The Poems of Henry Kendall
by Henry Kendall
[Native-born Australian Poet—1841-1882.]
[Transcriber's Note on text: Lines longer than 78 characters have been broken according to metre, and the continuation is indented two spaces. A few obvious errors have been corrected.]
This edition of Kendall contains: (i) The poems included in the three volumes published during the author's lifetime; (ii) Those not reprinted by Kendall, but included in the collected editions of 1886, 1890 and 1903; (iii) Early pieces not hitherto reprinted; (iv) Poems, now first printed, from the Kendall MSS. in the Mitchell Library, the use of which has been kindly permitted by the Trustees. Certain topical skits and other pieces of no value have been omitted.
With biographical note by Bertram Stevens
Contents
Biographical Note
Henry Kendall was the first Australian poet to draw his inspiration from the life, scenery and traditions of the country. In the beginnings of Australian poetry the names of two other men stand with his—Adam Lindsay Gordon, of English parentage and education, and Charles Harpur, born in Australia a generation earlier than Kendall. Harpur's work, though lacking vitality, shows fitful gleams of poetic fire suggestive of greater achievement had the circumstances of his life been more favourable. Kendall, whose lot was scarcely more fortunate, is a true singer; his songs remain, and are likely long to remain, attractive to poetry lovers.
The poet's grandfather, Thomas Kendall, a Lincolnshire schoolmaster, met the Revd. Samuel Marsden when the latter was in England seeking assistants for his projected missionary work in New Zealand. Kendall offered his services to the Church Missionary Society of London and came out to Sydney in 1809. Five years later he was sent to the Bay of Islands as a lay missionary, holding also the first magistrate's commission issued for New Zealand. He soon made friends with the Maoris and learnt their language well enough to compile a primer in pidgin-Maori, 'A Korao no New Zealand; or, the New Zealander's First Book', which George Howe printed for Marsden at Sydney in 1815. In 1820 Thomas Kendall went to England with some Maori chiefs, and while there helped Professor Lee, of Cambridge, to "fix" the Maori language—the outcome of their work being Lee and Kendall's 'Grammar and Vocabulary of the Language of New Zealand', published in the same year.
Returning to New Zealand, Kendall, in 1823, left the Missionary Society and went with his son Basil to Chile. In 1826 he came back to Australia, and for his good work as a missionary received from the New South Wales Government a grant of 1280 acres at Ulladulla, on the South Coast. There he entered the timber trade and became owner and master of a small vessel used in the business. About 1832 this vessel was wrecked near Sydney, and all on board, including the owner, were drowned.
Of Basil Kendall's early career little is known. While in South America he saw service under Lord Cochrane, the famous tenth Earl of Dundonald, who, after five brilliant years in the Chilean service, was, between 1823 and 1825, fighting on behalf of Brazil. Basil returned to Australia, but disappears from view until 1840. One day in that year he met a Miss Melinda McNally, and next day they were married. Soon afterwards they settled on the Ulladulla grant, farming land at Kirmington, two miles from the little town of Milton. There, in a primitive cottage Basil had built, twin sons—Basil Edward and Henry—were born on the 18th April, 1841. Five years later the family moved to the Clarence River district and settled near the Orara. Basil Kendall had practically lost one lung before his marriage, and failing health made it exceedingly difficult for him to support his family, to which by this time three daughters had been added. On the Orara he grew steadily weaker, and died somewhere about 1851.
Basil Kendall was well educated, and had done what he could to educate his children. After his death the family was scattered, and the two boys were sent to a relative on the South Coast. The scenery of this district made a profound impression upon Henry, and is often referred to in his early poems. In 1855 his uncle Joseph took him as cabin boy in his brig, the 'Plumstead', for a two years' cruise in the Pacific, during which they touched at many of the Islands and voyaged as far north as Yokohama. The beauty of the scenes he visited lived in the boy's memory, but the rigours of ship life were so severe that in after years he looked back on the voyage with horror.
Henry Kendall returned to Sydney in March, 1857, and at once obtained employment in the city and set about making a home for his mother and sisters. Mrs. Kendall, granddaughter of Leonard McNally, a Dublin notable of his day, was a clever, handsome woman with a strong constitution and a volatile temperament. Henry was always devoted to her, and considered that from her he inherited whatever talent he possessed. She helped in his education, and encouraged him to write verse.
The first verses of his known to have been printed were "O tell me, ye breezes"—signed "H. Kendall"—which appeared in 'The Australian Home Companion and Band of Hope Journal' in 1859. A number of other poems by Kendall appeared in the same magazine during 1860 and 1861. But in a letter written years afterwards to Mr. Sheridan Moore, Kendall says "My first essay in writing was sent to 'The Southern Cross' at the time you were sub-editor. You, of course, lit your pipe with it. It was on the subject of the 'Dunbar'. After a few more attempts in prose and verse—attempts only remarkable for their being clever imitations—I hit upon the right vein and wrote the Curlew Song. Then followed the crude, but sometimes happy verses which made up my first volume."
The verses on the wreck of the 'Dunbar', written at the age of sixteen, were eventually printed in 'The Empire' in 1860 as "The Merchant Ship". Henry Parkes, the editor of that newspaper, had already welcomed some of the boy's poems, and in 'The Empire' of the 8th December, 1859, had noticed as just published a song—"Silent Tears"—the words of which were written by "a young native poet, Mr. H. Kendall, N.A.P." These initials, which puzzled Parkes, as well they might, meant no more than Native Australian Poet.
Kendall also sent some poems to 'The Sydney Morning Herald'; there they attracted the attention of Henry Halloran, a civil servant and a voluminous amateur writer, who sought out the poet and tried to help him.
Kendall's mother brought him to Mr. Sheridan Moore, who had some reputation as a literary critic. He was greatly interested in the poems, and promised to try to raise money for their publication. Subscriptions were invited by advertisement in January, 1861, but came in so slowly that, after a year's delay, Kendall almost despaired of publication.
Meanwhile Moore had introduced Kendall to James Lionel Michael, through whom he came to know Nicol D. Stenhouse, Dr. Woolley, and others of the small group of literary men in Sydney. Michael, a London solicitor, had been a friend of some of the Pre-Raphaelite group of artists, and was much more interested in literature than in the law when the lure of gold brought him to Australia in 1853. Himself a well-read man and a writer of very fair verse, he recognized the decided promise of Kendall's work and gave him a place in his office. In spite of their disparity in years they became friends, and Kendall undoubtedly derived great benefit from Michael's influence and from the use of his library. When in 1861 Michael left Sydney for Grafton, Kendall either accompanied him or joined him soon afterwards. He did not, however, stay long at Grafton. He found employment at Dungog on the Williams River; afterwards went to Scone, where he worked for a month or two, and then made his way back to Sydney.
Restive over the long delay in publication, and anxious to get a critical estimate of his work, Kendall in January, 1862, made copies of some pieces and sent them to the 'Cornhill Magazine' with a letter pleading for special consideration on account of the author's youth and the indifference of Australians to anything produced in their own country. A reduced facsimile of this interesting letter is printed here. {In this etext, the letter has been transcribed and is included at the end of this section.} Thackeray was editor of 'Cornhill' up to April, 1862, but may not have seen this pathetic appeal from the other side of the world. At any rate, no notice of it was taken by 'Cornhill', and in July of the same year Kendall sent a similar letter with copies of his verses to the 'Athenaeum'. The editor printed the letter and some of the poems, with very kindly comments, in the issue of 27th September, 1862.
In October, 1862, before this powerful encouragement reached the young writer, 'Poems and Songs' was published in Sydney by Mr. J. R. Clarke. 'The Empire' published a favourable review. Further notice of his work appeared in the 'Athenaeum' during the next four years, and in 1866 it was generously praised by Mr. G. B. Barton in his 'Poets and Prose Writers of New South Wales'.
Meanwhile in August, 1863, Kendall was, through Parkes' influence, appointed to a clerkship in the Surveyor-General's Department at one hundred and fifty pounds a year, and three years later was transferred to the Colonial Secretary's Office at two hundred pounds a year. During this period he read extensively, and wrote much verse. By 1867 he had so far overcome his natural shyness that he undertook to deliver a series of lectures at the Sydney School of Arts. One of these, on "Love, Courtship and Marriage", precipitated him into experience of all three; for he walked home after the lecture with Miss Charlotte Rutter, daughter of a Government medical officer, straightway fell in love, and, after a brief courtship, they were married in the following year.
The year 1868 was a memorable one for Kendall in other ways. In April, James Lionel Michael was found dead in the Clarence River, and in June Charles Harpur died at Euroma. Kendall had a great admiration for Harpur's poems and wrote to him in the spirit of a disciple. They corresponded for some years, but did not meet until a few months before the elder poet's death. Kendall describes Harpur as then "a noble ruin—scorched and wasted by the fire of sorrow."
In 1868, also, a prize was offered in Melbourne for the best Australian poem, the judge being Richard Hengist Horne, author of 'Orion'. Kendall sent in three poems and Horne awarded the prize to "A Death in the Bush". In an article printed in Melbourne and Sydney newspapers he declared that the author was a true poet, and that had there been three prizes, the second and third would have gone to Kendall's other poems—"The Glen of Arrawatta" and "Dungog".
The result of winning this prize was that Kendall decided to abandon routine work and try to earn his living as a writer. He resigned his position in the Colonial Secretary's Office on the 31st March, 1869, and shortly afterwards left for Melbourne, where his wife and daughter soon joined him. Melbourne was then a centre of greater literary activity than Sydney. Neither then, however, nor for a long time to come, was any number of people in Australia sufficiently interested in local literature (apart from journalism) to warrant the most gifted writer in depending upon his pen for support. Still, Kendall managed to persuade Mr. George Robertson, the principal Australian bookseller of those days, to undertake the risk of his second book of poems—'Leaves from Australian Forests'—which was published towards the end of 1869. But though the volume showed a great advance in quality upon its predecessor, it was a commercial failure, and the publisher lost ninety pounds over it.
In Melbourne, Kendall wrote prose, as well as satirical and serious verse, for most of the papers. The payment was small; in fact, only a few newspapers then paid anything for verse. He made a little money by writing the words for a cantata, "Euterpe", sung at the opening of the Melbourne Town Hall in 1870. At the office of 'The Colonial Monthly', edited by Marcus Clarke, he met the best of the Melbourne literati, and, though his reserved manner did not encourage intimacy, one of them—George Gordon McCrae—became a close and true friend. Lindsay Gordon, too, admired Kendall's poems, and learned to respect a man whose disposition was in some ways like his own. 'Bush Ballads and Galloping Rhymes' appeared in June, 1870, and Kendall received an advance copy and wrote a laudatory review for 'The Australasian'. He and Gordon spent some hours on the day of publication, discussing the book and poetry in general. Both were depressed by the apparent futility of literary effort in Australia, where nearly everyone was making haste to be rich. Next morning Gordon shot himself—tired of life at thirty-seven! Kendall knew how Harpur's last long illness had been saddened by the knowledge that the public was utterly indifferent to his poems; he had seen the wreck of the once brilliant Deniehy; and now the noble-hearted Gordon had given up the struggle.
To these depressing influences, and the hardships occasioned by a meagre and uncertain income, was added a new grief—the loss of his first-born, Araluen, whose memory he enshrined years afterwards in a poem of pathetic tenderness. He returned to Sydney early in 1871, broken in health and spirit. The next two years were a time of tribulation, during which, as he said later on, he passed into the shadow, and emerged only through the devotion of his wife and the help of the brothers Fagan, timber merchants, of Brisbane Water. Kendall was the Fagans' guest at Narrara Creek, near Gosford, and afterwards filled a clerical position in the business which one of the brothers established at Camden Haven. There he spent seven tranquil years with his wife and family, and wrote the best of his poems. In some of these he said all that need be said against himself, for he was always frankly critical of his conduct and work.
In his later years Kendall tasted some of the sweets of success. He wrote the words of the opening Cantata sung at the Sydney International Exhibition in 1879, and won a prize of one hundred pounds offered by 'The Sydney Morning Herald' for a poem on the Exhibition. His third collection—'Songs from the Mountains'—was published at Sydney in 1880, and realized a substantial profit. In 1881 Sir Henry Parkes made a position for him, an Inspectorship of State Forests at five hundred pounds a year. Kendall's experience in the timber business well fitted him for this, though his health was not equal to the exposure attendant on the work. He moved to Cundletown, on the Manning River, before receiving the appointment, and from that centre rode out on long tours of inspection. During one of these he caught a chill; his lungs were affected, and rapid consumption followed. He went to Sydney for treatment and was joined by his wife at Mr. Fagan's house in Redfern, where he died in her arms on the 1st August, 1882. He was buried at Waverley, overlooking the sea.
Kendall, it should be remembered, did not prepare a collected edition of his poems, and it will be noticed that in the present volume some lines and passages appear more than once. The student and lover of Kendall will be interested to see how these lines and passages were taken from his own previous work and turned to better account in later poems, and to note the gradual improvement of his style. In his last book, 'Songs from the Mountains', there are fewer echoes; the touch is surer, and the imaginative level at his highest. The shining wonder is that, under the conditions of Australian life between 1860 and 1880, he should have written so much that is so good.
As our first sweet singer of "native woodnotes wild", Kendall has an enduring place in the regard of all Australians; and his best work is known and admired wherever English poetry is read.
Bertram Stevens
{This is the transcription of the letter previously mentioned.}
Newtown, Sydney, New South Wales.
January 21, 1862
To the Editor of the "Cornhill Magazine".
Sir,
Will you oblige me by reading this letter, and the accompanying verses? Remember that they will have travelled sixteen thousand miles, and on that account will be surely worth a few moments of your time. I think that there is merit in the verses, and have sent them to you, hoping that you—yourself, will be of the same opinion. If one can be selected—one up to the standard of the 'Cornhill Magazine', insert it, and you will be helping me practically. I do not hint of pecuniary remuneration however, for your recognition would be sufficient reward.
Let me say a few words about myself: I was born in this colony; and am now in the nineteenth year of my age. My education has been neglected—hence you will very likely find that some of these effusions are immature. At present the most of my time is occupied at an attorney's office, but I do not earn enough there to cover expenses; considering that I have to support my mother and three sisters. I want to rise, and if my poems are anywhere near the mark you can assist me by noticing them.
They recognise me in this country as the "first Australian poet". If the men who load me with their fulsome, foolish praises, really believed {that I have talent (crossed out)} in my talents, and cared a whit about fostering a native literature, they would give me a good situation; and I should not have to appeal to you.
If one of the poems is found to be good enough, and you publish it, someone here will then surely do the rest. On the other hand if nothing can be gleaned from them, let the effusions and their author be forgotten. Hoping that you will not forget to read the verses, I remain
Yours, Respectfully,
H. Kendall.
POEMS AND SONGS
The Muse of Australia
Where the pines with the eagles are nestled in rifts,
And the torrent leaps down to the surges,
I have followed her, clambering over the clifts,
By the chasms and moon-haunted verges.
I know she is fair as the angels are fair,
For have I not caught a faint glimpse of her there;
A glimpse of her face and her glittering hair,
And a hand with the Harp of Australia?
I never can reach you, to hear the sweet voice
So full with the music of fountains!
Oh! when will you meet with that soul of your choice,
Who will lead you down here from the mountains?
A lyre-bird lit on a shimmering space;
It dazzled mine eyes and I turned from the place,
And wept in the dark for a glorious face,
And a hand with the Harp of Australia!
Mountains
Rifted mountains, clad with forests, girded round by gleaming pines,
Where the morning, like an angel, robed in golden splendour shines;
Shimmering mountains, throwing downward on the slopes a mazy glare
Where the noonday glory sails through gulfs of calm and glittering air;
Stately mountains, high and hoary, piled with blocks of amber cloud,
Where the fading twilight lingers, when the winds are wailing loud;
Grand old mountains, overbeetling brawling brooks and deep ravines,
Where the moonshine, pale and mournful, flows on rocks and evergreens.
Underneath these regal ridges—underneath the gnarly trees,
I am sitting, lonely-hearted, listening to a lonely breeze!
Sitting by an ancient casement, casting many a longing look
Out across the hazy gloaming—out beyond the brawling brook!
Over pathways leading skyward—over crag and swelling cone,
Past long hillocks looking like to waves of ocean turned to stone;
Yearning for a bliss unworldly, yearning for a brighter change,
Yearning for the mystic Aidenn, built beyond this mountain range.
Happy years, amongst these valleys, happy years have come and gone,
And my youthful hopes and friendships withered with them one by one;
Days and moments bearing onward many a bright and beauteous dream,
All have passed me like to sunstreaks flying down a distant stream.
Oh, the love returned by loved ones! Oh, the faces that I knew!
Oh, the wrecks of fond affection! Oh, the hearts so warm and true!
But their voices I remember, and a something lingers still,
Like a dying echo roaming sadly round a far off hill.
I would sojourn here contented, tranquil as I was of yore,
And would never wish to clamber, seeking for an unknown shore;
I have dwelt within this cottage twenty summers, and mine eyes
Never wandered erewhile round in search of undiscovered skies;
But a spirit sits beside me, veiled in robes of dazzling white,
And a dear one's whisper wakens with the symphonies of night;
And a low sad music cometh, borne along on windy wings,
Like a strain familiar rising from a maze of slumbering springs.
And the Spirit, by my window, speaketh to my restless soul,
Telling of the clime she came from, where the silent moments roll;
Telling of the bourne mysterious, where the sunny summers flee
Cliffs and coasts, by man untrodden, ridging round a shipless sea.
There the years of yore are blooming—there departed life-dreams dwell,
There the faces beam with gladness that I loved in youth so well;
There the songs of childhood travel, over wave-worn steep and strand—
Over dale and upland stretching out behind this mountain land.
"Lovely Being, can a mortal, weary of this changeless scene,
Cross these cloudy summits to the land where man hath never been?
Can he find a pathway leading through that wildering mass of pines,
So that he shall reach the country where ethereal glory shines;
So that he may glance at waters never dark with coming ships;
Hearing round him gentle language floating from angelic lips;
Casting off his earthly fetters, living there for evermore;
All the blooms of Beauty near him, gleaming on that quiet shore?
"Ere you quit this ancient casement, tell me, is it well to yearn
For the evanescent visions, vanished never to return?
Is it well that I should with to leave this dreary world behind,
Seeking for your fair Utopia, which perchance I may not find?
Passing through a gloomy forest, scaling steeps like prison walls,
Where the scanty sunshine wavers and the moonlight seldom falls?
Oh, the feelings re-awakened! Oh, the hopes of loftier range!
Is it well, thou friendly Being, well to wish for such a change?"
But the Spirit answers nothing! and the dazzling mantle fades;
And a wailing whisper wanders out from dismal seaside shades!
"Lo, the trees are moaning loudly, underneath their hood-like shrouds,
And the arch above us darkens, scarred with ragged thunder clouds!"
But the spirit answers nothing, and I linger all alone,
Gazing through the moony vapours where the lovely Dream has flown;
And my heart is beating sadly, and the music waxeth faint,
Sailing up to holy Heaven, like the anthems of a Saint.
Kiama
Towards the hills of Jamberoo
Some few fantastic shadows haste,
Uplit with fires
Like castle spires
Outshining through a mirage waste.
Behold, a mournful glory sits
On feathered ferns and woven brakes,
Where sobbing wild like restless child
The gusty breeze of evening wakes!
Methinks I hear on every breath
A lofty tone go passing by,
That whispers—"Weave,
Though wood winds grieve,
The fadeless blooms of Poesy!"
A spirit hand has been abroad—
An evil hand to pluck the flowers—
A world of wealth,
And blooming health
Has gone from fragrant seaside bowers.
The twilight waxeth dim and dark,
The sad waves mutter sounds of woe,
But the evergreen retains its sheen,
And happy hearts exist below;
But pleasure sparkles on the sward,
And voices utter words of bliss,
And while my bride
Sits by my side,
Oh, where's the scene surpassing this?
Kiama slumbers, robed with mist,
All glittering in the dewy light
That, brooding o'er
The shingly shore,
Lies resting in the arms of Night;
And foam-flecked crags with surges chill,
And rocks embraced of cold-lipped spray,
Are moaning loud where billows crowd
In angry numbers up the bay.
The holy stars come looking down
On windy heights and swarthy strand,
And Life and Love—
The cliffs above—
Are sitting fondly hand in hand.
I hear a music inwardly,
That floods my soul with thoughts of joy;
Within my heart
Emotions start
That Time may still but ne'er destroy.
An ancient Spring revives itself,
And days which made the past divine;
And rich warm gleams from golden dreams,
All glorious in their summer shine;
And songs of half forgotten hours,
And many a sweet melodious strain,
Which still shall rise
Beneath the skies
When all things else have died again.
A white sail glimmers out at sea—
A vessel walking in her sleep;
Some Power goes past
That bends the mast,
While frighted waves to leeward leap.
The moonshine veils the naked sand
And ripples upward with the tide,
As underground there rolls a sound
From where the caverned waters glide.
