This etext was produced by Pat Castevans

and David Widger

RHODA FLEMING

By George Meredith

BOOK 2

XII. AT THE THEATRE. XIII. THE FARMER SPEAKS XIV. BETWEEN RHODA AND ROBERT XV. A VISIT TO WREXBY HALL XVI. AT FAIRLY PARK XVII. A YEOMAN OF THE OLD BREED XVIII. AN ASSEMBLY AT THE PILOT INN XIX. ROBERT SMITTEN LOW XX. MRS. LOVELL SHOWS A TAME BRUTE

CHAPTER XII

Edward's engagement at his Club had been with his unfortunate cousin Algernon; who not only wanted a dinner but 'five pounds or so' (the hazy margin which may extend illimitably, or miserably contract, at the lender's pleasure, and the necessity for which shows the borrower to be dancing on Fortune's tight-rope above the old abyss).

"Over claret," was to have been the time for the asking; and Algernon waited dinnerless until the healthy-going minutes distended and swelled monstrous and horrible as viper-bitten bodies, and the venerable Signior, Time, became of unhealthy hue. For this was the first dinner which, during the whole course of the young man's career, had ever been failing to him. Reflect upon the mournful gap! He could scarcely believe in his ill-luck. He suggested it to himself with an inane grin, as one of the far-away freaks of circumstances that had struck him—and was it not comical?

He waited from the hour of six till the hour of seven. He compared clocks in the hall and the room. He changed the posture of his legs fifty times. For a while he wrestled right gallantly with the apparent menace of the Fates that he was to get no dinner at all that day; it seemed incredibly derisive, for, as I must repeat, it had never happened to him by any accident before. "You are born—you dine." Such appeared to him to be the positive regulation of affairs, and a most proper one, —of the matters of course following the birth of a young being.

By what frightful mischance, then, does he miss his dinner? By placing the smallest confidence in the gentlemanly feeling of another man! Algernon deduced this reply accurately from his own experience, and whether it can be said by other "undined" mortals, does not matter in the least. But we have nothing to do with the constitutionally luckless: the calamitous history of a simple empty stomach is enough. Here the tragedy is palpable. Indeed, too sadly so, and I dare apply but a flash of the microscope to the rageing dilemmas of this animalcule. Five and twenty minutes had signalled their departure from the hour of seven, when Algernon pronounced his final verdict upon Edward's conduct by leaving the Club. He returned to it a quarter of an hour later, and lingered on in desperate mood till eight.

He had neither watch in his pocket, nor ring on his finger, nor disposable stud in his shirt. The sum of twenty-one pence was in his possession, and, I ask you, as he asked himself, how is a gentleman to dine upon that? He laughed at the notion. The irony of Providence sent him by a cook's shop, where the mingled steam of meats and puddings rushed out upon the wayfarer like ambushed bandits, and seized him and dragged him in, or sent him qualmish and humbled on his way.

Two little boys had flattened their noses to the whiteness of winkles against the jealously misty windows. Algernon knew himself to be accounted a generous fellow, and remembering his reputation, he, as to hint at what Fortune might do in his case, tossed some coppers to the urchins, who ducked to the pavement and slid before the counter, in a flash, with never a "thank ye" or the thought of it.

Algernon was incapable of appreciating this childish faith in the beneficence of the unseen Powers who feed us, which, I must say for him, he had shared in a very similar manner only two hours ago. He laughed scornfully: "The little beggars!" considering in his soul that of such is humanity composed: as many a dinnerless man has said before, and will again, to point the speech of fools. He continued strolling on, comparing the cramped misty London aspect of things with his visionary free dream of the glorious prairies, where his other life was: the forests, the mountains, the endless expanses; the horses, the flocks, the slipshod ease of language and attire; and the grog-shops. Aha! There could be no mistake about him as a gentleman and a scholar out there! Nor would Nature shut up her pocket and demand innumerable things of him, as civilization did. This he thought in the vengefulness of his outraged mind.

Not only had Algernon never failed to dine every day of his life: he had no recollection of having ever dined without drinking wine. His conception did not embrace the idea of a dinner lacking wine. Possibly he had some embodied understanding that wine did not fall to the lot of every fellow upon earth: he had heard of gullets unrefreshed even by beer: but at any rate he himself was accustomed to better things, and he did not choose to excavate facts from the mass of his knowledge in order to reconcile himself to the miserable chop he saw for his dinner in the distance—a spot of meat in the arctic circle of a plate, not shone upon by any rosy-warming sun of a decanter!

But metaphorical language, though nothing other will convey the extremity of his misery, or the form of his thoughts, must be put aside.

"Egad, and every friend I have is out of town!" he exclaimed, quite willing to think it part of the plot.

He stuck his hands in his pockets, and felt vagabond-like and reckless. The streets were revelling in their winter muck. The carriages rolling by insulted him with their display of wealth.

He had democratic sentiments regarding them. Oh for a horse upon the boundless plains! he sighed to his heart. He remembered bitterly how he had that day ridden his stool at the bank, dreaming of his wilds, where bailiff never ran, nor duns obscured the firmament.

And then there were theatres here—huge extravagant places! Algernon went over to an entrance of one, to amuse his mind, cynically criticizing the bill. A play was going forward within, that enjoyed great popular esteem, "The Holly Berries." Seeing that the pit was crammed, Algernon made application to learn the state of the boxes, but hearing that one box was empty, he lost his interest in the performance.

As he was strolling forth, his attention was taken by a noise at the pit-doors, which swung open, and out tumbled a tough little old man with a younger one grasping his coat-collar, who proclaimed that he would sicken him of pushing past him at the end of every act.

"You're precious fond of plays," sneered the junior.

"I'm fond of everything I pay for, young fellow," replied the shaken senior; "and that's a bit of enjoyment you've got to learn—ain't it?"

"Well, don't you knock by me again, that's all," cried the choleric youth.

"You don't think I'm likely to stop in your company, do you?"

"Whose expense have you been drinking at?"

"My country's, young fellow; and mind you don't soon feed at the table.
Let me go."

Algernon's hunger was appeased by the prospect of some excitement, and seeing a vicious shake administered to the old man by the young one, he cried, "Hands off!" and undertook policeman's duty; but as he was not in blue, his authoritative mandate obtained no respect until he had interposed his fist.

When he had done so, he recognized the porter at Boyne's Bank, whose enemy retired upon the threat that there should be no more pushing past him to get back to seats for the next act.

"I paid," said Anthony; "and you're a ticketer, and you ticketers sha' n't stop me. I'm worth a thousand of you. Holloa, sir," he cried to Algernon; "I didn't know you. I'm much obliged. These chaps get tickets given 'm, and grow as cocky in a theatre as men who pay. He never had such wine in him as I've got. That I'd swear. Ha! ha! I come out for an airing after every act, and there's a whole pitfall of ticketers yelling and tearing, and I chaff my way through and back clean as a red-hot poker."

