By FRITZ LEIBER

THE
BIG
TIME

Illustrated by FINLAY

You can't know there's a war on—for the Snakes coil and Spiders weave to keep you from knowing it's being fought over your live and dead body!

CHAPTER 1

When shall we three meet again
In thunder, lightning, or in rain?

When the hurlyburly's done.
When the battle's lost and won.

—Macbeth

ENTER THREE HUSSARS

My name is Greta Forzane. Twenty-nine and a party girl would describe me. I was born in Chicago, of Scandinavian parents, but now I operate chiefly outside space and time—not in Heaven or Hell, if there are such places, but not in the cosmos or universe you know either.

I am not as romantically entrancing as the immortal film star who also bears my first name, but I have a rough-and-ready charm of my own. I need it, for my job is to nurse back to health and kid back to sanity Soldiers badly roughed up in the biggest war going. This war is the Change War, a war of time travelers—in fact, our private name for being in this war is being on the Big Time. Our Soldiers fight by going back to change the past, or even ahead to change the future, in ways to help our side win the final victory a billion or more years from now. A long killing business, believe me.

You don't know about the Change War, but it's influencing your lives all the time and maybe you've had hints of it without realizing.

Have you ever worried about your memory, because it doesn't seem to be bringing you exactly the same picture of the past from one day to the next? Have you ever been afraid that your personality was changing because of forces beyond your knowledge or control? Have you ever felt sure that sudden death was about to jump you from nowhere? Have you ever been scared of Ghosts—not the story-book kind, but the billions of beings who were once so real and strong it's hard to believe they'll just sleep harmlessly forever? Have you ever wondered about those things you may call devils or Demons—spirits able to range through all time and space, through the hot hearts of stars and the cold skeleton of space between the galaxies? Have you ever thought that the whole universe might be a crazy, mixed-up dream? If you have, you've had hints of the Change War.

How I got recruited into the Change War, how it's conducted, what the two sides are, why you don't consciously know about it, what I really think about it—you'll learn in due course.

The place outside the cosmos where I and my pals do our nursing job I simply call the Place. A lot of my nursing consists of amusing and humanizing Soldiers fresh back from raids into time. In fact, my formal title is Entertainer and I've got my silly side, as you'll find out.

My pals are two other gals and three guys from quite an assortment of times and places. We're a pretty good team, and with Sid bossing, we run a pretty good Recuperation Station, though we have our family troubles. But most of our troubles come slamming into the Place with the beat-up Soldiers, who've generally just been going through hell and want to raise some of their own. As a matter of fact, it was three newly arrived Soldiers who started this thing I'm going to tell you about, this thing that showed me so much about myself and everything.

When it started, I had been on the Big Time for a thousand sleeps and two thousand nightmares, and working in the Place for five hundred-one thousand. This two-nightmares routine every time you lay down your dizzy little head is rough, but you pretend to get used to it because being on the Big Time is supposed to be worth it.

The Place is midway in size and atmosphere between a large nightclub where the Entertainers sleep in and a small Zeppelin hangar decorated for a party, though a Zeppelin is one thing we haven't had yet. You go out of the Place, but not often if you have any sense and if you are an Entertainer like me, into the cold light of a morning filled with anything from the earlier dinosaurs to the later spacemen, who look strangely similar except for size.

Solely on doctor's orders, I have been on cosmic leave six times since coming to work at the Place, meaning I have had six brief vacations, if you care to call them that, for believe me they are busman's holidays, considering what goes on in the Place all the time. The last one I spent in Renaissance Rome, where I got a crush on Cesare Borgia, but I got over it. Vacations are for the birds, anyway, because they have to be fitted by the Spiders into serious operations of the Change War, and you can imagine how restful that makes them.

"See those Soldiers changing the past? You stick along with them. Don't go too far up front, though, but don't wander off either. Relax and enjoy yourself."

Ha! Now the kind of recuperation Soldiers get when they come to the Place is a horse of a far brighter color, simply dazzling by comparison. Entertainment is our business and we give them a bang-up time and send them staggering happily back into action, though once in a great while something may happen to throw a wee shadow on the party.

I am dead in some ways, but don't let that bother you—I am lively enough in others. If you met me in the cosmos, you would be more apt to yak with me or try to pick me up than to ask a cop to do same or a father to douse me with holy water, unless you are one of those hard-boiled reformer types. But you are not likely to meet me in the cosmos, because (bar Basin Street and the Prater) 15th Century Italy and Augustan Rome—until they spoiled it—are my favorite (Ha!) vacation spots and, as I have said, I stick as close to the Place as I can. It is really the nicest Place in the whole Change World. (Crisis! I even think of it capitalized!)

Anyhoo, when this thing started, I was twiddling my thumbs on the couch nearest the piano and thinking it was too late to do my fingernails and whoever came in probably wouldn't notice them anyway.

The Place was jumpy like it always is on an approach and the gray velvet of the Void around us was curdled with the uneasy lights you see when you close your eyes in the dark.

Sid was tuning the Maintainers for the pick-up and the right shoulder of his gold-worked gray doublet was streaked where he'd been wiping his face on it with quick ducks of his head.

Beauregard was leaning as close as he could over Sid's other shoulder, one white-trousered knee neatly indenting the rose plush of the control divan, and he wasn't missing a single flicker of Sid's old fingers on the dials; Beau's co-pilot besides piano player. Beau's face had that dead blank look it must have had when every double eagle he owned and more he didn't were riding on the next card to be turned in the gambling saloon on one of those wedding-cake Mississippi steamboats.

Doc was soused as usual, sitting at the bar with his top hat pushed back and his knitted shawl pulled around him, his wide eyes seeing whatever horrors a life in Nazi-occupied Czarist Russia can add to being a drunk Demon in the Change World.

Maud, who is the Old Girl, and Lili—the New Girl, of course—were telling the big beads of their identical pearl necklaces.

You might say that all us Entertainers were a bit edgy; being Demons doesn't automatically make us brave.

Then the red telltale on the Major Maintainer went out and the Door began to darken in the Void facing Sid and Beau, and I felt Change Winds blowing hard and my heart missed a couple of beats, and the next thing three Soldiers had stepped out of the cosmos and into the Place, their first three steps hitting the floor hard as they changed times and weights.

They were dressed as officers of hussars, as we'd been advised, and—praise the Bonny Dew!—I saw that the first of them was Erich, my own dear little commandant, the pride of the von Hohenwalds and the Terror of the Snakes. Behind him was some hard-faced Roman or other, and beside Erich and shouldering into him as they stamped forward was a new boy, blond, with a face like a Greek god who's just been touring a Christian hell.

They were uniformed exactly alike in black—shakos, fur-edged pelisses, boots, and so forth—with white skull emblems on the shakos. The only difference between them was that Erich had a Caller on his wrist and the New Boy had a black-gauntleted glove on his left hand and was clenching the mate in it, his right hand being bare like both of Erich's and the Roman's.

"You've made it, lads, hearts of gold," Sid boomed at them, and Beau twitched a smile and murmured something courtly and Maud began to chant, "Shut the Door!" and the New Girl copied her and I joined in because the Change Winds do blow like crazy when the Door is open, even though it can't ever be shut tight enough to keep them from leaking through.

"Shut it before it blows wrinkles in our faces," Maud called in her gamin voice to break the ice, looking like a skinny teen-ager in the tight, knee-length frock she'd copied from the New Girl.

