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LADY BARBARINA
THE SIEGE OF LONDON
AN INTERNATIONAL EPISODE
AND OTHER TALES

BY
HENRY JAMES

MACMILLAN AND CO., LIMITED
ST. MARTIN’S STREET, LONDON

1922

COPYRIGHT.

PRINTED IN GREAT BRITAIN

PREFACE

I have gathered into this volume several short fictions of the type I have already found it convenient to refer to as “international”—though I freely recognise, before the array of my productions, of whatever length and whatever brevity, the general applicability of that term. On the interest of contrasted things any painter of life and manners inevitably much depends, and contrast, fortunately for him, is easy to seek and to recognise; the only difficulty is in presenting it again with effect, in extracting from it its sense and its lesson. The reader of these volumes will certainly see it offered in no form so frequent or so salient as that of the opposition of aspects from country to country. Their author, I am quite aware, would seem struck with no possibility of contrast in the human lot so great as that encountered as we turn back and forth between the distinctively American and the distinctively European outlook. He might even perhaps on such a showing be represented as scarce aware, before the human scene, of any other sharp antithesis at all. He is far from denying that this one has always been vivid for him; yet there are cases in which, however obvious and however contributive, its office for the particular demonstration has been quite secondary, and in which the work is by no means merely addressed to the illustration of it. These things have had in the latter case their proper subject: as, for instance, the subject of “The Wings of the Dove,” or that of “The Golden Bowl,” has not been the exhibited behaviour of certain Americans as Americans, of certain English persons as English, of certain Romans as Romans. Americans, Englishmen, Romans are, in the whole matter, agents or victims; but this is in virtue of an association nowadays so developed, so easily to be taken for granted, as to have created a new scale of relations altogether, a state of things from which emphasised internationalism has either quite dropped or is well on its way to drop. The dramatic side of human situations subsists of course on contrast; and when we come to the two novels I have just named we shall see, for example, just how they positively provide themselves with that source of interest. We shall see nevertheless at the same time that the subject could in each case have been perfectly expressed had all the persons concerned been only American or only English or only Roman or whatever.

If it be asked then, in this light, why they deviate from that natural harmony, why the author resorts to the greater extravagance when the less would serve, the answer is simply that the course taken has been, on reflexion, the course of the greater amusement. That is an explanation adequate, I admit, only when itself a little explained—but I shall have due occasion to explain it. Let me for the moment merely note that the very condition I here glance at—that of the achieved social fusion, say, without the sense and experience of which neither “The Wings of the Dove,” nor “The Golden Bowl,” nor “The Portrait of a Lady,” nor even, after all, I think, “The Ambassadors,” would have been written—represents a series of facts of the highest interest and one that, at this time of day, the late-coming observer and painter, the novelist sometimes depressed by all the drawbacks of a literary form overworked and relaxed, can only rejoice to meet in his path and to measure more and more as a portent and an opportunity. In proportion as he intelligently meets it, and more especially in proportion as he may happen to have “assisted” from far back at so many of the odd and fresh phenomena involved, must he see a vast new province, infinitely peopled and infinitely elastic—by which I mean with incalculable power to grow—annexed to the kingdom of the dramatist. On this point, however, much more is to be said than I can touch on by the way—so that I return to my minor contention; which is that in a whole group of tales I here collect the principle of illustration has on the other hand quite definitely been that the idea could not have expressed itself without the narrower application of international terms. The contrast in “Lady Barbarina” depends altogether on the immitigable Anglicism of this young woman and that equally marked projection of New York elements and objects which, surrounding and framing her figure, throws it into eminent relief. She has her personal qualities, but the very interest, the very curiosity of the matter is that her imbroglio is able to attest itself with scarce so much as a reference to them. It plays itself out quite consistently on the plane of her general, her instinctive, her exasperatedly conscious ones. The others, the more intimate, the subtler, the finer—so far as there may have been such—virtually become, while the story is enacted, not relevant, though their relevancy might have come up on some other basis.

But that this is true, always in its degree, of each of the other contributions to the class before us, we shall sufficiently make out, I think, as we take them in their order. I am only struck, I may indeed parenthesise, with the inveteracy of the general ground (not to say of the extension I give it) over which my present remarks play. It does thus in truth come home to me that, combining and comparing in whatever proportions and by whatever lights, my “America” and its products would doubtless, as a theme, have betrayed gaps and infirmities enough without such a kicking-up of the dramatic dust (mainly in the foreground) as I could set my “Europe” in motion for; just as my Europe would probably have limped across our stage to no great effect of processional state without an ingenuous young America (constantly seen as ingenuous and young) to hold up its legendary train. At the same time I pretend not at all to regret my having had from the very first to see my workable world all and only as an unnatural mixture. No mixture, for that matter, is quite unnatural unless quite sterile, and the particular range of associations that betimes, to my eyes, blocked out everything else, blocked out aspects and combinations more simply conditioned, was at least not open to the reproach of not giving me results. These were but what they could be, of course; but such as they were, at all events, here am I at this time of day quite earnestly grouping, distinguishing, discussing them. The great truth in the whole connexion, however, is, I think, that one never really chooses one’s general range of vision—the experience from which ideas and themes and suggestions spring: this proves ever what it has had to be, this is one with the very turn one’s life has taken; so that whenever it “gives,” whatever it makes us feel and think of, we regard very much as imposed and inevitable. The subject thus pressed upon the artist is the necessity of his case and the fruit of his consciousness; which truth makes and has ever made of any quarrel with his subject, and stupid attempt to go behind that, the true stultification of criticism. The author of these remarks has in any case felt it, from far back, quite his least stupid course to meet halfway, as it were, the turn taken and the perceptions engendered by the tenor of his days. Here it is that he has never pretended to “go behind”—which would have been for him a deplorable waste of time. The thing of profit is to have your experience—to recognise and understand it, and for this almost any will do; there being surely no absolute ideal about it beyond getting from it all it has to give. The artist—for it is of this strange brood we speak—has but to have his honest sense of life to find it fed at every pore even as the birds of the air are fed; with more and more to give, in turn, as a consequence, and, quite by the same law that governs the responsive affection of a kindly-used animal, in proportion as more and more is confidently asked.

All of which, however, doubtless wanders a little far from my mild argument—that of my so grateful and above all so well-advised primary acceptance of a determined array of appearances. What I was clearly to be treated to by fate—with the early-taken ply I have already elsewhere glanced at—was (should I have the intelligence to embrace it) some considerable occasion to appreciate the mixture of manners. So, as I say, there would be a decent economy in cultivating the intelligence; through the sincerity of which process I have plucked, I hold, every little flower of a “subject” pressed between the leaves of these volumes. I am tempted indeed to make for my original lucidity the claim of something more than bare prudence—almost that of a happy instinctive foresight. This is what I mean by having been “well-advised.” It was as if I had, vulgarly speaking, received quite at first the “straight tip”—to back the right horse or buy the right shares. The mixture of manners was to become in other words not a less but a very much more appreciable and interesting subject of study. The mixture of manners was in fine to loom large and constantly larger all round; it was to be a matter, plainly, about which the future would have much to say. Nothing appeals to me more, I confess, as a “critic of life” in any sense worthy of the name, than the finer—if indeed thereby the less easily formulated—group of the conquests of civilisation, the multiplied symptoms among educated people, from wherever drawn, of a common intelligence and a social fusion tending to abridge old rigours of separation. This too, I must admit, in spite of the many-coloured sanctity of such rigours in general, which have hitherto made countries smaller but kept the globe larger, and by which immediate strangeness, immediate beauty, immediate curiosity were so much fostered. Half our instincts work for the maintained differences; without them, for instance, what would have been the point of the history of poor Lady Barbarina? I have but to put that question, I must add, to feel it beautifully large; for there looms before me at its touch the vision of a Lady Barbarina reconciled, domesticated, developed, of possibly greater vividness than the quite other vision expressed in these pages. It is a question, however, of the tendency, perceptive as well as reflective too, of the braver imagination—which faculty, in our future, strikes me as likely to be appealed to much less by the fact, by the pity and the misery and the greater or less grotesqueness, of the courageous, or even of the timid, missing their lives beyond certain stiff barriers, than by the picture of their more and more steadily making out their opportunities and their possible communications. Behind all the small comedies and tragedies of the international, in a word, has exquisitely lurked for me the idea of some eventual sublime consensus of the educated; the exquisite conceivabilities of which, intellectual, moral, emotional, sensual, social, political—all, I mean, in the face of felt difficulty and danger—constitute stuff for such “situations” as may easily make many of those of a more familiar type turn pale. There, if one will—in the dauntless fusions to come—is the personal drama of the future.

We are far from it certainly—as I have delayed much too long to remark—in the chronicle of Lady Barb. I have placed this composition (1888) at the top of my list, in the present cluster, despite the earlier date of some of its companions; consistently giving it precedence by reason of its greatest length. The idea at the root of it scarcely brooks indication, so inevitable had it surely become, in all the conditions, that a young Englishwoman in some such predicament should figure as the happy pictorial thought. The whole thing rests, I need scarce point out, on the most primitive logic. The international relation had begun to present itself “socially,” after the liveliest fashion, a quarter of a century ago and earlier, as a relation of intermarrying; but nothing was meanwhile so striking as that these manifestations took always the same turn. The European of “position” married the young American woman, or the young American woman married the European of position—one scarce knew how best to express the regularity of it; but the social field was scanned in vain for a different pairing. No American citizen appeared to offer his hand to the “European” girl, or if he did so offered it in vain. The bridal migrations were eastward without exception—as rigidly as if settled by statute. Custom clearly had acquired the force of law; a fact remarkable, significant, interesting and even amusing. And yet, withal, it seemed scarce to demand explanations. So far as they appeared indeed they were confident on the American side. The representatives of that interest had no call in life to go “outside” for their wives—having obviously close at hand the largest and choicest assortment of such conveniences; as was sufficiently proved by the European “run” on the market. What American run on any foreign market had been noted?—save indeed always on the part of the women! It all redounded to the honour and glory of the young woman grown in American conditions—to cast discredit on whose general peerlessness by attested preference for other types could but strike the domestic aspirant as an act of disloyalty or treachery. It was just the observed rarity of the case therefore that prompted one to put it to the imaginative test. Any case so unlikely to happen—taking it for at all conceivable—could only be worth attention when it should, once in a blue moon, occur. There was nothing meanwhile, in truth, to “go by”; we had seen the American girl “of position” absorbed again and again into the European social system, but we had only seen young foreign candidates for places as cooks and housemaids absorbed into the American. The more one viewed the possible instance, accordingly, the more it appealed to speculative study; so that, failing all valid testimony, one had studiously, as it were, to forge the very documents.

