Chapter One

It was a source of great satisfaction to Joseph Herriard that the holly trees were in full berry. He seemed to find in this circumstance an assurance that the projected reunion of the family would be a success. For days past he had been bringing prickly sprigs into the house, his rosy countenance beaming with pleasure, and his white locks (worn rather long, and grandly waving) ruffled by the December winds. Just look at the berries!" he would say, thrusting his sprigs under Nathaniel's nose, laying them on Maud's card-table.

"Very pretty, dear," Maud said, her flattened voice divesting her words of even the smallest vestige of enthusiasm.

"Take the damned thing away!" growled Nathaniel. "I hate holly!"

But neither the apathy of his wife nor the disapproval of his elder brother could damp Joseph's childlike enjoyment of the Festive Season. When a leaden sky heralded the advent of snow, he began to talk about old fashioned Christmases, and to liken Lexham Manor to Dingley Dell.

In point of fact, there was no more resemblance between the two houses than between Mr. Wardle and Nathaniel Herriard.

Lexham was a Tudor manor house, considerably enlarged, but retaining enough of its original character to make it one of the show-places of the neighbourhood. It was not a family seat of long standing, Nathaniel, who was a wealthy man (he had been an importer from the East Indies), having purchased it a few years before his retirement from an active share in his flourishing business. His niece, Paula Herriard, who did not like the Manor, could not imagine what should have induced an old bachelor to saddle himself with such a place, unless - hopefully - he meant to leave it to Stephen, her brother. In which case, she added, it was a pity that Stephen, who did like the place, should take so few pains to be decent to the old man.

It was generally supposed, in spite of Stephen's habit of annoying his uncle, that he would be Nathaniel's heir. He was his only nephew, so unless Nathaniel meant to leave his fortune to his only surviving brother, Joseph, which even Joseph admitted to be unlikely, the bulk of the estate looked like coming into Stephen's graceless hands.

In support of this theory, it could perhaps have been said that Nathaniel seemed to like Stephen rather more than he liked any other member of his family. But few people liked Stephen very much. The only person who stoutly maintained belief in the sterling qualities to be detected beneath his unprepossessing exterior was Joseph, whose overflowing kindness of heart led him always to believe the best of everyone.

"There's a lot of good in Stephen. You mark my words, the dear old bear will surprise us all one of these days!" Joseph said staunchly, when Stephen had been at his most impossible.

Stephen was not in the least grateful for this unsolicited championship. His dark, rather saturnine face took on such an expression of sardonic scorn that poor Joseph was momentarily abashed, and stood looking at him with an absurdly crestfallen air.

"Surprising weak intellects isn't a pastime of mine," said Stephen, not even troubling to remove his pipe from between his teeth.

Joseph smiled with a bravery which prompted Paula to take up the cudgels in his defence. But Stephen only gave a short bark of laughter, and buried himself in his book, and by the time Paula had told him, with modern frankness, what she thought of his manners, Joseph, whose invincible cheerfulness no brutality could long impair, had recovered from his hurt and archly ascribed Stephen's snap to a touch of liver.

Maud, who was laying out a complicated Double Patience, her plump countenance betraying nothing but a mild interest in the disposition of aces and kings, said in her toneless voice that salts before breakfast were good for sluggish livers.

"Oh, my God!" said Stephen, dragging his lanky limbs out of the deep chair. "To think that this house was once tolerable!"

There was no mistaking the implication of this savage remark, but as soon as Stephen had left the room, Joseph assured Paula that she need not worry on his account, since he knew Stephen too well to be hurt by the things he said. "I don't suppose poor old Stephen really grudges us Nat's hospitality," he said, with one of his whimsical smiles.

Joseph and Maud had not always been inmates of Lexham Manor. Joseph had been, in fact, until a couple of years previously, a rolling stone. In reviewing his past, he often referred to square pegs and wanderlust; and, that nothing should be wanting to exasperate Stephen, would recall past triumphs behind the footlights with a sigh, a smile, and a gently-spoken: "Eheu fugaces!"

For Joseph had been on the stage. Articled in youth to a solicitor, he had soon abandoned this occupation (the square peg) for the brighter prospects of coffee-growing (wanderlust) in East Africa. Since those early days he had flitted through every imaginable profession, from freelance prospecting for gold to acting. No one knew why he had left the stage - for since he had belonged to colonial and South American travelling companies it could scarcely be ascribed to the wanderlust that was responsible for his throwing up so many other jobs, for he seemed designed by nature to grace the boards. "The ideal Polonius!" Mathilda Clare once called him.

It was during this phase of his career that he had met and married Maud. Incomprehensible though it might appear to the young Herriards, knowing Maud only in her fifties, she had once held an honourable place in the second row of the chorus. She had grown plump with the years, and it was difficult to trace in her fat little face, with its tiny mouth embedded between deep creases of pink cheek, and its pale blue, slightly starting eyes, the signs of the pretty girl she must once have been. She rarely spoke of her youth, such remarks as she from time to time let fall being inconsequent, and holding little clue to what Paula chose to think mystery of her past.

The young Herriards, and Mathilda Clare, a distant cousin, knew Joseph and Maud only as legendary figures until the sea washed them up on the shores of England two years previously - at Liverpool. They had come from South America, solvent, but without prospects. They had gravitated to Lexham Manor, and there they had remained, not too proud, said Joseph, to be Nathaniel's pensioners.

Nathaniel extended his hospitality to his brother and his sister-in-law with surprising readiness. Perhaps, hazarded Paula, he felt that Lexham needed a mistress. If so, he was disappointed, for Maud showed no inclination to take the reins of household government into her small hands. Maud's idea of human bliss seemed to consist of eating, sleeping, playing interminable games of Patience, and reading, in a desultory fashion, chatty biographies of royal personages or other celebrities.

But if Maud was static, Joseph was full of energy. It was nearly all benevolent, but, unfortunately for Nathaniel, who was not gregarious, he delighted in gathering large parties together, and liked nothing so much as filling the house with young people, and joining in their amusements.

It was Joseph who had been inspired to organise the house-party that was looming over Nathaniel's unwilling head this chill December. Joseph, having lived for so many years abroad, hankered wistfully after a real English Christmas. Nathaniel, regarding him with a contemptuous eye, said that a real English Christmas meant, in his experience, a series of quarrels between inimical persons bound to one another only by the accident of relationship, and thrown together by a wornout convention which decreed that at Christmas families should forgather.

But this acrid pronouncement only made Joseph laugh, clap Nathaniel on the back, and accuse him affectionately of growing into a regular curmudgeon.