A face that bears affection's glow,
The soul that speaks from gentle eyes,
And joy which slips
From loving lips
Have made this spot my Paradise!
Etheline
The heart that once was rich with light,
And happy in your grace,
Now lieth cold beneath the scorn
That gathers on your face;
And every joy it knew before,
And every templed dream,
Is paler than the dying flash
On yonder mountain stream.
The soul, regretting foundered bliss
Amid the wreck of years,
Hath mourned it with intensity
Too deep for human tears!
The forest fadeth underneath
The blast that rushes by—
The dripping leaves are white with death,
But Love will never die!
We both have seen the starry moss
That clings where Ruin reigns,
And one must know his lonely breast
Affection still retains;
Through all the sweetest hopes of life,
That clustered round and round,
Are lying now, like withered things,
Forsaken—on the ground.
'Tis hard to think of what we were,
And what we might have been,
Had not an evil spirit crept
Across the tranquil scene:
Had fervent feelings in your soul
Not failed nor ceased to shine
As pure as those existing on,
And burning still in mine.
Had every treasure at your feet
That I was wont to pour,
Been never thrown like worthless weeds
Upon a barren shore!
The bitter edge of grief has passed,
I would not now upbraid;
Or count to you the broken vows,
So often idly made!
I would not cross your path to chase
The falsehood from your brow—
I know, with all that borrowed light,
You are not happy now:
Since those that once have trampled down
Affection's early claim,
Have lost a peace they need not hope
To find on earth again.
Aileen
A splendid sun betwixt the trees
Long spikes of flame did shoot,
When turning to the fragrant South,
With longing eyes and burning mouth,
I stretched a hand athwart the drouth,
And plucked at cooling fruit.
So thirst was quenched, and hastening on
With strength returned to me,
I set my face against the noon,
And reached a denser forest soon;
Which dipped into a still lagoon
Hard by the sooming sea.
All day the ocean beat on bar
And bank of gleaming sand;
Yet that lone pool was always mild,
It never moved when waves were wild,
But slumbered, like a quiet child,
Upon the lap of land.
And when I rested on the brink,
Amongst the fallen flowers,
I lay in calm; no leaves were stirred
By breath of wind, or wing of bird;
It was so still, you might have heard
The footfalls of the hours.
Faint slumbrous scents of roses filled
The air which covered me:
My words were low—"she loved them so,
In Eden vales such odours blow:
How strange it is that roses grow
So near the shores of Sea!"
A sweeter fragrance never came
Across the Fields of Yore!
And when I said—"we here would dwell,"—
A low voice on the silence fell—
"Ah! if you loved the roses well,
You loved Aileen the more."
"Ay, that I did, and now would turn,
And fall and worship her!
But Oh, you dwell so far—so high!
One cannot reach, though he may try,
The Morning land, and Jasper sky—
The balmy hills of Myrrh.
"Why vex me with delicious hints
Of fairest face, and rarest blooms;
You Spirit of a darling Dream
Which links itself with every theme
And thought of mine by surf or stream,
In glens—or caverned glooms?"
She said, "thy wishes led me down,
From amaranthine bowers:
And since my face was haunting thee
With roses (dear which used to be),
They all have hither followed me,
The scents and shapes of flowers."
"Then stay, mine own evangel, stay!
Or, going, take me too;
But let me sojourn by your side,
If here we dwell or there abide,
It matters not!" I madly cried—
"I only care for you."
Oh, glittering Form that would not stay!—
Oh, sudden, sighing breeze!
A fainting rainbow dropped below
Far gleaming peaks and walls of snow
And there, a weary way, I go,
Towards the Sunrise seas.
Kooroora
The gums in the gully stand gloomy and stark,
A torrent beneath them is leaping,
And the wind goes about like a ghost in the dark
Where a chief of Wahibbi lies sleeping!
He dreams of a battle—of foes of the past,
But he hears not the whooping abroad on the blast,
Nor the fall of the feet that are travelling fast.
Oh, why dost thou slumber, Kooroora?
They come o'er the hills in their terrible ire,
And speed by the woodlands and water;
They look down the hills at the flickering fire,
All eager and thirsty for slaughter.
Lo! the stormy moon glares like a torch from the vale,
And a voice in the belah grows wild in its wail,
As the cries of the Wanneroos swell with the gale—
Oh! rouse thee and meet them, Kooroora!
He starts from his sleep and he clutches his spear,
And the echoes roll backward in wonder,
For a shouting strikes into the hollow woods near,
Like the sound of a gathering thunder.
He clambers the ridge, with his face to the light,
The foes of Wahibbi come full in his sight—
The waters of Mooki will redden to-night.
Go! and glory awaits thee, Kooroora!
Lo! yeelamans splinter and boomerangs clash,
And a spear through the darkness is driven—
It whizzes along like a wandering flash
From the heart of a hurricane riven.
They turn to the mountains, that gloomy-browed band;
The rain droppeth down with a moan to the land,
And the face of a chieftain lies buried in sand—
Oh, the light that was quenched with Kooroora!
To-morrow the Wanneroo dogs will rejoice,
And feast in this desolate valley;
But where are his brothers—the friends of his choice,
And why art thou absent, Ewalli?
Now silence draws back to the forest again,
And the wind, like a wayfarer, sleeps on the plain,
But the cheeks of a warrior bleach in the rain.
Oh! where are thy mourners, Kooroora?
Fainting by the Way
Swarthy wastelands, wide and woodless, glittering miles and miles away,
Where the south wind seldom wanders and the winters will not stay;
Lurid wastelands, pent in silence, thick with hot and thirsty sighs,
Where the scanty thorn-leaves twinkle with their haggard, hopeless eyes;
Furnaced wastelands, hunched with hillocks, like to stony billows rolled,
Where the naked flats lie swirling, like a sea of darkened gold;
Burning wastelands, glancing upward with a weird and vacant stare,
Where the languid heavens quiver o'er red depths of stirless air!
"Oh, my brother, I am weary of this wildering waste of sand;
In the noontide we can never travel to the promised land!
Lo! the desert broadens round us, glaring wildly in my face,
With long leagues of sunflame on it,—oh! the barren, barren place!
See, behind us gleams a green plot, shall we thither turn and rest
Till a cold wind flutters over, till the day is down the west?
I would follow, but I cannot! Brother, let me here remain,
For the heart is dead within me, and I may not rise again."
"Wherefore stay to talk of fainting?—rouse thee for awhile, my friend;
Evening hurries on our footsteps, and this journey soon will end.
Wherefore stay to talk of fainting, when the sun, with sinking fire,
Smites the blocks of broken thunder, blackening yonder craggy spire?
Even now the far-off landscape broods and fills with coming change,
And a withered moon grows brighter bending o'er that shadowed range;
At the feet of grassy summits sleeps a water calm and clear—
There is surely rest beyond it! Comrade, wherefore tarry here?
"Yet a little longer struggle; we have walked a wilder plain,
And have met more troubles, trust me, than we e'er shall meet again!
Can you think of all the dangers you and I are living through
With a soul so weak and fearful, with the doubts I never knew?
Dost thou not remember that the thorns are clustered with the rose,
And that every Zin-like border may a pleasant land enclose?
Oh, across these sultry deserts many a fruitful scene we'll find,
And the blooms we gather shall be worth the wounds they leave behind!"
"Ah, my brother, it is useless! See, o'erburdened with their load,
All the friends who went before us fall or falter by the road!
We have come a weary distance, seeking what we may not get,
And I think we are but children, chasing rainbows through the wet.
Tell me not of vernal valleys! Is it well to hold a reed
Out for drowning men to clutch at in the moments of their need?
Go thy journey on without me; it is better I should stay,
Since my life is like an evening, fading, swooning fast away!
"Where are all the springs you talked of? Have I not with pleading mouth
Looked to Heaven through a silence stifled in the crimson drouth?
Have I not, with lips unsated, watched to see the fountains burst,
Where I searched the rocks for cisterns? And they only mocked my thirst!
Oh, I dreamt of countries fertile, bright with lakes and flashing rills
Leaping from their shady caverns, streaming round a thousand hills!
Leave me, brother, all is fruitless, barren, measureless, and dry,
And my God will never help me though I pray, and faint, and die!"
"Up! I tell thee this is idle! Oh, thou man of little faith!
Doubting on the verge of Aidenn, turning now to covet death!
By the fervent hopes within me, by the strength which nerves my soul,
By the heart that yearns to help thee, we shall live and reach the goal!
Rise and lean thy weight upon me. Life is fair, and God is just,
And He yet will show us fountains, if we only look and trust!
Oh, I know it, and He leads us to the glens of stream and shade,
Where the low, sweet waters gurgle round the banks which cannot fade!"
Thus he spake, my friend and brother! and he took me by the hand,
And I think we walked the desert till the night was on the land;
Then we came to flowery hollows, where we heard a far-off stream
Singing in the moony twilight, like the rivers of my dream.
And the balmy winds came tripping softly through the pleasant trees,
And I thought they bore a murmur like a voice from sleeping seas.
So we travelled, so we reached it, and I never more will part
With the peace, as calm as sunset, folded round my weary heart.
Song of the Cattle-Hunters
While the morning light beams on the fern-matted streams,
And the water-pools flash in its glow,
Down the ridges we fly, with a loud ringing cry—
Down the ridges and gullies we go!
And the cattle we hunt—they are racing in front,
With a roar like the thunder of waves,
As the beat and the beat of our swift horses' feet
Start the echoes away from their caves!
As the beat and the beat
Of our swift horses' feet
Start the echoes away from their caves!
Like a wintry shore that the waters ride o'er,
All the lowlands are filling with sound;
For swiftly we gain where the herds on the plain,
Like a tempest, are tearing the ground!
And we'll follow them hard to the rails of the yard,
O'er the gulches and mountain-tops grey,
Where the beat and the beat of our swift horses' feet
Will die with the echoes away!
Where the beat and the beat
Of our swift horses' feet
Will die with the echoes away!
Footfalls
The embers were blinking and clinking away,
The casement half open was thrown;
There was nothing but cloud on the skirts of the Day,
And I sat on the threshold alone!
And said to the river which flowed by my door
With its beautiful face to the hill,
"I have waited and waited, all wearied and sore,
But my love is a wanderer still!"
And said to the wind, as it paused in its flight
To look through the shivering pane,
"There are memories moaning and homeless to-night
That can never be tranquil again!"
And said to the woods, as their burdens were borne
With a flutter and sigh to the eaves,
"They are wrinkled and wasted, and tattered and torn,
And we too have our withering leaves."
Did I hear a low echo of footfalls about,
Whilst watching those forest trees stark?
Or was it a dream that I hurried without
To clutch at and grapple the dark?
In the shadow I stood for a moment and spake—
"Bright thing that was loved in the past,
Oh! am I asleep—or abroad and awake?
And are you so near me at last?
"Oh, roamer from lands where the vanished years go,
Oh, waif from those mystical zones,
Come here where I long for you, broken and low,
On the mosses and watery stones!
"Come out of your silence and tell me if Life
Is so fair in that world as they say;
Was it worth all this yearning, and weeping, and strife
When you left it behind you to-day?
"Will it end all this watching, and doubting, and dread?
Do these sorrows die out with our breath?
Will they pass from our souls like a nightmare," I said,
"While we glide through the mazes of Death?
"Come out of that darkness and teach me the lore
You have learned since I looked on your face;
By the summers that blossomed and faded of yore—
By the lights which have fled to that place!
"You answer me not when I know that you could—
When I know that you could and you should;
Though the storms be abroad on the wave;
Though the rain droppeth down with a wail to the wood,
And my heart is as cold as your grave!"
God Help Our Men at Sea
The wild night comes like an owl to its lair,
The black clouds follow fast,
And the sun-gleams die, and the lightnings glare,
And the ships go heaving past, past, past—
The ships go heaving past!
Bar the doors, and higher, higher
Pile the faggots on the fire:
Now abroad, by many a light,
Empty seats there are to-night—
Empty seats that none may fill,
For the storm grows louder still:
How it surges and swells through the gorges and dells,
Under the ledges and over the lea,
Where a watery sound goeth moaning around—
God help our men at sea!
Oh! never a tempest blew on the shore
But that some heart did moan
For a darling voice it would hear no more
And a face that had left it lone, lone, lone—
A face that had left it lone!
I am watching by a pane
Darkened with the gusty rain,
Watching, through a mist of tears,
Sad with thoughts of other years,
For a brother I did miss
In a stormy time like this.
Ah! the torrent howls past, like a fiend on the blast,
Under the ledges and over the lea;
And the pent waters gleam, and the wild surges scream—
God help our men at sea!
Ah, Lord! they may grope through the dark to find
Thy hand within the gale;
And cries may rise on the wings of the wind
From mariners weary and pale, pale, pale—
From mariners weary and pale!
'Tis a fearful thing to know,
While the storm-winds loudly blow,
That a man can sometimes come
Too near to his father's home;
So that he shall kneel and say,
"Lord, I would be far away!"
Ho! the hurricanes roar round a dangerous shore,
Under the ledges and over the lea;
And there twinkles a light on the billows so white—
God help our men at sea!
Sitting by the Fire
Barren Age and withered World!
Oh! the dying leaves,
Like a drizzling rain,
Falling round the roof—
Pattering on the pane!
Frosty Age and cold, cold World!
Ghosts of other days,
Trooping past the faded fire,
Flit before the gaze.
Now the wind goes soughing wild
O'er the whistling Earth;
And we front a feeble flame,
Sitting round the hearth!
Sitting by the fire,
Watching in its glow,
Ghosts of other days
Trooping to and fro.
. . . . .
Oh, the nights—the nights we've spent,
Sitting by the fire,
Cheerful in its glow;
Twenty summers back—
Twenty years ago!
If the days were days of toil
Wherefore should we mourn;
There were shadows near the shine,
Flowers with the thorn?
And we still can recollect
Evenings spent in mirth—
Fragments of a broken life,
Sitting round the hearth:
Sitting by the fire,
Cheerful in its glow,
Twenty summers back—
Twenty years ago.
Beauty stooped to bless us once,
Sitting by the fire,
Happy in its glow;
Forty summers back—
Forty years ago.
Words of love were interchanged,
Maiden hearts we stole;
And the light affection throws
Slept on every soul.
Oh, the hours went flying past—
Hours of priceless worth;
But we took no note of Time,
Sitting round the hearth:
Sitting by the fire,
Happy in its glow,
Forty summers back—
Forty years ago.
Gleesome children were we not?
Sitting by the fire,
Ruddy in its glow,
Sixty summers back—
Sixty years ago.
Laughing voices filled the room;
Oh, the songs we sung,
When the evenings hurried by—
When our hearts were young!
Pleasant faces watched the flame—
Eyes illumed with mirth—
And we told some merry tales,
Sitting round the hearth:
Sitting by the fire,
Ruddy in its glow,
Sixty summers back—
Sixty years ago.
. . . . .
Barren Age and withered World!
Oh, the dying leaves,
Like a drizzling rain,
Falling round the roof—
Pattering on the pane!
Frosty Age and cold, cold World!
Ghosts of other days,
Trooping past the faded fire,
Flit before the gaze.
Now the wind goes soughing wild
O'er the whistling Earth;
And we front a feeble flame,
Sitting round the hearth:
Sitting by the fire,
Watching, in its glow,
Ghosts of other days
Trooping to and fro!
Bellambi's Maid
Amongst the thunder-splintered caves
On Ocean's long and windy shore,
I catch the voice of dying waves
Below the ridges old and hoar;
The spray descends in silver showers,
And lovely whispers come and go,
Like echoes from the happy hours
I never more may hope to know!
The low mimosa droops with locks
Of yellow hair, in dewy glade,
While far above the caverned rocks
I hear the dark Bellambi's Maid!
The moonlight dreams upon the sail
That drives the restless ship to sea;
The clouds troop past the mountain vale,
And sink like spirits down the lee;
The foggy peak of Corrimal,
Uplifted, bears the pallid glow
That streams from yonder airy hall
And robes the sleeping hills below;
The wandering meteors of the sky
Beneath the distant waters wade,
While mystic music hurries by—
The songs of dark Bellambi's Maid!
Why comes your voice, you lonely One,
Along the wild harp's wailing strings?
Have not our hours of meeting gone,
Like fading dreams on phantom wings?
Are not the grasses round your grave
Yet springing green and fresh to view?
And does the gleam on Ocean's wave
Tide gladness now to me and you?
Oh! cold and cheerless falls the night
On withered hearts and hopes decayed:
And I have seen but little light
Since died the dark Bellambi's Maid!
The Curlew Song
The viewless blast flies moaning past,
Away to the forest trees,
Where giant pines and leafless vines
Bend 'neath the wandering breeze!
From ferny streams, unearthly screams
Are heard in the midnight blue;
As afar they roam to the shepherd's home,
The shrieks of the wild Curlew!
As afar they roam
To the shepherd's home,
The shrieks of the wild Curlew!
The mists are curled o'er a dark-faced world,
And the shadows sleep around,
Where the clear lagoon reflects the moon
In her hazy glory crowned;
While dingoes howl, and wake the growl
Of the watchdog brave and true;
Whose loud, rough bark shoots up in the dark,
With the song of the lone Curlew!
Whose loud, rough bark
Shoots up in the dark,
With the song of the lone Curlew!
Near herby banks the dark green ranks
Of the rushes stoop to drink;
And the ripples chime, in a measured time,
On the smooth and mossy brink;
As wind-breaths sigh, and pass, and die,
To start from the swamps anew,
And join again o'er ridge and plain
With the wails of the sad Curlew!
And join again
O'er ridge and plain
With the wails of the sad Curlew!
The clouds are thrown around the cone
Of the mountain bare and high,
(Whose craggy peak uprears to the cheek—
To the face of the sombre sky)
When down beneath the foggy wreath,
Full many a gully through,
They rend the air, like cries of despair,
The screams of the wild Curlew!
They rend the air,
Like cries of despair,
The screams of the wild Curlew!
The viewless blast flies moaning past,
Away to the forest trees;
Where giant pines and leafless vines
Bend 'neath the wandering breeze!
From ferny streams, unearthly screams
Are heard in the midnight blue;
As afar they roam to the shepherd's home,
The shrieks of the wild Curlew!
As afar they roam
To the shepherd's home,
The shrieks of the wild Curlew!
The Ballad of Tanna
She knelt by the dead, in her passionate grief,
Beneath a weird forest of Tanna;
She kissed the stern brow of her father and chief,
And cursed the dark race of Alkanna.
With faces as wild as the clouds in the rain,
The sons of Kerrara came down to the plain,
And spoke to the mourner and buried the slain.
Oh, the glory that died with Deloya!
"Wahina," they whispered, "Alkanna lies low,
And the ghost of thy sire hath been gladdened,
For the men of his people have fought with the foe
Till the rivers of Warra are reddened!"
She lifted her eyes to the glimmering hill,
Then spoke, with a voice like a musical rill,
"The time is too short; can I sojourn here still?"
Oh, the Youth that was sad for Deloya!
"Wahina, why linger," Annatanam said,
"When the tent of a chieftain is lonely?
There are others who grieve for the light that has fled,
And one who waits here for you only!"
"Go—leave me!" she cried. "I would fain be alone;
I must stay where the trees and the wild waters moan;
For my heart is as cold as a wave-beaten stone."
Oh, the Beauty that was broke for Deloya!
"Wahina, why weep o'er a handful of dust,
When the souls of the brave are approaching?
Oh, look to the fires that are lit for the just,
And the mighty who sleep in Arrochin!"
But she turned from the glare of the flame-smitten sea,
And a cry, like a whirlwind, came over the lea—
"Away to the mountains and leave her with me!"
Oh, the heart that was broke for Deloya!
The Rain Comes Sobbing to the Door
The night grows dark, and weird, and cold; and thick drops patter on the pane;
There comes a wailing from the sea; the wind is weary of the rain.
The red coals click beneath the flame, and see, with slow and silent feet
The hooded shadows cross the woods to where the twilight waters beat!
Now, fan-wise from the ruddy fire, a brilliance sweeps athwart the floor;
As, streaming down the lattices, the rain comes sobbing to the door:
As, streaming down the lattices,
The rain comes sobbing to the door.
Dull echoes round the casement fall, and through the empty chambers go,
Like forms unseen whom we can hear on tip-toe stealing to and fro.
But fill your glasses to the brims, and, through a mist of smiles and tears,
Our eyes shall tell how much we love to toast the shades of other years!
And hither they will flock again, the ghosts of things that are no more,
While, streaming down the lattices, the rain comes sobbing to the door:
While, streaming down the lattices,
The rain comes sobbing to the door.
The tempest-trodden wastelands moan—the trees are threshing at the blast;
And now they come, the pallid shapes of Dreams that perished in the past;
And, when we lift the windows up, a smothered whisper round us strays,
Like some lone wandering voice from graves
that hold the wrecks of bygone days.
