MR. COON INSISTED ON GADDING ABOUT. (Page 46)

Aaron in the Wildwoods

BY

JOEL CHANDLER HARRIS

AUTHOR OF "UNCLE REMUS," ETC.

ILLUSTRATED BY OLIVER HERFORD

BOSTON AND NEW YORK

HOUGHTON, MIFFLIN AND COMPANY

The Riverside Press, Cambridge

1897

COPYRIGHT, 1897
BY JOEL CHANDLER HARRIS AND HOUGHTON, MIFFLIN AND CO.
ALL RIGHTS RESERVED

CONTENTS.

LIST OF ILLUSTRATIONS

Aaron in the Wildwoods.

Prelude.

I.

Once upon a time there lived on a large plantation in Middle Georgia a boy who was known as Little Crotchet. It was a very queer name, to be sure, but it seemed to fit the lad to a T. When he was a wee bit of a chap he fell seriously ill, and when, many weeks afterwards, the doctors said the worst was over, it was found that he had lost the use of his legs, and that he would never be able to run about and play as other children do. When he was told about this he laughed, and said he had known all along that he would never be able to run about on his feet again; but he had plans of his own, and he told his father that he wanted a pair of crutches made.

"But you can't use them, my son," said his father.

"Anyhow, I can try," insisted the lad.

The doctors were told of his desire, and these wise men put their heads together.

"It is a crotchet," they declared, "but it will be no harm for him to try."

"It is a little crotchet," said his mother, "and he shall have the crutches."

Thus it came about that the lad got both his name and his crutches, for his father insisted on calling him Little Crotchet after that, and he also insisted on sending all the way to Philadelphia for the crutches. They seemed to be a long time in coming, for in those days they had to be brought to Charleston in a sailing vessel, and then sent by way of Augusta in a stage-coach; but when they came they were very welcome, for Little Crotchet had been inquiring for them every day in the week, and Sunday too. And yet when they came, strange to say, he seemed to have lost his interest in them. His mother brought them in joyously, but there was not even a glad smile on the lad's face. He looked at them gravely, weighed them in his hands, laid them across the foot of the bed, and then turned his head on his pillow, as if he wanted to go to sleep. His mother was surprised, and not a little hurt, as mothers will be when they do not understand their children; but she respected his wishes, darkened the room, kissed her boy, and closed the door gently.

When everything was still, Little Crotchet sat up in bed, seized his crutches, and proceeded to try them. He did this every day for a week, and at the end of that time surprised everybody in the house, and on the place as well, by marching out on his crutches, and going from room to room without so much as touching his feet to the floor. It seemed to be a most wonderful feat to perform, and so it was; but Providence, in depriving the lad of the use of his legs, had correspondingly strengthened the muscles of his chest and arms, so that within a month he could use his crutches almost as nimbly and quite as safely as other boys use their feet. He could go upstairs and downstairs and walk about the place with as much ease, apparently, as those not afflicted, and it was not strange that the negroes regarded the performance with wonder akin to awe, declaring among themselves that their young master was upheld and supported by "de sperits."

And indeed it was a queer sight to see the frail lad going boldly about on crutches, his feet not touching the ground. The sight seemed to make the pet name of Little Crotchet more appropriate than ever. So his name stuck to him, even after he got his Gray Pony, and became a familiar figure in town and in country, as he went galloping about, his crutches strapped to the saddle, and dangling as gayly as the sword of some fine general. Thus it came to pass that no one was surprised when Little Crotchet went cantering along, his Gray Pony snorting fiercely, and seeming never to tire. Early or late, whenever the neighbors heard the short, sharp snort of the Gray Pony and the rattling of the crutches, they would turn to one another and say, "Little Crotchet!" and that would be explanation enough. There seemed to be some sort of understanding between him and his Gray Pony.

Anybody could ride the Gray Pony in the pasture or in the grove around the house, but when it came to going out by the big gate, that was another matter. He could neither be led nor driven beyond that boundary by any one except Little Crotchet. It was the same when it came to crossing water. The Gray Pony would not cross over the smallest running brook for any one but Little Crotchet; but with the lad on his back he would plunge into the deepest stream, and, if need be, swim across it. All this deepened and confirmed in the minds of the negroes the idea that Little Crotchet was upheld and protected by "de sperits." They had heard him talking to the Gray Pony, and they had heard the Gray Pony whinny in reply. They had seen the Gray Pony with their little master on his back go gladly out at the big gate and rush with a snort through the plantation creek,—a bold and at times a dangerous stream. Seeing these things, and knowing the temper of the pony, they had no trouble in coming to the conclusion that something supernatural was behind it all.

II.

Thus it happened that Little Crotchet and his Gray Pony were pretty well known through all the country-side, for it seemed that he was never tired of riding, and that the pony was never tired of going. What was the rider's errand? Nobody knew. Why should he go skimming along the red road at day dawn? And why should he come whirling back at dusk,—a red cloud of dust rising beneath the Gray Pony's feet? Nobody could tell.

This was almost as much of a puzzle to some of the whites as it was to the negroes; but this mystery, if it could be called such, was soon eclipsed by a phenomenon that worried some of the wisest dwellers in that region. This phenomenon, apparently very simple, began to manifest itself in early fall, and continued all through that season and during the winter and on through the spring, until warm weather set in. It was in the shape of a thin column of blue smoke that could be seen on any clear morning or late afternoon rising from the centre of Spivey's Canebrake. This place was called a canebrake because a thick, almost impenetrable, growth of canes fringed the edge of a mile-wide basin lying between the bluffs of the Oconee River and the uplands beyond. Instead of being a canebrake it was a vast swamp, the site of cool but apparently stagnant ponds and of treacherous quagmires, in which cows, and even horses, had been known to disappear and perish. The cowitch grew there, and the yellow plumes of the poison-oak vine glittered like small torches. There, too, the thunder-wood tree exuded its poisonous milk, and long serpent-like vines wound themselves around and through the trees, and helped to shut out the sunlight. It was a swamp, and a very dismal one. The night birds gathered there to sleep during the day, and all sorts of creatures that shunned the sunlight or hated man found a refuge there. If the negroes had made paths through its recesses to enable them to avoid the patrol, nobody knew it but themselves.

Why, then, should a thin but steady stream of blue smoke be constantly rising upwards from the centre of Spivey's Canebrake? It was a mystery to those who first discovered it, and it soon grew to be a neighborhood mystery. During the summer the smoke could not be seen, but in the fall and winter its small thin volume went curling upward continually. Little Crotchet often watched it from the brow of Turner's Hill, the highest part of the uplands. Early in the morning or late in the afternoon the vapor would rise from the Oconee; but the vapor was white and heavy, and was blown about by the wind, while the smoke in the swamp was blue and thin, and rose straight in the air above the tops of the trees in spite of the wayward winds.