I have only to add that I found mine, once I had produced them, thoroughly convincing: the most one could do, in the conditions, was to make one’s picture appear to hang together, and I should have broken down, no doubt, had my own, after a superficial question or two, not struck me as decently hanging. The essential, at the threshold, I seem to recall, was to get my young man right—I somehow quite took for granted the getting of my young woman. Was this because, for the portrait of Lady Barb, I felt appealed to so little in the name of shades? Shades would be decidedly neither of her general world nor of her particular consciousness: the image I had in view was a maiden nature that, after a fashion all its own, should show as fine and complete, show as neither coarse nor poor, show above all as a resultant of many causes, quite without them. I felt in short sure of Lady Barb, and I think there is no question about her, or about the depth of root she might strike in American soil, that I shouldn’t have been ready on the spot to answer. Such is the luck of the conception that imposes itself en bloc—or such at least the artist’s luck in face of it; such certainly, to begin with and “subjectively” speaking, is the great advantage of a character all of a piece: immediacy of representation, the best omens for felicity, then so honourably await it. It was Jackson Lemon and his shades, comparatively, and his comparative sense for shades, that, in the tale, most interested me. The one thing fine-drawn in his wife was that she had been able to care for him as he was: to almost every one and every thing else equally American, to almost every one and everything else so sensibly stamped, toned and warranted, she was to find herself quite otherwise affected. With her husband the law was reversed—he had, much rather, imputed authority and dignity, imputed weight and charm, to the antecedents of which she was so fine and so direct a consequence; his estimate, his appreciation of her being founded thus on a vision of innumerable close correspondences. It is that vision in him that is racked, and at so many fine points, when he finds their experiment come so near failure; all of which—at least as I seem to see it again so late in the day—lights his inward drama as with the never-quenched lamp of a sacred place. His wife’s, on the other hand, goes on in comparatively close darkness.

It is indeed late in the day that I thus project the ray of my critical lantern, however; for it comes over me even as I write that the general air in which most of these particular flowers of fancy bloom is an air we have pretty well ceased to breathe. “Lady Barbarina” is, as I have said, scarce a quarter of a century old; but so many of the perceived conditions in which it took birth have changed that the account of them embodied in that tale and its associates will already pass for ancient history. “Civilisation” and education move fast, after all, and too many things have happened; too many sorts of things, above all, seem more and more likely to happen. This multiplication of kinds of occurrences, I make no doubt, will promote the inspiration of observers and poets to come; but it may meanwhile well make for an effect of superannuation in any record of the leaner years. Jackson Lemon’s has become a more frequent adventure, and Lady Barbarina is to-day as much at her ease in New York, in Washington, at Newport, as in London or in Rome. If this is her case, moreover, it is still more that of little Mrs. Headway, of “The Siege of London” (1883), who suffers, I feel, by the sad circumstance that her type of complication, or, more exactly speaking perhaps, that of the gentlemen concerned with her, is no longer eminent, or at least salient. Both she and her friends have had too many companions and successors; so that to reinvest them with historic importance, with individual dignity, I have to think of them rather as brave precursors, as adventurous skirmishers and éclaireurs. This doesn’t diminish, I recognise, any interest that may reside in the form either of “The Siege” aforesaid or of its congeners “An International Episode,” “A Bundle of Letters” and “The Pension Beaurepas.” Or rather indeed perhaps I should distinguish among these things and, if presuming to claim for several some hint of the distinction we may see exemplified in any first-class art-museum, the distinction of the archaic subject treated by a “primitive” master of high finish, yet notice duly that others are no more “quaint” than need be. What has really happened, I think, is that the great international cases, those that bristle with fifty sorts of social reference and overflow, and, by the same token, with a hundred illustrations of social incoherence, are now equally taken for granted on all sides of the sea, have simply become incidents and examples of the mixture of manners, as I call it, and the thicker fusion: which may mean nothing more, in truth, but that social incoherence (with the sense for its opposite practically extinct among the nations) has at last got itself accepted, right and left, as normal.

So much, as I put it, for the great cases; but a certain freshness, I make out, still hangs strangely enough about the smaller and the more numerous; those to which we owe it that such anecdotes—in my general array—as “Pandora,” as “Fordham Castle,” as “Flickerbridge,” as “Miss Gunton of Poughkeepsie,” are by no means false even to present appearances. “The Pension Beaurepas” is not alone, thanks to some of its associations, in glowing for me with the tender grace of a day that is dead; and yet, though the accidents and accessories, in such a picture, may have been marked for change, why shall not the essence of the matter, the situation of Mr. and Mrs. Ruck and their daughter at old Geneva—for there is of course a new, a newer Geneva—freely recur? I am careful to put it as a question, and all for a particular reason—the reason that, to be frank, I find myself, before the vast diluvian occidental presence in Europe, with its remorseless rising tide and its positive expression of almost nothing but quantity and number, deprived, on definite and ample grounds, of the precious faculty of confidence. This confidence was of old all instinctive, in face of the “common run” of appearances, the even then multitudinous, miscellaneous minor international phenomena, those of which the “short story,” as contemporaneously practised, could effect a fairly prompt and easy notation; but it is now unmistakable that to come forth, from whatever privacy, to almost any one of the great European highways, and more particularly perhaps to approach the ports of traffic for the lately-developed and so flourishing “southern route” from New York and Boston, is to encounter one of those big general questions that sturdily brush away the multiplication of small answers. “Who are they, what are they, whence and whither and why,” the “critic of life,” international or other, still, or more and more, asks himself, as he of course always asked, but with the actual difference that the reply that used to come so conveniently straight, “Why, they’re just the American vague variety of the dear old Anglo-Saxon race,” not only hangs fire and leaves him to wait and wonder, but really affects him as having for this act of deference (as to which he can’t choose, I admit) little more than a conscious mocking, baffling, in fact a just all but sinister, grimace. “Don’t you wish you knew, or even could know?” the inscrutable grin seems to convey; and with resources of cynicism behind it not in the least to be disturbed by any such cheap retort as “Don’t you wish that, on your side, you could say—or even, for your own convenience, so much as guess?”

For there is no communicating to the diluvian presence, on such a scale, any suspicion that convenience shall anywhere fail it: all its consciousness, on that general head, is that of itself representing and actively being the biggest convenience of the world. Little need to insist on the guarantee of subjective ease involved in such an attitude—the immense noted growth of which casts its chill, as I intimate, on the inquirer proceeding from settled premisses. He was aware formerly, when it came to an analysis, of all his presumptions; he had but to glance for an immemorial assurance at a dozen of the myriad “registers” disposed in the vestibules of bankers, the reading-rooms of hotels and “exchanges,” open on the most conspicuous table of visited palace and castle, to see them bristle with names of a more or less conceivable tradition. Queer enough often, whether in isolation or in association, were these gages of identity: but their queerness, not independent of some more or less traceable weird law, was exactly, after all, their most familiar note. They had their way of not breaking, through it all, the old sweet Anglo-Saxon spell; they had their way of not failing, when all was said, to suggest more communities and comprehensions than conundrums and “stunts.” He would be brave, however, who should say that any such ghost of a quiet conformity presides in the fulness of time over the interminable passenger-lists that proclaim the prosperity of the great conveying companies. If little books have their fates, little names—and long ones still more—have their eloquence; the emphasis of nominal reference in the general roll-call falls so strongly upon alien syllables and sounds, representative signs that fit into our “English” legend (as we were mainly conscious up to a few years since of having inherited that boon) scarcely more than if borrowed from the stony slabs of Nineveh. I may not here attempt to weigh the question of what these exotic symbols positively represent—a prodigious question, I cannot but think; I content myself with noting the difference made for fond fancy by the so rapidly established change, by the so considerable drop of old associations. The point is of one’s having the heart to assume that the Ninevites, as I may momentarily call them for convenience, are to be constantly taken as feeling in the same way about fifty associational matters as we used, in all satisfaction, to observe our earlier generations feel. One can but speak for one’s self, and my imagination, on the great highways, I find, doesn’t rise to such people, who are obviously beyond my divination. They strike one, above all, as giving no account of themselves in any terms already consecrated by human use; to this inarticulate state they probably form, collectively, the most unprecedented of monuments; abysmal the mystery of what they think, what they feel, what they want, what they suppose themselves to be saying. There would appear to be to-day no slim scrap even of a Daisy Miller to bridge the chasm; no light-footed Francie Dosson or Pandora Day to dance before one across the wavering plank.

I plead a blank of memory as to the origin of “The Siege of London”; I get no nearer to the birth of the idea than by recalling a certain agitation of the spirit, a lively irritation of the temper, under which, one evening early in the autumn of 1877, that is more than thirty years ago, I walked away from the close of a performance at the Théâtre Français. The play had been “Le Demi-Monde” of the younger Dumas, a masterpiece which I had not heard for the first time, but a particular feature of which on this occasion more than ever yet filled up the measure of my impatience. I could less than ever swallow it, Olivier de Jalin’s denunciation of Madame d’Ange; the play, from the beginning, marches toward it—it is the main hinge of the action; but the very perfection with which the part was rendered in those years by Delaunay (just as Croizette was pure perfection as Suzanne) seemed to have made me present at something inhuman and odious. It was the old story—that from the positive, the prodigious morality of such a painter of the sophisticated life as Dumas, not from anything else or less edifying, one must pray to be delivered. There are doubtless many possible views of such a dilemma as Olivier’s, the conflict of propriety for him between the man he likes and esteems and the woman he has loved but hasn’t esteemed and doesn’t, and as to whom he sees his friend blind, and, as he thinks, befooled; in consequence of which I am not re-judging his case. But I recover with a pensive pleasure that is almost all a pang the intensity with which I could then feel it; to the extent of wondering whether the general situation of the three persons concerned, or something like it, mightn’t be shown as taking quite another turn. Was there not conceivable an Olivier of our race, a different Olivier altogether, moved to ask himself how at such a juncture a “real gentleman,” distressed and perplexed, would yet most naturally act? The question would be interesting, it was easy to judge, if only by the light it might throw on some of the other, the antecedent and concomitant, phases of a real gentleman’s connexion “at all at all” with such a business and such a world. It remained with me, at all events, and was to prove in time the germ of “The Siege of London”; of the conception of which the state of mind so reflected strikes me as making, I confess, very ancient history.

Far away and unspeakably regretted the days, alas, or, more exactly, the nights, on which one could walk away from the Français under the spell of such fond convictions and such deep and agitating problems. The emphasis of the international proposition has indeed had time, as I say, to place itself elsewhere—if, for that matter, there be any emphasis or any proposition left at all—since the age when that particular pleasure seemed the keenest in life. A few months ago, one evening, I found myself withdrawing from the very temple and the supposedly sacred rites before these latter were a third over: beneath that haunted dome itself they seemed to have become at last so accessible, cynically making their bargain with them, to the profanations long kept at bay. Only, with that evolution of taste possible on the part of the old worshipper in question, what world-convulsions mightn’t, in general, well have taken place? Let me continue to speak of the rest of the matter here before us as therefore of almost prehistoric reference. I was to make, in due course, at any rate, my limited application of that glimmering image of a M. de Jalin with whom we might have more fellow-feeling, and I sent “The Siege of London” accordingly to my admirable friend the late Leslie Stephen, then editor of The Cornhill Magazine, where it appeared during the first two months of 1883. That is all I remember about it save always the particular London light in which at that period I invoked the muse and drove the pen and with which the compositions resulting strike my fancy to-day as so closely interfused that in reading over those of them I here preserve every aspect and element of my scene of application lives again for me. This scene consisted of small chambers in a small street that opened, at a very near corner, into Piccadilly and a view of the Green Park; I had dropped into them almost instantaneously, under the accepted heavy pressure of the autumnal London of 1876, and was to sit scribbling in them for nearly ten years. The big human rumble of Piccadilly (all human and equine then and long after) was close at hand; I liked to think that Thackeray’s Curzon Street, in which Becky Sharp, or rather Mrs. Rawdon Crawley, had lived, was not much further off: I thought of it preponderantly, in my comings and goings, as Becky’s and her creator’s; just as I was to find fifty other London neighbourhoods speak to me almost only with the voice, the thousand voices, of Dickens.

