S P A N I S H V I S T A S

BY
GEORGE PARSONS LATHROP
ILLUSTRATED
BY
CHARLES S. REINHART
NEW YORK
HARPER & BROTHERS, FRANKLIN SQUARE
1883
Entered according to Act of Congress, in the year 1883, by
HARPER & BROTHERS,
In the Office of the Librarian of Congress, at Washington.
—
All rights reserved.
TO
FRANCES M. LATHROP
WHOSE TASTE FOR TRAVEL AND OBSERVATION EARLY PROMPTED HIS OWN
These Sketches are Dedicated
BY HER SON
THE AUTHOR

PREFACE.

THE two great Mediterranean peninsulas which, in opposite quarters, jut southward where—as George Eliot says, in her "Spanish Gypsy"—

"Europe spreads her lands
Like fretted leaflets, breathing on the deep,"

may not inaptly be likened to a brother and sister, instead of taking their places under the usual similitude of "sister countries." They have points of marked resemblance, in their picturesqueness, their treasures of art, their associations of history and romance; but, just as the physical aspect of Spain and its shape upon the map are broader, more thick-set and rugged than the slender form and flowing curves of Italy, so the Spanish language—with its Arabic gutturals interspersed among melodious linguals and vowel sounds—has been called the masculine development of that Southern speech of which the Italian presents the feminine side. The people of both countries exhibit a similar excitable, ardent quality in their characters; but the national temperament of the Spaniards is, perhaps, somewhat hardier, more virile, and sturdier in its passionateness.

It seems to be true that, while the Greek spirit transferred itself to Italy in the days of Augustus, renewing its influence at the period of the Renaissance, and leaving upon people and manners an impress never since quite effaced—an influence tending toward a certain feminine refinement—the spirit of Rome also transferred itself to the subject country, Hispania, and imbued that region with the strong, austere, or wilful characteristics of purely Latin civilization, which are still traceable there.

But, however we may account for the phenomena, it is likely that the mingled contrasts and resemblances of Italy and Spain will more and more induce travellers to visit the Iberian Peninsula. Italy has now been so thoroughly depicted in all its larger phases, from the foreigner's point of view, that investigation must hereafter chiefly be concerned with the study of special and local features. Spain, on the other hand, offers itself to the general observer and to the tourist as a field scarcely more explored than Italy was forty or fifty years ago; and the evidence is abundant that the current of travel is setting vigorously in this direction. With the extension of a railroad system and the incursion of sight-seeing strangers in larger number, we must of course expect that many of the most interesting peculiarities of the people will undergo modification and at length disappear. This, however, cannot be helped; and the following chapters, at the same time that they may encourage and aid those who are destined to bring about such changes, may also serve to arrest and preserve for future reference the actual appearance of Spain to-day.

Much might be written, with the certainty of an eager audience, concerning the present political condition of the country, by any one who had had opportunities for examining it; and Mr. John Hay, a few years ago, gave some glimpses of it in his charming volume, "Castilian Days." My own brief sojourn afforded no adequate opportunity for such observation. But it may be not inadmissible to record here one of the casual remarks which came to my notice in this connection. On a Mediterranean steamer I met with an exceedingly bright and healthy man of the middle class, fairly well educated—one of those specimens of solid, temperate, active manhood fortunately very common in Spain, on whom the future of the country really depends—and, noticing from my lame speech that I was not a native, he asked me, guardedly, if I was an Englishman.

"No," I said; "I am an American of the North, of the United States."

His manner changed at once; he thawed: more than that, his face lighted with hope, as if he had found a powerful friend, and he gazed at me with a certain delighted awe, attributing to my humble person a glory for which I was in no way responsible. "You are a republican, then!" he exclaimed.

"Yes."

He gave me another long, silent look, and then confessed that he, too, was a firm believer in republicanism.

"Are there many Spaniards now of that party?" I inquired.

His reply showed that he appreciated the difficulties of the national problem. "Party!" he cried. "Listen: in Spain there is a separate political party for every man." After a slight pause he added, bitterly, "Sometimes, two!"

It may still be said with a good deal of accuracy, though not of course with the literalness and the sweeping application that Paul de Saint Victor gave the words, in speaking of the French Charles II.'s reign, that "Spain no more changes than the arid zone that encircles a volcano. Kings pass, dynasties are renewed, events succeed each other, but the foundation remains immobile, and Philip II. still rules."

I have not attempted to review political matters; and neither have I tried to give an exhaustive account of the country in any other respect. The pictures which I have given I have endeavored to make vivid and faithful; and, if I have succeeded, they will present the essential characteristics of Spain. What has thus been the object of the text has certainly been attained in the drawings by Mr. Reinhart, which supply much the greater part of the illustrations in this volume. Made after sketches from life, which were prepared with unflagging zeal, and often under great difficulties, they frequently tell more than language can convey. Their graphic touch, their variety and humor, their technical merit, give them the best of recommendations; but a word of distinct recognition is due here to the artist for the fidelity and spirit with which he has reproduced so many scenes peculiar to the country.

It is hoped that the concluding chapter of "Hints to Travellers" will prove useful, as supplying certain information not always accessible in guide-books, and also as condensing the practical particulars of the subject in a convenient form.

The Wayside, Concord, April 1, 1883.

CONTENTS.

ILLUSTRATIONS.

S P A N I S H V I S T A S.

FROM BURGOS TO THE GATE OF THE SUN.

I.

Ancient houses on either side the stage narrow back to an archway in the centre, opening through to a pillared walk and a dimly moonlit space beyond. Muffled figures occasionally pass the aperture.

Suddenly enters Don Ramiro—or Alvar Nuñez, I really don't know which—and advances toward the front. To our surprise he does not open the play with a set speech or any explanation, but continues to advance until he disappears somewhere under our private box, as if he were going from this street of the play into some other adjoining street, just as in actual life. A singular freak of realism! He is closely pursued, however, by two assassins in long cloaks, who, like all the other figures we have seen, move noiselessly in soft shoes or canvas sandals. Presently a shriek resounds from the quarter toward which Don Ramiro betook himself. Have they succeeded in catching him, and is that the sound of his mortal agony? We have just concluded that this is the meaning of the clamor, when, after a second or two, the shriek resolves itself into laughter. Then we begin to recall that we didn't pay anything on entering; and, as we glance up toward the folded curtain above the scene, discover that its place is occupied by the starry sky. The houses, too, have a singularly solid look, and do not appear to be painted. While all this has been dawning upon us, we become conscious that the mixed sound of agony or mirth just heard was merely the signal of amusement caused to certain wandering Spaniards by some convulsingly funny episode; and the next moment their party comes upon the scene at about the point where the foot-lights ought to be. They exchange a good-night; some go off, and others thunder at sundry doors with ancient knockers, awaking mediæval echoes in the dingy thoroughfares, without causing any great surprise to the neighborhood.

In truth, we had simply been looking from the window of an inn at which we had just arrived; but everything had grouped itself in such a way that it was hard to comprehend that we were not at the theatre. That day we had been hurled over the Pyrenees, and landed in the dark at our first Peninsular station; then, facing a crowd of fierce, uncouth faces at the depôt door, we had somehow got conveyed to the Inn of the North through narrow, cavernous streets, brightened only by the feeble light of a few lost lanterns, and so found ourselves staring out upon our first picturesque night in Spain. The street or plazuela below us, though now deserted, went on conducting itself in a most melodramatic manner. Big white curtains hung in front of the iron balconies, flapping voluminously, or were drawn back to admit the cool night air. Crickets chirped loudly from hidden crevices of masonry, and a well-contrived bat sailed blindly over the roofs in the penumbral air, through which the moon was slowly rising. Lights went in and out; some one was seen cooking a late supper in one dwelling; windows were opened and shut, and a general appearance of haunting ghosts was kept up. Now and then a woman came to the balcony and chatted with unseen neighbors across the way about the festival of the morrow. By-and-by one side of the street blew its lamps out and prepared for bed; but the wakeful side insisted on talking to the sleepy one for some time longer, until warned by the cry of the night-watch that midnight had come. Anything more desolate and peculiar than this cry I have never heard. It was a long-drawn, melancholy sounding of the hour, with a final "All's well!" terminating in a minor cadence which seemed to drop the voice back at once into the Middle Ages. This same chant may have resounded from the days of Lain Calvo and the old judges of Castile unaltered, and for a time it made me fancy that the little Gothic town had returned to its musty youth. We were walled into a sleepy feudal stronghold once more, and perhaps at that very moment the Cid was celebrating his nuptials with Ximena, daughter of the count he had murdered for an insult, in the old ruined citadel up there on the hill, above the cathedral spires. But the watchman came and went, and the present resumed its sway. He passed with slow step, in a big cloak and queer cap, carrying a long bladed staff, and a lantern which cast swaying squares of light around his feet; silent as a black ghost, and seeming to have been called into life only with the lighting of his lamp-wick. But, after he had disappeared, the lonely quaver of his cry returned to us from farther and farther away, penetrating into the comfortless apartment to which we now retired for sleep.

The Inn of the North was dirty and unkempt; a frightful odor from the donkey-stable and other sources streamed up into our window between shutters heavy as church doors; and the descant of the watch, relieved by violent cock-crows, disturbed us all night. Nevertheless, we awoke with a good deal of eagerness when the alert young woman with dark pink cheeks and snapping eyes who served us came to the door with chocolate and bread, water and azucarillos, betimes next morning. It was the festival of Corpus Christi; but although every one was going to see the procession, no one could tell us anything about it. Unless he be extraordinarily shrewd, a foreigner can hardly help arriving in Spain on some kind of a feast-day. When the people cannot get up a whole holiday, they will have a fractional one. You go about the streets cheerfully, thinking you will buy something at leisure in the afternoon; but when you approach the shop commerce has vanished, and is out taking a walk, or drinking barley-water in honor of some obscure saint. You engage a guide and carriage to visit some public building, and both guide and carriage are silent as to the religious character of the day until you arrive and find the place shut, when full price, or at least half, is confidently demanded. Church feasts are a matter of course, but you are expected to know about them, and questions are considered out of place. In this case we had kept Corpus Christi in mind, and as Burgos is a small place, the "function" could not by any possibility escape us.

The garrison turned out, and military music played in the procession, but otherwise it was a quaint reproduction of the antique. The quiet streets, innocent of traffic, were filled with peasants whose garments, odoriferous with age and dirt, made a dazzle of color, especially the bright yellow flannel skirts of the women, and the gay handkerchief which men and women alike employ here. Sometimes it is worn around the shoulders, sometimes around the head, and sometimes both: but everywhere and always handkerchiefs are brought into play as essentials. From almost every balcony, too, hung bedquilts, or sheets scalloped with red and blue, in emulation of the tapestries and banners that once graced these occasions. Amid a tumultuous tumbling of bells up amid the carven gray stone-work of the cathedral, the candles and images and tonsured priests, clad in resplendent copes, moved forth, attended by civil functionaries in swallow-tailed coats or old crimson robes of the twelfth century. But the prettiest sight, and a much more striking one than the gilt effigies of St. Lawrence and St. Stephen and the rest, under toy canopies and wreathed with false flowers, was that of two little boys, nude except for the snowy lamb-skins they wore, who personated Christ and St. John. The Christ rode on a lamb, and kept his head very steady under a big curled wig made after the old masters. We saw him afterward in his father's arms, still holding his hands prayerfully, as he had been drilled, with a look of sweet, childish awe in his face.

When the procession was about to return, we were amazed, in gazing at the small street from which it should emerge, to behold eight huge figures, looking half as high as the houses, in long robes, and with placidly unreal expressions on their gigantic faces, advancing with that peculiar unconscious gait due to human leg-power when concealed under papier-maché monsters. It took but a glance, as they filed out and aligned themselves on the small sunny square, to recognize in them the Kings of the Earth, come in person to do homage before the Christ. One bore a crown and ermine as insignia of the Castilian line; others were Moors; and even China was represented. After them danced a dozen boys, in pink tunics and bell-crowned hats of drab felt quaintly beribboned, throwing themselves about fantastically, with snapping fingers and castanets. They formed in two ranks, just under the grand shadowy entrance arch, to receive the pageant. A drummer and two flautistas in festive attire accompanied them; and whenever a monstrance or holy image was borne past, the flutes mingled with the drum eccentric bagpipe discords, at which the boys broke into a prancing jig and rattled their castanets to express their devout joy. Two other men in harlequin dress, wearing tall, pointed hats, stood on the edge of the eager crowd, and belabored those who pressed too close with horse-hair switches attached by a long cord to slender sticks. This part of the performance was conducted with great energy and seriousness, and seemed to be received with due reverence by the thick heads which got hit. A more heathenish rite than this jig at the sanctuary gate could hardly be imagined.

"Are these things possible, and is this the nineteenth century?" exclaimed my friend and companion, who, however, had been guilty of an indigestion that day.

I confess that for myself I enjoyed the dance, and could not help being struck by the contrast of this boyish gayety with the heavy gorgeousness of the priests and the immobile frown of the sculptured figures on the massive ogee arch.[1] Then when the Host was carried by in the custodia, and the motley crowd kneeled and bared their heads, we sunk to the pavement with them, our knees being assisted possibly by the statement we had heard that, a few years since, blows or knives were the prompt reward of non-conformity. Afterward, when secular amusements ensued, our boys went about, stopping now and then in open places to execute strange dances, with hoops and ribbons and wooden swords, for the general enjoyment. A gleeful sight they made against backgrounds of old archways, or perhaps the mighty Arch of Santa Maria, one of the local glories, peopled with statues of ancient counts and knights and rulers.

No Spanish town is without its paseo—its public promenade; and in Burgos this is supplied by The Spur—a broad esplanade skirting the shrunken river, with borders of chubby shade trees and shrubbery. On Corpus Christi the citizens also turned out in the arcades of the Main Plaza. Here, and later in the dusty dusk of The Spur, they crowded and chatted, in accordance with native ideas of enjoyment; and except that their mantillas and shoulder-veils[2] made a difference, the señoras and señoritas might have passed for Americans, so delicate were their features, so trim their daintily-attired figures, though perhaps they hadn't a coin in their pockets. The men had the universal Iberian habit of carrying their light overcoats folded over the left shoulder; but their quick nervous expression and spare faces would have been quite in place on Wall Street. Spanish ladies are allowed far more liberty than the French or English in public; but though they walked without male escort, they showed remarkable skill in avoiding any direct look at men from their own lustrous eyes. During the accredited hours of the paseo, however, gallants and friends are suffered to walk close behind them—so close that the entire procession often comes to a stand-still—and to whisper complimentary speeches into their ears; no one, not even relatives of the damsels, resenting this freedom.

At Las Huelgas, a famous convent near the town, much resorted to by nuns of aristocratic family (even the Empress Eugénie it was thought would retire thither after her son's death), the fête was renewed next day; and it was here that we saw beggars in perfection. A huge stork's nest was perched high on one end of the chapel, as on many churches of Spain. Bombs were fired above the crowd from the high square tower that rose into the hot air not far from the inner shrine; and in the chapel below the nuns were at their devotions, caged behind heavy iron lattices that barely disclosed their picturesque head-dress. Meanwhile peasants and burghers wandered aimlessly about, looking at pictures, relics, and inscriptions in an outer arcade; after which the holiday of the people began. Holiday here means either walking or sleeping. In a sultry, dusty little square by the convent, covered with trees, the people went to sleep, or sat talking, and occasionally eating or drinking with much frugality. The first object that had greeted us by daylight in Burgos was a marvellous mendicant clad in an immense cloak, one mass of patches—in fact, a monument of indigence—carrying on his head a mangy fur cap, with a wallet at his waist to contain alms. The beggars assembled at Las Huelgas were quite as bad, except that they mostly had the good taste to remain asleep. In any attitude, face down or up, on stone benches or on the grass, they dozed at a moment's notice, reposing piously. One sat for a long time torpid near us, but finally mustered energy to come and entreat us. He received a copper, whereupon he kissed the coin, murmured a blessing, and again retreated to his shadow. Another, having acquired something from some other source, halted near us to find his pocket. He searched long among his rags, and plunged fiercely into a big cavity which exposed his dirty linen; but this proved to be only a tear in his trousers, and he was at last obliged to tie his treasure to a voluminous string around his waist, letting it hang down thence into some interior vacancy of rags.

It may not be generally known that beggars are licensed in Spain. Veteran soldiers, instead of receiving a pension, are generously endowed with official permission to seek charity; the Church gives doles to the poor, and citizens consider it a virtue to relieve the miserable objects who petition for pence at every turn. As we came from Las Huelgas we saw the maimed and blind and certain more robust paupers creeping up to the door of a church, where priests were giving out food. A little farther on an emaciated crone at a bridge-head, with eyes shut fast in sleep, lifted her hand mechanically and repeated her formula. We were convinced that, since she could do this in her slumbers, she must have been satisfied with merely dreaming of that charity we did not bestow.

It was a favorable season for the beggars, and many of them sunned their bodies, warped and scarred by hereditary disease, on the cathedral steps. But professional enterprise with them was constantly hindered by the tendency to nap. One old fellow I saw who, feeling a brotherhood between himself and the broken-nosed statues, had mounted into a beautiful niche there and coiled himself in sleep, first hauling his wooden leg up after him like a drawbridge.

Meanwhile the peasants kept on swarming into the town, decorating it with their blue and red and yellow kerchiefs and kirtles, as with a mass of small moving banners. The men wore vivid sashes, leather leggings, and laced sandals. It was partly for enjoyment they came, and partly to sell produce. All alike were to be met with at noon, squatting down in any sheltered coigne of street or square, every group with a bowl in its midst containing the common dinner. There were also little eating-houses, in which they regaled themselves on bread and sardines, with a special cupful of oil thrown in, or on salt meat. A lively trade in various small articles was carried on in the Main Plaza; among them loaves of tasteless white bread, hard as tiles, and delicious cherries, recalling the farms of New York. Another product was offered, the presence of which in large quantity was like a sarcasm. This was Castile soap. It must have taken an immense effort of imagination on the part of these people to think of manufacturing an article for which they have so little use. I am bound to add that I did not see an ounce of it sold; and I have my suspicions that the business is merely a traditional one—the same big cheese-like chunks being probably brought out at every fair and fête, as a time-honored symbol of Castilian prosperity. But, after all, so devout a community must be convinced that it possesses godliness; and having that, what do they need of the proximate virtue? This is the region where the inhabitants refer to themselves as "old and rancid Castilians;" and the expression is appropriate.

The most intolerable odor pervaded the whole place. It was a singular mixture, arising from the trustful local habit of allowing every kind of garbage and ordure to disperse itself without drainage, and complicated with fumes of oil, garlic, general mustiness, and a whiff or two of old incense. The potency of olive-oil, especially when somewhat rank, none can know who have not been in Spain. That first steak—how tempting it looked among its potatoes, but how abominably it tasted! We never approached meat with the same courage afterward, until our senses were subdued to the level of fried oil. Combine this with the odor of corruption, and you have the insinuating quality which we soon noticed even in the wine—perhaps from the custom of transporting it in badly dressed pig-skins, which impart an animal flavor. This astonishing local atmosphere saluted us everywhere; it was in our food and drink; we breathed it and dreamed of it. Yet the Burgalese flourished in calm unconsciousness thereof. The splendidly blooming peasant women showed their perfect teeth at us; and the men, in broad-brimmed, pointed caps and embroidered jackets, whose feet were brown and earthy as tree-roots, laughed outright, strong in the knowledge of their traditionary soap, at our ignorant foreign clothes and over-washed hands! Among the humbler class were some who were prepared to sell labor—an article not much in demand—and they were even more calmly squalid than the beggars. They sat in ranks on the curb-stones of the plaza, a matchless array of tatters; and if they could have been conveyed without alteration to Paris or New York, there would have been sharp competition for them between the artists and paper-makers.