Once when Little Crotchet was sitting on his pony watching the blue smoke rise from the swamp he saw two of the neighbor farmers coming along the highway. They stopped and shook hands with the lad, and then turned to watch the thin stream of blue smoke. The morning was clear and still, and the smoke rose straight in the air, until it seemed to mingle with the upper blue. The two farmers were father and son,—Jonathan Gadsby and his son Ben. They were both very well acquainted with Little Crotchet,—as, indeed, everybody in the county was,—and he was so bright and queer that they stood somewhat in awe of him.

"I reckin if I had a pony that wasn't afeard of nothin' I'd go right straight and find out where that fire is, and what it is," remarked Ben Gadsby.

This stirred his father's ire apparently. "Why, Benjamin! Why, what on the face of the earth do you mean? Ride into that swamp! Why, you must have lost what little sense you had when you was born! I remember, jest as well as if it was day before yesterday, when Uncle Jimmy Cosby's red steer got in that swamp, and we couldn't git him out. Git him out, did I say? We couldn't even git nigh him. We could hear him beller, but we never got where we could see ha'r nor hide of him. If I was thirty year younger I'd take my foot in my hand and wade in there and see where the smoke comes from."

IT WAS A SWAMP

Little Crotchet laughed. "If I had two good legs," said he, "I'd soon see what the trouble is."

This awoke Ben Gadsby's ambition. "I believe I'll go in there and see where the fire is."

"Fire!" exclaimed old Mr. Gadsby, with some irritation. "Who said anything about fire? What living and moving creetur could build a fire in that thicket? I'd like mighty well to lay my eyes on him."

"Well," said Ben Gadsby, "where you see smoke there's obliged to be fire. I've heard you say that yourself."

"Me?" exclaimed Mr. Jonathan Gadsby, with a show of alarm in the midst of his indignation. "Did I say that? Well, it was when I wasn't so much as thinking that my two eyes were my own. What about foxfire? Suppose that some quagmire or other in that there swamp has gone and got up a ruction on its own hook? Smoke without fire? Why, I've seed it many a time. And maybe that smoke comes from an eruption in the ground. What then? Who's going to know where the fire is?"

Little Crotchet laughed, but Ben Gadsby put on a very bold front. "Well," said he, "I can find bee-trees, and I'll find where that fire is."

"Well, sir," remarked Mr. Jonathan Gadsby, looking at his son with an air of pride, "find out where the smoke comes from, and we'll not expect you to see the fire."

"I wish I could go with you," said Little Crotchet.

"I don't need any company," replied Ben Gadsby. "I've done made up my mind, and I a-going to show the folks around here that where there's so much smoke there's obliged to be some fire."

The young man, knowing that he had some warm work before him, pulled off his coat, and tied the sleeves over his shoulder, sash fashion. Then he waved his hand to his father and to Little Crotchet, and went rapidly down the hill. He had undertaken the adventure in a spirit of bravado. He knew that a number of the neighbors had tried to solve the mystery of the smoke in the swamp and had failed. He thought, too, that he would fail; and yet he was urged on by the belief that if he should happen to succeed, all the boys and all the girls in the neighborhood would regard him as a wonderful young man. He had the same ambition that animated the knight of old, but on a smaller scale.

III.

Now it chanced that Little Crotchet himself was on his way to the smoke in the swamp. He had been watching it, and wondering whether he should go to it by the path he knew, or whether he should go by the road that Aaron, the runaway, had told him of. Ben Gadsby interfered with his plans somewhat; for quite by accident, young Gadsby as he went down the hill struck into the path that Little Crotchet knew. There was a chance to gallop along the brow of the hill, turn to the left, plunge through a shallow lagoon, and strike into the path ahead of Gadsby, and this chance Little Crotchet took. He waved his hand to Mr. Jonathan Gadsby, gave the Gray Pony the rein, and went galloping through the underbrush, his crutches rattling, and the rings of the bridle-bit jingling. To Mr. Jonathan Gadsby it seemed that the lad was riding recklessly, and he groaned and shook his head as he turned and went on his way.

But Little Crotchet rode on. Turning sharply to the left as soon as he got out of sight, he went plunging through the lagoon, and was soon going along the blind path a quarter of a mile ahead of Ben Gadsby. This is why young Gadsby was so much disturbed that he lost his way. He was bold enough when he started out, but by the time he had descended the hill and struck into what he thought was a cattle-path his courage began to fail him. The tall canes seemed to bend above him in a threatening manner. The silence oppressed him. Everything was so still that the echo of his own movements as he brushed along the narrow path seemed to develop into ominous whispers, as if all the goblins he had ever heard of had congregated in front of him to bar his way.

The silence, with its strange echoes, was bad enough, but when he heard the snorting of Little Crotchet's Gray Pony as it plunged through the lagoon, the rattle of the crutches and the jingling of the bridle-bit, he fell into a panic. What great beast could it be that went helter-skelter through this dark and silent swamp, swimming through the water and tearing through the quagmires? And yet, when Ben Gadsby would have turned back, the rank undergrowth and the trailing vines had quite obscured the track. The fear that impelled him to retrace his steps was equally powerful in impelling him to go forward. And this seemed the easiest plan. He felt that it would be just as safe to go on, having once made the venture, as to turn back. He had a presentiment that he would never find his way out anyhow, and the panic he was in nerved him to the point of desperation.

So on he went, not always trying to follow the path, but plunging forward aimlessly. In half an hour he was calmer, and pretty soon he found the ground firm under his feet. His instincts as a bee-hunter came back to him. He had started in from the east side, and he paused to take his bearings. But it was hard to see the sun, and in the recesses of the swamp the mosses grew on all sides of the trees. And yet there was a difference, which Ben Gadsby did not fail to discover and take account of. They grew thicker and larger on the north side, and remembering this, he went forward with more confidence.

He found that the middle of the swamp was comparatively dry. Huge poplar-trees stood ranged about, the largest he had ever seen. In the midst of a group of trees he found one that was hollow, and in this hollow he found the smouldering embers of a fire. But for the strange silence that surrounded him he would have given a whoop of triumph; but he restrained himself. Bee-hunter that he was, he took his coat from his shoulders and tied it around a small slim sapling standing near the big poplar where he had found the fire. It was his way when he found a bee-tree. It was a sort of guide. In returning he would take the general direction, and then hunt about until he found his coat; and it was much easier to find a tree tagged with a coat than it was to find one not similarly marked.

Thus, instead of whooping triumphantly, Ben Gadsby simply tied his coat about the nearest sapling, nodding his head significantly as he did so. He had unearthed the secret and unraveled the mystery, and now he would go and call in such of the neighbors as were near at hand and show them what a simple thing the great mystery was. He knew that he had found the hiding-place of Aaron, the runaway. So he fixed his "landmark," and started out of the swamp with a lighter heart than he had when he came in.

To make sure of his latitude and longitude, he turned in his tracks when he had gone a little distance and looked for the tree on which he had tied his coat. But it was not to be seen. He re-traced his steps, trying to find his coat. Looking about him cautiously, he saw the garment after a while, but it was in an entirely different direction from what he supposed it would be. It was tied to a sapling, and the sapling was near a big poplar. To satisfy himself, he returned to make a closer examination. Sure enough, there was the coat, but the poplar close by was not a hollow poplar, nor was it as large as the tree in which Ben Gadsby had found the smouldering embers of a fire.

