Transcriber's Note:
Obvious typographic errors have been corrected.
DRED
A
TALE OF THE GREAT DISMAL SWAMP
BY
HARRIET BEECHER STOWE
AUTHOR OF "UNCLE TOM'S CABIN"
"Away to the Dismal Swamp he speeds:
His path was rugged and sore,—
Through tangled juniper, beds of reeds,
Through many a fen, where the serpent feeds,
And man never trod before.
And when on earth he sunk to sleep,
If slumber his eyelids knew,
He lay where the deadly vine doth weep
Its venomous tears, that nightly steep
The flesh with blistering dew."
BOSTON AND NEW YORK
HOUGHTON, MIFFLIN AND COMPANY
The Riverside Press, Cambridge
1892
Copyright, 1856 and 1884,
By HARRIET BEECHER STOWE
All rights reserved.
The Riverside Press, Cambridge, Mass., U. S. A.
Electrotyped and Printed by H. O. Houghton & Company.
PREFACE.
The writer of this book has chosen, once more, a subject from the scenes and incidents of the slave-holding states.
The reason for such a choice is two-fold. First, in a merely artistic point of view, there is no ground, ancient or modern, whose vivid lights, gloomy shadows, and grotesque groupings, afford to the novelist so wide a scope for the exercise of his powers. In the near vicinity of modern civilization of the most matter-of-fact kind exist institutions which carry us back to the twilight of the feudal ages, with all their exciting possibilities of incident. Two nations, the types of two exactly opposite styles of existence, are here struggling; and from the intermingling of these two a third race has arisen, and the three are interlocked in wild and singular relations, that evolve every possible combination of romance.
Hence, if the writer's only object had been the production of a work of art, she would have felt justified in not turning aside from that mine whose inexhaustible stores have but begun to be developed.
But this object, however legitimate, was not the only nor the highest one. It is the moral bearings of the subject involved which have had the chief influence in its selection.
The issues presented by the great conflict between liberty and slavery do not grow less important from year to year. On the contrary, their interest increases with every step in the development of the national career. Never has there been a crisis in the history of this nation so momentous as the present. If ever a nation was raised up by Divine Providence, and led forth upon a conspicuous stage, as if for the express purpose of solving a great moral problem in the sight of all mankind, it is this nation. God in his providence is now asking the American people, Is the system of slavery, as set forth in the American slave code, right? Is it so desirable, that you will directly establish it over broad regions, where, till now, you have solemnly forbidden it to enter? And this question the American people are about to answer. Under such circumstances the writer felt that no apology was needed for once more endeavoring to do something towards revealing to the people the true character of that system. If the people are to establish such a system, let them do it with their eyes open, with all the dreadful realities before them.
One liberty has been taken which demands acknowledgment in the outset. The writer has placed in the mouth of one of her leading characters a judicial decision of Judge Ruffin, of North Carolina, the boldness, clearness, and solemn eloquence of which have excited admiration both in the Old World and the New. The author having no personal acquaintance with that gentleman, the character to whom she attributes it is to be considered as created merely on a principle of artistic fitness.
To maintain the unity of the story, some anachronisms with regard to the time of the session of courts have been allowed; for works of fiction must sometimes use some liberties in the grouping of incidents.
But as mere cold art, unquickened by sympathy with the spirit of the age, is nothing, the author hopes that those who now are called to struggle for all that is noble in our laws and institutions may find in this book the response of a sympathizing heart.
CONTENTS.
| CHAPTER I. | |
| PAGE | |
| The Mistress of Canema | [1] |
| CHAPTER II. | |
| Clayton | [11] |
| CHAPTER III. | |
| The Clayton Family and Sister Anne | [22] |
| CHAPTER IV. | |
| The Gordon Family | [31] |
| CHAPTER V. | |
| Harry and his Wife | [50] |
| CHAPTER VI. | |
| The Dilemma | [66] |
| CHAPTER VII. | |
| Consultation | [77] |
| CHAPTER VIII. | |
| Old Tiff | [82] |
| CHAPTER IX. | |
| The Death | [101] |
| CHAPTER X. | |
| The Preparation | [106] |
| CHAPTER XI. | |
| The Lovers | [116] |
| CHAPTER XII. | |
| Explanations | [129] |
| CHAPTER XIII. | |
| Tom Gordon | [145] |
| CHAPTER XIV. | |
| Aunt Nesbit's Loss | [162] |
| CHAPTER XV. | |
| Mr. Jekyl's Opinions | [172] |
| CHAPTER XVI. | |
| Milly's Story | [178] |
| CHAPTER XVII. | |
| Uncle John | [193] |
| CHAPTER XVIII. | |
| Dred | [205] |
| CHAPTER XIX. | |
| The Conspirators | [213] |
| CHAPTER XX. | |
| Summer Talk at Canema | [224] |
| CHAPTER XXI. | |
| Tiff's Preparations | [235] |
| CHAPTER XXII. | |
| The Worshippers | [242] |
| CHAPTER XXIII. | |
| The Camp-Meeting | [255] |
| CHAPTER XXIV. | |
| Life in the Swamps | [285] |
| CHAPTER XXV. | |
| More Summer Talk | [293] |
| CHAPTER XXVI. | |
| Milly's Return | [307] |
| CHAPTER XXVII. | |
| The Trial | [313] |
| CHAPTER XXVIII. | |
| Magnolia Grove | [321] |
| CHAPTER XXIX. | |
| The Troubadour | [336] |
| CHAPTER XXX. | |
| Tiff's Garden | [348] |
| CHAPTER XXXI. | |
| The Warning | [357] |
| CHAPTER XXXII. | |
| The Morning Star | [362] |
| CHAPTER XXXIII. | |
| The Legal Decision | [368] |
| CHAPTER XXXIV. | |
| The Cloud Bursts | [379] |
| CHAPTER XXXV. | |
| The Voice in the Wilderness | [391] |
| CHAPTER XXXVI. | |
| The Evening Star | [395] |
| CHAPTER XXXVII. | |
| The Tie Breaks | [403] |
| CHAPTER XXXVIII. | |
| The Purpose | [410] |
| CHAPTER XXXIX. | |
| The New Mother | [418] |
| CHAPTER XL. | |
| The Flight into Egypt | [424] |
| CHAPTER XLI. | |
| The Clerical Conference | [436] |
| CHAPTER XLII. | |
| The Result | [448] |
| CHAPTER XLIII. | |
| The Slave's Argument | [457] |
| CHAPTER XLIV. | |
| The Desert | [468] |
| CHAPTER XLV. | |
| Jegar Sahadutha | [477] |
| CHAPTER XLVI. | |
| Frank Russel's Opinions | [488] |
| CHAPTER XLVII. | |
| Tom Gordon's Plans | [497] |
| CHAPTER XLVIII. | |
| Lynch Law | [502] |
| CHAPTER XLIX. | |
| More Violence | [515] |
| CHAPTER L. | |
| Engedi | [521] |
| CHAPTER LI. | |
| The Slave Hunt | [530] |
| CHAPTER LII. | |
| "All Over" | [535] |
| CHAPTER LIII. | |
| The Burial | [542] |
| CHAPTER LIV. | |
| The Escape | [547] |
| CHAPTER LV. | |
| Lynch Law again | [556] |
| CHAPTER LVI. | |
| Flight | [569] |
| CHAPTER LVII. | |
| Clear Shining after Rain | [576] |
| APPENDIX I. | [580] |
| APPENDIX II. | [587] |
| APPENDIX III. | [596] |
DRED.
A TALE OF THE GREAT DISMAL SWAMP.
CHAPTER I. THE MISTRESS OF CANEMA.
"Bills, Harry?—Yes.—Dear me, where are they?—There!—No. Here?—Oh, look!—What do you think of this scarf? Isn't it lovely?"
"Yes, Miss Nina, beautiful—but"—
"Oh, those bills!—Yes—well, here goes—here—perhaps in this box. No—that's my opera-hat. By the bye, what do you think of that? Isn't that bunch of silver wheat lovely? Stop a bit—you shall see it on me."
And, with these words, the slight little figure sprang up as if it had wings, and, humming a waltzing-tune, skimmed across the room to a looking-glass, and placed the jaunty little cap on the gay little head, and then, turning a pirouette on one toe, said, "There, now!"
"There, now!" Ah, Harry! ah, mankind generally! the wisest of you have been made fools of by just such dancing, glittering, fluttering little assortments of curls, pendants, streamers, eyes, cheeks, and dimples!
The little figure, scarce the height of the Venus, rounded as that of an infant, was shown to advantage by a coquettish morning-dress of buff muslin, which fluttered open in front to display the embroidered skirt, and trim little mouse of a slipper. The face was one of those provoking ones which set criticism at defiance. The hair, waving, curling, dancing hither and thither, seemed to have a wild, laughing grace of its own; the brown eyes twinkled like the pendants of a chandelier; the little, wicked nose, which bore the forbidden upward curve, seemed to assert its right to do so with a saucy freedom; and the pendants of multiplied brilliants that twinkled in her ears, and the nodding wreath of silver wheat that set off her opera-hat, seemed alive with mischief and motion.
"Well, what do you think?" said a lively, imperative voice,—just the kind of voice that you might have expected from the figure.
The young man to whom this question was addressed was a well-dressed, gentlemanly person of about thirty-five, with dark complexion and hair, and deep, full blue eyes. There was something marked and peculiar in the square, high forehead, and the finely-formed features, which indicated talent and ability; and the blue eyes had a depth and strength of color that might cause them at first glance to appear black. The face, with its strongly-marked expression of honesty and sense, had about it many careworn and thoughtful lines. He looked at the little, defiant fay for a moment with an air of the most entire deference and admiration; then a heavy shadow crossed his face, and he answered, abstractedly, "Yes, Miss Nina, everything you wear becomes pretty—and that is perfectly charming."
