Caybigan

BY JAMES HOPPER

NEW YORK
MCCLURE, PHILLIPS & CO.
MCMVI

Copyright, 1906 by
McCLURE, PHILLIPS & CO.

Published, September, 1906

Copyright, 1903, 1904, 1905, 1906, by The S. S. McClure Company

"The subsequent walk across the plaza with the hard-won bundle, beneath the appreciative eyes of the whole town, had been humiliating"

CONTENTS

CAYBIGAN

I

THE JUDGMENT OF MAN

We were sitting around the big centre table in the sala of the "House of Guests" in Ilo-Ilo. We were teachers from Occidental Negros. It was near Christmas; we had left our stations for the holidays—the cholera had just swept them and the aftermath was not pleasant to contemplate—and so we were leaning over the polished narra table, sipping a sweet, false Spanish wine from which we drew, not a convivial spirit, but rather a quiet, reflective gloom. All the shell shutters were drawn back; we could see the tin-roofed city gleam and crackle with the heat, and beyond the lithe line of coconuts, the iridescent sea, tugging the heart with offer of coolness. But, all of us, we knew the promise to be Fake, monumental Fake, knew the alluring depths to be hot as corruption, and full of sharks.

Somebody in a monotonous voice was cataloguing the dead, enumerating those of us who had been conquered by the climate, by the work, or through their own inward flaws. He mentioned Miller with some sort of disparaging gesture, and then Carter of Balangilang, who had been very silent, suddenly burst into speech with singular fury.

"Who are you, to judge him?" he shouted. "Who are you, eh? Who are we, anyway, to judge him?"

Headlong outbursts from Carter were nothing new to us, so we took no offence. Finally someone said, "Well, he's dead," with that tone that signifies final judgment, the last, best, most charitable thing which can be said of the man being weighed.

But Carter did not stop there. "You didn't know him, did you?" he asked. "You didn't know him; tell me now, did you know him?" He was still extraordinarily angry.

We did not answer. Really, we knew little of the dead man—excepting that he was mean and small, and not worth knowing. He was mean, and he was a coward; and to us in our uncompromising youth these were just the unpardonable sins. Because of that we had left him alone, yes, come to think of it, very much alone. And we knew little about him.

"Here, I'll tell you what I know," Carter began again, in a more conciliatory tone; "I'll tell you everything I know of him." He lit a cheroot.

"I first met him right here in Ilo-Ilo. I had crossed over for supplies; he was fresh from Manila and wanted to get over to Bacolod to report to the Sup. and be assigned to his station. When I saw him he was on the muelle, surrounded by an army of bluffing cargadores. About twelve of them had managed to get a finger upon his lone carpet-bag while it was being carried down the gang-plank, and each and all of them wanted to get paid for the job. He was in a horrible pickle; couldn't speak a word of Spanish or Visayan. And the first thing he said when I had extricated him, thanks to my vituperative knowledge of these sweet tongues, was: 'If them niggahs, seh, think Ah'm a-goin' to learn their cussed lingo, they're mahtily mistaken, seh!'

"After that remark, coming straight from the heart, I hardly needed to be told that he was from the South. He was from Mississippi. He was gaunt, yellow, malarial, and slovenly. He had 'teached' for twenty years, he said, but in spite of this there was about him something indescribably rural, something of the sod—not the dignity, the sturdiness of it, but rather of the pettiness, the sordidness of it. It showed in his dirty, flapping garments, his unlaced shoes, his stubble beard, in his indecent carelessness in expectorating the tobacco he was ceaselessly chewing. But these, after all, were some of his minor traits. I was soon to get an inkling of one of his major ones—his prodigious meanness. For when I rushed about and finally found a lorcha that was to sail for Bacolod and asked him to chip in with me on provisions, he demurred.

"'Ah'd like to git my own, seh,' he said in that decisive drawl of his.

"'All right,' I said cheerfully, and went off and stocked up for two. My instinct served me well. When, that evening, Miller walked up the gang-plank, he carried only his carpet-bag, and that was flat and hungry-looking as before. The next morning he shared my provisions calmly and resolutely, with an air, almost, of conscious duty. Well, let that go; before another day I was face to face with his other flaming characteristic.

"Out of Ilo-Ilo we had contrary winds at first; all night the lorcha—an old grandmother of a craft, full of dry-rot spots as big as woodpeckers' nests—flapped heavily about on impotent tacks, and when the sun rose we found ourselves on the same spot from which we had watched its setting. Toward ten o'clock, however, the monsoon veered, and wing-and-wing the old boat, creaking in every joint as if she had the dengue, grunted her way over flashing combers with a speed that seemed almost indecent. Then, just as we were getting near enough to catch the heated glitter of the Bacolod church-dome, to see the golden thread of breach at the foot of the waving coconuts, the wind fell, slap-bang, as suddenly as if God had said hush—and we stuck there, motionless, upon a petrified sea.

"I didn't stamp about and foam at the mouth; I'd been in these climes too long. As for Miller, he was from Mississippi. We picked out a comparatively clean spot on the deck, near the bow; we lay down on our backs and relaxed our beings into infinite patience. We had been thus for perhaps an hour; I was looking up at a little white cloud that seemed receding, receding into the blue immensity behind it. Suddenly a noise like thunder roared in my ears. The little cloud gave a great leap back into its place; the roar dwindled into the voice of Miller, in plaintive, disturbed drawl. 'What the deuce are the niggahs doing?' he was saying.

"And certainly the behaviour of that Visayan crew was worthy of question. Huddled quietly at the stern, one after another they were springing over the rail into the small boat that was dragging behind, and even as I looked the last man disappeared with the painter in his hand. At the same moment I became aware of a strange noise. Down in the bowels of the lorcha a weird, gentle commotion was going on, a multitudinous 'gluck-gluck' as of many bottles being emptied. A breath of hot, musty air was sighing out of the hatch. Then the sea about the poop began to rise,—to rise slowly, calmly, steadily, like milk in a heated pot.

"'By the powers,' I shouted, 'the old tub is going down!'

"It was true. There, upon the sunlit sea, beneath the serene sky, silently, weirdly, unprovoked, the old boat, as if weary, was sinking in one long sigh of lassitude. And we, of course, were going with it. A few yards away from the sternpost was the jolly-boat with the crew. I looked at them, and in my heart I could not condemn them for their sly departure; they were all there, arraiz, wife, children, and crew, so heaped together that they seemed only a meaningless tangle of arms and legs and heads; the water was half an inch from the gunwale, and the one man at the oars, hampered, paralysed on all sides, was splashing helplessly while the craft pivoted like a top. There was no anger in my heart, yet I was not absolutely reconciled to the situation. I searched the deck with my eyes, then from the jolly-boat the arraiz obligingly yelled, 'El biroto, el biroto!'

"And I remembered the rotten little canoe lashed amidships. It didn't take us long to get it into the water (the water by that time was very close at hand). I went carefully into it first so as to steady it for Miller, and then, both of us at once, we saw that it would hold only one. The bottom, a hollowed log, was staunch enough, but the sides, made of pitched bamboo lattice, were sagging and torn. It would hold only one.

"'Well, who is it?' I asked. In my heart there was no craven panic, but neither was there sacrifice. Some vague idea was in my mind, of deciding who should get the place by some game of chance, tossing up a coin, for instance.

"But Miller said, 'Ah cain't affawd to take chances, seh; you must git out.'

"He spoke calmly, with great seriousness, but without undue emphasis—as one enunciating an uncontrovertible natural law. I glanced up into his face, and it was in harmony with his voice. He didn't seem particularly scared; he was serious, that's all; his eyes were set in that peculiar, wide-pupilled stare of the man contemplating his own fixed idea.

"'No, seh; Ah cain't affawd it,' he repeated.

"The absurdity of the thing suddenly tingled in me like wine. 'All right!' I shouted, in a contagion of insanity; 'all right, take the darned thing!'

"And I got out. I got out and let him step stiffly into the boat, which I obligingly sent spinning from the lorcha with one long, strong kick. Then I was alone on the deck, which suddenly looked immense, stretched on all sides, limitless as loneliness itself. A heavy torpor fell from the skies and amid this general silence, this immobility, the cabin door alone seemed to live, live in weird manifestation. It had been left open, and now it was swinging and slamming to and fro jerkily, and shuddering from top to bottom. Half in plan, half in mere irritation at this senseless, incessant jigging, I sprang toward it and with one nervous pull tore it, hinge and all, from the rotten woodwork. I heaved it over the side, went in head first after it, took a few strokes and lay, belly-down, upon it. Just then the lorcha began to rise by the head; the bowsprit went up slowly like a finger pointing solemnly to heaven; then, without a sound, almost instantaneously, the whole fabric disappeared. Across the now unoccupied space Miller and I rushed smoothly toward each other, as if drawn by some gigantic magnet; our crafts bumped gently, like two savages caressingly rubbing noses; they swung apart a little and lay side by side, undulating slightly.

