Indiana

The Masterpieces of George Sand,

Amandine Lucille Aurore Dupin, Baroness
Dudevant, NOW FOR THE FIRST
TIME COMPLETELY TRANSLATED
INTO ENGLISH INDIANA

BY G. BURNHAM IVES

WITH SIX PHOTOGRAVURES AFTER PAINTINGS BY
ORESTE CORTAZZO

IN ONE VOLUME

PRINTED ONLY FOR SUBSCRIBERS BY
GEORGE BARRIE & SON
PHILADELPHIA

CONTENTS

[INTRODUCTION]
[PREFACE TO THE EDITION OF 1832]
[PREFACE TO THE EDITION OF 1842]
[PART FIRST]
[PART SECOND]
[PART THIRD]
[PART FOURTH]

LIST OF ILLUSTRATIONS

[MADAME DELMARE DISCOVERS NOUN'S BODY]
[MADAME DELMARE DRESSES DE RAMIÈRES WOUNDS]
[THE BOAR HUNT]
[SIR RALPH SAVES INDIANA]
[MADAME DELMARE'S FLIGHT]
[RALPH AND INDIANA SEEK DEATH TOGETHER]

MADAME DELMARE DISCOVERS
NOUN'S BODY

Terror nailed her to the spot; but the stream flowed on, slowly drawing a body from the reeds among which it had caught, and bringing it toward Madame Delmare.

[INTRODUCTION]

I wrote Indiana during the autumn of 1831. It was my first novel; I wrote it without any fixed plan, having no theory of art or philosophy in my mind. I was at the age when one writes with one's instincts, and when reflection serves only to confirm our natural tendencies. Some people chose to see in the book a deliberate argument against marriage. I was not so ambitious, and I was surprised to the last degree at all the fine things that the critics found to say concerning my subversive purposes. Criticism is far too acute; that is what will cause its death. It never passes judgment ingenuously on what has been done ingenuously. It looks for noon at four o'clock, as the old women say, and must cause much suffering to artists who care more for its decrees than they ought to do.

Under all régimes and in all times there has been a race of critics, who, in contempt of their own talent, have fancied that it was their duty to ply the trade of denouncers, of purveyors to the prosecuting attorney's office; extraordinary functions for men of letters to assume with regard to their confrères! The rigorous measures of government against the press never satisfy these savage critics. They would have them directed not only against works but against persons as well, and, if their advice were followed, some of us would be forbidden to write anything whatsoever.

At the time that I wrote Indiana, the cry of Saint Simonism was raised on every pretext. Later they shouted all sorts of other things. Even now certain writers are forbidden to open their mouths, under pain of seeing the police agents of certain newspapers pounce upon their work and hale them before the police of the constituted powers. If a writer puts noble sentiments in the mouth of a mechanic, it is an attack on the bourgeoisie; if a girl who has gone astray is rehabilitated after expiating her sin, it is an attack on virtuous women; if an impostor assumes titles of nobility, it is an attack on the patrician caste; if a bully plays the swashbuckling soldier, it is an insult to the army; if a woman is maltreated by her husband, it is an argument in favor of promiscuous love. And so with everything. Kindly brethren, devout and generous critics! What a pity that no one thinks of creating a petty court of literary inquisition in which you should be the torturers! Would you be satisfied to tear the books to pieces and burn them at a slow fire, and could you not, by your urgent representations, obtain permission to give a little taste of the rack to those writers who presume to have other gods than yours?

Thank God, I have forgotten the names of those who tried to discourage me at my first appearance, and who, being unable to say that my first attempt had fallen completely flat, tried to distort it into an incendiary proclamation against the repose of society. I did not expect so much honor, and I consider that I owe to those critics the thanks which the hare proffered the frogs, imagining from their alarm that he was entitled to deem himself a very thunderbolt of war.

GEORGE SAND.

Nohant, May, 1852.

[PREFACE TO THE EDITION OF 1832]

If certain pages of this book should incur the serious reproach of tending toward novel beliefs, if unbending judges shall consider their tone imprudent and perilous, I should be obliged to reply to the criticism that it does too much honor to a work of no importance; that, in order to attack the great questions of social order, one must either be conscious of great strength of purpose or pride one's self upon great talent, and that such presumption is altogether foreign to a very simple tale, in which the author has invented almost nothing. If, in the course of his task, he has happened to set forth the lamentations extorted from his characters by the social malady with which they were assailed; if he has not shrunk from recording their aspirations after a happier existence, let the blame be laid upon society for its inequalities, upon destiny for its caprices! The author is merely a mirror which reflects them, a machine which reverses their tracing, and he has no reason for self-reproach if the impression is exact, if the reflection is true.

Consider further that the narrator has not taken for text or devise a few shrieks of suffering and wrath scattered through the drama of human life. He does not claim to conceal serious instruction beneath the exterior form of a tale; it is not his aim to lend a hand in constructing the edifice which a doubtful future is preparing for us and to give a sly kick at that of the past which is crumbling away. He knows too well that we live in an epoch of moral deterioration, wherein the reason of mankind has need of curtains to soften the too bright glare which dazzles it. If he had felt sufficiently learned to write a genuinely useful book, he would have toned down the truth, instead of presenting it in its crude tints and with its startling effects. That book would have performed the functions of blue spectacles for weak eyes.

He does not abandon the idea of performing that honorable and laudable task some day; but, being still a young man, he simply tells you to-day what he has seen, not presuming to draw his conclusions concerning the great controversy between the future and the past, which perhaps no man of the present generation is especially competent to do. Too conscientious to conceal his doubts from you, but too timid to transform them into certainties, he relies upon your reflections and abstains from weaving into the woof of his narrative preconceived opinions, judgments all formed. He plies with exactitude his trade of narrator. He will tell you everything, even painful truths; but, if you should wrap him in the philosopher's robe, you would find that he was exceedingly confused, simple story-teller that he is, whose mission is to amuse and not to instruct.

Even were he more mature and more skilful, he would not dare to lay his hand upon the great sores of dying civilization. One must be so sure of being able to cure them when one ventures to probe them! He would much prefer to arouse your interest in old discarded beliefs, in old-fashioned, vanished forms of devotion, to employing his talent, if he had any, in blasting overturned altars. He knows, however, that, in these charitable times, a timorous conscience is despised by public opinion as hypocritical reserve, just as, in the arts, a timid bearing is sneered at as an absurd mannerism; but he knows also that there is honor, if not profit, in defending lost causes.

To him who should misunderstand the spirit of this book, such a profession of faith would sound like an anachronism. The narrator hopes that few auditors, after listening to his tale to the end, will deny the moral to be derived from the facts, a moral which triumphs there as in all human affairs; it seemed to him, when he wrote the last line, that his conscience was clear. He flattered himself, in a word, that he had described social miseries without too much bitterness, human passions without too much passion. He placed the mute under his strings when they echoed too loudly; he tried to stifle certain notes of the soul which should remain mute, certain voices of the heart which cannot be awakened without danger.

Perhaps you will do him justice if you agree that the being who tries to free himself from his lawful curb is represented as very wretched indeed, and the heart that rebels against the decrees of its destiny as in sore distress. If he has not given the best imaginable rôle to that one of his characters who represents the law, if that one who represents opinion is even less cheerful, you will see a third representing illusion, who cruelly thwarts the vain hopes and enterprises of passion. Lastly, you will see that, although he has not strewn rose-leaves on the ground where the law pens up our desires like a sheep's appetite, he has scattered thistles along the roads which lead us away from it.

These facts, it seems to me, are sufficient to protect this book from the reproach of immorality; but, if you absolutely insist that a novel should end like one of Marmontel's tales, you will perhaps chide me on account of the last pages; you will think that I have done wrong in not casting into misery and destitution the character who has transgressed the laws of mankind through two volumes. In this regard, the author will reply that before being moral he chose to be true; he will say again, that, feeling that he was too new to the trade to compose a philosophical treatise on the manner of enduring life, he has restricted himself to telling you the story of Indiana, a story of the human heart, with its weaknesses, its passions, its rights and its wrongs, its good qualities and its evil qualities.

Indiana, if you insist upon an explanation of every thing in the book, is a type; she is woman, the feeble being whose mission it is to represent passions repressed, or, if you prefer, suppressed by the law; she is desire at odds with necessity; she is love dashing her head blindly against all the obstacles of civilization. But the serpent wears out his teeth and breaks them in trying to gnaw a file; the powers of the soul become exhausted in trying to struggle against the positive facts of life. That is the conclusion you may draw from this tale, and it was in that light that it was told to him who transmits it to you.

But despite these protestations the narrator anticipates reproaches. Some upright souls, some honest men's consciences will be alarmed perhaps to see virtue so harsh, reason so downcast, opinion so unjust. He is dismayed at the prospect; for the thing that an author should fear more than anything in the world is the alienating from his works the confidence of good men, the awakening of an ominous sympathy in embittered souls, the inflaming of the sores, already too painful, which are made by the social yoke upon impatient and rebellious necks.

The success which is based upon an unworthy appeal to the passions of the age is the easiest to win, the least honorable to strive for. The historian of Indiana denies that he has ever dreamed of it; if he thought that he had reached that result, he would destroy his book, even though he felt for it the artless fatherly affection which swaddles the rickety offspring of these days of literary abortions.

But he hopes to justify himself by stating that he thought it better to enforce his principles by real examples than by poetic fancies. He believes that his tale, with the depressing atmosphere of frankness that envelopes it, may make an impression upon young and ardent brains. They will find it difficult to distrust a historian who forces his way brutally through the midst of facts, elbowing right and left, with no more regard for one camp than for the other. To make a cause odious or absurd is to persecute it, not to combat it. It may be that the whole art of the novelist consists in interesting the culprits whom he wishes to redeem, the wretched whom he wishes to cure, in their own story.

It would be giving overmuch importance to a work that is destined doubtless to attract very little notice, to seek to protect it against every sort of accusation. Therefore the author surrenders unconditionally to the critics; a single charge seems to him too serious to accept, and that is the charge that he has written a dangerous book. He would prefer to remain in a humble position forever to building his reputation upon a ruined conscience. He will add a word therefore to repel the blame which he most dreads.

Raymon, you will say, is society; egoism is substituted for morality and reason. Raymon, the author will reply, is the false reason, the false morality by which society is governed; he is the man of honor as the world understands the phrase, because the world does not examine closely enough to see everything. The good man you have beside Raymon; and you will not say that he is the enemy of order; for he sacrifices his happiness, he loses all thought of self before all questions of social order.

Then you will say that virtue is not rewarded with sufficient blowing of trumpets. Alas! the answer is that we no longer witness the triumph of virtue elsewhere than at the boulevard theatres. The author will tell you that he has undertaken to exhibit society to you, not as virtuous, but as necessary, and that honor has become as difficult as heroism in these days of moral degeneration. Do you think that this truth will cause great souls to loathe honor? I think just the opposite.