"Isn't it, now, Harry? I thought you would think so. You see, it's my own idea. You ought to have seen what a thing it was when I first saw it in Mme. Le Blanche's window. There was a great hot-looking feather on it, and two or three horrid bows. I had them out in a twinkling, and got this wheat in—which shakes so, you know. It's perfectly lovely!—Well, do you believe, the very night I wore it to the opera, I got engaged?"
"Engaged, Miss Nina?"
"Engaged!—Yes, to be sure! Why not?"
"It seems to me that's a very serious thing, Miss Nina."
"Serious!—ha! ha! ha!" said the little beauty, seating herself on one arm of the sofa, and shaking the glittering hat back from her eyes. "Well, I fancy it was—to him, at least. I made him serious, I can tell you!"
"But is this true, Miss Nina? Are you really engaged?"
"Yes, to be sure I am—to three gentlemen; and going to stay so till I find which I like best. May be, you know, I shan't like any of them."
"Engaged to three gentlemen, Miss Nina?"
"To be sure!—Can't you understand English, Harry? I am now—fact."
"Miss Nina, is that right?"
"Right?—why not? I don't know which to take—I positively don't; so I took them all on trial, you know."
"Pray, Miss Nina, tell us who they are."
"Well, there's Mr. Carson;—he's a rich old bachelor—horridly polite—one of those little, bobbing men, that always have such shiny dickies and collars, and such bright boots, and such tight straps. And he's rich—and perfectly wild about me. He wouldn't take no for an answer, you know; so I just said yes, to have a little quiet. Besides, he is very convenient about the opera and concerts, and such things."
"Well, and the next?"
"Well, the next is George Emmons. He's one of your pink-and-white men, you know, who look like cream-candy, as if they were good to eat. He's a lawyer, of a good family,—thought a good deal of, and all that. Well, really, they say he has talents—I'm no judge. I know he always bores me to death; asking me if I have read this or that—marking places in books that I never read. He's your sentimental sort—writes the most romantic notes on pink paper, and all that sort of thing."
"And the third?"
"Well, you see, I don't like him a bit—I'm sure I don't. He's a hateful creature! He isn't handsome; he's proud as Lucifer; and I'm sure I don't know how he got me to be engaged. It was a kind of an accident. He's real good, though—too good for me, that's a fact. But, then, I'm afraid of him a little."
"And his name?"
"Well, his name is Clayton—Mr. Edward Clayton, at your service. He's one of your high-and-mighty people—with such deep-set eyes—eyes that look as if they were in a cave—and such black hair! And his eyes have a desperate sort of sad look, sometimes—quite Byronic. He's tall, and rather loose-jointed—has beautiful teeth; his mouth, too, is—well, when he smiles, sometimes it really is quite fascinating; and then he's so different from other gentlemen! He's kind—but he don't care how he dresses; and wears the most horrid shoes. And, then, he isn't polite—he won't jump, you know, to pick up your thread or scissors; and sometimes he'll get into a brown study, and let you stand ten minutes before he thinks to give you a chair, and all such provoking things. He isn't a bit of a lady's man. Well, consequence is, as my lord won't court the girls, the girls all court my lord—that's the way, you know; and they seem to think it's such a feather in their cap to get attention from him—because, you know, he's horrid sensible. So, you see, that just set me out to see what I could do with him. Well, you see, I wouldn't court him;—and I plagued him, and laughed at him, and spited him, and got him gloriously wroth; and he said some spiteful things about me, and then I said some more about him, and we had a real up-and-down quarrel;—and then I took a penitent turn, you know, and just went gracefully down into the valley of humiliation—as we witches can; and it took wonderfully—brought my lord on to his knees before he knew what he was doing. Well, really, I don't know what was the matter, just then, but he spoke so earnest and strong that actually he got me to crying—hateful creature!—and I promised all sorts of things, you know—said altogether more than will bear thinking of."
"And are you corresponding with all these lovers, Miss Nina?"
"Yes—isn't it fun? Their letters, you know, can't speak. If they could, when they come rustling together in the bag, wouldn't there be a muss?"
"Miss Nina, I think you have given your heart to this last one."
"Oh, nonsense, Harry! Haven't got any heart!—don't care two pins for any of them! All I want is to have a good time. As to love, and all that, I don't believe I could love any of them; I should be tired to death of any of them in six weeks. I never liked anything that long."
"Miss Nina, you must excuse me, but I want to ask again, is it right to trifle with the feelings of gentlemen in this way?"
"Why not?—Isn't all fair in war? Don't they trifle with us girls, every chance they get—and sit up so pompous in their rooms, and smoke cigars, and talk us over, as if they only had to put out their finger and say, 'Come here,' to get any of us? I tell you, it's fun to bring them down!—Now, there's that horrid George Emmons—I tell you, if he didn't flirt all winter with Mary Stephens, and got everybody to laughing about her!—it was so evident, you see, that she liked him—she couldn't help showing it, poor little thing!—and then my lord would settle his collar, and say he hadn't quite made up his mind to take her, and all that. Well, I haven't made up my mind to take him, either—and so poor Emma is avenged. As to the old bach—that smooth-dicky man—you see, he can't be hurt; for his heart is rubbed as smooth and hard as his dicky, with falling in love and out again. He's been turned off by three girls, now; and his shoes squeak as brisk as ever, and he's just as jolly. You see, he didn't use to be so rich. Lately, he's come into a splendid property; so, if I don't take him, poor man, there are enough that would be glad of him."
"Well, then, but as to that other one?"
"What! my lord Lofty? Oh, he wants humbling!—it wouldn't hurt him, in the least, to be put down a little. He's good, too, and afflictions always improve good people. I believe I was made for a means of grace to 'em all."
"Miss Nina, what if all three of them should come at once—or even two of them?"
"What a droll idea! Wouldn't it be funny? Just to think of it! What a commotion! What a scene! It would really be vastly entertaining."
"Now, Miss Nina, I want to speak as a friend."
"No, you shan't! it is just what people say when they are going to say something disagreeable. I told Clayton, once for all, that I wouldn't have him speak as a friend to me."
"Pray, how does he take all this?"
"Take it! Why, just as he must. He cares a great deal more for me than I do for him." Here a slight little sigh escaped the fair speaker. "And I think it fun to shock him. You know he is one of the fatherly sort, who is always advising young girls. Let it be understood that his standard of female character is wonderfully high, and all that. And then, to think of his being tripped up before me!—it's too funny!" The little sprite here took off her opera-hat, and commenced waltzing a few steps, and, stopping midwhirl, exclaimed: "Oh, do you know we girls have been trying to learn the cachucha, and I've got some castanets? Let me see—where are they?" And with this she proceeded to upset the trunk, from which flew a meteoric shower of bracelets, billets-doux, French Grammars, drawing-pencils, interspersed with confectionery of various descriptions, and all the et ceteras of a school-girl's depository. "There, upon my word, there are the bills you were asking for. There, take them!" throwing a package of papers at the young man. "Take them! Can you catch?"
"Miss Nina, these do not appear to be bills."
"Oh, bless me! those are love-letters, then. The bills are somewhere." And the little hands went pawing among the heap making the fanciful collection fly in every direction over the carpet. "Ah! I believe now in this bonbon-box I did put them. Take care of your head, Harry!" And, with the word, the gilded missile flew from the little hand, and opening on the way, showered Harry with a profusion of crumpled papers. "Now you have got them all, except one, that I used for curl-papers the other night. Oh, don't look so sober about it! Indeed, I kept the pieces—here they are. And now don't you say, Harry, don't you tell me that I never save my bills. You don't know how particular I have been, and what trouble I have taken. But, there—there's a letter Clayton wrote to me, one time when we had a quarrel. Just a specimen of that creature!"
"Pray tell us about it, Miss Nina," said the young man, with his eyes fixed admiringly on the little person, while he was smoothing and arranging the crumpled documents.
"Why, you see, it was just this way. You know, these men—how provoking they are! They'll go and read all sorts of books—no matter what they read!—and then they are so dreadfully particular about us girls. Do you know, Harry, this always made me angry?"
"Well, so, you see, one evening Sophy Elliot quoted some poetry from Don Juan,—I never read it, but it seems folks call it a bad book,—and my lord Clayton immediately fixed his eyes upon her in such an appalling way, and says, 'Have you read Don Juan, Miss Elliot?' Then, you know, as girls always do in such cases, she blushed and stammered, and said her brother had read some extracts from it to her. I was vexed, and said, 'And, pray, what's the harm if she did read it? I mean to read it, the very first chance I get!'
"Oh! everybody looked so shocked. Why, dear me! if I had said I was going to commit murder, Clayton could not have looked more concerned. So he put on that very edifying air of his, and said, 'Miss Nina, I trust, as your friend, that you will not read that book. I should lose all respect for a lady friend who had read that.'
"'Have you read it, Mr. Clayton?' said I.
"'Yes, Miss Nina,' said he, quite piously.
"'What makes you read such bad books?' said I, very innocently.
"Then there followed a general fuss and talk; and the gentlemen, you know, would not have their wives or their sisters read anything naughty, for the world. They wanted us all to be like snow-flakes, and all that. And they were quite high, telling they wouldn't marry this, and they wouldn't marry that, till at last I made them a curtsey, and said, 'Gentlemen, we ladies are infinitely obliged to you, but we don't intend to marry people that read naughty books, either. Of course you know snow-flakes don't like smut!'