But the three Soldiers weren't paying attention. The Roman—I remembered his name was Mark—was blundering forward stiffly as if there were something wrong with his eyes, while Erich and the New Boy were yelling at each other about a kid and Einstein and a summer palace and a bloody glove and the Snakes having booby-trapped Saint Petersburg. Erich had that taut sadistic smile he gets when he wants to hit me.

The New Boy was in a tearing rage. "Why'd you pull us out so bloody fast? We fair chewed the Nevsky Prospekt to pieces galloping away."

"Didn't you feel their stun guns, Dummkopf, when they sprung the trap—too soon, Gott sei Dank?" Erich demanded.

"I did," the New Boy told him. "Not enough to numb a cat. Why didn't you show us action?"

"Shut up. I'm your leader. I'll show you action enough."

"You won't. You're a filthy Nazi coward."

"Weibischer Engländer!"

"Bloody Hun!"

"Schlange!"

The blond lad knew enough German to understand that last crack. He threw back his sable-edged pelisse to clear his sword arm and he swung away from Erich, which bumped him into Beau. At the first sign of the quarrel, Beau had raised himself from the divan as quickly and silently as a—no, I won't use that word—and slithered over to them.

"Sirs, you forget yourselves," he said sharply, off balance, supporting himself on the New Boy's upraised arm. "This is Sidney Lessingham's Place of Entertainment and Recuperation. There are ladies—"

With a contemptuous snarl, the New Boy shoved him off and snatched with his bare hand for his saber. Beau reeled against the divan, it caught him in the shins and he fell toward the Maintainers. Sid whisked them out of the way as if they were a couple of beach radios—simply nothing in the Place is nailed down—and had them back on the coffee table before Beau hit the floor. Meanwhile, Erich had his saber out and had parried the New Boy's first wild slash and lunged in return, and I heard the scream of steel and the rutch of his boot on the diamond-studded pavement.

Beau rolled over and came up pulling from the ruffles of his shirt bosom a derringer I knew was some other weapon in disguise—a stun gun or even an Atropos. Besides scaring me damp for Erich and everybody, that brought me up short: us Entertainers' nerves must be getting as naked as the Soldiers', probably starting when the Spiders canceled all cosmic leaves twenty sleeps back.

Sid shot Beau his look of command, rapped out, "I'll handle this, you whoreson firebrand," and turned to the Minor Maintainer. I noticed that the telltale on the Major was glowing a reassuring red again, and I found a moment to thank Mamma Devi that the Door was shut.

Maud was jumping up and down, cheering I don't know which—nor did she, I bet—and the New Girl was white and I saw that the sabers were working more businesslike. Erich's flicked, flicked, flicked again and came away from the blond lad's cheek spilling a couple of red drops. The blond lad lunged fiercely, Erich jumped back, and the next moment they were both floating helplessly in the air, twisting like they had cramps.

I realized quick enough that Sid had shut off gravity in the Door and Stores sectors of the Place, leaving the rest of us firm on our feet in the Refresher and Surgery sectors. The Place has sectional gravity to suit our Extraterrestrial buddies—those crazy ETs sometimes come whooping in for recuperation in very mixed batches.

From his central position, Sid called out, kindly enough but taking no nonsense, "All right, lads, you've had your fun. Now sheathe those swords."

For a second or so, the two black hussars drifted and contorted. Erich laughed harshly and neatly obeyed—the commandant is used to free fall. The blond lad stopped writhing, hesitated while he glared upside down at Erich and managed to get his saber into its scabbard, although he turned a slow somersault doing it. Then Sid switched on their gravity, slow enough so they wouldn't get sprained landing.

Erich laughed, lightly this time, and stepped out briskly toward us. He stopped to clap the New Boy firmly on the shoulder and look him in the face.

"So, now you get a good scar," he said.

The other didn't pull away, but he didn't look up and Erich came on. Sid was hurrying toward the New Boy, and as he passed Erich, he wagged a finger at him and gayly said, "You rogue." Next thing I was giving Erich my "Man, you're home" hug and he was kissing me and cracking my ribs and saying, "Liebchen! Doppchen!"—which was fine with me because I do love him and I'm a good lover and as much a Doubleganger as he is.

We had just pulled back from each other to get a breath—his blue eyes looked so sweet in his worn face—when there was a thud behind us. With the snapping of the tension, Doc had fallen off his bar stool and his top hat was over his eyes. As we turned to chuckle at him, Maud squeaked and we saw that the Roman had walked straight up against the Void and was marching along there steadily without gaining a foot, like it does happen, his black uniform melting into that inside-your-head gray.

Maud and Beau rushed over to fish him back, which can be tricky. The thin gambler was all courtly efficiency again. Sid supervised from a distance.

"What's wrong with him?" I asked Erich.

He shrugged. "Overdue for Change Shock. And he was nearest the stun guns. His horse almost threw him. Mein Gott, you should have seen Saint Petersburg, Liebchen: the Nevsky Prospekt, the canals flying by like reception carpets of blue sky, a cavalry troop in blue and gold that blundered across our escape, fine women in furs and ostrich plumes, a monk with a big tripod and his head under a hood—it gave me the horrors seeing all those Zombies flashing past and staring at me in that sick unawakened way they have, and knowing that some of them, say the photographer, might be Snakes."

Our side in the Change War is the Spiders, the other side is the Snakes, though all of us—Spiders and Snakes alike—are Doublegangers and Demons too, because we're cut out of our lifelines in the cosmos. Your lifeline is all of you from birth to death. We're Doublegangers because we can operate both in the cosmos and outside of it, and Demons because we act reasonably alive while doing so—which the Ghosts don't. Entertainers and Soldiers are all Demon-Doublegangers, whichever side they're on—though they say the Snake Places are simply ghastly. Zombies are dead people whose lifelines lie in the so-called past.

"What were you doing in Saint Petersburg before the ambush?" I asked Erich. "That is, if you can talk about it."

"Why not? We were kidnapping the infant Einstein back from the Snakes in 1883. Yes, the Snakes got him, Liebchen, only a few sleeps back, endangering the West's whole victory over Russia—"

"—which gave your dear little Hitler the world on a platter for fifty years and got me loved to death by your sterling troops in the Liberation of Chicago—"

"—but which leads to the ultimate victory of the Spiders and the West over the Snakes and Communism, Liebchen, remember that. Anyway, our counter-snatch didn't work. The Snakes had guards posted—most unusual and we weren't warned. The whole thing was a great mess. No wonder Bruce lost his head—not that it excuses him."

"The New Boy?" I asked. Sid hadn't got to him and he was still standing with hooded eyes where Erich had left him, a dark pillar of shame and rage.

"Ja, a lieutenant from World War One. An Englishman."

"I gathered that," I told Erich. "Is he really effeminate?"

"Weibischer?" He smiled. "I had to call him something when he said I was a coward. He'll make a fine Soldier—only needs a little more shaping."

"You men are so original when you spat." I lowered my voice. "But you shouldn't have gone on and called him a Snake, Erich mine."

"Schlange?" The smile got crooked. "Who knows—about any of us? As Saint Petersburg showed me, the Snakes' spies are getting cleverer than ours." The blue eyes didn't look sweet now. "Are you, Liebchen, really nothing more than a good loyal Spider?"

"Erich!"

"All right, I went too far—with Bruce and with you too. We're all hacked these days, riding with one leg over the breaking edge."

Maud and Beau were supporting the Roman to a couch, Maud taking most of his weight, with Sid still supervising and the New Boy still sulking by himself. The New Girl should have been with him, of course, but I couldn't see her anywhere and I decided she was probably having a nervous breakdown in the Refresher, the little jerk.

"The Roman looks pretty bad, Erich," I said.