I tell ye that I love the storm, for think we not of thoughts of yore,
When, streaming down the lattices, the rain comes sobbing to the door?
When, streaming down the lattices,
The rain comes sobbing to the door?
We'll drink to those we sadly miss, and sing some mournful song we know,
Since they may chance to hear it all, and muse on friends they've left below.
Who knows—if souls in bliss can leave the borders of their Eden-home—
But that some loving one may now about the ancient threshold roam?
Oh, like an exile, he would hail a glimpse of the familiar floor,
Though, streaming down the lattices, the rain comes sobbing to the door!
Though, streaming down the lattices,
The rain comes sobbing to the door!
Urara
—
* Another spelling of Orara, a tributary of the river Clarence.
—
Euroka, go over the tops of the hill,
For the Death-clouds have passed us to-day,
And we'll cry in the dark for the foot-falls still,
And the tracks which are fading away!
Let them yell to their lubras, the Bulginbah dogs,
And say how our brothers were slain,
We shall wipe out our grief in the blood of their chief,
And twenty more dead on the plain—
On the blood-spattered spurs of the plain!
But the low winds sigh,
And the dead leaves fly,
Where our warriors lie,
In the dingoes' den—in the white-cedar glen
On the banks of the gloomy Urara!
Urara! Urara!
On the banks of the gloomy Urara!
The Wallaroos grope through the tufts of the grass,
And crawl to their coverts for fear;
But we'll sit in the ashes and let them pass
Where the boomerangs sleep with the spear!
Oh! our hearts will be lonely and low to-night
When we think of the hunts of yore;
And the foes that we sought, and the fights which we fought,
With those who will battle no more—
Who will go to the battle no more!
For the dull winds sigh,
And the dead leaves fly,
Where our warriors lie,
In the dingoes' den—in the white-cedar glen
On the banks of the gloomy Urara!
Urara! Urara!
On the banks of the gloomy Urara!
Oh! the gorges and gullies are black with crows,
And they feast on the flesh of the brave;
But the forest is loud with the howls of our foes
For those whom they never can save!
Let us crouch with our faces down to our knees,
And hide in the dark of our hair;
For we will not return where the camp-fires burn,
And see what is smouldering there—
What is smouldering, mouldering there!
Where the sad winds sigh—
The dead leaves fly,
And our warriors lie;
In the dingoes' den—in the white-cedar glen
On the banks of the gloomy Urara!
Urara! Urara!
On the banks of the gloomy Urara!
Evening Hymn
The crag-pent breezes sob and moan where hidden waters glide;
And twilight wanders round the earth with slow and shadowy stride.
The gleaming clouds, above the brows of western steeps uphurled,
Look like the spires of some fair town that bounds a brighter world.
Lo, from the depths of yonder wood, where many a blind creek strays,
The pure Australian moon comes forth, enwreathed with silver haze.
The rainy mists are trooping down the folding hills behind,
And distant torrent-voices rise like bells upon the wind.
The echeu's* songs are dying, with the flute-bird's mellow tone,
And night recalls the gloomy owl to rove the wilds alone;
Night, holy night, in robes of blue, with golden stars encrowned,
Ascending mountains like to walls that hem an Eden round.
—
* The rufous-breasted thickhead.
—
Oh, lovely moon! oh, holy night! how good your God must be,
When, through the glories of your light, He stoops to look at me!
Oh, glittering clouds and silvery shapes, that vanish one by one!
Is not the kindness of our Lord too great to think upon?
If human song could flow as free as His created breeze,
When, sloping from some hoary height, it sweeps the vacant seas,
Then should my voice to heaven ascend, my tuneful lyre be strung,
And music sweeter than the winds should roam these glens among.
Go by, ye golden-footed hours, to your mysterious bourne,
And hide the sins ye bear from hence, so that they ne'er return.
Teach me, ye beauteous stars, to kiss kind Mercy's chastening rod,
And, looking up from Nature's face, to worship Nature's God.
Stanzas
The sunsets fall and the sunsets fade,
But still I walk this shadowy land;
And grapple the dark and only the dark
In my search for a loving hand.
For it's here a still, deep woodland lies,
With spurs of pine and sheaves of fern;
But I wander wild, and wail like a child
For a face that will never return!
And it's here a mighty water flows,
With drifts of wind and wimpled waves;
But the darling head of a dear one dead
Is hidden beneath its caves.
The Wail in the Native Oak
Where the lone creek, chafing nightly in the cold and sad moonshine,
Beats beneath the twisted fern-roots and the drenched and dripping vine;
Where the gum trees, ringed and ragged, from the mazy margins rise,
Staring out against the heavens with their languid gaping eyes;
There I listened—there I heard it! Oh, that melancholy sound,
Wandering like a ghostly whisper, through the dreaming darkness round!
Wandering, like a fearful warning, where the withered twilight broke
Through a mass of mournful tresses, drooping down the Native Oak.
And I caught a glimpse of sunset fading from a far-off wild,
As I sat me down to fancy, like a thoughtful, wistful child—
Sat me down to fancy what might mean those hollow, hopeless tones,
Sooming round the swooning silence, dying out in smothered moans!
What might mean that muffled sobbing? Did a lonely phantom wail,
Pent amongst those tangled branches barring out the moonlight pale?
Wept it for that gleam of glory wasting from the forest aisles;
For that fainting gleam of glory sad with flickering, sickly smiles?
In these woodlands I was restless! I had seen a light depart,
And an ache for something vanished filled and chilled my longing heart,
And I linked my thoughts together—"All seemed still and dull to-day,
But a painful symbol groweth from the shine that pales away!
This may not be idle dreaming; if the spirit roams," I said,
"This is surely one, a wanderer from the ages which have fled!
Who can look beyond the darkness; who can see so he may tell
Where the sunsets all have gone to; where the souls that leave us dwell?
"This might be a loving exile, full with faded thoughts returned,
Seeking for familiar faces, friends for whom he long had yearned.
Here his fathers must have sojourned—here his people may have died,
Or, perchance, to distant forests all were scattered far and wide.
So he moans and so he lingers! weeping o'er the wasted wild;
Weeping o'er the desolation, like a lost, benighted child!
So he moans, and so he lingers! Hence these fitful, fretful sighs,
Deep within the oak tree solemn! Hence these weary, weary cries!
"Or who knows but that some secret lies beneath yon dismal mound?
Ha! a dreary, dreadful secret must be buried underground!
Not a ragged blade of verdure—not one root of moss is there;
Who hath torn the grasses from it—wherefore is that barrow bare?
Darkness shuts the forest round me. Here I stand and, O my God!
This may be some injured spirit raving round and round the sod.
Hush! the tempest, how it travels! Blood hath here been surely shed—
Hush! the thunder, how it mutters! Oh, the unrequited Dead!"
Came a footfall past the water—came a wild man through the gloom,
Down he stooped and faced the current, silent as the silent tomb;
Down he stooped and lapped the ripples: not a single word he spoke,
But I whispered, "He can tell me of the Secret in the Oak?
Very thoughtful seems that forehead; many legends he may know;
Many tales and old traditions linked to what is here below!
I must ask him—rest I cannot—though my life upon it hung—
Though these wails are waxing louder, I must give my thoughts a tongue.
"Shake that silence from you, wild man! I have looked into your face,
Hoping I should learn the story there about this fearful place.
Slake your thirst, but stay and tell me: did your heart with terror beat,
When you stepped across the bare and blasted hillock at your feet?
Hearken to these croons so wretched deep within the dusk boughs pent!
Hold you not some strange tradition coupled with this strange lament?
When your tribe about their camp-fires hear that hollow, broken cry,
Do they hint of deeds mysterious, hidden in the days gone by?"
But he rose like one bewildered, shook his head and glided past;
Huddling whispers hurried after, hissing in the howling blast!
Now a sheet of lurid splendour swept athwart the mountain spire,
And a midnight squall came trumping down on zigzag paths of fire!
Through the tumult dashed a torrent flanking out in foaming streams,
Whilst the woodlands groaned and muttered like a monster vexed with dreams.
Then I swooned away in horror. Oh! that shriek which rent the air,
Like the voice of some fell demon harrowed by a mad despair.
Harps We Love
The harp we love hath a royal burst!
Its strings are mighty forest trees;
And branches, swaying to and fro,
Are fingers sounding symphonies.
The harp we love hath a solemn sound!
And rocks amongst the shallow seas
Are strings from which the rolling waves
Draw forth their stirring harmonies.
The harp we love hath a low sweet voice!
Its strings are in the bosom deep,
And Love will press those hidden chords
When all the baser passions sleep.
Waiting and Wishing
I loiter by this surging sea,
Here, by this surging, sooming sea,
Here, by this wailing, wild-faced sea,
Dreaming through the dreamy night;
Yearning for a strange delight!
Will it ever, ever, ever fly to me,
By this surging sea,
By this surging, sooming sea,
By this wailing, wild-faced sea?
I know some gentle spirit lives,
Some loving, lonely spirit lives,
Some melancholy spirit lives,
Walking o'er the earth for me,
Searching round the world for me!
Will she ever, ever, ever hither come?
Where the waters roam,
Where the sobbing waters roam!
Where the raving waters roam!
All worn and wasted by the storms,
All gapped and fractured by the storms,
All split and splintered by the storms,
Overhead the caverns groan,
Gloomy, ghastly caverns groan!—
Will she ever, ever, ever fill this heart?
Peace, O longing heart!
Peace, O longing, beating heart!
Peace, O beating, weary heart!
The Wild Kangaroo
The rain-clouds have gone to the deep—
The East like a furnace doth glow;
And the day-spring is flooding the steep,
And sheening the landscape below.
Oh, ye who are gifted with souls
That delight in the music of birds,
Come forth where the scattered mist rolls,
And listen to eloquent words!
Oh, ye who are fond of the sport,
And would travel yon wilderness through,
Gather—each to his place—for a life-stirring chase,
In the wake of the wild Kangaroo!
Gather—each to his place—
For a life-stirring chase
In the wake of the wild Kangaroo!
Beyond the wide rents of the fog,
The trees are illumined with gold;
And the bark of the shepherd's brave dog
Shoots away from the sheltering fold.
Down the depths of yon rock-border'd glade,
A torrent goes foaming along;
And the blind-owls retire into shade,
And the bell-bird beginneth its song.
By the side of that yawning abyss,
Where the vapours are hurrying to,
We will merrily pass, looking down to the grass
For the tracks of the wild Kangaroo!
We will merrily pass,
Looking down to the grass
For the tracks of the wild Kangaroo.
Ho, brothers, away to the woods;
Euroka hath clambered the hill;
But the morning there seldom intrudes,
Where the night-shadows slumber on still.
We will roam o'er these forest-lands wild,
And thread the dark masses of vines,
Where the winds, like the voice of a child,
Are singing aloft in the pines.
We must keep down the glee of our hounds;
We must steal through the glittering dew;
And the breezes shall sleep as we cautiously creep
To the haunts of the wild Kangaroo.
And the breezes shall sleep,
As we cautiously creep
To the haunts of the wild Kangaroo.
When we pass through a stillness like death
The swamp fowl and timorous quail,
Like the leaves in a hurricane's breath,
Will start from their nests in the vale;
And the forester,* snuffing the air,
Will bound from his covert so dark,
While we follow along in the rear,
As arrows speed on to their mark!
Then the swift hounds shall bring him to bay,
And we'll send forth a hearty halloo,
As we gather them all to be in at the fall—
At the death of the wild Kangaroo!
As we gather them all
To be in at the fall—
At the death of the wild Kangaroo!
—
* The Kangaroo.
—
Clari
Too cold, O my brother, too cold for my wife
Is the Beauty you showed me this morning:
Nor yet have I found the sweet dream of my life,
And good-bye to the sneering and scorning.
Would you have me cast down in the dark of her frown,
Like others who bend at her shrine;
And would barter their souls for a statue-like face,
And a heart that can never be mine?
That can never be theirs nor mine.
Go after her, look at her, kneel at her feet,
And mimic the lover romantic;
I have hated deceit, and she misses the treat
Of driving me hopelessly frantic!
Now watch her, as deep in her carriage she lies,
And love her, my friend, if you dare!
She would wither your life with her beautiful eyes,
And strangle your soul with her hair!
With a mesh of her splendid hair.
Wollongong
Let me talk of years evanished, let me harp upon the time
When we trod these sands together, in our boyhood's golden prime;
Let me lift again the curtain, while I gaze upon the past,
As the sailor glances homewards, watching from the topmost mast.
Here we rested on the grasses, in the glorious summer hours,
When the waters hurried seaward, fringed with ferns and forest flowers;
When our youthful eyes, rejoicing, saw the sunlight round the spray
In a rainbow-wreath of splendour, glittering underneath the day;
Sunlight flashing past the billows, falling cliffs and crags among,
Clothing hopeful friendship basking on the shores of Wollongong.
Echoes of departed voices, whispers from forgotten dreams,
Come across my spirit, like the murmurs of melodious streams.
Here we both have wandered nightly, when the moonshine cold and pale
Shimmer'd on the cone of Keira, sloping down the sleeping vale;
When the mournful waves came sobbing, sobbing on the furrowed shore,
Like to lone hearts weeping over loved ones they shall see no more;
While the silver ripples, stealing past the shells and slimy stones,
Broke beneath the caverns, dying, one by one, in muffled moans;
As the fragrant wood-winds roaming, with a fitful cadence sung
'Mid the ghostly branches belting round the shores of Wollongong.
Lovely faces flit before us, friendly forms around us stand;
Gleams of well-remembered gladness trip along the yellow sand.
Here the gold-green waters glistened underneath our dreaming gaze,
As the lights of Heaven slanted down the pallid ether haze;
Here the mossy rock-pool, like to one that stirs himself in sleep,
Trembled every moment at the roaring of the restless deep;
While the stately vessels swooping to the breezes fair and free,
Passed away like sheeted spectres, fading down the distant sea;
And our wakened fancies sparkled, and our soul-born thoughts we strung
Into joyous lyrics, singing with the waves of Wollongong.
Low-breathed strains of sweetest music float about my raptured ears;
Angel-eyes are glancing at me hopeful smiles and happy tears.
Merry feet go scaling up the old and thunder-shattered steeps,
And the billows clamber after, and the surge to ocean leaps,
Scattered into fruitless showers, falling where the breakers roll,
Baffled like the aspirations of a proud ambitious soul.
Far off sounds of silvery laughter through the hollow caverns ring,
While my heart leaps up to catch reviving pleasure on the wing;
And the years come trooping backward, and we both again are young,
Walking side by side upon the lovely shores of Wollongong.
Fleeting dreams and idle fancies! Lo, the gloomy after Age
Creepeth, like an angry shadow, over life's eventful stage!
Joy is but a mocking phantom, throwing out its glitter brief—
Short-lived as the western sunbeam dying from the cedar leaf.
Here we linger, lonely-hearted, musing over visions fled,
While the sickly twilight withers from the arches overhead.
Semblance of a bliss delusive are those dull, receding rays;
Semblance of the faint reflection left to us of other days;
Days of vernal hope and gladness, hours when the blossoms sprung
Round the feet of blithesome ramblers by the shores of Wollongong.
Ella with the Shining Hair
Through many a fragrant cedar grove
A darkened water moans;
And there pale Memory stood with Love
Amongst the moss-green stones.
The shimmering sunlight fell and kissed
The grasstree's golden sheaves;
But we were troubled with a mist
Of music in the leaves.
One passed us, like a sudden gleam;
Her face was deadly fair.
"Oh, go," we said, "you homeless Dream
Of Ella's shining hair!
"We halt, like one with tired wings,
And we would fain forget
That there are tempting, maddening things
Too high to clutch at yet!
"Though seven Springs have filled the Wood
With pleasant hints and signs,
Since faltering feet went forth and stood
With Death amongst the pines."
From point to point unwittingly
We wish to clamber still,
Till we have light enough to see
The summits of the hill.
"O do not cry, my sister dear,"
Said beaming Hope to Love,
"Though we have been so troubled here
The Land is calm above;
"Beyond the regions of the storm
We'll find the golden gates,
Where, all the day, a radiant Form,
Our Ella, sits and waits."
And Memory murmured: "She was one
Of God's own darlings lent;
And Angels wept that she had gone,
And wondered why she went.
"I know they came, and talked to her,
Through every garden breeze,
About eternal Hills of Myrrh,
And quiet Jasper Seas.
"For her the Earth contained no charms;
All things were strange and wild;
And I believe a Seraph's arms
Caught up the sainted Child."
And Love looked round, and said: "Oh, you
That sit by Beulah's streams,
Shake on this thirsty life the dew
Which brings immortal dreams!
"Ah! turn to us, and greet us oft
With looks of pitying balm,
And hints of heaven, in whispers soft,
To make our troubles calm.
"My Ella with the shining hair,
Behold, these many years,
We've held up wearied hands in prayer;
And groped about in tears."
But Hope sings on: "Beyond the storm
We'll find the golden gates
Where, all the day, a radiant Form,
Our Ella, sits and waits."
The Barcoo
(The Squatters' Song)
From the runs of the Narran, wide-dotted with sheep,
And loud with the lowing of cattle,
We speed for a land where the strange forests sleep
And the hidden creeks bubble and brattle!
Now call on the horses, and leave the blind courses
And sources of rivers that all of us know;
For, crossing the ridges, and passing the ledges,
And running up gorges, we'll come to the verges
Of gullies where waters eternally flow.
Oh! the herds they will rush down the spurs of the hill
To feed on the grasses so cool and so sweet;
And I think that my life with delight will stand still
When we halt with the pleasant Barcoo at our feet.
Good-bye to the Barwon, and brigalow scrubs,
Adieu to the Culgoa ranges,
But look for the mulga and salt-bitten shrubs,
Though the face of the forest-land changes.
The leagues we may travel down beds of hot gravel,
And clay-crusted reaches where moisture hath been,
While searching for waters, may vex us and thwart us,
Yet who would be quailing, or fainting, or failing?
Not you, who are men of the Narran, I ween!
When we leave the dry channels away to the south,
And reach the far plains we are journeying to,
We will cry, though our lips may be glued with the drouth,
Hip, hip, and hurrah for the pleasant Barcoo!
Bells Beyond the Forest
Wild-eyed woodlands, here I rest me, underneath the gaunt and ghastly trees;
Underneath fantastic-fronted caverns crammed with many a muffled breeze.
Far away from dusky towns and cities twinkling with the feet of men;
Listening to a sound of mellow music fleeting down the gusty glen;
Sitting by a rapid torrent, with the broken sunset in my face;
By a rapid, roaring torrent, tumbling through a dark and lonely place!
And I hear the bells beyond the forest, and the voice of distant streams;
And a flood of swelling singing, wafting round a world of ruined dreams.
Like to one who watches daylight dying from a lofty mountain spire,
When the autumn splendour scatters like a gust of faintly-gleaming fire;
So the silent spirit looketh through a mist of faded smiles and tears,
While across it stealeth all the sad and sweet divinity of years—
All the scenes of shine and shadow; light and darkness sleeping side by side
When my heart was wedded to existence, as a bridegroom to his bride:
While I travelled gaily onward with the vapours crowding in my wake,
Deeming that the Present hid the glory where the promised Morn would break.
Like to one who, by the waters standing, marks the reeling ocean wave
Moaning, hide his head all torn and shivered underneath his lonely cave,
So the soul within me glances at the tides of Purpose where they creep,
Dashed to fragments by the yawning ridges circling Life's tempestuous Deep!
Oh! the tattered leaves are dropping, dropping round me like a fall of rain;
While the dust of many a broken aspiration sweeps my troubled brain;
With the yearnings after Beauty, and the longings to be good and great;
And the thoughts of catching Fortune, flying on the tardy wings of Fate.
Bells, beyond the forest chiming, where is all the inspiration now
That was wont to flush my forehead, and to chase the pallor from my brow?
Did I not, amongst these thickets, weave my thoughts and passions into rhyme,
Trusting that the words were golden, hoping for the praise of after-time?
Where have all those fancies fled to? Can the fond delusion linger still,
When the Evening withers o'er me, and the night is creeping up the hill?
If the years of strength have left me, and my life begins to fail and fade,
Who will learn my simple ballads; who will stay to sing the songs I've made?
Bells, beyond the forest ringing, lo, I hasten to the world again;
For the sun has smote the empty windows, and the day is on the wane!
Hear I not a dreamy echo, soughing through the rafters of the tree;
Like a sound of stormy rivers, or the ravings of a restless sea?
Should I loiter here to listen, while this fitful wind is on the wing?
No, the heart of Time is sobbing, and my spirit is a withered thing!
Let the rapid torrents tumble, let the woodlands whistle in the blast;
Mighty minstrels sing behind me, but the promise of my youth is past.
Ulmarra
Alone—alone!
With a heart like a stone,
She maketh her moan
At the feet of the trees,
With her face on her knees,
And her hair streaming over;
Wildly, and wildly, and wildly;
For she misses the tracks of her lover!
Do you hear her, Ulmarra?
Oh, where are the tracks of her lover?
