The Golden Bough

Cover

The figure remained as before, staring past the lantern at the solitary oak. [PAGE 4]

The
GOLDEN BOUGH

GEORGE GIBBS

AUTHOR OF "THE SECRET WITNESS," "PARADISE GARDEN,"
"THE YELLOW DOVE," ETC.

ILLUSTRATED

TORONTO
GEORGE J. McLEOD, LIMITED
PUBLISHERS
1918

Printed in the United States of America

TO
DR. JOHN BACH McMASTER

Your Muse, a-weary with the stress

Of putting facts in careful dress,

Has doffed her dignity and made

Of History a masquerade.

She prays you, sir, to follow me

Into the Realm of Fantasy

Where Clio in a cap and bells,

With blither mien, our story tells.

CONTENTS

CHAPTER

[Crepuscule]
[Enigma]
[Mystery]
[Tanya]
[Khodkine]
[Zoya]
[Camouflage]
[Disaster]
[Surprises]
[Flight]
[The Plot]
[Pursuit]
[A Scent]
[The Clue]
[The Turkish Cigarette]
[Rescue]
[The Central Committee]
[Von Stromberg]
[A Samaritan]
[Escape]
[The Visitor]
[Pilgrims]
[The Priest]
[A Night Adventure]
[Kempelstein]
[Finis]

LIST OF ILLUSTRATIONS

[The figure remained as before, staring past the lantern at the solitary oak] . . . Frontispiece

[The American caught the glint of sunlight on a weapon]

[Her grave eyes met his in one luminous moment]

["Listen to me, Philippe! I swear to you that you have misunderstood"]

["Keep down, Tanya," he cried. "It's I--Philippe"]

THE GOLDEN BOUGH

CHAPTER I

CREPUSCULE

In the still evening air the dust hung golden for a moment and then slowly settled on tree and hedgerow; from a distance, faintly diminishing, the tinkle of sheep bells, the call of a bird, the sighing of a breeze, and then, silence.

Against the stillness, suddenly, as though pricked upon the velvety background of the summer night, a quick, sharp staccato note near at hand, a crackle as of brittle things breaking and a large thorn bush by the side of the deserted road quivered and shook as its leaves parted and a head appeared.

It was an eager, boyish head, but almost unpleasantly alert, its brows furrowing, its dark eyes peering to right and left, with a swift furtiveness that held little of assurance. A moment of quick inspection and a pair of broad shoulders emerged, followed by a body and long legs which strode into the middle of the road where the man paused a moment looking at the afterglow in the west and then set off with long steps to the south. He wore what had once been a uniform of the Légionnaire, but rough contacts and hard usage had eliminated all distinguishing marks, and a coating of dust and stain had further disguised him. It seemed as though Nature, conspiring as it does against the enemies of its wild people, had given this man its protective coloring, that he might elude those who sought him. To carry the analogy further he was shaggy, unkempt, dusty and lean, like a brown bear sniffing the breeze after a long period of hibernation.

The stride was rapid but it was cautious too and once at a fancied shadow in the road ahead of him, the soldier darted into the bushes and crouched listening. Fear had made him cautious, but his necessity knew no law, so he rose at last, went onward more rapidly into the gathering dusk, aware that the end of his pilgrimage was near at hand--there just beyond the hills before him in the free republic of the Swiss.

As he neared the lights of the village, his pace grew slower, and leaving the road he turned into a meadow to his right in the direction of a grove of trees which seemed to promise a temporary refuge while he planned a raid upon some nearby larder or hen-roost. But contrary to his expectations, when he reached the shadows of the trees, he found his way impeded by a high stone wall, which thrust suddenly upon him out of the darkness. A wall! A monastery? Or a barracks perhaps, full of the hated gray uniforms guarding the frontier! He paused a moment, deliberating, but conscious of more than a mild curiosity as to the purpose of this walled enclosure, high up on this mountain side which seemed so peaceful and so free from the horrors he had left back there in the levels below. Only yesterday, down the valley he had seen them--the gray uniforms--and here too, at any moment...

He grinned at the wall. He was weary of flight. A wall. A garden within--a monastery most likely ... sanctuary.... At any rate he could go no further without food. This place would do as well as another. If there were monks within there would also be a kitchen and with such a wall, a larder unguarded. Moving to the right he found a tree the lower branches of which extended over the coping of the wall. At the foot of the tree he paused again, looking upward curiously, for upon the leaves of the tree he saw the reflection of yellow lights which seemed to be moving within the enclosure. Climbing noiselessly he drew himself to the level of the coping of the wall, and peered over. Through the foliage of his tree he could distinguish nothing clearly but he was aware of a lantern and a figure which moved slowly in an open space just beyond the thicket below him. It seemed that the figure wore a hood upon its head, and a gown. A monastery, of course--and this a monk, the gardener perhaps upon a lonely vigil of penance and meditation.

In any event the fugitive was now in no immediate danger from his pursuers, so he crawled out along a heavy branch of the tree which extended over the garden and noiselessly lowered himself to the top of the wall.

