The Third Circle

THE THIRD CIRCLE

BY

FRANK NORRIS

AUTHOR OF "THE PIT," "THE OCTOPUS," ETC.

INTRODUCTION BY

WILL IRWIN

LONDON: JOHN LANE, THE BODLEY HEAD
NEW YORK: JOHN LANE COMPANY
1909

CHEAP EDITION

Printed from electrotype plates
by Butler & Tanner, Frome and London.

TABLE OF CONTENTS

[The Third Circle]
[The House With the Blinds]
[Little Dramas of the Curbstone]
[Shorty Stack, Pugilist]
[The Strangest Thing]
[A Reversion to Type]
["Boom"]
[The Dis-Associated Charities]
[Son of a Sheik]
[A Defense of the Flag]
[Toppan]
[A Caged Lion]
["This Animal of a Buldy Jones"]
[Dying Fires]
[Grettir at Drangey]
[The Guest of Honour]

Introduction

It used to be my duty, as sub editor of the old San Francisco Wave, to "put the paper to bed." We were printing a Seattle edition in those days of the Alaskan gold rush; and the last form had to be locked up on Tuesday night, that we might reach the news stands by Friday. Working short-handed, as all small weeklies do, we were everlastingly late with copy or illustrations or advertisements; and that Tuesday usually stretched itself out into Wednesday. Most often, indeed, the foreman and I pounded the last quoin into place at four or five o'clock Wednesday morning and went home with the milk-wagons—to rise at noon and start next week's paper going.

For Yelton, most patient and cheerful of foremen, those Tuesday night sessions meant steady work. I, for my part, had only to confer with him now and then on a "Caption" or to run over a late proof. In the heavy intervals of waiting, I killed time and gained instruction by reading the back files of the Wave, and especially that part of the files which preserved the early, prentice work of Frank Norris.

He was a hero to us all in those days, as he will ever remain a heroic memory—that unique product of our Western soil, killed, for some hidden purpose of the gods, before the time of full blossom. He had gone East but a year since to publish the earliest in his succession of rugged, virile novels—"Moran of the Lady Letty," "McTeague," "Blix," "A Man's Woman," "The Octopus," and "The Pit." The East was just beginning to learn that he was great; we had known it long before. With a special interest, then, did I, his humble cub successor as sub editor and sole staff writer, follow that prentice work of his from the period of his first brief sketches, through the period of rough, brilliant short stories hewed out of our life in the Port of Adventures, to the period of that first serial which brought him into his own.

It was a surpassing study of the novelist in the making. J. O'Hara Cosgrave, owner, editor and burden-bearer of the Wave, was in his editing more an artist than a man of business. He loved "good stuff"; he could not bear to delete a distinctive piece of work just because the populace would not understand. Norris, then, had a free hand. Whatever his thought of that day, whatever he had seen with the eye of his flash or the eye of his imagination, he might write and print. You began to feel him in the files of the year 1895, by certain distinctive sketches and fragments. You traced his writing week by week until the sketches became "Little Stories of the Pavements." Then longer stories, one every week, even such stories as "The Third Circle," "Miracle Joyeaux," and "The House with the Blinds"; then, finally, a novel, written feuilleton fashion week by week—"Moran of the Lady Letty." A curious circumstance attended the publication of "Moran" in the Wave. I discovered it myself during those Tuesday night sessions over the files; and it illustrates how this work was done. He began it in the last weeks of 1897, turning it out and sending it straight to the printer as part of his daily stint. The Maine was blown up February 14, 1898. In the later chapters of "Moran," he introduced the destruction of the Maine as an incident! It was this serial, brought to the attention of McClure's Magazine, which finally drew Frank Norris East.

"The studio sketches of a great novelist," Gellett Burgess has called these ventures and fragments. Burgess and I, when the Wave finally died of too much merit, stole into the building by night and took away one set of old files. A harmless theft of sentiment, we told ourselves; for by moral right they belonged to us, the sole survivors in San Francisco of those who had helped make the Wave. And, indeed, by this theft we saved them from the great fire of 1906. When we had them safe at home, we spent a night running over them, marveling again at those rough creations of blood and nerve which Norris had made out of that city which was the first love of his wakened intelligence, and in which, so wofully soon afterward, he died.

I think that I remember them all, even now; not one but a name or a phrase would bring back to mind. Most vividly, perhaps, remains a little column of four sketches called "Fragments." One was a scene behind the barricades during the Commune—a gay flaneur of a soldier playing on a looted piano until a bullet caught him in the midst of a note. Another pictured an empty hotel room after the guest had left. Only that; but I always remember it when I first enter my room in a hotel. A third was the nucleus for the description of the "Dental Parlors" in McTeague. A fourth, the most daring of all, showed a sodden workman coming home from his place of great machines. A fresh violet lay on the pavement. He, the primal brute in harness, picked it up. Dimly, the aesthetic sense woke in him. It gave him pleasure, a pleasure which called for some tribute. He put it between his great jaws and crushed it—the only way he knew.

Here collected are the longest and most important of his prentice products. Even without those shorter sketches whose interest is, after all, mainly technical, they are an incomparable study in the way a genius takes to find himself. It is as though we saw a complete collection of Rembrandt's early sketches, say—full technique and co-ordination not yet developed, but all the basic force and vision there. Admirable in themselves, these rough-hewn tales, they are most interesting when compared with the later work which the world knows, and when taken as a melancholy indication of that power of growth which was in him and which must have led, if the masters of fate had only spared him, to the highest achievement in letters.

WILL IRWIN.
March, 1909.

The Third Circle

There are more things in San Francisco's Chinatown than are dreamed of in Heaven and earth. In reality there are three parts of Chinatown—the part the guides show you, the part the guides don't show you, and the part that no one ever hears of. It is with the latter part that this story has to do. There are a good many stories that might be written about this third circle of Chinatown, but believe me, they never will be written—at any rate not until the "town" has been, as it were, drained off from the city, as one might drain a noisome swamp, and we shall be able to see the strange, dreadful life that wallows down there in the lowest ooze of the place—wallows and grovels there in the mud and in the dark. If you don't think this is true, ask some of the Chinese detectives (the regular squad are not to be relied on), ask them to tell you the story of the Lee On Ting affair, or ask them what was done to old Wong Sam, who thought he could break up the trade in slave girls, or why Mr. Clarence Lowney (he was a clergyman from Minnesota who believed in direct methods) is now a "dangerous" inmate of the State Asylum—ask them to tell you why Matsokura, the Japanese dentist, went back to his home lacking a face—ask them to tell you why the murderers of Little Pete will never be found, and ask them to tell you about the little slave girl, Sing Yee, or—no, on the second thought, don't ask for that story.

The tale I am to tell you now began some twenty years ago in a See Yup restaurant on Waverly Place—long since torn down—where it will end I do not know. I think it is still going on. It began when young Hillegas and Miss Ten Eyck (they were from the East, and engaged to be married) found their way into the restaurant of the Seventy Moons, late in the evening of a day in March. (It was the year after the downfall of Kearney and the discomfiture of the sand-lotters.)

"What a dear, quaint, curious old place!" exclaimed Miss Ten Eyck.

She sat down on an ebony stool with its marble seat, and let her gloved hands fall into her lap, looking about her at the huge hanging lanterns, the gilded carven screens, the lacquer work, the inlay work, the coloured glass, the dwarf oak trees growing in Satsuma pots, the marquetry, the painted matting, the incense jars of brass, high as a man's head, and all the grotesque jim-crackery of the Orient. The restaurant was deserted at that hour. Young Hillegas pulled up a stool opposite her and leaned his elbows on the table, pushing back his hat and fumbling for a cigarette.

"Might just as well be in China itself," he commented.

"Might?" she retorted; "we are in China, Tom—a little bit of China dug out and transplanted here. Fancy all America and the Nineteenth Century just around the corner! Look! You can even see the Palace Hotel from the window. See out yonder, over the roof of that temple—the Ming Yen, isn't it?—and I can actually make out Aunt Harriett's rooms."

"I say, Harry (Miss Ten Eyck's first name was Harriett) let's have some tea."

"Tom, you're a genius! Won't it be fun! Of course we must have some tea. What a lark! And you can smoke if you want to."

"This is the way one ought to see places," said Hillegas, as he lit a cigarette; "just nose around by yourself and discover things. Now, the guides never brought us here."

"No, they never did. I wonder why? Why, we just found it out by ourselves. It's ours, isn't it, Tom, dear, by right of discovery?"

At that moment Hillegas was sure that Miss Ten Eyck was quite the most beautiful girl he ever remembered to have seen. There was a daintiness about her—a certain chic trimness in her smart tailor-made gown, and the least perceptible tilt of her crisp hat that gave her the last charm. Pretty she certainly was—the fresh, vigorous, healthful prettiness only seen in certain types of unmixed American stock. All at once Hillegas reached across the table, and, taking her hand, kissed the little crumpled round of flesh that showed where her glove buttoned.

The China boy appeared to take their order, and while waiting for their tea, dried almonds, candied fruit and watermelon rinds, the pair wandered out upon the overhanging balcony and looked down into the darkening streets.

"There's that fortune-teller again," observed Hillegas, presently. "See—down there on the steps of the joss house?"

"Where? Oh, yes, I see."

"Let's have him up. Shall we? We'll have him tell our fortunes while we're waiting."

Hillegas called and beckoned, and at last got the fellow up into the restaurant.