"Ah, Mark's tough. Got virtue, as his people say. And our little starship girl will bring him back to life if anybody can and if ..."

"... you call this living," I filled in dutifully.

He was right. Maud had fifty-odd years of psychomedical experience, 23rd Century at that. It should have been Doc's job, but that was fifty drunks back.

"Maud and Mark, that will be an interesting experiment," Erich said. "Reminiscent of Goering's with the frozen men and the naked gypsy girls."

"You are a filthy Nazi. She'll be using electrophoresis and deep suggestion, if I know anything."

"How will you be able to know anything, Liebchen, if she switches on the couch curtains, as I perceive she is preparing to do?"

"Filthy Nazi I said and meant."

"Precisely." He clicked his heels and bowed a millimeter. "Erich Friederich von Hohenwald, Oberleutnant in the army of the Third Reich. Fell at Narvik, where he was Recruited by the Spiders. Lifeline lengthened by a Big Change after his first death and at latest report Commandant of Toronto, where he maintains extensive baby farms to provide him with breakfast meat, if you believe the handbills of the voyageurs underground. At your service."

"Oh, Erich, it's all so lousy," I said, touching his hand, reminded that he was one of the unfortunates Resurrected from a point in their lifelines well before their deaths—in his case, because the date of his death had been shifted forward by a Big Change after his Resurrection. And as every Demon finds out, if he can't imagine it beforehand, it is pure hell to remember your future, and the shorter the time between your Resurrection and your death back in the cosmos, the better. Mine, bless Bab-ed-Din, was only an action-packed ten minutes on North Clark Street.

Erich put his other hand lightly over mine. "Fortunes of the Change War, Liebchen. At least I'm a Soldier and sometimes assigned to future operations—though why we should have this monomania about our future personalities back there, I don't know. Mine is a stupid Oberst, thin as paper—and frightfully indignant at the voyageurs! But it helps me a little if I see him in perspective and at least I get back to the cosmos pretty regularly, Gott sei Dank, so I'm better off than you Entertainers."

I didn't say aloud that a Changing cosmos is worse than none, but I found myself sending a prayer to the Bonny Dew for my father's repose, that the Change Winds would blow lightly across the lifeline of Anton A. Forzane, professor of physiology, born in Norway and buried in Chicago. Woodlawn Cemetery is a nice gray spot.

"That's all right, Erich," I said. "We Entertainers Got Mittens too."

He scowled around at me suspiciously, as if he were wondering whether I had all my buttons on.

"Mittens?" he said. "What do you mean? I'm not wearing any. Are you trying to say something about Bruce's gloves—which incidentally seem to annoy him for some reason. No, seriously, Greta, why do you Entertainers need mittens?"

"Because we get cold feet sometimes. At least I do. Got Mittens, as I say."

A sickly light dawned in his Prussian puss. He muttered, "Got mittens ... Gott mit uns ... God with us," and roared softly, "Greta, I don't know how I put up with you, the way you murder a great language for cheap laughs."

"You've got to take me as I am," I told him, "mittens and all, thank the Bonny Dew—" and hastily explained, "That's French—le bon Dieu—the good God—don't hit me. I'm not going to tell you any more of my secrets."

He laughed feebly, like he was dying.

"Cheer up," I said. "I won't be here forever, and there are worse places than the Place."

He nodded grudgingly, looking around. "You know what, Greta, if you'll promise not to make some dreadful joke out of it: on operations, I pretend I'll soon be going backstage to court the world-famous ballerina Greta Forzane."

He was right about the backstage part. The Place is a regular theater-in-the-round with the Void for an audience, the Void's gray hardly disturbed by the screens masking Surgery (Ugh!), Refresher and Stores. Between the last two are the bar and kitchen and Beau's piano. Between Surgery and the sector where the Door usually appears are the shelves and taborets of the Art Gallery. The control divan is stage center. Spaced around at a fair distance are six big low couches—one with its curtains now shooting up into the gray—and a few small tables. It is like a ballet set and the crazy costumes and characters that turn up don't ruin the illusion. By no means. Diaghilev would have hired most of them for the Ballet Russe on first sight, without even asking them whether they could keep time to music.

CHAPTER 2

Last week in Babylon,
Last night in Rome,

—Hodgson

A RIGHT-HAND GLOVE

Beau had gone behind the bar and was talking quietly at Doc, but with his eyes elsewhere, looking very sallow and professional in his white, and I thought—Damballa!—I'm in the French Quarter. I couldn't see the New Girl. Sid was at last getting to the New Boy after the fuss about Mark. He threw me a sign and I started over with Erich in tow.

"Welcome, sweet lad. Sidney Lessingham's your host, and a fellow Englishman. Born in King's Lynn, 1564, schooled at Cambridge, but London was the life and death of me, though I outlasted Bessie, Jimmie, Charlie, and Ollie almost. And what a life! By turns a clerk, a spy, a bawd—the two trades are hand in glove—a poet of no account, a beggar, and a peddler of resurrection tracts. Beau Lassiter, our throats are tinder!"

At the word "poet," the New Boy looked up, but resentfully, as if he had been tricked into it.

"And to spare your throat for drinking, sweet gallant, I'll be so bold as to guess and answer one of your questions," Sid rattled on. "Yes, I knew Will Shakespeare—we were of an age—and he was such a modest, mind-your-business rogue that we all wondered whether he really did write those plays. Your pardon, 'faith, but that scratch might be looked to."

Then I saw that the New Girl hadn't lost her head, but gone to Surgery (Ugh!) for a first-aid tray. She reached a swab toward the New Boy's sticky cheek, saying rather shrilly, "If I might ..."

Her timing was bad. Sid's last words and Erich's approach had darkened the look in the young Soldier's face and he angrily swept her arm aside without even glancing at her. Erich squeezed my arm. The tray clattered to the floor—and one of the drinks that Beau was bringing almost followed it. Ever since the New Girl's arrival, Beau had been figuring that she was his responsibility, though I don't think the two of them had reached an agreement yet. Beau was especially set on it because I was thick with Sid at the time and Maud with Doc, she loving tough cases.

"Easy now, lad, and you love me!" Sid thundered, again shooting Beau the "Hold it" look. "She's just a poor pagan trying to comfort you. Swallow your bile, you black villain, and perchance it will turn to poetry. Ah, did I touch you there? Confess, you are a poet."

There isn't much gets by Sid, though for a second I forgot my psychology and wondered if he knew what he was doing with his insights.

"Yes, I'm a poet, all right," the New Boy roared. "I'm Bruce Marchant, you bloody Zombies. I'm a poet in a world where even the lines of the King James and your precious Will whom you use for laughs aren't safe from Snakes' slime and the Spiders' dirty legs. Changing our history, stealing our certainties, claiming to be so blasted all-knowing and best intentioned and efficient, and what does it lead to? This bloody SI glove!"

He held up his black-gloved left hand which still held the mate and he shook it.

"What's wrong with the Spider Issue gauntlet, heart of gold?" Sid demanded. "And you love us, tell us." While Erich laughed, "Consider yourself lucky, Kamerad. Mark and I didn't draw any gloves at all."

"What's wrong with it?" Bruce yelled. "The bloody things are both lefts!" He slammed it down on the floor.

We all howled, we couldn't help it. He turned his back on us and stamped off, though I guessed he would keep out of the Void. Erich squeezed my arm and said between gasps, "Mein Gott, Liebchen, what have I always told you about Soldiers? The bigger the gripe, the smaller the cause! It is infallible!"