Here he hung in a moment of indecision, preparing an avenue of escape should his venture prove hazardous, and then peering again toward the dark habit of the holy man, now in silhouette against the light, he lowered himself by his hands and dropped to the ground. Danger had made him skillful, but he was aware of the thud of his heavy boots in the soft loam and crouched cautiously behind the thicket, ready for the slightest movement of alarm in the figure by the lantern. After a moment in which he reassured himself that the sound of his fall had not awakened the watcher from his revery he crawled forward until he reached the furthermost bush where he paused again, still in hiding and peered across the small stretch of lawn toward the light.

There was a raised daïs or platform of earth, approached from two sides by steps of stone. There were two stone benches above, and upon one of them, leaning forward toward a small oak tree in the center of the guarded space, sat the dark figure which had carried the lantern. The eyes of the Légionnaire, now grown accustomed to the glow of the light, made sure that the figure had not moved, nor was aware of his silent and furtive approach. Two plans of action suggested themselves, one to move behind the foliage to the right and intercept the monk with the lantern should he attempt to flee toward the lights of the house nearby, the other to risk all in a frank statement, a plea for charity and asylum.

But as the figure remained as before, staring past the lantern at the solitary oak tree as though lost in contemplation of its branches, the Légionnaire rose, silently crossed the lawn, and reached the stone steps where the crackle of a twig beneath his foot with a sudden and startling clearness revealed his presence. He was aware of the dark figure above him springing to its feet and turning with a swift graceful motion which swept the dark cowl from its curly head and betrayed the identity of its owner--a girl--quite lovely in her fear of this tattered brown ghost that had come upon her vigils.

In an awed whisper, she spoke a few words in a language he did not understand and then was silent, watching him, frightened.

"Bitte, Fräulein," he began softly.

The sound of his voice reassured her. She turned toward him and seemed to search his figure more intently. And then in French peremptorily, "What do you want? Who are you?" she said.

At the sound of the French tongue spoken rapidly and without a trace of accent, the brown ghost smiled eagerly. "Ah, Mademoiselle is French. Then I am sure of her charity and forgiveness."

He had put one foot upon the lowest step of the daïs when she took a pace toward him and extended her cloaked arms as though barring the way, repeating her former questions.

"What are you doing here? And what do you want?" "I am hungry, Mademoiselle, also thirsty, for I have come far."

Her glance swept his figure and then, as though identifying him, returned with more assurance to his face.

"You are a soldier, a Frenchman?"

"A soldier----" He hesitated, looking down at his tattered sleeve. And then more deliberately as his gaze sought her face, "Mademoiselle is not a German. No German speaks French as you do."

"And what?"

"Merely that I am an escaped prisoner of Germany on my way to Switzerland," he smiled. "You see, I am frank with you. Something tells me that you're friendly."

"Switzerland!" she said. "Did you not know that you were already fifteen kilometers within the Swiss border?"

"Switzerland? Here?" The mingled expression of bewilderment and surprise upon his dirty face was comical.

"Switzerland!" he gasped again.

"You must have passed the frontier in the night," added the girl. "You're quite safe now, I should say."

"Sacred name of a pipe!" he grinned. And then, with an air of apology, "Pardon, Mademoiselle. If I'd known that I'd passed the border, I shouldn't have intruded. But I was hungry, thirsty, too, and I thought that I might find meat, drink, a place to sleep in peace."

He paused, waiting for the girl to speak, but she said nothing and only stood frowning toward the lights at the other side of the garden.

"Of course, Mademoiselle, since I'm now safe from pursuit, if you wish it, I can retire by the way I came." He shrugged and turned half away when the sound of her voice halted him.

"I--I do not wish to be inhospitable," she said softly. "It is your right to ask asylum of us. But you have come, Monsieur, upon cloistered soil----"

"A convent?"

"No, not a convent," she said "But private land, dedicated to solitude, and--and----" she paused uncertainly. "You would not understand."

He waited for her to go on. But she stopped abruptly and said no more. The strangeness of her garb, the mingled frankness and reticence of her speech, which excited friendly curiosity while it repelled inquiry, gave the fugitive a new interest in the cowled figure, an interest in which even the pangs of hunger and weariness were forgotten. From the top step she towered above him, her dark robe hanging with a majestic stateliness which somehow belied the testimony of the curly reddish brown hair and the red lips which had already been perilously near a roguish smile. Something in the eager expression of the face of her guest as he looked at her made her suddenly aware of the exigencies of the occasion, for she drew the cowl about her head and came down the steps, leaving the lantern upon the stone bench beside the small tree.

"Wait here," she said quietly, "at the foot of the steps. If you will promise me not to----" She turned and looked toward the mound. "If you will remain here without moving, I'll see what can be done."

"I will promise anything, Mademoiselle."

They looked into each other's eyes a moment, smiling in a friendly way, and then she passed him and vanished within the house.

The soldier took off his cap and rubbed his head thoughtfully. "Cloistered soil----" The phrase hung in his ears. A queer place this, a queer creature this girl. To his western eyes she seemed better suited to a tennis match or a game of golf than to this mooning by lamp light, with shadows in eyes which were only meant for joy and laughter. What was her nationality? Not French, though she spoke it like a native, not Swiss, and surely not German, something more Easternly, Oriental almost. She was a paradox, a lovely paradox indeed to eyes long starved of beauty and gentleness.

But other considerations were less important to the fugitive than the gnawing ache of his hunger and the demands of a body already taxed for many weeks to its utmost. Obeying the injunction of the girl not to move, he sank to the stone step. When she returned, she found him with his head bent forward upon his knees, already dozing; but at the light touch upon his shoulders he sprang to his feet, his club raised upon the defensive, almost oversetting the dish which carried his supper.