"Now, I really didn't mean anything by it, except to put down these men, and stand up for my sex. But Clayton took it in real earnest. He grew red and grew pale, and was just as angry as he could be. Well, the quarrel raged about three days. Then, do you know, I made him give up, and own that he was in the wrong. There, I think he was, too,—don't you? Don't you think men ought to be as good as we are, any way?"
"Miss Nina, I should think you would be afraid to express yourself so positively."
"Oh, if I cared a sou for any of them, perhaps I should. But there isn't one of the train that I would give that for!" said she, flirting a shower of peanut-shells into the air.
"Yes, but, Miss Nina, some time or other you must marry somebody. You need somebody to take care of the property and place."
"Oh, that's it, is it? You are tired of keeping accounts, are you, with me to spend the money? Well, I don't wonder. How I pity anybody that keeps accounts! Isn't it horrid, Harry? Those awful books! Do you know that Mme. Ardaine set out that 'we girls' should keep account of our expenses? I just tried it two weeks. I had a headache and weak eyes, and actually it nearly ruined my constitution. Somehow or other, they gave it up, it gave them so much trouble. And what's the use? When money's spent, it's spent; and keeping accounts ever so strict won't get it back. I am very careful about my expenses. I never get anything that I can do without."
"For instance," said Harry, rather roguishly, "this bill of one hundred dollars for confectionery."
"Well, you know just how it is, Harry. It's so horrid to have to study! Girls must have something. And you know I didn't get it all for myself; I gave it round to all the girls. Then they used to ask me for it, and I couldn't refuse—and so it went."
"I didn't presume to comment, Miss Nina. What have we here?—Mme. Les Cartes, $450?"
"Oh, Harry, that horrid Mme. Les Cartes! You never saw anything like her! Positively it is not my fault. She puts down things I never got: I know she does. Nothing in the world but because she is from Paris. Everybody is complaining of her. But, then, nobody gets anything anywhere else. So what can one do, you know? I assure you, Harry, I am economical."
The young man, who had been summing up the accounts, now burst out into such a hearty laugh as somewhat disconcerted the fair rhetorician.
She colored to her temples.
"Harry, now, for shame! Positively, you aren't respectful!"
"Oh, Miss Nina, on my knees I beg pardon!" still continuing to laugh; "but, indeed, you must excuse me. I am positively delighted to hear of your economy, Miss Nina."
"Well, now, Harry, you may look at the bills and see. Haven't I ripped up all my silk dresses and had them colored over, just to economize? You can see the dyer's bill, there; and Mme. Carteau told me she always expected to turn my dresses twice, at least. Oh, yes, I have been very economical."
"I have heard of old dresses turned costing more than new ones, Miss Nina."
"Oh, nonsense, Harry! What should you know of girls' things? But I'll tell you one thing I've got, Harry, and that is a gold watch for you. There it is," throwing a case carelessly towards him; "and there's a silk dress for your wife," throwing him a little parcel. "I have sense enough to know what a good fellow you are, at any rate. I couldn't go on as I do, if you didn't rack your poor head fifty ways to keep things going straight here at home for me."
A host of conflicting emotions seemed to cross the young man's face, like a shadow of clouds over a field, as he silently undid the packages. His hands trembled, his lips quivered, but he said nothing.
"Come, Harry, don't this suit you? I thought it would."
"Miss Nina, you are too kind."
"No, I'm not, Harry; I am a selfish little concern, that's a fact," said she, turning away, and pretending not to see the feeling which agitated him.
"But, Harry, wasn't it droll, this morning, when all our people came up to get their presents! There was Aunt Sue, and Aunt Tike, and Aunt Kate, each one got a new sack pattern, in which they are going to make up the prints I brought them. In about two days our place will be flaming with aprons and sacks. And did you see Aunt Rose in that pink bonnet, with the flowers? You could see every tooth in her head! Of course, now they'll be taken with a very pious streak, to go to some camp-meeting or other, to show their finery. Why don't you laugh, Harry?"
"I do, don't I, Miss Nina?"
"You only laugh on your face. You don't laugh deep down. What's the matter? I don't believe it's good for you to read and study so much. Papa used to say that he didn't think it was good for"—
She stopped, checked by the expression on the face of her listener.
"For servants, Miss Nina, your papa said, I suppose."
With the quick tact of her sex, Nina perceived that she had struck some disagreeable chord in the mind of her faithful attendant, and she hastened to change the subject, in her careless, rattling way.
"Why, yes, Harry, study is horrid for you, or me either, or anybody else, except musty old people, who don't know how to do anything else. Did ever anybody look out of doors, such a pleasant day as this, and want to study? Think of a bird's studying, now, or a bee! They don't study—they live. Now, I don't want to study—I want to live. So now, Harry, if you'll just get the ponies and go in the woods, I want to get some jessamines, and spring beauties, and wild honeysuckles, and all the rest of the flowers that I used to get before I went to school."
CHAPTER II. CLAYTON.
The curtain rises on our next scene, and discovers a tranquil library, illuminated by the slant rays of the afternoon's sun. On one side the room opened by long glass windows on to a garden, from whence the air came in perfumed with the breath of roses and honeysuckles. The floor covered with white matting, the couches and sofas robed in smooth glazed linen, gave an air of freshness and coolness to the apartment. The walls were hung with prints of the great masterpieces of European art, while bronzes and plaster-casts, distributed with taste and skill, gave evidence of artistic culture in the general arrangement. Two young men were sitting together near the opened window at a small table, which displayed an antique coffee-set of silver, and a silver tray of ices and fruits. One of these has already been introduced to the notice of our readers, in the description of our heroine in the last chapter.
Edward Clayton, the only son of Judge Clayton, and representative of one of the oldest and most distinguished families of North Carolina, was in personal appearance much what our lively young friend had sketched—tall, slender, with a sort of loose-jointedness and carelessness of dress, which might have produced an impression of clownishness, had it not been relieved by a refined and intellectual expression on the head and face. The upper part of the face gave the impression of thoughtfulness and strength, with a shadowing of melancholy earnestness, and there was about the eye, in conversation, that occasional gleam of troubled wildness which betrays the hypochondriac temperament. The mouth was even feminine in the delicacy and beauty of its lines, and the smile which sometimes played around it had a peculiar fascination. It seemed to be a smile of but half the man's nature; for it never rose as high as the eyes, or seemed to disturb the dark stillness of their thoughtfulness.
The other speaker was in many respects a contrast; and we will introduce him to our readers by the name of Frank Russel. Furthermore, for their benefit, we will premise that he was the only son of a once distinguished and wealthy, but now almost decayed, family of Virginia.
It is supposed by many that friendship is best founded upon similarity of nature; but observation teaches that it is more common by a union of opposites, in which each party is attracted by something wanting in itself. In Clayton, the great preponderance of those faculties which draw a man inward, and impair the efficiency of the outward life, inclined him to overvalue the active and practical faculties, because he saw them constantly attended with a kind of success which he fully appreciated, but was unable to attain. Perfect ease of manner, ready presence of mind under all social exigencies, adroitness in making the most of passing occurrences, are qualities which are seldom the gift of sensitive and deeply-thoughtful natures, and which for this very reason they are often disposed to overvalue. Russel was one of those men who have just enough of all the higher faculties to appreciate their existence in others, and not enough of any one to disturb the perfect availability of his own mind. Everything in his mental furnishing was always completely under his own control, and on hand for use at a moment's notice. From infancy he was noted for quick tact and ready reply. At school he was the universal factotum, the "good fellow" of the ring, heading all the mischief among the boys, and yet walking with exemplary gravity on the blind side of the master. Many a scrape had he rescued Clayton from, into which he had fallen from a more fastidious moral sense, a more scrupulous honor, than is for worldly profit either in the boy's or man's sphere; and Clayton, superior as he was, could not help loving and depending on him.
The diviner part of man is often shamefaced and self-distrustful, ill at home in this world, and standing in awe of nothing so much as what is called common sense; and yet common sense very often, by its own keenness, is able to see that these unavailable currencies of another's mind are of more worth, if the world only knew it, than the ready coin of its own; and so the practical and the ideal nature are drawn together.
So Clayton and Russel had been friends from boyhood; had roomed together their four years in college; and, though instruments of a vastly different quality, had hitherto played the concerts of life with scarce a discord.
In person, Russel was of about the medium size, with a well-knit, elastic frame, all whose movements were characterized by sprightliness and energy. He had a frank, open countenance, clear blue eyes, a high forehead shaded by clusters of curling brown hair; his flexible lips wore a good-natured yet half-sarcastic smile. His feelings, though not inconveniently deep, were easily touched; he could be moved to tears or to smiles, with the varying humor of a friend; but never so far as to lose his equipoise—or, as he phrased it, forget what he was about.
But we linger too long in description. We had better let the reader hear the dramatis personæ, and judge for himself.
"Well, now, Clayton," said Russel, as he leaned back in a stuffed leather chair, with a cigar between his fingers, "how considerate of them to go off on that marooning party, and leave us to ourselves, here! I say, old boy, how goes the world now?—Reading law, hey?—booked to be Judge Clayton the second! Now, my dear fellow, if I had the opportunities that you have—only to step into my father's shoes—I should be a lucky fellow."
"Well, you are welcome to all my chances," said Clayton, throwing himself on one of the lounges; "for I begin to see that I shall make very little of them."
"Why, what's the matter?—Don't you like the study?"
"The study, perhaps, well enough—but not the practice. Reading the theory is always magnificent and grand. 'Law hath her seat in the bosom of God; her voice is the harmony of the world.' You remember we used to declaim that. But, then, come to the practice of it, and what do you find? Are legal examinations anything like searching after truth? Does not an advocate commit himself to one-sided views of his subject, and habitually ignore all the truth on the other side? Why, if I practised law according to my conscience, I should be chased out of court in a week."
