BABYLON

Another year had passed, and Colin, now of full age, had tired of working for Cicolari. It was all very well, this moulding clay and carving replicas of afflicted widows; it was all very well, this modelling busts and statuettes and little classical compositions; it was all very well, this picking up stray hints in a half-amateur fashion from the grand torsos of the British Museum and a few scattered Thorwaldsens or antiques of the great country houses; but Colin Churchill felt in his heart of hearts that all that was not sculpture. He was growing in years now, and instead of learning he was really working. Still, he had quite made up his mind that some day or other he should look with his own eyes on the glories of the Vatican and the Villa Albani. Nay, he had even begun to take lessons in Italian from Cicolari—counting his chickens before they were hatched, Minna said—so that he might not feel himself at a loss whenever the great and final day of his redemption should happen to arrive. The dream of his life was to go to Rome, and study in a real studio, and become a regular genuine sculptor. Nothing short of that would ever satisfy him, he told Minna: and Minna, though she trembled to think of Colin's going so far away from her—among all those black-eyed Italian women, too—(and Colin had often told her he admired black eyes, like hers, above all others)—poor little Minna could not but admit sorrowfully to herself that Rome was after all the proper school for Colin Churchill. 'The capital of art,' he repeated to her, over and over again; must it not be the right place for him, who she felt sure was going to be the greatest of all modern English artists?

But how was Colin ever to get there?

Going to Rome costs money; and during all these years Colin had barely been able to save enough to buy the necessary books and materials for his self-education. The more deeply he felt the desire to go, the more utterly remote did the chance of going seem to become to him. 'And yet I shall go, Minna,' he said to her almost fiercely one September evening. 'Go to Rome I will, if I have to tramp every step of the way on foot, and reach there barefoot.

Minna sighed and the tears came into her eyes; but strong in her faith and pride in Colin, strong in her eager desire that Colin should give free play to his own genius, she answered firmly with a little quiver of her lips, 'You ought to go, Colin; and if you think it'd help you, you might take all that's left of my savings, and I'd go back again willingly to the parlour-maiding.'

Colin looked at the pretty little pupil-teacher with a look of profound and unfeigned admiration. 'Minna,' he said, 'dear little woman, you're the best and kindest-hearted girl that ever breathed; but how on earth do you suppose I could possibly be wretch enough to take away your poor little savings? No, no, little woman, you must keep them for yourself, and use them for making yourself—I was going to say into a lady—but you couldn't do that, Minna, you couldn't do that, for you were born one already. Still, if you want me to be a real sculptor, I want you, little woman, just as much to be a real educated gentlewoman.' Colin said the last word with a certain lingering loving cadence, for it had a good old-fashioned ring about it that recommended it well to his simple straightforward peasant nature.

'Well, Colin,' Minna went on, blushing a bit (for that last quiet hint seemed half unintentionally to convey the impression that Colin really possessed a proprietary right in her whole future), 'we must try our best to find out some way for you to go to Rome at last in spite of everything. You know, meanwhile, you've got good employment, Colin, and that's always something.'

'Ah yes, Minna,' Colin answered with his youthful enthusiasm coming strong upon him, 'I've got employment, of course; but I don't want employment; I want opportunities, I want advice, I want instruction, I want the means of learning, I want to perfect myself. Here in London, somehow, I feel as if I was tied down by the leg, and panting to get loose again. I like Cicolari, and in my own native untaught fashion I've done my best to improve myself with him; but I feel sadly the lack of training and competition. I should like to see how other men do their work; I should like to pit myself against them and find out whether I really am or am not a sculptor. Let me but just go to Rome, and I shall mould such things and carve such statues—ah, Minna, you shall see them! And the one delight I have in life now, Minna, is to get out like this, and talk it over with you, and tell you what I mean to do when once I get at it. For you can sympathise with me more than any of them, little woman. I feel that you can realise my longing to do good work—the work I know I'm fitted for—a thousand times better than a mere decent respectable marble-hacking workman like Cicolari.'

Poor little Minna! She sighed again, and her heart beat harder than ever. It was such a privilege for her to feel that Colin Churchill, with all that great future looming large before his young imagination, still loved her best to sympathise with him in his artistic yearnings. She pressed his arm a little, in her sweet simplicity, but she said nothing.

'You see,' Colin went on, musingly, for he liked to talk it all over again and again with Minna, 'art doesn't all come by nature, Minna, as most people fancy; it wants such a lot of teaching. Of course, you've got to have the thing born in you to begin with; but you might be born a Pheidias, it's my belief, Minna, and yet, without teaching, the merest wooden blockhead at the Academy schools would beat you hollow as far as technicalities went. Look at the dissecting now! If I hadn't saved that five pounds that Sir William gave me for carving the group on the mantelpiece, I should never have known anything at all about anatomy. But just going in my spare time for those six months to the anatomy class at the University College Hospital—why, it gave me quite a different idea altogether about the human figure. It showed me how to clothe my bare skeletons, Minna.'

'I never could bear your going and doing that horrible dissection, all the same, Colin,' Minna said with a chilly little shudder. 'It's so dreadful, you know, cutting up dead bodies and all that—just as bad as if you were going to be a medical student.'

'Ah, but no sculpture worth calling sculpture's possible without it, I tell you, Minna,' Colin answered warmly. 'Why, Michael Angelo, you know—Michael Angelo was a regular downright out-and-out anatomist. It can't be wrong to do like Michael Angelo, now can it? That was a man, Michael Angelo! And Leonardo, too, he was an awful stickler for anatomy as well, Leonardo was. Why, every great sculptor and every great painter that ever I've read of, Minna, had to study anatomy. I suppose the Greeks did it, even; yes, I'm sure the Greeks did it, for just look at the legs of the Discobolus and the arms of the Theseus; how the muscles in them show the knowledge of anatomy in the old sculptors. Oh yes, Minna, I'm quite sure the Greeks did it. And the Greeks! well, the Greeks, you know, they were really even greater, I do believe, than Michael Angelo.'

'Well, Colin,' Minna answered, with the charming critical confidence of love and youth and inexperience, 'I've seen all your engravings of images by Michael Angelo, and I've seen the broken-nosed Theseus, don't you call him, at the Museum, and I've seen all the things you've sent me to look at in the South Kensington; and it's my belief, Rome or no Rome, that there isn't one of them fit to hold a candle any day to your Cephalus and Aurora, that you made when you first came to London; and I should say so if the whole Royal Academy was to come up in a lump and declare your figures weren't worth anything.'

A week or two passed, and Minna, busy at staid Miss Woollacott's with her little pupils, saw no more chance than ever, though she turned it over often in her mind, of helping Colin on his way to Rome. Indeed, the North London Birkbeck Girls' School was hardly the place where one might naturally expect to find opportunities arise of such a nature. But one morning, in the teachers' room, Minna happened to pick up the 'Times,' which lay upon the table, and, looking over it, her eye fell casually upon an advertisement which at first sight would hardly have attracted her attention at all, but for the word Rome printed in it in small capitals. It was merely one of the ordinary servants' advertisements, lumped together promiscuously under the head of Wanted.

'As Valet, to go abroad (to Rome), a young man, not exceeding 30. Good wages. Some knowledge of Italian would be a recommendation. Apply to Sir Henry Wilberforce, 27 Ockenden Square, S.W.'

Minna laid down the paper with a sickening feeling at her heart: she thought she saw in it just a vague chance by which Colin could manage to get to Rome and begin his education as a sculptor. After all, it was the getting there that was the great difficulty. Colin had ten or eleven pounds put away, she knew, and though that would barely suffice to pay the railway fare on the humblest scale, yet it would be quite a little fortune to go on upon when once he got there. Minna knew from her own experience how far ten pounds will go for a careful person with due economy. Now, if only Colin would consent to take this place as valet—and Minna knew that he had long ago learnt a valet's duties at the old vicar's—he might get his passage paid to Rome for him, and whenever this Sir Henry Wilberforce got tired of him, or was coming away, or other reasonable cause occurred, Colin might leave the place and employ all his little savings in getting himself some scraps of a sculptor's education at Rome. Wild as all this would seem to most people who are accustomed to count money in terms of hundreds, it didn't sound at all wild to poor little Minna, and it wouldn't have sounded so to Colin Churchill.

But should she tell Colin anything about it? Could she bear to tell him? Let him go away from her across the sea to that dim far Italy of his own accord, if he liked; it was his fortune, his chance in life, his natural place; she knew it; but why should she, Minna Wroe, the London pupil-teacher, the Wootton fisherman's daughter—why should she go out of her way to send him so far from her, to banish herself from his presence, to run the risk of finally losing him altogether? 'After all,' she thought, 'perhaps I oughtn't to tell him. He might be angry at it. He might think I shouldn't have looked upon such a place as at all good enough for him. He's a sculptor, not a servant; and I got to be a schoolmistress myself on purpose so as to make myself something like equal to him. It wouldn't be right of me to go proposing to him that he should take now to brushing coats and laying out shirt studs again, when he ought to be sculpturing a statue a great deal more beautiful than those great stupid, bloated, thick-legged Michael Angelos. I dare say the wisest thing for me to do would be to say nothing at all to him about it.'

'Miss Wroe,' a small red-haired pupil called out, popping her shock head through the half-open doorway, and shouting out her message in her loudest London accent, 'if yer please, ye're ten minutes late for the fourth junerer, and Miss Woollacott, she says, will yer please come at once, and not keep the third junerer waitin' any longer.'

Minna ran off hurriedly to her class, and tried to forget her troubles about Colin forthwith in the occult mysteries of the agreement of a relative with its antecedent.

But when she got back to Miss Woollacott's lodgings at Kentish Town that evening, and had had her usual supper of bread and cheese and a glass of water—Miss Woollacott took beer, but Minna as a minor was restricted to the beverage of nature—and had heard prayers read, and had gone up by herself to her small bare bedroom, she sat down on the bedside all alone, and cried a little, and thought it all out, and tried hard to come to the right decision. It would be very sad indeed to lose Colin; she could scarcely bear that; and yet she knew that it was for Colin's good; and what was for Colin's good was surely for her own good too in the long-run. Well, was it? that was the question. Of course, she would dearly love for Colin to go to Rome, and learn to be a real sculptor, and get fame and glory, and come back a greater man than the vicar himself—almost as great, indeed, as the Earl of Beaminster. But there were dangers in it, too. Out of sight, out of mind; and it was a long way to Italy. Perhaps when Colin got there he would see some pretty Italian girl or some grand fine lady, and fall in love with her, and forget at once all about his poor little Minna. Ah, no, it wasn't altogether for Minna's good, perhaps, that Colin should go to Italy.

She sat there so long, ruminating about it on her bedside without undressing, that Miss Woollacott, who always looked under the door to see if the light was out and prevent waste of the candles, called out in quite a sharp voice, 'Minna Wroe, how very long you are undressing!' And then she blew out the candle in a hurry, and undressed in the dark, and jumped into bed hastily, and covered her head up with the bedclothes, and had a good cry, very silently; and after that she felt a little better. But still she couldn't go to sleep, thinking about how very hard it would be to lose Colin. Oh, no, she couldn't bear to tell him; she wouldn't tell him; it wasn't at all likely the place would suit him; and if he wanted to go to Rome and leave her, he must just go and find a way for himself; and so that was all about it.

And then a sudden glow of shame came over Minna's cheeks, as she lay there in the dark on the little iron bedstead, to think that she should have been so untrue for a single moment to her better self and to Colin's best and highest interests. She loved Colin! yes, she loved him! from her childhood onward, he had been her one dream and romance and ideal! She knew Colin could make things lovelier than any other man on earth had ever yet imagined; and she knew she ought to do her best to put him in the way of fulfilling his own truest and purest instincts. Should she selfishly keep him here in England, when it was only at Rome that he could get the best instruction? Should she cramp his genius and clip his wings, merely in order that he mightn't fly away too far from her? Oh, it was wicked of her, downright wicked of her, to wish not to tell him. Come of it what might, she must go round and see Colin the very next day, and let him decide for himself about that dreadful upsetting advertisement. And having at last arrived at this conclusion, Minna covered her head a second time with the counterpane, had another good cry, just to relieve her conscience, and then sank off into a troubled sleep from which she only woke again at the second bell next morning.

