GEORGE CRUIKSHANK'S
OMNIBUS.
PREFACE.
"DE OMNIBUS REBUS ET QUIRUSDAN ALIIS."
PUBLISHED BY TILT & BOGUE, 86, FLEET STREET
GEORGE CRUIKSHANK'S
OMNIBUS.
ILLUSTRATED WITH ONE HUNDRED ENGRAVINGS ON STEEL
AND WOOD.
"De Omnibus rebus et quibusdam aliis."
EDITED BY LAMAN BLANCHARD, ESQ.
LONDON:
TILT AND BOGUE, FLEET STREET.
MDCCCXLII.
LONDON:
BRADBURY AND EVANS, PRINTERS, WHITEFRIARS.
CONTENTS.
LIST OF ETCHINGS ON STEEL.
"DE OMNIBUS REBUS ET QUIBUSDAM ALIIS."
LIST OF WOOD-CUTS.
| PAGE | |
| 1. The peep-show | Preface |
| 2. Bust of Shakspeare with pipe | 2 |
| 3. G. C. in a drawing-room | 4 |
| 4. G. C. and a cabman | 5 |
| 5. A pair of bellows | 6 |
| 6. My last pair of Hessians | 8 |
| 7. A pair of shoes | 13 |
| 8. Love seeking a lodging | 14 |
| 9. Monument to Napoleon | 26 |
| 10. Photographic painting | 29 |
| 11. The sun painting all the world and his wife | 32 |
| 12. Love has legs | 52 |
| 13. The ass climbing the ladder | 54 |
| 14. The ass on the ladder | 54 |
| 15. The boy on the ladder | 54 |
| 16. Ditto | 56 |
| 17. A large order | 64 |
| 18. Love masquerading | 75 |
| 19. Foot-boy and bread | 90 |
| 20. Footman and pups | 91 |
| 21. Coachman and dumplings | 92 |
| 22. A rigid sense of duty | 95 |
| 23. Mrs. Toddles | 96 |
| 24. Leg-of-beef shop | 100 |
| 25. The Flying Dutchman | 106 |
| 26. Kangaroo dance | 109 |
| 27. Kangaroo and fiddler | 111 |
| 28. The muffin-man | 120 |
| 29. The strange cat | 131 |
| 30. The round hat and the cocked hat | 132 |
| 31. Sailor chasing Napoleon | 134 |
| 32. A passionate man | 138 |
| 33. T tree | 152 |
| 34. Emperor of China cutting off his own nose | 153 |
| 35. Chinese cavalry | 153 |
| 36. Tea-pot | 154 |
| 37. The fashions | 155 |
| 38. The boy's revenge | 159 |
| 39. The living pincushion | 159 |
| 40. Mrs. Toddles | 160 |
| 41. Materials for making a ghost | 163 |
| 42. The ghost | 163 |
| 43. The bell-pull and the pigtail | 166 |
| 44. Little Spitz | 167 |
| 45. Last night of Vauxhall—the balloon | 172 |
| 46. Simpson à la Shakspeare | 175 |
| 47. Cupid with an umbrella | 176 |
| 48. Love breaking hearts | 176 |
| 49. Height of impudence | 195 |
| 50. Mrs. Toddles at Margate | 196 |
| 51. Ditto | 196 |
| 52. The Dun | 200 |
| 53. The Second Sleeper | 202 |
| 54. Sliding Scale | 217 |
| 55. Mile-stones—on the Rail-road | 222 |
| 56. Butcher's Boy | 225 |
| 57. Tar and Feathers | 227 |
| 58. Corks | 229 |
| 59. Turnpikeman and the Elephant | 230 |
| 60. Three Figures of Fashion | 230 |
| 61. Plan of the Tower of London | 233 |
| 62. Bowyer Tower | 235 |
| 63. Camperdown Anchor | 235 |
| 64. Lady Jane's Room | 236 |
| 65. The Fire-king Flue | 236 |
| 66. Grenadiers playing on the Piano | 262 |
| 67. Fireman playing on a Piano | 263 |
| 68. Colonel Walker (or Talker) | 264 |
| 69. Mrs. Toddles in a Fit | 264 |
| 70. Such a Duck | 281 |
| 71. The Horse by the Head | 292 |
| 72. Sheer Tyranny | 294 |
| 73. Sheer Kindness | 294 |
| 74. Pope's Guard | 296 |
| 75. Building an Angel | 297 |
| 76. Mrs. Toddles in the Dickey | 299 |
| 77. Mrs. T. and the Colonel dancing | 299 |
| 78. As Broad as it's Long | 300 |
OUR PREFACE.
We have been entreated by a great many juvenile friends to "tell 'em all about our Engraved Preface in No. I.;" and entreaties from tender juveniles we never could resist. So, for their sakes, we enter into a little explanation concerning the great matters crowded into "our Preface." All children of a larger growth are, therefore, warned to skip this page if they please—it is not for them, who are, of course, familiar with the ways of the world—but only for the little dears who require a Guide to the great Globe they are just beginning to inhabit.
Showman.—"Now then, my little masters and missis, run home to your mammas, and cry till they give you all a shilling apiece, and then bring it to me, and I'll show you all the pretty pictures."
So now, my little masters and misses, have you each got your No. 1 ready? Always take care of that. Now then, please to look at the top of the circular picture which represents the world, and there you behold Her Majesty Queen Victoria on her throne, holding a court, with Prince Albert, in his field-marshal's uniform, by her side, and surrounded by ladies, nobles, and officers of state. A little to the right are the heads of the Universities, about to present an address. Above the throne you behold the noble dome of St. Paul's, on each side of which may be seen the tall masts of the British navy. Cast your eyes, my pretty dears, below the throne, and there you behold Mr. and Mrs. John Bull, and three little Bulls, with their little bull-dog; one little master is riding his papa's walking-stick, while his elder brother is flying his kite—a pastime to which a great many Bulls are much attached. Miss Bull is content to be a little lady with a leetle parasol, like her mamma. To the right of the kite you behold an armed man on horseback, one of those curious figures which, composed of goldbeater's skin, used to be sent up some years ago to astonish the natives; only they frightened 'em into fits, and are not now sent up, in consequence of being put down. And now you see "the world goes round." Turn your eyes a little to the right to the baloon and parachute, and then look down under the smoke of a steamer, and you behold a little sweep flourishing his brush on the chimney-top, and wishing perhaps that he was down below there with Jack-in-the-green. Now then, a little more to the right—where you see a merry dancing-group of our light-heeled and light-hearted neighbours, the leader of the party playing the fiddle and dancing on stilts, while one of his countrymen is flying his favourite national kite—viz., the soldier. In the same vicinity, are groups of German gentlemen, some waltzing, and some smoking meerschaums; near these are foot-soldiers and lancers supporting the kite-flyer. Now, near the horse, my little dears, you will see the mule, together with the Spanish muleteers, who, if not too tired, would like to take part in that fandango performed to the music of the light guitar. Look a little to the left, and you behold a quadrille-party, where a gentleman in black is pastorale-ing all the chalk off the floor; and now turn your eyes just above these, and you behold a joyful party of convivialists, with bottles in the ice-pail and bumpers raised, most likely to the health of our gracious Queen, or in honour of the Great Captain of the Age. And now, my little dears, turn your eyes in a straight line to the right, and you will perceive St. Peter's at Rome, beneath which are two young cardinals playing at leap-frog, not at all frightened at the grand eruption of Mount Vesuvius which is going on in the distance. From this you must take a leap on to the camel's back, from which you will obtain a view of the party sitting just below, which consists of the grand Sultan smoking desperately against Ali Pacha. Now, look a little lower down, and you will see a famous crocodile-catcher of the Nile, said to bear a striking resemblance to Commodore Napier; and now, look upwards again to the farthest verge, and you behold the great Pyramid, and a wild horseman chasing an ostrich not so wild as himself. Now, the world goes round a little more, and you see some vast mountains, together with the temples of Hindostan; and upon the palm-tree you will find the monkeys pulling one another's tails, being very uneducated and having nothing else to do: here, also, you will discern the Indian jugglers, one throwing the balls, and another swallowing the sword, a very common thing in these parts. And now, my little dears, you can plainly see several very independent gentlemen and loyal subjects standing on their heads in presence of the Emperor of ever so many worlds, and the brother of the sun and moon; and behind these, hiding the wall of China, you will see a quantity of steam, (for they are in hot water there,) that issues from the tea-kettles. Leaving his Celestial Majesty smoking his opium, and passing the junks, temples, and pagodas, you see a Chinese joss upon his pedestal; and now you can descend and join that pretty little tea-party, where you will recognise some of your old acquaintances on tea-cups; only, if you are afraid of the lion which you see a long way off, you can turn to the left, and follow the tiger that is following the elephant like mad: and now, my little dears, you can jump for safety into that palanquin carried by the sable gentry, or perhaps you would join the party of Persians seated a little lower, only they have but one dish and no plates to eat out of. Just above this dinner-party you behold some live venison, or a little antelope eating his grass for dinner while a boa-constrictor is creeping up with the intention of dining upon him; so you had better make your way to that giraffe, who is feeding upon the tops of trees, which habit is supposed to have occasioned the peculiar shape of that remarkable quadruped; and now you fall again in the way of that ramping lion, from whose jaws a black is retreating only to encounter a black brother more savage than the wild beast. And now, if your eye follows that gang of slaves, chained neck to neck, who are being driven off to another part of the world, you will see what treatment they are doomed to experience there, in the flogging which is being administered to one of their colour—that is to say, black as the vapour issuing from that mountain in the distance; it is Chimborao, or Cotapaxi, I can't say exactly which, but it shall be whichever you please, my pretty little dears. In the smoke of it an eagle is carrying off a lamb—do you see?—Stop, let me wipe the glasses!—Ah, yes, and now you can clearly behold a gentleman of the United States smoking his cigar in his rocking-chair. A little behind is another gentleman driving his sleigh, and in front you won't fail to see an astonishing personage, who has just caught a cayman, or American crocodile, which he is balancing on his walking-stick, on purpose to amuse little boys and girls like you. At his side is the celebrated runaway nigger represented by Mr. Mathews, who says, "Me no likee confounded workee; me likee to sit in a sun, and play fiddle all day." Over his head is a steam-vessel, and at his feet an Indian canoe; towards it a volume of smoke is ascending from a fire, round which some savages are dancing with feeling too horrible to think of. So instead of stopping to dinner here, my little masters and misses, you would much rather, I dare say, take pot-luck with that group of gipsies above, who are going to regale upon a pair of boiled fowls, which I hope they came honestly by. Talking of honesty, we start upwards to the race-course; and now goes the world round again, until you get sight of a gentleman with a stick in his hand, who has evidently a great stake in the race, and who is so rejoiced at having won, that he is unconscious of what he is all the while losing in the abstraction of his pocket-book. And now we are in the midst of the fair, where we see the best booth, and merry doings in the shape of a boxing-match; but as "music has charms," turn your eyes and your ears too some little distance downwards in the direction of the organ player and the tambourine, where you will find some jovial drinkers, not far from the harp and violin of the quadrille-party. I hope their music won't be drowned by the noise of that Indian, to the left, beating the tom-tom, while the nautch-girls are dancing as if they couldn't help it, all to amuse the mighty Emperor of all the Smokers and Prince of Tobacco, who is seated, hookah in hand, in the centre of the globe—where we must leave him to his enjoyment, tracing our way back to the jovial drinking-party, where you will see Jack capering ashore, and getting on perhaps a little too fast, while the donkey-boy above him can't get on at all, and the fox-hunter, still higher up, seems to be in danger of getting off—especially if his horse should happen to be startled by his brother-sportsman's gun behind him. And now, my little dears, the gun has brought us round again to the royal guards, where the band is playing, in glorious style, God save the Queen! And thus ends, where it began, my History of the World!