"Hoh! You're no Chinaman," said he, as the fortune-teller came into the circle of the lantern-light. The other showed his brown teeth.

"Part Chinaman, part Kanaka."

"Kanaka?"

"All same Honolulu. Sabe? Mother Kanaka lady—washum clothes for sailor peoples down Kaui way," and he laughed as though it were a huge joke.

"Well, say, Jim," said Hillegas; "we want you to tell our fortunes. You sabe? Tell the lady's fortune. Who she going to marry, for instance."

"No fortune—tattoo."

"Tattoo?"

"Um. All same tattoo—three, four, seven, plenty lil birds on lady's arm. Hey? You want tattoo?"

He drew a tattooing needle from his sleeve and motioned towards Miss Ten Eyck's arm.

"Tattoo my arm? What an idea! But wouldn't it be funny, Tom? Aunt Hattie's sister came back from Honolulu with the prettiest little butterfly tattooed on her finger. I've half a mind to try. And it would be so awfully queer and original."

"Let him do it on your finger, then. You never could wear evening dress if it was on your arm."

"Of course. He can tattoo something as though it was a ring, and my marquise can hide it."

The Kanaka-Chinaman drew a tiny fantastic-looking butterfly on a bit of paper with a blue pencil, licked the drawing a couple of times, and wrapped it about Miss Ten Eyck's little finger—the little finger of her left hand. The removal of the wet paper left an imprint of the drawing. Then he mixed his ink in a small sea-shell, dipped his needle, and in ten minutes had finished the tattooing of a grotesque little insect, as much butterfly as anything else.

"There," said Hillegas, when the work was done and the fortune-teller gone his way; "there you are, and it will never come out. It won't do for you now to plan a little burglary, or forge a little check, or slay a little baby for the coral round its neck, 'cause you can always be identified by that butterfly upon the little finger of your left hand."

"I'm almost sorry now I had it done. Won't it ever come out? Pshaw! Anyhow I think it's very chic," said Harriett Ten Eyck.

"I say, though!" exclaimed Hillegas, jumping up; "where's our tea and cakes and things? It's getting late. We can't wait here all evening. I'll go out and jolly that chap along."

The Chinaman to whom he had given the order was not to be found on that floor of the restaurant. Hillegas descended the stairs to the kitchen. The place seemed empty of life. On the ground floor, however, where tea and raw silk was sold, Hillegas found a Chinaman figuring up accounts by means of little balls that slid to and fro upon rods. The Chinaman was a very gorgeous-looking chap in round horn spectacles and a costume that looked like a man's nightgown, of quilted blue satin.

"I say, John," said Hillegas to this one, "I want some tea. You sabe?—up stairs—restaurant. Give China boy order—he no come. Get plenty much move on. Hey?"

The merchant turned and looked at Hillegas over his spectacles.

"Ah," he said, calmly, "I regret that you have been detained. You will, no doubt, be attended to presently. You are a stranger in Chinatown?"

"Ahem!—well, yes—I—we are."

"Without doubt—without doubt!" murmured the other.

"I suppose you are the proprietor?" ventured Hillegas.

"I? Oh, no! My agents have a silk house here. I believe they sub-let the upper floors to the See Yups. By the way, we have just received a consignment of India silk shawls you may be pleased to see."

He spread a pile upon the counter, and selected one that was particularly beautiful.

"Permit me," he remarked gravely, "to offer you this as a present to your good lady."

Hillegas's interest in this extraordinary Oriental was aroused. Here was a side of the Chinese life he had not seen, nor even suspected. He stayed for some little while talking to this man, whose bearing might have been that of Cicero before the Senate assembled, and left him with the understanding to call upon him the next day at the Consulate. He returned to the restaurant to find Miss Ten Eyck gone. He never saw her again. No white man ever did.

* * * * *

There is a certain friend of mine in San Francisco who calls himself Manning. He is a Plaza bum—that is, he sleeps all day in the old Plaza (that shoal where so much human jetsom has been stranded), and during the night follows his own devices in Chinatown, one block above. Manning was at one time a deep-sea pearl diver in Oahu, and, having burst his ear drums in the business, can now blow smoke out of either ear. This accomplishment first endeared him to me, and latterly I found out that he knew more of Chinatown than is meet and right for a man to know. The other day I found Manning in the shade of the Stevenson ship, just rousing from the effects of a jag on undiluted gin, and told him, or rather recalled to him the story of Harriett Ten Eyck.

"I remember," he said, resting on an elbow and chewing grass. "It made a big noise at the time, but nothing ever came of it—nothing except a long row and the cutting down of one of Mr. Hillegas's Chinese detectives in Gambler's Alley. The See Yups brought a chap over from Peking just to do the business."

"Hatchet-man?" said I.

"No," answered Manning, spitting green; "he was a two-knife Kai-Gingh."

"As how?"

"Two knives—one in each hand—cross your arms and then draw 'em together, right and left, scissor-fashion—damn near slashed his man in two. He got five thousand for it. After that the detectives said they couldn't find much of a clue."

"And Miss Ten Eyck was not so much as heard from again?"

"No," answered Manning, biting his fingernails. "They took her to China, I guess, or may be up to Oregon. That sort of thing was new twenty years ago, and that's why they raised such a row, I suppose. But there are plenty of women living with Chinamen now, and nobody thinks anything about it, and they are Canton Chinamen, too—lowest kind of coolies. There's one of them up in St. Louis Place, just back of the Chinese theatre, and she's a Sheeny. There's a queer team for you—the Hebrew and the Mongolian—and they've got a kid with red, crinkly hair, who's a rubber in a Hammam bath. Yes, it's a queer team, and there's three more white women in a slave girl joint under Ah Yee's tan room. There's where I get my opium. They can talk a little English even yet. Funny thing—one of 'em's dumb, but if you get her drunk enough she'll talk a little English to you. It's a fact! I've seen 'em do it with her often—actually get her so drunk that she can talk. Tell you what," added Manning, struggling to his feet, "I'm going up there now to get some dope. You can come along, and we'll get Sadie (Sadie's her name) we'll get Sadie full, and ask her if she ever heard about Miss Ten Eyck. They do a big business," said Manning, as we went along. "There's Ah Yeo and these three women and a policeman named Yank. They get all the yen shee—that's the cleanings of the opium pipes, you know, and make it into pills and smuggle it into the cons over at San Quentin prison by means of the trusties. Why, they'll make five dollars worth of dope sell for thirty by the time it gets into the yard over at the Pen. When I was over there, I saw a chap knifed behind a jute mill for a pill as big as a pea. Ah Yee gets the stuff, the three women roll it into pills, and the policeman, Yank, gets it over to the trusties somehow. Ah Yee is independent rich by now, and the policeman's got a bank account."

"And the women?'

"Lord! they're slaves—Ah Yee's slaves! They get the swift kick most generally."

Manning and I found Sadie and her two companions four floors underneath the tan room, sitting cross-legged in a room about as big as a big trunk. I was sure they were Chinese women at first, until my eyes got accustomed to the darkness of the place. They were dressed in Chinese fashion, but I noted soon that their hair was brown and the bridges of each one's nose was high. They were rolling pills from a jar of yen shee that stood in the middle of the floor, their fingers twinkling with a rapidity that was somehow horrible to see.

Manning spoke to them briefly in Chinese while he lit a pipe, and two of them answered with the true Canton sing-song—all vowels and no consonants.

"That one's Sadie," said Manning, pointing to the third one, who remained silent the while. I turned to her. She was smoking a cigar, and from time to time spat through her teeth man-fashion. She was a dreadful-looking beast of a woman, wrinkled like a shriveled apple, her teeth quite black from nicotine, her hands bony and prehensile, like a hawk's claws—but a white woman beyond all doubt. At first Sadie refused to drink, but the smell of Manning's can of gin removed her objections, and in half an hour she was hopelessly loquacious. What effect the alcohol had upon the paralysed organs of her speech I cannot say. Sober, she was tongue-tied—drunk, she could emit a series of faint bird-like twitterings that sounded like a voice heard from the bottom of a well.

"Sadie," said Manning, blowing smoke out of his ears, "what makes you live with Chinamen? You're a white girl. You got people somewhere. Why don't you get back to them?"

Sadie shook her head.

"Like um China boy better," she said, in a voice so faint we had to stoop to listen. "Ah Yee's pretty good to us—plenty to eat, plenty to smoke, and as much yen shee as we can stand. Oh, I don't complain."

"You know you can get out of this whenever you want. Why don't you make a run for it some day when you're out? Cut for the Mission House on Sacramento street—they'll be good to you there."

"Oh!" said Sadie, listlessly, rolling a pill between her stained palms, "I been here so long I guess I'm kind of used to it. I've about got out of white people's ways by now. They wouldn't let me have my yen shee and my cigar, and that's about all I want nowadays. You can't eat yen shee long and care for much else, you know. Pass that gin along, will you? I'm going to faint in a minute."

"Wait a minute," said I, my hand on Manning's arm. "How long have you been living with Chinamen, Sadie?"

"Oh, I don't know. All my life, I guess. I can't remember back very far—only spots here and there. Where's that gin you promised me?"

"Only in spots?" said I; "here a little and there a little—is that it? Can you remember how you came to take up with this kind of life?"

"Sometimes I can and sometimes I can't," answered Sadie. Suddenly her head rolled upon her shoulder, her eyes closing. Manning shook her roughly:

"Let be! let be!" she exclaimed, rousing up; "I'm dead sleepy. Can't you see?"