"There you are, again, Clayton, with your everlasting conscience, which has been my plague ever since you were a boy, and I have never been able to convince you what a humbug it is! It's what I call a crotchety conscience—always in the way of your doing anything like anybody else. I suppose, then, of course, you won't go into political life.—Great pity, too. You'd make a very imposing figure as senator. You have exactly the cut for a conscript father—one of the old Viri Romæ."
"And what do you think the old Viri Romæ would do in Washington? What sort of a figure do you think Regulus, or Quintus Curtius, or Mucius Scævola, would make there?"
"Well, to be sure, the style of political action has altered somewhat since those days. If political duties were what they were then,—if a gulf would open in Washington, for example,—you would be the fellow to plunge in, horse and all, for the good of the republic; or, if anything was to be done by putting your right hand in the fire and burning it off—or, if there were any Carthaginians who would cut off your eyelids, or roll you down hill in a barrel of nails, for truth and your country's sake,—you would be on hand for any such matter. That's the sort of foreign embassy that you would be after. All these old-fashioned goings on would suit you to a T; but as to figuring in purple and fine linen, in Paris or London, as American minister, you would make a dismal business of it. But still, I thought you might practise law in a wholesome, sensible way,—take fees, make pleas with abundance of classical allusions, show off your scholarship, marry a rich wife, and make your children princes in the gates—all without treading on the toes of your too sensitive moral what-d'-ye-call-ems. But you've done one thing like other folks, at least, if all 's true that I've heard."
"And what is that, pray?"
"What's that? Hear the fellow, now! How innocent we are! I suppose you think I haven't heard of your campaign in New York—carrying off that princess of little flirts, Miss Gordon."
Clayton responded to the charge only with a slight shrug and a smile, in which not only his lips but his eyes took part, while the color mounted to his forehead.
"Now, do you know, Clayton," continued Russel, "I like that. Do you know I always thought I should detest the woman that you should fall in love with? It seemed to me that such a portentous combination of all the virtues as you were planning for would be something like a comet—an alarming spectacle. Do you remember (I should like to know, if you do) just what that woman was to be?—was to have all the learning of a man, all the graces of a woman (I think I have it by heart); she was to be practical, poetical, pious, and everything else that begins with a p; she was to be elegant and earnest; take deep and extensive views of life; and there was to be a certain air about her, half Madonna, half Venus, made of every creature's best. Ah, bless us! what poor creatures we are! Here comes along our little coquette, flirting, tossing her fan; picks you up like a great solid chip, as you are, and throws you into her chip-basket of beaux, and goes on dancing and flirting as before. Aren't you ashamed of it, now?"
"No. I am really much like the minister in our town, where we fitted for college, who married a pretty Polly Peters in his sixtieth year, and, when the elders came to inquire if she had the requisite qualifications for a pastor's lady, he told them that he didn't think she had. 'But the fact is, brethren,' said he, 'though I don't pretend she is a saint, she is a very pretty little sinner, and I love her.' That's just my case."
"Very sensibly said; and, do you know, as I told you before, I'm perfectly delighted with it, because it is acting like other folks. But then, my dear fellow, do you think you have come to anything really solid with this little Venus of the sea-foam? Isn't it much the same as being engaged to a cloud, or a butterfly? One wants a little streak of reality about a person that one must take for better or for worse. You have a deep nature, Clayton. You really want a wife who will have some glimmering perception of the difference between you and the other things that walk and wear coats, and are called men."
"Well, then, really," said Clayton, rousing himself, and speaking with energy, "I'll tell you just what it is: Nina Gordon is a flirt and a coquette—a spoiled child, if you will. She is not at all the person I ever expected would obtain any power over me. She has no culture, no reading, no habits of reflection; but she has, after all, a certain tone and quality to her, a certain 'timbre,' as the French say of voices, which suits me. There is about her a mixture of energy, individuality, and shrewdness, which makes her, all uninformed as she is, more piquant and attractive than any woman I ever fell in with. She never reads; it is almost impossible to get her to read; but, if you can catch her ear for five minutes, her literary judgments have a peculiar freshness and truth. And so with her judgment on all other subjects, if you can stop her long enough to give you an opinion. As to heart, I think she has yet a wholly unawakened nature. She has lived only in the world of sensation, and that is so abundant and so buoyant in her that the deeper part still sleeps. It is only two or three times that I have seen a flash of this under nature look from her eyes, and color her voice and intonation. And I believe—I'm quite sure—that I am the only person in the world that ever touched it at all. I'm not at all sure that she loves me now; but I'm almost equally sure that she will."
"They say," said Russel, carelessly, "that she is generally engaged to two or three at a time."
"That may be also," said Clayton, indolently. "I rather suspect it to be the case now, but it gives me no concern. I've seen all the men by whom she is surrounded, and I know perfectly well there's not one of them that she cares a rush for."
"Well, but, my dear fellow, how can your extra fastidious moral notions stand the idea of her practising this system of deception?"
"Why, of course, it isn't a thing to my taste; but then, like the old parson, if I love the 'little sinner,' what am I to do? I suppose you think it a lover's paradox; yet I assure you, though she deceives, she is not deceitful; though she acts selfishly, she is not selfish. The fact is, the child has grown up, motherless and an heiress, among servants. She has, I believe, a sort of an aunt, or some such relative, who nominally represents the head of the family to the eye of the world. But I fancy little madam has had full sway. Then she has been to a fashionable New York boarding-school, and that has developed the talent of shirking lessons, and evading rules, with a taste for sidewalk flirtation. These are all the attainments that I ever heard of being got at a fashionable boarding-school, unless it be a hatred of books, and a general dread of literary culture."
"And her estates are"—
"Nothing very considerable. Managed nominally by an old uncle of hers; really by a very clever quadroon servant, who was left her by her father, and who has received an education, and has talents very superior to what are common to those in his class. He is, in fact, the overseer of her plantation, and I believe the most loyal, devoted creature breathing."
"Clayton," said his companion, "this affair might not be much to one who takes the world as I do, but for you it may be a little too serious. Don't get in beyond your depth."
"You are too late, Russel, for that—I am in."
"Well, then, good luck to you, my dear fellow! And now, as we are about it, I may as well tell you that I'm in for it, too. I suppose you have heard of Miss Benoir, of Baltimore. Well, she is my fate."
"And are you really engaged?"
"All signed and sealed, and to be delivered next Christmas."
"Let's hear about her."
"Well, she is of a good height (I always said I shouldn't marry a short woman),—not handsome, but reasonably well-looking—very fine manners—knows the world—plays and sings handsomely—has a snug little fortune. Now, you know I never held to marrying for money and nothing else; but then, as I'm situated, I could not have fallen in love without that requisite. Some people call this heartless. I don't think it is. If I had met Mary Benoir, and had known that she hadn't anything, why, I should have known that it wouldn't do for me at all to cultivate any particular intimacy; but, knowing she had fortune, I looked a little further, and found she had other things too. Now, if that's marrying for money, so be it. Yours, Clayton, is a genuine case of falling in love. But, as for me, I walked in with my eyes wide open."
"And what are you going to do with yourself in the world, Russel?"
"I must get into practice, and get some foothold there, you know; and then, hey for Washington!—I'm to be president, like every other adventurer in these United States. Why not I, as well as another man?"
"I don't know, certainly," said Clayton, "if you want it, and are willing to work hard enough and long enough, and pay all the price. I would as soon spend my life walking the drawn sword which they say is the bridge to Mahomet's paradise."
"Ah! ah! I fancy I see you doing it! What a figure you'd make, my dear fellow, balancing and posturing on the sword-blade, and making horrid wry faces! Yet I know you'd be as comfortable there as you would in political life. And yet, after all, you are greatly superior to me in every respect. It would be a thousand pities if such a man as you couldn't have the management of things. But our national ship has to be navigated by second-rate fellows, Jerry-go-nimbles, like me, simply because we are good in dodging and turning. But that's the way. Sharp's the word, and the sharpest wins."
"For my part," said Clayton, "I shall never be what the world calls a successful man. There seems to be one inscription written over every passage of success in life, as far as I've seen,—'What shall it profit a man if he gain the whole world, and lose his own soul?'"
"I don't understand you, Clayton."
"Why, it seems to me just this. As matters are going on now in our country, I must either lower my standard of right and honor, and sear my soul in all its nobler sensibilities, or I must be what the world calls an unsuccessful man. There is no path in life, that I know of, where humbuggery and fraud and deceit are not essential to success,—none where a man can make the purity of his moral nature the first object. I see Satan standing in every avenue, saying, 'All these things will I give thee, if thou wilt fall down and worship me.'"
"Why don't you take to the ministry, then, Clayton, at once, and put up a pulpit-cushion and big Bible between you and the fiery darts of the devil?"
"I'm afraid I should meet him there, too. I could not gain a right to speak in any pulpit without some profession or pledge to speak this or that, that would be a snare to my conscience by and by. At the door of every pulpit I must swear always to find truth in a certain formula; and living, prosperity, success, reputation, will all be pledged on my finding it there. I tell you I should, if I followed my own conscience, preach myself out of pulpits quicker than I should plead out at the bar."
"Lord help you, Clayton! What will you do? Will you settle down on your plantation, and raise cotton and sell niggers? I'm expecting to hear, every minute, that you've subscribed for the 'Liberator,' and are going to turn Abolitionist."
"I do mean to settle down on my plantation, but not to raise cotton or negroes as a chief end of man. I do take the 'Liberator,' because I'm a free man, and have a right to take what I have a mind to. I don't agree with Garrison, because I think I know more about the matter, where I stand, than he does, or can, where he stands. But it's his right, as an honest man, to say what he thinks; and I should use it in his place. If I saw things as he does, I should be an Abolitionist. But I don't."