George Cruikshank
GEORGE CRUIKSHANK'S OMNIBUS.
"MY PORTRAIT."
I respectfully beg leave to assure all to whom "My Portrait" shall come, that I am not now moved to its publication, for the first time, by any one of the ten thousand considerations that ordinarily influence modest men in presenting their "counterfeit presentments" to the public gaze. Mine would possibly never have appeared at all, but for the opportunity thus afforded me of clearing up any mistakes that may have been originated by a pen-and-ink sketch which recently appeared in a publication entitled "Portraits of Public Characters."
The writer of that sketch was evidently animated by a spirit of kindness, and to kindness I am always sensitively alive; but he has been misinformed—he has represented me "as I am not," instead of "as I am;" and although it is by no means necessary that I should offer "some account of myself" in print, it is desirable that I should, without fatiguing anybody, correct some half-dozen of the errors into which my biographer has fallen.
A few words of extract, and a few more of comment, and my object, as the moralist declares when he seeks to lure back one sinner to the paths of virtue, will be fully attained.
The sketch, which professes to be "my portrait," opens thus:—
(1.) "I believe Geo. Cruikshank dislikes the name of artist, as being too common-place."
I have my dislikes; but it happens that they always extend to things, and never settle upon mere names. He must be a simpleton indeed who dislikes the name of artist when he is not ashamed of his art. It is possible that I may once in my life, when "very young," have said that I would rather carry a portmanteau than a portfolio through the streets; and this, perhaps from a recollection of once bearing a copper-plate, not sufficiently concealed from the eyes of an observant public, under my arm, and provoking a salutation from a little ragged urchin, shouting at the top of his voice, hand to mouth—"There goes a copper plate en-gra-ver!" It is true, that as I walked on I experienced a sense of the uncomfortableness of that species of publicity, and felt that the eyes of Europe were very inconveniently directed to me; but I did not, even in that moment of mortification, feel ashamed of my calling: I did not "dislike the name of artist."
(2.) "When a very young man, it was doubtful whether the weakness of his eyes would not prove a barrier to his success as an artist."
When a very young man, I was rather short-sighted, in more senses than one; but weak eyes I never had. The blessing of a strong and healthy vision has been mine from birth; and at any period of time since that event took place, I have been able, even with one eye, to see very clearly through a millstone, upon merely applying the single optic, right or left, to the centrical orifice perforated therein. But for the imputation of weakness in that particular, I never should have boasted of my capital eye; especially (as an aged punster suggests) when I am compelled to use the capital I so often in this article.
(3.) "The gallery in which George first studied his art, was, if the statement of the author of 'Three Courses and a Dessert' may be depended on, the tap-room of a low public-house, in the dark, dirty, narrow lanes which branch off from one of the great thoroughfares towards the Thames. And where could he have found a more fitting place? where could he have met with more appropriate characters?—for the house was frequented, to the exclusion of everybody else, by Irish coal-heavers, hodmen, dustmen, scavengers, and so forth!"
I shall mention, en passant, that there are no Irish coal-heavers: I may mention, too, that the statement of the author adverted to is not to be depended on; were he living, I should show why. And now to the scene of my so-called "first studies." There was, in the neighbourhood in which I resided, a low public-house; it has since degenerated into a gin-palace. It was frequented by coal-heavers only, and it stood in Wilderness-lane, (I like to be particular,) between Primrose-hill and Dorset-street, Salisbury-square, Fleet-street. To this house of inelegant resort, (the sign was startling, the "Lion in the Wood,") which I regularly passed in my way to and from the Temple, my attention was one night especially attracted, by the sounds of a fiddle, together with other indications of festivity; when, glancing towards the tap-room window, I could plainly discern a small bust of Shakspeare placed over the chimney-piece, with a short pipe stuck in its mouth, thus—
This was not clothing the palpable and the familiar with golden exhalations from the dawn, but it was reducing the glorious and immortal beauty of Apollo himself to a level with the common-place and the vulgar. Yet there was something not to be quarrelled with in the association of ideas to which that object led. It struck me to be the perfection of the human picturesque. It was a palpable meeting of the Sublime and the Ridiculous; the world of Intellect and Poetry seemed thrown open to the meanest capacity; extremes had met; the highest and the lowest had united in harmonious fellowship. I thought of what the great poet had himself been, of the parts that he had played, and the wonders he had wrought, within a stone's-throw of that very spot; and feeling that even he might have well wished to be there, the pleased spectator of that lower world, it was impossible not to recognise the fitness of the pipe. It was the only pipe that would have become the mouth of a poet in that extraordinary scene; and without it, he himself would have wanted majesty and the right to be present. I fancied that Sir Walter Raleigh might have filled it for him. And what a scene was that to preside over and to contemplate[1]! What a picture of life was there! It was as though Death were dead! It was all life. In simpler words, I saw, on approaching the window and peeping between the short red curtains, a swarm of jolly coal-heavers! Coal-heavers all—save a few of the fairer and softer sex—the wives of some of them—all enjoying the hour with an intensity not to be disputed, and in a manner singularly characteristic of the tastes and propensities of aristocratic and fashionable society;—that is to say, they were "dancing and taking refreshments." They only did what "their betters" were doing elsewhere. The living Shakspeare, had he been, indeed, in the presence, would but have seen a common humanity working out its objects, and have felt that the omega, though the last in the alphabet, has an astonishing sympathy with the alpha that stands first.
This incident, may I be permitted to say, led me to study the characters of that particular class of society, and laid the foundation of scenes afterwards published. The locality and the characters were different, the spirit was the same. Was I, therefore, what the statement I have quoted would lead anybody to infer I was, the companion of dustmen, hodmen, coal-heavers, and scavengers? I leave out the "and so forth" as superfluous. It would be just as fair to assume that Morland was the companion of pigs, that Liston was the associate of louts and footmen, or that Fielding lived in fraternal intimacy with Jonathan Wild.
(4.) "With Mr. Hone" (afterwards designated "the most noted infidel of his day") "he had long been on terms not only of intimacy, but of warm friendship."
A very select class of associates to be assigned to an inoffensive artist by a friendly biographer; coal-heavers, hodmen, dustmen, and scavengers for my companions, and the most noted infidel of his day for my intimate friend! What Mr. Hone's religious creed may have been at that time, I am far from being able to decide; I was too young to know more than that he seemed deeply read in theological questions, and, although unsettled in his opinions, always professed to be a Christian. I knew also that his conduct was regulated by the strictest morality. He had been brought up to detest the Church of Rome, and to look upon the "Church of England" service as little better than popish ceremonies; and with this feeling, he parodied some portions of the Church service for purposes of political satire. But with these publications I had nothing whatever to do; and the instant I heard of their appearance, I entreated him to withdraw them. That I was his friend, is true; and it is true, also, that among his friends were many persons, not more admired for their literary genius, than esteemed for their zeal in behalf of religion and morals.
(5.) "Not only is George a decided liberal, but his liberalism has with him all the authority of a moral law."
I have already said, that I never quarrel with names, but with things; yet as so many and such opposite interpretations of the terms quoted are afloat, and as some of them are not very intelligible, I wish explicitly to enter my protest against every reading of the word "liberal," as applicable to me, save that which I find attributed to it in an old and seemingly forgotten dictionary—"Becoming a gentleman, generous, not mean."
(6.) "Even on any terms his genius could not, for some time past, be said to have been marketable, Mr. Bentley the bookseller having contrived to monopolise his professional labours for publications with which he is connected."
This assertion was to a certain extent true, while I was illustrating Oliver Twist and Jack Sheppard, works to which I devoted my best exertions; but so far from effecting a monopoly of my labours, the publisher in question has not for a twelvemonth past had from me more than a single plate for his monthly Miscellany; nor will he ever have more than that single plate per month; nor shall I ever illustrate any other work that he may publish.
(7.) "He sometimes sits at his window to see the patrons of 'Vite Condick Ouse' on their way to that well-known locality on Sundays," &c.
As my "extraordinary memory" is afterwards defined to be "something resembling a supernatural gift," it ought to enable me to recollect this habit of mine; yet I should have deemed myself as innocent of such a mode of spending the Sabbath as Sir Andrew Agnew himself, but for this extraordinary discovery. I am said to have "the most vivid remembrance of anything droll or ludicrous;" and yet I cannot remember sitting at the window "on a Sunday" to survey the motley multitude strolling towards "Vite Condick Ouse." I wish the invisible girl would sell me her secret.
(8.) "He is a very singular, and, in some respects, eccentric man, considered, as what he himself would call, a 'social being.' The ludicrous and extraordinary fancies with which his mind is constantly teeming often impart a sort of wildness to his look, and peculiarity to his manner, which would suffice to frighten from his presence those unacquainted with him. He is often so uncourteous and abrupt in his manner as to incur the charge of seeming rudeness."