"Wake up, and keep awake, if you can," said Manning; "this gentleman wants to ask you something."

"Ah Yee bought her from a sailor on a junk in the Pei Ho river," put in one of the other women.

"How about that, Sadie?" I asked. "Were you ever on a junk in a China river? Hey? Try and think?"

"I don't know," she said. "Sometimes I think I was. There's lots of things I can't explain, but it's because I can't remember far enough back."

"Did you ever hear of a girl named Ten Eyck—Harriett Ten Eyck—who was stolen by Chinamen here in San Francisco a long time ago?"

There was a long silence. Sadie looked straight before her, wide-eyed, the other women rolled pills industriously, Manning looked over my shoulder at-the scene, still blowing smoke through his ears; then Sadie's eyes began to close and her head to loll sideways.

"My cigar's gone out," she muttered. "You said you'd have gin for me. Ten Eyck! Ten Eyck! No, I don't remember anybody named that." Her voice failed her suddenly, then she whispered:

"Say, how did I get that on me?"

She thrust out her left hand, and I saw a butterfly tattooed on the little finger.

The House With the Blinds

It is a thing said and signed and implicitly believed in by the discerning few that San Francisco is a place wherein Things can happen. There are some cities like this—cities that have come to be picturesque—that offer opportunities in the matter of background and local colour, and are full of stories and dramas and novels, written and unwritten. There seems to be no adequate explanation for this state of things, but you can't go about the streets anywhere within a mile radius of Lotta's fountain without realising the peculiarity, just as you would realise the hopelessness of making anything out of Chicago, fancy a novel about Chicago or Buffalo, let us say, or Nashville, Tennessee. There are just three big cities in the United States that are "story cities"—New York, of course, New Orleans, and best of the lot, San Francisco.

Here, if you put yourself in the way of it, you shall see life uncloaked and bare of convention—the raw, naked thing, that perplexes and fascinates—life that involves death of the sudden and swift variety, the jar and shock of unleased passions, the friction of men foregathered from every ocean, and you may touch upon the edge of mysteries for which there is no explanation—little eddies on the surface of unsounded depths, sudden outflashings of the inexplicable—troublesome, disquieting, and a little fearful.

About this "House With the Blinds" now.

If you go far enough afield, with your face towards Telegraph Hill, beyond Chinatown, beyond the Barbary Coast, beyond the Mexican quarter and Luna's restaurant, beyond even the tamale factory and the Red House, you will come at length to a park in a strange, unfamiliar, unfrequented quarter. You will know the place by reason of a granite stone set up there by the Geodetic surveyors, for some longitudinal purposes of their own, and by an enormous flagstaff erected in the center. Stockton street flanks it on one side and Powell on the other. It is an Italian quarter as much as anything else, and the Societa Alleanza holds dances in a big white hall hard by. The Russian Church, with its minarets (that look for all the world like inverted balloons) overlook it on one side, and at the end of certain seaward streets you may see the masts and spars of wheat ships and the Asiatic steamers. The park lies in a valley between Russian and Telegraph Hills, and in August and early September the trades come flogging up from the bay, overwhelming one with sudden, bulging gusts that strike downward, blanket-wise and bewildering. There are certain residences here where, I am sure, sea-captains and sailing masters live, and on one corner is an ancient house with windows opening door-fashion upon a deep veranda, that was used as a custom office in Mexican times.

I have a very good friend who is a sailing-master aboard the "Mary Baker," a full-rigged wheat ship, a Cape Horner, and the most beautiful thing I ever remember to have seen. Occasionally I am invited to make a voyage with him as supercargo, an invitation which you may be sure I accept. Such an invitation came to me one day some four or five years ago, and I made the trip with him to Calcutta and return.

The day before the "Mary Baker" cast off I had been aboard (she was lying in the stream off Meigg's wharf) attending to the stowing of my baggage and the appointment of my stateroom. The yawl put me ashore at three in the afternoon, and I started home via the park I have been speaking about. On my way across the park I stopped in front of that fool Geodetic stone, wondering what it might be. And while I stood there puzzling about it, a nurse-maid came up and spoke to me.

The story of "The House With the Blinds" begins here.

The nurse-maid was most dreadfully drunk, her bonnet was awry, her face red and swollen, and one eye was blackened. She was not at all pleasant. In the baby carriage, which she dragged behind her, an overgrown infant yelled like a sabbath of witches.

"Look here," says she; "you're a gemmleman, and I wantcher sh'd help me outen a fix. I'm in a fix, s'wat I am—a damn bad fix."

I got that fool stone between myself and this object, and listened to it pouring out an incoherent tirade against some man who had done it dirt, b'Gawd, and with whom it was incumbent I should fight, and she was in a fix, s'what she was, and could I, who was evidently a perfick gemmleman, oblige her with four bits? All this while the baby yelled till my ears sang again. Well, I gave her four bits to get rid of her, but she stuck to me yet the closer, and confided to me that she lived in that house over yonder, she did—the house with the blinds, and was nurse-maid there, so she was, b'Gawd. But at last I got away and fled in the direction of Stockton street. As I was going along, however, I reflected that the shrieking infant was somebody's child, and no doubt popular in the house with the blinds. The parents ought to know that its nurse got drunk and into fixes. It was a duty—a dirty duty—for me to inform upon her.

Much as I loathed to do so I turned towards the house with the blinds. It stood hard by the Russian Church, a huge white-painted affair, all the windows closely shuttered and a bit of stained glass in the front door—quite the most pretentious house in the row. I had got directly opposite, and was about to cross the street when, lo! around the corner, marching rapidly, and with blue coats flapping, buttons and buckles flashing, came a squad of three, seven, nine—ten policemen. They marched straight upon the house with the blinds.

I am not brilliant nor adventurous, but I have been told that I am good, and I do strive to be respectable, and pay my taxes and pew rent. As a corollary to this, I loathed with, a loathing unutterable to be involved in a mess of any kind. The squad of policemen were about to enter the house with the blinds, and not for worlds would I have been found by them upon its steps. The nurse-girl might heave that shrieking infant over the cliff of Telegraph Hill, it were all one with me. So I shrank back upon the sidewalk and watched what followed.

Fifty yards from the house the squad broke into a run, swarmed upon the front steps, and in a moment were thundering upon the front door till the stained glass leaped in its leads and shivered down upon their helmets. And then, just at this point, occurred an incident which, though it had no bearing upon or connection with this yarn, is quite queer enough to be set down. The shutters of one of the top-story windows opened slowly, like the gills of a breathing fish, the sash raised some six inches with a reluctant wail, and a hand groped forth into the open air. On the sill of the window was lying a gilded Indian-club, and while I watched, wondering, the hand closed upon it, drew it under the sash, the window dropped guillotine-fashion, and the shutters clapped to like the shutters of a cuckoo clock. Why was the Indian-club lying on the sill? Why, in Heaven's name, was it gilded? Why did the owner of that mysterious groping hand, seize upon it at the first intimation of danger? I don't know—I never will know. But I do know that the thing was eldritch and uncanny, ghostly even, in the glare of that cheerless afternoon's sun, in that barren park, with the trade winds thrashing up from the seaward streets.

Suddenly the door crashed in. The policemen vanished inside the house. Everything fell silent again. I waited for perhaps fifty seconds—waited, watching and listening, ready for anything that might happen, expecting I knew not what—everything.

Not more than five minutes had elapsed when the policemen began to reappear. They came slowly, and well they might, for they carried with them the inert bodies of six gentlemen. When I say carried I mean it in its most literal sense, for never in all my life have I seen six gentlemen so completely, so thoroughly, so hopelessly and helplessly intoxicated. Well dressed they were, too, one of them even in full dress. Salvos of artillery could not have awakened that drunken half dozen, and I doubt if any one of them could even have been racked into consciousness.

Three hacks appeared (note that the patrol-wagon was conspicuously absent), the six were loaded upon the cushions, the word was given and one by one the hacks rattled down Stockton street and disappeared in the direction of the city. The captain of the squad remained behind for a few moments, locked the outside doors in the deserted shuttered house, descended the steps, and went his way across the park, softly whistling a quickstep. In time he too vanished. The park, the rows of houses, the windflogged streets, resumed their normal quiet. The incident was closed.

Or was it closed? Judge you now. Next day I was down upon the wharves, gripsack in hand, capped and clothed for a long sea voyage. The "Mary Baker's" boat was not yet come ashore, but the beauty lay out there in the stream, flirting with a bustling tug that circled about her, coughing uneasily at intervals. Idle sailormen, 'longshoremen and stevedores sat upon the stringpiece of the wharf, chewing slivers and spitting reflectively into the water. Across the intervening stretch of bay came the noises from the "Mary Baker's" decks—noises that were small and distinct, as if heard through a telephone, the rattle of blocks, the straining of a windlass, the bos'n's whistle, and once the noise of sawing. A white cruiser sat solidly in the waves over by Alcatraz, and while I took note of her the flag was suddenly broken out and I heard the strains of the ship's band. The morning was fine. Tamalpais climbed out of the water like a rousing lion. In a few hours we would be off on a voyage to the underside of the earth. There was a note of gayety in the nimble air, and one felt that the world was young after all, and that it was good to be young with her.