So my companion, the artist, assured me—whom, by-the-way, in order to give him local color, I had rechristened Velazquez. But as he shrank from the large implication of this name, I softened him down to Velveteen.

We had been twenty-four hours in Burgos before we saw a carriage, excepting only the hotel coach, which stood most of the time without horses in front of the door, and was used by the porter as a private gambling den and loafing place for himself and his friends. When wheels did roll along the pavements they awoke a roar as of musketry. Perhaps the most important event which took place during our stay—it was certainly regarded with a more feverish interest by the inhabitants than the Corpus Christi ceremonies—was the bold act of our landlady, who went out to drive in a barouche, while her less daring spouse hung out of the window weakly staring at her. The house-fronts were filled with well-dressed feminine heads, witnessing the departure; a grave old gentleman opposite left his book and glared out intently. When the wheels could no longer even be heard, he turned to gaze wistfully in the opposite direction, dimly hoping that life might vouchsafe him a carriage.

Although, as I have said, women avoid meeting male glances when on the sidewalk, they enjoy full license to stand at their high windows, which are called miradores, or "lookers," and contemplate with entire freedom all things or persons that pass; which, in view of the complete listlessness of their lives, is a fortunate dispensation. Existence in Burgos is essentially life from the window point of view. It proceeds idly, and as a sort of accidental spectacle. Yet there is for strangers a dull fascination in wandering about the narrow, silent streets, and contemplating ancient buildings, the chiselled ornaments and armorial bearings of which recall the wealth and nobility that once inhabited them during the great days of the town. Where have all the dominant families gone? Are they keeping store, or tending the railroad station? Their descendants are sometimes only too happy if they can get some petty government office at five hundred dollars a year. I strolled one afternoon into the Calle de la Calera, and through a shabby archway penetrated to a stately old ruined court, around which ran an inscription in stone, declaring this palace to have been reared by an abbot of aristocratic line a century or two since. It is used now as an oil factory. A pretty girl was looking out over a flower-pot in an upper window, and, as I strayed up the noble staircase, I met a sad-looking gentleman coming down, who I afterward learned was a widower, formerly resident in Paris, but now returned with his daughter to this strange domicile in his native place. Some of the lower rooms, again, were devoted to plebeians and donkeys.

The humble ass, by-the-way, begins to thrust himself meekly upon you as soon as you set foot in the Peninsula, and you must look sharp if you wish to keep out of his way. His cheap labor has ruined and driven out the haughtier equine stock of Arabia that once pawed this devoted soil. Even the Cid, however, did not boast a barb of the desert in the earlier days of his prowess; for when King Alfonso bade him quit the land, "then the Cid clapped spurs to the mule upon which he rode, and vaulted into a piece of ground which was his own inheritance, and answered, 'Sire, I am not in your land, but in my own.'" This little incident occurred near Burgos, and the drowsy city still keeps some dim memory of that great Warrior Lord the Cid Campeador, Rodrigo de Bivar, whose quaint story, full of hardihood, robbery, and cruelty, gallant deeds and grim pathos, trails along the track of his adventures through half of Spain. But there is a curious cheapness and indifference in the memorials of him preserved. In the Town-hall, for the sum of ten cents, you are admitted to view the modern walnut receptacle wherein all that is left of him is economically stored. Those puissant bones, which went through so many hard fights against the Moors, are seen lying here, dusty and loose, with those of Ximena, under the glass cover. Among them reposes a portly corked bottle, in which minor fragments of the warrior lord were placed after the moving of his remains from the Convent of San Pedro in chains, where for many years he occupied a more seemly tomb. Imagine George Washington, partially bottled and wholly disjointed, on exhibition under glass! The Spaniards, in no way disconcerted by the incongruity, have graven on the brass plate of the case a high-sounding inscription; but a tribute as genuine and not less valuable, though humbler, was the big, spruce-looking modern wagon I saw in the market-place one day, driven by an energetic farmer, and bearing on its side the title El Cid.

One would look to see the conqueror's dust richly inurned within the cathedral—a noble outgrowth of the thirteenth century, enriched by accretions of later work until its whitish stone and wrought marble connect the Early Pointed style with that of the Renaissance in its flower. But perhaps this temple has enough without the Cid. Strangely placed on the side of a hill, with houses attached to one corner, as if it had sprung from the homes and hearts of the people, it seems to hold down the swelling ground with its massive weight; yet the spires, through the open-work of which the stars may be seen at night, rise with such lightness you would think the heavy bells might make them tremble and fall. I passed an hour of peace and fresh air above the fetid streets, looking down from the citadel hill on these pinnacles, while around and below them lay the town—an irregular mass of gray and mauve pierced with deep shadows—in the midst of bare, rolling uplands. Before the fair high altar hangs the victorious banner of Ferdinand VII., recalling to the people the great battle of Tolosa Plains. And when one sees peasants—rough spots of color in the sombre choir—studying the dark, fruit-like wood-carvings through which the Bible story wreathes itself in panel after panel, one feels the teaching power of these old churches for the unlettered. In one of the corner chapels appears another less favorable phase of such teaching, in the shape of a miracle-working Christ, amid deep shadows and dim lantern-light, stretched on the cross, and draped with a satin crinoline. This doubtful reverence of putting a short skirt on the figure of the Saviour, often practiced in Spain, may perhaps mark an influence unconsciously received from the Moorish dislike for nudity. The cathedral bells were continually clanging the summons to mass or vespers, and their loud voices, though cracked and inharmonious, seemed still to assert the supremacy of ecclesiastical power. But while a priest occasionally darkened the sidewalks, many others, on account of the growing prejudice against them, went about in frock-coats and ordinary tall hats. And under all its crowning beauty the old minster, motionless in the centre of the stagnant town—its chief entrance walled up, and a notice painted on its Late Roman façade warning boys not to play ball against the tempting masonry—wore the look of some neglected and half-blind thing, once glorious, symbol of a power abruptly stayed in its prodigious career.

Meanwhile the daily history of Burgos went on its wonted way, sleepy but picturesque—a sort of illuminated prose. Women chaffered in the blue-tiled fish-market; the bourgeoisie patronized the sweetmeat shops, of which there were ten on the limited chief square; the tambourine-maker varied this ornamental industry with the construction of the more practical sieve; a peasant passed with a bundle of purple-flowering vetches on his head for fodder, and another drove six milch goats through the streets, seeking a purchaser. To this last one the proprietor of the principal book-store came running out to see if he could strike a bargain. One morning I met an uncouth countryman and his stout wife on the red-tiled landing of the inn stairs (they bowed and courtesied to me) with chickens and eggs for sale. In this simple manner our hotel was supplied. All the bread was got, a few pieces at a time, from a small bakery across the plazuela, in a dark cellar just under the niche of a neglected stone saint—a new arrival causing our maid to run hurriedly thither for a couple of rolls; and the water also came from some neighbor's well in earthen jars. The barber even exercises his primitive function in Burgos: he is called a "bleeder," and announces on his shop sign that "teeth and molars" are extracted there. Democratic and provincial the atmosphere was, and not unpleasantly so; yet during our stay Italian opera from Madrid was performing in the theatre, and large yellow posters promised "Bulls in Burgos" at an early date.

II.

TO pass from this ancient city to Madrid is to experience one of those astonishing contrasts in which the country abounds.

We dropped asleep in the rough, time-worn regions of Old Castile, and in the morning found ourselves amid the glare and bustle of reconstructed Spain, as it displays itself on the great square called the Gate of the Sun—a spot with no hint of poetry about it other than its name. Madrid adopts largely the Parisian style of street architecture, and has in portions a resemblance to Boston. The sense of remoteness aroused in the north here suddenly fades, though the traits that mark a foreign land soon re-assemble and take shape in a new framework. Perhaps, too, our first rather flat impression was due to an exhausting night journey and some accompanying incidents.

"The Spaniards are a nation of robbers!" a cheerful French gentleman of Bordeaux had told us;[3] and he threw out warnings of certain little coin tricks in which they were adepts. When two Civil Guards, armed with swords and guns, inspected our train at the frontier, we recalled his statement. These guards persistently popped up at every succeeding station. No matter how fast the train went, there they were always waiting; always two of them, always with the same mustached faces, and the same white havelocks fluttering on their bunchy cocked hats of the French Revolution, and making their swarthy cheeks and black eyes fiercer by contrast. In fact, they were obviously the same men. Every time they marched up and down the platform, scanning the cars in a determined manner, and scowling at our compartment in a way that fully persuaded us some one must be guilty. Indeed, before long we became convinced that we ourselves were suspicious; but it would have been a relief if they had taken us in hand at once. Why should they go on glaring at us and swinging their guns, as if it were a good deal easier to shoot us than not, unless it was that we were too rich a "find" to be disposed of immediately—squandered, as it were? Perhaps the torture of suspense suited the enormity of our case, but it was certainly cruel. There was some satisfaction, however, in finding that when we left the depôt they allowed us a restricted liberty, and kept out of our way. If it had been otherwise, I don't know what they would have done to us at Burgos, for it was there that the landlady forced upon us a gold piece that would not pass, in exchange for a good one which we had given her. This very simple device was one of which the French gentleman had told us. But we were too confiding. The money to pay the bill was sent away by a servant, and once out of sight was easily replaced with inferior coin. Disturbed by this episode, we went to our train, which started with the watchman's first hail at eleven, and stumbled hastily into an empty compartment, which we soon converted into a sleeping-carriage by making our bundles pillows, drawing curtains, and pulling the silk screen over the lamp. Our nap was broken only by a halt at the next station. There was a long, drowsy pause, during which the train seemed to be pretending it hadn't been asleep. It was nearly time to go on, when feminine voices drew near our carriage; the door was thrown open, and two ladies quickly entered. There was no time for retreat; the usual fish-horn and dinner-bell accompaniment announced our departure, and the wheels moved. Then it was that one of the new-comers uttered a half scream, and we saw that she was a nun!

Had it been a cooler night our blood might have frozen; but as it failed us, we did what we could by feeling greatly embarrassed. The nun and her travelling companion had been speaking Spanish as they approached, and we tried in that language to impress on them our harmless devotion to their convenience.

"But he said it was reserved for ladies," murmured the sister, in good English.

The terrible truth was now clear. My eye caught, at the same instant, a card in the window which proved beyond question that we had got into the carriage for señoras.

The result of this adventure was that we found the nun to be an English Catholic, employed in teaching at a religious establishment, and her friend another Englishwoman protecting her on her journey. Pleasant conversation ensued, and we had almost forgotten that we were criminals, when the speed of the engine slackened again, and the thought of the Civil Guards returned to haunt us. We did not dare remain, yet we were sure that our military pursuers would confront us again on the platform. There indeed they were, when we tumbled out into the obscurity, with their white-hooded heads looming above their muskets in startling disconnectedness. Telling Velazquez, with all the firmness I possessed, to bare his breast to the avenging sword, I hastened to get into a coupé, preferring to die comfortably. He, however, ignominiously followed me. It is true, we were not molested; but the shock of that narrow escape kept us wakeful.

Not even our own prairies, I think, could present so dreary and monotonous an outlook as the wide, endless, treeless Castilian plains while morning slowly felt its way across them. Brown and cold they were, skirted by white roads, and all shorn of their barley crops, though it was but middle June. Now and then a village was seen huddled against some low slope—a church lifting its tall, square campanario above the humble roofs against the pearling sky. Interior Spain is a desolate land, but the Church thrives there and draws its tax from the poverty-stricken inhabitants—a crowned beggar ruling over beggars.

If the first man were now to be created from the clay of this region, he would doubtless turn out the very type of a lean hidalgo. The human product of such soil must perforce be meagre and melancholy; and the pensiveness which we see in most Spanish faces seems a reflection of the landscape which surrounds them.

The Madrileños offer not a flat, but rather an extremely round contradiction to this general and accepted idea of the national appearance. Slenderness is the exception with them. Their city is a forced flower in the midst of mountain lands, and the men themselves rejoice in a rotund and puffy look of success, which also partakes of the hot-house character. They are people of leisure, and, after their manner, of pleasure. How they swarm in the cafés in the Gate of the Sun—where they keep up the Moorish custom of calling waiters by two claps of the hands—or on the one great thoroughfare, Calle de Alcalá, or in the bull-ring of a Sunday! They are never at rest, yet never altogether active. They never sleep, or, if they do, others take their places in the public resorts. The clamor of the streets, and even the snarling cry of the news-venders—"La Correspondencia," or "El Demó-crata-a"—is kept up until the small hours; and at five or six the restless stir begins again with the silver tinkling of fleet mule-bells. There are no night-howling watchmen in Madrid; but the custom of street-hawking is rampant in Spain; and here, in addition to the newsmen, we have the wail of the water-criers, ministering to an unquenchable popular thirst, the lottery-ticket sellers, the wax-match peddlers, and a dozen others. The favorite bird of the country is a kind of lark called alondra, much hung in cages outside the windows, whence they utter—with that monotonous recurrence which seems a fixed principle of all things Spanish—a hard, piercing triple note impossible to ignore. This loud, persistent "twit, twit-twit," resembling at a distance the click of castanets, begins with daybreak, and gives a most discouraging notion of the Spanish musical ear.

But the watchmen are merciful. They are called, as elsewhere, serenos, which may mean either "quiet," or "night-dews," but their function in Madrid is peculiar. Early in the evening they come out by squads, with staves of office, and at their girdles bright lanterns and an immense bunch of keys. These are the night-keys of all the houses on each man's beat, the residents not being allowed to have any. When a person returns home late—and who does not, in Madrid—he is obliged to find his sereno, and if that officer is not in sight, calls him by name—"Frascuelo," or "Pepino." Whereupon Frascuelo, or Pepino, or Santiago, if he hears, will come along and unlock the door. This curious system should at least encourage good habits; for, unless a man be sober, his watchman may have unpleasant tales to tell of him.

The feline race being too often homeless, and having a proverbial taste for nocturnal wanderings, the average male citizen of the capital feelingly nicknames himself a "Madrid cat." This shows a frankness of self-characterization, to say the least, unusual. Of course there is home life, and there is family affection, in Madrid, but the stranger naturally does not see a great deal of these; and then it may be doubted whether they really exist to the same extent as in most other civilized capitals. It becomes wearisome to make sallies upon the town, and day after day find so much of the population trying to divert itself, or killing time in the cafés and clubs. The feeling deepens that they resort to these for want of a sufficiently close interest in their homes. More than that, they do not seem really to be amused. Even their language fails to express the amusement idea; the most that anything can be for them, in the vernacular, is "entertaining." Still the choice of light diversion is varied enough. Opera flourishes in winter; in spring and summer the bull-fight; theatres are always in blast; cocking-mains are kept up. Hitherto gambling has been another favorite pastime until checked by the authorities. Not content with all this, the Madrileños seek in lottery shops that excitement which Americans derive from drinking-saloons. The brightly lighted lottery agency occurs as frequently as that other indication of disease, the apothecary's window, or the stock-market "ticker," in American cities. People of all classes hover about them both by day and by night. Posters confront you with announcements of the Child Jesus Lottery, the lottery to aid the Asylum of Our Lady of the Assumption, or the National, which is drawn thrice a month, with a chief prize of thirty-two thousand dollars, and some four hundred other premiums. There are many small drawings besides constantly going on: not a day passes, in fact, without your being solicited by wandering dealers in these alluring chances at least half a dozen times.

Altogether, looking from my balcony upon the characteristic crowd in the great square, leading this life so busy yet so apathetic, as if in a slow fever, Madrid struck me as only one more great human ant-hill, where the ants were trying to believe themselves in Paris. The Parisian resemblance, however, is confined to strips through the middle and on the edges of the city, and as soon as one's steps are bent away from those, the narrow ways and older architecture of Spain re-appear. Only a few rods from the Puerta del Sol lies the Plaza Mayor, which once enjoyed all the honors of bull-fights and heretic burnings—occasions on which householders were obliged by their leases to give up all the front rooms and balconies to be used as boxes for the audience. From the Plaza Mayor again an arch leads into Toledo Street—old meandering mart full of mantles and sashes, blankets and guitars, flannel dyed in the national colors of red and yellow, basket-work and wood-work, including the carved sticks known as molinillos (little mills), with which chocolate is mixed by a dexterous spinning motion. The donkey feels himself at home once more in these narrow thoroughfares; the evil sewage smell, which oozes through even the most pretentious edifices in the new quarters, diffuses itself again in full vigor, and the cafés become dingy and unconventional. On the Alcalá, or San Geronimo, the carefully-dressed men sip beer and cordials, or possibly indulge in sparkling sherry—a new and expensive wine like dry champagne; but here the rougher element is satisfied with aguardiente (the liquor distilled from anise-seed), and quite as often confines itself to water. The lower orders are temperate. Peasants and porters and petty traders will sit down contentedly for a whole evening to a glass of water in which is dissolved a long meringue (called asucarillo, literally "sugarette"), or to a snow lemonade. Another esteemed cooling beverage is the horchata de chufas, a kind of cream made from pounded cypress root and then half frozen. The height of luxury is to order with this, at an added cost of some two cents, a few tubular wafers, fancifully named barquillos (or little boats), through which the semi-liquid may be sucked. This barquillo is considered so desirable that boys carry it on the street in large metal cylinders, the top of which is a disk inscribed with numbers. You pay a fee, and he revolves on the disk a pivotal needle, the number at which it stops deciding how many wafers fall to your lot. In this way the excruciating pleasure of barquillos to eat is combined with the national delight in gaming.

European costume has fallen on the Madrid people like a pall, blotting out picturesqueness; but peasants of all provinces are still seen, and now and then a turbaned figure from Barbary moves across the street. Nor is the fascinating mantilla quite extinct among women, in spite of their more than Parisian grace and splendor of modern robing. There are humble old women squatted on the sidewalk at street corners, who sell water and liquors and shrub from bottles kept in a singular little stand with brass knobs like an exaggerated pair of casters; and when one sees the varied types of peasant, soldier, citizen, or priest, with perhaps a veiled woman of the middle class, gathered around one of these, the Spanish quality of the town re-asserts itself distinctly. So it does, too, when a carriage containing the princesses of the royal household rattles down the Prado Park, drawn by mules in barbaric red-tasselled harness, and preceded by a courier who wears a sort of gold-braided nightcap.

There is no cathedral at Madrid, but the churches, smeared as usual with gold and stucco and paint in tasteless extravagance, are numerous enough; and on many a balcony I saw withered straw-like plumes, long as a man, hung up in commemoration of the last Palm-Sunday. The morning papers have a "religious bulletin" in the amusement column, giving the saints and services of the day; besides which special masses for the souls of departed capitalists are constantly announced, with a request that friends shall attend. These paid rites doubtless offer a pleasant exception to the routine of commonplace church-going. Thus, while the men are absorbed by their cafés and politics, their countless cigarettes and lottery tickets, with a minimum of business and a maximum of dominoes, the women fill up their time with matins and vespers, confessions and intrigues. It would be merely repeating the frank assertion of the Spanish men themselves to say that feminine morals here are in a lamentable state; but at least appearances are always carefully guarded, and if judged by externals only, Madrid is far more virtuous than London or Paris. As for local society, it exists so much on appearances that the substance suffers. It is true, the ladies are beautiful and of noble stature; and their costumes, governed by the happiest taste, surpass in luxury those seen in public in almost any other city. The cavaliers are, without exception, the best-dressed gentlemen in the world; and the mass of sumptuous equipages, with polished grooms and surpassingly fine horses, which crowds the broad Castilian Fountain drive, or the Park road on the east of the Buen Retiro gardens, during fashionable hours, is amazing. Great wealth is gathered in the hands of a few nobles, who often draw heavy salaries from government for long-obsolete services; but the most of this costuming and grooming is attained by semi-starvation at home. By consequence, dinners and dancing-parties are rarely given even in the season, and royalty itself provides no more than a couple of balls, with two or three state dinners, a year.