"Be careful," said the girl.

He stared at her in a moment of incomprehension, but the sight of the bread, meat and cheese, quickly restored him to sanity.

"I--I beg pardon," he began, "I dreamed----"

But his hands were already reaching forward toward the dish and with a smile she handed it to him.

"Sit again, eat and drink. There is milk."

He obeyed, wasting no words and she sat beside him, watching calmly while he bolted the food like a famished wolf. He finished what was on the platter and all of the milk before he spoke again. Then he wiped his mouth on the back of his hand and gave a great grunt of satisfaction.

"Shall I bring you more?" she asked.

"No, no, thanks. You're very good, Mademoiselle. I didn't know I was so hungry."

"Are you sure you've had enough?"

"Oh yes."

"When was the last time that you ate?"

"The day before yesterday. I didn't dare to leave the woods, even at night."

"You've traveled far?"

"A million miles, I think. I don't know how far. They had me working on the railroad near Mannheim."

"And you escaped?"

"At night, from the pen. They shot at me, but I swam down a stream and got away. I lived on berries for a while--and potatoes, when I could steal them. I'm a living example of food conservation. It was risky work approaching the farm houses, on account of the dogs. Some of us may think Germany will go to the dogs, but I'm sure of one thing and that is that all the dogs in the world have gone to Germany. And they never sleep. I went miles out of my way to avoid the roads. You're the first human being I've spoken to for weeks. It's quite extraordinary to be able to talk again, to have some one listen. Sometimes in the deep woods I used to talk to myself just to hear the sound of my own voice."

"I'm very sorry for you."

There was no doubting the sincerity of her tone or the gentleness in her eyes.

"Sorry? Are you? That's very wonderful. I thought that people had stopped being sorry for anything in this world."

"It's terrible to be so bitter."

He laughed. "I'm not bitter. I never felt more amiable in my life. But the world has gone mad, Mademoiselle."

"The Germans treated you badly?"

He smiled and shrugged.

"What would you have? It is war."

"It is terrible. And what will you do now that you are across the border? Will they not intern you?"

"I must find civilian clothing."

"And then?"

He laughed joyously.

"I will cross into France at the Swiss border, and rejoin my regiment. Parbleu! There are some there who will think I have risen from the dead."

She was silent for a moment regarding him thoughtfully, her eyes brightening with a new interest. At first he had seemed a man of middle age, a broken man, such as passed begging along the roads of the village. And the dirt and the ragged beard that covered his face had done nothing to dispel the illusion. But she saw now how far she had been mistaken, for his laughter rippled forth from his lean muscular throat as though in pure joy at its own utterance. He was not bitter--he was merely experienced.

"You're a Frenchman, Monsieur?"

"No, Mademoiselle, an American."

"American! And you've fought long for France?"

"More than two years."

"You were living in France?"

"No, Mademoiselle, in America. But I could not stand what happened in Belgium. And so I came. It's very simple."

"But you speak French----"

"German and Italian. I've been much in Europe. I had a gift for languages. But I'm not of much account otherwise. I'm a ne'er-do-well--a black sheep." He grinned at her.

"I do look rather black now, don't I? You'd be surprised to see how much better I look when I'm clean."

"I don't doubt it, Monsieur."

Youth called to youth. Her laugh echoed softly among the venerable trees and as she raised her chin, the cowl slipped from her head again disclosing her curly hair, a copper-colored nimbus against the glow of the lantern.

He turned a little toward her and glanced at her with more assurance, and then with a smile.

"You're just a girl, aren't you?"

She laughed again.

"What did you think I was?"

"I didn't know," he said more slowly. "You seemed something between a Shade and a Mother-Superior."

"A very inferior Mother-Superior, Monsieur," she smiled, and then with more soberness, "I don't wonder you were perplexed. Sometimes I am a little perplexed myself----"

She halted and did not resume, and so:

"I should not be inquisitive," he said, "Your hospitality gives me no further claim----"

"What is it that you wish to know?"

"Who and what you are. Is it not natural that I should like to know to whom I am indebted----"

"It doesn't matter. What I have done is little enough beside what you have suffered for poor bleeding France. At least we are allies."

"You----"

"A Russian----"

"Ah----"

"A modern Russian, Monsieur. A free spirit of the times in which we live. It is the aim of my life to do for my own country what you have done for France."

"But to fight, Mademoiselle----?"

"With subtler weapons than yours. It is to that I dedicate my life----"

She rose suddenly as though realizing that she had already said too much. She picked up the dish and bowl and took an irresolute step away from him. "I would like to ask you to stay, but----"

She paused and whispered quickly. "He comes. Say nothing. Let me tell your story. Perhaps you may remain to sleep here."

And following her glance, he saw a figure emerging from the gloom in the direction of the house, the tall figure of a man, with shoulders bent and eager eyes which, like those of a black nocturnal cat had already caught a pale reflection of the lantern's gleams.

CHAPTER II

ENIGMA

As the man came nearer, he seemed a remarkable creature. His coat, of the kind known in the eighties as a Prince Albert, hung loosely from his lean square shoulders, to a point midway between hip and knee. His hair was dark and long and wisps of it had fallen over his broad pale forehead to which they adhered as though a tight hat-band had pressed them there. Heavy eye-brows met above a long narrow nose, which jutted down over lips turned in, thin and impalpable, to the square chin which was thrust out aggressively as he strode forward, his hands working unpleasantly at the ends of his long wrists.

