"You seem inclined to defend his servants when they are insolent," answered Giovanni.

"For that matter, Zorzi is quite able to defend himself!" She turned her back on her brother and went towards the stairs, taking Nella with her.

Giovanni glanced at her with annoyance and walked along the footway in the direction of his own glass-house, glad to go back to a place where he was absolute despot. But he had been really surprised that Marietta should boldly take the Dalmatian's side against him, and his narrow brain brooded upon the unexpected circumstance. Besides the dislike he felt for the young artist, his small pride resented the thought that his sister, who was to marry a Contarini, should condescend to the defence of a servant.

Zorzi went his way calmly and spent the day in the laboratory. He was in a frame of mind in which such speeches as Giovanni's could make but little impression upon him, sensitive though he naturally was. Really great sorrows, or great joys or great emotions, make smaller ones almost impossible for the time. Men of vast ambition, whose deeds are already moving the world and making history, are sometimes as easily annoyed by trifles as a nervous woman; but he who knows that what is dearest to him is slipping from his hold, or has just been taken, is half paralysed in his sense of outward things. His own mind alone has power to give him a momentary relief.

Herein lies one of the strongest problems of human nature. We say with assurance that the mind rules the body, we feel that the spirit in some way overshadows and includes the mind. Yet if this were really true the spirit—that is, the will—should have power against bodily pain, but not against moral suffering except with some help from a higher source. But it is otherwise. If the will of ordinary human beings could hypnotise the body against material sensation, the credit due to those brave believers in all ages who have suffered cruel torments for their faith would be singularly diminished. If the mind could dominate matter by ordinary concentration of thought, a bad toothache should have no effect upon the delicate imagination of the poet, and Napoleon would not have lost the decisive battle of his life by a fit of indigestion, as has been asserted.

On the other hand, there was never yet a man of genius, or even of great talent, who was not aware that the most acute moral anguish can be momentarily forgotten, as if it did not exist for the time, by concentrating the mind upon its accustomed and favourite kind of work. Johnson wrote Rasselas to pay for the funeral of his yet unburied mother, and Johnson was a man of heart if ever one lived; he could not have written the book if he had had a headache. Saints and ascetics without end and of many persuasions have resorted to bodily pain as a means of deadening the imagination and exalting the will or spirit. Some great thinkers have been invalids, but in every case their food, work has been done when they were temporarily free from pain. Perhaps the truth is on the side of those mystics who say that although the mind is of a higher nature than matter, it is so closely involved with it that neither can get away from the other, and that both together tend to shut out the spirit and to forget its existence, which is a perpetual reproach to them; and any ordinary intellectual effort being produced by the joint activity of mind and the matter through which the mind acts, the condition of the spirit at the time has little or no effect upon them, nor upon what they are doing. And if one would carry the little theory further, one might find that the greatest works of genius have been produced when the effort of mind and matter has taken place under the inspiration of the spirit, so that all three were momentarily involved together. But such thoughts lead far, and it may be that they profit little. The best which a man means to do is generally better than the best he does, and it is perhaps the best he is capable of doing.

Be these things as they may, Zorzi worked hard in the laboratory, minutely carrying out the instructions he had received, but reasoning upon them with a freshness and keenness of thought of which his master was no longer capable. When he had made the trials and had added the new ingredients for future ones, he began to think out methods of his own which had suggested themselves to him of late, but which he had never been able to try. But though he had the furnace to himself, to use as long as he could endure the heat of the advancing summer, he was face to face with a difficulty that seemed insuperable.

The furnace had but three crucibles, each of which contained one of the mixtures by means of which he and Beroviero were trying to produce the famous red glass. In order to begin to make glass in his own way, it was necessary that one of the three should be emptied, but unless he disobeyed his orders this was out of the question. In his train of thought and longing to try what he felt sure must succeed, he had forgotten the obstacle. The check brought him back to himself, and he walked disconsolately up and down the long room by the side of the furnace.