To be sure, no capital is better provided with sundry of the higher means to cultivation, as its Royal Armory, its Archæological Museum, and its glorious Picture-gallery—in some respects the noblest of Europe—remind one. Moreover, in the neighboring Escorial, that dark jewel in the head of Philip II., travellers find a rich monument of art, albeit to many eyes unseen inscriptions perhaps record there more than enough of Spain's misfortunes. In the Madrid gallery the stately, severe, and robust royal portraits by Velazquez, or his magnificently healthy "Drunkards," reveal in their way, as do the Virgins of Murillo, floating divinely in translucent air, that deep and deathless power of Spanish temperament and genius over which slumber has reigned so long. The pictures of Ribera, hanging together, are like loose pages torn from Spanish ecclesiastical history and legend: a collection of monks, ascetics, martyrs—scenes of torture depicted with relentless and savage vigor. Goya, again, scarcely known out of Spain, left at the beginning of this century portraits of wonderful vitality and finish, fresh glimpses of popular life, and wild figure compositions marked by the fierce, half insane energy of a Latinized William Blake. His imagination and manner were both original. Though falling short, like all other Spanish painters, in ideality, he had that faculty of fertile improvisation so refreshing in Murillo's naturalistic "Madonna of the Birdling," or in his "St. Elizabeth," and "Roman Patrician's Dream," at the Academy of Fine Arts. But it is not with these past splendors, still full of hopes for new futures, that the Castilian gentlemen and ladies of our varnished period concern themselves. The opera, the circus, and the Corrida de Toros—the irrepressible bull-fight—are to them of far more consequence.

In every crowd and café you see the tall, shapely, dark-faced, silent men, with a cool, professionally murderous look like that of our border desperadoes, whose enormously wide black hats, short jackets, tight trousers, and pigtails of braided hair proclaim them chulos, or members of the noble ring. Intrepid, with muscles of steel, and finely formed, they are very illiterate: we saw one of them gently taking his brandy at the Café de Paris after a hard combat, while his friend read from an evening paper a report of the games in which he had just fought—the man's own education not enabling him to decipher print. But the higher class of these professionals are the idols, the demi-gods, of the people. Songs are made about them, their deeds are painted on fans, and popular chromos illustrate their loves and woes; people crowd around to see them in hotels or on the street as if they were heroes or star tragedians. Pet dogs are named for the well-known ones; and it was even rumored that one of the chief swordsmen had secured the affections of a patrician lady, and would have married her but for the interference of her friends. Certain it is that a whole class of young bucks of the lower order—"'Arrys" is the British term—get themselves up in the closest allowable imitation of bull-fighters, down to the tuft of hair left growing in front of the ear. The espadas or matadores (killers), who give the mortal blow, hire each one his cuadrilla—a corps of assistants, including picadores, banderilleros, and punterillo. For every fight they receive five hundred dollars, and sometimes they lay up large fortunes. To see the sport well from a seat in the shade, one must pay well. Tickets are monopolized by speculators, who, no less than the fighters, have their "ring," and gore buyers as the bull does horses. We gave two dollars apiece for places. The route to the Place of Bulls is lined for a mile with omnibuses, tartanas, broken-down diligences, and wheezy cabs, to convey intending spectators to the fight on Sunday afternoons. A stream of pedestrians file in the same direction, and the showy turnouts of the rich add dignity to what soon becomes a wild rush for the scene of action. The mule-bells ring like a rain of metal, whips crack, the drivers shout wildly, and at full gallop we dash by windows full of on-lookers, by the foaming fountains of the Prado, and up the road to the grim Colosseum of stone and brick, in the midst of scorched and arid fields, with the faint peaks of the snow-capped Guadarrama range seen, miles to the north, through dazzling white sunshine.

Within is the wide ring, sunk in a circular pit of terraced granite crowned by galleries. The whole great round, peopled by at least ten thousand beings, is divided exactly by the sun and the shadow—sol y sombra; and from our cool place we look at the vivid orange sand of the half arena in sunlight, and the tiers of seats beyond, where swarms of paper fans (red, yellow, purple, and green) are wielded to shelter the eyes of those in the cheaper section, or bring air to their lungs. No connected account of a bull tourney can impart the vividness, the rapid changes, the suspense, the skill, the picturesqueness, or horror of the actual thing. All occurs in rapid glimpses, in fierce, dramatic, brilliant, and often ghastly pictures, which fade and re-form in new phases on the instant. The music is sounding, the fans are fluttering, amateurs strolling between the wooden barriers of the ring and the lowest seats, hatless men are hawking fruit and aguardiente, when trumpets announce the grand entry. It is a superb sight: the picadores with gorgeous jackets and long lances on horseback, in wide Mexican hats, their armor-cased legs in buckskin trousers; the swordsmen and others on foot, shining with gold and silver embroidery on scarlet and blue, bright green, saffron, or puce-colored garments, carrying cloaks of crimson, violet, and canary. At the head is the mounted alguazil in ominous black, who carries the key of the bull-gate. Everything is punctual, orderly, ceremonious.

Then the white handkerchief, as signal, from the president of the games in his box; the trumpet-blare again; and the bull rushing from his lair! There is a wild moment when, if he be of good breed, he launches himself impetuous as the ball from a thousand-ton gun directly upon his foes, and sweeping around half the circle, puts them to flight over the barrier or into mid-ring, leaving a horse or two felled in his track. I have seen one fierce Andalusian bull within ten minutes kill five horses while making two circuits of the ring. The first onset against a horse is horrible to witness. The poor steed, usually lean and decrepit, is halted until the bull will charge him, when instantly the picador in the saddle aims a well-poised blow with his lance, driving the point into the bull's back only about an inch, as an irritant. You hear the horns tear through the horse's hide; you feel them go through yourself. Ribs crack; there's a clatter of hoofs, harness, and the rider's armor; a sudden heave and fall—disaster!—and then the bull rushes away in pursuit of a yellow mantle flourished to distract him.

The banderilleros come, each holding two ornamental barbed sticks, which he waves to attract the bull. At the brute's advance he runs to meet him, and in the moment when the huge head is lowered for a lunge, he plants them deftly, one on each shoulder, and springs aside. Perhaps, getting too near, he fails, and turns to fly; the bull after, within a few inches. He flees to the barrier, drops his cloak on the sand, and vaults over; the bull springs over too into the narrow alley; whereupon the fighter, being close pressed, leaps back into the ring light as a bird, but saved by a mere hair's-breadth from a tossing or a trampling to death. The crowd follow every turn with shouts and loud comments and cheers: "Go, bad little bull!" "Let the picadores charge!" "More horses! more horses!" "Well done, Gallito!" "Time for the death!—the matadores!" and so on. Humor mingles with some of their remarks, and there is generally one volunteer buffoon who, choosing a lull in the combat, shrieks out rude witticisms that bring the laugh from a thousand throats.

But if the management of the sport be not to their liking, then the multitude grow instantly stormy: rising on the benches, they bellow their opinions to the president, whistle, stamp, scream, gesticulate. It is the tumult of a mob, appeasable only by speedier bloodshed. And what bloodshed they get! A horse or two, say, lies lifeless and crumpled on the earth; the others, with bandaged eyes, and sides hideously pierced and red-splashed, are spurred and whacked with long sticks to make them go. But it is time for the banderilleros, and after that for the swordsman. He advances, glittering, with a proud, athletic step, the traditional chignon fastened to his pigtail, and holding out his bare sword, makes a brief speech to the president: "I go to slay this bull for the honor of the people of Madrid and the most excellent president of this tourney." Then throwing his hat away, he proceeds to his task of skill and danger. It is here that the chief gallantry of the sport begins. With a scarlet cloak in one hand he attracts the bull, waves him to one side or the other, baffles him, re-invites him—in fine, plays with and controls him as if he were a kitten, though always with eye alert and often in peril. At last, having got him "in position," he lifts the blade, aims, and with a forward spring plunges it to the hilt at a point near the top of the spine. Perhaps the bull recoils, reels, and dies with that thrust; but more often he is infuriated, and several strokes are required to finish him. Always, however, the blood gushes freely, the sand is stained with it, and the serried crowd, intoxicated by it, roar savagely. Still, the "many-headed beast" is fastidious. If the bull be struck in such a way as to make him spout his life out at the nostrils, becoming a trifle too sanguinary, marks of disapproval are freely bestowed. One bull done for, the music recommences, and mules in showy trappings are driven in. They are harnessed to the carcasses, and the dead bulks of the victims are hauled bravely off at a gallop, furrowing the dirt. The grooms run at topmost speed, snapping their long whips; the dust rises in a cloud, enveloping the strange cavalcade. They disappear through the gate flying, and you wake from a dream of ancient Rome and her barbarous games come true again. But soon the trumpets flourish; another bull comes; the same finished science and sure death ensue, varied by ever-new chances and escapes, until afternoon wanes, the sun becomes shadow, and ten thousand satisfied people—mostly men in felt sombreros, with some women, fewer ladies, and a sprinkling of children and babies—throng homeward.

What impresses is the cold blood of the thing. People bring their goat-skins of wine, called "little drunkards," and pass them around to friends, between bulls; others pop off lemonade bottles, and nearly all smoke. Even a combatant sometimes lights a cigar while the bull is occupied at the other side of the ring. During the hottest encounters grooms come in to strip the harness from dying horses or stab an incapacitated one; to carry off baskets of entrails, and rake fresh sand over the blood-pools, quite calmly, at the risk of sharp interruption from the vagarious horned enemy. In the midst of a dangerous flurry, while performers are escaping, an orange-vender in the lane outside the barrier pitches some fruit to a buyer half-way up the gradas, counting aloud, "One, two, three," to twenty-four. All are caught, and he neatly catches his money in return. Afterward, when a bull leaps the barrier, this intrepid merchant has to fly for life, leaving his basket on the ground, where the bewildered animal upsets it, rolling the contents everywhere in golden confusion. Another time we saw a horse and rider lifted bodily on the horns, and so tossed that the horseman flew out of his saddle, hurtled through the air directly over the bull, and landed solidly on his back, senseless. Six grooms bore him off, white and rigid. But the populace never heeded him; they were madly cheering the bull's prowess. A surgeon, by-the-way, always attends in an anteroom; prayers are said before the fight; and a priest is in readiness with the consecrated wafer to give the last sacrament in case of any fatal accident. The utter simple-mindedness with which Spaniards regard the brutalities of the sport may be judged from the fact that a bull-fight was once given to benefit the Society for the Prevention of Cruelty to Animals!

On occasion, the drawing of a charitable lottery is held at the Corrida de Toros, and then there are gala features. The Queen and various high-born ladies present magnificent rosettes of silk or satin and gold and silver tinsel, with long streamers, to be attached by little barbs to the bulls before their entrance, each having his colors indicated in this way; and these ornaments are displayed in shop windows for days before the event. The language of the ring is another peculiarity. There are many fine points of merit, distinguished by as many canting terms. There is the "pair regular," the "relance," the "cuartos," and the darts are playfully termed "shuttlecocks;" the swordsman deals in "pinches" and "thrusts," and so on—all of which is recorded in press reports, amusing enough in their airy and supercilious half-literary treatment. These are among the most polished products of Spanish journalism. Fines are imposed on the performers for any achievement not "regular;" and, on the other hand, good strokes are rewarded by the public with cigars, or, as the dainty reporters say, they "merit palms." The three chief swordsmen are Lagartijo, Frascuelo, and Currito; "Broad Face," "Little Fatty," and the like, being lesser lights. Frascuelo is so renowned for hardihood that I once saw him receive, in obedience to popular will, the ear of the bull he had just slain—a supreme mark of favor.[4]

Madrid is now the head-quarters of the national game, as it is of everything else. It is outwardly flourishing, it is adorned with statues, its parks are green, and its fountains spout gayly. Nevertheless, the impression it makes is melancholy. Beggary is importunate on its public ways. Palaces and poverty, great wealth and wretched penury, are huddled close together. Its assumption of splendor is in startling contrast with the desolate and uncared-for districts that surround it from the very edge of the city outward. The natural result of extremes in the distribution of property, with a country impoverished, is public bankruptcy; and public bankruptcy stares surely enough through the city's gay mask. There is another unhappy result from the undue concentration of resources at this artificial capital. Madrid prides itself on being the spot at which all the avenues of the land converge equally, the exact centre of Spain being close beyond the city's confines, and marked—how appropriately—by a church! But Madrid is, notwithstanding, a national centre only in name. It enjoys a false luxury, while too many outlying provinces sustain a starveling existence. And, seeing the alien, imitative manners adopted here, one feels sharply the difficult contrasts that exist between the metropolis and the provinces: no hearty bond of national unity appears. We looked back over the ground we had traversed, and thought of the gray bones of Burgos cathedral, lying like some stranded mammoth of another age, far in the north. Oh, bells of Burgos, mumbling in your towers, what message have you for these sophisticated ears? And what intelligible response does the heart of the country send back to you?

"Come," said I to Velveteen. "It is useless to resist longer. Let's surrender to these two white-capped guards who have dogged us so, and be carried away."

THE LOST CITY.

I.

"The sleeping-car and the street tramway," answered Velveteen, with justifiable pride.

He was right; for we had seen the first on the railroad, and the second skimming the streets of Madrid. Still, the reward did not appear great, measured by the much that Spain's ventures in the Western hemisphere had cost her, and by the comparative desolation of her present. The devoted labors of Irving and Prescott, which Spaniards warmly appreciate, are more in the nature of an adequate return.

"It strikes me, also," I ventured to add, "that we are rendering a service in kind. She discovered us, and now we are discovering her."

If one reflects how some of the once great and powerful places of the Peninsula, such as Toledo and Cordova, have sunk out of sight and perished to the modern world, this fancy applies with some truth to every sympathetic explorer of them. It had been all very well to imagine ourselves conversant with the country when we were in Madrid, and even an occasional slip in the language did not disturb that supposition. When I accidentally asked the chamber-maid to swallow a cup of chocolate instead of "bringing" it, owing to an unnecessary resemblance of two distinct words, and when my comrade, in attending to details of the laundry, was led by an imperfect dictionary to describe one article of wear as a pintura de noche, or "night scene," our confidence suffered only a momentary shock. But, after all, it was not until we reached Toledo that we really passed into a kind of forgotten existence, and knew what it was to be far beyond reach of any familiar word.

With the first plunge southward from the capital the reign of ruin begins—ruin and flies. The heat becomes intense; the air itself seems to be cooked through and through; the flies rejoice with a malicious joy, and the dry sandy hills, bearing nothing but tufts of blackened weeds, resemble large mounds of pepper and salt. Here and there in the valley is the skeleton of a stone or brick farm-house withering away, and perhaps near by a small round defensive hut, recalling times of disorder. Between the hills, however, are fields still prolific in rye, though wholly destitute of trees. Verdure re-asserts itself wherever there is the smallest water-course; and a curve of the river Tagus is sure to infold fruit orchards and melon vines, while the parched soil briefly revives and puts forth delightful shade-trees. But although the river-fed lands around Toledo are rich in vegetation, the ancient city itself, with the Tagus slung around its base like a loop, rises on a sterile rock, and amid hills of bronze. So much are the brown and sun-imbued houses and the old fortified walls in keeping with the massy natural foundation that all seem reared together, the huge form of the Alcazar, or castle—where the Spanish national military academy is housed—towering like a second cliff in one corner of the round, irregularly clustered city. Our omnibus scaled the height by a road perfectly adapted for conducting to some dragon stronghold of misty fable, and landed us in the Zocodover, the sole open space of any magnitude in that tangle of thread-like streetlets, along which the houses range themselves with a semblance of order purely superficial. Most of Toledo is traversable only for pedestrians and donkeys. These latter carry immense double baskets across their backs, in which are transported provisions, bricks, coal, fowls, water, bread, crockery—everything, in short, down to the dirt occasionally scraped from the thoroughfares. I saw one peasant, rather advanced in years, helping himself up the steep rise of a street on the hill-side by means of a stout cane in one hand and the tail of his heavy-laden donkey grasped in the other. To make room for these useful beasts and their broad panniers, some of the houses are hollowed out at the corners; in one case the side wall being actually grooved a foot deep for a number of yards along an anxious turning. Otherwise the panniers would touch both sides of the way, and cause a blockade as obstinate as the animal itself.

Coming from the outer world into so strange a labyrinth, where there is no echo of rolling wheels, no rumble of traffic or manufacture, you find yourself in a city which may be said to be without a voice. Through a hush like this, history and tradition speak all the more powerfully. Toledo has been a favorite with the novelists. The Zocodover was the haunt of that typical rogue Lazarillo de Tormes; and Cervantes, oddly as it happens, connects the scene of La ilustre Fregonde with a shattered castle across the river, which by a coincidence has had its original name of San Servando corrupted into San Cervantes.

Never shall I forget our walk around the city walls that first afternoon in Toledo. A broad thoroughfare skirts the disused defences on the south and west, running at first along the sheer descent to the river, and a beetling height against which houses, shops, and churches are crammed confusedly. I noticed one smithy with a wide dark mouth revealing the naked rock on which walls and roof abutted, and other houses into the faces of which had been wrought large granite projections of the hill. After this the way led through a gate of peculiar strength and shapeliness, carrying up arches of granite and red brick to a considerable height—a stout relic of the proud Moorish dominion so long maintained here; and then, when we had rambled about a church of Santiago lower down, passing through some streets irregular as foot-paths, where over a neglected door stood a unique announcement of the owner's name—"I am Don Sanchez. 1792"—we came to the Visagra, the country gate. This menacing, double-towered portal is mediæval; so that a few steps had carried us from Mohammedan Alimaymon to the Emperor Charles V. Just outside of it again is the Alameda, the modern garden promenade, where the beauty and idleness of Toledo congregate on Sunday evenings to the soft compulsion of strains from the military academical band. Thin runnels of water murmur along through the hedges and embowered trees, explaining by their presence how this refreshing pleasure-ground was conjured into being; for on the slope, a few feet below the green hedges, you still see the sun-parched soil just as it once spread over the whole area. The contrast suggests Eden blossoming on a crater-side.

At the open-air soirées of the Alameda may be seen excellent examples of Spanish beauty. The national type of woman appears here in good preservation, and not too much hampered by foreign airs. Doubtless one finds it too in Burgos and Madrid, and in fact everywhere; and the grace of the women in other places is rather fonder of setting itself off by a fan used for parasol purposes in the street than in Toledo. But on the pasco and alameda all Spanish ladies carry fans, and it is something marvellous to see how they manage them. Not for a moment is the subtle instrument at rest: it flutters, wavers idly, is opened and shut in the space of a second, falls to the side, and again rises to take its part in the conversation almost like a third person—all without effort—with merely a turn of the supple fingers or wrist, and contributing an added charm to the bearer. The type of face which beams with more or less similarity above every fan in Spain is difficult to describe, and at first difficult even to apprehend. One has heard so much about its beauty that in the beginning it seems to fall short; but gradually its spell seizes on the mind, becoming stronger and stronger. The tint varies from tawny rose or olive to white: ladies of higher caste, from their night life and rare exposure to the sun, acquire a deathly pallor, which is unfortunately too often imitated with powder. Chestnut or lighter hair is seen a good deal in the south and east, but deep black is the prevalent hue. And the eyes!—it is impossible to more than suggest the luminous, dreamy medium in which they swim, so large, dark, and vivid. But, above all, there is combined with a certain child-like frankness a freedom and force, a quick mobility in the lines of the face, equalled only in American women. To these elements you must add a strong arching eyebrow and a pervading richness and fire of nature in the features, which it would be hard to parallel at all, especially when the whole is framed in the seductive folds of the black mantilla, like a drifting night-cloud enhancing the sparkle of a star.