[PREFACE TO THE EDITION OF 1842]

In allowing the foregoing pages to be reprinted, I do not mean to imply that they form a clear and complete summary of the beliefs which I hold to-day concerning the rights of society over individuals. I do it simply because I regard opinions freely put forth in the past as something sacred, which we should neither retract nor cry down nor attempt to interpret as our fancy directs. But to-day, having advanced on life's highway and watched the horizon broaden around me, I deem it my duty to tell the reader what I think of my book.

When I wrote Indiana, I was young; I acted in obedience to feelings of great strength and sincerity which overflowed thereafter in a series of novels, almost all of which were based on the same idea: the ill-defined relations between the sexes, attributable to the constitution of our society. These novels were all more or less inveighed against by the critics, as making unwise assaults upon the institution of marriage. Indiana, notwithstanding the narrowness of its scope and the ingenuous uncertainty of its grasp, did not escape the indignation of several self-styled serious minds, whom I was strongly disposed at that time to believe upon their simple statement and to listen to with docility. But, although my reasoning powers were developed hardly enough to write upon so grave a subject, I was not so much of a child that I could not pass judgment in my turn on the thoughts of those persons who passed judgment on mine. However simple-minded a man accused of crime may be and however shrewd the magistrate, the accused has enough common-sense to know whether the magistrate's sentence is equitable or inequitable, wise or absurd.

Certain journalists of our day who set themselves up as representatives and guardians of public morals—I know not by virtue of what mission they act, since I know not by what faith they are commissioned—pronounced judgment pitilessly against my poor tale, and, by representing it as an argument against social order, gave it an importance and a sort of echo which it would not otherwise have obtained. They thereby imposed a very serious and weighty rôle upon a young author hardly initiated in the most elementary social ideas, whose whole literary and philosophical baggage consisted of a little imagination, courage and love of the truth. Sensitive to the reproofs and almost grateful for the lessons which they were pleased to administer, he examined the arguments which arraigned the moral character of his thoughts before the bar of public opinion, and, by virtue of that examination, which he conducted entirely without pride, he gradually acquired convictions which were mere feelings at the outset of his career and which to-day are fundamental principles.

During ten years of investigations, of scruples, and of irresolution, often painful but always sincere, shunning the rôle of pedagogue which some attributed to me to make me ridiculous, abhorring the imputation of pride and spleen with which others pursued me to make me odious, proceeding according to the measure of my artistic faculties, to seek the synthesis of life by analyzing it, I related facts which have sometimes been acknowledged to be plausible, and drew characters which have often been described as having been studied with care. I restricted myself to that, striving to establish my own conviction rather than to shake other people's, and saying to myself that, if I were mistaken, society would find no lack of loud voices to overturn my arguments and to repair by judicious answers the evil that my imprudent questions might have done. Numerous voices did, in fact, arise to put the public on its guard against the dangerous writer, but, as for the judicious answers, the public and the author are still awaiting them.

A long while after I wrote the preface to Indiana under the influence of a remnant of respect for constituted society, I was still seeking to solve this insoluble problem: the method of reconciling the welfare and the dignity of individuals oppressed by that same society without modifying society itself. Leaning over the victims and mingling his tears with theirs, making himself their interpreter with his readers, but, like a prudent advocate, not striving overmuch to palliate the wrong-doing of his clients, and addressing himself to the clemency of the judges rather than to their austerity, the novelist is really the advocate of the abstract beings who represent our passions and our sufferings before the tribunal of superior force and the jury of public opinion. It is a task which has a gravity of its own beneath its trivial exterior, and a task which it is exceedingly difficult to confine to its true path, pestered as you are at every step by those who accuse you of being too serious in respect to form and by those who accuse you of being too frivolous in respect to substance.

I do not flatter myself that I performed this task skilfully; but I am sure that I attempted it in all seriousness, amid inward hesitations wherein my conscience, sometimes dismayed by its ignorance of its rights, sometimes inspired by a heart enamored of justice and truth, marched forward to its goal, without swerving too far from the straight road and without too many backward steps.

To enlighten the public as to this inward struggle by a series of prefaces and discussions would have been a puerile method, wherein the vanity of talking about one's self would have taken too much space to suit me. I could but abstain from it as well as from touching too hastily upon the points which were still obscure in my mind. Conservators called me too bold, innovators too timid. I confess that I had respect and sympathy for the past and the future alike, and in the battle I found no peace of mind until the day when I fully realized that the one should not be the violation and the annihilation of the other, but its continuation and development.

After this novitiate of ten years, being initiated at last in broader ideas which I derived not from myself but from the philosophical progress which had taken place around me—and particularly from a few vast intellects which I religiously questioned, and, generally speaking, from the spectacle of the sufferings of my fellowmen,—I realized at last that, although I may have done well to distrust myself and to hesitate to put forth my views at the epoch of ignorance and inexperience when I wrote Indiana, my present duty is to congratulate myself on the bold utterances to which I allowed myself to be impelled then and afterwards; bold utterances for which I have been reproached so bitterly, and which would have been bolder still had I known how legitimate and honest and sacred they were.

To-day therefore, having re-read the first novel of my youth with as much severity and impartiality as if it were the work of another person, on the eve of giving it a publicity which it has not yet derived from the popular edition, having resolved beforehand not to retract—one should never retract what was said or done in good faith—but to condemn myself if I should discover that my former tendencies were mistaken or dangerous, I find myself so entirely in accord with myself with respect to the sentiment which dictated Indiana and which would dictate it now if I had that story to tell to-day for the first time, that I have not chosen to change anything in it save a few ungrammatical sentences and some inappropriate words. Doubtless many more of the same sort remain, and the literary merits of my writings I submit without reserve to the animadversions of the critics; I gladly accord to them all the competence in that regard which I myself lack. That there is an incontestable mass of talent in the daily press of the present day, I do not deny and I delight to acknowledge it. But that there are many philosophers and moralists in this array of polished writers, I do positively deny, with due respect to those who have condemned me, and who will condemn me again on the first opportunity, from their lofty plane of morality and philosophy.

I repeat then, I wrote Indiana, and I was justified in writing it; I yielded to an overpowering instinct of outcry and rebellion which God had implanted in me, God who makes nothing that is not of some use, even the most insignificant creatures, and who interposes in the most trivial as well as in great causes. But what am I saying? is this cause that I am defending so very trivial, pray? It is the cause of half of the human race, nay, of the whole human race; for the unhappiness of woman involves that of man, as that of the slave involves that of the master, and I strove to demonstrate it in Indiana. Some persons said that I was pleading the cause of an individual; as if, even assuming that I was inspired by personal feeling, I was the only unhappy mortal in this peaceful and radiant human race! So many cries of pain and sympathy answered mine that I know now what to think concerning the supreme felicity of my fellowman.

I do not think that I have ever written anything under the influence of a selfish passion; I have never even thought of avoiding it. They who have read me without prejudice understand that I wrote Indiana with a feeling, not deliberately reasoned out, to be sure, but a deep and genuine feeling that the laws which still govern woman's existence in wedlock, in the family and in society are unjust and barbarous. I had not to write a treatise on jurisprudence but to fight against public opinion; for it is that which postpones or advances social reforms. The war will be long and bitter; but I am neither the first nor the last nor the only champion of so noble a cause, and I will defend it so long as the breath of life remains in my body.

This feeling which inspired me at the beginning I reasoned out and developed as it was combated and reproved. Unjust and malevolent critics taught me much more than I should have discovered in the calm of impunity. For this reason therefore I offer thanks to the bungling judges who enlightened me. The motives that inspired their judgments cast a bright light upon my mind and enveloped my conscience in a sense of profound security. A sincere mind turns everything to advantage, and facts that would discourage vanity redouble the ardor of genuine devotion.

Let no one look upon the reproof which, from the depths of a heart that is to-day serious and tranquil, I have just addressed to the majority of journalists of my time, as implying even a suggestion of protest against the right of censorship with which public morality invests the French press. That criticism often ill performs and ill comprehends its mission in the society of the present day, is evident to all; but that the mission is in itself providential and sacred, no one can deny unless he be an atheist in the matter of progress, unless he be an enemy of the truth, a blasphemer of the future and an unworthy child of France! Liberty of thought, liberty to write and to speak, blessed conquest of the human mind! what are the petty sufferings and the fleeting cares engendered by thy errors or abuses compared to the infinite blessings which thou hast in store for the world!

INDIANA

[PART FIRST]

I

On a certain cool, rainy evening in autumn, in a small château in Brie, three pensive individuals were gravely occupied in watching the wood burn on the hearth and the hands of the clock move slowly around the dial. Two of these silent guests seemed to give way unreservedly to the vague ennui that weighed upon them; but the third gave signs of open rebellion: he fidgeted about on his seat, stifled half audibly divers melancholy yawns, and tapped the snapping sticks with the tongs, with a manifest intention of resisting the common enemy.

This person, who was much older than the other two, was the master of the house, Colonel Delmare, an old warrior on half-pay, once a very handsome man, now over-corpulent, with a bald head, gray moustache and awe-inspiring eye; an excellent master before whom everybody trembled, wife, servants, horses and dogs.

At last he left his chair, evidently vexed because he did not know how to break the silence, and began to walk heavily up and down the whole length of the salon, without laying aside for an instant the rigidity which characterizes all the movements of an ex-soldier, resting his weight on his loins and turning the whole body at once, with the unfailing self-satisfaction peculiar to the man of show and the model officer.

But the glorious days had passed, when Lieutenant Delmare inhaled triumph with the air of the camps; the retired officer, forgotten now by an ungrateful country, was condemned to undergo all the consequences of marriage. He was the husband of a young and pretty wife, the proprietor of a commodious manor with its appurtenances, and, furthermore, a manufacturer who had been fortunate in his undertakings; in consequence whereof the colonel was ill-humored, especially on the evening in question; for it was very damp, and the colonel had rheumatism.

He paced gravely up and down his old salon, furnished in the style of Louis XV., halting sometimes before a door surmounted by nude Cupids in fresco, who led in chains of flowers well-bred fawns and good-natured wild boars; sometimes before a panel overladen with paltry, over-elaborated sculpture, whose tortuous vagaries and endless intertwining the eye would have wearied itself to no purpose in attempting to follow. But these vague and fleeting distractions did not prevent the colonel, whenever he turned about, from casting a keen and searching glance at the two companions of his silent vigil, resting upon them alternately that watchful eye which for three years past had been standing guard over a fragile and priceless treasure, his wife.

For his wife was nineteen years of age; and if you had seen her buried under the mantel of that huge fire-place of white marble inlaid with burnished copper; if you had seen her, slender, pale, depressed, with her elbow resting on her knee, a mere child in that ancient household, beside that old husband, like a flower of yesterday that had bloomed in a gothic vase, you would have pitied Colonel Delmare's wife, and the colonel even more perhaps than his wife.