Go by—go by!
They have told her a lie,
Who said he was nigh,
In the white-cedar glen—
In the camps of his men:
And she sitteth there weeping—
Weeping, and weeping, and weeping,
For the face of a warrior sleeping!
Do you hear her, Ulmarra?
Oh! where is her warrior sleeping?
A dream! a dream!
That they saw a bright gleam
Through the dusk boughs stream,
Where wild bees dwell,
And a tomahawk fell,
In moons which have faded;
Faded, and faded, and faded,
From woods where a chieftain lies shaded!
Do you hear her, Ulmarra?
Oh! where doth her chieftain lie shaded?
Bewail! bewail!
Who whispered a tale,
That they heard on the gale,
Through the dark and the cold,
The voice of the bold;
And a boomerang flying;
Flying, and flying, and flying?
Ah! her heart it is wasted with crying—
Do you hear her, Ulmarra?
Oh! her heart it is wasted with crying!
The Maid of Gerringong
Rolling through the gloomy gorges, comes the roaring southern blast,
With a sound of torrents flying, like a routed army, past,
And, beneath the shaggy forelands, strange fantastic forms of surf
Fly, like wild hounds, at the darkness, crouching over sea and earth;
Swooping round the sunken caverns, with an aggravated roar;
Falling where the waters tumble foaming on a screaming shore!
In a night like this we parted. Eyes were wet though speech was low,
And our thoughts were all in mourning for the dear, dead Long Ago!
In a night like this we parted. Hearts were sad though they were young,
And you left me very lonely, dark-haired Maid of Gerringong.
Said my darling, looking at me, through the radiance of her tears:
"Many changes, O my loved One, we will meet in after years;
Changes like to sudden sunbursts flashing down a rainy steep—
Changes like to swift-winged shadows falling on a moony deep!
And they are so cheerless sometimes, leaving, when they pass us by,
Deepening dolours on the sweet, sad face of our Humanity.
But you'll hope, and fail and faint not, with that heart so warm and true,
Watching for the coming Morning, that will flood the World for you;
Listening through a thirsty silence, till the low winds bear along
Eager footfalls—pleasant voices," said the Maid of Gerringong.
Said my darling, when the wind came sobbing wildly round the eaves:
"Oh, the Purpose scattered from me, like the withered autumn leaves!
Oh, the wreck of Love's ambition! Oh, the fond and full belief
That I yet should hear them hail you in your land a God-made chief!
In the loud day they may slumber, but my thoughts will not be still
When the weary world is sleeping, and the moon is on the hill;
Then your form will bend above me, then your voice will rise and fall,
Though I turn and hide in darkness, with my face against the wall,
And my Soul must rise and listen while those homeless memories throng
Moaning in the night for shelter," said the Maid of Gerringong.
Ay, she passed away and left me! Rising through the dusk of tears,
Came a vision of that parting every day for many years!
Every day, though she had told me not to court the strange sweet pain,
Something whispered—something led me to our olden haunts again:
And I used to wander nightly, by the surges and the ships,
Harping on those last fond accents that had trembled from her lips:
Till a vessel crossed the waters, and I heard a stranger say,
"One you loved has died in silence with her dear face turned away."
Oh! the eyes that flash upon me, and the voice that comes along—
Oh! my light, my life, my darling dark-haired Maid of Gerringong.
. . . . .
Some one saith, "Oh, you that mock at Passion with a worldly whine,
Would you change the face of Nature—would you limit God's design?
Hide for shame from well-raised clamour, moderate fools who would be wise;
Hide for shame—the World will hoot you! Love is Love, and never dies"
And another asketh, doubting that my brother speaks the truth,
"Can we love in age as fondly as we did in days of youth?
Will dead faces always haunt us, in the time of faltering breath?
Shall we yearn, and we so feeble?" Ay, for Love is Love in Death.
Oh! the Faith with sure foundation!—let the Ages roll along,
You are mine, and mine for ever, dark-haired Maid of Gerringong.
Last night, dear, I dreamt about you, and I thought that far from men
We were walking, both together, in a fragrant seaside glen;
Down where we could hear the surges wailing round the castled cliffs,
Down where we could see the sunset reddening on the distant skiffs;
There a fall of mountain waters tumbled through the knotted bowers
Bright with rainbow colours reeling on the purple forest flowers.
And we rested on the benches of a cavern old and hoar;
And I whispered, "this is surely her I loved in days of yore!
False he was who brought sad tidings! Why were you away so long,
When you knew who waited for you, dark-haired Maid of Gerringong?
"Did the strangers come around you, in the far-off foreign land?
Did they lead you out of sorrow, with kind face and loving hand?
Had they pleasant ways to court you—had they silver words to bind?
Had they souls more fond and loyal than the soul you left behind?
Do not think I blame you, dear one! Ah! my heart is gushing o'er
With the sudden joy and wonder, thus to see your face once more.
Happy is the chance which joins us after long, long years of pain:
And, oh, blessed was whatever sent you back to me again!
Now our pleasure will be real—now our hopes again are young:
Now we'll climb Life's brightest summits, dark-haired Maid of Gerringong.
"In the sound of many footfalls, did you falter with regret
For a step which used to gladden in the time so vivid yet?
When they left you in the night-hours, did you lie awake like me,
With the thoughts of what we had been—what we never more could be?
Ah! you look but do not answer while I halt and question here,
Wondering why I am so happy, doubting that you are so near.
Sure these eyes with love are blinded, for your form is waxing faint;
And a dreamy splendour crowns it, like the halo round a saint!
When I talk of what we will be, and new aspirations throng,
Why are you so sadly silent, dark-haired Maid of Gerringong?"
But she faded into sunset, and the sunset passed from sight;
And I followed madly after, through the misty, moony night,
Crying, "do not leave me lonely! Life has been so cold and drear,
You are all that God has left me, and I want you to be near!
Do not leave me in the darkness! I have walked a weary way,
Listening for your truant footsteps—turn and stay, my darling, stay!"
But she came not though I waited, watching through a splendid haze,
Where the lovely Phantom halted ere she vanished from my gaze.
Then I thought that rain was falling, for there rose a stormy song,
And I woke in gloom and tempest, dark-haired Maid of Gerringong!
Watching
Like a beautiful face looking ever at me
A pure bright moon cometh over the sea;
And I stand on the crags, and hear the falls
Go tumbling down, through the black river-walls;
And the heart of the gorge is rent with the cry
Of the pent-up winds in their agony!
You are far from me, dear, where I watch and wait,
Like a weary bird for a long-lost mate,
And my life is as dull as the sluggish stream
Feeling its way through a world of dream;
For here is a waste of darkness and fear,
And I call and I call, but no one will hear!
O darling of mine, do you ever yearn
For a something lost, which will never return?
O darling of mine, on the grave of dead Hours,
Do you feel, like me, for a handful of flowers?
Through the glens of the Past, do you wander along,
Like a restless ghost that hath done a wrong?
And, lying alone, do you look from the drouth
Of a thirsty Life with a pleading mouth?
When the rain's on the roof, and the gales are abroad,
Do you wash with your tears the feet of your God?
Oh! I know you do, and he sitteth alone,
Your wounded Love, while you mourn and moan—
Oh! I know you do, and he never will leap
From his silence with smiles, while you weep—and weep!
Your coolness shake down, ye gathered green leaves,
For my spirit is faint with the love that it grieves!
Is there aught on the summit, O yearner through Night,
Aught on the summit which looks like the light;
When my soul is a-wearied and lone in the land,
Groping around will it touch a kind hand?
There are chasms between us as black as a pall,
But bring us together, O God over all!
And let me cast from me these fetters of Fear,
When I hear the glad singing of Faith so near;
For I know by the cheeks, which are pallid and wet,
And a listening life we shall mingle yet!
Oh! then I will turn to those eloquent eyes,
And clasp thee close, with a sweet surprise;
And a guest will go in by the heart's holy door,
And the chambers of Love shall be left no more.
The Opossum-Hunters
Hear ye not the waters beating where the rapid rivers, meeting
With the winds above them fleeting, hurry to the distant seas,
And a smothered sound of singing from old Ocean upwards springing,
Sending hollow echoes ringing like a wailing on the breeze?
For the tempest round us brewing, cometh with the clouds pursuing,
And the bright Day, like a ruin, crumbles from the mournful trees.
When the thunder ceases pealing, and the stars up heaven are stealing,
And the Moon above us wheeling throws her pleasant glances round,
From our homes we boldly sally 'neath the trysting tree to rally,
For a night-hunt up the valley, with our brothers and the hound!
Through a wild-eyed Forest, staring at the light above it glaring,
We will travel, little caring for the dangers where we bound.
Twisted boughs shall tremble o'er us, hollow woods shall moan before us,
And the torrents like a chorus down the gorges dark shall sing;
And the vines shall shake and shiver, and the startled grasses quiver,
Like the reeds beside a river in the gusty days of Spring;
While we forward haste delighted, through a region seldom lighted—
Souls impatient, hearts excited—like a wind upon the wing!
Oh! the solemn tones of Ocean, like the language of devotion,
Or a voice of deep emotion, wander round the evening scene.
Oh! the ragged shadows cluster where, my brothers, we must muster
Ere the warm moon lends her lustre to the cedars darkly green;
And the lights like flowers shall blossom, in high Heaven's kindly bosom,
While we hunt the wild opossum, underneath its leafy screen;
Underneath the woven bowers, where the gloomy night-hawk cowers,
Through a lapse of dreamy hours, in a stirless solitude!
And the hound—that close beside us still will stay whate'er betide us—
Through a 'wildering waste shall guide us—
through a maze where few intrude,
Till the game is chased to cover, till the stirring sport is over,
Till we bound, each happy rover, homeward down the laughing wood.
Oh, the joy in wandering thither, when fond friends are all together
And our souls are like the weather—cloudless, clear and fresh and free!
Let the sailor sing the story of the ancient ocean's glory,
Forests golden, mountains hoary—can he look and love like we?
Sordid worldling, haunt thy city with that heart so hard and gritty!
There are those who turn with pity when they turn to think of thee!
In the Depths of a Forest
In the depths of a Forest secluded and wild,
The night voices whisper in passionate numbers;
And I'm leaning again, as I did when a child,
O'er the grave where my father so quietly slumbers.
The years have rolled by with a thundering sound
But I knew, O ye woodlands, affection would know it,
And the spot which I stand on is sanctified ground
By the love that I bear to him sleeping below it.
Oh! well may the winds with a saddening moan
Go fitfully over the branches so dreary;
And well may I kneel by the time-shattered stone,
And rejoice that a rest has been found for the weary.
To Charles Harpur
I would sit at your feet for long days,
To hear the sweet Muse of the Wild
Speak out through the sad and the passionate lays
Of her first and her favourite Child.
I would sit at your feet, for my soul
Delights in the solitudes free;
And I stand where the creeks and the cataracts roll
Whensoever I listen to thee!
I would sit at your feet, for I love
By the gulches and torrents to roam;
And I long in this city for woodland and grove,
And the peace of a wild forest home.
I would sit at your feet, and we'd dwell
On the scenes of a long-vanished time,
While your thoughts into music would surge and would swell
Like a breeze of our beautiful clime.
I would sit at your feet, for I know,
Though the World in the Present be blind,
That the amaranth blossoms of Promise will blow
When the Ages have left you behind.
I would sit at your feet, for I feel
I am one of a glorious band
That ever will own you and hold you their Chief,
And a Monarch of Song in the land!
The River and the Hill
And they shook their sweetness out in their sleep,
On the brink of that beautiful stream,
But it wandered along with a wearisome song
Like a lover that walks in a dream:
So the roses blew
When the winds went through,
In the moonlight so white and so still;
But the river it beat
All night at the feet
Of a cold and flinty hill—
Of a hard and senseless hill!
I said, "We have often showered our loves
Upon something as dry as the dust;
And the faith that is crost, and the hearts that are lost—
Oh! how can we wittingly trust?
Like the stream which flows,
And wails as it goes,
Through the moonlight so white and so still,
To beat and to beat
All night at the feet
Of a cold and flinty hill—
Of a hard and senseless hill?
"River, I stay where the sweet roses blow,
And drink of their pleasant perfumes!
Oh, why do you moan, in this wide world alone,
When so much affection here blooms?
The winds wax faint,
And the Moon like a Saint
Glides over the woodlands so white and so still!
But you beat and you beat
All night at the feet
Of that cold and flinty hill—
Of that hard and senseless hill!"
The Fate of the Explorers
(A Fragment)
Set your face toward the darkness—tell of deserts weird and wide,
Where unshaken woods are huddled, and low, languid waters glide;
Turn and tell of deserts lonely, lying pathless, deep and vast,
Where in utter silence ever Time seems slowly breathing past—
Silence only broken when the sun is flecked with cloudy bars,
Or when tropic squalls come hurtling underneath the sultry stars!
Deserts thorny, hot and thirsty, where the feet of men are strange,
And eternal Nature sleeps in solitudes which know no change.
Weakened with their lengthened labours, past long plains of stone and sand,
Down those trackless wilds they wandered, travellers from a far-off land,
Seeking now to join their brothers, struggling on with faltering feet,
For a glorious work was finished, and a noble task complete.
And they dreamt of welcome faces—dreamt that soon unto their ears
Friendly greetings would be thronging, with a nation's well-earned cheers;
Since their courage never failed them, but with high, unflinching soul
Each was pressing forward, hoping, trusting all should reach the goal.
. . . . .
Though he rallied in the morning, long before the close of day
He had sunk, the worn-out hero, fainting, dying by the way!
But with Death he wrestled hardly; three times rising from the sod,
Yet a little further onward o'er the weary waste he trod.
Facing Fate with heart undaunted, still the chief would totter on
Till the evening closed about him—till the strength to move was gone;
Then he penned his latest writings, and, before his life was spent,
Gave the records to his comrade—gave the watch he said was lent—
Gave them with his last commandments, charging him that night to stay
And to let him lie unburied when the soul had passed away.
Through that night he uttered little, rambling were the words he spoke:
And he turned and died in silence, when the tardy morning broke.
Many memories come together whilst in sight of death we dwell,
Much of sweet and sad reflection through the weary mind must well.
As those long hours glided past him, till the east with light was fraught,
Who may know the mournful secret—who can tell us what he thought?
Very lone and very wretched was the brave man left behind,
Wandering over leagues of waste-land, seeking, hoping help to find;
Sleeping in deserted wurleys, fearful many nightfalls through
Lest unfriendly hands should rob him of his hoard of wild nardoo.
. . . . .
Ere he reached their old encampment—ere the well-known spot was gained,
Something nerved him—something whispered that his other chief remained.
So he searched for food to give him, trusting they might both survive
Till the aid so long expected from the cities should arrive;
So he searched for food and took it to the gunyah where he found
Silence broken by his footfalls—death and darkness on the ground.
Weak and wearied with his journey, there the lone survivor stooped,
And the disappointment bowed him and his heart with sadness drooped,
And he rose and raked a hollow with his wasted, feeble hands,
Where he took and hid the hero, in the rushes and the sands;
But he, like a brother, laid him out of reach of wind and rain,
And for many days he sojourned near him on that wild-faced plain;
Whilst he stayed beside the ruin, whilst he lingered with the dead,
Oh! he must have sat in shadow, gloomy as the tears he shed.
. . . . .
Where our noble Burke was lying—where his sad companion stood,
Came the natives of the forest—came the wild men of the wood;
Down they looked, and saw the stranger—he who there in quiet slept—
Down they knelt, and o'er the chieftain bitterly they moaned and wept:
Bitterly they mourned to see him all uncovered to the blast—
All uncovered to the tempest as it wailed and whistled past;
And they shrouded him with bushes, so in death that he might lie,
Like a warrior of their nation, sheltered from the stormy sky.
. . . . .
Ye must rise and sing their praises, O ye bards with souls of fire,
For the people's voice shall echo through the wailings of your lyre;
And we'll welcome back their comrade, though our eyes with tears be blind
At the thoughts of promise perished, and the shadow left behind;
Now the leaves are bleaching round them—now the gales above them glide,
But the end was all accomplished, and their fame is far and wide.
Though this fadeless glory cannot hide a grateful nation's grief,
And their laurels have been blended with the gloomy cypress leaf.
Let them rest where they have laboured! but, my country, mourn and moan;
We must build with human sorrow grander monuments than stone.
Let them rest, for oh! remember, that in long hereafter time
Sons of Science oft shall wander o'er that solitary clime!
Cities bright shall rise about it, Age and Beauty there shall stray,
And the fathers of the people, pointing to the graves, shall say:
"Here they fell, the glorious martyrs! when these plains were woodlands deep;
Here a friend, a brother, laid them; here the wild men came to weep."
Lurline
(Inscribed to Madame Lucy Escott.)
As you glided and glided before us that time,
A mystical, magical maiden,
We fancied we looked on a face from the clime
Where the poets have builded their Aidenn!
And oh, the sweet shadows! And oh, the warm gleams
Which lay on the land of our beautiful dreams,
While we walked by the margins of musical streams
And heard your wild warbling around us!
We forgot what we were when we stood with the trees
Near the banks of those silvery waters;
As ever in fragments they came on the breeze,
The songs of old Rhine and his daughters!
And then you would pass with those radiant eyes
Which flashed like a light in the tropical skies—
And ah! the bright thoughts that would sparkle and rise
While we heard your wild warbling around us.
Will you ever fly back to this city of ours
With your harp and your voice and your beauty?
God knows we rejoice when we meet with such flowers
On the hard road of Life and of Duty!
Oh! come as you did, with that face and that tone,
For we wistfully look to the hours which have flown,
And long for a glimpse of the gladness that shone
When we heard your wild warbling around us.
Under the Figtree
Like drifts of balm from cedared glens, those darling memories come,
With soft low songs, and dear old tales, familiar to our home.
Then breathe again that faint refrain, so tender, sad, and true,
My soul turns round with listening eyes unto the harp and you!
The fragments of a broken Past are floating down the tide,
And she comes gleaming through the dark, my love, my life, my bride!
Oh! sit and sing—I know her well, that phantom deadly fair
With large surprise, and sudden sighs, and streaming midnight hair!
I know her well, for face to face we stood amongst the sheaves,
Our voices mingling with a mist of music in the leaves!
I know her well, for hand in hand we walked beside the sea,
And heard the huddling waters boom beneath this old Figtree.
God help the man that goes abroad amongst the windy pines,
And wanders, like a gloomy bat, where never morning shines!
That steals about amidst the rout of broken stones and graves,
When round the cliffs the merry skiffs go scudding through the waves;
When, down the bay, the children play, and scamper on the sand,
And Life and Mirth illume the Earth, and Beauty fills the Land!
God help the man! He only hears and fears the sleepless cries
Of smitten Love—of homeless Love and moaning Memories.
Oh! when a rhyme of olden time is sung by one so dear,
I feel again the sweetest pain I've known for many a year;
And from a deep, dull sea of sleep faint fancies come to me,
And I forget how lone we sit beneath this old Figtree.
Drowned at Sea
Gloomy cliffs, so worn and wasted with the washing of the waves,
Are ye not like giant tombstones round those lonely ocean graves?
Are ye not the sad memorials, telling of a mighty grief—
Dark with records ground and lettered into caverned rock and reef?
Oh! ye show them, and I know them, and my thoughts in mourning go
Down amongst your sunless chasms, deep into the surf below!
Oh! ye bear them, and declare them, and o'er every cleft and scar,
I have wept for dear dead brothers perished in the lost Dunbar!
Ye smitten—ye battered,
And splintered and shattered
Cliffs of the Sea!
Restless waves, so dim with dreams of sudden storms and gusty surge,
Roaring like a gathered whirlwind reeling round a mountain verge,
Were ye not like loosened maniacs, in the night when Beauty pale
Called upon her God, beseeching through the uproar of the gale?
Were ye not like maddened demons while young children faint with fear
Cried and cried and cried for succour, and no helping hand was near?
Oh, the sorrow of the morrow!—lamentations near and far!—
Oh, the sobs for dear dead sisters perished in the lost Dunbar!—
Ye ruthless, unsated,
And hateful, and hated
Waves of the Sea!
Ay, we stooped and moaned in darkness—
eyes might strain and hearts might plead,
For their darlings crying wildly, they would never rise nor heed!
Ay, we yearned into their faces looking for the life in vain,
Wailing like to children blinded with a mist of sudden pain!
Dear hands clenched, and dear eyes rigid in a stern and stony stare,
Dear lips white from past affliction, dead to all our mad despair,
Ah, the groaning and the moaning—ah, the thoughts which rise in tears
When we turn to all those loved ones, looking backward five long years!
The fathers and mothers,
The sisters and brothers
Drowned at Sea!
Morning in the Bush
(A Juvenile Fragment.)
Above the skirts of yellow clouds,
The god-like Sun, arrayed
In blinding splendour, swiftly rose,
And looked athwart the glade;
The sleepy dingo watched him break
The bonds that curbed his flight;
And from his golden tresses shake
The fading gems of Night!