A “great house,” forming the south-west corner of Piccadilly and with its long and practically featureless side, continued by the high wall of its ample court, opposite my open-eyed windows, gloomed, in dusty brick, as the extent of my view, but with a vast convenient neutrality which I found, soon enough, protective and not inquisitive, so that whatever there was of my sedentary life and regular habits took a sort of local wealth of colour from the special greyish-brown tone of the surface always before me. This surface hung there like the most voluminous of curtains—it masked the very stage of the great theatre of the town. To sit for certain hours at one’s desk before it was somehow to occupy in the most suitable way in the world the proportionately ample interacts of the mightiest of dramas. When I went out it was as if the curtain rose; so that, to repeat, I think of my tolerably copious artistry of that time as all the fruit of the interacts, with the curtain more or less quietly down and with the tuning of fiddles and only the vague rumble of shifted scenery playing round it and through it. There were absences of course: “A Bundle of Letters,” here reproduced, took birth (1879) during certain autumn weeks spent in Paris, where a friend of those years, a young London journalist, the late Theodore Child (of Merton College, Oxford, who was to die, prematurely and lamentedly, during a gallant professional tour of exploration in Persia) was fondly carrying on, under difficulties, an Anglo-American periodical called The Parisian. He invited me to contribute to its pages, and, again, a small sharply-resonant street off the Rue de la Paix, where all existence somehow went on as a repercussion from well-brushed asphalt, lives for me as the scene of my response. A snowstorm of a violence rare in Paris raged, I recollect, for many hours, for the greater part of a couple of days; muffling me noiselessly into the small shiny shabby salon of an hôtel garni with a droll combinational, almost cosmic sign, and promoting (it comes back to me) a deep concentration, an unusual straightness of labour. “A Bundle of Letters” was written in a single long session and, the temperature apart, at a “heat.” Its companion-piece, “The Point of View,” marks not less for memory, I find, an excursion associated with diligence. I have no heart to “go into” these mere ingenious and more or less effective pleasantries to any tune beyond this of glancing at the other, the extinct, actualities they hold up the glimmering taper to. They are still faintly scented, doubtless, with something of that authenticity, and a living work of art, however limited, pretends always, as for part of its grace, to some good faith of community, however indirect, with its period and place.

To read over “The Point of View” has opened up for me, I confess, no contentious vista whatever, nothing but the faded iridescence of a far-away Washington spring. This, in 1881, had been my first glimpse of that interesting city, where I then spent a few weeks, a visit repeated the following year; and I remember beginning on the first occasion a short imaginary correspondence after the pattern of the then already published “Bundle of Letters.” After an absence from America of some five years I inevitably, on the spot again, had impressions; and not less inevitably and promptly, I remember, recognised the truth that if one really was subject to such, and to a good many, and they were at all worth entertaining or imparting, one was likely to bristle with a quite proportionately smaller number of neat and complacent conclusions. Impressions could mutually conflict—which was exactly the interest of them; whereas in ninety-nine connexions out of a hundred, conclusions could but raise the wind for large groups of persons incapable, to all appearance, of intelligently opening their eyes, though much occupied, to make up for it, with opening, and all vociferously, their mouths. “The Point of View,” in fine, I fear, was but to commemorate, punctually enough, its author’s perverse and incurable disposition to interest himself less in his own (always so quickly stale) experience, under certain sorts of pressure, than in that of conceivable fellow mortals, which might be mysteriously and refreshingly different. The thing indeed may also serve, in its degree, as a punctual small monument to a recognition that was never to fail; that of the nature of the burden bequeathed by such rash multiplications of the candid consciousness. They are splendid for experience, the multiplications, each in its way an intensifier; but expression, liking things above all to be made comfortable and easy for it, views them askance. The case remains, none the less—alas for this faculty!—that no representation of life worth speaking of can go forward without them. All of which will perhaps be judged to have but a strained relevance, however, to the fact that, though the design of the short imaginary correspondence I speak of was interrupted during those first weeks in Washington, a second visit, the following spring, served it better; I had kept the thread (through a return to London and a return again thence) and, if I remember rightly, I brought my small scheme to a climax on the spot. The finished thing appeared in The Century Magazine of December 1882. I recently had the chance to “look up,” for old sake’s sake, that momentary seat of the good-humoured satiric muse—the seats of the muses, even when the merest flutter of one of their robes has been involved, losing no scrap of sanctity for me, I profess, by the accident of my having myself had the honour to offer the visitant the chair. The chair I had anciently been able to push forward in Washington had not, I found, survived the ravage of nearly thirty years; its place knew it no more, infirm and precarious dependence as it had struck me even at the time as being. So, quite exquisitely, as whenever that lapse occurs, the lost presence, the obliterated scene, translated itself for me at last into terms of almost more than earthly beauty and poetry. Fifty intimate figures and objects flushed with life in the other time had passed away since then; a great chapter of history had made itself, tremendous things had happened; the ghosts of old cherished names, of old tragedies, of old comedies, even of old mere mystifications, had marshalled their array. Only the little rounded composition remained; which glowed, ever so strangely, like a swinging playing lantern, with a light that brought out the past. The past had been most concretely that vanished and slightly sordid tenement of the current housing of the muse. I had had “rooms” in it, and I could remember how the rooms, how the whole place, a nest of rickety tables and chairs, lame and disqualified utensils of every sort, and of smiling shuffling procrastinating persons of colour, had exhaled for me, to pungency, the domestic spirit of the “old South.” I had nursed the unmistakable scent; I had read history by its aid; I had learned more than I could say of what had anciently been the matter under the reign of the great problem of persons of colour—so badly the matter, by my vision, that a deluge of blood and fire and tears had been needed to correct it. These complacencies of perception swarmed for me again—while yet no brick of the little old temple of the revelation stood on another.

I could scarcely have said where the bricks had stood; the other, the superseded Washington of the exquisite springtime, of the earlier initiation, of the hovering plaintive ghosts, reduced itself to a great vague blur of warmth and colour and fragrance. It kept flushing through the present—very much as if I had had my small secret for making it. I could turn on my finger the magic ring—it was strange how slight a thing, a mere handful of pages of light persistent prose, could act as that talisman. So, at all events, I like to date, and essentially to synchronise, these sincere little studies in general. Nothing perhaps can vouch better for their having applied to conditions that superficially at least have changed than the fact that to fond memory—I speak of my own—there hangs about the last item on this list, the picture of “The Pension Beaurepas,” the unearthly poetry, as I call it, of the Paquis, and that I should yet have to plunge into gulfs of explanation as to where and what the Paquis may have been. An old-world nook of one’s youth was so named, a scrap of the lakeside fringe of ancient Geneva, now practically quite reformed and improved away. The Pension Beaurepas, across the years, looks to me prodigiously archaic and incredibly quaint; I ask myself why, at the time, I so wasted the precious treasure of a sense that absolutely primitive pre-revolutionary “Europe” had never really been swept out of its cupboards, shaken out of its curtains, thumped out of its mattresses. The echoes of the eighteenth century, to go no further back, must have been thick on its rather greasy stone staircase, up down which, unconscious of the character of the fine old wrought-iron rampe, as of most other things in the world besides, Mr. and Mrs. and Miss Ruck, to speak only of them, used mournfully to straggle. But I mustn’t really so much as speak only, as even speak, of them. They would carry me too far back—which possibly outlived verisimilitude in them is what I wish to acknowledge.

HENRY JAMES.

LADY BARBARINA

I

It is well known that there are few sights in the world more brilliant than the main avenues of Hyde Park of a fine afternoon in June. This was quite the opinion of two persons who on a beautiful day at the beginning of that month, four years ago, had established themselves under the great trees in a couple of iron chairs—the big ones with arms, for which, if I mistake not, you pay twopence—and sat there with the slow procession of the Drive behind them while their faces were turned to the more vivid agitation of the Row. Lost in the multitude of observers they belonged, superficially at least, to that class of persons who, wherever they may be, rank rather with the spectators than with the spectacle. They were quiet simple elderly, of aspect somewhat neutral; you would have liked them extremely but would scarcely have noticed them. It is to them, obscure in all that shining host, that we must nevertheless give our attention. On which the reader is begged to have confidence; he is not asked to make vain concessions. It was indicated touchingly in the faces of our friends that they were growing old together and were fond enough of each other’s company not to object—since it was a condition—even to that. The reader will have guessed that they were husband and wife; and perhaps while he is about it will further have guessed that they were of that nationality for which Hyde Park at the height of the season is most completely illustrative. They were native aliens, so to speak, and people at once so initiated and so detached could only be Americans. This reflexion indeed you would have made only after some delay; for it must be allowed that they bristled with none of those modern signs that carry out the tradition of the old indigenous war-paint and feathers. They had the American turn of mind, but that was very secret; and to your eye—if your eye had cared about it—they might have been either intimately British or more remotely foreign. It was as if they studied, for convenience, to be superficially colourless; their colour was all in their talk. They were not in the least verdant; they were grey rather, of monotonous hue. If they were interested in the riders, the horses, the walkers, the great exhibition of English wealth and health, beauty, luxury and leisure, it was because all this referred itself to other impressions, because they had the key to almost everything that needed an answer—because, in a word, they were able to compare. They had not arrived, they had only returned; and recognition much more than surprise was expressed in their quiet eyes. Dexter Freer and his wife belonged in fine to that great company of Americans who are constantly “passing through” London. Enjoyers of a fortune of which, from any standpoint, the limits were plainly visible, they were unable to treat themselves to that commonest form of ease, the ease of living at home. They found it much more possible to economise at Dresden or Florence than at Buffalo or Minneapolis. The saving was greater and the strain was less. From Dresden, from Florence, moreover, they constantly made excursions that wouldn’t have been possible with an excess of territory; and it is even to be feared they practised some eccentricities of thrift. They came to London to buy their portmanteaus, their toothbrushes, their writing-paper; they occasionally even recrossed the Atlantic westward to assure themselves that westward prices were still the same. They were eminently a social pair; their interests were mainly personal. Their curiosity was so invidiously human that they were supposed to be too addicted to gossip, and they certainly kept up their acquaintance with the affairs of other people. They had friends in every country, in every town; and it was not their fault if people told them their secrets. Dexter Freer was a tall lean man, with an interested eye and a nose that rather drooped than aspired, yet was salient withal. He brushed his hair, which was streaked with white, forward over his ears and into those locks represented in the portraits of clean-shaven gentlemen who flourished fifty years ago and wore an old-fashioned neckcloth and gaiters. His wife, a small plump person, rather polished than naturally fresh, with a white face and hair still evenly black, smiled perpetually, but had never laughed since the death of a son whom she had lost ten years after her marriage. Her husband, on the other hand, who was usually quite grave, indulged on great occasions in resounding mirth. People confided in her less than in him, but that mattered little, as she confided much in herself. Her dress, which was always black or dark grey, was so harmoniously simple that you could see she was fond of it; it was never smart by accident or by fear. She was full of intentions of the most judicious sort and, though perpetually moving about the world, had the air of waiting for every one else to pass. She was celebrated for the promptitude with which she made her sitting-room at an inn, where she might be spending a night or two, appear a real temple of memory. With books, flowers, photographs, draperies, rapidly distributed—she had even a way, for the most part, of not failing of a piano—the place seemed almost hereditary. The pair were just back from America, where they had spent three months, and now were able to face the world with something of the elation of people who have been justified of a stiff conviction. They had found their native land quite ruinous.