A bum-boat woman came down the wharf, corpulent and round, with a roll in her walk that shook first one fat cheek and then the other. She was peddling trinkets amongst the wharf-loungers—pocket combs, little round mirrors, shoestrings and collar-buttons. She knew them all, or at least was known to all of them, and in a few moments she was retailing to them the latest news of the town. Soon I caught a name or two, and on the instant was at some pains to listen. The bum-boat woman was telling the story of the house with the blinds:

"Sax of um, an' nobs ivry wan. But that bad wid bug-juice! Whoo! Niver have Oi seen the bate! An' divil a wan as can remimber owt for two days by. Bory-eyed they were; struck dumb an' deef an' dead wid whiskey and bubble-wather. Not a manjack av um can tell the tale, but wan av um used his knife cruel bad. Now which wan was it? Howse the coort to find out?"

It appeared that the house with the blinds was, or had been, a gambling house, and what I had seen had been a raid. Then the rest of the story came out, and the mysteries began to thicken. That same evening, after the arrest of the six inebriates, the house had been searched. The police had found evidences of a drunken debauch of a monumental character. But they had found more. In a closet under the stairs the dead body of a man, a well dressed fellow—beyond a doubt one of the party—knifed to death by dreadful slashes in his loins and at the base of his spine in true evil hand-over-back fashion.

Now this is the mystery of the house with the blinds.

Beyond all doubt, one of the six drunken men had done the murder. Which one? How to find out? So completely were they drunk that not a single one of them could recall anything of the previous twelve hours. They had come out there with their friend the day before. They woke from their orgie to learn that one of them had worried him to his death by means of a short palm-broad dagger taken from a trophy of Persian arms that hung over a divan.

Whose hand had done it? Which one of them was the murdered? I could fancy them—I think I can see them now—sitting there in their cells, each man apart, withdrawn from his fellow-reveler, and each looking furtively into his fellow's face, asking himself, "Was it you? Was it you? or was it I? Which of us, in God's name, has done this thing?"

Well, it was never known. When I came back to San Francisco a year or so later I asked about the affair of the house with the blinds, and found that it had been shelved with the other mysterious crimes: The six men had actually been "discharged for the want of evidence."

But for a long time the thing harassed me. More than once since I have gone to that windy park, with its quivering flagstaff and Geodetic monument, and, sitting on a bench opposite the house, asked myself again and again the bootless questions. Why had the drunken nurse-maid mentioned the house to me in the first place? And why at that particular time? Why had she lied to me in telling me that she lived there? Why was that gilded Indian-club on the sill of the upper window? And whose—here's a point—whose was the hand that drew it inside the house? And then, of course, last of all, the ever recurrent question, which one of those six inebriates should have stood upon the drop and worn the cap—which one of the company had knifed his friend and bundled him into that closet under the stairs? Had he done it during the night of the orgie, or before it? Was his friend drunk at the time, or sober? I never could answer these questions, and I suppose I shall never know the secret of "The House With the Blinds."

A Greek family lives there now, and rent the upper story to a man who blows the organ in the Russian Church, and to two Japanese, who have a photograph gallery on Stockton street. I wonder to what use they have put the little closet under the stairs?

Little Dramas of the Curbstone

The first Little Drama had for backing the red brick wall of the clinic at the Medical Hospital, and the calcium light was the feeble glimmer of a new-lighted street lamp, though it was yet early in the evening and quite light. There were occasional sudden explosions of a northeast wind at the street corners, and at long intervals an empty cable-car trundled heavily past with a strident whirring of jostled glass windows. Nobody was in sight—the street was deserted. There was the pale red wall of the clinic, severe as that of a prison, the livid grey of the cement sidewalk, and above the faint greenish blue of a windy sky. A door in the wall of the hospital opened, and a woman and a young boy came out. They were dressed darkly, and at once their two black figures detached themselves violently against the pale blue of the background. They made the picture. All the faint tones of the wall and the sky and the grey-brown sidewalk focused immediately upon them. They came across the street to the corner upon which I stood, and the woman asked a direction. She was an old woman, and poorly dressed. The boy, I could see, was her son. Him I took notice of, for she led him to the steps of the nearest house and made him sit down upon the lowest one. She guided all his movements, and he seemed to be a mere figure of wax in her hands. She stood over him, looking at him critically, and muttering to herself. Then she turned to me, and her muttering rose to a shrill, articulate plaint:

"Ah, these fool doctors—these dirty beasts of medical students! They impose upon us because we're poor and rob us and tell us lies."

Upon this I asked her what her grievance was, but she would not answer definitely, putting her chin the air and nodding with half-shut eyes, as if she could say a lot about that if she chose.

"Your son is sick?" said I.

"Yes—or no—not sick; but he's blind, and—and—he's blind and he's an idiot—born that way—blind and idiot."

Blind and an idiot! Blind and an idiot! Will you think of that for a moment, you with your full stomachs, you with your brains, you with your two sound eyes. Born blind and idiotic! Do you fancy the horror of that thing? Perhaps you cannot, nor perhaps could I myself have conceived of what it meant to be blind and an idiot had I not seen that woman's son in front of the clinic, in the empty, windy street, where nothing stirred, and where there was nothing green. I looked at him as he sat there, tall, narrow, misshapen. His ready-made suit, seldom worn, but put on that day because of the weekly visit to the clinic, hung in stupid wrinkles and folds upon him. His cheap felt hat, clapped upon his head by his mother with as little unconcern as an extinguisher upon a candle, was wrong end foremost, so that the bow of the band came upon the right hand side. His hands were huge and white, and lay open and palm upward at his side, the fingers inertly lax, like those of a discarded glove, and his face——

When I looked at the face of him I know not what insane desire, born of an unconquerable disgust, came up in me to rush upon him and club him down to the pavement with my stick and batter in that face—that face of a blind idiot—and blot it out from the sight of the sun for good and all. It was impossible to feel pity for the wretch. I hated him because he was blind and an idiot. His eyes were filmy, like those of a fish, and he never blinked them. His mouth hung open.

Blind and an idiot, absolute stagnation, life as unconscious as that of the jelly-fish, an excrescence, a parasitic fungus in the form of a man, a creature far below the brute. The last horror of the business was that he never moved; he sat there just as his mother had placed him, his motionless, filmy eyes fixed, his jaw dropped, his hands open at his sides, his hat on wrong side foremost. He would sit like that, I knew, for hours—for days, perhaps—would, if left to himself, die of starvation, without raising a finger. What was going on inside of that misshapen head—behind those fixed eyes?

I had remembered the case by now. One of the students had told me of it. His mother brought him to the clinic occasionally, so that the lecturer might experiment upon his brain, stimulating it with electricity. "Heredity," the student had commented, "father a degenerate, exhausted race, drank himself into a sanitarium."

While I was thinking all this the mother of the boy had gone on talking, her thin voice vibrant with complaining and vituperation. But indeed I could bear with it no longer, and went away. I left them behind me in the deserted, darkening street, the querulous, nagging woman and her blind, idiotic boy, and the last impression I have of the scene was her shrill voice ringing after me the oft-repeated words:

"Ah, the dirty beasts of doctors—they robs us and impose on us and tell us lies because we're poor!"

* * * * *

The second Little Drama was wrought out for me the next day. I was sitting in the bay window of the club watching the world go by, when my eye was caught by a little group on the curbstone directly opposite. An old woman, meanly dressed, and two little children, both girls, the eldest about ten, the youngest, say, six or seven. They had been coming slowly along, and the old woman had been leading the youngest child by the hand. Just as they came opposite to where I was sitting the younger child lurched away from the woman once or twice, dragging limply at her hand, then its knees wobbled and bent and the next moment it had collapsed upon the pavement. Some children will do this from sheer perversity and with intent to be carried. But it was not perversity on this child's part. The poor old woman hauled the little girl up to her feet, but she collapsed again at once after a couple of steps and sat helplessly down upon the sidewalk, staring vaguely about, her thumb in her mouth. There was something wrong with the little child—one could see that at half a glance. Some complaint, some disease of the muscles, some weakness of the joints, that smote upon her like this at inopportune moments. Again and again her old mother, with very painful exertion—she was old and weak herself—raised her to her feet, only that she might sink in a heap before she had moved a yard. The old woman's bonnet fell off—a wretched, battered black bonnet, and the other little girl picked it up and held it while she looked on at her mother's efforts with an indifference that could only have been born of familiarity. Twice the old woman tried to carry the little girl, but her strength was not equal to it; indeed, the effort of raising the heavy child to its feet was exhausting her. She looked helplessly at the street cars as they passed, but you could see she had not enough money to pay even three fares. Once more she set her little girl upon her feet, and helped her forward half a dozen steps. And so, little by little, with many pauses for rest and breath, the little group went down the street and passed out of view, the little child staggering and falling as if from drunkenness, her sister looking on gravely, holding the mother's battered bonnet, and the mother herself, patient, half-exhausted, her grey hair blowing about her face, labouring on step by step, trying to appear indifferent to the crowd that passed by on either side, trying bravely to make light of the whole matter until she should reach home. As I watched them I thought of this woman's husband, the father of this paralytic little girl, and somehow it was brought to me that none of them would ever see him again, but that he was alive for all that.