As we continued along the Camin de Marchan we looked down on one side over the fertile plain. The pale tones of the ripe harvest and dense green of trees contrasted with the rich brown and gray of the city, and dashes of red clay here and there. In a long field rose detached fragments of masonry, showing at different points the vast ground-plan of the Roman Circus Maximus, with a burst of bright ochre sand in the midst of the stubble, while on the left hand we had an old Arab gate pierced with slits for arrows, and on the crest above that a nunnery—St. Sunday the Royal—followed by a line of palaces and convents half ruined in the Napoleonic campaign of 1812. Out in the plain was the roof of the sword factory where "Toledo blades" are still forged and tempered for the Spanish army; although in the finer details of damascening and design nothing is produced beyond a small stock of show weapons and tiny ornamental trinkets for sale to tourists. Nor was this all; for a little farther on, at the edge of the river, close to the Bridge of St. Martin and the Gate of Twelve Stones, the broken remains of an old Gothic palace sprawled the steep, lying open to heaven and vacant as the dull eye-socket in some unsepulchred skull. Our stroll of a mile had carried us back to the second century before Christ, the path being strewn with relics of the Roman conquest, the Visigothic inroad, the Moorish ascendency, and the returning tide of Christian power. But the Jews, seeking refuge after the fall of Jerusalem, preceded all these, making a still deeper substratum in the marvellous chronicles of Toledo; and some of their later synagogues, exquisitely wrought in the Moorish manner, still stand in the Jewish quarter for the wonderment of pilgrim connoisseurs.

It was from a terrace of this old Gothic palace near the bridge that, according to legend, Don Roderick, the last of the Goths in Spain, saw Florinda, daughter of one Count Julian, bathing in the yellow Tagus under a four-arched tower which still invades the flood, and goes by the name of the Bath of Florinda. From his passion for her, and their mutual error, the popular tale, with vigorous disregard of chronology, deduces the fall of Spain before the Berber armies; and as most old stories here receive an ecclesiastical tinge, this one relates how Florinda's sinful ghost continued to haunt the spot where we now stood, until laid by a good friar with cross and benediction. The sharp fall of the bank at first glance looked to consist of ordinary earth and stones, but on closer scrutiny turned out to contain quantities of brick bits from the old forts and towers which one generation after another had built on the heights, and which had slowly mouldered into nullity. Even so the firm lines of history have fallen away and crumbled into romance, which sifts through the crannies of the whole withered old city. As a lady of my acquaintance graphically said, it seems as if ashes had been thrown over this ancient capital, covering it with a film of oblivion. The rocks, towers, churches, ruins, are just so much corporeal mythology—object, lessons in fable. A little girl, becomingly neckerchiefed, wandered by us while we leaned dreaming above the river; and she was singing one of the wild little songs of the country, full of melancholy melody:

"Fair Malaga, adios!
Ah, land where I was born,
Thou hadst mother-love for all,
But for me step-mother's scorn!"

All unconscious of the monuments around her, she stopped when she saw that we had turned and were listening. Then we resumed our way, passing, I may literally say, as if in a trance up into the town again, where we presently found ourselves in front of St. John of the Kings, a venerable church, formerly connected with a Franciscan monastery which the French burnt. On the outer wall high up hangs a stern fringe of chains, placed there as votive tokens by released Christian captives from Granada, in 1492; and there they have remained since America was discovered!

To this church is attached a most beautiful cloister, calm with the
solitude of nearly four hundred years. Around three sides the rich
clustered columns, each with its figures of holy
men supported under pointed canopies, mark the
delicate Gothic arches, through which the sunlight
slants upon the pavement, falling between
the leaves of aspiring vines that twine upward
from the garden in the middle. There the rose-laurel
blooms, and a rude fountain perpetually
gurgles, hidden in thick greenery; and on the
fourth side the wall is dismantled as the French
bombardment left it. Seventy years have passed,
and though the sculptured blocks for restoration
have been got together, the vines grow over them,
and no work has been done. We mounted the
bell-tower part way with the custodian, and gained
a gallery looking into the chapel, strangely adorned with regal shields
and huge eagles in stone. On our way, under one part of the tower
roof, we found a hen calmly strutting with her brood. "It was meant
for celibacy," said the custodian, "but times change, and you see that
family life has established itself here after all."

I don't know whether there is anything particularly sacred about the hens of this district, but after seeing this one in the church-tower I began to think there might be, especially as on the way home we discovered another imprisoned fowl disconsolately looking down at us from the topmost window of a venerable patrician residence.

II.

ITS antiquities are not the queerest thing about Toledo. The sights
of the day, the isolated existence of the inhabitants, are things peculiar.
The very sports of the children reflect the prevailing influences. A
favorite diversion with them is to parade in some dark hall-way with
slow step and droning chants, in imitation of church festivals; and in
the street we found boys playing at toros. Some took
off their coats to wave as mantles before the bull, who
hid around the corner until the proper time for his entry.
The bull in this game, I noticed, had a nice sense
of fair play, and would stop to argue points with his
antagonists—something I should have been glad to see
in the real arena. Once the old rock town accommodated
two hundred thousand residents. Its contingent
has now shrunk to twenty thousand, yet it
swarms with citizens, cadets, loafers, and beggars.
Its tortuous wynds are full of wine-shops,
vegetables, and children,
all mixed up together. Superb
old palaces, nevertheless, open
off from them, frequently with
spacious courts inside, shaded
by trellised vines, and with
pillars at the entrance topped
by heavy stone balls, or
doors studded with nails and
moulded in rectangular patterns
like inlay-work. One
day we wandered through a
sculptured gate-way and entered
a paved opening with
a carved wood gallery running
around the walls above.
Orange-trees in tubs stood
about, and a brewery was
established in these palatial
quarters. We ordered a bottle,
but I noticed that the
brewer stood regarding us
anxiously. At last he drew
nearer, and asked, "Do you
come from Madrid?"
"Yes."
"Ah, then," said he, in
a disheartened tone, "you
won't like our beer."

We encouraged him, however, and at last he disappeared, sending us
the beverage diplomatically by another hand. He was too faint-spirited
to witness the trial himself. Though called
"The Delicious," the thin, sweet, gaseous liquid
was certainly detestable; but in deference to the
brewer's delicate conscientiousness we drank as
much as possible, and then left with his wife some
money and a weakly complimentary remark about
the beer, which evidently came just in time to
convince her that we were, after all, discriminating
judges.

The people generally were very simple and good-natured, and in particular a young commercial traveller from Barcelona whom we met exerted himself to entertain us. The chief street was lined with awnings reaching to the curb-stone in front of the shops, and every public door-way was screened by a striped curtain. Pushing aside one of these, our new acquaintance introduced us to what seemed a dingy bar, but, by a series of turnings, opened out into a spacious concealed café—that of the Two Brothers—where we frequently repaired with him to sip chiccory and cognac or play dominos. On these occasions he kept the tally in pencil on the marble table, marking the side of himself and a friend with their initials, and heading ours "The Strangers." All travellers in Spain are described by natives as "Strangers" or "French," and the reputation for a pure Parisian accent which we acquired under these circumstances, though brief, was glorious. To the Two Brothers resorted many soldiers, shop-keepers, and well-to-do housewives during fixed hours of the afternoon and evening, but at other times it was as forsaken as Don Roderick's palace. Another place of amusement was the Grand Summer Theatre, lodged within the ragged walls of a large building which had been half torn down. Here we sat under the stars, luxuriating in the most expensive seats (at eight cents per head), surrounded by a full audience of exceedingly good aspect, including some Toledan ladies of great beauty, and listened to a zarzuela, or popular comic opera, in which the prompter took an almost too energetic part. The ticket collector came in among the chairs to receive everybody's coupons with very much the air of being one of the family; for while performing his stern duty he smoked a short brier pipe, giving to the act an indescribable dignity which threw the whole business of the tickets into a proper subordination. In returning to our inn about midnight we were attracted by the free cool sound of a guitar duet issuing from a dark street that rambled off somewhere like a worm track in old wood, and, pursuing the sound, we discovered by the aid of a match lighted for a cigarette two men standing in the obscure alley, and serenading a couple of ladies in a balcony, who positively laughed with pride at the attention. The men, it proved, had been hired by some admirer, and so our friend engaged them to perform for us at the hotel the following night.

The skill these thrummers of the guitar display is delicious, especially in the treble part, which is executed on a smaller species of the instrument, called a mandura. Our treble-player was blind in one eye, and with the carelessness of genius allowed his mouth to stay open, but managed always to keep a cigarette miraculously hanging in it; while his comrade, with a disconsolate expression, disdained to look at the strings on which his proud Castilian fingers were condemned to play a mere accompaniment. For two or three hours they rippled out those peculiar native airs which go so well with the muffled vibrations and mournful Oriental monotony of the guitar; but the bagman varied the concert by executing operatic pieces on a hair-comb covered with thin paper—a contrivance in which he took unfeigned delight. Some remonstrance against this uproar being made by other inmates of the hotel, our host silenced the complainants by cordially inviting them in. One large black-bearded guest, the exact reproduction of a stately ancient Roman, accepted the hospitality, and listened to that ridiculous piping of the comb with profound gravity and unmoved muscles, expressing neither approval nor dissatisfaction. But the white-aproned waiter, who, though unasked, hung spellbound on the threshold, was, beyond question, deeply impressed. The relations of servants with employers are on a very democratic footing in Spain. We had an admirable butler at Madrid who used to join in the conversation at table whenever it interested him, and was always answered with good grace by the conversationists, who admitted him to their intellectual repast at the same moment that he was proffering them physical nutriment. These Toledan servitors of the Fonda de Lino were still more informal. They used to take naps regularly twice a day in the hall, and could not get through serving dinner without an occasional cigarette between the courses. To save labor, they would place a pile of plates in front of each person, enough to hold the entire list of viands. That last phrase is a euphemism, however, for the meal each day consisted of the same meat served in three separate relays without vegetables, followed by fowl, an allowance of beans, and dessert. Even this they were not particular to give us on the hour. Famished beyond endurance, one evening at eight o'clock, we went down-stairs and found that not the first movement toward dinner had been made. The mozos (waiters) were smoking and gossiping in the street, and rather frowned upon our vulgar desire for food, but we finally persuaded them to yield to it. After we had bought some tomatoes, and made a salad at dinner, the management was put on its mettle, and improved slightly. Fish in this country is always brought on somewhere in the middle of dinner, like the German pudding, and our landlord astonished us by following the three courses of stewed veal with sardines, fried in oil and ambuscaded in a mass of boiled green peppers. After that we forbore to stimulate his ambition any farther.

The hotel guest, however, is on the whole regarded as a necessary evil—a nuisance tolerated only because some few of the finest race in the world can make money out of him. The landlord lived with his family on the ground-floor, and furnished little domestic tableaux as we passed in and out; but he never paid any attention to us, and even looked rather hurt at the intrusion of so many strangers into his hostelry. Nor did the high-born sewing-women who sat on the public stairs, and left only a narrow space for other people to ascend or descend by, consider it necessary to stir in the least for our convenience. The fonda had more of the old tavern or posada style about it than most hotels patronized by foreigners. The entrance door led immediately into a double court, where two or three yellow equipages stood; and from this the kitchen, storerooms, and stable all branched off in some clandestine way. Above, at the eaves, these courts were covered with canvas awnings wrinkled in regular folds on iron rods—sheltering covers which remained drawn from the first flood of the morning sun until after five in the afternoon. Early and late I used to look down into the inner court, observing the men and women of the household as they dressed fish and silently wrung the necks of chickens, or sat talking a running stream of nothingness by the hour, for love of their own glib but uncouth voices. People of this province intone rather than talk: their sentences are set to distinct drawling tunes, such as I never before encountered in ordinary speech, and their thick lisping of all sibilants, combined with the usual contralto of their voices, gives the language a sonorous burr, for which one soon acquires a liking. Sunday is the great hair-combing day in Toledo, if I may judge from the manner in which women carried on that soothing operation in their door-ways and patios; and in this inner court below my window one of the servants, sitting on a stone slab, enjoyed the double profit of sewing and of letting a companion manipulate her yard-long locks of jet, while others sat near, fanning themselves and chattering. Another time a little girl, dark as an Indian, came there in the morning to wash a kerchief at the stone tank, always brimming with dirty water; after which she executed, unsuspicious of my gaze, a singularly weird pas seul, a sort of shadow dance, on the pavement, and then vanished.

All the houses are roofed with heavy curved tiles, which fit together so as to let the air circulate under their hollow grooves; and a species of many-seeded grass sprouts out of these baked earth coverings, out of the ledges of old towers and belfries, and from the crevices of the great cathedral itself, like the downy hair on an old woman's cheek.

The view along almost any one of the ancient streets, which are always tilted by the hilly site, is wonderfully quaint in its irregularities. Every window is heavily grated with iron, from the top to the bottom story, even the openings high up in the cathedral spire being similarly guarded, until the whole place looks like a metropolis of prisons. In the stout doors, too, there are small openings or peep-holes, such as we had seen still in actual use at Madrid—the relics of an epoch when even to open to an unknown visitor might be dangerous. White, white, white the sunshine!—and the walls of pink or yellow-brown, of pale green and blue, are sown with deep shadows and broken by big archways, often surmounted by rich knightly escutcheons. Balconies with tiled floors turning their colors down toward the sidewalk stud the fronts, and long curtains stream over them like cloaks fluttering in the breeze. At one point a peak-roofed tower rises above the rest of its house with sides open to the air and cool shadow within, where perhaps a woman sits and works behind a row of bright flowering plants. Doves inhabited the fonda roof unmolested by the spiritless cats that, flat as paper, slept in the undulations of the tiles; for the Toledan cats and dogs are the most wretched of their kind. They get even less to eat than their human neighbors, which is saying a great deal. And beyond the territory of the doves my view extended to a slender bell-spire at the end of the cathedral, poised in the bright air like a flower-stalk, with one bell seen through an interstice as if it were a blossom. At another point the main spire rose out of what might be called a rich thicket of Gothic work. Its tall thin shaft is encircled near the point with sharp radiating spikes of iron, doubtless intended to recall the crown of thorns: in this sign of the Passion, held forever aloft, three hundred feet above the ground, there is a penetrating pathos, a solemn beauty.

III.

THE cathedral of Toledo, long the seat of the Spanish primate, stands in the first rank of cathedrals, and is invested with a ponderous gloom that has something almost savage about it. For six centuries art, ecclesiasticism, and royal power lavished their resources upon it; and its dusky chapels are loaded with precious gems and metals, tawdry though the style of their ornamentation often is. The huge pillars that divide its five naves rise with a peculiar inward curve, which gives them an elastic look of growth. They are the giant roots from which the rest has spread. Under the golden gratings and jasper steps of the high altar Cardinal Mendoza lies buried, with a number of the older kings of Spain, in a grewsome sunless vault; but at the back of the altar there is contrived with theatrical effect a burst of white light from a window in the arched ceiling, around the pale radiance of which are assembled painted figures, gradually giving place to others in veritable relief—all sprawling, flying, falling down the wall enclosing the altar, as if one were suddenly permitted to see a swarm of saints and angels careering in a beam of real supernatural illumination. A private covered gallery leads above the street from the archbishop's palace into one side of the mighty edifice; and this, with the rambling, varied aspect of the exterior, in portions resembling a fortress, with a stone sentry-box on the roof, recalls the days of prelates who put themselves at the head of armies, leading in war as in everything else. A spacious adjoining cloister, full of climbing ivy and figs, Spanish cypress, the smooth-trunked laurel-tree, and many other growths, all bathed in opulent sunshine, marks the site of an old Jewish market, which Archbishop Tenorio in 1389 incited a mob to burn in order that he might have room for this sacred garden. But the voices of children now ring out from the upper rooms of the cloister building, where the widows and orphans of cathedral servants are given free homes. Through this "cloister of the great church" it was that Cervantes says he hurried with the MS. of Cid Hamete Benengeli, containing Don Quixote's history, after he had bought it for half a real—just two cents and a half.

A temple of the barbaric and the barbarous, the cathedral dates from the thirteenth century: but it was preceded by one which was built to the Virgin in her lifetime, tradition says, and she came down from heaven to visit her shrine. The identical slab on which she alighted is still preserved in one of the chapels. A former inscription said to believers, "Use yourselves to kiss it for your much consolation," and their obedient lips have in time greatly worn down the stone. Later on, the church was used as a mosque by the infidel conquerors, and when they were driven out it was pulled down to be replaced by the present huge and solemn structure. But, by a compromise with the subjugated Moors, a Muzarabic mass (a seeming mixture of Mohammedan ritual with Christian worship) was ordained to be said in a particular chapel; and there it is recited still, every morning in the year. I attended this weird, half-Eastern ceremony, which was conducted with an extraordinary incessant babble of rapid prayer from the priests in the stalls, precisely like the inarticulate hum one imagines in a mosque. On the floor below and in front of the altar-steps was placed a richly-draped chest, perhaps meant to represent the tomb of Mohammed in the Caaba, and around it stood lighted candles. During the long and involved mass one of the younger priests, in appearance almost an imbecile, had the prayer he was to read pointed out for him by an altar-boy with what looked like a long knife-blade, used for the purpose. Soon after an incense-bearing acolyte nudged him energetically to let him know that his turn had now come. This was the only evidence I could discover of any progress in knowledge or goodness resulting from the Muzarabic mass.

At one time Toledo had, besides the cathedral, a hundred and ten churches. Traces of many of them are still seen in small arches rising from the midst of house-tops, with a bell swung in the opening; but the most have fallen into disuse, and the greatest era of the hierarchy has passed. The great priests have also passed, and those who now dwell here offer to the most unprejudiced eye a dreary succession of bloated bodies and brutish faces. Sermons are never read in the gorgeous cathedral pulpits, and the Church, as even an ardent Catholic assured me, seems, at least locally, dead. The priests and the prosperous shop-keepers are almost the only beings in Toledo who look portly; the rest are thin, brown, wiry, and tall, with fine creases in their hard faces that appear to have been drilled there by the sand-blast process.

The women, however, even in the humbler class, preserve a fine, fresh animal health, which makes you wonder how they ever grow old, until you see some tottering creature who is little more than a mass of sinews and wrinkles held together by a skirt and a neckerchief—the pañuclo universal with her sex. At noon and evening the serving-women came out to the fountains, distributed here and there under groups of miniature locust-trees, to fetch water for their houses. They carried huge earthen jars, or cantarones, which they would lug off easily under one arm, in attitudes of inimitable grace.