"What's this, Tanya Korasov?" he asked in a sharp querulous voice.

"A hungry soldier, Kirylo Ivanitch," said the girl.

Her shining eyes glanced quickly toward the daïs.

"He came----"

"Over the wall. He was much in need of rest and food----"

"Ah----" growled the other. "A soldier----"

"He goes to join his colors."

The frown on the brows of the man in the Prince Albert relaxed and he seemed to give a gasp of relief as he examined the intruder more calmly.

"The world has gone rabid with the smell of blood. Even here, all about us----" He broke off suddenly, turning to the girl. "You have fed him?"

"Yes, Kirylo. But I doubted----"

"We are not savages, Monsieur," he broke in. "You shall be made comfortable for the night. Come. Tanya, the lantern."

And he led the way across the lawn to the house, while Tanya mounted the daïs for the lantern and followed them. Whatever the doubts of the girl as to the hospitality which might be accorded him, the fugitive now saw no reason to suspect the intentions of the strange gentleman in the Prince Albert coat, for as they reached the building he stood aside, indicating the lighted doorway.

"Enter, mon ami," he said. "It shall not be said that this house refuses charity or alms to any seeker after Liberty, even though he go about his quest in a manner with which we disapprove."

"Thanks, Monsieur," said the soldier gratefully.

The room which they entered was the kitchen, and the two persons who occupied it, an aged woman and a youngish man with a shock of yellow hair, paused in the act of masticating, remaining with their full mouths open and eyes staring until the young soldier had passed through the door into the main building beyond. In the brief moment of passing them, the American experienced the same sense of vague hostility as that which had first greeted him in the man Ivanitch, a querulous attitude of anxious suspicion, which for some unknown reason had now disappeared,--a look of expectancy in their eyes, or was it a veiled fear, as of some danger which might come upon them unawares? Was this the reason for the wall? And if so, why a girl in a monk's cowl for sentry?

He was too weary to analyze the return of his impressions and when the Russian reached the room beyond the kitchen, he motioned the Légionnaire to a chair while he bade the girl Tanya bring forth glasses and a jug.

"Sit a moment, Monsieur the soldier," he said suavely. "It is Chartreuse--the real Chartreuse, made years ago by the monks not many leagues from here--there is little of it left even in Switzerland. It will give you new life."

The soldier pledged his host and hostess and drank.

"You are very good," he said with real gratitude. "I came to steal and go upon my way," he smiled. "And so your kindness and that of Mademoiselle covers me with confusion."

"Ah! Necessity knows no law," said the Russian pleasantly. "You shall have a bed, a night of sleep. And your necessity shall be our pleasure."

"But my intrusion! If one lives within a wall it is doubtless to keep people out. But in helping me, Monsieur, you are helping France. And in helping France,--Russia."

"Russia!" There was a finality of despair in the tone with which Kirylo Ivanitch uttered the word. "May God grant her help--for she needs it. We pray for her--as we work for her in secret--in secret."

Ivanitch clasped his bony fingers and squeezed them until the knuckles cracked. "If it will give you courage to fight with steel and bullets, I will tell you that great things are in the air, for Russia and for all the world."

"Freedom," said the American. "I know. It is written. So much blood cannot be shed in vain."

"We labor for the same end, you and I," went on the Russian. "The same end, but with different means----" And then, with a look of quick inspection--"You join the Legion soon again?"

The gaze of the Russian quickened as for the first time he noted the soldier's uniform.

"What is your name, Monsieur?"

"Phil Rowland."

"Rowlan'?" He puzzled over the pronunciation slowly

"Rowland. I am an American."

"Ah--American!"

"My mother was Italian----"

"But American. How happens it that you are here in this uniform?"

"I'm a citizen of the world, a nomad. I like adventure. And so when the war broke out I sailed and joined the Foreign Legion."

"The Legion! A regiment of young devils. It is madness. A mad cause--to what end?"

"That France may live."

"Ah, yes." And then, suddenly, "You join the Legion soon again?"

The American would have replied, but the girl Tanya, who had stood behind his chair, broke in quickly.

"Monsieur Rowlan' is tired, Kirylo Ivanitch. Is it not better that I show him to his room? Tomorrow he will tell you--"

"Your Chartreuse has already restored me, Mademoiselle."

The Russian waved his hand and Tanya Korasov sank into a chair.

"An American! I have always wanted to go to America. One day you will learn to think over there. And then you will be able to help with the great problems of Europe. Your mother was Italian?" he asked.

Phil Rowland smiled good-naturedly at the persistence of his questioner.

"Yes, Monsieur. Of an ancient and noble family. But in America we make little of ancestry."

"Yet, it is important."

The deep gaze of the Russian, which had been fixed upon the jug upon the table, turned slowly and fastened upon the uniform of the Légionnaire, the shocking condition of which had not been visible in the dim light of the garden.

"You have fared badly, Monsieur Rowlan'. Your uniform shows hard usage."

"What would you? I was captured in it and have worn it ever since. The Boches do not trouble to send their prisoners to a tailor."

