DRAMATIC HOURS IN REVOLUTIONARY HISTORY


The
Story of Nathan Hale

BY
HENRY FISK CARLTON
Edited by CLAIRE T. ZYVE, Ph.D.
Fox Meadow School, Scarsdale, New York


BUREAU OF PUBLICATIONS
TEACHERS COLLEGE, COLUMBIA UNIVERSITY
NEW YORK CITY


HOW TO BE A GOOD RADIO ACTOR

The play in this book has actually been produced on the radio. Possibly you have listened to this one when you tuned in at home. The persons whose voices you heard as you listened, looked just as they did when they left their homes to go to the studio, although they were taking the parts of men and women who lived long ago and who wore costumes very different from the ones we wear today.

The persons whose voices you heard stood close together around the microphone, each one reading from a copy of the play in his hand. Since they could not be seen, they did not act parts as in other plays, but tried to make their voices show how they felt.

When you give these plays you will not need costumes and you will not need scenery, although you can easily arrange a broadcasting studio if you wish. You will not need to memorize your parts; in fact, it will not be like a real radio broadcast if you do so, and, furthermore, you will not want to, since you each have a copy of the book in your hands. All you will need to do is to remember that you are taking the part of a radio actor, that you are to read your speeches very distinctly, and that by your voice you will make your audience understand how you feel. In this way you will have the fun of living through some of the great moments of history.

HOW TO FOLLOW DIRECTIONS IN THE PLAY

There are some directions in this play which may be new to you, but these are necessary, for you are now in a radio broadcasting studio, talking in front of a microphone. The word (in) means that the character is standing close to the microphone, while (off) indicates that he is farther away, so that his voice sounds faint. When the directions (off, coming in) are given, the person speaking is away from the microphone at first but gradually comes closer. The words (mob) or (crowd noise) you will understand mean the sound of many people talking in the distance.

Both the English and the dialect used help make the characters live, so the speeches have been written in the way in which these men and women would talk. This means that sometimes the character may use what seems to you unusual English. The punctuation helps, too, to make the speeches sound like real conversation; for example, you will find that a dash is often used to show that a character is talking very excitedly.


THE STORY OF NATHAN HALE

CAST

CAPTAIN NATHAN HALE
CAPTAIN WILLIAM HULL
GENERAL WASHINGTON
BOS'N
LIEUTENANT POND
SIMON CARTER
LIEUTENANT DREW [BRITISH]
MRS. CHICHESTER
CAPTAIN MONTRESSOR
PROVOST MARSHAL CUNNINGHAM

ANNOUNCER

We present here the story of the famous Revolutionary hero and martyr, Nathan Hale. For the first scene of our sketch, let us go to General Washington's headquarters in New York City. It is early September of the year 1776. In the Orderly room, outside of General Washington's private office, sits Captain William Hull, a member of the General's staff. Another officer comes through the door, Captain Hull glances toward the newcomer, jumps up, and exclaims—

HULL

Nathan Hale! As sure as I'm alive!

HALE

William Hull! Well, well, this is a surprise!

HULL

And you're a Captain! My congratulations, Nathan.

HALE

I might say the same to you, William!

HULL

What regiment are you in?

HALE

Knowlton's Rangers. And you?

HULL

Well, as you see, I'm on the General's staff. I envy you! Knowlton's Rangers, eh? Ah! There you have some chance for adventure! Some chance to distinguish yourself, while I—

HALE

Why, what's wrong with a staff appointment? I'd be honored if it were offered to me.

HULL

Yes, so was I. That's why I'm here. I was a lieutenant of artillery when General Washington asked me to join his staff. I jumped at the chance—

HALE

Who wouldn't?

HULL

I wouldn't, again! Why, all I've done for two months is write letters, sit at a desk, answer questions, and run errands! It's no duty for a man who craves action!

HALE

Yes, William, you have always been a fire eater.

HULL

Well, I eat no fire here, I can tell you. Now will you trade jobs with me?

HALE

If General Washington asks me to—I'll do it—though you haven't made it sound like a very attractive job, William.

HULL

Perhaps I've overdone it, Nathan—

HALE [laughing]

No use trying to crawl out of it now, William.

