NEW YORK: ITS UPPER TEN AND LOWER MILLION.
BY
GEORGE LIPPARD.
AUTHOR OF "ADONAI," "WASHINGTON AND HIS GENERALS," "THE QUAKER CITY," "PAUL ARDENHEIM," "BLANCHE OF BRANDYWINE," "LEGENDS OF MEXICO," "THE NAZARENE," ETC. ETC. ETC.
CINCINNATI:
PUBLISHED BY E. MENDENHALL.
NEW YORK: A. RANNEY.
1854.
CONTENTS.
| [Preliminary Sketch] |
| [Prologue] |
Part First.
"FRANK VAN HUYDEN." DEC. 23 1844.—EVENING.
| [CHAPTER I.] | "Does he Remember?" |
| [CHAPTER II.] | Frank and her Singular Visitor. |
| [CHAPTER III.] | The Childhood of the Midnight Queen. |
| [CHAPTER IV.] | Maidenhood. |
| [CHAPTER V.] | On the Rock. |
| [CHAPTER VI.] | Among the Palisades. |
| [CHAPTER VII.] | In the Forest Nook. |
| [CHAPTER VIII.] | Home, Adieu! |
| [CHAPTER IX.] | Ernest and his Singular Adventures. |
| [CHAPTER X.] | The Palace-Home. |
| [CHAPTER XI.] | "She'll Do!" |
| [CHAPTER XII.] | A Revelation. |
| [CHAPTER XIII.] | Morphine. |
| [CHAPTER XIV.] | The Sale is complete. |
| [CHAPTER XV.] | "Lost—Lost, Utterly!" |
Part Second.
FROM NIGHTFALL UNTIL MIDNIGHT. DEC. 23, 1844.
| [CHAPTER I.] | Bloodhound and the Unknown. |
| [CHAPTER II.] | The Canal street Shirt Store. |
| [CHAPTER III.] | "Do they Roar?" |
| [CHAPTER IV.] | The Seven Vaults. |
| [CHAPTER V.] | The Legate of the Pope. |
| [CHAPTER VI.] | "Joanna!" |
| [CHAPTER VII.] | The White Slave and his Sister. |
| [CHAPTER VIII.] | Eleanor Lynn. |
| [CHAPTER IX.] | Bernard Lynn. |
| [CHAPTER X.] | "Yes! You will meet Him." |
| [CHAPTER XI.] | In the House of the Merchant Prince. |
| [CHAPTER XII.] | "Show Me the Way." |
| [CHAPTER XIII.] | "The Reverend Voluptuaries." |
| [CHAPTER XIV.] | "Below Five Points." |
Part Third.
THROUGH THE SILENT CITY. DEC. 24, 1844.
| [CHAPTER I.] | The Den of Madam Resimer. |
| [CHAPTER II.] | "Herman, you will not desert Me?" |
| [CHAPTER III.] | Herman, Arthur, Alice. |
| [CHAPTER IV.] | The Red Book. |
| [CHAPTER V.] | "What shall we do with her?" |
| [CHAPTER VI.] | A Brief Episode. |
| [CHAPTER VII.] | Through the Silent City. |
| [CHAPTER VIII.] | In Trinity Church. |
| [CHAPTER IX.] | The End of the March. |
Part Fourth.
IN THE TEMPLE—FROM MIDNIGHT UNTIL DAWN. DEC. 24, 1844.
| [CHAPTER I.] | The Central Chamber. |
| [CHAPTER II.] | The Blue Room. |
| [CHAPTER III.] | The Golden Room. |
| [CHAPTER IV.] | The Bridal Chamber. |
| [CHAPTER V.] | The Scarlet Chamber. |
| [CHAPTER VI.] | Bank Stock at the Bar. |
| [CHAPTER VII.] |
"Where is the Child of Gulian Van Huyden?" |
| [CHAPTER VIII.] | Beverly and Joanna. |
| [CHAPTER IX.] | Mary Berman—Carl Raphael. |
Part Fifth.
THE DAWN, SUNRISE AND DAY. DEC. 24, 1844.
| [CHAPTER I.] | "The Other Child." |
| [CHAPTER II.] | Randolph and his Brother. |
| [CHAPTER III.] | The Husband and the Profligate. |
| [CHAPTER IV.] | Israel and his Victim. |
| [CHAPTER V.] | Mary, Carl, Cornelius. |
| [CHAPTER VI.] | A Look into the Red Book. |
| [CHAPTER VII.] | Marion Merlin. |
| [CHAPTER VIII.] | Niagara. |
| [CHAPTER IX.] | A Second Marriage. |
| [CHAPTER X.] | A Second Murder. |
| [CHAPTER XI.] | Marion and Herman Barnhurst. |
| [CHAPTER XII.] | Marion and Fanny. |
| [CHAPTER XIII.] | An Unutterable Crime. |
| [CHAPTER XIV.] | Suicide. |
| [CHAPTER XV.] | After the Death of Marion. |
Part Sixth.
DAY, SUNSET, NIGHT. DECEMBER 24, 1844.
| [CHAPTER I.] | Arrayed for the Bridal. |
| [CHAPTER II.] | Herman and Godiva. |
| [CHAPTER III.] | The Dream Elixir. |
| [CHAPTER IV.] | The Bridal of Joanna and Beverly. |
| [CHAPTER V.] | An Episode. |
Part Seventh.
THE DAY OF TWENTY-ONE YEARS. DEC. 25, 1844.
| [CHAPTER I.] | Martin Fulmer appears. |
| [CHAPTER II.] | "The Seven" are summoned. |
| [CHAPTER III.] | "Say, between us Three!" |
| [CHAPTER IV.] | The Legate of His Holiness. |
| [CHAPTER V.] | The Son, at Last! |
| [CHAPTER VI.] | A Long Account Settled. |
| [CHAPTER VII.] | The Banquet Room once more. |
[Epilogue.]
| On the Ocean—By the River Shore—In the Vatican—On the Prairie. |
[PRELIMINARY SKETCH.]
Christmas Eve, 1823, was a memorable night in the history of a certain wealthy family in New York. The night was dark and stormy, but the tempest which swept over the bay, and whitened the city's roofs with snow, was but a faint symbol of the tempest of human passion—jealousy, covetousness, despair—then at work, in the breasts of a group of individuals, connected with the old and distinguished family of Van Huyden.
On that night, Gulian Van Huyden, the representative of the family, and owner of its immense wealth—a young man in the prime of early manhood, who had been happily married a year before—gave a great banquet to his male friends, in his city mansion. By his side was seated his younger brother, Charles Van Huyden, whom the will of their father had confined to a limited income, while Gulian, as the elder son, had become the possessor of nearly all of the immense wealth of the family.
The banquet was prolonged from about nine o'clock until near dawn, and during its progress, Gulian and his brother had been alternately absent, for the space of an hour, or a half hour at a time.
The city mansion of Gulian, situated not far from Trinity Church, flung the blaze of its festival lights out upon the stormy night. That light was not sufficient to light up the details of two widely different edifices, which, located within a hundred yards of Gulian's mansion, had much to do with his fortunes, and the fortunes of his family.
The nearest of these edifices, an antique, high-roofed house, which stood in a desolate garden, was (unknown to Gulian) the home of his brother, and of that brother's mistress—a woman whom Charles did not wish to marry, until by some chance or other, he became the possessor of the Van Huyden estate.
The other edifice, a one-storied hovel, was the home of a mechanic and his young wife. His name was John Hoffman, his trade that of a stone mason, and at the period of this narrative, he was miserably poor.
Now, during the night of Christmas eve (and while the banquet was in progress in Gulian's city mansion), an unknown person, thickly cloaked, entered the hovel of the mechanic, bearing a new-born child in his arms. An interview followed between the unknown, John Hoffman, and his wife. The mechanic and his wife consented to adopt the child in place of one which they had recently lost. The stranger with the child, gave them a piece of parchment, which bore on one side, the initials, "G. G. V. H. C." and on the other the name of "Dr. Martin Fulmer," an eccentric physician, well known in New York. This parchment deposited in a letter addressed to Dr. Fulmer, and sent to the post office once a quarter, would be returned to the mechanic, accompanied by the sum of a hundred dollars. John was especially enjoined to keep this interview and its results a secret from the Doctor. Having deposited the child and parchment with the worthy couple, the stranger departed, and was never again seen by the mechanic or his wife.
Within an hour of this singular interview the mistress of Charles Van Huyden, returned to her home (from which she had been absent for a brief period)—flakes of snow upon her dress and upon her disordered hair—and placed upon her bed, the burden which she carried, a new-born infant, enveloped in a shawl. As the fallen, but by no means altogether depraved woman, surveyed this infant, she also beheld her own child, sleeping in a cradle not far from the bed—a daughter some three months old, and named after its mother Frank, that is, Francis Van Huyden.
Christmas Eve passed away, and Christmas morning was near. Dr. Martin Fulmer was suddenly summoned to Gulian's mansion. And Gulian, fresh from the scenes of the banquet room, met the Doctor in an obscure garret of his mansion. He first bound the Doctor by an oath, to yield implicit obedience to all his wishes, an oath which appealed to all that was superstitious, as well as to all that was truly religious in the Doctor's nature, and then the interview followed, terrible and momentous in its details and its results. These results stretch over a period of twenty-one years—from December 25, 1823, to December 25, 1844. This interview over, Gulian left the Doctor (who, stupefied and awe-stricken by the words which he had just heard, sank kneeling on the floor of the room in which the interview had taken place), and silently departed from his mansion. He bent his steps to the Battery. And then—young, handsome, the possessor of enormous wealth—he left this life with the same composure, that he had just departed from his mansion. In plain words, he plunged into the river, and met the death of the suicide in its ice-burdened waves, while his brother Charles (whom we forgot to state, had accompanied him from the threshold of his home), stood affrighted and appalled on the shore.
Meanwhile, Dr. Martin Fulmer (bound by his oath), descended from the garret into a bedchamber of the Van Huyden mansion. Upon the bed was stretched a beautiful but dying woman. It was Alice Van Huyden, the young wife of Gulian. All night long (while the banquet progressed in another apartment) she had wrestled in the agonies of maternity, unwatched and alone. She had given birth to a child, but when the Dr. stood by the bed, the child had been removed by unknown hands.
Convinced of his wife's infidelity—believing that his own brother Charles was the author of his dishonor—Gulian had left his mansion, his wealth, life and all its hopes, to meet the death of the suicide in the waves of Manhattan Bay.
And Dr. Martin Fulmer, but a few hours ago a poor man, now found himself, as he stood by the bed of the dying wife, the sole trustee of the Van Huyden Estate.
His trust was to continue for twenty-one years. In case of his death, he had power to appoint a successor. And at the end of twenty-one years, on the 25th of December, 1844, the estate (swelled by the accumulations of twenty-one years), was, by the will of Gulian Van Huyden, to be disposed of in this wise:
I. In case a son of Gulian should appear on that day (December 25th, 1844), the estate should descend absolutely to him. Or,
II. In case on the day named, it should be proven to the satisfaction of the Trustee, that such a son had been in existence, but had met his death in a truly just cause, then the estate was to be disposed of, according to the directions embodied in a sealed codicil (which was not to be opened until December 25, 1844). But in case such a son did not appear, and in case his death in a truly just cause was not proven on the appointed day, then,
III. The estate was to be divided among the heirs of seven persons, descendants of the first of the Van Huydens, who landed on Manhattan Island, in the year 1623. These seven persons, widely distributed over the United States, were (by the directions of the Testator) to be furnished with a copy of the will. And among these seven or their heirs—that is, those of the number who appeared before Martin Fulmer, at the appointed place on the appointed day—the estate would be divided.
Such in brief, were the essential features of the will.
A few days after December 25, 1823, Charles Van Huyden, having in his possession $200,000 (given to him by Dr. Martin Fulmer, in accordance with the wishes of Gulian) left New York for Paris, taking with him his mistress (now his wife), their child "Francis" or "Frank," and the strange child which the woman had brought to her home, on Christmas Eve, 1823. Whether this "strange" child, or the child left with the poor mechanic, was the offspring of Gulian Van Huyden, will be seen from the narrative which follows this imperfect sketch.
Twenty-one years pass away; it lacks but a day or two of December 25th, 1844. Who are the seven heirs? Does a son of Gulian live? What has become of Charles Van Huyden; of Hoffman the mechanic, and of the child left in the care of the mechanic? What has become of Charles Van Huyden's wife and child?
On a night in December 1844—say the 23d of the month—we shall find in New York, the following persons, connected with the fortunes of the Van Huyden family:
The "Seven" or their heirs.
I. Gabriel Godlike, a statesman, who with an intellect rivaling some of the greatest names in our history, such as Clay, Calhoun or Webster, is destitute of the patriotism and virtues of these great men.
II. Herman Barnhurst, a clergyman, who has lured from Philadelphia to New York, the only daughter of a merchant of the former city. This clergyman and his victim, are pursued by the Third of the Seven.
III. Arthur Dermoyne, a mechanic.
IV. Israel Yorke, a Banker.
V. Harry Royalton, of Hill Royal, S. C. His claim to an undivided seventh of the Estate, will be contested by his half brother and sister, Randolph and Esther, who although white, are alleged to have African blood in their veins.
VI. Beverly Barron, a "man of the world."
VII. Evelyn Somers, a New York "Merchant Prince."
2d. We shall find in New York, at the period before named, Charles Van Huyden, transformed into Col. Tarleton, and endeavoring to remove from his hands the blood of a man whom he has slain in a duel. His daughter "Frank" grown to womanhood, and brought into contact with "Nameless," who left in infancy at the hovel of John Hoffman, has after a childhood of terrible hardships—a young manhood darkened by madness and crime—suddenly appeared in New York, in company with a discharged convict. This convict is none other than John Hoffman the mechanic. And gliding through the narrative, and among its various actors, we shall find Martin Fulmer, or his successor.
With this preliminary sketch—necessarily brief and imperfect, for it covers a period of twenty-one years—the following narrative is submitted to the reader. Yet first, let us for a moment glance at the "Van Huyden Estate." This estate in 1823, was estimated at two millions of dollars. What is it in 1844?
The history of two millions of dollars in twenty-one years! Two millions left to go by itself, and ripen year after year, into new power, until at last the original sum is completely forgotten in the vast accumulation of capital. In the Old World twenty-one years glide by, and everything is the same. At the end of twenty-one years, two millions would still be two millions. Twenty-one years in the New World is as much as two centuries to the Old. The vast expanse of land; the constant influx of population; the space for growth afforded by institutions as different from those of Europe (that is from those of the past), as day from night—all contribute to this result. From 1823 to 1844, the New World, hardened by a childhood of battle and martyrdom, sprang into strong manhood. Behold the philosophy of modern wealth, manifested in the growth of the Van Huyden Estate. Without working itself it bids others to work. Left to the age, to the growth of the people, the increase of commerce and labor, it swells into a wealth that puts the Arabian Nights to shame. In 1823 it comprises certain pieces of land in the heart of New York, and in the open country beyond New York. In 1844 the city land has repeated its value by a hundred; the country lots have become the abiding place of the Merchant Princes of New York. Cents in 1823, become dollars in 1844. This by the progress of the age, by the labor of the millions, and without one effort on the part of the lands or their owner. In 1823 there is a country seat and farm on the North River; in 1844 the farm has become the seat of factories, mills, the dwelling place of five thousand tenants, whose labor has swelled the original value of $150,000 into ten millions of dollars. In 1823, five thousand acres, scattered over the wild west, are vaguely valued at $5000—in 1844 these acres, located in various parts of the west, are the sites of towns, villages, mines, teeming with a dense population, and worth thirty millions of dollars. In 1823 a tract of barren land among the mountains of Pennsylvania, is bought for one thousand dollars; in 1844 this tract, the location of mines of iron and coal, is worth twenty millions.
Thus in twenty-one years, by holding on to its own, the Van Huyden Estate has swelled from two millions to one hundred millions of dollars. The age moves on; it remains in its original proprietorship, swelled by the labor of millions, who derive but a penny where they bestow upon the estate a dollar. It works not; mankind works for it. Has this wealth no duties to mankind? Is there not something horrible in the thought of an entire generation, for mere subsistence, spending their lives, in order to make this man, this estate, or this corporation, the possessor of incredible wealth?
[PROLOGUE]
The lamp has gone out in the old familiar room! It used to shine, late at night upon the books, upon the pictures on the wall, and upon my face as I sat writing there! Oftentimes it shone upon another face which looked over my shoulder, and cheered me in my labor. But now the lamp has gone out—and forever. The face which looked upon me is gone; the coffin lid shut down upon it one Summer day! The room is dark forever. And the next room, where she used to sleep with her children—it is dark and still! The house is desolate! There are no voices to break its stillness! Her voice, and the voices of our children, are silent forever on this lower earth. My heart goes back to that house and to its rooms, and to the voices that once sounded there, and the faces which once made it glad, and with more than the bitterness of Death I confess, that Time can never return. Nevermore, nevermore, nevermore! Wealth may come; change of scene may deaden sorrow; wrestling with the world, may divert the soul from perpetual brooding, but the Truth is still the Truth, that Time can never return. And this is the end of all, after a life spent in perpetual battle—after toiling day and night for long years—after looking to the Future, hoping, struggling, suffering—to find at last, even before thirty years are mine, that the lamp has gone out, and forever! That those for whom I toiled and suffered—whose well-being was the impulse and the ultimate of all my exertions—are no longer with me, but gone to return never—nevermore. Upon this earth the lamp that lit my way through life, has indeed gone out, and forever. But is it not lighted now by a higher hand than mortal, and is it not shining now in a better world than this?
Once more I resume my pen. Since this work was commenced, Death has been busy with my home—death hath indeed laid my home desolate. It is a selfish thing to write for money, it is a base and a mean thing to write for fame, but it is a good and a holy thing to write for the approval of those whom we most intensely love. Deprived of this spring of action, it is hard, very hard to take up the pen once more. Write, write! but the face that once looked over your shoulder, and cheered you in your task, shall look over it no more. Write, write! and turn your gaze to every point of the horizon of life—not one face of home meets your eye.
Take up the pen once more. Banish the fast gathering memories—choke them down. Forget the actual of your own life, in the ideal to which the pen gives utterance. Brave old pen! Always trusted, never faithless! True through long years of toil, be true and steadfast now; when the face that once watched your progress is sleeping in graveyard dust. And when you write down a noble thought, or give utterance to a holy truth, may be, that face will smile upon your progress, even through the darkened glass which separates the present from the Better World.
[PART FIRST.]
"FRANK VAN HUYDEN."
DEC. 23, 1844.—EVENING.
CHAPTER I.
"DOES HE REMEMBER?"
"Does he remember?" was the exclamation of Frank, as concealing the history of the Life of Nameless within her bosom, a singular expression flashed over her beautiful face. "Does he remember?" was her thought—"Is he conscious of the words which have fallen from his lips? Does he pass from this singular state of trance, only to forget the real history of his life?"
The agitation which had convulsed the face of Nameless, at the moment when he emerged from the clairvoyant state (if thus we may designate it) soon passed away. His face became calm and almost radiant in its every line. His eyes, no longer glassy, shone with clear and healthy light; a slight flush animated his hitherto sallow cheeks; in a word, his countenance, in a moment, underwent a wonderful change.
Frank uttered an exclamation of surprise.
"Ah! I begin to live!" said Nameless, passing his hand over his forehead—"Yes, yes," he uttered, with a sigh of mingled sorrow and delight, "I have risen from the grave. For two years the victim of a living death, I now begin to live. The cloud is gone; I see, I see the light!"
He rose and confronted Frank.
"There was another child—yes, my mother gave birth to two children, one of whom your father stole on the night of its birth and reared as his own. His purpose you may guess. But what has become of that child? It disappeared, I know, at the time when your father arrived from Paris—disappeared, ha, ha, Frank! Did it not disappear to rise into light again, on the 25th of December, 1844, as the only child of Gulian Van Huyden? Your father is a bold gamester; he plays with a fearless hand!"
He paced the room, while Frank, listening intently to his words, watched with dumb wonder the delight which gave a new life to his countenance.
"And Cornelius Berman, Frank—" he turned abruptly.
"Died last year."
His countenance fell.
"And Mary—"
"Followed her father to the grave."
He fell back upon the sofa like a wounded man. It was some moments before he recovered the appearance of calmness.
"How knew you this?"
"A year ago, an artist reduced to poverty, through the agency of Israel Yorke, came to my home to paint my portrait. It was Cornelius Berman. Yorke had employed Buggles as his agent in the affair of the transfer of the property of Cornelius; Buggles the agent was dead indeed, but Yorke appeared upon the scene, as the principal, and sold Cornelius out of house and home. The papers which you took from the dead body of Buggles were only copies; the originals were in the possession of Israel Yorke."
Nameless hid his face in his hands. He did not speak again until many minutes had elapsed.
"And you thought that Cornelius had put Buggles to death?"
"I gathered it from a rumor which has crept through New York for the last two years. The haggard face and wandering eye of the dying artist, who painted my picture, confirmed this impression."
"And Cornelius came to this house?"'
"No; to another house, where I had been placed by my father. He procured a person to represent a southern gentleman, and personate my father. That is, I was represented as the only child of a rich southerner; and in that capacity my picture was painted, and—and—I afterward visited the home of the artist, in a miserable garret, and saw his daughter, who assisted her father, by the humblest kind of work. She was a seamstress—she worked for 'sixteen cents per day.'"
"And she is dead," said Nameless, in a low voice.
"I lost sight of Mary and her father about a year ago, and have since received intelligence of their death."
"How did you receive this intelligence?"
"It was in all the papers. Beverly Barron wrote quite a touching poem upon the Death of the Artist and his Daughter. Beverly, you are aware, was eloquent upon such occasions: the death of a friend was always a godsend to him."
Nameless did not reply, but seemed for a moment to surrender himself to the influence of unalloyed despair.
"Look you, Frank," he said, after a long pause, "I have seventy-one thousand dollars—"
"Seventy-one thousand dollars!" she ejaculated.
"Yes, and it is 'Frank and Nameless and Ninety-One against the World.' To-morrow is the 24th of December; the day after will be THE DAY. We must lay our plans; we must track Martin Fulmer to his haunt; we must foil your father, and, in a word, show the world that its cunning can be baffled and its crime brought to justice, by the combination of three persons—a Fallen Woman, a Convict and a Murderer! O, does it not make your heart bound to think of the good work we can do with seventy-one thousand dollars!"
She gave him her hand, quietly, but her dark eye answered the excitement which flashed from every line of his countenance.
"And will it not be a glorious thing for us, if we can wash away our crimes—yes, Frank, our crimes—and show the world what virtue lurks in the breast of the abandoned and the lost?"
"Then I can atone for the crime of which I am guilty—for I am guilty of being the child of a man who sold me into shame—you are guilty of having stained your hands in the blood of a wretch who cursed the very air which he breathed—and Ninety-One, is guilty, yes guilty of having once been in—my father's way. These are terrible crimes, Gulian—"
"Call me not by that name until the 25th of December," exclaimed Nameless.
At this moment, Frank turned aside and from the drawer of a cabinet, drew forth a long and slender vial, which she held before the eyes of Nameless.