If religious sway over temporal things has declined, Toledo still impresses one as little more than a big church founded on the rock, with room made for the money-changers' benches, and an unimaginable jumble of palaces once thronged with powerful courtiers and abundant in wealth, but at this day chiefly inhabited by persons of humble quality. Nightly there glows in the second story of a building on the Zocodover, where autos-da-fé used to be held, a large arched shrine of the Virgin hung with mellow lamps, so that not even with departing daylight shall religious duty be put aside by the commonplace crowd shuffling through the plaza beneath. Everywhere in angles and turnings and archways one comes upon images and pictures fixed to the wall under a pointed roof made with two short boards, to draw a passing genuflection or incidental ave from any one who may be going by on an errand of business or—as more often occurs—laziness. Feast-days, too, are still ardently observed. With all this, somehow, the fact connects itself that the populace are instinctive, free-born, insatiable beggars. The magnificently chased door-ways of the cathedral festered with revolting specimens of human disease and degeneration, appealing for alms. Other more prosperous mendicants were regularly on hand for business every day at the "old stand" in some particular thoroughfare. I remember one, especially, whose whole capital was invested in a superior article of nervous complaint, which enabled him to balance himself between the wall and a crutch, and there oscillate spasmodically by the hour. In this he was entirely beyond competition, and cast into the shade those merely routine professionals who took the common line of bad eyes or uninterestingly motionless deformities. It used to depress them when he came on to the ground. Bright little children, even, in perfect health, would desist from their amusements and assail us, struck with the happy thought that they might possibly wheedle the "strangers" into some untimely generosity. There was one pretty girl of about ten years, who laughed outright at the thought of her own impudence, but stopped none the less for half an hour on her way to market (carrying a basket on her arm) in order to pester poor Velveteen while he was sketching, and begged him for money, first to get bread, and then shoes, and then anything she could think of.

A hand opened to receive money would be a highly suitable device for the municipal coat of arms.

My friend's irrepressible pencil, by-the-way, made him the centre of a crowd wherever he went. Grave business men came out of their shops to see what he was drawing; loungers made long and ingenious detours in order to obtain a good view of his labors; ragamuffins elbowed him, undismayed by energetic remarks in several languages, until finally he was moved to get up and display the contents of his pockets, inviting them even to read some letters he had with him. To this gentle satire they would sometimes yield. We fell a prey, however, to one silent youth of whom we once unguardedly asked a question. After that he considered himself permanently engaged to pilot us about. He would linger for hours near the fonda dinnerless, and, what was even more terrible, sleepless, so that he might fasten upon us the moment we should emerge. If he discovered our destination, he would stride off mutely in advance, to impress on us the fact that we were under obligation to him; and when we found the place we wanted, he waited patiently until we had rewarded him with a half-cent. If we gratified him by asking him the way, he responded by silently stretching forth his arm and one long forefinger with a lordly gesture, still striding on; and he had a very superior Castilian sneering smile, which he put on when he looked around to see if we were following. He gradually became for us a sort of symbolic shadow of the town's vanished greatness; and from his mysterious way of coming into sight, and haunting us in the most unexpected places, we gave him the name of "Ghost." Nevertheless, we baffled him at last. In the Street of the Christ of Light there is a small but exceedingly curious mosque, now converted into a church, so ancient in origin that some of the capitals in it are thought to show Visigothic work, so that it must have been a Christian church even before the Moorish invasion. Close by this we chanced upon a charming old patio, or court-yard, entered through a wooden gate, and by dexterously gliding in here and shutting the gate we exorcised "Ghost" for some time.

The broad red tiles of this patio contrasted well with its white-washed arcade pillars, on which were embossed the royal arms of Castile; and the jutting roof of the house was supported on elaborate beams of old Spanish cedar cracked with age. It was sadly neglected. Flowers bloomed in the centre, but a pile of lumber littered one side; and the house was occupied by an old woman who was washing in the arcade, her tub being the half of a big terra-cotta jar laid on its side. She spread her linen out on the hot pavement to dry; and a sprightly neighbor coming in with a basket of clothes and a "Health to thee!" was invited to dry her wash on a low tile roof adjoining.

"Solitude" served at once as her name and to describe her surroundings. We made friends with her, the more easily because she was much interested in the sketch momently growing under my companion's touch.

"And you don't draw?" she inquired of me.

I answered, apologetically, "No."

Having seen me glancing over a book, she added, as if to console me, and with emphasis, "But you can read!" To her mind that was a sister art and an equal one.

She went on to tell how her granddaughter had spent ten years in school, and at the end of that time was able to read. "But now she is forgetting it all. She goes out and plays too much with the muchachas" (young girls).

This amiable grandmother also took us in to see her domicile, which proved to be a part of the old city wall, and had a fine view from its iron-barred window. She declared vaguely that "a count" had formerly lived there; but it had more probably been the gate-captain's house, for close by was one of the fortified ports of the inner defences. A store-room, in fact, which she kept full of pigeons and incredibly miscellaneous old iron, stood directly over the arched entrance, and there we saw the heavy beam and windlass which in by-gone ages had hoisted or let fall the spiked portcullis. I induced "Solitude" to tell me a legend about one of the churches; for there is generally some story to every square rod of ground hereabout, and indeed a little basilica below the town sustains four different narratives all explaining a single miracle. Serving as an appropriate foundation for local wonder-mongering, a great cave in the rock underlies some portion of the city, and is said to have been hollowed out by Hercules, who, in addition to his other labors, has received the credit of founding Toledo. I am convinced that no muscles but his could ever have stood the strain of first climbing its site. The cave I refer to has been for the most part of the last two hundred years closed and walled up. About thirty years since it was timidly explored by a society formed for the purpose, and some Roman remains were found in it; but after that, terror fell upon the explorers, and the cavern was again closed, remaining even yet a reservoir of mystery. There are equally mysterious things above ground, however, as will shortly be demonstrated by the tale of the "Christ of Compassion." Let me, before giving that, recall here a more poetic tradition, preserved by Señor Eugenio Olavarria, a young author of Madrid. We saw just outside the mosque-church of the Christ of Light an old Moorish well, of a kind common in Spain, with a low thick wall surrounding the deep sunken shaft, to rest the bucket-chain on when it is let down and drawn up by sheer muscular force. The edges were worn into one continuous pattern of grooves by the incessant chafing of the chains for ages, and we conjured up a dozen romances about the people who of old slaked their thirst there. It is about another water-source of the same kind, on a small street still called Descent to the Bitter Well, that the story here outlined is told:

THE WELL OF BITTERNESS.

"In the time of one of the Moorish kings there lived at Toledo, under the mild toleration of that epoch, a rich Jew, strictly and passionately devoted to the laws of his religion and to one only other object: that one was his daughter Raquel, motherless, but able to solace his widowed heart with her devoted affection. Sixteen Aprils had wrought their beautiful changes into her exquisite form and lovely mind, till at last, of all things which they had waked to life, she appeared the fairest.

"Reuben had gradually made her the chief end of his existence, and she certainly merited this absolute concentration of her father's love. But, notwithstanding that at this time Jews and Christians dwelt together unmolested by the Mohammedan rule, the inborn hostility between these two orders underwent no abatement. Intercourse between them was sedulously avoided by each, and the springing up of any shy flower of love between man and maid of such hostile races was sure to be followed by deadly blight and ruin. Nevertheless—and how it happened who can say?—Raquel, already ripened by the rich sun of her native land into a perfected womanhood, fell in love with a young Christian cavalier, who had himself surrendered to her silent and distant beauty as it shone upon him, while passing, from her grated window in Reuben's stately mansion. He learned her name, and spoke it to her from the street—'Raquel!'—at twilight. So trembling and brimming with mutual love were they, that this one word, like the last o'erflowing drop of precious liquid from a vase, was enough to reveal to her what filled his heart. As she heard it she blushed as though it had been a kiss that he had reverently impressed upon her cheek; and this was answer enough—their secret and perilous courtship had begun. Thereafter they met often at night in the great garden attached to the house, making their rendezvous at the low-walled well that stood in a thicket of fragrant greenery. At last, through the prying of an aged friend, his daughter's passion came to the knowledge of old Reuben, who had never till then even conceived of such disgrace as her being enamoured of a Christian. His course was prompt and terrible. Concealing himself one evening behind a tree-trunk close to the well, he awaited the coming of the daring cavalier, sprung upon him, and after a short, noiseless struggle bore him down with a poniard in his breast!

"The stealthy opening of a door into the garden warned him of Raquel's approach. He hastened again into concealment. She arrived, saw her fallen lover, dropped at his side in agonies of terror, and sought to revive him. Then she saw and by the moonlight recognized her father's dagger in the breathless bosom of the young man, and knew what had happened. Moved by sudden remorse, Reuben came out with words of consolation ready. But she knew him not, she heard him not; from that instant madness was in her eyes and brain. Many months she haunted the spot at night, calm but hopelessly insane, and weeping silently at the margin of the well, into whose waters her salt tears descended. At length there came a night when she did not return to the house. She had thrown herself into the well and was found there—dead!

"Never again could any one drink its waters, which had been famous for their quality. Raquel's tears of sorrow had turned them bitter."

The other legend is still more marvellous: "In the reign of Enrique IV. of Spain there was fierce rivalry between two Toledan families, the Silvas and the Ayalas, which in 1467 led to open warfare. The Silvas threw themselves into the castle, and the Ayalas held the cathedral—the blood shed in their combats staining the very feet of its altars. During this struggle of hatred there was also a struggle of love going on between two younger members of the embroiled families. Diego de Ayala, setting at naught the pride of his house, had given his heart to Isabel, the daughter of a poor hidalgo; but it so happened that his enemy, Don Lope de Silva, had resolved to win the same maiden, though receiving no encouragement from her. One night when the combatants were resting on their arms, and the whole city was in disorder, Don Lope succeeded in entering Isabel's house with several of his followers and carried her off—trusting to the general confusion to prevent interruption. As they were bearing her away across a little square in front of the Church of San Justo, Don Diego, on his way to see Isabel, encountered them.

"'Leave that woman, ye cowards, and go your way!' he commanded, with drawn sword. And at that instant, by the light of the lamp which burned before the pictured Christ of Compassion on the church wall, he recognized Isabel and Don Lope.

"Making a bold dash, he succeeded in freeing Isabel and getting her into the shelter of an angle in the wall, just below the holy figure. But being there hemmed in by his adversaries, he felt himself, after a sharp fight in which he dealt numerous wounds, fainting from the severe thrusts he had himself received. Fearing that he was mortally hurt, he raised his eyes to the shrine and prayed: 'O God, not for me, but for her, manifest thy pity! I am willing to die, but save her!'

"Then a marvellous brilliance streamed out from the thorn-crowned head, and instantly, propelled by some unseen force, Diego found himself and Isabel pushed through the solid wall behind them, which opened to receive them into the sanctuary, and closed again to keep out the assassins. Don Lope rushed forward in pursuit, and in his rage hacked the stones with his sword as if to cut his way through. The marks made in the stone by his weapon are still to be seen there." The compassionate face still looks down from the shrine, and little sign-boards announce indulgences to those who pray there: "Señor Don Luis Maria de Borbon, most Illustrious Señor Bishop of Carista, grants forty days' indulgence to all who with grief for their sins say, 'Lord have mercy on me!' or make the acts of Faith, Charity, and Hope before this image, praying for the necessities of the Church."

Altogether I computed that a good Catholic could by a half-hour's industry secure immunity for two hundred and twenty days, or nearly two-thirds of a year. It is to be feared that the Toledans are too lazy to profit even by this splendid chance.

The majority of people here who can command a daily income of ten cents will do no work. Numbers of the inhabitants are always standing or leaning around drowsily, like animals who have been hired to personate men, and are getting tired of the job. Every act approaching labor must be done with long-drawn leisure. Men and boys slumber out-of-doors even in the hot sun, like dogs; after sitting meditatively against a wall for a while, one of them will tumble over on his nose—as if he were a statue undermined by time—and remain in motionless repose wherever he happens to strike. Business with the trading class itself is an incident, and resting is the essence of the mundane career.

Nevertheless, the place has fits of activity. When the mid-day siesta is over there is a sudden show of doing something. Men begin to trot about with a springy, cat-like motion, acquired from always walking up and down hill, which, taken with their short loose blouses, dark skins, and roomy canvas slippers, gives them an astonishing likeness to Chinamen.[5] The slip and scramble of mule hoofs and donkey hoofs are heard on the steep pavements, and two or three loud-voiced, lusty men, with bare arms, carrying a capacious tin can and a dipper, go roaring through the torrid streets, "Hor-cha-ta!" Then the cathedral begins wildly pounding its bells, all out of tune, for vespers. The energy which has broken loose for a couple of hours is discovered to be a mistake, and another interval of relaxation sets in, lasting through the night, and until the glare of fiery daybreak, greeted by the shrill whistling of the remorseless pet quail, sets the insect-like stir going again for a short time in the forenoon. Because of such apathy, and of a more than the usual Latin disregard for public decency, the streets and houses are allowed to become pestilential, and drainage is unknown. Enervating luxury of that sort did well enough for the Romans and Moors, but is literally below the level of Castilian ideas. In the midst of the most sublime emotion aroused by the associations or grim beauty of Toledo, you are sure to be stopped short by some intolerable odor.

The primate city was endowed with enough of color and quaintness almost to compensate for this. We never tired of the graceful women walking the streets vestured in garments of barbaric tint and endlessly varied ornamentation, nor of the men in short breeches split at the bottom, who seemed to have splashed pots of vari-colored paint at hap-hazard over their clothes, and insisted upon balancing on their heads broad-brimmed, pointed hats, like a combination of sieve and inverted funnel. There was a spark of excitement, again, in the random entry of a "guard of the country," mounted on his emblazoned donkey-saddle, with a small arsenal in his waist sash, and a couple of guns slung behind on the beast's flanks, ready for marauders. Even now in remembrance the blots on Toledo fade, and I see its walls and towers throned grandly amid those hills that were mingled of white powder and fire at noon-tide, but near evening cooled themselves down to olive and russet citron, with burning rosy shadows resting in the depressions.

One of the first spectacles that presented itself to us will remain also one of the latest recollections. Between San Juan de los Reyes and the palace of Roderick we met unexpectedly a crowd of boys and girls, followed by a few men, all carrying lighted candles that glowed spectrally, for the sun was still half an hour high in the west. A stout priest, with white hair and a vinous complexion, had just gone down the street, and this motley group was following the same direction. Somewhat in advance walked a boy with a small black and white coffin, held in place on his head by his upraised arm, as if it were a toy; and in the midst of the candle-bearers moved a light bier like a basket-cradle, carried by girls, and containing the small waxen form of a dead child three or four years old, on whose impassive, colorless face the orange glow of approaching sunset fell, producing an effect natural yet incongruous. A scampering dog accompanied the mourners, if one may call them such, for they gave no token of being more impressed, more touched by emotion, than he. The cradle-bier swayed from side to side as if with a futile rockaby motion, until the bearers noticed how carelessly they were conveying it down the paved slope; and the members of the procession talked to each other with a singular indifference, or looked at anything which caught their random attention. As the little rabble disappeared through the Puerta del Cambron, with their long candles dimly flaming, and the solemn, childish face in their midst, followed by the poor unconscious dog, it seemed to me that I beheld in allegory the departure from Toledo of that spirit of youth whose absence leaves it so old and worn.

CORDOVAN PILGRIMS.

I.

It was with peculiar eagerness, therefore, that we set out on our way. An American who was following the same route had joined us—a man with ruddy, bronzed cheeks and iron-gray hair, whom I at first should have taken for the great-grandson of a Spanish Inquisitor, if such a thing were possible. His iron persistence and the intensity of his prejudices were in keeping with that character—the only trouble being that the prejudices were all on the wrong side. Whetstone (as he was called) shared our eagerness in respect of Cordova, though from different motives. He hailed each new point in his journey with satisfaction, because it would get him so much nearer the end; for the reason he had come to Spain was, apparently, to get out of it again. "I don't see what I came to Spain for," Whetstone would observe to us, dismally; and, for that matter, we could not see either. "If there ever was a God-forsaken country—Why, look at the way a whole parcel of these men at the dinner-table get out their cigarettes and smoke right there, without ever asking a lady's leave! I'd like to see 'em try it on at home! Wouldn't they be just snaked out of that room pretty quick?" He had under his care a young lady of great sensibility, a relative by marriage, accompanied by her maid; and the maid was a colored woman of the most pronounced pattern. Altogether our pilgrim party embraced a good deal of variety. The young American girl, being a Catholic, was really a palmer faring from shrine to shrine. Rarely a convent or a chapel escaped her; she sipped them all as if they had been flower-cups and she a humming-bird, and managed to extract some unknown honey of comfort from their bitterness. It was like having a novice with us.

The night journeys by rail, so much in vogue in Spain, have their advantages and their drawbacks. At Castillejo, a junction on the way to Cordova, we had to wait four hours in the evening at a distance of twenty miles from the nearest restaurant. The country around was absolutely desolate except for tufts of the retamé—a sort of broom with slim green and silvered leaves, which grows wild, and, after drying, is used by the peasants as a substitute for rye or wheat flour. Only two or three houses were in sight. The tracks with cars standing on them, and the unfinished look of the whole place, made us feel as if we had by mistake been carried off to some insignificant railroad station in Illinois or Missouri. The only resource available for dinner was a cantineria, or drinking-room, where a few blocks of tough bread lent respectability to a lot of loaferish wine-bottles, and some uninviting sausages were hung in gloomy festoons, with a suspicious air of being a permanent architectural fixture intended as a perch for flies. The Spaniards invent little rhymed proverbs about many of their villages, and of one insignificant Andalusian hamlet, Brenes, the saying is,

"If to Brenes thou goest, Take with thee thy roast."

But Castillejo seems to be an equally good subject for this warning. We recalled how lavishly, on the way to Toledo, we had presented bread, meat, and strawberries to some country folk who were not in the habit of eating, and how ardently they had thanked us. As we passed their house in returning it was closed and lifeless, and we were convinced that they had died of a surfeit. How willingly would we now have undone that deed! However, after making some purchases from an extremely deaf old woman who presided over such poor supplies as the place afforded, we asked her if she could have coffee prepared. "If there is enough in the house," she replied to our interrogatory shrieks. Accordingly, we carried a table out under some trees on the gravel platform, to eat al fresco.

When we found ourselves in this way for the first time thrown back on the Spanish sausage, we resisted that unsympathetic substance with all the vigor of despair. But, aided by some bad wine, an interesting conversation with the Novice, and the glow of a sunset sky that looked as if strewn with fading peony petals, we recovered from the shock caused in the beginning by a mingled flavor of garlic, raisins, and pork. In truth, there was something enjoyable about this wild supper around which our quartette gathered in the dry, dewless twilight. An ancient female, resembling a broken-down Medea, came out and kindled a fire of brushwood beyond the track, swung a kettle there, and cooked our coffee, bending over the flame-light the while with her scattered gray tresses, and wailing out doleful peteneras, the popular songs of Spain. The songs, the fire, the wine, the strange scene, were so stimulating that we were surprised to find all at once the dark vault overhead full of stars, the comet staring at us in its flight above the hills, and our ten-o'clock train nearly due.

The next morning we were in a region totally unlike anything we had seen before, excepting for the ever-present mountain ranges wild as the Pyrenees or Guadaramas. The light of dawn on these barren Spanish mountain-sides, drawn up into peaks as sharp as the points of a looped-up curtain, produces effects indescribable except on canvas and by a subtle colorist. The bare surfaces of rock or dry grass and moss, and the newly reaped harvest fields lower down, blend the tints of air and earth in a velvet-smooth succession of madder and faint yellow, olive and rose and gray, fading off into a reddish-violet at greater distances.