"And we remained there, little black specks upon the flashing sea. Two hundred yards away was the lorcha's boat; they had reshuffled themselves more advantageously and were pulling slowly toward land. Not twenty feet from me Miller sat upright in his canoe as if petrified. I was not so badly off. The door floated me half out of water, and that was lukewarm, so I knew that I could stand it a long time. What bothered me, though, was that the blamed raft was not long enough; that is, the upper part of my body being heavier, it took more door to support it, so that my feet were projecting beyond the lower edge, and every second or so the nibbling of some imaginary shark sent them flying up into the air in undignified gymnastics. The consoling part of it was that Miller was paying no notice. He still sat up, rigid, in his canoe, clutching the sides stiffly and looking neither to right nor left. From where I lay I could see the cords of his neck drawn taut, and his knuckles showing white.

"'Why the deuce don't you paddle to shore?' I shouted at length, taking a sudden disgust of the situation.

"He did not turn his head as he answered. 'Ah—Ah,' he stammered, the words coming hard as hiccoughs out of his throat; 'Ah don't know haow.'

"'Drop the sides of your boat and try,' I suggested.

"He seemed to ponder carefully over this for a while. 'Ah think it's safer to stay this-a-way,' he decided finally.

"'But, good lord, man,' I cried, angry at this calm stupidity; 'if that's what you're going to do, you'd better get on this door here and let me take the boat. I'll paddle ashore and come back for you.'

"He turned his head slowly. He contemplated my raft long, carefully, critically.

"'Ah think Ah'll be safer heyah, seh,' he decided. 'It's a little bit o' old door, and Ah reckon they's a heap of sharks around.'

"After that I had little to say. Given the premises of the man his conclusions were unquestionable. And the premises were a selfishness so tranquil, so ingenuous, so fresh, I might say, that I couldn't work up the proper indignation. It was something so perfect as to challenge admiration. On the whole, however, it afforded a poor subject for conversation; so we remained there, taciturn, I on my door, half-submerged in the tepid water, my heels flung up over my back, he in his dug-out, rigid, his hands clutching the sides as if he were trying to hold up the craft out of the liquid abyss beneath.

"And thus we were still when, just as the sun was setting sombrely, a velos full of chattering natives picked us up. They landed us at Bacolod, and Miller left me to report to the Sup. I departed before sun-up the next morning for my station. I didn't want to see Miller again.

"But I did. One night he came floundering through my pueblo. It was in the middle of the rainy season. He wasn't exactly caked with mud; rather, he seemed to ooze it out of every pore. He had been assigned to Binalbagan, ten miles further down. I stared when he told me this. Binalbagan was the worst post on the island, a musty, pestilential hole with a sullenly hostile population, and he—well, inefficiency was branded all over him in six-foot letters. I tried to stop him over night, but he would not do it, and I saw him splash off in the darkness, gaunt, yellow, mournful.

"I saw little of him after that. I was busy establishing new barrio-schools which were to give me excuses for long horseback rides of inspection. I felt his presence down there in that vague way by which you are aware of a person behind your back without turning around. Rumours of his doings reached me. He was having a horrible time. On the night of his arrival he had been invited to dinner by the Presidente, a kind old primitive soul, but when he found that he was expected to sit at the table with the family, he had stamped off, indignant, saying that he didn't eat with no niggers. As I've said before, the town was hostile, and this attitude did not help matters much. He couldn't get the school moneys out of the Tesorero—an unmitigated rascal—but that did not make much difference, for he had no pupils anyhow. He couldn't speak a word of Spanish; no one in the town, of course, knew any English—he must have been horribly lonely. He began to wear camisas, like the natives. That's always a bad sign. It shows that the man has discovered that there is no one to care how he dresses—that is, that there is no longer any public opinion. It indicates something subtly worse—that the man has ceased looking at himself, that the I has ceased criticising, judging, stiffening up the me—in other words, that there is no longer any conscience. That white suit, I tell you, is a wonderful moral force; the white suit, put on fresh every morning, heavily starched, buttoned up to the chin, is like an armour, ironcladdlng you against the germ of decay buzzing about you, ceaselessly vigilant for the little vulnerable spot. Miller wore camisas, and then he began to go without shoes. I saw that myself. I was riding through his pueblo on my way to Dent's, and I passed his school. I looked into the open door as my head bobbed by at the height of the stilt-raised floor. He was in his camisa and barefooted; his long neck stretched out of the collarless garment with a mournful, stork-like expression. Squatting on the floor were three trouserless, dirt-incrusted boys; he was pointing at a chart standing before their eyes, and all together they were shouting some word that exploded away down in their throats in tremendous effort and never seemed to reach their lips. I called out and waved my hand as I went by, and when I looked back, a hundred yards farther, I saw that he had come out and was standing upon the bamboo platform outside of the door, gaping after me with his chin thrown forward in that mournful, stork-like way—I should have gone back.

"With him, I must say, the camisa did not mean all that I have suggested, not the sort of degradation of which it is the symbol in other men. The most extravagant imagination could not have linked him with anything that smacked of romance, romance however sordid. His vices, I had sized it, would come rather from an excess of calculation than from a lack of it. No, that camisa was just a sign of his meanness, his prodigious meanness. And of that I was soon given an extraordinary example.

"I had with me a young fellow named Ledesma, whom I was training to be assistant maestro. He was very bright, thirsty to learn, and extremely curious of us white men. I don't believe that the actions of one of them, for fifty miles around, ever escaped him, and every day he came to me with some talk, some rumour, some gossip about my fellow-exiles which he would relate to me with those strange interrogative inflections that he had brought from his native dialect into English—as if perpetually he were seeking explanation, confirmation. One morning he said to me: 'The maestro Miller, he does not eat.'

"'No?' I answered, absent-mindedly.

"'No, he never eats,' he reiterated authoritatively, although that peculiar Visayan inflection of which I have spoken gave him the air of asking a question.

"'Oh, I suppose he does,' I said, carelessly.

"'He does not eat,' he repeated. 'Everyone in Binalbagan say so. Since he there, he has not bought anything at the store.'

"'His muchachos bring him chicken,' I suggested.

"'No, señor; he very funny; he has no muchachos, not one muchacho has he.'

"'Well, he probably has canned provisions sent him.'

"'No, señor; the cargadores they say that never, never have they carried anything for him. He does not eat.'

"'Very well,' I concluded, somewhat amused; 'he does not eat.'

"The boy was silent for a minute, then, 'Señor Maestro,' he asked with suspicious ingenuousness, 'can Americans live without eating?'

"So that I was not able to drop the subject as easily as I wished. And coming to a forced consideration of it, I found that my anxiety to do so was not very beautiful after all. A picture came to me—that of Miller on his bamboo platform before his door, gazing mournfully after me, his chin thrown forward. It did not leave me the day long, and at sundown I saddled up and trotted off toward Binalbagan.

"I didn't reach the pueblo that night, however. Only a mile from it I plunged out of the moonlight into the pitch darkness of a hollow lane cutting through Don Jaime's hacienda. Banana palms were growing thick to right and left; the way was narrow and deep—it was a fine place for cutthroats, but that evocation had lost much of its romantic charm from the fact that, not three weeks before, an actual cutthroating had taken place, a Chinese merchant having been boloed by tusilanes. Well, I was trotting through, my right hand somewhat close to my holster, when from the right, close, there came a soft, reiterated chopping noise. I pulled up my pony. The sound kept up—a discreet, persistent chopping; then I saw, up above, the moonlit top of a palm shuddering, though all about it the others remained motionless, petrified as if of solid silver. It was a very simple thing after all: someone in there was cutting down a palm to get bananas, an occupation very common in the Philippines, and very pacific, in spite of the ominous air given to it by the gigantic bolo used. However, something prompted me to draw the midnight harvester out.

"'Heh, ladron, what are you doing there?' I shouted in dialect.

"There was a most sudden silence. The chopping ceased, the palm stopped vibrating. A vague form bounded down the lane, right up against my horse's nose, rolled over, straightened up again, and vanished into the darkness ahead. Unconsciously I spurred on after it. For a hundred yards I galloped with nothing in sight. Then I caught a rapid view of the thing as it burst through a shaft of moonlight piercing the glade, and it showed as a man, a grotesque figure of a man in loose white pantaloons. He was frightened, horribly frightened, all hunched up with the frenzy to escape. An indistinct bundle was on his right shoulder. Like a curtain the dark snapped shut behind him again, but I urged on with a wild halloo, my blood all a-tingle with the exultation of the chase. I gained—he must have been a lamentable runner, for my poor little pony was staggering under my tumultuous weight. I could hear him pant and sob a few yards in advance; then he came into sight, a dim, loping whiteness ahead. Suddenly the bundle left his shoulder; something rolled along the ground under my horse's hoofs—and I was standing on my head in a soft, oozy place. I was mad, furiously mad. I picked myself up, went back a few yards and, taking my pony by the nose, picked him up. A touch of his throbbing flanks, however, warned me as I was putting my foot into the stirrup. I left him there and thundered on foot down the lane. I have said I was mad. 'Yip-yip-yah-ah, yip-yip-yah-ah,' I yelled as I dashed on—a yell I had heard among California cattlemen. It must have paralysed that flying personage, for I gained upon him shockingly. I could hear him pant, a queer, patient panting, a sigh rather, a gentle, lamenting sighing, and the white camisa flapped ghostily in the darkness. Suddenly he burst out of obscurity, past the plantation, into the glaring moonlight. And I—I stopped short, went down on my hands and knees, and crouched back into the shadow. For the man running was Miller; Miller, wild, sobbing, dishevelled, his shoulders drawn up to his ears in terrible weariness, his whole body taut with fear, and scudding, scudding away, low along the ground, his chin forward, mournful as a stork. Soon he was across the luminous space, and then he disappeared into the darkness on the other side, flopped head first into it as if hiding his face in a pillow.