He sat on the trunk of a fallen tree and scratched his head, and discussed the matter in his mind the best he could. Finally he concluded that it would be a very easy matter, after he found his coat again, to find the hollow poplar. So he started home again. But he had not gone far when he turned around to take another view of his coat.

It had disappeared. Ben Gadsby looked carefully around, and then a feeling of terror crept over his whole body—a feeling that nearly paralyzed his limbs. He tried to overcome this feeling, and did so to a certain degree. He plucked up sufficient courage to return and try to find his coat; but the task was indeed bewildering. He thought he had never seen so many large poplars with small slim saplings standing near them, and then he began to wander around almost aimlessly.

IV.

Suddenly he heard a scream that almost paralyzed him—a scream that was followed by the sound of a struggle going on in the thick undergrowth close at hand. He could see the muddy water splash above the bushes, and he could hear fierce growlings and gruntings. Before he could make up his mind what to do, a gigantic mulatto, with torn clothes and staring eyes, rushed out of the swamp and came rushing by, closely pursued by a big white boar with open mouth and fierce cries. The white boar was right at the mulatto's heels, and his yellow tusks gleamed viciously as he ran with open mouth. Pursuer and pursued disappeared in the bushes with a splash and a crash, and then all was as still as before. In fact, the silence seemed profounder for this uncanny and appalling disturbance. It was so unnatural that half a minute after it happened Ben Gadsby was not certain whether it had occurred at all. He was a pretty bold youth, having been used to the woods and fields all his life, but he had now beheld a spectacle so out of the ordinary, and of so startling a character, that he made haste to get out of the swamp as fast as his legs, weakened by fear, would carry him.

More than once, as he made his way out of the swamp, he paused to listen; and it seemed that each time he paused an owl, or some other bird of noiseless wing, made a sudden swoop at his head. Beyond the exclamation he made when this happened the silence was unbroken. This experience was unusual enough to hasten his steps, even if he had had no other motive for haste.

When nearly out of the swamp, he came upon a large poplar, by the side of which a small slim sapling was growing. Tied around this sapling was his coat, which he thought he had left in the middle of the swamp. The sight almost took his breath away.

He examined the coat carefully, and found that the sleeves were tied around the tree just as he had tied them. He felt in the pockets. Everything was just as he had left it. He examined the poplar; it was hollow, and in the hollow was a pile of ashes.

"Well!" exclaimed Ben Gadsby. "I'm the biggest fool that ever walked the earth. If I ain't been asleep and dreamed all this, I'm crazy; and if I've been asleep, I'm a fool."

His experience had been so queer and so confusing that he promised himself he'd never tell it where any of the older people could hear it, for he knew that they would not only treat his tale with scorn and contempt, but would make him the butt of ridicule among the younger folks. "I know exactly what they'd say," he remarked to himself. "They'd declare that a skeer'd hog run across my path, and that I was skeer'der than the hog."

So Ben Gadsby took his coat from the sapling, and went trudging along his way toward the big road. When he reached that point he turned and looked toward the swamp. Much to his surprise, the stream of blue smoke was still flowing upward. He rubbed his eyes and looked again, but there was the smoke. His surprise was still greater when he saw Little Crotchet and the Gray Pony come ambling up the hill in the path he had just come over.

"What did you find?" asked Little Crotchet, as he reined in the Gray Pony.

"Nothing—nothing at all," replied Ben Gadsby, determined not to commit himself.

"Nothing?" cried Little Crotchet. "Well, you ought to have been with me! Why, I saw sights! The birds flew in my face, and when I got in the middle of the swamp a big white hog came rushing out, and if this Gray Pony hadn't been the nimblest of his kind, you'd never have seen me any more."

"Is that so?" asked Ben Gadsby, in a dazed way. "Well, I declare! 'Twas all quiet with me. I just went in and come out again, and that's all there is to it."

"I wish I'd been with you," said Little Crotchet, with a curious laugh. "Good-by!"

With that he wheeled the Gray Pony and rode off home. Ben Gadsby watched Little Crotchet out of sight, and then, with a gesture of despair, surprise, or indignation, flung his coat on the ground, crying, "Well, by jing!"

V.

That night there was so much laughter in the top story of the Abercrombie house that the Colonel himself came to the foot of the stairs and called out to know what the matter was.

"It's nobody but me," replied Little Crotchet. "I was just laughing."

Colonel Abercrombie paused, as if waiting for some further explanation, but hearing none, said, "Good-night, my son, and God bless you!"

"Good-night, father dear," exclaimed the lad, flinging a kiss at the shadow his father's candle flung on the wall. Then he turned again into his own room, where Aaron the Arab (son of Ben Ali) sat leaning against the wall, as silent and as impassive as a block of tawny marble.

Little Crotchet lay back in his bed, and the two were silent for a time. Finally Aaron said:—

"The White Grunter carried his play too far. He nipped a piece from my leg."

"I never saw anything like it," remarked little Crotchet. "I thought the White Pig was angry. You did that to frighten Ben Gadsby."

"Yes, Little Master," responded Aaron, "and I'm thinking the young man will never hunt for the smoke in the swamp any more."

Little Crotchet laughed again, as he remembered how Ben Gadsby looked as Aaron and the White Pig went careening across the dry place in the swamp. There was a silence again, and then Aaron said he must be going.

"And when are you going home to your master?" Little Crotchet asked.

"Never!" replied Aaron the runaway, with emphasis. "Never! He is no master of mine. He is a bad man."

Then he undressed Little Crotchet, tucked the cover about him,—for the nights were growing chill,—whispered good-night, and slipped from the window, letting down the sash gently as he went out. If any one had been watching, he would have seen the tall Arab steal along the roof until he came to the limb of an oak that touched the eaves. Along this he went nimbly, glided down the trunk to the ground, and disappeared in the darkness.

I.

THE LITTLE MASTER.

If you imagine that the book called "The Story of Aaron (so-named), the Son of Ben Ali" tells all the adventures of the Arab while he was a fugitive in the wildwoods, you are very much mistaken. If you will go back to that book you will see that Timoleon the black stallion, Grunter the white pig, Gristle the gray pony, and Rambler the track dog, told only what they were asked to tell. And they were not anxious to tell even that. They would much rather have been left alone. What they did tell they told without any flourishes whatever, for they wanted to get through and be done with it. Story-telling was not in their line, and they knew it very well; so they said what they had to say and that was the end of it so far as they were concerned: setting a worthy example to men and women, and to children, too.

It is natural, therefore, that a man such as Aaron was, full of courage and valuable to the man who had bought him from the speculator, should have many adventures that the animals knew nothing of, or, if they knew, had no occasion to relate. In the book you will find that Buster John and Sweetest Susan asked only about such things as they heard of incidentally. But some of the most interesting things were never mentioned by Aaron at all; consequently the children never asked about them.