Though unaccustomed to spend the Sabbath day in the manner here indicated, I have never yet been regarded as Saint George; neither, on the other hand, have I ever before been represented as the Dragon! Time was, when the dove was not more gentle; but now I "frighten people from my presence," and the isle from its propriety. The "Saracen's Head" is all suavity and seductiveness compared to mine. Forty thousand knockers, with all their quantity of fright, would not make up my sum. I enter a drawing-room, it may be supposed, like one prepared to go the whole griffin. Gorgons, and monsters, and chimeras dire, are concentrated by multitudes in my person.
The aspect of Miss Jemima Jones, who is enchanting the assembled party with "See the conquering hero comes," instantaneously assumes the expression of a person singing "Monster, away." All London is Wantley, and all Wantley is terror-stricken wherever I go. I am as uncourteous as a gust of wind, as abrupt as a flash of lightning, and as rude as the billows of the sea. But of all this, be it known that I am "unconscious." This is acknowledged; "he is himself unconscious of this," which is true to the very letter, and very sweet it is to light at last upon an entire and perfect fact. But enjoying this happy unconsciousness—sharing it moreover with my friends, why wake me from the delusion! Why excite my imagination, and unstring my nerves, with visions of nursery-maids flying before me in my suburban walks—of tender innocents in arms frightened into fits at my approach, of five-bottle men turning pale in my presence, of banquet-halls deserted on my entrance!
(9.) "G. C. is the only man I know moving in a respectable sphere of life who is a match for the under class of cabmen. He meets them on their own ground, and fights them with their own weapons. The moment they begin to swagger, to bluster, and abuse, he darts a look at them, which, in two cases out of three, has the effect of reducing them to a tolerable state of civility; but if looks do not produce the desired results—if the eyes do not operate like oil thrown on the troubled waters, he talks to them in tones which, aided as his words and lungs are by the fire and fury darting from his eye, and the vehemence of his gesticulation, silence poor Jehu effectually," &c.
Fact is told in fewer words than fiction. It so happens that I never had a dispute with a cabman in my life, possibly because I never provoked one. From me they are sure of a civil word; I generally open the door to let myself in, and always to let myself out; nay, unless they are very active indeed, I hand the money to them on the box, and shut the door to save them the trouble of descending. "The greatest is behind"—I invariably pay them more than their fare; and frequently, by the exercise of a generous forgetfulness, make them a present of an umbrella, pair of gloves, or a handkerchief. At times, I have gone so far as to leave them a few sketches, as an inspection of the albums of their wives and daughters (they have their albums doubtless) would abundantly testify.
(10.) "And yet he can make himself exceedingly agreeable both in conversation and manners when he is in the humour so to do. I have met with persons who have been loaded with his civilities and attention. I know instances in which he has spent considerable time in showing strangers everything curious in the house; he is a collector of curiosities."
No single symp—— I was about to say that no single symptom of a curiosity, however insignificant, is visible in my dwelling, when by audible tokens I was (or rather am) rendered sensible of the existence of a pair of bellows. Well, in these it must be admitted that we do possess a curiosity. We call them "bellows," because, on a close inspection, they appear to bear a much stronger resemblance to "bellows" than to any other species of domestic implement; but what in reality they are, the next annual meeting of the great Scientific Association must determine; or the public may decide for themselves when admitted hereafter to view the precious deposit in the British Museum. In the mean time, I vainly essay to picture the unpicturable.
Eccentric, noseless, broken-winded, dilapidated, but immortal, these bellows have been condemned to be burnt a thousand times at least; but they are bellows of such an obstinate turn of mind that to destroy them is impossible. No matter how imperative the order—how immediate the hour of sacrifice, they are sure to escape. So much for old maxims; we may "sing old Rose," but we cannot "burn the bellows." As often as a family accident happens—such as the arrival of a new servant, or the sudden necessity for rekindling an expiring fire, out come the bellows, and forth go into the most secret and silent corners of the house such sounds of wheezing, squeaking, groaning, screaming, and sighing, as might be heard in a louder, but not more intolerable key, beneath the roaring fires of Etna. Then, rising above these mingled notes, issues the rapid ringing of two bells at once, succeeded by a stern injunction to the startled domestic "never on any account to use those bellows again," but, on the contrary, to burn, eject, and destroy them without reservation or remorse. One might as well issue orders to burn the east wind. A magic more powerful even than womanly tenderness preserves them; and six weeks afterwards forth rolls once more that world of wondrous noises. Let no one imagine that I have really sketched the bellows, unless I had sketched their multitudinous voice. What I have felt when drawing Punch is, that it was easy to represent his eyes, his nose, his mouth; but that the one essential was after all wanting—the squeak. The musician who undertook to convey by a single sound a sense of the peculiar smell of the shape of a drum, could alone picture to the eye the howlings and whisperings of the preternatural bellows. Now you hear a moaning as of one put to the torture, and may detect both the motion of the engine and the cracking of the joints; anon cometh a sound as of an old beldame half inebriated, coughing and chuckling. A sigh as from the depths of a woman's heart torn with love, or the "lover sighing like furnace," succeeds to this; and presently break out altogether—each separate note of the straining pack struggling to be foremost—the yelping of a cur, the bellowing of a schoolboy, the tones of a cracked flute played by a learner, the grinding of notched knives, the slow ringing of a muffled muffin-bell, the interrupted rush of water down a leaky pipe, the motion of a pendulum that does not know its own mind, the creaking of a prison-door, and the voice of one who crieth the last dying speech and confession; together with fifty thousand similar sounds, each as pleasant to the ear as "When am I to have the eighteen-pence" would be, to a man who never had a shilling since the day he was breeched. The origin of the bellows, I know not; but a suspicion has seized me that they might have been employed in the Ark had there been a kitchen-fire there; and they may have assisted in raising a flame under the first tea-kettle put on to celebrate the laying of the first stone of the great wall of China. They are ages upon ages older than the bellows of Simple Simon's mother; and were they by him to be ripped open, they could not possibly be deteriorated in quality. The bellows which yet bear the inscription,
"Who rides on these bellows?
The prince of good fellows,
Willy Shakspeare,"
are a thing of yesterday beside these, which look as if they had been industriously exercised by some energetic Greek in fanning the earliest flame of Troy. To descend to later days, they must have invigorated the blaze at which Tobias Shandy lighted his undying pipe, and kindled a generous blaze under that hashed mutton which has rendered Amelia immortal. But "the days are gone when beauty bright" followed quick upon the breath of the bellows: their effect at present is, to give the fire a bad cold; they blow an influenza into the grate. Empires rise and fall, and a century hence the bellows may be as good as new. Like puffing, they will know no end.
(11.) And lastly—for the personality of this paragraph warns me to conclude—"In person G. C. is about the middle height and proportionably made. His complexion is something between pale and clear; and his hair, which is tolerably ample, partakes of a lightish hue. His face is of the angular form, and his forehead has a prominently receding shape."
As Hamlet said to the ghost, I'll go no further! The indefinite complexion, and the hair "partaking" of an opposite hue to the real one, may be borne; but I stand, not upon my head, but on my forehead! To a man who has once passed the Rubicon in having dared to publish his portrait, the exhibition of his mere profile can do no more injury than a petty larceny would after the perpetration of a highway robbery. But why be tempted to show, by an outline, that my forehead is innocent of a shape (the "prominently receding" one) that never yet was visible in nature or in art? Let it pass, till it can be explained.
"He delights in a handsome pair of whiskers." Nero had one flower flung upon his tomb. "He has somewhat of a dandified appearance." Flowers soon fade, and are cut down; and this is the "unkindest cut of all." I who, humbly co-operating with the press, have helped to give permanence to the name of dandy—I who have all my life been breaking butterflies upon wheels in warring against dandyism and dandies—am at last discovered to be "somewhat" of a dandy myself.
"Come Antony, and young Octavius, come!
Revenge yourselves—"
as you may;—but, dandies all, I have not done with you yet. To resume. "He used to be exceedingly partial to Hessian boots." I confess to the boots; but it was when they were worn even by men who walked on loggats. I had legs. Besides, I was very young, and merely put on my boots to follow the fashion. "His age, if his looks be not deceptive, is somewhere between forty-three and forty-five." A very obscure and elaborated mode of insinuating that I am forty-four. "Somewhere between!" The truth is—though nothing but extreme provocation should induce me to proclaim even truth when age is concerned,—that I am "somewhere between" twenty-seven and sixty-three, or I may say sixty-four;—but I hate exaggeration.
Exit, G. Ck.
MY LAST PAIR OF HESSIAN BOOTS.
"Ah! sure a pair was never seen
So justly formed—"
Hoby would say, that as "all are not men who bear the human form," so all are not boots that bear the pedal shape. All boots, for example, are not Hessians; nor are all Hessians like my last pair. Mathews used to tell a story of some French Hoby, who, having with incredible genius constructed a pair of boots, which Tom Thumb when a little boy could no more have got on than Cinderella's sister could the magic slipper, refused to part with them for any sum of money—he had "made them in a moment of enthusiasm." Myriads of such moments were consumed in the construction of my last pair. The boots published by Mr. Warren in magazines and country newspapers, exhibiting the grinning portrait of a gentleman in the interesting act of shaving, or a cat bristling up and outwondering Katerfelto, were vulgar in form, and dull of polish, beside mine Hessians. Pleasant it was, just as I was budding into life, to draw them on, and sit with one knee crossing the other, to contemplate my favourite leg. I used to wish myself a centipede, to wear fifty pairs of Hessians at a time.
To say that the boots "fitted like gloves" would be to pay the most felicitous pair of white kids a compliment. They had just as many natural wrinkles as they ought to have; and for the tassels—we have all seen the dandies of that day take out a comb, and comb the tassels of their fire-bucket-looking boots as often as they got into disorder; but mine needed no aid from such trickery and finessing.
I had strolled forth at the decline of a day in spring, and had afterwards dined at Long's—my boots and I. They had evidently been the admiration of every observer. I was entirely satisfied with them, and consequently with myself. Returned home, a pair of slippers was substituted for them, and with my feet on the fender and the vapour of a cigar enwrapping me like a dressing-gown, I sat contemplating "my boots." Thought reverted to the fortunes of my Lord Marquis of Carabas, and I saw in my Hessians a brighter destiny than Puss in hers won for him. I thought too of the seven-leagued boots of my ancient friends the Ogres, and felt that I could take Old and New Bond Streets at a step.