"I returned slowly to my horse. He was standing where I had left him, his four legs far apart in a wide base. Between them was the thing cast off by Miller which had thrown us. I examined it by the light of a box of matches. It was a bunch of bananas, one of those gigantic clusters which can be cut from the palms. I got on my horse and rode back home.

"I didn't go to see him any more. A man who will steal bananas in a country where they can be bought a dozen for one cent is too mean to be worth visiting. I had another reason, too. It had dawned on me that Miller probably did not care to see any of us, that he had come down to a mode of life which would not leave him appreciative of confrontations with past standards. It was almost charity to leave him to himself.

"So I left him to himself, and he lived on in his pestilential little hole, alone—lived a life more squalid every day. It wasn't at all a healthy life, you can understand, no healthier physically than morally. After a while I heard that he was looking bad, yellow as a lemon and the dengue cracking at his bones. I began to think of going to him after all, of jerking him out of his rut by force, if necessary, making him respect the traditions of his race. But just then came that Nichols affair, and flaring, his other bad side—his abject cowardice—reappeared to me. You remember the Nichols thing—boloed in the dark between my town and Himamaylan. His muchacho had jumped into the ditch. Afterward he got out and ran back the whole way, fifteen miles, to my place. I started down there. My idea was to pick up Miller as I passed, then Dent a little further down, find the body, and perhaps indications for White of the constabulary to whom I had sent a messenger and who could not reach the place till morning. Well, Miller refused to go. He had caught hold of some rumour of the happening; he was barricaded in his hut and was sitting on his bed, a big Colt's revolver across his knees. He would not go, he said it plainly. 'No, seh; Ah cain't take chances; Ah cain't affawd it.' He said this without much fire, almost tranquilly, exactly as he had, you remember, at the time of our shipwreck. It was not so amusing now, however. Here, on land, amid this swarming, mysterious hostility, at this crisis, it seemed a shocking betrayal of the solidarity that bound us all white men. A red rage took possession of me. I stood there above him and poured out vituperation for five good minutes. I found the most extraordinary epithets; I lowered my voice and pierced him with venomous thrusts. He took it all. He remained seated on his bed, his revolver across his knees, looking straight at some spot on the floor; whenever I'd become particularly effective he'd merely look harder at the spot, as if for him it contained something of higher significance—a command, a rule, a precept—I don't know what, and then he'd say, 'No, Ah cain't; Ah cain't affawd it.'

"I burst out of there, a-roar like a bombshell. I rode down to Dent; we rode down to the place and did—what there was to be done. Miller, I never wanted to see again.

"But I did. Some three weeks later a carrier came to me with a note—a pencilled scrawl upon a torn piece of paper. It read:

"'I think I am dying. Can you come see me?

"'Miller.'

"I went down right away. He was dead. He had died there, alone, in his filthy little hut, in that God-forsaken pueblo, ten miles from the nearest white man, ten thousand miles from his home. He had died there all alone.

"I'll always remember our coming in. It was night. It had been raining for thirty-six hours, and as we stepped into the unlighted hut, my muchacho and I, right away the floor grew sticky and slimy with the mud on our feet, and as we groped about blindly, we seemed ankle-deep in something greasy and abominable like gore. After a while the boy got a torch outside, and as he flared it I caught sight of Miller on his cot, backed up into one corner. He was sitting upright, staring straight ahead and a little down, as if in careful consideration. As I stepped toward him the pliable bamboo floor undulated; the movement was carried to him and he began to nod, very gently and gravely. He seemed to be saying: 'No, Ah cain't affawd it.' It was atrocious. Finally I was by his side and he was again motionless, staring thoughtfully. Then I saw what he was considering. In his hands, which lay twined on his knees, were a lot of little metallic oblongs. I disengaged them. The muchacho drew nearer, and with the torch over my shoulder I examined them. They were photographs, cheap tintypes. The first was of a woman, a poor being, sagging with overwork, a lamentable baby in her arms. The other pictures were of children—six of them, boys and girls, of all ages from twelve to three, and under each, in painful chirography, a name was written—Lee Miller, Amy Miller, Geraldine Miller, and so on.

"You don't understand, do you? For a moment I didn't understand. I stared stupidly at those tintypes, shuffled and reshuffled them; the torch roared in my ear. Then, suddenly, understanding came to me; it came sharp as a pang. He had a wife and children—seven children.

"A simple fact, wasn't it, a commonplace one, almost vulgar, you might say. And yet what a change of view produced by it, what a dislocation of judgment! I was like a man riding through a strange country, in a storm, at night. It is dark, he cannot see, he has never seen the country, yet as he rides on he begins to picture to himself the surroundings, his imagination builds for him a landscape—a mountain there, a river here, wind-streaming trees over there—and right away it exists, it is, it has solidity, mass, life. Then suddenly comes a flash of lightning, a second of light, and he is astounded, absolutely astounded to see the real landscape different from that indestructible thing that his mind had built. Thus it was with me. I had judged, oh, I had judged him thoroughly, sized him up to a certainty, and bang, came the flare of this new fact, this extremely commonplace fact, and I was all off, all off. I must begin to judge again, only it would never do that man any good.

"A hundred memories came back to me, glared at me in the illumination of that new fact. I remembered the camisa, the bare feet. I saw him running down the lane with his bunch of stolen bananas. I recalled that absurd scene on the waters; I heard him say: 'No, seh; Ah cain't affawd to take chances; Ah cain't affawd it.'

"Of course he couldn't afford it. Think—a wife and seven children!

"That night I went through his papers, putting things in order, and from every leaf, every scrap, came corroboration of the new fact. It was easy enough to patch up his life. He was one of those pitiful pedagogues of the rural South, shiftless, half-educated, inefficient. He had never been able to earn much, and his family had always gently starved. Then had come the chance, the golden chance—the Philippines and a thousand a year. He had taken the bait, had come ten thousand miles to the spot of his maximum value. Only, things had not gone quite right. Thanks to the beautiful red-tape of the department, three months had gone before he had received his first month's pay. Then it had come in Mex., and when he had succeeded in changing it into gold it had dwindled to sixty dollars. Of course, he had sent it all back, for even then it would take it six more weeks to reach its destination, and sixty dollars is hardly too much to tide over five months for a family of eight. These five months had to be caught up in some way, so every month his salary, depreciated ten per cent. by the change, had gone across the waters. He wore camisas and no shoes, he stole bananas. And his value, shoeless, camisa-clothed, was sixty dollars a month. He was just so much capital. He had to be careful of that capital.

"'Ah cain't affawd to take chances; Ah cain't affawd it.' Of course he couldn't.

"And so he had fought on blindly, stubbornly, and, at last, with that pitiful faculty we have, all of us, of defeating our own plans, he had killed himself, he had killed the capital, the golden goose.

"Yes, I found confirmation, but, after all, I did not need it. I had learned it all; understanding had come to me, swift, sharp, vital as a pang, when in the roaring light of the torch I had looked upon the pale little tintypes, the tintypes of Lee and Amy and Jackson and Geraldine."

II

THE MAESTRO OF BALANGILANG

The Maestro of Balangilang opened the door of his nipa-hut and started down the crazy bamboo ladder on his way to the school. It was early. The sun was pumping back the water that had fallen through the night, and the grass-dishevelled common, the palm-groves about, the musty mountains to the east, the whole landscape, steamed like one great cauldron. Caribaos were wallowing in the mudholes, a dozen dogs were fighting at the church portals, a stream of brownies were pouring into the schoolhouse, and, in front of the cuartel, the company of native scouts were going through scientific evolutions.

The Maestro stopped at the bottom of the steps and took in the scene with a wistful attempt at admiration. A vague discouragement oozed into his soul, but he shook himself vigorously and started across. Through the viscid atmosphere he cut his way in sprightly fashion. His long legs snapped back and forth like springs. At regular intervals his chest swelled; it remained puffed out like that of a pouter-pigeon while he took twenty steps, then collapsed with the hollow report of an air gun. He was finishing up his morning calisthenics.

As he reached the centre of the plaza an unfamiliar object stopped him abruptly. It was only a cross, a rough cross made of two pieces of bamboo fastened at right angles with bejuca and stuck into the ground, but it seemed to have meaning to the Maestro. He walked up close to it and examined it carefully. He was disappointed for a moment; then his fingers, passing along the horizontal piece, touched a thorn stuck like a nail in the axis of the cross. Holding his breath, for it was not yet time to exhale, he nodded knowingly and his eyes searched the ground about him. They soon lit upon what he wanted. He pounced upon a bunch of wild palay, stooped, and was up again with something white in his hand.

It was a piece of paper, limp and bespattered with the night's rain, but on which characters in native Visayan were still visible. The Maestro pored over it closely, then his pent-up breath exploded.

