While the seance was in progress at Anita Marie's home in Philadelphia, a train from the West was nearing that city. Two men were seated in the drawing-room of the club car. They were conversing in low tones.
"The old lady is getting the bunkum to-night," said one. "I talked with Anita Marie over long distance, last night. I didn't tell her where I was. Maybe she thought I was calling from Bombay."
"That doesn't matter," said the other. "All I want to know is whether or not the lay is sure."
"Positively!" emphasized the first speaker. "You've got the plan of the place, and the old lady is out. Garwood never goes upstairs until it's medicine time. The best of it is, there's nothing to be planted, Slade."
"I know that, Bert. The only difficulty is if the servant that told Anita Marie so much about the private life of the Garwoods had her signals mixed. I always feel safer when I look over a proposition myself."
"Well, there's nothing to be lost," said Bert. "If it doesn't look like the right time, let it slide. But if you pull it, the books will all be closed for this haul of fish. Just drop a deceased note on the Garwood page of the ledger."
The sentence ended with a chuckle. The men rode along in silence.
"You know," said Bert, "I've got a reputation to maintain. This is a tough life at times, traveling incognito. Back in harness when I hit the big burg!"
"And on a slow train, too. This old roller coaster has been traveling like a snail since I picked it up at Harrisburg."
"That's the trouble, Slade. I like to keep by myself. There are fewer people on a slow train. I let Tony go out of the drawing-room if he wants; but I stay out of sight. When a man's supposed to be in India — and there's millions in the gag—"
"You're right, Bert. I took a good train in to Harrisburg from Cincinnati. I was just noting the difference — that was all. You came all the way from Chicago."
The train began to live up to its slow reputation. Its speed decreased, and the man called Slade arose.
"We're pretty near in," he said. "I'll make that suburban connection, and then—" Some one was opening the door of the compartment. A slender young man entered. Slade stood aside to let him pass.
"See you later, Bert," he said. "You, too, Tony. So long." When the train came to a stop at the suburban station platform, Slade walked briskly away, unnoticed. He was carrying no suitcase or luggage of any description. His dark suit rendered him inconspicuous. He went to another platform, and took an electric train that arrived a few minutes later. He rode a few stations, then left the train.
As he walked along through the dark, Slade acted in a curious manner. He appeared to know where he was going; yet he seemed to be making a careful study of the locality.
His stride was rapid; at the same time, he kept to the edge of the sidewalk, as though his motions required stealth.
He arrived at a corner, crossed it cautiously, and approached a house that stood alone in a large lot. Here, with a peculiar, hesitating gait, the man strode lightly up a bank and disappeared in the shadow of a tall hedge.
The house was deserted. There was no danger of observation from that direction. There were lights from the adjoining lot, where a large house stood close to the hedge, but Slade was completely concealed by the hedge itself.
He found a slight opening in the hedge. He stopped, carefully squeezed through, and stood almost beneath the house itself. Looking upward, he spied a window that was dark. A small projecting row of eaves extended beneath the window.
The eaves were the continuation of a back porch. Boldly and swiftly, Slade went toward the porch, clambered softly to the rail, and hoisted himself to the roof.
He found a slight gutter underneath the eaves. In another moment, he was clinging just outside the window.
He could see light as he peered within. That seemed to please the man rather than annoy him. The light came from a hallway, beyond this room. Slade extended his head and shoulders into the room. He saw the tiling of a bath room.
Although it was obvious from his actions that the man had never been in the house before, he performed in a manner that showed an acquaintance with the place. He reached up to the right, and his hand opened a small, swinging door.
The hand emerged, holding a bottle. He pushed the door shut. Reaching on the other side, he fumbled gently in the dark, and produced another bottle. Both looked alike as he saw them in the faint glow. Slade put the first bottle where the second had been. Holding the second bottle, he suddenly flattened himself along the eaves.
A man entered the bathroom and turned on the light. Slade could not see him, but he could tell that the man was portly, because of his heavy stride, which sounded cumbersome.
There was a rattling of glassware.
In the light, this man who knew the house, was clumsy in searching for the object he wished. Slade had worked much more smoothly in the dark, although handicapped by unfamiliarity. The light went out. Hearing footsteps leaving, Slade boldly edged himself to the window and peered in to see a stout man going into the hall.
Without a moment's hesitation, Slade replaced the bottle that he held exactly where he had gotten it. He laughed softly as he noticed an open place ready for him to set the bottle. The job was ended. The mysterious visitor glided along the eaves, down the post, and off through the hedge. He left as stealthily as he had arrived.
Back in the house, the heavy man was shaking four pills out of a bottle. Small white pills, he laid them on his tongue and swallowed a glass of water. He laid the bottle aside. He sat down in a comfortable chair, and began to read a newspaper.
It was not long before a sudden change came over the man. His face took on a troubled look. He placed his hands to his stout body. He was undergoing an unexpected pain.
He arose and made his way to a couch. There, he collapsed. His form heaved slowly for a short time. At last, it ceased to move.
A few minutes later, a long, weird shadow crept across the floor of the room. It showed upon the side of the couch, where the man lay motionless. It seemed to crawl upward like a hand of the night. Then a man in black stood in full view. Garbed in dark cloak and hat— even his hands covered by black silk gloves, and his face invisible beneath the hat brim, he might have come from nowhere. He bent over the prone man, and touched his body. The man was dead!
The mysterious visitor spied the bottle of pills. He raised it and examined it. He removed one pill, and dropped it back in the bottle. He placed the bottle where he had found it. THE man in black paused to listen. Someone was coming up the stairs. Quickly, the visitor swept from the room.
Only one man could move with that amazing stealth. That man was The Shadow. He it was who had come here to-night.
Standing invisible against the edge of the hallway wall, The Shadow saw a servant enter the room where the dead man lay. He heard a startled cry — a man's voice calling downstairs — other servants running up. The Shadow glided into the dark bathroom. There, with eyes that pierced the gloom, he spied the other bottle on the rack above the washstand. He looked about the room and laughed — softly but grimly. Shouts were coming from the servants. They were buzzing in the death room, calling excitedly to one another.
"Mr. Garwood is dead!"
Noiselessly, The Shadow let himself through the open window. He dropped lightly to the ground, found the spot where he could pass easily through the hedge, and disappeared in the direction which the other man had taken.
It was an hour later, when The Shadow reappeared and entered the house by the very way which he had left. Gliding from the bathroom into the hall, he heard the sound of voices — two police officers discussing the death.
"Just a dumb mistake, that was all," said one. "Just a plain dumb mistake that—"
"You said it!" agreed the other.
The Shadow laughed in low, sinister fashion, as he glided back toward the window. He had expected this.
A mistake! That was what they were supposed to think.
But The Shadow knew that a man had died, not by mistake, but through design!