That night those boots melted into thin air. There was "nothing like leather" visible there in the morning. My golden vision had vanished as suddenly as Alnaschar's—only his perished amidst the crash and clatter of a basket of crockery kicked into the clouds; mine had stolen away in solemn silence. Not a creak was heard, yet the Hessians were gone.
It was the remark of my housekeeper that boots could not go without hands. Such boots I thought might possibly have walked off by themselves. But when it was discovered that a window-shutter had been forced open, and sundry valuables carried away, it was plain that some conceited and ambitious burglar had eloped with my boots. The suspicion was confirmed by the detection of a pair of shoes conscientiously left behind, on the principle that exchange is no robbery. Ugh!—such shoes. Well might I declare that nothing like leather was visible. What odious feet had been thrust into my desecrated Hessians! I put my legs into mourning for their loss; and, convinced that I should never procure such another pair, sank from that moment into mere Wellingtons.
It was not long after this, that, seated in a coffee-room in Piccadilly, my attention was drawn to the indolent and comfortable attitude of a person, who, with his legs stretched conspicuously along the cushioned bench, was reading a newspaper. How it was I can hardly tell; but my eye was irresistibly attracted to his boots, just as Othello's was to the handkerchief bound round the wounded limb of Cassio. He seemed to be proud of them; they were ostentatiously elevated into view. The boots were Hessians. Though not now worn in their very "newest gloss," they were yet in excellent, I may say in enviable condition. My anxious glance not only wandered over their polished surface, but seemed to penetrate to their rich bright linings, the colour whereof was now no more a secret to me than were those silken tassels that dangled to delight the beholder. I knew my boots again. The wearer, having the newspaper spread before his face, could not notice any observation directed to his lower extremities; my opportunity of inspection therefore was complete. They were my Hessians. My first impulse was to ring the bell for a boot-jack, and claim them upon the spot; but before I could do so the stranger suddenly sprang upon his feet, seized his hat, and with one complacent glance at those tasselled habiliments, which were far from having lost all their "original brightness," swaggered out of the coffee-room.
Curiosity prompted me to follow—I caught a glimpse of the bright backs of my boots as they flashed round the corner of a neighbouring street. Pursuing them, I surveyed the wearer; and now perceived that not even those incomparable Hessians could transform a satyr into Hyperion, or convert a vulgar strut into the walk of a gentleman. Those boots were never made for such limbs—never meant to be "sported" after so villanous a fashion. You could see that his calves were indifferently padded, and might have sworn the swaggerer was a swell blackleg—one of the shabby-genteel, and visibly-broken-down class. Accordingly, after a turn or two, it was anything but surprising to see him squeeze himself into a narrow passage over the door of which was written the word "Billiards." I heard my boots tramping up the dingy staircase to which the passage led—and my feet, as though from sympathy, and what the philosopher calls the "eternal fitness of things," were moving after them—when the "cui bono?" forcibly occurred to my mind! If I should demand my Hessians, was there a probability of obtaining them? and if I should obtain them, was there a possibility of my ever wearing them again? Could I think of treading in the boots of a blackleg, albeit they never were his own? No, I gave them up to the profanation which was their destiny. I called up Hamlet's reflection on the vile uses to which we may return; and as for the gambler, who in once virtuous boots threaded the paths of vice and depravity, I kicked him—"with my mind's toe, Horatio"—and passed on.
Shakspeare, in one of the most touching and beautiful of his sonnets, tells us how he bemoaned his outcast state,
"And troubled deaf heaven with his bootless cries;"
but with no such cries of mine is the reader doomed to be troubled. Indeed, when I parted from my Hessians on the occasion referred to, I never dreamed of mentioning them more. I had heard, as it seemed, their last creak. Not only were they out of sight, but out of mind. It appeared just as likely that I should ever again be excited on their account, as that I should hang them up à-la-General-Bombastes, and make war upon their adventurous displacer. Yet it was not three months after the event recorded, that in the city, in broad-daylight, my hat was all but lifted off by the sudden insurrection of my hair, on recognising my boots again. Yes, the very boots that once were mine, "et nullus error!" or, as we say in English, "and no mistake!" As easily to be identified were they as the freckled, wrinkled, shrunken features of a beloved friend, parted from in plump youth. I knew my boots, if I may so say, by their expression. Altered as they were, to me were they the same:—"alike, but oh! how different."
"The light of other days had faded."
It could not be said of either Hessian, that it figured on a "leg" this time. The wearer was evidently a collector in the "cast-off" line—had been respectable, and was still bent on keeping up appearances. This was plainly indicated by the one tassel which the pair of boots yet boasted between them—a brown-looking remnant of grandeur, and yet a lively compromise with decay. The poor things were sadly distorted; the heels were hanging over, illustrating the downward tendency of the possessor; and there was a leetle crack visible at the side. They were Dayless and Martinless—dull as a juryman—worn out like a cross-examined witness. They would take water like a teetotaller. There was scarcely a kick left in them. They were in a decline of the galloping sort; and appeared just capable of lasting out until an omnibus came by. A walk of a mile would have ensured emancipation to more than one of the toes that inhabited them.
My once "lovely companions" were faded, but not gone. It was my fortune to meet them again soon afterwards, still further eastward. The recognition, as before, was unavoidable. They were the boots, but "translated" out of themselves; another pair, yet the same. The heels were handsomely cobbled up with clinking iron tips, and a worsted tassel of larger dimensions had been supplied to match the remaining silk one. The boots thus regenerated rendered a rather equivocal symmetry to the legs of an attorney's clerk, whose life was spent in endless errands with copies of writs to serve, and in figuring at "free-and-easys" and spouting-clubs. They were well able to bear him on his daily and nightly rounds, for the new soles were thicker than any client's head in Christendom. This change led me naturally enough into some profound speculations upon "wear and tear," and much philosophical musing on the absorption and disappearance of soles and heels after a given quantity of perambulation. But while I was wondering into what substances and what shapes the old leather might be passing, and also how much of my own original self (for we all become other people in time) might yet be remaining unto me, I lost sight for ever of the lawyer's clerk, but not of my boots—for I suspect he effected some legal transfer of them to a client who was soon as legally transferred to the prison in Whitecross-street; since, passing that debtors' paradise soon after, I saw the identical boots (the once pale blue lining was now of no colour) carried out by an aged dame, who immediately bent her steps, like one well acquainted with the way, towards "mine uncle's" in the neighbourhood.
Hessians that can escape from a prison may work their way out of a pawnbroker's custody; and my Hessians had something of the quality of the renowned slippers of Bagdad,—go where they might, they were sure to meet the eye of their original owner. The next time I saw the boots, they were on the foot-board of a hackney-coach; yea, on the very feet of the Jarvey. But what a falling-off! translation was no longer the word. They had suffered what the poet calls a sea-change. The tops were cut round; the beautiful curve, the tassels, all had vanished. One boot had a patch on one side only; the other, on both. I thought of the exclamation of Edmund Burke,—"The glory of Europe is extinguished for ever!" Instinct told me they were the boots; but—
"The very Hoby who them made,
Beholding them so sore decay'd,
He had not known his work."
I hired the coach, and rode behind my own boots: the speculative fit again seized me. I recollected how
"All that's bright must fade,"
and "moralized the spectacle" before me. How many had I read of—nay seen and known—who had started in life like my boots,—bright, unwrinkled, symmetrical,—and who had sunk by sure degrees, by wanderings farther and farther among the puddles and kennels of society, even into the same extremity of unsightly and incurable distortion.
——"Not Warren, nor Day and Martin,
Nor all the patent liquids o' the earth,
Shall ever brighten them with that jet black
They owed in former days."
My very right to my own property had vanished. They had ceased to be my boots; they were ceasing to be boots. They cost me something nevertheless; for having in my perturbation merely told the driver to "drive on," he took me to Bayswater instead of Covent-garden; and, as the price of my abstraction, abstracted seven-and-six-pence as his fare.
From a hackney-coachman they seem to have descended to the driver of what had once been a donkey; to one who cried "fine mellow pears," "green ripe gooseberries," and other hard and sour assistants in the destruction of the human race. This I discovered one day by seeing "my boots" dragged to a police-office (their owner in them), where indeed one of the pair—if pair they might still be called—figured as a credible witness; it having been employed as a weapon, held by the solitary strap that yet adhered to it, for inflicting due punishment on the head of its master's landlord, a ruffian who had had the brutal inhumanity to tap at the door of an innocent tenant, and ask for his rent.
It is probable that in this skirmish they sustained some damage, and required "renovation" once more; for I subsequently saw them at one of those "cobbler's-stalls" which are fast disappearing (the stall becoming a shop, and the shop an emporium), with an intimation in chalk upon the soles—"to be sold." Of the original Hessians nothing remained but a portion of the leggings. They had been soled and re-soled; the old patches had disappeared; and there was now a patch upon the new fronts which they had acquired. Having had them from the last, to the last I resolved to track them; and now found them in the possession of a good ancient watchman of the good ancient time in Fleet-street, from whose feet, however, they were one night treacherously stolen as he sat quietly slumbering in his box. The boots wandered once more into vicious paths, having become the property of a begging-letter impostor of that day, in whose company they were seen to stagger out of a gin-shop—then to run away with their tenant—to bear him, all unconscious of kennels, on both sides of the road, faster than lamplighter or postman can travel—and finally to trip him up against the machine of a "needy knifegrinder" (his nose coming into collision with the revolving stone), who, compassionating the naked feet of his seemingly penniless and sober fellow-lodger, had that very morning presented him with part of a pair of boots, as being better than no shoe-leather. This fragmentary donation was the sad remnant of my Hessians—the "last remains of princely York."
When we give a pair of old boots to the poor, how little do we consider into what disgusting nooks and hideous recesses they may carry their new owner! Let no one shut up the coffers of his heart, or check even momentarily the noble impulse of charity; but it is curious to note what purposes a bashful maiden's left-off finery may be made to serve on the stage of a show at Greenwich fair; how an honest matron's muff, passed into other hands, may be implicated in a case of shop-lifting; how the hat of a great statesman may come to be handed round to ragamuffins for a collection of half-pence for the itinerant conjuror; or how the satin slippers of a countess may be sandalled on the aching feet of a girl whose youth is one weary and wretched caper upon stilts!
