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A LIFE OF WALT WHITMAN


BY THE SAME WRITER
MOODS AND OUTDOOR VERSES
(“Richard Askham”)
FOR THE FELLOWSHIP


Walt Whitman at thirty-five


A LIFE OF WALT WHITMAN

BY
HENRY BRYAN BINNS

WITH THIRTY-THREE ILLUSTRATIONS

METHUEN & CO.
36 ESSEX STREET W.C.
LONDON

First Published in 1905


TO
MY MOTHER
AND
HER MOTHER
THE REPUBLIC


PREFACE

To the reader, and especially to the critical reader, it would seem but courteous to give at the beginning of my book some indication of its purpose. It makes no attempt to fill the place either of a critical study or a definitive biography. Though Whitman died thirteen years ago, the time has not yet come for a final and complete life to be written; and when the hour shall arrive we must, I think, look to some American interpreter for the volume. For Whitman’s life is of a strongly American flavour. Instead of such a book I offer a biographical study from the point of view of an Englishman, yet of an Englishman who loves the Republic. I have not attempted, except parenthetically here and there, to make literary decisions on the value of Whitman’s work, partly because he still remains an innovator upon whose case the jury of the years must decide—a jury which is not yet complete; and partly because I am not myself a literary critic. It is as a man that I see and have sought to describe Whitman. But as a man of special and exceptional character, a new type of mystic or seer. And the conviction that he belongs to the order of initiates has dragged me on to confessedly difficult ground.

Again, while seeking to avoid excursions into literary criticism, it has seemed to me to be impossible to draw a real portrait of the man without attempting some interpretation of his books and the quotation from them of characteristic passages, for they are the record of his personal attitude towards the problems most intimately affecting his life. I trust that this part of my work may at any rate offer some suggestions to the serious student of Whitman. Since he touched life at many points, it has been full of pitfalls; and if among them I should prove but a blind leader, I can only hope that those who follow will keep open eyes.

Whitman has made his biography the more difficult to write by demanding that he should be studied in relation to his time; to fulfil this requirement was beyond my scope, but I have here and there suggested the more notable outlines, within which the reader will supply details from his own memory. As I have written especially for my own countrymen, I have ventured to remind the reader of some of those elementary facts of American history of which we English are too easily forgetful.

The most important chapters of Whitman’s life have been written by himself, and will be found scattered over his complete works. To these the following pages are intended as a modest supplement and commentary. Already the Whitman literature has become extensive, but, save in brief sketches, no picture of his whole life in which one may trace with any detail the process of its development seems as yet to exist. In this country the only competent studies which have appeared are that of the late Mr. Symonds, which devotes some twenty pages to biographical matters, and the admirable and suggestive little manual of the late Mr. William Clarke. Both books are some twelve years old, and in those years not a little new material has become available, notably that which is collected in the ten-volume edition of Whitman’s works, and in the book known as In re Walt Whitman. On these and on essays printed in the Conservator and in the Whitman Fellowship Papers I have freely drawn for the following pages.

Of American studies the late Dr. Bucke’s still, after twenty years, easily holds the first place. Beside it stand those of Mr. John Burroughs, and Mr. W. S. Kennedy. To these, and to the kind offices of the authors of the two last named, my book owes much of any value it may possess. I have also been assisted by the published reminiscences of Mr. J. T. Trowbridge, Mr. Moncure Conway, and Mr. Thomas Donaldson, and by the recently published Diary in Canada (edited by Mr. Kennedy), and Dr. I. H. Platt’s Beacon Biography of the poet.

Since I never met Walt Whitman I am especially indebted to his friends for the personal details with which they have so generously furnished me: beside those already named, to Mr. and Mrs. J. H. Johnston, Mr. J. Hubley Ashton, Mrs. W. S. Kennedy, Mrs. E. M. Calder, Mr. and Mrs. (Stafford) Browning of Haddonfield (Glendale), Mr. John Fleet of Huntington, Captain Lindell of the Camden Ferry, and to Mr. Peter G. Doyle; but especially to Whitman’s surviving executors and my kind friends, Mr. T. B. Harned and Mr. Horace Traubel. To these last, and to Mr. Laurens Maynard, of the firm of Messrs. Small, Maynard & Co., the publishers of the final edition of Whitman’s works, I am indebted for generous permission to use and reproduce photographs in their possession. I also beg to make my acknowledgments to Mr. David McKay and Mr. Gutekunst, both of Philadelphia.

Helpful suggestions and information have been most kindly given by my American friends, Mr. Edwin Markham, Professor E. H. Griggs, Mr. Ernest Crosby, Dr. George Herron, Professor Rufus M. Jones of Haverford, Mr. C. F. Jenkins of Germantown, and Mr. and Mrs. David Thompson of Washington. Mr. Benjamin D. Hicks of Long Island has repeatedly replied to my various and troublesome inquiries as to the Quaker ancestry of Walt Whitman, and Dr. E. Pardee Bucke has furnished me with an admirable sketch of his father Dr. R. M. Bucke’s life and the photograph which I have reproduced. In England also there are many to whom I would here offer my most grateful thanks. And first, to Mr. Edward Carpenter, whose own work has always been my best of guides in the study of Whitman’s, and whose records of his interviews with the old poet in Camden have given me more insight into his character than any other words but Whitman’s own. He has also read the MS., and aided me by numberless suggestions. Mrs. Bernard Berenson, who for some years enjoyed the old man’s friendship, has supplied me with an invaluable picture of his relations with her father, the late Mr. Pearsall Smith, and his family, and has generously lent me various letters in her possession, and permitted me to make reproductions from them. Mr. J. W. Wallace, of the “Bolton group,” has allowed me to read and use his manuscript description of a visit to Camden in 1891; and another of the same brotherhood, Dr. J. Johnston, whose admirable account of a similar series of interviews in the preceding year is well known by Whitman students, has supplied me with a photograph of the little Mickle Street house as it then was.

To Mr. William M. Rossetti and to Mr. Ernest Rhys I am indebted for valuable suggestions; and for similar help to my friends, Professor W. H. Hudson and Messrs. Arthur Sherwell, B. Kirkman Gray and C. F. Mott. Finally, the book owes much more than I can say to my wife.

While gratefully acknowledging the assistance of all these and others unnamed, I confess that I am alone responsible for the general accuracy of my statements, and the book’s point of view, and I wish especially to relieve the personal friends of Whitman from any responsibility for the hypothesis relating to his sojourn in the South, beyond what is stated in the Appendix. To all actual sins of commission and omission I plead guilty, trusting that for the sympathetic reader they may eventually be blotted out in the light which, obscured though it be, still shines upon my pages from the personality of Walt Whitman.

H. B. B.

London, January, 1905.


CONTENTS

PAGE
[Preface][vii]
[Table of Contents][xiii]
[List of Illustrations][xv]
[Abbreviations Employed in the Notes][xvii]
[Introduction: Whitman’s America][xix]
chap.
[I.]The Whitman’s of West Hills[1]
[II.]Boyhood in Brooklyn[10]
[III.]Teacher and Journalist[28]
[IV.]Romance (1848)[46]
[V.]Illumination[56]
[VI.]The Carpenter[79]
[VII.]Whitman’s Manifesto[95]
[VIII.]The Mystic[110]
[IX.]“Year of Meteors”[134]
[X.]The Testament of a Comrade[148]
[XI.]America at War[171]
[XII.]The Proof of Comradeship[190]
[XIII.]A Washington Clerk[205]
[XIV.]Friends and Fame[221]
[XV.]Illness247
[XVI.]Convalescence[258]
[XVII.]The Second Boston Edition[278]
[XVIII.]Among the Prophets[289]
[XIX.]He Becomes a Householder[301]
[XX.]At Mickle Street[314]
[XXI.]“Good-Bye, My Fancy”[325]
[Appendix A][347]
[Appendix B][349]
[Index][351]
[Methuen’s Catalogue of Books]
[Transcriber’s Note]