"And if we fail, this will give us peace. It is a quiet messenger, Gulian. Within twelve hours after the contents of this vial have passed the lips, the body will sink into a peaceful sleep, without one sign or token to tell the tale of suicide. Yes, Gulian, if we fail, this vial, which I procured with difficulty, and which I have treasured for years, will enable us to fall asleep in each other's arms, and—forever!"
"Suicide!" echoed Nameless, gazing now upon the vial, then upon her countenance, imbued with a look of somber enthusiasm—"You have thought of that?"
"O had this vial been mine, in the hour when, pure and hopeful, I was sold into the arms of shame, do you think that for an instant I would have hesitated between the death that lays you quietly asleep in the coffin, and that death which leaves the body living, while it cankers and kills the soul?"
Nameless took the vial from her hand and regarded it long and ardently. O what words can picture the strange look, which then came over his face! He uttered a deep sigh and placed the vial in her hands again. She silently placed it in the drawer of the cabinet.
As she again confronted him, their eyes met,—they understood each other.
"Frank," said Nameless in a measured tone—"Who owns this house? What is its true character?"
Seating herself beside him on the sofa she replied:
"As to the owner of this house, you may be sure that he is a man of property and moral worth, a church-member and a respectable citizen. But do not imagine for a moment that this is a common haunt of infamy—no, my friend, no! None but the most select, the most aristocratic, ever cross the threshold of this place. Remain until twelve o'clock to-night and you will behold some of the guests who honor my house with their presence."
There was a mocking look upon her face as she gave utterance to these words. She beat the carpet with her slipper and grasped the cross which rested on her bosom with a nervous and impatient clutch.
"At twelve to-night!" echoed Nameless, and looked into her face. "I will remain;" and once more his whole being was enveloped in the magnetic influence which flowed from the eyes of the lost woman.
[CHAPTER II.]
FRANK AND HER SINGULAR VISITOR.
It will soon fall to our task to depict certain scenes, which took place in the Empire City on the 23d of December, between nightfall and midnight. The greater portion of these scenes will find their legitimate development in "the Temple," from midnight until morning; while others will lift the "Golden Shroud" and uncover to our gaze threads and arteries of that great social heart of New York, which throbs with every pang of unutterable misery, or dilates and burns with every pulse of voluptuous luxury.
Ere we commence our task, let us look in upon a scene which took place in the house of Frank, about nightfall and (of course) before Nameless had sought refuge in her room.
Frank was sitting alone, in a quiet room near a desk upon which pen and ink and papers were spread. It was the room devoted to the management of her household affairs. She sat in an arm-chair, with her feet on a stool and her back to the window, while she lifted the golden cross and regarded it with an absent gaze. The white curtains of the windows were turned to crimson by the reflection of the setting sun, and the warm glow shining through the intervals of her black hair, which fell loosely on her shoulders, rested warmly upon her cheek. Her whole attitude was that of revery or dreamy thought.
While thus occupied, a male servant, dressed in rich livery, entered, and addressed his mistress in these words:
"Madam, he wishes to see you."
"He! Whom do you mean?" said Frank, raising her eyes but without changing her position.
"That queer stranger, who never gives his name,—who has been here so often within the last three weeks,—I mean the one who wears the blue cloak with ever-so-many capes."
Frank started up in her chair.
"Show him in," she said,—"Yet stay a moment, Walker. Are all the arrangements made for to-night?"
"Everything has been done, precisely as Madam ordered it to be done," said the servant obsequiously.
He then retired and presently the visitor entered. The room is wrapped in twilight and we cannot trace the details of his appearance clearly, for he seats himself in the shadow, opposite Frank. We can discern, however, that his tall form, bent with age, is clad in a blue cloak with numerous capes, and he wears a black fur hat with ample brim. He takes his seat quietly, and rests his hand upon the head of his cane.
Not a word was spoken for several minutes. Each seemed to be waiting for the other to commence the conversation. Frank at last broke the embarrassing stillness.
"Soh! you are here again."
"Yes, madam," replied the stranger in a harsh but not unmusical voice, "according to appointment."
"It is now three weeks since we first met," said Frank. "You purchased this house of the person from whom I leased it, some three weeks ago. But I have a lease upon it which has yet one year to run. You desire, I believe, to purchase my lease, and enter at once upon possession? Well, sir, I am resolved not to sell."
Without directly replying to her question, the man in the cloak with many capes replied—
"We did not meet three weeks ago for the first time," he said. "Our first meeting was long before that period."
"What mean you?" said Frank raising her eyes and endeavoring, although vainly, to pierce the gloom which enshrouded the stranger. "O, it is getting dark. I will ring for lights."
"Before you ring for lights, a word,—" the stranger's voice sank but Frank heard every word,—"we met for the first time at a funeral—"
"At a funeral!"
"At a funeral; and after the funeral I had the body taken up privately and ordered a post mortem examination to be made. Upon that body, madam,—" he paused.
"Well, sir?" Frank's voice was tremulous.
"Upon that body I discovered traces of a fatal although subtle poison."
Again he paused. Frank made no reply. Even in the dim light it might be seen that her head sank slowly on her breast. Did the words of the stranger produce a strong impression? We cannot see her face, for the room is vailed in twilight.
"This darkness grows embarrassing," he said, "will you ring for lights?"
She replied with a monosyllable, uttered in a faint voice,—"No!" she said, then a dead stillness once more ensued, which continued until the stranger again spoke.
"In regard to the lease, madam. Do you agree to sell, and upon the terms which I proposed when I was here last?"
Again Frank replied with a monosyllable. "Yes!" she faintly said.
"And the other proposition: to-night you hold some sort of festival in this place. I desire to know the names of all your guests; to introduce such guests as I choose within these walls; to have, for one night only, a certain control over the internal economy of this place. In case you consent to this proposition, I will pay you for the lease double the amount which I have already offered, and promise, on my honor, to do nothing within these walls to-night, which can in the slightest degree harm or compromise you."
He stated his proposition slowly and deliberately. Frank took full time to ponder upon every word. Simple as the proposition looked, well she knew, that it might embrace results of the most important nature.
"Must I consent?" she said, and her voice faltered. "It is hard—"
"'Must' is no word in the case, madam," answered that stern even voice. "Use your own will and pleasure."
"But the request is so strange," said Frank, "and suppose I grant it? Who can tell the consequences?"
"It is singular," said the stranger as though thinking aloud, "to what an extent the art of poisoning was carried in the middle ages! The art has long been lost,—people poison each other bunglingly now-a-days,—although it is said, that the secret of a certain poison, which puts its victims quietly to sleep, leaving not the slighted tell-tale trace or mark, has survived even to the present day."
Certainly the stranger had a most remarkable manner of thinking aloud.
Frank spoke in a voice scarcely audible: "I consent to your proposition."
She rose, and although it was rapidly getting quite dark, she unlocked a secret drawer of her desk, and drew from thence two packages.
"This way, sir," she spoke in a low voice, and the stranger rose and approached her. "Here you will find the names of all my guests, and especially of those who will come here to-night. You will find such other information as may be useful to you and aid your purposes." She placed the package in his hand. "I will place Walker and the other servants under your command." She paused, and resumed after an instant, in a firmer voice: "If I have yielded to your request, it has not been altogether from fear,—"
"Fear! Who spoke of fear?"
"Don't mock me. I have yielded from fear, but not altogether from fear. I have nursed a hope that you can aid me to quit this thrice accursed life which I now lead. For though your polite manner only thinly vails insinuations the most deadly, yet I believe you have a heart. I feel that when you know all of my past life, all, you will think, I do not say better of me, but differently, from what you do now. Here, take this package,—it contains my history written by my own hand, and only intended to be read after my death—but you may read it now or at your leisure."
The man in the cloak took the package; his voice trembled when he spoke—
"Girl, you shall not regret this confidence. I will aid you to quit this accursed life."
"Leave me for a few moments. I wish to sit alone and think for a little while. After that we will arrange matters in regard to the festival to-night."
The stranger in the cloak left the room, bearing with him the two packages, one of which embraced the mysteries of the house of Frank, and the other contained the story of her life.
And in the darkness, Frank walked up and down the room, pressing one clenched hand against her heaving bosom, and the other against her burning brow.
Soon afterward, Frank and the stranger in the old-fashioned cloak, were closeted for half an hour in earnest conversation.
We will not record the details of the conversation, but its results will perchance be seen in the future pages of our history.
Here, at this point of our story, let us break the seals of the second package which Frank gave to the stranger, and linger for a little while upon the pages of her history, written by her own hand. A strange history in every line! It is called The History of the Midnight Queen!
[CHAPTER III.]
THE CHILDHOOD OF THE MIDNIGHT QUEEN.
My childhood's home! O, is there in all the world a phrase so sweet as this, "My childhood's home!" Others may look back to childhood, and be stung by bitter memories, but my childhood was the heaven of my life. As from the hopeless present, I gaze back upon it, I seem like a traveler, half way up the Alps, surrounded by snow and clouds and mist, and looking back upon the happy valley, which, dotted with homes and rich in vines and flowers, smiles in the sunshine far below.
My childhood's home was very beautiful. It was a two-story cottage, situated upon an eminence, its white front and rustic porch, half hidden by the horse-chesnut trees, which in the early summer had snowy blossoms among their deep green leaves. Behind the cottage arose a broad and swelling hill, which, fringed with gardens at its base, and crowned on its summit by a few grand old trees standing alone against the sky, was in summer-time clad along its entire extent with a garment of golden wheat. Beneath the cottage flowed the Neprehaun, a gentle rivulet, which wound among abrupt hills,—every hill rich in foliage and dotted with homes—until it lost itself in the waves of the Hudson. Yes, the Hudson was there, grand and beautiful and visible always from the cottage porch; the Palisades rising from its opposite shore into heaven, and the broad bay of Tapaan Zee glistening in sunlight to the north.
O, that scene is before me now—the cottage with its white front, half hidden by broad green leaves intermingled with white blossoms,—the hill, which rose behind it, golden with wheat,—the Neprehaun below, winding among the hills, now in sunshine, now in shadow,—the Hudson, with its vast bay and the somber wall which rose into the sky from its western shore,—it is before me now, with the spring blossoms, the voices, the sky, the very air of my childhood's days.
In this home I found myself at the age of thirteen. I was the pupil and the charge of the occupant of the cottage, a retired clergyman, the Rev. Thomas Walworth, who having grown gray in the active service of his Master, had come there to pass his last days in the enjoyment of competence and peace. Even now, as on the day when I left him forever, I can see his tall form, bent with age and clad in black, his mild, pale face, with hair as white as snow,—I can hear that voice, whose very music was made up of the goodness of a heart at peace with God and man. When I was thirteen, myself, the good clergyman, and an aged woman—the housekeeper—were the only occupants of the cottage. His only son was away at college. And when I was thirteen, my mother, who had placed me in the care of the clergyman years before, came to see me. I shall never forget that visit. I was sitting on the cottage porch—it was a June day—the air was rich with fragrance and blossoms—my book was on my knee—when I heard her step in the garden-walk. She was tall and very beautiful, and richly clad in black, and her dark attire shone with diamonds. Very beautiful, I say, although there were threads of silver in her brown hair, and an incessant contraction of her dark brows, which gave a look of anxiety or pain to her face.
As she came up the garden-walk, pushing aside her vail of dark lace, I knew her, although I had not seen her for three years. Her presence was strange to me, yet still my heart bounded as I saw her come.
"Well, Frank," she said, as though it was but yesterday since I had seen her, "I have come to see you,"—she kissed me warmly on the lips and cheeks.—"Your father is dead, my child."
A tear stood in her dark eye, a slight tremor moved her lip—that was all. My father dead! I can scarcely describe the emotions which these words caused. I had not seen my father for years. There was still a memory of his face present with me, coupled with an indistinct memory of my early childhood, passed in a city of a foreign land, and a dim vision of a voyage upon the ocean. And at my mother's words there came up the laughing face and sunny hair of my brother Gulian, who had suddenly disappeared about the time my parents returned from Paris, and just before I had been placed in the charge of the good clergyman. These mingling memories arose at my mother's words, and although the good clergyman stood more to me in the relation of a father than my own father, still I wept bitterly as I heard the words, "Your father is dead, my child."
My mother, who seemed to me like one of those grand, rich ladies of whom I had read in story-books, seated herself beside me on the cottage porch.
"You are getting quite beautiful, Frank," she said, and lifted my sun-bonnet and put her hand through the curls of my hair, which was black as jet. "You will be a woman soon." She kissed me, and then as she turned away, I heard her mutter these words which struck me painfully although then I could not understand them: "A woman! with your mother's beauty for your dowry and your mother's fate for your future!"
The slight wrinkle between her brows grew deeper as she said these words.
"You will be a woman, and must have an education suitable to the station you will occupy," continued my mother, drawing me quietly to her, and surveying me earnestly. "Now what do they teach you here?"
She laughed as I gravely related the part which good old Alice—the housekeeper—took in my education. Old Alice taught me all the details of housekeeping; to sow, to knit, the fabrication of good pies, good butter, and good bread; the mystery of the preparation of various kinds of preserves; in fact, all the details of housekeeping as she understood it. And the good old dame, with her high cap, clear, bright little eyes, sharp nose, and white apron strung with a bundle of keys, always concluded her lesson with a mysterious intimation that, saving the good Mr. Walworth only, all the men in the world were monsters, more dangerous than the bears which ate up the bad children who mocked at Elijah.
Laughing heartily as she heard me gravely enter into all these details, which I concluded with, "You see, mother, I'm quite a housekeeper already!" she continued:
"And what does he teach you, my dear?"
The laughter which animated her face, was succeeded by a look of vague curiosity as I began my answer. But as I went on, her face became sad and there were tears in her eyes.
My father (as I had learned to call the good clergyman) taught me to read, to write, and to cipher. He gradually disclosed to me (more by his conversation than through the medium of books) the history of past ages, the wonders of the heavens above me, the properties of the plants and flowers that grew in my path. And oftentimes by the bright wood-fire in winter, or upon the porch under the boughs, in the rich twilight of the summer scenery—while the stars twinkled through the leaves, or the Hudson glistened in the light of the rising moon—he had talked to me of God. Of his love for all of us, his providence watching the sparrow's fall, his mercy reaching forth its almighty arms to the lowest of earth's stricken children. Of the other world, which stretches beyond the shores of the present, not dim and cloud-shadowed, but rich in the sunlight of eternal love, and living with the realities of a state of being in which there shall be no more sickness nor pain, and tears shall be wiped from every eye, and all things be made new.
Of the holy mother watching over her holy child, while the stars shone in upon his humble bed in the manger,—of that child, in early boyhood, sitting in the temple confounding grave men, learned in the logic of the world, by the simple intuitions of a heart felled with the presence of God,—of the way of life led by that mother's child, when thirty years had set the seal of the divine manhood on his brow. How after the day's hard travel, he stopped to rest at the cottage home of Martha and Mary,—how he took up little children and blessed them,—how the blind began to see, the deaf to hear, the dead to live, at sound of his voice,—how on the calm of evening, in a modest room, he took his last supper with the Twelve, John resting on his bosom, Judas scowling in the background,—how, amid the olives of Gethsemane, at dead of night, while his disciples slept, he went through the unutterable agony alone until an angel's hand wiped the sweat of blood from his brow,—how he died upon the felon's tree, the heavens black above him, the earth beneath him dark with the vast multitude,—and how, on the clear Sabbath morn he rose again, and called the faithful woman, who had followed him to the sepulcher, by the name which his mother bore, spoken in the old familiar tone—"Mary!" How he walked the earth in bodily form eighteen hundred years ago, shedding the presence of God around him, and even now he walked it still in spiritual body, shedding still upon sin-stricken and sorrowing hearts the presence and the love of God the Father. Lessons such as these, the good clergyman, my father (as I called him) taught me, instructing me always to do good and lead a life free from sin, not from fear of damnation or hell, but because goodness is growth, a good life is happiness. A flower shut out from the light is damned: it cannot grow. An evil life here or hereafter is in itself damnation; for it is want of growth, paralysis or decay of all the nobler faculties.
As in my own way, and with such words as I could command, I recounted the manner in which the good clergyman educated me, my mother's face grew sad and tearful. She did not speak for some minutes; her gaze was downcast, and through her long dark eyelashes the tears began to steal.
"A dream," she muttered, "only a dream! Did he know mankind and know but a portion of their unfathomable baseness, he would see the impossibility of making them better, would feel the necessity of an actual hell, black as the darkest that a poet ever fancied."
As she was thus occupied in her own thoughts, a step—a well-known step—resounded on the garden-walk, and the good clergyman advanced from the wicket-gate to the porch. Even now I see that pale face, with the white hair and large clear eyes!
He advanced and took my mother cordially by the hand, and was much affected when he heard of my father's death. My mother thanked him warmly for the care which he had taken of her child.
"This child will be a woman soon, and she must be prepared to enter upon life with all the accomplishments suitable to the position which she will occupy," continued my mother; "I wish her to remain with you until she is ready to enter the great world. But she must have proper instruction in music and dancing. She must not be altogether a wild country girl, when she goes into society. But, however, my dear Mr. Walworth, we will talk of this alone."
Young as I was I could perceive that there was a mystery about my mother, her previous life, or present position, which the good clergyman did not feel himself called upon to penetrate.
She took his arm and led him into the cottage, and they conversed for a long time alone, while I remained upon the porch, buried in a sort of dreamy revery, and watching the white clouds as they sailed along the summer sky.
"I shall be absent two years," I heard my mother's voice, as leaning on the good clergyman's arm she again came forth upon the porch; "see that when I return, in place of this pretty child you will present to me a beautiful and accomplished lady."
She took me in her arms and kissed me, while Mr. Walworth exclaimed:
"Indeed, my dear madam, I can never allow myself to think of Frances' leaving this home while I am living. She has been with me so long—is so dear to me—that the very thought of parting with her, is like tearing my heart-strings!"
He spoke with undisguised emotion; my mother took him warmly by the hand, and again thanked him for the care and love which he had lavished on her child.
At length she said "Farewell!" and I watched her as she went down the garden-walk to the wicket gate, and then across the road, until she entered a by-path which wound among the hills of the Neprehaun into the valley below. She was lost to my sight in the shadows of the foliage. She emerged to view again far down the valley, and I saw her enter her grand carriage, and saw her kerchief waving from the carriage window, as it rolled away.
I watched, O! how earnestly I watched, until the carriage rose to sight on the summit of a distant hill, beyond the spire of the village church. Then, as it disappeared and bore my mother from my sight, I sat down and wept bitterly.
Would I had never seen her face again!
A year passed away.
[CHAPTER IV.]
MAIDENHOOD.
It was June again. One summer evening I took the path which led from the garden to the summit of the hill which rose behind the cottage. As I pursued my way upward the sun was setting, and at every step I obtained a broader glimpse of the river, the dark Palisades, and the bay white with sails. When I reached the summit, the sun was on the verge of the horizon, and the sky in the west all purple and gold. Seating myself on the huge rock, which rose on the summit, surrounded by a circle of grand old trees, I surrendered myself to the quiet and serenity of the evening hour. The view was altogether beautiful. Beneath me sloped the broad hills, clad in wheat which already was changing from emerald to gold. Farther down, my cottage home half hidden among trees. Then beneath the cottage, the homes of the village dotting the hills, among which wound the Neprehaun. The broad river and the wide bay heaving gently in the fading light, and the dark Palisades rising blackly against the gold and purple sky. A lovelier view cannot be imagined. And the air was full of summer—scented with breath of vines and blossoms and new-mown hay. As I surrendered myself to thoughts which arose unbidden, the first star came tremulously into view, and the twilight began to deepen into night. I was thinking of my life—of the past—of the future. A strange vision of the great world, struggled into dim shape before the eye of my mind.
"A year more, and I will enter the great world!" I ejaculated. A hand was laid lightly on my shoulder. I started to my feet with a shriek.
"What, Frank, don't you know me?" said a half laughing voice, and I beheld beside me a youth of some nineteen or twenty years, whose face, shaded by dark hair, was touched by the last flush of the declining day. It was Ernest, the only son of the good clergyman. I had not seen him for three years. In that time, he had grown from boyhood into young manhood. He sat beside me on the rock, and we talked together as freely as when we were but little children. Ernest was full of life and hope; his voice grew deep, his dark eyes large and lustrous, as he spoke of the prospects of his future.
"In one year, Frank, I will graduate and then,—then,—the great world lies before me!" His gaze was turned dreamily to the west, and his fine features drawn in distinct profile against the evening sky.
"And what part, Ernest, will you play in the great world?"
"Father wishes me to enter into the ministry, but,—" and he uttered a joyous, confident laugh,—"whatever part I play, I know that I will win!"
He uttered these words in the tone of youth and hope, that has never been darkened by a shadow, and then turning to me,—
"And you, Frank, what part will you play in the great world?" he said.
"I know not. My career is in the hands of my only parent, who will come next year to take me hence. My childhood has been wrapped in mystery; and my future, O, who can foretell the future?"
He gazed at me, for the first time, with an earnest and searching gaze. His eyes, large and gray, and capable of the most varied expression, became absent and dreamy.
"You are very beautiful!" he said, as though thinking aloud,—"O, very beautiful! You will marry rich,—yes,—wealth and position will be yours at once."
And as the moon, rising over the brow of the hill, poured her light upon his thoughtful face, he took my hand and said:
"Frank, why is it that certain natures live only in the future or the past—never in the present? Look at ourselves, for instance. Yonder among the trees, bathed in the light of the rising moon, lies the cottage home in which we have passed the happiest, holiest hours of life. Of that home we are not thinking now—we are only looking forward to the future—and yet the time will come, when immersed in the conflict of the world, we will look back to that home, with the same yearning that one, stretched upon the couch of hopeless disease, looks forward to his grave!"
His voice was low and solemn—I never forgot his words. We sat for many minutes in silence. At length without a word, he took my hand, and we went down the hill together, by the light of the rising moon. We climbed the stile, passed under the garden boughs, and entered the cottage, and found the good old man seated in his library among his books. He raised his eyes as we came in, hand joined in hand, and a look of undisguised pleasure stole over his face.
"See here, father," said Ernest laughingly, "when I went to college, I left my little sister in your care. I now return, and discover that my little sister has disappeared, and left in her place this wild girl, whom I found wandering to-night among the hills. Don't you think there is something like a witch in her eyes?"
The old man smiled and laid his hand on my dark hair.
"Would to heaven!" he said, "that she might never leave this quiet home." And the prayer came from his heart.
Ernest remained with us until fall. Those were happy days. We read, we talked, we walked, we lived with each other. More like sister and sister than brother and sister, we wandered arm-in-arm to the brow of the hill as the rich summer evening came on,—or crossed the river in early morning, and climbed the winding road that led to the brow of the Palisades,—or sat, at night, under the trees by the river's bank, watching the stars as they looked down into the calm water. Sometimes at night, we sat in the library, and I read while the old man's hand rested gently on my head and Ernest sat by my side. And often upon the porch, as the summer night wore on, Ernest and myself sang together some old familiar hymn, while "Father" listened in quiet delight. Thus three months passed away, and Ernest left for college.