Anthony laughed, and rolled somewhat as he laughed.

"Come along, sir, into the street," he said, boring on to the pavement. "It's after office hours. And, ha! ha! what do you think? There's old farmer in there, afraid to move off his seat, and the girl with him, sticking to him tight, and a good girl too. She thinks we've had too much. We been to the Docks, wine-tasting: Port—Sherry: Sherry—Port! and, ha! ha! 'what a lot of wine!' says farmer, never thinking how much he's taking on board. "I guessed it was night," says farmer, as we got into the air, and to see him go on blinking, and stumbling, and saying to me, 'You stand wine, brother Tony!' I'm blest if I ain't bottled laughter. So, says I, 'come and see "The Holly Berries," brother William John; it's the best play in London, and a suitable winter piece.' 'Is there a rascal hanged in the piece?' says he. 'Oh, yes!' I let him fancy there was, and he—ha! ha! old farmer's sticking to his seat, solemn as a judge, waiting for the gallows to come on the stage."

A thought quickened Algernon's spirit. It was a notorious secret among the young gentlemen who assisted in maintaining the prosperity of Boyne's Bank, that the old porter—the "Old Ant," as he was called—possessed money, and had no objection to put out small sums for a certain interest. Algernon mentioned casually that he had left his purse at home; and "by the way," said he, "have you got a few sovereigns in your pocket?"

"What! and come through that crush, sir?" Anthony negatived the question decisively with a reference to his general knowingness.

Algernon pressed him; saying at last, "Well, have you got one?"

"I don't think I've been such a fool," said Anthony, feeling slowly about his person, and muttering as to the changes that might possibly have been produced in him by the Docks.

"Confound it, I haven't dined!" exclaimed Algernon, to hasten his proceedings; but at this, Anthony eyed him queerly. "What have you been about then, sir?"

"Don't you see I'm in evening dress? I had an appointment to dine with a friend. He didn't keep it. I find I've left my purse in my other clothes."

"That's a bad habit, sir," was Anthony's comment. "You don't care much for your purse."

"Much for my purse, be hanged!" interjected Algernon.

"You'd have felt it, or you'd have heard it, if there 'd been any weight in it," Anthony remarked.

"How can you hear paper?"

"Oh, paper's another thing. You keep paper in your mind, don't you—eh? Forget pound notes? Leave pound notes in a purse? And you Sir William's nephew, sir, who'd let you bank with him and put down everything in a book, so that you couldn't forget, or if you did, he'd remember for you; and you might change your clothes as often as not, and no fear of your losing a penny."

Algernon shrugged disgustedly, and was giving the old man up as a bad business, when Anthony altered his manner. "Oh! well, sir, I don't mind letting you have what I've got. I'm out for fun. Bother affairs!"

The sum of twenty shillings was handed to Algernon, after he had submitted to the indignity of going into a public-house, and writing his I.O.U. for twenty-three to Anthony Hackbut, which included interest. Algernon remonstrated against so needless a formality; but Anthony put the startling supposition to him, that he might die that night. He signed the document, and was soon feeding and drinking his wine. This being accomplished, he took some hasty puffs of tobacco, and returned to the theatre, in the hope that the dark girl Rhoda was to be seen there; for now that he had dined, Anthony's communication with regard to the farmer and his daughter became his uppermost thought, and a young man's uppermost thought is usually the propelling engine to his actions.

By good chance, and the aid of a fee, he obtained a front seat, commanding an excellent side-view of the pit, which sat wrapt in contemplation of a Christmas scene snow, ice, bare twigs, a desolate house, and a woman shivering—one of man's victims.

It is a good public, that of Britain, and will bear anything, so long as villany is punished, of which there was ripe promise in the oracular utterances of a rolling, stout, stage-sailor, whose nose, to say nothing of his frankness on the subject, proclaimed him his own worst enemy, and whose joke, by dint of repetition, had almost become the joke of the audience too; for whenever he appeared, there was agitation in pit and gallery, which subsided only on his jovial thundering of the familiar sentence; whereupon laughter ensued, and a quieting hum of satisfaction.

It was a play that had been favoured with a great run. Critics had once objected to it, that it was made to subsist on scenery, a song, and a stupid piece of cockneyism pretending to be a jest, that was really no more than a form of slapping the public on the back. But the public likes to have its back slapped, and critics, frozen by the Medusa-head of Success, were soon taught manners. The office of critic is now, in fact, virtually extinct; the taste for tickling and slapping is universal and imperative; classic appeals to the intellect, and passions not purely domestic, have grown obsolete. There are captains of the legions, but no critics. The mass is lord.

And behold our friend the sailor of the boards, whose walk is even as two meeting billows, appears upon the lonely moor, and salts that uninhabited region with nautical interjections. Loose are his hose in one part, tight in another, and he smacks them. It is cold; so let that be his excuse for showing the bottom of his bottle to the glittering spheres. He takes perhaps a sturdier pull at the liquor than becomes a manifest instrument of Providence, whose services may be immediately required; but he informs us that his ship was never known not to right itself when called upon.

He is alone in the world, he tells us likewise. If his one friend, the uplifted flask, is his enemy, why then he feels bound to treat his enemy as his friend. This, with a pathetic allusion to his interior economy, which was applauded, and the remark "Ain't that Christian?" which was just a trifle risky; so he secured pit and gallery at a stroke by a surpassingly shrewd blow at the bishops of our Church, who are, it can barely be contested, in foul esteem with the multitude—none can say exactly, for what reason—and must submit to be occasionally offered up as propitiatory sacrifices.

This good sailor was not always alone in the world. A sweet girl, whom he describes as reaching to his kneecap, and pathetically believes still to be of the same height, once called him brother Jack. To hear that name again from her lips, and a particular song!—he attempts it ludicrously, yet touchingly withal.

Hark! Is it an echo from a spirit in the frigid air?

The song trembled with a silver ring to the remotest corners of the house.

At that moment the breathless hush of the audience was flurried by hearing "Dahlia" called from the pit.

Algernon had been spying among the close-packed faces for a sight of Rhoda. Rhoda was now standing up amid gathering hisses and outcries. Her eyes were bent on a particular box, across which a curtain was hastily being drawn. "My sister!" she sent out a voice of anguish, and remained with clasped hands and twisted eyebrows, looking toward that one spot, as if she would have flown to it. She was wedged in the mass, and could not move.

The exclamation heard had belonged to brother Jack, on the stage, whose burst of fraternal surprise and rapture fell flat after it, to the disgust of numbers keenly awakened for the sentiment of this scene.

Roaring accusations that she was drunk; that she had just escaped from Bedlam for an evening; that she should be gagged and turned headlong out, surrounded her; but she stood like a sculptured figure, vital in her eyes alone. The farmer put his arm about his girl's waist. The instant, however, that Anthony's head uprose on the other side of her, the evil reputation he had been gaining for himself all through the evening produced a general clamour, over which the gallery played, miauling, and yelping like dogs that are never to be divorced from a noise. Algernon feared mischief. He quitted his seat, and ran out into the lobby.