LIST OF ILLUSTRATIONS

FACING PAGE
Walt Whitman at 35, from a daguerrotype in possession of Mr. J. H. Johnston [Frontispiece]
His Mother, from a daguerrotype in possession of Mr. Traubel [6]
West Hills: The Whitman House from the Lane (1904) [8]
W. W.’s Father [14]
West Hills: House from Yard [28]
New Orleans about 1850 [48]
R. W. Emerson [92]
W. W. at 40, from a photo, in the possession of Mr. D. McKay [140]
W. W. at 44, from photo, in possession of Mr. Traubel [179]
William Douglas O’Connor [190]
John Burroughs in 1900 [201]
Anne Gilchrist, from an amateur photograph [225]
W. W. at about 50 [227]
Pete Doyle and W. W., by permission of Messrs. Small, Maynard & Co., from a photo, by Rice, Washington, 1869 [231]
Peter G. Doyle at 57, from a photo, by Kuebler, Philadelphia [233]
No. 431, Stevens Street, Camden (1904) [240]
Facsimile of MS. of Portion of Preface to 1876 Edition, L. of G. [243]
Timber Creek, The Pool [259]
Timber Creek, below Crystal Spring [261]
Edward Carpenter at 43 [267]
Dr. R. M. Bucke [270]
W. W. at 61 [276]
Mr. Stafford’s Store, Glendale (1904) [286]
Mart Whitall Smith (Mrs. Berenson) in 1884 [302]
W. W. and the Butterfly; aged 62; from photo, by Phillips & Taylor, Philadelphia [304]
Facsimile of Autograph Letter to Mr. R. P. Smith, in possession of Mrs. Berenson [315]
Mickle Street, Camden, from a photo, by Dr. J. Johnston [317]
Facsimile of Autograph Post Cards (1887-88), in possession of Mrs. Berenson [326]
W. W. at 70, by permission of Mr. Gutekunst, Philadelphia [331]
Robert G. Ingersoll [334]
W. W. at 72, from a photo, of Mr. T. Eakins, by permission of Messrs. Small, Maynard & Co. [338]
Horace Traubel [342]
The Tomb, Harleigh Cemetery (1904) [346]

ABBREVIATIONS

The following abbreviations are used in the Notes.

Bucke = R. M. Bucke’s Walt Whitman, 1883.

Burroughs = John Burroughs’ Note on Walt Whitman, 1867.

Burroughs (2) = John Burroughs’ Note on Walt Whitman. Second Edition.

Burroughs (a) = John Burroughs’ Whitman: A Study, 1896.

Carpenter = E. Carpenter’s “Notes of Visits to W. W.” in Progressive Review: (a) February, 1897; (b) April, 1897.

Camden’s Compliment = Camden’s Compliment to W. W., 1889.

Cam. Mod. Hist. = Cambridge Modern History: United States.

Comp. Prose = W. W.’s Complete Prose, 1898.

Calamus = Calamus, Letters of W. W. to Pete Doyle, 1897.

Camden = Camden Edition (10 vols.) of W. W.’s Works, 1902.

Donaldson = T. Donaldson’s W. W.: The Man, 1897.

En. Brit. Suppt. = Encyclopædia Britannica: Supplement, United States.

Good-bye and Hail = Good-bye and Hail, W. W., 1892.

In re = In re W. W., 1893.

Johnston = Dr. J. Johnston’s Notes of a Visit to W. W., 1890.

Kennedy = W. S. Kennedy’s Reminiscences of W. W., 1896.

L. of G. = Leaves of Grass, complete edition of 1897: followed by numerals in brackets, edition of that year.

Mem. Hist. N.Y. = J. G. Wilson’s Memorial History of New York.

Roosevelt = T. Roosevelt’s New York, 1891.

Symonds = J. A. Symonds’s W. W.: A Study, 1893.

Wound-Dresser = The W. D., Letters of W. W. to his Mother, 1898.

Whit. Fellowship = Whitman Fellowship Papers, Philadelphia, 1894.

Manuscripts.

MSS. Berenson = Letters in possession of Mrs. Bernard Berenson.

MSS. Berenson (a) = Reminiscences contributed to this volume.

MSS. Carpenter = Letters in possession of E. Carpenter.

MSS. Diary = A Diary (1876-1887) in possession of H. Traubel.

MSS. Harned = Papers in possession of T. B. Harned.

MSS. Johnston = Papers in possession of J. H. Johnston, New York.

MSS. Traubel = Papers in possession of H. Traubel.

MSS. Wallace = J. W. Wallace’s Diary of a Visit to W. W. in 1891.


INTRODUCTION

WHITMAN’S AMERICA

The men of old declared that the lands of adventure lay in the West, for they were bold to follow the course of the sun; and to this day the bold do not look back to seek romance behind them in the East.

Whether this be the whole truth or no, such is the notion that comes upon the wind when, journeying westward in mid-Atlantic, you begin to know the faces on ship-board, and to understand what it is that is in their eyes. Strange eyes and foreign faces have these voyagers—dwellers upon Mediterranean shores, peasants from the borders of the Baltic, or dumb inhabitants of the vast eastern plains, huddled now together in the ship. But in them is a hope which triumphs over the misery of the present as it has survived the misery of the past, and to-day that hope has a name, and is America. For America is indeed the hope of the forlorn and disinherited in every land to whom a hope remains. From the ends of the earth they set out, and separated from one another by every barrier of race and language, meet here upon the ocean, having nothing in common but this hope, this dream which will yet weld them together into a new people. For the comfortable dreamer there is Italy and the Past, but for many millions of the common people of Europe and of Italy herself—and the common people too have their dream—America, the land of the Future, is the Kingdom of Romance.

Nor to these only, but, as I think, to every traveller not unresponsive to the genius of the land. For it is the genius of youth—youth with its awkward power, its incompleteness, its promise. And the home of this genius must be the land not only of progress and material achievement, but also of those visions which haunt the heart of youth. America is more than the golden-appled earthly paradise of the poor, it is a land of spiritual promise. And more perhaps than that of any nation the American flag is to-day the symbol of a Cause, and of a Cause which claims all hearts because ultimately it is that of all Peoples.

And America has another claim to be regarded as truly romantic. Hers is the charm of novelty. It is not the glamour of the old but of the new, and the perennially new. Some four centuries have passed since the days of Columbus, centuries which have dimmed the lustre of many another adventurous voyage into dull antiquity, but America is still the New World, and the exhilarating air of discovery still breathes as fresh in the West as on the first morning.

With that discovery there dawned a new historic day whose sun is not yet set. We instinctively put back the beginning of our own era to the time of Elizabeth, that Virgin Queen in whose colony of Virginia the American people was first born, to grow up into maturity under its statesmen.

And if we see but vaguely in the greyest hours of our dawn the figure of the Discoverer, while beyond him all seem strange as the men of yesterday—if we behold our own sun rising on the broad Elizabethan hours—how fitting it is that the New World should be peopled by those who still retain most of the temper of that generous morning! The American of to-day with his thirst for knowledge, his versatility, his quick sense of the practicable, his delight in the doing of things, his directness and frankness of purpose, his comradeship and hospitality, his lack of self-consciousness—with all the naïve inconsistencies, the amiable braggings, the mouthings of phrases, and the love of praise which belong to such unconsciousness of self—with his glowing optimism, his belief in human nature, his faith and devotion to his ideals—the American of to-day is in all these things the Elizabethan of our story. America is the supreme creation of Elizabethan genius—its New World, to which even that world which we call “Shakespeare” must give place.[1]

The Romance of America is not only new, it is like a tale that is being told for the first time into our own ears. And like some consummate story whose chapters, appearing month by month, hold us continually in expectant suspense, its plot is still evolving and its characters revealing themselves, so that as yet we can only guess at its dénouement.

I call it a Romance, for it is indeed a tale of wonder; but unlike the old romances its bold realism is not always beautiful. The style of its telling is often loud, its words blunt, its rhythm strange and full of changes. But it has a large Elizabethan movement which cannot be denied. Denounce and deprecate as we will, all that is young in us responds to it. The story carries us along, at times by violence and in our own despite, but so a story should. It may be the end will justify and explain passages that to-day are but obscure: no story is complete until the end, and America has not yet been told. It is still morning there: and the heart of it is still the heart of youth.


The unprejudiced and candid visitor will be provoked to criticism by much that he sees in the United States; but even his criticism will be prompted by the possibilities of the country. It is this sense of its possibilities which captures the imagination, and fills the mind with the desire to do—to correct, it may be—but in any case to do.

The incentive to action is felt by everyone, American or immigrant, and dominates all. Here for the first time one seems to be, as it were, in a live country, among a live people whose work is actually under its hand and must occupy it for years to come. In England things are different; the country does not so audibly challenge the labourer to till and tame it. It does not say so plainly to every man—I want you: here is range and scope for all your manhood. Only the seer can read that word written pathetically across all this English countryside whose smooth air of completion conceals so blank a poverty. In America the very stones cry out, and all who run must read. And thus the whole American atmosphere is that of action.