It said much for Joseph's powers of persuasion that Nathaniel did, in the end, invite "the young people' to spend Christmas at the Manor. As he had quarrelled with his nephew Stephen only a month previously, and had been resolutely refusing, for rather longer, to give financial backing to a play which his niece Paula wished to appear in, it took some time to talk him into letting bygones be bygones.

"You know, Nat," Joseph said, rather ruefully, "old fogies like you and me can't afford to quarrel with the younger generation. Why, where should we be without them, with all their faults, bless their hearts!"

"I can afford to quarrel with anyone I like," replied Nathaniel, with perfect truth. "I don't say that Stephen and Paula can't come to stay if they want to, but I'm not going to have that young woman of Stephen's poisoning the air with her filthy scent; and I won't be badgered by Paula to back a play by a fellow I've never heard of, and don't want to hear of. All your precious young people are out for is money, and well I know it! When I think of the amount I've squandered on them, one way and another-"

"Well, and why shouldn't you?" said Joseph cheerfully. "Oh, you can't deceive me! You like to make out that you're a skinflint; but I know the joy of giving, and nothing will make me believe you don't know it too!"

"Sometimes, Joe," said Nathaniel, "you make me feel sick!"

Nevertheless, he consented, after a good deal of persuasion, to invite Stephen's "young woman' to Lexham. In the end, quite a number of persons forgathered at the Manor for Christmas, since Paula brought with her the unknown dramatist to whom Nathaniel had taken such violent exception; Mathilda Clare invited herself; and Joseph decided, at the last moment, that it would be unkind to break the custom of years by excluding Nathaniel's business-partner, Edgar Mottisfont, from the party.

Joseph spent the days immediately preceding Christmas in decorating the house. He bought paperchains, and festooned them across the ceilings; he pricked himself grievously in countless attempts to fix sprigs of holly over all the pictures; and he hung up bunches of mistletoe at all strategic points. He was engaged on this work when Mathilda Clare arrived. As she entered the house, he was erecting an infirm stepladder in the middle of the hall, preparatory to securing a bunch of mistletoe to the chandelier.

"Tilda, my dear!" he exclaimed, letting the step-ladder fall with a crash, and hurrying to meet this first arrival. "Well, well, well, well!"

"Hallo, Joe!" returned Miss Clare. "Yule-tide-and-allthat?"

Joseph beamed, and said: "Ah, I catch you at a disadvantage! See!" He held up the mistletoe over her head, and embraced her.

"Cave-man," said Mathilda, submitting.

Joseph laughed delightedly, and, slipping a hand in her arm, led her into the library, where Nathaniel was reading the paper. "Look what the fairies have brought us, Nat!" he said.

Nathaniel looked up over his spectacles, and said in somewhat discouraging accents: "Oh, it's you, is it? How are you? Glad to see you."

"Well, that's something, anyway," said Mathilda, shaking hands with him. "Thanks for letting me come, by the way."

"I suppose you want something," said Nathaniel, but with a twinkle.

"Not a thing," replied Mathilda, lighting a cigarette. "Only Sarah's sister has broken her leg, and Mrs. Jones can't oblige."

As Sarah was the devoted retainer who constituted Miss Clare's domestic staff, the reason for her visit to the Manor was felt to have been satisfactorily explained. Nathaniel grunted, and said that he might have known it. Joseph squeezed Mathilda's arm, and told her not to pay any attention to Nat. "We're going to have a real Christmas jollification!" he said.

"The deuce we are!" said Mathilda. "All right, Joe: I'll co-operate. The perfect guest: that's me. Where's Cousin Maud?"

Maud was discovered presently in the morning-room. She seemed vaguely glad to see Mathilda, and gave her a cheek to kiss, remarking somewhat disconcertingly: "Poor Joseph is so set on an old-fashioned Christmas!"

"All right, I've no objection to helping him," said Mathilda. "Shall I make paper-chains, or something? Who's coming?"

"Stephen and Paula, and Stephen's fiancee, and of course Mr. Mottisfont."

"It sounds like a riot of fun. Stephen would make any party go with a swing."

"Nathaniel does not care for Stephen's fiancee," Maud stated.

"You don't say!" remarked Miss Clare vulgarly.

"She is very pretty," said Maud.

Mathilda grinned. "So she is," she admitted.

Mathilda was not pretty. She had good eyes, and beautiful hair, but not even in her dewy youth had she been able to deceive herself into thinking that she was good-looking. She had sensibly accepted her plainness, and had, she said, put all her money on style. She was much nearer thirty than twenty; she enjoyed private means; lived in a cottage not uncomfortably far from London; and eked out her income by occasional journalism, and the breeding of bull-terriers. Valerie Dean, who was Stephen's fiancee, vaguely resented her, because she dressed so well, and made her plainness so arresting that she attracted a good deal of attention at parties at which Valerie had confidently expected to draw all eyes upon herself.

"Of course, darling, it isn't that I don't like your cousin," Valerie told Stephen, "but it's so silly to call her striking. Because she's practically hideous, isn't she, Stephen?"

"Sure," said Stephen.

"Do you think she's so frightfully clever, Stephen? I mean, do you?"

"Never thought about it. She's a damned good sort."

"Oh, darling, that sounds absolutely foul!" said Valerie, pleased. "Don't you wish she weren't going to be at Lexham?"

"No."

"Oh, Stephen, you are a swine! Why don't you?"

"I like her. I wish you'd shut your pretty little trap. I hate being yapped at when I'm driving."

"You are a low hound, Stephen. Do you love me?"

"Yes, damn you!"

"Well, it doesn't sound as though you did. I'm pretty, aren't I?"

"Yes, my little bonehead, you're lovely - Aphrodite and Helen rolled into one. Stop drivelling!"

"Oh, I can't think why I ever fell for you, darling. I think you're foul!" said Miss Dean cooingly.

He vouchsafed no answer to this remark, and his betrothed, apparently realising that his mood was not propitious, sank her chin into the collar of her fur coat, and relapsed into quiescent silence.

Their arrival at Lexham Manor coincided with that of Edgar Mottisfont, and all three were welcomed into the house by Joseph, who came trotting out into the porch, beaming with pleasure, and claiming the privilege of an old stager to embrace Valerie.

His rapt appreciation of the truly lovely picture she presented made Stephen look more than ordinarily sardonic, but was well received by his target. Miss Dean, who was indeed lovely, liked to hear her charms enthusiastically praised, and was not above responding to the arch sallies of old gentlemen. She lifted her large blue eyes to Joseph's face, and told him that she knew he was dreadfully wicked, a pronouncement which delighted Joseph, and made Stephen say ill-naturedly: "A case of si aieillesse pouvait!"

"Well, Stephen!" said Edgar Mottisfont, descending from the car which had been sent to fetch him from the station.