And wild goburras laughed aloud
Their merry morning songs,
As Echo answered in the depths
With a thousand thousand tongues;
The gully-depths where many a vine
Of ancient growth had crept,
To cluster round the hoary pine,
Where scanty mosses wept.
Huge stones, and damp and broken crags,
In wild chaotic heap,
Were lying at the barren base
Of the ferny hillside steep;
Between those fragments hollows lay,
Upfilled with fruitful ground,
Where many a modest floweret grew,
To scent the wind-breaths round;
As fertile patches bloom within
A dried and worldly heart,
When some that look can only see
The cold, the barren part!
The Miser, full with thoughts of gain,
The meanest of his race,
May in his breast some verdure hide,
Though none that verdure trace.
Where time-worn cliffs were jutting out,
With rough and ragged edges,
The snowy mountain-lily slept
Behind the earthy ledges;
Like some sweet Oriental Maid,
Who blindly deems it duty
To wear a veil before her face,
And hide her peerless beauty;
Or like to Innocence that thrives
In midst of sin and sorrows,
Nor from the cheerless scene around
The least infection borrows,
But stayeth out her mortal life—
Though in that lifetime lonely—
With Virtue's lustre round her heart,
And Virtue's lustre only.
A patch of sunshine here and there
Lay on a leaf-strewn water-pool,
Whose tribute trickled down the rocks
In gurgling ripples, clear and cool!
As iguanas, from the clefts,
Would steal along with rustling sound,
To where the restless eddies roamed
Amongst the arrowy rushes round.
While, scanning them with angry eyes
From off a fallen myrtle log
That branchless bridged the brushy creek,
There stood and barked, a Shepherd's Dog!
And underneath a neighbouring mass
Of wattles intertwining,
His Master lay—his back against
The grassy banks reclining.
Beneath the shade of ironbarks,
Stretched o'er the valley's sloping bed—
Half hidden in a tea-tree scrub,
A flock of dusky sheep were spread;
And fitful bleating faintly came
On every joyous breath of wind,
That up the stony hills would fly,
And leave the hollows far behind!
Wild tones of music from the Creek
Were intermingling with the breeze,
The loud, rich lays of countless birds
Perched on the dark mimosa trees;
Those merry birds, with wings of light
Which rival every golden ray
Out-flashing from the lamps of Night,
Or streaming o'er the brow of Day.
Amongst the gnarly apple-trees,
A gorgeous tribe of parrots came;
And screaming, leapt from bough to bough,
Like living jets of crimson flame!
And where the hillside-growing gums
Their web-like foliage upward threw,
Old Nature rang with echoes from
The loud-voiced mountain cockatoo;
And a thousand nameless twittering things,
Between the rustling sapling sprays,
Were flashing through the fragrant leaves,
And dancing like to fabled fays;
Rejoicing in the glorious light
That beauteous Morning had unfurled
To make the heart of Nature glad,
And clothe with smiles a weeping World.
The Girl I Left Behind Me
(New Words to an Old Air.)
With sweet Regret—(the dearest thing that Yesterday has left us)—
We often turn our homeless eyes to scenes whence Fate has reft us.
Here sitting by a fading flame, wild waifs of song remind me
Of Annie with her gentle ways, the Girl I left behind me.
I stood beside the surging sea, with lips of silent passion—
I faced you by the surging sea, O brows of mild repression!
I never said—"my darling, stay!"—the moments seemed to bind me
To something stifling all my words for the Girl I left behind me.
The pathos worn by common things—by every wayside flower,
Or Autumn leaf on lonely winds, revives the parting hour.
Ye swooning thoughts without a voice—ye tears which rose to blind me,
Why did she fade into the Dark, the Girl I left behind me.
At night they always come to me, the tender and true-hearted;
And in my dreams we join again the hands which now are parted;
And, looking through the gates of Sleep, the pleasant Moon doth find me
For ever wandering with my Love, the Girl I left behind me.
You know my life is incomplete, O far-off faint Ideal!
When shall I reach you from a depth of darkness which is real?
So I may mingle, soul in soul, with her that Heaven assigned me;
So she may lean upon my love, the Girl I left behind me.
Amongst the Roses
I walked through a Forest, beneath the hot noon,
On Etheline calling and calling!
One said: "She will hear you and come to you soon,
When the coolness, my brother, is falling."
But I whispered: "O Darling, I falter with pain!"
And the thirsty leaves rustled, and hissed for the rain,
Where a wayfarer halted and slept on the plain;
And dreamt of a garden of Roses!
Of a cool sweet place,
And a nestling face
In a dance and a dazzle of Roses.
In the drouth of a Desert, outwearied, I wept,
O Etheline, darkened with dolours!
But, folded in sunset, how long have you slept
By the Roses all reeling with colours?
A tree from its tresses a blossom did shake,
It fell on her face, and I feared she would wake,
So I brushed it away for her sweet sake;
In that garden of beautiful Roses!
In the dreamy perfumes
From ripe-red blooms
In a dance and a dazzle of Roses.
Sunset
It is better, O day, that you go to your rest,
For you go like a guest who was loth to remain!
Swing open, ye gates of the east and the west,
And let out the wild shadows—the night and the rain.
Ye winds, ye are dead, with your voices attuned,
That thrilled the green life in the sweet-scented sheaves,
When I touched a warm hand which has faded, and swooned
To a trance of the darkness, and blight on the leaves.
I had studied the lore in her maiden-like ways,
And the large-hearted love of my Annie was won,
'Ere Summer had passed into passionate days,
Or Autumn made ready her fruits for the Sun.
So my life was complete, and the hours that went by,
And the moon and the willow-wooed waters around,
Might have known that we rested, my Annie and I,
In happiness calm as the slumber of sound.
On Sundays we wandered, as glad as a breeze,
By the rocks and the waves on a glittering beach;
Or we loitered in gardens melodious with bees,
And sucked the sweet pulp of the plum and the peach.
"The Forest will show me the secrets of Fame,"
I said to myself in the gum-shadowed glen,
"I will call every blossom and tree by its name,
And the people shall deem me a man of the men.
"I will gather Roses of Sharon, my Soul,—
The Roses of Sharon so cool and so sweet;
And our brothers shall see me entwining the whole
For a garland to drop at my dear Annie's feet."
It is better, O day, that you go to your rest,
For you go like a guest who was loth to remain!
Swing open, ye gates of the east and the west,
And let out the wild shadows—the night and the rain.
Doubting
A Brother wandered forth with me,
Beside a barren beach:
He harped on things beyond the sea,
And out of reach.
He hinted once of unknown skies,
And then I would not hark,
But turned away from steadfast eyes,
Into the dark.
And said—"an ancient faith is dead
And wonder fills my mind:
I marvel how the blind have led
So long the blind.
"Behold this truth we only know
That night is on the land!
And we a weary way must go
To find God's hand."
I wept—"Our fathers told us, Lord,
That Thou wert kind and just,
But lo! our wailings fly abroad
For broken trust.
"How many evil ones are here
Who mocking go about,
Because we are too faint with fear
To wrestle Doubt!
"Thy riddles are beyond the ken
Of creatures of the sod:
Remember that we are but men,
And Thou art God!
"O, doting world, methinks your stay
Is weaker than a reed!
Our Father turns His face away;
'Tis dark indeed."
The evening woods lay huddled there,
All wrapped in silence strange:
A sudden wind—and lo! the air
Was filled with change.
"Your words are wild," my brother said,
"For God's voice fills the breeze;
Go—hide yourself, as Adam did,
Amongst the trees.
"I pluck the shoes from off my feet,
But dare to look around;
Behold," he said, "my Lord I greet,
On holy ground!"
And God spake through the wind to me—
"Shake off that gloom of Fear,
You fainting soul who could not see
That I was near.
"Why vex me crying day and night?—
You call on me to hark!
But when I bless your world with light,
Who makes it dark?
"Is there a ravelled riddle left
That you would have undone?
What other doubts are there to sift?"
I answered—"None."
"My son, look up, if you would see
The Promise on your way,
And turn a trustful face to me."
I whispered—"Yea."
Geraldine
My head is filled with olden rhymes beside this moaning sea,
But many and many a day has gone since I was dear to thee!
I know my passion fades away, and therefore oft regret
That some who love indeed can part and in the years forget.
Ah! through the twilights when we stood the wattle trees between,
We did not dream of such a time as this, fair Geraldine.
I do not say that all has gone of passion and of pain;
I yearn for many happy thoughts I shall not think again!
And often when the wind is up, and wailing round the eaves,
You sigh for withered Purpose shred and scattered like the leaves,
The Purpose blooming when we met each other on the green;
The sunset heavy in your curls, my golden Geraldine.
I think we lived a loftier life through hours of Long Ago,
For in the largened evening earth our spirits seemed to grow.
Well, that has passed, and here I stand, upon a lonely place,
While Night is stealing round the land, like Time across my face;
But I can calmly recollect our shadowy parting scene,
And swooning thoughts that had no voice—no utterance, Geraldine.
Achan
(From "Jephthah".)
Hath he not followed a star through the darkness,
Ye people who sit at the table of Jephthah?
Oh! turn with the face to a light in the mountains,
Behold it is further from Achan than ever!
"I know how it is with my brothers in Mizpeh,"
Said Achan, the swift-footed runner of Zorah,
"They look at the wood they have hewn for the altar;
And think of a shadow in sackcloth and ashes.
"I know how it is with the daughter of Jephthah,
(O Ada, my love, and the fairest of women!)
She wails in the time when her heart is so zealous
For God who hath stricken the children of Ammon.
"I said I would bring her the odours of Edom,
And armfuls of spices to set at the banquet!
Behold I have fronted the chieftain her father;
And strong men have wept for the leader of thousands!
"My love is a rose of the roses of Sharon,
All lonely and bright as the Moon in the myrtles!
Her lips, like to honeycombs, fill with the sweetness
That Achan the thirsty is hindered from drinking.
"Her women have wept for the love that is wasted
Like wine, which is spilt when the people are wanting,
And hot winds have dried all the cisterns of Elim!
For love that is wasted her women were wailing!
"The timbrels fall silent! And dost thou not hear it,
A voice, like the sound of a lute when we loiter,
And sit by the pools in the valleys of Arnon,
And suck the cool grapes that are growing in clusters?
"She glides, like a myrrh-scented wind, through the willows,
O Ada! behold it is Achan that speaketh:
I know thou art near me, but never can see thee,
Because of the horrible drouth in mine eyelids."
[End of Poems and Songs.]
LEAVES FROM AUSTRALIAN FORESTS
Dedication
To her who, cast with me in trying days,
Stood in the place of health and power and praise;
Who, when I thought all light was out, became
A lamp of hope that put my fears to shame;
Who faced for love's sole sake the life austere
That waits upon the man of letters here;
Who, unawares, her deep affection showed
By many a touching little wifely mode;
Whose spirit, self-denying, dear, divine,
Its sorrows hid, so it might lessen mine—
To her, my bright, best friend, I dedicate
This book of songs—'t will help to compensate
For much neglect. The act, if not the rhyme,
Will touch her heart, and lead her to the time
Of trials past. That which is most intense
Within these leaves is of her influence;
And if aught here is sweetened with a tone
Sincere, like love, it came of love alone.
Prefatory Sonnets
I
I purposed once to take my pen and write,
Not songs, like some, tormented and awry
With passion, but a cunning harmony
Of words and music caught from glen and height,
And lucid colours born of woodland light
And shining places where the sea-streams lie.
But this was when the heat of youth glowed white,
And since I've put the faded purpose by.
I have no faultless fruits to offer you
Who read this book; but certain syllables
Herein are borrowed from unfooted dells
And secret hollows dear to noontide dew;
And these at least, though far between and few,
May catch the sense like subtle forest spells.
II
So take these kindly, even though there be
Some notes that unto other lyres belong,
Stray echoes from the elder sons of song;
And think how from its neighbouring native sea
The pensive shell doth borrow melody.
I would not do the lordly masters wrong
By filching fair words from the shining throng
Whose music haunts me as the wind a tree.
Lo, when a stranger in soft Syrian glooms
Shot through with sunset, treads the cedar dells,
And hears the breezy ring of elfin bells
Far down be where the white-haired cataract booms,
He, faint with sweetness caught from forest smells,
Bears thence, unwitting, plunder of perfumes.
The Hut by the Black Swamp
Now comes the fierce north-easter, bound
About with clouds and racks of rain,
And dry, dead leaves go whirling round
In rings of dust, and sigh like pain
Across the plain.
Now twilight, with a shadowy hand
Of wild dominionship, doth keep
Strong hold of hollow straits of land,
And watery sounds are loud and deep
By gap and steep.
Keen, fitful gusts, that fly before
The wings of storm when day hath shut
Its eyes on mountains, flaw by flaw,
Fleet down by whistling box-tree butt,
Against the hut.
And, ringed and girt with lurid pomp,
Far eastern cliffs start up, and take
Thick steaming vapours from a swamp
That lieth like a great blind lake,
Of face opaque.
The moss that, like a tender grief,
About an English ruin clings—
What time the wan autumnal leaf
Faints, after many wanderings
On windy wings—
That gracious growth, whose quiet green
Is as a love in days austere,
Was never seen—hath never been—
On slab or roof, deserted here
For many a year.
Nor comes the bird whose speech is song—
Whose songs are silvery syllables
That unto glimmering woods belong,
And deep, meandering mountain dells
By yellow wells.
But rather here the wild-dog halts,
And lifts the paw, and looks, and howls;
And here, in ruined forest vaults,
Abide dim, dark, death-featured owls,
Like monks in cowls.
Across this hut the nettle runs,
And livid adders make their lair
In corners dank from lack of suns,
And out of foetid furrows stare
The growths that scare.
Here Summer's grasp of fire is laid
On bark and slabs that rot, and breed
Squat ugly things of deadly shade,
The scorpion, and the spiteful seed
Of centipede.
Unhallowed thunders, harsh and dry,
And flaming noontides, mute with heat,
Beneath the breathless, brazen sky,
Upon these rifted rafters beat
With torrid feet.
And night by night the fitful gale
Doth carry past the bittern's boom,
The dingo's yell, the plover's wail,
While lumbering shadows start, and loom,
And hiss through gloom.
No sign of grace—no hope of green,
Cool-blossomed seasons marks the spot;
But chained to iron doom, I ween,
'Tis left, like skeleton, to rot
Where ruth is not.
For on this hut hath murder writ,
With bloody fingers, hellish things;
And God will never visit it
With flower or leaf of sweet-faced Springs,
Or gentle wings.
September in Australia
Grey Winter hath gone, like a wearisome guest,
And, behold, for repayment,
September comes in with the wind of the West
And the Spring in her raiment!
The ways of the frost have been filled of the flowers,
While the forest discovers
Wild wings, with the halo of hyaline hours,
And the music of lovers.
September, the maid with the swift, silver feet!
She glides, and she graces
The valleys of coolness, the slopes of the heat,
With her blossomy traces;
Sweet month, with a mouth that is made of a rose,
She lightens and lingers
In spots where the harp of the evening glows,
Attuned by her fingers.
The stream from its home in the hollow hill slips
In a darling old fashion;
And the day goeth down with a song on its lips,
Whose key-note is passion.
Far out in the fierce, bitter front of the sea
I stand, and remember
Dead things that were brothers and sisters of thee,
Resplendent September!
The West, when it blows at the fall of the noon
And beats on the beaches,
Is filled with a tender and tremulous tune
That touches and teaches;
The stories of Youth, of the burden of Time,
And the death of Devotion,
Come back with the wind, and are themes of the rhyme
In the waves of the ocean.
We, having a secret to others unknown,
In the cool mountain-mosses,
May whisper together, September, alone
Of our loves and our losses!
One word for her beauty, and one for the grace
She gave to the hours;
And then we may kiss her, and suffer her face
To sleep with the flowers.
High places that knew of the gold and the white
On the forehead of Morning
Now darken and quake, and the steps of the Night
Are heavy with warning.
Her voice in the distance is lofty and loud
Through the echoing gorges;
She hath hidden her eyes in a mantle of cloud,
And her feet in the surges.
On the tops of the hills, on the turreted cones—
Chief temples of thunder—
The gale, like a ghost, in the middle watch moans,
Gliding over and under.
The sea, flying white through the rack and the rain,
Leapeth wild at the forelands;
And the plover, whose cry is like passion with pain,
Complains in the moorlands.
Oh, season of changes—of shadow and shine—
September the splendid!
My song hath no music to mingle with thine,
And its burden is ended;
But thou, being born of the winds and the sun,
By mountain, by river,
Mayst lighten and listen, and loiter and run,
With thy voices for ever!
Ghost Glen
"Shut your ears, stranger, or turn from Ghost Glen now,
For the paths are grown over, untrodden by men now;
Shut your ears, stranger," saith the grey mother, crooning
Her sorcery runic, when sets the half-moon in.
To-night the north-easter goes travelling slowly,
But it never stoops down to that hollow unholy;
To-night it rolls loud on the ridges red-litten,
But it cannot abide in that forest, sin-smitten.
For over the pitfall the moon-dew is thawing,
And, with never a body, two shadows stand sawing—
The wraiths of two sawyers (step under and under),
Who did a foul murder and were blackened with thunder!
Whenever the storm-wind comes driven and driving,
Through the blood-spattered timber you may see the saw striving—
You may see the saw heaving, and falling, and heaving,
Whenever the sea-creek is chafing and grieving!
And across a burnt body, as black as an adder,
Sits the sprite of a sheep-dog (was ever sight sadder?)
For, as the dry thunder splits louder and faster,
This sprite of a sheep-dog howls for his master.
"Oh, count your beads deftly," saith the grey mother, crooning
Her sorcery runic, when sets the half-moon in.
And well may she mutter, for the dark, hollow laughter
You will hear in the sawpits and the bloody logs after.
Ay, count your beads deftly, and keep your ways wary,
For the sake of the Saviour and sweet Mother Mary.
Pray for your peace in these perilous places,
And pray for the laying of horrible faces.
One starts, with a forehead wrinkled and livid,
Aghast at the lightnings sudden and vivid;
One telleth, with curses, the gold that they drew there
(Ah! cross your breast humbly) from him whom they slew there:
The stranger, who came from the loved, the romantic
Island that sleeps on the moaning Atlantic,
Leaving behind him a patient home, yearning
For the steps in the distance—never returning;
Who was left in the forest, shrunken and starkly,
Burnt by his slayers (so men have said, darkly),
With the half-crazy sheep-dog, who cowered beside there,
And yelled at the silence, and marvelled, and died there.
Yea, cross your breast humbly and hold your breath tightly,
Or fly for your life from those shadows unsightly,
From the set staring features (cold, and so young, too),
And the death on the lips that a mother hath clung to.
I tell you—that bushman is braver than most men
Who even in daylight doth go through the Ghost Glen,
Although in that hollow, unholy and lonely,
He sees the dank sawpits and bloody logs only.
Daphne
Daphne! Ladon's daughter, Daphne! Set thyself in silver light,
Take thy thoughts of fairest texture, weave them into words of white—
Weave the rhyme of rose-lipped Daphne, nymph of wooded stream and shade,
Flying love of bright Apollo,—fleeting type of faultless maid!
She, when followed from the forelands by the lord of lyre and lute,
Sped towards far-singing waters, past deep gardens flushed with fruit;
Took the path against Peneus, panted by its yellow banks;
Turned, and looked, and flew the faster through grey-tufted thicket ranks;
Flashed amongst high flowered sedges: leaped across the brook, and ran
Down to where the fourfold shadows of a nether glade began;
There she dropped, like falling Hesper, heavy hair of radiant head
Hiding all the young abundance of her beauty's white and red.
Came the yellow-tressed Far-darter—came the god whose feet are fire,
On his lips the name of Daphne, in his eyes a great desire;
Fond, full lips of lord and lover, sad because of suit denied;
Clear, grey eyes made keen by passion, panting, pained, unsatisfied.
Here he turned, and there he halted, now he paused, and now he flew,
Swifter than his sister's arrows, through soft dells of dreamy dew.
Vext with gleams of Ladon's daughter, dashed along the son of Jove,
Fast upon flower-trammelled Daphne fleeting on from grove to grove;
Flights of seawind hard behind him, breaths of bleak and whistling straits;
Drifts of driving cloud above him, like a troop of fierce-eyed Fates!
So he reached the water-shallows; then he stayed his steps, and heard
Daphne drop upon the grasses, fluttering like a wounded bird.
Was there help for Ladon's daughter? Saturn's son is high and just:
Did he come between her beauty and the fierce Far-darter's lust?
As she lay, the helpless maiden, caught and bound in fast eclipse,
Did the lips of god drain pleasure from her sweet and swooning lips?
Now that these and all Love's treasures blushed, before the spoiler, bare,
Was the wrong that shall be nameless done, and seen, and suffered there?
No! for Zeus is King and Father. Weary nymph and fiery god,
Bend the knee alike before him—he is kind, and he is lord!