All that day she taught with the dreadful advertisement weighing heavily on her mind, and interposing itself terribly between her and the rule of three, or the names and dates of the Anglo-Saxon sovereigns. She couldn't for the life of her remember whether Ethel-bald came before or after Ethelwulf; and she stumbled horribly over the question whether this was a personal or a demonstrative pronoun. But when the evening came, she got leave from Miss Woollacott to go round and see her cousin (a designation which was strictly correct in some remote sense, for Minna's mother and Cohn's father were in some way related), and she almost ran the whole way to the Marylebone Road to catch Colin just before he went away for the night from Cicolari's.

When Colin saw the advertisement, and heard Minna's suggestion, he turned it over a good many times in his own mind, and seemed by no means disinclined to try the chances of it. 'It's only a very small chance, of course, Minna,' he said dubitatively, 'but at any rate it's worth trying. The great thing against me is that I haven't been anything in that line for so very long, and I can't get any character, except from Cicolari. The one thing in my favour is that I know a little Italian. I don't suppose there are many young men of the sort who go to be valets who know Italian. Anyhow, I'll try it. It'll be a dreadful thing if I get it, having to leave you for so long, Minna,' and Minna's cheek brightened at that passing recognition of her prescriptive claim upon him; 'but it'll only be for a year or two; and when I come back, little woman, I shall come back very different from what I go, and then, Minna—why, then, we shall see what we shall see!' And Colin stooped to kiss the little ripe lips that pretended to evade him (Minna hadn't got over that point of etiquette yet), and held the small brown face tight between his hands, so that Minna couldn't manage to get it away, though she struggled, as in duty bound, her very hardest.

So early next day Colin put on his best Sunday clothes—and very handsome and gentlemanly he looked in them too—and walked off to Ockenden Square, S.W., in search of Sir Henry Wilberforce.

Sir Henry was a tall, spare, wizened-up old gentleman, with scanty grey hair, carefully brushed so as to cover the largest possible area with the thinnest possible layer. He was sitting in the dining-room after breakfast when Colin called; and Colin was shown in by the footman as an ordinary visitor. 'What name?' the man asked, as he ushered him from the front door.

'Colin Churchill.'

'Mr. Colin Churchill!' the man said, as Colin walked into the dining-room.

Sir Henry stared and rose to greet him with hand extended. 'Though upon my word,' he thought to himself, 'who the deuce Mr. Colin Churchill may be, I'm sure I haven't the faintest conception.'

This was decidedly awkward. Colin felt hot and uncomfortable; it began to dawn upon him that in his best Sunday clothes he looked perhaps a trifle too gentlemanly. But he managed to keep at a respectful distance, and Sir Henry, not finding his visitor respond to the warmth of his proposed reception, dropped his hand quietly and waited for Colin to introduce his business.

'I beg your pardon, sir,' Colin said a little uncomfortably—he began to feel, now, how far he had left behind the Dook's early lessons in manners—'I—I've come about your advertisement for a valet. I—I've come, in fact, to apply for the situation.'

Sir Henry glanced at him curiously. 'The deuce you have,' he said, dropping back chillily into his easy chair, and surveying Colin over from head to foot with an icy scrutiny. 'You've come to apply for the situation! Why, Wilkinson said, “Mr. Colin Churchill.'” 'He mistook my business, I suppose,' Colin answered quietly, but with some hesitation. It somehow struck him already that he would find it hard to drop back once more into the long-forgotten position of a valet. 'I came to ask whether it was likely I would suit you. I can speak Italian.'

That was his trump card, in fact, and he thought it best to play it quickly.

Sir Henry looked at him again. 'Oh, you can speak Italian. Well, that's good as far as it goes; but how much Italian can you speak, that's the question?' And he added a few words in the best Tuscan he could muster up, to test the applicant's exact acquirements.

Colin answered him more quickly and idiomatically than Sir Henry had expected. In fact, Cicolari's lessons had been sound and practical. Sir Henry kept up the conversation, still in Italian, for a few minutes, and then, being quite satisfied on that score, returned with a better grace to his native English. 'Have you been out as a valet before?' he asked.

'Not for some years, sir.' Colin replied frankly. 'I went out to service at first, and was page and valet to a clergyman in Dorsetshire—Mr. Howard-Bussell, of Wootton Mandeville——-'

'Knew him well,' Sir Henry repeated to himself reflectively. 'Old Howard-Russell of Wootton Mandeville! Dead these five years. Knew him well, the selfish old pig; as conceited, self-opinionated an old fool as ever lived in all England. He declared my undoubted Pinturicchio was only a Giovanni do Spagno. Whereas it's really the only quite indubitable Pinturiccliio in a private gallery anywhere at all outside Italy.'

'Except the St. Sebastian at Knowle, of course,' Colin put in, innocently.

Sir Henry turned round and stared at him again. 'Except the St. Sebastian at Knowle,' he echoed coldly. 'Except the St. Sebastian at Knowle, no doubt. But how the deuce did he come to know the St. Sebastian at Knowle was a Pinturiccliio, I wonder? Anyhow, it shows he's lived in very decent places. Well, and so you used to be with old Mr. Howard-Russell, did you? And since then—since then—what have you been doing?'

'At present, sir,' Cohn went on, 'I'm working as a marble-cutter; but circumstances make me wish to go back again to service now, and as I happen to know Italian, I thought perhaps your place might suit me.'

'No doubt, no doubt. I dare say it would. But the question is, would you suit me, don't you see? A marble-cutter, he says—a marble-cutter! How deuced singular! Have you got a character?'

'I could get one from Mr. Russell's friends, I should think, sir; and of course my present employer would speak for my honesty and so forth.'

Sir Henry asked him a few more questions, and then seemed to be turning the matter over in his own mind a little. 'The Italian,' he said, speaking to himself—for he had a habit that way, 'the Italian's the great thing. I've made up my mind I'll never go to Rome again with a valet who doesn't speak Italian. Dobbs was impossible, quite impossible. This young man has some Italian, but can he valet, I wonder? Here, you! come into my bedroom, and let me see what you can do in the way of your duties.'

Colin followed him upstairs, and, being put through his paces as a body-servant, got through the examination with decent credit. Next came the question of wages and so forth, and finally the announcement that Sir Henry meant to start for Rome early in October.

'Well, he's a very fair-spoken young man,' Sir Henry said at last, 'and he knows Italian. But it's devilish odd his being a marble-cutter. However, I'll try him. I'll write to your master, Churchill—what's his name—I'll write to him and enquire about you.'

Colin gave him Cicolari's name and address, and Sir Henry noted them deliberately in his pocket-book. 'Very good,' he said; 'I'll write and ask about your character, and if everything's all correct, I shall let you know and engage you.'

Colin found it rather hard to answer 'Thank you, sir;' but it was for Rome and art, and he managed to say it.

CHAPTER XVI. COLIN'S DEPARTURE.

When Minna learnt from Colin that he had finally accepted Sir Henry Wilberforce's situation, her heart was very heavy. She wanted her old friend to do everything that would make him into a great sculptor, of course; but still, say what you will about it, it's very hard to have your one interest in life taken far away from you, and to be left utterly alone and self-contained in the great dreary world of London. Have you ever reflected, dear sir or madam, how terrible is the isolation of a girl in Minna Wroe's position—nay, for the matter of that, of your own housemaid, of cook, or parlour-maid, in that vast, unsympathetic, human ant-hill? Think, for a moment, of the warm human heart within her, suddenly cramped and turned in upon itself by the unspeakable strangeness of everything around her. She has come up from the country, doubtless, to take a 'better' place in London, and there she is thrown by pure chance into one situation or another, with two or three more miscellaneous girls from other shires, having other friends and other interests; and from day to day she toils on, practically alone, among so many unknown, or but officially known, and irresponsive faces. Is it any wonder that, under such circumstances, she looks about her anxiously for some living object round which to twine the tendrils of her better nature?—it may be only a bird, or a cat, or a lap-dog; it may be Bob the postman or policeman Jenkins. We laugh about her young man, whom we envisage to ourselves simply as a hulking fellow and a domestic nuisance; we never reflect that to her all the interest and sympathy of life is concentrated and focussed upon that one single shadowy follower. He may be as uninteresting a slip of a plough-boy, turned driver of a London railway van, as ever was seen in this realm of England; or he may be as full of artistic aspiration and beautiful imaginings as Colin Churchill; but to her it is all the same; he is her one friend and confidant and social environment; he represents in her eyes universal society; he is the solitary unit who can play upon the full gamut of that many-toned and exquisitely modulated musical instrument, her inherited social nature. Take him away, and what is there left of her?—a mere automatic human machine for making beds or grinding out arithmetic for junior classes.

Has not humanity rightly pitched, by common consent, for the main theme of all its verse and all its literature, upon this one universal passion, which, for a few short years at least, tinges with true romance and unspoken poetry even the simplest and most commonplace souls?

Colin felt the sadness of parting, too, but by no means so acutely as Minna. The door of fame was opening at last before him; Rome was looming large upon the mental horizon; dreams in marble were crystallising themselves down into future actuality; and in the near fulfilment of his life-long hopes, it was hardly to be expected that he should take the parting to heart so seriously as the little pupil-teacher herself had taken it. Besides, time, in anticipation at least, never looks nearly so long to men as to women. Don't we all know that a woman will cry her eyes out about a few months' absence, which to a man seems hardly worth making a fuss about? 'It's only for three or four years, you know, Minna,' Colin said, as lightly as though three or four years were absolutely nothing; and ah me, how long they looked to poor, lonely, heartsick little Minna! She felt almost inclined to give up this up-hill work of teaching and self-education altogether, and return once more to the old fisherman's cottage away down at Wootton Mandeville. There at least she would have some human sympathies and interests to comfort and sustain her.

But Colin had lots of work to do, getting himself ready for his great start in life; and he hardly entered to the full into little Minna's fears and troubles. He had to refurbish his entire wardrobe on a scale suited to a gentleman's servant—Minna was working hard in all her spare hours at making new shirts for him or mending old ones: he had to complete arrangements of all sorts for his eventful journey; and he had to select among his books and drawings which ones should accompany him upon his journey to Rome, and which should be consigned to the omnivorous secondhand book-stall. Milton and Shelley and Bohn's 'Æschylus' he certainly couldn't do without; they were an integral part of his stock-in-trade as a sculptor, and to have left them behind would have been an irreparable error; but the old dog-eared 'Euripides' must go, and the other English translations from the classics would have made his box quite too heavy for Sir Henry to pay excess upon at Continental rates—so Cicolari told him. Still, the Flaxman plates must be got in somewhere, even if Shelley himself had to give way to them; and so must his own designs for his unexecuted statues, those mainstays of his future artistic career. Minna helped him to choose and pack them all, and she was round so often at Cicolari's in the evening that prim Miss Woollacott said somewhat sharply at last, 'It seems to me a very good thing, Minna Wroe, that this cousin of yours is going to Rome at last, as you tell me; for even though he's your only relation in London, I don't think it's quite proper or necessary for you to be round at his lodgings every other evening.' Colin took a few lessons, too, in his future duties, from a gentleman's gentleman in Regent's Park. It wasn't a pleasant thing to do, and he sighed as he put away his books and sketches, and went out to receive his practical instruction from that very supercilious and elegant person; but it had to be done, and so he did it. Colin didn't care particularly for associating with the gentleman's gentleman; indeed, he was beginning slowly to realise now how wide a gulf separated the Colin Churchill of the Marylebone Road from the little Colin Churchill of Wootton Mande-ville. He had lived so much by himself since he came to London, he had seen so little of anybody except Minna and Cicolari, and he had been so entirely devoted to art and study, that he had never stopped to gauge his own progress before, and therefore had never fully felt in his own mind how great was the transformation that had insensibly come over him. Without knowing it himself, he had slowly developed from a gentleman's servant into an artist and a gentleman. And now he was being forced by accident or fate to take upon him once more the position of an ordinary valet.

Indeed, during the month that intervened between Colin's engagement by Sir Henry Wilberforce and his start for Rome, he wrote to his brother Sam over in America; and, shadowy memory as Sam had long since become to him, though he told him of his projected trip, and enlarged upon his hopes of attaining to the pinnacle of art in Rome, he was so ashamed of his mode of getting there that he said nothing at all upon that point, but just glided easily over the questions of means and method. He didn't want his thriving brother in America to know that he was going to Rome, with all his high ideals and beautiful dreams, in no better position than as an old man's valet.

At last the slow month wore itself away gradually for Colin—how swift and short it seemed to Minna!—and the day came when he was really to set out for Paris, on his way to Italy. He was to start with his new master from Charing Cross station, and he had taken possession of his post by anticipation a couple of days earlier. Minna mustn't be at the station to see him off, of course; that would be unofficial; and if servants indulge in such doubtful luxuries as sweethearts, they must at least take care to meet them at some seemly time or season; but at any rate she could say good-bye to him the evening before, and that was always something. Would he propose to her this time, at last, Minna wondered, or would he go away for that long, long journey, and leave her as much in doubt as ever as to whether he really did or didn't love her?