"Hallo!" said Stephen indifferently.

"This is an unexpected pleasure," said Mottisfont, looking at him with disfavour.

"Why?" asked Stephen.

"Now, now, now!" chided Joseph, overhearing this interchange, and bustling forward. "My dear Edgar! Come in, come in! You must be frozen, all of you! Look at the sky! We're going to have a white Christmas. I shouldn't be surprised if we found ourselves tobogganing in a day or two."

"I should," said Stephen, following the others into the house. "Hallo, Mathilda!"

"I thought I heard your mellow accents," said Mathilda. "Spreading goodwill, my sweet?"

Stephen allowed his bitter mouth to relax into a smile at this greeting, but as Nathaniel came into the hall at that moment, and favoured him with nothing more than a nod, and a curt "Glad to see you, Stephen," the disagreeable expression returned to his face, and he immediately laid himself out to be objectionable to everyone within range.

Nathaniel, having shaken hands in a perfunctory fashion with Miss Dean, and said "Oh!" dampingly to her announcement that she simply loved coming to spend Christmas in his perfectly fascinating house, lost no time in whisking himself and Edgar Mottisfont into his study.

"Remind me some time to give you some hints and tips on how to put yourself over with your Uncle Nat," Mathilda said kindly to Miss Dean.

"Blast you, shut up!" snapped Stephen. "God, I wonder why I came?"

"Probably because you couldn't think of anywhere else to go," said Mathilda. Catching sight of Joseph's absurdly dismayed countenance, she added: "Anyway, now you are here, behave yourself! Would you like to go up to your room now, Valerie, or have tea first?"

Miss Dean, whose major preoccupation in life was the possibility of her hair becoming disarranged, or her complexion impaired, chose to go to her room. This put Joseph in mind of his wife, but by the time he had run her to earth in the drawing-room, Mathilda had escorted Valerie upstairs.

Maud, gently chided by Joseph for not having come out to welcome the visitors, said that she had not heard their arrival. "I have a very interesting book here," she said. "I got it out of the library today. It is the one you or Nat had out a little while ago, and which you thought I should not care for, about the poor Empress of Austria. Fancy, Joseph! She actually rode in a circus!"

Joseph, who possibly had a very fair idea of what the company would have to suffer from his wife's perusal of this, or any other, book, suggested tactfully that it should be put away until after Christmas, and reminded her that she was Valerie's hostess, and should have showed her the way to her room.

"No, dear," replied Maud. "I'm sure I had nothing to do with inviting Valerie here. Nor do I see why I shouldn't read my book at Christmas as well as at any other time. She could sit on her hair. Fancy!"

There did not seem to be much hope of dragging Maud's attention away from the Empress's peculiarities, so, with a fond pat on her shoulder, Joseph bustled away again, to irritate the servants by begging them to put tea forward, and to trot upstairs to tap on Valerie's door, and ask if she had everything she wanted.

Tea was served in the drawing-room. Maud laid aside the Life of the Empress Elizabeth of Austria, and poured out. She sat on the sofa, a dump of a woman behind a staggering array of embossed silver, and when each of the visitors came into the room, she extended her small plump hand with the same mechanical smile, and the same colourless phrase of welcome.

Mathilda sat beside her, and laughed when she saw the title of the book Maud had been reading. "Last time I was here it was the Memoirs of a Lady-in-Waiting," she said, teasing Maud.

Mockery slid off the armour of Maud's self-sufficiency. "I like that kind of book," she replied simply.

When Nathaniel came in with Edgar Mottisfont, Stephen dragged himself out of a deep armchair, saying ungraciously: "Got your chair, uncle."

Nathaniel accepted this overture in the spirit in which it was presumably meant. "Don't disturb yourself, my boy. How have you been keeping?"

"All right," Stephen said. He added, with a further effort towards civility: "You look very fit."

"Except for this wretched lumbago of mine," Nathaniel said, not quite pleased that Stephen should have forgotten his lumbago. "I had a touch of sciatica yesterday, too."

"Bad luck," said Stephen.

"The ills the flesh is heir to!" said Mottisfont, shaking his head. "Anno domini, Nat, anno domini!"

"Nonsense!" said Joseph. "Look at me! If you two old fogies would take my tip, and do your daily dozen every morning before breakfast, you'd feel twenty years younger! Knees bend - touch your toes - deep breathing before the open window!"

"Don't be a fool, Joe!" growled Nathaniel. "Touch my toes indeed! "Why, there are some mornings when I should be set fast if I stooped an inch!"

Miss Dean offered her contribution to the discussion. "I do think exercises are the most ghastly bore, don't you?"

"Shouldn't be at your age," said Nathaniel.

"A dose of salts every morning would do most people a great deal of good," said Maud, handing a cup-andsaucer to Stephen.

Nathaniel, after casting a malevolent look at his sisterin-law, at once began to talk to Mottisfont. Mathilda gave a gurgle of laughter, and said: "Well, that's settled that topic, at any rate!"

Maud's pale eyes met hers, uncomprehending, devoid of any hint of humour. "I find salts very beneficial," she said.

Valerie Dean, who was looking entrancingly pretty in a jersey-suit which exactly matched the blue of her eyes, had been taking stock of Mathilda's tweed coat and skirt, and had reached the conclusion that it did not become her. This made her feel friendly towards Mathilda, and she moved her chair nearer to the sofa, and began to talk to her. Stephen, who seemed to be making a real effort to behave nicely, joined in his uncle's conversation with Mottisfont, and Joseph, radiant now that his party looked like being a success after all, beamed on everyone impartially. So patent was his satisfaction that Mathilda's eyes began to twinkle again, and she offered, after tea, to help him to hang up his paper-chains.

"I'm glad you've come, Tilda," Joseph told her, as she gingerly mounted the rickety steps. "I do so want this party to go well."

"You're the World's Uncle, Joe," said Mathilda. "For God's sake, hang on to these steps! They feel most unsafe to me. Why did you want this family reunion?"

"Ah, you'll laugh at me if I tell you!" he said, shaking his head. "I think, if you hang your end just above that picture it would just reach to the chandelier. Then we could have another chain over to that corner."

"Just as you say, Santa Claus. But why the reunion?"

"Well, my dear, isn't it the season of goodwill, and isn't it all working out just as one hoped it would?"

"Depends what you hoped," said Mathilda, pressing a drawing-pin into the wall. "If you ask me, there'll be murder done before we're through. Nat's patience will never stand much of little Val."

"Bosh, Tilda!" said Joseph roundly. "Bosh and nonsense! There's no harm in the child, and I'm sure she's pretty enough to eat!"

Mathilda descended the steps. "I don't think that Nat prefers blondes," she said.