"Next year, Frank, I graduate," he cried, his thoughtful face flushed with hope, and his gray eyes full of joyous light—"and then for the battle with the world!"
He left, and the cottage seemed blank and desolate. The good clergyman felt his absence most keenly.
"Well, well," he would mutter, "a year is soon round and then Ernest will be with us again!"
As for myself, I tried my books, my harp, took long walks alone, busied myself in household cares, but I could not reconcile myself to the absence of Ernest.
Winter came, and one night a letter arrived from Ernest to his father, and in that letter one for—Frank! How eagerly I took it from "father's" hand and hurried to my room,—that room which I remember yet so vividly, with its window opening on the garden, and the picture of the Virgin Mary on the snow-white wall. Unmindful of the cold, I sat down alone and perused the letter, O, how eagerly! It was a letter from a brother to a sister, and yet beneath the calm current of a brother's love, there flowed a deeper and a warmer love. How joyously he spoke of his future, and how strangely he seemed to mingle my name with every image of that future! I read his letter over and over, and slept with it upon my bosom; and I dreamed, O! such air-castle dreams, in which a whole lifetime seemed to pass away, while Ernest and Frank, always young, always happy, went wandering, hand-in-hand, under skies without a cloud. But I awoke in fright and terror. It seemed to me that a cold hand—like the hand of a corpse—was laid upon my bosom, and somehow I thought that my mother was dead and that it was her hand. I started up in fright and tears, and lay shuddering until the rising sun shone gayly through the frosted window-pane.
Another year had nearly passed away.
It was June again, and it was toward evening that I stood upon the cottage porch watching—not the cloudless sky and glorious river bathed in the setting sun—but watching earnestly for the sound of a footstep. Ernest was expected home. He had graduated with all the honors—he was coming home! How I watched and waited for that welcome step! At last the wicket-gate was opened, and Ernest's step resounded on the garden-walk. Concealing myself among the vines which covered one of the pillars of the porch, I watched him as he approached, determining to burst upon him in a glad surprise as soon as he reached the steps. His head was downcast, he walked with slow and thoughtful steps; his long black hair fell wild and tangled on his shoulders. The joyous hue of youth on his cheek had been replaced by the pallor of long and painful thought. The hopeful boy of the last year had been changed into the moody and ambitious man! As he came on, although my heart swelled to bursting at sight of him, I felt awed and troubled, and forgot my original intention of bursting upon him in a merry surprise. He reached the porch—he ascended the step—and I glided silently from behind the pillar and confronted him. O, how his face lighted up as he saw me! His eyes, no longer glassy and abstracted, were radiant with a delight too deep for words!
"Frank!" he said, and silently pressed my hand.
"Ernest," was all I could reply, and we stood in silence—both trembling, agitated—and gazing into each other's eyes.
The good Clergyman was happy that evening, as he sat at the supper table, with Frank on one hand and Ernest on the other. And old Alice peering at us through her spectacles could not help remarking, "Well, well, only yesterday children, and now such a handsome couple!"
[CHAPTER V.]
ON THE ROCK.
After supper, Ernest and I went to the rock on the summit of the hill, where we had met the year before. The scene was the same,—the river, the bay, the dark Palisades, and the vast sky illumined by the rising moon,—but somehow we seemed changed. We sat apart from each other on the rock, and sat for a long time in silence. Ernest, with downcast eyes, picked in an absent way at some flowers which grew in the crevices of the rock. And I,—well I believe I tied the strings of my sun-bonnet into all sorts of knots. I felt half disposed to laugh and half disposed to cry.
At last I broke the silence:—
"You have fulfilled your words, Ernest," I said, "You have graduated with all the honors—as last year you said you would,—and now a bright career stretches before you. You will go forth into the great world, you will battle, you will win!"
"Frank," said he, stretching forth his hand,—"Do you see yonder river as it flows broad and rapid, in the light of the rising moon? You speak of a bright career before me—now I almost wish that I was quietly asleep beneath those waves."
The sadness of his tone and look went to my heart.
"You surprise me, Frank. Now,"—and I attempted a laugh—"You have not fallen in love, since last year, have you?"
He looked up and surveyed me from head to foot. I was dressed in white—my hair fell in loose curls to my shoulders. In a year I had passed from the girl into the woman. I was taller, my form more roundly developed. And as he gazed upon me, I was conscious that he was remarking the change which had taken place in my appearance, and that his look was one of ardent admiration.
"Do you think that I have fallen in love since last year?" he said slowly and with a meaning look.
I turned away from his gaze, and exclaimed—
"But you are moody, Ernest. Last year you were so hopeful—now so melancholy. You can, you will succeed in life."
"That I can meet with what the world calls success, I do not doubt," he replied: "There is the career of the popular preacher, armed with a white handkerchief and a velvet Gospel,—of the lawyer, growing rich with the rent paid to him by crime, and devoting all the powers of his immortal soul to prove that black is white and white is black—of the merchant, who sees only these words painted upon the face of God's universe, 'Buy cheap and sell dear,'—careers such as these, Frank, are before me, and I am free to choose, and doubt not but that I could succeed in any of them. But to achieve such success I would not spend, I do not say the labor of years—No,—I would not spend the thought of a single hour."
"But the life of a good Minister of the Gospel, Ernest, living in some quiet country town, dividing his time between his parishioners and his books, and dwelling in a home like the cottage yonder—what say you to such a life, Ernest?"
He raised his eyes, and again surveyed me earnestly—"Ambitious as I am, I would sacrifice every thought of ambition for a life such as you picture—but upon one condition,"—he paused—
"And that condition?" I said in a low voice.
"Ask your own heart," was his reply, uttered in a tremulous voice.
I felt my bosom heave,—was agitated, trembling I knew not why,—but I made no answer.
There was a long and painful pause.
"The night is getting chill," I said at length, for want of something better to say: "Father is waiting for us. Let us go home."
I led the way down the path, and he followed moodily, without a word. As he helped me over the stile I saw that his face was pale, his lips tightly compressed. And when we came into the presence of his Father, he replied to the old man's kind questions, in a vacant and abstracted manner. I bade him "good night!" at last; he answered me, but added in a lower tone, inaudible to the old man, "Young and rich and beautiful, you are beyond the reach of—a country clergyman."
The next morning while we were at breakfast, a letter came. It was from my mother. To-morrow she would come and take me from the cottage!
The letter dropped from the old man's hand, and Ernest rising abruptly from the table, rushed from the room.
And I was to leave the home of my happiest hours, and go forth into the great world! The thought fell like a thunderbolt upon every heart in the cottage.
[CHAPTER VI.]
AMONG THE PALISADES.
After an hour Ernest met me on the porch; he was very pale.
"Frank," said he, kindly, "To-morrow you will leave us forever. Would you not like to see once more the place yonder,"—he pointed across the river to the Palisades—"where we spent so many happy hours last summer?"
He spoke of that dear nook, high up among the rocks, encircled by trees, and canopied by vines, where, we had indeed spent many a happy hour.
I made no reply, but put on my sun-bonnet and took his arm, and in a little while we were crossing the river, he rowing, while I sat in the stern. It was a beautiful day. We arrived at the opposite shore, at a point where the perpendicular wall of the Palisades, is for a mile or more, broken by a huge and sloping hill, covered with giant forest trees. Together we took the serpentine path, which, winding toward all points of the compass, led to the top of the Palisades. The birds were singing, the broad forest leaves and hanging vines quivered in the sun, the air was balmy, and the day the very embodiment of the freshness and fragrance of June. As we wound up the road (whose brown graveled surface contrasted with the foliage), we saw the sunlight streaming in upon the deep shadows of the wood, and heard from afar the lulling music of a waterfall. Departing from the beaten road, we wandered among the forest trees, and talked together as gladly and as familiarly as in other days. There we wandered for hours, now in sunlight, now in shadow, now resting upon the brow of some moss-covered rock, and now stopping beside a spring of clear cold water, half hidden by thick green leaves. As noon drew near, we ascended to the top of the forest hill, and passing through a wilderness of tangled vines, came suddenly upon a rude farmhouse, one story high, built of logs, whose dark surface contrasted with the verdure of the garden and the foliage of the overshadowing tree. It was the same as in the year before. There was the well-pole rising above its roof and the well-bucket moist with clear cold water, and in the doorway stood the farmer's dame, who had often welcomed us to her quiet home.
"Bless me! how handsome my children have grown!" she cried, "and how's the good Domine? Come in, come in; the folks are all away in the fields; come in and rest you, and have some pie and milk, and"—she paused for breath—"and some dinner."
The good dame would take no denial, and we sat down to dinner with her—I can see the scene before me now—the carefully sanded floor, the old clock in the corner, the cupboard glistering with the burnished pewter, the neatly spread table, the broad hearth, covered with green boughs, and the open windows, with the sunbeams playing through the encircling vines. And then the good dame with her high cap, round, good-humored face, and spectacles resting on the bridge of her hooked nose. As we broke the home-made bread with her, we were as gay as larks.
"Well, I do like to see young folks enjoy themselves," said the dame.—"You don't know how often I've thought of you since you were here last summer. I have said, and I will say it, that a handsomer brother and sister I never yet did see."
"But you mistake," said Ernest, "We're not brother and sister."
"Only cousins," responded the dame, surveying us attentively, "Well, I'm glad of it, for there's no law ag'in cousins marryin', and you'd make such a handsome couple." And she laughed until her sides shook.
[CHAPTER VII.]
IN THE FOREST NOOK.
Leaving the farmhouse, we bent our way to the Palisades again. We had been gay and happy all the morning, now we became thoughtful. We entered a narrow path, and presently came upon the dear nook where we had spent so many happy hours. It was a quiet space of green-sward and velvet moss, encircled on all sides, save one, by the trunks of giant forest trees—the oak, the tulip poplar and the sycamore—which arose like rugged columns, their branches forming a roof far overhead. Half-way between the sward and the branches, hung a drapery of vines, swinging in the sunlight, and showering blossoms and fragrance on the summer air. Light shrubbery grew between the massive trunks of the trees, and in one part of the glade a huge rock arose, its summit projecting over the sward, and forming a sort of canopy or shelter for a rustic seat fashioned of oaken boughs. Looking upward through the drapery of vines and the roof of boughs, only one glimpse of blue sky was visible. Toward the east the glade was open, and over the tops of the forest trees (which rose from the glen beneath), you saw the river, the distant village and my cottage home shining in the sun. At the foot of the oak which formed one of the portals of the glade, was a clear cold spring, resting in a basin of rock, and framed in leaves and flowers. Altogether the dear nook of the forest was worthy of June.
For a moment we surveyed this quiet scene—thought of the many happy hours we had spent there in the previous summer—and then turning our faces to the east, we stood, hand link'd in hand, gazing over forest trees and river upon our far-off cottage home.
"Does it not look beautiful, as it shines there in the sun?"—I said.
Ernest at first did not reply, but turned his gaze full upon me. His face was flushed and there was a strange fire in his eyes.
"To-morrow you leave that home forever," he exclaimed, and I trembled, I knew not why at the sound of his voice—"I will never see you again—I—" he dropped my hand and turned his face away. I saw his head fall on his breast, and saw that breast heave with agitation; urged by an impulse I could not control, I glided to his side, put my hand upon his arm, and looked up into his face.
"Ernest," I whispered.
He turned to me, for a moment regarded me with a look of intense passion and then caught me to his heart. His arms were around me, my bosom heaved against his breast, his kiss was on my lips—the first kiss since childhood, and O, how different from the kiss which a brother presses on a sister's lips!
"Frank I love you! Many beautiful women have I seen, but there is that in your gaze, your voice, your very presence, which is Heaven itself to me. I cannot live without you! and cannot, cannot think of losing you without madness. Frank, be mine, be my wife! Be mine, and the home which shines yonder in the sunlight shall be ours! Frank, for God's sake say you love me!"
He sank at my feet and clasped my knees with his trembling hands. O the joy, the rapture of that moment! As I saw his face upraised to mine, I felt that I loved him with all my soul, that I could die for him. Reaching forth my hands I drew him gently to his feet, and fell upon his breast and called him, "Husband!" Would I had died there, on his bosom, even as his lips met mine, and the words "my wife!" trembled on my ear! Would I had at that moment fallen dead upon his breast!
Even as he gathered me to his bosom the air all at once grew dark; looking overhead, we saw a vast cloud rolling up the heavens, dark as midnight, yet fringed with sunlight. On and on it rolled, the air grew darker, darker, an ominous thunder-peal broke over our heads, and rolled away among the gorges of the hills. Then the clouds grew dark as night. We could not see each other's faces. For a moment our distant home shone in sunlight, and then the eastern sky was wrapt in clouds, the river hidden by driving rain. Trembling with fright I clung to Ernest's neck—he bore me to the beech in the shadow of the rock—another thunder peal and a flash of lightning that blinded me. I buried my face in his bosom, to hide my eyes from that awful glare. The tempest which had arisen so suddenly—even as we exchanged our first vows—was now upon us and in power. The trees rocked to the blast. The distant river was now dark and now one mass of sheeted flame. Peal on peal the thunder burst over our heads, and as one peal died away in distant echoes, another more awful seemed hurled upon us, from the very zenith. And amid the darkness and glare of that awful storm, I clung to Ernest's neck, my bosom beating against his heart, and we repeated our vows, and talked of our marriage, and laid plans for our future.
"Frank, my heart is filled with an awful foreboding," he said, and his voice was so changed and husky, that I raised my head from his bosom, and even in the darkness sought to gaze upon his face. A lightning flash came and was gone, but by that momentary glare, I saw his countenance agitated in every lineament.
"What mean you Ernest?"
"You will leave our home to-morrow and never return, never! The sunshine which was upon us, as we exchanged our vows, was in a moment succeeded by the blackness of the awful tempest. A bad omen, Frank, a dark prophecy of our future. There is only one way to turn the omen of evil, into a prophecy of good."
He drew me close in his arms, and bent his lips to my ear—"Be mine, and now! be mine! Let the thunder-peal be our marriage music, this forest glade our marriage couch!"
I was faint, trembling, but I sprang from his arms, and stood erect in the center of the glade. My dark hair fell to my shoulders; a flash of lightning lit up my form, clad in snow-white. As wildly, as completely as I loved him, I felt my eyes flash with indignation.
"Words like these to a girl who has been reared under your father's roof!"
He fell at my feet, besought my forgiveness in frantic tones, and bathed my hands with his tears.
I fainted in his arms.
When I unclosed my eyes again, I found myself pure and virgin in the arms of my plighted husband. The clouds were parting, the tempest was over, and the sun shone out once more. Every leaf glittered with diamond drops. The last blast of the storm was passing over the distant river, and through the driving clouds, I saw the sunlight shining once more upon our cottage home.
"Forgive me, Frank, forgive me," he cried, bending passionately over me. "See! Your bad omen has been turned into good!" I cried joyfully—"First the sunshine, then the storm, but now the sun shines clear again;" and I pointed to the diamond drops glittering in the sun.
"And you will be true to me, Frank?"
"Before heaven I promise it, in life, in death, forever!"
[CHAPTER VIII.]
HOME, ADIEU!
It was toward the close of the afternoon that we took our way from the glade through the forest to the river shore. We crossed the river, and passed through the village. Together we ascended the road that led to our home, and at the wicket-gate, found a splendid carriage with liveried servants.
The good clergyman stood at the gate, his bared forehead and white hairs bathed in the sunshine; beside him, darkly dressed, diamonds upon her rich attire, my mother. Old Alice stood weeping in the background.
"Come, Frank, your things are packed and we must be away," she said, abruptly, as though we had seen each other only the day before; "I wish to reach our home in New York, before night. Go in the house dear," she kissed me, "and get your bonnet and shawl. Quick my love!"
Not daring to trust myself to speak—for my heart was full to bursting—I hurried through the gate, and along the garden walk.
"How beautiful she has grown!" I heard my mother exclaim. One look into the old familiar library room, one moment in prayer by the bed, in which I had slept since childhood!
Placing the bonnet on my curls, and dropping my shawl around me, I hurried from my cottage home. There were a few moments of agony, of blessings, of partings and tears. Old Alice pressed me in her arms, and bid me good-by. The good old clergyman laid his hands upon my head, and lifting his beaming eyes to heaven, invoked the blessing of God upon my head.
"I give your child to you again!" he said, placing me in my mother's arms—"May she be a blessing to you, as for years past she has been the blessing and peace of my home!"
I looked around for Ernest; he had disappeared.
I entered the carriage, and sank sobbing on the seat.
"But I am not taking the dear child away from you forever," said my mother, bending from the carriage window. "She will come and see you often, my dear Mr. Walworth, and you will come and see her. You have the number of our town residence on that card. And bring your son, and good Alice with you, and,——"
The carriage rolled away.
So strange and unexpected had been the circumstances of this departure from my home, that I could scarce believe myself awake.
I did not raise my head, until we had descended the hill, passed the village and gained a mile or more on our way.
We were ascending a long slope, which led to the summit of a hill, from which, I knew, I might take a last view of my childhood's home.
As we reached the summit of the hill, my mother was looking out of one window toward the river, and I looked out of the other, and saw, beyond the church spire and over the hills, the white walls of my home.
"Frank!" whispered a low voice.
Ernest was by the carriage. There was a look exchanged, a word, and he was gone. Gone into the trees by the? roadside.
He left a flower in my hand. I placed it silently in my bosom.
"Frank! How beautiful you have grown!" said my mother, turning from the window, and fixing upon me an ardent and admiring gaze. And the next moment she was wrapt in thought and the wrinkle grew deeper between her brows.
[CHAPTER IX.]
ERNEST AND HIS SINGULAR ADVENTURE.
Before I resume my own history, I must relate an instance in the life of Ernest, which had an important bearing on his fate. (This incident I derive from MSS. written by Ernest himself.) Soon after my departure from the cottage home, he came to New York with his father, and they directed their steps to my mother's residence; as indicated on the card which she had left with the clergyman; but to their great disappointment, they discovered that my mother and myself had just left town for Niagara Falls. Six months afterward, Ernest received a long letter from me, concluding with these words: "To-morrow, myself and mother take passage for Europe, in the steamer. We will be absent for a year or more."
Determined to see me at all hazards, he hurried to town, but, too late! The steamer had sailed; her flag fluttered in the air, far down the bay, as standing on the battery, Ernest followed her course, with an almost maddened gaze. Sorrowfully he returned to the country and informed his father of my sudden departure for Europe.
"Can she have forgotten us?" said the old man.
"O, father, this letter," replied Ernest, showing the long letter which I had written, "this will show you that she has not forgotten us, but that her heart beats warmly as ever—that she is the same."
And he read the letter to the good old man, who frequently interrupted him, with "God bless her! God bless my child!"
Soon afterward Ernest came to New York and entered his name in the office of an eminent lawyer. Determining to make the law his profession, he hoped to complete his studies before my return from Paris. He lived in New York, and began to move in the circles of its varied society. Among the acquaintances which he made were certain authors and artists who, once a month, in company with a few select friends, gave a social supper at a prominent hotel.
At one of these suppers Ernest was a guest. The wine passed round, wit sparkled, and the enjoyment of the festival did not begin to flag even when midnight drew near.
While one of the guests was singing, a portly gentleman (once well known as a man of fashion, the very Brummel of the sidewalk) began to converse with Ernest in a low voice.
He described a lady—a young widow with a large fortune—who at that time occupied a large portion of the interest of certain circles in New York. She was exceedingly beautiful. She was witty, accomplished, eloquent. She rivaled in fascination Ninon and Aspasia. Nightly, to a select circle, she presided over festivals whose voluptuousness was masked in flowers. Her previous history was unknown, but she had suddenly entered the orbit of New York social life—of a peculiar kind of social life—as a star of the first magnitude. His blood heated by wine, his imagination warmed by the description of his fashionable friend, Ernest manifested great curiosity to behold this singular lady.
"You shall see her to-night—at once," whispered the fashionable gentleman. "She gives a select party to-night. Let us glide off from the company unobserved."
They passed from the company, took their hats and cloaks—it was a clear, cold winter night—and entered a carriage.
"I will introduce you by the name of Johnson—Fred. Johnson, a rich southern planter," said the fashionable gentleman. "You need not call me by my real name. Call me Lawson."
"But why this concealment?" asked Ernest, as the carriage rolled on.
"O, well, never mind," added Lawson (as he desired to be called), and then continued: "We'll soon be near her mansion, or palace is the more appropriate word. We will find some of the first gentlemen and finest ladies of New York under her roof. I tell you, she'll set you half wild, this 'Midnight Queen!'"
"Midnight Queen!" echoed Ernest.
"That's what we call her. A 'Midnight Queen' indeed, as mysterious and voluptuous as the midnight moon shining in an Italian sky."
They arrived in front of a lofty mansion, situated in one of the most aristocratic parts of New York. Its exterior was dark and silent as the winter midnight itself.
"A light hid under a bushel—outside dark enough, but inside bright as a new dollar," whispered Lawson, ascending the marble steps and ringing the bell.
The door was opened for the space of six inches or more,—
"Who's there?" said a voice from within.
Lawson bent his face near to the aperture and whispered a few words inaudible to Ernest. The door was opened wide, and carefully closed and bolted behind them, as soon as they crossed the threshold. They stood in a vast hall lighted by a hanging lamp.
"Leave hats and cloaks here—and come." Lawson took Ernest by the hand and pushed open a door.
They entered a range of parlors, brilliantly lighted by two chandeliers, as brilliantly furnished with chairs and sofas and mirrors, and adorned with glowing pictures and statues of white marble. A piano stood in a recess, and in the last parlor of the three a supper-table was spread. These parlors were crowded by some thirty guests, men and women, some of whom, seated on chairs and sofas, were occupied in low whispered conversation, while others took wine at the supper-table, and others again were grouped round the piano, listening to the voice of an exceedingly beautiful woman.
Ernest uttered an ejaculation. Never had he seen a spectacle like this, never seen before, grouped under one roof, so many beautiful women. Beautiful women, richly dressed, their arms and shoulders bare, or vailed only by mist-like lace, which gave new fascination to their charms. It did not by any means decrease the surprise of Ernest when he discovered that some of the ladies—those whose necks and shoulders glowed most white and beautiful in the light—wore masks.
"What is this place?" he whispered to Lawson, as apparently unheeded by the guests, they passed through the parlors.
"Hush! not so loud," whispered his companion. "Take a glass of wine, my boy, and your eyesight will be clearer. This place is a quiet little retreat in which certain gentlemen and ladies of New York, by no means lacking in wealth or position, endeavor to carry the Koran into practice, and create, even in our cold climate, a paradise worthy of Mahomet. In a word, it is the residence of a widowed lady, who, blest with fortune and all the good things which fortune brings, delights in surrounding herself with beautiful women and intellectual men. How do you like that wine? There are at least a hundred gentlemen in New York, who would give a cool five hundred to stand where you stand now, or even cross the threshold of this mansion. I'm an old stager, and have brought you here in order to enjoy the effect which a scene like this produces on one so inexperienced as you. But you must remember one law which governs this place and all who enter it—"
"That condition?"
"All that is said or done here remains a secret forever within the compass of these walls; and you must never recognize, in any other place, any person whom you have first encountered here. This is a matter of honor, Walworth."