'It won't be for long, you see, little woman,' Colin said, kissing away her tears in Regent's Park, as well as he was able; 'it won't be for long, Minna; and then, when we meet again, I shall have come back a real sculptor. What a delightful meeting we shall have, Minna, and how awfully learned and clever you'll have got by that time! I shall be half afraid to talk to you. But you'll write to me every week, won't you, little woman? You'll promise me that? You must promise me to write to me every week, or at the very least every fortnight.'

It was some little crumb of comfort to Minna that he wanted her to write to him so often. That showed at any rate that he really cared for her just ever such a tiny bit. She wiped her eyes again as she answered, 'Yes, Colin; I'll take great care never to miss writing to you.'

'That's right, little woman. And look here, you mustn't mind my giving you them; there's stamps enough for Italy to last you for a whole twelvemonth—fifty-two of them, Minna, so that it won't ever be any expense to you; and when those are gone, I'll send you some others.'

'Thank you, Colin,' Minna said, taking them quite simply and naturally. 'And you'll write to me, too, won't you, Colin?'

'My dear Minna! Why, of course I will. Who else on earth have I got to write to?'

'And you won't forget me, Colin?'

'Forget you, Minna! If ever I forget you, may my right hand forget her cunning—and what more dreadful thing could a sculptor say by way of an imprecation than that, now!'

'Oh, Colin, don't! Don't say so! Suppose it was to come true, you know!'

'But I don't mean to forget you, Minna; so it won't come true. Little woman, I shall think of you always, and have your dear little gipsy face for ever before me. And now, Minna, this time we must really say good-bye. I'm out beyond my time already. Just one more; thank you, darling. Goodbye, good-bye, Minna. Good-bye, dearest. One more. God bless you!'

'Good-bye, Colin. Good-bye, good-bye. Oh, Colin, my heart is breaking.'

And when that night Minna lay awake in her own bare small room at prim Miss Woollacott's, she thought it all over once more, and argued the pros and cons of the whole question deliberately to herself with much trepidation. 'He called me “dearest,” she thought in her sad little mind, 'and he said he'd never forget me; that looks very much as if he really loved me: but, then, he never asked me whether I loved him or not, and he never proposed to me—no, I'm quite sure he never proposed to me. I should have felt so much easier in my own mind if only before he went away he'd properly proposed to me!' And then she covered her head with the bed-clothes once more, and sobbed herself to sleep, to dream of Colin.

The very next evening, Colin was at Paris.

CHAPTER XVII. A LITTLE CLOUD LIKE A MAN'S HAND.

At the Gare de Lyon, Colin put his master safely into his coupe-lit, and then wandered along the train looking out for a carriage into which he might install himself comfortably for the long journey. All the carriages, as on all French express trains, were first-class; and Colin soon picked one out for himself, with a vacant place next the window. He jumped in and took his seat; and in two minutes more the train was off, and he found himself, at last, beyond the possibility of a doubt, on his way to Rome.

Rome, Rome, Rome! how the very name seemed to bound and thrill through Colin Churchill's inmost nature! He looked at the little book of coupon tickets which his master had given him; yes, there it was, as clear as daylight, 'Paris, P.L.M., à Rome;' not a doubt about it. Rome, Rome, Rome! It had seemed a dream, a fancy, hitherto; and now it was just going to be converted into an actual living reality. He could hardly believe even now that he would ever get there. Would there be an accident at the summit level of the Mont Cenis tunnel, to prevent his ever reaching the goal of his ambition? It almost seemed as if there must be some hitch somewhere, for the idea of actually getting to Rome—that Rome that Cicolari had long ago told him was the capital of art—seemed too glorious and magnificent to be really true, for Colin Churchill.

For a while, the delightful exhilaration of knowing that that very carriage in which he sat was actually going straight through to Rome left him little room to notice the faces or personalities of his fellow-travellers. But as they gradually got well outside the Paris ring, and launched into the country towards Fontainebleau, Colin had leisure to look about him and take stock of the companions he was to have on his way southward. Three of them were Frenchmen only going to Lyon and Marseille—only, Colin thought to himself, naively, for he despised anybody now who was bound for anywhere on earth save the city of Michael Angelo and Canova and Thorwaldsen; but the other two were bound, by the labels on their luggage, for Rome itself. One of them was a tall military-looking gentleman, with a grizzled grey moustache, a Colonel somebody, the hat-box said, but the name was covered by a label; the other, apparently his daughter, was a handsome girl of about twenty, largely built and selfpossessed, like a woman who has lived much in the world from her childhood upward. Colin saw at once, that, unlike little Minna (who had essentially a painter's face and figure), this graceful full-formed woman was entirely and exquisitely statuesque. The very pose of her arm upon the slight ledge of the window as she leaned out to look at the country was instinct with plastic capabilities. Colin, with his professional interest always uppermost, felt a perfect longing to have up a batch of clay forthwith and model it then and there upon the spot. He watched each new movement and posture so closely, in fact (of course in his capacity as a sculptor only), that the girl herself noticed his evident admiration, and took it sedately like a woman of the world. She didn't blush and shrink away timidly, as Minna would have done under the same circumstances (though her skin was many shades lighter than Minna's rich brunette complexion, and would have shown the faintest suspicion of a blush, had one been present, far more readily); she merely observed and accepted Colin's silent tribute of admiration as her natural due. It made her just a trifle more self-conscious, perhaps, but that was all; indeed, one could hardly say whether even so the somewhat studied attitudes she seemed to be taking up were not really the ones which by long use had become the easiest for her. There are some beautiful women so accustomed to displaying their beauty to the best advantage that they can't even throw themselves down on a sofa in their own bedrooms without instinctively and automatically assuming a graceful position for all their limbs.

After a while, they fell into a conversation; and Colin, who was the most innocent and unartificial of men, was amused to find that even he, on the spur of the moment, had arrived at a very obvious, worldly-wise principle upon this subject. Wishing to get into a talk with the daughter, he felt half-unconsciously that it wouldn't do to begin by addressing her outright, but that he should first, with seeming guilelessness, attack her father. A man who is travelling with a pretty girl, in whatever relation, doesn't like you to begin an acquaintanceship of travel by speaking to her first; he resents your intrusion, and considers you have no right to talk to ladies under his escort. But when you begin by addressing himself, that is quite another matter; lured on by his quiet good sense, or his conversational powers, or his profound knowledge, or whatever else it is that he specially prides himself upon, you are soon launched upon general topics, and then the ladies of the party naturally chime in after a few minutes. To start by addressing him is a compliment to his intelligence or his social qualities; to start by addressing his companion is a distinct slight to himself, at the same time that it displays your own cards far too openly. You can convert him at once either into a valuable ally or into an enemy and a jealous guardian. Of course every other man feels this from his teens; but Colin hadn't yet mixed much in the world, and he smiled to himself at his acumen in discovering it at all on the first trial.

'Beautifully wooded country about here,' he said at the earliest opportunity the military gentleman gave him by laying down his Times (even in France your Englishman will stick to his paper). 'Not like most of France; so green and fresh-looking. This is Millet's country, you know; he always works about the outskirts of Fontainebleau.'

'Ah, indeed, does he?' the colonel responded, having only a very vague idea floating through his mind that Millet or Millais or something of the sort was the name of some painter fellow or other he had somewhere heard about. 'He works about Fontainebleau, does he, now? Dear me! How very interesting!'

Whenever people dismiss a subject from their minds by saying 'How very interesting!' you know at once they really mean that it doesn't interest them in the slightest degree, and they don't want to be bothered by hearing anything more about it; but Colin's observations upon mankind and the niceties of the English language had not yet carried him to this point of interpretative science, so he took the colonel literally at his word, and went on enthusiastically (for he was a great admirer of the peasant painter whose story was so like his own), 'Yes, he works at Fontainebleau. It was here, you know, that he painted his Angelus. Have you ever seen the Angelus?'

The colonel fidgeted about in his seat uneasily, and fumbled in a nervous way with the corner of the Times. 'The Angelus!' he repeated, meditatively. 'Ah, yes, the Angelus. Gwen, my dear, have we seen Mr. Millet's Angelus P Was it in the Academy?'

'No, papa,' Gwen answered, smiling sweetly and composedly. 'We haven't seen it, and it wasn't in the Academy. M. Millet is the French painter, you remember, the painter who wears sabots. So delightfully romantic, isn't it,' turning to Colin, 'to be a great painter and yet still to wear sabots?' This was a very cleverly delivered sentence of Miss Gwen's, for it was intended first to show that she at least, if not her father, knew who the unknown young artist was talking about (Gwen jumped readily at the conclusion that Colin was an artist), and secondly, to exonerate her papa from culpable ignorance in the artist's eyes by gently suggesting that a slight confusion of names sufficiently accounted for his obvious blunder. But it was also, quite unintentionally, delivered point-blank at Colin Churchill's tenderest susceptibilities. This grand young lady, then, so calm and selfpossessed, could sympathise with an artist who had risen, and who, even in the days of his comparative prosperity, still wore sabots. To be sure, Colin didn't exactly know what sabots were (perhaps the blue blouses which he saw all the French workmen were wearing?), for he was still innocent of all languages but his own, unless one excepts the Italian he had picked up in anticipation from Cicolari; but he guessed at least it was some kind of dress supposed to mark Millet's peasant origin, and that was quite enough for him. The grand young lady did not despise an artist who had been born in the ranks of the people.

'Yes,' he said warmly, 'it's very noble of him. Noble not merely that he has risen to paint such pictures as the Gleaners and the Angelus, but that he isn't ashamed now to own the peasant people he has originally sprung from.'

'Oh, ah, certainly,' the colonel replied in a short sharp voice, though the remark was hardly addressed to him. 'Very creditable of the young man, indeed, not to be ashamed of his humble origin. Very creditable. Very creditable. Gwen, my dear, would you like to see the paper?'

'No, thank you, papa,' Gwen answered with another charming smile (fine teeth, too, by Jingo). 'You know I never care to read in a train in motion. Yes, quite a romantic story, this of Millet's; and I believe even now he's horribly poor, isn't he? he doesn't sell his pictures.'

'The highest art,' Colin said quietly, 'seldom meets with real recognition during the lifetime of the artist.'

'You're a painter yourself?' asked Gwen, looking up at the handsome young man with close interest.

'Not a painter; a sculptor; and I'm going to Rome to perfect myself in my art.'

'A sculptor—to Rome!' Gwen repeated to herself. 'Oh, how nice! Why, we're going to Rome, too, and we shall be able to go all the way together. I'm so glad, for I'm longing to be told all about art and artists.'

Colin smiled. 'You're fond of art, then?' he asked simply.

'Fond of it is exactly the word,' Gwen answered. 'I know very little about it; much less than I should like to do; but I'm intensely interested in it. And a sculptor, too! Do you know, I've often met lots of painters, but I never before met a sculptor.'

'The loss has been theirs,' Colin put in with professional gravity. 'You would make a splendid model.'

The young man said it in the innocence of his heart, thinking only what a grand bust of a Semiramis or an Artemisia one might have moulded from Miss Gwen's full womanly face and figure; but the observation made the colonel shudder with awe and astonishment on his padded cushions. 'Gwen, my dear,' he said, feebly interposing for the second time, 'hadn't you better change places with me? The draught from the window will be too much for you, I'm afraid.'

'Oh dear no, thank you, papa; not at all. I haven't been roasted, you know, for twenty years in the North-West Provinces, till every little breath of air chills me and nips me like a hothouse flower. So you think I would make a good model, do you? Well, that now I call a real compliment, because of course you regard me dispassionately from a sculpturesque point of view. I've been told that a great many faces do quite well enough to paint, but that only very few features are regular and calm enough to be worth a sculptor's notice. Is that so, now?'

'It is,' Colin answered, looking straight into her beautiful bold face. 'For example, some gipsy-looking girls, who are very pretty indeed with their brown skins and bright black eyes, and who make exceedingly taking pictures—Esthers, and Cleopatras, and so forth, you know—are quite useless from the plastic point of view: their good looks depend too much upon colour and upon passing shades of expression, while sculpture of course demands that the features should be almost faultlessly perfect and regular in absolute repose.'