"Never mind! It doesn't matter what he thinks of poor little Val, after all. The main thing is that he shouldn't carry on a silly quarrel with old Stephen."

"If I'm to fix this end to the chandelier, move the steps over, Joe. Why shouldn't he quarrel with Stephen, if he wants to?"

"Because he's really very fond of him, because quarrelling in families is always a pity. Besides-"Joseph stopped, and began to move the steps.

"Besides what?"

"Well, Tilda, Stephen can't afford to quarrel with Nat, the silly fellow!"

"You should worry!" said Mathilda. "You aren't going to tell me that Nat has at last brought himself to make a will? Is Stephen the heir?"

"You want to know too much," said Joseph, giving her a playful smack.

"Sure I do! You're very mysterious, aren't you?"

"No, no, upon my word I'm not! I only feel it would be very foolish of Stephen to go on being on bad terms with Nat. Shall we hang this big paper-bell under the chandelier, or do you think a bunch of mistletoe would be better?"

"If you really want my opinion, Joe, I think they look equally lousy."

"Naughty girl! Such language!" Joseph said. "You young people don't appreciate Christmas as my generation did. Doesn't it mean anything to you?"

"It will, by the time we're through," replied Mathilda, once more ascending the steps.

Chapter Two

Paula Herriard did not arrive at the Manor until after seven, when everyone else was changing for dinner. Her appearance on the scene was advertised, even to those in remote bedrooms, by the unusual amount of commotion heard downstairs. Paula's entrances always commanded attention. It was not that she deliberately staged them: merely, her personality was rather overpowering, her movements as impetuous as her vivid little face. In fact, Mathilda said with gentle malice, she seemed to have been born with the hallmarks of a great emotional actress.

She was several years younger than her brother Stephen, and resembled him scarcely at all. She was pretty, in the style made popular by Burne Jones, with thick, springy hair, a short, full upper lip, and dark eyes set widely under discontented brows. There was an air of urgency about her; you could see it in her restless movements, in the sudden glow in her changeable eyes, and in the hungry line of her mouth. She had a beautiful voice, like a stringed instrument. It was mellow, and flexible, which made her the ideal choice for a Shakespearean role. It cast into shocking relief the light, metallic tones of her contemporaries, with their clipped vowels, and the oddly common inflexions they so carefully cultivated. She knew how to throw it, too: no doubt about that, thought Mathilda, hearing it float upstairs from the hall.

She heard her own name. "In the Blue Room? Oh! I'll go up!"

Mathilda sat back on her dressing-stool to await Paula's entrance. In a minute or two there was a perfunctory knock on the door, and before she could call Come in! Paula had entered, bringing with her that uncomfortable feeling of impatience, of scarcely curbed energy.

"Mathilda! Darling!"

"Ware my make-up!" Mathilda exclaimed, dodging the embrace.

Paula chuckled, deep in her throat. "Idiot! I'm so glad to see you! Who's here? Stephen? Valerie? Oh, that girl! My dear, if you knew the feeling I have here about her!" She struck her chest as she spoke; her eyes quite blazed for a moment, but then she blinked her thick lashes, and laughed, and said: "Oh, never mind that! Brothers -! I've brought Willoughby."

"Who is Willoughby?" demanded Mathilda.

There was again that disconcerting flash. "One day no one will ask that question!"

"Pending that day," said Mathilda, intent on her own eyebrows, "who is Willoughby?"

"Willoughby Roydon. He has written a play…'

It was strange how much that throbbing voice and those fluttering hands could express. Mathilda said: "Oh?

Unknown, dramatist?"

"So far! But this play - ! Producers are such fools! We must have backing. Is Uncle Nat in a good mood? Has Stephen upset him? Tell me everything, Mathilda, quick!"

Mathilda laid down the eyebrow-pencil. "You haven't brought your playwright here in the hope of winning Nat's heart, Paula? My poor girl!"

"He must do it for me!" Paula said, impatiently pushing back the hair from her brow. "It's art, Mathilda! Oh! When you have read it - !"

"Art plus a part for Paula?" murmured Mathilda.

The shaft glanced off Paula's armour. "Yes. A part. Such a part! It was written for me. He says I inspired it."

"Sunday performance, and an audience composed of intellectuals. I know!"

"Uncle has got to listen to me! I must play it. I must, Mathilda, do you hear me?"

"Yes, my sweet, you must play it. Meanwhile, dinner will be ready in twenty minutes' time."

"Oh, it doesn't take me ten minutes to change! Paula said impatiently.

Mathilda reflected that this was true. Paula never bothered about her clothes. She was neither dowdy nor smart; she flung raiment on, and somehow one never knew what she was wearing: it didn't count, it was nothing but a covering for Paula's thin body: you were aware only of Paula herself. "I hate you, Paula; my God, how I hate you!" Mathilda said, knowing that people remembered her by the exquisite creations she wore. "Go away! I'm less fortunate."

Paula's gaze focused upon her. "Darling, your clothes are perfect."

"I don't know. Such an absurd fuss! As though the house weren't big enough - ! Sturry said he'd see to it."

"Well, as long as your playwright doesn't wear soft shirts and a plume of hair - !"

"What do these things matter?"

"They'll matter fast enough to your Uncle Nat," prophesied Mathilda.

They did. Nathaniel, introduced without warning to Willoughby Roydon, glared at him, and at Paula, and could not even bring himself to utter conventional words of welcome. It was left to Joseph to fill the breach, and he did so, aware of Nat's fury, and covering it up with his own overflowing goodwill.

The situation was saved by Sturry, announcing dinner. They went into the dining-room. Willoughby Roydon sat between Mathilda and Maud. He despised Maud, but Mathilda he liked. He talked to her about the tendency of modern drama, and she bore it very meekly, realising that it was her duty to draw his fire.

He was a sallow young man, with rather indeterminate features, and an over-emphatic manner. Listening, a little inattentively, to his conversation, Mathilda pictured him against a middle-class background of indifference. She felt sure that his parents were worthy people, perhaps afraid of their clever son, perhaps scornful of a talent they could not understand. He was unsure of himself, aggressive from very lack of poise. Mathilda felt sorry for him, and schooled her features to an expression of interest in what he was saying.

Paula, seated beside Nathaniel, was talking to him about Roydon's play, forgetting to eat her dinner in her earnestness, annoying him by gesticulating with her thin, nervous hands, insisting on his attending to her, even though he didn't want to, wasn't interested. Valerie, on his right, was bored, and taking no pains to hide it. She had pretended at first to be deeply interested, saying: "My dear, how marvellous! Do tell me about your part! I shall adore coming to see you in it!" But Paula didn't want to capture Valerie's interest; she brushed her aside with that careless contempt which made her look suddenly like Stephen. So Valerie sighed, patted her sleek curls into position, and despised Paula for wearing a dress which didn't suit her, and for combing her hair so casually off her face.