"That's a mercy, at least," said Russel, "to a man with your taste for martyrdom. But what are you going to do?"
"What any Christian man should do who finds four hundred odd of his fellow men and women placed in a state of absolute dependence on him. I'm going to educate and fit them for freedom. There isn't a sublimer power on earth than God has given to us, masters. The law gives us absolute and unlimited control. A plantation such as a plantation might be would be 'a light to lighten the Gentiles.' There is a wonderful and beautiful development locked up in this Ethiopian race, and it is worth being a life-object to unlock it. The raising of cotton is to be the least of the thing. I regard my plantation as a sphere for raising men and women, and demonstrating the capabilities of a race."
"Selah!" said Russel.
Clayton looked angry.
"I beg your pardon, Clayton. This is all superb, sublime! There is just one objection to it—it is wholly impossible."
"Every good and great thing has been called impossible before it is done."
"Well, let me tell you, Clayton, just how it will be. You will be a mark for arrows, both sides. You will offend all your neighbors by doing better than they do. You will bring your negroes up to a point in which they will meet the current of the whole community against them, and meanwhile you will get no credit with the Abolitionists. They will call you a cutthroat, pirate, sheep-stealer, and all the rest of their elegant little list of embellishments, all the same. You'll get a state of things that nobody can manage but yourself, and you by the hardest; and then you'll die, and it'll all run to the devil faster than you run it up. Now, if you would do the thing by halves, it wouldn't be so bad; but I know you of old. You won't be satisfied with teaching a catechism and a few hymns, parrot-wise, which I think is a respectable religious amusement for our women. You'll teach 'em all to read, and write, and think, and speak. I shouldn't wonder to hear of an importation of black-boards and spelling-books. You'll want a lyceum and debating society. Pray, what does sister Anne say to all this? Anne is a sensible girl now, but I'll warrant you've got her to go in for it."
"Anne is as much interested as I, but her practical tact is greater than mine, and she is of use in detecting difficulties that I do not see. I have an excellent man, who enters fully into my views, who takes charge of the business interests of the plantation, instead of one of these scoundrel overseers. There is to be a graduated system of work and wages introduced—a system that shall teach the nature and rights of property and train to habits of industry and frugality, by making every man's acquirements equal to his industry and good conduct."
"And what sort of a support do you expect to make out of all this? Are you going to live for them, or they for you?"
"I shall set them the example of living for them, and trust to awaken the good that is in them, in return. The strong ought to live for the weak—the cultivated for the ignorant."
"Well, Clayton, the Lord help you! I'm in earnest now—fact! Though I know you won't do it, yet I wish you could. It's a pity, Clayton, you were born in this world. It isn't you, but our planet and planetary ways, that are in fault. Your mind is a splendid storehouse—gold and gems of Ophir—but they are all up in the fifth story, and no staircase to get 'em down into common life. Now I've just enough appreciation of the sort of thing that's in you, not to laugh at you. Nine out of ten would. To tell you the truth, if I were already set up in life, and had as definite a position as you have,—family, friends, influence, and means,—why, perhaps I might afford to cultivate this style of thing. But I tell you what it is, Clayton, such a conscience as yours is cursedly expensive to keep. It's like a carriage—a fellow mustn't set it up unless he can afford it. It's one of the luxuries."
"It's a necessary of life, with me," said Clayton, dryly.
"Well, that's your nature. I can't afford it. I've got my way to make. I must succeed, and with your ultra notions I couldn't succeed. So there it is. After all, I can be as religious as dozens of your most respectable men, who have taken their seats in the night-train for Paradise, and keep the daylight for their own business."
"I dare say you can."
"Yes, and I shall get all I aim at; and you, Clayton, will be always an unhappy, dissatisfied aspirant after something too high for mortality. There's just the difference between us."
The conversation was here interrupted by the return of the family party.
CHAPTER III. THE CLAYTON FAMILY AND SISTER ANNE.
The family party, which was now ushered in, consisted of Clayton's father, mother, and sister. Judge Clayton was a tall, dignified, elderly personage, in whom one recognized, at a glance, the gentleman of the old school. His hair, snowy white, formed a singular contrast with the brightness of his blue eyes, whose peculiar acuteness of glance might remind one of a falcon. There was something stately in the position of the head and the carriage of the figure, and a punctilious exactness in the whole air and manner, that gave one a slight impression of sternness. The clear, sharp blue of his eye seemed to be that of a calm and decided intellect, of a logical severity of thought; and contrasted with the silvery hair with that same expression of cold beauty that is given by the contrast of snow mountains cutting into the keen, metallic blue of an Alpine sky. One should apprehend much to fear from such a man's reason—little to hope from any outburst of his emotional nature. Yet, as a man, perhaps injustice was done to Judge Clayton by this first impression; for there was, deep beneath this external coldness, a severely-repressed nature, of the most fiery and passionate vehemence. His family affections were strong and tender, seldom manifested in words, but always by the most exact appreciation and consideration for all who came within his sphere. He was strictly and impartially just in all the little minutiæ of social and domestic life, never hesitating to speak a truth or acknowledge an error.
Mrs. Clayton was a high-bred, elderly lady, whose well-preserved delicacy of complexion, brilliant dark eyes, and fine figure, spoke of a youth of beauty. Of a nature imaginative, impulsive, and ardent, inclining constantly to generous extremes, she had thrown herself with passionate devotion round her clear-judging husband, as the Alpine rose girdles with beauty the breast of the bright, pure glacier.
Between Clayton and his father there existed an affection deep and entire; yet, as the son developed to manhood, it became increasingly evident that they could never move harmoniously in the same practical orbit. The nature of the son was so veined and crossed with that of the mother, that the father, in attempting the age-long and often-tried experiment of making his child an exact copy of himself, found himself extremely puzzled and confused in the operation. Clayton was ideal to an excess; ideality colored every faculty of his mind, and swayed all his reasonings, as an unseen magnet will swerve the needle. Ideality pervaded his conscientiousness, urging him always to rise above the commonly-received and so-called practical in morals. Hence, while he worshipped the theory of law, the practice filled him with disgust; and his father was obliged constantly to point out deficiencies in reasonings, founded more on a keen appreciation of what things ought to be, than on a practical regard to what they are. Nevertheless, Clayton partook enough of his father's strong and steady nature to be his mother's idol, who, perhaps, loved this second rendering of the parental nature with even more doting tenderness than the first.
Anne Clayton was the eldest of three sisters, and the special companion and confidant of the brother; and, as she stands there untying her bonnet-strings, we must also present her to the reader. She is a little above the medium height, with that breadth and full development of chest which one admires in English women. She carries her well-formed head on her graceful shoulders with a positive, decided air, only a little on this side of haughtiness. Her clear brown complexion reddens into a fine glow in the cheek, giving one the impression of sound, perfect health. The positive outline of the small aquiline nose; the large, frank, well-formed mouth, with its clear rows of shining teeth; the brown eyes, which have caught something of the falcon keenness of the father, are points in the picture by no means to be overlooked. Taking her air altogether, there was an honest frankness about her which encouraged conversation, and put one instantly at ease. Yet no man in his senses could ever venture to take the slightest liberty with Anne Clayton. With all her frankness, there was ever in her manner a perfectly-defined "thus far shalt thou come, and no further." Beaux, suitors, lovers in abundance, had stood, knelt, and sighed protesting, at her shrine. Yet Anne Clayton was twenty-seven, and unmarried. Everybody wondered why; and as to that, we can only wonder with the rest. Her own account of the matter was simple and positive. She did not wish to marry—was happy enough without.
The intimacy between the brother and sister had been more than usually strong, notwithstanding marked differences of character; for Anne had not a particle of ideality. Sense she had, shrewdness, and a pleasant dash of humor withal; but she was eminently what people call a practical girl. She admired highly the contrary of all this in her brother; she delighted in the poetic-heroic element in him, for much the same reason that young ladies used to admire Thaddeus of Warsaw and William Wallace—because it was something quite out of her line. In the whole world of ideas she had an almost idolatrous veneration for her brother; in the sphere of practical operations she felt free to assert, with a certain good-natured positiveness, her own superiority. There was no one in the world, perhaps, of whose judgment in this respect Clayton stood more in awe.
At the present juncture of affairs Clayton felt himself rather awkwardly embarrassed in communicating to her an event which she would immediately feel she had a right to know before. A sister of Anne Clayton's positive character does not usually live twenty-seven years in constant intimacy with a brother like Clayton, without such an attachment as renders the first announcement of a contemplated marriage somewhat painful. Why, then, had Clayton, who always unreservedly corresponded with his sister, not kept her apprised of his gradual attachment to Nina? The secret of the matter was, that he had had an instinctive consciousness that he could not present Nina to the practical, clear-judging mind of his sister, as she appeared through the mist and spray of his imaginative nature. The hard facts of her case would be sure to tell against her in any communication he might make; and sensitive people never like the fatigue of justifying their instincts. Nothing, in fact, is less capable of being justified by technical reasons than those fine insights into character whereupon affection is built. We have all had experience of preferences which would not follow the most exactly ascertained catalogue of virtues, and would be made captive where there was very little to be said in justification of the captivity.
But, meanwhile, rumor, always busy, had not failed to convey to Anne Clayton some suspicions of what was passing; and, though her delicacy and pride forbade any allusion to it, she keenly felt the want of confidence, and of course was not any more charitably disposed towards the little rival for this reason. But now the matter had attained such a shape in Clayton's mind that he felt the necessity of apprising his family and friends. With his mother the task was made easier by the abundant hopefulness of her nature, which enabled her in a moment to throw herself into the sympathies of those she loved. To her had been deputed the office of first breaking the tidings to Anne, and she had accomplished it during the pleasure-party of the morning.