The colonel looked uneasy again, and pulled up his collar nervously. 'Very fine occupation indeed, a sculptor's,' he edged in sideways. 'Delightful faculty to be able to do the living marble and all that kind of thing; very delightful, really.' The colonel was always equal to a transparent platitude upon every occasion, and contributed very little else to the general conversation at any time.

'And so delightful, too, to hear an artist talk about his art,' Gwen added with a touch of genuine enthusiasm. 'Do you know, I think I should love to be a sculptor. I should love even to go about and see the studios, and watch the beautiful things growing under your hands. I should love to have my bust taken, just so as to get to know how you do it all. It must be so lovely to see the shape forming itself slowly out of a raw block of marble.'

'Oh, you know, we don't do it all in the marble, at first,' Colin said quickly. 'It's rather dirty work, the first modelling. If you come into a sculptor's studio when he's working in the clay, you'll find him all daubed over with bits of mud, just like a common labourer.'

'How very unpleasant!' said the colonel coldly. 'Hardly seems the sort of profession fit for a gentleman—now does it?'

'Oh, papa, how can you be so dreadful! Why, it's just beautiful. I should love to see it all. I think in some ways sculpture's the very finest and noblest art of all—finer and nobler even than painting.'

'The Greeks thought so,' Colin assented with quiet assurance; 'and they say Michael Angelo thought so too. Perhaps I may be prejudiced, but I certainly think so myself. There's a purity about sculpture which you don't get about painting or any other alternative form of art. In painting you may admit what is ugly—sparingly, to be sure, but still you may admit it. In sculpture everything must be beautiful. Beauty of pure form, without the accidental aid of colour, is what we aim at. Every limb must be in perfect proportion, every feature in exquisite harmony. Any deformity, any weakness of outline, any mere ungracefulness, you see, militates against that perfection of shape to which sculpture entirely devotes itself. The coldness, hardness, and whiteness of marble make it appeal only to the highest taste; its rigorous self-abnegation in refusing the aid of colour gives it a special claim in the eyes of the purest and truest judges.'

'Then you don't like tinted statues?' the colonel put it. (He knew his ground here, for had he not seen Gibson's Venus?) 'Neither do I. I always thought Gibson made a great mistake there.'

'Gibson was a very great artist,' Colin replied, curling his lip almost disdainfully, for he felt the absurdity of the colonel's glibness in condemning the noblest of modern English sculptors off-hand in this easy, mock-critical fashion. 'Gibson was a very great artist, but I think his Venus was perhaps a step in the wrong direction for all that. Its quite true that the Greeks tinted their statues——'

'Bless my soul, you don't mean to say so! the colonel ejaculated parenthetically.

'And modern practice was doubtless founded on the mistake of supposing that, because the torsos we dig up are white now, they were white originally. But even the example of the Greeks doesn't settle every question without appeal. We've tried white marble, and found it succeed. We've tried tinting, and found it wanting. The fact is, you see, the attention of the eye can't be distracted. Either it attends to form, or else it attends to colour; rarely and imperfectly to both together. Take a vase. If it's covered with figures or flowers, our attention's distracted from the general outline to the painted objects it encloses. If its colouring's uniform, we think only of the beauty of form, because our attention isn't distracted from it by conflicting sensations. That's the long and the short of it, I think. Beauty of form's a higher taste than beauty of colour—at least, so we sculptors always fancy.'

Colin delivered these remarks as if he intended them for the colonel (though they were really meant for Miss Gwen's enlightenment), and the colonel was decidedly flattered by the cunning tribute to his tastes and interests thus delicately implied. But Gwen drank in every word the young man said with the deepest attention, and managed to make him go on with his subject till he had warmed to it thoroughly, and had launched out upon his own peculiar theories as to the purpose and function of his chosen art. All along, however, Colin pointed his remarks so cleverly at the colonel, while giving Gwen her fair share of the conversation, that the colonel quite forgot his first suspicions about the young sculptor, and grew gradually quite cordial and friendly in demeanour. So well did they get on together that, by the time they had had lunch out of the colonel's basket, Colin had given the colonel his ideas as to the heinousness of palming off as sculpture veiled ladies and crying babies (both of which freaks of art, by the way, the colonel had hitherto vastly admired); while the colonel in return had imparted to Colin his famous stories of how he was once nearly killed by a tiger in a jungle at Boolundshuhr in the North-West Provinces, and how he had assisted to burn a fox out in a hunt at Gib., and how he had shot the biggest wapiti ever seen for twenty years in the neighbourhood of Ottawa. All which surprising adventures Colin received with the same sedulous show of polite interest that the colonel had extended in turn to his own talk about pictures and statues.

At last, they reached Dijon, and there Colin got out, as in duty bound, to inquire whether his master was in want of anything. Sir Henry didn't need much, so Colin returned quickly to his own carriage.

'You have a friend in a coupé-lit, I see,' the colonel said, opening the door for the young stranger. 'An invalid, I suppose.' Colin blushed visibly, so that Miss Gwen noticed his colour, and wondered what on earth could be the meaning of it. Till that moment, to say the truth, he had been so absorbed in his talk about art, and in observing Gwen (who interested him as all beautiful women interest a sculptor), that he had almost entirely forgotten, for the time being, his anomalous position. 'No, not an invalid,' he answered evasively, 'but a very old gentleman.' 'Ah,' the colonel put in, as the train moved away from Dijon station, 'I don't wonder people travel by coupe-lit when they can afford it, in spite of the prohibitive prices set upon it by these French companies. It's most unpleasant having nothing but first-class carriages on the train. You have to travel with your own servants.'

Colin smiled feebly, but said nothing. It began to strike him that in the innocence of his heart he had made a mistake in being beguiled into conversation with these grand people. And yet it was their own fault. Miss Gwen had clearly done it all, with her seductive inquiries about art and artists.

'Or rather,' the colonel went on, 'one can always put one's own servants, of course, into another carriage; but one's never safe against having to travel with other people's. We're lucky to-day in being a pleasant party all together (these French gentlemen, though they're not companionable, are evidently very decent people); but sometimes, I know, I've had to travel on the Continent here, wedged in immovably between a fat lady's-maid and a gentleman's gentleman.'

Colin's face burned hot and crimson. 'I beg your pardon,' he said, in a faltering voice, almost relapsing in his confusion into his aboriginal Dorsetshire, 'but I ought, perhaps, to have told you sooner who you are travelling with. I am valet to Sir Henry Wilberforce: he is the gentleman in the coupé-lit, and he's my master.'

The colonel sank back on his cushions with a face as white as marble, while Colin's now flushed as red as a damask rose. 'A valet!' he cried faintly. 'Gwen, my dear, did he say a valet? What can all this mean? Didn't he tell us he was a sculptor going to Rome to practise his profession?'

'I did,' Colin answered defiantly, for he was on his mettle now. 'I did tell you so, and it's the truth. But I'm going as a valet. I couldn't afford to go in any other way, and so I took a situation, meaning to use my spare time in Rome to study sculpture.'

The colonel rocked himself up and down irresolutely for a while; then he leant back a little more calmly in his seat, and gave himself up to a placid despair. 'At the next stopping station,' he thought to himself, 'we must get out and change into another carriage.' And he took up the 'Continental Bradshaw' with a sigh, to see if there was any chance of release before they got to Ambérieu.

But if the colonel was quite unmanned by this shocking disclosure, Miss Gwen's self-possession and calmness of demeanour was still wholly unshaken. She felt a little ashamed, indeed, that the colonel should so openly let Colin see into the profound depths of his good Philistine soul; but she did her best to make up for it by seeming not in any way to notice her father's chilling reception of the charming young artist's strange intelligence. 'A valet, papa,' she cried in her sprightly way, as unconcernedly as if she had been accustomed to associating intimately with valets for the last twenty years; 'how very singular! Why, I shouldn't be at all surprised if this was that Mr. Churchill (I think the name was) that Eva told us all about, who did that beautiful bas-relief, you know, ever so long ago, for poor dear uncle Philip.' Colin bowed, his face still burning. 'That is my name,' he said, pulling out a card, on which was neatly engraved the simple legend, 'Mr. Colin Churchill, Sculptor.'

'And you used to live at Wootton Mandeville?' Gwen asked, with even more of interest in her tone than ever.

'I did.'

'Then, papa, this is the same Mr. Churchill. How very delightful! How lucky we should happen to meet you so, by accident! I call this really and truly a most remarkable and fortunate coincidence.'

'Very remarkable indeed,' the colonel moaned half inarticulately from his cushion.

Miss Gwen was a very clever woman, and she tried her best to whip up the flagging energies of the conversation for a fresh run; but it was all to no purpose. Colin was too hot and uncomfortable to continue the talk now, and the colonel was evidently by no means anxious to recommence it. His whole soul had concentrated itself upon the one idea of changing carriages at Ambérieu. So after a while Gwen gave up the attempt in despair, and the whole party was carried forward in moody silence towards the next station.

'How awfully disappointing,' Gwen thought to herself as she relapsed, vanquished, into her own corner. 'He was talking so delightfully about such beautiful things, before papa went and made that horrid, stupid, unnecessary observation. Doesn't papa see the difference between an enthusiast for art and a common footman? A valet! I can see it all now. Every bit as romantic as Millet, except for the sabots. No wonder his face glowed so when he spoke about the painter who had risen from the ranks of the people. I think I know now what it is they mean by inspiration.'

At last the train reached Amberieu. Great wits jump together; and as the carriage pulled up at the platform, both the colonel and Colin jumped out unanimously, to see whether they could find a vacant place in any other compartment. But the train was exactly like all other first-class expresses on the French railways; every place was taken through the whole long line of closely packed carriages. The colonel was the first to return. 'Gwen,' he whispered angrily to his daughter, in a fierce undertone, 'there isn't a solitary seat vacant in the whole of this confounded train: we shall have to go on with this manservant fellow, at least as far as Aix, and perhaps even all the way to Modane and Turin. Now mind, Gwen, whatever you do, don't have anything more to say to him than you can possibly help, or I shall be very severely displeased with you. How could you go on trying to talk to him again after he'd actually told you he was a gentleman's servant? I was ashamed of you, Gwen, positively ashamed of you. You've no proper pride or lady-like spirit in you. Why, the fellow himself had better feelings on the subject than you had, and was ashamed of himself for having taken us in so very disgracefully.'

'He was not,' Gwen answered stoutly. 'He was ashamed of you, papa, for not being able to recognise an artist and a gentleman even when you see him.'

The colonel's face grew black with wrath, and he was just going to make some angry rejoinder, when Colin's arrival suddenly checked his further colloquy.

The young man's cheeks were still hot and red, but he entered the carriage with composure and dignity, and took his place once more in solemn silence. After a minute he spoke in a low voice to the colonel: 'I've been looking along the train, sir,' he said, 'to see if I could find myself a seat anywhere, but I can't discover one. I think you would have felt more comfortable if I could have left you, and I don't wish to stay anywhere, even in a public conveyance, where my society is not welcome. However, there's no help for it, so I must stop here till we reach Turin, when some of the other passengers will no doubt be getting out. I shall not molest you further, and I regret exceedingly that in temporary forgetfulness of my situation I should have been tempted into seeming to thrust my acquaintance unsolicited upon you.'

The colonel, misunderstanding this proud apology, muttered half-audibly to himself: 'Very right and proper of the young man, of course. He's sorry he so far forgot his natural station as to enter into conversation with his superiors. Very right and proper of him, under the circumstances, certainly, though he ought never to have presumed to speak to us at all in the first instance.'

Gwen bit her lip hard, and tried to turn away her burning face, now as red almost as Colin's; but she said nothing.

That evening, about twelve, as they were well on the way to the Mont Cenis, and Colin was dozing as best he might in his own corner, he suddenly felt a little piece of pasteboard thrust quietly into his half-closed right hand. He looked up with a start. The colonel was snoring peacefully, and it was Miss Gwen's fingers that had pushed the card into his hollow hand. He glanced at it casually by the dim light of the lamp. It contained only a few words. The engraved part ran thus: 'Miss Gwen Howard-Russell, Denhurst.' Underneath, in pencil, was a brief note—'Excuse my father's rudeness. I shall come to see your studio at Rome. G. H. R.'

Minna was the prettiest girl Colin Churchill had ever seen; but Miss Howard-Bussell had exquisitely regular features, and when her big eyes met his for one flash that moment, they somehow seemed to thrill his nature through and through with a sort of sudden mesmeric influence.

CHAPTER XVIII. HIRAM IN WONDERLAND.