"Papa Isio," he exclaimed gaily. "The Mad Pope is coming to see us."

He stopped, with thought upon his brow.

"I lost my home and punching-bag at it once," he said, musingly. "Well, we'll give him a scrimmage this time."

After which somewhat incoherent remark he folded the sodden bit of paper carefully into his pocket, took a new deep breath, and walked on. As he approached the drilling company of scouts he saw with pleasure that Lieutenant Roberts was back from his tour of inspection and was at their head.

"Hello, Roberts," he shouted, with easy cordiality, as he came within hearing distance. "Hello, Roberts, old man; putting the boys through signal-practice, eh?"

The officer, who had just assumed a fine attitude—arms folded at the height of the chin, legs glued together in a gracefully curved column, chest projected forward till it threw a shadow upon the ground—did not respond with effusion.

"Present—Hums!" he said. "Carr-ie-ie—Hums! Shoulder—Hums!"

The Maestro took off his cap and, raising his freckled face to heaven, shook his head vigorously. A wealth of carrot-red hair parted at the crown and cascaded down the temples; and with the thus restored vision of two green eyes he observed the performance of the little brown soldiers critically.

"Pretty fine, Lieut," he said, encouragingly. "Very fair team-work; they'll do. You ought to see what I've taught them, though. I'll show you after drill. It's something scrumptious."

"Parade—Rest! Attentio-ion! Port—Hums! Shoulder—Hums!" said the officer.

"Yes, they'll do for signal-practice all right," resumed the youth, in soothing, patronising tones. "But," he went on, with a little of suggestive criticism in his voice, "what about the real thing, Lieut? What about their shooting, eh? I'm blest if I've ever seen them discharge anything except blanks, have you?"

"Fours right—March! Column left!"

"Hep, hep, hep," came the column straight for the schoolmaster. The Lieutenant was muttering something in his mustache that sounded like a benediction. For a long six months, since the organisation of the company, a prudent government had denied his pleadings for permission to give his men target practice. The Scouts were an experiment, and there was a vague feeling that they should not be taught too much.

"Why is that, Roberts?" persisted the Maestro, calmly dodging the advancing phalanx and dropping into the confidential manner. "Why don't you let them shoot? Are you afraid that they might begin on your broad back? Are you——"

A sudden start of pain closed his mouth. The Lieutenant had quietly planted his heel, in passing, upon the Educational toe, crushing down upon it with all the enthusiasm of two hundred pounds a-thrill with long-suppressed rage.

The Maestro's eyes followed the officer, marching at the side of his company. His mouth opened in a broad grin that displayed a startling vacuum where once had been two good teeth, now lying peacefully on the sod of the old Berkeley gridiron.

"Guess it's school-time," he said.

He sprinted fifty yards, leaped an eighteen-foot ditch, hurdled a little goat, bucked a carabao around till its tail was where its head had been, and bounded into the schoolroom.

Two hundred brown niños sprang to their feet.

"Guda morrneen," they howled, in unison.

"Good-morning," answered the Maestro, briskly. "Come, let's get at this. No shirking, quick! Arm exercise! One, two; one, two."

He led them through a furious set of exercises in which he himself took part enthusiastically, the perspiration cascading down his nose.

"You poor, scrawny weaklings," he said, at last, beaming upon the breathless little assemblage. "Never you mind; I'll make men of you."

Then he started to go. "Give them reading," he shouted to his native assistant from the door, "and breathing exercises every half hour."

But he came back, on an after-thought, and placed under the nose of his faithful colleague the piece of sodden paper he had picked up on the plaza.

The man's skin went yellow beneath the brown. "Papa Isio," he whispered.

"Just, what I thought," said the Maestro, nodding to himself. "And he says he is coming here, doesn't he?"

"Yes, sir. He will come and burn the pueblo. That is the way he burned Cabayan last year."

"Gol darn it, don't I know it?" ejaculated the pedagogue, fiercely. "And didn't I lose my brand-new seven-dollar Spalding punching-bag? Well, we'll set him on his head this time."

"Yes, sir," meekly answered the assistant, who had not caught the full import of the explosive questions.

But the maestro did not hear him. He was out already and making his way to the cuartel. Roberts was dismissing the company when he arrived.

"Hello, you take them now," said the officer, as he saw the Maestro—Professor of Military Gymnastics also, by common consent—near him. "And, by the way," he added, with suppressed glee, "how's the toe?"

The Maestro did not answer. He was working at the inside of his khaki jacket. With some trouble he drew out a flat, oblong box. From this he took a piece of yellow leather and a shining object that looked like a bicycle pump. He inserted the mouth of the pump into a hole in the leather and worked the handle up and down in rapid movement. The thing began to swell and take shape. Finally it looked like a great leather egg. He threw it on the ground, toward one of the loafing soldiers, and the latter, as an automaton worked by some powerful spring, hurled himself headfirst at it, grasped it inside of both arms, and lay on it, while the rest of the company poured upon him in an avalanche.

"How's that, eh?" asked the schoolmaster, turning upon the Lieutenant an eye that winked.

He did not wait for an answer. At a signal the company had formed into a long, crouching line. He placed himself behind it, took a quick step, and booted the pigskin a resounding whack. At the sound the whole line galloped off in ferocious pursuit, and when, after describing a beautiful parabola, the ball bumped along the ground, it was smothered at the second bounce beneath the gross weight of the company.

"And how's that?" asked the Maestro, in tone still more compelling.

He turned to his men. "The 'Varsity," he called, a trifle pompously.

Eleven men stood out from the rest and lined up in a team.

"Six, eight, fifteen!" he shouted.

The team went through the pantomime of a fierce mass on centre.

"Four, fifteen, twenty-two."

The team swirled around in an end-run.

Then he hurled signals at them, and, in quick succession, with a tangle here and there, it is true, they went through an entire repertory—cross tackle bucks, straight openings, tandems, kangaroos, revolving masses, double and delayed passes, fake kicks. They massed and bucked the air about as if it offered no resistance. It was beautiful to see.

"And now, behold!" said the engineer of this fine performance, pausing solemnly.

He drew a line in the earth with his heel and placed the ball upon it. The quarterback took his position near the ball and the rest of the team gathered some twenty yards away.

"Five, twenty-four, six X!" barked the Maestro.

There was a rapid movement among the men, and then they shot out in a long V. On the walk at first, then on the trot, then at full gallop the V swept down toward the line. The quarterback stooped, picked up the ball, and dexterously passed it as the formation thundered down upon him. The ball disappeared, swallowed up within the V, which, passing the line with tremendous impetus, rumbled on like a battering-ram to a glorious touch-down.

"The flying wedge," announced the Maestro, in the tone of the knickerbockered flunkey ushering his Grace, the Lord Hunter of the Billion Mark, into the Reception Hall. "Barred out in the States, but, lordy, we're so far way, and it's such a good one, that I thought I'd give it to them anyhow. Well, what do you think of my team-work, eh?"

The Lieutenant pondered a moment in silent malevolence.

"Yes," he said, "pretty fair for signal-practice. But what about the real thing, eh? Why don't they get at each other? I don't see them scrimmage, do you?"

A cloud obscured the radiance of the Maestro's visage.

"Well," he said, ruefully, "we're in the Philippines. My team can run signals, but you can't expect them to play. And," he added, in sudden consolation, "your Scouts can drill, but they won't fight."

The situation had become tense beyond words, and the Maestro gracefully evoluted.

"Papa Isio is coming," he said. "I picked up his announcement this morning in the middle of the plaza."

"Papa Isio is a common carabao thief," said the Lieutenant. "Besides, our troops have killed him already five distinct times and he doesn't exist. And it's not up to me, anyhow. Go see Hafner."

So the Maestro went off to see Hafner. Leopold Joseph Hafner, First Lieutenant of Scouts, U. S. A., Commandant of the Post of Balangilang, was reclining in an easy-chair on his veranda, a bottle of gin under his nose. He greeted his visitor with a blank stare. The Commandant disapproved of pedagogues, and, in fact, of civilians in general.

"Hello, Lieut," shouted the Maestro, with an irreverence that would have sent a shudder along the spine of a neutral witness. "Here's a piece of paper for you."

The Commandant examined the paper.

"Well?" he said, at length, with an indifference calculated to crush.

"Oh, nothing. Only that Papa Isio is coming. That's the way he announced his visit when I was at Cabayan last spring, and he burned the town down and my punching bag, and made hash of the——"

He stopped with a little gurgle of dismay. Hafner had risen from the ranks by a Teutonic adhesion to regulations, and rumour, supported by his mannerisms, had it that his début in the army had been culinary. The remark about the fate of the inhabitants of Cabayan was harmless; the little gurgle was not.

"And what business is that of yours?" asked the Commandant, with a snort.

"Not much. Thought you'd like to know, so as to get ready——"

"Sir," interrupted the Commandant, pompously, "the American Army is always ready."

"I was speaking of your Scouts, sir," the Maestro corrected, suavely.

He had been maneuvering toward the door during the latter part of the dialogue, and with the last word he waved an airy good-by and hop-skipped-jumped down the stairs.

The next day Papa Isio was in town.