The Chinese, that most practical of peoples, have an old saying that the purpose of the true worship of heaven is to spiritualise the earth. It is a reminder that materialism and mysticism should go hand in hand.

Now the American is often, and not unjustly, accused of sheer materialism. But by temper he is really an idealist. The very Constitution of the United States, not to mention the famous Declaration, is no less transcendental than the Essays of Emerson, nor less weighty with deep purpose than the speeches of Lincoln. All these are characteristic utterances of the American genius; they have been attested by events, and sealed in the blood of a million citizen soldiers.

And how, one may ask, could the citizens of a State which more than any other manifestly depends for its life upon communion in an ideal be other than idealists? Gathered from every section of the human race, this people has become a nation through its consciousness of a Cause; its members being possessed not of a common blood, tradition or literature, but of a purpose and idea sacred to all. If then the national life depends upon the living idealism of the people, the actual unquestionable vigour of this national life may be taken as evidence of the strength of that idealism. But, on the other hand, the nation’s present pre-occupation with its merely material success conceals the gravest of all its perils, because it threatens the very principle of the national life.

Thus held together by its future, and not as seem most others, by their past, the American nation has been slow in coming to self-consciousness, slow therefore in producing an original or national art. Hitherto it has been occupied with its own Becoming; and to-day, to virile Americans, America remains the most engrossing of occupations, the noblest of all practicable dreams.

The spirit of the Renaissance has here attempted a task far graver than in Medician Florence or Elizabethan London: to create, namely, not so much a new art as a new race. It has here to achieve its incarnation not in line and colour, not in marble nor in imperishable verse, but in the flesh and blood of a nation gathered from every family of Man. And for that, it is forever assimilating into itself scions of every European people, and transforming them out of Europeans into Americans.

Vast as such a process is, the assimilation of all their surging aspirations and ideals into one has been hardly less vast. It is little wonder then that America has been slow in coming to self-consciousness. What is wonderful is her organic power of assimilation. And now there begin to be evidences in American thought of a spiritual synthesis, the widest known. As yet they are but vague suggestions. But they seem to indicate that when an American philosophy takes the field it will be pragmatical in the best sense; too earnestly concerned with conduct and with life to be careful of symmetry or tradition; directed towards the future, not the past. It will be a philosophy of possibilities founded upon the study of an adolescent race.

It seemed natural to preface this study of Whitman with a sketch of the American genius. Doubtless that genius has other aspects than those here presented, and to some of these, later pages will bear witness; but the impression I have attempted to reproduce is at least taken from life. It is, moreover, not unlike that of Whitman himself as presented in his first Preface, and is even more suggestive of the America of his youth than that of his old age.

Every thinker owes much to his time and race, and Whitman more than most. He always averred that the story of his life was bound up with that of his country, and took significance from it. To be understood, the man must be seen as an American. As a Modern, we might add, for the story of his land is so brief.

Dead now some thirteen years, and barely an old man when he died, his personal memory seemed to embrace nearly the whole romance. His grandfather was acquainted with old Tom Paine, whose Common Sense had popularised the Republican idea in the very hour of American Independence: he himself had talked with the soldiers of Washington, and as a lad[2] he had met Aaron Burr who killed the glorious Hamilton, sponsor for that Constitution which when Whitman died was but a century old.

In the seven decades of his life the American population had multiplied near seven-fold, and had been compacted together into an imperial nation. It seemed almost as though he could remember the thirteen poor and jealous States, with their conflicting interests and traditions, their widely differing climates, industries and inhabitants, separated from one another by vast distances—and how they yielded themselves reluctantly under the hand of Fate to grow together in Union into the greatest of civilised peoples; while central in the story of his life was that Titanic conflict whose solemn bass accompaniment toned and deepened loose phrases and popular enthusiasms into a national hymn.

Himself something of a poet—how much we need not attempt to estimate—he did continual homage to that greater Poet, whose works were at once his education and his library—the genius of America. None other, ancient or mediæval, discoursed to his ear or penned in immortal characters for him to read, rhythms so large and pregnant. It was the prayer and purpose of his life that he might contribute his verse to that great poem; and his life is like a verse which it is impossible to separate from its context. That he understood, and even in a sense re-discovered America, can scarcely be denied by serious students of his work. I believe that the genius of America will in time discover some essential elements of herself in him, and will understand herself the better for his pages.


Belonging thus to America as a nation, the earlier scenes of Walt Whitman’s story are fitly laid in and about metropolitan New York. It was not till middle life and after the completion and publication of what may be regarded as the first version of his Leaves of Grass—the edition that is to say of 1860—that he removed for a while to the Federal capital where, throughout the War, the interest of America was centred. Afterwards he withdrew to Camden, into a sort of hermitage, midway between New York and Washington.

Though his heart belonged to the West, the Far West never knew him. Both north and south, he wandered near as widely as the limits of his States. He knew the Mississippi, the Great Lakes, and the Rocky Mountains; but all that vast and wonderful country which reaches west from Colorado towards Balboa’s sea was untrodden by his feet. A circle broadly struck from the actual centre of population, and taking in Denver, New Orleans, Boston and Quebec, includes the whole field of his wanderings within a radius of a thousand miles. He was not a traveller according to our modern use of the word; he had never lost sight for many hours of the shores of America; even Cuba and Hawaii were beyond his range.

But he had studied nearly all the phases of life included in the Republic. His birth and breeding in the “middle States” gave him a metropolitan quality which neither New England nor the South could have contributed. Of peasant stock, himself an artizan and always and properly a man of the people, he was of the average stuff of the American nation; and his everyday life—apart from the central and exceptional fact of his individuality—was that of millions of unremembered citizens. Whitman was not only an American type, he was also a type of America.

The typical American is not city born. Rapidly as that sinister fate is overtaking the Englishman, the native American is still of rural birth.[3] And, as we have said, Whitman was of the average; he was born in Long Island of farming folk.

But he was a modern, and the modern movement throughout the world is citywards. Everywhere the Industrial Revolution is destroying the economy of our ancestors and creating another; diverting all the scattered energy which springs out of the countryside into the great reservoirs of city life, there to be employed upon new tasks.

Modern life is the life of the town, and for many years it was Whitman’s life. But again every town depends for its vitality and wealth upon the countryside. The city is a mere centre, factory and exchange. It cannot live upon itself. It handles everything but produces none of all that raw material from which everything that it handles is made. Especially is this true of the human stuff of civilisation. Men are only shaped and employed in cities—they are not produced there. The city uses and consumes the humanity that is made in the fields. And Whitman, who was drawn into the outskirts of the metropolis as a child, and as a young man entered into its heart, was born among wide prospects and shared the sane life of things that root in the earth. He was the better fitted to bear and to correlate all the fierce stimuli of metropolitan life.

FOOTNOTES:

[1] Cf. Camb. Mod. Hist., 736; Burroughs (a), 240; Bryce’s American Commonwealth, i., 10, 11, etc.; L. of G., 436 n.

[2] MSS. Harned.

[3] Cf. En. Brit. Suppt.


WALT WHITMAN


CHAPTER I

THE WHITMANS OF WEST HILLS

The old writers[4] tell how Long Island was once the happy hunting ground of wolves and Indians, the playing place of deer and wild turkeys; and how the seals, the turtles, grampuses and pelicans loved its long, quiet beaches. Seals and whales are still occasional visitors, and its coasts are rich in lore of wrecks, of pirates and of buried treasure.

A hundred years ago it could boast of hamlets only less remote from civilisation than are to-day the villages of that other “Long Island”—the group of the Outer Hebrides—which, for an equal distance, extends along the Scottish coast from Butt of Lewis to Barra Head. The desultory stage then occupied a week on the double journey between Brooklyn and Sag Harbour. Beyond the latter, Montauk Point thrusts its lighthouse some fifteen miles out into the Atlantic breakers. Here the last Indians of the island lingered on their reservation, and here the whalers watched for the spouting of their prey in the offing.

A ridge of hills runs along the island near the northern shore, rising here and there into heights of three or four hundred feet which command the long gradual slope of woods and meadows to the south, with the distant sea beyond them; to the north, across the narrow Sound, rises the blue coast line of Connecticut.


It is on the slopes below the highest of these points of wide vision that the Whitman homestead lies, one of the pleasant farms of a land which has always been mainly agricultural. Large areas of the island are poor and barren, covered still with scrub and “kill-calf” or picturesque pine forest, as in the Indian days. But the land here is productive.