Everything was against him, said the melancholy little demon that torments genius on dark days. It was not enough that he should be forced by every consideration of honour and wisdom to hide his love for his master's daughter; when he took refuge in his art and tried to throw his whole life into it, he was stopped at the outset by the most impassable barriers of impossibility. The furious desire to create, which is the strength as well as the essence of genius, surged up and dashed itself to futile spray upon the face of the solid rock.

He stood still before the hanging shelves on which he had placed the objects he had occasionally made, and which his master allowed him to keep there—light, air-thin vessels of graceful shapes: an ampulla of exquisite outline with a long curved spout that bent upwards and then outwards and over like the stalk of a lily of the valley; a large drinking-glass set on a stem so slender that one would doubt its strength to carry the weight of a full measure, yet so strong that the cup might have been filled with lead without breaking it; a broad dish that was nothing but a shadow against the light, but in the shadow was a fair design of flowers, drawn free with a diamond point; there were a dozen of such things on the shelves, not the best that Zorzi had made, for those Beroviero took to his own house and used on great occasions, while these were the results of experiments unheard of in those days, and which not long afterwards made a school.

In his present frame of mind Zorzi felt a foolish impulse to take them down and smash them one by one in the big jar into which the failures were thrown, to be melted again in the main furnace, for in a glass-house nothing is thrown away. He knew it was foolish, and he held his hands behind him as he looked at the things, wishing that he had never made them, that he had never learned the art he was forbidden by law to practise, that he had never left Dalmatia as a little boy long ago, that he had never been born.

The door opened suddenly and Giovanni entered. Zorzi turned and looked at him in silence. He was surprised, but he supposed that the master's son had a right to come if he chose, though he never showed himself in the glass-house when his father was in Murano.

"Are you alone here?" asked Giovanni, looking about him. "Do none of the workmen come here?"

"The master has left me in charge of his work," answered Zorzi. "I need no help."

Giovanni seated himself in his father's chair and looked at the table before the window.

"It is not very hard work, I fancy," he observed, crossing one leg over the other and pulling up his black hose to make it fit his lean calf better.

Zorzi suspected at once that he had come in search of information, and paused before answering.

"The work needs careful attention," he said at last.

"Most glass-work does," observed Giovanni, with a harsh little laugh. "Are you very attentive, then? Do you remember to do all that my father told you?"

"The master only left this morning. So far, I have obeyed his orders."

"I do not understand how a man who is not a glass-blower can know enough to be left alone in charge of a furnace," said Giovanni, looking at Zorzi's profile.

This time Zorzi was silent. He did not think it necessary to tell how much he knew.

"I suppose my father knows what he is about," continued Giovanni, in a tone of disapproval.

Zorzi thought so too, and no reply seemed necessary. He stood still, looking out of the window, and wishing that his visitor would go away. But Giovanni had no such intention.

"What are you making?" he asked presently.

"A certain kind of glass," Zorzi answered.

"A new colour?"

"A certain colour. That is all I can tell you."

"You can tell me what colour it is," said Giovanni. "Why are you so secret? Even if my father had ordered you to be silent with me about his work, which I do not believe, you would not be betraying anything by telling me that. What colour is he trying to make?"

"I am to say nothing about it, not even to you. I obey my orders."

Giovanni was a glass-maker himself. He rose with an air of annoyance and crossed the laboratory to the jar in which the broken glass was kept, took out a piece and held it up against the light. Zorzi had made a movement as if to hinder him, but he realised at once that he could not lay hands on his master's son. Giovanni laughed contemptuously and threw the fragment back into the jar.

"Is that all? I can do better than that myself!" he said, and he sat down again in the big chair.

His eyes fell on the shelves upon which Zorzi's specimens of work were arranged. He looked at them with interest, at once understanding their commercial value.

"My father can make good things when he is not wasting time over discoveries," he remarked, and rising again he went nearer and began to examine the little objects.