The Commandant and his Second Lieutenant were aware of the fact at the same time. For, startled out of their morning slumbers by a screeching tumult, they sprang to their windows to see the whole population of Balangilang driving past as if the demon were after them—men, women, children, half-dressed, dishevelled, their eyes bursting out of their sockets, carrying bundles of hastily snatched goods or squalling babies. And from this multitude, flying by like nightmare creatures, there came one long, wailing cry: "Papa Isio! Papa Isio!"

Against the black-blue background of the mountains, over which one golden ray of sun was just sliding like a long rapier lunging toward the heart of the city, volutes of smoke were rising heavily in the water-logged air. Beneath, spiteful red tongues leaped up and out again with explosive cracklings. The whole eastern part of the pueblo was burning.

The officers ran to the cuartel. The men were in an uproar. With the force of habit, acquired through the countless parade drills which had been their sole military experience, they had made a concerted rush and were ferociously fighting among themselves for the combs and brushes and shoe-blacking.

"Here, here," thundered Roberts, while Hafner fumbled at the iron door of the storeroom where was the carefully guarded ammunition; "here, here, you don't need to comb your hair. Get your guns and cartridge-belts."

His additional persuasion was physical and evidently potent, for when the men filed past Hafner to get their ammunition they all had their rifles in hand and their belts around their waists, though some had not had time to don other garments generally regarded, in more social crises at least, as indispensable. They poured out, were rapidly formed in front of the cuartel, and, as they deployed across the plaza, from the smoke ahead Papa Isio's mad mountaineers emerged in convulsive charge. A drainage ditch cut the town transversely and the Scouts dropped neatly into it; then their rifles slid out between the grass tufts like venomous things.

"Fire at will!" bellowed the Commandant.

Here the Regulations, which hitherto had unwaveringly rewarded Hafner for his respect of them, suddenly went faithless.

"During the final rush of the attacking party," they say, categorically, "firing should be at will, for then the rapidity of fire and the flatness of trajectory are more to be relied upon than accuracy."

But—alas!—the peculiar moral characteristics of the Balangilang Scouts had not been considered when the Regulations were elaborated.

The flatness of trajectory worked poorly. At first pop the majority of the Scouts emptied their magazines like bunches of firecrackers. Most of the bullets sped towards the rising sun, to whisper the story of their masters' unsteady nerves to the trees in the hills. To be just, however, it must be recorded that some ploughed up the ground directly beneath the marksmen's noses. Even then the mere noise—which was positively tremendous—might have checked the advance of the attackers had they not been Papa Isio's own Dios-Dios crew of mad, weird fellows, hurled on by that religious spirit which kills so finely. Their Mad Pope was sending them to everlasting glory, and Death would only expedite the voyage. On they came, howling, mouth-distorted, muscles convulsively tense, a foaming, maniacal band. At their head a big black man with rolling eyeballs bounded, waving a long lance ending in a blood-dipped standard. The war drums hummed in rhythm.

The Scouts were not at ease. Some were still peppering at the sun, but the majority were fighting their rifles, trying to reload them with stiff, clutching fingers that did not work expeditiously, or pounding at them with a rage that told of something jammed. Running up and down behind the line, the two officers were waving their swords, shouting and cursing in an attempt to reinstill in their men that automatic regularity which had been their fond pride. But the strings were broken and the puppets worked spasmodically. The incoming rush was only a hundred yards away. Suddenly, with a wonderful burst of speed, the big standard-bearer spurted ahead of his companions. A Scout rose from the trench and aimed his rifle, when the blood-dripping rag described a rapid parabola and was sticking flaccidly on the soldier's khaki, the handle quivering behind. Hafner saw the hands go up, clutching at the sun.

"With the bayonet—charge," he bellowed.

"Hold on," screamed Roberts, in frenzied warning; "they haven't had that yet!"

And then he found himself surrounded, pushed, jostled, swept away in a furious stampede. Though they "hadn't had it," the men were charging, but it was in the wrong direction. Across the plaza they avalanched, toward the stone church, and when Roberts flowed in with the tumultuous current, he had a vision of the Commandant, purple and spitting with rage, at his elbow. The heavy doors clanged shut behind them.

There was a moment of silence. The men were panting in a corner with the "I-couldn't-help-it" air of a young dog whose inherited tendencies have proved too strong for his acquired characteristics. The officers looked at each other blankly.

"Well," said Roberts, "we ought to hold 'em here, sure."

"Hold them!" screeched the Commandant. "Why, blank, blankety, blank, blank, these forsaken, evil-parented, divinity-doomed curs should drive the measly, meanly-pedigreed carabao thieves clean off this evil earth. Why, doom my soul——"

"Well, let's see about it," said Roberts, briskly, while his superior choked in a befuddlement of rage.

He ran up the gallery steps to one of the six great windows which overlooked the plaza. He peered out guardedly, then with more confidence; his nose went out, then his head; his shoulders followed, his whole bust, and he was standing in the opening, his whole wide area in full view. His lower jaw hung in limp astonishment.

For what he saw was not at all what he had expected to see.

The Dios-Dios men were not surrounding the church. For some inexplicable reason they had stopped at the ditch. From his elevated position the Lieutenant could see them inside the trench, huddled like fish in a basket. Their fine ardour had singularly cooled. Grovellingly they flattened themselves at the bottom of the ditch, fighting for the underneath position, squirming in such convulsions as are ascribed to a certain gentleman of mediæval legends when sprinkled with holy water. And when Roberts searched for some possible explanation, a fresh surprise puckered his lips in a low whistle. For, strewn over a space extending some fifty yards on the near side of the trench, there were six or seven bodies lying face downward, with arms outstretched toward the church. The Dios-Dios men had not stopped at the trench; they had passed it and had been driven back to it by some mysterious catastrophe. Among the bodies Roberts recognised that of the big epileptic leader of the charge, his gory standard a red spot in a bunch of cogon.

The movements in the trench were increasing in vehemence. Suddenly Roberts knew the cause. To his ears, inattentive from the very intensity of his visual observation, there now came a significant sound. At regular, business-like intervals the sharp ping-ing of a Mauser carbine split the air, dying off in a long-drawn whistle. The Lieutenant succeeded in locating the sound. It came from a deserted hut—seemingly from its roof—at the upper end of the ditch.

The thing was clear now. The mysterious sharpshooter had the Dios-Dios men enfiladed. And the movements in the ditch were not all actuated by search for shelter. They were convulsive somersaults; stiff hands clutched at earth and grass. A little red stream began to trickle out of the lower end of the ditch.

The Dios-Dios men were becoming demoralised. The report of a Mauser is difficult to locate to the most experienced; to the fanatics the thing was impalpable mystery. And the plaza was deserted. If there had been only some human presence to rekindle their rage, they might have gone on in their mad race. But there was nothing. The Scouts were secure in the big stone church. The long, flat plaza was dead; the sun dripped into craniums like molten lead, and from the nowhere hailed the weird missiles, shattering arms, puncturing bodies, bursting open heads. One man crawled back, two followed, ten in a bunch, and in another minute the tall grass was all alive with sinuous movements and there was nobody in the trench, nothing except limp heaps of what looked like cast-off clothing.

The door of the hut marked by Roberts flew open as if by explosion and the Maestro burst out, a smoking gun in his right hand, a revolver in his left, another revolver and a bolo in his belt. With a piratical yell he raced across the plaza, his long legs working smooth as well-greased machinery, his red hair flying behind him. When midway along the trench he leaped upon a mound left by the excavators and stretched out in bold relief. A strange war-cry, beginning with something about some husky wow-wow (whoever he might be), passing on to a no less interesting fact about a whisky wee-wee, rising through a tremulous crescendo about some sort of a yah, and culminating in a long, shrill whoop, reverberated atrociously over the deserted battlefield. Then the gun that had waved through these vocal convulsions dropped back to the Maestro's shoulder, and a rapid fusilade gave a pronounced accentuation to the waving of the grass along the line of smouldering nipa-huts.

Roberts tried to dodge away from the window, but he was too late. The Maestro, through with his flourish, had turned and spied him. Roberts could see the tooth-lacking mouth agape in a broad grin. The Maestro waved his hand amiably. "Come on," said the gesture, reassuringly. "Come on; it's all right now." A violent blush rose to the officer's face.

But he had not time for self-analysis. Along the ruins, at the farther edge of the plaza, the Dios-Dios men were reforming. The panic-stricken groups were being coalesced in a triple line, and between these lines a strange being, in a long robe and incongruous helmet, was slowly passing in weird ceremony. It was the Mad Pope himself. He was locking the lines hand in hand. As he passed before his followers, each took his bolo between his teeth and grasped the hand of the man to the right; and over the clasp the illumined leader made the sign of the cross. It was grotesque, but not laughable. The puerility of garb and ceremonial was lost in the significance of the result. The Dios-Dios hysteria flamed anew. It was as if a monkey had invoked the Death Angel and the Death Angel had answered.

Roberts was leaving the window in haste when his last sweeping glance over the plaza froze him again in attention.

It seemed to him that the red rag which signalled the position of the leader of the first charge had moved. It seemed nearer, fully ten paces nearer, to the ditch than when he had first espied it. And now, even as he looked, the thing advanced sinuously and a bronze body glistened between the bunches of grass in a rapid crawl of ten feet or more toward the unconscious schoolmaster who, with his back to the subtle danger, was now watching alertly ahead.