The first glance that passed between Clayton and his sister, as she entered the room, on her return from the party, showed him that she was discomposed and unhappy. She did not remain long in the apartment, or seem disposed to join in conversation; and, after a few abstracted moments, she passed through the open door into the garden, and began to busy herself apparently among her plants. Clayton followed her. He came and stood silently beside her for some time, watching her as she picked the dead leaves off her geranium.
"Mother has told you," he said, at length.
"Yes," said Anne.
There was a long pause, and Anne picked off dry leaves and green promiscuously, threatening to demolish the bush.
"Anne," said Clayton, "how I wish you could see her!"
"I've heard of her," replied Anne, dryly, "through the Livingstons."
"And what have you heard?" said Clayton, eagerly.
"Not such things as I could wish, Edward; not such as I expected to hear of the lady that you would choose."
"And, pray, what have you heard? Out with it," said Clayton,—"let's know what the world says of her."
"Well, the world says," said Anne, "that she is a coquette, a flirt, a jilt. From all I've heard, I should think she must be an unprincipled girl."
"That is hard language, Anne."
"Truth is generally hard," replied Anne.
"My dear sister," said Clayton, taking her hand, and seating her on the seat in the garden, "have you lost all faith in me?"
"I think it would be nearer truth," replied Anne, "to say that you had lost all faith in me. Why am I the last one to know all this? Why am I to hear it first from reports, and every way but from you? Would I have treated you so? Did I ever have anything that I did not tell you? Down to my very soul I've always told you everything!"
"This is true, I own, dear Anne; but what if you had loved some man that you felt sure I should not like? Now, you are a positive person, Anne, and this might happen. Would you want to tell me at once? Would you not, perhaps, wait, and hesitate, and put off, for one reason or another, from day to day, and find it grow more and more difficult, the longer you waited?"
"I can't tell," said Anne, bitterly. "I never did love any one better than you,—that's the trouble."
"Neither do I love anybody better than you, Anne. The love I have for you is a whole, perfect thing, just as it was. See if you do not find me every way as devoted. My heart was only opened to take in another love, another wholly different; and which, because it is so wholly different, never can infringe on the love I bear to you. And, Anne, my dear sister, if you could love her as a part of me"—
"I wish I could," said Anne, somewhat softened; "but what I've heard has been so unfavorable! She is not, in the least, the person I should have expected you to fancy, Edward. Of all things I despise a woman who trifles with the affections of gentlemen."
"Well, but, my dear, Nina isn't a woman; she is a child—a gay, beautiful, unformed child; and I'm sure you may apply to her what Pope says:—
'If to her share some female errors fall,
Look in her face, and you forget them all.'"
"Yes, indeed," said Anne, "I believe all you men are alike—a pretty face bewitches any of you. I thought you were an exception, Edward; but there you are."
"But, Anne, is this the way to encourage my confidence? Suppose I am bewitched and enchanted, you cannot disentangle me without indulgence. Say what you will about it, the fact is just this—it is my fate to love this child. I've tried to love many women before. I have seen many whom I knew no sort of reason why I shouldn't love,—handsomer far, more cultivated, more accomplished,—and yet I've seen them without a movement or a flutter of the pulse. But this girl has awakened all there is to me. I do not see in her what the world sees. I see the ideal image of what she can be, what I'm sure she will be, when her nature is fully awakened and developed."
"Just there, Edward—just that," said Anne. "You never see anything; that is, you see a glorified image—a something that might, could, would, or should be—that is your difficulty. You glorify an ordinary boarding-school coquette into something symbolic, sublime; you clothe her with all your own ideas, and then fall down to worship her."
"Well, my dear Anne, suppose it were so, what then? I am, as you say, ideal,—you, real. Well, be it so; I must act according to what is in me. I have a right to my nature, you to yours. But it is not every person whom I can idealize: and I suspect this is the great reason why I never could love some very fine women, with whom I have associated on intimate terms; they had no capacity of being idealized; they could receive no color from my fancy; they wanted, in short, just what Nina has. She is just like one of those little whisking, chattering cascades in the White Mountains, and the atmosphere round her is favorable to rainbows."
"And you always see her through them."
"Even so, sister; but some people I cannot. Why should you find fault with me? It's a pleasant thing to look through a rainbow. Why should you seek to disenchant, if I can be enchanted?"
"Why," replied Anne, "you remember the man who took his pay of the fairies in gold and diamonds, and, after he had passed a certain brook, found it all turned to slate-stones. Now, marriage is like that brook: many a poor fellow finds his diamonds turned to slate on the other side; and this is why I put in my plain, hard common sense, against your visions. I see the plain facts about this young girl; that she is an acknowledged flirt, a noted coquette and jilt; and a woman who is so is necessarily heartless; and you are too good, Edward, too noble, I have loved you too long, to be willing to give you up to such a woman."
"There, my dear Anne, there are at least a dozen points in that sentence to which I don't agree. In the first place, as to coquetry, it isn't the unpardonable sin in my eyes—that is, under some circumstances."
"That is, you mean, when Nina Gordon is the coquette?"
"No, I don't mean that. But the fact is, Anne, there is so little of true sincerity, so little real benevolence and charity, in the common intercourse of young gentlemen and ladies in society, and our sex, who ought to set the example, are so selfish and unprincipled in their ways of treating women, that I do not wonder that, now and then, a lively girl, who has the power, avenges her sex by playing off our weak points. Now, I don't think Nina capable of trifling with a real, deep, unselfish attachment—a love which sought her good, and was willing to sacrifice itself for her; but I don't believe any such has ever been put at her disposal. There's a great difference between a man's wanting a woman to love him, and loving her. Wanting to appropriate a woman as a wife does not, of course, imply that a man loves her, or that he is capable of loving anything. All these things girls feel, because their instincts are quick; and they are often accused of trifling with a man's heart, when they only see through him, and know he hasn't any. Besides, love of power has always been considered a respectable sin in us men; and why should we denounce a woman for loving her kind of power?"
"Oh, well, Edward, there isn't anything in the world that you cannot theorize into beauty. But I don't like coquettes, for all that; and, then, I'm told Nina Gordon is so very odd, and says and does such very extraordinary things, sometimes."
"Well, perhaps that charms me the more. In this conventional world, where women are all rubbed into one uniform surface, like coins in one's pocket, it's a pleasure now and then to find one who can't be made to do and think like all the rest. You have a little dash of this merit, yourself, Anne; but you must consider that you have been brought up with mamma, under her influence, trained and guided every hour, even more than you knew. Nina has grown up an heiress among servants, a boarding-school girl in New York; and, furthermore, you are twenty-seven and she is eighteen, and a great deal may be learned between eighteen and twenty-seven."
"But, brother, you remember Miss Hannah More says,—or some of those good women, I forget who: at any rate it's a sensible saying,—'that a man who chooses his wife as he would a picture in a public exhibition-room should remember that there is this difference, that the picture cannot go back to the exhibition, but the woman may.' You have chosen her from seeing her brilliancy in society; but, after all, can you make her happy in the dull routine of a commonplace life? Is she not one of the sort that must have a constant round of company and excitement to keep her in spirits?"
"I think not," said Clayton. "I think she is one of those whose vitality is in herself, and one whose freshness and originality will keep life anywhere from being commonplace; and that, living with us, she will sympathize, naturally, in all our pursuits."
"Well, now, don't flatter yourself, brother, that you can make this girl over, and bring her to any of your standards."
"Who—I? Did you think I meditated such an impertinence? The last thing I should try, to marry a wife to educate her! It's generally one of the most selfish tricks of our sex. Besides, I don't want a wife who will be a mere mirror of my opinions and sentiments. I don't want an innocent sheet of blotting-paper, meekly sucking up all I say, and giving a little fainter impression of my ideas. I want a wife for an alternative; all the vivacities of life lie in differences."
"Why, surely," said Anne, "one wants one's friends to be congenial, I should think."
"So we do; and there is nothing in the world so congenial as differences. To be sure, the differences must be harmonious. In music, now, for instance, one doesn't want a repetition of the same notes, but differing notes that chord. Nay, even discords are indispensable to complete harmony. Now, Nina has just that difference from me which chords with me; and all our little quarrels—for we have had a good many, and I dare say shall have more—are only a sort of chromatic passages,—discords of the seventh, leading into harmony. My life is inward, theorizing, self-absorbed. I am hypochondriac—often morbid. The vivacity and acuteness of her outer life makes her just what I need. She wakens, she rouses, and keeps me in play; and her quick instincts are often more than a match for my reason. I reverence the child, then, in spite of her faults. She has taught me many things."
"Well," said Anne, laughing, "I give you up, if it comes to that. If you come to talk about reverencing Nina Gordon, I see it's all over with you, Edward, and I'll be good-natured, and make the best of it. I hope it may all be true that you think, and a great deal more. At all events, no effort of mine shall be wanting to make you as happy in your new relation as you ought to be."
"There, now, that's Anne Clayton! It's just like you, sister, and I couldn't say anything better than that. You have unburdened your conscience, you have done all you can for me, and now very properly yield to the inevitation. Nina, I know, will love you; and, if you never try to advise her and influence her, you will influence her very much. Good people are a long while learning that, Anne. They think to do good to others, by interfering and advising. They don't know that all they have to do is to live. When I first knew Nina, I was silly enough to try my hand that way, myself; but I've learned better. Now, when Nina comes to us, all that you and mamma have got to do is just to be kind to her, and live as you always have lived; and whatever needs to be altered in her, she will alter herself."