"And where is the 'Midnight Queen?'"
"She is not with her guests, I see—but I will give you an answer in a moment," and Lawson left the room.
Drinking glass after glass of champagne, Ernest stood by the supper-table, a silent spectator of that scene, whose voluptuous enchantment gradually inflamed his imagination and fired his blood. He seemed to have been suddenly transported from dull matter-of-fact, every-day life, to a scene in some far oriental city, in the days of Haroun Alraschid. And he surrendered himself to the enchantment of the place, like one for the first time enjoying the intoxication of opium.
Lawson returned, and came quietly to his side—
"Would you like to see the 'Midnight Queen,'—alone—in her parlor?" he whispered.
"Of all things in the world. You have roused my curiosity. I am like a man in a delicious dream."
"Understand me—she is chary of her smiles to an old stager like me—but I think, that there is something in you that will interest her. She awaits you in her apartments. You are a young English lord on your travels (better than a planter), Lord Stanley Fitz Herbert. With that black dress and somber face of yours you will take her wonderfully."
"But can I indeed see her?"
"Leave the room—ascend the stairs—at the head of the stairs a light shines from a door which is slightly open; take a bold heart and enter."
Inflamed by curiosity, by the wine which he had drunk, and the scene around him, Ernest did not take time for a second thought, but left the room, ascended the stairs, and stood before the door from whose aperture a belt of light streamed out upon the dark passage. There, for a moment, he hesitated, but that was all. He opened the door and entered. He stood spell-bound by the scene. If the parlors below were magnificently furnished, this apartment was worthy of an empress. There were lofty walls hung with silk hangings and adorned with pictures; a couch with a silken canopy; mirrors that glittered gently in the rich voluptuous light; in a word, every detail of luxury and extravagance.
In the center of all stood the "Midnight Queen"—in one hand she held an open letter. Her back was toward Ernest as he lingered near the threshold. Her neck and shoulders were bare, and he could remark at a glance their snowy whiteness and voluptuous outline, although her dark hair was gathered in glossy masses upon the shoulders, half hiding them from view. A dark dress, rich in its very simplicity, left her arms bare and did justice to the rounded proportions of her form.
She turned and confronted Ernest, even as he, the blood bounding in his veins, advanced a single step.
At once they spoke:
"My Lord Stanley, I believe,—"
"The 'Midnight Queen,'—"
The words died on their lips. They stood as if suddenly frozen to the floor. The beautiful face of the "Midnight Queen" was pale as death, and as for Ernest, the glow of the wine had left his cheek—his face was livid and distorted.
Moments passed and neither had power to speak.
"O, my God, it is Frank!" the words at last burst from the lips of Ernest, and he fell like a dead man at her feet.
Yes, the "Midnight Queen" was Frances Van Huyden, his betrothed wife—six months ago resting on his bosom and whispering "husband" in his ear,—and now—the wife of another? A widow? Or one utterly fallen from all virtue and all hope?
[CHAPTER X.]
THE PALACE-HOME.
Having thus given the incident from the life of Ernest, as far as possible, in the very words of his MSS., let me continue my history from the hour when, in company with my mother, I left the cottage home of the good clergyman. After the incident just related, nothing in my life can appear strange.
I was riding in the carriage with my mother toward New York.
"You are, indeed, very beautiful, Frank," said she, once more regarding me attentively. "Your form is that of a mature woman, and your carriage (I remarked it as you passed up the garden-walk) excellent. But this country dress will not do. We will do better than all that when we get to town."
It was night when the carriage left the avenue and rolled into Broadway. The noise, the glare, the people hurrying by, all frightened me. At the same time Broadway brought back a dim memory of my early childhood in Paris. Turning from Broadway, the carriage at length stopped before a lofty mansion, the windows of which were closed from the sidewalk to the roof.
"This is your home," said my mother, as she led me from the carriage up the marble steps into the hall where, in the light of a globular lamp, a group of servants in livery awaited us.
"Jenkins,"—my mother spoke to an elderly servant in dark livery turned up with red—"let dinner be served in half an hour." Then turning to another servant, not quite so old, but wearing the same livery, she said: "Jones, Miss Van Huyden wishes to take a look at her house before we go to dinner. Take the light and go before us."
The servant, holding a wax candle placed in a huge silver candlestick, went before us and showed us the house from the first to the fourth floor. Never before had I beheld such magnificence even in my dreams. I could not restrain ejaculations of pleasure and surprise at every step,—my mother keenly regarding me, sometimes with a faint smile and sometimes with the wrinkle growing deeper between her brows. A range of parlors on the lower floor were furnished with everything that the most extravagant fancy could desire, or exhaustless wealth procure. Carpets that gave no echo to the step; sofas and chairs cushioned with velvet and (so it seemed to me) framed in gold; mirrors extending from the ceiling to the floor; pictures, statues, and tables with tops either of marble or ebony; the walls lofty, and the ceiling glowing with a painting which represented Aurora and the Hours winging their way through a summer sky.
"Whose picture, mother?" I asked, pointing to a picture of a singularly handsome man, with dark hair and beard, and eyes remarkable at once for their brightness and expression.
"Your father, dear," answered my mother, and again the mark between her brows became ominously perceptible. "There is your piano, Frank,—you'll find it something better than the one which you had at the good parson's."
The servant led the way, up the wide stairway, thickly carpeted, to the upper rooms. Here the magnificence of the first floor was repeated on a grander, a more luxurious scale. We passed through room after room, my eyes dazzled by new signs of wealth and luxury at every step. At last we paused on the thick carpet of a spacious bed-chamber, whose appointments combined the richest elegance with the nicest taste. It was hung with curtains of light azure. An exquisite and touching picture of the Virgin Mary confronted the toilette table and mirror. A bed with coverlet white as snow, satin covered pillows and canopy of lace, stood in one corner; and wherever I turned there were signs of neatness, taste and elegance. I could not too much admire the apartment.
"It is your bedroom, my dear," said my mother, silently enjoying my delight.
"Why," said I laughingly,—"it is grand enough for a queen."
"And are you not a queen," answered my mother, "and a very beautiful one." Turning to the servant, who stood staring at me with eyes big as saucers, she said—
"Tell Mrs. Jenkins, the housekeeper, to come here:"—Jones left the chamber, and presently returned with Mrs. Jenkins, a portly lady, with a round, good-humored face.
"Frank, this is your housekeeper;"—Mrs. Jenkins simpered and courtsied, shaking at the same time the bundle of keys at her waist. "Mrs. Jenkins, this is your young mistress, Miss Van Huyden. Give me the keys."
She took the keys from the housekeeper, and placed them in my hands:
"My dear, this house and all that it contains are yours, I surrender it to your charge."
Scarcely knowing what to do with myself I took the keys—which were heavy enough—and handing them back to Mrs. Jenkins, "hoped that she would continue to superintend the affairs of my mansion, as heretofore." All of which pleased my mother and made her smile.
"We will go to dinner without dressing," and my mother led the way down stairs to the dining-room. It was a large apartment, in the center of which stood a luxuriously furnished table, glittering with gold plate. Servants in livery stood like statues behind my chair and my mother's. How different from the plain fare and simple style of the good clergyman's home! Nay how widely contrasted with the rude dinner in a log cabin to which Ernest and myself sat down a few hours ago!
In vain I tried to partake of the rich dishes set out before me; I was too much excited to eat. Dinner over, coffee was served, and the servants retired. Mother and I were left alone.
"Frank, do you blame me," she said, looking at me carefully—"for having you reared so quietly, far away in the country, in order that at the proper age, strong in health and rich in accomplishments and beauty, you might be prepared to enter upon the enjoyments and duties suitable to your station?"
How could I blame her?
I spoke gratefully again and again of the wealth and comfort which surrounded me, and then forgetting it all—broke forth into impassioned praise of my cottage home, of the good clergyman, of old Alice and—Ernest.
Something which came over my mother's face at the mention of Ernest's name, warned me that it was not yet time to speak of my engagement to him.
That night I bathed my limbs in a perfumed bath, laid my head on a silken pillow, and slept beneath a canopy of lace, as soft and light and transparent as the summer mist through which you can see the blue sky and the distant mountain. And resting on the silken pillow I dreamed—not of the splendor with which I was surrounded, nor of the golden prospects of my future,—but, of my childhood's home, and the quiet scenes of other days. In my sleep my heart turned back to them. Once more I heard the voice of the good old man. I heard the shrill tones of Alice, as the sun shone on my frosted window-pane, on a clear, cold winter morn. Then the voice of Ernest, calling me "Wife!" and pressing me to his bosom in the forest nook. I awoke with his name on my lips, and,——
My mother stood by the bedside gazing upon me attentively, a smile on her lips, but the wrinkle darkly defined between her brows. The sun shone brightly through the window curtains.
"Get up my dear," she kissed me,—"You have a busy day before you."
And it was a busy day! I was handed over to the milliners and dressmakers, and whirled in my carriage from one jeweler's shop to another. It was not until the third day that my dresses were completed—according to my mother's taste,—and not until the fourth, that the jewels which were to adorn my forehead, my neck, my arms and bosom, had been properly selected. Wardrobe and diamonds worthy of a queen—and was I happy? No! I began to grow homesick, for my dear quiet home, on the hill-side above the Neprehaun.
[CHAPTER XI.]
"SHE'LL DO."
It was on the fourth day, in the afternoon, that my mother desired my presence in the parlor, where she wished to present me to a much esteemed friend, Mr. Wareham—Mr. Wallace Wareham.
"An excellent man," whispered my mother as we went down stairs together, "and immensely rich."
I was richly dressed in black; my neck, my arms and shoulders bare. My dark hair, gathered plainly aside from my face, was adorned by a single snow-white flower. As I passed by the mirror in the parlor, I could not help feeling a throb of womanly pride, or—vanity; and my mother whispered, "Frank, you excel yourself to-day."
Mr. Wareham sat on the sofa, in the front parlor, in the mild light of the curtained window. He was an elderly gentleman, somewhat bald, and slightly inclined to corpulence. He was sleekly clad in black, and there was a gold chain across his satin vest, and a brilliant diamond upon his ruffled bosom. He sat in an easy, composed attitude, resting both hands on his gold-headed cane. At first sight he impressed me, as an elderly gentleman, exceedingly nice in his personal appearance; and that was all. But there was something peculiar and remarkable about his face and look, which did not appear at first sight.
I was presented to him: he rose and bowed; and took me kindly by the hand.
Then conversing in a calm, even tone, which soon set me at ease, he led me to talk of my childhood—of my home on the Neprehaun—of the life which I had passed with the good clergyman. I soon forgot myself in my subject, and grew impassioned, perchance eloquent. I felt my cheeks glow and my eyes sparkle. But all at once I was brought to a dead pause, by remarking the singular expression of Mr. Wareham's face.
I stopped abruptly—blushed—and at a glance surveyed him closely.
His forehead was high and bold, and encircled by slight curls of black hair, streaked with gray,—its expression eminently intellectual. But the lower part of his face was heavy, almost animal. There was a deep wrinkle on either side of his mouth, and as for the mouth itself, its upper lip was thin, almost imperceptible, while the lower one was large, projecting and of deep red, approaching purple, thus presenting a singular contrast to the corpse-like pallor of his cheeks. His eyes, half hidden under the bulging lids, when I began my description of my childhood's home, all at once expanded, and I saw their real expression and color. They were large, the eyeballs exceedingly white, and the pupils clear gray, and their expression reminded you of nothing that you had ever seen or heard of, but simply made you afraid. And as the eyes expanded, a slight smile would agitate his upper lip, while the lower one protruded, disclosing a set of artificial teeth, white as milk. It was the sudden expansion of the eyes, the smile on the upper lip and the protrusion of the lower one, that made up the peculiar expression of Mr. Wareham's face,—an expression which made you feel as though you had just awoke from a grotesque yet frightful dream.
"Why do you pause, daughter?" said my mother, observing my confusion.
"Proceed my child," said Mr. Wareham, devouring me from head to foot with his great eyes, at the same time rubbing his lower lip against the upper, as though he was tasting something good to eat. "I enjoy these delightful reminiscences of childhood. I dote on such things."
But I could not proceed—I blushed again—and the tears came into my eyes.
"You have been fatigued by the bustle of the last three days," said my mother kindly: "Mr. Wareham will excuse you," and she made me a sign to leave the room.
Never was a sign more willingly obeyed. I hurried from the room, and as I closed the door, I heard Mr. Wareham say in a low voice—
"She'll do. When will you tell her?"
That night, as I sat on the edge of my bed, clad in my night-dress—my dark hair half gathered in a lace cap and half falling on my shoulders—my mother came suddenly into the room, and placing her candle on a table, took her seat by me on the bed. She was, as I have told you, an exceedingly beautiful woman, in spite of the threads of silver in her hair and the ominous wrinkle between her brows. But as she sat by me, and put her arm about my neck, toying with my hair, her look was infinitely affectionate.
"And what do you think of Mr. Wareham, dear?" she asked me—and I felt that her gaze was fixed keenly on my face.
I described my impressions frankly and with what language I could command, concluding with the words, "In short, I do not like him. He makes me feel afraid."
"O, you'll soon get over that," answered my mother. "Now he takes a great interest in you. Let me tell you something about him. He is a foreign gentleman, immensely rich; worth hundreds of thousands, perhaps a million. He has estates in this country, in England and France. He has traveled over half the globe; on further acquaintance you will be charmed by his powers of observation, his fund of anecdote, his easy flow of conversational eloquence. And then he has a good heart, Frank! I could keep you up all night in repeating but a small portion of his innumerable acts of benevolence. I met him first in Paris, years ago, just after he had unhappily married. And since I first met him he has been my fast friend. He is a good, a noble man, Frank; you will, you must like him."
"But, then, his eyes, mother! and that lip!" and I cast my eyes meekly to the floor.
"Pshaw!" returned my mother, with a start, "don't allow yourself to make fun of a dear personal friend of mine." She kissed me on the forehead,—"you will like him, dear," and bade me good-night.
And on my silken pillow I slept and dreamed—of home,—of the good old man,—of Ernest and the forest nook,—but all my dreams were haunted by a vision of two great eyes and a huge red lip—everywhere, everywhere they haunted me, the lip now projecting over the clergyman's head and the eyes looking over Ernest's shoulder. I awoke with a start and a laugh.
"You are in good spirits, my child," said my mother, who stood by the bed.
"I had a frightful dream but it ended funnily. All night long I've seen nothing but Mr. Wareham's eyes and lip, but the last I saw of them they were flying like butterflies a few feet above ground, eyes first and lips next, and old Alice chasing them with her broom."
"Never mind; you will like him," rejoined my mother.
I certainly had every chance to like him. For three days he was a constant visitor at our house. He accompanied mother and myself on a drive along Broadway and out on the avenue. I enjoyed the excitement of Broadway and the fresh air of the country, but—Mr. Wareham was by my side, talking pleasantly, even eloquently, and looking all the while as if he would like to eat me. We went to the opera, and for the first time, the fairy world of the stage was disclosed to me. I was enchanted,—the lights, the costumes, the music, the circle of youth and beauty, all wrapt me in a delicious dream, but—close by my side was Mr. Wareham, his eyes expanded and his lip protruding. I thought of the Arabian Nights and was reminded of a well-dressed Ghoul. I began to hate the man. On the fourth day he brought me a handsome bracelet, glittering with diamonds, which my mother bade me accept, and on the fifth day I hated him with all my soul. There was an influence about him which repelled me and made me afraid.
It was the sixth night in my new home, and in my night-dress, I was seated on the edge of my bed, the candle near, and my mother by my side. She had entered the room with a serious and even troubled face. The wrinkle was marked deep between her brows. Fixing my lace cap on my head and smoothing my curls with a gentle pressure of her hand, she looked at me long and anxiously but in silence.
"O, mother!" I said, "when will we visit 'father,'—and good old Alice, and—Ernest? I am so anxious to see my home again!"
"You must forget that home," said my mother gravely. "You will shortly be surrounded by new ties and new duties. Nay, do not start and look at me with so much wonder. I see that I must be plain with you. Listen to me, Frank. Who owns this house?"
"It is yours!"
"The pictures, the gold plate, the furniture worthy of such a palace?"
"Yours,—all yours, mother."
"Who purchased the dresses and the diamonds which you wear,—dresses and diamonds worthy of a queen?"
"You did, mother—of course," I hesitated.
"Wrong, Frank, all wrong!" and her eyes shone vividly, and the mark between her brows grew blacker. "The house which shelters you, the furniture which meets your gaze, the dresses which clothe you, and the diamonds which adorn your person, are the property of—Mr. Wareham."
It seemed to me as if the floor had opened at my feet.
"O, mother! you are jesting," I faltered.
[CHAPTER XII.]
A REVELATION.
"I am a beggar, child, and you are a beggar's daughter. It is to Mr. Wareham that we are indebted for all that we enjoy. For years he has paid the expenses of your education; and now that you have grown to young womanhood he shelters you in a palace, surrounds you with splendor that a queen might envy, and not satisfied with this,—"
She paused and fixed her eyes upon my face, I know that I was frightfully pale.
"Offers you his hand in marriage."
For a moment the light, the mirrors, the roof itself swam round me, and I sank half-fainting in my mother's arms.
"O! this is but a jest, a cruel jest to frighten me. Say, mother, it is a jest!"
"It is not a jest; it is sober, serious earnest;" and she raised me sternly from her arms. "He has offered his hand, and you will marry him."
I flung myself on my knees at the bedside, clasped her hands, and as my night-dress fell back from my shoulders and bosom, I told her, with sobs and tears, of my love for Ernest, and my engagement with him.
"Pshaw! A poor clergyman's son," she said bitterly.
"O, let us leave this place, mother!" I cried, still pressing her hands to my bosom. "You say that we are poor. Be it so. We will find a home together in the home of my childhood. Or if that fails us, I will work for you. I will toil from sun to sun and all night long,—beg,—do anything rather than marry this man. For, mother, I cannot help it,—but I do hate him with all my soul."
"Pretty talk, very pretty!" and she loosened her hands from my grasp; "but did you ever try poverty, my child? Did you ever know what the word meant,—poverty? Did you ever work sixteen hours a day, at your needle, for as many pennies, walk the streets at dead of winter in half-naked feet, and go for two long days and nights without a morsel of food? Did you ever try it, my child? That's the life which poor widows and their pretty daughters live in New York, my dear."
"But Ernest loves me,—he will make his way in life,—we will be married,—you will share our home, dear mother."
These words rendered her perfectly furious. She started up and uttered a frightful oath—it was the first time I had ever heard an oath from a woman's lips. Her countenance for a moment was fiendish. She assailed me with a torrent of reproaches, concluding thus:
"And this is your gratitude for the care, the anxiety, the very agony of a mother's anxiety, which I have endured on your account for years! In return for all you condemn me to—poverty! But it shall not be. One of us must bend, and that one will not be me. I swear, girl,"—her brows were knit, she was lividly pale, and she raised her right hand to heaven,—"that you shall marry this man."
"And I swear,"—I bounded to my feet, my bosom bare, and the blood boiling in my veins—perchance it was the same blood which gave my mother her fiery temper,—"I swear that I will not marry him as long as there is life in me. Do you hear me, mother? Before I marry that miserable wretch, whose very presence fills me with loathing, I will fall a corpse at your feet."
My words, my attitude took her by surprise. She surveyed me silently but was too much enraged to speak.
"O, that my father was living!" I cried, the fit of passion succeeded by a burst of tears; "he would save me from this hideous marriage."
My mother quietly drew a letter from her bosom and placed it open in my hand.
"Your father is living. That letter is the last one I have received from him. Read it, my angel."
I took it,—it was very brief,—I read it at a glance. It was addressed to my mother, and bore a recent date. These were its contents:
"Dear Frank:
"My sentence expires in two weeks from to-day. Send me some decent clothes, and let me know where I will meet you. Glad to hear that your plans as regards our daughter approach a 'glorious' completion.
"Yours as ever,
"Charles."
It was a letter from a convict in Auburn prison,—and that convict was my father!
"It is false; my father died years ago," I cried in very agony. "This is not from my father."
"It is from your father," answered my mother; "and unless I send him the clothes which he asks for, you will see him, in less than three weeks, in his convict rags."
"O, mother! are you human? A mother to taunt her own daughter with her father's shame,—"
My temples throbbed madly and my sight failed. All that mortal can endure and be conscious, I had endured. I sank on the floor, and had not my mother caught me in her arms, I would have wounded my forehead against the marble table.
All night long, half waking, half delirious, I tossed on my silken couch mingling the name of my convict father and of Ernest in my broken exclamations. Once I was conscious for a moment and looked around with clear eyes. My mother was watching over me. Her face was bathed in tears. She was human after all. That moment past, the delirium returned and I struggled with horrible dreams until morning.
[CHAPTER XIII.]
MORPHINE.
When I awoke next morning, my mind was clear again, and even as I unclosed my eyes and saw the sunlight shining gayly through the curtains, a fixed purpose took possession of my soul. It was yet early morning. There was no one save myself in the chamber. Perchance worn out by watching, my mother had retired to rest. I quietly arose and dressed myself—not in the splendid attire furnished by my mother, but in the plain white dress, bonnet, and shawl which I had brought with me from my cottage home.
"It is early. No one is stirring in the mansion. I can pass from the hall door unobserved. Then it is only sixteen miles to-home,—only sixteen miles, I can walk it."
And at the very thought of meeting "father" and Ernest again, my heart leaped in my bosom. Determined to escape from the mansion at all hazards, I drew my vail over my face, my shawl across my shoulders, and hurried to the door. I opened it, my foot was on the threshold, when I found myself confronted by the portly form of Mrs. Jenkins.
"Pardon me, Miss," she said, placing herself directly before me; "your mother gave me directions to call her as soon as you awoke."
"But I wish to take a short walk and breathe a little of the morning air," I answered, and attempted to pass her.
"The morning air is not good for young ladies," said another voice, and my mother's face, appeared over the housekeeper's shoulder. "After a while we shall take a ride, my dear. For the present, you will please retire to your room."
Startled at the sound of my mother's voice, I involuntarily stepped back—the door was closed, and I heard the key turn in the lock.
I was a prisoner in my own room. There I remained all day long; my meals were served by the housekeeper and my maid Caroline. My mother did not appear. How I passed that day, a prisoner in my luxurious chamber, cannot be described. I sat for hours, with my head resting on my hands, and my eyes to the floor. What plans of escape, mingled with forebodings of the future, crossed my brain! At length I took pen and paper, and wrote a brief note to Ernest, informing him of my danger, and begging him, as he loved me, to hasten at once to town and to the mansion. This note I folded, sealed, and directed properly. "Caroline," said I to my maid, who was a pleasant-faced young woman of about twenty, with dark hair and eyes—"I would like this letter to be placed in the post-office at once. Will you take charge of it for me?"
"I'll give it to Jones," she responded—"he's goin' down to the post office right away."
"But Caroline," I regarded her with a meaning look, "I do not wish any one to know, that I sent this letter to the post-office. Will you keep it a secret?"
"Not a livin' mortal shall know it—not a livin' mortal;" and taking the letter she left the room. After a few minutes she returned with a smiling face, "Jones has got it and he's gone!"