* * * * *

The third Little Drama was lively, and there was action in it, and speech, and a curious, baffling mystery. On a corner near a certain bank in this city there is affixed to the lamp post a call-box that the police use to ring up for the patrol wagon. When an arrest is made in the neighbourhood the offender is brought here, the wagon called for, and he is conveyed to the City Prison. On the afternoon of the day of the second Little Drama, as I came near to this corner, I was aware of a crowd gathered about the lamp post that held the call-box, and between the people's heads and over their shoulders I could see the blue helmets of a couple of officers. I stopped and pushed up into the inner circle of the crowd. The two officers had in custody a young fellow of some eighteen or nineteen years. And I was surprised to find that he was as well dressed and as fine looking a lad as one would wish to see. I did not know what the charge was, I don't know it now,—but the boy did not seem capable of any great meanness. As I got into the midst of the crowd, and while I was noting what was going forward, it struck me that the people about me were unusually silent—silent as people are who are interested and unusually observant. Then I saw why. The young fellow's mother was there, and the Little Drama was enacting itself between her, her son, and the officers who had him in charge. One of these latter had the key to the call-box in his hand. He had not yet rung for the wagon. An altercation was going on between the mother and the son—she entreating him to come home, he steadily refusing.

"It's up to you," said one of the officers, at length; "if you don't go home with your mother, I'll call the wagon."

"No!"

"Jimmy!" said the woman, and then, coming close to him, she spoke to him in a low voice and with an earnestness, an intensity, that it hurt one to see.

"No!"

"For the last time, will you come?"

"No! No! No!"

The officer faced about and put the key into the box, but the woman caught at his wrist and drew it away. It was a veritable situation. It should have occurred behind footlights and in the midst of painted flats and flies, but instead the city thundered about it, drays and cars went up and down in the street, and the people on the opposite walk passed with but an instant's glance. The crowd was as still as an audience, watching what next would happen. The crisis of the Little Drama had arrived.

"For the last time, will you come with me?"

"No!"

She let fall her hand then and turned and went away, crying into her handkerchief. The officer unlocked and opened the box, set the indicator and opened the switch. A few moments later, as I went on up the street, I met the patrol-wagon coming up on a gallop.

What was the trouble here? Why had that young fellow preferred going to prison rather than home with his mother? What was behind it all I shall never know. It was a mystery—a little eddy in the tide of the city's life, come and gone in an instant, yet reaching down to the very depths of those things that are not meant to be seen.

And as I went along I wondered where was the father of that young fellow who was to spend his first night in jail, and the father of the little paralytic girl, and the father of the blind idiot, and it seemed to me that the chief actors in these three Little Dramas of the Curbstone had been somehow left out of the programme.

Shorty Stack, Pugilist

Over at the "Big Dipper" mine a chuck-tender named Kelly had been in error as regards a box of dynamite sticks, and Iowa Hill had elected to give an "entertainment" for the benefit of his family.

The programme, as announced upon the posters that were stuck up in the Post Office and on the door of the Odd Fellows' Hall, was quite an affair. The Iowa Hill orchestra would perform, the livery-stable keeper would play the overture to "William Tell" upon his harmonica, and the town doctor would read a paper on "Tuberculosis in Cattle." The evening was to close with a "grand ball."

Then it was discovered that a professional pugilist from the "Bay" was over in Forest Hill, and someone suggested that a match could be made between him and Shorty Stack "to enliven the entertainment." Shorty Stack was a bedrock cleaner at the "Big Dipper," and handy with his fists. It was his boast that no man of his weight (Shorty fought at a hundred and forty) no man of his weight in Placer County could stand up to him for ten rounds, and Shorty had always made good this boast. Shorty knew two punches, and no more—a short-arm jab under the ribs with his right, and a left upper-cut on the point of the chin.

The pugilist's name was McCleaverty. He was an out and out dub—one of the kind who appear in four-round exhibition bouts to keep the audience amused while the "event of the evening" is preparing—but he had had ring experience, and his name had been in the sporting paragraphs of the San Francisco papers. The dub was a welter-weight and a professional, but he accepted the challenge of Shorty Stack's backers and covered their bet of fifty dollars that he could not "stop" Shorty in four rounds.

And so it came about that extra posters were affixed to the door of the Odd Fellows' Hall and the walls of the Post Office to the effect that Shorty Stack, the champion of Placer County, and Buck McCleaverty, the Pride of Colusa, would appear in a genteel boxing exhibition at the entertainment given for the benefit, etc., etc.

Shorty had two weeks in which to train. The nature of his work in the mine had kept his muscles hard enough, so his training was largely a matter of dieting and boxing an imaginary foe with a rock in each fist. He was so vigorous in his exercise and in the matter of what he ate and drank that the day before the entertainment he had got himself down to a razor-edge, and was in a fair way of going fine. When a man gets into too good condition, the least little slip will spoil him. Shorty knew this well enough, and told himself in consequence that he must be very careful.

The night before the entertainment Shorty went to call on Miss Starbird. Miss Starbird was one of the cooks at the mine. She was a very pretty girl, just turned twenty, and lived with her folks in a cabin near the superintendent's office, on the road from the mine to Iowa Hill. Her father was a shift boss in the mine, and her mother did the washing for the "office." Shorty was recognised by the mine as her "young man." She was going to the entertainment with her people, and promised Shorty the first "walk-around" in the "Grand Ball" that was to follow immediately after the Genteel Glove Contest.

Shorty came into the Starbird cabin on that particular night, his hair neatly plastered in a beautiful curve over his left temple, and his pants outside of his boots as a mark of esteem. He wore no collar, but he had encased himself in a boiled shirt, which could mean nothing else but mute and passionate love, and moreover, as a crowning tribute, he refrained from spitting.

"How do you feel, Shorty?" asked Miss Starbird.

Shorty had always sedulously read the interviews with pugilists that appeared in the San Francisco papers immediately before their fights and knew how to answer.

"I feel fit to fight the fight of my life," he alliterated proudly. "I've trained faithfully and I mean to win."

"It ain't a regular prize fight, is it, Shorty?" she enquired. "Pa said he wouldn't take ma an' me if it was. All the women folk in the camp are going, an' I never heard of women at a fight, it ain't genteel."

"Well, I d'n know," answered Shorty, swallowing his saliva. "The committee that got the programme up called it a genteel boxing exhibition so's to get the women folks to stay. I call it a four round go with a decision."

"My, itull be exciting!" exclaimed Miss Starbird. "I ain't never seen anything like it. Oh, Shorty, d'ye think you'll win?"

"I don't think nothun about it. I know I will," returned Shorty, defiantly. "If I once get in my left upper cut on him, huh!" and he snorted magnificently.

Shorty stayed and talked to Miss Starbird until ten o'clock, then he rose to go.

"I gotta get to bed," he said, "I'm in training you see."

"Oh, wait a minute," said Miss Starbird, "I been making some potato salad for the private dining of the office, you better have some; it's the best I ever made."

"No, no," said Shorty, stoutly, "I don't want any."

"Hoh," sniffed Miss Starbird airily, "you don't need to have any."

"Well, don't you see," said Shorty, "I'm in training. I don't dare eat any of that kinda stuff."

"Stuff!" exclaimed Miss Starbird, her chin in the air. "No one else ever called my cooking stuff."

"Well, don't you see, don't you see."

"No, I don't see. I guess you must be 'fraid of getting whipped if you're so 'fraid of a little salad."

"What!" exclaimed Shorty, indignantly. "Why I could come into the ring from a jag and whip him; 'fraid! who's afraid. I'll show you if I'm afraid. Let's have your potato salad, an' some beer, too. Huh! I'll show you if I'm afraid."

But Miss Starbird would not immediately consent to be appeased.

"No, you called it stuff," she said, "an' the superintendent said I was the best cook in Placer County."

But at last, as a great favour to Shorty, she relented and brought the potato salad from the kitchen and two bottles of beer.

When the town doctor had finished his paper on "Tuberculosis in Cattle," the chairman of the entertainment committee ducked under the ropes of the ring and announced that: "The next would be the event of the evening and would the gentlemen please stop smoking." He went on to explain that the ladies present might remain without fear and without reproach as the participants in the contest would appear in gymnasium tights, and would box with gloves and not with bare knuckles.

"Well, don't they always fight with gloves?" called a voice from the rear of the house. But the chairman ignored the interruption.

The "entertainment" was held in the Odd Fellows' Hall. Shorty's seconds prepared him for the fight in a back room of the saloon, on the other side of the street, and towards ten o'clock one of the committeemen came running in to say:

"What's the matter? Hurry up, you fellows, McCleaverty's in the ring already, and the crowd's beginning to stamp."

Shorty rose and slipped into an overcoat.

"All ready," he said.

"Now mind, Shorty," said Billy Hicks, as he gathered up the sponges, fans and towels, "don't mix things with him, you don't have to knock him out, all you want's the decision."

Next, Shorty was aware that he was sitting in a corner of the ring with his back against the ropes, and that diagonally opposite was a huge red man with a shaven head. There was a noisy, murmuring crowd somewhere below him, and there was a glare of kerosene lights over his head.

"Buck McCleaverty, the Pride of Colusa," announced the master of ceremonies, standing in the middle of the ring, one hand under the dub's elbow. There was a ripple of applause. Then the master of ceremonies came over to Shorty's corner, and, taking him by the arm, conducted him into the middle of the ring.

"Shorty Stack, the Champion of Placer County." The house roared; Shorty ducked and grinned and returned to his corner. He was nervous, excited. He had not imagined it would be exactly like this. There was a strangeness about it all; an unfamiliarity that made him uneasy.