"Well," said Anne, "I wish, as it is so, that I could see her."
"Suppose you write a few lines to her in this letter that I am going to write; and then that will lead in due time to a visit."
"Anything in the world, Edward, that you say."
CHAPTER IV. THE GORDON FAMILY.
A week or two had passed over the head of Nina Gordon since she was first introduced to our readers, and during this time she had become familiar with the details of her home life. Nominally, she stood at the head of her plantation, as mistress and queen in her own right of all, both in doors and out; but, really, she found herself, by her own youth and inexperience, her ignorance of practical details, very much in the hands of those she professed to govern.
The duties of a southern housekeeper, on a plantation, are onerous beyond any amount of northern conception. Every article wanted for daily consumption must be kept under lock and key, and doled out as need arises. For the most part, the servants are only grown-up children, without consideration, forethought, or self-control, quarrelling with each other, and divided into parties and factions, hopeless of any reasonable control. Every article of wear, for some hundreds of people, must be thought of, purchased, cut and made, under the direction of the mistress; and add to this the care of young children, whose childish mothers are totally unfit to govern or care for them, and we have some slight idea of what devolves on southern housekeepers.
Our reader has seen what Nina was on her return from New York, and can easily imagine that she had no idea of embracing, in good earnest, the hard duties of such a life.
In fact, since the death of Nina's mother, the situation of the mistress of the family had been only nominally filled by her aunt, Mrs. Nesbit. The real housekeeper, in fact, was an old mulatto woman, named Katy, who had been trained by Nina's mother. Notwithstanding the general inefficiency and childishness of negro servants, there often are to be found among them those of great practical ability. Whenever owners, through necessity or from tact, select such servants, and subject them to the kind of training and responsibility which belongs to a state of freedom, the same qualities are developed which exist in free society. Nina's mother, being always in delicate health, had, from necessity, been obliged to commit much responsibility to "Aunt Katy," as she was called; and she had grown up under the discipline into a very efficient housekeeper. With her tall red turban, her jingling bunch of keys, and an abundant sense of the importance of her office, she was a dignitary not lightly to be disregarded.
It is true that she professed the utmost deference for her young mistress, and very generally passed the compliment of inquiring what she would have done; but it was pretty generally understood that her assent to Aunt Katy's propositions was considered as much a matter of course as the queen's to a ministerial recommendation. Indeed, had Nina chosen to demur, her prime minister had the power, without departing in the slightest degree from a respectful bearing, to involve her in labyrinths of perplexity without end. And as Nina hated trouble, and wanted, above all things, to have her time to herself for her own amusement, she wisely concluded not to interfere with Aunt Katy's reign, and to get by persuasion and coaxing, what the old body would have been far too consequential and opinionated to give to authority.
In like manner, at the head of all out-door affairs was the young quadroon, Harry, whom we introduced in the first chapter. In order to come fully at the relation in which he stood to the estate, we must, after the fashion of historians generally, go back a hundred years or so, in order to give our readers a fair start. Behold us, therefore, assuming historic dignity, as follows.
Among the first emigrants to Virginia, in its colonial days, was one Thomas Gordon, Knight, a distant offshoot of the noble Gordon family, renowned in Scottish history. Being a gentleman of some considerable energy, and impatient of the narrow limits of the Old World, where he found little opportunity to obtain that wealth which was necessary to meet the demands of his family pride, he struck off for himself into Virginia. Naturally of an adventurous turn, he was one of the first to propose the enterprise which afterwards resulted in a settlement on the banks of the Chowan River, in North Carolina. Here he took up for himself a large tract of the finest alluvial land, and set himself to the business of planting, with the energy and skill characteristic of his nation; and, as the soil was new and fertile, he soon received a very munificent return for his enterprise. Inspired with remembrances of old ancestral renown, the Gordon family transmitted in their descent all the traditions, feelings, and habits, which were the growth of the aristocratic caste from which they sprung. The name of Canema, given to the estate, came from an Indian guide and interpreter, who accompanied the first Colonel Gordon as confidential servant.
The estate, being entailed, passed down through the colonial times unbroken in the family, whose wealth, for some years, seemed to increase with every generation.
The family mansion was one of those fond reproductions of the architectural style of the landed gentry in England, in which, as far as their means could compass it, the planters were fond of indulging.
Carpenters and carvers had been brought over, at great expense, from the old country, to give the fruits of their skill in its erection; and it was a fancy of the ancestor who built it, to display, in its wood-work, that exuberance of new and rare woods with which the American continent was supposed to abound. He had made an adventurous voyage into South America, and brought from thence specimens of those materials more brilliant than rose-wood, and hard as ebony, which grow so profusely on the banks of the Amazon that the natives use them for timber. The floor of the central hall of the house was a curiously-inlaid parquet of these brilliant materials, arranged in fine block-work, highly polished.
The outside of the house was built in the old Virginian fashion, with two tiers of balconies running completely round, as being much better suited to the American climate than any of European mode. The inside, however, was decorated with sculpture and carvings, copied, many of them, from ancestral residences in Scotland, giving to the mansion an air of premature antiquity.
Here, for two or three generations, the Gordon family had lived in opulence. During the time, however, of Nina's father, and still more after his death, there appeared evidently on the place signs of that gradual decay which has conducted many an old Virginian family to poverty and ruin. Slave labor, of all others the most worthless and profitless, had exhausted the first vigor of the soil, and the proprietors gradually degenerated from those habits of energy which were called forth by the necessities of the first settlers, and everything proceeded with that free-and-easy abandon, in which both master and slave appeared to have one common object,—that of proving who should waste with most freedom.
At Colonel Gordon's death, he had bequeathed, as we have already shown, the whole family estate to his daughter, under the care of a servant, of whose uncommon intelligence and thorough devotion of heart he had the most ample proof. When it is reflected that the overseers are generally taken from a class of whites who are often lower in ignorance and barbarism than even the slaves, and that their wastefulness and rapacity are a by-word among the planters, it is no wonder that Colonel Gordon thought that, in leaving his plantation under the care of one so energetic, competent, and faithful, as Harry, he had made the best possible provision for his daughter.
Harry was the son of his master, and inherited much of the temper and constitution of his father, tempered by the soft and genial temperament of the beautiful Eboe mulattress, who was his mother. From this circumstance Harry had received advantages of education very superior to what commonly fell to the lot of his class. He had also accompanied his master as valet during the tour of Europe, and thus his opportunities of general observation had been still further enlarged, and that tact, by which those of the mixed blood seem so peculiarly fitted to appreciate all the finer aspects of conventional life had been called out and exercised; so that it would be difficult in any circle to meet with a more agreeable and gentlemanly person. In leaving a man of this character, and his own son, still in the bonds of slavery, Colonel Gordon was influenced by that passionate devotion to his daughter which with him overpowered every consideration. A man so cultivated, he argued to himself, might find many avenues opened to him in freedom; might be tempted to leave the estate to other hands, and seek his own fortune. He therefore resolved to leave him bound by an indissoluble tie for a term of years, trusting to his attachment to Nina to make this service tolerable.
Possessed of very uncommon judgment, firmness, and knowledge of human nature, Harry had found means to acquire great ascendency over the hands of the plantation, and, either through fear or through friendship, there was a universal subordination to him. The executors of the estate scarcely made even a feint of overseeing him; and he proceeded, to all intents and purposes, with the perfect ease of a free man. Everybody, for miles around, knew and respected him; and, had he not been possessed of a good share of the thoughtful, forecasting temperament derived from his Scottish parentage, he might have been completely happy, and forgotten even the existence of the chains whose weight he never felt.
It was only in the presence of Tom Gordon—Colonel Gordon's lawful son—that he ever realized that he was a slave. From childhood, there had been a rooted enmity between the brothers, which deepened as years passed on; and, as he found himself, on every return of the young man to the place, subjected to taunts and ill-usage, to which his defenceless position left him no power to reply, he had resolved never to marry, and lay the foundation for a family, until such time as he should be able to have the command of his own destiny, and that of his household. But the charms of a pretty French quadroon overcame the dictates of prudence.
The history of Tom Gordon is the history of many a young man grown up under the institutions and in the state of society which formed him. Nature had endowed him with no mean share of talent, and with that perilous quickness of nervous organization, which, like fire, is a good servant, but a bad master. Out of those elements, with due training, might have been formed an efficient and eloquent public man; but, brought up from childhood among servants to whom his infant will was law, indulged during the period of infantile beauty and grace in the full expression of every whim, growing into boyhood among slaves with but the average amount of plantation morality, his passions developed at a fearfully early time of life; and, before his father thought of seizing the reins of authority, they had gone out of his hands forever. Tutor after tutor was employed on the plantation to instruct him, and left, terrified by his temper. The secluded nature of the plantation left him without that healthful stimulus of society which is often a help in enabling a boy to come to the knowledge and control of himself. His associates were either the slaves, or the overseers, who are generally unprincipled and artful, or the surrounding whites, who lay in a yet lower deep of degradation. For one reason or another, it was for the interest of all these to flatter his vices and covertly to assist him in opposing and deceiving his parents. Thus an early age saw him an adept in every low form of vice. In despair, he was at length sent to an academy at the North, where he commenced his career on the first day by striking the teacher in the face, and was consequently expelled. Thence he went to another, where, learning caution from experience, he was enabled to maintain his foothold. There he was a successful colporteur and missionary in the way of introducing a knowledge of bowie-knives, revolvers, and vicious literature. Artful, bold, and daring, his residence for a year at a school was sufficient to initiate in the way of ruin perhaps one fourth of the boys. He was handsome, and, when not provoked, good-natured, and had that off-hand way of spending money which passes among boys for generosity. The simple sons of hard-working farmers, bred in habits of industry and frugality, were dazzled and astonished by the freedom with which he talked, and drank, and spit, and swore. He was a hero in their eye, and they began to wonder at the number of things, to them unknown before, which went to make up the necessaries of life. From school he was transferred to college, and there placed under the care of a professor, who was paid an exorbitant sum for overlooking his affairs. The consequence was, that while many a northern boy, whose father could not afford to pay for similar patronage, was disciplined, rusticated, or expelled, as the case might be, Tom Gordon exploited gloriously through college, getting drunk every week or two, breaking windows, smoking freshmen, heading various sprees in different parts of the country, and at last graduating nobody knew how, except the patron professor, who received an extra sum for the extra difficulties of the case. Returned home, he went into a lawyer's office in Raleigh, where, by a pleasant fiction, he was said to be reading law, because he was occasionally seen at the office during the intervals of his more serious avocations of gambling, and horse-racing, and drinking. His father, an affectionate but passionate man, was wholly unable to control him, and the conflicts between them often shook the whole domestic fabric. Nevertheless, to the last Colonel Gordon indulged the old hope for such cases made and provided, that Tom would get through sowing his wild oats, some time, and settle down and be a respectable man; in which hope he left him the half of his property. Since that time, Tom seemed to have studied on no subject except how to accelerate the growth of those wings which riches are said to be inclined to take, under the most favorable circumstances.