The third occupant of this lonely house was also sitting under the same mantel, at the other end of the burning log. He was a man in all the strength and all the bloom of youth, whose glowing cheeks, abundant golden hair and full whiskers presented a striking contrast to the grizzly hair, weather-beaten complexion and harsh countenance of the master of the house; but the least artistic of men would none the less have preferred Monsieur Delmare's harsh and stern expression to the younger man's regular but insipid features. The bloated face carved in relief on the sheet of iron that formed the back of the fire-place, with its eye fixed constantly on the burning logs, was less monotonous perhaps than the pink and white fair-haired character in this narrative, absorbed in like contemplation. However, his strong and supple figure, the clean-cut outline of his brown eyebrows, the polished whiteness of his forehead, the tranquil expression of his limpid eyes, the beauty of his hands, and even the rigorously correct elegance of his hunting costume, would have caused him to be considered a very comely cavalier in the eyes of any woman who had conceived a passion for the so-called philosophic tastes of another century. But perhaps Monsieur Delmare's young and timid wife had never as yet examined a man with her eyes; perhaps there was an entire absence of sympathy between that pale and unhappy woman and that sound sleeper and hearty eater. Certain it is that the conjugal Argus wearied his hawklike eye without detecting a glance, a breath, a palpitation, between these two very dissimilar beings. Thereupon, being assured that he had not the slightest pretext for jealousy to occupy his mind, he relapsed into a state of depression more profound than before, and abruptly plunged his hands into his pockets.

The only cheerful and attractive face in the group was that of a beautiful hunting dog, of the large breed of pointers, whose head was resting on the knees of the younger man. She was remarkable by reason of her long body, her powerful hairy legs, her muzzle, slender as a fox's, and her intelligent face, covered with disheveled hair, through which two great tawny eyes shone like topazes. Those dog's eyes, so fierce and threatening during the chase, had at that moment an indefinable expression of affectionate melancholy; and when her master, the object of that instinctive love, sometimes so superior to the deliberate affection of man, ran his fingers through the beautiful creature's silky silver locks, her eyes sparkled with pleasure, while her long tail swept the hearth in regular cadence, and scattered the ashes over the inlaid floor.

It was a fitting subject for Rembrandt's brush, that interior, dimly lighted by the fire on the hearth. At intervals fugitive white gleams lighted up the room and the faces, then, changing to the red tint of the embers, gradually died away; the gloom of the salon varying as the fitful gleams grew more or less dull. Each time that Monsieur Delmare passed in front of the fire, he suddenly appeared, like a ghost, then vanished in the mysterious depths of the salon. Strips of gilding stood forth in the light now and then on the oval frames, adorned with wreaths and medallions and fillets of wood, on furniture, inlaid with ebony and copper, and even on the jagged cornices of the wainscoting. But when a brand went out, resigning its brilliancy to some other blazing point, the objects which had been in the light a moment before withdrew into the shadow, and other projections stood forth from the obscurity. Thus one could have grasped in due time all the details of the picture, from the console supported by three huge gilded tritons, to the frescoed ceiling, representing a sky studded with stars and clouds, and to the heavy hangings of crimson damask, with long tassels, which shimmered like satin, their ample folds seeming to sway back and forth as they reflected the flickering light.

One would have said, from the immobility of the two figures in bold relief before the fire, that they feared to disturb the immobility of the scene; that they had been turned to stone where they sat, like the heroes of a fairy tale, and that the slightest word or movement would bring the walls of an imaginary city crumbling about their ears. And the dark-browed master, who alone broke the silence and the shadow with his regular tread, seemed a magician who held them under a spell.

At last the dog, having obtained a smile from her master, yielded to the magnetic power which the eye of man exerts over that of the lower animals. She uttered a low whine of timid affection and placed her fore paws on her beloved's shoulders with inimitable ease and grace of movement.

"Down, Ophelia, down!"

And the young man reproved the docile creature sternly in English, whereupon she crawled toward Madame Delmare, shamefaced and repentant, as if to implore her protection. But Madame Delmare did not emerge from her reverie, and allowed Ophelia's head to rest on her two white hands, as they lay clasped on her knee, without bestowing a caress upon her.

"Has that dog taken up her quarters in the salon for good?" said the colonel, secretly well-pleased to find a pretext for an outburst of ill-humor, to pass the time. "Be off to your kennel, Ophelia! Come, out with you, you stupid beast!"

If anyone had been watching Madame Delmare closely he could have divined, in that trivial and commonplace incident of her private life, the painful secret of her whole existence. An imperceptible shudder ran over her body, and her hands, in which she unconsciously held the favorite animal's head, closed nervously around her rough, hairy neck, as if to detain her and protect her. Whereupon Monsieur Delmare, drawing his hunting-crop from the pocket of his jacket, walked with a threatening air toward poor Ophelia, who crouched at his feet, closing her eyes, and whining with grief and fear in anticipation. Madame Delmare became even paler than usual; her bosom heaved convulsively, and, turning her great blue eyes upon her husband with an indescribable expression of terror, she said:

"In pity's name, monsieur, do not kill her!"

These few words gave the colonel a shock. A feeling of chagrin took the place of his angry impulse.

"That, madame, is a reproof which I understand very well," he said, "and which you have never spared me since the day that I killed your spaniel in a moment of passion while hunting. He was a great loss, was he not? A dog that was forever forcing the hunting and rushing after the game! Whose patience would he not have exhausted? Indeed, you were not nearly so fond of him until he was dead; before that you paid little attention to him; but now that he gives you a pretext for blaming me—"

"Have I ever reproached you?" said Madame Delmare in the gentle tone which we adopt from a generous impulse with those we love, and from self-esteem with those whom we do not love.

"I did not say that you had," rejoined the colonel in a half-paternal, half-conjugal tone; "but the tears of some women contain bitterer reproaches than the fiercest imprecations of others. Morbleu! madame, you know perfectly well that I hate to see people weeping about me."

"I do not think that you ever see me weep."

"Even so! don't I constantly see you with red eyes? On my word, that's even worse!"

During this conjugal colloquy the young man had risen and put Ophelia out of the room with the greatest tranquillity; then he returned to his seat opposite Madame Delmare after lighting a candle and placing it on the chimney-piece.

This act, dictated purely by chance, exerted a sudden influence upon Monsieur Delmare's frame of mind. As soon as the light of the candle, which was more uniform and steadier than that of the fire, fell upon his wife, he observed the symptoms of suffering and general prostration which were manifest that evening in her whole person: in her weary attitude, in the long brown hair falling over her emaciated cheeks and in the purple rings beneath her dull, inflamed eyes. He took several turns up and down the room, then returned to his wife and, suddenly changing his tone:

"How do you feel to-day, Indiana?" he said, with the stupidity of a man whose heart and temperament are rarely in accord.

"About as usual, thank you," she replied, with no sign of surprise or displeasure.

"'As usual' is no answer at all, or rather it's a woman's answer; a Norman answer, that means neither yes nor no, neither well nor ill."

"Very good; I am neither well nor ill."

"I say that you lie," he retorted with renewed roughness; "I know that you are not well; you have told Sir Ralph here that you are not. Tell me, isn't that the truth? Did she not tell you so, Monsieur Ralph?"

"She did," replied the phlegmatic individual addressed, paying no heed to the reproachful glance which Indiana bestowed upon him.

At that moment a fourth person entered the room: it was the factotum of the household, formerly a sergeant in Monsieur Delmare's regiment.

He explained briefly to Monsieur Delmare that he had his reasons for believing that charcoal thieves had been in the park the last few nights at the same hour, and that he had come to ask for a gun to take with him in making his nightly round before locking the gates. Monsieur Delmare, scenting powder in the adventure, at once took down his fowling-piece, gave Lelièvre another, and started to leave the room.

"What!" said Madame Delmare in dismay, "you would kill a poor peasant on account of a few bags of charcoal?"

"I will shoot down like a dog," retorted Delmare, irritated by this remonstrance, "any man whom I find prowling around my premises at night. If you knew the law, madame, you would know that it authorizes me to do it."

"It is a horrible law," said Indiana, warmly. But she quickly repressed this impulse and added in a lower tone: "But your rheumatism? You forget that it rains, and that you will suffer for it to-morrow if you go out to-night."

"You are terribly afraid that you will have to nurse your old husband," replied Delmare, impatiently opening the door.

And he left the room, still muttering about his age and his wife.

II

The two personages whom we have mentioned, Indiana Delmare and Sir Ralph, or, if you prefer, Monsieur Rodolphe Brown, continued to face each other, as calm and cold as if the husband were standing between them. The Englishman had no idea of justifying himself, and Madame Delmare realized that she had no serious grounds for reproaching him, for he had spoken with no evil intention. At last, making an effort, she broke the silence and upbraided him mildly.

"That was not well done of you, my dear Ralph," she said. "I had forbidden you to repeat the words that I let slip in a moment of pain, and Monsieur Delmare is the last person in the world whom I should want told of my trouble."

"I can't understand you, my dear," Sir Ralph replied; "you are ill and you refuse to take care of yourself. I had to choose between the chance of losing you and the necessity of letting your husband know."

"Yes," said Madame Delmare, with a sad smile, "and you decided to notify the authorities."

"You are wrong, you are wrong, on my word, to allow yourself to inveigh so against the colonel; he is a man of honor, a worthy man."

"And who says that he's not, Sir Ralph?"

"Why, you do, without meaning to. Your depression, your ailing condition, and, as he himself observes, your red eyes, tell everybody every hour in the day that you are not happy."

"Hush, Sir Ralph, you go too far. I have never given you permission to find out so much."

"I anger you, I see; but what would you have! I am not clever; I am not acquainted with the subtle distinctions of your language, and then, too, I resemble your husband in many ways. Like him I am utterly in the dark as to what a man must say to a woman, either in English or in French, to console her. Another man would have conveyed to your mind, without putting it in words, the idea that I have just expressed so awkwardly; he would have had the art to insinuate himself into your confidence without allowing you to detect his progress, and perhaps he would have succeeded in affording some relief to your heart, which puts fetters on itself and locks itself up before me. This is not the first time that I have noticed how much more influence words have upon women than ideas, especially in France. Women more than——"

"Oh! you have a profound contempt for women, my dear Ralph. I am alone here against two of you, so I must make up my mind never to be right."

"Put us in the wrong, my dear cousin, by recovering your health, your good spirits, your bloom, your animation of the old days; remember Ile Bourbon and that delightful retreat of ours, Bernica, and our happy childhood, and our friendship, which is as old as you are yourself."

"I remember my father, too," said Indiana, dwelling sadly upon the words and placing her hand in Sir Ralph's.

They relapsed into profound silence.

"Indiana," said Ralph, after a pause, "happiness is always within our reach. Often one has only to put out his hand to grasp it. What do you lack? You have modest competence, which is preferable to great wealth, an excellent husband, who loves you with all his heart, and, I dare to assert, a sincere and devoted friend."

Madame Delmare pressed Sir Ralph's hand faintly, but she did not change her attitude; her head still hung forward on her breast and her tear-dimmed eyes were fixed on the magic effects produced by the embers.