"Take it slow," said Billy Hicks, kneading the gloves, so as to work the padding away from the knuckles. The gloves were laced on Shorty's hands.

"Up you go," said Billy Hicks, again. "No, not the fight yet, shake hands first. Don't get rattled."

Then ensued a vague interval, that seemed to Shorty interminable. He had a notion that he shook hands with McCleaverty, and that some one asked him if he would agree to hit with one arm free in the breakaway. He remembered a glare of lights, a dim vision of rows of waiting faces, a great murmuring noise, and he had a momentary glimpse of someone he believed to be the referee, a young man in shirtsleeves and turned-up trousers. Then everybody seemed to be getting out of the ring and away from him, even Billy Hicks left him after saying something he did not understand. Only the referee, McCleaverty and himself were left inside the ropes.

"Time!"

Somebody, that seemed to Shorty strangely like himself, stepped briskly out into the middle of the ring, his left arm before him, his right fist clinched over his breast. The crowd, the glaring lights, the murmuring noise, all faded away. There only remained the creaking of rubber soles over the resin of the boards of the ring and the sight of McCleaverty's shifting, twinkling eyes and his round, close-cropped head.

"Break!"

The referee stepped between the two men and Shorty realised that the two had clinched, and that his right forearm had been across McCleaverty's throat, his left clasping him about the shoulders.

What! Were they fighting already? This was the first round, of course, somebody was shouting.

"That's the stuff, Shorty."

All at once Shorty saw the flash of a red muscled arm, he threw forward his shoulder ducking his head behind it, the arm slid over the raised shoulder and a bare and unprotected flank turned towards him.

"Now," thought Shorty. His arm shortened and leaped forward. There was a sudden impact. The shock of it jarred Shorty himself, and he heard McCleaverty grunt. There came a roar from the house.

"Give it to him, Shorty."

Shorty pushed his man from him, the heel of his glove upon his face. He was no longer nervous. The lights didn't bother him.

"I'll knock him out yet," he muttered to himself.

They fiddled and feinted about the ring, watching each other's eyes. Shorty held his right ready. He told himself he would jab McCleaverty again on the same spot when next he gave him an opening.

"Break!"

They must have clinched again, but Shorty was not conscious of it. A sharp pain in his upper lip made him angry. His right shot forward again, struck home, and while the crowd roared and the lights began to swim again, he knew that he was rushing McCleaverty back, back, back, his arms shooting out and in like piston rods, now for an upper cut with his left on the—

"Time!"

Billy Hicks was talking excitedly. The crowd still roared. His lips pained. Someone was spurting water over him, one of his seconds worked the fans like a windmill. He wondered what Miss Starbird thought of him now.

"Time!"

He barely had a chance to duck, almost double, while McCleaverty's right swished over his head. The dub was swinging for a knockout already. The round would be hot and fast.

"Stay with um, Shorty."

"That's the stuff, Shorty."

He must be setting the pace, the house plainly told him that. He stepped in again and cut loose with both fists.

"Break!"

Shorty had not clinched. Was it possible that McCleaverty was clinching "to avoid punishment." Shorty tried again, stepping in close, his right arm crooked and ready.

"Break!"

The dub was clinching. There could be no doubt of that. Shorty gathered himself together and rushed in, upper-cutting viciously; he felt McCleaverty giving way before him.

"He's got um going."

There was exhilaration in the shout. Shorty swung right and left, his fist struck something that hurt him. Sure, he thought, that must have been a good one. He recovered, throwing out his left before him. Where was the dub? not down there on one knee in a corner of the ring? The house was a pandemonium, near at hand some one was counting, "one—two—three—four—"

Billy Hicks shouted, "Come back to your corner. When he's up go right in to finish him. He ain't knocked out yet. He's just taking his full time. Swing for his chin again, you got him going. If you can put him out, Shorty, we'll take you to San Francisco."

"Seven—eight—nine—"

McCleaverty was up again. Shorty rushed in. Something caught him a fearful jar in the pit of the stomach. He was sick in an instant, racked with nausea. The lights began to dance.

"Time!"

There was water on his face and body again, deliciously cool. The fan windmills swung round and round. "What's the matter, what's the matter," Billy Hicks was asking anxiously.

Something was wrong. There was a lead-like weight in Shorty's stomach, a taste of potato salad came to his mouth, he was sick almost to vomiting.

"He caught you a hard one in the wind just before the gong, did he?" said Billy Hicks. "There's fight in him yet. He's got a straight arm body blow you want to look out for. Don't let up on him. Keep—"

"Time!"

Shorty came up bravely. In his stomach there was a pain that made it torture to stand erect. Nevertheless he rushed, lashing out right and left. He was dizzy; before he knew it he was beating the air. Suddenly his chin jolted backward, and the lights began to spin; he was tiring rapidly, too, and with every second his arms grew heavier and heavier and his knees began to tremble more and more. McCleaverty gave him no rest. Shorty tried to clinch, but the dub sidestepped, and came in twice with a hard right and left over the heart. Shorty's gloves seemed made of iron; he found time to mutter, "If I only hadn't eaten that stuff last night."

What with the nausea and the pain, he was hard put to it to keep from groaning. It was the dub who was rushing now; Shorty felt he could not support the weight of his own arms another instant. What was that on his face that was warm and tickled? He knew that he had just strength enough left for one more good blow; if he could only upper-cut squarely on McCleaverty's chin it might suffice.

"Break!"

The referee thrust himself between them, but instantly McCleaverty closed again. Would the round never end? The dub swung again, missed, and Shorty saw his chance; he stepped in, upper-cutting with all the strength he could summon up. The lights swam again, and the roar of the crowd dwindled to a couple of voices. He smelt whisky.

"Gimme that sponge." It was Billy Hicks voice. "He'll do all right now."

Shorty suddenly realised that he was lying on his back. In another second he would be counted out. He raised himself, but his hands touched a bed quilt and not the resined floor of the ring. He looked around him and saw that he was in the back room of the saloon where he had dressed. The fight was over.

"Did I win?" he asked, getting on his feet.

"Win!" exclaimed Billy Hicks. "You were knocked out. He put you out after you had him beaten. Oh, you're a peach of a fighter, you are!"

* * * * *

Half an hour later when he had dressed, Shorty went over to the Hall. His lip was badly swollen and his chin had a funny shape, but otherwise he was fairly presentable. The Iowa Hill orchestra had just struck into the march for the walk around. He pushed through the crowd of men around the door looking for Miss Starbird. Just after he had passed he heard a remark and the laugh that followed it:

"Quitter, oh, what a quitter!"

Shorty turned fiercely about and would have answered, but just at that moment he caught sight of Miss Starbird. She had just joined the promenade or the walk around with some other man. He went up to her:

"Didn't you promise to have this walk around with me?" he said aggrievedly.

"Well, did you think I was going to wait all night for you?" returned Miss Starbird.

As she turned from him and joined the march Shorty's eye fell upon her partner.

It was McCleaverty.

The Strangest Thing

The best days in the voyage from the Cape to Southampton are those that come immediately before and immediately after that upon which you cross the line, when the ship is as steady as a billiard table, and the ocean is as smooth and shiny and coloured as the mosaic floor of a basilica church, when the deck is covered with awning from stem to stern, and the resin bubbles out of the masts, and the thermometer in the companion-way at the entrance to the dining-saloon climbs higher and higher with every turn of the screw. Of course all the men people aboard must sleep on deck these nights. There is a pleasure in this that you will find nowhere else. At six your steward wakes you up with your morning cup of coffee, and you sit cross-legged in your pajamas on the skylight and drink your coffee and smoke your cigarettes and watch the sun shooting up over the rim of that polished basilica floor, and take pleasure in the mere fact of your existence, and talk and talk and tell stories until it's time for bath and breakfast.

We came back from the Cape in The Moor, with a very abbreviated cabin list. Only three of the smaller tables in the saloon were occupied, and those mostly by men—diamond-brokers from Kimberly, gold-brokers from the Rand, the manager of a war correspondent on a lecture tour, cut short by the Ashanti war, an English captain of twenty-two, who had been with Jameson at Krugersdorp and somehow managed to escape, an Australian reporter named Miller, and two or three others of a less distinct personality.

Miller told the story that follows early one morning, sitting on the Bull board, tailor-fashion, and smoking pipefuls of straight perique, black as a nigger's wool. We were grouped around him on the deck in pajamas and bath robes. It was half after six, the thermometer was at 70 degrees, The Moor cut the still water with a soothing rumble of her screw, and at intervals flushed whole schools of flying fish. Somehow the talk had drifted to the inexplicable things that we had seen, and we had been piecing out our experiences with some really beautiful lies. Captain Thatcher, the Krugersdorp chap, held that the failure of the Jameson Raid was the most inexplicable thing he had ever experienced, but none of the rest of us could think of anything we had seen or heard of that did not have some stealthy, shadowy sort of explanation sneaking after it and hunting it down.

"Well, I saw something a bit thick once," observed Miller, pushing down the tobacco in his pipe bowl with the tip of a callous finger, and in the abrupt silence that followed we heard the noise of dishes from the direction of the galley.