“There he is again!” said Mr. Freer, following with his eyes a young man who passed along the Row, riding slowly. “That’s a beautiful thoroughbred!”

Mrs. Freer asked idle questions only when she wanted time to think. At present she had simply to look and see who it was her husband meant. “The horse is too big,” she remarked in a moment.

“You mean the rider’s too small,” her husband returned. “He’s mounted on his millions.”

“Is it really millions?”

“Seven or eight, they tell me.”

“How disgusting!” It was so that Mrs. Freer usually spoke of the large fortunes of the day. “I wish he’d see us,” she added.

“He does see us, but he doesn’t like to look at us. He’s too conscious. He isn’t easy.”

“Too conscious of his big horse?”

“Yes and of his big fortune. He’s rather ashamed of that.”

“This is an odd place to hang one’s head in,” said Mrs. Freer.

“I’m not so sure. He’ll find people here richer than himself, and other big horses in plenty, and that will cheer him up. Perhaps too he’s looking for that girl.”

“The one we heard about? He can’t be such a fool.”

“He isn’t a fool,” said Dexter Freer. “If he’s thinking of her he has some good reason.”

“I wonder what Mary Lemon would say,” his wife pursued.

“She’d say it was all right if he should do it. She thinks he can do no wrong. He’s immensely fond of her.”

“I shan’t be sure of that,” said Mrs. Freer, “if he takes home a wife who’ll despise her.”

“Why should the girl despise her? She’s a delightful woman.”

“The girl will never know it—and if she should it would make no difference: she’ll despise everything.”

“I don’t believe it, my dear; she’ll like some things very much. Every one will be very nice to her.”

“She’ll despise them all the more. But we’re speaking as if it were all arranged. I don’t believe in it at all,” said Mrs. Freer.

“Well, something of the sort—in this case or in some other—is sure to happen sooner or later,” her husband replied, turning round a little toward the back-water, as it were, formed, near the entrance to the Park, by the confluence of the two great vistas of the Drive and the Row.

Our friends had turned their backs, as I have said, to the solemn revolution of wheels and the densely-packed mass of spectators who had chosen that aspect of the show. These spectators were now agitated by a unanimous impulse: the pushing-back of chairs, the shuffle of feet, the rustle of garments and the deepening murmur of voices sufficiently expressed it. Royalty was approaching—royalty was passing—royalty had passed. Mr. Freer turned his head and his ear a little, but failed to alter his position further, and his wife took no notice of the flurry. They had seen royalty pass, all over Europe, and they knew it passed very quickly. Sometimes it came back; sometimes it didn’t; more than once they had seen it pass for the last time. They were veteran tourists and they knew as perfectly as regular attendants at complicated church-services when to get up and when to remain seated. Mr. Freer went on with his proposition. “Some young fellow’s certain to do it, and one of these girls is certain to take the risk. They must take risks over here more and more.”

“The girls, I’ve no doubt, will be glad enough; they have had very little chance as yet. But I don’t want Jackson to begin.”

“Do you know I rather think I do,” said Dexter Freer. “It will be so very amusing.”

“For us perhaps, but not for him. He’ll repent of it and be wretched. He’s too good for that.”

“Wretched never! He has no capacity for wretchedness, and that’s why he can afford to risk it.”

“He’ll have to make great concessions,” Mrs. Freer persisted.

“He won’t make one.”

“I should like to see.”

“You admit, then, that it will be amusing: all I contend for,” her husband replied. “But, as you say, we’re talking as if it were settled, whereas there’s probably nothing in it after all. The best stories always turn out false. I shall be sorry in this case.”

They relapsed into silence while people passed and repassed them—continuous successive mechanical, with strange facial, strange expressional, sequences and contrasts. They watched the procession, but no one heeded them, though every one was there so admittedly to see what was to be seen. It was all striking, all pictorial, and it made a great composition. The wide long area of the Row, its red-brown surface dotted with bounding figures, stretched away into the distance and became suffused and misty in the bright thick air. The deep dark English verdure that bordered and overhung it looked rich and old, revived and refreshed though it was by the breath of June. The mild blue of the sky was spotted with great silvery clouds, and the light drizzled down in heavenly shafts over the quieter spaces of the Park, as one saw them beyond the Row. All this, however, was only a background, for the scene was before everything personal; quite splendidly so, and full of the gloss and lustre, the contrasted tones, of a thousand polished surfaces. Certain things were salient, pervasive—the shining flanks of the perfect horses, the twinkle of bits and spurs, the smoothness of fine cloth adjusted to shoulders and limbs, the sheen of hats and boots, the freshness of complexions, the expression of smiling talking faces, the flash and flutter of rapid gallops. Faces were everywhere, and they were the great effect—above all the fair faces of women on tall horses, flushed a little under their stiff black hats, with figures stiffened, in spite of much definition of curve, by their tight-fitting habits. Their well-secured helmets, their neat compact heads, their straight necks, their firm tailor-made armour, their frequent hardy bloom, all made them look singularly like amazons about to ride a charge. The men, with their eyes before them, with hats of undulating brim, good profiles, high collars, white flowers on their chests, long legs and long feet, had an air more elaboratively decorative, as they jolted beside the ladies, always out of step. These were the younger types; but it was not all youth, for many a saddle sustained a richer rotundity, and ruddy faces with short white whiskers or with matronly chins looked down comfortably from an equilibrium that seemed moral as well as physical. The walkers differed from the riders only in being on foot and in looking at the riders more than these looked at them; for they would have done as well in the saddle and ridden as the others ride. The women had tight little bonnets and still tighter little knots of hair; their round chins rested on a close swathing of lace or in some cases on throttling silver chains and circlets. They had flat backs and small waists, they walked slowly, with their elbows out, carrying vast parasols and turning their heads very little to the right or the left. They were amazons unmounted, quite ready to spring into the saddle. There was a great deal of beauty and a diffused look of happy expansion, all limited and controlled, which came from clear quiet eyes and well-cut lips, rims of stout vessels that didn’t overflow and on which syllables were liquid and sentences brief. Some of the young men, as well as the women, had the happiest proportions and oval faces—faces in which line and colour were pure and fresh and the idea of the moment far from intense.

“They’re often very good-looking,” said Mr. Freer at the end of ten minutes. “They’re on the whole the finest whites.”

“So long as they remain white they do very well; but when they venture upon colour!” his wife replied. She sat with her eyes at the level of the skirts of the ladies who passed her, and she had been following the progress of a green velvet robe enriched with ornaments of steel and much gathered up in the hands of its wearer, who, herself apparently in her teens, was accompanied by a young lady draped in scant pink muslin, a tissue embroidered esthetically with flowers that simulated the iris.

“All the same, in a crowd, they’re wonderfully well turned out,” Dexter Freer went on—“lumping men and women and horses and dogs together. Look at that big fellow on the light chestnut: what could be more perfect? By the way, it’s Lord Canterville,” he added in a moment and as if the fact were of some importance.

Mrs. Freer recognised its importance to the degree of raising her glass to look at Lord Canterville. “How do you know it’s he?” she asked with that implement still up.

“I heard him say something the night I went to the House of Lords. It was very few words, but I remember him. A man near me mentioned who he was.”

“He’s not so handsome as you,” said Mrs. Freer, dropping her glass.

“Ah, you’re too difficult!” her husband murmured. “What a pity the girl isn’t with him,” he went on. “We might see something.”

It appeared in a moment, however, that the girl was with him. The nobleman designated had ridden slowly forward from the start, then just opposite our friends had pulled up to look back as if waiting for some one. At the same moment a gentleman in the Walk engaged his attention, so that he advanced to the barrier which protects the pedestrians and halted there, bending a little from his saddle and talking with his friend, who leaned against the rail. Lord Canterville was indeed perfect, as his American admirer had said. Upwards of sixty and of great stature and great presence, he was a thoroughly splendid apparition. In capital preservation he had the freshness of middle life—he would have been young indeed to the eye if his large harmonious spread hadn’t spoken of the lapse of years. He was clad from head to foot in garments of a radiant grey, and his fine florid countenance was surmounted with a white hat of which the majestic curves were a triumph of good form. Over his mighty chest disposed itself a beard of the richest growth and of a colour, in spite of a few streaks vaguely grizzled, to which the coat of his admirable horse appeared to be a perfect match. It left no opportunity in his uppermost button-hole for the customary orchid; but this was of comparatively little consequence, since the vegetation of the beard itself was tropical. Astride his great steed, with his big fist, gloved in pearl-grey, on his swelling thigh, his face lighted up with good-humoured indifference and all his magnificent surface reflecting the mild sunshine, he was, strikingly, a founded and builded figure, such as could only represent to the public gaze some Institution, some Exhibition or some Industry, in a word some unquenchable Interest. People quite lingered to look up at him as they passed. His halt was brief, however, for he was almost immediately joined by two handsome girls, who were as well turned-out, in Dexter Freer’s phrase, as himself. They had been detained a moment at the entrance to the Row and now advanced side by side, their groom close behind them. One was noticeably taller and older than the other, and it was plain at a glance that they were sisters. Between them, with their charming shoulders, their contracted waists and their skirts that hung without a wrinkle, like plates of zinc, they represented in a singularly complete form the pretty English girl in the position in which she is prettiest.

“Of course they’re his daughters,” said Dexter Freer as these young ladies rode away with Lord Canterville; “and in that case one of them must be Jackson Lemon’s sweetheart. Probably the bigger; they said it was the eldest. She’s evidently a fine creature.”

“She’d hate it over there,” Mrs. Freer returned for all answer to this cluster of inductions.

“You know I don’t admit that. But granting she should, it would do her good to have to accommodate herself.”

“She wouldn’t accommodate herself.”

“She looks so confoundedly fortunate, perched up on that saddle,” he went on without heed of his wife’s speech.

“Aren’t they supposed to be very poor?”

“Yes, they look it!” And his eyes followed the eminent trio while, with the groom, as eminent in his way as any of them, they started on a canter.

The air was full of sound, was low and economised; and when, near our friends, it became articulate the words were simple and few. “It’s as good as the circus, isn’t it, Mrs. Freer?” These words correspond to that description, but they pierced the dense medium more effectually than any our friends had lately heard. They were uttered by a young man who had stopped short in the path, absorbed by the sight of his compatriots. He was short and stout, he had a round kind face and short stiff-looking hair, which was reproduced in a small bristling beard. He wore a double-breasted walking-coat, which was not, however, buttoned, and on the summit of his round head was perched a hat of exceeding smallness and of the so-called “pot” category. It evidently fitted him, but a hatter himself wouldn’t have known why. His hands were encased in new gloves of a dark-brown colour, and these masquerading members hung consciously, quite ruefully, at his sides. He sported neither umbrella nor stick. He offered one of his stuffed gloves almost with eagerness to Mrs. Freer, blushing a little as he measured his precipitation.