It was being a bad evening for Valerie. She had wanted to come to Lexham (in fact, she had insisted on Stephen's bringing her) because she knew that Nathaniel did not like her. She hadn't doubted her ability to captivate him, but even the Chanel model she was wearing had failed to bring that admiring look into his eyes which she was accustomed to see in men's eyes. Joseph had twinkled appreciation, but that was no use (though pleasant) because Joseph had no money to leave.

The arrival of an unexpected male guest had been exciting, but he seemed to be absorbed in conversation with Mathilda. Valerie wondered what men saw in Mathilda, and glanced resentfully across at her. It happened that Roydon looked up at that moment, and their eyes met. He seemed to see her for the first time, and to be shaken. He stopped in the middle of what he was saying, flushed, and picked up the thread again in a hurry, Valerie began to feel more cheerful. Playwrights! One never knew about them; they became famous overnight, and made pots and pots of money, and were seen about everywhere with the best people.

Joseph, whom Nathaniel suspected of having connived from the start at Willoughby's arrival, said that he could smell the sawdust again, a figure of speech which apparently left Roydon with the impression that he had been a circus-artist. Joseph speedily disillusioned him. "I remember once in Durban, when I was playing Hamlet…' said Joseph.

"Go on, Joe! You never played Hamlet in your life!" interrupted Mathilda. "Your outline's all wrong."

"Ah, the days when I was young!" Joseph said.

But Roydon wasn't interested in Joseph's Hamlet. He shrugged Shakespeare aside. He said that he himself owed a debt to Strindberg. As for Pinero's comedies, which Joseph had played in, he dismissed them with the crushing label: "That old stuff!"

Joseph felt depressed. He had a charming little anecdote to tell, about the time he had played Benedick, in Sydney, but it didn't seem as though Roydon would appreciate it. A conceited young man, thought Joseph, dispiritedly eating his savoury.

When Maud rose from the table, Paula was obliged to stop telling Nathaniel about Roydon's play. She glowered at being interrupted, but went out with the other women.

Maud led the way to the drawing-room. It was a big room, and it felt chilly. Only two standard-lamps, placed near the fireplace, lit it, and the far corners of the room lay in shadow. Paula gave a shiver, and switched on the ceiling-lights. "I hate this house!" she said. "It hates us, too. You can almost feel it."

"Whatever do you mean?" asked Valerie, looking round half-fearfully, halt-sceptically.

"I don't know. I think something happened here, perhaps. Can't you feel how sinister it is? No, I suppose you can't."

"You don't mean that it's haunted, do you?" Valerie asked, her voice rising slightly. "Because nothing would induce me to spend a night here, if it is!"

"No, I don't mean that," Paula answered. "But there's something about it - I'm always conscious of it. Cigarette, Mathilda?"

Mathilda took one. "Thank you, my love. Shall we gather round the fire, chicks, and tell ghost stories?"

"Oh, don't!" shuddered Valerie.

"Don't let Paula impress you!" Mathilda advised her. "She is just being fey. There's nothing wrong with this house."

"It is a pity that there are no radiators in this room," said Maud, ensconcing herself by the fire.

"It isn't that," said Paula curtly.

"I expect that's what gives Nat lumbago," said Maud. "Draughts -"

Valerie began to powder her nose before the mirror over the fireplace. Paula, who seemed to be restless, drifted about the room, smoking a cigarette, and nicking the ash on to the carpet.

Mathilda, taking a chair opposite to Maud, said: "I wish you wouldn't prowl, Paula. And if you could refrain from badgering Nat about your young friend's play I feel that this party might go with more of a swing."

"I don't care about that. It's vital to me to get Willoughby's play put on!"

"Love's young dream?" Mathilda cocked a quizzical eyebrow.

"Mathilda! Can't you understand that love doesn't come into it? It's art!"

"Sorry!" Mathilda apologised.

Maud, who had opened her book again, said: "Fancy! The Empress was only sixteen when Franz Josef fell in love with her! It was quite a romance."

"What Empress?" demanded Paula, halting in the middle of the room, and staring at her.

"The Empress of Austria, dear. Somehow one can't imagine Franz Josef as a young man, can one? But it says here that he was very good-looking, and she fell in love with him at first sight. Of course, he ought to have married the elder sister, but he saw Elizabeth first, with her hair down her back, and that decided him."

"What on earth has that got to do with Willoughby's play?" asked Paula, in a stupefied voice.

"Nothing, my dear; but I am reading a very interesting book about her."

"Well, it doesn't interest me," said Paula, resuming her pacing of the room.

"Never mind, Maud!" said Mathilda. "Paula has a onetrack mind, and no manners. Tell me more about your Empress!"

"Poor thing!" said Maud. "It was that mother-in-law, you know. She seems to have been a very unpleasant woman. The Archduchess, they called her, though I can't quite make out why she was only an Archduchess when her son was an Emperor. She wanted him to marry Helene."

"A little more, and I shall feel compelled to read this entrancing work," said Mathilda. "Who was Helene?"

Maud was still explaining Helene to Mathilda when the men came into the drawing-room.

It was plain that Nathaniel had not found the male company congenial. He had apparently been buttonholed by Roydon, for he cast several affronted glances at the playwright, and removed himself as far from his vicinity as he could. Mottisfont sat down beside Maud; and Stephen, who appeared to sympathise with his uncle, surprised everyone by engaging him in perfectly amiable conversation.

"Stephen being the little gentleman quite takes my breath away," murmured Mathilda.

Joseph, standing near enough to overhear this remark, laid a conspiratorial finger across his lips. He saw that Nathaniel had observed this gesture, and made haste to say, in bracing accents: "Now, who says Rummy?"

No one said Rummy; several persons, notably Nathaniel, looked revolted; and after a pause, Joseph, a little crestfallen, said: "Well, well, what shall it be?"

"Mathilda," said Nathaniel, fixing her with a compelling eye, "we want you to make up a fourth at Bridge."

"All right," said Mathilda. "Who's playing?"

"Stephen and Mottisfont. We'll have a table put up in the library, and the rest of you can play any silly - can do anything you like."

Joseph, whose optimism nothing could damp, said: Just the thing! No one will disturb you earnest people, and we frivolous ones can be as foolish as we like!"

"It's no good expecting me to play!" announced Roydon. "I don't know one card from another."

"Oh, you'll soon pick it up!" said Joseph. "Maud, my dear, I suppose we can't lure you into a round game?"