Half-a-dozen steps, and he came in contact with some one, and they were mutually drenched with water by the shock. It was his cousin Edward, bearing a glass in his hand.

Algernon's wrath at the sight of this offender was stimulated by the cold bath; but Edward cut him short.

"Go in there;" he pointed to a box-door. "A lady has fainted. Hold her up till I come."

No time was allowed for explanation. Algernon passed into the box, and was alone with an inanimate shape in blue bournous. The uproar in the theatre raged; the whole pit was on its legs and shouting. He lifted the pallid head over one arm, miserably helpless and perplexed, but his anxiety concerning Rhoda's personal safety in that sea of strife prompted him to draw back the curtain a little, and he stood exposed. Rhoda perceived him. She motioned with both her hands in dumb supplication. In a moment the curtain closed between them. Edward's sharp white face cursed him mutely for his folly, while he turned and put the water to Dahlia's lips, and touched her forehead with it.

"What's the matter?" whispered Algernon.

"We must get her out as quick as we can. This is the way with women!
Come! she's recovering." Edward nursed her sternly as he spoke.

"If she doesn't, pretty soon, we shall have the pit in upon us," said
Algernon. "Is she that girl's sister?"

"Don't ask damned questions."

Dahlia opened her eyes, staring placidly.

"Now you can stand up, my dear. Dahlia! all's well. Try," said Edward.

She sighed, murmuring, "What is the time?" and again, "What noise is it?"

Edward coughed in a vexed attempt at tenderness, using all his force to be gentle with her as he brought her to her feet. The task was difficult amid the threatening storm in the theatre, and cries of "Show the young woman her sister!" for Rhoda had won a party in the humane public.

"Dahlia, in God's name give me your help!" Edward called in her ear.

The fair girl's eyelids blinked wretchedly in protestation of her weakness. She had no will either way, and suffered herself to be led out of the box, supported by the two young men.

"Run for a cab," said Edward; and Algernon went ahead.

He had one waiting for them as they came out. They placed Dahlia on a seat with care, and Edward, jumping in, drew an arm tightly about her. "I can't cry," she moaned.

The cab was driving off as a crowd of people burst from the pit-doors, and Algernon heard the voice of Farmer Fleming, very hoarse. He had discretion enough to retire.

CHAPTER XIII

Robert was to drive to the station to meet Rhoda and her father returning from London, on a specified day. He was eager to be asking cheerful questions of Dahlia's health and happiness, so that he might dispel the absurd general belief that he had ever loved the girl, and was now regretting her absence; but one look at Rhoda's face when she stepped from the railway carriage kept him from uttering a word on that subject, and the farmer's heavier droop and acceptance of a helping hand into the cart, were signs of bad import.

Mr. Fleming made no show of grief, like one who nursed it. He took it to all appearance as patiently as an old worn horse would do, although such an outward submissiveness will not always indicate a placid spirit in men. He talked at stale intervals of the weather and the state of the ground along the line of rail down home, and pointed in contempt or approval to a field here and there; but it was as one who no longer had any professional interest in the tilling of the land.

Doubtless he was trained to have no understanding of a good to be derived by his communicating what he felt and getting sympathy. Once, when he was uncertain, and a secret pride in Dahlia's beauty and accomplishments had whispered to him that her flight was possibly the opening of her road to a higher fortune, he made a noise for comfort, believing in his heart that she was still to be forgiven. He knew better now. By holding his peace he locked out the sense of shame which speech would have stirred within him.

"Got on pretty smooth with old Mas' Gammon?" he expressed his hope; and Robert said, "Capitally. We shall make something out of the old man yet, never fear."

Master Gammon was condemned to serve at the ready-set tea-table as a butt for banter; otherwise it was apprehended well that Mrs. Sumfit would have scorched the ears of all present, save the happy veteran of the furrows, with repetitions of Dahlia's name, and wailings about her darling, of whom no one spoke. They suffered from her in spite of every precaution.

"Well, then, if I'm not to hear anything dooring meals—as if I'd swallow it and take it into my stomach!—I'll wait again for what ye've got to tell," she said, and finished her cup at a gulp, smoothing her apron.

The farmer then lifted his head.

"Mother, if you've done, you'll oblige me by going to bed," he said. "We want the kitchen."

"A-bed?" cried Mrs. Sumfit, with instantly ruffled lap.

"Upstairs, mother; when you've done—not before."

"Then bad's the noos! Something have happened, William. You 'm not going to push me out? And my place is by the tea-pot, which I cling to, rememberin' how I seen her curly head grow by inches up above the table and the cups. Mas' Gammon," she appealed to the sturdy feeder, "five cups is your number?"

Her hope was reduced to the prolonging of the service of tea, with Master
Gammon's kind assistance.

"Four, marm," said her inveterate antagonist, as he finished that amount, and consequently put the spoon in his cup.

Mrs. Sumfit rolled in her chair.

"O Lord, Mas' Gammon! Five, I say; and never a cup less so long as here you've been."

"Four, marm. I don't know," said Master Gammon, with a slow nod of his head, "that ever I took five cups of tea at a stretch. Not runnin'."

"I do know, Mas' Gammon. And ought to: for don't I pour out to ye? It's five you take, and please, your cup, if you'll hand it over."

"Four's my number, marm," Master Gammon reiterated resolutely. He sat like a rock.

"If they was dumplins," moaned Mrs. Sumfit, "not four, no, nor five, 'd do till enough you'd had, and here we might stick to our chairs, but you'd go on and on; you know you would."

"That's eatin', marm;" Master Gammon condescended to explain the nature of his habits. "I'm reg'lar in my drinkin'."

Mrs. Sumfit smote her hands together. "O Lord, Mas' Gammon, the wearisomest old man I ever come across is you. More tea's in the pot, and it ain't watery, and you won't be comfortable. May you get forgiveness from above! is all I say, and I say no more. Mr. Robert, perhaps you'll be so good as let me help you, sir? It's good tea; and my Dody," she added, cajolingly, "my home girl 'll tell us what she saw. I'm pinched and starved to hear."

"By-and-by, mother," interposed the farmer; "tomorrow." He spoke gently, but frowned.

Both Rhoda and Robert perceived that they were peculiarly implicated in the business which was to be discussed without Mrs. Sumfit's assistance. Her father's manner forbade Rhoda from making any proposal for the relief of the forlorn old woman.

"And me not to hear to-night about your play-going!" sighed Mrs. Sumfit. "Oh, it's hard on me. I do call it cruel. And how my sweet was dressed— like as for a Ball."

She saw the farmer move his foot impatiently.

"Then, if nobody drinks this remaining cup, I will," she pursued.

No voice save her own was heard till the cup was emptied, upon which Master Gammon, according to his wont, departed for bed to avoid the seduction of suppers, which he shunned as apoplectic, and Mrs. Sumfit prepared, in a desolate way, to wash the tea-things, but the farmer, saying that it could be done in the morning, went to the door and opened it for her.