HULL

But you—you're more used to this sort of thing than I am. You're a schoolmaster—used to books and quills and letter writing.

HALE

That's true enough. You never had much love for books—as I remember it you were rather a trial to the dominie back home—by the way, what do you hear from South Coventry?

HULL

Not much—almost every man in the town enlisted.

HALE

Yes, I keep running across South Coventry men everywhere I go. It's a little town, but it has certainly done its duty well in this war.

HULL

If others had done as well, we wouldn't be in such dire straits now!

HALE

Things do look pretty black for us.

HULL

Black! They couldn't be blacker!

HALE

Have you any idea what the General's next move will be?

HULL

No!—and what's more, I don't think he knows. It all depends on General Howe's movements, and what those will be nobody knows.

HALE

Is General Washington in his office now?

HULL

Yes. Did you come to see him?

HALE

I was ordered to report to him.

HULL

And here I've been keeping you out here—that shows what a good staff officer I am! I'll announce you at once. [knock]

WASHINGTON [off]

Yes, come in.

HULL

Sir, Captain Hale of Knowlton's Rangers awaits your pleasure.

WASHINGTON [off]

Ask him to come in at once, Captain.

HULL

Yes, sir. [closer] General Washington will see you now, Captain Hale.

HALE

Thank you.

HULL [low]

I'll wait out here for you. Come right in here! [door closes]

HALE

Captain Hale reports as ordered, sir.

WASHINGTON

Come in, Captain—come in!

HALE

Thank you, sir.

WASHINGTON

Will you sit here?

HALE

Thank you, sir.

WASHINGTON

Colonel Knowlton informs me that you and your company have been assigned to cover the North Shore line of Long Island Sound.

HALE

Yes, sir!

WASHINGTON

Well, Captain Hale, I am seriously in need of exact information which you may be able to secure.

HALE

What is that, sir?

WASHINGTON

Lord Howe's plans!

HALE

Yes, sir!

WASHINGTON

Can you get them?

HALE

I can try, sir.

WASHINGTON

You don't seem daunted by the magnitude of the undertaking.

HALE

It is an order, sir.

WASHINGTON

Well, my boy, no man knows better than I the impossibility of some orders.

HALE

But, sir—

WASHINGTON

I hope, though, that this is not impossible. I have to have the information. The safety of my whole army depends upon it. I must know particularly where General Howe intends to strike next.

HALE

Yes, sir.

WASHINGTON

If he comes across the East River, we can protect ourselves and keep out of his way. But if he comes across Long Island Sound—do you realize what that may mean to us?

HALE

Yes, sir. He can cut off our retreat.

WASHINGTON

Exactly! So that's what I must know.

HALE

I'll find out for you, sir.

WASHINGTON

Good! Now, Captain, you may go about your task in any way you see fit. I suggest two or three alternatives. First, you may tempt one of the enemy or a Tory who has access to the British lines, with a sum of money. You may draw on me for whatever is necessary.

HALE

Yes, sir.

WASHINGTON

Or you might make a sally across the Sound, capture a prisoner or two, and secure bits of information.

HALE

Yes, sir.

WASHINGTON

Or, though I hate to suggest it, you might go yourself in disguise to the British lines, but that should be only in a last desperate effort.

HALE

I understand, sir.

WASHINGTON

Or if you could get in touch with certain persons on Long Island who have been of service to us before—let's see—there is a shoemaker in Jamaica—what is his name—oh, here it is—Simon Carter.

HALE

Simon Carter. Yes, sir.

WASHINGTON

If you can find any way to get in touch with him—

HALE

I'll find a way, sir.

WASHINGTON

The password is "Liberty" used twice in your first sentence to him.

HALE

Yes, sir.

WASHINGTON

I don't know what he can do for you, but he is trustworthy and he may have some information.

HALE

I'll see him, sir.

WASHINGTON

Now, Captain, I don't want you to go yourself unless it is absolutely necessary. But I must have General Howe's plans as soon as possible.

HALE

Yes, sir. I understand. I'll see that you get them, sir.

WASHINGTON

Good! I believe you will, Captain. Good day.