“Oh Doctor Feeder!”—she smiled at him. Then she repeated to her husband, “Doctor Feeder, my dear!” and her husband said, “Oh Doctor, how d’ye do?” I have spoken of the composition of the young man’s appearance, but the items were not perceived by these two. They saw but one thing, his delightful face, which was both simple and clever and, as if this weren’t enough, showed a really tasteless overheaping of the cardinal virtues. They had lately made the voyage from New York in his company, and he was clearly a person who would shine at sea with an almost intolerable blandness. After he had stood in front of them a moment a chair beside Mrs. Freer became vacant; on which he took possession of it and sat there telling her what he thought of the Park and how he liked London. As she knew every one she had known many of his people at home, and while she listened to him she remembered how large their contribution had been to the moral worth of Cincinnati. Mrs. Freer’s social horizon included even that city; she had had occasion to exercise an amused recognition of several families from Ohio and was acquainted with the position of the Feeders there. This family, very numerous, was interwoven into an enormous cousinship. She stood off herself from any Western promiscuity, but she could have told you whom Doctor Feeder’s great-grandfather had married. Every one indeed had heard of the good deeds of the descendants of this worthy, who were generally physicians, excellent ones, and whose name expressed not inaptly their numerous acts of charity. Sidney Feeder, who had several cousins of this name established in the same line at Cincinnati, had transferred himself and his ambition to New York, where his practice had at the end of three years begun to grow. He had studied his profession at Vienna and was saturated with German science; had he only worn spectacles he might indeed perfectly, while he watched the performers in Rotten Row as if their proceedings were a successful demonstration, have passed for some famously “materialistic” young German. He had come over to London to attend a medical congress which met this year in the British capital, for his interest in the healing art was by no means limited to the cure of his patients. It embraced every form of experiment, and the expression of his honest eyes would almost have reconciled you to vivisection. This was his first time of looking into the Park; for social experiments he had little leisure. Being aware, however, that it was a very typical and, as might be, symptomatic sight, he had conscientiously reserved an afternoon and dressed himself carefully for the occasion. “It’s quite a brilliant show,” he said to Mrs. Freer; “it makes me wish I had a mount.” Little as he resembled Lord Canterville he rode, as he would have gaily said, first-rate.

“Wait till Jackson Lemon passes again and you can stop him and make him let you take a turn.” This was the jocular suggestion of Dexter Freer.

“Why, is he here? I’ve been looking out for him and should like to see him.”

“Doesn’t he go to your medical congress?” asked Mrs. Freer.

“Well yes, he attends—but isn’t very regular. I guess he goes out a good deal.”

“I guess he does,” said Mr. Freer; “and if he isn’t very regular I guess he has a good reason. A beautiful reason, a charming reason,” he went on, bending forward to look down toward the beginning of the Row. “Dear me, what a lovely reason!”

Doctor Feeder followed the direction of his eyes and after a moment understood his allusion. Little Jackson Lemon passed, on his big horse, along the avenue again, riding beside one of the bright creatures who had come that way shortly before under escort of Lord Canterville. His lordship followed in conversation with the other, his younger daughter. As they advanced Jackson Lemon turned his eyes to the multitude under the trees, and it so happened that they rested on the Dexter Freers. He smiled, he raised his hat with all possible friendliness, and his three companions turned to see whom he so frankly greeted. As he settled his hat on his head he espied the young man from Cincinnati, whom he had at first overlooked; whereupon he laughed for the luck of it and waved Sidney Feeder an airy salutation with his hand, reining in a little at the same time just for an instant, as if he half-expected this apparition to come and speak to him. Seeing him with strangers, none the less, Sidney Feeder hung back, staring a little as he rode away.

It is open to us to know that at this moment the young lady by whose side he was riding put him the free question: “Who are those people you bowed to?”

“Some old friends of mine—Americans,” said Jackson Lemon.

“Of course they’re Americans; there’s nothing anywhere but Americans now.”

“Oh yes, our turn’s coming round!” laughed the young man.

“But that doesn’t say who they are,” his companion continued. “It’s so difficult to say who Americans are,” she added before he had time to answer her.

“Dexter Freer and his wife—there’s nothing difficult about that. Every one knows them,” Jackson explained.

“I never heard of them,” said the English girl.

“Ah, that’s your fault and your misfortune. I assure you everybody knows them.”

“And does everybody know the little man with the fat face to whom you kissed your hand?”

“I didn’t kiss my hand, but I would if I had thought of it. He’s a great chum of mine—a fellow-student at Vienna.”

“And what’s his name?”

“Doctor Feeder.”

Jackson Lemon’s companion had a dandling pause. “Are all your friends doctors?”

“No—some of them are in other businesses.”

“Are they all in some business?”

“Most of them—save two or three like Dexter Freer.”

“‘Dexter’ Freer? I thought you said Doctor Freer.”

The young man gave a laugh. “You heard me wrong. You’ve got doctors on the brain, Lady Barb.”

“I’m rather glad,” said Lady Barb, giving the rein to her horse, who bounded away.

“Well yes, she’s very handsome, the reason,” Doctor Feeder remarked as he sat under the trees.

“Is he going to marry her?” Mrs. Freer inquired.

“Marry her? I hope not.”

“Why do you hope not?”

“Because I know nothing about her. I want to know something about the woman that man marries.”

“I suppose you’d like him to marry in Cincinnati,” Mrs. Freer not unadventurously threw out.

“Well, I’m not particular where it is; but I want to know her first.” Doctor Feeder was very sturdy.

“We were in hopes you’d know all about it,” said his other entertainer.

“No, I haven’t kept up with him there.”

“We’ve heard from a dozen people that he has been always with her for the last month—and that kind of thing, in England, is supposed to mean something. Hasn’t he spoken of her when you’ve seen him?”

“No, he has only talked about the new treatment of spinal meningitis. He’s very much interested in spinal meningitis.”

“I wonder if he talks about it to Lady Barb,” said Mrs. Freer.

“Who is she anyway?” the young man wanted to know.

Well, his companions both let him. “Lady Barb Clement.”

“And who’s Lady Barb Clement?”

“The daughter of Lord Canterville.”

“And who’s Lord Canterville?”

“Dexter must tell you that,” said Mrs. Freer.

And Dexter accordingly told him that the Marquis of Canterville had been in his day a great sporting nobleman and an ornament to English society, and had held more than once a high post in her Majesty’s household. Dexter Freer knew all these things—how his lordship had married a daughter of Lord Treherne, a very serious intelligent and beautiful woman who had redeemed him from the extravagance of his youth and presented him in rapid succession with a dozen little tenants for the nurseries at Pasterns—this being, as Mr. Freer also knew, the name of the principal seat of the Cantervilles. The head of that house was a Tory, but not a particular dunce for a Tory, and very popular in society at large; good-natured, good-looking, knowing how to be rather remarkably free and yet remain a grand seigneur, clever enough to make an occasional telling speech and much associated with the fine old English pursuits as well as with many of the new improvements—the purification of the Turf, the opening of the museums on Sunday, the propagation of coffee-taverns, the latest ideas on sanitary reform. He disapproved of the extension of the suffrage but had positively drainage on the brain. It had been said of him at least once—and, if this historian is not mistaken, in print—that he was just the man to convey to the popular mind the impression that the British aristocracy is still a living force. He was unfortunately not very rich—for a man who had to exemplify such truths—and of his twelve children no less than seven were daughters. Lady Barb, Jackson Lemon’s friend, was the second; the eldest had married Lord Beauchemin. Mr. Freer had caught quite the right pronunciation of this name, which he successfully sounded as Bitumen. Lady Lucretia had done very well, for her husband was rich and she had brought him nothing to speak of; but it was hardly to be expected they would all achieve such flights. Happily the younger girls were still in the schoolroom, and before they had come up, Lady Canterville, who was a woman of bold resource, would have worked off the two that were out. It was Lady Agatha’s first season; she wasn’t so pretty as her sister, but was thought to be cleverer. Half-a-dozen people had spoken to him of Jackson Lemon’s being a great deal at the Cantervilles. He was supposed to be enormously rich.

“Well, so he is,” said Sidney Feeder, who had listened to Mr. Freer’s report with attention, with eagerness even, but, for all its lucidity, with an air of imperfect apprehension.

“Yes, but not so rich as they probably think.”

“Do they want his money? Is that what they’re after?”

“You go straight to the point!” Mrs. Freer rang out.

“I haven’t the least idea,” said her husband. “He’s a very good sort in himself.”

“Yes, but he’s a doctor,” Mrs. Freer observed.

“What have they got against that?” asked Sidney Feeder.

“Why, over here, you know, they only call them in to prescribe,” said his other friend. “The profession isn’t—a—what you’d call aristocratic.”

“Well, I don’t know it, and I don’t know that I want to know it. How do you mean, aristocratic? What profession is? It would be rather a curious one. Professions are meant to do the work of professions; and what work’s done without your sleeves rolled up? Many of the gentlemen at the congress there are quite charming.”

“I like doctors very much,” said Mrs. Freer; “my father was a doctor. But they don’t marry the daughters of marquises.”

“I don’t believe Jackson wants to marry that one,” Sidney Feeder calmly argued.

“Very possibly not—people are such asses,” said Dexter Freer. “But he’ll have to decide. I wish you’d find out, by the way. You can if you will.”

“I’ll ask him—up at the congress; I can do that. I suppose he has got to marry some one.” The young man added in a moment: “And she may be a good thing.”

“She’s said to be charming.”

“Very well then, it won’t hurt him. I must say, however, I’m not sure I like all that about her family.”

“What I told you? It’s all to their honour and glory,” said Mr. Freer.

“Are they quite on the square? It’s like those people in Thackeray.”

“Oh if Thackeray could have done this!” And Mrs. Freer yearned over the lost hand.

“You mean all this scene?” asked the young man.

“No; the marriage of a British noblewoman and an American doctor. It would have been a subject for a master of satire.”

“You see you do want it, my dear,” said her husband quietly.

“I want it as a story, but I don’t want it for Doctor Lemon.”

“Does he call himself ‘Doctor’ still?” Mr. Freer asked of young Feeder.

“I suppose he does—I call him so. Of course he doesn’t practise. But once a doctor always a doctor.”

“That’s doctrine for Lady Barb!”

Sidney Feeder wondered. “Hasn’t she got a title too? What would she expect him to be? President of the United States? He’s a man of real ability—he might have stood at the head of his profession. When I think of that I want to swear. What did his father want to go and make all that money for?”

“It must certainly be odd to them to see a ‘medical man’ with six or eight millions,” Mr. Freer conceded.

“They use much the same term as the Choctaws,” said his wife.

“Why, some of their own physicians make immense fortunes,” Sidney Feeder remarked.

“Couldn’t he,” she went on, “be made a baronet by the Queen?”

“Yes, then he’d be aristocratic,” said the young man. “But I don’t see why he should want to marry over here; it seems to me to be going out of his way. However, if he’s happy I don’t care. I like him very much; he has ‘A1’ ability. If it hadn’t been for his father he’d have made a splendid doctor. But, as I say, he takes a great interest in medical science and I guess he means to promote it all he can—with his big fortune. He’ll be sure to keep up his interest in research. He thinks we do know something and is bound we shall know more. I hope she won’t lower him, the young marchioness—is that her rank? And I hope they’re really good people. He ought to be very useful. I should want to know a good deal about the foreign family I was going to marry into.”

“He looked to me, riding there, as if he knew a good deal about the Clements,” Dexter Freer said, getting to his feet as his wife suggested they ought to be going; “and he looked to me pleased with the knowledge. There they come down the other side. Will you walk away with us or will you stay?”