I could scarce repress a wild ejaculation of joy. Ernest will receive it to-night; he will be here to-morrow; I will be saved!
The day wore on and my mother did not appear. Toward evening Caroline came into my room, bearing a new dress upon her arm—a dress of white satin, richly embroidered and adorned with the costliest lace.
"O, Miss, ain't it beautiful!" cried Caroline, displaying the dress before me, "and the bonnet and vail to match it, will be here to-night, an' your new di'monds. It's really fit for a queen."
It was indeed a magnificent dress.
"Who is it for?" I asked.
"Now, come, ain't that good! 'Who is it for?' And you lookin' so innocent as you ask it. As if you did not know all the while, that it's your bridal dress, and that you are to be married airly in the mornin', after which you will set off on your bridal tower."
"Caroline, where did you learn this?" I asked, my heart dying within me.
"Why, how can you keep such things secret from the servants? Ain't your mother been gettin' ready for it all day, and ain't the servants been a-flyin' here and there, like mad? And Mr. Wareham's been so busy all day, and lookin' so pleased! Laws, Miss, how can you expect to keep such things from the servants?"
I heard this intelligence, conveyed in the garrulous manner of my maid, as a condemned prisoner might hear the reading of his death warrant. I saw that nothing could shake my mother in her purpose. She was resolved to accomplish the marriage at all hazards. In the morning I was to be married, transferred body and soul to the possession of a man whom I hated in my very heart.
But I resolved that he should not possess me living. He might marry me, but he should only place the bridal ring upon the hand of a corpse.
The resolution came in a moment. How to accomplish it was next my thought.
Approaching Caroline in a guarded manner, I spoke of my nervousness and loss of sleep, and of a vial of morphine which my mother kept by her for a nervous affection.
"Could you not obtain it for me, Caroline? and without my mother seeing you, for she does not like me to accustom myself to the use of morphine. I am sadly in want of sleep, but I am so nervous that I cannot close my eyes. Get it for me," I put my arms about her neck—"that's a dear good girl."
"Laws, Miss, how kin one resist your purty eyes! It is in the casket on the bureau, is it? Just wait a moment;" she left the room and presently returned. She held the vial in her hand. I took it eagerly, pretended to place it in the drawer of a cabinet which stood near the bed, but, in reality, hid it in my bosom.
"Now mother, you may force on the marriage," I mentally ejaculated; "but your daughter has the threads of her own destiny in her hand."
How had I accustomed myself to the idea of suicide? It came upon me not slowly, but like a flash of lightning. It was in opposition to all the lessons I had learned from the good clergyman. 'But,' the voice of the tempter, seemed whispering in my ear—'while suicide is a crime, it becomes a virtue when it is committed to avoid a greater crime.' It is wrong to kill my body, but infinitely worse to kill both body and soul in the prostitution of an unholy marriage.
As evening drew on I was left alone. I bathed myself, arranged my hair, and then attired myself in my white night-robe. And then, as the last glimpse of day came faintly through the window curtains, I sank on my knees by the bed, and prayed. O how in one vivid picture the holy memories of the past came upon me, in that awful moment!
"Ernest I will meet you in the better world!"
I drank the contents of the vial and rose to my feet. At the same instant the door opened and my mother appeared, holding a lighted candle in her hand. She saw me in my white dress, was struck, perchance, by the wildness of my gaze, and then her eye rested upon the extended hand which held the vial.
"Well, Frank, how do you like your marriage dress," she began, but stopped, and changed color as she saw the vial.
"O, mother," I cried, "with my last breath I forgive you, and pray God that you may be able to forgive yourself."
I saw her horror-stricken look and I fell insensible at her feet.
[CHAPTER XIV.]
THE SALE IS COMPLETE.
When I awoke again—but I cannot proceed. There are crimes done every day, which the world knows by heart, and yet shudders to see recorded, even in the most carefully vailed phrase. But the crime of which I was the victim, was too horrible for belief. Wareham the criminal, my own mother the accomplice, the victim a girl of fifteen, who had been reared in purity and innocence afar from the world.
When I awoke again—for the potion failed to kill—I found myself in my room, and Wareham by my side, surveying me as a ghoul might look upon the dead body which he has stolen from the grave. The vial given to me by the maid did not contain a fatal poison, but merely a powerful anodyne, which sealed my senses for hours in sleep, and—combined with the reaction of harrowing excitement—left me for days in a state of half dreamy consciousness. I awoke * * * * My sight was dim, my senses dulled, but I knew that I was lost! Lost! O, how poor and tame that word, to express the living damnation of which I was the victim! The events of the next twenty-four hours, I can but vaguely remember. I was taken from the bed, arrayed in the bridal costume, and then led down stairs into the parlor. There was a marriage celebrated there (as I was afterward told)—yes! it was there that a minister of the Gospel, book in hand, sanctified with the name of marriage, the accursed bargain of which I was the victim—marriage, that sacrament which makes of home, God's holiest altar, the truest type of Heaven—marriage was, in my case, made the cloak of an unspeakable crime. I can remember that I said some words, which my mother whispered in my ear, and that I signed my name to a letter which she had written. It was the letter which Ernest received, announcing my intention to visit Niagara. As for the letter which I had written to him, on the previous day, it never went farther than from the hands of Caroline to those of my mother. I was hurried into a carriage, Wareham by my side, and then on board of a steamboat, and have a vague consciousness of passing up the Hudson river. I did not clearly recover my senses, until I found myself at Niagara Falls, leaning on Wareham's arm, and pointed at by the crowd of visitors at the Falls, as "the beautiful bride of the Millionaire."
From the Falls, we passed up the Lakes, and then retraced our steps; visited the Falls again; journeyed to Montreal, and then home by Lake Champlain and the Hudson river. My mother did not accompany us. We were gone three months, and as the boat glided down the Hudson, the trees were already touched by autumn. As the boat drew near Tapaan bay, I concealed myself in my stateroom—I dared not look upon my cottage home.
We arrived at home toward the close of a September day. My mother met me at the door, calm and smiling. She gave me her hand—but I pushed it gently away. Wareham led me up the steps. I stood once more in that house, from which I had gone forth, like one walking in their sleep. And that night, in our chamber, Wareham and myself held a conversation, which had an important bearing on his life and mine.
I was sitting alone in my chamber, dressed in a white wrapper, and my hair flowing unconfined upon my shoulders; my hands were clasped and my head bent upon my breast. I was thinking of the events of the last three months, of all that I had endured from the man whose very presence in the same room, filled me with loathing. My husband entered, followed by Jenkins, who placed a lighted candle, a bottle of wine and glasses on the table, and then retired.
"What, is my pretty girl all alone, and in a thinking mood?" cried Wareham, seating himself by the table and filling a glass with wine; "and pray, my love, what is the subject of your thoughts?"
And raising the glass to his lips, he surveyed me from head to foot with that gloating gaze which always gave a singular light to his eyes. His face was slightly flushed on the colorless cheeks. He had already been drinking freely, and was now evidently under the influence of wine.
"You have a fine bust, my girl," he continued, as though he was repeating the "points" of a horse; "a magnificent arm, a foot that beats the Medicean Venus all hollow, and limbs,—" he paused and sipped his wine, protruding his nether lip which now was scarlet red,—"such limbs! I like the expression of your eyes—there's fire in them, and your clear brown complexion, and your moist red lips, and,—" he sipped his wine again,—"altogether an elegantly built female."
And he rose and approached me. I also rose, my eyes flashing and my bosom swelling with suppressed rage.
"Wareham, I warn you not to touch me," I said in a low voice. "For three months I have been your prey. I will be so no longer. Before the world you may call me wife, if you choose—you have bought the right to do that—but I inform you, once for all, that henceforth we are strangers. Do you understand me, Wareham? I had as lief be chained to a corpse as to submit to be touched by you."
He fell back startled, his face manifesting surprise and anger, but in an instant his gaze was upon me again, and he indulged in a low burst of laughter.
"Come, I like this! It is a pleasant change from the demure, pious girl of three months ago to the full-blown tragedy queen." He sank into a chair and filled another glass of wine. "Be seated, Frank, I want to have a little talk with my pet."
I resumed my seat.
"You give yourself airs under the impression that you are my wife,—joint owner of my immense fortune,—my rich widow in perspective. Erroneous impression, Frank. I have a wife living in England."
The entirely malignant look, which accompanied these words, convinced me of their sincerity. For a moment I felt as though an awful weight had crushed my brain, and by a glance at the mirror, I saw I was frightfully pale; but recovering myself by a strong exertion of will, I answered him in these words:
"Gentlemen, who allow themselves more than one wife at a time, are sometimes (owing to an unfortunate prejudice of society) invited to occupy an apartment in the state prison."
"And so you think you hold a rod over my head?"—he drank his wine—"but I have only one wife, Frank. The gentleman, who married you and me, was neither clergyman nor officer of the law, but simply a convenient friend. Our mock marriage was not even published in the papers."
Every word went like an ice-bolt to my heart. I could not speak. Then, as his eyes glared with a mingled look of hatred and of brutal passion, he sipped his wine as he surveyed me, and continued:
"You used the word 'bought' some time ago. You were right. 'Bought' is the word. You are simply my purchase. In Constantinople these things are easily managed; they keep an open market of fine girls there; but here we must find an affable mother, and pay a huge price—sometimes even marry the dear angels. I met your mother in Paris some years ago, and have been intimately acquainted with her ever since. When she first spoke of you, you were a child and I was weary of the world—jaded, sick of its pleasures, by which I mean its women. An idea struck me! What if this pretty little child, now being educated in innocence and pious ways, and so forth, should, in the full blossom of her beauty and piety—say at the ripe age of sixteen—become the consoler of my declining years? And so I paid the expenses of your education (your father consenting that I should adopt you, but very possibly understanding the whole matter as well as your mother), and you were accordingly educated for me. And when I first saw you, three months ago, it was your very innocence and pious way of talking which gave an irresistible effect to your beauty, and made me mad to possess you at all hazards."
It is impossible to depict the bitter mocking tone in which these words were spoken.
"I settled this mansion, the furniture, and so forth upon your mother, with ten thousand dollars. That was the price. You see how much you have cost me, my dear."
"But I will leave your accursed mansion." I felt, as I spoke, as though my heart was dead in my bosom. "I am not chained to you in marriage; I am, at least, free." I started to my feet and moved a step toward the door.
"But where will you go? back to your elderly clerical friend, with every finger leveled at you and every voice whispering 'There goes the mistress of the rich Englishman!' Back to your village lover to palm yourself upon him as a pure and spotless maiden?"
I sank into a chair and covered my face with my hands.
"Or will you begin the life of a poor seamstress, working sixteen hours per day for as many pennies, and at last, take to the streets for bread?"
His words cut me to the quick. I saw that there was no redemption in this world for a woman whose innocence has been sacrificed.
"But think better of it, my dear. Your mother shall surround you with the most select and fashionable company in New York,—she shall give splendid parties,—you will be the presiding genius of every festival. As for myself, dropping the name of husband, I will sink into an unobtrusive visitor. When you see a little more of the world you will not think your case such a hard one after all."
My face buried in my hands, I had not one word of reply. Lost,—lost,—utterly lost!
[CHAPTER XV.]
"LOST, LOST UTTERLY."
My mother soon afterward gave her first party. It was attended by many of the rich and the fashionable of both sexes, and there were the glare of lights, the presence of beautiful women, and the wine-cup and the dance. The festival was prolonged till daybreak, and another followed soon. The atmosphere was new to me. At first I was amazed, then intoxicated, and then—corrupted. Anxious to bury the memory of my shame, to forget how lost and abandoned I was, to drown every thought of my childhood's home and of Ernest, who never could be mine, soon from a silent spectator I became a participant in the revels which, night after night, were held beneath my mother's roof. The persons who mingled in these scenes, were rich husbands who came accompanied by other men's wives; wives, who had sacrificed themselves in marriage, for the sake of wealth, to husbands twice their age, and these came with the husbands of other women,—in a word, all that came to the mansion and shared in its orgies, were either the victims or the criminals of society,—of a bad social world, which on every hand contrasts immense wealth and voluptuous indulgence with fathomless poverty and withering want, and which too often makes of a marriage but the cloak for infamy and prostitution. I shared in every revel, and lost myself in their maddening excitement. I was admired, flattered, and elevated at last to the position of presiding genius of these scenes. I became the "Midnight Queen." But let the curtain fall.
One night I noticed a new visitor, a remarkably handsome gentleman who sat near me at the supper-table, and whose hair and eyes and whiskers were black as jet. He regarded me very earnestly and with a look which I could not define.
"Don't think me impertinent," he said, and then added in a lower voice, "for I am your father, Frank. Don't call me Van Huyden—my name is Tarleton now."
Fearful that I might one day encounter Ernest, I wrote him a long letter breathing something of the tone of my early days—for I forgot for awhile my utterly hopeless condition—and informing him that mother and myself were about to sail for Europe. I wished him to believe that I was in a foreign land.
And one night, while the revel was progressing in the rooms below, Wareham entered my room and interested me in the description which he gave of a young lord, who wished to be introduced to me.
"Young, handsome, and pale as if from thought. The very style of man you admire, my pet."
"Let him come up," I answered, and Wareham retired.
I stood before the mirror as the young lord entered, and as I turned, I saw the face of my betrothed husband, Ernest Walworth.
Upon the horror of that moment I need not dwell.
He fell insensible to the floor, and was carried from the room and the house to the carriage by Wareham, who had led him to the place.
I have never seen the face of Ernest since that hour.
I received one letter from him—one only—in which he set forth the circumstances which induced him to visit my house, and in which he bade me "farewell."
He is now in a foreign land. The bones of his father rest in the village church-yard. The cottage home is desolate.
Wareham died suddenly about a year after our "marriage." The doctors said that his death was caused by an overdose of Morphine administered by himself in mistake. He died in our house, and as mother and myself stood over his coffin in the darkened room, the day before the funeral, I noticed that she regarded first myself and then the face of the dead profligate with a look full of meaning.
"Don't you think, dear mother," I whispered, "that the death of this good man was very singular?"
She made no reply, but still her face wore that meaning look.
"Would it be strange, mother, if your daughter, improving on your lessons, had added another feature to her accomplishments—had from the Midnight Queen,"—I lowered my voice—"become the Midnight Poisoner?"
I met her gaze boldly—and she turned her face away.
He died without ever a dog to mourn for him, and his immense wealth was inherited by a deserted and much abused wife, who lived in a foreign land.
Immense wealth in him bore its natural flower—a life of shameless indulgence, ending in a miserable death.
I did not shed very bitter tears at his funeral. Hatred is not the word to express the feeling with which I regard his memory.
Soon afterward my mother was taken ill, and wasted rapidly to death. Hers was an awful death-bed. The candle was burning to its socket, and mingled its rays with the pale moonlight which shone through the window-curtains. Her brown hair, streaked with gray, falling to her shoulders, her form terribly emaciated, and her eyes glaring in her shrunken face, she started up in her bed, clutched my hands in hers, and—begged me to forgive her.
My heart was stone. I could not frame one forgiving word.
As her chilled hands clutched mine, she rapidly went over the dark story of her life,—how from an innocent girl, she had been hardened into the thing she was,—and again, her eyes glaring on my face, besought my forgiveness.
"I forgive you, Mother," I said slowly, and she died.
My father was not present at her death, nor did he attend her funeral.
And for myself—what has the Future in store for me?
O, for Rest! O, for Forgiveness! O, for a quiet Sleep beneath the graveyard sod!
And with that aspiration for Rest, Forgiveness, Peace, uttered with all the yearning of a heart sick to the core, of life and all that life can inflict or give, ended the manuscript of Frances Van Huyden, the Midnight Queen.
It is now our task to describe certain scenes which took place in New York, between Nightfall and Midnight, on this 23d of December, 1844. And at midnight we will enter The Temple where the death's head is hidden among voluptuous flowers.
[PART SECOND.]
"FROM NIGHTFALL UNTIL MIDNIGHT."
DEC. 23, 1844.
CHAPTER I.
BLOODHOUND AND THE UNKNOWN.
Two persons were sitting at a table, in the Refectory beneath Lovejoy's Hotel. One of these drank brandy and the other drank water. The brandy drinker was our friend Bloodhound, and the drinker of water was a singular personage, whose forehead was shaded by a broad-brimmed hat, while the lower part of his face was covered by a blue kerchief, which was tied over his throat and mouth.
Seated at a table in the center of the place, these two conversed in low tones, while all around was uproar and confusion.
"You found these persons?" said the gentleman with the broad-brimmed hat and blue neckerchief.
"I didn't do anything else," replied the Hound—"I met you here, at Lovejoy's, about dusk. You were a tee-total stranger to me. You says, says you, that you'd like to do a good turn to Harry Royalton, and at the same time fix this white nigger and his sister—you know who I mean?"
"Randolph and Esther—"
"Well, we closed our bargain. You gave me a note to Randolph and one to his sister. I hunted 'em out and delivered your notes, and here I am."
Bloodhound smiled one of his most frightful smiles, and consoled himself with a glass of brandy.
"Where did you find these persons?" asked Blue Kerchief.
"At a tip-top boardin' house up town, accordin' to your directions. I fust saw the boy and delivered your note, and arter he was gone I saw the gal and did the same. Now, old boss, do you think they'll come?"
"You saw the contents of those notes?"
"I did. I saw you write 'em and read 'em afore you sealed 'em up. The one to Randolph requested him to be at a sartin place on the Five Points about twelve o'clock. An' the one to Esther requested her to be at the Temple about the same hour. Now do you think they'll come?"
"You have seen Godlike and Royalton?" said the unknown, speaking thickly through the neckerchief which enveloped his mouth.
"Godlike will be at the Temple as the clock strikes twelve, and Harry and me will be at Five Points, at the identical spot—you know—at the very same identical hour."
"That is sufficient. Here is the sum I promised you," and the stranger laid two broad gold pieces on the table: "we must now part. Should I ever need you, we will meet again. Good night."
And the stranger rose, and left the refectory, Bloodhound turning his head over his shoulder as he watched his retreating figure with dumb amazement.
"Cool! I call it cool!" he soliloquised; "Waiter, see here; another glass of brandy. Yet this is good gold; has the right ring, hey? Judas Iscariot! Somehow or 'nother, everything I touch turns to gold. Wonder what the chap in the blue handkercher has agin the white nigger and his sister? Who keers? At twelve to-night Godlike will have the gal, and Harry and I will have the nigger. Ju-das Iscariot!" Here let us leave the Bloodhound for awhile, to his solemn meditations and his glass of brandy.
[CHAPTER II.]
THE CANAL STREET SHIRT STORE.
"Do you call them stitches? S-a-y? How d'ye expect a man to git a livin' if he's robbed in that way? Do you call that a shirt—s-a-y?"
"Indeed I did my best—"
"Did your best? I should like to know what you take me for? D'ye think I'm a fool? Did not I give you the stuff for five shirts, and fust of all, I exacted a pledge of five dollars from you, to be forfeited if you spoilt the stuff—"
"And you know I was to receive two shillings for each shirt. I'll thank you to pay me my money, and restore my five dollars and let me go—"
"Not a copper. This shirt is spoilt. And if those you have in your arms are no better, why they are spoilt too—"
"They're made as well as the one you hold—no better."
"Then I can't sell 'em for old rags. Just give 'em to me, and clear out—"
"At least give me back my five dollars—"
"Not a copper. Had you finished these shirts in the right style, they'd a-sold for fifteen dollars. As it is, the money is forfeited,—I mean the five dollars which you left with me as a pledge. I can't employ you any more. Just give me the other four shirts, and clear out."
The storekeeper and the poor girl were separated by a counter, on which was placed a showy case. She was dressed in a faded calico gown, and a shawl as worn and faded, hung about her shoulders. She wore a straw bonnet, although it was a night in mid-winter; and beneath her poverty-stricken dress, her shoes were visible: old and worn into shreds they scarcely clung to her feet. Her entire appearance indicated extreme poverty.
The storekeeper, who stood beneath the gas-light, was a well preserved and portly man of forty years, or more, with a bald head, a wide mouth and a snub nose. Rings glistered on his fat fingers. His black velvet vest was crossed by a gold chain. His spotless shirt bosom was decorated by a flashy breastpin. He spoke sharp and quick, and with a proper sense of his dignity as the Proprietor of the "only universal shirt store, No. ——, Canal St., New York."
Between him and the girl was a glass case, in which were displayed shirts of the most elegant patterns and elaborate workmanship. Behind him were shelves, lined with boxes, also filled with shirts, whose prices were labeled on the outside of each box. At his right-hand, was the shop-window,—a small room in itself—flaring with gas, and crowded with shirts of all imaginable shapes—shirts with high collars, Byron collars, and shirts without any collars at all;—shirts with plaits large, small and infinitesimal—shirts with ruffles, shirts with stripes and shirts with spots;—in fact, looking into the window, you would have imagined that Mr. Screw Grabb was a very Apostle of clean linen, with a mission to clothe a benighted world, with shirts; and that his Temple, "the Only Universal Shirt Store," was the most important place on the face of the globe. There, too, appeared eloquent appeals to passers-by. These were printed on cards, in immense capitals,—"Shirts for the Million! The Great Shirt Emporium! Who would be without a shirt, when Screw Grab sells them for only $1? This IS the ONLY Shirt Store,"—and so on to the end of the chapter.
The conversation which we have recorded, took place in this store, soon after 'gas-light' on the evening of Dec. 23d, 1844, between Mr. Screw Grabb and the Poor Girl, who stood before him, holding a small bundle in her arms.
"You surely do not mean to retain my money?" said the girl—and she laid one hand against the counter, and attentively surveyed the face of Mr. Grabb—"You find fault with my work—"
"Never saw wuss stitchin' in my life," said Grabb.
"But that is no reason why you should refuse to return the money which I placed in your hands. Consider, Sir, you will distress me very much. I really cannot afford to lose that five dollars,—indeed—"
She turned toward him a face which, impressed as it was with a look of extreme distress, was also invested with the light of a clear, calm, almost holy beauty. It was the face of a girl of sixteen, whom thought and anxiety had ripened into grave and serious womanhood. Her brown hair was gathered neatly under her faded straw bonnet, displaying a forehead which bore traces of a corroding care; there was light and life in her large eyes, light and life without much of hope; there was youth on her cheeks and lips; youth fresh and virgin, and unstained by the touch of sin.
"Will you give me them four shirts,—s-a-y?" was the answer of Grabb,—"them as you has in your bundle there?"
The girl for a moment seemed buried in reflection. May be the thought of a dreary winter night and a desolate home was busy at her heart. When she raised her head she fixed her eyes full upon the face of Mr. Grabb, and said distinctly:
"I will not give you these shirts until you return my money."
"What's that you say? You won't give 'em back—won't you?" and Mr. Grabb darted around the counter, yardstick in hand. "We'll see,—we'll see. Now just hand 'em over!"
He placed himself between her and the door, and raised the yardstick over her head.
The girl retreated step by step, Mr. Grabb advancing as she retreated, with the yardstick in his fat hand.