She fetched a great sigh and folded her hands resignedly. As she was passing him to make her miserable enforced exit, the heavy severity of his face afflicted her with a deep alarm; she fell on her knees, crying,—

"Oh, William! it ain't for sake of hearin' talk; but you, that went to see our Dahly, the blossom, 've come back streaky under the eyes, and you make the house feel as if we neighboured Judgement Day. Down to tea you set the first moment, and me alone with none of you, and my love for my girl known well to you. And now to be marched off! How can I go a-bed and sleep, and my heart jumps so? It ain't Christian to ask me to. I got a heart, dear, I have. Do give a bit of comfort to it. Only a word of my Dahly to me."

The farmer replied: "Mother, let's have no woman's nonsense. What we've got to bear, let us bear. And you go on your knees to the Lord, and don't be a heathen woman, I say. Get up. There's a Bible in your bedroom. Find you out comfort in that."

"No, William, no!" she sobbed, still kneeling: "there ain't a dose o' comfort there when poor souls is in the dark, and haven't got patience for passages. And me and my Bible!—how can I read it, and not know my ailing, and a'stract one good word, William? It'll seem only the devil's shootin' black lightnings across the page, as poor blessed granny used to say, and she believed witches could do it to you in her time, when they was evil-minded. No! To-night I look on the binding of the Holy Book, and I don't, and I won't, I sha' n't open it."

This violent end to her petition was wrought by the farmer grasping her arm to bring her to her feet.

"Go to bed, mother."

"I shan't open it," she repeated, defiantly. "And it ain't," she gathered up her comfortable fat person to assist the words "it ain't good—no, not the best pious ones—I shall, and will say it! as is al'ays ready to smack your face with the Bible."

"Now, don't ye be angry," said the farmer.

She softened instantly.

"William, dear, I got fifty-seven pounds sterling, and odd shillings, in a Savings-bank, and that I meant to go to Dahly, and not to yond' dark thing sitting there so sullen, and me in my misery; I'd give it to you now for news of my darlin'. Yes, William; and my poor husband's cottage, in Sussex—seventeen pound per annum. That, if you'll be goodness itself, and let me hear a word."

"Take her upstairs," said the farmer to Rhoda, and Rhoda went by her and took her hands, and by dint of pushing from behind and dragging in front, Mrs. Sumfit, as near on a shriek as one so fat and sleek could be, was ejected. The farmer and Robert heard her struggles and exclamations along the passage, but her resistance subsided very suddenly.

"There's power in that girl," said the farmer, standing by the shut door.

Robert thought so, too. It affected his imagination, and his heart began to beat sickeningly.

"Perhaps she promised to speak—what has happened, whatever that may be," he suggested.

"Not she; not she. She respects my wishes."

Robert did not ask what had happened.

Mr. Fleming remained by the door, and shut his mouth from a further word till he heard Rhoda's returning footstep. He closed the door again behind her, and went up to the square deal table, leaned his body forward on the knuckles of his trembling fist, and said, "We're pretty well broken up, as it is. I've lost my taste for life."

There he paused. Save by the shining of a wet forehead, his face betrayed nothing of the anguish he suffered. He looked at neither of them, but sent his gaze straight away under labouring brows to an arm of the fireside chair, while his shoulders drooped on the wavering support of his hard-shut hands. Rhoda's eyes, ox-like, as were her father's, smote full upon Robert's, as in a pang of apprehension of what was about to be uttered.

It was a quick blaze of light, wherein he saw that the girl's spirit was not with him. He would have stopped the farmer at once, but he had not the heart to do it, even had he felt in himself strength to attract an intelligent response from that strange, grave, bovine fixity of look, over which the human misery sat as a thing not yet taken into the dull brain.

"My taste for life," the old man resumed, "that's gone. I didn't bargain at set-out to go on fighting agen the world. It's too much for a man o' my years. Here's the farm. Shall 't go to pieces?—I'm a farmer of thirty year back—thirty year back, and more: I'm about no better'n a farm labourer in our time, which is to-day. I don't cost much. I ask to be fed, and to work for it, and to see my poor bit o' property safe, as handed to me by my father. Not for myself, 't ain't; though perhaps there's a bottom of pride there too, as in most things. Say it's for the name. My father seems to demand of me out loud, 'What ha' ye done with Queen Anne's Farm, William?' and there's a holler echo in my ears. Well; God wasn't merciful to give me a son. He give me daughters."

Mr. Fleming bowed his head as to the very weapon of chastisement.

"Daughters!" He bent lower.

His hearers might have imagined his headless address to them to be also without a distinct termination, for he seemed to have ended as abruptly as he had begun; so long was the pause before, with a wearied lifting of his body, he pursued, in a sterner voice:

"Don't let none interrupt me." His hand was raised as toward where Rhoda stood, but he sent no look with it; the direction was wide of her.

The aspect of the blank blind hand motioning to the wall away from her, smote an awe through her soul that kept her dumb, though his next words were like thrusts of a dagger in her side.

"My first girl—she's brought disgrace on this house. She's got a mother in heaven, and that mother's got to blush for her. My first girl's gone to harlotry in London."

It was Scriptural severity of speech. Robert glanced quick with intense commiseration at Rhoda. He saw her hands travel upward till they fixed in at her temples with crossed fingers, making the pressure of an iron band for her head, while her lips parted, and her teeth, and cheeks, and eyeballs were all of one whiteness. Her tragic, even, in and out breathing, where there was no fall of the breast, but the air was taken and given, as it were the square blade of a sharp-edged sword, was dreadful to see. She had the look of a risen corpse, recalling some one of the bloody ends of life.

The farmer went on,—

"Bury her! Now you here know the worst. There's my second girl. She's got no stain on her; if people 'll take her for what she is herself. She's idle. But I believe the flesh on her bones she'd wear away for any one that touched her heart. She's a temper. But she's clean both in body and in spirit, as I believe, and say before my God. I—what I'd pray for is, to see this girl safe. All I have shall go to her. That is, to the man who will—won't be ashamed—marry her, I mean!"

The tide of his harshness failed him here, and he began to pick his words, now feeble, now emphatic, but alike wanting in natural expression, for he had reached a point of emotion upon the limits of his nature, and he was now wilfully forcing for misery and humiliation right and left, in part to show what a black star Providence had been over him.

"She'll be grateful. I shall be gone. What disgrace I bring to their union, as father of the other one also, will, I'm bound to hope, be buried with me in my grave; so that this girl's husband shan't have to complain that her character and her working for him ain't enough to cover any harm he's like to think o' the connexion. And he won't be troubled by relationships after that.

"I used to think Pride a bad thing. I thank God we've all got it in our blood—the Flemings. I thank God for that now, I do. We don't face again them as we offend. Not, that is, with the hand out. We go. We're seen no more. And she'll be seen no more. On that, rely.