“Stop him and ask him, and then come and tell us—in Jermyn Street.” This was Mrs. Freer’s parting injunction to Sidney Feeder.

“He ought to come himself—tell him that,” her husband added.

“Well, I guess I’ll stay,” said the young man as his companions merged themselves in the crowd that now was tending toward the gates. He went and stood by the barrier and saw Doctor Lemon and his friends pull up at the entrance to the Row, where they apparently prepared to separate. The separation took some time and Jackson’s colleague became interested. Lord Canterville and his younger daughter lingered to talk with two gentlemen, also mounted, who looked a good deal at the legs of Lady Agatha’s horse. Doctor Lemon and Lady Barb were face to face, very near each other, and she, leaning forward a little, stroked the overlapping neck of his glossy bay. At a distance he appeared to be talking and she to be listening without response. “Oh yes, he’s making love to her,” thought Sidney Feeder. Suddenly her father and sister turned away to leave the Park, and she joined them and disappeared while Jackson came up on the left again as for a final gallop. He hadn’t gone far before he perceived his comrade, who awaited him at the rail; and he repeated the gesture Lady Barb had described as a kiss of the hand, though it had not to his friend’s eyes that full grace. When he came within hail he pulled up.

“If I had known you were coming here I’d have given you a mount,” he immediately and bountifully cried. There was not in his person that irradiation of wealth and distinction which made Lord Canterville glow like a picture; but as he sat there with his neat little legs stuck out he looked very bright and sharp and happy, wearing in his degree the aspect of one of Fortune’s favourites. He had a thin keen delicate face, a nose very carefully finished, a quick eye, a trifle hard in expression, and a fine dark moustache, a good deal cultivated. He was not striking, but he had his intensity, and it was easy to see that he had his purposes.

“How many horses have you got—about forty?” his compatriot inquired in response to his greeting.

“About five hundred,” said Jackson Lemon.

“Did you mount your friends—the three you were riding with?”

“Mount them? They’ve got the best horses in England.”

“Did they sell you this one?” Sidney Feeder continued in the same humorous strain.

“What do you think of him?” said his friend without heed of this question.

“Well, he’s an awful old screw. I wonder he can carry you.”

“Where did you get your hat?” Jackson asked both as a retort and as a relevant criticism.

“I got it in New York. What’s the matter with it?”

“It’s very beautiful. I wish I had brought over one like it.”

“The head’s the thing—not the hat. I don’t mean yours—I mean mine,” Sidney Feeder laughed. “There’s something very deep in your question. I must think it over.”

“Don’t—don’t,” said Jackson Lemon; “you’ll never get to the bottom of it. Are you having a good time?”

“A glorious time. Have you been up to-day?”

“Up among the doctors? No—I’ve had a lot of things to do,” Jackson was obliged to plead.

“Well”—and his friend richly recovered it—“we had a very interesting discussion. I made a few remarks.”

“You ought to have told me. What were they about?”

“About the intermarriage of races from the point of view—” And Sidney Feeder paused a moment, occupied with the attempt to scratch the nose of the beautiful horse.

“From the point of view of the progeny, I suppose?”

“Not at all. From the point of view of the old friends.”

“Damn the old friends!” Doctor Lemon exclaimed with jocular crudity.

“Is it true that you’re going to marry a young marchioness?”

The face of the speaker in the saddle became just a trifle rigid, and his firm eyes penetrated the other. “Who has played that on you?”

“Mr. and Mrs. Freer, whom I met just now.”

“Mr. and Mrs. Freer be hanged too. And who told them?”

“Ever so many fashionable people. I don’t know who.”

“Gad, how things are tattled!” cried Jackson Lemon with asperity.

“I can see it’s true by the way you say that,” his friend ingenuously stated.

“Do Freer and his wife believe it?” Jackson went on impatiently.

“They want you to go and see them. You can judge for yourself.”

“I’ll go and see them and tell them to mind their business.”

“In Jermyn Street; but I forget the number. I’m sorry the marchioness isn’t one of ours,” Doctor Feeder continued.

“If I should marry her she would be quick enough. But I don’t see what difference it can make to you,” said Jackson.

“Why, she’ll look down on the profession, and I don’t like that from your wife.”

“That will touch me more than you.”

“Then it is true?” Doctor Feeder cried with a finer appeal.

“She won’t look down. I’ll answer for that.”

“You won’t care. You’re out of it all now.”

“No, I’m not. I mean to do no end of work.”

“I’ll believe that when I see it,” said Sidney Feeder, who was by no means perfectly incredulous, but who thought it salutary to take that tone. “I’m not sure you’ve any right to work—you oughtn’t to have everything; you ought to leave the field to us, not take the bread out of our mouths and get the kudos. You must pay the penalty of being bloated. You’d have been celebrated if you had continued to practise—more celebrated than any one. But you won’t be now—you can’t be any way you fix it. Some one else is going to be in your place.”

Jackson Lemon listened to this, but without meeting the eyes of the prophet; not, however, as if he were avoiding them, but as if the long stretch of the Ride, now less and less obstructed, irresistibly drew him off again and made his companion’s talk retarding. Nevertheless he answered deliberately and kindly enough. “I hope it will be you, old boy.” And he bowed to a lady who rode past.

“Very likely it will. I hope I make you feel mean. That’s what I’m trying to do.”

“Oh awfully!” Jackson cried. “All the more that I’m not in the least engaged.”

“Well, that’s good. Won’t you come up to-morrow?” Doctor Feeder went on.

“I’ll try, my dear fellow. I can’t be sure. By-bye!”

“Oh you’re lost anyway!” sighed Sidney Feeder as the other started away.

II

It was Lady Marmaduke, wife of Sir Henry of that clan, who had introduced the amusing young American to Lady Beauchemin; after which Lady Beauchemin had made him acquainted with her mother and sisters. Lady Marmaduke too was of outland strain, remaining for her conjugal baronet the most ponderable consequence of a tour in the United States. At present, by the end of ten years, she knew her London as she had never known her New York, so that it had been easy for her to be, as she called herself, Jackson’s social godmother. She had views with regard to his career, and these views fitted into a scheme of high policy which, if our space permitted, I should be glad to lay before the reader in its magnitude. She wished to add an arch or two to the bridge on which she had effected her transit from America; and it was her belief that Doctor Lemon might furnish the materials. This bridge, as yet a somewhat sketchy and rickety structure, she saw—in the future—boldly stretch from one solid pier to another. It could but serve both ways, for reciprocity was the keynote of Lady Marmaduke’s plan. It was her belief that an ultimate fusion was inevitable and that those who were the first to understand the situation would enjoy the biggest returns from it. The first time the young man had dined with her he met Lady Beauchemin, who was her intimate friend. Lady Beauchemin was remarkably gracious, asking him to come and see her as if she really meant it. He in fact presented himself and in her drawing-room met her mother, who happened to be calling at the same moment. Lady Canterville, not less friendly than her daughter, invited him down to Pasterns for Eastertide, and before a month had passed it struck him that, though he was not what he would have called intimate at any house in London, the door of the house of Clement opened to him pretty often. This seemed no small good fortune, for it always opened upon a charming picture. The inmates were a blooming and beautiful race, and their interior had an aspect of the ripest comfort. It was not the splendour of New York—as New York had lately begun to appear to the young man—but an appearance and a set of conditions, of factors as he used to say, not to be set in motion in that city by any power of purchase. He himself had a great deal of money, and money was good even when it was new; but old money was somehow more to the shilling and the pound. Even after he learned that Lord Canterville’s fortune was less present than past it was still the positive golden glow that struck him. It was Lady Beauchemin who had told him her father wasn’t rich; having told him furthermore many surprising things—things both surprising in themselves and surprising on her lips. This was to come home to him afresh that evening—the day he met Sidney Feeder in the Park. He dined out in the company of Lady Beauchemin, and afterwards, as she was alone—her husband had gone down to listen to a debate—she offered to “take him on.” She was going to several places, at some of which he must be due. They compared notes, and it was settled they should proceed together to the Trumpingtons’, whither, it appeared at eleven o’clock, all the world was proceeding, with the approach to the house choked for half a mile with carriages. It was a close muggy night; Lady Beauchemin’s chariot, in its place in the rank, stood still for long periods. In his corner beside her, through the open window, Jackson Lemon, rather hot, rather oppressed, looked out on the moist greasy pavement, over which was flung, a considerable distance up and down, the flare of a public-house. Lady Beauchemin, however, was not impatient, for she had a purpose in her mind, and now she could say what she wished.

“Do you really love her?” That was the first thing she said.

“Well, I guess so,” Jackson Lemon answered as if he didn’t recognise the obligation to be serious.

She looked at him a moment in silence; he felt her gaze and, turning his eyes, saw her face, partly shadowed, with the aid of a street-lamp. She was not so pretty as Lady Barb; her features had a certain sharpness; her hair, very light in colour and wonderfully frizzled, almost covered her eyes, the expression of which, however, together with that of her pointed nose and the glitter of several diamonds, emerged from the gloom. What she next said seemed somehow to fall in with that. “You don’t seem to know. I never saw a man in so vague a state.”

“You push me a little too much; I must have time to think of it,” the young man returned. “You know in my country they allow us plenty of time.” He had several little oddities of expression, of which he was perfectly conscious and which he found convenient, for they guarded him in a society condemning a lonely New Yorker who proceeded by native inspiration to much exposure; they ensured him the profit corresponding with sundry sacrifices. He had no great assortment of vernacular drolleries, conscious or unconscious, to draw upon; but the occasional use of one, discreetly chosen, made him appear simpler than he really was, and reasons determined his desiring this result. He was not simple; he was subtle, circumspect, shrewd—perfectly aware that he might make mistakes. There was a danger of his making one now—a mistake that might gravely count. He was resolved only to succeed. It is true that for a great success he would take a certain risk; but the risk was to be considered, and he gained time while he multiplied his guesses and talked about his country.

“You may take ten years if you like,” said Lady Beauchemin. “I’m in no hurry whatever to make you my brother-in-law. Only you must remember that you spoke to me first.”

“What did I say?”

“You spoke to me of Barb as the finest girl you had seen in England.”

“Oh I’m willing to stand by that.” And he had another try, which would have been transparent to a compatriot. “I guess I like her type.”

“I should think you might!”

“I like her all round—with all her peculiarities.”

“What do you mean by her peculiarities?”

“Well, she has some peculiar ideas,” said Jackson Lemon in a tone of the sweetest reasonableness, “and she has a peculiar way of speaking.”

“Ah, you can’t expect us to speak so well as you!” cried Lady Beauchemin.

“I don’t see why not.” He was perfectly candid. “You do some things much better.”

“We’ve our own ways at any rate, and we think them the best in the world—as they mostly are!” laughed Lady Beauchemin. “One of them’s not to let a gentleman devote himself to a girl for so long a time without some sense of responsibility. If you don’t wish to marry my sister you ought to go away.”

“I ought never to have come,” said Jackson Lemon.

“I can scarcely agree to that,” her ladyship good-naturedly replied, “as in that case I should have lost the pleasure of knowing you.”

“It would have spared you this duty, which you dislike very much.”

“Asking you about your intentions? Oh I don’t dislike it at all!” she cried. “It amuses me extremely.”