"Give 'em up,—" he seized her arm, and attempted to tear the bundle from her grasp. "Give 'em up you ——" he applied an epithet which he had heard used by a manager of a theater to the unfortunate girls in his employment.
At the word, the young woman retreated into a corner behind the counter, her face flushed and her eyes flashing with an almost savage light—
"You cowardly villain!" she said, "to insult me because I will not permit you to rob me. O, you despicable coward—for shame!"
The look of her eye and curl of her lip by no means pleased the corpulent Grabb. He grew red with rage. When he spoke again it was in a loud voice and with an emphatic sweep of the yardstick.
"If you don't give 'em up, I'll—I'll break every bone in your body. You hussy! You ——! What do you think of yourself—to attempt to rob a poor man of his property?"
These words attracted the attention of the passers-by; and in a moment, the doorway was occupied by a throng of curious spectators. The poor girl, looking over Grabb's shoulders, saw that she was the object of the gaze of some dozen pairs of eyes.
"Gentlemen, this hussy has attempted to rob me of my property! I gave her stuff sufficient to make five shirts, and she's spoilt 'em so I can't sell 'em for old rags, and—and she won't give 'em up."
"If they ain't good for nothing, what d'ye want with 'em?" remarked the foremost of the spectators.
But Grabb was determined to bring matters to a crisis.
"Now, look here," he said, holding the yardstick in front of the girl, and thus imprisoning her in the corner; "if you don't give 'em up, I'll strip the clothes from your back."
The girl turned scarlet in the face; her arms sank slowly to her side; the bundle fell from her hands; she burst into tears.
"Shame! shame!" cried one of the spectators.
"It's the way he does business," added a voice in the background. "He won't give out any work unless the girl, who applies for it, places some money in his hands as a pledge. When the work is brought into the store, he pretends that it's spoilt, and keeps the money. That's the way he raises capital!"
"What's that you say?" cried Grabb, turning fiercely on the crowd, who had advanced some one or two paces into the store. "Who said that?"
A man in a coarse, brown bang-up advanced from the crowd—
"I said it, and I'll stand to it! Ain't you a purty specimen of a bald-headed Christian, to try and cheat the poor girl out of her hard-airned money?"
"I'll call the police," cried Grabb.
"What a pattern! what a beauty!" continued the man in the brown bang-up; "why rotten eggs 'ud be wasted on such a carcass as that!"
"Police! Police!" screamed Grabb,—"Gentlemen, I'd like to know if there is any law in this land?"
While this altercation was in progress the poor girl—thoroughly ashamed to find herself the center of a public broil—covered her face with her hands and wept as if her heart would break.
"Take my arm," said a voice at her side; "there will be a fight. Quick, my dear Miss, you must get out of this as quick as possible."
The speaker was a short and slender man, wrapped in a Spanish mantle, and his hat was drawn low over his forehead.
The girl seized his arm, and while the crowd formed a circle around Grabb and the brown bang-up, they contrived to pass unobserved from the store. Presently the poor girl was hurrying along Canal street, her hand still clasping the arm of the stranger in the cloak.
"Bad business! Bad business!" he said in a quick, abrupt tone. "That Grabb's a scoundrel. Here's Broadway, my dear, and I must bid you good-night. Good-night,—good-night."
And he left the poor girl at the corner of Broadway and Canal street. He was lost in the crowd ere she was aware of his departure. She was left alone, on the street corner, in the midst of that torrent of life; and it was not until some moments had elapsed that she could fully comprehend her desolate condition.
"It was the last five dollars I had in the world! What can I do! In the name of God, what can I do!"
She looked up Broadway—it extended there, one glittering track of light.
"Not a friend, and not a dollar in the world!"
She looked down Broadway—far into the distance it extended, its million lights over-arched by a dull December sky.
"Not a friend and not a dollar!"
She turned down Broadway with languid and leaden steps. A miserably clad and heart-broken girl, she glided among the crowds, which lined the street, like a specter through the mazes of a banquet.
Poor girl! Down Broadway, until the Park is passed, and the huge Astor House glares out upon the darkness from its hundred windows. Down Broadway, until you reach the unfinished pile of Trinity Church, where heaps of lumber and rubbish appear among white tombstones. Turn from Broadway and stride this narrow street which leads to the dark river: your home is there.
Back of Trinity Church, in Greenwich street, we believe, there stands on this December night a four storied edifice, tenanted, only a few years ago, by a wealthy family. Then it was the palace of a man who counted his wealth by hundreds of thousands. Now it is a palace of a different sort; look at it, as from garret to cellar it flashes with light in every window.
The cellar is the home of ten families.
The first floor is occupied as a beer "saloon;" you can hear men getting drunk in three or four languages, if you will only stand by the window for a moment.
Twenty persons live on the second floor.
Fifteen make their home on the third floor.
The fourth floor is tenanted by nineteen human beings.
The garret is divided into four apartments; one of these has a garret-window to itself, and this is the home of the poor girl.
She ascended the marble staircase which led from the first to the fourth floor. At every step her ear was assailed with curses, drunken shouts, the cries of children, and a thousand other sounds, which, night and day resounded through that palace of rags and wretchedness. Feeble and heart-sick she arrived at length in front of the garret door, which opened into her home.
She listened in the darkness; all was still within.
"He sleeps," she murmured, "thank God!" and opened the door. All was dark within, but presently, with the aid of a match, she lighted a candle, and the details of the place were visible. It was a nook of the original garret, fenced off by a partition of rough boards. The slope of the roof formed its ceiling. The garret window occupied nearly an entire side of the place. There was a mattress on the floor, in one corner; a small pine table stood beside the partition; and the recess of the garret-window was occupied by an old arm-chair.
This chair was occupied by a man whose body, incased in a faded wrapper, reminded you of a skeleton placed in a sitting posture. His emaciated hands rested on the arms, and his head rested helplessly against the back of the chair. His hair was white as snow; it was scattered in flakes about his forehead. His face, furrowed in deep wrinkles, was lividly pale; it resembled nothing save the face of a corpse. His eyes, wide open and fixed as if the hand of death had touched him, were centered upon the flame of the candle, while a meaningless smile played about his colorless lips.
The girl kissed him on the lips and forehead, but he gave no sign of recognition save a faint laugh, which died on the air ere it was uttered.
For the poor man, prematurely old and reduced to a mere skeleton, was an idiot.
"Oh, my God, and I have not bread to feed him!" No words can describe the tone and look with which the poor girl uttered these words.
She flung aside her bonnet and shawl.
Then it might be seen that, in spite of her faded dress, she was a very beautiful young woman; not only beautiful in regularity of features, but in the whiteness of her shoulders, the fullness of her bust, the proportions of her tall and rounded form. Her hair, escaping from the ribbon which bound it, streamed freely over her shoulders, and caught the rays of the light on every glossy wave.
She leaned her forehead upon her head, and—thought.
Hard she had tried to keep a home for the poor Idiot, who sat in the chair—very hard. She had tried her pencil, and gained bread for awhile, thus; but her drawings ceased to command a price at the picture store, and this means of subsistence failed her. She had taught music, and had been a miserable dependent upon the rich; been insulted by their daughters, and been made the object of the insulting offers of their sons. And forced at length by the condition of her Idiot Father, to remain with him, in their own home—to be constantly near him, day and night—she had sought work at the shirt store on Canal street, and been robbed of the treasure which she had accumulated through the summer; an immense treasure—Five Dollars.
She had not a penny; there was no bread in the closet; there was no fire in the sheet iron stove which stood in one corner; her Idiot Father, her iron fate were before her—harsh and bitter realities.
She was thinking.
Apply to those rich relations, who had known her father in days of prosperity? No. Better death than that.
She was thinking. Her forehead on her hand, her hair streaming over her shoulders, her bosom which had never known even the thought of pollution, heaving and swelling within her calico gown—she was thinking.
And as she thought, and thought her hair began to burn, and her blood to bound rapidly in her veins.
Her face is shaded by her hand, and a portion of her hair falls over that hand; therefore you cannot tell her thoughts by the changes of her countenance.
I would not like to know her thoughts.
For there is a point of misery, at which but two doors of escape open to the gaze of a beautiful woman, who struggles with the last extreme of poverty: one door has the grave behind it, and the other,——
Yes, there are some thoughts which it is not good to write on paper. It was in the midst of this current of dark and bitter thoughts, that the eye of the young woman wandered absently to the faded shawl which she had thrown across the table.
"What is this? A letter! Pinned to my shawl—by whom?"
It was indeed a letter, addressed to her, and pinned to her shawl by an unknown hand.
She seized it eagerly, and opened it, and read.
Her face, her neck, and the glimpse of her bosom, opening above her dress, all became scarlet with the same blush. Still her eyes grew brighter as she read the letter, and incoherent ejaculations passed from her lips.
The letter was written—so it said—by the man who had taken her from the store on Canal street. Its contents we may not guess, save from the broken words of the agitated girl.
"'At twelve o'clock, at "the Temple," whose street and number you will find on the inclosed card.'"
And a card dropped from the letter upon the table. She seized it eagerly and clasped it as though it was so much gold.
"'The Temple,'" she murmured again, and her eyes instinctively wandered to the face of her father.
Then she burst into a flood of tears.
For three hours, while the candle burned toward its socket, she meditated upon the contents of that letter.
At last she rose, and took from a closet near the door, a mantilla of black velvet, the only garment which the pawnbroker had spared. It was old and faded; it was the only relic of better days. She resumed her bonnet and wound the mantilla about her shoulders and kissed her Idiot Father on the lips and brow. He had fallen into a dull, dreamless sleep, and looked like a dead man with his fallen lip and half-shut eyes.
"'The Temple!'" she exclaimed and attentively perused the card.
Then extinguishing the candle, she wound a coverlet about her father's form and left him there alone in the garret. She passed the threshold and went down the marble stairs. God pity her.
Yes, God pity her!
[CHAPTER III.]
"DO THEY ROAR?"
At nine o'clock, on the night of December 23d, 1844,——
"Do they roar?" said Israel Yorke, passing his hand through his gray whiskers, as he sat at the head of a large table covered with green baize.
It was in a large square room, on the second story of his Banking House—if Israel's place of business can be designated by that name. The gas-light disclosed the floor covered with matting, and the high walls, overspread with lithographs of unknown cities and imaginary copper-mines. There were also three lithographs of the towns in which Israel's principal Banks were situated. There was Chow Bank and Muddy Run, and there in all its glory was Terrapin Hollow. In each of these distant towns, located somewhere in New Jersey or Pennsylvania—or Heaven only knows where—Israel owned a Bank, a live Bank, chartered by a State Legislature, and provided with a convenient President and Cashier. Israel was a host of stockholders in himself. He had an office in New York for the redemption of the notes of the three Banks; it is in the room above this office that we now behold him.
"Do they roar?" he asked, and arranged his spectacles on his turn up nose, and grinned to himself until his little black eyes shone again.
"Do they roar?" answered the voice of Israel's man of business, who sat at the lower end of the green baize table—"Just go to the window and hear 'em! Hark! There it goes again. It sounds like fourth of July."
Truth to say, a strange ominous murmur came from the street—a murmur composed of about an equal quantity of curses and groans.
"There's six thousand of 'em," said the man of business; "The street is black with 'em. And all sorts o' nasty little boys go about with placards on which such words are inscribed: 'Here's an orphan—one o' them that was cheated by Israel Yorke and his Three Banks.' Hark! There it goes again!"
The man of business was a phlegmatic individual of about forty years; a dull heavy face adorned with green spectacles, and propped by a huge black stock and a pair of immense shirt collars. Mr. Fetch was indeed Israel's Man; he in some measure supplied the place of the late lamented Jedediah Buggles, Esq., 'whose dignity of character and strict integrity,' etc., etc., (for the rest, see obituaries on Buggles in the daily papers).
"Fetch, they do roar," responded Israel. "Was there notice of the failure in the afternoon papers?"
"Had it put in myself. Dilated upon the robbery which was committed on you last night, in the cars; and spoke of your disposition to redeem the notes of Chow Bank, Muddy Run and Terrapin Hollow, as soon as—you could make it convenient."
"Yes, Fetch, in about a week these notes can be bought for ten cents on the dollar," calmly remarked Yorke, "they're mostly in the hands of market people, mechanics, day-laborers, servant-maids, and those kind of people, who can't afford to wait. Well, Fetch, what were they sellin' at to-day?"
"Three shillings on the dollar. You know we only failed this mornin'," answered Fetch.
"Yes, yes, about a week will do it"—Israel drew forth a gold pencil, and made a calculation on a card,—"In about a week they'll be down to ten cents on the dollar. We must buy 'em in quietly at that rate; our friends on Wall street will help us, you know. Well, let's see how the profit will stand—there are in circulation $300,000 of Chow Bank notes—"
"And $150,000 of Muddy Run," interrupted Fetch.
"And $200,000 of Terrapin Hollow," continued Yorke,—"Now supposin' that there are altogether $500,000—a half million of these notes now in circulation—we can buy 'em in quietly you know, at ten cents on the dollar, for some—some—yes, $50,000 will do it. That will leave a clear profit of $450,000. Not so bad,—eh, Fetch?"
"But you forget how much it cost you to get the charters of these banks—" interrupted Fetch. "The amount of champagne that I myself forwarded to Trenton and to Harrisburg, would float a small brig. Then there was some ready money that you loaned to Members of Legislature—put that down Mr. Yorke."
"We'll say $5000 for champagne, and $25,000 loaned to Members of Legislature (though they don't bring anything near that now), why we have a total of $25,000 for expenses incurred in procuring charters. Deduct that from $450,000 and you still have $425,000. A neat sum, Fetch."
"Yes, but you must look to your character. You must come out of it with flyin' colors. After nearly all the notes have been bought in, by ourselves or our agents, we must announce that having recovered from our late reverses, we are now prepared to redeem all our notes, dollar for dollar."
"And Fetch, if we manage it right, there'll be only $10,000 worth left in circulation, at the time we make the announcement. That will take $10,000 from our total of $425,000, leavin' us still the sum of $415,000. A pretty sum, Fetch."
"You may as well strike off that $15,000 for extra expenses,—paragraphs in some of the newspapers,—grand juries, and other little incidents of that kind. O, you'll come out of it with character."
"Ghoul of the Blerze will assail me, eh?" said Israel, fidgeting in his chair: "He'll talk o' nothin' else than Chow Bank, Muddy Run and Terrapin Hollow, for months to come,—eh, Fetch?"
"For years, for years," responded Fetch, "It will be nuts for Ghoul."
"And that cursed affair last night!" continued Yorke, as though thinking aloud, "Seventy-one thousand gone at one slap."
Fetch looked funnily at his principal from beneath his gold spectacles: "No? It was real then? I thought—"
Mr. Yorke abruptly consigned the thoughts of Mr. Fetch to a personage who shall be nameless, and then continued:
"It was real,—a bona fide robbery. Seventy-one thousand at a slap! By-the-bye, Fetch, has Blossom been here to-night—Blossom the police officer?"
"Couldn't get in; too much of a crowd in the street."
"I did not intend him to come by the front door. He was to come up the back way,—about this hour—he gave me some hope this afternoon. That was an unfortunate affair last night!"
"How they roar! Listen!" said Fetch, bending himself into a listening attitude.
And again that ominous sound came from the street without,—the combined groans and curses of six thousand human beings.
"Like buffaloes!" quietly remarked Mr. Yorke.
"Like demons!" added Mr. Fetch. "Hear 'em."
"Was there much fuss to-day, when we suspended, Fetch?"
"Quantities of market people, mechanics, widows and servant maids," said the man of business. "I should think you'd stood a pretty good chance of being torn to pieces, if you'd been visible. Had this happened south, you'd have been tarred and feathered. Here you'd only be tore to pieces."
A step was heard in the back part of the room, and in a moment Blossom, in his pictorial face and bear-skin over-coat, appeared upon the scene.
"What is the matter with your head?" asked Mr. Fetch,—"Is that a handkerchief or a towel?" He pointed to something like a turban, which Poke-Berry Blossom wore under his glossy hat.
Blossom sunk sullenly into a chair, without a word.
"What's the matter?" exclaimed Yorke, "Have you—"
"Suppose you had sixteen inches taken out of yer skull," responded Blossom in a sullen tone, "You'd know what was the matter. Thunder!" he added, "this is a rum world!"
"Did you—" again began Yorke, brushing his gray whiskers and fidgeting in his chair.
"Yes I did. I tracked 'em to a groggery up town airly this evenin'. I had 'em all alone, to myself, up stairs. I caught the young 'un examinin' the valise—I seed the dimes with my own eyes. I—"
"You arrested them?" gasped Yorke.
"How could I, when I ain't a real police, and hadn't any warrant? I did grapple with 'em; but the young 'un got out on the roof with the valise, and I was left to manage the old 'un as best I could. I tried to make him b'lieve that I had a detachment down stairs, but he gi'n me a lick over the top-knot that made me see Fourth of July, I tell you. There I laid, I don't know how long. When I got my senses, they was gone."
"But you pursued them?" asked Yorke, with a nervous start.
"With a hole in my head big enough to put a market-basket in?" responded Blossom, with a pitying smile, "what do you think I'm made of? Do you think I'm a Japan mermaid or an Egyptian mummy?"
It will be perceived that Mr. Blossom said nothing about the house which stood next to the Yellow Mug; he did not even mention the latter place by name. Nor did he relate how he pursued Nameless into this house, and how after an unsuccessful pursuit, he returned into the garret of the Mug, where Ninety-One, (who for a moment or two had been hiding upon the roof,) grappled with him, and laid him senseless by a well planted blow. Upon these topics Mr. Blossom maintained a mysterious silence. His reasons for this course may hereafter appear.
"And so you've given up the affair?" said Yorke, sinking back into his chair.
Now the truth is, that Blossom, chafed by his inquiries and mortified at his defeat, was cogitating an important matter to himself—"Can I make anything by givin' Israel into the hands of the mob? I might lead 'em up the back stairs. Lord! how they'd make the fur fly! But who'd pay me?" The italicized query troubled Blossom and made him thoughtful.
"And so the seventy thousand's clean gone," exclaimed Fetch, in a mournful tone: "It makes one melancholy to think of it."
"Pardon me, Mr. Yorke, for this intrusion," said a bland voice, "but I have followed Mr. Blossom to this room. I caught sight of him a few moments ago as he left Broadway, and tried to speak to him as he pushed through the crowd in front of your door, but in vain. So being exceedingly anxious to see him, I was forced to follow him up stairs, into your room."
"Colonel Tarleton!" ejaculated Yorke.
"The handsom' Curnel!" chorused Blossom.
It was indeed the handsome Colonel, who with his white coat buttoned tightly over his chest and around his waist, stood smiling and bowing behind the chair of Berry Blossom.
"You did not tell any one of the back door," cried Yorke,—"If you did—"
"Why then, (you were about to remark I believe,) we should have a great many more persons in the room, than it would be pleasant for you to see, just now."
The Colonel made one of his most elegant bows as he made this remark. Mr. Yorke bit his nails but made no reply.
"Mr. Blossom, a word with you." The Colonel took the police officer by the arm and led him far back into that part of the room most remote from the table.
"What's up, Mister?" asked Blossom, arranging his turban.
As they stood there, in the gloom which pervaded that part of the room, the Colonel answered him with a low and significant whisper:
"Do you remember that old ruffian who was charged last night in the cars with—"
"You mean old Ninety-One, as he calls hisself," interrupted Blossom—"Well, I guess I do."
"Very good," continued the Colonel.—"Now suppose this ruffian had concealed himself in the house of a wealthy man, with the purpose of committing a robbery this very night!"
Blossom was all ears.
"Well, well,—drive ahead. Suppose,—suppose,"—he said impatiently.
"Not so fast. Suppose, further, that a gentleman who had overheard this villain plotting this purposed crime, was to give you full information in regard to the affair, could you,—could you,—when called upon to give evidence before the court, forget the name of this gentleman?"
"I'd know no more of him than an unborn baby," eagerly whispered Blossom.
"Hold a moment. This gentleman overhears the plot, in the room of a certain house, not used as a church, precisely. The gentleman does not wish to be known as a visitor to that house,—you comprehend? But in that house, he happens to hear the ruffian and his young comrade planning this robbery. Himself unseen, he hears their whole conversation. He finds out that they intend to enter the house where the robbery is to take place, by a false key and a back stairway. Now—"
"You want to know, in straight-for'ard talk," interrupted Blossom, "whether, when the case comes to trial, I could remember having overheard the convict and the young 'un mesself? There's my hand on it, Curnel. Just set me on the track, and you'll find that I'll never say one word about you. Beside, I was arter these two covies this very night,—I seed 'em with my own eyes, in the garret of the Yellow Mug."
"You did!" cried the Colonel, with an accent of undisguised satisfaction. "Then possibly you may remember that you overheard them planning this burglary, as you listened behind the garret door?"
"Of course I can," replied Blossom, "I remember it quite plain. Jist tell me the number of the house that is to be robbed, and I'll show you fireworks."
The Colonel's face was agitated by a smile of infernal delight. Leaving Blossom for a moment, he paced the floor, with his finger to his lip.
"Pop and Pill will leave town to-morrow," he muttered to himself, "and they'll keep out of the way until the storm blows over. This fellow will go to the house of Sowers, inform him of the robbery, a search will be made, and Ninety-One discovered in one room, and the corpse of Evelyn in the other. Just at that hour I'll happen to be passing by, and in the confusion I'll try to secure this youthful secretary of Old Sowers. I shall want him for the twenty-fifth of December. As for the other, why, Frank must take care of him. Shall Ninety-One come to a hint of the murder?"—the Colonel paused and struck his forehead. "Head, you have never failed me, and will not fail me now!"
He turned to Blossom, and in low whispers the twain arranged all the details of the affair. They conversed together there in the gloom until they perfectly understood each other, Blossom turning now and then to indulge in a quiet laugh, and the Colonel's dark eyes flashing with earnestness, and may be, with the hope of gratified revenge. At length they shook hands, and the Colonel approached the table:
"Mr. Yorke, I have the honor to wish you a very good evening," said the Colonel, and after a polite bow, he departed.
"I leave him with his serenaders," he muttered as he disappeared. "This murder off my hands, and the private secretary in my power, I think I will hold the trump card on the Twenty-fifth of December!"
With this muttered exclamation he went down the back stairway.
"Yorke, my genius!" cried Blossom, clapping the financier on the back, "if I don't have them $71,000 dollars before twenty-four hours, you may call me—you may call me,—most anything you please. By-the-bye, did you hear that howl? Good-night, Yorke." And he went down the back stairway.
The financier, coughing for breath, (for the hand of Blossom had been somewhat emphatic), fixed his gold specs, and brushed his gray whiskers, and turning to Mr. Fetch, said gayly,
"He looks as if he was on the right track; don't he, Fetch?"
Fetch said he did; and presently he also retired down the back stairway, promising to see his Principal at an early hour on the morrow. "How they do roar!" he ejaculated, as he disappeared.