Zorzi said nothing, and after looking at them a long time Giovanni turned away and stood before the furnace. The copper ladle with which the specimens were taken from the pots lay on the brick ledge near one of the 'boccas.' Giovanni took it, looked round to see where the iron plate for testing was placed, and thrust the ladle into the aperture, holding it lightly lest the heat should hurt his hand.

"You shall not do that!" cried Zorzi, who was already beside him.

Before Giovanni knew what was happening Zorzi had struck the ladle from his hand, and it disappeared through the 'bocca' into the white-hot glass within.

CHAPTER IX

With an oath Giovanni raised his hand to strike Zorzi in the face, but the quick Dalmatian snatched up his heavy blow-pipe in both hands and stood in an attitude of defence.

"If you try to strike me, I shall defend myself," he said quietly.

Giovanni's sour face turned grey with fright, and then as his impotent anger rose, the grey took an almost greenish hue that was bad to see. He smiled in a sickly fashion. Zorzi set the blow-pipe upright against the furnace and watched him, for he saw that the man was afraid of him and might act treacherously.

"You need not be so violent," said Giovanni, and his voice trembled a little, as he recovered himself. "After all, my father would not have made any objection to my trying the glass. If I had, I could not have guessed how it was made."

Zorzi did not answer, for he had discovered that silence was his best weapon. Giovanni continued, in the peevish tone of a man who has been badly frightened and is ashamed of it.

"It only shows how ignorant you are of glass-making, if you suppose that my father would care." As he still got no reply beyond a shrug of the shoulders, he changed the subject. "Did you see my father make any of those things?" he asked, pointing to the shelves.

"No," answered Zorzi.

"But he made them all here, did he not?" insisted Giovanni. "And you are always with him."

"He did not make any of them."

Giovanni opened his eyes in astonishment. In his estimation there was no man living, except his father, who could have done such work. Zorzi smiled, for he knew what the other's astonishment meant.

"I made them all," he said, unable to resist the temptation to take the credit that was justly his.

"You made those things?" repeated Giovanni incredulously.

But Zorzi was not in the least offended by his disbelief. The more sceptical Giovanni was, the greater the honour in having produced anything so rarely beautiful.

"I made those, and many others which the master keeps in his house," he said.

Giovanni would have liked to give him the lie, but he dared not just then.

"If you made them, you could make something of the kind again," he said. "I should like to see that. Take your blow-pipe and try. Then I shall believe you."

"There is no white glass in the furnace," answered Zorzi. "If there were, I would show you what I can do."

Giovanni laughed sourly.

"I thought you would find some good excuse," he said.

"The master saw me do the work," answered Zorzi unconcernedly. "Ask him about it when he comes back."

"There are other furnaces in the glass-house," suggested Giovanni. "Why not bring your blow-pipe with you and show the workmen as well as me what you can do?"

Zorzi hesitated. It suddenly occurred to him that this might be a decisive moment in his life, in which the future would depend on the decision he made. In all the years since he had been with Beroviero he had never worked at one of the great furnaces among the other men.

"I daresay your sense of responsibility is so great that you do not like to leave the laboratory, even for half an hour," said Giovanni scornfully. "But you have to go home at night."

"I sleep here," answered Zorzi.

"Indeed?" Giovanni was surprised. "I see that your objections are insuperable," he added with a laugh.

Zorzi was in one of those moods in which a man feels that he has nothing to lose. There might, however, be something to gain by exhibiting his skill before Giovanni and the men. His reputation as a glass-maker would be made in half an hour.

"Since you do not believe me, come," he said at last. "You shall see for yourself."

He took his blow-pipe and thrust it through one of the 'boccas' to melt off the little red glass that adhered to it. Then he cooled it in water, and carefully removed the small particles that stuck to the iron here and there like spots of glazing.

"I am ready," he said, when he had finished.

Giovanni rose and led the way, without a word. Zorzi followed him, shut the door, turned the key twice and thrust it into the bosom of his doublet. Giovanni turned and watched him.

"You are really very cautions," he said. "Do you always lock the door when you go out?"