Just a week after Colin Churchill reached Rome, three passengers by an American steamer stood in the big gaudy refreshment-room at Lime Street Station, Liverpool, waiting for the hour for the up express to start for London.

'We'd better have a little lunch before we get off,' St in Churchill said to his two companions, 'Don't you think so, Mr. Audouin?'

Audouin nodded. 'For my part,' he said, 'I shall have a Bath bun and a glass of ale. They remind one so delightfully of England, Will you give me a glass of bitter, please.'

Hiram drew back a little in surprise. He gazed at the gorgeous young lady who pulled the handle of the beer-engine (of course he had never seen a woman serving drink before), and then he glanced inquiringly at Sam Churchill. 'Do tell me,' he whispered in an awe-struck undertone; 'is that a barmaid?' Sam hardly took in the point of the question for the moment, it seemed so natural to him to see a girl drawing beer at an English refreshment-room, though in the land of his adoption that function is always performed by a male attendant, known as a saloon-keeper; but he answered unconcernedly: 'Well, yes, she's about that, I reckon, though I dare say she wouldn't admire at you to call her so.' Hiram looked with all his eyes agog upon the gorgeous young lady. 'Well,' he said slowly, half to himself, 'that's just charming. A barmaid! Why it's exactly the same as if it were in “Tom Jones” or “Roderick Random.”'

Sam Churchill's good-humoured face expanded slowly into a broad smile. That was a picturesque point of view of barmaids which he had never before conceived as possible 'What'll you take, Hiram?' he asked. 'This is a pork-pie here; will you try it?'

'A pork-pie!' Hiram cried, enchanted.

'A pork-pie! You don't mean to say so! Will I try it? I should think I would, rather. Why, you know, Sam, one reads about pork-pies in Dickens!'

This time Audouin laughed too. 'Really, Hiram,' he said, 'if you're going on at this rate you'll find all Europe one vast storehouse of bookish allusiveness. A man who can extract a literary interest out of a pork-pie would be capable of writing poetry, as Stella said, about a broomstick. I assure you you'll find the crust sodden and the internal compound frightfully indigestible.'

'But, I say,' Hiram went on, scanning the greasy paper on the outside with the deepest attention. 'Look here, ain't this lovely, either? It says, “Patronised by his Grace the Duke of Rutland and the Gentlemen of the Melton Mowbray Hunt.” I shall have some of that, anyway, though it seems rather like desecration to go and actually eat them. One can fancy the red coats and all the rest of it, can't you: and the hare running away round the corner just the same as in “Sandford and Merton”?'

''Twouldn't be a hare,' Sam replied, with just a faint British curl of the lip at the Yankee blunder (the Englishman was beginning to come uppermost in him regain now his foot was once more, metaphorically, upon his native heath). 'It'd be a fox, you know, Hiram.'

'Better and better,' Hiram cried enthusiastically, forgetting for once in his life his habitual self-restraint. 'A fox! How glorious!

Just fancy eating a Dickens's pork-pie patronised by a man they call a duke, and the red-coated squire people who hunt foxes across country with a horn and a halloo. It's every bit as good as going back to the old coaching days or the reign of Queen Elizabeth.'

'The pork-pies are quite fresh, sir,' put in the gorgeous young lady in an offended manner, evidently taking the last remark as an unjust aspersion upon the character of her saleable goods and chattels. 'We get them direct twice a week from the makers in Leicestershire.'

'There again,' Hiram exclaimed, with a glow of delight; 'why, Mr. Audouin, it's just like fairy-land. Do you hear what the lady says? she says they come from Leicestershire. Just imagine; from Leicestershire! Queen Elizabeth and the ring, and all the rest of it. Goodness gracious, I do believe this country'll be enough to turn one's head, almost, if it goes on like this much longer.'

The gorgeous young lady evidently quite agreed with him upon that important point, for she retired to a tittering conversation with three other equally gorgeous persons at the far end of the marble-covered counter. Hiram, however, was too charmed with the intense Britainicity (as Audouin called it) of everything around him to take much notice of the gorgeous young lady's personal proceedings. It was all so new and delightful, so redolent of things he had read about familiarly from his childhood upward, but never before thoroughly realised as tangible and visible actualities. Pork-pies, then, positively existed in the flesh and crust; London stout was no mere airy figment of the novelist's imagination; red-cheeked women talked before his very eyes to blue-coated policemen; and porters in mediæval uniforms bundled soldiers in still more mediæval scarlet garb into cars which they positively described as carriages, and which were seen to be divided inside into small compartments by a transverse wooden partition. Those were the third-class passengers he had read about in fiction, and yet they did not seem inclined to rise against their oppressors, but smoked and chaffed as merrily as the favoured occupants of the cushioned carriages—to say the plain truth, indeed, a great deal more merrily. All was wonderful, admirable, phantasmagoric beyond his wildest and dearest expectations. He had looked forward to a marvellous, poetical England of cathedrals and castles, but he had hardly expected that all-pervading mediæval tone which came out even in the dedication of the practical pork-pie of commerce to the cult of his Grace the Duke of Rutland and the Gentlemen of the Melton Mowbray Hunt.

To every intelligent young American, indeed, the first glimpse of England is something more than a mere introduction to a new country; it is as though the sun had gone back upon the dial of history, and had carried one bodily from the democratic modern order of tilings into the midst of an older semifeudal and vastly more heterogeneous state of society. But to Hiram Winthrop in particular, that journey by the London and North-Western Line from Liverpool to Euston was, as it were, a new spiritual birth, a first transference into the one world for which alone he was congenitally fitted. Audouin himself, with his cold Boston criticism and his cultivated indifference, was quite surprised at the young man's undisguised enthusiasm. All along the line, the panorama of England seemed but one long unfolding of half-familiar wonders—things pictured, and read about, and dreamt of, for many years, yet never before beheld or realised. First it was the carefully tilled fields, the trim hedges, the parks and gardens, the snug English farmhouses, the endless succession of cultivated land, and beautiful pleasure grounds, and well-timbered copses. Hiram cast his eye back upon Syracuse and the deacon's farm with a feeling of awe and gratitude. Great heavens, what a contrast from the bare wheat fields and treeless roads and long unlovely snake-fences of Geauga County! Here, in fact, was tillage that even the deacon would have admired as good farming, and yet it had not succeeded in defacing the natural beauty of the undulating Cheshire country, but had rather actually improved and heightened it. Yes, this was Cheshire, and those were Cheshire cows, ultimately responsible for the historical Cheshire cheeses; while yonder was a Cheshire cat, sleeping lazily on an ivy-grown wall, though Hiram was fain to admit, without the grin for which alone the Cheshire cat is proverbially famous. Ivy—lie had never seen ivy before—ay, ivy actually clinging to an old church tower, a tower that even Hiram's unaccustomed eyes could readily date back to the Plantagenet period. That church positively had a rector; and the broken stone by the yew-tree in the churchyard (Sam Churchill being witness) was the last relic of the carved cross of Catholic antiquity. And those little white flowers scattered over the pastures, Audouin told him, were really daisies. Take it how he would, Hiram could hardly believe his own senses, that here he was, being whirled by an express train in a small oblong box of a thing they called a first-class compartment, right across the very face of that living fossil of a country, beautiful, old-fashioned, antique England.

To most of us, the journey from Liverpool to Euston lies only through a high flat country, past a number of dull, ordinary, uninteresting railway stations. It is, in fact, about as unpicturesque a bit of travelling as a man can do within the four girdling sea-walls of this beautiful isle of Britain. But to Hiram Winthrop it was the most absolutely fairylike and romantic journey he had ever undertaken in the whole course of his mundane existence. First they passed through Lancashire, and then through Cheshire, and then on over the impalpable boundary line into Staffordshire. Why, those tall towers over yonder were Lichfield Cathedral; and that little town on the left was Sam Johnson's countrified Lichfield! Here comes George Eliot's Nuneaton, and after it Tom Brown's and Arnold's Bugby. At Bletchley, you read on the notice-board: 'Change here for Oxford'; great heavens, just as if Oxford, the Oxford, were nothing more than Orange or Chattawauga! And here is Tring, where Robert Stephenson made his great cutting; and there is Harrow-on-the-Hill, where Paul Howard, the marauding buccaneer of the Caribbean Sea, received the first rudiments of faith and religion. Not a village along the line but had its resonant echo in the young man's memory; not a manor house, steeple, or farmyard but had its glamour of romance for the young man's fancy. The very men and women seemed to take the familiar shapes of well-known characters. Colonel Newcome, tall and bronzed by Indian suns, paced the platform alone at Crewe; Dick Swiveller, penniless and jaunty as ever, lounged about the refreshment-room at Blisworth Junction; even Trulliber himself, a little modernised in outer garb, but essentially the same in face and feature, dived red-cheeked after his luggage into the crowded van at Willesden. And so, by rapid stages, through a world of unspeakable delight, the engine rolled them swiftly into the midst of seething, grimy, opulent, squalid, hungry, all-embracing London.

'I do hope,' Hiram said to Sam, as they drove together through the strange labyrinth of narrow, dirty streets, to the big modern hotel of Audouin's choosing—'I do hope we shall be in time to catch your brother before he goes to Rome. Europe does look just too delicious; but you'll admit it's pretty bustling and hurrying in some places. I don't know that I'd care so much to go alone as if I had him with me.'

'Oh, he's sure to be here,' Sam answered confidently. 'Since I wired him from New York, I've made my mind easy about that. He'd wait to see me before starting; that's certain.'

'And if he isn't, Hiram,' Audouin put in, 'I'll go on with you. It's rather an undertaking to go touring alone in Europe, when you're fresh to it. We're wild men of the woods, you and I, more at home among the woodchucks and sheldrakes, I conceive, than among the hotels, and streets, and railway stations. You were born in the wilderness: I have fled to it: we're both of us out of our element in the stir and bustle here; so to fortify one another, we'll face it together.'

The fact is, their joint journey had been altogether a very hasty and unpremeditated affair. Audouin had long been urging Hiram to go to Europe, and study art in real earnest; and Hiram had been putting it off and putting it off on various pretences, but really because he didn't want to go until he was able to pay his way honestly out of his own resources. At last, however, Sam Churchill had received a letter from his brother Colin, full of Colin's completed project of going to Rome. This was a chance for Hiram, both Sam and Audouin argued, which he oughtn't lightly to throw away. Colin had been working with an Italian marble-cutter in London; he would be going to Rome with the intention of studying the highest art at the lowest possible prices; and he would probably be glad enough to meet with another young man to share expenses and to keep him company in the unknown city. So between the two, almost before he knew what he was doing, Hiram had been bustled off down to New York, put on board a White Star liner, and conveyed triumphantly over to Europe, between a double guard of Sam and Audouin. Sam had long been contemplating a visit to the old country, to see his father and mother before they died; and now the occasion thus afforded by Colin's resolution seemed propitious for taking his voyage in good company; while as to Audouin, he was so fully in earnest about redeeming Hiram from the advertising style of art, and sending him to Rome to study painting in real earnest, that he undertook to convey him in person, lest any infirmity of purpose should chance to overcome him by the way. He had at last persuaded Hiram to accept a small loan for the necessary expenses of his first year at Rome: and he had also managed to make his young friend believe that at the end of that time his art would begin to bring him in enough to live upon. For which pious fraud, Audouin earnestly trusted the powers that be would deal leniently with him, judging him only by the measure of his good intentions. For if at the end of the first year, Hiram's exchequer still showed a chronic deficit, it would be easy enough, he thought, to float another loan upon himself by way of lightening the temporary tightness of the money market.

It was late that night when they reached the hotel, so they contented themselves with dinner in the coffee-room (mark that word—a coffee-room—exactly where they used to dine in David Copperfield!) without making any attempt to see Colin the same evening. But early the next day the three sallied forth together into the streets of London, and made their way, by lanes and cross-cuts, whose very names seemed historical to Hiram, up to Cicolari's studio in the Marylebone Road. The little Italian bowed them in with great unction—three American customers by the look of them, good perhaps for a replica of the celebrated Cicolari Ariadne—and inquired politely what might be their business.

'My name is Churchill,' Sam said abruptly. 'My brother has been working with you here. Is he still in London?'

Cicolari went quickly through a short pantomime expressive of deep regret that Sam should have come to make inquiries a week too late, mingled with effusive pleasure at securing the acquaintance of Colin's most excellent and highly respected brother. 'If you had come a week ago,' he added, supplementarily, in spoken language, 'you would have been in time to see my very dear friend, your brozzer. But you are not in time; your brozzer is gone away. He is gone to Rome, to Rome' (with a spacious wave of the hand) 'to become ze greatest of living sculptors. He is a genius, and all geniuses must go to Rome. Zat is ze proper home for zem.' And Cicolari, drawing his finger rapidly round in an ever-diminishing circle, planted it at last on a spot in the very centre, supposed to symbolise the metropolis of art.