"No, Joseph, I will do a Patience quietly by myself, if someone will be kind enough to draw that table forward," replied Maud.

Valerie, who had not been at all pleased to hear that her betrothed proposed to spend the evening playing Bridge, bestowed a dazzling smile upon Roydon, and said: "I'm simply dying to ask you about this play of yours. I'm utterly thrilled about it! Do come and tell me all about it!"

Since Willoughby, sore from the lack of appreciation shown by Nathaniel, at once moved across to Miss Dean's side, only Paula was left to make up Joseph's round game. He seemed to feel the impossibility of organising anything very successful under such conditions, and with only a faint, quickly suppressed sigh, abandoned the project, and sat down to watch his wife playing Patience.

After continuing to walk about the room for some time, occasionally joining in Roydon's conversation with Valerie, Paula cast herself upon a sofa, and began to flick over the pages of an illustrated paper. Joseph soon moved over to join her, saying in a confidential tone: "Tell your old uncle all about it, my dear! What sort of play is it? Comedy? Tragedy?"

"You can't label it like that," Paula answered. "It's a most subtle character-study. There isn't another part in the world I want to play more. It's written for me! It is me!"

"I know exactly how you feel," nodded Joseph, laying a hand over hers, and pressing it sympathetically. "Ah, how often one has been through that experience! I daresay it seems funny to you to think of your old uncle on the boards, but when I was a young man I shocked all my relations by actually running away from a respectable job in a solicitor's office to join a travelling company!" He laughed richly at the memory. "I was a romantic lad! I expect a lot of people called me an improvident young fool, but I've never regretted it, never!"

"I wish you'd make Uncle Nat listen to reason," said Paula discontentedly.

"I'll try, my dear, but you know what Nat is! Dear old crosspatch! He's the best of good fellows, but he has his prejudices."

"Two thousand pounds wouldn't make any difference to him. I can't see why I shouldn't have it now, when I need it, instead of having to wait till he dies."

"You bad girl! Counting your chickens before they are hatched!"

"I'm not. He told me he'd leave me some money. Besides, he's bound to: I'm his only niece."

It was plain that Joseph could not quite approve of this cool way of putting the matter. He said tut-tut, and squeezed Paula's hand again.

Maud, who had brought the Diplomat to a triumphant conclusion, was inspired to suggest suddenly that Paula should recite something. "I am very fond of a good recitation," she said. "I remember that I used to know a very touching poem about a man who died of thirst on the Llano Estacado. I forget why, but I think he was riding to some place or other. I know it was extremely dramatic, but it is many years since I last did it, and I have forgotten it."

Everyone breathed again. Paula said that she didn't go in for recitations, but that if Uncle Nat had not elected to play Bridge, she would have asked Willoughby to read his play to them.

"That would have been very enjoyable, I expect," said Maud placidly.

It was not Nathaniel's custom to keep late hours, nor was he the kind of host who altered his habits to suit the convenience of his guests. At eleven o'clock, the Bridgeplayers came back into the drawing-room, where a tray of drinks was awaiting them, and Nathaniel said that for his part he was going to bed.

Edgar Mottisfont ventured to say: "I had hoped to have a chat with you, Nat."

Nathaniel darted a look at him from under his bushy brows. "Can't talk business at this hour of night," he said.

"Well, I want a word with you, too," said Paula.

"You won't get it," Nathaniel replied, with a short laugh.

Maud was gathering up her cards. "Dear me, eleven already? I think I shall go up too."

Valerie looked rather appalled at this prospect of having to retire at such an unaccustomed hour, but was relieved to hear Joseph say cheerfully: "Well, I hope no one else means to run off yet! The night's young, eh, Valerie? What do you say to going into the billiard-room, and turning on the wireless?"

"You'd be a great deal better in bed," said Nathaniel, on whom Joseph's high spirits seemed to exercise a baleful influence.

"Not I!" Joseph declared. "I'll tell you what, Nat: you'd be much better enjoying yourself with us!"

His evil genius prompted him to clap his brother on the back as he said this. It was plain to everyone that the playful blow fell between Nat's shoulders, but Nathaniel, who hated to be touched, at once groaned, and jaculated: "My lumbago!"

He left the room withh the gait of a cripple, holding his hand to the small of his back, in a gesture which his relatives knew well, but which made Valerie open her lovely eyes very wide, and say: "I'd no idea lumbago was as bad as that!"

"It isn't. That's just my dear Uncle Nat playing up," said Stephen, handing a whisky-and-soda to Mathilda.

"No, no, that isn't quite fair!" protested Joseph. "Why, I've known poor old Nat to be set fast with it! I'm a stupid fellow: I daresay I did jar him. I wonder if I had better go after him?"

"No, Joe," said Mathilda kindly. "You mean well, but you'll only annoy him. Why is our little Paula looking like the Tragic Muse?"

"This awful house!" ejaculated Paula. "How any of you can spend an hour in it and not feel the atmosphere - !"

"Pray silence for Mrs. Siddons!" said Stephen, regarding her with a sardonic eye.

"Oh, you can scoff!" she flung at him. "But even you must feel the tension!"

"Well, do you know, it's an awfully funny thing, because I'm not a bit psychic, or anything like that, but I do see what Paula means," said Valerie. "It's a kind of an atmosphere." She turned to Roydon. "You could write a marvellous play about it, couldn't you?"

"I don't know that it would be quite in my line," he replied.

"Oh, I have an absolute conviction that you're the sort of person who could write a marvellous play about simply anything!" said Valerie, raising admiring eyes to his face.

"Even guinea-pigs?" asked Stephen, introducing a discordant note.

The playwright flushed. "Very funny!"

Mathilda perceived that Mr. Roydon was unused to being laughed at. "Let me advise you to pay little if any heed to my cousin Stephen!" she said.

Stephen never minded what Mathilda said to him; he only grinned; but Joseph, at no time remarkable for tact, brought the saturnine look back to his face by saying: "Oh, we all know what an old bear Stephen likes to pretend to be!"

"God!" said Stephen, very distinctly.

Paula sprang up, thrusting the hair back from her brow with one of her hasty gestures. "That's what I mean! You're all of you behaving like this because the house has got you! It's the tension: something stretching and stretching until it snaps! Stephen's always worse when he's here; I'm on edge; Valerie flirts with Willoughby to make Stephen jealous; Uncle Joe's nervous, saying the wrong thing: not wanting to, but impelled to!"

"Well, really!" exclaimed Valerie. "I must say!"

"Let no one think I'm not enjoying myself!" begged Mathilda. "Yule-tide, children, and all that! These old fashioned Christmases!"

Roydon said thoughtfully: "I know what you mean, of course. Personally, I believe profoundly in the influence of environment."