"Always," answered Zorzi, shouldering his blow-pipe.

They crossed the little garden and entered the passage that led to the main furnace rooms. In the first they entered, eight or ten men and youths, masters and apprentices, were at work. The place was higher and far more spacious than the laboratory, the furnace was broader and taller and had four mouths instead of three. The sunlight streamed through a window high above the floor and fell upon the arched back of the annealing oven, the window being so placed that the sun could never shine upon the working end and dazzle the workmen.

When Giovanni and Zorzi entered, the men were working in silence. The low and steady roar of the flames was varied by the occasional sharp click of iron or the soft sound of hot glass rolling on the marver, or by the hiss of a metal instrument plunged into water to cool it. Every man had an apprentice to help him, and two boys tended the fire. The foreman sat at a table, busy with an account, a small man, even paler than the others and dressed in shabby brown hose and a loose brown coat. The workmen wore only hose and shirts.

Without desisting from their occupations they cast surprised glances at Giovanni and his companion, whom they all hated as a favoured person. One of them was finishing a drinking-glass, rolling the pontil on the arms of the working-stool; another, a beetle-browed fellow, swung his long blow-pipe with its lump of glowing glass in a full circle, high in air and almost to touch the ground; another was at a 'bocca' in the low glare; all were busy, and the air was very hot and close. The men looked grim and ill-tempered.

Giovanni explained the object of his coming in a way intended to conciliate them to himself at Zorzi's expense. Their presence gave him courage.

"This is Zorzi, the man without a name," he said, "who is come from Dalmatia to give us a lesson in glass-blowing."

One of the men laughed, and the apprentices tittered. The others looked as if they did not understand. Zorzi had known well enough what humour he should find among them, but he would not let the taunt go unanswered.

"Sirs," he said, for they all claimed the nobility of the glass-blowers' caste, "I come not to teach you, but to prove to the master's son that I can make some trifle in the manner of your art."

No one spoke. The workmen in the elder Beroviero's house knew well enough that Zorzi was a better artist than they, and they had no mind to let him outdo them at their own furnace.

"Will any one of you gentlemen allow me to use his place?" asked Zorzi civilly.

Not a man answered. In the sullen silence the busy hands moved with quick skill, the furnace roared, the glowing glass grew in ever-changing shapes.

"One of you must give Zorzi his place," said Giovanni, in a tone of authority.

The little foreman turned quite round in his chair and looked on. There was no reply. The pale men went on with their work as if Giovanni were not there, and Zorzi leaned calmly on his blow-pipe. Giovanni moved a step forward and spoke directly to one of the men who had just dropped a finished glass into the bed of soft wood ashes, to be taken to the annealing oven.

"Stop working for a while," he said. "Let Zorzi have your place."

"The foreman gives orders here, not you," answered the man coolly, and he prepared to begin another piece.

Giovanni was very angry, but there were too many of the workmen, and he did not say what rose to his lips, but crossed over to the foreman. Zorzi kept his place, waiting to see what might happen.

"Will you be so good as to order one of the men to give up his place?" Giovanni asked.

The old foreman smiled at this humble acknowledgment of his authority, but he argued the point before acceding.

"The men know well enough what Zorzi can do," he answered in a low voice. "They dislike him, because he is not one of us. I advise you to take him to your own glass-house, sir, if you wish to see him work. You will only make trouble here."

"I am not afraid of any trouble, I tell you," replied Giovanni. "Please do what I ask."

"Very well. I will, but I take no responsibility before the master if there is a disturbance. The men are in a bad humour and the weather is hot."

"I will be responsible to my father," said Giovanni.

"Very well," repeated the old man. "You are a glass-maker yourself, like the rest of us. You know how we look upon foreigners who steal their knowledge of our art."

"I wish to make sure that he has really stolen something of it."

The foreman laughed outright.

"You will be convinced soon enough!" he said. "Give your place to the foreigner, Piero," he added, speaking to the man who had refused to move at Giovanni's bidding.