One of us didn't laugh. Ever since the New Girl heard the name Bruce Marchant, she'd had a look in her eyes like she'd been given the sacrament. I was glad she'd got interested in something, because she'd been pretty much of a snoot and a wet blanket up until now, although she'd come to the Place with the recommendation of having been a real whoopee girl in London and New York in the Twenties. She looked disapprovingly at us as she gathered up the tray and stuff, not forgetting the glove, which she placed on the center of the tray like a holy relic.

Beau cut over and tried to talk to her, but she ghosted past him and once again he couldn't do anything because of the tray in his hands. He came over and got rid of the drinks quick. I took a big gulp right away because I saw the New Girl stepping through the screen into Surgery and I hate to be reminded we have it and I'm glad Doc is too drunk to use it, some of the Arachnoid surgical techniques being very sickening as I know only too well from a personal experience that is number one on my list of things to be forgotten.

By that time, Bruce had come back to us, saying in a carefully hard voice, "Look here, it's not the dashed glove itself, as you very well know, you howling Demons."

"What is it then, noble heart?" Sid asked, his grizzled gold beard heightening the effect of innocent receptivity.

"It's the principle of the thing," Bruce said, looking around sharply, but none of us cracked a smile. "It's this mucking inefficiency and death of the cosmos—and don't tell me that isn't in the cards!—masquerading as benign omniscient authority. The Spiders—and we don't know who they are ultimately; it's just a name; we see only agents like ourselves—the Spiders pluck us from the quiet graves of our lifelines—"

"Is that bad, lad?" Sid murmured, innocently straight-faced.

"—and Resurrect us if they can and then tell us we must fight another time-traveling power called the Snakes—just a name, too—which is bent on perverting and enslaving the whole cosmos, past, present and future."

"And isn't it, lad?"

"Before we're properly awake, we're Recruited into the Big Time and hustled into tunnels and burrows outside our space-time, these miserable closets, gray sacks, puss pockets—no offense to this Place—that the Spiders have created, maybe by gigantic implosions, but no one knows for certain, and then we're sent off on all sorts of missions into the past and future to change history in ways that are supposed to thwart the Snakes."

"True, lad."

"And from then on, the pace is so flaming hot and heavy, the shocks come so fast, our emotions are wrenched in so many directions, our public and private metaphysics distorted so insanely, the deepest thread of reality we cling to tied in such bloody knots, that we never can get things straight."

"We've all felt that way, lad," Sid said soberly; Beau nodded his sleek death's head; "You should have seen me, Kamerad, my first fifty sleeps," Erich put in; while I added, "Us girls, too, Bruce."

"Oh, I know I'll get hardened to it, and don't think I can't. It's not that," Bruce said harshly. "And I wouldn't mind the personal confusion, the mess it's made of my spirit, I wouldn't even mind remaking history and destroying priceless, once-called imperishable beauties of the past, if I felt it were for the best. The Spiders assure us that, to thwart the Snakes, it is all-important that the West ultimately defeat the East. But what have they done to achieve this? I'll give you some beautiful examples. To stabilize power in the early Mediterranean world, they have built up Crete at the expense of Greece, making Athens a ghost city, Plato a trivial fabulist, and putting all Greek culture in a minor key."

"You got time for culture?" I heard myself say and I clapped my hand over my mouth in gentle reproof.

"But you remember the dialogues, lad," Sid observed. "And rail not at Crete—I have a sweet Keftian friend."

"For how long will I remember Plato's dialogues? And who after me?" Bruce challenged. "Here's another. The Spiders want Rome powerful and, to date, they've helped Rome so much that she collapses in a blaze of German and Parthian invasions a few years after the death of Julius Caesar."

This time it was Beau who butted in. Most everybody in the Place loves these bull sessions. "You omit to mention, sir, that Rome's newest downfall is directly due to the Unholy Triple Alliance the Snakes have fomented between the Eastern Classical World, Mohammedanized Christianity, and Marxist Communism, trying to pass the torch of power futurewards by way of Byzantium and the Eastern Church, without ever letting it pass into the hands of the Spider West. That, sir, is the Snakes' Three-Thousand-Year Plan which we are fighting against, striving to revive Rome's glories."

"Striving is the word for it," Bruce snapped. "Here's yet another example. To beat Russia, the Spiders kept England and America out of World War Two, thereby ensuring a German invasion of the New World and creating a Nazi empire stretching from the salt mines of Siberia to the plantations of Iowa, from Nizhni Novgorod to Kansas City!"

He stopped and my short hairs prickled. Behind me, someone was chanting in a weird spiritless voice, like footsteps in hard snow.

"Salz, Salz, bringe Salz. Kein' Peitsch', gnädige Herren. Salz, Salz, Salz."

I turned and there was Doc waltzing toward us with little tiny steps, bent over so low that the ends of his shawl touched the floor, his head crooked up sideways and looking through us.

I knew then, but Erich translated softly. "'Salt, salt, I bring salt. No whip, merciful sirs.' He is speaking to my countrymen in their language." Doc had spent his last months in a Nazi-operated salt mine.

He saw us and got up, straightening his top hat very carefully. He frowned hard while my heart thumped half a dozen times. Then his face slackened, he shrugged his shoulders and muttered, "Nichevo."

"And it does not matter, sir," Beau translated, but directing his remark at Bruce. "True, great civilizations have been dwarfed or broken by the Change War. But others, once crushed in the bud, have bloomed. In the 1870s, I traveled a Mississippi that had never known Grant's gunboats. I studied piano, languages, and the laws of chance under the greatest European masters at the University of Vicksburg."

"And you think your pipsqueak steamboat culture is compensation for—" Bruce began but, "Prithee none of that, lad," Sid interrupted smartly. "Nations are as equal as so many madmen or drunkards, and I'll drink dead drunk the man who disputes me. Hear reason: nations are not so puny as to shrivel and vanish at the first tampering with their past, no, nor with the tenth. Nations are monsters, boy, with guts of iron and nerves of brass. Waste not your pity on them."

"True indeed, sir," Beau pressed, cooler and keener for the attack on his Greater South. "Most of us enter the Change World with the false metaphysic that the slightest change in the past—a grain of dust misplaced—will transform the whole future. It is a long while before we accept with our minds as well as our intellects the law of the Conservation of Reality: that when the past is changed, the future changes barely enough to adjust, barely enough to admit the new data. The Change Winds meet maximum resistance always. Otherwise the first operation in Babylonia would have wiped out New Orleans, Sheffield, Stuttgart, and Maud Davies' birthplace on Ganymede!

"Note how the gap left by Rome's collapse was filled by the imperialistic and Christianized Germans. Only an expert Demon historian can tell the difference in most ages between the former Latin and the present Gothic Catholic Church. As you yourself, sir, said of Greece, it is as if an old melody were shifted into a slightly different key. In the wake of a Big Change, cultures and individuals are transposed, it's true, yet in the main they continue much as they were, except for the usual scattering of unfortunate but statistically meaningless accidents."

"All right, you bloody savants—maybe I pushed my point too far," Bruce growled. "But if you want variety, give a thought to the rotten methods we use in our wonderful Change War. Poisoning Churchill and Cleopatra. Kidnapping Einstein when he's a baby."

"The Snakes did it first," I reminded him.

"Yes, and we copied them. How resourceful does that make us?" he retorted, arguing like a woman. "If we need Einstein, why don't we Resurrect him, deal with him as a man?"

Beau said, serving his culture in slightly thicker slices, "Pardonnez-moi, but when you have enjoyed your status as Doubleganger a soupcon longer, you will understand that great men can rarely be Resurrected. Their beings are too crystallized, sir, their lifelines too tough."