These eminences are a part of the Sierra Morena, where Don Quixote achieved some of his most noteworthy feats—the liberation of the galley-slaves, the descent into the Cave of Montesinos, the capture of Mambrino's helmet, and the famous penance. So weird is the aspect of these desolate hills, enclosing silent valleys in which narrow tracts of woods are harbored, that I suspected it would be easy to breed a few Don Quixotes of reality there. Craziness would become a necessary diversion to relieve the monotony of existence.

A winding river-bed near by was bordered by tufted copses of oleander in full flower, and hedges of huge serrated aloe guarded the roads. On the hill-sides a round corral for herds would occasionally be seen. In the fields the time-honored method of threshing out grain by driving a sort of heavy board sledge in a circle over the cut crop, and of winnowing by tossing up shovelfuls of the grain-dust into the breezy air, was in active operation. By-and-by the olive orchards began. As far as we could see they stretched on either side their ranks of round dusty green tree-heads. Thousands of acres of them—one grove after another: we travelled through fifty miles of almost unbroken olive plantations, until we fancied we could even smell the fruit on the boughs, and our eyes were sick and weary with the sameness of the sight. Then the river, which from time to time had shown its muddy current in curves and sweeps, moving through the land at the bottom of what might have been an enormous drain, turned out to be the famous Guadalquivir, which, as Ford vividly puts it, "eats its dull way through loamy banks." At last Cordova, seated in an ample plain—Cordova, in vanished ages the home of Seneca, Lucan, Averroës, and the poet Juan de Mena—Cordova, white in the dry and gritty sun-dazzled air, with square, unshadowed two-story houses, overlooked by the bell-tower of its incomparable Mezquita Cathedral: a cheerful Southern city, maintaining large gardens, abounding in palms and myrtles and orange and lemon trees; possessing, moreover, clean streets of perceptible width.

After the "interpreter," or hotel guide, the beggar: such is the order in these Spanish towns, and not seldom the guide is merely a bolder kind of beggar. Two or three of the most frantically miserable and loathsome charity-seekers I ever saw surrounded our omnibus as we awaited our baggage, and stuffed their hideous heads in at the windows and door, concentrating on us their fire of appeals. Velveteen had heard that the sovereign remedy for these pests was to treat them with consummate politeness and piety. "Pardon me, brother, for God's sake!" was the deprecatory formula which had been recommended, and he now proceeded to recite this, book in hand. Unfortunately it took him about five minutes to get it launched in good style and pure Spanish, during which time the beggars had an opportunity entirely to miss the sense. A few grains of tobacco dropped into the hat of one of them were more efficacious, for they had the result of mystifying him and hopelessly paralyzing his analytical powers. Finally the guide, coming with the baggage, recognized his rivals, and drove them off.

At several places on the way we had seen our twin military persecutors waiting for us, sometimes with white havelocks, and again in glazed hat-covers and capes. "Are they disguising themselves, so as to fall upon us unawares?" I asked my friend. We determined not to be deceived, however, by the subtle device. These Spanish police-soldiers go through more metamorphoses in the linen and water-proof line than any troops I know. It must be excessively inconvenient to run home and make the change every time a slight shower threatens; and invariably, as soon as they get on their storm-cover, the sun begins to shine again. On our arrival they seemed to have made up their minds to arrest us at once; they came striding along toward us in duplicate, one the fac-simile of the other, and we gave ourselves up for lost. But just as they were within a few paces, their unaccountable policy of delay caused them to deviate suddenly, and march on as if they hadn't seen us. "One more escape!" sighed Velveteen, fervently.

Strangely enough, the languor which we had left in the middle of the kingdom, at Toledo, was replaced in this more tropical latitude by great activity. The shop streets presented a series of rooms entirely open to the view, where men and women were busily engaged in all sorts of small manufacture—shoes, garments, tin-work, carpentering. They were happy and diligent, as if they had been animated writing-book maxims, and sung or whistled at their tasks in a most exemplary manner.

"Cordovan leather" still holds it own, on a petty scale, and the small cups hammered out of old silver dollars constitute, with filigree silver-work, a characteristic local product. The faces of the people betrayed their gypsy blood oftentimes, and there was one street chiefly occupied by the Romany folk. Traces of blond or light chestnut hair showed that the Moorish stock had likewise left some offshoots that do not die out. The whole aspect of Cordova presents at once a reflex of the refined and enlightened spirit of the ancient caliphate. Everybody, including most of the beggars, has a fresh and cleanly appearance; the very priests undergo a change, being frequently more refined in feature and of a more tolerant expression than those of the North. The women set off their rosy brown complexions and black hair with clusters of rayed jasmine blossoms, flattened and ingeniously fixed in rosette form on long pins. The men, discarding those hot felt hats so obstinately worn in the central provinces, make a comfortable and festive appearance in their curling Panamas. On the Street of the Great Captain—the chief open-air resort, commemorating Gonsalvo of Cordova, who led so ably in the triumphant Christian campaigns—the people laugh and chat as if they really enjoyed life. There is a great deal of wealth in the place, and the lingering atmosphere of its past greatness is not depressing, as that of Toledo is, for it was never the home of bigotry and ignorance. Its prosperous epoch under Abdur-rahman and his Ommeyad successors was one of brilliant civilization. It was then a nursery of science and the arts; its inhabitants numbered a million. It had mosques by the hundred, and nearly a thousand baths—for the Spanish Moors well knew the civilizing virtue of water, and kept life-giving streams of it running at the roots of their institutions. The houses of the modern city are very plain on the exterior, and their common coat of whitewash imparts to them a democratic equality, though aristocracy is still a living thing there, instead of having sunk into pitfalls of squalor and idleness, as in the sombre city by the Tagus.

"But now the Cross is sparkling on the mosque,
And bells make Catholic the trembling air."

Gloomy little churches crop out in every quarter, and a few convents of nuns remain, where you may hear the faint, sad litany of the unseen sisters murmured behind the grating, while a priest chants service for them in the lonely chapel. The bells of these churches and of the mosque-cathedral are hardly ever silent; the brazen jargon of their tongues echoes over the roofs at all hours, and the hollow, metallic tinkle of mule-bells from the otherwise silent streets at times strikes one as making response to them. The beauty of the cathedral—still called the Mezquita (mosque)—lies almost solely in the preservation of its original Moorish architecture.

The site was first occupied as a place of worship by the Roman Temple of Janus, and this in turn became a basilica of the Gothic Christians. Abdur-rahman, after the Christians had long been allowed by the caliphs to continue their worship in one half of the basilica, reared the supremely wonderful House of Purification as it now stands; and then, after the conquest by Ferdinand and Isabella, in the reign of Charles V., the cumbrous high altar and choir, which choke up so much of the interior, transformed it once more into a stronghold of Christian ceremonial. But when you enter at the Gate of Pardon the long, wide Court of Oranges, you find yourself transported instantly to Mohammedan surroundings; you are under the dominion of the Ommeyades.

High walls hem in this open-air vestibule, where rows of orange-trees rustle their dense foliage in the warm wind. Their trunks are corpulent with age, for some of them date back to the last Moorish dynasty, and at one end stands the tank where followers of the Prophet washed themselves before entering in to pray. The Gate of Pardon, under the high-spired bell-tower, takes its name from the custom which obtained of giving criminals refuge by its portal. The murderer who could fly hither and gain the central aisle of the temple, directly opposite the gate across the court, was safe for shelter by the Mihrab, or inner shrine, at the farther end of the aisle. All the nineteen aisles formerly opened from the fragrant garden, though Catholic rule gives access by only three; but inside one sees at a glance the vast consecrated space which was so freely open to the Mussulmans—an interior covering several acres, not very lofty, yet imposing from its exquisite proportions. A wilderness, a cool, dark labyrinth of pillars from which light horseshoe arches rise, broken midway for the curve of another arch surmounting each of these, spreads itself out under the roof on every hand—grove of stone in a cave of stone stretching so far that the eye cannot follow its intricate regularity, its rare harmony of confusion. The rash Christian renovators who, overruling the protest of the city, undertook to remodel so exceptional a monument, covered the arches with whitewash; but many of them have been restored to the natural hues of their red and white marble. Imagine below them the pillars, smooth-shafted and with fretted capitals. Of old there were twelve hundred of them supporting the gilded beams and incorruptible larch of the roof, and a thousand still stand. Each is shaped from a single block, and many quarries contributed them. Jasper and porphyry, black, white, and red, emerald and rose marble, are all represented among them; though with their diversity they have this in common, that from the pavement up to about the average human height they have been worn dark, and even smoother than the workmen left them, by the constant touching and rubbing and leaning of generations who have loitered and worshipped in the solemn twilight that broods around them. A large number were appropriated from the old Roman temple which stood on the spot; others were plundered from temples at ancient Carthage; still others were brought entire from Constantinople. They typify the different powers that have been concerned in the making and unmaking of Spain, and one could almost imagine that in every column is concealed some petrified warrior of those conflicting races, waiting for the spell that shall bring him to life again.

On the surface of one of these marble cylinders is scratched a rude
and feeble image of Christ on the cross, hardly noticeable until pobr /> out. It is said to have been traced there by the finger-nail of a Christian captive who was chained to the pillar when it formed part of a dungeon somewhere else. He had ten years for the work, and enjoyed the advantage of a tool that would renew itself without expense whenever it began to wear out. I must say that we were touched by this dim record of the dead-and-gone prisoner's silent suffering and faith. The shock of doubt struck us only when, in another part of the mosque, we came upon another pillar against the wall, bearing an exact reproduction of the finger-nail sculpture, and furthermore provided with a holy-water basin and a lamp burning under the effigy of the captive, who appears to have been canonized. "How is this?" I asked the guide. "Here is the same thing over again!" He scrutinized me carefully, taking an exact measure of my credulousness, before he replied, "Ah, but the other is the real one!" It all seems to depend on which pillar gets the start.

But there is no deception whatever connected with the inner Mihrab, where there is a marvellous alcove marking the direction of Mecca, on the east. Its ceiling, in the shape of a quarter-globe, is cut from a single great piece of marble, which is grooved like a shell. And when the light from candles is thrown into this Arab chapel it glances upon elaborate enamelling on the surface, the vitreous glaze of minute and almost miraculous mosaic making it flash and sparkle with rays of the ruby, the emerald, the topaz, and diamond. There in the dusk the glittering splendor scintillates as brilliantly as it did eight hundred years ago, and shoots its beams upon the unwary eye as if it were a cimeter of the defeated race suddenly unsheathed for vengeance. In this place was kept the wondrous Koran stand of Al-Hakem II., which cost a sum equal now to about five million dollars. It disappeared a while ago—mislaid, it should seem, by some sacristan of orderly habits who was clearing up the rubbish, for no one appears to know where it went to. The sacred book within it was incased in gold tissue embroidered with pearls and rubies, and around the spot where it was enshrined the solid white marble floor is unevenly worn into a circular hollow, where the servants of the Prophet used to crawl seven times in succession on their hands and knees. This homage was paid by the brother of the Emperor of Morocco only a few years since, when he visited Spain, and indulged the luxurious woe of weeping over the fair empire his people had lost. The bewildering arabesques, the lines of which pursue and lose each other so mysteriously about the shrine, managing to form pious inscriptions in their intricate convolutions—by an exception to all other Hispano-Arabic decoration, which employs only stucco—are wrought in marble, frigid and stern as death, but embossed into a living grace as of vine tendrils.

Whetstone had been remarkably silent after entering the Mezquita. I fancied that he did not wholly approve of it. But after we had looked long at this epitome of the beautiful which I have just tried to sketch, he observed, impartially, in turning away, "I tell you, those fellows knew how to chisel some!" He had merely been trying to reduce the facts to their lowest terms.

Priests and boys were marching with crucifixes from the choir as we came away: the incense rolled up against the lofty smoke-dimmed altar; and the mild-faced celibate who played the organ sent harmonies of unusually rich music (performed at our guide's special request) reverberating among the thousand-columned maze of low arches. But my fancy went back to the time when gold and silver lamps had shed from their perfumed oils the only illumination there, and when the jewelled walls, smouldering in the faint light, had looked down upon the prostrate forms of robed and turbaned zealots. Then we passed out through the Court of Oranges into the street, with those forty towers of the cathedral wall again seen standing guard around it, and found ourselves once more in modern Cordova.

The breath of the South, the meridional aroma, welcomed us. The scent of the air in the neighboring Alcazar garden would of itself have been enough to tell us, in the dark, that we had entered Andalusia. That was beyond question a most delectable spot. A sort of fortress-prison bordered it, and immediately on the other side of the prison-wall blossomed the garden, where lemons and oranges and bergamot clambered rankly against the bricks, perfuming the whole atmosphere, and overblown roses dropped from their vines on to the paths. There were hedges of rosemary, and trees of pimento, and angular ribs of prickly cactus, carefully trained. From a balustraded terrace higher up descended a stone flight of steps, the massive stone guard of which on each side was scooped out so as to make a mossy bed for two streams of water perpetually flowing down and losing themselves in the secret courses that ministered to little scattered fountains, or laved the roots of the verdant tangle. Now and again a lizard darted from point to point, like an evil thought surprised in the heart of so much sweetness and freshness. Everywhere there was a cool gush and ripple of water, and some wide-spreading fig-trees made a pleasant bower in a bastion of the low garden-wall overlooking the famous river. From this post of vantage one can see the thick brown current slowly oozing by, and the ancient bridge which spans it, fortified at both ends, connecting the Cordova of to-day with the opposite bank, where the ancient city extended for two or three miles. With its great arched gate, Roman made and finely sculptured, this mellow light brown structure forms an effective link in the landscape, and below its piers stand several Moorish mills, disused, but as yet unbroken by age or floods.

We drove across the venerable viaduct afterward, and found that by an extraordinary dispensation some very fresh and shining silver coins of ancient Rome had lately been dug up from one of the shoals in the river (a peculiar place, by-the-way, to bury them in), and that our guide had some in his pocket. We forbore to deprive him of such treasures, however, even at the very trifling price which he put upon them, and contented ourselves with being swindled by him in a subsequent purchase of some other articles.

II.

FROM Cordova may be made, by those who are especially favored, one of the most interesting expeditions possible to the Hermitage, or, as the Church authorities name it, the Desierta (desert) of solitary monks, genuine anchorites, a few miles distant in the Sierra Morena. There are obstacles more formidable than the purely physical ones in the way of this excursion, the bishop of the diocese being averse to granting permission for the visit to any one who is not a good Catholic. Two Englishmen who came before us, relying on the potent gold piece, had made the toilsome ascent only to find that their sterling sovereigns were of no avail. I think the presence of the Novice helped our party; but it would be unwise to reveal the stratagem by which we all gained admittance. Let it be enough to say that we went to the bishop's palace after the usual hours of business, and by humble apologies obtained an audience with the secretary. While we were waiting we sat down under a frivolously gorgeous rococo ceiling, on a great double staircase of marble leading up from the patio, which was well planted with shrubs, and had walks paved with smooth round stones of various hue, set edgewise in extensive patterns. The vaulted ceiling resounded powerfully with every remark we made, which had the result of subduing our conversation to whispers, for an attendant soon came to warn us that the bishop was asleep, and that we must not speak loud on account of the echo. Profiting by the great man's siesta, we extracted the desired permission from his severe-faced but courteous secretary, who marked the document "Especial."

Our brief cavalcade of donkeys started the next morning at five, after we had taken a preternaturally early cup of chocolate. The donkeys appeared to know just where we were going, and would not obey the rein: the driver, walking behind, governed them by a system of negatives, informing them with a casual exclamation when they showed signs of turning where he didn't want them to. "Advance there, Baker!" he would cry. "Don't you know better than that? What a wretched little beast! Do as I tell you." The animal in question was named Bread-dealer, or Baker, and the one that I rode rejoiced in the eccentric though eminently literary appellation of "College."

"To the right, College!" our muleteer would shout, exercising a despotic power over my four-footed institution of learning. "Get up, little mule. Arré burr-r-rico!" Firing off a volley of r's with a tremendous rising and falling intonation, which invariably moved the brute to take one or two rapid steps before dropping back into his customary slow walk. As the heat increased, and the way grew steeper, he sighed out his "arré"—gee up—in a long, melancholy drawl, which seemed to express profound despair concerning the mulish race generally. Muleteers in Spain are termed generically, from this surviving Arabic word, arrieros, or, as we may translate it, "gee-uppers."

In this manner we made our way along the dusty road among olive orchards, and a sort of oak called japarros, until we began to mount by a rough, stony path which sometimes divided itself like the branches of a torrent, though we more than once succeeded in prodding the donkeys into a lively canter. The white façades of villas—quintas or carmens they are denominated hereabout—twinkled out from nooks of the hills; but at that early hour everything was very still. We could almost see the silence around us. Higher up, unknown birds began to sing in the sparse boscage that clothed the mountain flank or clustered in its narrow dells. Midway of the ascent, furthermore, Baker, on whom Velveteen was seated in solemn stride, with a blanket in place of saddle, paused ominously, and then began a nasal performance which shook our very souls. Why a donkey should bray in such a place it is hard to determine, but how he did it will forever remain impressed on our tympana. There was something peculiarly terrible and unnerving in the sound; and just as it ceased, our guide, Manuel, observed that this had once been a great place for robbers. "A few years ago," said he, "no one would have dared to come up along this road as we are doing." He added that the marauders used to conceal themselves in the numerous caves in the region, and pointed out one fissure in the rocks which his liberal imagination converted into the entrance of a subterranean retreat running for several miles into the heart of the mountains. At the same instant, looking down across a gorge below our track, I saw a man with a gun moving through a patch of steep olives, as if to head us off at a point farther along; and on a jutting rock-rib above us a memorial cross rose warningly. Crosses were formerly put up in the most impossible places among these hills, to mark the spot where anybody fell a victim to bandits or assassins; a fact of which the elder Dumas makes telling use in one of his short stories.[6] Brigands were themselves punctilious in setting up these reminders, which were held to exert an expiatory influence. If any one would understand how hopelessly the Spanish mind at one time perverted the relations of crime and religion, he may read Calderon's "Devotion of the Cross," wherein the hero, Eusebio, a terrible renegade who murders right and left, born at the foot of one of these way-side crosses, is saved by his reverence for the holy symbol. He is enabled, by virtue of this pious sentiment, to rise up after he is dead, walk about, and confess his sins to a friar; after which he is caught up into heaven!

The whole conjunction was somewhat alarming, but Manuel explained away our man with a gun by saying that he was merely one of the armed watchmen usually attached to country estates to protect crops and stock from depreciation. As for the bandits, they had now been quite dispersed, he declared, by the Civil Guard. That name, it is true, called up new fears for Velveteen and myself as we thought of the two relentless men who were on our trail: but we knew that for the moment, at least, we were beyond their reach.

At last we gained the very summit, and drew up under a porch at the walled gate of the Desert, while a shower began to fall in large scattered drops, like the lingering contents of some gigantic watering-pot, but soon spent itself. Our second pull at the mournful-sounding bell was answered by a sad young monk, who opened a square loop-hole in the wall, and asked our errand in a voice enfeebled by voluntary privations. After inspecting our pass, he told us, with a wan but friendly smile, that we must wait a little. It was Friday, and we had to wait rather long, for the hermits were just at that time undergoing the weekly flagellation to which they subject themselves. But finally we were let in—donkeys, guide, arriero, and the colored maid "Fan" sharing the hospitality. An avenue of tall, sombre, cypresses opened before us, leading to the main building and offices. The Desert, in fact, was green enough; well supplied with olives and pomegranates; and hedges of the prickly-pear, with its thick, stiff leaves shaped like a fire-shovel, and heavy as wax-work, cinctured the isolated huts in which the brothers dwell each by himself. Precisely as we came to a triangular plot in front of the entrance we were confronted by a skull set up prominently in a sort of pyramidal monument, giving force by its dusty grin to an inscription in Spanish, which read:

"AS THOU LOOKEST, SO ONCE LOOKED I:
AS I LOOK NOW, SO WILT THOU APPEAR HEREAFTER.
PONDER UPON THIS, AND SIN NOT."