"The Boches! You were, then, a prisoner of the Germans----?"

The Russian straightened in his chair, his bony hands clasping its arms, his brows tangling suddenly.

"Until three weeks ago, yes, Monsieur."

It was not imagination that gave Phil Rowland the notion that the tone of voice of the Russian had suddenly changed again. He felt the black eyes, now almost hidden under the dark bushy brows, burning into his own. And while he could not explain the feeling of inquietude, he realized that some chance remark of his had aroused a dormant devil in his host.

"A prisoner! The Germans!" He repeated quickly. "And you come here to Nemi. Who sent you hither?"

"Why, no one, Monsieur," said the American, easily, with a smile which concealed his growing curiosity. "I do not even know just when or where I crossed the border."

"Ah. It is strange--that you should come here. Italian, too----"

Ivanitch wagged his great head quickly. The girl Tanya broke in with a short laugh.

"Monsieur Rowlan' is not the first escaping soldier who has passed through the village. You remember, last week----"

"But he went away, Tanya Korasov--he did not stay----" broke in Ivanitch excitedly.

The American rose from his chair, mystified.

"As I shall do now, Monsieur, if you will permit me----"

He took a pace toward a door which seemed to lead toward the front of the house, but the girl stood before him and faced her compatriot, who had sank again in his chair, his head deep in his shoulders.

"For shame, Kirylo Ivanitch," she said in a spirited voice. "For shame! That you should be so inhospitable! The man is dead upon his feet and you send him out into the night--to be interned perhaps tomorrow!"

"An escaping prisoner! A slave!" He rose from his chair, brushing his hair back with a wild gesture. "You were a slave, were you not--a slave to the Germans? Answer me."

Had the man suddenly gone mad? Or was the brain of the Légionnaire suffering from a delusion of its own weariness? What was the meaning of this extraordinary conversation? What the significance of this sudden and strange hostility? And what difference could it make to this man Ivanitch whether he, Rowland, had been a slave or not?

The American shrugged and smiled again, more patiently.

"A slave?" he replied. "One might call it that. I worked like a dog upon a railroad. I was chained to the man next me, and would have been shot had I attempted resistance."

The result of this innocent explanation was still more surprising.

"There!" cried the Russian, wildly exhorting the girl. "Did I not tell you so? A slave--an escaping slave--here at Nemi. Let him go, I say, or I shall not answer for the consequences."

"Of course, Monsieur----" said Rowland.

But at a sign from the girl, the American paused at the door and stood, his weariness forgotten in the curious dialogue that followed, which seemed to plunge him deeper into the mystery of this strange couple and the house of the walled garden. The girl Tanya crossed the room swiftly and noiselessly and laid her hand upon the arm of Kirylo Ivanitch, who now paced to and fro before the fireplace, like some caged beast, his head lowered, seeming not to see but furtively watching the dusty boots of the astonished fugitive.

"It is not possible, Kirylo," she said softly. "He knows nothing. Would he not have broken IT at once? Who was to have prevented him? Not I. He is merely a boy and free from guile. Can you not see?"

"It is dangerous for him to remain," gasped the Russian.

"It is more dangerous for you to indulge these mad fancies. IT is safe yonder. Go and see for yourself. I, Tanya Korasov, will vouch for this weary fugitive. But you shall not turn a loyal ally of Russia out into the night. Tomorrow he shall go forth and you shall send him, refreshed and safely conducted to the border of France, when he will go and fight your battles and mine, with the common enemy of Humanity. Do you hear?"

He stared at her, sullenly.

"I shall conduct him nowhere. I wish him to go," he said.

But the girl stood her ground, continuing calmly:

"Tomorrow morning you shall give him a suit of civilian clothing and he will go upon his way, thanking you, Kirylo Ivanitch. That is all."

"A boy? Yes. No doubt.... But Destiny is too strong. Italian! What if----"

He paused, running his bony fingers through his long hair.

"Impossible. It cannot be," she soothed him.

"I have much to do--tomorrow or next day they are coming--the conference is momentous. If anything should----"

"Sh----! He shall be gone."

The girl turned to the American as though to atone for the strange conduct of her compatriot, and smiled graciously.

"You will forgive the whim of Monsieur Ivanitch, I am sure. He works too hard, all day, and most of the night. You would understand, if you knew his problems, his suspicions, his labors."

"I'm still willing to go, Mademoiselle, if Monsieur still desires it----" said Rowland easily.

For a moment they had been lost in each other. A gasp from the direction of the fireplace, and as they turned, Kirylo Ivanitch fled past them silently and out into the darkness of the night. The look the American sent after him gave the girl a true vision of what was passing in his mind.

"You think that he is mad," she said soberly. "It is not so. An obsession----" she paused abruptly as though the words had been stifled upon her lips and shrugged lightly. "I can tell you nothing--but on this I am resolved. You shall not be sent forth tonight or taken tomorrow when France, my country's ally, needs you yonder."

He caught her hand and pressed it to his lips. And then, with a joyous smile:

"I shall fight the better for the memory of this hour. Whatever your mission here, Mademoiselle, God grant you success in it. And for the part of one soul which passes yours like a ship in the night, I pray that we may meet again."

"It shall be so, perhaps," she said easily, though she flushed at the warmth of his words.

"When a razor and a bath shall have made me once more a gentleman," he added with a laugh.