Therefore sing how clear-browed Pallas—Pallas, friend of prayerful maid,
Lifted dazzling Daphne lightly, bore her down the breathless glade,
Did the thing that Zeus commanded: so it came to pass that he
Who had chased a white-armed virgin, caught at her, and clasped a tree.
The Warrigal
—
* The Dingo, or Wild Dog of Australia.
—
The warrigal's lair is pent in bare,
Black rocks at the gorge's mouth;
It is set in ways where Summer strays
With the sprites of flame and drouth;
But when the heights are touched with lights
Of hoar-frost, sleet, and shine,
His bed is made of the dead grass-blade
And the leaves of the windy pine.
Through forest boles the storm-wind rolls,
Vext of the sea-driv'n rain;
And, up in the clift, through many a rift,
The voices of torrents complain.
The sad marsh-fowl and the lonely owl
Are heard in the fog-wreaths grey,
When the warrigal wakes, and listens, and takes
To the woods that shelter the prey.
In the gully-deeps the blind creek sleeps,
And the silver, showery moon
Glides over the hills, and floats, and fills,
And dreams in the dark lagoon;
While halting hard by the station yard,
Aghast at the hut-flame nigh,
The warrigal yells—and flats and fells
Are loud with his dismal cry.
On the topmost peak of mountains bleak
The south wind sobs, and strays
Through moaning pine and turpentine,
And the rippling runnel ways;
And strong streams flow, and great mists go,
Where the warrigal starts to hear
The watch-dog's bark break sharp in the dark,
And flees like a phantom of fear.
The swift rains beat, and the thunders fleet
On the wings of the fiery gale,
And down in the glen of pool and fen,
The wild gums whistle and wail,
As over the plains and past the chains
Of waterholes glimmering deep,
The warrigal flies from the shepherd's cries,
And the clamour of dogs and sheep.
He roves through the lands of sultry sands,
He hunts in the iron range,
Untamed as surge of the far sea verge,
And fierce and fickle and strange.
The white man's track and the haunts of the black
He shuns, and shudders to see;
For his joy he tastes in lonely wastes
Where his mates are torrent and tree.
Euroclydon
On the storm-cloven Cape
The bitter waves roll,
With the bergs of the Pole,
And the darks and the damps of the Northern Sea:
For the storm-cloven Cape
Is an alien Shape
With a fearful face; and it moans, and it stands
Outside all lands
Everlastingly!
When the fruits of the year
Have been gathered in Spain,
And the Indian rain
Is rich on the evergreen lands of the Sun,
There comes to this Cape
To this alien Shape,
As the waters beat in and the echoes troop forth,
The Wind of the North,
Euroclydon!
And the wilted thyme,
And the patches past
Of the nettles cast
In the drift of the rift, and the broken rime,
Are tumbled and blown
To every zone
With the famished glede, and the plovers thinned
By this fourfold Wind—
This Wind sublime!
On the wrinkled hills,
By starts and fits,
The wild Moon sits;
And the rindles fill and flash and fall
In the way of her light,
Through the straitened night,
When the sea-heralds clamour, and elves of the war,
In the torrents afar,
Hold festival!
From ridge to ridge
The polar fires
On the naked spires,
With a foreign splendour, flit and flow;
And clough and cave
And architrave
Have a blood-coloured glamour on roof and on wall,
Like a nether hall
In the hells below!
The dead, dry lips
Of the ledges, split
By the thunder fit
And the stress of the sprites of the forked flame,
Anon break out,
With a shriek and a shout,
Like a hard, bitter laughter, cracked and thin,
From a ghost with a sin
Too dark for a name!
And all thro' the year,
The fierce seas run
From sun to sun,
Across the face of a vacant world!
And the Wind flies forth
From the wild, white North,
That shivers and harries the heart of things,
And shapes with its wings
A chaos uphurled!
Like one who sees
A rebel light
In the thick of the night,
As he stumbles and staggers on summits afar—
Who looks to it still,
Up hill and hill,
With a steadfast hope (though the ways be deep,
And rough, and steep),
Like a steadfast star—
So I, that stand
On the outermost peaks
Of peril, with cheeks
Blue with the salts of a frosty sea,
Have learnt to wait,
With an eye elate
And a heart intent, for the fuller blaze
Of the Beauty that rays
Like a glimpse for me—
Of the Beauty that grows
Whenever I hear
The winds of Fear
From the tops and the bases of barrenness call;
And the duplicate lore
Which I learn evermore,
Is of Harmony filling and rounding the Storm,
And the marvellous Form
That governs all!
Araluen
—
* A stream in the Braidwood district, New South Wales.
—
River, myrtle rimmed, and set
Deep amongst unfooted dells—
Daughter of grey hills of wet,
Born by mossed and yellow wells;
Now that soft September lays
Tender hands on thee and thine,
Let me think of blue-eyed days,
Star-like flowers and leaves of shine!
Cities soil the life with rust;
Water banks are cool and sweet;
River, tired of noise and dust,
Here I come to rest my feet.
Now the month from shade to sun
Fleets and sings supremest songs,
Now the wilful wood-winds run
Through the tangled cedar throngs.
Here are cushioned tufts and turns
Where the sumptuous noontide lies:
Here are seen by flags and ferns
Summer's large, luxurious eyes.
On this spot wan Winter casts
Eyes of ruth, and spares its green
From his bitter sea-nursed blasts,
Spears of rain and hailstones keen.
Rather here abideth Spring,
Lady of a lovely land,
Dear to leaf and fluttering wing,
Deep in blooms—by breezes fanned.
Faithful friend beyond the main,
Friend that time nor change makes cold;
Now, like ghosts, return again
Pallid, perished days of old.
Ah, the days!—the old, old theme,
Never stale, but never new,
Floating like a pleasant dream,
Back to me and back to you.
Since we rested on these slopes
Seasons fierce have beaten down
Ardent loves and blossoming hopes—
Loves that lift and hopes that crown.
But, believe me, still mine eyes
Often fill with light that springs
From divinity, which lies
Ever at the heart of things.
Solace do I sometimes find
Where you used to hear with me
Songs of stream and forest wind,
Tones of wave and harp-like tree.
Araluen—home of dreams,
Fairer for its flowerful glade
Than the face of Persian streams
Or the slopes of Syrian shade;
Why should I still love it so,
Friend and brother far away?
Ask the winds that come and go,
What hath brought me here to-day.
Evermore of you I think,
When the leaves begin to fall,
Where our river breaks its brink,
And a rest is over all.
Evermore in quiet lands,
Friend of mine beyond the sea,
Memory comes with cunning hands,
Stays, and paints your face for me.
At Euroma
—
* Charles Harpur was buried at Euroma, N.S.W., but this poem refers
to the grave of a stranger whose name is unknown.
—
They built his mound of the rough, red ground,
By the dip of a desert dell,
Where all things sweet are killed by the heat,
And scattered o'er flat and fell;
In a burning zone they left him alone,
Past the uttermost western plain,
And the nightfall dim heard his funeral hymn
In the voices of wind and rain.
The songs austere of the forests drear,
And the echoes of clift and cave,
When the dark is keen where the storm hath been,
Fleet over the far-away grave.
And through the days when the torrid rays
Strike down on a coppery gloom,
Some spirit grieves in the perished leaves,
Whose theme is that desolate tomb.
No human foot or paw of brute
Halts now where the stranger sleeps;
But cloud and star his fellows are,
And the rain that sobs and weeps.
The dingo yells by the far iron fells,
The plover is loud in the range,
But they never come near to the slumberer here,
Whose rest is a rest without change.
Ah! in his life, had he mother or wife,
To wait for his step on the floor?
Did beauty wax dim while watching for him
Who passed through the threshold no more?
Doth it trouble his head? He is one with the dead;
He lies by the alien streams;
And sweeter than sleep is death that is deep
And unvexed by the lordship of dreams.
Illa Creek
A strong sea-wind flies up and sings
Across the blown-wet border,
Whose stormy echo runs and rings
Like bells in wild disorder.
Fierce breath hath vexed the foreland's face,
It glistens, glooms, and glistens;
But deep within this quiet place
Sweet Illa lies and listens.
Sweet Illa of the shining sands,
She sleeps in shady hollows,
Where August flits with flowerful hands,
And silver Summer follows.
Far up the naked hills is heard
A noise of many waters,
But green-haired Illa lies unstirred
Amongst her star-like daughters.
The tempest, pent in moaning ways,
Awakes the shepherd yonder,
But Illa dreams unknown to days
Whose wings are wind and thunder.
Here fairy hands and floral feet
Are brought by bright October;
Here, stained with grapes and smit with heat,
Comes Autumn, sweet and sober.
Here lovers rest, what time the red
And yellow colours mingle,
And daylight droops with dying head
Beyond the western dingle.
And here, from month to month, the time
Is kissed by peace and pleasure,
While Nature sings her woodland rhyme
And hoards her woodland treasure.
Ah, Illa Creek! ere evening spreads
Her wings o'er towns unshaded,
How oft we seek thy mossy beds
To lave our foreheads faded!
For, let me whisper, then we find
The strength that lives, nor falters,
In wood and water, waste and wind,
And hidden mountain altars.
Moss on a Wall
Dim dreams it hath of singing ways,
Of far-off woodland water-heads,
And shining ends of April days
Amongst the yellow runnel-beds.
Stoop closer to the ruined wall,
Whereon the wilful wilding sleeps,
As if its home were waterfall
By dripping clefts and shadowy steeps.
A little waif, whose beauty takes
A touching tone because it dwells
So far away from mountain lakes,
And lily leaves, and lightening fells.
Deep hidden in delicious floss
It nestles, sister, from the heat—
A gracious growth of tender moss
Whose nights are soft, whose days are sweet.
Swift gleams across its petals run
With winds that hum a pleasant tune,
Serene surprises of the sun,
And whispers from the lips of noon.
The evening-coloured apple-trees
Are faint with July's frosty breath.
But lo! this stranger getteth ease,
And shines amidst the strays of Death.
And at the turning of the year,
When August wanders in the cold,
The raiment of the nursling here
Is rich with green and glad with gold.
Oh, friend of mine, to one whose eyes
Are vexed because of alien things,
For ever in the wall moss lies
The peace of hills and hidden springs.
From faithless lips and fickle lights
The tired pilgrim sets his face,
And thinketh here of sounds and sights
In many a lovely forest-place.
And when by sudden fits and starts
The sunset on the moss doth burn,
He often dreams, and, lo! the marts
And streets are changed to dells of fern.
For, let me say, the wilding placed
By hands unseen amongst these stones,
Restores a Past by Time effaced,
Lost loves and long-forgotten tones!
As sometimes songs and scenes of old
Come faintly unto you and me,
When winds are wailing in the cold,
And rains are sobbing on the sea.
Campaspe
Turn from the ways of this Woman! Campaspe we call her by name—
She is fairer than flowers of the fire—
she is brighter than brightness of flame.
As a song that strikes swift to the heart
with the beat of the blood of the South,
And a light and a leap and a smart, is the play of her perilous mouth.
Her eyes are as splendours that break in the rain at the set of the sun,
But turn from the steps of Campaspe—a Woman to look at and shun!
Dost thou know of the cunning of Beauty? Take heed to thyself and beware
Of the trap in the droop in the raiment—the snare in the folds of the hair!
She is fulgent in flashes of pearl, the breeze with her breathing is sweet,
But fly from the face of the girl—there is death in the fall of her feet!
Is she maiden or marvel of marble? Oh, rather a tigress at wait
To pounce on thy soul for her pastime—a leopard for love or for hate.
Woman of shadow and furnace! She biteth her lips to restrain
Speech that springs out when she sleepeth,
by the stirs and the starts of her pain.
As music half-shapen of sorrow, with its wants and its infinite wail,
Is the voice of Campaspe, the beauty at bay with her passion dead-pale.
Go out from the courts of her loving, nor tempt the fierce dance of desire
Where thy life would be shrivelled like stubble
in the stress and the fervour of fire!
I know of one, gentle as moonlight—she is sad as the shine of the moon,
But touching the ways of her eyes are: she comes to my soul like a tune—
Like a tune that is filled with faint voices
of the loved and the lost and the lone,
Doth this stranger abide with my silence: like a tune with a tremulous tone.
The leopard, we call her, Campaspe! I pluck at a rose and I stir
To think of this sweet-hearted maiden—what name is too tender for her?
On a Cattle Track
Where the strength of dry thunder splits hill-rocks asunder,
And the shouts of the desert-wind break,
By the gullies of deepness and ridges of steepness,
Lo, the cattle track twists like a snake!
Like a sea of dead embers, burnt white by Decembers,
A plain to the left of it lies;
And six fleeting horses dash down the creek courses
With the terror of thirst in their eyes.
The false strength of fever, that deadly deceiver,
Gives foot to each famishing beast;
And over lands rotten, by rain-winds forgotten,
The mirage gleams out in the east.
Ah! the waters are hidden from riders and ridden
In a stream where the cattle track dips;
And Death on their faces is scoring fierce traces,
And the drouth is a fire on their lips.
It is far to the station, and gaunt Desolation
Is a spectre that glooms in the way;
Like a red smoke the air is, like a hell-light its glare is,
And as flame are the feet of the day.
The wastes are like metal that forges unsettle
When the heat of the furnace is white;
And the cool breeze that bloweth when an English sun goeth,
Is unknown to the wild desert night.
A cry of distress there! a horseman the less there!
The mock-waters shine like a moon!
It is "Speed, and speed faster from this hole of disaster!
And hurrah for yon God-sent lagoon!"
Doth a devil deceive them? Ah, now let us leave them—
We are burdened in life with the sad;
Our portion is trouble, our joy is a bubble,
And the gladdest is never too glad.
From the pale tracts of peril, past mountain heads sterile,
To a sweet river shadowed with reeds,
Where Summer steps lightly, and Winter beams brightly,
The hoof-rutted cattle track leads.
There soft is the moonlight, and tender the noon-light;
There fiery things falter and fall;
And there may be seen, now, the gold and the green, now,
And the wings of a peace over all.
Hush, bittern and plover! Go, wind, to thy cover
Away by the snow-smitten Pole!
The rotten leaf falleth, the forest rain calleth;
And what is the end of the whole?
Some men are successful after seasons distressful
[Now, masters, the drift of my tale];
But the brink of salvation is a lair of damnation
For others who struggle, yet fail.
To Damascus
Where the sinister sun of the Syrians beat
On the brittle, bright stubble,
And the camels fell back from the swords of the heat,
Came Saul, with a fire in the soles of his feet,
And a forehead of trouble.
And terrified faces to left and to right,
Before and behind him,
Fled away with the speed of a maddening fright
To the cloughs of the bat and the chasms of night,
Each hoping the zealot would fail in his flight
To find him and bind him.
For, behold you! the strong man of Tarsus came down
With breathings of slaughter,
From the priests of the city, the chiefs of the town
(The lords with the sword, and the sires with the gown),
To harry the Christians, and trample, and drown,
And waste them like water.
He was ever a fighter, this son of the Jews—
A fighter in earnest;
And the Lord took delight in the strength of his thews,
For He knew he was one of the few He could choose
To fight out His battles and carry His news
Of a marvellous truth through the dark and the dews,
And the desert lands furnaced!
He knew he was one of the few He could take
For His mission supernal,
Whose feet would not falter, whose limbs would not ache,
Through the waterless lands of the thorn and the snake,
And the ways of the wild—bearing up for the sake
Of a Beauty eternal.
And therefore the road to Damascus was burned
With a swift, sudden brightness;
While Saul, with his face in the bitter dust, learned
Of the sin which he did ere he tumbled, and turned
Aghast at God's whiteness!
Of the sin which he did ere he covered his head
From the strange revelation.
But, thereafter, you know of the life that he led—
How he preached to the peoples, and suffered, and sped
With the wonderful words which his Master had said,
From nation to nation.
Now would we be like him, who suffer and see,
If the Chooser should choose us!
For I tell you, brave brothers, whoever you be,
It is right, till all learn to look further, and see,
That our Master should use us!
It is right, till all learn to discover and class,
That our Master should task us:
For now we may judge of the Truth through a glass;
And the road over which they must evermore pass,
Who would think for the many, and fight for the mass,
Is the road to Damascus.
Bell-Birds
By channels of coolness the echoes are calling,
And down the dim gorges I hear the creek falling;
It lives in the mountain, where moss and the sedges
Touch with their beauty the banks and the ledges;
Through brakes of the cedar and sycamore bowers
Struggles the light that is love to the flowers.
And, softer than slumber, and sweeter than singing,
The notes of the bell-birds are running and ringing.
The silver-voiced bell-birds, the darlings of day-time,
They sing in September their songs of the May-time.
When shadows wax strong and the thunder-bolts hurtle,
They hide with their fear in the leaves of the myrtle;
When rain and the sunbeams shine mingled together
They start up like fairies that follow fair weather,
And straightway the hues of their feathers unfolden
Are the green and the purple, the blue and the golden.
October, the maiden of bright yellow tresses,
Loiters for love in these cool wildernesses;
Loiters knee-deep in the grasses to listen,
Where dripping rocks gleam and the leafy pools glisten.
Then is the time when the water-moons splendid
Break with their gold, and are scattered or blended
Over the creeks, till the woodlands have warning
Of songs of the bell-bird and wings of the morning.
Welcome as waters unkissed by the summers
Are the voices of bell-birds to thirsty far-comers.
When fiery December sets foot in the forest,
And the need of the wayfarer presses the sorest,
Pent in the ridges for ever and ever.
The bell-birds direct him to spring and to river,
With ring and with ripple, like runnels whose torrents
Are toned by the pebbles and leaves in the currents.
Often I sit, looking back to a childhood
Mixt with the sights and the sounds of the wildwood,
Longing for power and the sweetness to fashion
Lyrics with beats like the heart-beats of passion—
Songs interwoven of lights and of laughters
Borrowed from bell-birds in far forest rafters;
So I might keep in the city and alleys
The beauty and strength of the deep mountain valleys,
Charming to slumber the pain of my losses
With glimpses of creeks and a vision of mosses.
A Death in the Bush
The hut was built of bark and shrunken slabs,
That wore the marks of many rains, and showed
Dry flaws wherein had crept and nestled rot.
Moreover, round the bases of the bark
Were left the tracks of flying forest fires,
As you may see them on the lower bole
Of every elder of the native woods.
For, ere the early settlers came and stocked
These wilds with sheep and kine, the grasses grew
So that they took the passing pilgrim in
And whelmed him, like a running sea, from sight.
And therefore, through the fiercer summer months,
While all the swamps were rotten; while the flats
Were baked and broken; when the clayey rifts
Yawned wide, half-choked with drifted herbage past,
Spontaneous flames would burst from thence and race
Across the prairies all day long.
At night
The winds were up, and then, with four-fold speed
A harsh gigantic growth of smoke and fire
Would roar along the bottoms, in the wake
Of fainting flocks of parrots, wallaroos,
And 'wildered wild things, scattering right and left,
For safety vague, throughout the general gloom.
Anon the nearer hillside-growing trees
Would take the surges; thus from bough to bough
Was borne the flaming terror! Bole and spire,
Rank after rank, now pillared, ringed, and rolled
In blinding blaze, stood out against the dead,
Down-smothered dark, for fifty leagues away.
For fifty leagues; and when the winds were strong
For fifty more! But in the olden time
These fires were counted as the harbingers
Of life-essential storms, since out of smoke
And heat there came across the midnight ways
Abundant comfort, with upgathered clouds
And runnels babbling of a plenteous fall.
So comes the southern gale at evenfall
(The swift brick-fielder of the local folk),
About the streets of Sydney, when the dust
Lies burnt on glaring windows, and the men
Look forth from doors of drouth and drink the change
With thirsty haste, and that most thankful cry
Of "Here it is—the cool, bright, blessed rain!"
The hut, I say, was built of bark and slabs,
And stood, the centre of a clearing, hemmed
By hurdle-yards, and ancients of the blacks;
These moped about their lazy fires, and sang
Wild ditties of the old days, with a sound
Of sorrow, like an everlasting wind
Which mingled with the echoes of the noon
And moaned amongst the noises of the night.
From thence a cattle track, with link to link,
Ran off against the fish-pools to the gap
Which sets you face to face with gleaming miles
Of broad Orara*, winding in amongst
Black, barren ridges, where the nether spurs
Are fenced about by cotton scrub, and grass
Blue-bitten with the salt of many droughts.
—
* A tributary of the river Clarence, N.S.W.
—
'Twas here the shepherd housed him every night,
And faced the prospect like a patient soul,
Borne up by some vague hope of better days,
And God's fine blessing in his faithful wife,
Until the humour of his malady
Took cunning changes from the good to bad,
And laid him lastly on a bed of death.
Two months thereafter, when the summer heat
Had roused the serpent from his rotten lair,
And made a noise of locusts in the boughs,
It came to this, that as the blood-red sun
Of one fierce day of many slanted down
Obliquely past the nether jags of peaks
And gulfs of mist, the tardy night came vexed
By belted clouds and scuds that wheeled and whirled
To left and right about the brazen clifts
Of ridges, rigid with a leaden gloom.