As often happens in such cases of utter ruin, Tom Gordon was a much worse character for all the elements of good which he possessed. He had sufficient perception of right, and sufficient conscience remaining, to make him bitter and uncomfortable. In proportion as he knew himself unworthy of his father's affection and trust, he became jealous and angry at any indications of the want of it. He had contracted a settled ill-will to his sister, for no other apparent reason except that the father took a comfort in her which he did not in him. From childhood, it was his habit to vex and annoy her in every possible way; and it was for this reason, among many others, that Harry had persuaded Mr. John Gordon, Nina's uncle and guardian, to place her at the New York boarding-school, where she acquired what is termed an education. After finishing her school career, she had been spending a few months in a family of a cousin of her mother's, and running with loose rein the career of fashionable gayety.
Luckily, she brought home with her unspoiled a genuine love of nature, which made the rural habits of plantation life agreeable to her. Neighbors there were few. Her uncle's plantation, five miles distant, was the nearest. Other families with whom the Gordons were in the habit of exchanging occasional visits were some ten or fifteen miles distant. It was Nina's delight, however, in her muslin wrapper and straw hat, to patter about over the plantation, to chat with the negroes among their cabins, amusing herself with the various drolleries and peculiarities to which long absence had given the zest of novelty. Then she would call for her pony, and, attended by Harry, or some of her servants, would career through the woods, gathering the wild-flowers with which they abound; perhaps stop for a day at her uncle's, have a chat and a romp with him, and return the next morning.
In the comparative solitude of her present life her mind began to clear itself of some former follies, as water when at rest deposits the sediment which clouded it. Apart from the crowd, and the world of gayeties which had dizzied her, she could not help admitting to herself the folly of much she had been doing. Something, doubtless, was added to this by the letters of Clayton. The tone of them, so manly and sincere, so respectful and kind, so removed either from adulation or sentimentalism, had an effect upon her greater than she was herself aware of. So Nina, in her positive and off-hand way, sat down, one day, and wrote farewell letters to both her other lovers, and felt herself quite relieved by the process.
A young person could scarce stand more entirely alone, as to sympathetic intercourse with relations, than Nina. It is true that the presence of her mother's sister in the family caused it to be said that she was residing under the care of an aunt.
Mrs. Nesbit, however, was simply one of those well-bred, well-dressed lay-figures, whose only office in life seems to be to occupy a certain room in a house, to sit in certain chairs at proper hours, to make certain remarks at suitable intervals of conversation. In her youth this lady had run quite a career as a belle and beauty. Nature had endowed her with a handsome face and figure, and youth and the pleasure of admiration for some years supplied a sufficient flow of animal spirits to make the beauty effective. Early married, she became the mother of several children, who were one by one swept into the grave. The death of her husband, last of all, left her with a very small fortune alone in the world; and, like many in similar circumstances, she was content to sink into an appendage to another's family.
Mrs. Nesbit considered herself very religious; and, as there is a great deal that passes for religion, ordinarily, of which she may be fairly considered a representative, we will present our readers with a philosophical analysis of the article. When young, she had thought only of self in the form of admiration, and the indulgence of her animal spirits. When married, she had thought of self only in her husband and children, whom she loved because they were hers, and for no other reason.
When death swept away her domestic circle, and time stole the beauty and freshness of animal spirits, her self-love took another form; and, perceiving that this world was becoming to her somewhat passé, she determined to make the best of her chance for another.
Religion she looked upon in the light of a ticket, which, being once purchased, and snugly laid away in a pocket-book, is to be produced at the celestial gate, and thus secure admission to heaven.
At a certain period of her life, while she deemed this ticket unpurchased, she was extremely low-spirited and gloomy, and went through a quantity of theological reading enough to have astonished herself, had she foreseen it in the days of her belleship. As the result of all, she at last presented herself as a candidate for admission to a Presbyterian church in the vicinity, there professing her determination to run the Christian race. By the Christian race, she understood going at certain stated times to religious meetings, reading the Bible and hymn-book at certain hours in the day, giving at regular intervals stipulated sums to religious charities, and preserving a general state of leaden indifference to everybody and everything in the world.
She thus fondly imagined that she had renounced the world, because she looked back with disgust on gayeties for which she had no longer strength or spirits. Nor did she dream that the intensity with which her mind travelled the narrow world of self, dwelling on the plaits of her caps, the cut of her stone-colored satin gowns, the making of her tea and her bed, and the saving of her narrow income, was exactly the same in kind, though far less agreeable in development, as that which once expended itself in dressing and dancing. Like many other apparently negative characters, she had a pertinacious intensity of an extremely narrow and aimless self-will. Her plans of life, small as they were, had a thousand crimps and plaits, to every one of which she adhered with invincible pertinacity. The poor lady little imagined, when she sat, with such punctilious satisfaction, while the Rev. Mr. Orthodoxy demonstrated that selfishness is the essence of all moral evil, that the sentiment had the slightest application to her; nor dreamed that the little, quiet, muddy current of self-will, which ran without noise or indecorum under the whole structure of her being, might be found, in a future day, to have undermined all her hopes of heaven. Of course, Mrs. Nesbit regarded Nina, and all other lively young people, with a kind of melancholy endurance—as shocking spectacles of worldliness. There was but little sympathy, to be sure, between the dashing, and out-spoken, and almost defiant little Nina, and the sombre silver-gray apparition which glided quietly about the wide halls of her paternal mansion. In fact, it seemed to afford the latter a mischievous pleasure to shock her respectable relative on all convenient occasions. Mrs. Nesbit felt it occasionally her duty, as she remarked, to call her lively niece into her apartment, and endeavor to persuade her to read some such volume as Law's Serious Call, or Owen on the One Hundred and Nineteenth Psalm; and to give her a general and solemn warning against all the vanities of the world, in which were generally included dressing in any color but black and drab, dancing, flirting, writing love-letters, and all other enormities, down to the eating of pea-nut candy. One of these scenes is just now enacting in this good lady's apartment, upon which we will raise the curtain.
Mrs. Nesbit, a diminutive, blue-eyed, fair-complexioned little woman, of some five feet high, sat gently swaying in that respectable asylum for American old age, commonly called a rocking-chair. Every rustle of her silvery silk gown, every fold of the snowy kerchief on her neck, every plait of her immaculate cap, spoke a soul long retired from this world and its cares. The bed, arranged with extremest precision, however, was covered with a mélange of French finery, flounces, laces, among which Nina kept up a continual agitation like that produced by a breeze in a flower-bed, as she unfolded, turned, and fluttered them, before the eyes of her relative.
"I have been through all this, Nina," said the latter, with a melancholy shake of her head, "and I know the vanity of it."
"Well, aunty, I haven't been through it, so I don't know."
"Yes, my dear, when I was of your age, I used to go to balls and parties, and could think of nothing but of dress and admiration. I have been through it all, and seen the vanity of it."
"Well, aunt, I want to go through it, and see the vanity of it too. That's just what I'm after. I'm on the way to be as sombre and solemn as you are, but I'm bound to have a good time first. Now, look at this pink brocade!"
Had the brocade been a pall, it could scarcely have been regarded with a more lugubrious aspect.
"Ah, child! such a dying world as this! To spend so much time and thought on dress!"
"Why, Aunt Nesbit, yesterday you spent just two whole hours in thinking whether you should turn the breadths of your black silk dress upside down, or down side up; and this was a dying world all the time. Now, I don't see that it is any better to think of black silk than it is of pink."
This was a view of the subject which seemed never to have occurred to the good lady.
"But now, aunt, do cheer up, and look at this box of artificial flowers. You know I thought I'd bring a stock on from New York. Now, aren't these perfectly lovely? I like flowers that mean something. Now, these are all imitations of natural flowers, so perfect that you'd scarcely know them from the real. See—there, that's a moss-rose; and now look at these sweet peas, you'd think they had just been picked; and, there—that heliotrope, and these jessamines, and those orange-blossoms, and that wax camelia"—
"Turn off my eyes from beholding vanity!" said Mrs. Nesbit, shutting her eyes, and shaking her head:—
"'What if we wear the richest vest,—
Peacocks and flies are better drest;
This flesh, with all its glorious forms,
Must drop to earth, and feed the worms.'"