The Lieutenant's hands went to his mouth in a warning halloo.

"Hey, there," he shouted, "look out in back there. In back, in back."

But the Maestro did not understand. The word "back," which he caught, was not to his liking.

"Oh, hell!" floated back the irreverent answer. "I'm all right. Come on, you fellows. I'll hold them."

Roberts desisted. There was no time for further dialogue. The Dios-Dios lines were beginning to move forward. And besides, at that particular moment, the Lieutenant did not care much what happened to the amiable pedagogue. He clattered downstairs.

The men were lined up, blinking before the flashes of Hafner's sword and language. The doors were thrown open and the company rushed out. Almost at the same time, from the other side of the plaza, the triple line of hand-locked fanatics began to move forward.

It was a race for the ditch and the Maestro, and a comfortable one, seemingly, for the Scouts, who had but half of the distance to go. But Roberts, through with the temporary vexation caused by the Maestro's peculiar ways, led his men at a furious pace. His sword in his left hand, his revolver in his right, his whole big frame vibrating with the effort, he raced ahead with an energy that seemed very unnecessary to Hafner, who, puffing, was falling farther and farther behind. For the Dios-Dios men were being seriously hampered in their advance. The Papa's hand-locked formation doubtless had its advantages morally, but it had also its disadvantages materially. The Maestro's carbine was working busily, and soon there were dents in the Dios-Dios lines, and some of the handclasps were strong with the tenacity not of life, but of death. The Scouts had the race well in hand, but still Roberts tugged ahead, snarling with the effort. Behind the Maestro he could see a tell-tale undulation of the high grass, nearer and nearer. He was only a few yards from the trench now. Suddenly a panther-lithe form bounded from the ground behind the schoolmaster and a big black man with upraised arms, terminating in a kriss, stood out in relief. Roberts's revolver spit. The black arms whizzed down with a velocity hardly lessened by the limpness of death. There was a dull thud; the schoolmaster rolled slowly into the ditch, and the big black man pitched headlong down upon him.

"By ——, too bad," muttered Roberts, and then his revolver spluttered. The situation was not bad. The Scouts had gained the trench in good time. Bunched together and firing by platoon, they were doing better. The Dios-Dios line received each volley with a shivering bow, and if this involuntary courtesy proved the firing to be still too high, it no less showed that it was at least within whistling distance. The ardour of the advance waned gradually; at last the lines stopped in indecision. The more rabid fanatics were still tugging forward, the others were holding back, and the lines vibrated between the two impulses without advancing. It was the psychological moment.

"Time for a charge, eh?" Roberts shouted, turning to his superior.

But that gentleman was sleeping quietly, his face in the grass, and a shivered lance-handle by his side.

"With the bayonet—charge!" bellowed Roberts, taking command.

He took a few steps in advance and found himself alone. The Scouts were satisfied with their position; they settled a little deeper in the trench and peppered away valiantly.

"Charge, darn you, charge!" screeched Roberts, pricking the nearest men with his sword.

But the few minutes of oral instruction upon charging, given in the church, proved inadequate. Three or four—those who had come in closest contact with Roberts's persuasion—started out convulsively, took a few steps, and suddenly flopped back into the ditch like frogs into a puddle.

The Dios-Dios lines were stiffening now. With the Maestro's rifle quiet, their immunity from punishment was encouraging. Back of them, upright on a mound, the pseudo-sainted form of Papa Isio stood with arms stretched to heaven in fervent exhortation. The more valiant began to prevail. The lines began to move forward again.

"Oh, Lord," groaned Roberts, "if the little skunks would only charge."

And then from the depths of the trench there slowly emerged a strange, inchoate, human thing. As it rose it segregated; one half of it fell off in a big black, limp body. The rest continued unfolding, up and up, till finally it stood in full view, a weird, bloody, red-haired, dishevelled spectre. It tottered unsteadily on the talus and then a shrill, unearthly voice quavered:

"Five, twenty-four, six X!"

There was a movement in the trench.

"Five, twenty-four, six X!" again wailed the lamentable voice.

A little group of men sprang out of the trench and charged in a V a-down the square; the rest of the company poured out in helter-skelter pursuit. Before this incongruous advance the Dios-Dios lines, who had seen enough miracles for one day, broke, turned, and fled. A small body held their ground, and the Scouts struck them with a crumpling crash. For three minutes it was bayonet against bolo, and Roberts's revolver turned the scales. In another minute the plaza was cleared and the last of Papa Isio's forces were disappearing among the burned huts with bayonets at their backs.

When Roberts returned with his elated soldiers he found the pueblo occupied by a detachment sent from Bago. A stretcher was starting on a tour of the field, but Roberts ran ahead of it to the centre of the plaza.

His attention had been caught by a vague movement there. Through the high grass he could see something struggling and bounding in sudden, sharp movement.

It was the inevitable Maestro. He was on top of Hafner, who also had come back to life, and was "kneeing" him with characteristic enthusiasm.

"Mr. Referee," screamed the gentle educator, when he had been pulled away by Roberts, aided by a corporal's squad; "Mr. Referee, he crawled after you blew the whistle! Put that ball back, you scalawag. Our ball!"

Then he fainted, which, considering the day's work, was about the proper thing to do.

III

HER READING

Out over Mariveles the sun had set in sombre splendour. A velvet pall of darkness had fallen upon the earth like a conclusion; but the waters of the bay still glowed, glowed with a light that was not reflected, but floated up from within—a luminous exhalation, as it were, from the mysterious depths—a dark purplish light that should not have been, which astonished the soul and was sinister. Someone on the veranda mentioned Morton. The short, idle sentence split the peace of the moment like an electric spark. And the silence that immediately engulfed it was not as the silence that had been before; it was a silence full of unrest, of vague spiritual heavings and stirrings, of tumult invisible, unheard, impalpable and yet felt, poignantly felt, in some immaterial way, as is felt at sea the surge of waters through the impenetrability of the mists. It was such a silence as always followed the invocation of the man; for his case was one which filled us with inward clamour and questioning, and yet pinned us beneath the weight of some indefinable oppression.

But Courtland began to speak, and we leaned forward, intent, knowing that he must understand. Yet his first words were a confession of doubt, of that same inability to pierce the depths of the thing and pass sentence which exasperated us all vaguely.

"I don't know if I understand—yet," he began, slowly. "I've stared and stared at it—and yet—I don't know. Sometimes I think I understand—a little more every day—and yet——"

His voice had droned off gradually. A heavy torpor descended from the low sky. Far out lights flared up, red, dishevelled lights that bounded and leaped, up and down, to and fro, in frenzied dance. The Tagal fishermen were calling the fish with their alluring flames; the soft, insistent tapping of their paddles upon the flanks of their canoes came to our ears like hypnotic suggestion. They began to shout, a mad medley of yells that wavered, broke, began again and at last welded in one long, quavering cry full of incomprehensible desolation.

And Courtland's voice bassed forth again, with unexpected steadiness.

"It isn't the fall of him that's difficult; that's easy, too easy—we see so much of it. But the redemption—unless we go back to the old explanation, puerile to us complicated moderns, perhaps from its very obviousness—the old theory of purification through suffering. But you know, there're the others, that suffered, too; and they——. And then there is She. She is the mystery, the holy mystery. Before her she had his soul, legible to her like a book. And the leaves wear a smear of mud and blood. And yet what did she read? Out of these defiled pages, what fact did she grasp as the All-Important?"

We listened, patiently waiting, waiting for the word, the solution.

"You remember him—a tall, dark, aquiline man, with something Indian in his features, and efficiency written in every muscle-play of his magnificent body. A strong man, you would remark at first sight, a strong man, physically and morally. Bah!—the strength of man—a phrase, words, bubble! He had the body, the jaw, the presence—a mere shell. The weakness was there, anyhow, some little spot of blight within, I don't know just what; it might have been a touch of the romantic merely—that glowed sometimes in the liquidity of his brown eyes.

"He was one of life's fortunates, too. Belonged to a good family in the States—New Englanders, reputable and cold and narrow, stiff with rectitude as their own rock-ribbed coasts. Well educated, had gone to college, had played football, et cetera. Well, he came over here with the Volunteers. Easy to read after that. First, fervent, romantic patriotism, then mad exasperation, then mere cold cynical brutality. Two years of loosening of fiber in the promiscuity of camp, of reversion to type in butchery of field. When the Volunteers returned, he did not go with them. The tropics had him by that time, had penetrated his heart with their pernicious charm—the charm of their languorous amorality, the charm of power:—we whites here, as in some insane asylums, we're all kings. He stayed.

"He went into the Constabulary, behaved rather well there, too. When I first saw him he had just returned from an expedition and his name was in all mouths. His command had proved faithless, and he had fought his way back, through enemy and friend, through incredible suffering. It was fine—but it was the shell. Inside was the spot of blight. And it began to spread, by imperceptible degrees. You could hardly see the progress, you know—only by taking periods far apart, and then it hit you with a shock. Finally he was at the last step—you know the step I mean, the last one.