"Your depression, my dear friend," continued Sir Ralph, "is due purely to physical causes; which one of us can escape disappointment, vexation? Look below you and you will see people who envy you, and with good reason. Man is so constituted that he always aspires to what he has not."

I spare you a multitude of other commonplaces which the excellent Sir Ralph put forth in a tone as monotonous and sluggish as his thoughts. It was not that Sir Ralph was a fool, but he was altogether out of his element. He lacked neither common sense nor shrewdness; but the rôle of consoler of women was, as he himself acknowledged, beyond his capacity. And this man had so little comprehension of another's grief, that with the best possible disposition to furnish a remedy, he could not touch it without inflaming it. He was so conscious of his awkwardness that he rarely ventured to take notice of his friend's sorrows; and on this occasion he made superhuman efforts to perform what he considered the most painful duty of friendship.

When he saw that Madame Delmare was obliged to make an effort to listen to him, he held his peace, and naught could be heard save the innumerable little voices whispering in the burning wood, the plaintive song of the log as it becomes heated and swells, the crackling of the bark as it curls before breaking, and the faint phosphorescent explosions of the alburnum, which emits a bluish flame. From time to time the baying of a dog mingled with the whistling of the wind through the cracks of the door and the beating of the rain against the windowpanes. That evening was one of the saddest that Madame Delmare had yet passed in her little manor-house in Brie.

Moreover, an indefinable vague feeling of suspense weighed upon that impressionable soul and its delicate fibres. Weak creatures live on alarms and presentiments. Madame Delmare had all the superstitions of a nervous, sickly Creole; certain nocturnal sounds, certain phases of the moon were to her unfailing presages of specific events, of impending misfortunes, and the night spoke to that dreamy, melancholy creature a language full of mysteries and phantoms which she alone could understand and translate according to her fears and her sufferings.

"You will say again that I am mad," she said, withdrawing her hand, which Sir Ralph still held, "but some disaster, I don't know what, is preparing to fall upon us. Some danger is impending over someone—myself, no doubt—but, look you, Ralph, I feel intensely agitated, as at the approach of a great crisis in my destiny. I am afraid," she added, with a shudder, "I feel faint."

And her lips became as white as her cheeks. Sir Ralph, terrified, not by Madame Delmare's presentiments, which he looked upon as symptoms of extreme mental exhaustion, but by her deathly pallor, pulled the bell-rope violently to summon assistance. No one came, and as Indiana grew weaker and weaker, Sir Ralph, more alarmed in proportion, moved her away from the fire, deposited her in a reclining chair, and ran through the house at random, calling the servants, looking for water or salts, finding nothing, breaking all the bell-ropes, losing his way in the labyrinth of dark rooms, and wringing his hands with impatience and anger against himself.

At last it occurred to him to open the glass door that led into the park, and to call alternately Lelièvre and Noun, Madame Delmare's Creole maid.

A few moments later Noun appeared from one of the dark paths in the park, and hastily inquired if Madame Delmare were worse than usual.

"She is really ill," replied Sir Ralph.

They returned to the salon and devoted themselves to the task of restoring the unconscious Madame Delmare, one with all the ardor of useless and awkward zeal, the other with the skill and efficacy of womanly affection.

Noun was Madame Delmare's foster-sister; the two young women had been brought up together and loved each other dearly. Noun was tall and strong, glowing with health, active, alert, overflowing with ardent, passionate creole blood; and she far outshone with her resplendent beauty the frail and pallid charms of Madame Delmare; but the tenderness of their hearts and the strength of their attachment killed every feeling of feminine rivalry.

When Madame Delmare recovered consciousness, the first thing that she observed was the unusual expression of her maid's features, the damp and disordered condition of her hair and the excitement which was manifest in her every movement.

"Courage, my poor child," she said kindly; "my illness is more disastrous to you than to myself. Why, Noun, you are the one to take care of yourself; you are growing thin and weeping as if it were not your destiny to live; dear Noun, life is so bright and fair before you!"

Noun pressed Madame Delmare's hand to her lips effusively, and said, in a sort of frenzy, glancing wildly about the room:

"Mon Dieu! madame, do you know why Monsieur Delmare is in the park?"

"Why?" echoed Indiana, losing instantly the faint flush that had reappeared on her cheeks. "Wait a moment—I don't know—You frighten me! What is the matter, pray?"

"Monsieur Delmare declares that there are thieves in the park," replied Noun in a broken voice. "He is making the rounds with Lelièvre, both armed with guns."

"Well?" said Indiana, apparently expecting some shocking news.

"Why, madame," rejoined Noun, clasping her hands frantically, "isn't it horrible to think that they are going to kill a man?"

"Kill a man!" cried Madame Delmare, springing to her feet with the terrified credulity of a child frightened by it's nurse's tales.

"Ah! yes, they will kill him," said Noun, stifling her sobs.

"These two women are mad," thought Sir Ralph, who was watching this strange scene with a bewildered air. "Indeed," he added mentally, "all women are."

"But why do you say that, Noun," continued Madame Delmare; "do you believe that there are any thieves there?"

"Oh! if they were really thieves! but some poor peasant perhaps, who has come to pick up a handful of wood for his family!"

"Yes, that would be ghastly, as you say! But it is not probable; right at the entrance to Fontainebleau forest, when it is so easy to steal wood there, nobody would take the risk of a park enclosed by walls. Bah! Monsieur Delmare won't find anybody in the park, so don't you be afraid."

MADAME DELMARE DRESSES DE
RAMIÈRES WOUNDS.

A mattress was placed on several chairs, and Indiana, assisted by her women, busied herself in dressing the wounded hand, while Sir Ralph, who had some surgical knowledge, drew a large quantity of blood from him.

But Noun was not listening; she walked from the window to her mistress's chair, her ears strained to catch the slightest sound; she seemed torn between the longing to run after Monsieur Delmare and the desire to remain with the invalid.

Her anxiety seemed so strange, so uncalled-for to Monsieur Brown, that he laid aside his customary mildness of manner, and said, grasping her arm roughly:

"Have you lost your wits altogether? don't you see that you frighten your mistress and that your absurd alarms have a disastrous effect upon her?"

Noun did not hear him; she had turned her eyes upon her mistress, who had just started on her chair as if the concussion of the air had imparted an electric shock to her senses. Almost at the same instant the report of a gun shook the windows of the salon, and Noun fell upon her knees.

"What miserable woman's terrors!" cried Sir Ralph, worn out by their emotion; "in a moment a dead rabbit will be brought to you in triumph, and you will laugh at yourselves."

"No, Ralph," said Madame Delmare, walking with a firm step toward the door, "I tell you that human blood has been shed."

Noun uttered a piercing shriek and fell upon her face.

The next moment they heard Lelièvre's voice in the park:

"He's there! he's there! Well aimed, my colonel! the brigand is down!"

Sir Ralph began to be excited. He followed Madame Delmare. A few moments later a man covered with blood and giving no sign of life was brought under the peristyle.

"Not so much noise! less shrieking!" said the colonel with rough gayety to the terrified servants who crowded around the wounded man; "this is only a joke; my gun was loaded with nothing but salt. Indeed I don't think I touched him; he fell from fright."

"But what about this blood, monsieur?" said Madame Delmare in a profoundly reproachful tone, "was it fear that caused it to flow?"

"Why are you here, madame?" cried Monsieur Delmare, "what are you doing here?"

"I have come to repair the harm that you have done, as it is my duty to do," replied Madame Delmare coldly.

She walked up to the wounded man with a courage of which no one of the persons present had as yet felt capable, and held a light to his face. Thereupon, instead of the plebeian features and garments which they expected to see, they discovered a young man with noble features and fashionably dressed, albeit in hunting costume. He had a trifling wound on one hand, but his torn clothes and his swoon indicated a serious fall.

"I should say as much!" said Lelièvre; "he fell from a height of twenty feet. He was just putting his leg over the wall when the colonel fired, and a few grains of small shot or salt in the right hand prevented his getting a hold. The fact is, I saw him fall, and when he got to the bottom he wasn't thinking much about running away, poor devil!"

"Would any one believe," said one of the female servants, "that a man so nicely dressed would amuse himself by stealing?"

"And his pockets are full of money!" said another, who had unbuttoned the supposed thief's waistcoat.

"It is very strange," said the colonel, gazing, not without emotion, at the man stretched out before him. "If the man is dead it's not my fault; examine his hand, madame, and see if you can find a particle of lead in it."

"I prefer to believe you, monsieur," replied Madame Delmare, who, with a self-possession and moral courage of which no one would have deemed her capable, was closely scrutinizing his pulse and the arteries of his neck. "Certainly," she added, "he is not dead, and he requires speedy attention. The man hasn't the appearance of a thief and perhaps he deserves our care; even if he does not deserve it, our duty calls upon us women to care for him none the less."

Thereupon Madame Delmare ordered the wounded man to be carried to the billiard room, which was nearest. A mattress was placed on several chairs, and Indiana, assisted by her women, busied herself in dressing the wounded hand, while Sir Ralph, who had some surgical knowledge, drew a large quantity of blood from him.

Meanwhile, the colonel, much embarrassed, found himself in the position of a man who has shown more ill-temper than he intended to show. He felt the necessity of justifying himself in the eyes of the others, or rather of making them justify him in his own eyes. So he had remained under the peristyle, surrounded by his servants, and indulging with them in the excited, prolix and perfectly useless disquisitions which are always forthcoming after the event. Lelièvre had already explained twenty times, with the most minute details, the shot, the fall and its results, while the colonel, who had recovered his good-nature among his own people, according to his custom, after giving way to his anger, impeached the purposes of a man who entered private property in the night-time over the wall. Every one agreed with the master, when the gardener, quietly leading him aside, assured him that the thief was the living image of a young land-owner who had recently settled in the neighborhood, and whom he had seen talking with Mademoiselle Noun three days before at the rustic fête at Rubelles.

This information gave a different turn to Monsieur Delmare's ideas; on his ample forehead, bald and glistening, appeared a huge swollen vein, which was always the precursor of a tempest.

"Morbleu!" he said, clenching his fists, "Madame Delmare takes a deal of interest in this puppy, who sneaks into my park over the wall!"

And he entered the billiard room, pale and trembling with wrath.

III

"You may be reassured, monsieur," said Indiana; "the man you killed will be quite well in a few days; at least we hope so, although he is not yet able to talk."

"That's not the question, madame," said the colonel, in a voice that trembled with suppressed passion; "I insist upon knowing the name of this interesting patient of yours, and how it came about that he mistook the wall of my park for the avenue to my house."

"I have absolutely no idea," replied Madame Delmare with such a cold and haughty air that her redoubtable spouse was bewildered for an instant.

But his jealous suspicions soon regained the upper hand.

"I shall find out, madame," he said in an undertone; "you may be sure that I shall find out."

Thereupon, as Madame Delmare pretended not to notice his rage and continued her attentions to the wounded man, he left the room, in order not to explode before the women, and recalled the gardener.

"What is the name of the man who, you say, resembles our prowler?"

"Monsieur de Ramière. It is he who has just bought Monsieur de Cercy's little English house."