"Perhaps that may be tomorrow?" she returned gaily.

The roguish smile that had died still-born upon her lips, there, earlier, in the garden, came suddenly upon the sweetness of her lips and gave them new lines of loveliness, which made him glad that she had saved it for the light where he might see.

She noted the look of admiration in his dark eyes, and turned quickly away, taking up a candle from the table.

"Until tomorrow, then, Monsieur," she said decisively. "For now you shall go to bed."

"I am no longer tired."

But she was already moving toward the stairway to the upper floors.

"If you will follow me--" she said calmly, and led the way up the stairs, her soft black robe caressing her slender ankles.

A lamp set in a bracket burned dimly upon the second floor, and he followed her heavily down the high, echoing corridor. A large hall, scantily furnished, dim and mysterious with many doors to right and left, a house, it seemed, more like a hotel than a villa, and more like a monastery than either. The girl led the way and opened at last a door near the end of the corridor, entering the room and setting the candle upon a table. In the flickering light which cast its shadows upward along her face she seemed to have taken again the character of the Priestess, the Shade of the garden, with the cowl and robe of mystery. Her expression too seemed to have grown more serious, though the golden nimbus of light was again entwined about her ruddy hair.

"Good night, Monsieur Rowlan'," she said gently. "Tomorrow morning you will find a change of clothing upon the chair outside the door. Sleep safely. If you fear--" she paused.

"Fear?" he asked. "Of what?"

"I forgot that you are a soldier. But when I go out, nevertheless, you shall bolt this door upon the inside." And as he turned to her in inquiry, "No. You must ask no questions, but only obey."

His smile met with no response. And so he shrugged and bowed.

"It shall be as you desire, Mademoiselle."

And without a word, she was gone.

He listened for a moment to the light tap of her footfalls down the corridor until he heard them no more, when he closed the heavy door, bolted it and sank upon the small iron bed while he tried to ponder a solution of the events of the evening.

Out of the train of vague occurrences stood clearly the wholesome friendly figure of this girl, Tanya Korasov. Her robes, her cowl, the vestments of her strange association with the fanatic Kirylo Ivanitch, seemed only to bring her sanity, youth and kindliness into stronger relief. That she was a member of some secret association of which her compatriot was the head seemed more or less obvious, but what was the personal relationship between them? The man had intellectual power and doubtless held his sway as the official director of some sort of propaganda for the freedom of Russia, but his deference to the wishes of the girl made it also evident that she too was high in his councils. His niece? His cousin? Or was their relation something nearer, something----? Impossible. The man was fifty, the girl young enough to be his daughter. A relationship purely intellectual, more deeply welded by the bonds of a cognate purpose. But what of the robes, the vigils, the daïs in the garden, the strange dialogue about the escaping slave which seemed to have so large a part in determining his own status as a guest in this house of mystery? What was IT? And what the danger suggested by the final injunction of the girl to bolt the door of his bedroom? From whom? Ivanitch? From the shock-headed youth in the kitchen who had stared at him so curiously? Or from others whom he had not seen?

He gave up the problem and slowly removed his boots and tattered clothing which he tossed with some disgust into a corner. The order of the room reproached him, and tired as he was, he cleansed himself to be worthy of the immaculate linen, then blew out the light and with a sigh of delight at the luxury of sheets, he crawled into bed and tried to relax. He had thought of this moment for weeks, and how he would sleep if he was ever again offered a bed, but now strangely enough, his muscles twitched and his eyes remained open, staring into the obscurity.

Tanya! That was a pretty name--Tatyana probably. There was a fairy princess of that name who came to him suddenly from out of the mists of childhood--a princess with a filmy veil, a diadem upon her forehead and a magic white wand which accomplished the impossible. She was pure, she was beautiful and had happened long ago, before--before his rather variegated career across two continents. This new Tanya was a part of the night, a gracious kindly shade with a ruddy diadem and a roguish smile, which set aside the symbols of her strange servitude. He smiled as he thought of her and closed his lids again, but they flew open as though actuated by hidden springs.

He was aware of some movement in the house about him, the soft pad of footsteps in the corridor outside which went along a few paces and then seemed to pause just at his door. Then a murmur as though of voices in a low tone. Once he fancied the knob of his door was tried by a stealthy hand. So sure was he of this that he got out of bed and without striking a light, examined the bolt to reassure himself that the door was firmly fastened.

Then he smiled to himself and went noiselessly back to bed. The soldier Rowland was merely aware of a devouring curiosity. But presently the demands of his weary muscles vanquished even this, and he slept.

He awoke suddenly, as he had often done in the dugouts at the warning of the sentry, and started upright in bed, listening. The softness of the sheets perplexed him, and it was a moment before he realized where he was. No sound but the murmur of insects outside the house and the sighing of a breeze. What had awakened him? Noiselessly he got up and tried the bolt of the door. It was fastened. Then he stole cautiously to the window, and peered down into the garden.