"I want my girl here not to keep me in the fear of death. For I fear death while she's not safe in somebody's hands—kind, if I can get him for her. Somebody—young or old!"

The farmer lifted his head for the first time, and stared vacantly at
Robert.

"I'd marry her," he said, "if I was knowing myself dying now or to-morrow morning, I'd marry her, rather than leave her alone—I'd marry her to that old man, old Gammon."

The farmer pointed to the ceiling. His sombre seriousness cloaked and carried even that suggestive indication to the possible bridegroom's age and habits, and all things associated with him, through the gates of ridicule; and there was no laughter, and no thought of it.

"It stands to reason for me to prefer a young man for her husband. He'll farm the estate, and won't sell it; so that it goes to our blood, if not to a Fleming. If, I mean, he's content to farm soberly, and not play Jack o' Lantern tricks across his own acres. Right in one thing's right, I grant; but don't argue right in all. It's right only in one thing. Young men, when they've made a true hit or so, they're ready to think it's themselves that's right."

This was of course a reminder of the old feud with Robert, and sufficiently showed whom the farmer had in view for a husband to Rhoda, if any doubt existed previously.

Having raised his eyes, his unwonted power of speech abandoned him, and he concluded, wavering in look and in tone,—

"I'd half forgotten her uncle. I've reckoned his riches when I cared for riches. I can't say th' amount; but, all—I've had his word for it—all goes to this—God knows how much!—girl. And he don't hesitate to say she's worth a young man's fancying. May be so. It depends upon ideas mainly, that does. All goes to her. And this farm.—I wish ye good-night."

He gave them no other sign, but walked in his oppressed way quietly to the inner door, and forth, leaving the rest to them.

CHAPTER XIV

The two were together, and all preliminary difficulties had been cleared for Robert to say what he had to say, in a manner to make the saying of it well-nigh impossible. And yet silence might be misinterpreted by her. He would have drawn her to his heart at one sign of tenderness. There came none. The girl was frightfully torn with a great wound of shame. She was the first to speak.

"Do you believe what father says of my sister?"

"That she—?" Robert swallowed the words. "No!" and he made a thunder with his fist.

"No!" She drank up the word. "You do not? No! You know that Dahlia is innocent?"

Rhoda was trembling with a look for the asseveration; her pale face eager as a cry for life; but the answer did not come at once hotly as her passion for it demanded. She grew rigid, murmuring faintly: "speak! Do speak!"

His eyes fell away from hers. Sweet love would have wrought in him to think as she thought, but she kept her heart closed from him, and he stood sadly judicial, with a conscience of his own, that would not permit him to declare Dahlia innocent, for he had long been imagining the reverse.

Rhoda pressed her hands convulsively, moaning, "Oh!" down a short deep breath.

"Tell me what has happened?" said Robert, made mad by that reproachful agony of her voice. "I'm in the dark. I'm not equal to you all. If Dahlia's sister wants one to stand up for her, and defend her, whatever she has done or not done, ask me. Ask me, and I'll revenge her. Here am I, and I know nothing, and you despise me because—don't think me rude or unkind. This hand is yours, if you will. Come, Rhoda. Or, let me hear the case, and I'll satisfy you as best I can. Feel for her? I feel for her as you do. You don't want me to stand a liar to your question? How can I speak?"

A woman's instinct at red heat pierces the partial disingenuousness which Robert could only have avoided by declaring the doubts he entertained. Rhoda desired simply to be supported by his conviction of her sister's innocence, and she had scorn of one who would not chivalrously advance upon the risks of right and wrong, and rank himself prime champion of a woman belied, absent, and so helpless. Besides, there was but one virtue possible in Rhoda's ideas, as regarded Dahlia: to oppose facts, if necessary, and have her innocent perforce, and fight to the death them that dared cast slander on the beloved head.

Her keen instinct served her so far.

His was alive when she refused to tell him what had taken place during their visit to London.

She felt that a man would judge evil of the circumstances. Her father and her uncle had done so: she felt that Robert would. Love for him would have prompted her to confide in him absolutely. She was not softened by love; there was no fire on her side to melt and make them run in one stream, and they could not meet.

"Then, if you will not tell me," said Robert, "say what you think of your father's proposal? He meant that I may ask you to be my wife. He used to fancy I cared for your sister. That's false. I care for her—yes; as my sister too; and here is my hand to do my utmost for her, but I love you, and I've loved you for some time. I'd be proud to marry you and help on with the old farm. You don't love me yet—which is a pretty hard thing for me to see to be certain of. But I love you, and I trust you. I like the stuff you're made of—and nice stuff I'm talking to a young woman," he added, wiping his forehead at the idea of the fair and flattering addresses young women expect when they are being wooed.

As it was, Rhoda listened with savage contempt of his idle talk. Her brain was beating at the mystery and misery wherein Dahlia lay engulfed. She had no understanding for Robert's sentimentality, or her father's requisition. Some answer had to be given, and she said,—

"I'm not likely to marry a man who supposes he has anything to pardon."

"I don't suppose it," cried Robert.

"You heard what father said."

"I heard what he said, but I don't think the same. What has Dahlia to do with you?"

He was proceeding to rectify this unlucky sentence. All her covert hostility burst out on it.

"My sister?—what has my sister to do with me?—you mean!—you mean—you can only mean that we are to be separated and thought of as two people; and we are one, and will be till we die. I feel my sister's hand in mine, though she's away and lost. She is my darling for ever and ever. We're one!"

A spasm of anguish checked the girl.

"I mean," Robert resumed steadily, "that her conduct, good or bad, doesn't touch you. If it did, it'd be the same to me. I ask you to take me for your husband. Just reflect on what your father said, Rhoda."

The horrible utterance her father's lips had been guilty of flashed through her, filling her with mastering vindictiveness, now that she had a victim.

"Yes! I'm to take a husband to remind me of what he said."

Robert eyed her sharpened mouth admiringly; her defence of her sister had excited his esteem, wilfully though she rebutted his straightforward earnestness and he had a feeling also for the easy turns of her neck, and the confident poise of her figure.

"Ha! well!" he interjected, with his eyebrows queerly raised, so that she could make nothing of his look. It seemed half maniacal, it was so ridged with bright eagerness.

"By heaven! the task of taming you—that's the blessing I'd beg for in my prayers! Though you were as wild as a cat of the woods, by heaven! I'd rather have the taming of you than go about with a leash of quiet"—he checked himself—"companions."

Such was the sudden roll of his tongue, that she was lost in the astounding lead he had taken, and stared.

"You're the beauty to my taste, and devil is what I want in a woman! I can make something out of a girl with a temper like yours. You don't know me, Miss Rhoda. I'm what you reckon a good young man. Isn't that it?"

Robert drew up with a very hard smile.