"What sort of man is he? a nobleman, a fop, a fine gentleman?"

"A fine gentleman, monsieur; noble, I think."

"Undoubtedly," rejoined the colonel with emphasis. "Monsieur de Ramière! Tell me, Louis," he added, lowering his voice, "have you ever seen this fop prowling about here?"

"Last night, monsieur," Louis replied, with an embarrassed air, "I certainly saw—as to its being a fop, I can't say, but it was a man, sure enough."

"And you saw him?"

"As plainly as I see you, under the windows of the orangery."

"And you didn't fall upon him with the handle of your shovel?"

"I was just going to do it, monsieur; but I saw a woman in white come out of the orangery and go to meet him. At that I said to myself: 'Perhaps it's monsieur and madame, who have taken a fancy to walk a bit before daybreak;' and I went back to bed. But this morning I heard Lelièvre talking about a thief whose tracks he had seen in the park, and I said to myself: 'There's something under this.'"

"And why didn't you tell me immediately, stupid?"

"Dame! monsieur, there are some things in life that are so delicate!"

"I understand—you presume to have doubts. You are a fool; if you ever have another insolent idea of this sort I'll cut off your ears. I know very well who the thief is and why he came into the garden. I have put all these questions to you simply to find out what care you take of your orangery. Remember that I have some rare plants there that madame sets great store by, and that there are collectors who are insane enough to rob their neighbors' hothouses; it was I whom you saw last night with Madame Delmare."

And the poor colonel walked away, more tormented, more exasperated than before, leaving his gardener far from convinced that there are horticulturists fanatical enough to risk a bullet in order to purloin a shoot or a cutting.

Monsieur Delmare returned to the billiard-room and, paying no heed to the symptoms of returning consciousness which the wounded man displayed at last, he was preparing to search the pockets of his jacket which lay on a chair, when he put out his hand and said in a faint voice:

"You wish to know who I am, monsieur, but it is useless. I will tell you when we are alone. Until then spare me the embarrassment of making myself known in my present disagreeable and absurd position."

"It is a great pity in truth!" retorted the colonel sourly; "but I confess that I hardly appreciate it. However, as I trust that we shall meet again, and alone, I consent to defer an acquaintance until then. Meanwhile will you kindly tell me where I shall have you taken."

"To the public house in the nearest village, if you please."

"But monsieur is no condition to be moved, is he, Ralph?" said Madame Delmare hastily.

"Monsieur's condition affects you far too much, madame," said the colonel. "Leave the room, all of you," he said to the women in attendance. "Monsieur feels better, and he will find strength now to explain his presence on my premises."

"Yes, monsieur," rejoined the wounded man, "and I beg all those who have been kind enough to bestow any care upon me to listen to my acknowledgment of my misconduct. I feel that is of much importance that there should be no misunderstanding here of my motives, and it is of importance to myself that I should not be deemed what I am not. Let me tell you then what rascally scheme brought me to your park. You have installed, monsieur, by methods of extreme simplicity, known to you alone, a factory which is immeasurably superior to all similar factories in the province, both in respect to its processes and its product. My brother owns a very similar establishment in the south of France, but the cost of running it is enormous. His business was approaching shipwreck when I learned of the success of your venture; whereupon I determined to come and ask you to give me advice on certain points,—a generous service which could not possibly injure your own interests, as my brother's output is of an entirely different nature from yours. But the gate of your English garden was rigorously closed to me; and when I asked for an interview with you, I was told that you would not even allow me to look over your establishment. Repelled by these discourteous refusals, I determined to save my brother's life and honor even at the peril of my own; I entered your premises at night by scaling the wall, and tried to obtain entrance to the factory in order to examine the machinery. I had determined to hide in a corner; to bribe your workmen, to steal your secret,—in a word, to enable an honest man to profit by it without injuring you. Such was my crime. Now, monsieur, if you demand any other reparation than that which you have just taken, I am ready to offer it to you as soon as I am strong enough; indeed, I may perhaps demand it."

"I think that we should cry quits, monsieur," replied the colonel, half relieved from a great anxiety. "Take notice, all of you, of the explanation monsieur has given me. I am over-avenged, assuming that I require any revenge. Go now and leave us to discuss my profitable business operations."

The servants left the room; but they alone were deceived by this reconciliation. The wounded man, weakened by his long speech, was not capable of appreciating the tone of the colonel's last words. He fell back into Madame Delmare's arms and lost consciousness a second time. She leaned over him, not deigning to raise her eyes to her angry husband, and the two strikingly contrasted faces of Monsieur Delmare and Monsieur Brown, the one pale and distorted by anger, the other calm and expressionless as usual, questioned each other in silence.

Monsieur Delmare did not need to say a word to make himself understood; however he drew Sir Ralph aside and said, crushing his fingers in his grasp:

"This is an admirably woven intrigue, my friend. I am delighted, perfectly delighted with this young fellow's quick wit, which enabled him to save my honor in the eyes of my servants. But, mordieu! he shall pay dear for the insult, which I feel in the depths of my heart. And that woman nursing him, who pretends not to know him! Ah! how true it is that cunning is inborn in those creatures!"

Sir Ralph, utterly nonplussed, walked methodically up and down the room three times. At his first turn he drew the conclusion: improbable; at the second: impossible; at the third: proven. Then, returning with his impassive face to the colonel, he pointed to Noun, who was standing behind the wounded man, wringing her hands, with haggard eyes and livid cheeks, in the immobility of despair, terror and misery.

A real discovery carries with it such a power of swift and overwhelming conviction, that the colonel was more impressed by Sir Ralph's emphatic gesture than he would have been by the most persuasive eloquence. Doubtless Sir Ralph had more than one means of striking the right scent; he recalled the fact that Noun was in the park when he called her, her wet hair, her damp, muddy shoes, which testified to a strange fancy for walking abroad in the rain—trivial details which had made but slight impression on him at the time that Madame Delmare fainted, but which recurred to his memory now. Then, too, the extraordinary terror she had manifested, her convulsive agitation, and the cry she had uttered when she heard the shot.

Monsieur Delmare did not require all this evidence; being more penetrating because he had more interest in the matter, he had only to look at the girl's face to see that she alone was guilty. But his wife's assiduity in ministering to the hero of this amorous adventure became more and more distasteful to him.

"Leave us, Indiana," he said. "It is late and you are not well. Noun will remain with monsieur to take care of him during the night, and to-morrow, if he is better, we will see about having him taken home."

There was nothing to say in reply to this unexpected complaisance. Madame Delmare, who was so determined in her resistance to her husband's violence, always yielded to his milder moods. She requested Sir Ralph to remain a little longer with the patient, and withdrew to her bedroom.

Not without ulterior motives had the colonel arranged things thus. An hour later, when everybody had gone to bed and the house was still, he stole softly into the room where Monsieur de Ramière lay, and, hiding behind a curtain, was speedily convinced, by the young man's conversation with the lady's-maid, that an amorous intrigue between the two was in progress. The young creole's unusual beauty had created a sensation at the rustic balls in the neighborhood. She had not lacked offers of homage, even from members of some of the first families of the province. More than one handsome officer of lancers, in garrison at Melun, had put himself out to please her; but Noun was still to have her first love affair, and only one of her suitors had succeeded in pleasing her: Monsieur de Ramière.

Colonel Delmare was by no means desirous of following the development of their liaison; so he retired as soon as he had made sure that his wife had not for an instant occupied the thoughts of the Almaviva of this adventure. He heard enough of it, however, to realize the difference between the love of poor Noun, who threw herself into the affair with all the vehemence of her passionate nature, and that of the well-born youth, who yielded to the impulse of a day without abjuring the right to resume his reason on the morrow.

When Madame Delmare awoke she found Noun beside her bed, embarrassed and downcast. But she had ingenuously given credence to Monsieur de Ramière's explanation, the more readily as persons interested in Monsieur Delmare's line of trade had previously tried to surprise the secrets of the Delmare factory, by stratagem or by fraud. She attributed her companion's embarrassment therefore to the excitement and fatigue of the night, and Noun took courage when she saw the colonel calmly enter his wife's room and discuss the affair of the previous evening with her as a perfectly natural occurrence.

In the morning Sir Ralph had satisfied himself as to the patient's condition. The fall, although a severe one, had had no serious result; the wound in the hand had already closed; Monsieur de Ramière had expressed a desire to be taken to Melun, and he had distributed the contents of his purse among the servants to induce them to keep quiet concerning his adventure, in order, he said, that his mother, who lived within a few leagues, might not be alarmed. Thus the story became known very slowly, and in several different versions. Certain information concerning the English factory of Monsieur de Ramière, the brother, added weight to the fiction the intruder had happily improvised. The colonel and Sir Ralph had the delicacy to keep Noun's secret, without even letting her know that they knew it; and the Delmare family soon ceased to give any thought to the incident.

IV

You will find it difficult to believe perhaps that Monsieur de Ramière, a young man of brilliant intellect, considerable talents and many estimable qualities, accustomed to salon triumphs and to adventures in perfumed boudoirs, had conceived a very durable passion for the housekeeper in the household of a small manufacturer in Brie. And yet Monsieur de Ramière was neither fop nor libertine. We have said that he was intelligent—that is to say, he appreciated the advantages of birth at their real value. He was a man of high principle when he argued with himself; but vehement passions often carried him beyond the bounds of his theories. At such times he was incapable of reflection, or he avoided appearing before the tribunal of his conscience: he went astray, as if without his own knowledge, and the man of yesterday strove to deceive him of to-morrow. Unfortunately the most salient feature in his character was not his principles, which he possessed in common with many other white-gloved philosophers and which no more preserved him from inconsistency than they preserve them; but his passions, which no principles could stifle, and which made of him a man apart in that degenerate society where it is so difficult to depart from the beaten path without appearing ridiculous. Raymon had the art of being often culpable without arousing hatred, often eccentric without being offensive; indeed he sometimes succeeded in arousing the pity of people who had the most reason to complain of him. There are men who are humored thus by every one who approaches them. Sometimes an attractive face and animated speech make up the sum total of their sensibility. We do not presume to judge Monsieur Raymon de Ramière so harshly, nor to draw his portrait before exhibiting him in action. We are examining him now at a distance, like the multitude who pass him in the street.

Monsieur de Ramière was in love with the young creole with the great black eyes, who had aroused the admiration of the whole province at the fête of Rubelles; but he was in love and nothing more. He had made her acquaintance because he had nothing else to do, perhaps, and success had kindled his desires; he had obtained more than he asked, and on the day that he triumphed over that easily vanquished heart he returned home dismayed by his victory, and said to himself, striking his forehead:

"God grant that she doesn't love me!"

Thus it was not until after he had accepted all the proofs of her love that he began to suspect the existence of that love. Then he repented, but it was too late; he must either resign himself to what the future might have in store, or retreat like a coward toward the past. Raymon did not hesitate; he allowed himself to be loved, he loved in return for gratitude; he scaled the walls of the Delmare estate from love of danger; he had a terrible fall from awkwardness; and he was so touched by his lovely young mistress's grief that he deemed himself justified thenceforth in his own eyes in continuing to dig the pit into which she was destined to fall.