From the wooded head of Jayne’s Hill behind the farm, the township of Huntington stretches to the coast where it possesses a harbour. It was all purchased from the Indians in 1653, for six coats, six bottles, six hatchets, six shovels, ten knives, six fathom of wampum, thirty muxes, and thirty needles.[5] The Indians themselves do not seem to have caused much anxiety to the settlers; but a generation later, it is recorded that in a single year no fewer than fifteen of the wolves, which they had formerly kept half-tamed, were killed by the citizens of Huntington.

The next troublers of the peace were the British troops. For here, a century later, during the last years of the War of Independence, Colonel Thompson of His Majesty’s forces pulled down the Presbyterian Church, and with its timbers erected a fortress in the public burying-ground, his soldiers employing the gravestones for fire-places and ovens.[6] They seem to have occupied another meeting-house as a stable. Such are the everyday incidents of a military occupation; arising out of them, claims to the amount of £7,000 were preferred against the colonel by the township; but he withdrew to England, where, as Count Rumford, he afterwards became famous upon more peaceful fields.

In Whitman’s childhood, Huntington was, as it still remains, a quiet country town of one long straggling street. It counted about 5,000 inhabitants, many of them substantial folk, and in this was not far behind Brooklyn. In those days the whole island could not boast 60,000 people. But if they were few, they were stalwart. The old sea-going Paumànackers were a rough and hardy folk, and travellers remarked the frank friendliness of the island youth.[7]

Inter-racial relations seem upon the whole to have been good; the Indians being treated with comparative justice, and the negro slaves well cared for. Between the Dutch and the English there was friction in the early years. Long Island, or Paumanok—to give it the most familiar of its several Indian names[8]—had been settled by both races; the Dutch commencing on the west, opposite to their fortress and trading station of New Amsterdam (afterwards New York), and the English, at about the same time, upon the east. They met near West Hills, and Whitman had the full benefit of his birth upon this border-line, Dutch blood and English being almost equally mingled in his veins.

As to the Dutch of Long Island, they were marked here as elsewhere by sterling and stubborn qualities. There is a reserve in the Dutch nature which, while it tends to arouse suspicion in others, makes it the best of stocks upon which to graft a more emotional people. Slow, cautious, conservative, domestic, practical, they have formed a bed-rock of sound sense and phlegmatic temper, not for Long Island only, but for the whole of New York State, where, till the middle of the eighteenth century,[9] they were predominant. Perhaps no other foundation could have adequately supported the superstructure of fluctuating and emotional elements which has since been raised upon it.

The Dutch homesteads of the island were famous for their simple, severe but solid comfort, their clean white sanded floors, their pewter and their punches. From such a home came Whitman’s mother. She was a van Velsor of Cold Spring, which lies only two or three miles west of the Whitman farm. Her father, Major Cornelius van Velsor, was a typical, burly, jovial, red-faced Hollander.

But Louisa, his daughter, was not wholly Dutch, for the major’s wife was Naomi Williams, of a line of sailors, one of that great Welsh clan which counted Roger Williams among its first American representatives. Naomi was of Quaker stock.[10]


The Quakers appear early in the story of the island, whose settlement was taking place during the first years of their world-wide activity. Within a quarter of a century of the first purchase of land from the Indians, an English Quaker, Robert Hodgson,[11] was arrested in a Long Island orchard for the holding of a conventicle. He was carried to New Amsterdam, cruelly handled, and imprisoned there.

In 1663, John Bowne,[12] an islander of some standing who had joined the Friends, was arrested and transported to Holland, there to undergo his trial for heresy. This was in the period when the district was under Dutch control. A year later this came to an end, and when, in 1672, George Fox preached under the oaks which stood opposite to Bowne’s house[13] at Flushing, and again from the granite rock in the Oyster Bay cemetery, he seems to have been met by no opposition more serious than that which was offered by certain members of his own Society.

We read[14] of the settlement of a group of substantial Quaker families near the village of Jericho, where they built themselves a place of worship in 1689; and here, a century later, lived Elias Hicks, perhaps the ablest character, as he was the most tragic figure, in the story of American Quakerism. He was a friend of Whitman’s paternal grandfather, and thus from both parents the boy inherited something either of the blood or the tradition of that Society which, directly or indirectly, gave some of the noblest of its leaders to the nation. Such men, for instance, as William Penn, Thomas Paine, and, indirectly, Abraham Lincoln.


The earliest of the Whitmans of whom there appears to be any record is Abijah, apparently an English yeoman farmer in the days of Elizabeth.[15] His two sons sailed west in 1640 on the True-Love. One of these, Zechariah, became a minister in the town of Milford, Connecticut, and sometime before Charles II. was crowned in the old country,[16] Joseph, Zechariah’s son, had crossed the Sound and settled in the neighbourhood of Huntington. Either he or his successor seems to have purchased the farm at West Hills, where Walt Whitman was afterwards born; and in 1675 “Whitman’s hollow” is mentioned as a boundary of the township.

The garrulous histories of Long Island have little to tell us of the family. One of Joseph’s great-grandsons was killed in the battle of Brooklyn,[17] that first great fight between the forces of England and her rebellious colonies, when in 1776 Howe and his Hessians drove Putnam’s recruits back upon the little town. Lieutenant Whitman was one of those who fell on that day before Washington could carry the remnant of his troops across the East River under the friendly shelter of the fog.

Another great-grandson, Jesse, married the orphan niece of Major Brush, also a “dangerous rebel” who suffered in the British prison of “the Provost”.[18] Brushes, Williamses and Whitmans all seem to have served in the armies of Independence, and one at least of their women would have cut a figure in the field. For Jesse’s mother was large-built, dark-complexioned, and of such masculine manners and speech that she seemed to have been born to horses, oaths and tobacco. As a widow she readily ruled her slaves, surviving to a great age. In contrast with her, Jesse’s wife, who also displayed remarkable ability, was a natural lady.[19] She had been a teacher, and was a woman of judgment. Perhaps Jesse himself was of gentler character than his terrible old mother; he had leanings towards Quakerism, and was a friend and admirer of Elias Hicks.[20] So too was Walter, the father of Walt, and one of Jesse’s many sons.

Born in 1789—the year in which the amended Constitution of the United States actually came into force—Walter grew up into a silent giant,[21] a serious solid man, reserved and slow of speech, kindly but shrewd and obstinate; capable too, when he was roused, of passion. He was a wood-cutter and carpenter, a builder of frame-houses and barns, solid as himself. He learnt his trade in New York, and afterwards wandered from place to place in its pursuit. For a time after his marriage in 1816, he appears to have lived at West Hills, probably farming a part, at least, of the lands of his fathers. Their old house had recently been replaced by another at a little distance. This is still standing, and here, three years later, his second son was born. The child was called after his father, but the name was promptly clipped, and to this day he remains “Walt.”


LOUISA (VAN VELSOR) WHITMAN AT SIXTY

His mother,[22] Louisa van Velsor, was a well-made, handsome young woman, now in her twenty-fourth year. Fearless, practical and affectionate, hers was a strong and happy presence, magnetic with the potency of a profound nature, as large and attractive as it was without taint of selfishness. She seemed to unite in herself the gentle sweetness and restraint of her Quaker[23] mother, with the more heroic, full-blooded qualities of the old jolly major. She had a natural gift of description and was a graphic story-teller, but of book-learning she had next to none, and letter-writing was always difficult to her. She lacked little, however, of that higher education which comes of life-long true and fine relations with persons and with things. She had been an excellent horsewoman, and in later years her visitors were impressed by her vitality and reserve power. Her words fell with weight; she had a grave dignity; but withal her oval face, framed in its dark hair and snowy cap, was full of kindness; and about the corners of her mouth, and under her high-set brows, there always lurked a quaint and quiet humour. Little as we know of Louisa Whitman, we know enough to regard her as in every respect the equal in character of her son, whom she endowed with a natural happiness of heart. She became the mother of eight children, and lived to be nearly eighty years old, somewhat crippled by rheumatism, but industrious, charming and beloved to the last.


The first four years of his life, little Walt spent at West Hills. He is not the only worthy of the place, for here, half a century earlier, was born the Honourable Silas Wood,[24] who now and for ten years to come, represented the district in Congress. Already, doubtless, he was collecting materials for his Sketch of the First Settlement of Long Island, soon to appear.[25] But neither he nor his history greatly concerns us.