Piero at once chilled the fresh lump of glass he had begun to fashion and smashed it off the tube into the refuse jar. Without a word Zorzi took his place. While he warmed the end of his blow-pipe at the 'bocca' he looked to right and left to see where the working-stool and marver were placed, and to be sure that the few tools he needed were at hand, the pontil, the 'procello,'—that is, the small elastic tongs for modelling—and the shears. Piero's apprentice had retired to a distance, as he had received no special orders, and the workmen hoped that Zorzi would find himself in difficulty at the moment when he would turn in the expectation of finding the assistant at his elbow. But Zorzi was used to helping himself. He pushed his blow-pipe into the melted glass and drew it out, let it cool a moment and then thrust it in again to take up more of the stuff.

The men went on with their work, seeming to pay no attention to him, and Piero turned his back and talked to the foreman in low tones. Only Giovanni watched, standing far enough back to be out of reach of the long blow-pipe if Zorzi should unexpectedly swing it to its full length. Zorzi was confident and unconcerned, though he was fully aware that the men were watching every movement he made, while pretending not to see. He knew also that owing to his being partly self-taught he did certain things in ways of his own. They should see that his ways were as good as theirs, and what was more, that he needed no help, while none of them could do anything without an apprentice.

The glass grew and swelled, lengthened and contracted with his breath and under his touch, and the men, furtively watching him, were amazed to see how much he could do while the piece was still on the blow-pipe. But when he could do no more they thought that he would have trouble. He did not even turn his head to see whether any one was near to help him. At the exact moment when the work was cool enough to stand he attached the pontil with its drop of liquid glass to the lower end, as he had done many a time in the laboratory, and before those who looked on could fully understand how he had done it without assistance, the long and heavy blow-pipe lay on the floor and Zorzi held his piece on the lighter pontil, heating it again at the fire.

The men did not stop working, but they glanced at each other and nodded, when Zorzi could not see them. Giovanni uttered a low exclamation of surprise. The foreman alone now watched Zorzi with genuine admiration; there was no mistaking the jealous attitude of the others. It was not the mean envy of the inferior artist, either, for they were men who, in their way, loved art as Beroviero himself did, and if Zorzi had been a new companion recently promoted from the state of apprenticeship in the guild, they would have looked on in wonder and delight, even if, at the very beginning, he outdid them all. What they felt was quite different. It was the deep, fierce hatred of the mediaeval guildsman for the stranger who had stolen knowledge without apprenticeship and without citizenship, and it was made more intense because the glass-blowers were the only guild that excluded every foreign-born man, without any exception. It was a shame to them to be outdone by one who had not their blood, nor their teaching, nor their high acknowledged rights.

They were peaceable men in their way, not given to quarrelling, nor vicious; yet, excepting the mild old foreman, there was not one of them who would not gladly have brought his iron blow-pipe down on Zorzi's head with a two-handed swing, to strike the life out of the intruder.

Zorzi's deft hands made the large piece he was forming spin on itself and take new shape at every turn, until it had the perfect curve of those slim-necked Eastern vessels for pouring water upon the hands, which have not even now quite degenerated from their early grace of form. While it was still very hot, he took a sharp pointed knife from his belt and with a turn of his hand cut a small round hole, low down on one side. The mouth was widened and then turned in and out like the leaf of a carnation. He left the cooling piece on the pontil, lying across the arms of the stool, and took his blow-pipe again.

"Has the fellow not finished his tricks yet?" asked Piero discontentedly.

It would have given him pleasure to smash the beautiful thing to atoms where it lay, almost within his reach. Zorzi began to make the spout, for it was a large ampulla that he was fashioning. He drew the glass out, widened it, narrowed it, cut it, bent it and finished off the nozzle before he touched it with wet iron and made it drop into the ashes. A moment later he had heated the thick end of it again and was welding it over the hole he had made in the body of the vessel.

"The man has three hands!" exclaimed the foreman.

"And two of them are for stealing," added Piero.