Yorke was alone. He shifted and twisted uneasily in his chair. His little black eyes shone with peculiar luster. He sat for a long time buried in thought, and at last gave utterance to these words:
"I think I'd better retire until the storm blows over, leaving Fetch to bring in my notes, and manage affairs. To what part of the world shall I go? Well,—w-e-ll!—Havana, yes, that's the word, Havana! But first I must see the result of this Van Huyden matter on the Twenty-fifth, and provide myself with a companion—a pleasant companion to cheer me in my loneliness at Havana. Ah!" the man of money actually breathed an amorous sigh,—"twelve to-night,—the Temple!—that's the word."
And in the street without, black with heads, there were at least three thousand people who would have cut the throat of Israel, had they once laid hands upon him.
"The Temple!" he again ejaculated, and sinking back in his chair, he inserted his thumbs in the arm-holes of his vest, and resigned himself to a pleasant dream.
Leaving Israel Yorke for a little while, we will trace the movements, and listen to the words of a personage of far different character.
[CHAPTER IV.]
THE SEVEN VAULTS.
About the hour of nine o'clock, on the 23d of December, a gentleman, wrapped in the folds of a Spanish mantle, passed along Broadway, on his way to the Astor House. Through the glare and glitter, the uproar and the motion of that thronged pathway, he passed rapidly along, his entire appearance and manner distinguishing him from the crowd. As he came into the glare of the brilliantly-lighted windows, his face and features, disclosed but for an instant, beneath his broad sombrero, made an impression upon those who beheld them, which they did not soon forget. That face, unnaturally pale, was lighted by eyes that shone with incessant luster; and its almost death-like pallor was in strong contrast with his moustache, his beard and hair, all of intense blackness. His dark hair, tossed by the winter winds, fell in wavy tresses to the collar of his cloak. His movements were quick and impetuous, and his stealthy gait, in some respects, reminded you of the Indian. Altogether, in a crowd of a thousand you would have singled him out as a remarkable man,—one of those whose faces confront you at rare intervals, in the church, the street, in the railroad-car, on ship-board, and who at first sight elicit the involuntary ejaculation, "That man's history I would like to know!"
Arrived at the Astor House he registered his name, Gaspar Manuel, Havana.
He had just landed from the Havana steamer.
As he wrote his name on the Hotel book, he uncovered his head, and—by the gas light which shone fully on him,—it might be seen that his dark hair, which fell to his shoulders, was streaked with threads of silver. The vivid brightness of his eyes, the death-like pallor of his face, became more perceptible in the strong light; and when he threw his cloak aside, you beheld a slender frame, slightly bent in the shoulders, clad in a dark frock coat, which, single breasted, and with a strait collar, reached to the knees.
His face seemed to indicate the traveler who has journeyed in many lands, seen all phases of life, thought much, suffered deeply, and at times grown sick of all that life can inflict or bestow; his attire indicated a member of some religious organization, perchance a member of that society founded by Loyola, which has sometimes honored, but oftener blasphemed, the name of Jesus. Directing his trunks,—there were some three or four, huge in size, and strangely strapped and banded—to be sent to his room, Gaspar Manuel resumed his cloak and sombrero, and left the hall of the hotel.
It was an hour before he appeared again. As he emerged from one of the corridors into the light of the hall, you would have scarcely recognized the man. In place of his Jesuit-like attire, he wore a fashionably made black dress coat, a snow-white vest, black pants and neatly-fitting boots. There was a diamond in the center of his black scarf, and a massy gold chain across his vest. And a diamond even more dazzling than that which shone upon his scarf, sparkled from the little finger of his left-hand.
But the change in his attire only made that face, framed in hair and beard, black as jet, seem more lividly pale. It was a strange faded face,—you would have given the world to have known the meaning of that thought which imparted its incessant fire to his eyes.
Winding his cloak about his slender frame, and placing his sombrero upon his dark hair, he left the hotel. Passing with his quick active step along Broadway, he turned to the East river, and soon entered a silent and deserted neighboring house. Silent and deserted, because it stands in the center of a haunt of trade, which in the day-time, mad with the fever of traffic, was at night as silent and deserted as a desert or a tomb.
He paused before an ancient dwelling-house, which, wedged in between huge warehouses, looked strangely out of place, in that domain of mammon. Twenty-one years before, that dwelling-house had stood in the very center of the fashionable quarter of the city. Now the aristocratic mansions which once lined the street had disappeared; and it was left alone, amid the lofty walls and closed windows of the warehouses which bounded it on either hand, and gloomily confronted it from the opposite side of the narrow street.
It was a double mansion—the hall door in the center—ranges of apartments on either side. Its brick front, varied by marble over the windows, bore the marks of time. And the wide marble steps, which led from the pavement to the hall door—marble steps once white as snow—could scarcely be distinguished from the brown sandstone of the pavement. In place of a bell, there was an unsightly-looking knocker, in the center of the massive door; and its roof, crowned with old fashioned dormer-windows, and heavy along the edges with cumbrous woodwork, presented a strange contrast to the monotonous flat roofs of the warehouses on either side.
Altogether, that old-fashioned dwelling looked as much out of place in that silent street of trade, as a person attired in the costume of the Revolution,—powdered wig, ruffled shirt, wide skirted coat, breeches and knee-buckles,—would look, surrounded by gentlemen attired in the business-like and practical costume of the present day. And while the monotonous edifices on either side, only spoke of Trade—the Rate of Exchange—the price of Dry Goods,—the old dwelling-house had something about it which breathed of the associations of Home. There had been marriages in that house, and deaths: children had first seen the light within its walls, and coffins, containing the remains of the fondly loved, had emerged from its wide hall door: dramas of every-day life had been enacted there: and there, perchance, had also been enacted one of those tragedies of every-day life which differ so widely from the tragedies of fiction, in their horrible truth.
There was a story about the old dwelling which, as you passed it in the day-time, when it stood silent and deserted, while all around was deafening uproar, made your heart dilate with involuntary curiosity to know the history of the ancient fabric, and the history of those who had lived and died within its walls.
Gaspar Manuel ascended the marble steps, and with the knocker sounded an alarm, which echoing sullenly through the lofty hall, was shortly answered by the opening of the door.
In the light which flashed upon the pallid visage of Gaspar Manuel, appeared an aged servant, clad in gray livery faced with black velvet.
"Take these letters to your master, and tell him that I am come," said Gaspar in a prompt and decided tone, marked, although but slightly, with a foreign accent. He handed a package to the servant as he spoke.
"But how do you know that my master is at home?"—The servant shaded his eyes with his withered hand, and gazed hesitatingly into that strange countenance, so lividly pale, with eyes unnaturally bright and masses of waving hair, black as jet.
"Ezekiel Bogart lives here, does he not?"
"That is my master's name."
"Take these letters to him then at once, and tell him I am waiting."
Perchance the soft and musical intonations of the stranger's voice had its effect upon the servant, for he replied, "Come in, sir," and led the way into the spacious hall, which was dimly lighted by a hanging lamp of an antique pattern.
"Step in there, sir, and presently I will bring you an answer."
The aged servant opened a door on the left side of the hall and Gaspar Manuel entered a square apartment, which had evidently formed a part of a larger room. The walls were panneled with oak; a cheerful wood fire burned in the old-fashioned arch; an oaken table, without covering of any sort, stood in the center; and oaken benches were placed along the walls. Taking the old chair,—it stood by the table,—Gaspar Manuel, by the light of the wax candle on the table, discovered that the room was already occupied by some twenty or thirty persons, who sat upon the oak benches, as silent as though they had been carved there. Persons of all classes, ages, and with every variety of visage and almost every contrast of apparel. There was the sleek dandy of Broadway; there the narrow-faced vulture of Wall street; there some whose decayed attire reminded you either of poets out of favor with the Magazines, or of police officers out of office: one whose half Jesuit attire brought to mind a Puseyite clergyman; and one or two whose self-complacent visages reminded one of a third-rate lawyer, who had just received his first fee; in a word, types of the varied and contrasted life which creeps or throbs within the confines of the large city. Among the crowd, were several whose rotund corporations and evident disposition to shake hands with themselves, indicated the staid man of business, whose capital is firm in its foundation, and duly recognized in the solemn archives of the Bank. A man of gray hairs, clad in rags, sat in a corner by himself; there was a woman with a vail over her face; a boy with half developed form, and lip innocent of hair: it was, altogether, a singular gathering.
The dead silence which prevailed was most remarkable. Not a word was said. Not one of those persons seemed to be aware of the existence of the others. As motionless as the oak benches on which they sat, they were waiting to see Ezekiel Bogart, and this at the unusual hour of ten at night.
Who was Ezekiel Bogart? This was a question often asked, but which the denizens of Wall street found hard to answer. He was not a merchant, nor a banker, nor a lawyer, nor a gentleman of leisure, although in some respects he seemed a combination of all.
He occupied the old-fashioned dwelling; was seen at all sorts of places at all hours; and was visited by all sorts of people at seasons most unusual. Thus much at least was certain. But what he was precisely, what he exactly followed, what the sum of his wealth, and who were his relations,—these were questions shadowed in a great deal more mystery than the reasons which induce a Washington Minister of State to sanction a worn-out claim, of which he is at once the judge, lawyer and (under the rose) sole proprietor.
The transactions of Ezekiel Bogart were quite extensive: they involved much money and ramified through all the arteries of the great social world of New York. But the exact nature of these transactions? All was doubt,—no one could tell.
So much did the mystery of Mr. Bogart's career puzzle the knowing ones of Wall street, that one gentleman of the Green Board went quite crazy on the subject,—after the fourth bottle of champagne—and offered to bet Erie Rail-road stock against New Jersey copper stock, that no one could prove that Bogart had ever been born.
"Who is Ezekiel Bogart?"
No doubt every one of the persons here assembled, in the oak panneled room, can return some sort of answer to this question; but will not their answers contradict each other, and render Ezekiel more mythical than ever?
"Sir, this way," said the aged servant, opening the door and beckoning to Gaspar Manuel.
Gaspar followed the old man, and leaving the room, ascended the oaken staircase, whose banisters were fashioned of solid mahogany.
On the second floor he opened a door,—"In there, sir," and crossing the threshold, Gaspar Manuel found himself in the presence of Ezekiel Bogart.
It was a square apartment, lined with shelves from the ceiling to the floor, and illumined by a lamp, which hanging from the ceiling, shed but a faint and mysterious light through the place. In the center was a large square table, whose green baize surface was half concealed by folded packages, opened letters, and huge volumes, bound in dingy buff. Without windows, and warmed by heated air, this room was completely fire-proof—for the contents of those shelves were too precious to be exposed to the slightest chance of destruction.
In an arm-chair, covered with red morocco, and placed directly beneath the light, sat Ezekiel Bogart; a man whom we may as well examine attentively, for we shall not soon see his like again. His form bent in the shoulders, yet displaying marks of muscular power, was clad in a loose wrapper of dark cloth, with wide sleeves, lined with red. A dark skull-cap covered the crown of his head; and a huge green shade, evidently worn to protect his eyes from the light, completely concealed his eyes and nose, and threw its shadow over his mouth and chin. A white cravat, wound about his throat in voluminous folds, half concealed his chin; and his right hand—sinewy, yet colorless as the hand of a corpse—which was relieved by the crimson lining of the large sleeve—was laid upon an open letter.
Gaspar Manuel seated himself in a chair opposite this singular figure, and observed him attentively without uttering a word. And Ezekiel Bogart, whose eyes were protected by the huge green shade, seemed for a moment to study with some earnestness, the pallid face of Gaspar Manuel.
"My name is Ezekiel Bogart," he spoke in a voice so low as to be scarcely audible,—"and I am the General Agent of Martin Fulmer."
He paused as if awaiting a reply from Gaspar Manuel, but Gaspar Manuel did not utter a word.
"You come highly recommended by Mr. John Grubb, who is Mr. Fulmer's agent on the Pacific coast," continued Ezekiel. "He especially commends you to my kindness and attention, in the letter which I hold in my hand. He desires me to procure you an early interview with my principal, Dr. Martin Fulmer. He also states that you have important information in your possession, in regard to certain lands in the vicinity of the Jesuit Mission of San Luis, near the Pacific coast,—lands purchased some years ago, from the Mexican government, by Dr. Martin Fulmer. Now, in the absence of the Doctor, I will be most happy to converse with you on the subject"—
"And I will be happy to converse on the subject," exclaimed Gaspar, in his low voice and with a slight but significant smile, "but first I must see Dr. Martin Fulmer."
Ezekiel gave a slight start—
"But you may not be able to see Dr. Martin Fulmer for some days," he said. "His movements are uncertain; it is at times very difficult to procure an interview with him."
"I must see him," replied Gaspar Manuel in a decided voice, "and before the Twenty-Fifth of December."
Again Ezekiel started:
"Soh! He knows of the Twenty-Fifth!" he muttered. After a moment's hesitation he said aloud: "This land which the Doctor bought from the Mexican government, and which he sent John Grubb to overlook, is fertile, is it not?"
Gaspar Manuel answered in a low voice, whose faintest tones were marked with a clear and impressive emphasis:
"The deserted mission house of San Luis stands in the center of a pleasant valley, encircled by fertile hills. Its walls of intermingled wood and stone are almost buried from view by the ever-green foliage of the massive trees which surround it. Once merry with the hum of busy labor, and echoing with the voice of prayer and praise, it is now silent as a tomb. Its vineyards and its orchards are gone to decay,—orchards rich with the olive and the apple, the pomegranate and the orange, stand neglected and forsaken, under an atmosphere as calm, a climate as delicious as southern Italy. And the hills and fields, which once produced the plantain and banana, cocoanut, indigo and sugar-cane—which once resounded with the voices of hundreds of Indian laborers, who yielded to the rule of the Jesuit Fathers—are now as sad and silent as a desert. And yet a happier sight you cannot conceive than the valley of the San Luis, in the lap of which stands the deserted mission-house. It is watered by two rivulets, which, flowing from the gorges of distant hills, join near the mission-house, into a broad and tranquil river, whose shores are always bright with the verdure of spring. The valley is surrounded, as I have said, by a range of rolling hills, which formerly yielded, by their inexhaustible fertility, abundant wealth to the Fathers. Behind these, higher and abrupt hills arise, clad with ever-green forests. In the far distance, rise the white summits of the Sierra Nevada."
"This mission was one of the many established between the Sierra Nevada and the Pacific coast," interrupted Ezekiel, "by zealous missionaries of the Papal Church. If I mistake not, having obtained large grants of land from the Mexican government, they gathered the Indians into missions, reared huge mission-houses, and employed the Indians in the cultivation of the soil."
"Not only in California, on the west side of Sierra Nevada, but also far to the east of that range of 'Snow Mountains' abounded these missions, ruled by the Fathers and supported by the labor of the submissive Indians. But now, for hundreds and hundreds of miles, you will find the mission-houses silent and deserted. The rule of the Fathers passed away in 1836—in one of the thousand revolutions of Mexico—the missions passed into the hands of private individuals, and in some cases the Indians were transferred with the land."
"But the mission-house of San Luis?"
"Is claimed by powerful members of the Society of Jesus, who residing in the city of Mexico, have managed to keep a quiet hold upon the various governments, which have of late years abounded in that unhappy republic. They claim the mission-house and the lands, originally granted sixty years ago, to Brothers of their order by the Government, and they claim certain lands, not named in the original grant."
He paused, but Ezekiel Bogart completed the sentence:
"Lands purchased some years since, from the Government by Dr. Martin Fulmer? Is their claim likely to be granted?"
"That is a question upon which I will be most happy to converse with Dr. Martin Fulmer," was the bland reply of Gaspar Manuel.
"These lands are fertile—that is, as fertile as the lands immediately attached to the mission?"
"Barren, barren as Zahara," replied Gaspar. "A thousand acres in all, they are bounded by desolate hills, desolate of foliage, and broken into ravines and gorges, by mountain streams. You stand upon one of the hills, and survey the waste which constitutes Martin Fulmer's lands, and you contrast them with the mission lands, and feel as though Zahara and Eden stood side by side before you. A gloomier sight cannot be imagined."
"And yet," said Ezekiel, "these lands are situated but a few leagues from the mission-house. It is strange that the Jesuit Brothers should desire to possess such a miserable desert. Do you imagine their motives?"
"It is about their motives that I desire to speak with Dr. Martin Fulmer," and Gaspar shaded his eyes with the white hand which blazed with the diamond ring.
There was a pause, and beneath his uplifted hand, Gaspar Manuel attentively surveyed Ezekiel Bogart, while Ezekiel Bogart, as earnestly surveyed Gaspar Manuel, under the protection of the green shade which concealed his eyes.
"You seem to have a great many visitors to-night," said Gaspar, resting his arm on the table and his forehead on his hand; "allow me to ask, is it usual to transact business, at such a late hour, in this country?"
"The business transacted by Dr. Martin Fulmer, differs widely from the business of Wall street," replied Ezekiel, dryly.
"The property of Gulian Van Huyden, has by this time doubled itself?" asked Gaspar, still keeping his eyes on the table. Ezekiel started, but Gaspar continued, as though thinking aloud—"Let me see: at the time of his death, the estate was estimated at two millions of dollars. Of this $1,251,000 was invested in real estate in the city of New York; $100,000 in bank and other kinds of stock; $50,000 in lands in the Western country; $1,000 in a tract of one thousand acres in Pennsylvania; and $458,000 in bank notes and gold. Then the Van Huyden mansion and grounds were valued at $150,000. Are my figures correct, sir?"
As though altogether amazed by the minute knowledge which Gaspar Manuel, seemed to possess, in regard to the Van Huyden estate, Ezekiel did not reply.
"By this time this great estate has no doubt doubled, perhaps trebled itself."
Ezekiel raised his hand to his mouth, and preserved a statue-like silence.
"This room, which is no doubt vaulted and fire-proof, contains I presume, all the important records, title-deeds and other papers relating to the estate."
Ezekiel rose from his chair, and slowly lighted a wax candle which stood upon the table. Gathering the dark wrapper, lined with scarlet, about his tall form which seemed bent with age, he took the silver candlestick in his right hand, and swept aside a curtain which concealed the shelves behind his chair. A narrow doorway was disclosed.
"Will you step this way, for a few moments, sir?" he said, pointing to the doorway, as he held the light above his head, thus throwing the shadow of the green shade completely over his face.
Gaspar Manuel without a word, rose and followed him. They entered a room or rather vault, resembling in the general features the one which they had left. It was racked and shelved; the floor was brick and the shelves groaned under the weight of carefully arranged papers.
"This room or vault, without windows as you see, and rendered secure, beyond a doubt, from all danger of robbery or of fire, is one of seven," said Ezekiel. "In this room are kept all title deeds and papers, which relate to the Thousand acres in Pennsylvania."
"The Thousand acres in Pennsylvania!" echoed Gaspar, "surely all these documents and papers, do not relate to that tract, which Van Huyden originally purchased for one thousand dollars?"
"Twenty-one years ago, they could have been purchased for a thousand dollars," answered Ezekiel: "twenty-one years, to a country like this, is the same as five hundred to Europe. Those lands could not now be purchased for twenty millions."
"Twenty millions!"
"They comprise inexhaustible mines of coal and iron—the richest in the state," answered Ezekiel, quietly, and drawing a curtain, he led the way into a second vault.
"Here," he said, holding the light above his head, so that its rays fell full upon the pallid face of Gaspar, while his own was buried in shadow; "here are kept all papers and title-deeds, which relate to the lands in the western country—lands purchased for fifty thousand dollars, at a time when Ohio was a thinly settled colony and all the region further west a wilderness—but lands which now are distributed through five states, and which, dotted with villages, rich in mines and tenanted by thousands, return an annual rent of,——"
He paused.
"Of I do not care to say how many dollars. Enough, perhaps, to buy a German prince or two. This way, sir."
Passing through a narrow doorway, they entered a third vault, arched and shelved like the other.
"This place is devoted to the Van Huyden mansion," said Ezekiel, pointing to the well-filled shelves. "It was worth $150,000 twenty-one years ago, but now a flourishing town has sprung up in the center of its lands; mills and manufactories arise in its valleys; a population of five thousand souls exists, where twenty-one years ago there were not two hundred souls, all told. And these five thousand are laboring night and day, not so much for themselves as to increase the wealth of the Van Huyden estate."
"And all this is estimated at,——," began Gaspar.
"We will not say," quietly responded Ezekiel. "Here are the title-deeds of the town, of the mansion, of manufactory and mill, all belong to the estate; not one of the five thousand souls owns one inch of the ground on which they toil, or one shingle of the roof beneath which they sleep."
They entered the fourth vault.
"This is dedicated to the 'Real Estate in the city of New York,'" said Ezekiel—"worth $1,521,000, twenty-one years ago, and now—well, well—New York twenty-one years ago was the presumptuous rival of Philadelphia. She is now the city of the Continent. And this real estate is located in the most thriving portions of the city—among the haunts of trade near the Battery, and in the region of splendid mansions up town."
"And you would not like to name the usual revenue?"—a smile crossed the pale visage of Gaspar Manuel.
Ezekiel led the way into the fifth vault.
"Matters in regard to Banks and bank stock are kept here," he said, showing the light of the candle upon the well laden shelves—"Rather an uncertain kind of property. The United States' Bank made a sad onslaught upon these shelves. But let us go into the next room."
And they went into the sixth room.
"This is our bank," said Ezekiel; "that is to say, the Treasury of the Van Huyden estate, in which we keep our specie basis. You perceive the huge iron safe which occupies nearly one-half of the apartment? Dr. Martin Fulmer carries the Key of course, and with that Key he can perchance, at any moment, command the destinies of the commercial world. A golden foundation is a solid foundation, as the world goes."
As though for the moment paralyzed, by the revelation of the immense wealth of the Van Huyden estate, Gaspar Manuel stood motionless as a statue, resting one arm upon the huge safe and at the same time resting his forehead in his hand.
"We will now pass into the seventh apartment," said Ezekiel, and in a moment they stood in the last vault of the seven. "It is arched and shelved, you perceive, like the others; and the shelves are burdened with carefully-arranged papers——"
"Title-deeds, I presume, title-deeds and mortgages?" interrupted Gaspar Manuel.
"No," answered Ezekiel, suffering the rays of the candle to fall upon the crowded shelves. "Those shelves contain briefs of the personal history of permanent persons of this city, of many parts of the Union, I may say, of many parts of the globe. Sketches of the personal history of prominent persons, and of persons utterly obscure: records of remarkable facts, in the history of particular families: brief but interesting portraitures of incidents, societies, governments and men; the contents of those shelves, sir, is knowledge, and knowledge that, in the grasp of a determined man, would be a fearful Power. For," he turned and fixed his gaze on Gaspar Manuel; "for you stand in the Secret Police Department of the Van Huyden estate."
These last words, pronounced with an emphasis of deep significance, evidently aroused an intense curiosity in the breast of Gaspar Manuel.
"Secret Police Department!" he echoed, his dark eyes flashing with renewed luster.
"Even so," dryly responded Ezekiel, "for the Van Huyden estate is not a secret society like the Jesuits, nor a corporation like Trinity Church, nor a government like the United States or Great Britain, but it is a Government based upon Money and controlled by the Iron Will of One Man. A Government based, I repeat it, upon incredible wealth, and absolutely in the control of one man, who for twenty-one years, has devoted his whole soul to the administration of the singular and awful Power intrusted to him. Such a Government needs a Secret Police, ramifying through all the arteries of the social world—and you now stand in the office of that wide-spread and almost ubiquitous Police."