When he had recovered, winter had no storms, darkness no perils, remorse no stings which could deter him from passing through the corner of the forest to meet the young creole and swear to her that he had never loved any other woman; that he preferred her to the queens of society, and a thousand other exaggerations which will always be fashionable with poor and credulous maidens. In January Madame Delmare went to Paris with her husband; Sir Ralph Brown, their excellent neighbor, betook himself to his own estate, and Noun, being left in charge of her master's country house, was able to absent herself on various pretexts. It was unfortunate for her, and this facility of intercourse with her lover greatly abridged the ephemeral happiness which she was destined to enjoy. The forest with its poetic shadows, its arabesques of hoar-frost, its moonlight effects, the mysterious going and coming by the little gate, the furtive departure in the morning when Noun's little feet, as she accompanied him to the gate, left their prints on the snow in the park—all these accessories of an amorous intrigue served to prolong Monsieur de Ramière's intoxication. Noun, in white déshablilé, with her long black hair for ornament, was a lady, a queen, a fairy; when he saw her come forth from that red brick castle, a heavy, square structure of the time of the Regency, with a semi-feudal aspect, he could easily fancy her a châtelaine of the Middle Ages, and in the summerhouse filled with rare flowers, where she made him drunk with the seductions of youth and passion, he readily forgot all that he was destined to remember later.

But when Noun, disdaining precautions and defying danger in her turn, came to him at his home, with her white apron and neckerchief coquettishly arranged according to the fashion of her country, she was nothing more than a maid and a maid in the service of a pretty woman—a circumstance that always makes a soubrette seem like a makeshift. And yet Noun was very lovely, it was in that dress that he had first seen her at that village fête where he had forced his way through the crowd of curious bystanders, and had enjoyed the petty triumph of carrying her off from a score of rivals. Noun would lovingly remind him of that day; she did not know, poor child, that Raymon's love did not date back so far, and that her day of pride had been only a day of vanity to him. And then the courage with which she sacrificed her reputation to him—that courage which should have made him love her all the more—displeased Monsieur de Ramière. The wife of a peer of France who should sacrifice herself so recklessly would be a priceless conquest; but a lady's maid! That which is heroism in the one becomes brazen-faced effrontery in the other. With the one a world of jealous rivals envies you; with the other a rabble of scandalized flunkeys condemns you. The lady of quality sacrifices twenty previous lovers to you; the lady's maid sacrifices only a husband that she might have had.

What can you expect? Raymon was a man of fashionable morals, of elegant manners, of poetic passion. In his eyes a grisette was not a woman, and Noun, by virtue of a beauty of the first order, had taken him by surprise on a day of popular merrymaking. All this was not Raymon's fault; he had been reared to shine in society, all his thoughts had been directed toward an exalted goal, all his faculties had been moulded to enjoy princely good fortune, and the ardor of his blood had led him into bourgeois amours against his will. He had done all that he possibly could do to prolong his enjoyment, but he had failed; what was he to do now? Ideas extravagant in generosity had passed through his brain; on the days when he was most in love with his mistress he had thought seriously of raising her to his level, of legitimizing their union. Yes, upon my honor, he had thought of it; but love, which legitimizes everything, was growing weaker now; it was passing away with the perils of the intrigue and the piquant charm of mystery. Marriage was no longer possible; and note this: Raymon reasoned very cogently and altogether in his mistress's favor.

If he had really loved her, he could, by sacrificing to her his future, his family and his reputation, still have found happiness, and, consequently, have made her happy; for love is a contract no less than marriage. But, his ardor having cooled as he felt that it had, what future could he create for her? Should he marry her and display day after day a gloomy face, a cold heart, a comfortless home? Should he marry her and make her odious to her family, contemptible in the eyes of her equals, and a laughing-stock to her servants; take the risk of introducing her in a social circle where she would feel that she was out of place; where humiliation would kill her; and, lastly, overwhelm her with remorse by forcing her to realize all the trials she had brought upon her lover?

No, you will agree with him that it was impossible, that it would not have been generous, that a man cannot contend thus with society, and that such heroic virtue resembles Don Quixote breaking his lance against a windmill; an iron courage which a breath of wind scatters; the chivalry of another age which arouses the pitying contempt of this age.

Having thus weighed all the arguments, Monsieur de Ramière concluded that it would be better to break that unfortunate bond. Noun's visits were beginning to be painful to him. His mother, who had gone to Paris for the winter, would not fail to hear of the little scandal before long. Even now she was surprised at his frequent visits to Cercy, their country estate, and at his passing whole weeks there. He had, to be sure, alleged as a pretext, an important piece of work which he was finishing away from the noise of the city; but that pretext was beginning to be worn out. It grieved Raymon to deceive so kind a mother, to deprive her for so long a time of his filial attentions; and—how shall I tell you?—he left Cercy and did not return.

Noun wept and waited, and as the days and weeks passed, unhappy creature that she was, she ventured so far as to write. Poor girl! that was the last stroke. A letter from a lady's maid! Yet she had taken satin-finished paper and perfumed wax from Madame Delmare's desk, and her style from her heart. But the spelling! Do you know how much energy a syllable more or less adds to or detracts from the sentiments? Alas! the poor half-civilized girl from Ile Bourbon did not know even that there were rules for the use of language. She believed that she wrote and spoke as correctly as her mistress, and when she found that Raymon did not return she said to herself:

"And yet my letter was well adapted to bring him."

That letter Raymon lacked courage to read to the end. It was a masterpiece of ingenuous and graceful passion; it is doubtful if Virginia wrote Paul a more charming one after she left her native land. But Monsieur de Ramière made haste to throw it in the fire, fearful lest he should blush for himself. Once more, what do you expect? This is a prejudice of education, and self-love is a part of love just as self-interest is a part of friendship.

Monsieur de Ramière's absence had been noticed in society; that is much to say of a man, in respect to this society of ours where all men resemble one another. One may be a man of intelligence and still care for society, just as one may be a fool and despise it. Raymon liked it, and he was justified in his liking, for he was a favorite and was much sought after; and that multitude of indifferent or sneering masks assumed for him attentive and interested smiles. Unfortunate men may be misanthropes, but those persons of whom one is fond are rarely ungrateful; at least so Raymon thought. He was grateful for the slightest manifestations of attachment, desirous of universal esteem, proud of having a large number of friends.

In this society, whose prejudices are absolute, everything had succeeded in his case, even his faults; and when he sought the cause of this universal affection which had always encompassed him, he found it in himself, in his longing to obtain it, in the joy it caused him, in the hearty kindliness which he dealt out lavishly without exhausting it.

He owed it in some measure to his mother too, whose superior intelligence, sparkling conversation and private virtues made her an exceptional woman. It was from her that he inherited those excellent principles which always led him back to the right path and prevented him, despite the impetuosity of his twenty-five years, from ever forfeiting his claim to public esteem. Moreover, people were more indulgent to him than to others because his mother had the knack of apologizing for him while blaming him, of commanding indulgence when she seemed to implore it. She was one of those women who had lived through different epochs so utterly dissimilar that their minds become as flexible as their destinies; who have grown rich on experience of misfortune; who have escaped the scaffolds of '93, the vices of the Directory, the vanities of the Empire and the enmities of the Restoration; rare women, whose kind is dying out.

It was at a ball at the Spanish ambassador's that Raymon reappeared in society.

"Monsieur de Ramière, if I am not mistaken," said a pretty woman to her neighbor.

"He is a comet who appears at irregular intervals," was the reply. "It is centuries since any one heard of the pretty fellow."

The lady who spoke thus was a middle-aged foreigner. Her companion blushed slightly.

"He's very good-looking, is he not, madame?" she said.

"Charming, on my word," replied the old Sicilian.

"You are talking about the hero of the eclectic salons, the dark-eyed Raymon, I'll be bound," said a dashing colonel of the guard.

"He has a fine head to study," rejoined the younger woman.

"And what pleases you even more, I dare say," said the colonel, "a wicked head."

The young woman was his wife.

"Why a wicked head?" queried the Sicilian.

"Full of genuine Southern passions, madame, worthy of the bright sunlight of Palermo."

Two or three young women put forward their flower-laden heads to hear what the colonel was saying.

"He made ravages in the garrison last year, I promise you," he continued. "We fellows shall be obliged to pick a quarrel with him, in order to get rid of him."

"If he's a Lovelace, so much the worse for him," said a young lady with a satirical cast of countenance; "I can't endure men whom everybody loves."

The ultramontane countess waited until the colonel had walked away, when she tapped Mademoiselle de Nangy's fingers lightly with her fan and said:

"Don't speak so; you don't know here what to think of a man who wants to be liked."

"Do you think, pray, that all they have to do is to want it?" said the damsel with the long sardonic eyes.

"Mademoiselle," said the colonel, coming up again to invite her to dance; "take care that the charming Raymon does not overhear you."

Mademoiselle de Nangy laughed; but during the rest of the evening the pretty group of which she was one dared not mention Monsieur de Ramière's name again.

V

Monsieur de Ramière wandered amid the undulating waves of that gayly-dressed crowd without distaste and without ennui.

Nevertheless, he was fighting against a feeling of chagrin. On returning to his own sphere he had a species of remorse, of shame for all the wild ideas which a misplaced attachment had suggested to him. He looked at the women so brilliantly beautiful in the bright light; he listened to their refined and clever conversation; he heard their talents highly praised; and in those marvellous specimens of their sex, those almost royal costumes, those exquisitely appropriate remarks, he found on all sides an implied reproach for having been untrue to his destiny. But, despite this species of mental bewilderment, Raymon suffered from more genuine remorse; for his intentions were always kind and considerate to the last degree, and a woman's tears broke his heart, hardened as it was.

The honors of the evening were universally accorded to a young woman whose name no one knew, and who enjoyed the privilege of monopolizing attention because her appearance in society was a novelty. The simplicity of her costume alone would have sufficed to make her a distinguished figure amid the diamonds, feathers and flowers in which the other women were arrayed. Strings of pearls woven into her black hair were her only jewels. The lustreless white of her necklace, her crêpe dress and her bare shoulders blended at a little distance, and the heated atmosphere of the apartments had barely succeeded in bringing to her cheeks a faint flush of as delicate a shade as that of a Bengal rose blooming on the snow. She was a tiny, dainty, slender creature; a salon type of beauty to which the bright light of the candles gave a fairylike touch, and which a sunbeam would have dimmed. When she danced she was so light that a breath would have whisked her away; but in her lightness there was no animation, no pleasure. When she was seated she bent forward as if her too flexible body lacked strength to support itself, and when she spoke she smiled sadly. Fantastic tales were at the very height of their vogue at this period. Accordingly, those who were learned in that line compared this young woman to a fascinating apparition evoked by sorcery, which would fade away and vanish like a dream when the first flush of dawn appeared on the horizon.