'Gone to Rome!' Sam cried disappointed. 'But why did he go so soon? Didn't he get my telegram?'

'He has had no telegram from you or he would tell me of it,' answered the Italian, with a pantomimic expression of the closest intimacy between himself and Colin. 'He went away a week ago.'

'Do you know where he's gone to in Rome?' asked Audouin.

'I do not know where he is gone to, but he has gone as valet to Sir Somebody—Sir Henry Wilberforce I sink zey call him'—Cicolari answered with open hands spread before him.

Sam Churchill's democratic instincts rose at once in horror and astonishment. 'As what!' he cried. 'As valet?'

Cicolari only replied by going through the operation of brushing an imaginary coat with an aerial clothes-brush and folding it neatly on a non-existent chair by the side of the inconsolable marble widow.

After twelve years of America, Sam Churchill was certainly a little, shocked and annoyed at the idea of his own brother Colin—the future great sculptor and artist—having gone to Rome as another man's body-servant. It hurt not only his acquired republican feelings, but what lies far deeper than those, his amour propre. And he was vexed, too, that Cicolari should have blurted out the plain truth so carelessly before Hiram and Audouin. His cheeks burned hot with his discomfiture; but he only turned and said to them as coolly as he was able: 'Our bird has flown, it seems. We must fly after him.'

'How soon?' asked Audouin quickly.

'This very day,' Sam answered with decision.

'And you, Hiram?' Audouin said.

'I am as clay in the hands of the potter,' Hiram replied, smiling. 'For my own part, I should have liked to stop a week or two in London, and see some of the places one has heard and read so much about. But you've brought me over by main force between you, Mr. Audouin, and I suppose I must let you both do as you will with me. If Sam wants to follow his brother immediately, I'm ready to go with you and leave London for some future visit.'

Sam got what further particulars he could from Cicolari, hailed a passing cab impetuously, and drove straight back to the hotel. In an hour they had packed their valises again after their one night in England, and were off to Charing Cross, to catch the tidal train for Paris, on their way to Italy. Hiram watched the cliffs of Folkestone fading behind him with a somewhat heavy heart; for artist as he was, he somehow felt in the corners of his being as though England were the real unknown lady of his love, and Rome, which he had never seen, likely to prove but a cold and irresponsive sort of mistress. Still, in Audouin's care, he was just what he himself had said, clay in the hands of the potter; for Hiram Winthrop was one of those natures that no man can drive, but that any man can lead with the slightest display of genuine sympathy.

Yet he had one other cause of regret at leaving England: for Chester is in England, and Gwen was presumably at Chester. Gwen—Chester, Gwen—Chester, Gwen—Chester: absurd, romantic, utterly ridiculous; yet all the way from Folkestone to Boulogne, as the vessel lurched from side to side, it made a sort of long-drawn see-saw melody in Hiram Winthrop's brain to the reiterated names of Gwen and Chester.

CHAPTER XIX. UNWARRANTABLE INTRUSION.

Sir Henry Wilberforce sat sipping his morning coffee in his most leisurely fashion by the table in his own private salon at the Hôtel de l'Allemagne in Rome. 'Capital man, this fellow Churchill,' he said to himself approvingly, as he saw Colin close the door noiselessly behind him! 'By far the best person for the place I've ever had since that fool Simpson went off so suddenly and got married, confound him. He's so quiet and unobtrusive in all his movements, and he talks so well, and has such a respectable accent and manner. Now Dobbs's accent was quite enough to drive a man wild. I always wanted to throw a boot at him—indeed I've done it more than once—he was so utterly unendurable. This fellow, on the other hand, talks really just like a gentleman; in fact, the only thing I've got to say against him, so far (there's always something or other turning up in the long run), the only thing I've got to say against him yet, is that he's positively a deuced sight too gentlemanly and nice-looking and well-mannered altogether. A servant oughtn't to be too well-mannered. Why, that old Mrs. Cregoe, with the obvious wig and the powdered face, who sits at the table d'hote nearly opposite me, actually went up and spoke to him in the passage yesterday, taking him for one of the visitors! Awkward, exceedingly awkward, when people mistake your man for your nephew, as she did! But otherwise, the fellow's really a capital servant. He—well, what the dickens do you want now, I wonder?'

'A signorina below wishes to speak with you, excellency,' the Italian servant put in, bowing.

'A signorina! What the deuce! Did she give her card, Agostino?'

'The signorina said you would not know her, signor. Shall I introduce her? Ah! here she is.'

Sir Henry rose and made a slight stiff inclination, as who should say: 'Now what the devil can you want with me, I wonder?' Gwen, nothing abashed, laid down her card upon the table, which Sir Henry then and there took up and looked at narrowly, putting on his eyeglass for the purpose.

'What an ill-mannered surly old bear,' Gwen thought to herself; 'and what an absurd thing that that delightful Mr. Churchill should have to go as the old wretch's valet. I shall take care to put a stop to that arrangement, anyhow.'

'Well,' Sir Henry said, glancing suspiciously from the card to Gwen 'May I ask—ur—to what I owe the honour of this visit?'

'Oh, certainly,' Gwen answered with perfect composure (she was never lacking in that repose that stamps the caste of Vere de Vere). 'But as it's rather a long story to tell, perhaps you'll excuse my sitting down while I tell it.' And Gwen half took a chair herself, but at the same time half compelled Sir Henry to push it towards her also, with a sort of grudging unmannerly politeness. Sir Henry, after standing himself for a second or two longer, and then discovering that Gwen was waiting for him to be seated before beginning to disclose her business, dropped in a helpless querulous fashion into the small armchair opposite, and prepared himself feebly for the tête-à-tête.

'The business I've come about,' Gwen went oft quietly, is a rather peculiar one. The fact is my father and I travelled to Rome the other day in the same railway carriage with your servant, whose name, he told us, is Colin Churchill.'

Sir Henry nodded a non-committing acquiescence. 'The deuce!' he thought to himself. 'Something or other turned up already against him.—I hope, I'm sure, Miss—ur—let me see your card here once more—ur—Miss Howard-Russell—I hope, I'm sure, he didn't in any way behave impertinently, or make himself at all disagreeable to you. You see, one's obliged to put one's servants into carriages with other people on these continental lines, which of course is very unpleasant for—ur—for those other people.'

'Not at all,' Gwen answered with a charming smile, which almost melted even stony old Sir Henry. 'Not at all; quite the contrary, I assure you. His society and conversation were really quite delightful. Indeed, that's just what I've come about.'

Sir Henry wriggled uneasily in his chair, put up his eyeglass for the third time, and stared at Gwen in puzzled wonderment. His valet's society was really quite delightful! How extraordinary! Could this very handsome and quite presentable young woman—with a double-barrelled surname too—be after all nothing more than a lady's maid who had had a flirtation with his new valet? But if so, and if she had come to propose for Churchill, so to speak, what the deuce could she want to see him for? He dropped his eyeglass once more in silent dubitation, and merely muttered cautiously: 'Indeed!'

'Yes, very much so altogether,' Gwen went on boldly, in spite of Sir Henry's freezing rigidity. 'The fact is, I wanted to speak to you about him, because, you know, really and truly, he isn't a valet at all, and he oughtn't to be one.'

Sir Henry started visibly. 'Not a valet!' he cried. 'Why, if it conies to that, I've found him a very useful and capable person for the place. But I don't quite understand you. Am I to gather that you mean he's an impostor—a thief in disguise, or something of that sort? I picked him up, certainly, under rather peculiar circumstances, just because he could speak a little Italian.'

Gwen laughed a little joyous ringing laugh. 'Oh, no!' she said quickly, 'nothing of that sort, certainly. I meant quite the opposite. Mr. Churchill's a sculptor, and a very accomplished well-read artist.'

Sir Henry rose from his chair nervously.

'You don't mean to say so!' he cried in surprise. 'You quite astonish me. And yet, now you mention it, I've certainly noticed that the young man had a very gentlemanly voice and accent. And then his manners—quite unexceptionable. But what the deuce—excuse an old man's freedom of language—what the deuce, my dear madam, does he mean by playing such a scurvy trick upon me as this—passing himself off for an ordinary valet?'

'That's just what I've come about, Sir Henry. He happened to mention your name to my father and myself, and to allude to the nature of his relations with you; and I was so much interested in the young man that I looked your name up in the visitors' list in the “Italian Times,” and came round to speak to you about him.'

Sir Henry raised his eyebrows slightly, but answered nothing.

'And he's not playing you any trick; that's the worst of it,' Gwen went on boldly, taking no notice of Sir Henry's indifferent politeness. 'He's poor, and he's a sculptor. He's been working for several years with a small Italian artist in the Marylebone Road.'

'Ah! yes, yes; I remember. He said he'd been engaged as a marble-cutter since he left his last situation. Why, bless my soul, his last situation was with old Mr. Philip Howard-Russell, of Wootton Mandeville. Let me see—your card—ah! quite so. He must have been some relation of yours, I should imagine.'

'My uncle,' Gwen answered, glancing up at him defiantly. To her the relationship was no introduction.

Sir Henry bowed again slightly. 'Excuse my stupidity,' he said, with more politeness than he had hitherto shown. 'I ought of course to have recognised your name at once. I knew your uncle. A most delightful man, and a brother collector.—The selfish old pig,' he thought to himself with an internal sneer; 'he was the most disagreeable bumptious old fellow I ever met in the whole course of my experience. Why, he pretended to doubt the genuineness of my Pinturicchio! But at least he was a man of good family, and his niece, in spite of the interest she evidently takes in my servant Churchill, is no doubt a person whom one ought to treat civilly.' For Sir Henry was one of those ingenuous people who don't think there is any necessity at all for treating civilly that inconsiderable section of humanity which doesn't happen to be connected with men of good family.

'Yes,' Gwen went on, 'Mr. Churchill, as we learnt quite incidentally, was a long time since, when he was quite a boy, in my Uncle Philip's employment. But he has risen by his own talent since then, and now he's a sculptor: there's his card which he gave me, and he has described himself there correctly, as you see. Now, he's poor, it seems, and as he was very anxious to come to Rome, and could find no other way of coming, he decided to come here as a valet. Wasn't that splendid of him! You can see at once that such devotion to art shows what a very remarkable young man he must really be—you're a lover of art yourself, and so you can sympathise with him—to come away as a servant, so as to get to Rome and see the works of Michael Angelo, and Raphael, and—and—and—all that sort of thing, you know,' Gwen added feebly, breaking down in her strenuous effort for a completion to her imagined trio.

Sir Henry hawed a moment. 'Well, 'he said slowly, 'I must confess I don't exactly agree with you that it was such a very splendid thing of him to palm himself off upon me as a servant in this abominable underhand manner. You'll excuse me, my dear madam, but it seems to me—I may be wrong, but it seems to me certainly—that a man's either a servant or a sculptor: confound it all, he can't very well be both together. If he comes to me and gets a place on the representation that he's a valet, and then goes and represents to you that he's a sculptor, why, in that case—in that case, I say, it's the very devil. You'll excuse my saying it, but hang me if I can see what there is after all so very fine or splendid about it.'

Gwen bit her lip. 'If you'd heard how beautifully he talked about art in the train,' she said persuasively, 'and how much he knew about Millet and Thorwaldsen and the old masters, and how at home he was in all the great picture-galleries in England, you wouldn't be surprised that he should wish, by hook or by crook, to come to Italy. Why, he can talk quite charmingly and delightfully about—about—about Titian and Perugino and Caravaggio, and I'm sure I don't know how many other great painters and people.'

Sir Henry bent his head again in silent acquiescence. He remembered now that mysterious remark of Colin's, on the day of their first meeting, as to the rival Pinturicchio in the Knowle gallery. The woman was evidently right: that fellow Churchill was a bit of an artist, and had been quizzing his personal peculiarities for a whole fortnight, under cover of acting as valet. Now it's all very well for an enthusiastic young sculptor to go coming to Rome as a man-servant, in order to study Michael Angelo and Thorwald-sen, so long as he comes as somebody else's man-servant; but when he comes as one's own attendant, hang it all, you know, that's quite another matter. 'Well,' Sir Henry said, looking curiously at Gwen's embarrassed face, 'and what do you wish to ask me about my man Churchill?'