"Pardon me, but I think that's rot. I believe that most great men refuse to make the bargain with the Snakes, or with us Spiders either. They scorn Resurrection at the price demanded."

"Brother, they ain't that great," I whispered, while Beau glided on with, "However that may be, you have accepted Resurrection, sir, and so incurred an obligation which you as a gentleman must honor."

"I accepted Resurrection all right," Bruce said, a glare coming into his eyes. "When they pulled me out of my line at Passchendaele in '17 ten minutes before I died, I grabbed at the offer of life like a drunkard grabs at a drink the morning after. But even then I thought I was also seizing a chance to undo historic wrongs, work for peace." His voice was getting wilder all the time. Just beyond our circle, I noticed the New Girl watching him worshipfully. "But what did I find the Spiders wanted me for? Only to fight more wars, over and over again, make them crueler and stinkinger, cut the swath of death a little wider with each Big Change, work our way a little closer to the death of the cosmos."

Sid touched my wrist and, as Bruce raved on, he whispered to me, "What kind of ball, think you, will please and so quench this fire-brained rogue? And you love me, discover it."

I whispered back without taking my eyes off Bruce either, "I know somebody who'll be happy to put on any kind of ball he wants, if he'll just notice her."

"The New Girl, sweetling? 'Tis well. This rogue speaks like an angry angel. It touches my heart and I like it not."

Bruce was saying hoarsely but loudly, "And so we're sent on operations in the past and from each of those operations the Change Winds blow futurewards, swiftly or slowly according to the opposition they breast, sometimes rippling into each other, and any one of those Winds may shift the date of our own death ahead of the date of our Resurrection, so that in an instant—even here, outside the cosmos—we may molder and rot or crumble to dust and vanish away. The wind with our name in it may leak through the Door."

Faces hardened at that, because it's bad form to mention Change Death, and Erich flared out with, "Halt's Maul, Kamerad! There's always another Resurrection."

But Bruce didn't keep his mouth shut. He said, "Is there? I know the Spiders promise it, but even if they do go back and cut another Doubleganger from my lifeline, is he me?" He slapped his chest with his bare hand. "I don't think so. And even if he is me, with unbroken consciousness, why's he been Resurrected again? Just to refight more wars and face more Change Death for the sake of an almighty power—" his voice was rising to a climax—"an almighty power so bloody ineffectual, it can't furnish one poor Soldier pulled out of the mud of Passchendaele, one miserable Change Commando, one Godforsaken Recuperee a proper issue of equipment!"

And he held out his bare right hand toward us, fingers spread a little, as if it were the most amazing object and most deserving of outraged sympathy in the whole world.

The New Girl's timing was perfect. She whisked through us, and before he could so much as wiggle the fingers, she whipped a black gauntleted glove on it and anyone could see that it fitted his hand perfectly.

This time our laughing beat the other. We collapsed and slopped our drinks and pounded each other on the back and then started all over.

"Ach, der Handschuh, Liebchen! Where'd she get it?" Erich gasped in my ear.

"Probably just turned the other one inside out—that turns a left into a right—I've done it myself," I wheezed, collapsing again at the idea.

"That would put the lining outside," he objected.

"Then I don't know," I said. "We got all sorts of junk in Stores."

"It doesn't matter, Liebchen," he assured me. "Ach, der Handschuh!"

All through it, Bruce just stood there admiring the glove, moving the fingers a little now and then, and the New Girl stood watching him as if he were eating a cake she'd baked.

When the hysteria quieted down, he looked up at her with a big smile. "What did you say your name was?"

"Lili," she said, and believe you me, she was Lili to me even in my thoughts from then on, for the way she'd handled that lunatic.

"Lilian Foster," she explained. "I'm English also. Mr. Marchant, I've read A Young Man's Fancy I don't know how many times."

"You have? It's wretched stuff. From the Dark Ages—I mean my Cambridge days. In the trenches, I was working up some poems that were rather better."

"I won't hear you say that. But I'd be terribly thrilled to hear the new ones. Oh, Mr. Marchant, it was so strange to hear you call it Passiondale."

"Why, if I may ask?"

"Because that's the way I pronounce it to myself. But I looked it up and it's more like Pas-ken-DA-luh."

"Bless you! All the Tommies called it Passiondale, just as they called Ypres Wipers."

"How interesting. You know, Mr. Marchant, I'll wager we were Recruited in the same operation, summer of 1917. I'd got to France as a Red Cross nurse, but they found out my age and were going to send me back."

"How old were you—are you? Same thing, I mean to say."

"Seventeen."

"Seventeen in '17," Bruce murmured, his blue eyes glassy.

It was real corny dialogue and I couldn't resent the humorous leer Erich gave me as we listened to them, as if to say, "Ain't it nice, Liebchen, Bruce has a silly little English schoolgirl to occupy him between operations?"

Just the same, as I watched Lili in her dark bangs and pearl necklace and tight little gray dress that reached barely to her knees, and Bruce hulking over her tenderly in his snazzy hussar's rig, I knew that I was seeing the start of something that hadn't been part of me since Dave died fighting Franco years before I got on the Big Time, the sort of thing that almost made me wish there could be children in the Change World. I wondered why I'd never thought of trying to work things so that Dave got Resurrected and I told myself: no, it's all changed, I've changed, better the Change Winds don't disturb Dave or I know about it.

"No, I didn't die in 1917—I was merely Recruited then," Lili was telling Bruce. "I lived all through the Twenties, as you can see from the way I dress. But let's not talk about that, shall we? Oh, Mr. Marchant, do you think you can possibly remember any of those poems you started in the trenches? I can't fancy them bettering your sonnet that concludes with, 'The bough swings in the wind, the night is deep; Look at the stars, poor little ape, and sleep.'"

That one almost made me whoop—what monkeys we are, I thought—though I'd be the first to admit that the best line to use on a poet is one of his own—in fact, as many as possible. I decided I could safely forget our little Britons and devote myself to Erich or whatever needed me.

CHAPTER 3

Hell is the place for me. For to Hell go the fine churchmen, and the fine knights, killed in the tourney or in some grand war, the brave soldiers and the gallant gentlemen. With them will I go. There go also the fair gracious ladies who have lovers two or three beside their lord. There go the gold and the silver, the sables and ermine. There go the harpers and the minstrels and the kings of the earth.

—Aucassin

NINE FOR A PARTY

I exchanged my drink for a new one from another tray Beau was bringing around. The gray of the Void was beginning to look real pleasant, like warm thick mist with millions of tiny diamonds floating in it. Doc was sitting grandly at the bar with a steaming tumbler of tea—a chaser, I guess, since he was just putting down a shot glass. Sid was talking to Erich and laughing at the same time and I said to myself it begins to feel like a party, but something's lacking.

It wasn't anything to do with the Major Maintainer; its telltale was glowing a steady red like a nice little home fire amid the tight cluster of dials that included all the controls except the lonely and frightening Introversion switch that was never touched. Then Maud's couch curtains winked out and there were she and the Roman sitting quietly side by side.

He looked down at his shiny boots and the rest of his black duds like he was just waking up and couldn't believe it all, and he said, "Omnia mutantur, nos et mutamur in illis," and I raised my eyebrows at Beau, who was taking the tray back, and he did proud by old Vicksburg by translating: "All things change and we change with them."

Then Mark slowly looked around at us, and I can testify that a Roman smile is just as warm as any other nationality, and he finally said, "We are nine, the proper number for a party. The couches, too. It is good."