"My Hessians"—neither mine, nor Hessians, now—were on their last legs. Theirs had not been "a beauty for ever unchangingly bright." They had experienced their decline; their fall was nigh. Their earliest patchings suggested, as a similitude, the idea of a Grecian temple, whose broken columns are repaired with brick; the brick preponderates as ruin prevails, until at length the original structure is no more. The boots became one patch! Such were they on that winter-morn, when a ruddy-faced "translator" sat at his low door, on a low stool, the boots on his lap undergoing examination. After due inspection, his estimate of their value was expressed by his adopting the expedient of Orator Henley; that is to say, by cutting the legs off, and reducing what remained of their pride to the insignificance of a pair of shoes; which, sold in that character to a match-vender, degenerated after a few weeks into slippers. Sic transit, &c.
Of the appropriation of the amputated portion no very accurate account can be rendered. Fragments of the once soft and glossy leather furnished patches for dilapidated goloshes; a pair or two of gaiter-straps were extricated from the ruins; and the "translator's" little boy manufactured from the remains a "sucker," of such marvellous efficacy that his father could never afterwards keep a lapstone in the stall.
As for the slippers, improperly so called, they pinched divers corns, and pressed various bunions in their day, as the boots, their great progenitors, had done before them, sliding, shuffling, shambling, and dragging their slow length along; until in the ripeness of time, they, with other antiquities, were carried to Cutler-street, and sold to a venerable Jewess. She, with knife keen as Shylock's, ripped off the soles—all besides was valueless even to her—and, not without some pomp and ceremony, laid them out for sale on a board placed upon a crippled chair. Yes, for sale; and to that market for soles there soon chanced to repair an elderly son of poverty; who, having many little feet running about at home made shoes for them himself. The soles became his;
and thus of the apocryphal remains of my veritable Hessians, was there just sufficient leather left to interpose between the tender feet of a child, and the hard earth, his mother!
ON A WICKED SHOEMAKER.
You say he has sprung from Cain;—rather
Confess there's a difference vast:
For Cain was a son of the first father
While he is "a son of the last."
LOVE SEEKING A LODGING.
At Leila's heart, from day to day,
Love, boy-like, knock'd, and ran away;
But Love grown older, seeking then
"Lodgings for single gentlemen,"
Return'd unto his former ground,
And knock'd, but no admittance found—
With his rat, tat, tat.
His false alarms remember'd still.
Love, now in earnest, fared but ill;
For Leila in her heart could swear,
As still he knock'd, "There's no one there."
A single god, he then essay'd
With single knocks to lure the maid—
With his single knock.
Each passer-by, who watch'd the wight,
Cried "Love, you won't lodge there to-night!"
And love, while listening, half confess'd
That all was dead in Leila's breast.
Yet, lest that light heart only slept,
Bold Love up to the casement crept—
With his tip, tap, tap.
No answer;—"Well," cried Love, "I'll wait,
And keep off Envy, Fear, and Hate;
No other passion there shall dwell,
If I'm shut out—why, here's a bell!"
He rang; the ring made Leila start,
And Love found lodgings in her heart—
With his magic ring.
L.B.
Designed Etched & Published by George Cruikshank May 1st 1841
FRANK HEARTWELL; OR FIFTY YEARS AGO.
BY BOWMAN TILLER.
CHAPTER I.
It was about half a century ago in the closing twilight of an autumnal evening at that period of the season when the falling of the sear and yellow leaves indicated the near approach of winter, that a lady was seated at work in one of those comfortable parlours which, as far as the memory of living man can go back, were at all times considered essential to an Englishman's ideas of enjoyment, and which certainly were not and are not to be found, approaching to the same degree of commodious perfection, in any other part of the world. By her side sat a beautiful boy some seven or eight years of age, whose dark glossy ringlets hung clustering down his shoulders over the broad and open white cambric collar of his shirt. His full and fair face bore the ripened bloom of ruddy health, and his large blue eyes, even though a child, were strongly expressive of tenderness and love. The lady herself was fair to look upon, possessing a placid cast of countenance which, whilst it invited esteem and confidence, calmly repelled impertinence or disrespect; her eyes, like those of her son, were mild and full, and meltingly blue, and through the shades of long dark lashes discoursed most eloquently the language of affectionate solicitude and fond regard; and it was impossible to look upon them, or be looked upon by them, without experiencing a glow of pleasure, warming and nourishing all the better feelings and purposes of the heart. In age she was twenty-six, but matronly anxiety gave her the appearance of being some two or three years older; her figure was faultless, and the tight sleeve of her gown fitting closely to her arm, and confined with a bracelet of black velvet at the wrist, displayed the form of a finely moulded limb; and the painter or the sculptor would have been proud to copy from so admirable a model.
The floor of the room was covered with a soft Turkey carpet, which, though somewhat faded, still retained in many parts its richness of colours. The panelled walls were of oak that had endured for more than one generation; and though time had thrown his darkened shadows over them, as if to claim them for his own, art had been called in aid, if not to defeat his claims, yet to turn them to advantage; for the blackened wood was polished to a mirror-like brightness, and instead of dispensing gloom, its reflections were light and cheerful. Suspended in the upper compartments and surrounded with oval frames, tastefully carved and gilt, were well executed portraits by the celebrated masters of those and earlier days.
Between the two windows, where the whole of the light was thrown upon the person, hung suspended a pier looking-glass in a well-carved mahogany frame surrounded by the plume of the Prince of Wales, bearing the appropriate motto for the reflecting tablet itself, "Ich Dien;" and at the corners, in open work, were cut full-ripe ears of corn in their golden glory, sheaved together with true-love knots.
In one angle of the room stood a lofty circular dumb-waiter, its planes decreasing as they rose in altitude and bearing a display of wine-glasses with those long white tortuous spiral columns, which, like the screw of Archimedes, has puzzled older heads than those of childhood to account for the everlasting turns. There were, also, massive articles of plate of various periods, from the heavy spoons with the sainted apostles effigied at the extremity of the handles, to the silver filigree wrought sugar-stand, with its basin of blue enamelled glass. There were also numerous figures of ancient China, more remarkable for their fantastic shapes than either for ornament or for use.
The tables were of dark mahogany, the side slabs curiously deviced, and the legs assuming something of an animal form with the spreading paw of the lion or the tiger on each foot. One table, however, that was carefully placed so as to be remote from danger, had a raised open-work, about two inches in height, round the edges of its surface, to protect and preserve the handsome and much-prized tea-service, which had been brought by a seafaring ancestor as a present from the "Celestial Empire."
A commodious, soft-cushioned, chintz-covered sofa occupied one side of the parlour, and the various spaces were filled with broad and high-backed mahogany chairs, whose capacious seats were admirable representatives of composure and ease. But there was one with wide-spreading arms, that seemed to invite the weary to its embrace; it was stuffed with soft material, and covered entirely with thick yellow taffeta, on which many an hour of laborious toil had been expended to produce in needle-work imitations of rich fruit and gorgeous flowers; it was a relic of antiquity, and the busy fingers that had so skilfully plied the task had long since yielded to mouldering decay.
The fire-place was capacious, and its inner sides were faced with earthenware tiles, on which were represented scenes and sketches taken from scripture history. It is true that some of the delineations bore a rather incongruous character: the serpent erecting itself on the tip of its tail to beguile Eve; the apple, whose comparative dimensions was calculated to set the mouth of many a schoolboy watering; and not unfrequently a mingling of the Selectæ e Profanis amongst the groups caused curious speculations in the youthful mind. But who can call to recollection the many evening lectures which this constant fund of instruction and amusement afforded, without associating them with pleasing remembrances of innocence and peace?
The fire-grate was large, and of the old-fashioned kind, somewhat of a basket-like form, small at the bottom, but spreading out into wider range as its side boundaries ascended.
Lighted tapers were on the table, together with a lady's work-box, and the small, half-rigged model of a vessel, which the boy had laid down that he might peruse the history and voyages of Philip Quarll, and now, sitting by his mother's knee, he was putting questions to her relative to the sagacious monkeys who were stated to have been poor Philip's personal attendants and only friends.
Emily Heartwell was, in every sense of the term, the "beloved" wife of a lieutenant in the British royal navy, who had bravely served with great credit to himself and advantage to the honour of his country's flag; but unfortunately becoming mixed up with the angry dissensions that had arisen amongst political partisans through the trial of Admiral Keppel by court-martial, he remained for some length of time unemployed, but recently, through the influence and intervention of his former commander and patron, Sir George (afterwards Lord) Rodney, he had received an appointment to a ship-of-the-line that was then fitting out to join that gallant admiral in the West Indies.
The father of Lieutenant Heartwell had risen from humble obscurity to the command of a West Indiaman; and his son having almost from his childhood accompanied him in his voyages, the lad had become early initiated in the perils and mysteries of a seaman's life, so that on parting with his parent he was perfectly proficient in all the important duties that enable the mariner to counteract the raging of the elements, and to navigate his ship in safety from port to port. What became of the father was never accurately known. He was bound to Jamaica with a valuable cargo of home manufactures; he was spoken off the Canaries, and reported all well; but from that day no tidings of him had been heard, and it was supposed that the ship had foundered at sea, and all hands perished.
By some fortuitous circumstance, young Heartwell had been brought under the especial notice of the intrepid Rodney, who not only placed him on the quarter-deck of his own ship, but also generously patronised and maintained him through his probationary term, and at its close, though involved in difficulties himself, first procured him a lieutenant's commission, and then presented him with a handsome outfit, cautioning him most seriously, as he was a good-looking fellow, not to get entangled by marriage, at least, till he had attained post-rank, or was regularly laid up with the gout, when he was perfectly at liberty to take unto himself a wife.
But the lieutenant had a pure, unsophisticated mind, sensibly alive to all the blandishments of female beauty, but with discretion to avoid that which he considered meretricious, and to prize loveliness of feature only when combined with principles of virtue rooted in the heart. Ardently attached to social life, it can excite but little wonder that on mature acquaintance with the lady who now bore his name, he had forgotten the injunction of his commander; and, being possessed of a little property, the produce of well-earned prize-money, he offered himself to the acceptance of one who appeared to realise his most fervent expectations; and, when it is considered that to a remarkably handsome person the young lieutenant united some of the best qualities of human nature, my fair readers will at once find a ready reason for his suit not being rejected. In short, they were married. The father of Mrs. Heartwell, a pious clergyman, performed the ceremony, and certainly in no instance could there have been found two persons possessing a stronger attachment, based on mutual respect and esteem.