Little Crotchet, it will be remembered, who knew more about the matter than anybody except Aaron, was dead, and so there was nobody to give the children any hint or cue as to the questions they were to ask. You will say they had Aaron close at hand. That is true, but Aaron was busy, and besides that he was not fond of talking, especially about himself.

And yet, the most of the adventures Aaron had in the wildwoods were no secret. They were well known to the people in the neighborhood, and for miles around. In fact, they were made the subject of a great deal of talk in Little Crotchet's day, and many men (and women too) who were old enough to be wise shook their heads over some of the events and declared that they had never heard of anything more mysterious. And it so happened that this idea of mystery deepened and grew until it made a very romantic figure of Aaron, and was a great help to him, not only when he was a fugitive in the wildwoods, but afterwards when he "settled down," as the saying is, and turned his attention to looking after affairs on the Abercrombie plantation.

All this happened before Buster John and Sweetest Susan were born, while their mother was a girl in her teens. When Little Crotchet was alive things on the Abercrombie plantation were very different from what they were before or afterward. It is true the lad was a cripple and had to go on crutches, except when he was riding Gristle, the Gray Pony. But he was very active and nimble, and very restless, too, for he was here, there, and everywhere. More than that, he was always in a good humor, always cheerful, and most of the time laughing at his own thoughts or at something he had heard. For it was well understood on that plantation, and, indeed, wherever little Crotchet was familiarly known, that, as he was something of an invalid, and such a little bit of a fellow to boot, nothing unpleasant was to come to his ears. If he found out about trouble anywhere he was to find it out for himself, and without help from anybody else.

But although little Crotchet was small and crippled, he had a very wise head on his shoulders. One of the first things he found out was that everybody was in a conspiracy to prevent unpleasant things from coming to his ears, and the idea that he was to be humbugged in this way made him laugh, it was so funny. He said to himself that if he could have troubles while everybody was trying to help him along and make life pleasant for him, surely other people who had nobody to look out for them must have much larger troubles. And he found it to be true, although he never said much about it.

The truth is that while people thought they were humbugging little Crotchet, he was humbugging everybody except a few who knew what a shrewd little chap he was. These few had found out that little Crotchet knew a great deal more about the troubles that visit the unfortunate in this world than anybody knew about his troubles—and he had many.

It was very peculiar. He would go galloping about the plantation on the Gray Pony, and no matter where he stopped there was always a negro ready to let down the bars or the fence. How could this be? Why, it was the simplest matter in the world. It made no difference where the field hands were working, nor what they were doing, they were always watching for their Little Master, as they called him. They were sure to know when he was coming—sure to see him; and no matter how high the fence was, down it would come whenever the Gray Pony was brought to a standstill.

It was a sight to see the hoe hands or the plow hands when their Little Master went riding among them. It was hats off and "howdy, honey," with all, and that was something the White-Haired Master never saw unless he was riding with Little Crotchet, which sometimes happened. Once the White-Haired Master said to Little Crotchet, "They all love you because you are good, my son." But Little Crotchet was quick to reply:—

"Oh, no, father; it isn't that. It's because I am fond of them!"

Now, wasn't he wise for his age? He had stumbled upon the great secret that makes all the happiness there is in this world. The negroes loved him because he was fond of them. He used to sit on the Gray Pony and watch the hands hoeing and plowing; and although they did their best when he was around, he never failed to find out the tired ones and send them on little errands that would rest them. To one it was "Get me a keen switch." To another, "See if you can find me any flowers."

One of the worst negroes on the plantation was Big Sal, a mulatto woman. She had a tongue and a temper that nothing could conquer. Once Little Crotchet, sitting on the Gray Pony, saw her hoeing away with a rag tied around her forehead under her head handkerchief. So he called her out of the gang, and she came with no very good grace, and only then because some of the other negroes shamed her into it. No doubt Little Crotchet heard her disputing with them, but he paid no attention to it. When Big Sal came up, he simply said:—

"Help me off the horse. I have a headache sometimes, and I feel it coming on now. I want you to sit here and rub my head for me if you are not too tired."

"What wid?" cried big Sal. "My han's too dirty."

"You get the headache out, and I'll get the dirt off," said Little Crotchet, laughing.

Big Sal laughed too, cleaned her hands the best she could, and rubbed the youngster's head for him, while the Gray Pony nibbled the crabgrass growing near. But presently, when Little Crotchet opened his eyes, he found that Big Sal was crying. She was making no fuss about it, but as she sat with the child's head in her lap the tears were streaming down her face like water.

"What are you crying about?" Little Crotchet asked.

"God A'mighty knows, honey. I'm des a-cryin', an' ef de angels fum heav'm wuz ter come down an' ax me, I couldn't tell um no mo' dan dat."

This was true enough. The lonely heart had been touched without knowing why. But Little Crotchet knew.

"I reckon it's because you had the headache," he said.

"I speck so," answered Big Sal. "It looked like my head'd bust when you hollered at me, but de pain all done gone now."

"I'm glad," replied Little Crotchet. "I hope my head will quit aching presently. Sometimes it aches all night long."

"Well, suh!" exclaimed Big Sal. It was all she could say.

Finally, when she had lifted Little Crotchet to his saddle (which was easy enough to do, he was so small and frail) and returned, Uncle Turin, foreman of the hoe hands, remarked:—

"You'll be feelin' mighty biggity now, I speck."

"Who? Me?" cried Big Sal. "God knows, I feel so little an' mean I could t'ar my ha'r out by de han'ful."

Uncle Turin, simple and kindly old soul, never knew then nor later what Big Sal meant, but ever afterwards, whenever the woman had one of her tantrums, she went straight to her Little Master, and if she sometimes came away from him crying it was not his fault. If she was crying it was because she was comforted, and it all seemed so simple and natural to her that she never failed to express a deep desire to tear her hair out if anybody asked her where she had been or where she was going.

It was not such an easy matter to reach the plow hands. The fields were wide and the furrows were long on that plantation, and some of the mules were nimbler than the others, and some of the hands were quicker. So that it rarely happened that they all came down the furrows abreast. But what difference did that make? Let them come one by one, or two by two, or twenty abreast, it was all the same when the Little Master was in sight. It was hats off and "howdy," with "Gee, Beck!" and "Haw, Rhody!" and "Whar you been, Little Marster, dat we ain't seed you sence day 'fo' yistiddy?" And so until they had all saluted the child on the Gray Pony.

And why did Susy's Sam hang back and want to turn his mule around before he had finished the furrow? It was easy to see. Susy's Sam, though he was the most expert plowman in the gang, had only one good hand, the other being a mere stump, and he disliked to be singled out from the rest on that account. But it was useless for him to hang back. Little Crotchet always called for Susy's Sam. Sometimes Sam would say that his mule was frisky and wouldn't stand. But the word would come, "Well, drive the mule out in the bushes," and then Susy's Sam would have a long resting spell that did him good, and there would be nobody to complain. And so it was with the rest. Whoever was sick or tired was sure to catch the Little Master's eye. How did he know? Well, don't ask too many questions about that. You might ask how the Gray Pony knew the poison vines and grasses. It was a case of just knowing, without knowing where the knowledge came from.