"Or all three," put in the beetle-browed man who was working next to Zorzi.

Zorzi looked at him coldly a moment, but said nothing. They did not mean that he was a thief, except in the sense that he had stolen his knowledge of their art. He went on to make the handle of the ampulla, an easy matter compared with making the spout. But the highest part of glass-blowing lies in shaping graceful curves, and it is often in the smallest differences of measurement that the pieces made by Beroviero and Zorzi—preserved intact to this day—differ from similar things made by lesser artists. Yet in those little variations lies all the great secret that divides grace from awkwardness. Zorzi now had the whole vessel, with its spout and handle, on the pontil. It was finished, but he could still ornament it. His own instinct was to let it alone, leaving its perfect shape and airy lightness to be its only beauty, and he turned it thoughtfully as he looked at it, hesitating whether he should detach it from the iron, or do more.

"If you have finished your nonsense, let me come back to my work," said Piero behind him.

Zorzi did not turn to answer, for he had decided to add some delicate ornaments, merely to show Giovanni that he was a full master of the art. The dark-browed man had just collected a heavy lump of glass on the end of his blow-pipe, and was blowing into it before giving it the first swing that would lengthen it out. He and Piero exchanged glances, unnoticed by Zorzi, who had become almost unconscious of their hostile presence. He began to take little drops of glass from the furnace on the end of a thin iron, and he drew them out into thick threads and heated them again and laid them on the body of the ampulla, twisting and turning each bit till he had no more, and forming a regular raised design on the surface. His neighbour seemed to get no further with what he was doing, though he busily heated and reheated his lump of glass and again and again swung his blow-pipe round his head, and backward and forward. The foreman was too much interested in Zorzi to notice what the others were doing.

Zorzi was putting the last touches to his work. In a moment it would be finished and ready to go to the annealing oven, though he was even then reflecting that the workmen would certainly break it up as soon as the foreman turned his back. The man next to him swung his blow-pipe again, loaded with red-hot glass.

It slipped from his hand, and the hot mass, with the full weight of the heavy iron behind it, landed on Zorzi's right foot, three paces away, with frightful force. He uttered a sharp cry of surprise and pain. The lovely vessel he had made flew from his hands and broke into a thousand tiny fragments. In excruciating agony he lifted the injured foot from the ground and stood upon the other. Not a hand was stretched out to help him, and he felt that he was growing dizzy. He made a frantic effort to hop on one leg towards the furnace, so as to lean against the brickwork. Piero laughed.

"He is a dancer!" he cried. "He is a 'ballarino'!" The others all laughed, too, and the name remained his as long as he lived—he was Zorzi Ballarin.

The old foreman came to help him, seeing that he was really injured, for no one had quite realised it at first. Savagely as they hated him, the workmen would not have tortured him, though they might have killed him outright if they had dared. Excepting Piero and the man who had hurt him, the workmen all went on with their work.

He was ghastly pale, and great drops of sweat rolled down his forehead as he reached the foreman's chair and sat down: but after the first cry he had uttered, he made no sound. The foreman could hear how his teeth ground upon each other as he mastered the frightful suffering. Giovanni came, and stood looking at the helpless foot, smashed by the weight that had fallen upon it and burned to the bone in an instant by the molten glass.

"I cannot walk," he said at last to the foreman. "Will you help me?"

His voice was steady but weak. The foreman and Giovanni helped him to stand on his left foot, and putting his arms round their necks he swung himself along as he could. The dark man had picked up his blow-pipe and was at work again.

"You will pay for that when the master comes back," Piero said to him as Zorzi passed. "You will starve if you are not careful."

Zorzi turned his head and looked the dark man full in the eyes.

"It was an accident," he said faintly. "You did not mean to do it."

The man looked away shamefacedly, for he knew that even if he had not meant to injure Zorzi for life, he had meant to hurt him if he could.