"A secret society may be disturbed by internal dissensions," said Gaspar Manuel, as though thinking aloud; "a government may be crippled by party jealousies, but this Government of the Van Huyden Estate, based upon money, is simply controlled by one man, who knows his mind, who sees his way clear, whose will is deepened by a conviction—perhaps a fanaticism—as unrelenting as death itself. Ah! the influence of such a Government is fearful, nay horrible, to contemplate!"
"It is, it is indeed," said Ezekiel, in a low and mournful voice; "and the responsibility of Dr. Martin Fulmer, most solemn and terrible."
"But what would become of this Government, were Dr. Martin Fulmer to die before the 25th of December?" asked Gaspar Manuel.
"But Dr. Martin Fulmer will not die before the 25th of December," responded Ezekiel, in a tone of singular emphasis.
"And this immense power will drop from his grasp on the 10th of December," continued Gaspar Manuel. "Who will succeed him? Into whose hands will it fall—this incredible power?"
"Your question will be answered on the 25th of December," slowly responded Ezekiel, and motioning to Gaspar, he retraced his steps through the six vaults or apartments, and presently stood in the first of the seven vaults, where we first beheld him.
He seated himself in the huge arm-chair, while Gaspar Manuel, resuming his cloak and sombrero, stood ready to depart.
"Now that I have given you some revelation of the immense resources of the Van Huyden Estate," said Ezekiel, as he attentively surveyed that cloaked and motionless figure; "you will, I presume, have no objection to converse with me in regard to the lands on the Pacific, as freely and as fully, as though you stood face to face with Dr. Martin Fulmer?"
"Pardon," said Gaspar Manuel with a low brow, "the facts in my possession are for the ear of Dr. Martin Fulmer, and for his ear alone."
"Very well, sir," replied Ezekiel, in a tone of impatience, "as you please. Call here to-morrow at—" he named the hour—"and you shall see Dr. Martin Fulmer."
"I will be here at the hour," and bidding good-night! to Ezekiel, Gaspar bowed and moved to the door. He paused for a moment on the threshold——
"Pardon me, sir, but I would like to ask you a single question."
"Well, sir."
"I am curious to know what has induced you, to disclose to me—almost an entire stranger—the secrets and resources of the Van Huyden Estate?"
"Sir," responded Ezekiel Bogart, in a voice which deep and stern, was imbued with the consciousness of Power; "you will excuse me from giving you a direct reply. But you would not have crossed the threshold of any one of the seven apartments, had I not been conscious, that it is utterly out of your power, to abuse the knowledge which you have obtained."
Again Gaspar Manuel bowed, and without a word, left the room.
Ezekiel Bogart was alone.
He folded his arms and bowed his head upon his breast. Strange and tumultuous thoughts, stamped their deep lines upon his massive brow. The dimly-lighted room was silent as the grave, and the light fell faintly upon that singular figure, buried in the folds of the dark robe lined with scarlet, the head covered with an unsightly skullcap, the eyes vailed by a green shade, the chin and mouth concealed by the cumbrous cravat. Lower drooped the head of Ezekiel, but still the light fell upon his bared forehead, and showed the tumultuous thoughts that were working there. The very soul of Ezekiel, retired within itself and absent from all external things, was buried in a maze of profound, of overwhelming thought.
The aged servant entered with a noiseless step, "Here is a letter, sir," he said. But Ezekiel did not hear. "Sir, a letter from Philadelphia, by a messenger who has just arrived." But Ezekiel, profoundly absorbed, was unconscious of his presence.
The aged servant advanced, and placed the letter on the table, directly before his absent-minded master. He touched Ezekiel respectfully on the shoulder and repeated in a louder voice—"A letter, sir, an important letter from Philadelphia, by a messenger who has just arrived."
Ezekiel started in his chair, like one suddenly awakened from a sound slumber. At a glance he read the superscription of the letter: "To Ezekiel Bogart, Esq.—Important."
"The handwriting of the Agent whom I yesterday sent to Philadelphia!" he ejaculated, and opened the letter. These were its contents:
Philadelphia, Dec. 23, 1844.
Sir:—I have just returned to the city, from the Asylum—returned in time to dispatch this letter by an especial messenger, who will go to New York, in the five o'clock train. At your request, and in accordance with your instructions, I visited the Asylum for the Insane, this morning, expecting to bring away with me the Patient whom you named. He escaped some days ago—so the manager informed me. And since his escape no intelligence has been had of his movements. I have not time to add more, but desire your instructions in the premises.
Yours truly, H. H.
To Ezekiel Bogart, Esq.
No sooner had Ezekiel scanned the contents of this epistle, than he was seized with powerful agitation.
"Escaped! The child of Gulian escaped!" he cried, and started from the chair—"to-morrow he was to be here, in this house, in readiness for the Day. Escaped! Why did not the manager at once send me word? Ah, woe, woe!" He turned to the aged servant, and continued, "Bring the person who brought this letter, to me, at once, quick! Not an instant is to be lost."
And as the aged servant left the room, Ezekiel sank back in his chair, like one who is overpowered by a sudden and unexpected calamity.
[CHAPTER V.]
THE LEGATE OF THE POPE.
As Gaspar Manuel left the house of Ezekiel Bogart, he wrapped his cloak closely about his form, and drew his sombrero low upon his face. His head drooped upon his breast as he hurried along, with a quick and impetuous step. Soon he was in Broadway again, amid its glare and uproar, but he did not raise his head, nor turn his gaze to the right or left. Head drooped upon his breast and arms gathered tightly over his chest, he threaded his way through the mazes of the crowd, as absent from the scene around him, as a man walking in his sleep.
Arrived at the Astor House, he hurried to his room and changed his dress. Divesting himself of his fashionable attire—black dress-coat, scarf, white-vest—he clad himself in a single-breasted frock-coat, buttoned to the throat and reaching below the knees. Above its straight collar, a glimpse of his white cravat was perceptible. And over the dark surface of his coat, was wound a massy gold chain, to which was appended, a Golden Seal and a Golden Cross. Over this costume, which in its severe simplicity, displayed his slender frame to great advantage, he threw his cloak, and once more hurried from the Hotel.
Pausing on the sidewalk in front of the Astor, he engaged a hackney-coach—
"Do you know where, —— ——, resides?" he asked of the driver; a huge individual, in a white overcoat, and oil-skin hat.
"Sure and I does jist that," was the answer. "It's meself that knows the residence of his Riv'rence as well as the nose on my face."
"Drive me there, at once," said Gaspar Manuel.
And presently the carriage was rolling up Broadway, bearing Gaspar Manuel to the residence of a prominent dignitary of the Roman Catholic Church.
As the little clock on the mantle struck the hour of eleven, the Prelate was sitting in an easy chair, in front of a bright wood fire. It was in a spacious apartment, connected with his library by a narrow door. Two tall wax candles, placed upon the table by his side, shed their light over the softly carpeted floor, the neatly papered walls, and over the person of the Prelate, who was seated at his ease, in the center of the scene.
The Prelate was a man of some forty-five years, with boldly marked features, and sharp fiery eyes, indicating an incessantly active mind. The light fell mildly on his tonsured crown, encircled by brown hair, streaked with gray, and his bold forehead and compressed lip. His form broad in the shoulders, muscular in the chest, and slightly inclined to corpulence, was clad in a long robe of dark purple, reaching from his throat to his feet. There was a cross on his right breast and a diamond ring on the little finger of his left-hand.
Thus alone, in his most private room—the labors of the day accomplished and the world shut out—the Prelate was absorbed in the mazes of a delightful reverie.
He fixed his eyes upon a picture which hung over the mantle, on the left. It was a portrait of Cardinal Dubois, who in the days of the Regency, trailed his Red Hat in the mire of nameless debaucheries.
"Fool!" muttered the Prelate, "he had not even sense to hide his vices, under the thinnest vail of decency."
He turned his eyes to a portrait which hung over the mantle on the right. "There was a man!" he muttered, and a smile shot over his face. The portrait was that of Cardinal Richelieu who butchered the Huguenots in France, while he was supplying armies to aid the Protestants of Germany. Richelieu, one of those Politicians who seem to regard the Church simply as a machine for the advancement of their personal ambition,—the cross as a glittering bauble, only designed to dazzle the eyes of the masses,—the seamless Cloak of the Redeemer, as a cloak intended to cover outrages the most atrocious, which are done in the name of God.
"He was a man!" repeated the Prelate. "He moulded the men and events of his time, and,——" he stopped. He smiled. "Why cannot I mould to my own purposes, the men and events of my time, using the Church as a convenient engine?" Some thought like this seemed to flit over his mind.
Having attentively turned his gaze from Cardinal Dubois to Cardinal Richelieu, the Prelate at length fixed his eyes upon a marble bust, which stood in the center of the mantle. And his lips moved, and his eyes flashed, and his right hand waved slowly to and fro, before his face, as though he saw a glorious future, drawn in the air, by a prophetic pencil.
The marble bust upon which he gazed, was the bust of one, who from the very lowest walk in life had risen to be Pope: and one of the strongest, sternest Popes that ever held the scepter of the Vatican.
"It can be won," ejaculated the Prelate, "and the means lie here," he placed his hand upon a Map which lay on the table. It was a map of the American Continent.
"I came up stairs without ceremony," said a calm even voice; "your Grace's servant informed me, that you expected me."
"I am heartily glad to see you, my Lord," said the Prelate, turning abruptly and confronting his visitor: "it is now two years since I met your Lordship in Rome. It was, you remember, just before you departed to Mexico, as the Legate of His Holiness. How has it been with you since I saw you last?"
"I have encountered many adventures," answered "His Lordship," the Legate, "and none more interesting than those connected with the Mission of San Luis and its lands—"
Thus saying the Legate—in obedience to a courteous gesture from the Prelate—flung aside his hat and cloak, and took a seat by the table.
The Legate was none other than our friend Gaspar Manuel.
They were in singular contrast, the Legate and the Prelate. The muscular form and hard practical face of the Prelate, was certainly, in strong contrast with the slender frame, and pale—almost corpse-like—face of the Legate, with its waving hair and beard of inky blackness. Conscious that their conversation might one day have its issue, in events or in disclosures of vital importance, they for a few moments surveyed each other in silence. When the Prelate spoke, there was an air of deference in his manner, which showed that he addressed one far superior to himself in position, in rank and power.
We will omit the Lordships and Graces with which these gentlemen, interlarded their conversation. Lordships and Graces and Eminences, are matters with which we simple folks of the American Union, are but poorly acquainted.
"You are last from Havana?" asked the Prelate.
"Yes," answered the Legate: "and a month ago I was in the city of Mexico; two months since in California, at the mission of San Luis."
"And the Fathers are likely to regain possession of the deserted mission? You intimated so much in the letter which you were kind enough to write me from Havana."
"They are likely to regain possession," said the Legate.
"But the mission will be worth nothing without the thousand acres of barren land," continued the Prelate: "Will the barren land go with the mission?"
"In regard to that point I will inform you fully before we part. For the present let me remind you, that it was an important part of my mission, to the New World, to ascertain the prospects of the Church in that section of the Continent, known as the United States. Allow me to solicit from you, a brief exposition of the condition and prospects of our Church in this part of the globe."
The Prelate laid his hand upon the American Continent:
"The north, that is the Republic of the United States, will finally absorb and rule over all the nations of the Continent. By war, by peace, in one way or another the thing is certain—"
He paused: the Legate made a gesture of assent.
"It is our true policy, then, to absorb and rule over the Republic of the North. To make our Church the secret spring of its Government; to gradually and without exciting suspicion, mould every one of its institutions to our own purposes; to control the education of its people, and bend the elective franchise to our will. Is not this our object?"
Again the Legate signified assent.
"And this must be done, by making New York the center of our system. New York is in reality, the metropolis of the Continent; from New York as from a common center, therefore all our efforts must radiate. From New York we will control the Republic, shape it year by year to our purposes; as it adds nation after nation to its Union, we will make our grasp of its secret springs of action, the more certain and secure; and at last the hour will come, when this Continent apparently one united republic, will in fact, be the richest altar, the strongest abiding-place, the most valuable property of the Church. Yes, the hour will come, when the flimsy scaffolding of Republicanism will fall, and as it falls, our Church will stand revealed, her foundation in the heart of the American Republic; her shadow upon every hill and valley of the Continent. For you know," and his eye flashed, "that our battle against what is called Democracy and Progress, is to be fought not in the Old World, where everything is on our side, but in the New World, where these damnable heresies do most abound."
"True," interrupted the Legate, thoughtfully; "the New World is the battle-field of opinions. Here the fight must take place."
"You ask how our work is to begin? Here in New York we will commence it. Hundreds of thousands of foreigners of our faith arrive in this city every year. Be it our task to plant an eternal barrier between these men, and those who are American citizens by birth. To prevent them from mingling with the American People, from learning the traditions of American history, which give the dogma of Democracy its strongest hold upon the heart, to isolate them, in the midst of the American nation. In a word, the first step of our work is, to array at the zealous Foreign party, an opposition to an envenomed Native American party."
"This you have commenced already," said the Legate,—"it was in Mexico, that I heard of Philadelphia last summer—of Philadelphia on the verge of civil war with Protestants and Catholics flooding the gutters with their blood, while the flames of burning churches lit up the midnight sky."
"The outbreak was rather premature," calmly continued the Prelate, "but it has done us good. It has invested us with the light of martyrdom, the glory of persecution. It has drawn to us the sympathies of tens of thousands of Protestants, who, honestly disliking the assaults of the mere 'No-Popery' lecturers upon our church, as honestly entertain the amusing notion, that the Rulers of our church, look upon 'Toleration, Liberty of Conscience,' and so forth, with any feeling, but profound contempt."
"Ah!" ejaculated the Legate, and a smile crossed his face, "deriving strength from the illimitable bitterness of the Native American and Foreign political parties, we already hold in many portions of the Union, the ballot box in our grasp. We can dictate terms to both political parties. Their leaders court us. Editors who know that we rooted Protestantism out of Spain, by the red hand of the Inquisition,—that for our faith we made the Netherlands rich in gibbets and graves,—that we gave the word, which started from its scabbard the dagger of St. Bartholomew,—grave editors, who know all this and more, talk of us as the friends of Liberty and Toleration—"
"But there was Calvert, the founder of Maryland, and Carroll the signer of the Declaration of Independence, these were Catholics, were they not, Catholics and friends of Liberty?"
"They were laymen, not rulers, you will remember," said the Prelate, significantly: "at best they belonged to a sort of Catholics, which, in the Old World, we have done our best to root out of the church. But here, however, we can use their names and their memories, as a cloak for our purposes of ultimate dominion. But to resume: both political parties court us. Their leaders, who loathe us, are forced to kneel to us. Things we can do freely and without blame, which damn any Protestant sect but to utter. The very 'No-Popery' lecturers aid us: they attack doctrinal points in our church, which are no more assailable than the doctrinal points of any one of their ten thousand sects: they would be dangerous, indeed, were they to confine their assaults to the simple fact, that ours is not so much a church as an EMPIRE, having for its object, the temporal dominion of the whole human race, to be accomplished under the vail of spiritualism. An EMPIRE built upon the very sepulcher of Jesus Christ,—an empire which holds Religion, the Cross, the Bible, as valuable just so far as they aid its efforts for the temporal subjection of the world,—an empire which, using all means and holding all means alike lawful, for the spread of its dominion, has chosen the American Continent as the scene of its loftiest triumph, the theater of its final and most glorious victories!"
As he spoke the Atheist Prelate started from his chair.
Far different from those loving Apostles, who through long ages, have in the Catholic Church, repeated in their deeds, the fullness of Love, which filled the breast of the Apostle John,—far different from the Fenelons and Paschals of the church,—this Prelate was a cold-blooded and practical Atheist. Love of women, love of wine, swayed him not. Lust of power was his spring of action—his soul. He may have at times, assented to Religion, but that he believed in it as an awful verity, as a Truth worth all the physical power and physical enjoyment in the universe,—the Prelate never had a thought like this. An ambitious atheist, a Borgia without his lust, a Richelieu with all of Richelieu's cunning, and not half of Richelieu's intellect, a cold-blooded, practical schemer for his own elevation at any cost,—such was the Prelate. Talk to him of Christ as a consoler, as a link between crippled humanity and a better world, as of a friend who meets you on the dark highway of life, and takes you from sleet and cold, into the light of a dear, holy home,—talk to him of the love which imbues and makes alive every word from the lips of Christ,—ha! ha! Your atheistical Prelate would laugh at the thought. He was a worldling. Risen from the very depths of poverty, he despised the poor from whom he sprung. For years a loud and even brawling advocate of justice for Ireland,—an ecclesiastical stump orator; a gatherer of the pennies earned by the hard hand of Irish labor,—he was the man to blaspheme her cause and vilify its honest advocates, when her dawn of Revolution darkened into night again. He was the pugilist of the Pulpit, the gladiator of controversy, always itching for a fight, never so happy as when he set honest men to clutching each other by the throat. Secure in his worldly possessions, rich from the princely revenues derived from the poor—the hard working poor of his church,—a tyrant to the parish priests who were so unfortunate as to be subjected to his sway, by turns the Demagogue of Irish freedom and the Mouchard of Austrian despotism, he was a vain, bad, cunning, but practical man, this Atheist Prelate of the Roman Church.
"Now, what think you of our plans and our prospects?" said the Prelate, triumphantly—"can we not, using New York as the center of our operations, the Ballot Box, social dissension and sectarian warfare as the means, can we not, mould the New World to our views, and make it Rome, Rome, in every inch of its soil?"
The Legate responded quietly:
"I see but one obstacle—"
"Only one; that is well—"
"And that obstacle is not so much the memory of the American Past, which some of these foolish Americans still consider holy—not so much the memory of Penn the Quaker; Calvert the Catholic, who planted their silly dogma of Brotherly love on the Delaware and St. Mary's, in the early dawn of this country,—not so much the Declaration of Independence, nor the blood-marks which wrote its principles, on the soil from Bunker Hill to Savannah, from Brandywine to Yorktown,—not so much the history of the sixty-eight years, which in the American Republic, have shown a growth, an enterprise, a development never witnessed on God's earth before,—not so much all this, as the single obstacle which I now lay on the table before you."
And from the breast of his coat he drew forth a small, thin volume, which he laid upon the table:
"This!" cried the Prelate, as though a bomb-shell had burst beneath his chair; "This! Why this is the four Gospels according to Matthew, Mark, Luke and John!"
"Precisely. And Matthew, Mark, Luke and John, those simple fellows are the very ones whom we have most to fear."
"But I have driven this book from the Common Schools!" cried the Prelate, rather testily.
"Have you driven it from the home?" quietly asked the Legate.
The Prelate absently toyed with his cross, but did not answer.
"Can you drive it from the home?" asked the Legate.
The Prelate gazed at the portrait of Cardinal Dubois, and then at Richelieu's, but did not reply.
"Do you not see the difficulty?" continued the Legate, "so long as Matthew, Mark, Luke and John, sit down by the firesides of the people, making themselves a part and parcel of the dearest memories of every household,—so long we may chop logic, weave plots, traffic in casuistry, but in vain!"
"True, that book is capable of much mischief," said the Prelate; "it has caused more revolutions than you could count in a year."
"In Spain, where this book is scarcely known, in Italy, where to read it is imprisonment and chains, we can get along well enough, but here, in the United States, where this book is a fireside book in every home, the first book that the child looks into, and the last that the dying old man listens to, as his ear is growing deaf with death,—here what shall we do? You know that it is a Democratic book?"
"Yes."
"That it is so simple in its enunciations of brotherly love, equality, and the love of God for all mankind, so simple and yet so strong, that it has required eighteen centuries of scholastic casuistry and whole tons of volumes, devoted to theological special pleading, to darken its simple meaning?"
"Yes, yes."
"That in its portraitures of Christ, there is something that stirs the hearts of the humblest, and sets them on fire with the thought, 'I too, am not a beast, but a child of God, destined to have a home here and an immortality hereafter?' That its profound contempt of riches and of mere worldly power,—its injunctions to the rich, 'sell all thou hast and give to the poor;' its pictures of Christ, coming from the workman's bench, and speaking, acting, doing and dying, so that the masses might no longer be the sport of priest or king, but the recreated men and women of a recreated social world; that in all this, it has caused more revolutions, given rise to more insurrections, leveled more deadly blows at absolute authority, than all other books that have been written since the world began?"
"Yes—y-e-s—y-e-s," said the Prelate. "True, true, a mischievous book. But how would you remedy the evil?"
"That's the question," said the Legate, dryly.
After a long pause they began to talk concerning the mission of San Luis in California—its fertile hills and valleys, rich in the olive, fig, grape, orange and pomegranate,—and of the thousand acres of barren land, claimed alike by the Jesuits and Dr. Martin Fulmer.
"The claim of the Fathers, to the mission-house and lands of San Luis, is established then?" said the Prelate.
"It has been acknowledged by the Mexican Government," was the reply of the Legate.
"And the claim to the thousand barren acres?"
"It rests in my hands," replied the Legate: "by a train of circumstances altogether natural, although to some they may appear singular, it is in my power to decide, whether these thousand barren acres shall belong to our Church or to Dr. Martin Fulmer."
"And it is not difficult to see which way your verdict wall fall;" the Prelate's eyes sparkled and a smile lit up his harsh features.
"These acres are barren, barren so far as the fig, the orange, the vine, the pomegranate are concerned, barren even of the slightest portion of shrubbery or verdure, but rich—"
"Rich in gold!" ejaculated the Prelate, folding his arms and fixing his eyes musingly upon the fire,—"gold sufficient to pave my way from this chair to the Papal throne;" he muttered to himself. "In Rome," he said aloud, "I had an opportunity to examine the records of the various missions, established by our Church in California; and they all contain traditions of incredible stores of gold, hidden under the rocks and sands of California. Does your experience confirm those traditions?"
"I have traversed that land from the Sierra Nevada to the Pacific, and from North to South," replied the Legate, "and it is my opinion, based on facts, that California is destined to exercise an influence upon the course of civilization and the fate of nations, such as has not been felt for a thousand years."
He paused, as if collecting in his mind, in one focus, a panorama of the varied scenery, climate, productions, of the region between the snows of the Sierra Nevada and the Pacific. Then, while his pale face flushed with excitement, and his bright eyes grew even yet more vivid in their luster, he continued:
"The bowels of the land are rich in gold," he said, in that low-toned but musical voice. "It is woven in the seams of her rocks. It impregnates her soil. It gleams in the sand of her rivers. Gold, gold, gold,—such as Banker never counted, nor the fancy of a Poet, ever dreamed of. Deep in her caverns the ore is shining; upon her mountain sides it flings back the rays of the sun; her forest trees are rooted in gold. Could you fathom her secrets, you would behold gold enough to set the world mad. Men would leave their homes, and all that makes life dear, and journey over land and sea, by hundreds of thousands, in pilgrimage to this golden land. The ships of the crusaders would whiten every sea, their caravans would belt every desert. The whole world, stirred into avaricious lust, would gravitate to this rock of gold."