"'After which short speech,"' quoted Stephen, "'they all cheered."'

Joseph clapped his hands. "Now, now, now, that's quite enough! Who says radio?"

"Yes, let's!" begged Valerie. "The dance music will be on. Mr. Roydon, I just know you're a dancer!"

Willoughby disclaimed, but was borne off, not entirely unwillingly. He was a little dazzled by Valerie's beauty, and although a sane voice within him told him that her flattery was inane, he did not find it unpleasant. Paula was a more stimulating companion, but although she admired him, and had an intelligent appreciation of his work, she was apt to be exhausting, and (he sometimes thought) distinctly over-critical. So he went off with Valerie and Joseph, reflecting that even geniuses must have their moments of relaxation.

"I must say, I don't blame Uncle Nat for barring your intended, Stephen," said Paula fairly.

Stephen did not seem to mind this candid opinion of his taste. He strolled over to the fire, and lowered his long limbs into an armchair. "The perfect anodyne," he said. "By the way, I don't think your latest pick-up so bloody hot."

"Willoughby? Oh, I know, but he's got genius! I don't care about anything else. Besides, I'm not in love with him. But what you can see in that brainless doll beats me!"

"My good girl, what I see in her must be abundantly plain to everyone," said Stephen. "This playwriting wen of yours sees it too, not to mention Joe, whose tongue is fairly hanging out."

"Close-up of the Herriards," said Mathilda, lying back in her chair, and lazily regarding brother and sister. "Cads, both. Carry on: don't mind me."

"Well, I believe in being honest," said Paula. "You are a fool, Stephen! She wouldn't have got engaged to you if she hadn't thought you'd come in for all Uncle Nat's money."

"I know," said Stephen blandly.

"And if you ask me she came down here with you on purpose to mash Uncle Nat."

"I know," said Stephen again.

Their eyes met; Stephen's lips twitched suddenly, and, while Mathilda lay and watched them, he and Paula went off into fits of helpless laughter."

"You and your Willoughby, and me and my Val!" gasped Stephen. "Oh, lord!"

Paula dried her eyes, instantly sobered by the mention of her play wright. "Yes, I know it's funny, but I'm serious about that, because he really has written a great play, and I'm going to act the lead in it, if it's the last thing I do. I shall get him to read it aloud to you all tomorrow -"

"What? Oh, God, be good to me! Not to Uncle as well? Don't, Paula, it hurts!"

"When you've quite finished," said Mathilda, "will you explain the exact nature of this treat you have in store for us, Paula? Are you going to read your own part, or is it to be a one-man show?"

"I shall let Willoughby read nearly all himself. He does it very well. I might do my big scene, perhaps."

"And you actually think, my poor, besotted wench, that this intellectual feast is going to soften your Uncle Nat's heart? Now it's my turn to enjoy a laugh!"

"He's got to back it!" Paula said fiercely. "It's the only thing I've ever wanted, and it would be too wickedly cruel not to do it for me!"

"I will lay you odds you're in for a disappointment, ducky. I don't wish to throw a damper on your girlish enthusiasm, but the moment doesn't seem to me propitious."

"It's all Stephen's fault for bringing that sickening blonde here!" Paula said. "Anyway, I've got Uncle Joe to put in a word for me."

"That'll help a lot," mocked Stephen. Just fancy!"

"Lay off Joe!" commanded Mathilda. "He may be God's own ass, but he's the only decent member of your family I've ever been privileged to meet. Besides, he likes you."

"Well, I don't like being liked," said Stephen.

Chapter Three

There was a light covering of snow on the ground on Christmas Eve. Mathilda, sipping her early tea, reflected with a wry smile that Joseph would talk of a white Christmas all day, perhaps hunt for a pair of skates. He was a tiresome old man, she thought, but disarmingly pathetic. No one was trying to make his party a success, least of all Nathaniel. Yet how could he have expected such an ill-assorted gathering of people to mix well? Pondering this, she was forced to admit that such imperceptive optimism was part and parcel of his guileless nature. She suspected that he saw himself as the beloved uncle, everybody's confidant.

She began slowly to eat one of the thin slices of bread and-butter which had been brought up with the tea. What on earth had made Stephen come to Lexham? Generally he came when he wanted something: money, of course, which Nathaniel nearly always gave him. This time it was Paula who wanted money, not, apparently, Stephen. From what she had heard, Stephen had had rather a serious quarrel with Nathaniel not so many weeks since. It hadn't been their first quarrel, of course: they were always quarrelling; but the cause of it - Valerie - still existed. Extraordinary that Joseph should have prevailed upon Nat to receive Valerie! Or did Nathaniel believe that Stephen's infatuation would burn itself out? Recalling his behaviour on the previous evening, she had to admit that this seemed very likely to happen, if it had not already happened.

Valerie, of course, saw herself as the mistress of Lexham: a horrible prospect! And, thought Mathilda, that was odd too, when you came to think of it. Odd that Stephen should have risked bringing his Valerie into close contact with Nathaniel. Enough to ruin all his chances of inheriting Nathaniel's fortune, you would suppose. Stephen looked upon himself as Nathaniel's heir; sometimes Mathilda wondered whether Nat had made his will after all, overcoming that unreasoning dislike he had of naming his successor. Like Queen Elizabeth. Strange, in a man usually so hard-headed! But they were strange, these Herriards: one never got to the bottom of them.

Paula: now, what had she meant by all that nonsense about the evil influence of the house? Did she really mean it, or was she trying to instil a distaste for the place in Valerie's feather-brain. She would be quite capable of that, Mathilda thought. If there were something wrong, it wasn't the house, but the people in it. There was an uneasiness, but what on earth possessed Paula to try to make it worse? Queer, flame-like creature! She lived at such high pressure, wanted things so desperately, gave such rein to her uncurbed emotions that you could never be sure when you were seeing the real Paula, and when the unconscious actress.

The playwright: Mathilda, no sentimentalist, felt sorry for him. Probably he'd never been given a fair chance; never would be given one. Quite likely his play would be found to be a clever piece of work, possibly morbid, almost certainly lacking in box-office appeal. He was obviously hard-up: his dinner jacket was badly cut, and had worn very shiny, poor kid! There was a frightened look behind the belligerence in his eyes, as though he saw some bleak future lying before him. He had tried to interest Nathaniel, falling between his dread of seeming obsequious and his desperate need of enlisting support. He wouldn't get a penny out of Nathaniel, of course. What a cruel little fool Paula was, to have bolstered him up with false hopes!