“Should you like your sister to marry me?” asked Jackson with great simplicity.

If he expected to take her by surprise he was disappointed: she was perfectly prepared to commit herself. “I should like it particularly. I think English and American society ought to be but one. I mean the best of each. A great whole.”

“Will you allow me to ask whether Lady Marmaduke suggested that to you?” he at once inquired.

“We’ve often talked of it.”

“Oh yes, that’s her aim.”

“Well, it’s my aim too. I think there’s a lot to be done.”

“And you’d like me to do it?”

“To begin it, precisely. Don’t you think we ought to see more of each other? I mean,” she took the precaution to explain, “just the best in each country.”

Jackson Lemon appeared to weigh it. “I’m afraid I haven’t any general ideas. If I should marry an English girl it wouldn’t be for the good of the species.”

“Well, we want to be mixed a little. That I’m sure of,” Lady Beauchemin said.

“You certainly got that from Lady Marmaduke,” he commented.

“It’s too tiresome, your not consenting to be serious! But my father will make you so,” she went on with her pleasant assurance. “I may as well let you know that he intends in a day or two to ask you your intentions. That’s all I wished to say to you. I think you ought to be prepared.”

“I’m much obliged to you. Lord Canterville will do quite right,” the young man allowed.

There was to his companion something really unfathomable in this little American doctor whom she had taken up on grounds of large policy and who, though he was assumed to have sunk the medical character, was neither handsome nor distinguished, but only immensely rich and quite original—since he wasn’t strictly insignificant. It was unfathomable to begin with that a medical man should be so rich, or that so rich a man should be medical; it was even, to an eye always gratified by suitability and, for that matter, almost everywhere recognising it, rather irritating. Jackson Lemon himself could have explained the anomaly better than any one else, but this was an explanation one could scarcely ask for. There were other things: his cool acceptance of certain situations; his general indisposition to make comprehension easy, let alone to guess it, with all his guessing, so much hindered; his way of taking refuge in jokes which at times had not even the merit of being American; his way too of appearing to be a suitor without being an aspirant. Lady Beauchemin, however, was, like her puzzling friend himself, prepared to run a certain risk. His reserves made him slippery, but that was only when one pressed. She flattered herself she could handle people lightly. “My father will be sure to act with perfect tact,” she said; “though of course if you shouldn’t care to be questioned you can go out of town.” She had the air of really wishing to act with the most natural delicacy.

“I don’t want to go out of town; I’m enjoying it far too much here,” Jackson cried. “And wouldn’t your father have a right to ask me what I should mean by that?”

Lady Beauchemin thought—she really wondered. But in a moment she exclaimed: “He’s incapable of saying anything vulgar!”

She hadn’t definitely answered his inquiry, and he was conscious of this; but he was quite ready to say to her a little later, as he guided her steps from the brougham to the strip of carpet which, beneath a rickety border of striped cloth and between a double row of waiting footmen, policemen and dingy amateurs of both sexes, stretched from the curbstone to the portal of the Trumpingtons: “Of course I shan’t wait for Lord Canterville to speak to me.”

He had been expecting some such announcement as this from Lady Beauchemin and really judged her father would do no more than his duty. He felt he should be prepared with an answer to the high challenge so prefigured, and he wondered at himself for still not having come to the point. Sidney Feeder’s question in the Park had made him feel rather pointless; it was the first direct allusion as yet made to his possible marriage by any one but Lady Beauchemin. None of his own people were in London; he was perfectly independent, and even if his mother had been within reach he couldn’t quite have consulted her on the subject. He loved her dearly, better than any one; but she wasn’t a woman to consult, for she approved of whatever he did: the fact of his doing it settled the case for it. He had been careful not to be too serious when he talked with Lady Barb’s relative; but he was very serious indeed as he thought over the matter within himself, which he did even among the diversions of the next half-hour, while he squeezed, obliquely and with tight arrests, through the crush in the Trumpingtons’ drawing-room. At the end of the half-hour he came away, and at the door he found Lady Beauchemin, from whom he had separated on entering the house and who, this time with a companion of her own sex, was awaiting her carriage and still “going on.” He gave her his arm to the street, and as she entered the vehicle she repeated that she hoped he’d just go out of town.

“Who then would tell me what to do?” he returned, looking at her through the window.

She might tell him what to do, but he felt free all the same; and he was determined this should continue. To prove it to himself he jumped into a hansom and drove back to Brook Street and to his hotel instead of proceeding to a bright-windowed house in Portland Place where he knew he should after midnight find Lady Canterville and her daughters. He recalled a reference to that chance during his ride with Lady Barb, who would probably expect him; but it made him taste his liberty not to go, and he liked to taste his liberty. He was aware that to taste it in perfection he ought to “turn in”; but he didn’t turn in, he didn’t even take off his hat. He walked up and down his sitting-room with his head surmounted by this ornament, a good deal tipped back, and with his hands in his pockets. There were various cards stuck into the frame of the mirror over his chimney-piece, and every time he passed the place he seemed to see what was written on one of them—the name of the mistress of the house in Portland Place, his own name and in the lower left-hand corner “A small Dance.” Of course, now, he must make up his mind; he’d make it up by the next day: that was what he said to himself as he walked up and down; and according to his decision he’d speak to Lord Canterville or would take the night-express to Paris. It was better meanwhile he shouldn’t see Lady Barb. It was vivid to him, as he occasionally paused with fevered eyes on the card in the chimney-glass, that he had come pretty far; and he had come so far because he was under the spell—yes, he was under the spell, or whatever it was, of Lady Barb. There was no doubt whatever of this; he had a faculty for diagnosis and he knew perfectly what was the matter with him. He wasted no time in musing on the mystery of his state; in wondering if he mightn’t have escaped such a seizure by a little vigilance at first, or if it would abate should he go away. He accepted it frankly for the sake of the pleasure it gave him—the girl was the delight of most of his senses—and confined himself to considering how it would square with his general situation to marry her. The squaring wouldn’t at all necessarily follow from the fact that he was in love; too many other things would come in between. The most important of these was the change not only of the geographical but of the social standpoint for his wife, and a certain readjustment that it would involve in his own relation to things. He wasn’t inclined to readjustments, and there was no reason why he should be: his own position was in most respects so advantageous. But the girl tempted him almost irresistibly, satisfying his imagination both as a lover and as a student of the human organism; she was so blooming, so complete, of a type so rarely encountered in that degree of perfection. Jackson Lemon was no Anglomaniac, but he took peculiar pleasure in certain physical facts of the English—their complexion, their temperament, their tissue; and Lady Barb had affected him from the first as in flexible virginal form a wonderful compendium of these elements. There was something simple and robust in her beauty; it had the quietness of an old Greek statue, without the vulgarity of the modern simper or of contemporary prettiness. Her head was antique, and though her conversation was quite of the present period Jackson told himself that some primitive sincerity of soul couldn’t but match with the cast of her brow, of her bosom, of the back of her neck, and with the high carriage of her head, which was at once so noble and so easy. He saw her as she might be in the future, the beautiful mother of beautiful children in whom the appearance of “race” should be conspicuous. He should like his children to have the appearance of race as well as other signs of good stuff, and wasn’t unaware that he must take his precautions accordingly. A great many people in England had these indications, and it was a pleasure to him to see them, especially as no one had them so unmistakably as the second daughter of the Cantervilles. It would be a great luxury to call a creature so constituted one’s own; nothing could be more evident than that, because it made no difference that she wasn’t strikingly clever. Striking cleverness wasn’t one of the signs, nor a mark of the English complexion in general; it was associated with the modern simper, which was a result of modern nerves. If Jackson had wanted a wife all fiddlestrings of course he could have found her at home; but this tall fair girl, whose character, like her figure, appeared mainly to have been formed by riding across country, was differently put together. All the same would it suit his book, as they said in London, to marry her and transport her to New York? He came back to this question; came back to it with a persistency which, had she been admitted to a view of it, would have tried the patience of Lady Beauchemin. She had been irritated more than once at his appearing to attach himself so exclusively to that horn of the dilemma—as if it could possibly fail to be a good thing for a little American doctor to marry the daughter of an English peer. It would have been more becoming in her ladyship’s eyes that he should take this for granted a little more and take the consent of her ladyship’s—of their ladyships’—family a little less. They looked at the matter so differently! Jackson Lemon was conscious that if he should propose for the young woman who so strongly appealed to him it would be because it suited him, and not because it suited his possible sisters-in-law. He believed himself to act in all things by his own faculty of choice and volition, a feature of his outfit in which he had the highest confidence.

It would have seemed, indeed, that just now this part of his inward machine was not working very regularly, since, though he had come home to go to bed, the stroke of half-past twelve saw him jump not into his sheets but into a hansom which the whistle of the porter had summoned to the door of his hotel and in which he rattled off to Portland Place. Here he found—in a very large house—an assembly of five hundred persons and a band of music concealed in a bower of azaleas. Lady Canterville had not arrived; he wandered through the rooms and assured himself of that. He also discovered a very good conservatory, where there were banks and pyramids of azaleas. He watched the top of the staircase, but it was a long time before he saw what he was looking for, and his impatience grew at last extreme. The reward, however, when it came, was all he could have desired. It consisted of a clear smile from Lady Barb, who stood behind her mother while the latter extended vague finger-tips to the hostess. The entrance of this charming woman and her beautiful daughters—always a noticeable incident—was effected with a certain spread of commotion, and just now it was agreeable to Jackson to feel this produced impression concern him probably more than any one else in the house. Tall, dazzling, indifferent, looking about her as if she saw very little, Lady Barb was certainly a figure round which a young man’s fancy might revolve. Very rare, yet very quiet and very simple, she had little manner and little movement; but her detachment was not a vulgar art. She appeared to efface herself, to wait till, in the natural course, she should be attended to; and in this there was evidently no exaggeration, for she was too proud not to have perfect confidence. Her sister, quite another affair, with a little surprised smile which seemed to say that in her extreme innocence she was still prepared for anything, having heard, indirectly, such extraordinary things about society, was much more impatient and more expressive, and had always projected across a threshold the pretty radiance of her eyes and teeth before her mother’s name was announced. Lady Canterville was by many persons more admired and more championed than her daughters; she had kept even more beauty than she had given them, and it was a beauty which had been called intellectual. She had extraordinary sweetness, without any definite professions; her manner was mild almost to tenderness; there was even in it a degree of thoughtful pity, of human comprehension. Moreover her features were perfect, and nothing could be more gently gracious than a way she had of speaking, or rather of listening, to people with her head inclined a little to one side. Jackson liked her without trepidation, and she had certainly been “awfully nice” to him. He approached Lady Barb as soon as he could do so without an appearance of rushing up; he remarked to her that he hoped very much she wouldn’t dance. He was a master of the art which flourishes in New York above every other, and had guided her through a dozen waltzes with a skill which, as she felt, left absolutely nothing to be desired. But dancing was not his business to-night. She smiled without scorn at the expression of his hope.

“That’s what mamma has brought us here for,” she said; “she doesn’t like it if we don’t dance.”

“How does she know whether she likes it or not? You always have danced.”

“Oh, once there was a place where I didn’t,” said Lady Barb.