"I would to God I were! Mind, I feel for you about your sister. I like you the better for holding to her through thick and thin. But my sheepishness has gone, and I tell you I'll have you whether you will or no. I can help you and you can help me. I've lived here as if I had no more fire in me than old Gammon snoring on his pillow up aloft; and who kept me to it? Did you see I never touched liquor? What did you guess from that?—that I was a mild sort of fellow? So I am: but I haven't got that reputation in other parts. Your father 'd like me to marry you, and I'm ready. Who kept me to work, so that I might learn to farm, and be a man, and be able to take a wife? I came here—I'll tell you how. I was a useless dog. I ran from home and served as a trooper. An old aunt of mine left me a little money, which just woke me up and gave me a lift of what conscience I had, and I bought myself out.

"I chanced to see your father's advertisement—came, looked at you all, and liked you—brought my traps and settled among you, and lived like a good young man. I like peace and orderliness, I find. I always thought I did, when I was dancing like mad to hell. I know I do now, and you're the girl to keep me to it. I've learnt that much by degrees. With any other, I should have been playing the fool, and going my old ways, long ago. I should have wrecked her, and drunk to forget. You're my match. By-and-by you'll know, me yours! You never gave me, or anybody else that I've seen, sly sidelooks.

"Come! I'll speak out now I'm at work. I thought you at some girl's games in the Summer. You went out one day to meet a young gentleman. Offence or no offence, I speak and you listen. You did go out. I was in love with you then, too. I saw London had been doing its mischief. I was down about it. I felt that he would make nothing of you, but I chose to take the care of you, and you've hated me ever since.

"That Mr. Algernon Blancove's a rascal. Stop! You'll say as much as you like presently. I give you a warning—the man's a rascal. I didn't play spy on your acts, but your looks. I can read a face like yours, and it's my home, my home!—by heaven, it is. Now, Rhoda, you know a little more of me. Perhaps I'm more of a man than you thought. Marry another, if you will; but I'm the man for you, and I know it, and you'll go wrong if you don't too. Come! let your father sleep well. Give me your hand."

All through this surprising speech of Robert's, which was a revelation of one who had been previously dark to her, she had steeled her spirit as she felt herself being borne upon unexpected rapids, and she marvelled when she found her hand in his.

Dismayed, as if caught in a trap, she said,—

"You know I've no love for you at all."

"None—no doubt," he answered.

The fit of verbal energy was expended, and he had become listless, though he looked frankly at her and assumed the cheerfulness which was failing within him.

"I wish to remain as I am," she faltered, surprised again by the equally astonishing recurrence of humility, and more spiritually subdued by it. "I've no heart for a change. Father will understand. I am safe."

She ended with a cry: "Oh! my dear, my own sister! I wish you were safe.
Get her here to me and I'll do what I can, if you're not hard on her.
She's so beautiful, she can't do wrong. My Dahlia's in some trouble.
Mr. Robert, you might really be her friend?"

"Drop the Mister," said Robert.

"Father will listen to you," she pleaded. "You won't leave us? Tell him you know I am safe. But I haven't a feeling of any kind while my sister's away. I will call you Robert, if you like." She reached her hand forth.

"That's right," he said, taking it with a show of heartiness: "that's a beginning, I suppose."

She shrank a little in his sensitive touch, and he added: "Oh never fear. I've spoken out, and don't do the thing too often. Now you know me, that's enough. I trust you, so trust me. I'll talk to your father. I've got a dad of my own, who isn't so easily managed. You and I, Rhoda—we're about the right size for a couple. There—don't be frightened! I was only thinking—I'll let go your hand in a minute. If Dahlia's to be found, I'll find her. Thank you for that squeeze. You'd wake a dead man to life, if you wanted to. To-morrow I set about the business. That's settled. Now your hand's loose. Are you going to say good night? You must give me your hand again for that. What a rough fellow I must seem to you! Different from the man you thought I was? I'm just what you choose to make me, Rhoda; remember that. By heaven! go at once, for you're an armful—"

She took a candle and started for the door.

"Aha! you can look fearful as a doe. Out! make haste!"

In her hurry at his speeding gestures, the candle dropped; she was going to pick it up, but as he approached, she stood away frightened.

"One kiss, my girl," he said. "Don't keep me jealous as fire. One! and I'm a plighted man. One!—or I shall swear you know what kisses are. Why did you go out to meet that fellow? Do you think there's no danger in it? Doesn't he go about boasting of it now, and saying—that girl! But kiss me and I'll forget it; I'll forgive you. Kiss me only once, and I shall be certain you don't care for him. That's the thought maddens me outright. I can't bear it now I've seen you look soft. I'm stronger than you, mind." He caught her by the waist.

"Yes," Rhoda gasped, "you are. You are only a brute."

"A brute's a lucky dog, then, for I've got you!"

"Will you touch me?"

"You're in my power."

"It's a miserable thing, Robert."

"Why don't you struggle, my girl? I shall kiss you in a minute."

"You're never my friend again."

"I'm not a gentleman, I suppose!"

"Never! after this."

"It isn't done. And first you're like a white rose, and next you're like a red. Will you submit?"

"Oh! shame!" Rhoda uttered.

"Because I'm not a gentleman?"

"You are not."

"So, if I could make you a lady—eh? the lips 'd be ready in a trice.
You think of being made a lady—a lady!"

His arm relaxed in the clutch of her figure.

She got herself free, and said: "We saw Mr. Blancove at the theatre with
Dahlia."

It was her way of meeting his accusation that she had cherished an ambitious feminine dream.

He, to hide a confusion that had come upon him, was righting the fallen candle.

"Now I know you can be relied on; you can defend yourself," he said, and handed it to her, lighted. "You keep your kisses for this or that young gentleman. Quite right. You really can defend yourself. That's all I was up to. So let us hear that you forgive me. The door's open. You won't be bothered by me any more; and don't hate me overmuch."

"You might have learned to trust me without insulting me, Robert," she said.

"Do you fancy I'd take such a world of trouble for a kiss of your lips, sweet as they are?"

His blusterous beginning ended in a speculating glance at her mouth.

She saw it would be wise to accept him in his present mood, and go; and with a gentle "Good night," that might sound like pardon, she passed through the doorway.

CHAPTER XV

Next day, while Squire Blancove was superintending the laying down of lines for a new carriage drive in his park, as he walked slowly up the green slope he perceived Farmer Fleming, supported by a tall young man; and when the pair were nearer, he had the gratification of noting likewise that the worthy yeoman was very much bent, as with an acute attack of his well-known chronic malady of a want of money.

The squire greatly coveted the freehold of Queen Anne's Farm. He had made offers to purchase it till he was tired, and had gained for himself the credit of being at the bottom of numerous hypothetical cabals to injure and oust the farmer from his possession. But if Naboth came with his vineyard in his hand, not even Wrexby's rector (his quarrel with whom haunted every turn in his life) could quote Scripture against him for taking it at a proper valuation.