Shortly beyond stood a catacomb above-ground, in which a number of defunct hermits had been sealed up. It also bore a legend, but in Latin:

"THE DAY OF DEATH IS BETTER THAN THAT OF BIRTH."

In the vestibule of the house these drastic reminders of mortality were supplemented by two allegorical pictures—hanging among some portraits of evanished worthies who had ended their penitential days there—two crude paintings which exhibited "The Soul Tortured by Doubt," and "The Soul Blessed by Faith." It was not altogether in keeping with the unworldly and ascetic atmosphere of this spiritual refuge, that a tablet in the wall should record, with fulsome abasement of phrase, how her most Gracious Majesty Isabella II. had, some few years ago, deigned to visit the Desert, and how this stone had been placed there as a humble monument of her condescension. Certainly, considering the ex-Queen's character (if it may claim consideration), it is hard to see what honor the anchorites should find in her visiting their abode.

A gray-haired brother, robed in the coarse and weighty brown serge which he is obliged to wear in winter and summer alike, received us kindly and showed us the expensively adorned plateresque chapel. He knelt and bowed nearly to the threshold before unlocking the door, crossed himself, and knelt again on the pavement within; then, advancing farther, he dropped down once more on both knees, and bent over as if he had some intention of using his good-natured, simple old head as a mop to polish the black and white marble squares, but ended by another cross, and moving his lips in noiseless prayer. The national manner of making the cross is peculiar: after the usual touching of forehead and breast, the Spanish Catholic concludes by suddenly attempting to swallow his thumb, and then as hastily pulling it out of his mouth again, to save it up for some other time. This movement, I suppose, emblemizes the eating of the consecrated wafer, but it makes a grotesque impression that is anything but solemn. At times you will also see him execute a unique triple cross, with strange passes and dabs in the air which might easily be mistaken for preliminary strategy directed against some erring mosquito engaged in guerilla warfare on his eyebrow. We were obliged, in conformity, to do as our Catholic companions did—receiving the holy-water and making a simple cross—an act which, without being of their faith, one may perform with unsectarian reverence. Brother Esteban was on the watch to see that proper devotion was shown in this peculiarly sacred chapel, and in the midst of his adoration he turned quickly upon Manuel, asking, "Why don't you go down on both your knees in the accustomed manner?"

Manuel, being a master of ready deception, answered, without an instant's delay, "Ah, that is my misfortune! I lately had an accident to that leg" (indicating the one which had not sunk far enough), "and that is why it is not easy to get down on both knees." However, he spread his handkerchief wider, and painfully brought the offending member into place.

Esteban frankly apologized, and then the praying went on again.

When we got out into the corridor, and our monkish friend was well in advance, black Fan's repressed heresy broke into a startling reaction. She dipped her hand again and again into the basin of holy-water, wastefully dropping some of it on the floor, and began outlining unlimited crosses from her sable forehead downward—covering her breast with an imaginary armor of them—enough to keep her supplied for a month, and proof against every possible misfortune. Her broad grin of delight, exposing her vermilion lips and white teeth like a slice of unripe watermelon, added to the horror of the situation, and I protested against such uncouth profanity.

"Might's well keep goin' now I begun," she chuckled in reply. "I's 'fraid I'll forgit how!" She was making another plunge for the font, when our pale, gentle-featured Novice stopped her in mid-career.

Fortunately good Esteban had not observed this small orgy going on. He was as pleasant as ever when we went with him into a little room to buy rosaries and deposit some silver pieces for charity; and there he made farther and profuse apologies to Manuel. "Of course you see it was impossible I should know there was anything the matter with your leg," he said, quite plaintively. And Manuel accepted his contrition with double pleasure because he knew it to be wholly undeserved.

The hermits, as I have said, have their separate cottages scattered about the grounds, each with a small patch of land to be cultivated. There they raise fruit, which their rules forbid them to eat, and so it is carried down as a present to some wealthy Cordovan families who support the hermitage by their largesses. Every day poor folk toil up from the plain, some five miles, to this airy perch, and are fed by the monks; but they themselves eat little, abstaining from meat, wine, coffee, tea—everything, indeed, except some few ounces of daily bread, a pint of garbanzos (the tasteless, round yellow bean which is the universal food of the poor in Spain), and a soup made of bread, water, oil, and garlic. They live on nothing and prayer. They rise at three in the morning, and thrice a week they fast from that hour until noon. Their step is slow, and their voices have a strange, inert, sickly sound; but they appeared cheerful enough, and joked with each other. I asked Esteban the name of a tiny yellow flower growing by the path, and he couldn't tell me; but he plucked it tenderly, and began discoursing to Manuel on its beauty. "Tan chiquita," he said, in his poor soft voice. "So little, little, and yet so precious and so finely made!" Another brother was deeply absorbed in snipping off bits of coiled brass wire with a pair of pincers. "These are for the 'Our Fathers,'" he explained, meaning the large beads in the rosary, separated from the smaller "Ave Maria" ones by links of wire. The cottages or huts, surrounded by an outer wall, contain a cell, sometimes cut out of a bowlder lying on the spot, where there is a rude cot, a shelf for holy books and the crucifix, and a grated window, across which waves, perhaps, the broad-leaved bough of a fig-tree. An anteroom, provided with a few utensils and the disciplinary scourge hanging mildly against the wall, completes the strange interior. The lives of the hermits of the Sierra are reduced to the ghastly simplicity of a skeleton; a part of their time is spent in contemplating skulls, and they have a habit of digging their own graves, in order to keep more plainly before their minds the end of all earthly careers. Mistaken as all this seems to many of us, there was a peacefulness about the Hermitage for which many a storm-tossed soul sighs in vain; and I am glad that some few creatures can find here the repose they desire while waiting for death. Some of the hermits are men of rank, who have retired hither disheartened with the world; others are low-born—men afflicted by some form of misfortune or misdemeanor of their own, who wish to hide from life; but all assemble in a pure democracy of sorrow and penitential piety, apparently contented.

We breakfasted at ten in a room hospitably put at our disposal, the windows of which admitted a delicious breeze and opened upon a magnificent view of the plain far below, where the distant city rested like a white mist—an impalpable thing. Brother José brought some olives, to add to the refection which our sumpter-mule had carried to this height. They had a ripe, acid, oily flavor, which made one think of homely things and of patient housewives in remote American hills, who lead lives as monotonous, as self-denying and unnoticed as those which pass on this ridge of the Sierra in Andalusia. Our Novice thought the olives had "a holy flavor;" and I could understand her feeling. Find me a site more fitted for meditation on the volatility of mundane things than this eyry on the mountain-head overlooking the historic valley! There lies Cordova, a mere spot in the reach of soft citron and straw-tinted fields; and the Guadalquivir, winding like a neglected skein of tawny silk thrown down on the mapped landscape. The plain is calm as oblivion. It is oblivion's self; for there the earth has absorbed Cordova the Old, so that not a vestige remains where compressed masses of human dwellings once stood. They are crumbled to an indistinguishable powder. That soft autumnal soil has swallowed up the bones of unnumbered generations, and no trace of them is left. We imagined the glittering legions of Cæsar as they moved slowly through the country, flashing the sun from their compact steel, at that time when they put to the sword twenty-five thousand inhabitants of the city, which had sided with Pompey. We saw the Moors once more envelop it with arms and banners and the fluttering of snowy garments. But all these vanished again like a moving cloud, or a smoke from burning stubble; and the sun still pours its uninterrupted flood of splendor over the land, bringing life and bringing death, with impartial ray.

The Spanish word for "crowded" or "populated" is still used to signify "dense" in any ordinary connection, as the phrase barba poblada, for a thick beard, testifies. The implication is that, when there is any population at all, it must be crowded; a direct transmission, apparently, from periods when inhabitants clustered in immense numbers around the centres of civil power for safety. And the word holds good to-day; for one finds, in the present shrunken human force of the Peninsula, closely packed assemblages of people in the towns and cities, with wide domains of comparatively untenanted country around.

When night closed above us again in the city; when mellow lamps glowed, and a tropical fragrance flowed in from the gardens; when in the long dusky pauses of warm nocturnal silence the watchman's weary and pathetic cry resounded, or hollow-toned church-bells rung the hour, the romance of Cordova seemed to concentrate itself, and fell upon me, as I listened, in chords that took this form:

FLOWER OF SPAIN.

Like a throb of the heart of midnight
I hear a guitar faintly humming,
And through the Alcazar garden
A wandering footstep coming.

A shape by the orange bower's shadow—
Whose shape? Is it mine in a dream?
For my senses are lost in the perfumes
That out of the dark thicket stream.

'Mid the tinkle of Moorish waters,
And the rush of the Guadalquivir,
The rosemary breathes to the jasmine,
That trembles with joyous fear.

And their breath goes silently upward,
Far up to the white burning stars,
With a message of sweetness, half sorrow,
Unknown but to souls that bear scars.

Here, midway between stars and flowers,
I know not which draw me the most:
Shall my years yield earthly sweetness?
Shall I shine from the sky like a ghost?

A spirit I cannot quiet
Bids me bow to the unseen rod;
I dream of a lily transplanted,
To bloom in the garden of God.

Yet the footsteps come nearer and nearer;
Still moans the soft-troubled strain
Of the strings in the dusk. Well I know it:
'Twas called for me "Flower of Spain."

Ah, yes! my lover he made it,
And called it by my pet name:
I hear it, and—I'm but a woman—
It sweeps through my heart like a flame.

The night's heart and mine flow together;
The music is beating for each.
The moon's gone, the nightingale silent;
Light and song are both in his speech.

As the musky shadows that mingle,
As star-shine and flower-scent made one,
Our spirits in gladness and anguish
Have met: their waiting is done.

But over the leaves and the waters
What echoes the strange clanging bells
Send afloat from the dim-arched Mezquita!
How mournful the cadence that swells

From the lonely roof of the convent
Where pale nuns rest! On the hill,
Far off, the hermits in vigil
Are bowed at the crucifix still;

And the brown plain slumbers around us....
O land of remembrance and grief,
If I am truly the flower,
How withered are you, the leaf!

There was a good deal of discussion among our group of pilgrims as to the propriety of a foundation like the Hermitage of the Sierra continuing to exist in an age like the present one. Whetstone, who had declined to visit it, was of opinion that men who led such idle lives should be suppressed by law, and even went so far as to talk about hanging them. So singular a theory, emanating from a citizen of a free republic, met with some opposition; but this was not pushed too far, because we understood that Whetstone kept a hotel at home, and dreaded lest some day we should be at his mercy. As for the rest of us, it was not easy to pronounce that we were of much more value than the hermits; and assuredly those earnest ascetics compared favorably with our mule-driver, who was remarkable only for an expression of incipient humor that was never able to attain the height of actual expression. I was sure that, as he sighed out his final "Arré" in this world, he would pass into the next with that vacant smile on his face, and the joke which he might have perpetrated under fortunate circumstances still unuttered. Nor did the average life of Cordova strike us as signally indispensable to the world's progress. It was doubtless a very pleasant, lazy life so far as it went, and we did not decide to hang the inhabitants! They have a charming fashion there of building houses with pleasant interior courts, in which the sclinda, a vine with pale lavender clusters of blossoms suggesting the wistaria, droops amid matted foliage, and lends its grace alike to crumbling architecture or modern masonry. In these courts, separated from the street by gates of iron grating beautifully designed, you will see pleasant little domestic groups, and possibly a whole dinner-party going on in the fresh air. It was likewise agreeable to repair to a certain restaurant—restored in the Moorish manner—and there, while clapping hands echoed through the light arcades, drink iced beer and lemon—a refreshing beverage, which might reasonably take the place of fiery punches (in America) for hot weather. "Neither will I deny," said Velveteen, "that it is a wonderful sensation to stray into the Plaza de Geron Paez and come up suddenly against that glorious old Roman gate—growing up as naturally as the trees in front of it, but so much more wonderful than they—with its fine crumbling yellow traceries. How nicely it would tell in a sketch, eh, with some of the royal grooms—the remontistas—walking through the foreground in their quaint costumes!"

The men to whom he referred wear, in the best sense, a thoroughly theatrical garb of scarlet and black, finished off by boots of Cordovan leather in the style of sixteenth-century Spain, turned down at the top, laced, tasselled, and slashed open by a curve that runs from the side down to the back of the heel. This shows the white stocking under short trousers, giving to the masculine calf and ankle a grace for which they are usually denied all credit.

For the rest, dwellers in modern Cordova attend mass and vespers, stroll around to the confectioners' of an afternoon to eat sweetmeats, especially sugared higochumbos (the unripe prickly-pear boiled in syrup), or the famed and fragrant preserve of budding orange-blossoms known as dulces de alzahar; and the remainder of the time they while away pleasantly in loitering on the Street of the Great Captain, or in peering from their windows at whatever passes beneath. Throughout the kingdom, it should be said, a most extraordinary persistence will be observed in dawdling, strolling, and general contemplation. The Spaniard appears to be born with his legs in a walking position, and with loaded eyes that compel him to look out of the window whether he wants to or not.

One of the more remarkable observations, finally, that I collected in Cordova came from Manuel. It was his reflection as he gazed down from the Desierta into the plain: "Ah, that was where John Dove (Juan Palom) did such splendid things!" he sighed. "You don't know about John Dove? Well, he was one of the very greatest men Spain ever had; he was a robber—and oh, what a beautiful robber!"

ANDALUSIA AND THE ALHAMBRA.

I.

To me it is memorable as the place where I saw the jars in which the Forty Thieves were smothered. Worried by a painfully profuse odor that filled the whole street, one day I sought the cause, and found it in an olive-oil merchant's tienda, where there were some terra-cotta jars of the exact form given in the story-books, and afflicted with elephantiasis to such a degree that one or two men could easily have hidden in each. I am sure they were the same into which Morgiana poured the boiling oil, though why it should have been heated is inexplicable: the smell alone ought to have been fatal.

A prouder distinction is that Sevilla is the capital of Andalusia, that gayest and most diversified province of Spain; the native ground of the bull-fight and breeder of the best bulls; a region abounding in racy customs and characteristics. The sea-going Phœnicians, who bear down on us from so many points of the historical compass, found in Andalusia an important trading field. Its mountains are still stored with silver, copper, gold, lead, which have yielded steady tribute for thousands of years. In its breadths of sun-bathed plain and orange-mantled slope the ancients placed their Elysian Fields. Goth and Roman, Moor and Spaniard, struggled for the mastery of so rich a possession; and meanwhile Sevilla, the favorite of Cæsar—his "little Rome"—lay at the core of the fruitful land, herself careless in the main as to everything except an easy life, with plenty of singing and love-making. From climate and history, nevertheless, from art and the mingling of antipodal races, Sevilla received those influences which have shaped her into the bizarre and eminently Spanish creation that she is—a visible memory of the past, and a sparkling embodiment of the present. Society, amusement, and religious awe are the controlling aims of the people, blended with revolutionary politics, and great liveliness in their increasing commerce. The songs of Andalusia pervade the whole kingdom; its dances—cidarillos, manchegas, boleros, the cachuca, and the wildly graceful Sevillanas—enjoy an equal renown.

To accept Sevilla without disappointment, however, a robust appreciation is needed. Its squalors and splendors are impartially distributed. Luxurious mansions are dropped down indiscriminately among mean abodes and the homes of dirt. Poverty and showiness, supreme beauty and grotesque ugliness, jostle each other at close quarters. It is a sort of olla podrida among cities; but the total result is exceedingly curious, and piques the observation.

The first of it that met our eyes was the Giralda tower of the cathedral, rising in unique majesty above the unseen town, and as if inspired with a fresher grace by its own fame. If the bronze female figure of Faith on the summit could have spoken, it might have said: "In all the range of view from this pinnacle there is nothing so fair as Sevilla." The very next object of notice was a woman in the street, who began begging from below the instant we set foot on the balcony for a general survey. She gave us our money's worth of misery, but the supply afterward proved too great for our demand. The mendicants of Sevilla are much more daring and pertinacious than their craft elsewhere. They call your attention with a sharp "tst, tst," as if you were hired to go through life casually, stopping the instant they summon you. There was in particular one energetic man who never failed to pounce upon us from his lair, and place some few inches in front of us the red and twisted stump from which his hand had been severed. He had seemingly persuaded himself that our journey of several thousand miles was undertaken principally to inspect this anatomical specimen. The amount of execution he did with that mutilated member was enough to shame any able-bodied, self-supporting person. With a single wave of it he could put us to flight.

The effect would not have been more instantaneous if he had suddenly unmasked a mitrailleuse a yard from our noses. To assume unconsciousness was futile, for, whichever way we turned, he was always (it would hardly be correct to say "on hand," but) on time with his fingerless deformity—he always placed it, with the instinct of a finished artist, in the best light and most effective pose—getting it adroitly between us and anything we pretended to look at.

I imagined the noble cathedral might afford a refuge from such attacks, but every door was guarded by a squad of the decrepit army, so that entrance there became a horror. These sanctuary beggars serve a double purpose, however. The black-garbed Sevillan ladies, who are perpetually stealing in and out noiselessly under cover of their archly draped lace veils—losing themselves in the dark, incense-laden interior, or emerging from confession into the daylight glare again—are careful to drop some slight conscience-money into the palms that wait. Occasionally, by pre-arrangement, one of these beggars will convey into the hand that passes him a silver piece a tightly-folded note from some clandestine lover. It is a convenient underground mail, and I am afraid the venerable church innocently shelters a good many little transactions of this kind.

Nothing can surpass in grandeur, in solemn and restful beauty, the hollow mountain of embellished stone which constitutes this cathedral. It does not present the usual cross shape, but is based upon the oblong form of an old mosque, originally formed somewhat like that at Cordova, but now wholly gone, excepting for the unequalled Giralda, and a few other minor muezzin towers. The Court of Oranges is another relic of the mosque-builders, where clumps of polished leafage contrast their own vivid strength with the energetic lines of flying-buttresses in the background—a florid yet melancholy height of trellised stone. The enclosing walls of the Orange Court, made of firmly cohering mud, or tapia, are tipped with flame-pointed battlements. At their eastern end rises the tall, square Giralda, with a serenity in its simple lines expressing, like Greek temples, the satisfied senses controlled by an elevated mind. The lower portion bears other impress of its Moorish origin in variously patterned courses of sunken brick; but the whole tower terminates in a filigree Christian spire of the sixteenth century, with a row of queer rusty iron ornaments, imitating vases filled with flowers, placed on the ledge above the belfry at the spire's base. Then, as you continue the circuit on the east, you arrive opposite the apse curve marking the chancel of the Chapel Royal; and here the wall is moulded to the taste of Charles V.'s time, which affected Roman simplicity and weight, adding to it a trace of feudal pomp in high-relief coats of arms. On the third and south side a crumbling frieze of deer's heads and flower garlands skirts the cornice above a long plain front, the straightness of which our friend Whetstone, clambering up on a low coping so as to squint along the side, and see if the lines were perfectly true, admired more than anything else. Afterward one reaches a corner where the work remains unfinished, and the blackened trunks of incomplete pinnacles in graded ranks suggest the charred fragments of a faith once all afire, now darkened and cold. There is no all-dominating dome; but there are two or three bulbous upheavals in the roof, some spindling turrets on the north, and a square elevation in the middle revealing the form of the transept. The whole top is ribbed with stone, serrated with ornate crockets, crowded with bosses and small spires, or edged with a double balustrade mimicking in its flame-points a thousand altar lights. Petrified rosettes and spiral wreathings project from the sides in unchangeable efflorescence, and great arches, furrowed around by concentric ripples of carving, and sometimes overpeered by quaint terra-cotta heads, give entrance to the interior of the gigantic marvel. And over all towers the Giralda to a height of three hundred and fifty feet, surmounted by the Giraldillo vane—a woman's form, which turns its twenty-five hundred-weight of bronze from point to point at the slightest veering of the wind. But the consummate wonder of this great fabric, under which prostrate ages seem to crouch while lifting it to heaven, is the union of diverse styles and spirits in its construction. The different schools conglomerated in such an exterior give the cathedral a great and mysterious power of variety; yet, decided though their contrasts are, the effect is not harsh. It bears witness to the truth that the spirit of man when attuned to the mood of sincere worship, however unlike its expression may be at different epochs and through different races, will always make a certain grand inclusive harmony with itself.