"It was in Johannesburg three years back, when I was down on me luck. I had been rooked properly by a Welsh gaming chap who was no end of a bounder, and three quid was all that stood between me and—well," he broke in, suddenly, "I had three quid left. I wore down me feet walking the streets of that bally town looking for anything that would keep me going for a while, and give me a chance to look around and fetch breath, and there was nothing, but I tell ye nothing, and I was fair desperate. One dye, and a filthy wet dye it was, too, I had gone out to the race track, beyond Hospital Hill, where the pony races are run, thinking as might be I'd find a berth, handling ponies there, but the season was too far gone, and they turned me awye. I came back to town by another road—then by the waye that fetches around by the Mahomedan burying-ground. Well, the pauper burying-ground used to be alongside in those dyes, and as I came up, jolly well blown, I tell ye, for I'd but tightened me belt by wye of breakfast, I saw a chap diggin' a gryve. I was in a mind for gryves meself just then, so I pulled up and leaned over the fence and piped him off at his work. Then, like the geeser I'd come to be, I says:

"'What are ye doing there, friend?' He looked me over between shovelfuls a bit, and then says:

"'Oh, just setting out early violets;' and that shut me up properly.

"Well, I piped him digging that gryve for perhaps five minutes, and then, s' help me, I asked him for a job. I did—I asked that gryve-digger for a job—I was that low. He leans his back against the side of the gryve and looks me over, then by and bye, says he:

"'All right, pardner!'

"'I'm thinking your from the Stytes,' says I.

"'Guess yes,' he says, and goes on digging.

"Well, we came to terms after a while. He was to give me two bob a dye for helping him at his work, and I was to have a bunk in his 'shack', as he called it—a box of a house built of four boards, as I might sye, that stood just on the edge of the gryveyard. He was a rum 'un, was that Yankee chap. Over pipes that night he told me something of himself, and do y' know, that gryve-digger in the pauper burying-ground in Johannesburg, South Africa, was a Harvard graduate! Strike me straight if I don't believe he really was. The man was a wreck from strong drink, but that was the one thing he was proud of.

"'Yes, sir,' he'd say, over and over again, looking straight ahead of him, 'Yes, sir, I was a Harvard man once, and pulled at number five in the boat'—the 'varsity boat, mind ye; and then he'd go on talking half to himself. 'And now what am I? I'm digging gryves for hire—burying dead people for a living, when I ought to be dead meself. I am dead and buried long ago. Its just the whiskey that keeps me alive, Miller,' he would say; 'when I stop that I'm done for.'

"The first morning I came round for work I met him dressed as if to go to town, and carrying a wickered demijohn. 'Miller',' he says, 'I'm going into town to get this filled. You must stop here and be ready to answer any telephone call from the police station.' S' help me if there wasn't a telephone in that beastly shack. 'If a pauper cops off they'll ring you up from town and notify you to have the gryve ready. If I'm awye, you'll have to dig it. Remember, if it's a man, you must dig a six foot six hole; if it's a woman, five feet will do, and if it's a kid, three an' half'll be a plenty. S'long.' And off he goes.

"Strike me blind but that was a long dye, that first one. I'd the pauper gryves for view and me own thoughts for company. But along about noon, the Harvard graduate not showing up, I found a diversion. The graduate had started to paint the shack at one time, but had given over after finishing one side, but the paint pot and the brushes were there. I got hold of 'em and mixed a bit o' paint and went the rounds of the gryves. Ye know how it is in a pauper burying-ground—no nymes at all on the headboards—naught but numbers, and half o' them washed awye by the rynes; so I, for a diversion, as I sye, started in to paint all manner o' fancy nymes and epitaphs on the headboards—any nyme that struck me fancy, and then underneath, an appropriate epitaph, and the dytes, of course—I didn't forget the dytes. Ye know, that was the rarest enjoyment I ever had. Ye don't think so? Try it once! Why, Gawd blyme me, there's a chance for imagination in it, and genius and art—highest kind of art. For instance now, I'd squat down in front of a blank headboard and think a bit, and the inspiration would come, and I'd write like this, maybe: 'Jno. K. Boggart, of New Zealand. Born Dec. 21, 1870; died June 5, 1890,' and then, underneath, 'He Rests in Peace'; or else, 'Elsie, Youngest Daughter of Mary B. and William H. Terhune; b. May 1st, 1880; d. Nov. 25, 1889—Not Lost, but Gone Before'; or agyne, 'Lucas, Lieutenant T. V. Killed in Battle at Wady Halfa, Egypt, August 30, 1889; born London, England, Jan. 3, 1850—He Lies Like a Warrior, Tyking His Rest with His Martial Cloak Around Him'; or something humorous, as 'Bohunkus, J. J.; born Germany; Oct. 3d, 1880; died (by request) Cape Town, Sept. 4, 1890'; or one that I remember as my very best effort, that read, 'Willie, Beloved Son of Anna and Gustave Harris; b. April 1st, 1878; d. May 5th, 1888—He was a Man Before His Mother.' Then I wrote me own nyme, with the epitaph, 'More Sinned Against Than Sinning;' and the Harvard chap's too. His motto, I remember, was 'He Pulled 5 in His 'Varsity's Boat.'

"Well, I had more sport that afternoon than I've ever had since. Y'know I felt as if I really were acquainted with all those people—with John Boggart, and Lieutenant Lucas, and Bohunkus, and Willie and all. Ah, that was a proper experience. But right in the middle of me work here comes a telephone message from town: 'Body of dead baby found at mouth of city sewer—prepare gryve at once.' Well, I dug that gryve, the first, last and only gryve I ever hope to dig. It came on to ryne like a water-spout, and oh, but it was jolly tough work. Then about four o'clock, just as I was finishing, the Harvard chap comes home, howling drunk. I see him go into the shack, and pretty soon out he comes, with a hoe in one hand and a table leg in the other. Soon as ever he sees me he makes a staggering run at me, swinging the hoe and the table leg and yelling like a Zulu indaba. Just to make everything agreeable and appropriate, I was down in the gryve, and it occurred to me that the situation was too uncommon convenient. I scrambled out and made a run for it, for there was murder in his eye, and for upwards of ten minutes we two played blindman's buff in that gryveyard, me dodging from one headboard to another, and he at me heels, chivying me like a fox and with intent to kill. All at once he trips over a headboard, and goes down and can't get up, and at the same minute here comes the morgue wagon over Hospital Hill.

"Now here comes the queer part of this lamentable history. A trap was following that morgue wagon, a no-end swell trap, with a cob in the shafts that was worth an independent fortune. There was an old gent in the trap and a smart Cape boy driving. The old gent was the heaviest kind of a swell, but I'd never seen him before. The morgue wagon drives into the yard, and I—the Harvard chap being too far gone—points out the gryve. The driver of the morgue wagon chucks out the coffin, a bit of a three-foot box, and drives back to town. Then up comes the trap, and the old gent gets down—dressed up to the nines he was, in that heartbreaking ryne—and says he, 'My man, I would like to have that coffin opened.' By this time the Harvard chap had pulled himself together. He staggered up to the old gent and says, 'No, can't op'n no coffin, 'tsgainst all relugations—all regalutions, can't permit no coffin tobeopp'n.' I wish you would have seen the old gent. Excited! The man was shaking like a flagstaff in a gyle, talked thick and stammered, he was so phased. Gawd strike me, what a scene! I can see it now—that pauper burying ground wye down there in South Africa—no trees, all open and bleak. The pelting ryne, the open gryve and the drunken Harvard chap, and the excited old swell arguing over a baby's coffin."

Pretty soon the old gent brings up a sovereign and gives it to the Harvard chap.

"'Let her go,' says he then, and with that he gives the top board of the coffin such a kick as started it an inch or more. With that—now listen to what I'm telling—with that the old gent goes down on his knees in the mud and muck, and kneels there waiting and fair gasping with excitement while the Harvard chap wrenches off the topboard. Before he had raised it four inches me old gent plunges his hand in quick, gropes there a second and takes out something—something shut in the palm of his hand.

"'That's all,' says he: 'Thank you, my man,' and gives us a quid apiece. We stood there like stuck swine, dotty with the queerness, the horribleness of the thing.

"'That's all,' he says again, with a long breath of relief, as he climbs into his trap with his clothes all foul with mud. 'That's all, thank Gawd.' Then to the Cape boy: 'Drive her home, Jim.' Five minutes later we lost him in the blur of the rain over Hospital Hill."

"But what was it he took out of the baby's coffin?" said half a dozen men in a breath at this point. "What was it? What could it have been?"

"Ah, what was it?" said Miller. "I'll be damned if I know what it was. I never knew, I never will know."

A Reversion to Type

Schuster was too damned cheeky. He was the floor-walker in a department store on Kearny street, and I had opportunity to observe his cheek upon each of the few occasions on which I went into that store with—let us say my cousin. A floor-walker should let his communications be "first aisle left," or "elevator, second floor front," or "third counter right," for whatsoever is more than this cometh of evil. But Schuster used to come up to—my cousin, and take her gently by the hand and ask her how she did, and if she was to be out of town much that season, and tell her, with mild reproach in his eye, that she had been quite a stranger of late, while I stood in the background mumbling curses not loud but deep.

However, my cousin does not figure in this yarn, nor myself. Paul Schuster is the hero—Paul Schuster, floor-walker in a department-store that sold ribbons and lace and corsets and other things, fancy, now! He was hopelessly commonplace, lived with a maiden aunt and a parrot in two rooms, way out in the bleak streets around Lone Mountain. When on duty he wore a long black cutaway coat, a white pique four-in-hand and blue-grey "pants" that cost four dollars. Besides this he parted his hair on the side and entertained ideas on culture and refinement. His father had been a barber in the Palace Hotel barber shop.