The squire had employed his leisure time during service in church to discover a text that might be used against him in the event of the farmer's reduction to a state of distress, and his, the squire's, making the most of it. On the contrary, according to his heathenish reading of some of the patriarchal doings, there was more to be said in his favour than not, if he increased his territorial property: nor could he, throughout the Old Testament, hit on one sentence that looked like a personal foe to his projects, likely to fit into the mouth of the rector of Wrexby.

"Well, farmer," he said, with cheerful familiarity, "winter crops looking well? There's a good show of green in the fields from my windows, as good as that land of yours will allow in heavy seasons."

To this the farmer replied, "I've not heart or will to be round about, squire. If you'll listen to me—here, or where you give command."

"Has it anything to do with pen and paper, Fleming? In that case you'd better be in my study," said the squire.

"I don't know that it have. I don't know that it have." The farmer sought Robert's face.

"Best where there's no chance of interruption," Robert counselled, and lifted his hat to the squire.

"Eh? Well, you see I'm busy." The latter affected a particular indifference, that in such cases, when well acted (as lords of money can do—squires equally with usurers), may be valued at hundreds of pounds in the pocket. "Can't you put it off? Come again to-morrow."

"To-morrow's a day too late," said the farmer, gravely. Whereto replying, "Oh! well, come along in, then," the squire led the way.

"You're two to one, if it's a transaction," he said, nodding to Robert to close the library door. "Take seats. Now then, what is it? And if I make a face, just oblige me by thinking nothing about it, for my gout's beginning to settle in the leg again, and shoots like an electric telegraph from purgatory."

He wheezed and lowered himself into his arm-chair; but the farmer and
Robert remained standing, and the farmer spoke:—

"My words are going to be few, squire. I've got a fact to bring to your knowledge, and a question to ask."

Surprise, exaggerated on his face by a pain he had anticipated, made the squire glare hideously.

"Confound it, that's what they say to a prisoner in the box. Here's a murder committed:—Are you the guilty person? Fact and question! Well, out with 'em, both together."

"A father ain't responsible for the sins of his children," said the farmer.

"Well, that's a fact," the squire emphasized. "I've always maintained it; but, if you go to your church, farmer—small blame to you if you don't; that fellow who preaches there—I forget his name—stands out for just the other way. You are responsible, he swears. Pay your son's debts, and don't groan over it:—He spent the money, and you're the chief debtor; that's his teaching. Well: go on. What's your question?"

"A father's not to be held responsible for the sins of his children, squire. My daughter's left me. She's away. I saw my daughter at the theatre in London. She saw me, and saw her sister with me. She disappeared. It's a hard thing for a man to be saying of his own flesh and blood. She disappeared. She went, knowing her father's arms open to her. She was in company with your son."

The squire was thrumming on the arm of his chair. He looked up vaguely, as if waiting for the question to follow, but meeting the farmer's settled eyes, he cried, irritably, "Well, what's that to me?"

"What's that to you, squire?"

"Are you going to make me out responsible for my son's conduct? My son's a rascal—everybody knows that. I paid his debts once, and I've finished with him. Don't come to me about the fellow. If there's a greater curse than the gout, it's a son."

"My girl," said the farmer, "she's my flesh and blood, and I must find her, and I'm here to ask you to make your son tell me where she's to be found. Leave me to deal with that young man—leave you me! but I want my girl."

"But I can't give her to you," roared the squire, afflicted by his two great curses at once. "Why do you come to me? I'm not responsible for the doings of the dog. I'm sorry for you, if that's what you want to know. Do you mean to say that my son took her away from your house?"

"I don't do so, Mr. Blancove. I'm seeking for my daughter, and I see her in company with your son."

"Very well, very well," said the squire; "that shows his habits; I can't say more. But what has it got to do with me?"

The farmer looked helplessly at Robert.

"No, no," the squire sung out, "no interlopers, no interpreting here. I listen to you. My son—your daughter. I understand that, so far. It's between us two. You've got a daughter who's gone wrong somehow: I'm sorry to hear it. I've got a son who never went right; and it's no comfort to me, upon my word. If you were to see the bills and the letters I receive! but I don't carry my grievances to my neighbours. I should think, Fleming, you'd do best, if it's advice you're seeking, to keep it quiet. Don't make a noise about it. Neighbours' gossip I find pretty well the worst thing a man has to bear, who's unfortunate enough to own children."

The farmer bowed his head with that bitter humbleness which characterized his reception of the dealings of Providence toward him.

"My neighbours 'll soon be none at all," he said. "Let 'em talk. I'm not abusing you, Mr. Blancove. I'm a broken man: but I want my poor lost girl, and, by God, responsible for your son or not, you must help me to find her. She may be married, as she says. She mayn't be. But I must find her."

The squire hastily seized a scrap of paper on the table and wrote on it.

"There!" he handed the paper to the farmer; "that's my son's address, 'Boyne's Bank, City, London.' Go to him there, and you'll find him perched on a stool, and a good drubbing won't hurt him. You've my hearty permission, I can assure you: you may say so. 'Boyne's Bank.' Anybody will show you the place. He's a rascally clerk in the office, and precious useful, I dare swear. Thrash him, if you think fit."

"Ay," said the farmer, "Boyne's Bank. I've been there already. He's absent from work, on a visit down into Hampshire, one of the young gentlemen informed me; Fairly Park was the name of the place: but I came to you, Mr. Blancove; for you're his father."

"Well now, my good Fleming, I hope you think I'm properly punished for that fact." The squire stood up with horrid contortions.

Robert stepped in advance of the farmer.

"Pardon me, sir," he said, though the squire met his voice with a prodigious frown; "this would be an ugly business to talk about, as you observe. It would hurt Mr. Fleming in these parts of the country, and he would leave it, if he thought fit; but you can't separate your name from your son's—begging you to excuse the liberty I take in mentioning it— not in public: and your son has the misfortune to be well known in one or two places where he was quartered when in the cavalry. That matter of the jeweller—"

"Hulloa," the squire exclaimed, in a perturbation.

"Why, sir, I know all about it, because I was a trooper in the regiment your son, Mr. Algernon Blancove, quitted: and his name, if I may take leave to remark so, won't bear printing. How far he's guilty before Mr. Fleming we can't tell as yet; but if Mr. Fleming holds him guilty of an offence, your son 'll bear the consequences, and what's done will be done thoroughly. Proper counsel will be taken, as needn't be said. Mr. Fleming applied to you first, partly for your sake as well as his own. He can find friends, both to advise and to aid him."

"You mean, sir," thundered the squire, "that he can find enemies of mine, like that infernal fellow who goes by the title of Reverend, down below there. That'll do, that will do; there's some extortion at the bottom of this. You're putting on a screw."

"We're putting on a screw, sir," said Robert, coolly.

"Not a penny will you get by it."

Robert flushed with heat of blood.