He told her he would at any rate settle it with her mother, and persuaded her to wander with him into the conservatory, where coloured lights were suspended among the plants and a vault of verdure arched above. In comparison with the other rooms this retreat was far and strange. But they were not alone; half a-dozen other couples appeared to have had reasons as good as theirs. The gloom, none the less, was rosy with the slopes of azalea and suffused with mitigated music, which made it possible to talk without consideration of one’s neighbours. In spite of this, though it was only in looking back on the scene later that Lady Barb noted the fact, these dispersed couples were talking very softly. She didn’t look at them; she seemed to take it that virtually she was alone with the young American. She said something about the flowers, about the fragrance of the air; for all answer to which he asked her, as he stood there before her, a question that might have startled her by its suddenness.

“How do people who marry in England ever know each other before marriage? They have no chance.”

“I’m sure I don’t know,” she returned. “I never was married.”

“It’s very different in my country. There a man may see much of a girl; he may freely call on her, he may be constantly alone with her. I wish you allowed that over here.”

Lady Barb began to examine the less ornamental side of her fan as if it had never invited her before. “It must be so very odd, America,” she then concluded.

“Well, I guess in that matter we’re right. Over here it’s a leap in the dark.”

“I’m sure I don’t know,” she again made answer. She had folded her fan; she stretched out her arm mechanically and plucked a sprig of azalea.

“I guess it doesn’t signify after all,” Jackson however proceeded. “Don’t you know they say that love’s blind at the best?” His keen young face was bent upon hers; his thumbs were in the pockets of his trousers; he smiled with a slight strain, showing his fine teeth. She said nothing, only pulling her azalea to pieces. She was usually so quiet that this small movement was striking.

“This is the first time I’ve seen you in the least without a lot of people,” he went on.

“Yes, it’s very tiresome.”

“I’ve been sick of it. I didn’t want even to come here to-night.”

She hadn’t met his eyes, though she knew they were seeking her own. But now she looked at him straight. She had never objected to his appearance, and in this respect had no repugnance to surmount. She liked a man to be tall and handsome, and Jackson Lemon was neither; but when she was sixteen, and as tall herself as she was to be at twenty, she had been in love—for three weeks—with one of her cousins, a little fellow in the Hussars, who was shorter even than the American, was of inches markedly fewer than her own. This proved that distinction might be independent of stature—not that she had ever reasoned it out. Doctor Lemon’s facial spareness and his bright ocular attention, which had a fine edge and a marked scale, unfolded and applied rule-fashion, affected her as original, and she thought of them as rather formidable to a good many people, which would do very well in a husband of hers. As she made this reflexion it of course never occurred to her that she herself might suffer true measurement, for she was not a sacrificial lamb. She felt sure his features expressed a mind—a mind immensely useful, like a good hack or whatever, and that he knew how to employ. She would never have supposed him a doctor; though indeed when all was said this was very negative and didn’t account for the way he imposed himself.

“Why, then, did you come?” she asked in answer to his last speech.

“Because it seems to me after all better to see you this way than not to see you at all. I want to know you better.”

“I don’t think I ought to stay here,” she said as she looked round her.

“Don’t go till I’ve told you I love you,” the young man distinctly replied.

She made no exclamation, indulged in no start; he couldn’t see even that she changed colour. She took his request with a noble simplicity, her head erect and her eyes lowered. “I don’t think you’ve quite a right to tell me that.”

“Why not?” Jackson demanded. “I want to claim the right. I want you to give it to me.”

“I can’t—I don’t know you. You’ve said that yourself.”

“Can’t you have a little faith?” he at once asked, speaking as fast as if he were not even a little afraid to urge the pace. “That will help us to know each other better. It’s disgusting, the want of opportunity; even at Pasterns I could scarcely get a walk with you. But I’ve the most absolute trust of you. I know I love you, and I couldn’t do more than that at the end of six months. I love your beauty, I love your nature, I love you from head to foot. Don’t move, please don’t move.” He lowered his tone now, but it went straight to her ear and we must believe conveyed a certain eloquence. For himself, after he had heard himself say these words, all his being was in a glow. It was a luxury to speak to her of her beauty; it brought him nearer to her than he had ever been. But the colour had come into her face and seemed to remind him that her beauty wasn’t all. “Everything about you is true and sweet and grand,” he went on; “everything’s dear to me. I’m sure you’re good. I don’t know what you think of me; I asked Lady Beauchemin to tell me, and she told me to judge for myself. Well, then, I judge you like me. Haven’t I a right to assume that till the contrary’s proved? May I speak to your father? That’s what I want to know. I’ve been waiting, but now what should I wait for longer? I want to be able to tell him you’ve given me hope. I suppose I ought to speak to him first. I meant to, to-morrow, but meanwhile, to-night, I thought I’d just put this in. In my country it wouldn’t matter particularly. You must see all that over there for yourself. If you should tell me not to speak to your father I wouldn’t—I’d wait. But I like better to ask your leave to speak to him than ask his to speak to you.”

His voice had sunk almost to a whisper, but, though it trembled, the fact of his pleading gave it intensity. He had the same attitude, his thumbs in his trousers, his neat attentive young head, his smile, which was a matter of course; no one would have imagined what he was saying. She had listened without moving and at the end she raised her eyes. They rested on his own a moment, and he remembered for a long time the look, the clear effluence of splendid maidenhood, as deep as a surrender, that passed her lids.

Disconcertingly, however, there was no surrender in what she answered. “You may say anything you please to my father, but I don’t wish to hear any more. You’ve said too much, considering how little idea you’ve given me before.”

“I was watching you,” said Jackson Lemon.

She held her head higher, still looking straight at him. Then quite seriously, “I don’t like to be watched,” she returned.

“You shouldn’t be so beautiful then. Won’t you give me a word of hope?”

“I’ve never supposed I should marry a foreigner,” said Lady Barb.

“Do you call me a foreigner?”

“I think your ideas are very different and your country different. You’ve told me so yourself.”

“I should like to show it to you. I would make you like it.”

“I’m not sure what you’d make me do,” she went on very honestly.

“Nothing you don’t want.”

“I’m sure you’d try,” she smiled as for more accommodation.

“Well,” said Jackson Lemon, “I’m after all trying now.”

To this she returned that she must go to her mother, and he was obliged to lead her out of the place. Lady Canterville was not immediately found, so that he had time to keep it up a little as they went. “Now that I’ve spoken I’m very happy.”

“Perhaps you’re happy too soon.”

“Ah, don’t say that, Lady Barb,” he tenderly groaned.

“Of course I must think of it.”

“Of course you must!” Jackson abundantly concurred. “I’ll speak to your father to-morrow.”

“I can’t fancy what he’ll say.”

“How can he dislike me? But I guess he doesn’t!” the young man cried in a tone which Lady Beauchemin, had she heard him, would have felt connected with his general retreat upon the quaint. What Lady Beauchemin’s sister thought of it is not recorded; but there is perhaps a clue to her opinion in the answer she made him after a moment’s silence: “Really, you know, you are a foreigner!” With this she turned her back, for she was already in her mother’s hands. Jackson Lemon said a few words to Lady Canterville; they were chiefly about its being very hot. She gave him her vague sweet attention, as if he were saying something ingenious but of which she missed the point. He could see she was thinking of the ways of her daughter Agatha, whose attitude toward the contemporary young man was wanting in the perception of differences—a madness too much without method; she was evidently not occupied with Lady Barb, who was more to be depended on. This young woman never met her suitor’s eyes again; she let her own rest rather ostentatiously on other objects. At last he was going away without a glance from her. Her mother had asked him to luncheon for the morrow, and he had said he would come if she would promise him he should see his lordship. “I can’t pay you another visit till I’ve had some talk with him.”

“I don’t see why not, but if I speak to him I daresay he will be at home,” she returned.

“It will be worth his while!” At this he almost committed himself; and he left the house reflecting that as he had never proposed to a girl before he couldn’t be expected to know how women demean themselves in this emergency. He had heard indeed that Lady Barb had had no end of offers; and though he supposed the number probably overstated, as it always is, he had to infer that her way of appearing suddenly to have dropped him was but the usual behaviour for the occasion.

III

At her mother’s the next day she was absent from luncheon, and Lady Canterville mentioned to him—he didn’t ask—that she had gone to see a dear old great-aunt who was also her godmother and who lived at Roehampton. Lord Canterville was not present, but Jackson learned from his hostess that he had promised her he would come in exactly at three o’clock. Our young man lunched with her ladyship and the children, who appeared in force at this repast, all the younger girls being present, and two little boys, the juniors of the two sons who were in their teens. Doctor Lemon, who was fond of children and thought these absolutely the finest in the world—magnificent specimens of a magnificent brood, such as it would be so satisfactory in future days to see about his own knee—Doctor Lemon felt himself treated as one of the family, but was not frightened by what he read into the privilege of his admission. Lady Canterville showed no sense whatever of his having mooted the question of becoming her son-in-law, and he believed the absent object of his attentions hadn’t told her of their evening’s talk. This idea gave him pleasure; he liked to think Lady Barb was judging him for herself. Perhaps indeed she was taking counsel of the old lady at Roehampton: he saw himself the sort of lover of whom a godmother would approve. Godmothers, in his mind, were mainly associated with fairy-tales—he had had no baptismal sponsors of his own; and that point of view would be favourable to a young man with a great deal of gold who had suddenly arrived from a foreign country—an apparition surely in a proper degree elfish. He made up his mind he should like Lady Canterville as a mother-in-law; she would be too well-bred to meddle. Her husband came in at three o’clock, just after they had risen, and observed that it was very good in him to have waited.

“I haven’t waited,” Jackson replied with his watch in his hand; “you’re punctual to the minute.”

I know not how Lord Canterville may have judged his young friend, but Jackson Lemon had been told more than once in his life that he would have been all right if he hadn’t been so literal. After he had lighted a cigarette in his lordship’s “den,” a large brown apartment on the ground-floor, which partook at once of the nature of an office and of that of a harness-room—it couldn’t have been called in any degree a library or even a study—he went straight to the point in these terms: “Well now, Lord Canterville, I feel I ought to let you know without more delay that I’m in love with Lady Barb and that I should like to make her my wife.” So he spoke, puffing his cigarette, with his conscious but unextenuating eyes fixed on his host.

No man, as I have intimated, bore better being looked at than this noble personage; he seemed to bloom in the envious warmth of human contemplation and never appeared so faultless as when most exposed. “My dear fellow, my dear fellow,” he murmured almost in disparagement, stroking his ambrosial beard from before the empty fireplace. He lifted his eyebrows, but looked perfectly good-natured.

“Are you surprised, sir?” Jackson asked.

“Why I suppose a fellow’s surprised at any one’s wanting one of his children. He sometimes feels the weight of that sort of thing so much, you know. He wonders what use on earth another man can make of them.” And Lord Canterville laughed pleasantly through the copious fringe of his lips.

“I only want one of them,” said his guest, laughing too, but with a lighter organ.

“Polygamy would be rather good for the parents. However, Luke told me the other night she knew you to be looking the way you speak of.”

“Yes, I mentioned to Lady Beauchemin that I love Lady Barb, and she seemed to think it natural.”

“Oh I suppose there’s no want of nature in it! But, my dear fellow, I really don’t know what to say,” his lordship added.

“Of course you’ll have to think of it.” In saying which Jackson felt himself make the most liberal concession to the point of view of his interlocutor; being perfectly aware that in his own country it wasn’t left much to the parents to think of.

“I shall have to talk it over with my wife.”