By the star-light, he could dimly see the lawn, the path and the daïs beyond where he had first seen Tanya. His eyes, trained like a cat's to the darkness, during his weeks of night traveling, pierced slowly into every part of the obscurity beneath the trees. Something was moving there near the mound of earth, a dark figure with a cowled head and a robe. The figure moved forward slowly a few steps, peering from right to left and then darted suddenly around to the other side of the daïs, but always eager and watchful, near the mound of earth. Rowland seemed to identify the figure by its broad bent shoulders and shuffling walk as Kirylo Ivanitch. As the American watched, he saw the Russian turn and walk slowly toward the house. Beneath Rowland's window the Russian stopped with folded arms and looked upward. From beneath the black cowl the American seemed to feel the blazing eyes of Ivanitch upon his, but he knew that in his place of concealment he could not be seen and so he did not move. And presently, the man turned swiftly and went back to the mound of earth to resume his strange sentry duty.

Philip Rowland shrugged as he turned away from the window and went back to bed, grinning to himself.

"Batty," he muttered to himself. "Completely batty."

CHAPTER III

MYSTERY

Philip Rowland slept heavily until broad daylight when the sun pierced his window and cast a cheerful golden lozenge upon the white-washed wall above his iron bed. He stretched his arms luxuriously and as the events of the previous night came to him, rose and looked out of the window. A clamor of birds among the gilded tree-tops, long violet shadows along the dewy garden, and there on a bench upon the mound of earth which had perplexed him last night, a solitary black figure, quiescent but watchful. It was not Ivanitch or Tanya, but one that he had not seen before, for the figure wore no cowl and the head was clearly visible. So they had kept watch all night! The American laughed outright. The things that had seemed weird and even uncanny in the darkness were by the broad light of day little short of arrant nonsense. Mediæval flummery such as this in the fair sunlight of the summer morning! It was amateurish, sophomoric, and hardly worthy of the psychos of the intellectual mystic in the Prince Albert coat. Tanya, too--a dealer in magic and spells? He smiled to himself as he turned from the window. He knew women--they had a talent for the dramatic. But he wouldn't acknowledge even to himself that he was disappointed in Tanya. He wanted to keep last night's vision of her as a thing apart. She was his Goddess of Liberty. Whatever her share in this mumbo-jumbo business, she herself was never to be tawdry.

He was softly whistling "Tipperary" as he unbolted his door and peered out into the silent corridor. There upon a chair beside his door was the clothing that Tanya had promised him, a suit of dark clothes--not a Prince Albert, he was joyed to discover--underwear, a shirt and--blessings upon blessings--scissors and a razor! She had forgotten nothing. There is a delight in cleanliness that only the cleanly who have become filthy can ever really know. But this escaped prisoner found a secret pleasure in the fact that he was now to become Philip Rowland, gentleman, a person once known on Broadway and Fifth Avenue for the taste of his sartorial embellishments.

He bathed again, shaved and dressed in the clothing (which fitted him atrociously) and went down the stairs into the room through which he had passed last night. There was no one about and the door into the kitchen was closed, though an appetizing odor of coffee pervaded the air. He glanced at the books upon the table, a few novels, Turgeniev, Dostoievsky in French, some Russian newspapers and a miscellaneous lot of German and French socialistic periodicals. Socialism--of course--the veneer that might cover a rougher grain beneath.

But the most extraordinary object in the room, one which the visitor had not noticed last night, was a piece of ancient sculpture upon a pedestal in a corner of the room, a double-headed bust, one face young and beardless with shut lips and a steadfast gaze, the other older with wrinkled brows, a wild, anxious look in the eyes and a mouth open as though in horror. Around the neck of the double-head a garland of what seemed to be oak-leaves was carved into the stone and upon the pedestal, the inscription REX NEMORENSIS. That the sculpture was of a great antiquity was indicated by its worn surfaces and discolorations, and Rowland paused, studying it attentively, lost in speculation as to what if any connection this curious work of ancient art could have with the mystery of this house. Nemi--Ivanitch had mentioned it last night. REX NEMORENSIS--King of the Wood. But what was the symbolism of the two heads--the young man and the old, the young one, eager and fearless, the other old, anxious and terrified. Nemi!

Where had he come upon the name before? It seemed to echo to him out of the past. Nemi! A name out of a legend, written as though with fire against the darkness of a childish nightmare and then extinguished. A name of something beautiful and something unhappy, something dreadful and something fascinating--the name of a blessing or of a curse! He shrugged at last, winked cheerfully at the hideous face on the pedestal, and gave the problem up. Then, turning, he sauntered toward a door which seemed to lead to the front of the garden, but before he reached it a voice came from over his shoulder, and turning quickly, he saw the girl Tanya, standing on the stairway giving him good morning. Her black robes had been discarded and she was dressed quite simply in a white morning frock which accentuated the lines of the strong slender figure and answered some of the questions that her sober garb had denied him. She was young, resilient, full of the joys of the awakened day, and wonderfully good to look at. The two of them stood for a moment staring at each other as though they had never seen each other before, Rowland's eyes full of admiration which he made no effort to conceal.

It was Tanya who first spoke.

"You are so different, Monsieur Rowlan', that I wasn't quite sure----" she laughed. "If I hadn't known the clothes----"

"And you, Mademoiselle." He paused seeking a word. "You--are the morning."

"Did you sleep well?"