But it was not only the plow hands and the hoe hands that Little Crotchet knew about. At the close of summer there were the cotton pickers and the reapers to be looked after. In fact, this was Little Crotchet's busiest time, for many of the negro children were set to picking cotton, and the lad felt called on to look after these more carefully than he looked after the grown hands. Many a time he had half a dozen holding the Gray Pony at once. This made the older negroes shake their heads, and say that the Little Master was spoiling the children, but you may be sure that they thought none the less of him on that account.

THAT'S RANDALL'S SONG

And then there were the reapers, the men who cut the oats and the wheat, and the binders that followed after. At the head of the reapers was Randall, tall, black, and powerful. It was fun to see the blade of his cradle flashing in the sun, and hear it swing with a swish through the golden grain. He led the reapers always by many yards, but when he was making the pace too hot for them he had a way of stopping to sharpen his scythe and starting up a song which spread from mouth to mouth until it could be heard for miles. Aaron, hiding in the wildwoods, could hear it, and at such times he would turn to one of his companions—the White Pig, or Rambler, or that gay joker, the Fox Squirrel—and say: "That's Randall's song. He sees the Little Master coming."

The White Pig would grunt, and Rambler would say he'd rather hear a horn; but the Red Squirrel would chatter like mad and declare that he lost one of his ears by sitting on a limb of the live oak and singing when he saw a man coming.

But the reapers knew nothing about the experience of the Fox Squirrel, and so they went on singing whenever Randall gave the word. And Little Crotchet was glad to hear them, for he used to sit on the Gray Pony and listen, sometimes feeling happy, and at other times feeling lonely indeed. It may have been the quaint melody that gave him a lonely feeling, or it may have been his sympathy for those who suffer the pains of disease or the pangs of trouble. The negroes used to watch him as they sang and worked, and say in the pauses of their song:—

"Little marster mighty funny!"

That was the word,—"funny,"—and yet it had a deeper meaning for the negroes than the white people ever gave it. Funny!—when the lad leaned his pale cheek on the frail hand, and allowed his thoughts (were they thoughts or fleeting aspirations or momentary longings?) to follow the swift, sweet echoes of the song. For the echoes had a thousand nimble feet, and with these they fled away, away,—away beyond the river and its bordering hills; for the echoes had twangling wings, like those of a turtle-dove, and on these they lifted themselves heavenward, and floated above the world, and above the toil and trouble and sorrow and pain that dwell therein.

Funny!—when the voice of some singer, sweeter and more powerful than the rest, rose suddenly from the pauses of the song, and gave words, as it seemed, to all the suffering that the Little Master had ever known. Aye! so funny that at such times Little Crotchet would suddenly wave his hand to the singing reapers, and turn the Gray Pony's head toward the river. Was he following the rolling echoes? He could never hope to overtake them.

Once when this happened Uncle Fountain stopped singing to say:—

"I wish I wuz a runaway nigger!"

"No, you don't!" exclaimed Randall.

"Yes, I does," Uncle Fountain insisted.

"How come?"

"Kaze den I'd have little Marster runnin' atter me ev'y chance he got."

"Go 'way, nigger man! You'd have Jim Simmons's nigger dogs atter you, an' den what'd you do?"

"Dat ar Aaron had um atter 'im, an' what'd he do?"

"De Lord, He knows,—I don't! But don't you git de consate in yo' min' dat you kin do what Aaron done done, kaze you'll fool yo'se'f, sho!"

"What Aaron done done?" Fountain was persistent.

"He done fool dem ar nigger dogs; dat what he done done."

"Den how come I can't fool dem ar dogs?"

"How come? Well, you des try um one time, mo' speshully dat ar col'-nose dog, which he name Soun'."

"Well, I ain't bleege ter try it when de white folks treat me right," remarked Uncle Fountain, after thinking the matter over.

"Dat what make I say what I does," asserted Randall. "When you know 'zactly what you got, an' when you got mighty nigh what you want, dat's de time ter lay low an' say nothin'. Hit's some trouble ter git de corn off'n de cob, but spozen dey want no corn on de cob, what den?"

"Honey, ain't it de trufe?" exclaimed Uncle Fountain.

Thus the negroes talked. They knew a great deal more about Aaron than the white people did, but even the negroes didn't know as much as the Little Master, and for a very good reason. They had no time to find out things, except at night, and at night—well, you may believe it or not, just as you please, but at night the door of the Swamp was closed and locked—locked hard and fast. The owls, the night hawks, the whippoorwills, and the chuck-will's widows could fly over. Yes, and the Willis Whistlers could creep through or crawl under when they returned home from their wild serenades. But everything else—even that red joker, the Fox Squirrel—must have a key. Aaron had one, and the White Grunter, and Rambler, and all the four-footed creatures that walk on horn sandals or in velvet slippers each had a key. The Little Master might have had one for the asking, but always when night came he was glad to lie on his sofa and read, or, better still, go to bed and sleep, so that he never had the need of a key to open the door of the Swamp after it was closed and locked at night.

II.

THE SECRETS OF THE SWAMP.

However hard and fast the door of the Swamp may be locked at night, however tightly it may be shut, it opens quickly enough to whomsoever carries the key. There is no creaking of its vast and heavy hinges; there is not the faintest flutter of a leaf, nor the softest whisper of a blade of grass. That is the bargain the bearer of the key must make:—

That which sleeps, disturb not its slumber.

That which moves, let it swiftly pass.

Else the Swamp will never reveal itself. The sound of one alien footfall is enough. It is the signal for each secret to hide itself, and for all the mysteries to vanish into mystery. The Swamp calls them all in, covers them as with a mantle, and puts on its every-day disguise,—the disguise that the eyes of few mortals have ever penetrated. But those who stand by the bargain that all key-bearers must make—whether they go on two legs or on four, whether they fly or crawl or creep or swim—find the Swamp more friendly. There is no disguise anywhere. The secrets come swarming forth from all possible or impossible places; and the mysteries, led by their torch-bearer Jack-o'-the-Lantern, glide through the tall canes and move about among the tall trees.

The unfathomable blackness of night never sets foot here. It is an alien and is shut out. And this is one of the mysteries. If, when the door of the Swamp is opened to a key-bearer the black night seems to have crept in, wait a moment,—have patience. It is a delusion. Underneath this leafy covering, in the midst of this dense growth of vines and saw-grass and reeds and canes, there is always a wonderful hint of dawn—a shadowy, shimmering hint, elusive and indescribable, but yet sufficient to give dim shape to that which is near at hand.

Not far away the frightened squeak of some small bird breaks sharply on the ear of the Swamp. This is no alien note, and Jack-o'-the-Lantern dances up and down, and all the mysteries whisper in concert:—

"We wish you well, Mr. Fox. Don't choke yourself with the feathers. Good-night, Mr. Fox, good-night!"