Gwen flushed up angrily at the obvious insolence of his inquiry, but she took no notice of it in words for the sake of her errand. 'I only called,' she said quietly, 'though it's a little unusual for a lady to do so' (Sir Henry inclined his head gravely once more, as who should say I quite agree with you), 'because I felt so much interested in Mr. Churchill. I think it isn't right to let him remain as a servant; he ought to be allowed to continue his work as a sculptor without delay. Sir Henry, you'll release him from his engagement, I'm sure, and let him go on with his own proper studies.'

'Release him, my dear young lady,' Sir Henry answered sardonically. 'Release him! release him! By Jove, that's hardly the word I should myself apply to it. I shall certainly send him packing, you may be sure, at the earliest convenient opportunity, and he may consider himself deuced lucky if I don't get him into serious trouble for engaging himself to me under what comes perilously near being false pretences. You must excuse my frankness, Miss Howard-Russell; but I'm an old man, and I don't see why I should be left at a minute's notice here in Rome, at the mercy of these confounded foreigners, without a valet. After what you tell me, it's plain I can't have him here spying upon me all the time in every action; but it's devilish uncomfortable, I can tell you, to be left a thousand miles away from home without anybody on earth to do anything for one.'

What could Gwen say? She felt instinctively in her own mind that Sir Henry's complaint was perfectly natural and excusable. When a man engages a man-servant, he means to engage a person of a certain comparatively fixed and recognisable social status, and he certainly doesn't want to have his habits and manners of life made an open secret to a fellow-being of something like his own level of intelligence and education; But, on the other hand, she could see, too, that this nice distinction was never likely to occur to Colin's simple intelligence. Little as she had seen of him, and little as he had told her of his story, she quite understood that the old vicar's expageboy wouldn't be able, in all probability, to feel the difference to Sir Henry Wilberforce between having him for a valet and having any ordinary gentleman's servant. However, happily, it didn't much matter what Sir Henry thought about it: the important point was that that clever young Mr. Churchill was to be released forthwith from his absurd engagement and left free to follow his own natural artistic promptings. That was all, of course, that Gwen, for her part, really cared about.

'Then you'll dismiss him, I suppose?' she asked again after an awkward pause. 'You'll allow him to take to his proper work as a sculptor?'

'Why, really, my dear lady, I don't care twopence, so far as that goes, what the dickens he chooses to take to as soon as he's left me; but I'm certainly not going to keep an educated sculptor fellow spying about me any longer and collecting notes to retail by-and-by to half Rome upon my personal peculiarities. Oh dear no, certainly not. I shall pay him his month's wages and compensation for board and lodging, and I shall send him about his business this very minute.'

Gwen rose and bowed slightly in her most stately manner. 'If that's so,' she said quietly, 'the object of my visit's more than attained already. I won't keep you any longer. Good morning.'

Sir Henry rose in return and answered,

'Good morning,' with frigid courtesy.

Gwen moved towards the door, which Sir Henry was just about to open for her, when Agostino flung it wide once more from outside, and announced in a loud voice: 'Signor Churchill, Signor Vintrop.'

Gwen trembled a little. Mr. Churchill! Must she meet him, then, face to face under these very awkward circumstances? It seemed so, for there was no escape from it. She couldn't get away before they entered.

The two strangers thus announced walked into the salon together, and in a moment Gwen saw that it wasn't Colin, but somebody else, somewhat older, yet a little like him. At the very same moment Hiram Winthrop, entering that unknown room in that unknown city, felt a sudden thrill course fiercely through his inmost marrow, and looked up with a glance of instantaneous recognition to the strange lady. How wonderful! how magnificent! how unexpected! It was she; it was the glorious apparition of the Thousand Islands; it was (he knew no other name for her), it was Gwen of Chester!

Shy and retiring as he was by nature, Hiram so far forgot everything else at that moment, except his joy at this unexpected meeting, that he advanced quite naturally and held out his hand to Gwen, who took it frankly, but with a curious smile of half-inquiring welcome.

'You don't remember me, Miss Gwen,' he said in a voice of some little disappointment (he could only call her by her Christian name, which mode of address sounds far less familiar to American ears than to us more ceremonious English). 'My name is Winthrop, and I've had the pleasure of meeting you before—once—have you forgotten?... at the Thousand Islands.'

Gwen shook her head a little doubtfully. 'Well, to say the truth,' she answered with a pleasant smile, 'I don't quite recollect you. We met so many people, you see, while we were in America.'

'But I was painting a sketch of a little island near Alexandria Bay,' Hiram went on eagerly, but somewhat crestfallen (how strange that he should remember her every feature so well, while she! she had utterly forgotten him). 'Don't you recollect? you were walking with your father near the river, and you came across two of us sketching, under a little cliff at Alexandria Bay, and you came down and looked at my picture.'

'Oh, yes,' Gwen cried, a sudden flash of recognition spreading over her face. 'I remember all about it now. I remember your picture perfectly.' (Hiram's eyes brightened immediately.) 'There was a single little island in it, of course, with a solitary great dark pine towering above it, against a liquid deep blue background of cloudless sky.' (Hiram nodded in delight at her accurate description.) 'Oh yes, I remember the picture perfectly, though I've quite forgotten you yourself.

But I recollect your friend so well; such a charming person, the most delightful conversation—a Mr. Audouin, he said his name was. I remember him more distinctly than almost anybody else we met during the whole of our American visit.'

Poor Hiram! How little Gwen knew as she said those simple words she was plunging a dagger into his very heart! He almost reeled beneath that crushing, terrible disappointment. Here for all those long months he had been treasuring up the picture of Gwen upon his mental vision, thinking of her, looking at her, dreaming about her; he had come to Europe hoping and trusting somewhere or other at last to find her; he had stumbled up against her accidentally his very first day in Rome, and now that he stood there actually face to face with her, the queen of his fancy, his heart's ideal—why, she herself had positively forgotten all about him!

She remembered Audouin, that supplanter Audouin; but she had clean forgotten poor solitary yearning Hiram! What else could he expect, indeed? It was all perfectly natural. Who was he, that such a one as Gwen should ever remember him? What presumption, what folly on his part to expect he could have left the slightest image imprinted upon her memory! And yet, somehow, in spite of sober reason, he couldn't help feeling horribly and unutterably disappointed. His face fell with a sudden collapse, but he managed feebly to mutter half aloud: 'Oh, yes, a most delightful person, Mr. Audouin.'

Meanwhile, Sir Henry, fidgeting with the back of a chair in his hand, stood waiting to hear what was the meaning of this singular irruption of American barbarians. Who were they? Had they come by appointment? Why did they recognise this real or pretended niece of that old idiot, Howard-Russell? Was it all a plant to rob or intimidate him? Why the deuce did they all stand there, shaking hands and exchanging reminiscences in his own hired salon, and take no notice at all of him, Sir Henry Wilberforce, the real proprietor and sole representative authority of that sacred apartment? It was really all most extraordinary, most irregular, most mysterious.

Sam broke the momentary silence by coming forward towards the old man, and saying in his clear, half-American tone: 'I presume I'm addressing Sir Henry Wilberforce?'

Sir Henry nodded. A Yankee, clearly. And yet he gave his name as Churchill, and wanted no doubt to represent himself as the other Churchill's brother!

'Well,' Sam went on (and Gwen could not help but wait and listen), 'I've come to see you about my brother. I asked for him from the person in the white choker——'

'Agostino,' Sir Henry murmured feebly.

'But he said, as far as I could make out his lingo, that my brother was gone out. So I just thought the best thing, under the circumstances, would be to come in and speak to you.' 'And may I ask,' Sir Henry inquired, still fingering the back of the chair in a nervous manner, 'who your brother may be, and what the devil I have got to do with him?'

'Oh, his name's Churchill,' Sam answered, with some little confusion, glancing over towards Gwen, who stood listening, half-amused and half-embarrassed. 'Colin Churchill.

That's my card, you see, colonel——-'

Sir Henry took it and looked at it languidly. 'I see,' he said. 'You are—ahem—my valet's brother.'

Sam flushed a little angrily. 'That's the very business I've come here about,' he said, looking as though he would like to knock down the feeble supercilious old Pantaloon who stood there quavering and shivering before him. 'My brother being determined to come to Rome to be a sculptor, and not having the means to come with of his own, you see, colonel——-'

'My precise military rank, if any, must be a matter of absolute indifference to you, sir,' Sir Henry interrupted coolly.

'Well, he didn't apply to his family for the means to do so, as he might have done,' Sam went on, without noticing the interruption, 'but chose to take a place, quite beneath his natural position, as your valet, Sir Henry Wilberforce. I happened to come to England at the time from America, where I've been residing for some years, and learnt on inquiry that he had taken this very foolish step; so I followed him at once to Rome, to release him from such an unwise arrangement, if possible, and to make things pleasant all round, as between the whole lot of us. I ain't sorry that Colin's gone out, for it enables us to clear off the whole thing right away, without telling him anything about it. What I propose, Sir Henry Wilberforce,'—Sam repeated the full name each time a little viciously, with some adopted republican aversion—'is just this: I'll telegraph to London to the Couriers' Society to get you a suitable person sent out here to replace him. If you like, I'll get you a selection sent out on approval, and I'll pay their expenses; we don't want to put you to any inconvenience, you understand, Sir Henry Wilberforce. But what we stick at is only one point—my brother Colin can't stop here with you another minute; that's certain. He's got to leave right away, and go straight off to his own business.'

Sir Henry Wilberforce wrung his hands in helpless despair at this inexplicable inroad of so many aggressive strangers. 'Upon my word,' he said piteously, 'I wish to goodness I'd never seen or heard at all of this extraordinary young man Churchill. Such a deuce of a hullabaloo and corrobboree as they're kicking up about him, the whole three of them, I never heard in all my confounded lifetime. Dash their geniuses! Who the dickens wants a genius for a valet? I'll take precious good care, when once I'm out of this deuced hobble, that I never engage a fellow who's been first cousin to a marble-cutter as my servant in future. First this young lady comes down upon me and lectures me in the name of high art, what the devil do I mean by keeping this delightful young sculptor pottering about as my own body-servant. And then this pair of Yankees come down upon me, in the name of brotherly affection, and ask me what the devil do I mean by keeping this eminently respectable brother of theirs in a menial position that I never for a moment wanted him to get into.—Why, what the devil do you mean yourself, sir, by invading my premises in this unceremonious manner? Who the devil cares twopence about you or your brother? If your brother's a sculptor, why the devil doesn't he stick to his own profession? What the devil does he mean by coming and passing himself off upon me as a servant? Will you have the kindness, all of you, to leave my rooms at your earliest convenience, and be dashed to you? And will you tell this interesting young sculptor, if you see him, that he may pack up his traps and clear out as soon as possible? That'll do, thank you. Good morning. Good morning.' And Sir Henry stood with the door in his hand, waiting for the three to take their departure.

That same evening, when Sir Henry came in from dinner much agitated, he found an envelope lying on his table, which he took up and opened in a surly fashion, saying to himself meanwhile: 'Some deuced impertinence of that fellow Churchill, I'll be bound—the confounded rascal.' But it contained only a couple of English bank-notes; a small memorandum of Colin's railway expenses and other disbursements made by Sir Henry on his account, as well as of the month's wages, due by a servant who voluntarily leaves his master without full notice; and finally a sheet of white note-paper, bearing the words, 'With Saml. Churchill's compliments.'

Sir Henry crumpled up the paper and memorandum angrily, with hardly a glance, and flung them into the empty grate; but he folded the notes carefully, and put them into the inner compartment of his purse. Then he sat down at his davenport and wrote out a telegram from Wilberforce, Rome, to Dobbs, 74 Albert Terrace, Dalston, London. 'Come here at once; expenses paid; wages raised five pounds; no boots thrown. Answer immediately. W.'

'And if ever I have anything to do again with these confounded marble-cutters and sculptors,' he soliloquised vehemently, 'why, my name isn't Henry Wilberforce.'

CHAPTER XX. THE STRANDS CONVERGE.

Colin and Hiram slept that night under the same roof, at Audouin's hotel. The wheel of Fate had at last brought the two young enthusiasts together, and they fraternised at once by mere dint of the similarity of their tastes and natural circumstances. Their lives had been so like—and yet so unlike; their fortunes had been so much the same—and yet so different. It was pleasant to compare notes with one another in the smoking-room about Wootton Mande ville and Geauga County, about the deacon and the vicar, Cicolari and Audouin; all things on earth, save only Gwen and Minna. Even Hiram didn't care to speak about Gwen. Young men in America are generally far more frank with one another about their love affairs than we sober, suspicious, unromantic English; they talk among themselves enthusiastically about their sweethearts, much as girls talk together in confidence in England. But Hiram in this respect was not American. His self-contained, self-restraining nature forbade him to hint a word even of the interest he felt in the beautiful stranger he had so oddly recognised in Sir Henry's salon.