"Like the dead. I was not disturbed." He smiled significantly, but she seemed not to notice, as she crossed to the door of the kitchen and ordered the coffee. And in a moment they were sitting at a table in an adjoining room where the shock-headed man brought the urn from the kitchen and a tray upon which were eggs, butter and petits pains. Rowland studied the man carefully and noted a sharp look from the fellow as their glances crossed. But in a mirror opposite him he saw the man pause as he went out and turn and stare at him with so malevolent a look that the American recalled quite vividly his impressions of the night before. He was not wanted here. Whatever the affairs of this place it was obvious that to all except the girl Tanya, Rowland was de trop. As he ate he found his curiosity as to the strange actions of the men of Nemi gathering impetus. They were like a lot of Boches having a morning "hate." However hospitable the girl, it was clear that they resented his presence, and from a window, even as he sat, he could see the ridiculous black figure of the third man mounting guard over the absurd tree at the other side of the garden. But Rowland grinned and drank of his coffee, sure now that the eyes of Tanya Korasov had something on all those of a Winter Garden chorus rolled into two. But they weren't bold eyes like some others he had known. They appraised him frankly but without the least timidity. She had given him her friendship last night and until he went on his way he was her guest to whom the hospitality of the house was open.

"Monsieur Ivanitch," she said after a moment, and with as he fancied a slight air of constraint, "begs that you will excuse him, as he will take his coffee upstairs."

"Of course. I hope that I haven't interfered----"

"It doesn't matter," she put in quickly. "Something happened which disturbed him. He is overworked and often distraught with nerves."

"I'm sorry."

"He is accustomed to being much alone," she added with an abstracted air.

"I won't bother him much longer. I'll be off in a moment. But I regret to go without knowing something more of you, Mademoiselle. Your kindness in spite of the hostility of Monsieur Ivanitch, your fear for my safety last night----"

"I--I merely thought that--that if you bolted your door you would be able to pass a night of rest."

Her manner was not altogether convincing. He looked at her soberly and went on softly.

"I'm not a meddler by nature, Mademoiselle," he continued, "but I do confess to a devouring curiosity. The organization to which you belong is secret. I can perhaps guess some of its purposes, but the mystery which I have met on every hand----"

"I can tell you nothing," she said, her eyes averted.

"Not even that what you do is not distasteful to you?"

She lowered her voice a note.

"I'm not unhappy," she said slowly.

"Nor contented. There is a danger in the air, a nameless danger which if it does not threaten you, menaces those about you."

"Danger!" she said quickly. "What does that matter to me, when Russia, when all Europe is bleeding to death. I fear nothing----"

"Not even an escaping slave?"

The words uttered quickly, almost at random, had a most startling effect upon her. She drew back quickly from the table and then leaned forward, whispering.

"Sh----! You knew----?" she asked.

"You came here----" she paused and was silent again.

"Was it not that phrase which so profoundly affected Monsieur Ivanitch?" he asked.

She made no reply.

He rose from the table and straightened.

"You wish me to go, Mademoiselle?" he asked.

She hesitated a moment and then with a gasp,

"Yes. You must go--at once."

He shrugged, smiled and turned away. It was too bad.

"Of course I have no right to question you. But I should like to put myself at your command for any service----"

"You can do nothing. Only go, Monsieur."

He looked at her eagerly. There was a change in her manner. She too had at last turned against him. It seemed that she had grown a shade paler, and he saw her eyes staring in a startled way as at some object behind him.

Instinctively he turned. The door into the kitchen was partly open and half through the aperture, distorted with some strange agony, was the face of Kirylo Ivanitch. In the fleeting moment before the Russian emerged it seemed to Rowland that this was the exact expression on the face of the anguished half of the double-bust in the adjoining room, the face of the older man in terror and fury. But he had to admit that in the flesh and blood it was far more convincing.

Ivanitch now thrust the door open with a bang and stood, his arms, long like an ape's, hanging to the knees of his trouser legs at which the bony fingers plucked unpleasantly.

He did not speak to Rowland, though his gaze never left his face, but he muttered something hoarsely in Russian to Tanya--an angry phrase, the tone of which sent the hot blood flying to Phil Rowland's temples. He did not know what she replied, but her voice was pitched low and had a note of contrition that still further inflamed him. Last night he had thought Ivanitch merely an eccentric zealot unnerved by too much work. Now he seemed surely mad, a maniac not far from the verge of violence.

The Russian took a pace forward toward the American who stood his ground, conscious of a rising anger at the inhospitality and a growing desire to see the thing through, whatever happened. But a glance at Tanya found her gaze fixed on him with a look so earnestly appealing, that he suppressed the hot words that had risen to his tongue.

"I am sorry, Monsieur Ivanitch," he said coolly, taking refuge in the formal French phrase, "to have so far strained the hospitality of Nemi----"

"Go then--" growled the Russian, pointing toward the door.

The voice was brutal, harsh, inhuman and challenged all that was intemperate in Rowland, aroused again the reckless venturing spirit that had sent him forth to deal with the primitive forces of evil. He leaned forward toward the distorted face, his arms akimbo, and stared the Russian in the eyes.

And then a strange thing happened. The blaze in the Russian's eyes was suddenly extinguished. It was as though a film had passed over them, leaving them pale, like a burnt out cinder. His jaw fell too, his arms flapped aimlessly a moment and then fell to his sides as he retreated through the open door into the kitchen.

"Go!" he whispered querulously, as though his voice too had been burnt out. "Go!"

As the man disappeared, Rowland relaxed and turned toward Tanya with a shrug.

"A madman!" he muttered. "You can't stay here, Mademoiselle Korasov."