Two minute globules of incandescent light come into sight and disappear, and the mysteries whisper:—

"Too late, Mr. Mink, too late! Better luck next time. Good-night!"

A rippling sound is heard in the lagoon as the Leander of the Swamp slips into the water. Jack-o'-the-Lantern flits to the level shore of the pool, and the mysteries come sweeping after, sighing:—

"Farewell, Mr. Muskrat! Good luck and good-night!"

Surely there is an alien sound on the knoll yonder,—snapping, growling, and fighting. Have stray dogs crept under the door? Oh, no! The Swamp smiles, and all the mysteries go trooping thither to see the fun. It is a wonderful frolic! Mr. Red Fox has met Mr. Gray Fox face to face. Something tells Mr. Red Fox "Here's your father's enemy." Something whispers to Mr. Gray, "Here's your mother's murderer." And so they fall to, screaming and gnawing and panting and snarling. Mr. Gray Fox is the strongest, but his heart is the weakest. Without warning he turns tail and flies, with Mr. Red Fox after him, and with all the mysteries keeping them company. They run until they are past the boundary line,—the place where the trumpet flower tried to marry the black-jack tree,—and then, of course, the Swamp has no further concern with them. And the mysteries and their torch-bearers come trooping home.

MR. RED FOX MEETS MR. GRAY FOX

It is fun when Mr. Red Fox and Mr. Gray Fox meet on the knoll, but the Swamp will never have such a frolic as it had one night when a strange bird came flying in over the door. It is known that the birds that sleep while the Swamp is awake have been taught to hide their heads under their wings. It is not intended that they should see what is going on. Even the Buzzard, that sleeps in the loblolly pine, and the wild turkey, that sleeps in the live oak, conform to this custom. They are only on the edge of the Swamp, but they feel that it would be rude not to put their heads under their wings while the Swamp is awake. But this strange bird—of a family of night birds not hitherto known to that region—was amazed when he beheld the spectacle.

"Oho!" he cried; "what queer country is this, where all the birds are headless? If I'm to live here in peace, I must do as the brethren do."

So he went off in search of advice. As he went along he saw the Bull-Frog near the lagoon.

"Queerer still," exclaimed the stranger. "Here is a bird that has no head, and he can sing."

This satisfied him, and he went farther until he saw Mr. Wildcat trying to catch little Mr. Flying-Squirrel.

"Good-evening, sir," said the stranger. "I see that the birds in this country have no heads."

Mr. Wildcat smiled and bowed and licked his mouth.

"I presume, sir, that I ought to get rid of my head if I am to stay here, and I have nowhere else to go. How am I to do it?"

"Easy enough," responded Mr. Wildcat, smiling and bowing and licking his mouth. "Birds that are so unfortunate as to have heads frequently come to me for relief. May I examine your neck to see what can be done?"

The strange bird fully intended to say, "Why, certainly, sir!" He had the words all made up, but his head was off before he could speak. Being a large bird, he fluttered and shook his wings and jumped about a good deal. As the noise was not alien, the Swamp and all its mysteries came forth to investigate, and oh, what a frolic there was when Mr. Wildcat related the facts! The torch-bearers danced up and down with glee, and the mysteries waltzed to the quick piping of the Willis-Whistlers.

Although the Swamp was not a day older when Aaron, the Son of Ben Ali, became a key-bearer, the frolic over the headless bird was far back of Aaron's time. Older! The Swamp was even younger, for it was not a Swamp until old age had overtaken it—until centuries had made it fresh and green and strong. The Indians had camped round about, had tried to run its mysteries down, and had failed. Then came a band of wandering Spaniards, with ragged clothes, and tarnished helmets, and rusty shields, and neighing horses—the first the Swamp had ever seen. The Spaniards floundered in at one side—where the trumpet vine tried to marry the black-jack tree—and floundered out on the other side more bedraggled than ever. This was a great victory for the Swamp, and about that time it came to know and understand itself. For centuries it had been "organizing," and when it pulled De Soto's company of Spaniards in at one side and flung them out at the other, considerably the worse for wear, it felt that the "organization" was complete. And so it was and had been for years and years, and so it remained thereafter—a quiet place when the sun was above the trees, but wonderfully alert and alive when night had fallen.

The Swamp that Aaron knew was the same that the Indians and Spaniards had known. The loblolly pine had grown, and the big poplars on the knoll had expanded a trifle with the passing centuries, but otherwise the Swamp was the same. And yet how different! The Indians had not found it friendly, and the Spaniards regarded it as an enemy; but to Aaron it gave shelter, and sometimes food, and its mysteries were his companions. Jack-o'-the-Lantern showed him the hidden paths when the mists of night fell darker than usual. He became as much a part of the Swamp as the mysteries were, entering into its life, and becoming native to all its moods and conditions. And his presence there seemed to give the Swamp new responsibilities. Its thousand eyes were always watching for his enemies, and its thousand tongues were always ready to whisper the news of the coming of an alien. The turkey buzzard, soaring thousands of feet above the top of the great pine, the blue falcon, suspended in the air a mile away, the crow, flapping lazily across the fields, stood sentinel during the day, and the Swamp understood the messages they sent. At night the Willis-Whistlers were on guard, and their lines extended for miles in all directions, and the Swamp itself was awake, and needed no warning message. Sometimes at night the sound of Randall's trumpet fell on the ear of the Swamp, or the voice of Uncle Fountain was heard lifted up in song, as he went over the hills to his fish-baskets in the river; and these were restful and pleasing sounds. Sometimes the trailing cry of hounds was heard. If in the day, Rambler, the track dog, would listen until he knew whether the cry came from Jim Simmons's "nigger dogs," from the Gossett hounds, or from some other pack. If at night, the Swamp cared little about it, for it was used to these things after the sun went down.

Mr. Coon insisted on gadding about, and it served him right, the Swamp insisted, when the hounds picked up his drag—as the huntsmen say—and brought him home with a whirl. He was safe when he got there, for let the hounds bay at the door of his house as long as they might, no hunter with torch and axe would venture into the Swamp. They had tried it—oh, many times.

But the door was locked, and the key

Was safely kid in a hollow tree.

If it was merely Cousin Coon who lived up the river, well and good. It would teach the incurable vagrant a lesson, and the Swamp enjoyed the fun. The Willis-Whistlers stopped to listen, the mysteries hid behind the trees, and Jack-o'-the-Lantern extinguished his torch as the hounds came nearer with their quavering cries. Was it Mr. Coon or Cousin Coon? Why, Cousin Coon, of course. How did the Swamp know? It was the simplest thing in the world. Wasn't there a splash and a splutter as he ran into the quagmire? Wasn't there a snap and a snarl when the partridge-pea vine caught his foot? Did he know the paths? Didn't he double and turn and go back the way he came, to be caught and killed on dry land? Would Mr. Coon of the Swamp ever be caught on dry land? Don't you believe it! If cut off from home, he would run to the nearest pond and plunge in. Once there, was there a hound that would venture to take a bath with him? The Swamp laughed at the thought of such a thing. Aaron smiled, the White Pig grunted, and Rambler grinned. Cousin Coon is no more, but Mr. Coon is safe at home and the Swamp knows it.