But he would meet her again—that was something! He knew her name now, and all about her. As they left Sir Henry's hotel together, Gwen had turned with one of her gracious smiles to Sam, flooding his soul with her eyes, and said in that delicious trilling voice of hers: 'I can't forbear to tell you, Mr. Churchill, that I'd been to see Sir Henry, as he hinted to you, on the very self-same errand as yourself, almost. I met your brother in the train coming here, and I learnt from him accidentally what he'd come for, and how he was coming; and I couldn't resist going to tell that horrid old man the whole story. It was so delightful, you know, so very romantic. Of course I thought he'd be only too delighted to hear it, and admire your brother's pluck and resolution so much, exactly as I did. I thought he'd say at once “A sculptor! How magnificent! Then he shan't stay here with me another minute. I'm a lover of art myself. I know what it must be to feel that divine yearning within one,” or something of that sort. “I won't allow a born artist to waste another moment of his precious time upon such useless and unworthy occupations. Let him go immediately and study his noble profession; I'll use all my interest to get him the best introductions to the very first masters in all Italy.” That's what a man of any heart or spirit would have said on the spur of the moment. Instead of that, the horrid old creature put up his eyeglass and stared at me so that I was frightened to death, and swore dreadfully, and said your brother oughtn't to have engaged himself under the circumstances; and used such shocking language, that I was just going to leave the room in a perfect state of terror when you came in and detained me for a minute. And then you saw yourself the dreadful rage he got into—the old wretch! I should like to see him put into prison or something. I've no patience with him.'

Hiram felt in his own soul at that moment a certain fierce demon rising up within him, and goading him on to some desperate vengeance. Was he alone the only man that Gwen didn't seem to notice or care for in any way? She was so cordial to Audouin, she was so cordial to Sam, and now she was so interested in Sam's unknown brother, whom she had only met casually in a railway carriage, that she had actually faced, alone and undaunted, this savage old curmudgeon of a British nobleman (Hiram's views as to the status of English baronets were as vague as those of the Tichborne Claimant's admirers), in order to release him from the necessary consequences of an unpleasant arrangement. But him, Hiram, she had utterly forgotten; and even when reminded of him, she only seemed to remember his personality in a very humiliating fashion as a sort of unimportant pendant or corollary to that brilliant Mr. Audouin. To him, she was all the world of woman; to her, he was evidently nothing more than an uninteresting young man, who happened to accompany that delightfully clever American whom she met at the Thousand Islands!

How little we all of us are to some people who are so very, very much to us!

But when she was leaving them at the door of her own hotel, Gwen handed Hiram a card with a smile that made amends for everything, and said so brightly: 'I hope we may see you again, Mr. Winthrop. I haven't forgotten your delightful picture. I'm so fond of everything at all artistic. And how nice it is, too, that you've got that charming Mr. Audouin still with you. You must be sure to bring him to see us here, or rather, I must send papa to call upon you. And, Mr. Churchill, as soon as your brother sets up a studio—I suppose he will now—we won't forget to drop in and see him at it. I'm so very much interested in anything like sculpture.'

Poor Hiram's heart sank again like a barometer to Very Stormy. She only wanted to see him again, then, because he'd got Audouin with him! Hiram was too profoundly loyal to feel angry, even in his own heart, with his best friend and benefactor; but he couldn't help feeling terribly grieved and saddened and downcast, as he walked along silently the rest of the way through those novel crowded streets of Rome towards the Hôtel de Russie. He felt sure he should cordially hate this horrid, interesting, interloping fellow, Sam's brother.

Sam had left a little note at the Allemagne to be given to Mr. Colin Churchill—Sir Henry's valet—as soon as ever he came back. In the note he told Colin he was to call round at once, without speaking to Sir Henry, for a very particular purpose, at the Hôtel de Russie. The letter was duly signed: 'Your affectionate brother, Sam Churchill.' Colin took it up and looked at it again and again. Yes, there was no denying it; it was Sam's handwriting, But how on earth had Sam got to Rome, and what on earth was Sam doing there? It was certainly all most mysterious. Still, the words 'without speaking to that old fool Sir Henry' were trebly underlined, and Colin felt sure there must be some sufficient reason for them, especially as the arrangement of epithets was at once so correct and so forcible. So he turned hastily to the Hôtel de Russie, filled with amazement at this singular adventure.

In Colin's mind, the Sam of his boyish memory was a Dorsetshire labourer clad in Dorsetshire country clothes, a trifle loutish (if the truth must be told), and with the easy, slouching, lounging gait of the ordinary English agricultural workman. When he called at the Russie, he was ushered up into a room where he saw three men sitting on a red velvet sofa, all alike American in face, dress, and action, and all alike, at first sight, complete strangers to him. When one of the three, a tall, handsome, middle-aged man, with a long brown moustache, and a faultless New Yorker tourist suit, rose hastily from the sofa, and came forward to greet him with a cry of 'Colin!' he could hardly make his eyes believe there was any relic of the original Sam about this flourishing and eminently respectable American citizen.

'Well, Colin,' his brother said kindly, but with such an unexpected Yankee accent, 'I surmise you ain't likely to recognise me, anyhow; that's so, ain't it? You were only such a little chap when I first went away across the millpond.'

When one sees a member of one's own family after a separation of many years, one judges of him as one judges of a stranger; and Colin was certainly pleased with the first glimpse of this resurrected and wholly transfigured Sam—he seemed such a good-humoured, easygoing, kindly-confidential sort of fellow, that Colin's heart warmed to him immediately. They fell to talking at once about old times at Wootton Mandeville, and Sam told Colin the whole story of how he came to cross the Atlantic again, and what reception he had met with that morning from Sir Henry Wilberforce. Hiram and Audouin went out while the two brothers discussed their family affairs and future prospects, ostensibly to see something of the sights of Rome, but really to let them have their talk out in peace and quietness.

'And now, Colin,' Sam said in a blunt, straightforward, friendly fashion, 'of course you mustn't see this Wilberforce man again, whatever happens. It's no use exposing yourself to a scene with him, all for nothing. You've just got to go back to the Hôtel d'Allamain on the quiet, pack up your things without saying a word to him, and walk it. I've written a note to him that'll settle everything, and I've put in two bills.'

'Two what?' Colin asked doubtfully.

'Bills,' Sam repeated with a hasty emphasis. 'Notes I think you call 'em in England; bank-notes to cover all expenses of your journey, don't you see, and baggage, and so forth. No, never you mind thanking me like that about a trifle, Colin, but just sit there quietly like a sensible fellow and listen to what I've got to say to you. It's a long time since I left the old country, you know, my boy; and I've kind o' forgotten a good deal about it. I've forgotten that you were likely to be so hard up for money as you were, Colin, or else I'd have sent you over a few hundred dollars long ago to pay your expenses. When you wrote to me that you were working with a sculptor in London, I took it for granted, anyhow, that you were making a pretty tidy thing out of it; and when you wrote that you were going to Rome to continue your studies, I thought I'd bring Hiram Winthrop along just to keep you company. But I never imagined you'd come over as I find you have done. Why, when that Sickolary man told me you'd gone as a valet, I was so ashamed I couldn't look Mr. Audouin straight in the face again for half-an-hour. And what I want to know now's just this, Who's the very best sculptor, should you say, in all Rome, this very minute?'

'There's only one really great sculptor in Rome at all, at present, that I know of,' Colin answered without a moment's hesitation.

'Nicola Maragliano.'

'Well,' Sam continued in a business-like fashion; 'I suppose he takes pupils?'

'I should doubt it very much, Sam, unless they were very specially recommended.'

'What, really? At least, we'll try, Colin. We'll see what Mr. Maragliano's terms are, any way.'

'But, my dear fellow, whatever his terms are, I can't afford them. I must work for my livelihood one way or another.'

'Nonsense,' Sam answered energetically. 'You just leave this business alone. I've got to manage it my own way, and don't you go and interfere with it. I pay, you work; do you see, Colin?'

Colin looked back at his brother with a look half incredulity, half pride. 'Oh, Sam,' he said, 'I can't let you. I really can't let you. You mustn't do it. It's too kind of you, too kind of you altogether.'

'In America,' Sam answered, taking a cigar from his pocket and lighting a vesuvian, 'we're a busy people. We haven't got time for thanks and that sort of thing, Colin; we just take what we get, and say nothing about it. I'm going out now, to have a look after one of their Vaticans, or Colosseums, or triumphal arches, or something; you'd better go and pack up your traps meanwhile at this Wilberforce creature's. You'll sleep here tonight; I'll bespeak a room for you; then you and Hiram can talk things over and arrange all comfortable. They have dinner here at the wrong end of the day—seven o'clock; mind you're back for it. Now, good-bye for the present. I'm off to hunt up some of these ancient Roman ruins.'

Sam put on his hat before Colin could thank him any further, and in half an hour more, he was meditating, with the aid of his cigar, among the big gloomy arches of the Colosseum.

So Colin took the proffered freedom, with an apologetic note to poor old Sir Henry, whom he didn't wish to treat badly; and that evening he and Hiram met to make one another's acquaintance in earnest. Hiram's spleen against the young Englishman who had had the audacity to attract Gwen's favourable attention didn't long outlast their introduction. To say the truth, both young men were too simple and too transparent not to take a sincere liking for one another almost immediately. Sam and Audouin were both delighted at the success of their scheme for bringing them together; and Sam was really very proud of his brother's drawings and designs which Colin brought down for their inspection after dinner. He had enough, of Colin's leaven in him to be able at least to recognise a true and beautiful work of art when it was set before him.

'I shall just wait a bit here in Rome so as to fix up Colin with this man Maragliano, Mr. Audouin,' Sam said, after the two younger men had retired, as they sat talking over the prospect in the billiard-room of the hotel; 'and then I shall run back to England to pay a visit to the old folk, before I return to work at Syracuse.'

'And I,' said Audouin, 'will stop the winter so as to set Hiram fairly on the right way, and let him get free play for his natural talents. He's going to be the greatest American painter ever started, Mr. Churchill; and I'm going to see that he has room and scope to work in.'

But all that night, Hiram dreamt of Chattawauga Lake, and Gwen, and the Thousand Islands, and the green fields he had seen in England. And when he woke to look out on the broad sunshine flooding the neighbourhood of the Piazza del Popolo, his heart was sad within him.

CHAPTER XXI. COLIN SETTLES HIMSELF.

After breakfast next morning, Sam rose resolutely from the table, like a man who means business, and said to his brother in a tone of authority, 'Come along, Colin; I'm going to call on this Mr. Maragliano you were telling me about.'

'But, Sam,' Colin expostulated, 'he won't receive us. We haven't got any introduction or anything.'

'Not got any introduction? Yes, I guess we have, Colin. Just you bring along those drawings and designs you showed us last night, and you bet Mr. Maragliano won't want any other introduction, I promise you. In America, we'd rather see what a man can do, any day, than what all his friends put together can say to crack him up in a letter of recommendation.'

Colin ran upstairs trembling with excitement, and brought down the big portfolio—Minna's portfolio, made with cloth and cardboard by her own small fingers, and containing all his most precious sketches for statues or bas-reliefs. They turned out into the new Rome of the English quarter, and following the directions of the porter, they plunged at last into the narrow alleys down by the Tiber till they came to the entrance of a small and gloomy-looking street, the Via Colonna. It is the headquarters of the native Italian artists. Colin's heart beat fast when at length they stopped at a large house on the left-hand side and entered the studio of Nicola Maragliano.

The great sculptor was standing in the midst of a group of friends and admirers, his loose coat all covered with daubs of clay, and his shaggy hair standing like a mane around him, when Sam and Colin were ushered into his studio. Colin stood still for a moment, awestruck at the great man's leonine presence; for Maragliano was one of the very few geniuses whose outer shape corresponded in majesty to the soul within him.

Babylon, Volume 2

BABYLON

By Grant Allen

(Cecil Power)

Author Of 'Fhilistia', 'Strange Stories', Etc.In Three VolumesVol. II.

With Twelve Illustrations By P. MacnabLondonChatto & Windus, Piccadilly1885

[Original]