The coolness of the lofty and umbrageous aisles within is not penetrated by the fiercest summer heats; but their religious twilight, though inciting to a devout and prayerful sentiment, wraps in obscurity the crowded works of art, the emblazoned retablos, the paintings of Murillo, Campaña, and Morales, and the costly ornaments bestowed upon the high altar, as well as those of some thirty side-chapels. In the central nave, before a shrine at the choir-back, lies the tomb of Ferdinand, son of Christopher Columbus. The colossal form of another Christopher, the saint, lifts itself up the wall to a height of thirty-two feet, near the Gate of the Exchange. Whoever looks upon St. Christopher, to him no harm shall come during that day; hence this worthy is a common object in Spanish cathedrals, and always painted so large that no one who diligently attends mass can possibly miss seeing him. A curious relic on the Chapel Royal altar is the Battle Virgin, a small ivory image which King Ferdinand the Sainted always carried in war firmly fixed on his saddle-bow. There, too, the King himself, embalmed, is preserved in a chiselled silver case, to be uncovered and shown three times a year with great pomp of military music. A life-size Virgin with movable joints and spun-gold hair watches over him, but did not prevent his crown from being stolen a few years ago. Not far away Murillo's San Antonio hangs, the chief figure in which was also stolen, being cut out in 1874, as many who read this will remember, and carried to New York, where it was recovered. Innumerable other works and wonders there are, and the sacristies contain great value of goldsmiths' products; but, unless it be made a subject of long artistic study, the fundamental charm of the cathedral consists in its general aspects, its mysterious perspectives, its proportions so simple and grandiose; the isolated pictures formed at almost any point by jewelled and candle-lit chapels sparkling dimly through a permanent dusk, rainbowed here and there by the light from old stained windows.

From the Giralda, which is mounted by inclined planes in place of stairs, one looks down upon the glorious building as if it were something belonging to a lower and different world. All around, beyond, the mazy city flattens itself out in a confusion of white walls and tiled roofs, that look like the armored backs of scaly monsters huddled sluggishly in the powerful sunshine, with impossible streets among them reduced to mere thin lines of shadow. The tawny river touches it; palaces and gardens and abandoned monasteries fringe it. Quite near you see the Tower of Gold—a surviving outwork of the Moorish defences—which was formerly coated with orange-colored tiles on the outside, while the inside furnished a repository for treasure brought from the New World. A crenellated Moorish fortification rises up dreamily at one point, but finding itself out of date, abruptly subsides again. Farther out are the seven suburbs, including the gypsy and sailor quarter, the Triana; and then the plains stretch into an immense area of olive, gold, and white, reaching to mountains on the north and east. A multitude of doves inhabit the spire, and there is almost always a hawk sailing above it, higher than anything else under the cloudless sky. At the base lives the bell-ringer, through whose stone-paved dining-room and nursery, filled with his family, we had to pass in order to ascend. Once, as we stood toward sunset in the high gallery where the bells are hung in rectangular or arched apertures, we heard the repique sounding the Angelus. It was a furious explosion of metallic resonance.

Twenty bells on swinging beams, that throw the echoing mouths outward through the openings, and two fixed in place within, of which Santa Maria—profanely called The Fat One—is the largest: such is the battery at command. They are not all used at once, however, for the Angelus. The ringer and his two sons were satisfied with touching up Santa Catalina (of a tone peculiarly deep and acceptable), St. John the Baptist, San José, and one or two others. The whole brazen family have been duly baptized, among them being San Laureano and San Isidoro, named after the special patrons of Sevilla. One after another their tongues rolled forth a deafening roar, in a systematic disorder of thunderous tones, while the chief ringer went about unconcernedly with a smouldering cigarette in his lips. One of his sons, after uncoiling the twisted rope around the beam of San Laureano, thus getting it into violent motion, watched his chance, sprung on to the beam, agile as a cat, and stood there while it rocked, the bell under him swinging out at each turn, over the open square below. It was three hundred feet, down to the pavement, and the least slip would have sent him down to it like a handful of dirt. His conception of what would please us, nevertheless, led him thoroughly to unnerve us by repeating the performance several times.

"Why don't the high-priest, or whatever he is, go on and finish up this church?" asked Whetstone of the guide. "Seems to me it's about time."

"The priest? He don't want to," was Vincent's answer, given with a movement of the fingers meant to imply the receiving of money. "It make too good excuse."

Our conductor, who I am sure was a sceptic, went on to declare that within the last ten years ninety thousand dollars had been left by will for carrying on the unfinished portion of the cathedral, but as yet no movement to begin the work had been made. "Where all that money go?" he asked, innocent curiosity overspreading his features, while his eye gleamed with hidden intelligence.

"What do the people think of the priests?" one of us asked.

"The chimneys[7] will find out some time," he replied; adding, in the proverbial strain common with Spaniards: "When the river comes down from the mountains, it brings stones."

"By the river, you mean revolution? But you've had that before."

The conclusive answer to this was a maxim borrowed from the ring: "The fifth bull is never a bad one" (meaning, "Success comes to those who wait").

Our guide's English was put to a severe strain in the Alcazar, a palace largely Oriental, with interiors that outshine the Alhambra in resplendent color and gilding. There is, in particular, one round-domed ceiling constructed with an intricacy of interdependent supports, cones, truncations, dropping cusps, which is counterpoint made plastic; and in its inverted cup-like cysts the burnished gold glows like clotted honey. But, for all that, it does not equal the matchless Alhambra in arrangement, variety, or poetic surroundings. The memory of King Pedro the Cruel is closely connected with this Alcazar. From it he used to make night sallies into the town, by means of what Vincent termed a "soup-tureen passage," which brought him up through a trap-door somewhere in the thick of his subjects. Pedro, who lived in the fourteenth century, was a monarch of a severely playful disposition. He used to have the heads of people that were obnoxious to him cut off, and hung up over the lintel of his dressing-room door, where he could look at them while he was putting in his shirt-studs, or whenever he felt bored. In the extensive gardens, half Eastern and half mediæval, behind the palace, among the box and myrtle planted in forms of heraldic devices, among the palms and terraces and fountains, there run long paths, secretly perforated in places for fine jets of water. These are the traces of a still more ingenious amusement invented by Pedro. From a place of concealment he would watch until the ladies of the court, when promenading, had got directly over one of his underground—I mean "soup-tureen"—fountains, then he would turn a faucet, and drench them with a shower-bath from below.

There are other palaces in Sevilla, of which the Duke of Montpensier's San Telmo is the chief, and a model of uninteresting magnificence, aside from the valuable collection of old Spanish masters which it contains. These pictures were sent to Boston for a loan exhibition during the last revolution in Spain, in 1874; and although their aggregate worth is easily surpassed by the pictures preserved at the public gallery of Sevilla and at the Caridad Hospital, the Duke of Montpensier's possessions embrace a masterly portrait of Velazquez, by himself (repeated in the Museo at Valencia), and a charming "Madonna of the Swaddling Clothes," by Murillo. San Telmo was formerly a nautical college, having been founded by the son of Christopher Columbus.

But the long succession of apartments through which the visitor is ushered suggests no association with the former maritime prowess of Spain; it is haunted rather by the failures and disappointments of its owner, who, missing the throne on which his foot had almost rested, lived to see his daughter, Queen Mercedes, die, and another daughter mysteriously follow Mercedes into the grave after being plighted to the reigning King. The grounds attached to the palace are very large, and filled with palms, orange-trees, and other less tropical growths; and they may be inspected, under the guidance of a forester armed with an innocuous gun, by anybody who, after getting permission, is willing to pay a small fee and tire himself out by an aimless ramble.

Sevilla, where Murillo was born and spent so many years of artistic activity in the height of his powers, is the next best place after Madrid for a study of the sweetest among Spanish painters. His house still stands in the Jews' Quarter, and a few of his best works are kept in the picture-gallery; among them the one which he was wont to call "my picture"—"St. Thomas of Villanueva Giving Alms." Like the "Saint Elizabeth" at Madrid, it is a grand study of beggary—vagabondism as you may see it to-day throughout Spain, but here elevated by excellent design, charming sympathy with nature, and the resources of a delightful colorist, into something possessing dignity and permanent interest—qualities which the original phenomenon lacks. Murillo is pure, sincere, simple, but never profound; though to this he perhaps approaches more nearly in his "St. Francis Embracing the Crucified Saviour" than in any other of his productions. Like others of his pictures in Sevilla, however, it is painted in his latest style, called "vaporoso," which, to my thinking, marks by its meretricious softness of hazy atmosphere, and its too free coloring, a distinct decadence. In the church connected with the Caridad are hung two colossal canvases, one depicting the miracle of the loaves and fishes, the other, Moses striking the rock. This last is better known by its popular title, "The Thirst," which pays tribute to its masterly portrayal of that animal desire. In the suffering revealed by the faces of the Israelites, as well as the eager joy of the crowd (and even of their beasts of burden) on receiving relief, there is a dramatic contention of pain and pleasure, for the rendering of which the naturalistic genius of the artist was eminently suited—and he has made the most of his opportunity. The representation is terribly true; and its range of observation culminates in the figure of the mother drinking first, though her babe begs for water; for this is exactly what one would expect in Spanish mothers of her class, whose faces are lined with a sombre harshness, a want of human kindness singularly repellent. Such a picture is hardly agreeable; and it must be owned that, excepting in his gentle, honest "Conceptions," and a few other pieces, Murillo shares the earthiness of his national school, the effect of which, despite much magnificence in treatment, is on the whole depressing.

The House of Pilate, owned by the Duke of Medina Celi, is quite another sort of thing from San Telmo; a roomy, irregular edifice, dating from the sixteenth century, but almost wholly Saracenic. The walls are repoussés in fine arabesques, and sheathed at the base with old color-veined tiles that throw back the light in flashes from their surface. These also enamel the grand staircase, which makes a square turn beneath a roof described as a media naranja—natural Spanish music for our plain "half-orange"—the vault of which is fretted cedar cased in stucco. At the top landing is posted a cock in effigy, representing the one that crowed witness to Peter's denial. Again, a balcony is shown which stands for that at which Pilate washed his hands before the people; and in fine, the whole place is net-worked with fancies of this kind, identifying it with the scene of Christ's trial. For it was the whim of the lordly founder to make his house the starting-point for a Via Crucis, marking the path of Jesus on his way to crucifixion, and these devices were adopted to heighten the verisimilitude of the scene. In Passion-week pilgrims come to pray at the several "stations" along the route to the figurative Calvary at the end of the Via.

Into the Duke of Montpensier's garden stare the plebeian, commercial—let us hope unenvious—windows of the government tobacco factory; an enormous building, guarded like a fort to prevent the smuggling out of tobacco. Indeed, every one of the three thousand women employed is carefully watched for the same purpose as she passes forth at the general evening dismissal. Mounting the broad stairs of stone, I heard a peculiar medley of light sounds in the distance. If a lot of steam-looms were endowed with the faculty of throwing out falsetto and soprano notes instead of their usual inhuman click, the effect could not be more uninterrupted than this subdued merry buzzing. It was the chatter of the working-girls in the cigarette room. As we stepped over the threshold these sounds continued with crescendo effect, ourselves being taken for the theme. At least one hundred girls fixed their attention on us, delivering a volley of salutations, jokes, and general remarks.

"What do you seek, little señor? You will get no papelitos here!" exclaimed one, pretty enough to venture on sauciness.

"French, French! don't you see?" another said; and her companions, in airy tones, begged us to disburse a few cuartos, which are cent-and-a-quarter pieces.

There was one young person of a satirical turn who affected to approve a very small beard which one of us had raised incidentally in travelling. She stroked her own smooth cheek, and carolled out, "What a pretty barbule!"

They certainly were not enslaved to conventionality, though they may be to necessity. They seemed to enjoy themselves, too. Their eyes flashed; they broke into laughter; they bent their heads to give effect to the regulation flat curls on their temples, and all the time their nimble fingers never stopped filling cigarettes, rolling the papers, whisking them into bundles, and seizing fresh pinches of tobacco. In all there were three or four hundred of them, and some of them had a spendthrift, common sort of beauty, which, owing to their Southern vivacity and fine physique, had the air of being more than it really was. At first glance there appeared to be a couple of hundred other girls hung up against the walls and pillars; but these turned out to be only the skirts and boots of the workers, which are kept carefully away from the smouch of the cigarette trays, so as to maintain the proverbially neat appearance of their wearers on the street. Some of the women, however, were scornful and morose, and others pale and sad. It was easy to guess why, when we saw their babies lying in improvised box-cradles or staggering about naked, as if intoxicated with extreme youth and premature misery, or as if blindly beginning a search for their fathers—something none of them will ever find. We laid a few coppers in the cradles, and went on to the cigar-room.

It was much the same, excepting that the soberness of experience there partially took the place of the giddiness rampant among the cigarette girls. There were some appalling old crones among the thousand individuals who rolled, chopped, gummed, and tied cigars at the low tables distributed through a heavily groined stone hall choked with thick pillars, and some six hundred or seven hundred yards in length. Others, on the contrary, looked blooming and coquettish. Many were in startling deshabille, resorted to on account of the intense July heat, and hastened to draw pretty pañuelos of variegated dye over their bare shoulders when they saw us coming. Here, too, there was a large nursery business being carried on, with a very damaged article of child, smeary, sprawling, and crying. Nor was it altogether cheering to observe now and then a woman who, having dissipated too late the night before, sat fast asleep with her head in the cigar dust of the table.

"Ojala! May God do her work!" cried one of her friends. If he did not, it was not because there was any lack of shrines in the factory. They were erected here and there against the wall, with gilt images and candles arrayed in front of a white sheet, and occasionally the older women knelt at their devotions before them. I don't object to the shrines, but it struck me that a good crèche system for the children might not come amiss.

As to the factory-girls smoking cigarettes in public, it is an operatic fiction: no such practice is common in Spain. And the beauty of these Carmens has certainly been exaggerated. It may be remarked here that, as an offset to occasional disappointment arising from such exaggerations, all Spanish women walk with astonishing gracefulness, a natural and elastic step; and that is their chief advantage over women of other nations. Even the chamber-maids of Sevilla were modelled on a heroic, ancient-history plan, with big, supple necks, and showed such easy power in their movements that we half feared they might, in tidying the rooms, pick us up by mistake and throw us away somewhere to perish miserably in a dust-heap. Why there should be so much inborn ease and freedom expressed in the manner of women who are guarded with Oriental precautions, I don't know. Andalusian fathers have, no doubt, the utmost confidence in their daughters, but at the same time they save them the trouble of taking care of themselves by putting iron gratings on the windows. The reja, the domestic gittern, is very common in Sevilla. The betrothed suitor, if he is quite correct, must hold his tender interviews with his mistress through its forbidding bars. My companion actually saw a handsome young fellow standing on the sidewalk, and conducting one of these peculiar tête-à-têtes.

Every house is, furthermore, provided with a patio. The façades, as a rule, are monotonous and unspeakably plain, but the poorest dwelling always has its airy court set with shrubs, and perhaps provided with water. They are tiled, as most rooms are in Spain—a good precaution against vermin, which unluckily is not infallible as regards fleas, which search the traveller in Spain even more rigorously than the customs officers or the Civil Guards. The flea is still and small, like the voice of conscience, but that is the only moral thing about him. In the Peninsula I found him peculiarly unregenerate. As to these patios, the well-to-do protect them from the open vestibule leading to the street by gates of ornamental open iron, letting the air-currents play through the unroofed court, and sometimes with movable screens behind the gate. Chess-tables and coffee are carried out there in the evening, and the music-room gives conveniently upon the cool central space.

In Sevilla, if you hear a shrill little bell tinkling in the street, do not imagine that a bicycle is coming. One day a slight tintinnabulation announced the approach of a funeral procession, headed by two gentlemen wearing round caps and blue gowns, on which were sewed flaming red hearts. One bore a small alms-basket; the other rung the bell to attract contributions. It appears that this is the manner appointed for sundry brothers who maintain the Caridad, a hospital for indigent old men. The members, though pursuing their ordinary mode of life, are banded for the support of the institution. Necessarily rich and aristocrats, it matters not: when one of them dies, he must be buried by means of offerings collected on the way to his grave. This Caridad, let me add, was founded by Don Miguel de Manera, a friend of Don Juan, and a reformed rake. His epitaph reads: "Here lie the ashes of the worst man that ever was." I suspect a lingering vanity in that assertion, but at any rate the tombstone tries hard not to lie.

Fashionable society, after recovering from its mid-day siesta, and before going to the theatre or ball, turns itself out for an airing on Las Delicias—"The Delights"—an arbored road running two or three miles along the river-side. Nowhere can you see more magnificent horses than there. Their race was formerly crossed with the finest mettle of Barbary studs, and their blood, carried into Kentucky through Mexico, may have had its share in the victories of Parole, Iroquois, and Foxhall. A more strictly popular resort is the New Plaza, where citizens attend a concert and fireworks twice a week in summer, and keep their distressed babies up till midnight to see the fun. They are less demonstrative than one would expect. An American reserve hangs over them. Perfect informality reigns; they saunter, chat, and laugh without constraint, yet their enjoyment is taken in a languid, half-pensive way. In the various foot-streets where carriages do not appear—the most notable of which is the winding one called simply Sierpes, "The Serpents"—the same quietude prevails. Lined with attractive bazar-like shops, and overhung by "sails" drawn from roof to roof, which make them look like telescopic booths, these streets form shady avenues down which figures glide unobtrusively: sometimes a cigarette girl in a pale geranium skirt, with a crimson shawl; sometimes a lady in black, with lace-draped head; and perhaps an erroneous man in a heavy blue cloak, saving up warmth for next winter; or a peasant re-arranging his scarlet waist-cloth by tucking one end into his trousers, then turning round and round till he is wound up like a watch-spring, and finally putting his needle-pointed knife into the folds, ready for the next quarrel.

Once we caught sight of two belted forms with carbines stealing across the alley, far down, as if for a flank movement against us. Oh, horror! they were the Civil Guards, who were always blighting us at the happiest moment. As they did not succeed in capturing us, we believed they must have lost themselves in one of the calles that squirm through the houses with no visible intention of ever coming out anywhere. Velveteen wanted to go and look for their bones, thinking they had perished of starvation, but I opportunely reflected that we might ourselves be lost in the attempt. No wonder assassination has been frequent in these narrow windings! Once astray in them, that would be the easiest way out.