Paul Schuster had never heard anything of a grandfather.

Schuster came to that department-store when he was about thirty. Five years passed; then ten—he was there yet—forty years old by now. Always in a black cutaway and white tie, always with his hair parted on one side, always with the same damned cheek. A floor-walker, respectable as an English barrister, steady as an eight-day clock, a figure known to every woman in San Francisco. He had lived a floor-walker; as a floor-walker he would die. Such he was at forty. At forty-one he fell. Two days and all was over.

It sometimes happens that a man will live a sober, steady, respectable, commonplace life for forty, fifty or even sixty years, and then, without the least sign of warning, suddenly go counter to every habit, to every trait of character and every rule of conduct he has been believed to possess. The thing only happens to intensely respectable gentlemen, of domestic tastes and narrow horizons, who are just preparing to become old. Perhaps it is a last revolt of a restrained youth—the final protest of vigorous, heady blood, too long dammed up. This bolting season does not last very long. It comes upon a man between the ages of forty and fifty-five, and while it lasts the man should be watched more closely than a young fellow in his sophomore year at college. The vagaries of a sophomore need not be taken any more seriously than the skittishness of a colt, but when a fifty-year-old bolts, stand clear!

On the second of May—two months and a day after his forty-first birthday—Paul Schuster bolted. It came upon him with the quickness of a cataclysm, like the sudden, abrupt development of latent mania. For a week he had been feeling ill at ease—restless; a vague discomfort hedged him in like an ill-fitting garment; he felt the moving of his blood in his wrists and his temples. A subtle desire to do something, he knew not what, bit and nibbled at his brain like the tooth of a tiny unfamiliar rodent.

On the second of May, at twenty minutes after six, Schuster came out of the store at the tail end of the little army of home-bound clerks. He locked the door behind him, according to custom, and stood for a moment on the asphalt, his hands in his pockets, fumbling his month's pay. Then he said to himself, nodding his head resolutely:

"To-night I shall get drunk—as drunk as I possibly can. I shall go to the most disreputable resorts I can find—I shall know the meaning of wine, of street fights, of women, of gaming, of jolly companions, of noisy mid-night suppers. I'll do the town, or by God, the town will do me. Nothing shall stop me, and I will stop at nothing. Here goes!"

Now, if Paul Schuster had only been himself this bolt of his would have brought him to nothing worse than the Police Court, and would have lasted but twenty-four hours at the outside. But Schuster, like all the rest of us, was not merely himself. He was his ancestors as well. In him as in you and me, were generations—countless generations—of forefathers. Schuster had in him the characteristics of his father, the Palace Hotel barber, but also, he had the unknown characteristics of his grandfather, of whom he had never heard, and his great-grandfather, likewise ignored. It is rather a serious matter to thrust yourself under the dominion of unknown, unknowable impulses and passions. This is what Schuster did that night. Getting drunk was an impulse belonging to himself; but who knows what "inherited tendencies," until then dormant, the alcohol unleashed within him? Something like this must have happened to have accounted for what follows.

Schuster went straight to the Palace Hotel bar, where he had cocktails, thence to the Poodle Dog, where he had a French dinner and champagne, thence to the Barbary Coast on upper Kearny street, and drank whiskey that rasped his throat like gulps of carpet tacks. Then, realising that San Francisco was his own principality and its inhabitants his vassals, he hired a carriage and drove to the Cliff House, and poured champagne into the piano in the public parlor. A waiter remonstrated, and Paul Schuster, floor-walker and respectable citizen, bowled him down with a catsup bottle and stamped upon his abdomen. At the beginning of that evening he belonged to that class whom policemen are paid to protect. When he walked out of the Cliff House he was a free-booter seven feet tall, with a chest expansion of fifty inches. He paid the hack-driver a double fare and strode away into the night and plunged into the waste of sand dunes that stretch back from the beach on the other side of the Park.

It never could be found out what happened to Schuster, or what he did, during the next ten hours. We pick him up again in a saloon on the waterfront about noon the next day, with thirty dollars in his pocket and God knows what disorderly notions in his crazed wits. At this time he was sober as far as the alcohol went. It might be supposed that now would have been the time for reflection and repentance and return to home and respectability. Return home! Not much! Schuster had began to wonder what kind of an ass he had been to have walked the floor of a department-store for the last score of years. Something was boiling in his veins. B-r-r-r! Let 'em all stand far from him now.

That day he left San Francisco and rode the blind baggage as far as Colfax on the Overland. He chose Colfax because he saw the name chalked on a freight car at the Oakland mole. At Colfax, within three hours after his arrival, he fought with a restaurant man over the question of a broken saucer, and the same evening was told to leave the town by the sheriff.

Out of Colfax, some twenty-eight miles into the mountains, are placer gold mines, having for headquarters a one-street town called Iowa Hill. Schuster went over to the Hill the same day on the stage. The stage got in at night and pulled up in front of the postoffice. Schuster went into the postoffice, which was also a Wells-Fargo office, a candy store, a drug store, a cigar store, and a lounging-room, and asked about hotels.

Only the postmaster was in at that time, but as Schuster leaned across the counter, talking to him, a young man came in, with a huge spur on his left boot-heel. He and the postmaster nodded, and the young man slid an oblong object about the size of a brick across the counter. The object was wrapped in newspaper and seemed altogether too heavy for anything but metal—metal of the precious kind, for example.

"He?" answered the postmaster to Schuster, when the young man had gone. "He's the superintendent of the Little Bear mine on the other side of the American River, about three miles by the trail."

For the next week Schuster set himself to work to solve the problem of how a man might obtain a shotgun in the vicinity of Iowa Hill without the fact being remembered afterward and the man identified. It seemed good to him after a while to steal the gun from a couple of Chinamen who were washing gravel along the banks of the American River about two miles below the Little Bear. For two days he lay in the tarweed and witch hazel, on the side of the canyon overlooking the cabin, noted the time when both Chinamen were sufficiently far away, and stole the gun, together with a saw and a handful of cartridges loaded with buckshot. Within the next week he sawed off the gun-barrels sufficiently short, experimented once or twice with the buckshot, and found occasion to reconnoiter every step of the trail that led from the Little Bear to Iowa Hill. Also, he found out at the bar of the hotel at the Hill that the superintendent of the Little Bear amalgamated and reported the cleanup on Sundays. When he had made sure of this Schuster was seen no more about that little one-street mining town.

"He says it's Sunday," said Paul Schuster to himself; "but that's why it's probably Saturday or Monday. He ain't going to have the town know when he brings the brick over. It might even be Friday. I'll make it a four-night watch."

There is a nasty bit on the trail from the Little Bear to the Hill, steep as a staircase, narrow as a rabbit-run, and overhung with manzanita. The place is trumpet-mouthed in shape, and sound carries far. So, on the second night of his watch, Schuster could at last plainly hear the certain sounds that he had been waiting for—sounds that jarred sharply on the prolonged roll of the Morning Star stamps, a quarter of a mile beyond the canyon. The sounds were those of a horse threshing through the gravel and shallow water of the ford in the river just below. He heard the horse grunt as he took the slope of the nearer bank, and the voice of his rider speaking to him came distinctly to his ears. Then silence for one—two—three minutes, while the stamp mill at the Morning Star purred and rumbled unceasingly and Schuster's heart pumped thickly in his throat. Then a blackness blacker than that of the night heaved suddenly against the grey of "the sky, close in upon him, and a pebble clicked beneath a shod hoof.

"Pull up!" Schuster was in the midst of the trail, his cheek caressing the varnished stock.

"Whoa! Steady there! What in hell——"

"Pull up. You know what's wanted. Chuck us that brick."

The superintendent chirped sharply to the horse, spurring with his left heel.

"Stand clear there, God damn you! I'll ride you down!"

The stock leaped fiercely in Schuster's arm-pit, nearly knocking him down, and, in the light of two parallel flashes, he saw an instantaneous picture—rugged skyline, red-tinted manzanita bushes, the plunging mane and head of a horse, and above it a Face with open mouth and staring eyes, smoke-wreathed and hatless. The empty stirrup thrashed across Schuster's body as the horse scraped by him. The trail was dark in front of him. He could see nothing. But soon he heard a little bubbling noise and a hiccough. Then all fell quiet again.

"I got you, all right!"

Thus Schuster, the ex-floor-walker, whose part hitherto in his little life-drama had been to say, "first aisle left," "elevator, second floor," "first counter right."

Then he went down on his knees, groping at the warm bundle in front of him. But he found no brick. It had never occurred to him that the superintendent might ride over to town for other reasons than merely to ship the week's cleanup. He struck a light and looked more closely—looked at the man he had shot. He could not tell whether it was the superintendent or not, for various reasons, but chiefly because the barrels of the gun had been sawn off, the gun loaded with buckshot, and both barrels fired simultaneously at close range.

Men coming over the trail from the Hill the next morning found the young superintendent, and spread the report of what had befallen him.

* * * * *

When the Prodigal Son became hungry he came to himself. So it was with Schuster. Living on two slices of bacon per day (eaten raw for fear of kindling fires) is what might be called starving under difficulties, and within a week Schuster was remembering and longing for floor-walking and respectability. Within a month of his strange disappearance he was back in San Francisco again knocking at the door of his aunt's house on Geary street. A week later he was taken on again at his old store, in his old position, his unexcused absence being at length, and under protest, condoned by a remembrance of "long and faithful service."