As for Giovanni, he was puzzled by all that had happened so unexpectedly, for he was a dull man, though very keen for gain, and he did not understand human nature. He disliked Zorzi, but during the morning he had become convinced that the gifted young artist was a valuable piece of property, and not, as he had supposed, a clever flatterer who had wormed himself into old Beroviero's confidence. A man who could make such things was worth much money to his master. There were kings and princes, from the Pope to the Emperor, who would have given a round sum in gold for the beautiful ampulla of which only a heap of tiny fragments were now left to be swept away.

The two men brought Zorzi across the garden to the door of the laboratory. Leaning heavily on the foreman he got the key out, and Giovanni turned it in the lock. They would have taken him to the small inner room, to lay him on his pallet bed, but he would not go.

"The bench," he managed to say, indicating it with a nod of his head.

There was an old leathern pillow in the big chair. The foreman took it and placed it under Zorzi's head.

"We must get a surgeon to dress his wound," said the foreman.

"I will send for one," answered Giovanni. "Is there anything you want now?" he asked, with an attempt to speak kindly to the valuable piece of property that lay helpless before him.

"Water," said Zorzi very faintly. "And feed the fire—it must be time."

The foreman dipped a cupful of water from an earthen jar, held up his head and helped him to drink. Giovanni pushed some wood into the furnace.

"I will send for a surgeon," he repeated, and went out.

Zorzi closed his eyes, and the foreman stood looking at him.

"Do not stay here," Zorzi said. "You can do nothing for me, and the surgeon will come presently."

Then the foreman also left him, and he was alone. It was not in his nature to give way to bodily pain, but he was glad the men were gone, for he could not have borne much more in silence. He turned his head to the wall and bit the edge of the leathern cushion. Now and then his whole body shook convulsively.

He did not hear the door open again, for the torturing pain that shot through him dulled all his other senses. He wished that he might faint away, even for a moment, but his nerves were too sound for that. He was recalled to outer things by feeling a hand laid gently on his leg, and immediately afterwards he heard a man's voice, in a quietly gruff tone that scarcely rose or fell, reciting a whole litany of the most appalling blasphemies that ever fell from human lips. For an instant, in his suffering, Zorzi fancied that he had died and was in the clutches of Satan himself.

He turned his head on the cushion and saw the ugly face of the old porter, who was bending down and examining the wounded foot while he steadily cursed everything in heaven and earth, with an earnestness that would have been grotesque had his language been less frightful. For a few moments Zorzi almost forgot that he was hurt, as he listened. Not a saint in the calendar seemed likely to escape the porter's fury, and he even went to the length of cursing the relatives, male and female, of half-legendary martyrs and other good persons about whose families he could not possibly know anything.

"For heaven's sake, Pasquale!" cried Zorzi. "You will certainly be struck by lightning!"

He had always supposed that the porter hated him, as every one else did, and he could not understand. By this time he was far more helpless than he had been just after he had been hurt, and when he tried to move the injured foot to a more comfortable position it felt like a lump of scorching lead.

The porter entered upon a final malediction, which might be supposed to have gathered destructive force by collecting into itself all those that had gone before, and he directed the whole complex anathema upon the soul of the coward who had done the foul deed, and upon his mother, his sisters and his daughters if he had any, and upon the souls of all his dead relations, men, women and children, and all of his relations that should ever be born, to the end of time. He had been a sailor in his youth.

"Who did that to you?" he asked, when he had thus devoted the unknown offender to everlasting perdition.

"Give me some water, please," said Zorzi, instead of answering the question.

"Water! Oh yes!" Pasquale went to the earthen jar. "Water! Every devil in hell, old and young, will jump and laugh for joy when that man asks for water and has to drink flames!"

Zorzi drank eagerly, though the water was tepid.

"Drink, my son," said Pasquale, holding his head up very tenderly with one of his rough hands. "I will put more within reach for you to drink, while I go and get help."

"They have sent for a surgeon," answered Zorzi.