Maud chuckled proudly and Erich shouted, "Welcome back from the Void, Kamerad," and then, because he's German and thinks all parties have to be noisy and satirically pompous, he jumped on a couch and announced, "Herren und Damen, permit me to introduce the noblest Roman of them all, Marcus Vipsaius Niger, legate to Nero Claudius (called Germanicus in a former time stream) and who in 763 A.U.C. (Correct, Mark? It means 10 A.D., you meatheads!) died bravely fighting the Parthians and the Snakes in the Battle of Alexandria. Hoch, hoch, hoch!"

We all swung our glasses and cheered with him and Sid yelled at Erich, "Keep your feet off the furniture, you unschooled rogue," and grinned and boomed at all three hussars, "Take your ease, Recuperees," and Maud and Mark got their drinks, the Roman paining Beau by refusing Falernian wine in favor of scotch and soda, and right away everyone was talking a mile a minute.

We had a lot to catch up on. There was the usual yak about the war—"The Snakes are laying mine fields in the Void," "I don't believe it, how can you mine nothing?"—and the shortages—bourbon, bobby pins, and the stabilitin that would have brought Mark out of it faster—and what had become of people—"Marcia? Oh, she's not around any more," (She'd been caught in a Change Gale and green and stinking in five seconds, but I wasn't going to say that)—and Mark had to be told about Bruce's glove, which convulsed us all over again, and the Roman remembered a legionary who had carried a gripe all the way to Octavius because he'd accidentally been issued the unbelievable luxury item sugar instead of the usual salt, and Erich asked Sid if he had any new Ghostgirls in stock and Sid sucked his beard like the old goat he is. "Dost thou ask me, lusty Allemand? Nay, there are several great beauties, amongst them an Austrian countess from Strauss's Vienna, and if it were not for sweetling here ... Mnnnn."

I poked a finger in Erich's chest between two of the bright buttons with their tiny death's heads. "You, my little von Hohenwald, are a menace to us real girls. You have too much of a thing about the unawakened, ghost kind."

He called me his little Demon and hugged me a bit too hard to prove it wasn't so, and then he suggested we show Bruce the Art Gallery. I thought this was a real brilliant idea, but when I tried to argue him out of it, he got stubborn. Bruce and Lili were willing to do anything anyone wanted them to, though not so willing to pay any attention while doing it. The saber cut was just a thin red line on his cheek; she'd washed away all the dried blood.

The Gallery gets you, though. It's a bunch of paintings and sculptures and especially odd knick-knacks, all made by Soldiers recuperating here, and a lot of them telling about the Change War from the stuff they're made of—brass cartridges, flaked flint, bits of ancient pottery glued into futuristic shapes, mashed-up Incan gold rebeaten by a Martian, whorls of beady Lunan wire, a picture in tempera on a crinkle-cracked thick round of quartz that had filled a starship porthole, a Sumerian inscription chiseled into a brick from an atomic oven.

There are a lot of things in the Gallery and I can always find some I haven't ever seen before. It gets you, as I say, thinking about the guys that made them and their thoughts and the far times and places they came from, and sometimes, when I'm feeling low, I'll come and look at them so I'll feel still lower and get inspired to kick myself back into a good temper. It's the only history of the Place there is and it doesn't change a great deal, because the things in it and the feelings that went into them resist the Change Winds better than anything else.

Right now, Erich's witty lecture was bouncing off the big ears I hide under my pageboy bob and I was thinking how awful it is that for us that there's not only change but Change. You don't know from one minute to the next whether a mood or idea you've got is really new or just welling up into you because the past has been altered by the Spiders or Snakes.

Change Winds can blow not only death but anything short of it, down to the featheriest fancy. They blow thousands of times faster than time moves, but no one can say how much faster or how far one of them will travel or what damage it'll do or how soon it'll damp out. The Big Time isn't the little time.

And then, for the Demons, there's the fear that our personality will just fade and someone else climb into the driver's seat and us not even know. Of course, we Demons are supposed to be able to remember through Change and in spite of it; that's why we are Demons and not Ghosts like the other Doublegangers, or merely Zombies or Unborn and nothing more, and as Beau truly said, there aren't any great men among us—and blamed few of the masses, either—we're a rare sort of people and that's why the Spiders have to Recruit us where they find us without caring about our previous knowledge and background, a Foreign Legion of time, a strange kind of folk, bright but always in the background, with built-in nostalgia and cynicism, as adaptable as Centaurian shape-changers but with memories as long as a Lunan's six arms, a kind of Change People, you might say, the cream of the damned.

But sometimes I wonder if our memories are as good as we think they are and if the whole past wasn't once entirely different from anything we remember, and we've forgotten that we forgot.

As I say, the Gallery gets you feeling real low, and so now I said to myself, "Back to your lousy little commandant, kid," and gave myself a stiff boot.

Erich was holding up a green bowl with gold dolphins or spaceships on it and saying, "And, to my mind, this proves that Etruscan art is derived from Egyptian. Don't you agree, Bruce?"

Bruce looked up, all smiles from Lili, and said, "What was that, dear chap?"

Erich's forehead got dark as the Door and I was glad the hussars had parked their sabers along with their shakos, but before he could even get out a Jerry cussword, Doc breezed up in that plateau-state of drunkenness so like hypnotized sobriety, moving as if he were on a dolly, ghosted the bowl out of Erich's hand, said, "A beautiful specimen of Middle Systemic Venusian. When Eightaitch finished it, he told me you couldn't look at it and not feel the waves of the Northern Venusian Shallows rippling around your hoofs. But it might look better inverted. I wonder. Who are you, young officer? Nichevo," and he carefully put the bowl back on its shelf and rolled on.

It's a fact that Doc knows the Art Gallery better than any of us, really by heart, he being the oldest inhabitant, though he maybe picked a bad time to show off his knowledge. Erich was going to take out after him, but I said, "Nix, Kamerad, remember gloves and sugar," and he contented himself with complaining, "That nichevo—it's so gloomy and hopeless, ungeheuerlich. I tell you, Liebchen, they shouldn't have Russians working for the Spiders, not even as Entertainers."

I grinned at him and squeezed his hand. "Not much entertainment in Doc these days, is there?" I agreed.

He grinned back at me a shade sheepishly and his face smoothed and his blue eyes looked sweet again for a second and he said, "I shouldn't want to claw out at people that way, Greta, but at times I am just a jealous old man," which is not entirely true, as he isn't a day over thirty-three, although his hair is nearly white.

Our lovers had drifted on a few steps until they were almost fading into the Surgery screen. It was the last spot I would have picked for the formal preliminaries to a little British smooching, but Lili probably didn't share my prejudices, though I remembered she'd told me she'd served a brief hitch in an Arachnoid Field Hospital before being transferred to the Place.

But she couldn't have had anything like the experience I'd had during my short and sour career as a Spider nurse, when I'd acquired my best-hated nightmare and flopped completely (jobwise, but on the floor, too) at seeing a doctor flick a switch and a being, badly injured but human, turn into a long cluster of glistening strange fruit—ugh, it always makes me want to toss my cookies and my buttons. And to think that dear old Daddy Anton wanted his Greta chile to be a doctor.

Well, I could see this wasn't getting me anywhere I wanted to go, and after all there was a party going on.

Doc was babbling something at a great rate to Sid—I just hoped Doc wouldn't get inspired to go into his animal imitations, which sound pretty fierce and once seriously offended some recuperating ETs.

Maud was demonstrating to Mark a 23rd Century two-step and Beau sat down at the piano and improvised softly on her rhythm.