"You could tell it by an exaggeration of outer form, of outer cleanliness, by a stiffening, as it were, of the shell. The whiteness of his suits became extraordinary; they glistened with starch; they buttoned up to the ears. He flourished his swagger stick like a general; at the club he bore himself with aggressive stiffness, with a febrile hauteur that challenged the world.

"I suppose it wasn't all corrosion of moral fiber. Perhaps that deplorable touch of romance in the man was partly responsible. You know—love, free, untrammelled love, in the tropics, beneath the palms; between the cynical, blasé, complicated man of civilisation and the maid, the charming, ingenuous maiden, half savage, half child—a miserable hodge-podge vision of love, spices, bananas, bamboos, coral reefs——

"I stumbled upon the establishment by chance. It was cholera time; I had been detailed as inspector. It was very sordid, really. No hut beneath the palms; two rooms in the Walled City. Disorder, untidiness, moral lassitude there. No wonder he stiffened up outside. And she was not even pretty. Her eyes, slightly oblique, were closely set together, which gave her an extraordinary calculating air. While he romanced—I suppose that he did; I hope that he did—she seemed counting, ceaselessly counting the Mex. that might come to her out of that affair. The only redeeming thing that I saw—redeeming, I mean, from a purely plastic standpoint—was a beautiful, liquid-eyed child they had there—her sister. You catch my distinction. It wasn't at all redeeming from another point of view—that child there in the shame of their lives. Everything else might have been pardonable—but that——

"After a while even the outer shell began to show it. His white suits lost their impeccability; often he left the upper button open. Sometimes he wore his khaki without leggings. He didn't shave often enough. A vague sordidness began to creep over him like mould.

"He drank. Not steadily; but about once a week he marched into the club with his hostile swagger (mind you, the swagger was all against himself; nobody knew of his situation; he did not know that I knew); he sat down resolutely at one of the tables and called for drink after drink, which he swallowed with the same strange, decided, inflexible manner, as if he were doing something of absolute importance, something that he must do in spite of the world, in spite of himself. He kept that up, a frown between his eyes as if from tremendous mental effort, hour after hour, sometimes till the whiteness of dawn. Then he rose suddenly, clicked his heels together, and stalked off, seemingly unaffected.

"One evening, as he came in thus, I was sitting alone on the veranda. He gave me a casual glance, walked straight on a few steps, then, swerving suddenly, settled in the seat next to mine. He said nothing at first, just sat there, a black bar between his eyes, seizing glass after glass which the muchachos, by that time well trained, ran up to him. Then he began to speak.

"He spoke about Her! Of course, at that time I did not know of her existence. I was bewildered; I thought he spoke of the other one, the one in the Walled City. Then as I understood, I was shocked as by a desecration.

"'It's four years ago, Courtland, that I told her good-by,' he said, soberly, leaning over and placing a hand upon my knee. 'She was in the garden, in the dew of the morning, and she was picking roses.'

"He was silent a long time. I was dumb, astounded; a sense of sacrilege filled my being. He began again:

"'Her eyes are green, Courtland, green like the sea. And she can read into my soul, Courtland, right into my soul!'

"Another period of silence, and then:

"'"I am yours; whenever you need me I shall come to you." That is what she said.'

"He jerked forward over the table, his head in his hands. A horrible spiritual discomfort crept into me. I didn't want to hear about it; I didn't! I wanted to hush him, push my hand against that blasphemous mouth——

"'And I left her in the garden, in the dew of the morning, among the roses!'

"He rose stiffly, drew his hands from his face, down to his sides, as if with great effort, squared his shoulders, snapped his heels together, and marched off as he had come in.

"Thus I first saw her, and always after saw her, in indelible picture—a frail young girl, of eyes with the sea-glint in them, picking roses in the dewy morning. Roses!—thousands of them—red and white and yellow; they are at her feet, at her sides, above her; their petals are in her hair, their incense is about her like an adoration.

"I saw him off and on after that, but he never mentioned her again—for which I was thankful. The disintegration was going on. Those black periods of revolt were less frequent now. Professionally he was still strong, had had the honour of being placed on the Katipunan's blacklist, the honour of carrying proudly, like an iron corselet, an exterior of cold indifference above the inward tension of every moment.

"And then came that night.

"Yes, that's the night, the night of which you all know something. But I know more; he told me everything, that one time he talked, his lips unsealed in a burst of hysteria.

"He awoke, that night, smothered beneath the black weight of some indefinite discomfort. Instinctively his right hand slipped beneath his pillow and closed upon the Mauser pistol; but when he had lived thus a full minute, his fingers clutched about the stock, his breath convulsive in his throat, he slowly released the weapon with a sigh that was not relief. For it was not from the Katipunan warning that came this vague oppression that through his sleep had wrapped him as in a shroud; it was something deeper, more subtle and more intimate; it was interfibred with his innermost being, and it was torture.

"He fought the haunting thing. It was a terrible night. The heat lay upon him like a catafalque. The enfevering rumour of moat-born gnats clung to the netting surrounding him; from the patio-hall there came the weary cough of a muchacho, stretched in his toil-damp clothes upon the polished floor. Outside, between the conch-shell shutters of the veranda the horizon was luminous with the moon; a beam stole into the steaming darkness of the room. It flashed up the mosquito bar into shimmering vapour; blandly it began a pointing-out of details, the inexorable details of his life's vulgarity. A nausea shook his being; he slipped to the floor and out to the balcony.

"Beneath the moon Manila was agleam. The whole firmament was liquid with the light; it poured down like luminous rain, slid in cascades over the church domes, the tin roofs, the metallic palms, till the whole earth shimmered back to the skies. In the entire city only one spot gloomed—the old fort, mysterious and pestilential with its black oozing walls, its fever-belting moat; but beyond it, as if in exasperation at this stubborn nonconformity, the brightness broke out again triumphant in the glimmering sheen of the bay.

"But from that serenity he turned, and he looked back, he had to look back. He peered into the room of infamy, peered at the bed, rising black and monumental in the farther depths, at the heaps of clothing here and there in cynical promiscuity, at the pile of greasy cooking utensils upon the stand, at the whole ensemble of disorder, weakness, moral lassitude. Passionlessly the light was sweeping all this, plucking out of the shadow one by one the detestable details. It stole toward the right wall, fell upon a cot, and from it there emerged a white little form that came hesitatingly to him. It was Magdalena, the child, the sister of Maria.

"She had been with them long. But now, suddenly, her presence there, in that atmosphere of sin, struck him with a great shock.

"'Back,' he whispered; 'back to bed, chiquita; it's time to be sleeping.'

"But she wanted something—a lock of his hair. Maria had one; she wanted one also.

"He remembered that she had asked this before, with childish insistence. He had not given much attention to it. And really, in all probability, it was mere childish whim. But now the thing staggered him, like something monstrous. Who could tell what there was in the mind of that child, with great wonder-eyes open to the shamelessness of his life. He chided her harshly and sent her scampering back to her bed.

"Then, turning his back upon the room, upon all this sordid misery, he looked out upon the waters. And a ship, a white army transport, was coming in. Slowly it glided between the ghostlike silhouettes of vessels at anchor; it turned ponderously; there was a splash of phosphorescence at the bow, a running clang of chain through hawse. He did not know what that craft held for him, ah, no! You know, don't you? He did not; but suddenly his whole spiritual being tugged within him, sprang back the long, solitary path of the ship, back across the moonlit bay, past Corregidor, out into the sea, along the foamy track, back miles in thousands to a harder, cleaner land, to a little California town embowered in scented hills, and it threw itself at the feet of a girl—the girl he had left among the roses, whose eyes could read into his soul.

"The moon went out behind a cloud. He had slid to the floor and lay there, his head upon his arm. Then—he told me that later—he heard somebody hickup, hickup hard, metallically. After a while he discovered that it was he. He was sobbing. And long in the enfevered darkness there pulsed that strange, hard hickup of the man with the iron hand of woe upon his throat.

"He must have fallen asleep at last; when he awoke again a sense of danger weighed upon his whole body like lead. He was stretched full length, his face downward upon his arms, and although he did not turn his head to see, he knew that it was dark, pitch dark. It seemed to him that a moment ago something cold and steely had touched his temple.

"He lay thus, it seemed to him a long time, motionless, while his heart-pulse rose in crescendo till it almost suffocated him. For to his ears, along the sound-conducting floor, there came a faint, soft rustle of something, somebody crawling. A mad desire to rise, shout, attack, break the silent horror of the moment, thrilled him, but fear laid its cold, paralysing hand upon him, and he could not move.

"Suddenly the spell was broken. A click as of a knife falling from the hand of an assassin to the floor shot the blood through his veins as by chemical reaction. With a shout he had sprung to his feet, darted across the room, and seized the Mauser beneath his pillow. He turned his eyes upon the floor and in the center caught sight of a vague, crouching form. A shot rang into his ears, vibrated in pain along each of his nerves, and then he was leaning back against the bed-post, limp and cold, sick with the sense of mistake, mistake hideous and irretrievable.

"He stayed there, against the bed-post, limp and cold, his eyes straining through the darkness at the vague huddle in the centre of the room. He knew that Maria had awakened with a scream, that she had struck a light, that she was bending over the nameless thing, and he felt a strange relief as her broad back hid it from view. But she returned toward him, and put her dilated eyes, her brown face, fear-spotted, near his own, and she whispered, hoarsely, 'Magdalena!'