Some two or three miles of sandy lane separate the old Whitman farm from the present railway station. On an autumn day one finds the way bordered by huckleberries and tall evening primroses, yellow toad-flax, blue chickory and corn-flowers, and sturdy forests of golden-rod among the briars and bushes. In the rough hedgerows are red sumachs, oaks, chestnuts and tall cedars, locusts and hickories; the gateways open on to broad fields full of picturesque cabbages, or the plumed regiments of the tall green Indian corn. It is a farming country, and a country rich in game—foxes and quails and partridges—and populous now with all kinds of chirping insects, with frogs and with mosquitoes. The wooded hills themselves are full of birds; beyond them there are vineyards.

The road winds to the hills which give the place its name. To be precise, the Whitman farm, as my driver assured me, belongs to the hamlet of Millwell, but the title of West Hills is better known. The other name may, however, serve to recall those cold sweet springs which rise along the foot of the hills and keep the country green, and whose waters are highly esteemed in New York.

The lane passes by the end of an old grey shingled farmhouse, boasting a new brick chimney. A delicate, ash-like locust tree stands by the big gate.

Here, if you turn into the farm road under the boughs of the orchard, and then, through the wicket in the palings, cross the weedy garden square, you may enter under the timber-propped porch into the low-ceiled house where Walt was born. It is small but comfortable, of two stories and a half. The morning sun streams through the open door, blinks in at the sun-shutters, and filters through the mosquito netting. On the left of the hall[26] are a bedroom and parlour, and the dining-room is on the right, where a wing of one story has been added. Beyond this there is a lower extension; and beyond again, extend the chocolate-coloured barns and sheds and byres and stables of the farm. At one corner of the garden palings stands the little well-house with its four neat pillars, and a big bell swings in its forked post by the side gate to summon the men from the fields into which one sees the farm road wandering. The fields run up to the wood. Across the road from the garden is an apple orchard, where the pigs root, and the hens scratch and cluck and scuffle. It was planted by Walt’s uncle Jesse.

WHITMAN’S BIRTHPLACE AT WEST HILLS, FROM THE LANE, 1904

This is not the first ancestral cabin of the Whitmans; that lies at a little distance, nearer to the woods. It belongs now to another farm—the former holding having been divided—and the old cabin has become a waggon-shed. Both farms have long since passed out of the family; but near the first house, on a little woody knoll,[27] you may still see the picturesque group of unlettered stones which cluster on the Whitman burying hill.

Neither Walt himself nor his father and mother are buried here among their relatives and ancestors; but the boy, so early pre-occupied with the mysteries of life, must have often stolen to this strange solitude to commune with its silence and to hear the wind among the branches, whispering of death. There is a big old oak near by, old perhaps as the first Whitman settlement, and a grove of beautiful black walnuts, and this, too, was one of the children’s haunts.


Such was the old Whitman home and country, to which the boy’s earliest memories belonged, where he spent some of the years and nearly all the holidays of his youth and early manhood, and in which his later thoughts found their natural background, his deepest consciousness its native soil. It is, as we have seen, no tame or narrow country, but wide and generous, and it is within sound of the sea. In the still night that succeeds a storm, you may hear the strange low murmur of the Atlantic surf beating upon the coast.[28] The boy was born in the hills, with that sea-murmur about him.

FOOTNOTES:

[4] See inter alia Furman’s Antiquities of Long Island; and his Notes Relating to the Town of Brooklyn; Silas Wood’s Sketch of First Settlement of L. I.; B. F. Thompson’s History of L. I.; N. S. Prime’s History of L. I.; A Brief Description of New York, by Daniel Denton (1690), ed. by G. Furman.

[5] Wood, 73 n.

[6] See Wood’s, Thomson’s, and Prime’s History of L. I.

[7] Comp. Prose, 7; cf. Furman’s Antiquities, 249; Denton, 14.

[8] Wood, 65; cf. Comp. Prose.

[9] In re, 197.

[10] See Appendix A.

[11] S. M. Janney’s History of Friends, vol. i.

[12] Furman’s Antiq., 97; Janney, vol. ii.

[13] Furman’s Antiq., 229.

[14] Thompson, op. cit.

[15] Symonds, xii.; Savage Genealog. Dict.

[16] Comp. Prose, 3; Bucke, 13.

[17] Camden Introd.

[18] Ibid.

[19] Comp. Prose, 6; Camden, xix.

[20] In re, 202.

[21] Burroughs, 79; Bucke, 15; Whit. Fellowship, ’94 (Brinton and Traubel); Wound Dresser, 115, etc.

[22] Bucke, 16; Comp. Prose, 274; Camden, xvii.; In re, 195, etc.

[23] See Appendix A.

[24] Wood, 5 (ed. by A. J. Spooner).

[25] 1828.

[26] Whit. Fellowship, op. cit.

[27] Comp. Prose, 4.

[28] Ibid., 6.


CHAPTER II

BOYHOOD IN BROOKLYN

The hill-range which forms the back-bone of Long Island, and upon whose slopes Walt Whitman was born, terminates on the west in Brooklyn Heights, which overlook the busy bay and crowded city of New York.

The heights recall Washington’s masterly retreat; and the hint is enough to remind the shame-faced English visitor that the American is not without cause for a certain coolness in the very genuine affection which he manifests for the mother country. ’Seventy-six and the six years that followed, with all their legacy of bitter thoughts, was succeeded by 1814 and the burning of the Capitol. In this later war it was Virginia, not New England, that took the initiative; Massachusetts and Connecticut even opposed it, and it may have been none too popular in adjacent Long Island.

It is doubtful whether Major van Velsor or his sons actually took the field against the British. But this second and last of the Anglo-American wars was still a bitter and vivid memory when in May, 1823,[29] towards Walt’s fourth birthday, his father, the old major’s son-in-law, left the farm, removing with his family to Front Street, Brooklyn, near the wharves and water-side.

Though but a country town with great elm-trees still shading its main thoroughfare,[30] Brooklyn was growing, and its trade was brisk. It is likely that the carpenter, Whitman, framed more than one of the hundred and fifty houses which were added to it during the year.

In the meantime, Walt took advantage of his improved situation to study men and manners in a sea-port town. He watched the ferry-boats that for the last ninety years had plied to and fro, binding Brooklyn to its big neighbour opposite upon Manhattan Island. For another sixty years their decks provided the only roadway across the East River, and they still go back and forward loaded heavily, in spite of the two huge but graceful bridges which now span the grey waters. The boy gazed wondering at the patient horse in the round house on deck, which, turning like a mule at a wheel-pump, provided the propelling power for the ferry-boat till Fulton replaced him by steam.

The boy in frocks must have wondered, too, at the great shows and pageants of 1824 and 1825 which filled New York with holiday-making crowds. For in August of the former year, came the old hero of two Republics, General Lafayette, to be received with every demonstration of admiring gratitude by the people of America. Some scintilla of the glory of those days—pale reflection, as it was, of the far-away tragic radiance that lighted up the world at the awakening of Justice and of Liberty on both sides of the sea—fell upon the child. For when the old soldier visited Brooklyn to lay the corner-stone of a library there, he found the youngster in harm’s way and lifted him, with a hearty kiss, on to a coign of vantage.[31] Thus, at six years old, Walt felt himself already famous.

Again, a few months later, the city was all ablaze with lights and colour and congratulations on the opening of the Erie Canal, which connected New York with Ohio and promised to break the monopoly of Western commerce held hitherto by the queen city of the Mississippi.


By this time, the family counted four children; two brothers, Jesse and Walt, and two little girls, Mary and Hannah, all born within six years. Of the children, Walt and Hannah appear to have been special friends, but we have little record of this period. As they grew old enough, they attended the Brooklyn public school and went duly to Sunday school as well.[32] In the summers they spent many a long holiday in the fields and lanes about West Hills.

A reminiscence of those times is enshrined in one of the best known of the Leaves of Grass,[33] written more than a quarter of a century later, a memory of the May days when the boy discovered a mocking-birds’ nest containing four pale green eggs, among the briars by the beach, and watched over them there from day to day till presently the mother-bird disappeared; and then of those September nights when, escaping from his bed, he ran barefoot down on to the shore through the windy moonlight, flung himself upon the sand, and listened to the desolate singing of the widowed he-bird close beside the surf. There, in the night, with the sea and the wind, he lay utterly absorbed in the sweet, sad singing of that passion, some mystic response awakening in his soul; till in an ecstasy of tears which flooded his young cheeks, he felt, rather than understood, the world-meaning hidden in the thought of death.[34]

This self-revealing reminiscence, even if it should prove to diverge from historic incident and to take some colour from later thought, illumines the obscurity which covers the inner life of his childhood. Elsewhere we can dimly see him as his mother’s favourite; towards her he was always affectionate. But with his father he showed himself wayward, idle, self-willed and independent, altogether a difficult lad for that kindly but taciturn and determined man to manage. Walt retained these qualities, and they caused endless trouble to every ill-advised person who afterwards attempted the task in which worthy Walter Whitman failed.