As the deep-thrumming relaxing notes hit us, Erich's face brightened and he dragged me over. Pleasantly soon I had my feet off the diamond-rough floor, which we don't carpet because most of the ETs, the dear boys, like it hard, and I was shouldering back deep into the couch nearest the piano, with cushions all around me and a fresh drink in my hand, while my Nazi boy friend was getting ready to discharge his Weltschmerz as song, which didn't alarm me too much, as his baritone is passable.

Things felt real good, like the Maintainer was just idling to keep the Place in existence and moored to the cosmos, not exerting itself at all or at most taking an occasional lazy paddle stroke. At times the Place's loneliness can be happy and comfortable.

Then Beau raised an eyebrow at Erich, who nodded, and next thing they were launched into a song we all know, though I've never found out where it originally came from. This time it made me think of Lili, and I wondered why—and why it's a tradition at Recuperation Stations to call the new girl Lili, though in this case it happened to be her real name.

Standing in the Doorway just outside of space,
Winds of Change blow 'round you but don't touch your face;
You smile as you whisper tenderly,
"Please cross to me, Recuperee;
The operation's over, come in and close the Door."

CHAPTER 4

De Bailhache, Fresca, Mrs. Cammel, whirled
Beyond the circuit of the shuddering Bear
In fractured atoms.

—Eliot

SOS FROM NOWHERE

I realized the piano had deserted Erich and I cranked my head up and saw Beau, Maud and Sid streaking for the control divan. The Major Maintainer was blinking emergency-green and fast, but the code was plain enough for even me to recognize the Spider distress call and for a second I felt just sick. Then Erich blew out his reserve breath in the middle of "Door" and I gave myself another of those helpful mental boots at the base of the spine and we hurried after them toward the center of the Place along with Mark.

The blinks faded as we got there and Sid told us not to move because we were making shadows. He glued an eye to the telltale and we held still as statues as he caressed the dials like he was making love.

One sensitive hand flicked out past the Introversion switch over to the Minor Maintainer and right away the Place was dark as your soul and there was nothing for me but Erich's arm and the knowledge that Sid was nursing a green light I couldn't even see, although my eyes had plenty time to accommodate.

Then the green light finally came back very slowly and I could see the dear reliable old face—the green-gold beard making him look like a merman—and then the telltale flared bright and Sid flicked on the Place lights and I leaned back.

"That nails them, lads, whoever and whenever they may be. Get ready for a pick-up."

Beau, who was closest of course, looked at him sharply. Sid shrugged uneasily. "Meseemed at first it was from our own globe a thousand years before our Lord, but that indication flickered and faded like witchfire. As it is, the call comes from something smaller than the Place and certes adrift from the cosmos. Meseemed too at one point I knew the fist of the caller—an antipodean atomicist named Benson-Carter—but that likewise changed."

Beau said, "We're not in the right phase of the cosmos-Places rhythm for a pick-up, are we, sir?"

Sid answered, "Ordinarily not, boy."

Beau continued, "I didn't think we had any pick-ups scheduled. Or stand-by orders."

Sid said, "We haven't."

Mark's eyes glowed. He tapped Erich on the shoulder. "An octavian denarius against ten Reichsmarks it is a Snake trap."

Erich's grin showed his teeth. "Make it first through the Door next operation and I'm on."

It didn't take that to tell me things were serious, or the thought that there's always a first time for bumping into something from really outside the cosmos. The Snakes have broken our code more than once. Maud was quietly serving out weapons and Doc was helping her. Only Bruce and Lili stood off. But they were watching.

The telltale brightened. Sid reached toward the Maintainer, saying, "All right, my hearties. Remember, through this Doorway pass the fishiest finaglers in and out of the cosmos."

The Door appeared to the left and above where it should be and darkened much too fast. There was a gust of stale salt seawind, if that makes sense, but no stepped-up Change Winds I could tell—and I had been bracing myself against them. The Door got inky and there was a flicker of gray fur whips and a flash of copper flesh and gilt and something dark and a clump of hoofs and Erich was sighting a stun gun across his left forearm, and then the Door had vanished like that and a tentacled silvery Lunan and a Venusian satyr were coming straight toward us.

The Lunan was hugging a pile of clothes and weapons. The satyr was helping a wasp-waisted woman carry a heavy-looking bronze chest. The woman was wearing a short skirt and high-collared bolero jacket of leather so dark brown it was almost black. She had a two-horned petsofa hairdress and she was boldly gilded here and there and wore sandals and copper anklets and wristlets—one of them a copper-plated Caller—and from her wide copper belt hung a short-handled double-headed ax. She was dark-complexioned and her forehead and chin receded, but the effect was anything but weak; she had a face like a beautiful arrowhead—and a familiar one, by golly!

But before I could say, "Kabysia Labrys," Maud shrilly beat me to it with, "It's Kaby with two friends. Break out a couple of Ghostgirls."

And then I saw it really was old-home week because I recognized my Lunan boy friend Ilhilihis, and in the midst of all the confusion I got a nice kick out of knowing I was getting so I could tell the personality of one silver-furred muzzle from another.

They reached the control divan and Illy dumped his load and the others let down the chest, and Kaby staggered but shook off the two ETs when they started to support her, and she looked daggers at Sid when he tried to do the same, although she's his "sweet Keftian friend" he'd mentioned to Bruce.

She leaned straight-armed on the divan and took two gasping breaths so deep that the ridges of her spine showed through her brown-skinned waist, and then she threw up her head and commanded, "Wine!"

While Beau was rushing it, Sid tried to take her hand again, saying, "Sweetling, I'd never heard you call before and knew not this pretty little fist," but she ripped out, "Save your comfort for the Lunan," and I looked and saw—Hey, Zeus!—that one of Ilhilihis' six tentacles was lopped off halfway.

That was for me, and, going to him, I fast briefed myself: "Remember, he only weighs fifty pounds for all he's seven feet high; he doesn't like low sounds or to be grabbed; the two legs aren't tentacles and don't act the same; uses them for long walks, tentacles for leaps; uses tentacles for close vision too and for manipulation, of course; extended, they mean he's at ease; retracted, on guard or nervous; sharply retracted, disgusted; greeting—"

Just then, one of them swept across my face like a sweet-smelling feather duster and I said, "Illy, man, it's been a lot of sleeps," and brushed my fingers across his muzzle. It still took a little self-control not to hug him, and I did reach a little cluckingly for his lopped tentacle, but he wafted it away from me and the little voice-box belted to his side squeaked, "Naughty, naughty. Papa will fix his little old self. Greta girl, ever bandaged even a Terra octopus?"

I had, an intelligent one from around a quarter billion A.D., but I didn't tell him so. I stood and let him talk to the palm of my hand with one of his tentacles—I don't savvy feather-talk but it feels good, though I've often wondered who taught him English—and watched him use a couple others to whisk a sort of Lunan band-aid out of his pouch and cap his wound with it.

Meanwhile, the satyr knelt over the bronze chest, which was decorated with little death's heads and crosses with hoops at the top and swastikas, but looking much older than Nazi, and the satyr said to Sid, "Quick thinkin, Gov, when ya saw the Door comin in high n soffened up gravty unner it, but cud I hav sum hep now?"

Sid touched the Minor Maintainer and we all got very light and my stomach did a flip-flop while the satyr piled on the chest the clothes and weapons that Illy had been carrying and pranced off with it all and carefully put it down at the end of the bar. I decided the satyr's English instructor must have been quite a character, too. Wish I'd met him—her—it.