Meanwhile they crowded about her to invite her to dance.

"Make haste," said a dandy of a romantic turn to one of his friends; "the cock will crow soon, and even now your partner's feet have ceased to touch the floor. I'll wager that you can't feel her hand in yours."

"Pray look at Monsieur de Ramière's dark, strongly-marked face," said an artistic lady to her neighbor. "Contrast him with that pale, slender young woman, and see if the solid tone of the one doesn't make an admirable foil for the delicate tone of the other."

"That young woman," said a woman who knew everybody and who played the part of an almanac at social functions, "is the daughter of that old fool, De Carvajal, who tried to play Joséphin, and who died ruined at Ile Bourbon. This lovely exotic flower has made a foolish marriage, I believe; but her aunt stands well at court."

Raymon had drawn near the fair Indian. A peculiar emotion seized him every time that he looked at her; he had seen that pale, sad face; perhaps in some dream, but at all events he had seen it, and his eyes rested upon it with the delight we all feel on seeing once more a charming vision which we thought that we had lost forever.

Raymon's gaze disturbed her who was the object of it; she was awkward and shy, like a person unaccustomed to society, and the sensation that she caused seemed to embarrass rather than to please her. Raymon made the circuit of the salon, succeeded finally in learning that her name was Madame Delmare, and went and asked her to dance.

"You do not remember me," he said, when they were alone in the midst of the crowd; "but I have not been able to forget you, madame. And yet I saw you for an instant only, through a cloud; but in that instant you seemed so kind, so compassionate."

Madame Delmare started.

"Oh! yes, monsieur," she said quickly, "it is you! I recognized you, too."

Then she blushed and seemed to fear that she had offended the proprieties. She looked around as if to see whether anyone had heard her. Her timidity enhanced her natural charm, and Raymon was touched to the heart by the tone of that creole voice, slightly husky, but so sweet that it seemed made to pray or to bless.

"I was afraid," he said, "that I should never have an opportunity to thank you. I could not call upon you and I knew that you went but little into society. I feared, also, that if I made your acquaintance I should come in contact with Monsieur Delmare, and our previous relations could not fail to make that contact disagreeable. How glad I am for this moment, which enables me to pay the debt of my heart!"

"It would be much pleasanter for me," said she, "if Monsieur Delmare also could enjoy it; and if you knew him better you would know that he is as kind as he is brusque. You would forgive him for having been your involuntary assailant, for his heart certainly bled more freely than your wound."

"Let us not talk of Monsieur Delmare, madame; I forgive him with all my heart. I injured him and he took the law into his own hands. I have nothing more to do but to forget; but as to you, madame, who lavished such delicate and generous attentions upon me, I choose to remember all my life your treatment of me, your pure features, your angelic gentleness, and these hands which poured balm upon my wounds and which I dared not kiss."

While he spoke Raymon held Madame Delmare's hand, to be prepared to walk through their figure in the contradance. He pressed that hand gently in his, and all the young woman's blood rushed to her heart.

When he led Madame Delmare back to her seat, her aunt, Madame de Carvajal, had gone; the crowd was thinning. Raymon sat down beside her. He had that ease of manner which a wide experience in affairs of the heart imparts; it is the violence of our desires, the precipitate haste of our love, that makes us stupid when we are with women. The man who has rubbed the edge off his emotions a little is more anxious to please than to love. Nevertheless Monsieur de Ramière felt more deeply moved in the presence of that simple, unspoiled woman than he had ever been. Perhaps this swift impression was due to his memory of the night he had passed at her house; but it is certain that, while he talked to her with animation, his heart did not lead his mouth astray. However, the habit he had acquired with other women gave to his words a power of persuasion to which the untutored Indiana yielded, not understanding that it had not all been invented expressly for her.

In general—and women are well aware of it—a man who talks wittily of love is only moderately in love. Raymon was an exception; he expressed passion artistically and felt it ardently. But it was not passion that rendered him eloquent, it was eloquence that made him passionate. He knew that he had a weakness for women, and he would become eloquent in order to seduce a woman and fall in love with her while seducing her. It was sentiment of the sort dealt in by advocates and preachers, who weep hot tears when they perspire freely. He sometimes fell in with women who were shrewd enough to distrust these heated improvisations; but he had committed what are called follies for love's sake: he had run away with a girl of noble birth; he had compromised women of very high station; he had had three sensational duels; he had displayed to a crowded evening party, to a whole theatre full of spectators, the bewilderment of his heart and the disarray of his thoughts. A man who does all this without fear of ridicule or of curses, and who succeeds in avoiding both, is safe from all assault; he can take any risk and hope for anything. Thus the most skilfully constructed defences yielded to the consideration that Raymon was madly in love when he meddled with love at all. A man capable of making a fool of himself for love is a rare prodigy in society, and one that women do not disdain.

I do not know how it happened, but when he escorted Madame de Carvajal and Madame Delmare to their carriage he succeeded in putting Indiana's little hand to his lips. Never before had a man's furtive, burning kiss breathed upon that woman's fingers, although she was born in a fiery climate and was nineteen years old; nineteen years of Ile Bourbon, which are equivalent to twenty-five in our country.

Ill and nervous as she was, that kiss almost extorted a shriek from her, and she had to be assisted into the carriage. Raymon had never come in contact with such a delicate organization. Noun, the creole, was in robust health, and Parisian women do not faint when their hands are kissed.

"If I should see her twice," he said to himself as he walked away, "I should lose my head over her."

The next morning he had completely forgotten Noun.

All that he knew about her was that she belonged to Madame Delmare. The pale-faced Indiana engrossed all his thoughts, filled all his dreams. When Raymon began to feel the shafts of love he was in the habit of seeking to distract his thoughts, not in order to stifle the budding passion, but, on the contrary, to drive away the reasoning power that urged him to weigh its consequences. Of an ardent temperament, he pursued his object hotly. He had not the power to quell the tempests which arose in his bosom, nor to rekindle them when he felt that they were dying away and vanishing.

He succeeded the next day in learning that Monsieur Delmare had gone to Brussels on a business trip, and had left his wife in charge of Madame de Carvajal, of whom he was not at all fond, but who was Madame Delmare's only relative. He, an upstart soldier, belonged to a poor and obscure family, of which he seemed to be ashamed, simply because he repeated so often that he was not ashamed of it. But, although he passed his life reproaching his wife for alleged scorn of him which she did not entertain, he was conscious that he ought not to compel her to live on terms of intimacy with his uneducated kindred. Moreover, despite his dislike for Madame de Carvajal, he could not refuse to treat her with great deference for these reasons.

Madame de Carvajal, who was descended from a noble Spanish family, was one of those women who cannot make up their minds to be of no account in the world. In the days when Napoleon ruled Europe she had burned incense to the glory of Napoleon, and with her husband and brother-in-law had joined the party of the Joséphinos; but her husband had lost his life at the fall of the conqueror's short-lived dynasty, and Indiana's father had taken refuge in the French colonies. Thereupon Madame de Carvajal, being a clever and active person, had repaired to Paris, and there, by some fortunate speculations on the Bourse, had built up for herself a new competence on the ruins of her past splendors. By dint of shrewd wit, intrigues and piety she had also obtained some favor at Court, and her establishment, while it was by no means brilliant, was one of the most respectable of all those presided over by protégés of the Civil List.

When Indiana arrived in France after her father's death, as the bride of Colonel Delmare, Madame de Carvajal was but moderately pleased by so paltry an alliance. Nevertheless she saw that Monsieur Delmare, whose good sense and activity in business were worth a dowry, prospered with his slender capital; and she purchased for Indiana the little château of Lagny and the factory connected with it. In two years, thanks to Monsieur Delmare's technical knowledge and certain funds advanced by Sir Rodolphe Brown, his wife's cousin by marriage, the colonel's affairs took a fortunate turn; he began to pay off his debts, and Madame de Carvajal, in whose eyes fortune was the first recommendation, manifested much affection for her niece and promised her the remnant of her wealth. Indiana, who was devoid of ambition, was devotedly kind and attentive to her aunt from gratitude, not from self-interest; but there was at least as much of one as of the other in the colonel's manœuvres. He was a man of iron in the matter of his political opinions; he would listen to no argument concerning the unassailable glory of his great emperor, and he upheld that glory with the blind obstinacy of a child of sixty years. He was obliged therefore to put forth all his patience to refrain from breaking out again and again in Madame de Carjaval's salon, where the Restoration was lauded to the skies. What Delmare suffered at the hands of five or six pious old women is beyond description. His vexation on this account was in part the cause of his frequent ill-humor against his wife.

So much for Madame de Carvajal; we return now to Monsieur de Ramière. At the end of three days he had learned all these domestic details, so actively had he followed up everything likely to put him in the way of an intimate acquaintance with the Delmare family. He learned that by acquiring Madame de Carvajal's favor he could obtain opportunities of meeting Indiana. On the evening of the third day he procured an introduction to the aunt.

In her salon there were four or five barbarians solemnly playing reversi, and two or three young men of family, as utterly vapid as it is allowable for a man to be who has sixteen quarterings of nobility. Indiana was at work patiently filling in the background of a piece of embroidery on her aunt's frame. She was leaning over her work, apparently absorbed by that mechanical operation, and, it may be, well pleased to escape in this way the dull chatter of her neighbors. For aught I know, behind the long black hair that fell over the flowers of her embroidery, she was reviewing in her mind the emotions of that fleeting instant which had opened the door of a new life to her, when the servant's voice, announcing several new arrivals, made it necessary for her to rise. She did so mechanically, for she had paid no heed to the names, and barely lifted her eyes from her embroidery; but a voice at her side made her start as if she had received an electric shock, and she was obliged to lean on her work-table to avoid falling.

VI

Raymon was not prepared for that silent salon, peopled only by a few taciturn guests. It was impossible to utter a word which was not heard in every corner of the room. The dowagers who were playing cards seemed to be there for the sole purpose of embarrassing the conversation of the younger guests, and Raymon fancied that he could read on their stern features the secret satisfaction which old age takes in avenging itself by blocking other people's pleasure. He had counted upon a less constrained, tenderer interview than that of the ball, and it was just the opposite. This unexpected difficulty gave greater intensity to his desires, more fire to his glances, more animation and vivacity to the roundabout remarks he addressed to Madame Delmare. The poor child was altogether unused to this style of attack. She could not possibly defend herself, because nothing was asked of her; but she was forced to listen to the proffer of an ardent heart, to learn how dearly she was loved, and to allow herself to be encompassed by all the perils of seduction without making any resistance. Her embarrassment increased with Raymon's boldness. Madame de Carvajal, who made some reasonably well-founded claims to wit, and to whom Monsieur de Ramière's wit had been highly praised, left the card-table to challenge him to a refined discussion concerning love, into which she introduced much Spanish heat and German metaphysics. Raymon eagerly accepted the challenge, and, on the pretext of answering the aunt, said to the niece all that she would have refused to hear. The poor young wife, without a protector and exposed to so lively and skilful an assault on all sides, could not muster strength to take part in that thorny discussion. In vain did her aunt, who was anxious to exhibit her to advantage, call upon her to testify to the truth of certain subtle theories of sentiment; she confessed blushingly that she knew nothing about such things, and Raymon, intoxicated with joy to see her cheeks flush and her bosom heave, swore inwardly that he would teach her.