Among his young companions, though he was not exactly imperious, Walt seems to have played the part of a born leader; he was a clever boy; he always had ideas, and he always had a following. And as a rule he was delightful to be with, for he had an unflagging capacity for enjoyment and adventure.

But there must have been times when he was moody and reserved. The passionate element in his nature which the song of the mocking-bird aroused belongs rather to night solitudes than to perpetual society and sunshine. As he grew older, and, perhaps, somewhat overgrew his physical strength,[35] he was often unhappy in himself. There was something tempestuous in him which no one understood, he himself least of any. Probably his wise and very human mother came nearest to understanding; and her heart was with him as he fought out his lonely battles with that strange enemy of Youth’s peace, the soul.


Little brothers were added from time to time to the family group; Andrew, George and Jeff, and last of all poor under-witted Ted, born when Walt was a lad of sixteen, to be the life-long object of his mother’s affectionate care. The names of Andrew and Jeff reflect their father’s political sentiments; the latter recalling the founder of the old Jeffersonian Republicanism; and the former being called after Andrew Jackson, the popular and successful candidate for the presidency, in the year of the boy’s birth, who afterwards reorganised his party, creating the “Democratic” machine to take the place of what had hitherto been the “Republican” caucus. Thus Republicanism changed its name, and the title did not reappear in party politics for a generation.

As Walter Whitman built, mortgaged and eventually sold his frame-houses, the family would often move from one into another: we can trace at least five migrations[36] during the ten years that they remained in Brooklyn. He was a busy, but never a prosperous man; with his large family, the fluctuations of trade must have affected him seriously; and scattered through his son’s story, there are fast-days and seasons of privation. Walter Whitman was, in short, a working man upon the borders of the middle-class: thrifty, shrewd, industrious, but dependent upon his earnings; mixing at times with people of good education, but of little himself; a master-workman, the son of a well-read and thoughtful mother, living in the free and natural social order which at that time prevailed in Brooklyn and New York.

He was not outwardly religious; he was never a church-goer; even his wife, who called herself a Baptist, only went irregularly,[37] and then, with an easy tolerance, to various places of worship—the working mother of eight children has her hands full on Sundays. In the household there was no form of family prayers. But when old Elias Hicks[38] preached in the neighbourhood, they went to hear him, tending more towards a sort of liberal Quakerism than to anything else.

WALTER WHITMAN, SENIOR

The Whitmans were not an irreligious family—Walt was, for instance, fairly well-grounded in the Scriptures—but they thought for themselves, they disliked anything that savoured of exclusion, and their religion consisted principally in right living and in kindliness. Their devotion to the old Quaker minister is interesting. Hicks was a remarkable man and a most powerful and moving preacher. He was large and liberal-minded; too liberal, it would seem, for some of his hearers. His utterances had however passed unchallenged till an evangelical movement, fostered by some English Friends among their American brethren, made further acquiescence seem impossible.

That which complacently calls itself orthodoxy is naturally intolerant, it can, indeed, hardly even admit tolerance to a place among the virtues; and the evangelical propaganda must be very pure if it is to be unaccompanied by the spirit of exclusion. It may seem strange that such a spirit should enter into a Society which gathers its members under the name of “Friends,” a name which seems to indicate some basis broader than the creeds, some spiritual unity which could dare to welcome the greatest diversity of view because it would cultivate mutual understanding. But the broader the basis and the more spiritual the bond of fellowship, the more disastrous is the advent of the spirit of schism masking itself under some title of expediency, and here this spirit had forced an entrance.

Between Hicks—who himself appears to have been somewhat intolerant of opposition, a strong-willed man, frankly hostile to the evangelical dogmatics—and the narrower sort of evangelicals, relations became more and more strained, until, in 1828, the octogenarian minister was disowned by the official body of Quakers, after some painful scenes. He was however followed into his exile by a multitude of his hearers and others who foresaw and dreaded the crystallisation of Quakerism under some creed.

Soon after the crisis, and only three months before his death, Elias Hicks preached in the ball-room of Morrison’s Hotel on Brooklyn Heights. Among the mixed company who listened on that November evening to the old man’s mystical and prophetic utterance, was the ten-year old boy, accompanying his parents.

Hicks sprang from the peasant-farming class to which the Whitmans belonged; and, as a lad, had been intimate with Walt’s great-grandfather, and with his son after him. It was then, with a sort of hereditary reverence, that the boy beheld that intense face, with its high-seamed forehead, the smooth hair parted in the middle and curling quaintly over the collar behind; the hawk nose, the high cheek bones, the repression of the mouth, and the curiously Indian aspect of the tall commanding figure, clad in the high vest and coat of Quaker cut. The scene was one he never forgot. The finely-fitted and fashionable place of dancing, the officers and gay ladies in that mixed and crowded assembly, the lights, the colours and all the associations, both of the faces and of the place, presenting so singular a contrast with the plain, ancient Friends seated upon the platform, their broad-brims on their heads, their eyes closed; with the silence, long continued and becoming oppressive; and most of all, with the tall, prophetic figure that rose at length to break it.

With grave emphasis he pronounced his text: “What is the chief end of man?” and with fiery and eloquent eyes, in a strong, vibrating, and still musical voice, he commenced to deliver his soul-awakening message. The fire of his fervour kindled as he spoke of the purpose of human life; his broad-brim was dashed from his forehead on to one of the seats behind him. With the power of intense conviction his whole presence became an overwhelming persuasion, melting those who sat before him into tears and into one heart of wonder and humility under his high and simple words.

The sermon itself has not come down to us. In his Journal,[39] Hicks has described the meeting as a “large and very favoured season.” It seems to have been devoid of those painful incidents of opposition which saddened so many similar occasions during these last years of his ministry.

The old man had been accused of Deism, as though he were a second Tom Paine and devotee of “Reason”: in reality his message was somewhat conservative and essentially mystical. A hostile writer[40] asserts truly that the root of his heresy—if heresy we should call it—lay in his setting up of the Light Within as the primary rule of faith and practice. He always viewed the Bible writings as a secondary standard of truth or guide to action; as a book, though the best among books. And as a book, it was the “letter” only: the “spirit that giveth life” even to the letter, was in the hearts of men.

In his attitude toward the idea of Christ, he distinguished, like many other mystics, between the figure of the historic Jesus of Nazareth and that indwelling Christ of universal mystical experience, wherewith according to his teaching, Jesus identified himself through the deepening of his human consciousness into that of Deity. In the mystical view, this God-consciousness is in some measure the common inheritance of all the saints, and underlies the everyday life of men. And to it, as a submerged but present element in the life of their hearers, Fox and the characteristic Quaker preachers have always directed their appeal, seeking to bring it up into consciousness. Once evoked and recognised, this divine element must direct and control all the faculties of the individual. It is the new humanity coming into the world.

Hicks recognised in Jesus the most perfect of initiates into this new life; and as such, he accorded a special authority to the Gospel teachings, but demanded that they should be construed by the reader according to the Christ-spirit in his own heart. Properly understood, the doctrine of the Inner Light is not, as many have supposed it to be, the reductio ad absurdum of individual eccentricity. On the contrary it tends to a transcendental unity; for the spirit whose irruption into the individual consciousness it seeks and supposes, is that spirit and light wherein all things are united and in harmony. In this sense, the Quaker preacher was appealing to the essence of all social consciousness—that realisation of an organic fellowship-in-communion which the sacraments of the churches are designed to cultivate.

However dark his great subject may appear to the trained gaze of philosophy, the old man’s words brought illumination to the little boy. The sense of human dignity was deepened in him; he breathed an air of solemnity and inspiration.

Hicks died early in the new year, and with him there probably fell away the last strong link which held the Whitmans to Quakerism. But the seed of the ultimate Quaker faith—that faith by which alone a quaint little society rises out of a merely historic and sectarian interest to become a symbol of the eternal truths which underlie Society as a whole, a faith which declares of its own experience that Deity is immanent in the heart of Man—this seed of faith was sown in the lad’s mind to become the central principle around which all his after thought revolved.