Sid thought to ask Illy if he wanted Moon-normal gravity in one sector, but my boy likes to mix, and being such a lightweight, Earth-normal gravity doesn't bother him. As he said to me once, "Would Jovian gravity bother a beetle, Greta girl?"

I asked Illy about the satyr and he squeaked that his name was Sevensee and that he'd never met him before this operation. I knew the satyrs were from a billion years in the future, just as the Loonies were from a billion in the past, and I thought—Kreesed us!—but it must have been a real big or emergency-like operation to have the Spiders using those two for it, with two billion years between them—a time-difference that gives you a feeling of awe for a second, you know.

I started to ask Illy about it, but just then Beau came scampering back from the bar with a big red-and-black earthenware goblet of wine—we try to keep a variety of drinking tools in stock so folks will feel more at home. Kaby grabbed it from him and drained most of it in one swallow and then smashed it on the floor. She does things like that, though Sid's tried to teach her better. Then she stared at what she was thinking about until the whites showed all around her eyes and her lips pulled way back from her teeth and she looked a lot less human than the two ETs, just like a fury. Only a time traveler knows how like the wild murals and engravings of them some of the ancients can look.

My hair stood up at the screech she let out. She smashed a fist into the divan and cried, "Goddess! Must I see Crete destroyed, revived, and now destroyed again? It is too much for your servant."

Personally, I thought she could stand anything.

There was a rush of questions at what she said about Crete—I asked one of them, for the news certainly frightened me—but she shot up her arm straight for silence and took a deep breath and began.

"In the balance hung the battle. Rowing like black centipedes, the Dorian hulls bore down on our outnumbered ships. On the bright beach, masked by rocks, Sevensee and I stood by the needle gun, ready to give the black hulls silent wounds. Beside us was Ilhilihis, suited as a sea monster. But then ... then ..."

Then I saw she wasn't altogether the iron babe, for her voice broke and she started to shake and to sob rackingly, although her face was still a mask of rage, and she threw up the wine. Sid stepped in and made her stop, which I think he'd been wanting to do all along.

CHAPTER 5

Whenever I take up a newspaper and read it, I fancy I see ghosts creeping between the lines. There must be ghosts all over the world. They must be as countless as the grains of the sands, it seems to me.

—Ibsen

SID INSISTS ON GHOSTGIRLS

My Elizabethan boy friend put his fists on his hips and laid down the law to us as if we were a lot of nervous children who'd been playing too hard.

"Look you, masters, this is a Recuperation Station and I am running it as such. A plague of all operations! I care not if the frame of things disjoints and the whole Change World goes to ruin, but you, warrior maid, are going to rest and drink more wine slowly before you tell your tale and your colleagues are going to be properly companioned. No questions, anyone. Beau, and you love us, give us a lively tune."

Kaby relaxed a little and let him put his hand carefully against her back in token of support and she said grudgingly, "All right, Fat Belly."

Then, so help me, to the tune of the Muskrat Ramble, which I'd taught Beau, we got girls for those two ETs and everybody properly paired up.

Right here I want to point out that a lot of the things they say in the Change World about Recuperation Stations simply aren't so—and anyway they always leave out nine-tenths of it. The Soldiers that come through the Door are looking for a good time, sure, but they're hurt real bad too, every one of them, deep down in their minds and hearts, if not always in their bodies or so you can see it right away.

Believe me, a temporal operation is no joke, and to start with, there isn't one person in a hundred who can endure to be cut from his lifeline and become a really wide-awake Doubleganger—a Demon, that is—let alone a Soldier. What does a badly hurt and mixed-up creature need who's been fighting hard? One individual to look out for him and feel for him and patch him up, and it helps if the one is of the opposite sex—that's something that goes beyond species.

There's your basis for the Place and the wild way it goes about its work, and also for most other Recuperation Stations or Entertainment Spots. The name Entertainer can be misleading, but I like it. She's got to be a lot more than a good party girl—or boy—though she's got to be that too. She's got to be a nurse and a psychologist and an actress and a mother and a practical ethnologist and a lot of things with longer names—and a reliable friend.

None of us are all those things perfectly or even near it. We just try. But when the call comes, Entertainers have to forget grudges and gripes and envies and jealousies—and remember, they're lively people with sharp emotions—because there isn't any time then for anything but help and don't ask who!

And, deep inside her, a good Entertainer doesn't care who. Take the way it shaped up this time. It was pretty clear to me I ought to shift to Illy, although I wasn't quite easy in my mind about leaving Erich, because the Lunan was a long time from home and, after all, Erich was among anthropoids. Ilhilihis needed someone who was simpatico.

I like Illy and not just because he is a sort of tall cross between a spider monkey and a persian cat—though that is a handsome combo when you come to think of it. I like him for himself. So when he came in all lopped and shaky after a mean operation, I was the right person to look out for him. Now I've made my little speech and know-nothings in the Change World can go on making their bum jokes. But I ask you, how could an arrangement between Illy and me be anything but Platonic?

We might have had some octopoid girls and nymphs in stock—Sid couldn't be sure until he checked—but Ilhilihis and Sevensee voted for real people and I knew Sid saw it their way. Maud squeezed Mark's hand and tripped over to Sevensee ("Those are sharp hoofs you got, man"—she's picked up some of my language, like she has everything else), though Beau did frown over his shoulder at Lili from the piano, maybe to argue that she ought to take on the ET, as Mark had been a real casualty and could use live nursing. But it was plain as day to anybody but Beau that Bruce and Lili were a big thing and the last to be disturbed.

Erich acted stiffly hurt at losing me, but I knew he wasn't. He thinks he has a great technique with Ghostgirls and he likes to show it off, and he really is pretty slick at it, if you go for that sort of thing and—yang my yin!—who doesn't at times?

And when Sid formally wafted the Countess out of Stores—a real blonde stunner in a white satin hobble skirt with a white egret swaying up from her tiny hat, way ahead of Maud and Lili and me when it came to looks, though transparent as cigarette smoke—and when Erich clicked his heels and bowed over her hand and proudly conducted her to a couch, black Svengali to her Trilby, and started to German-talk some life into her with much head cocking and toothy smiling and a flow of witty flattery, and when she began to flirt back and the dream look in her eyes sharpened hungrily and focused on him—well, then I knew that Erich was happy and felt he was doing proud by the Reichswehr. No, my little commandant wasn't worrying me on that score.

Mark had drawn a Greek hetaera, name of Phryne; I suppose not the one who maybe still does the famous courtroom striptease back in Athens, and he was waking her up with little sips of his scotch and soda, though, from some looks he'd flashed, I got the idea Kaby was the kid he really went for. Sid was coaxing the fighting gal to take some high-energy bread and olives along with the wine, and, for a wonder, Doc seemed to be carrying on an animated and rational conversation with Sevensee and Maud, maybe comparing notes on the Northern Venusian Shallows, and Beau had got on to Panther Rag, and Bruce and Lili were leaning on the piano, smiling very appreciatively, but talking to each other a mile a minute.

Illy turned back from inspecting them all and squeaked, "Animals with clothes are so refreshing, dahling! Like you're all carrying banners!"

Maybe he had something there, though my banners were kind of Ash Wednesday, a charcoal gray sweater and skirt. He looked at my mouth with a tentacle to see how I was smiling and he squeaked softly, "Do I seem dull and commonplace to you, Greta girl, because I haven't got banners? Just another Zombie from a billion years in your past, as gray and lifeless as Luna is today, not as when she was a real dreamy sister planet simply bursting with air and water and feather forests. Or am I as strangely interesting to you as you are to me, girl from a billion years in my future?"