Good luck to all who know the way,

By crooked path and clinging vine!

For them Night's messengers shall stay,

For them the laggard moon shall shine.

But it was not always that aliens and strangers were unwelcome. Occasionally in the still hours between midnight and dawn the Swamp would open its doors to Gossett's Riley. He had no key and he had never come to know and feel that the Swamp was something more than a mixture of mud and water, trees, canes, vines, and all manner of flying, creeping, and crawling things. To him the Swamp was merely a place and not a Thing, but this was ignorance, and the Swamp forgave it for various reasons, forgave it and pitied him as he deserved to be pitied. And yet he had qualities out of the common, and for these the Swamp admired him. He was little more than a dwarf, being "bow-legged and chuckle-headed," as Susy's Sam used to say, and was called Chunky Riley, but he was very much of a man for all that. At a log-rolling there was not a negro for miles around who could pull him down with the handstick. Aaron could do it, but Aaron was not a negro, but an Arab, and that is different. Chunky Riley was even stronger in limb and body than Aaron, but Aaron used his head, as well as body and limb—and that also is different. Riley was not swift of foot, but he could run far, as Gossett's hounds well knew. More than that, he could go on all-fours almost as fast as he could run on two legs, and that was something difficult to do.

The Swamp found Chunky Riley out in a very curious way. The first time he came to bring a message to Aaron he waited for no introduction whatever. The Willis-Whistlers warned him, but he paid no attention to their warning; the mysteries whispered to him, but his ears were closed. He searched for no path, and was blind to all the signals. He blundered into the Swamp and floundered toward the knoll as the Spaniards did. He floundered out of the quagmire near where the White Pig lay. He had the scent and all the signs of an alien, and the White Grunter rushed at him with open mouth. The Swamp was now angry from centre to circumference, and poor Chunky Riley's ending would have been swift and sudden but for the fact that he bore some undeveloped kinship to the elements that surrounded him.

A-STRADDLE OF THE GRUNTER'S BACK

As the White Pig rushed forward with open mouth, Chunky Riley caught a vague glimpse of him in the darkness, gave one wild yell, leaped into the air, and came down a-straddle of the Grunter's back. This was more than the White Pig had bargained for. He answered Riley's yell with a loud squeal, and went tearing through the swamp to the place where Aaron dwelt. The big owl hooted, Rambler howled, and Jack-o'-the-Lantern threw down his torch and fled. The Swamp that had been angry was amazed and frightened. What demon was this that had seized the White Grunter and was carrying him off? What could the rest hope for if so fierce a creature as the White Pig could be disposed of in this fashion? Even Aaron was alarmed at the uproar, for Chunky Riley continued to yell, and the White Pig kept up its squealing.

It was well that the Grunter, when he came to Aaron's place, ran close enough to a tree to rub Chunky Riley off his back, otherwise there is no telling what would have happened. It was well, too, that Chunky Riley called loudly for Aaron when he fell, otherwise he would have been made mincemeat of; for as soon as the White Pig was relieved of his strange burden, his anger rose fiercer than ever, and he came charging at Chunky Riley, who was lying prone on the ground, too frightened to do anything more than try to run to a tree on all-fours. Aaron spoke sharply to the White Pig.

"Shall I use a club on you, White Grunter? Shall I make bacon of you? You heard him call my name."

The White Pig paused. His small eyes glittered in the dark, and Chunky Riley heard his tusks grate ominously. He knew the creature was foaming with rage.

"Ooft! Your name, Son of Ben Ali?" said the White Pig in language that Chunky Riley thought was merely a series of angry grunts and snorts. "Ooft! I heard him call for Aaron, and how long has it been since I heard you say to the Red Chatterer in the hickory-tree that there were a thousand Aarons, but only one Son of Ben Ali? Ooft-Gooft! Am I a horse to be ridden? Humph! No man could ride me—it is what you call a Thing. Umph! let it ride you and then talk about clubs. Ooft!"

"Is dat Aaron?" Chunky Riley ventured to inquire. "Ef 't is, I wish you'd be good enough ter run dat ar creetur 'way fum here, kaze I ain't got no knack fer bein' chaw'd up an' spit out, an' trompled on, an' teetotally ruint right 'fo' my own face."

"What's your name?" inquired Aaron.

"You ought ter know me, but I dunner whedder you does er not. I'm name Riley—dey calls me Chunky Riley fer short."

Aaron was silent for a moment, as if trying to remember the name. Presently he laughed and said: "Why, yes; I know you pretty well. Come, we'll kindle a fire."

"No suh—not me! Not less'n you'll run dat ar wil' hog off. He mo' servigrous dan a pant'er. Ef I hadn't er straddled 'im des now he'd 'a' e't me bodaciously up an' dey wouldn't 'a' been nothin' lef' but de buttons on my cloze, an' nobody in de roun' worl' would 'a' know'd dey wuz buttons."

Aaron laughed while speaking to the White Pig: "Get to bed, Grunter. It is the Lifter—the man that is as strong in the back as a horse."

"Gooft-ooft! Let him ride you out as he rode me in—ooft! He's no man! Gooft! No bed for me. When a horse is ridden, he must eat, as I've heard you say, Son of Ben Ali. Gooft-ooft!"

The White Pig, still grinding his tusks together, turned and trotted off into the darkness, and presently Aaron and Chunky Riley heard him crashing through the canes and reeds. Then Aaron kindled his fire.

"Why did you come?" inquired the Son of Ben Ali when the two had made themselves comfortable.

"Des ter fetch word dat Marster wuz layin' off ter git atter you wid Simmons's nigger-dogs 'fo' long."

"All the way through the dark for that? When did you come to like me so well?"

"Oh, 't ain't 'zackly dat," replied Chunky Riley frankly. "I hear um talkin' 'bout it when marster an' dat ar Mr. Simmons wuz walkin' out in de hoss lot. I wuz in de corn crib, an' dey didn't know it, an' I des sot dar an' lis'n at um. An' den dis mornin' I seed dat ar little Marse Abercrombie, an' he say, 'Go tell Aaron quick ez you kin.'"

"The child with the crutches?" queried Aaron.

"De ve'y same," replied Chunky Riley. He paused awhile and then added: "I'd walk many a long mile fer dat white chil', day er night, rain er shine."

He gazed in the flickering fire a long time, waiting for Aaron to make some comment. Hearing none, he finally turned his eyes on his companion. Aaron was looking skyward, where one small star could be seen twinkling through the ascending smoke from the fire, and his lips were moving, though they framed no words that Chunky Riley could hear. Something in the attitude of the Son of Ben Ali disturbed the negro.

"Well, I done what I come ter do," he said, making a pretense of stretching himself and yawning, "an' I speck I'd better be gwine." The Son of Ben Ali still kept his eye fixed on the twinkling star. "What pesters me," Chunky Riley went on, "is de idee dat dat ar wil' hog went 'zackly de way I got ter go. I don't want ter hatter ride 'im no mo' less'n I got a saddle an' bridle."