HALE

Good day, sir. [door closes]

HULL [coming in]

Well, Nathan, what news?

HALE

I've got a job.

HULL

On the staff?

HALE

No. I'm afraid it's more hazardous than that.

HULL

You're lucky! A hazardous job! Say, what I wouldn't give to be in your shoes! What is it? Are you at liberty to tell?

HALE

Of course I'll tell you, William. I'm to discover General Howe's plan of action.

HULL [whistles]

I should say you had drawn a hazardous assignment! I'd call it a labor of Hercules!

HALE

Perhaps.

HULL

How are you going about it?

HALE

There's only one sure way of doing it.

HULL

Yes—and what's that?

HALE

I'll go myself into the enemy lines.

HULL

In disguise?

HALE

Of course.

HULL

That may involve serious consequences, Nathan.

HALE

I know it, but I think it's my duty.

HULL

Listen, Nathan. Let me go instead. It's more in my line.

HALE

No, William. The General has assigned me to the duty.

HULL

But he didn't order you to act the spy, did he?

HALE

No.

HULL

And he doesn't expect you to.

HALE

He expects me to get Howe's plans.

HULL

Look here—if I get permission to leave here, won't you let me go in your place?

HALE

I'm afraid not, William.

HULL

Listen to reason! You have a father and mother; you're engaged to be married. If by chance you were captured—well, I hate to think of it. But I'm alone in the world, it wouldn't make any difference what happened to me. Let me go!

HALE

It's no use, William. I appreciate your sentiment; but General Washington has given me a duty to perform, and I'd be a poor kind of soldier if I turned it over to anyone else simply because it involved danger.

HULL

Let me go with you, at least!

HALE

Well, if you can get permission, I'd be glad to have you go part of the way with me—though I must go into the enemy lines alone!

HULL

But—

HALE

I insist on that! There is added risk in two of us trying to work under disguise.

HULL

Oh, very well. Have it your way. When do we start?

HALE

Early tomorrow morning.

HULL

I'll get permission to accompany you at once.

ANNOUNCER

So early the next morning Hull and Hale started out together. They went into Connecticut and began looking for some means of crossing the Sound to the North Shore of Long Island. When they arrived near Norwalk they heard that an American gunboat was lying offshore. They determined to row out to it as soon as night came.

Our next scene is just after dark. Nathan Hale has put on his disguise, while William Hull has found a rowboat, and now draws up to the shore where Nathan is waiting for him.

HALE

Hello, William, that you?

HULL

It's me, right enough. Come on, climb in.

HALE

All right. Hold her there while I get aboard.

HULL

Easy, you'll have to jump for it! This is as close as I can come with this old tub.

HALE

Steady now! Here I come—all right! I didn't even get my feet wet!

HULL

Let me take a good look at your disguise. Hm—brown homespun suit—yes—that's a poor enough fit even for a penniless schoolmaster. And that hat! Yes, it'll disguise you all right.

HALE

I hope so. Give me an oar, I'll help you pull to the gunboat.

HULL

Here you are. [rattle of oar in oarlock] All ready?

HALE

Pull away, [noise of regular rattle of oars in the lock and the swish of water continuing]

HULL

Where are you going first, Nathan?

HALE

I don't know. I'll have to let circumstances direct me.

HULL

Are you going directly to that shoemaker the General referred you to?

HALE

No, not directly. I'll see what I can do without any help at first.

HULL

You better change your mind and let me go with you.

HALE

It's no use, William. I won't change my mind.

HULL

You always were stubborn, Nathan.

HALE

Perhaps. There's the gunboat, William!

HULL

Sure that's it?

HALE

No doubt of it.

HULL

Shall I hail them?

HALE

Let's pull in a little closer.

HULL

All right, pull away. There's no light aboard.

HALE

No—there wouldn't be. These waters are alive with British boats.

HULL

There! That's close enough! Give 'em a call now!

HALE

Ahoy, there!

BOS'N [distance]

Ahoy! Look sharp there! Don't come any closer! Who are you, and what do you want?

HALE

I want to speak to your Captain.

BOS'N

Who are you?

HALE

An officer of the Continental army!