Stephen: Mathilda stirred restlessly as her thoughts drifted towards Stephen. Cross-grained, like his Uncle Nathaniel. Yes, but he was no fool, and yet had got himself engaged to a pretty nit-wit. You couldn't ascribe all Stephen's vagaries to his boyhood's sick disillusionment. Or could you? Mathilda put down her empty teacup. She supposed adolescent boys were kittle-cattle: people said they were. Stephen had adored another feather-brain, his mother, unlike Paula, who had never cherished illusions about Kitten.

Kitten! Even her children had called her that. What a name for a mother! thought Mathilda. Poor little Kitten, in the widow's weeds which had suited her so well! Lovely little Kitten, who had to be protected from the buffets of this cruel world! Clever little Kitten, who had married, not once, but three times, and who was now Mrs. Cyrus P. Thanet, indulging her nerves and her extravagant tastes in Chicago! Yes, perhaps Stephen, who had seen through her so reluctantly, and had taken it so hard, had been soured by his discovery. But what the devil possessed him, then, to get engaged to Valerie, surely a second Kitten? He was regretting it, too, if his indecent laughter last night were anything to go by.

Valerie herself? Resolutely stifling an impulse to write her off as a gold-digger, Mathilda supposed she might have been attracted by those very peculiarities in Stephen which would most quickly disgust her: his careless rudeness, his roughness, the indifferent, sardonic gleam in his deep-set grey eyes.

Mathilda found herself wondering what Maud thought about it all, if she thought anything: a question as yet undecided. Maud, with her eternal games of Patience, the chatty biographies of royal personages which she wallowed in! Mathilda felt that there must be more to Maud than Maud chose to reveal. No mind could be quite so static, surely! She herself had sometimes suspected that Maud's placidity masked a good deal of intelligence; but when, idly curious, she had probed Maud to discover it, she had been foiled by the armour of futility in which Maud so securely encased herself. No one, Mathilda was ready to swear, knew what Maud really thought about her preposterous husband, about her brusque brother-in-law, about the quarrels that flared up between Herriard and Herriard. She did not seem to resent, or even to notice, Nathaniel's contempt of Joseph; apparently she had acquiesced in the arrangement which made her a guest on sufferance in her brother-in-law's house.

That Joseph found nothing to irk him in his position as hanger-on could not surprise anyone who knew him. Joseph, thought Mathilda, had a genius for twisting unpalatable truth to pleasing fiction. Just as Joseph saw Stephen as a shy young man with a heart of gold, so he would, without much difficulty, see Nathaniel as a fond brother, devoted (in spite of every evidence to the contrary) to himself. From the day of his first foisting himself and his wife on Nathaniel's generosity, he had begun to build up a comforting fantasy about himself and Nat. Nat, he said, was a lonely man, ageing fast; Nat did not like to admit it, but in reality he leaned much on his younger brother; Nat would, in fact, be lost without Joe.

And if Joe could see Nat in such false colours, in what roseate mist did he clothe his own, faintly ridiculous person? Mathilda thought that she could read Joe clearly enough. A failure in life, it was necessary to his selfesteem that he should see himself as a success at least in his crowning part of Peacemaker, Beloved Uncle. Yes, that would explain Joe's insistence on this dreadful family gathering.

A laugh shook Mathilda as she flung back the bedclothes, and prepared to get up. Poor old Joe, trotting from member to member of this house-party, and pouring out quarts of what he fondly believed to be balm! If he did not drive Nat at least to distraction, it would be a miracle. He was like a clumsy, well-meaning St Bernard puppy, dropped amongst a set of people who were not fond of dogs.

When she walked into the dining-room presently, Mathilda found that her first waking fears were already being fulfilled. "Good morning, Tilda! A white Christmas, after all!" Joseph said.

Nathaniel had breakfasted early, and had gone away. Mathilda sat down beside Edgar Mottisfont, and hoped that he would not think it necessary to entertain her with conversation.

He did not. Apart from some desultory comments on the weather, he said nothing. It occurred to her that he was a little ill-at-ease. She wondered why, remembered that he had wanted a private interview with Nathaniel on the previous evening, and hoped, with a sinking heart, that more trouble was not brewing.

Valerie, breakfasting on half a grape-fruit and some dry toast, and explaining why she did so, wanted to know what they were all going to do. Only Joseph seemed to welcome this desire to map out the day's amusements. Stephen said that he was going to walk; Paula declared that she never made plans; Roydon said nothing at all; and Mathilda only groaned.

"I believe there are some very pretty walks in the neighbourhood," offered Maud.

"A good tramp in the snow! Almost you tempt me, Stephen!" Joseph said, rubbing his hands together. "What does Val say, I wonder? Shall we all brave the elements, and blow the cobwebs away?"

"On second thoughts," said Stephen, "I shall stay indoors." Joseph bore up under the offensiveness of this remark, merely wagging his head, and saying with a laugh: "Someone got out of bed on the wrong side this morning!"

"Aren't you going to read your play to us, Willoughby?" asked Valerie, turning her large blue eyes in his direction.

It never took Valerie more than a day to arrive at Christian names, but Roydon felt flattered, rather excited, at hearing his on her lips. He said, stammering a little, that he would like to read his play to her.

Paula at once threw a damper on to this scheme. "It's no use reading it just to Valerie," she said. "You're going to read it to everybody."

"Not to me," said Stephen.

Roydon bristled, and began to say something rather involved about having no desire to bore anyone with his play.

"I hate being read to," explained Stephen casually. "Now, now!" gently scolded Joseph. "We are all longing to hear the play, I'm sure. You mustn't pay any attention to old Stephen. What do you say to giving us a reading after tea? We'll gather round the fire, and enjoy a real treat."

"Yes, if Willoughby starts to read it directly after tea, Uncle Nat won't have time to get away," said Paula, brightening.

"Nor anyone else," interpolated her brother.

This remark not unnaturally involved Roydon in a declaration of his unwillingness to inflict the literary flowers of his brain upon an unsympathetic audience. Stephen merely said Good! but everyone else plunged into conciliatory speeches. Finally, it was agreed that Roydon should read his play after tea. Anyone, said Paula, casting a dagger-glance at her brother, incapable of appreciating Art might absent himself with her goodwill.

It next transpired that Joseph had instructed the head gardener to uproot a young fir tree, and to bring it up to the house for decoration. He called for volunteers in this festive work, but Paula evidently considered a Christmas tree frivolous, Stephen was apparently nauseated by the very mention of such a thing, Edgar Mottisfont thought it work for the younger members of the party, and Maud, plainly, had no intention of exerting herself in any way, at all.

Maud had been reading more of the Life of the Empress of Austria, and created a diversion by informing the company that the Hungarians had all worshipped Elizabeth. She feared, however, that her mind had not been stable, and suggested to Roydon that she would provide an excellent subject for a play.