"A surgeon? No surgeon shall come here. A surgeon will divide you into lengths, fore and aft, and kill you by inches, a length each day, and for every day he takes to kill you, he will ask a piece of silver of the master! If a surgeon comes here I will throw him out into the canal. This is a burn, and it needs an old woman to dress it. Women are evil beings, a chastisement sent upon us for our sins. But an old woman can dress a burn. I go. There is the water."

Zorzi called him back when he was already at the door.

"The fire! It must not go down. Put a little wood in, Pasquale!"

The old porter grumbled. It was unnatural that a man so badly hurt should think of his duties, but in his heart he admired Zorzi all the more for it. He took some wood, and when Zorzi looked, he was trying to poke it through the 'bocca.'

"Not there!" cried Zorzi desperately. "The small opening on the side, near the floor."

Pasquale uttered several maledictions.

"How should I know?" he asked when he had found the right place. "Am I a night boy? Have I ever tended fires for two pence a night and my supper? There! I go!"

Zorzi could hear his voice still, as he went out.

"A surgeon!" he grumbled. "I should like to see the nose of that surgeon at the door!"

Zorzi cared little who came, so that he got some relief. His head was hot now, and the blood beat in his temples like little fiery hammers, that made a sort of screaming noise in his brain. He saw queer lights in circles, and the beams of the ceiling came down very near, and then suddenly went very far away, so that the room seemed a hundred feet high. The pain filled all his right side, and he even thought he could feel it in his arm.

All at once he started, and as he lay on his back his hands tried to grip the flat wood of the bench, and his eyes were wide open and fixed in a sort of frightened stare.

What if he should go mad with pain? Who would remember the fire in the master's furnace? Worse than that, what safety was there that in his delirium he should not speak of the book that was hidden under the stone, the third from the oven and the fourth from the corner?

His brain whirled but he would not go mad, nor lose consciousness, so long as he had the shadow of free will left. Rather than lie there on his back, he would get off his bench, cost what it might, and drag himself to the mouth of the furnace. There was a supply of wood there, piled up by the night boys for use during the day. He could get to it, even if he had to roll himself over and over on the floor. If he could do that, he could keep his hold upon his consciousness, the touch of the billets would remind him, the heat and the roar of the fire would keep him awake and in his right mind.

He raised himself slowly and put his uninjured foot to the floor. Then, with both hands he lifted the other leg off the bench. He was conscious of an increase of pain, which had seemed impossible. It shot through and through his whole body; and he saw flames. There was only one way to do it, he must get down upon his hands and his left knee and drag himself to the furnace in that way. It was a thing of infinite difficulty and suffering, but he did it. Inch by inch, he got nearer.

As his right hand grasped a billet of wood from the little pile, something seemed to break in his head. His strength collapsed, he fell forward from his knee to his full length in the ashes and dust, and he felt nothing more.

CHAPTER X

The porter unbarred the door and looked out. It was nearly noon and the southerly breeze was blowing. The footway was almost deserted. On the other side of the canal, in the shadow of the Beroviero house, an old man who sold melons in slices had gone to sleep under a bit of ragged awning, and the flies had their will of him and his wares. A small boy simply dressed in a shirt, and nothing else, stood at a little distance, looking at the fruit and listening attentively to the voice of the tempter that bade him help himself.

Pasquale looked at the house opposite. Everything was quiet, and the shutters were drawn together, but not quite closed. The flowers outside Marietta's window waved in the light breeze.

"Nella!" cried Pasquale, just as he was accustomed to call the maid when Marietta wanted her.

At the sound of his voice the little boy, who was about to deal effectually with his temptation by yielding to it at once, took to his heels and ran away. But no one looked out from the house. Pasquale called again, somewhat louder. The shutters of Marietta's window were slowly opened inward and Marietta herself appeared, all in white and pale, looking over the flowers.

"What is it?" she asked. "Why do you want Nella?"

The canal was narrow, so that one could talk across it almost in an ordinary tone.

"Your pardon, lady," answered Pasquale. "I did not mean to disturb you. There has been a little accident here, saving your grace."