Although, as these incidents make evident, Walt’s nature was strongly emotional, he never went through the process known as conversion. Religion came to him naturally. Responsive from his childhood to the emotional influence of that ultimate reality which we call “God” or “the spiritual,” he can never have had the overwhelming sense of inward disease and degradation which conversion seems to presuppose. Well-born and surrounded by wholesome influences, it is probable that the higher elements of his nature were always dominant. The idea of abject unworthiness would hardly be suggested to his young mind. He was not ignorant of evil, insensible to temptation, or innocent of those struggles for self-mastery which increase with the years of youth. We have reason to believe that he was wilful and passionate; though he was too affectionate and too well-balanced to be ill-natured. Harmonious natures are not insensitive to their own discordant notes, and the harmony of Whitman held many discords in solution.

He had then in his own experience, even as a child, material sufficient for a genuine sense of sin. But this sense, never, so far as we know, became acute enough to cause a crisis in his life, never created in his mind any feeling of an irreparable disaster, or any discord which he despaired of ultimately resolving. He had not been taught to regard God as a severe judge, of incredible blindness to the complexity of human nature;[41] and perhaps partly in consequence of this, he was ever a rebel against the Divine Justice.

There is, it may be said, another kind of conversion, a turning of the eyes of the soul to discover the actual presence and power of God at hand: the sequel may show whether Whitman felt himself to be ignorant of this change.


Honest, upright and self-respecting, his parents never took an ascetic view of morality. They did not share in that puritanical hostility to art and to amusements which too long distorted the image of truth in the mirror of Quakerism. Even as a lad, Walt discovered those provinces of the world of romance which lie across the footlights, and in the dazzling pages of the Arabian Nights;[42] and, as a youth, he followed the wizard of Waverley through all his stories and poems, becoming, soon after Sir Walter’s death, the happy possessor of Lockhart’s complete edition, in a solid octavo volume of 1,000 pages. From this time forward he was an insatiable novel-reader, especially devoted to Fenimore Cooper, who was then delighting the younger generation with stories of pioneer life.

It would be a mistake, however, to suppose that the boy’s life at this time was all amusement. At eleven years of age he was in a lawyer’s office,[43] proud in the possession of a desk and window-corner of his own. The master found him a bright boy and was kind to him, forwarding his limited education a step further. He also subscribed on his behalf to a circulating library which supplied the lad with a continuous series of tales. But for whatever reason—one fears it was not unconnected with those stories—Walt soon found himself running errands for another master.

In his thirteenth year he was put to the printing trade, and ceased, at least for a while, to live under his father’s roof.[44] The mother was out of health for a long time, during the period of the youngest son’s birth and infancy, and when in 1832 the town was visited by a severe epidemic of cholera, the Whitman family removed into the country. But Walt stayed behind, boarding with the other apprentices of the Brooklyn postmaster and printer. Mr. Clements and his family were good to the lad while he was with them, and some effusions of his—for like other clever boys he was writing verses—appear to have found their way into the Long Island Patriot.

From the Patriot he soon removed to the Star, another local weekly, whose proprietor, Mr. Alden J. Spooner, was a principal figure in the Brooklyn of those days, and who long retained a vivid memory of a certain idle lad who worked in his shop. If he had been stricken with fever and ague, he used to say laughing, the boy would have been too lazy to shake.[45] At thirteen, Walt was too much interested in watching things to take kindly to work; most of his time was spent in learning what the world had to teach him; but in the end he learnt his trade as well.

No place could have been better chosen to awake his interest in the many-sided life around him than a printing office, the centre of all the local news. Here he developed fast in every way, shot up long and stalky, scribbled for the press as well as learning his proper business, and became a very young man about town. Already, he felt the attraction of the great island city of Mannahatta, where, according to its earliest name, for ever “gaily dash the coming, going, hurrying sea-waves.”[46]


New York had for a time been crippled by the collapse of American trade which followed the close of the Napoleonic wars in Europe,[47] but had recovered again, and was now growing rapidly—a city of perhaps 200,000 inhabitants, the English element predominating in its curiously mixed population. Though it was prosperous, it had its share of misfortune. Serious riots—racial, religious and political—were not infrequent. Epidemics of cholera swept through it; and in December, 1835, thirteen acres of its buildings were burnt out in a three days’ conflagration.

In spite of these disasters the town grew and extended, and means of locomotion multiplied. The stages were running on Broadway from Bowling Green to Bleecker Street, that is about half-way to Central Park, and the great thoroughfare was crowded with traffic, presenting a scene busier even and certainly more picturesque than that of to-day. Fashionable folk still lived “down town” below the present City Hall, in a district now given up as exclusively to offices and warehouses as is the City of London. Ladies took their children down to play upon the open space of the Battery, looking down the beautiful bay; and did their shopping at the various Broadway stores. Upon their door-steps, on either side of the street, citizens still sat out with their families through the summer evenings; they condescended to drink at the city pumps, and to buy hot-corn and ices from the wayside vendors, while the height of diversion was to run with the engine to some fire. In a word, New York life was still natural and democratic; palaces and slums were as unknown to the democracy of the metropolis as the sky-scrapers which render the approach to-day, in spite of its wooded hills, its ships and islands, among the least beautiful of the great sea-ports of the world.

Of diversions the citizens had no lack, for the population was now sufficient to support a good native stage and to attract foreign artists. The year 1825 saw the advent of Italian opera at the Old Park theatre, which stood not far from the present Post Office; and Garcia and Malibran appeared in the “Barber of Seville”.[48] It was here that Edwin Forrest was first seen by a New York audience; while fashionable English actors like Macready and the Kembles were among its visitors. But even more interest centred in the Bowery, the great popular theatre built to seat 3,000, where the elder Booth and Forrest played night after night before enthusiastic houses of young and middle-aged artisans and mechanics capable of thunderstorms of applause.

There were other theatres, too, such as Niblo’s and Richmond Hill, and to all of these young Whitman presently found his way armed with a pressman’s pass. He must have spent many an evening in the city while he was still working for Mr. Spooner, and one unforgettable night, when he was fifteen or so, he was present at a great benefit in the Bowery when Booth played “Richard III.”[49] Fifty years later, the scene of that evening remained as clear before his eyes as when he sat in the front of the pit, hanging on every word and gesture of that consummate actor. Inflated and stagy his manner might be; but he revealed to the lad, watching his studied abandonment to passion, a new world of expression. For the first time, he understood how far gestures, and a presence more powerful than words, can express the heights and depths of emotion.

On that night in the Bowery, as upon those memorable nights on the Long Island Beach, and in Morrison’s Ballroom, Walt came face to face with one of the supreme mysteries. On these occasions it had been the mystery of Death, which alone brings peace to the heart of passionate love, and the mystery of the Immanent Deity; now it was that other equal mystery, the mystery of Expression, the utterance of the soul in living words and acts and vivid presence. Love and Religion were already significant to him; he had now been shown the meaning of Art.


In the meantime he had begun, as boys will, to take an interest in politics. And before going further, we must glance at the outstanding events and tendencies of the period.

Those two famous documents, The Declaration of Independence and the Constitution of the United States, are associated respectively with Thomas Jefferson and Alexander Hamilton,[50] and represent two currents of political theory which beat against one another through subsequent years. Jefferson was saturated with the political idealism of the school of Rousseau, which sums itself up in the demand for individual liberty and rights, the declaration of individual independence, and freedom from interference.

Hamilton on the other hand—who was by temper an aristocrat, and once at a New York dinner described the people as “a great beast,”[51]—was possessed by the idea of the Nation; he dwelt upon the duty of each member to the whole, promulgating doctrines of solidarity and unity in the cause of a common freedom. The two views are, of course, complementary; their antagonism, if it gave the victory to either, would be fatal to both; and their reconciliation is essential to the life of the Republic. But between their supporters, antagonism has naturally existed.

The ideal of the Jeffersonian Republicans became associated with popular or “Democratic” sentiment,[52] standing as it did in opposition to the more conservative and constitutional position of the Hamiltonian Federalists. For a time the two parties dwelt together in such amity that the Federalists were actually merged with the Republicans; but the uncontested election of Monroe was a signal for the outbreak of the old contest. At the next election,[53] an Adams of Massachusetts was returned to the White House; and Jackson of Tennessee, one of the defeated candidates, built up a Democratic party of opposition whose organising centre was New York. On the other side, the followers of Adams and his secretary, Henry Clay, came eventually to be known as Whigs, “Republican” ceasing for a quarter of a century to be a party label.

The titles of the parties serve approximately to indicate their different tendencies; though it must be remembered that the Whiggery of Adams was coloured by New England idealism, while the material interests of the South turned their energies to capture the naturally idealistic Democracy of Jackson. Eventually the division became almost a geographical one; though certain of her interests and perhaps her jealous antipathy to New England, gave New York’s sympathies to the South.