"But this was only confirmation of what his whole being was crying to him, and he was busy listening to something else, listening to the crack of a Mauser pistol tearing through his brain, and then springing out into the silent night, echoing, swelling, thundering in fierce crescendo down the hushed streets, reverberated from wall to wall, rushing, a tidal wave of sound, into every house and nook and crevice, shouting, proclaiming, shrieking with its iron voice the story of his life, of his degradation, till the whole city, ringing from the call, hurled it on and on across the sea into Her ears, the heralding trumpet-call of his dishonour, of his fall, of his degradation.

"But Maria was speaking. 'Hush,' she whispered; 'do not tell. We can hide. Martinez will help us. To-morrow we'll bury her. It's the cholera; the health men will believe you; nobody will look close.'

"Together they went back to the spot. Kneeling low, he gathered the little girl up in his arms. Something fell with a steely clang to the floor. He picked it up; it was a pair of scissors. Something eddied down slowly from her other hand; it was a lock of his own hair. He stood there, with the limp little body in his arms, stupid with the sudden vision of the trap set for him, the trap of retributive Fate, its appalling simplicity of means, its atrocity of result. But he must act. Hurriedly seizing his old, moth-eaten, army overcoat, he began to button it upon himself. Maria was talking again.

"'Hush,' she said; 'do not tell. We can hide. Martinez will help us. We'll bury her to-morrow. It's the cholera. The health men will believe you; and nobody will dare look close.'

"He stopped, with his hand upon the last brass button, his head bent to one side, listening to the insidious murmur. And he knew that it was true, hellishly true. The great stricken city, hypnotised with its fear, was indifferent to everything else. The whole thing could be hidden, buried, annihilated. Then he saw himself again as he had been earlier in the night, standing in the moonlight of the balcony, peering into the room, into the depths of his degradation. 'No, no, enough, enough!' he snarled. And, seizing the little body with its possible spark of life, he rushed out into the street.

"The dawn was breaking. Bareheaded, barefooted, he raced silently along the endless, narrow streets. He passed long files of white-garbed men—the cigar-makers on the way to the factories; they scattered before him in fear. The naked muchachos were galloping their ponies to the beach for their morning bath; they circled wide as they came upon him. At a plaza he tried to hail a carromata, but the cochero whipped up his horse in a frenzy of distrust. It was cholera time, and cold egoism ruled the city. He told me of it, that one time. 'I was alone, Courtland, alone, alone. None would near me, none would hear me. They fled, they fled. I was alone, alone with my crime in my arms, with my story in my arms, the story of my life, of my degradation; alone, Courtland, with my temptation, my temptation, Courtland——' A vacuum formed about him as he raced on, cutting his feet upon the stones, panting with the physical effort and the spiritual horror, on and on through narrow streets long as death. He came to a quay, a silent, dark place in the shadow of the city wall, and there his temptation slowed him up. Maria was right. It was cholera time; the great amoral city was indifferent to everything else. The little body with its possible spark of life—this infinitesimal possibility which demanded of him such stupendous self-immolation—could be dropped quietly into the river, to stream out there into the unfathomable secret of the bay. And She would never know. She would never know!

"She! He saw her as he had left her, in the garden, in the dewy morning. Her eyes were steadily upon him. 'Enough! Enough!' he cried, with a growl, as that of a wild beast.

"He passed along a crooked bridge. At the end a big Metropolitan policeman stepped to him with a question, but he rushed past with a vague muttering. The policeman hesitated a moment, then followed; and behind the patter of the bare feet the heavy boots echoed, pounding in patient pursuit. At last he stood beneath the pale, sputtering light of the hospital porch, striking feverishly at the great doors. They opened before him and he entered, the policeman at his heels. A man took his burden quickly as he sank on the bench, and disappeared through a small door at the end of the hall. A gong clanged twice in quick succession, then once more, and as if in answer two white-jacketed men came down the stairs, passed across the hall, and vanished into the room where the first man had gone. A silence fell over the place. The big clock against the staircase ticked resoundingly. The policeman leaned back against the wall and examined the man huddled there upon the bench with curious glance.

"After a time long as eternity, one of the white-jacketed men came out into the hall and stood in front of Morton. Morton looked up at him in a great question, but the man did not seem to see it.

"'Er, er,' he drawled, as if embarrassed. Then suddenly, 'Who shot her?'

"'I did,' answered Morton.

"'Er, er—with what?'

"'Mauser—pistol—thirty-eight.'

"'Yes, yes,' acquiesced the man. 'And how old did you say she was?'

"'For Christ's sake,' broke out Morton, in sudden cry; 'how is she; is she dead; is there any hope?'

"'Why, yes; of course, she is dead,' answered the man, as if shocked that there should be any doubt about it. Then he turned to the policeman, as if saying, 'I've done my part; the rest belongs to you.'

"But Morton had risen, stiffened with the vision of what there was left for him to do.

"'I'm Morton,' he said to the policeman; 'second-class Inspector, Luzon Constabulary. I did the shooting. It was a mistake. I'm going to my room to dress; then I'll report to my chief; and after that I'll surrender myself to the Metropolitan Police. You can follow if you wish.'

"The policeman hesitated a moment, subjugated by the man's manner. 'It's all right,' he said; 'you can go; I'll telephone to headquarters.'

"And as Morton went out he saw the policeman step to the telephone-box at the end of the hall. And he knew that with the puerile, nasal voice of the wire the heralding had begun.

"Outside, the sun was already pouring its bitterness upon the gleaming city, and the streets were fermenting with feverish humanity—white-garbed men, hurrying to the factories, bright-camisaed women going to the market with baskets upon their heads, naked-busted cargadores with gleaming muscles. Morton plunged ahead through the throng, which broke before him with sullen acquiescence to the right of the strong. The exaltation of the night had given place to a strange stupor. His head wabbled on his shoulders, empty as a sleighbell, and a great weariness was in his limbs. Slowly he retraced the long course of the night through the indifferent crowds. He met only one white man that he knew, in a narrow, disreputable alley. The man stopped him, astonished.

"'What are you doing in a place like this?' he asked. 'You forget you're on the Katipunan. You're liable to get hurt.'

"'Hurt?' Morton laughed in his face and left him standing there bewildered. At last he entered the patio of his house. Everything was as usual. The cocheros were washing down their carromatas preparatory to going out; the muchachos were galloping back, their ponies' flanks gleaming with salt water. No one gave him a glance as he went upstairs to his room.

"He entered it without a tremor and looked stupidly about him. The place reeked with the sordid disorder of every morning; of the sudden horror of the night there was only one sign—a blanket had been thrown carelessly over a certain spot in the centre of the room. He turned to his clothes-chest and began to dress. He worked slowly, losing time on unimportant details. It took him a long time to choose the white suit that he would wear amid the dozen that he spread on the bed, and then he was still longer putting in the buttons. When he was dressed he noticed that he had to shave, and called for his boy. The boy did not come, and then he saw that several familiar objects were missing from the room. He opened Maria's drawer; it was empty. She had gone, and probably taken the boy with her. He lit the coal-oil stove upon the cooking-stand, heated water, and shaved. Finally he was ready. He went downstairs, jumped into a carromata that was just rattling out of the court, and drove to the Intendencia.

"The Chief let him into his inner office immediately. Looking down upon his superior seated at his desk, Morton told the night's story in dry, monotonous manner, as a story told already a hundred times, and he noticed, as he talked, that the Chief knew already all about it, but was too polite to interrupt. When he had done, the Chief spoke.

"'Yes,' he said; 'it's too bad, too bad. But you must brace up, take it like a man. We all live differently here than we would at home, and things like that are liable to happen. Yes, it's too bad. You must brace up.'

"He stopped, then went on again. 'It's too bad, too bad. I suppose—er—that you are going to surrender yourself to the Metropolitan. Mere matter of form, of course——'

"'Yes,' said Morton, wearily. He turned to go. The Chief was speaking again.

"'By the way,' he was saying, his eyes close together in a perplexed frown; 'somebody has been here for you this morning, several times, yes, several times. I—you——'

"But Morton, after standing politely a moment without hearing, had gone out, leaving the Chief frowning perplexedly at his desk. He went through the corridor, into the outer office, and then——

"I was there. That part he did not tell me. I came in behind him (I was following him with I don't know what notion of comfort). I saw him stop suddenly. A woman stood before him.

"It was She. I knew her right away, the pale, sweet girl, the girl of the roses. She was standing before him; and her eyes, the eyes with the sea-glint in them, were plunging into his soul. He did not shrink; he stood there before her, his eyes in hers, his shoulders thrown back, his arms hanging limp down his sides, with palms turned outward in a gesture of utter surrender. Long, gravely she read the soul laid bare before her. Suddenly she started back, one, two steps, heavy, falling steps; as at the same higher command he also backed, one, two steps, heavy, falling steps. His head dropped to his chest, his eyes closed. I panted.

"With an imperceptible movement she glided forward again. His eyes opened. She laid her right hand upon his shoulder.

"'You have suffered,' she said.

"And there you are!"