Then took the cattle to the forest camps
With vacant terror, and the hustled sheep
Stood dumb against the hurdles, even like
A fallen patch of shadowed mountain snow;
And ever through the curlew's call afar,
The storm grew on, while round the stinted slabs
Sharp snaps and hisses came, and went, and came,
The huddled tokens of a mighty blast
Which ran with an exceeding bitter cry
Across the tumbled fragments of the hills,
And through the sluices of the gorge and glen.
So, therefore, all about the shepherd's hut
That space was mute, save when the fastened dog,
Without a kennel, caught a passing glimpse
Of firelight moving through the lighted chinks,
For then he knew the hints of warmth within,
And stood and set his great pathetic eyes,
In wind and wet, imploring to be loosed.
Not often now the watcher left the couch
Of him she watched, since in his fitful sleep
His lips would stir to wayward themes, and close
With bodeful catches. Once she moved away,
Half-deafened by terrific claps, and stooped
And looked without—to see a pillar dim
Of gathered gusts and fiery rain.
Anon
The sick man woke, and, startled by the noise,
Stared round the room with dull, delirious sight,
At this wild thing and that: for through his eyes
The place took fearful shapes, and fever showed
Strange crosswise lights about his pillow-head.
He, catching there at some phantasmic help,
Sat upright on the bolster with a cry
Of "Where is Jesus? It is bitter cold!"
And then, because the thunder-calls outside
Were mixed for him with slanders of the past,
He called his weeping wife by name, and said,
"Come closer, darling! We shall speed away
Across the seas, and seek some mountain home
Shut in from liars and the wicked words
That track us day and night and night and day."
So waned the sad refrain. And those poor lips,
Whose latest phrases were for peace, grew mute,
And into everlasting silence passed.
As fares a swimmer who hath lost his breath
In 'wildering seas afar from any help—
Who, fronting Death, can never realize
The dreadful Presence, but is prone to clutch
At every weed upon the weltering wave—
So fared the watcher, poring o'er the last
Of him she loved, with dazed and stupid stare;
Half conscious of the sudden loss and lack
Of all that bound her life, but yet without
The power to take her mighty sorrow in.
Then came a patch or two of starry sky,
And through a reef of cloven thunder-cloud
The soft moon looked: a patient face beyond
The fierce impatient shadows of the slopes
And the harsh voices of the broken hills!
A patient face, and one which came and wrought
A lovely silence, like a silver mist,
Across the rainy relics of the storm.
For in the breaks and pauses of her light
The gale died out in gusts: yet, evermore
About the roof-tree on the dripping eaves,
The damp wind loitered, and a fitful drift
Sloped through the silent curtains, and athwart
The dead.
There, when the glare had dropped behind
A mighty ridge of gloom, the woman turned
And sat in darkness, face to face with God,
And said, "I know," she said, "that Thou art wise;
That when we build and hope, and hope and build,
And see our best things fall, it comes to pass
For evermore that we must turn to Thee!
And therefore, now, because I cannot find
The faintest token of Divinity
In this my latest sorrow, let Thy light
Inform mine eyes, so I may learn to look
On something past the sight which shuts and blinds
And seems to drive me wholly, Lord, from Thee."
Now waned the moon beyond complaining depths,
And as the dawn looked forth from showery woods
(Whereon had dropped a hint of red and gold)
There went about the crooked cavern-eaves
Low flute-like echoes, with a noise of wings,
And waters flying down far-hidden fells.
Then might be seen the solitary owl
Perched in the clefts, scared at the coming light,
And staring outward (like a sea-shelled thing
Chased to his cover by some bright, fierce foe),
As at a monster in the middle waste.
At last the great kingfisher came, and called
Across the hollows, loud with early whips,
And lighted, laughing, on the shepherd's hut,
And roused the widow from a swoon like death.
This day, and after it was noised abroad
By blacks, and straggling horsemen on the roads,
That he was dead "who had been sick so long",
There flocked a troop from far-surrounding runs,
To see their neighbour, and to bury him;
And men who had forgotten how to cry
(Rough, flinty fellows of the native bush)
Now learned the bitter way, beholding there
The wasted shadow of an iron frame,
Brought down so low by years of fearful pain,
And marking, too, the woman's gentle face,
And all the pathos in her moaned reply
Of "Masters, we have lived in better days."
One stooped—a stockman from the nearer hills—
To loose his wallet-strings, from whence he took
A bag of tea, and laid it on her lap;
Then sobbing, "God will help you, missus, yet,"
He sought his horse, with most bewildered eyes,
And, spurring, swiftly galloped down the glen.
Where black Orara nightly chafes his brink,
Midway between lamenting lines of oak
And Warra's Gap, the shepherd's grave was built;
And there the wild dog pauses, in the midst
Of moonless watches, howling through the gloom
At hopeless shadows flitting to and fro,
What time the east wind hums his darkest hymn,
And rains beat heavy on the ruined leaf.
There, while the autumn in the cedar trees
Sat cooped about by cloudy evergreens
The widow sojourned on the silent road,
And mutely faced the barren mound, and plucked
A straggling shrub from thence, and passed away,
Heart-broken, on to Sydney, where she took
Her passage in an English vessel bound
To London, for her home of other years.
At rest! Not near, with Sorrow on his grave,
And roses quickened into beauty—wrapt
In all the pathos of perennial bloom;
But far from these, beneath the fretful clay
Of lands within the lone perpetual cry
Of hermit plovers and the night-like oaks,
All moaning for the peace which never comes.
At rest! And she who sits and waits behind
Is in the shadows; but her faith is sure,
And one fine promise of the coming days
Is breaking, like a blessed morning, far
On hills that "slope through darkness up to God."
A Spanish Love Song
From Andalusian gardens
I bring the rose and rue,
And leaves of subtle odour,
To weave a gift for you.
You'll know the reason wherefore
The sad is with the sweet;
My flowers may lie, as I would,
A carpet for your feet!
The heart—the heart is constant;
It holds its secret, Dear!
But often in the night time
I keep awake for fear.
I have no hope to whisper,
I have no prayer to send,
God save you from such passion!
God help you from such end!
You first, you last, you false love!
In dreams your lips I kiss,
And thus I greet your Shadow,
"Take this, and this, and this!"
When dews are on the casement,
And winds are in the pine,
I have you close beside me—
In sleep your mouth is mine.
I never see you elsewhere;
You never think of me;
But fired with fever for you
Content I am to be.
You will not turn, my Darling,
Nor answer when I call;
But yours are soul are body
And love of mine and all!
You splendid Spaniard! Listen—
My passion leaps to flame
For neck and cheek and dimple,
And cunning shades of shame!
I tell you, I would gladly
Give Hell myself to keep,
To cling to, half a moment,
The lips I taste in sleep.
The Last of His Tribe
He crouches, and buries his face on his knees,
And hides in the dark of his hair;
For he cannot look up to the storm-smitten trees,
Or think of the loneliness there—
Of the loss and the loneliness there.
The wallaroos grope through the tufts of the grass,
And turn to their coverts for fear;
But he sits in the ashes and lets them pass
Where the boomerangs sleep with the spear—
With the nullah, the sling and the spear.
Uloola, behold him! The thunder that breaks
On the tops of the rocks with the rain,
And the wind which drives up with the salt of the lakes,
Have made him a hunter again—
A hunter and fisher again.
For his eyes have been full with a smouldering thought;
But he dreams of the hunts of yore,
And of foes that he sought, and of fights that he fought
With those who will battle no more—
Who will go to the battle no more.
It is well that the water which tumbles and fills,
Goes moaning and moaning along;
For an echo rolls out from the sides of the hills,
And he starts at a wonderful song—
At the sound of a wonderful song.
And he sees, through the rents of the scattering fogs,
The corroboree warlike and grim,
And the lubra who sat by the fire on the logs,
To watch, like a mourner, for him—
Like a mother and mourner for him.
Will he go in his sleep from these desolate lands,
Like a chief, to the rest of his race,
With the honey-voiced woman who beckons and stands,
And gleams like a dream in his face—
Like a marvellous dream in his face?
Arakoon
—
* A promontory on the coast of New South Wales.
—
Lo! in storms, the triple-headed
Hill, whose dreaded
Bases battle with the seas,
Looms across fierce widths of fleeting
Waters beating
Evermore on roaring leas!
Arakoon, the black, the lonely!
Housed with only
Cloud and rain-wind, mist and damp;
Round whose foam-drenched feet and nether
Depths, together
Sullen sprites of thunder tramp!
There the East hums loud and surly,
Late and early,
Through the chasms and the caves,
And across the naked verges
Leap the surges!
White and wailing waifs of waves.
Day by day the sea-fogs gathered—
Tempest-fathered—
Pitch their tents on yonder peak,
Yellow drifts and fragments lying
Where the flying
Torrents chafe the cloven creek!
And at nightfall, when the driven
Bolts of heaven
Smite the rock and break the bluff,
Thither troop the elves whose home is
Where the foam is,
And the echo and the clough.
Ever girt about with noises,
Stormy voices,
And the salt breath of the Strait,
Stands the steadfast Mountain Giant,
Grim, reliant,
Dark as Death, and firm as Fate.
So when trouble treads, like thunder,
Weak men under—
Treads and breaks the thews of these—
Set thyself to bear it bravely,
Greatly, gravely,
Like the hill in yonder seas;
Since the wrestling and endurance
Give assurance
To the faint at bay with pain,
That no soul to strong endeavour
Yoked for ever,
Works against the tide in vain.
The Voyage of Telegonus
Ill fares it with the man whose lips are set
To bitter themes and words that spite the gods;
For, seeing how the son of Saturn sways
With eyes and ears for all, this one shall halt
As on hard, hurtful hills; his days shall know
The plaintive front of sorrow; level looks
With cries ill-favoured shall be dealt to him;
And this shall be that he may think of peace
As one might think of alienated lips
Of sweetness touched for once in kind, warm dreams.
Yea, fathers of the high and holy face,
This soul thus sinning shall have cause to sob
"Ah, ah," for sleep, and space enough to learn
The wan, wild Hyrie's aggregated song
That starts the dwellers in distorted heights,
With all the meaning of perpetual sighs
Heard in the mountain deserts of the world,
And where the green-haired waters glide between
The thin, lank weeds and mallows of the marsh.
But thou to whom these things are like to shapes
That come of darkness—thou whose life slips past
Regarding rather these with mute fast mouth—
Hear none the less how fleet Telegonus,
The brass-clad hunter, first took oar and smote
Swift eastward-going seas, with face direct
For narrowing channels and the twofold coasts
Past Colchis and the fierce Symplegades,
And utmost islands, washed by streams unknown.
For in a time when Phasis whitened wide
And drove with violent waters blown of wind
Against the bare, salt limits of the land,
It came to pass that, joined with Cytheraea,
The black-browed Ares, chafing for the wrong
Ulysses did him on the plains of Troy,
Set heart against the king; and when the storms
Sang high in thunder and the Thracian rain,
The god bethought him of a pale-mouthed priest
Of Thebae, kin to ancient Chariclo,
And of an omen which the prophet gave
That touched on death and grief to Ithaca;
Then, knowing how a heavy-handed fate
Had laid itself on Circe's brass-clad son,
He pricked the hunter with a lust that turned
All thoughts to travel and the seas remote;
But chiefly now he stirred Telegonus
To longings for his father's exiled face,
And dreams of rest and honey-hearted love
And quiet death with much of funeral flame
Far in the mountains of a favoured land
Beyond the wars and wailings of the waves.
So, past the ridges where the coast abrupt
Dips greyly westward, Circe's strong-armed son
Swept down the foam of sharp-divided straits
And faced the stress of opening seas. Sheer out
The vessel drave; but three long moons the gale
Moaned round; and swift, strong streams of fire revealed
The labouring rowers and the lightening surf,
Pale watchers deafened of sonorous storm,
And dipping decks and rents of ruined sails.
Yea, when the hollow ocean-driven ship
Wheeled sideways, like a chariot cloven through
In hard hot battle, and the night came up
Against strange headlands lying east and north,
Behold a black, wild wind with death to all
Ran shoreward, charged with flame and thunder-smoke,
Which blew the waters into wastes of white,
And broke the bark, as lightning breaks the pine;
Whereat the sea in fearful circles showed
Unpitied faces turned from Zeus and light—
Wan swimmers wasted with their agony,
And hopeless eyes and moaning mouths of men.
But one held by the fragments of the wreck,
And Ares knew him for Telegonus,
Whom heavy-handed Fate had chained to deeds
Of dreadful note with sin beyond a name.
So, seeing this, the black-browed lord of war,
Arrayed about by Jove's authentic light,
Shot down amongst the shattered clouds and called
With mighty strain, betwixt the gaps of storm
"Oceanus! Oceanus!" Whereat
The surf sprang white, as when a keel divides
The gleaming centre of a gathered wave;
And, ringed with flakes of splendid fire of foam,
The son of Terra rose half-way and blew
The triple trumpet of the water-gods,
At which great winds fell back and all the sea
Grew dumb, as on the land a war-feast breaks
When deep sleep falls upon the souls of men.
Then Ares of the night-like brow made known
The brass-clad hunter of the facile feet,
Hard clinging to the slippery logs of pine,
And told the omen to the hoary god
That touched on death and grief to Ithaca;
Wherefore Oceanus, with help of hand,
Bore by the chin the warrior of the North,
A moaning mass, across the shallowing surge,
And cast him on the rocks of alien shores
Against a wintry morning shot with storm.
Hear also, thou, how mighty gods sustain
The men set out to work the ends of Fate
Which fill the world with tales of many tears
And vex the sad face of humanity:
Six days and nights the brass-clad chief abode
Pent up in caverns by the straitening seas
And fed on ferns and limpets; but the dawn,
Before the strong sun of the seventh, brought
A fume of fire and smells of savoury meat
And much rejoicing, as from neighbouring feasts;
At which the hunter, seized with sudden lust,
Sprang up the crags, and, like a dream of fear,
Leapt, shouting, at a huddled host of hinds
Amongst the fragments of their steaming food;
And as the hoarse wood-wind in autumn sweeps
To every zone the hissing latter leaves,
So fleet Telegonus, by dint of spear
And strain of thunderous voice, did scatter these
East, south, and north. 'Twas then the chief had rest,
Hard by the outer coast of Ithaca,
Unknown to him who ate the spoil and slept.
Nor stayed he hand thereafter; but when noon
Burned dead on misty hills of stunted fir,
This man shook slumber from his limbs and sped
Against hoar beaches and the kindled cliffs
Of falling waters. These he waded through,
Beholding, past the forests of the West,
A break of light and homes of many men,
And shining corn, and flowers, and fruits of flowers.
Yea, seeing these, the facile-footed chief
Grasped by the knot the huge Aeaean lance
And fell upon the farmers; wherefore they
Left hoe and plough, and crouched in heights remote,
Companioned with the grey-winged fogs; but he
Made waste their fields and throve upon their toil—
As throve the boar, the fierce four-footed curse
Which Artemis did raise in Calydon
To make stern mouths wax white with foreign fear,
All in the wild beginning of the world.
So one went down and told Laertes' son
Of what the brass-clad stranger from the straits
Had worked in Ithaca; whereat the King
Rose, like a god, and called his mighty heir,
Telemachus, the wisest of the wise;
And these two, having counsel, strode without,
And armed them with the arms of warlike days—
The helm, the javelin, and the sun-like shield,
And glancing greaves and quivering stars of steel.
Yea, stern Ulysses, rusted not with rest,
But dread as Ares, gleaming on his car
Gave out the reins; and straightway all the lands
Were struck by noise of steed and shouts of men,
And furious dust, and splendid wheels of flame.
Meanwhile the hunter (starting from a sleep
In which the pieces of a broken dream
Had shown him Circe with most tearful face),
Caught at his spear, and stood like one at bay
When Summer brings about Arcadian horns
And headlong horses mixt with maddened hounds;
Then huge Ulysses, like a fire of fight,
Sprang sideways on the flying car, and drave
Full at the brass-clad warrior of the North
His massive spear; but fleet Telegonus
Stooped from the death, but heard the speedy lance
Sing like a thin wind through the steaming air;
Yet he, dismayed not by the dreadful foe—
Unknown to him—dealt out his strength, and aimed
A strenuous stroke at great Laertes' son,
Which missed the shield, but bit through flesh and bone,
And drank the blood, and dragged the soul from thence.
So fell the King! And one cried "Ithaca!
Ah, Ithaca!" and turned his face and wept.
Then came another—wise Telemachus—
Who knelt beside the man of many days
And pored upon the face; but lo, the life
Was like bright water spilt in sands of thirst,
A wasted splendour swiftly drawn away.
Yet held he by the dead: he heeded not
The moaning warrior who had learnt his sin—
Who waited now, like one in lairs of pain,
Apart with darkness, hungry for his fate;
For had not wise Telemachus the lore
Which makes the pale-mouthed seer content to sleep
Amidst the desolations of the world?
So therefore he, who knew Telegonus,
The child of Circe by Laertes' son,
Was set to be a scourge of Zeus, smote not,
But rather sat with moody eyes, and mused,
And watched the dead. For who may brave the gods?
Yet, O my fathers, when the people came,
And brought the holy oils and perfect fire,
And built the pile, and sang the tales of Troy—
Of desperate travels in the olden time,
By shadowy mountains and the roaring sea,
Near windy sands and past the Thracian snows—
The man who crossed them all to see his sire,
And had a loyal heart to give the king,
Instead of blows—this man did little more
Than moan outside the fume of funeral rites,
All in a rushing twilight full of rain,
And clap his palms for sharper pains than swords.
Yea, when the night broke out against the flame,
And lonely noises loitered in the fens,
This man nor stirred nor slept, but lay at wait,
With fastened mouth. For who may brave the gods?
Sitting by the Fire
Ah! the solace in the sitting,
Sitting by the fire,
When the wind without is calling
And the fourfold clouds are falling,
With the rain-racks intermitting,
Over slope and spire.
Ah! the solace in the sitting,
Sitting by the fire.
Then, and then, a man may ponder,
Sitting by the fire,
Over fair far days, and faces
Shining in sweet-coloured places
Ere the thunder broke asunder
Life and dear Desire.
Thus, and thus, a man may ponder,
Sitting by the fire.
Waifs of song pursue, perplex me,
Sitting by the fire:
Just a note, and lo, the change then!
Like a child, I turn and range then,
Till a shadow starts to vex me—
Passion's wasted pyre.
So do songs pursue, perplex me,
Sitting by the fire.
Night by night—the old, old story—
Sitting by the fire,
Night by night, the dead leaves grieve me:
Ah! the touch when youth shall leave me,
Like my fathers, shrunken, hoary,
With the years that tire.
Night by night—that old, old story,
Sitting by the fire.
Sing for slumber, sister Clara,
Sitting by the fire.
I could hide my head and sleep now,
Far from those who laugh and weep now,
Like a trammelled, faint wayfarer,
'Neath yon mountain-spire.
Sing for slumber, sister Clara,
Sitting by the fire.
Cleone
Sing her a song of the sun:
Fill it with tones of the stream,—
Echoes of waters that run
Glad with the gladdening gleam.
Let it be sweeter than rain,
Lit by a tropical moon:
Light in the words of the strain,
Love in the ways of the tune.
Softer than seasons of sleep:
Dearer than life at its best!
Give her a ballad to keep,
Wove of the passionate West:
Give it and say of the hours—
"Haunted and hallowed of thee,
Flower-like woman of flowers,
What shall the end of them be?"
You that have loved her so much,
Loved her asleep and awake,
Trembled because of her touch,
What have you said for her sake?
Far in the falls of the day,
Down in the meadows of myrrh,
What has she left you to say
Filled with the beauty of her?
Take her the best of your thoughts,
Let them be gentle and grave,
Say, "I have come to thy courts,
Maiden, with all that I have."
So she may turn with her sweet
Face to your love and to you,
Learning the way to repeat
Words that are brighter than dew.
Charles Harpur
Where Harpur lies, the rainy streams,
And wet hill-heads, and hollows weeping,
Are swift with wind, and white with gleams,
And hoarse with sounds of storms unsleeping.
Fit grave it is for one whose song
Was tuned by tones he caught from torrents,
And filled with mountain breaths, and strong,
Wild notes of falling forest currents.
So let him sleep, the rugged hymns
And broken lights of woods above him!
And let me sing how sorrow dims
The eyes of those that used to love him.
As April in the wilted wold
Turns faded eyes on splendours waning,
What time the latter leaves are old,
And ruin strikes the strays remaining;
So we that knew this singer dead,
Whose hands attuned the harp Australian,
May set the face and bow the head,
And mourn his fate and fortunes alien.
The burden of a perished faith
Went sighing through his speech of sweetness,
With human hints of time and death,
And subtle notes of incompleteness.