An uncle, the brother of the lieutenant's father had, when a boy, gone out to the East Indies, but he kept up very little communication with his family, and they had for some time lost sight of him altogether, when news arrived of his having prospered greatly, and the supposition was that he had amassed a considerable fortune. As this intelligence, however, was indirect, but little credit was given to it, and it probably would have passed away from remembrance, or at least been but little thought of, had not letters arrived announcing the uncle's death, and that no will could be discovered.
The lieutenant, as the only surviving heir, was urged to put in his claim; and, though he himself was not very sanguine in his expectations that his uncle had realised a large fortune, yet it gratified him to think that there might be sufficient to assist in securing a respectable and comfortable maintenance for his wife and child during his absence. From an earnest desire to surprise Mrs. Heartwell with the pleasing intelligence, he had for the first time since their union refrained from informing her of his proceedings; and on the afternoon of the day on which our narrative opens, he had appointed to meet certain parties connected with the affair at the office of Mr. Jocelyn Brady, a reputed clever solicitor in Lincoln's Inn, when the whole was to be finally arranged, and the deeds and papers placed in his possession in the presence of witnesses.
Cherishing not only the hope, but also enjoying the conviction, that in a short time he should be able to gladden her heart, the lieutenant imprinted a warm and affectionate kiss on the lips of his wife, and pressing his boy in his arms with more than his usual gaiety, he bade them farewell for a few hours, promising at his return to communicate something that would delight and astonish them.
But, notwithstanding the hilarity of her husband, an unaccountable depression weighed heavily on the usually cheerful spirits of Mrs. Heartwell; and, whilst returning the embrace of her husband, a presentiment of distress, though she knew not of what nature or kind, filled her bosom with alarm; and a heavy sigh—almost a groan—burst forth before she had time to exercise consciousness, or to muster sufficient energy to restrain it. The prospect of, and the near approach to, the hour of their separation, had certainly oppressed her mind, but she would not distress her husband by openly yielding to the manifestation of grief that might render their parting more keenly painful. She had vigorously exerted all her fortitude to bear up against the anticipated trial which awaited her, of bidding a long adieu to the husband of her affections and the father of her child; but the pressure which now inflicted agony was of a different character to what she had hitherto experienced. It was a foreboding of calamity as near at hand, an undefined and undefinable sensation, producing faintness of spirit and sickness of heart; her limbs trembled, her breath faltered, and she laid her head upon his shoulder and burst into convulsive sobbings, that shook her frame with violent agitation.
I am no casuist to resolve doubtful cases, but I would ask many thousands who have to struggle with the anxious cares, the numerous disappointments, and all the various difficulties that beset existence, whether they have not had similar distressing visitations, previous to the arrival of some unforeseen calamity. What is it, then, that thus operates on the faculties to produce these symptoms? It cannot be a mere affection of the nervous system, caused by alarming apprehensions of the future, for, in most instances, nothing specific has been known or decided. May it not, therefore, be looked upon as a wise and kind ordination of providence, to prepare the mind for disastrous events that are to follow?
The lieutenant raised the drooping head of his wife, earnestly gazed on her expressive countenance, kissed away her tears, and then exclaimed, "How is this, Emily? what! giving way to the indulgence of sorrow at a moment when prosperity is again extending the right hand of good-fellowship? We have experienced adverse gales, my love, but we have safely weathered them; and now that we have the promise of favourable breezes and smooth sailing, the prospect of renewed joy should gladden your heart."
"But are you not soon to leave me, Frank?" returned Mrs. Heartwell, as she strove to subdue the feelings which agitated her, "and who have I now in the wide world but you?"
The lieutenant fervently and fondly pressed her to his heart, whilst with a mingled look of gentle reproach and ardent affection he laid his disengaged hand on the head of his boy, who raising his tear-suffused eyes to the countenance of his mother, as he endeavoured to smile, uttered, "Do not be afraid mama, I will protect you till papa comes back!"
The silent appeal of her husband and the language of her child promptly recalled the wife and the parent to a sense of her marital and maternal duties—she instantly assumed a degree of cheerfulness; and the lieutenant engaging to be home as early as practicable, took his departure to visit his professional adviser.
The only male attendant (and he was looked upon more in the character of a humble friend than as a servant) on the lieutenant's establishment was an attached and faithful seaman, of some five-and-thirty years of age, who had undeviatingly adhered to the fortunes of his officer from the first moment of his entering into the naval service. He had served under Rodney from boyhood, first in the Prince George ninety-eight—then in the Dublin seventy-four; and, subsequently, when the admiral hoisted his flag, he accompanied him in his career of glory, and was present in those memorable engagements which ultimately raised the British ensign to its proud supremacy on the ocean.
Possessed of a lively and contented turn of mind, Ben Brailsford was always cheerful and gay—his temper and his disposition coincided—there was, at all times, a pleasant smile upon his cheek and a kind word upon his tongue, and, in point of fact, his only faults were an occasional indulgence to excess in his favourite beverage—grog, and his still more excessive loquacity when spinning a tough yarn about his favourite commander, Rodney, though it not unfrequently happened that one helped on the other.
I have already remarked that young Frank—for he was named after his father—was by his mother's side, and questioning her upon the subject of Philip Quarll's monkeys—but though desirous of imparting instruction to her son, yet her spirit was too much bowed down even to attend to him; besides, this was a matter of natural history with which she was but little acquainted, and, therefore, he was referred to honest Ben, as the best authority to answer his inquiries. Ben was accordingly summoned, and smoothing down his hair over his forehead with his hard horny hand as he entered the room, he "hoped as madam was well and master Frank all ship-shape."
"I am thinking of your master's departure, Ben," returned the lady, "and therefore cannot be very easy in my mind, when I consider the risks to which he will be exposed on the turbulent ocean, both in the storm and in the battle."
"Bless you, my lady," returned the seaman, "what's the vally of a bit of a breeze, where there's skill and judgment to read the face of the heavens, and good practical seamanship to ease her with the helm, when the wild seas break over us—and as for a fight, why its pretty sharp work whilst it lasts, but when it's over and the grog abroach—not, my lady, as I ever gives way to more than does me good—but as I was a saying, when the action's ended and the grog sarved out"—and here he cast his eyes towards a well-replenished liquor-case that stood in the corner, and from which he had often been supplied—"why we shares it along with our prisoners, and drinks to the mortal memory of them as is gone."
"But it must be a dreadful spectacle, Ben, to witness the dead and the dying mingled together," said the lady, with a shudder, "the slain and the wounded in one promiscuous heap."
"Bless you, my lady, that comes o' not knowing the jometry of the thing," returned Brailsford, in a tone and expression that evidenced experience; "they aren't by no manner o' means in one permiskus heap, for as soon as we find an onfortinate shipmate has let go the life-lines—and its easy diskivered by pressing the hand over the heart and feeling for the pallypitation—just for all the world Master Frank, as you'd listen for the ticking of a watch in a noisy place—and if so be as you don't find that there's not never no wibration, but all is motionless, from the main-spring having been carried away, so that the wheels have run down, why we knows well enough that the doctor's knife and all his medicine chest wouldn't get him to lend a hand to run out another gun, or rouse aboard the main-tack—so we launches him out at the port as expended stores, and we turns-to with a hearty good will to avenge his death."
"But do they serve the officers so?" inquired Mrs. Heartwell, whose cheeks had become blanched during the plain recital of the seaman; "surely there is some funeral ceremony, some—" and she paused.
"Bless you, my lady, what's the odds so as you're happy," responded Ben, scratching his head, whilst a good-humoured smile mantled over his face; "but the real truth of the thing is, that the officers being a sort of privileged class, expect a cast of the chaplin's wadee mecum—that's the parson's Latin for prayer-book, Master Frank; but to my thinking a poor dev—that is, I means an onfortinate as sticks his spoon in the beckets for a full-due and loses the number of his mess, whilst sarving his country heart and soul—has rubbed out a multitude of sins whilst sponging his gun in the regard of dooty."
"I dearly love my country, Ben; I should be unworthy the name of Englishwoman if I did not," returned the lady with fervour, as in the course of conversation she endeavoured to overcome her depression; "but why fight at all?"
This query to one of Rodney's tars would have been quite sufficient, had the law been administered then as it is in the present day, to have subjected the questioner to a commission of lunacy; and Ben gave his mistress an earnest look, shading his eyes with his hand that he might not be deceived by the glare of the lights. At first he thought she was in joke, but finding from the unchangeableness of her countenance that she was serious, he replied—
"Well, my lady, in regard o' the upshot of fighting, it isn't for an onedecated tar like myself to dilute upon the religion of the thing; but, bless you, my lady, suppose as you had the English ensign hoisted on the staff, or, for the matter o' that, at the gaff-end, and an enemy was to dare to presume to be so onveterate bould as to fire a shot at it;" he warmed as he proceeded, "why wouldn't you, my lady, open your ports and run out your guns for the honour of ould England's glory? And when your guns are run out, why what's the use on 'em if you don't clap a match to the touch-holes and pour in a reg'lar broadside?"
"Oh, it must be horrible work, Ben," said Mrs. Heartwell, as the picture of her husband, mangled and dying, was visibly presented to her view; "you throw the supposed dead overboard without being certain that life is extinct—"
"Avast, my lady, avast; we never does that—no, no; a shipmate or a messmate aren't so easily expended," returned Ben, with a solemn shake of the head. "But there's a sort of nat'ral inkstink amongst us tars—a kind of cable-splice with each other, so that we knows at once as well as any doctor as ever sarved his time at pill-building when the strands are drawn, and the craft has slipped from its moorings; that is, my lady, jist as this here, we can tell in a moment when a shipmate or messmate has broke adrift and got beyond hail; bless you, they're all distinct afore we gives 'em a launch, and as for the wounded, why they're carried below to the cockpit to get dressed, or to have their precious limbs lopped off like old junk, condemned as onsarviceable. But what's the odds, my lady, so as you're happy?"
One of Ben's peculiarities, and which long habit had rendered perfectly familiar to him, was the general use of the expression "What's the odds so as you're happy?" and as he mostly contrived to lug it in whatever the course of conversation might be, it often happened that it found utterance on very inappropriate occasions. The idea of happiness connected with the amputating of a limb would never have entered the mind of any other person than Ben; but his mistress was too much accustomed to the humane and generous disposition of the worthy seaman to suppose that he was indulging in levity, or ridiculing distress; she was perfectly aware that all Ben intended to convey was, that "a contented mind might be supported under every trial and misfortune."