In 1832, when Walt was studying the world through the keen eyes of thirteen, and the windows of a Brooklyn printing shop, Democratic South Carolina was offering a stubborn resistance to the Federal tariff. Theoretically, and one may add ethically, any tariff was contrary to the Jeffersonian doctrine of universal freedom; and practically, it was disastrous to the special interests of the South. Carolina, under the poetic fire and genius of Calhoun, was the Southern champion against Northern, or, let us say, Federal aggression. She stood out for the rights of a minority so far as to propose secession. The South was aggrieved by the tariff, for, roughly speaking, its States were cotton plantations, whose interests lay in easy foreign exchange; they grew no corn, they made no machinery, they neither fed nor clothed themselves. The North on the other hand was industrial, anxious to guard its infant manufactures against the competition of Great Britain. The West was agricultural, demanding roads and public works which required the funds provided by a tariff. Now even these public works, these high roads and canals, were calculated directly to benefit the Northern manufacturers rather than the planters of the South whose highway to the West was the great river which had formerly given them all the Western trade to handle, and whose cheapest market for machinery and manufactured goods lay over the high sea whither its own staple was continually going.

The tariff imposed for the benefit of the Northern section was, then, opposed by the South on grounds of industrial necessity as well as of political theory. And it may be noted the argument of the Southerner was equally the argument of many an artisan in the metropolis, who saw in free trade the sole guarantee of cheap living.


Thus there was a certain antagonism between the interests of the two geographical sections of the American nation; and this was emphasised by another cause for hostility. Every statesman knew that, although unacknowledged, it was really the question of slavery which was already dividing America into “North” and “South”. And recognising it as beyond his powers of solution, he sought by maintaining a compromise to conceal it from the public mind.

The “Sovereign States,” momentarily united for defence against a domineering king, had at the same hour been swept by Tom Paine’s and Jefferson’s versions of the French Republicanism, and North and South alike adhered to a doctrinaire equality. The negro, they were willing to agree, should be voluntarily and gradually emancipated.

But the hold of this policy on the South was soon afterwards undermined by the economic development which followed the introduction of the cotton-gin. The new and rapidly growing prosperity of the planter depended on the permanence of the “institution”. And from this time forward the Southern policy becomes hard to distinguish from the vested interests of the slave-owner. The prosperity of the South seemed to depend upon the extension of the cotton industry: the cotton industry, again, upon slave-labour; thus it was argued, the institution of slavery was necessary to the prosperity of the South. The North, so the Southerner supposed, had its own interests to serve, and only regarded the South as a market. It was, he felt, jealous of the dominance of Southern statesmanship in the Union; and its desire to destroy “the institution” was denounced as the sectional jealousy of small-minded, shop-keeping bigots, of inferior antecedents. By the brute force of increasing numbers, by a vulgar love of trade, and the accidents of climate and of mineral resources, the North was beginning to establish its hold upon Congress, and arrogating to itself the Federal power.

Hitherto, with the exception of the Adamses and of Jackson, every President had been of Virginian birth, bred, the Southerner declared, in the broader views of statesmanship. But the North was now predominant in the House of Representatives, and a balance could only be preserved in the Senate, where each State appoints two members, by constant watchfulness. Thus the rapid settling of the middle West by Northerners must be balanced by the annexation of new cotton-growing regions in the South-west. The famous Missouri Compromise of 1821 fixed the frontier between future free-soil and slave States at the line of the southern boundary of Missouri, while admitting that State itself into the Union as a member of the latter class. Hence it was only in the South-west that slavery could develop, and extension by conquest of cotton territory became henceforward an object of Southern politicians.

While, then, it was the aggression of the South which finally drove the nation into civil war, the South for many years had viewed itself as an aggrieved partner in the inter-State compact, victimised in the interests of the majority. It felt, perhaps not unjustly, that it was being overridden, and that the Federation was becoming what Jefferson described as “a foreign yoke”.[54] It became excessively sensitive to hostility: every rumour of the spread of Abolition sentiment in the North—a sentiment which favoured a new attitude towards the Federal power, and would give control to it over the domestic affairs of what hitherto had literally been “Sovereign States”—raised a storm of indignation and evoked new threats of secession.


But while slavery was already playing its part in American politics it had not yet become the main line of party cleavage. Although the party of free trade and of State rights was the party of the South, it was not yet the party of slavery. It was still throughout America the “people’s party,” and the slave power was the last to desire that it should cease to hold that title, especially in the North. For many a year to come there would be stout Abolitionists who could call themselves Democrats; while “dough-faces,” or politicians who served the party of slavery, were always to be found amongst the Whigs.

Even while party feeling ran high, the increase of the means of communication and the introduction of steam transport, both on land and water, favoured the larger Federal sentiment and quickened the national consciousness. Talk of secession had been heard in New England as well as in South Carolina; but actual secession became more difficult as the manufacturers of the East, the cotton-growers of the South, and the farmers of the Mississippi basin had tangible evidence of the many interests and privileges which were common to them, and beheld more and more clearly the future upon which America was entering. Year by year the idea of the Union gained in vitality; and in spite of party feeling, President Jackson had a nation behind him when he refused to yield to South Carolina’s threat of secession.

A compromise was effected, and Carolina submitted to the collection of duties under a somewhat mitigated tariff: the relation of the constituent States to the Federal power remaining still undefined, waiting, for a generation to come, upon the growth of national sentiment on the one hand, and the accumulation of resentment upon the other.

FOOTNOTES:

[29] Comp. Prose; Bucke; MSS. Harned.

[30] Descriptions of Brooklyn at this time in Mem. Hist. N.Y.; Roosevelt; Thompson, 179 n.; Furman’s Brooklyn; Furman’s Antiq., 390-97; Burroughs; Comp. Prose, 10 n., 510, etc.

[31] Comp. Prose, 9 n.

[32] W. W.’s Diary in Canada, 5.

[33] L. of G., 196.

[34] Cf. especially:—

Never more shall I escape, never more the reverberations,

Never more the cries of unsatisfied love be absent from me,

Never again leave me to be the peaceful child I was before what there in the night,

By the sea under the yellow and sagging moon,

The messenger there arous’d, the fire, the sweet hell within,

The unknown want, the destiny of me.

[35] Comp. Prose, 10; Grace Gilchrist in Temple Bar, cxiii., 200.

[36] MSS. Harned; Comp. Prose, 9.

[37] In re, 38.

[38] Comp. Prose, 9, 457-474; E. Hicks’ Journal, under 1829; The Friend (Philadelphia), or Advocate of Truth, i., 216 (1828).

[39] 3rd ed., 438.

[40] The Beacon, 145.

[41] Bucke, 61.

[42] Comp. Prose, 9; L. of G., 440.

[43] Bucke; MSS. Harned.

[44] Comp. Prose, 9, 10; MSS. Harned.

[45] MSS. Johnston, paper by Chandos Fulton.

[46] L. of G., 385; Kennedy, 64.

[47] For New York see esp. Mem. Hist. N.Y., and Roosevelt.

[48] Mem. Hist. N.Y., iv., 171, 477.

[49] Comp. Prose, 13, 14, 426-431.

[50] Camb. Mod. Hist.; Bryce, i., 1-31.

[51] Goldwin Smith, The United States (1893), 132.

[52] En. Brit. Suppt., and G. Smith.

[53] 1824-25.

[54] Cf. Camb. Mod. Hist., 375, 376.


CHAPTER III

TEACHER AND JOURNALIST

The spring of 1836 found Whitman in New York.[55]

He was in his seventeenth year, had now learnt his trade, and had begun to write for the weekly papers; among others, contributing occasionally to the handsome and aristocratic pages of the Mirror, perhaps the best of its class.[56] He lived in that journalistic atmosphere which encourages expression and turns many a clever lad into a prig. Walt was self-sufficient, but there was nothing of the prig[57] in him. Limited as his schooling had been, he was naturally receptive and thoughtful, and his education went steadily forward; he made friends with older men, and with men of education from whom he learnt much. And now he became a teacher.

He was a healthy boy, but had somewhat overgrown his strength, and perhaps this was among the causes of his leaving the city in May, and going up Long Island into the country. He joined his family for awhile, who were living at Norwich;[58] and subsequently settled for the winter as a country teacher at Babylon, boarding round, as was the custom, in the homes of his various pupils.


WHITMAN’S BIRTHPLACE FROM THE FARM-YARD, 1904