Indiana slept less that night than she had done for the last two or three nights; as we have said, she had never been in love, and her heart had long been ripe for a sentiment which none of the men she had met hitherto had succeeded in arousing. She had been brought up by a father of an eccentric and violent character, and had never known the happiness which is derived from the affection of another person. Monsieur de Carvajal, drunk with political passions, consumed by ambitious regrets, had become the most cruel planter and the most disagreeable neighbor in the colonies; his daughter had suffered keenly from his detestable humor. But, by dint of watching the constant tableau of the evils of slavery, of enduring the weariness of solitude and dependence, she had acquired a superficial patience, proof against every trial, an adorable kindliness toward her inferiors, but also an iron will and an incalculable power of resistance to everything that tended to oppress her. By marrying Delmare she simply changed masters; by coming to live at Lagny, she changed her prison and the locus of her solitude. She did not love her husband, perhaps for the very reason that she was told that it was her duty to love him, and that it had become with her a sort of second nature, a principle of conduct, a law of conscience, to resist mentally every sort of moral constraint. No one had attempted to point out to her any other law than that of blind obedience.

Brought up in the desert, neglected by her father, surrounded by slaves, to whom she could offer no other assistance or encouragement than her compassion and her tears, she had accustomed herself to say: "A day will come when everything in my life will be changed, when I shall do good to others, when some one will love me, when I shall give my whole heart to the man who gives me his; meanwhile, I will suffer in silence and keep my love as a reward for him who shall set me free." This liberator, this Messiah had not come; Indiana was still awaiting him. She no longer dared, it is true, to confess to herself her whole thought. She had realized under the clipped hedge-rows of Lagny that thought itself was more fettered there than under the wild palms of Ile Bourbon; and when she caught herself saying, as she used to say: "A day will come—a man will come"—she forced that rash longing back to the depths of her heart, and said to herself: "Death alone will bring that day!"

And so she was dying. A strange malady was consuming her youth. She was without strength and unable to sleep. The doctors looked in vain for any discoverable disorder, for none existed; all her faculties were failing away in equal degree, all her organs were gradually degenerating; her heart was burning at a slow fire, her eyes were losing their lustre, the circulation of her blood was governed entirely by excitement and fever; a few months more and the poor captive bird would surely die. But, whatever the extent of her resignation and her discouragement, the need remained the same. That silent, broken heart was still calling involuntarily to some generous youthful heart to revivify it. The being whom she had loved most dearly hitherto was Noun, the cheery and brave companion of her tedious solitude; and the man who had manifested the greatest liking for her was her phlegmatic cousin Sir Ralph. What food for the all-consuming activity of her thoughts—a poor girl, ignorant and neglected like herself, and an Englishman whose only passion was fox-hunting!

Madame Delmare was genuinely unhappy, and the first time that she felt the burning breath of a young and passionate man enter her frigid atmosphere, the first time that a tender and caressing word delighted her ear, and quivering lips left a mark as of a red-hot iron on her hand, she thought neither of the duties that had been laid upon her, nor of the prudence that had been enjoined upon her, nor of the future that had been predicted for her; she remembered only the hateful past, her long suffering, her despotic masters. Nor did it occur to her that the man before her might be false or fickle. She saw him as she wished him to be, as she had dreamed of him, and Raymon could easily have deceived her if he had not been sincere.

But how could he fail to be sincere with so lovely and loving a woman? What other had ever laid bare her heart to him with such candor and ingenuousness? With what other had he been able to look forward to a future so captivating and so secure? Was she not born to love him, this slave who simply awaited a sign to break her chains, a word to follow him? Evidently heaven had made for Raymon this melancholy child of Ile Bourbon, whom no one had ever loved, and who but for him must have died.

Nevertheless a feeling of terror succeeded this all-pervading, feverish joy in Madame Delmare's heart. She thought of her quick-tempered, keen-eyed, vindictive husband, and she was afraid,—not for herself, for she was inured to threats, but for the man who was about to undertake a battle to the death with her tyrant. She knew so little of society that she transformed her life into a tragic romance; a timid creature, who dared not love for fear of endangering her lover's life, she gave no thought to the danger of destroying herself.

This then was the secret of her resistance, the motive of her virtue. She made up her mind on the following day to avoid Monsieur de Ramière. That very evening there was a ball at the house of one of the leading bankers of Paris. Madame de Carvajal, who, being an old woman with no ties of affection, was very fond of society, proposed to attend with Indiana; but Raymon was to be there and Indiana determined not to go. To avoid her aunt's persecution, Madame Delmare, who was never able to resist except in action, pretended to assent to the plan; she allowed herself to be dressed and waited until Madame de Carvajal was ready; then she changed her ball dress for a robe de chambre, seated herself in front of the fire and resolutely awaited the conflict. When the old Spaniard, as rigid and gorgeous as a portrait by Van Dyck, came to call her, Indiana declared that she was not well and did not feel that she could go out. In vain did her aunt urge her to make an effort.

"I would be only too glad to go," she said, "but you see that I can hardly stand. I should be only a trouble to you to-night. Go to the ball without me, dear aunt; I shall enjoy the thought of your pleasure."

"Go without you!" said Madame de Carvajal, who was sorely distressed at the idea of having made an elaborate toilet to no purpose, and who shrank from the horrors of a solitary evening. "Why, what business have I in society, an old woman whom no one speaks to except to be near you? What will become of me without my niece's lovely eyes to give me value?"

"Your wit will fill the gap, my dear aunt," said Indiana.

The Marquise de Carvajal, who only wanted to be urged, set off at last. Whereupon, Indiana hid her face in her hands and began to weep; for she had made a great sacrifice and believed that she had already blasted the attractive prospect of the day before.

But Raymon would not have it so. The first thing that he saw at the ball was the old marchioness's haughty aigrette. In vain did he look for Indiana's white dress and black hair in her vicinity. He drew near and heard her say in an undertone to another lady:

"My niece is ill; or rather," she added, to justify her own presence at the ball, "it's a mere girlish whim. She wanted to be left alone in the salon with a book in her hand, like a sentimental beauty."

"Can it be that she is avoiding me?" thought Raymon. He left the ball at once. He hurried to the marchioness's house, entered without speaking to the concierge, and asked the first servant that he saw, who was half asleep in the antechamber, for Madame Delmare.

"Madame Delmare is ill."

"I know it. I have come at Madame de Carvajal's request to see how she is."

"I will tell madame."

"It is not necessary. Madame Delmare will receive me."

And Raymon entered the salon unannounced. All the other servants had retired. A melancholy silence reigned in the deserted apartments. A single lamp, covered with its green silk shade, lighted the main salon dimly. Indiana's back was turned to the door; she was completely hidden in the depths of a huge easy-chair, sadly watching the burning logs, as on the evening when Raymon entered the park of Lagny over the wall; sadder now, for her former undefined sufferings, aimless desires had given place to a fleeting joy, a gleam of happiness that was not for her.

Raymon, his feet encased in dancing shoes, approached noiselessly over the soft, heavy carpet. He saw that she was weeping, and, when she turned her head, she found him at her feet, taking forcible possession of her hands, which she struggled in vain to withdraw from his clasp. Then, I agree, she was overjoyed beyond words to find that her scheme of resistance had failed. She felt that she passionately loved this man who paid no heed to obstacles and who had brought happiness to her in spite of her efforts. She blessed heaven for rejecting her sacrifice, and, instead of scolding Raymon, she was very near thanking him.

As for him, he knew already that she loved him. He needed not to see the joy that shone through her tears to realize that he was master, and that he could venture. He gave her no time to question him, but, changing rôles with her, vouchsafing no explanation of his unlooked-for presence, and no apology intended to make him seem less guilty than he was, he said:

"You are weeping, Indiana. Why do you weep? I insist upon knowing."

She started when he called her by her name; but there was additional joy in the surprise which that audacity caused her.

"Why do you ask?" she said. "I must not tell you."

"Well, I know, Indiana. I know your whole history, your whole life. Nothing that concerns you is unknown to me, because nothing that concerns you is indifferent to me. I resolved to know everything about you, and I have learned nothing that was not revealed to me during the brief moment that I passed under your roof, when I was brought, all crushed and bleeding, to your feet, and your husband was angry to see you, so lovely and so kind, support me with your soft arms and pour balm upon my wounds with your sweet breath. He was jealous? oh! I can readily understand it; I should have been, in his place, Indiana; or rather, in his place, I would kill myself; for to be your husband, madame, to possess you, to hold you in his arms, and not to deserve you, not to win your heart, is to be the most miserable or the most dastardly of men!"

"O heaven! hush," she cried, putting her hand over his mouth; "hush! for you make me guilty. Why do you speak to me of him? why seek to teach me to curse him? If he should hear you! But I have said no evil of him; I have not authorized you to commit this crime! I do not hate him; I esteem him, I love him!"

"Say rather that you are horribly afraid of him; for the despot has broken your spirit, and fear has sat at your bedside ever since you became that man's prey. You, Indiana, profaned by the touch of that boor, whose iron hand has bowed your head and ruined your life! Poor child! so young and so lovely, to have suffered so horribly! for you cannot deceive me, Indiana, who look at you with other eyes than those of the common herd; I know all the secrets of your destiny, and you cannot hope to hide the truth from me. Let those who look at you because you are lovely say, when they notice your pallor and your melancholy: 'She is ill;'—well and good; but I, who follow you with my heart, whose whole soul encompasses you with solicitude and love, I am well aware what your disease is. I know that, if God had willed it so, if he had given you to me, unlucky wretch that I am, who deserve to have my head broken for having come so late, you would not be ill. On my life I swear, Indiana, I would have loved you so that you would have loved me the same and that you would have blessed the chain that bound us. I would have carried you in my arms to prevent your feet from being wounded; I would have warmed them with my breath. I would have held you against my breast to save you from suffering. I would have given all my blood to make up your lack of it, and if you had lost sleep with me, I would have passed the night saying soft words to you, smiling on you to restore your courage, weeping the while to see you suffer. When sleep had breathed upon your silken eyelids, I would have brushed them with my lips to close them more softly, and I would have watched over you, kneeling by your bed. I would have forced the air to caress you gently, golden dreams to throw flowers to you. I would have kissed noiselessly your lovely tresses, I would have counted with ecstatic joy the palpitations of your breast, and, at your awakening, Indiana, you would have found me at your feet, guarding you like a jealous master, waiting upon you as a slave, watching for your first smile, seizing upon your first thought, your first glance, your first kiss."

"Enough! enough!" said Indiana, agitated and quivering with emotion, "you make me faint."

And yet, if people died of happiness, Indiana would have died at that moment.