"You don't wish you were a young man half so much as I do just now," he remarked, and immediately they were in collision, for the squire made a rush to the bell-rope, and Robert stopped him. "We're going," he said; "we don't want man-servants to show us the way out. Now mark me, Mr. Blancove, you've insulted an old man in his misery: you shall suffer for it, and so shall your son, whom I know to be a rascal worthy of transportation. You think Mr. Fleming came to you for money. Look at this old man, whose only fault is that he's too full of kindness; he came to you just for help to find his daughter, with whom your rascal of a son was last seen, and you swear he's come to rob you of money. Don't you know yourself a fattened cur, squire though you be, and called gentleman? England's a good place, but you make England a hell to men of spirit. Sit in your chair, and don't ever you, or any of you cross my path; and speak a word to your servants before we're out of the house, and I stand in the hall and give 'em your son's history, and make Wrexby stink in your nostril, till you're glad enough to fly out of it. Now, Mr. Fleming, there's no more to be done here; the game lies elsewhere."

Robert took the farmer by the arm, and was marching out of the enemy's territory in good order, when the squire, who had presented many changeing aspects of astonishment and rage, arrested them with a call. He began to say that he spoke to Mr. Fleming, and not to the young ruffian of a bully whom the farmer had brought there: and then asked in a very reasonable manner what he could do—what measures he could adopt to aid the farmer in finding his child. Robert hung modestly in the background while the farmer laboured on with a few sentences to explain the case, and finally the squire said, that his foot permitting (it was an almost pathetic reference to the weakness of flesh), he would go down to Fairly on the day following and have a personal interview with his son, and set things right, as far as it lay in his power, though he was by no means answerable for a young man's follies.

He was a little frightened by the farmer's having said that Dahlia, according to her own declaration was married, and therefore himself the more anxious to see Mr. Algernon, and hear the truth from his estimable offspring, whom he again stigmatized as a curse terrible to him as his gouty foot, but nevertheless just as little to be left to his own devices. The farmer bowed to these observations; as also when the squire counselled him, for his own sake, not to talk of his misfortune all over the parish.

"I'm not a likely man for that, squire; but there's no telling where gossips get their crumbs. It's about. It's about."

"About my son?" cried the squire.

"My daughter!"

"Oh, well, good-day," the squire resumed more cheerfully. "I'll go down to Fairly, and you can't ask more than that."

When the farmer was out of the house and out of hearing, he rebuked Robert for the inconsiderate rashness of his behaviour, and pointed out how he, the farmer, by being patient and peaceful, had attained to the object of his visit. Robert laughed without defending himself.

"I shouldn't ha' known ye," the farmer repeated frequently; "I shouldn't ha' known ye, Robert."

"No, I'm a trifle changed, may be," Robert agreed. "I'm going to claim a holiday of you. I've told Rhoda that if Dahlia's to be found, I'll find her, and I can't do it by sticking here. Give me three weeks. The land's asleep. Old Gammon can hardly turn a furrow the wrong way. There's nothing to do, which is his busiest occupation, when he's not interrupted at it."

"Mas' Gammon's a rare old man," said the farmer, emphatically.

"So I say. Else, how would you see so many farms flourishing!"

"Come, Robert: you hit th' old man hard; you should learn to forgive."

"So I do, and a telling blow's a man's best road to charity. I'd forgive the squire and many another, if I had them within two feet of my fist."

"Do you forgive my girl Rhoda for putting of you off?"

Robert screwed in his cheek.

"Well, yes, I do," he said. "Only it makes me feel thirsty, that's all."

The farmer remembered this when they had entered the farm.

"Our beer's so poor, Robert," he made apology; "but Rhoda shall get you some for you to try, if you like. Rhoda, Robert's solemn thirsty."

"Shall I?" said Rhoda, and she stood awaiting his bidding.

"I'm not a thirsty subject," replied Robert. "You know I've avoided drink of any kind since I set foot on this floor. But when I drink," he pitched his voice to a hard, sparkling heartiness, "I drink a lot, and the stuff must be strong. I'm very much obliged to you, Miss Rhoda, for what you're so kind as to offer to satisfy my thirst, and you can't give better, and don't suppose that I'm complaining; but your father's right, it is rather weak, and wouldn't break the tooth of my thirst if I drank at it till Gammon left off thinking about his dinner."

With that he announced his approaching departure.

The farmer dropped into his fireside chair, dumb and spiritless. A shadow was over the house, and the inhabitants moved about their domestic occupations silent as things that feel the thunder-cloud. Before sunset Robert was gone on his long walk to the station, and Rhoda felt a woman's great envy of the liberty of a man, who has not, if it pleases him not, to sit and eat grief among familiar images, in a home that furnishes its altar-flame.

CHAPTER XVI

Fairly, Lord Elling's seat in Hampshire, lay over the Warbeach river; a white mansion among great oaks, in view of the summer sails and winter masts of the yachting squadron. The house was ruled, during the congregation of the Christmas guests, by charming Mrs. Lovell, who relieved the invalid Lady of the house of the many serious cares attending the reception of visitors, and did it all with ease. Under her sovereignty the place was delightful, and if it was by repute pleasanter to young men than to any other class, it will be admitted that she satisfied those who are loudest in giving tongue to praise.

Edward and Algernon journeyed down to Fairly together, after the confidence which the astute young lawyer had been compelled to repose in his cousin. Sir William Blancove was to be at Fairly, and it was at his father's pointed request that Edward had accepted Mrs. Lovell's invitation. Half in doubt as to the lady's disposition toward him, Edward eased his heart with sneers at the soft, sanguinary graciousness they were to expect, and racked mythology for spiteful comparisons; while Algernon vehemently defended her with a battering fire of British adjectives in superlative. He as much as hinted, under instigation, that he was entitled to defend her; and his claim being by-and-by yawningly allowed by Edward, and presuming that he now had Edward in his power and need not fear him, he exhibited his weakness in the guise of a costly gem, that he intended to present to Mrs. Lovell—an opal set in a cross pendant from a necklace; a really fine opal, coquetting with the lights of every gem that is known: it shot succinct red flashes, and green, and yellow; the emerald, the amethyst, the topaz lived in it, and a remote ruby; it was veined with lightning hues, and at times it slept in a milky cloud, innocent of fire, quite maidenlike.

"That will suit her," was Edward's remark.

"I didn't want to get anything common," said Algernon, making the gem play before his eyes.

"A pretty stone," said Edward.

"Do you think so?"

"Very pretty indeed."

"Harlequin pattern."

"To be presented to Columbine!"

"The Harlequin pattern is of the best sort, you know. Perhaps you like the watery ones best? This is fresh from Russia. There's a set I've my eye on. I shall complete it in time. I want Peggy Lovell to wear the jolliest opals in the world. It's rather nice, isn't it?"

"It's a splendid opal," said Edward.

"She likes opals," said Algernon.

"She'll take your meaning at once," said Edward.

"How? I'll be hanged if I know what my meaning is, Ned."

"Don't you know the signification of your gift?"

"Not a bit."

"Oh! you'll be Oriental when you present it."

"The deuce I shall!"