Young Frank had listened, as he always did, very attentively to Ben's explanations and descriptions, and though the delicate sensibilities of the lad were very naturally wounded by the recital of narratives of deeds of blood and violence, yet when the seaman entered upon details of chivalrous enterprise connected with the necessity of asserting his country's honour, his youthful heart would glow with earnest desire to be enrolled amongst the brave of his native land. His mother had discouraged his unmatured but ambitious aspirings; her maternal solicitude had looked forward with sickening dread at the thoughts of her only child being exposed to the perils of the ocean. She had endured the long-suffering of anxious care and hope deferred during the absence of her husband, and her very soul dwelt with increased alarm and apprehension on the probability that not only would an additional weight of anxiety and distress encumber the every-day circumstances of life should her boy become a mariner, but there was also the certainty that in his departure she would lose one of the principal props to animated existence; the dear little companion of her leisure hours, with whom she could unreservedly converse upon a subject that was ever uppermost in her thoughts,—his father. Then the idea of loneliness preyed upon her mind; and, there is something so cold and chilling in the thoughts of being left alone in the world, cut off from connexions that were once eminently endearing to the affections, to sit hour after hour, and day after day, communing with one's own sad heart, to pass the nights in sleepless retrospection, as visions of past enjoyment flit in pleasing array before the imagination, and then to turn the mind's eye to the obscure but dreaded events of the coming future, where all is darkened by gloomy forebodings; there is a keen and horrible distress in such meditative contemplations, that is calculated to waste the stoutest frame, and to unsettle the soundest reason; and happy indeed are they who seek for consolation from whence it alone can be obtained.
Although Mrs. Heartwell experienced more pain than pleasure at Ben's recitals of storms and battles, yet she not unfrequently provoked him into narratives of danger and of death, for the purpose—as she hoped—of deterring her son from entering upon so hazardous an occupation as that of a seaman. But whilst she partially succeeded in awakening the acute sensibilities of the lad as to the difficulties to be encountered, so also was the pride and curiosity of an adventurous spirit aroused, and young Frank grew more attached to the interesting accounts of foreign lands, and delineations of distant countries, than frightened at the tales of the battle and the breeze.
Philip Quarll had been laid aside whilst Ben stood conversing with his mistress—whom he at all times honoured with the appellation of "my lady,"—but now the seaman was requested to sit down and explain the nature of the monkeys, the book was resumed, and Frank inquired "whether Ben had ever seen an ape wild in the woods."
"Why, yes, Master Frank," responded the seaman, as he seated himself near the table, but at a respectful distance from his mistress. "I have seen 'em hanging on by the eye-lids amongst the trees."
"Hanging on by the eye-lids, Ben!" repeated Frank, in surprise; "why how could they do that?"
"Why to be sure, Master Frank, they warn't exactly holding fast by the eye-lids," returned the seaman, smiling; "but we uses the term as a figure o' speech, meaning as it's next to dancing upon nothing."
This did not much mend the lad's knowledge of the matter, but as he was eager to hear something of the monkey tribe, he inquired "And how much bigger, Ben, is a Chimpanzee than an ape?"
"A what, Master Frank—a Jem Pansy?" demanded the seaman, looking at the picture of Quarll with his attendants. "Do they call them Jem Pansies? well, to my thinking, it arn't natral to give a christen-like name to such oncivilized brutes as haven't got no rational faculties."
Frank explained, and the two were soon in deep and earnest conversation upon the relative qualities and characteristics of monkeys, whilst Mrs. Heartwell continued her work, occasionally listening to their discourse, but her thoughts principally engrossed by contemplating the coming separation from her husband. The ancient clock, which stood on a bracket at the first landing of the stairs, struck nine, and the lady, who had for some time been growing more and more uneasy at the lieutenant's stay, directed Ben to have the supper things in readiness, and when he had left the room, Frank was desired to prepare himself for bed. Kneeling at his mother's feet, with hands closed together, he repeated his evening prayer, imploring the Divine Being to bless his parents—the servant lighted him to his room—and weary nature soon found refreshment in the sweet repose of undisturbed slumber.
Another hour passed away, and the anxious wife grew more restless and uneasy; she laid her watch upon the table, and though the hour was late, yet she felt impatient at the tardy movement of the hands, hoping that each succeeding minute would bring her husband home. But still he came not, and time continued to progress, unheeding both the joy and the sorrow that accompanied his eventful career. In vain did she strive to subdue the fluctuating emotions that, like the undulating swell of the ocean giving warning of an approaching tempest, seemed to indicate that a severe trial was at hand. Every foot-fall in the street had excited hope, which died away with the receding sound; and the almost hysterical and sudden gush of delight was succeeded by a revulsion of sickening uncertainty and fearful surmisings. Why or wherefore, she could not tell.
But midnight was drawing near, the weather which had been fine became tempestuous, the winds howled and the rain beat against the windows, and the streets were deserted, except by the ancient watchman, whose slow and heavy tread could not be mistaken for the eager springiness of vigorous strength prompted by ardent affection hurrying to the home of the heart. Mrs. Heartwell tried to compose her mind by reading, but the effort was futile; the constant changes in the course of her thoughts disconnected the sentences, and the visions which torturing apprehensions conjured up were infinitely more vivid than the incidents recorded on the printed page. At length, weary nature claimed her due, and she fell into uneasy slumber; but though the mortal frame had yielded to fatigue, and strove to gain refreshing energy by repose, the intellect was still awake and powerful to witness the conflicting occurrences that filled up the scenic representations in the dramatic shiftings of her dream.
And oh, how fearfully confused were the visions of Mrs. Heartwell's restless sleep! She saw her husband struggling with the waves as the lightning flashed and the wild tempest howled above his head, and she rushed into the vortex of the dark and bubbling waters to try and snatch him from destruction. But vain were her endeavours to approach him—they were hurled hither and thither upon the crests of the foaming billows, but could not grasp each other's hands; and then the scene suddenly changed, and she beheld the lieutenant wounded and bleeding on the deck as the stream of life was ebbing fast away. They were surrounded by the thunder and the smoke of battle; dark and vindictive, and gore-stained countenances were peering upon her through the curling vapours, and there was one amongst them more dark, more vindictive, more sanguinary than the rest, but the thickened and dense atmosphere was constantly throwing it into obscurity, so as to leave no especial tracings on the memory. She tried to get to her husband, but still that mysterious being constantly debarred her progress; her limbs became paralysed; she could see the lieutenant most distinctly, though the rest were enveloped in gloom; and as he looked at her with his sight fast fading away, the dim eyes were still expressive of the inseparable mingling of anxious solicitude and fervent tenderness.
Once more the picture changed; she was in her own dwelling, in that very parlour, clasped in his embrace as the fervid kiss of affection was impressed upon her lips. She would have chided his delay, but the delight that glowed within her bosom and the sound of his voice in cheerful greeting dispelled the anguish she had endured, and stifled the language of reproach before it could find utterance—She was again happy in his society. The lieutenant took his usual seat by the fireside opposite to his wife, and she was gazing upon him with feelings of gratification rendered more rich and delightful from the previous suffering she had experienced, when suddenly his features assumed a rigid and swollen aspect, a livid hue was on his cheeks, his limbs were stark and motionless, as he sat stiffly erect, whilst his eyes almost starting from his head were fixed intently upon her.
"You are ill, Frank," was her imagined exclamation, as she essayed to rise from her chair but could not. "Oh do not look upon me thus—speak, speak to me," but the figure remained immovable—not a muscle of the face was stirred, and again that dark mysterious countenance, with its undefined outlines and misty filling up, appeared between them. "Oh, what is this, Frank?" uttered she, in a voice shrill and piercing through the extremity of agony; and bursting the bonds of sleep, she sprang from her chair at the very instant that Ben opened the door of the room, and looked round it in surprise. "Where is he, Ben, where is he?" demanded the agitated woman, as she stared wildly on the vacant seat.
"Bless you, my lady," responded the seaman as he stood within the half-opened door, "I thought as Muster Heartwell were here, seeing as he hailed me jist now in the kitchen, and I've come to see what his pleasure is?"
A thrill of horror instantaneously seized upon every portion of Mrs. Heartwell's frame—a sensation that for the moment struck at the very seat of vitality, and was carried through the entire system. "It cannot be," at length she uttered; "no one has opened the doors—the servants are all in bed:" she gasped for breath as she falteringly continued, "Father of Heaven, in mercy relieve me from this dreadful state. Yes, yes, it must have been—it is nothing more than a dream," and seating herself upon the sofa, she buried her face upon the pillow, and burst into unrestrained and irrepressible tears.
Ben had implicitly obeyed the instructions of his mistress in seeing the supper materials prepared, and at the accustomed hour the maid-servants went to bed, leaving the gallant seaman alone in the kitchen to the enjoyment of his pipe and a well-filled stiff glass of cold grog. Unaccustomed to scrutinise the conduct of his superiors, Ben gave himself but little trouble or consideration for the unusually long-continued absence of his master; and if a thought did obtrude it was merely to conjecture that the lieutenant might have fallen in with some old messmates or friends, who, in the height of enjoyment over their social or festive intercourse, had induced him to stay out beyond his ordinary time for returning. It is true Ben reasoned upon deductions based upon what he himself would have done under similar circumstances; for though the worthy tar had practised a little of the amiable towards Sally the housemaid, yet he was unacquainted with, and consequently could not well account for, the secret and hidden springs that prompted the undeviating attention of Mr. Heartwell in studying the comfort and happiness of his wife as intimately connected with his own.
Ben sat smoking and cogitating upon the station he should probably occupy when again upon the element he loved to control, and his spirit rose as he contrasted the busy routine of duty on board a smart ship at sea, with the idle and quiet of a calm life on shore even with Sally to sweeten it. He fancied himself once more at the weather wheel, as with a predominant feeling of pride he kept the given point of the compass without vibrating from the direct course he was ordered to steer; and then in his watch below with his brother tars keeping up Saturday night with grog, and jest, and jocund song; and as he made repeated applications to the jorum of strong beverage by his side, his fancy peopled the vacant space around him with messmates and shipmates till both pipe and glass were emptied, and he unconsciously resigned himself to the close embraces of a sailor's Morpheus.