But when the fiery power of youth
Had passed away and left him nameless,
Serene as light, and strong as truth,
He lived his life, untired and tameless.
And, far and free, this man of men,
With wintry hair and wasted feature,
Had fellowship with gorge and glen,
And learned the loves and runes of Nature.
Strange words of wind, and rhymes of rain,
And whispers from the inland fountains
Are mingled, in his various strain,
With leafy breaths of piny mountains.
But as the undercurrents sigh
Beneath the surface of a river,
The music of humanity
Dwells in his forest-psalms for ever.
No soul was he to sit on heights
And live with rocks apart and scornful:
Delights of men were his delights,
And common troubles made him mournful.
The flying forms of unknown powers
With lofty wonder caught and filled him;
But there were days of gracious hours
When sights and sounds familiar thrilled him.
The pathos worn by wayside things,
The passion found in simple faces,
Struck deeper than the life of springs
Or strength of storms and sea-swept places.
But now he sleeps, the tired bard,
The deepest sleep; and, lo! I proffer
These tender leaves of my regard,
With hands that falter as they offer.
Coogee
Sing the song of wave-worn Coogee, Coogee in the distance white,
With its jags and points disrupted, gaps and fractures fringed with light;
Haunt of gledes, and restless plovers of the melancholy wail
Ever lending deeper pathos to the melancholy gale.
There, my brothers, down the fissures, chasms deep and wan and wild,
Grows the sea-bloom, one that blushes like a shrinking, fair, blind child;
And amongst the oozing forelands many a glad, green rock-vine runs,
Getting ease on earthy ledges, sheltered from December suns.
Often, when a gusty morning, rising cold and grey and strange,
Lifts its face from watery spaces, vistas full with cloudy change,
Bearing up a gloomy burden which anon begins to wane,
Fading in the sudden shadow of a dark, determined rain,
Do I seek an eastern window, so to watch the breakers beat
Round the steadfast crags of Coogee, dim with drifts of driving sleet:
Hearing hollow mournful noises sweeping down a solemn shore,
While the grim sea-caves are tideless, and the storm strives at their core.
Often when the floating vapours fill the silent autumn leas,
Dreaming mem'ries fall like moonlight over silver sleeping seas.
Youth and I and Love together! Other times and other themes
Come to me unsung, unwept for, through the faded evening gleams:
Come to me and touch me mutely—I that looked and longed so well,
Shall I look and yet forget them?—who may know or who foretell?
Though the southern wind roams, shadowed with its immemorial grief,
Where the frosty wings of Winter leave their whiteness on the leaf.
Friend of mine beyond the waters, here and here these perished days
Haunt me with their sweet dead faces and their old divided ways.
You that helped and you that loved me, take this song, and when you read,
Let the lost things come about you, set your thoughts and hear and heed.
Time has laid his burden on us—we who wear our manhood now,
We would be the boys we have been, free of heart and bright of brow—
Be the boys for just an hour, with the splendour and the speech
Of thy lights and thunders, Coogee, flying up thy gleaming beach.
Heart's desire and heart's division! who would come and say to me,
With the eyes of far-off friendship, "You are as you used to be"?
Something glad and good has left me here with sickening discontent,
Tired of looking, neither knowing what it was or where it went.
So it is this sight of Coogee, shining in the morning dew,
Sets me stumbling through dim summers once on fire with youth and you—
Summers pale as southern evenings when the year has lost its power
And the wasted face of April weeps above the withered flower.
Not that seasons bring no solace, not that time lacks light and rest;
But the old things were the dearest and the old loves seem the best.
We that start at songs familiar, we that tremble at a tone
Floating down the ways of music, like a sigh of sweetness flown,
We can never feel the freshness, never find again the mood
Left among fair-featured places, brightened of our brotherhood.
This and this we have to think of when the night is over all,
And the woods begin to perish and the rains begin to fall.
Ogyges
Stand out, swift-footed leaders of the horns,
And draw strong breath, and fill the hollowy cliff
With shocks of clamour,—let the chasm take
The noise of many trumpets, lest the hunt
Should die across the dim Aonian hills,
Nor break through thunder and the surf-white cave
That hems about the old-eyed Ogyges
And bars the sea-wind, rain-wind, and the sea!
Much fierce delight hath old-eyed Ogyges
(A hairless shadow in a lion's skin)
In tumult, and the gleam of flying spears,
And wild beasts vexed to death; "for," sayeth he,
"Here lying broken, do I count the days
For every trouble; being like the tree—
The many-wintered father of the trunks
On yonder ridges: wherefore it is well
To feel the dead blood kindling in my veins
At sound of boar or battle; yea to find
A sudden stir, like life, about my feet,
And tingling pulses through this frame of mine
What time the cold clear dayspring, like a bird
Afar off, settles on the frost-bound peaks,
And all the deep blue gorges, darkening down,
Are filled with men and dogs and furious dust!"
So in the time whereof thou weetest well—
The melancholy morning of the World—
He mopes or mumbles, sleeps or shouts for glee,
And shakes his sides—a cavern-hutted King!
But when the ouzel in the gaps at eve
Doth pipe her dreary ditty to the surge
All tumbling in the soft green level light,
He sits as quiet as a thick-mossed rock,
And dreameth in his cold old savage way
Of gliding barges on the wine-dark waves,
And glowing shapes, and sweeter things than sleep,
But chiefly, while the restless twofold bat
Goes flapping round the rainy eaves above,
Where one broad opening letteth in the moon,
He starteth, thinking of that grey-haired man,
His sire: then oftentimes the white-armed child
Of thunder-bearing Jove, young Thebe, comes
And droops above him with her short sweet sighs
For Love distraught—for dear Love's faded sake
That weeps and sings and weeps itself to death
Because of casual eyes, and lips of frost,
And careless mutterings, and most weary years.
Bethink you, doth the wan Egyptian count
This passion, wasting like an unfed flame,
Of any worth now; seeing that his thighs
Are shrunken to a span and that the blood,
Which used to spin tumultuous down his sides
Of life in leaping moments of desire,
Is drying like a thin and sluggish stream
In withered channels—think you, doth he pause
For golden Thebe and her red young mouth?
Ah, golden Thebe—Thebe, weeping there,
Like some sweet wood-nymph wailing for a rock,
If Octis with the Apollonian face—
That fair-haired prophet of the sun and stars—
Could take a mist and dip it in the West
To clothe thy limbs of shine about with shine
And all the wonder of the amethyst,
He'd do it—kneeling like a slave for thee!
If he could find a dream to comfort thee,
He'd bring it: thinking little of his lore,
But marvelling greatly at those eyes of thine.
Yea, if the Shepherd waiting for thy steps,
Pent down amongst the dank black-weeded rims,
Could shed his life like rain about thy feet,
He'd count it sweetness past all sweets of love
To die by thee—his life's end in thy sight.
Oh, but he loves the hunt, doth Ogyges!
And therefore should we blow the horn for him:
He, sitting mumbling in his surf-white cave
With helpless feet and alienated eyes,
Should hear the noises nathless dawn by dawn
Which send him wandering swiftly through the days
When like a springing cataract he leapt
From crag to crag, the strongest in the chase
To spear the lion, leopard, or the boar!
Oh, but he loves the hunt; and, while the shouts
Of mighty winds are in this mountained World,
Behold the white bleak woodman, Winter, halts
And bends to him across a beard of snow
For wonder; seeing Summer in his looks
Because of dogs and calls from throats of hair
All in the savage hills of Hyria!
And, through the yellow evenings of the year,
What time September shows her mooned front
And poppies burnt to blackness droop for drouth,
The dear Demeter, splashed from heel to thigh
With spinning vine-blood, often stoops to him
To crush the grape against his wrinkled lips
Which sets him dreaming of the thickening wolves
In darkness, and the sound of moaning seas.
So with the blustering tempest doth he find
A stormy fellowship: for when the North
Comes reeling downwards with a breath like spears,
Where Dryope the lonely sits all night
And holds her sorrow crushed betwixt her palms,
He thinketh mostly of that time of times
When Zeus the Thunderer—broadly-blazing King—
Like some wild comet beautiful but fierce,
Leapt out of cloud and fire and smote the tops
Of black Ogygia with his red right hand,
At which great fragments tumbled to the Deeps—
The mighty fragments of a mountain-land—
And all the World became an awful Sea!
But, being tired, the hairless Ogyges
Best loveth night and dim forgetfulness!
"For," sayeth he, "to look for sleep is good
When every sleep is as a sleep of death
To men who live, yet know not why they live,
Nor how they live! I have no thought to tell
The people when this time of mine began;
But forest after forest grows and falls,
And rock by rock is wasted with the rime,
While I sit on and wait the end of all;
Here taking every footstep for a sign;
An ancient shadow whiter than the foam!"
By the Sea
The caves of the sea have been troubled to-day
With the water which whitens, and widens, and fills;
And a boat with our brother was driven away
By a wind that came down from the tops of the hills.
Behold I have seen on the threshold again
A face in a dazzle of hair!
Do you know that she watches the rain, and the main,
And the waves which are moaning there?
Ah, moaning and moaning there!
Now turn from your casements, and fasten your doors,
And cover your faces, and pray, if you can;
There are wails in the wind, there are sighs on the shores,
And alas, for the fate of a storm-beaten man!
Oh, dark falls the night on the rain-rutted verge,
So sad with the sound of the foam!
Oh, wild is the sweep and the swirl of the surge;
And his boat may never come home!
Ah, never and never come home!
King Saul at Gilboa
With noise of battle and the dust of fray,
Half hid in fog, the gloomy mountain lay;
But Succoth's watchers, from their outer fields,
Saw fits of flame and gleams of clashing shields;
For, where the yellow river draws its spring,
The hosts of Israel travelled, thundering!
There, beating like the storm that sweeps to sea
Across the reefs of chafing Galilee,
The car of Abner and the sword of Saul
Drave Gaza down Gilboa's southern wall;
But swift and sure the spears of Ekron flew,
Till peak and slope were drenched with bloody dew.
"Shout, Timnath, shout!" the blazing leaders cried,
And hurled the stone and dashed the stave aside.
"Shout, Timnath, shout! Let Hazor hold the height,
Bend the long bow and break the lords of fight!"
From every hand the swarthy strangers sprang,
Chief leaped on chief, with buckler buckler rang!
The flower of armies! Set in Syrian heat,
The ridges clamoured under labouring feet;
Nor stayed the warriors till, from Salem's road,
The crescent horns of Abner's squadrons glowed.
Then, like a shooting splendour on the wing,
The strong-armed son of Kish came thundering;
And as in Autumn's fall, when woods are bare,
Two adverse tempests meet in middle air,
So Saul and Achish, grim with heat and hate,
Met by the brook and shook the scales of Fate.
For now the struggle swayed, and, firm as rocks
Against the storm-wind of the equinox,
The rallied lords of Judah stood and bore,
All day, the fiery tides of fourfold war.
But he that fasted in the secret cave
And called up Samuel from the quiet grave,
And stood with darkness and the mantled ghosts
A bitter night on shrill Samarian coasts,
Knew well the end—of how the futile sword
Of Israel would be broken by the Lord;
How Gath would triumph, with the tawny line
That bend the knee at Dagon's brittle shrine;
And how the race of Kish would fall to wreck,
Because of vengeance stayed at Amalek.
Yet strove the sun-like king, nor rested hand
Till yellow evening filled the level land.
Then Judah reeled before a biting hail
Of sudden arrows shot from Achor's vale,
Where Libnah, lapped in blood from thigh to heel,
Drew the tense string, and pierced the quivering steel.
There fell the sons of Saul, and, man by man,
The chiefs of Israel, up to Jonathan;
And while swift Achish stooped and caught the spoil,
Ten chosen archers, red with sanguine toil,
Sped after Saul, who, faint and sick, and sore
With many wounds, had left the thick of war.
He, like a baffled bull by hunters pressed,
Turned sharp about, and faced the flooded west,
And saw the star-like spears and moony spokes
Gleam from the rocks and lighten through the oaks—
A sea of splendour! How the chariots rolled
On wheels of blinding brightness manifold!
While stumbling over spike and spine and spur
Of sultry lands, escaped the son of Ner
With smitten men. At this the front of Saul
Grew darker than a blasted tower wall;
And seeing how there crouched upon his right,
Aghast with fear, a black Amalekite,
He called, and said: "I pray thee, man of pain,
Red from the scourge, and recent from the chain,
Set thou thy face to mine, and stoutly stand
With yonder bloody sword-hilt in thy hand,
And fall upon me." But the faltering hind
Stood trembling, like a willow in the wind.
Then further Saul: "Lest Ashdod's vaunting hosts
Should bear me captive to their bleak-blown coasts,
I pray thee, smite me! seeing peace has fled,
And rest lies wholly with the quiet dead."
At this a flood of sunset broke, and smote
Keen, blazing sapphires round a kingly throat,
Touched arm and shoulder, glittered in the crest,
And made swift starlights on a jewelled breast.
So, starting forward, like a loosened hound,
The stranger clutched the sword and wheeled it round,
And struck the Lord's Anointed. Fierce and fleet
Philistia came, with shouts and clattering feet;
By gaping gorges and by rough defile
Dark Ashdod beat across a dusty mile;
Hot Hazor's bowmen toiled from spire to spire,
And Gath sprang upwards, like a gust of fire;
On either side did Libnah's lords appear,
And brass-clad Timnath thundered in the rear.
"Mark, Achish, mark!"—South-west and south there sped
A dabbled hireling from the dreadful dead.
"Mark, Achish, mark!"—The mighty front of Saul,
Great in his life and god-like in his fall!
This was the arm that broke Philistia's pride,
Where Kishon chafes his seaward-going tide;
This was the sword that smote till set of sun
Red Gath, from Michmash unto Ajalon,
Low in the dust. And Israel scattered far!
And dead the trumps and crushed the hoofs of war!
So fell the king, as it was said by him
Who hid his forehead in a mantle dim
At bleak Endor, what time unholy rites
Vexed the long sleep of still Samarian heights;
For, bowed to earth before the hoary priest,
Did he of Kish withstand the smoking feast,
To fast, in darkness and in sackcloth rolled,
And house with wild things in the biting cold,
Because of sharpness lent to Gaza's sword,
And Judah widowed by the angry Lord.
So silence came. As when the outer verge
Of Carmel takes the white and whistling surge,
Hoarse, hollow noises fill the caves, and roar
Along the margin of the echoing shore,
Thus war had thundered; but as evening breaks
Across the silver of Assyrian lakes,
When reapers rest, and through the level red
Of sunset, peace, like holy oil, is shed,
Thus silence fell. But Israel's daughters crept
Outside their thresholds, waited, watched, and wept.
Then they that dwell beyond the flats and fens
Of sullen Jordan, and in gelid glens
Of Jabesh-Gilead—chosen chiefs and few—
Around their loins the hasty girdle drew,
And faced the forests, huddled fold on fold,
And dells of glimmering greenness manifold.
What time Orion in the west did set
A shining foot on hills of wind and wet;
These journeyed nightly till they reached the capes
Where Ashdod revelled over heated grapes;
And while the feast was loud and scouts were turned,
From Saul's bound body cord by cord they burned,
And bore the king athwart the place of tombs,
And hasted eastward through the tufted glooms;
Nor broke the cake nor stayed the step till morn
Shot over Debir's cones and crags forlorn.
From Jabesh then the weeping virgins came;
In Jabesh then they built the funeral flame;
With costly woods they piled the lordly pyre,
Brought yellow oils and fed the perfect fire;
While round the crescent stately elders spread
The flashing armour of the mighty dead,
With crown and spear, and all the trophies won
From many wars by Israel's dreadful son.
Thence, when the feet of evening paused and stood
On shadowy mountains and the roaring flood,
(As through a rushing twilight, full of rain,
The weak moon looked athwart Gadara's plain),
The younger warriors bore the urn, and broke
The humid turf about a wintering oak,
And buried Saul; and, fasting, went their ways,
And hid their faces seven nights and days.
In the Valley
Said the yellow-haired Spirit of Spring
To the white-footed Spirit of Snow,
"On the wings of the tempest take wing,
And leave me the valleys, and go."
And, straightway, the streams were unchained,
And the frost-fettered torrents broke free,
And the strength of the winter-wind waned
In the dawn of a light on the sea.
Then a morning-breeze followed and fell,
And the woods were alive and astir
With the pulse of a song in the dell,
And a whisper of day in the fir.
Swift rings of sweet water were rolled
Down the ways where the lily-leaves grew,
And the green, and the white, and the gold,
Were wedded with purple and blue.
But the lips of the flower of the rose
Said, "where is the ending hereof?
Is it sweet with you, life, at the close?
Is it sad to be emptied of love?"
And the voice of the flower of the peach
Was tender and touching in tone,
"When each has been grafted on each,
It is sorrow to live on alone."
Then the leaves of the flower of the vine
Said, "what will there be in the day
When the reapers are red with my wine,
And the forests are yellow and grey?"
And the tremulous flower of the quince
Made answer, "three seasons ago
My sisters were star-like, but since,
Their graves have been made in the snow."
Then the whispering flower of the fern
Said, "who will be sad at the death,
When Summer blows over the burn,
With the fierceness of fire in her breath?"
And the mouth of the flower of the sedge
Was opened to murmur and sigh,
"Sweet wind-breaths that pause at the edge
Of the nightfall, and falter, and die."
Twelve Sonnets—
I
A Mountain Spring
Peace hath an altar there. The sounding feet
Of thunder and the 'wildering wings of rain
Against fire-rifted summits flash and beat,
And through grey upper gorges swoop and strain;
But round that hallowed mountain-spring remain,
Year after year, the days of tender heat,
And gracious nights, whose lips with flowers are sweet,
And filtered lights, and lutes of soft refrain.
A still, bright pool. To men I may not tell
The secret that its heart of water knows,
The story of a loved and lost repose;
Yet this I say to cliff and close-leaved dell:
A fitful spirit haunts yon limpid well,
Whose likeness is the faithless face of Rose.
II
Laura
If Laura—lady of the flower-soft face—
Should light upon these verses, she may take
The tenderest line, and through its pulses trace
What man can suffer for a woman's sake.
For in the nights that burn, the days that break,
A thin pale figure stands in Passion's place,
And peace comes not, nor yet the perished grace
Of youth, to keep old faiths and fires awake.
Ah! marvellous maid. Life sobs, and sighing saith,
"She left me, fleeting like a fluttered dove;
But I would have a moment of her breath,
So I might taste the sweetest sense thereof,
And catch from blossoming, honeyed lips of love
Some faint, some fair, some dim, delicious death."
III
By a River
By red-ripe mouth and brown, luxurious eyes
Of her I love, by all your sweetness shed
In far, fair days, on one whose memory flies
To faithless lights, and gracious speech gainsaid,
I pray you, when yon river-path I tread,
Make with the woodlands some soft compromise,
Lest they should vex me into fruitless sighs
With visions of a woman's gleaming head!
For every green and golden-hearted thing
That gathers beauty in that shining place,
Beloved of beams and wooed by wind and wing,
Is rife with glimpses of her marvellous face;
And in the whispers of the lips of Spring
The music of her lute-like voice I trace.
IV
Attila
What though his feet were shod with sharp, fierce flame,
And death and ruin were his daily squires,
The Scythian, helped by Heaven's thunders, came:
The time was ripe for God's avenging fires.
Lo! loose, lewd trulls, and lean, luxurious liars
Had brought the fair, fine face of Rome to shame,
And made her one with sins beyond a name—
That queenly daughter of imperial sires!
The blood of elders like the blood of sheep,
Was dashed across the circus. Once while din
And dust and lightnings, and a draggled heap
Of beast-slain men made lords with laughter leap,
Night fell, with rain. The earth, so sick of sin,
Had turned her face into the dark to weep.
V
A Reward
Because a steadfast flame of clear intent
Gave force and beauty to full-actioned life;
Because his way was one of firm ascent,
Whose stepping-stones were hewn of change and strife;
Because as husband loveth noble wife
He loved fair Truth; because the thing he meant
To do, that thing he did, nor paused, nor bent
In face of poor and pale conclusions; yea!
Because of this, how fares the Leader dead?
What kind of mourners weep for him to-day?
What golden shroud is at his funeral spread?
Upon his brow what leaves of laurel, say?
About his breast is tied a sackcloth grey,
And knots of thorns deface his lordly head.
VI
To——
A handmaid to the genius of thy song
Is sweet, fair Scholarship. 'Tis she supplies
The fiery spirit of the passioned eyes
With subtle syllables, whose notes belong
To some chief source of perfect melodies;
And glancing through a laurelled, lordly throng
Of shining singers, lo! my vision flies
To William Shakespeare! He it is whose strong,
Full, flute-like music haunts thy stately verse.
A worthy Levite of his court thou art!
One sent among us to defeat the curse
That binds us to the Actual. Yea, thy part,
Oh, lute-voiced lover! is to lull the heart
Of love repelled, its darkness to disperse.
VII
The Stanza of Childe Harold