He, too, had been dreaming, but it was of the mere ordinary concerns of the forecastle or main-top, without experiencing a single terrific sensation except when the supposed sonorous hail of the first lieutenant through his speaking-trumpet afforded a convincing testimonial that something more was expected in the exercise of their duties than the playfulness of childhood. But Ben heard it fearlessly, for he not only knew what he had to do, but he was also well versed in the most approved method of doing it, and ever active and obedient, he performed his task with alacrity and skill. Whilst thus involved in all the intricate mazes of visionary speculation, he thought he heard the well remembered sound of his master's voice calling upon him; and springing to his feet, he rubbed his eyes as he gave the usual responsive "Ay, ay, Sir," and found the lieutenant standing before him. But the delusion almost instantly ceased—the figure receded and disappeared, and as the door of the kitchen was shut, Ben concluded in his mind that it was all moonshine as to the appearance, that he really had heard his master's call, and hurrying up stairs he entered the parlour at the moment when his mistress awoke in such thrilling agony.
The flow of tears relieved her overcharged heart, and without questioning the seaman she sent him below again, and prostrating herself before her Maker, she offered up an earnest prayer for fortitude to undergo affliction, and tranquillity of mind to meet every dispensation that might occur—it was the poor dependant created, supplicating the high and Almighty creator; it was the weak and the defenceless imploring the aid of the Omnipotent. The appeal was heard and answered—the broken and the contrite spirit was not despised; and Mrs. Heartwell arose from her knees strengthened in the confidence that He who spread abroad immeasurable space and displayed the firmament as his handy work—who fed the young ravens when they cried, and clothed the lilies of the field in all their beauty, would not desert her in the hour of tribulation.
MONUMENT TO NAPOLEON!
On the removal of Napoleon's remains, I prepared the above design for a monument; but it was not sent, because it was not wanted. There is this disadvantage about a design for his monument;—it will suit nobody else. This could not, therefore, be converted into a tribute to the memory of the late distinguished philosopher, Muggeridge, head master of the grammar-school at Birchley; nor into an embellishment for the mausoleum of the departed hero Fitz-Hogg, of the Pipeclays. It very often happens, however, that when a monument to a great man turns out to be a misfit, it will, after a while, be found to suit some other great man as well as if his measure had been taken for it. Just add a few grains to the intellectual qualities, subtract a scruple or so from the moral attributes—let out the philanthropy a little and take in the learning a bit—clip the public devotion, and throw an additional handful of virtues into the domestic scale—qualify the squint, in short, or turn the aquiline into a snub—these slight modifications observed, and any hero or philosopher may be fitted to a hair with a second-hand monumental design. The standing tribute "We ne'er shall look upon his like again," is of course applicable in every case of greatness.
"Is this the man of thousand thrones,
Who strew'd our earth with hostile bones!
And can he thus survive!"
So Byron sang, in accents of astonishment, long before the object of it was even once buried. Is the note of wonder less called for, and less natural now—now that the world has lived to witness, not only the first, but the second funeral of its Imperial Agitator? Is this Napoleon le Grand! and looked Alexander after this fashion—barring the decorations of his bony extremities!
Agitator still! Aye, Agitator even in thine ashes thou must be called—whatsoever name else thou mayst be destined to survive! Whether Boney, Bonyparty, Buonaparte, Napoleon, Emperor! Whether in the future, as in the past, thou shalt be addressed by any one of that astounding collection of titles which the most metaphysical and admiring of thy biographers once gathered from the public journals and set forth in startling array—as Monster, Tyrant, Fiend, Upstart, Usurper, Rebel, Regicide, Traitor, Wretch, Villain, Knave, Fool, Madman, Coward, Impostor—or these again with suitable adjectives to reinforce them, as Unnatural Monster, Sanguinary Tyrant, Diabolical Fiend, Corsican Upstart, Military Usurper, Wicked Rebel, Impious Regicide, Perfidious Traitor, Vile Wretch, Base Villain, Low-born Knave, Rank Fool, Egregious Madman, Notorious Coward, Detestable Impostor;—or this other set of epithets, which, in more countries than France, and not unsparingly in our own, have since been associated with thy name—as Conqueror, Potentate, Preserver, Genius, Liberator, Law-giver, Statesman, Ruler, Regenerator, Enthusiast, Martyr, Hero, Benefactor—these again being reinforced as before, thus—Invincible Conqueror, Mighty Potentate, Glorious Preserver, Guardian Genius, Generous Liberator, Enlightened Law-giver, Magnificent Statesman, Wise Ruler, National Regenerator, Sincere Enthusiast, Devoted Martyr, Triumphant Hero, Beneficent Benefactor:—by these names, by any one of them possibly, thou mayst not be especially distinguished in after times; but as Agitator at least thou must be hailed while language lasts!
—It may justly be doubted whether the figure thus looking down upon a pyramid of skulls, is indeed "the man of thousand thrones"—whether he does "thus survive." The design is one of those that "show men as they ought to be, not as they are." That opening of the coffin at St. Helena opens up a world of curiosity, of wonder, and alarm. All the spectators were awed and astounded at the absence of the great Dictator of the Grave—Change! All the beholders were stricken to marble, or melted into water-drops, to see Death looking like Life; to survey the pale and placid features of the Emperor, expressing the serenity of repose, not the workings of decay—to witness a sign of power beyond that which ordinary clay may boast, and to feel that a "divinity did hedge" indeed the hero-king, in preserving all that was mortal of the exiled chief from the ravages of the worm. There lay the Emperor Napoleon—(he was recognised then by the authorities, and should the parties meet in the Shades, even George the Fourth can no longer style him General Buonaparte)—there lay the Emperor—not simply in his habit as he lived, but in the very flesh which he took with him out of Longwood. There was the positive and unwasted substance—and there too was the seeming spirit. The eyes only were wanting to give it reality and consciousness. The Mighty Watcher had fallen asleep, but who could say that he never again was to wake up? The restless Visionary had sunk, torpid, into a dream of years. The Monarch had abdicated the throne of Life without finally crossing its confines. At best, the spectacle presented an extraordinary compromise with the insatiate Destroyer. The Archer had for once half-missed his aim.
Now, it will be remembered that Fauntleroy was considered to bear a decided resemblance to Napoleon—a very respectable "likeness-done-in-this-style" sort of portrait—and Fauntleroy, as we all hear, is said to be alive still! Somebody has remarked—in fact we remarked it ourselves—that on dit is French for "a lie;" and so it may be in this particular: still the coincidence is curious. Even the likeness of Napoleon is associated with things living; but Napoleon himself has been seen, recognised, identified—looking like life itself—sleeping, sightless, but not dead.
We have all been reminded lately of the manner in which his return from Elba was announced in the Moniteur. It will bear repetition here:—"1st announcement—The demon has escaped from banishment: he has run away from Elba. 2d—The Corsican dragon has landed at Cape Juan. 3d.—The tiger has shown himself at Gap—the troops are advancing from all sides, in order to arrest his progress—he cannot possibly escape. 4th—The monster has really advanced as far as Grenoble—we know not to what treachery to ascribe it. 5th—The tyrant is actually at Lyons. Fear and terror seized all at his appearance. 6th—The usurper has ventured to approach the capital to within sixty hours' march. 7th—Buonaparte is advancing by forced marches—but it is impossible he should reach Paris. 8th—Napoleon will reach under the walls of Paris to-morrow. 9th—The Emperor is at Fontainbleau. 10th—Yesterday evening his Majesty the Emperor made his public entry, and arrived at the palace of the Tuileries—nothing can exceed the universal joy!" What would be his reception now, were he—as he escaped so strangely from Elba, and worked his way still more strangely from under the willow of St. Helena—were he to wake where he is! The people cried Vive l'Empereur as the coffin that held him was borne by. And truly the Emperor yet lives in France!
[As for me, who have skeletonised him prematurely, paring down the Prodigy even to his hat and boots, I have but "carried out" a principle adopted almost in my boyhood, for I can scarcely remember the time when I did not take some patriotic pleasure in persecuting the great Enemy of England. Had he been less than that, I should have felt compunction for my cruelties; having tracked him through snow and through fire, by flood and by field, insulting, degrading, and deriding him everywhere, and putting him to several humiliating deaths. All that time, however, he went on "overing" the Pyramids and the Alps, as boys "over" posts, and playing at leap-frog with the sovereigns of Europe, so as to kick a crown off at every spring he made—together with many crowns and sovereigns into my coffers. Deep, most deep, in a personal view of matters, are my obligations to the Agitator—but what a Debt the country owes to him!]
PHOTOGRAPHIC PHENOMENA, OR THE NEW SCHOOL OF PORTRAIT-PAINTING.
"Sit, cousin Percy; sit, good cousin Hotspur!"—Henry IV.
"My lords, be seated."—Speech from the Throne.
I.—INVITATION TO SIT.
Now sit, if ye have courage, cousins all!
Sit, all ye grandmamas, wives, aunts, and mothers;
Daughters and sisters, widows, brides, and nieces;
In bonnets, braids, caps, tippets, or pelisses,
The muff, mantilla, boa, scarf, or shawl!
Sit all ye uncles, godpapas, and brothers,
Fathers and nephews, sons, and next of kin,
Husbands, half-brother's cousin's sires, and others;
Be you as Science young, or old as Sin:
Turn, Persian-like, your faces to the sun!
And have each one
His portrait done,
Finish'd, one may say, before it's begun.
Nor you alone,
Oh! slight acquaintances! or blood relations!
But sit, oh! public Benefactors,
Whose portraits are hung up by Corporations.
Ye Rulers of the likeness-loving nations,
Ascend you now the Photographic throne,
And snatch from Time the precious mornings claim'd
By artists famed
(In the Court Circular you'll find them named).
Sit too, ye laurell'd Heroes, whom detractors
Would rank below the statesman and the bard!
Sit also, all ye Actors,
Whose fame would else die with you, which is hard:
Whose Falstaffs here will never Slenders prove.
So true the art is!
M.P.'s, for one brief moment cease to move;
And you who stand as Leaders of great Parties,
Be sitting Members!
Ye intellectual Marchers, sit resign'd!
And oh! ye Authors, men of dazzling mind,
Perchance with faces foggy as November's,
Pray sit!
Apollo turned R.A.