"Come!" exclaimed Aaron suddenly, "I'll go with you. I want to see the Little Master."

"De dogs'll fin' yo' track sho, ef dey start out to-morrer," suggested Chunky Riley.

The only response the Son of Ben Ali made to this suggestion was to say: "Take the end of my cane in your hand and follow it. We'll take a short cut."

Chunky Riley had queer thoughts as he followed his tall conductor, being led as if he were a blind man; but he said nothing. Presently (it seemed but a few minutes to Chunky Riley) they stood on the top of a hill.

"Look yonder!" said Aaron. Away to the left a red light glimmered faintly.

"What dat?" asked the superstitious negro.

"The light in the Little Master's window."

"How came it so red, den?" inquired Chunky Riley.

"Red curtain," replied Aaron curtly.

"Well, de Lord he'p us! Is we dat close?" cried Chunky Riley.

"Your way is there," said the Son of Ben Ali; "this is mine."

The negro stood watching Aaron until his tall form was lost in the darkness.

III.

WHAT CHUNKY RILEY SAW AND HEARD

Left alone, Chunky Riley stood still and tried to trace in his mind the route he and Aaron had followed in coming from the Swamp. But he could make no mental map—and he knew every "nigh-cut" and by-path for miles around—that would fit in with the time it had taken them to reach the spot where he now stood. He looked back toward the Swamp, but the night covered it, and he could see nothing. Then he looked around him, to see if he knew his present whereabouts. Oh, yes, that was easy; every foot of ground was familiar.

The hill on which he had stood had been given over to scrub pines. The hill itself sloped away to the Turner old fields. But still he was puzzled, and still he scratched his head, for he knew that the Swamp was a good four miles away—nearly five—and it seemed to him that he and Aaron had been only a few minutes in making the journey. So he scratched his head and wondered to himself whether Aaron was really a "conjur' man."

It was perhaps very lucky for Chunky Riley that he stopped when he did. If he had kept on he would have run into the arms of three men who were going along the plantation path that led from Gossett's negro quarters to the Abercrombie Place. The delay that Chunky Riley made prevented him from meeting them, but it did not prevent him from hearing the murmur of their voices as he struck into the path. They were too far off for Chunky Riley to know whether they were white or black, but just as he turned into the path to go to Gossett's the scent of a cigar floated to his nostrils. He paused and scratched his head again. He knew by the scent of the cigar that the voices he heard belonged to white men: but who were they? If they were the "patterollers" they'd catch Aaron beyond all question; it would be impossible for him to escape.

So thought Chunky Riley, and so thinking, he turned and followed the path towards the Abercrombie Place. He moved rapidly but cautiously. The scent of the cigar grew stronger, the sound of men's voices fell more distinctly on his ear. Chunky Riley left the path and skirted through the low pines until he came to the fence that inclosed the spring lot. He knew that if he was heard, the men would think he was a calf, or, mayhap, a mule; for the hill on which Aaron had left him was now a part of a great pasture, in which the calves and dry cattle and (between seasons) the mules were allowed to roam at will.

Coming to the fence, Chunky Riley would have crossed it, but the voices were louder now, and he caught a glimpse of the red sparks of lighted cigars. Creeping closer and closer, but ever ready to drop on the ground and run away on all-fours, Chunky Riley was soon able to hear what the men were saying. He knew the voices of his master and young master, Mr. Gossett—Old Grizzle, as he was called—and George, and he rightly judged that the strange voice mingling with theirs belonged to Mr. Jim Simmons, who, with a trained pack of hounds,—"nigger dogs" they were called,—held himself at the service of owners of runaway negroes.

Mr. Simmons's average fee was $15—that is to say when he was "called in time." But in special cases his charge was $30. When Chunky Riley arrived within earshot of the group, Mr. Gossett was just concluding a protest that he had made against the charge of $30, which he had reluctantly agreed to pay for the capture of Aaron.

"You stayed at my house to-day, you'll stay there to-night, and maybe you'll come back to dinner to-morrow. There's the feeding of you and your dogs. You don't take any account of that at all."

Mr. Gossett's voice was sharp and emphatic. His stinginess was notorious in that region, and gave rise to the saying that Gossett loved a dollar better than he did his wife. But he was no more ashamed of his stinginess than he was of the shabbiness of his hat.

"But, Colonel," remonstrated Mr. Jim Simmons, "didn't you send for me? Didn't you say, 'Glad to see you, Simmons; walk right in and make yourself at home'? You did, fer a fact." He spoke with a drawl that irritated the snappy and emphatic Mr. Gossett.

"Why, certainly, Simmons; certainly I did. I mentioned the matter to show you that your charges are out of all reason in this case. All you have to do is to come here with your dogs in the morning, skirt around the place, pick up his trail, and there you are."

"But, Colonel!" insisted Mr. Jim Simmons with his careless, irritating drawl, "ain't it a plum' fact that this nigger's been in the woods a month or sech a matter? Ain't it a plum' fact that you've tracked him and trailed him with your own dogs?—and good dogs they are, and I'll tell anybody so. Now what do you pay me fer? Fer catching the nigger? No, sirree! The nigger's as good as caught now—when it comes to that. You pay me fer knowing how to catch him—that's what you pay me fer. You send fer the doctor. He comes and fumbles around a little, and you have to pay the bill whether he kills or cures. You don't pay him fer killing or curing; you pay him fer knowing how to fumble around. It's some different with me. If I don't catch your nigger, you button up your pocket. If I do catch him you pay me $30 down, not fer catching him, but fer knowing how to fumble around and catch him."

The logic of this argument, which was altogether lost on Chunky Riley, silenced Mr. Gossett, but did not convince him. There was a long pause, as if all three of the men were wrestling with peculiar thoughts. Finally Mr. Gossett spoke:—

"It ain't so much the nigger I'm after, but I want to show Abercrombie that I can't be outdone. He's laughing in his sleeve because I can't keep the nigger at home, and I'll be blamed"—here his voice sank to a confidential tone—"I'll be blamed if I don't believe that, between him and that son of his, they are harboring the nigger. Yes, sir, harboring is the word."

Mr. Jim Simmons threw down his lighted cigar with such energy as to cause the sparks to fly in all directions. A cigar was an unfamiliar luxury to Mr. Simmons, and he had had enough of it.

"Addison Abercrombie harboring a nigger!" exclaimed Mr. Simmons. "Why, Colonel, if every man, woman, and child in the United States was to tell me that I wouldn't believe it. Addison Abercrombie! Why, Colonel, though you're his next-door neighbor, as you may say, you don't know him half as well as I do. You ought to get acquainted with that man."

"Humph! I know him well enough, I reckon," responded Mr. Gossett. "I went to school with him. Folks get to know one another at school. He was always stuck up, trying to hold his head higher than anybody else because his daddy had money and a big plantation. I made my prop'ty myself; I earned every dollar; and I know how it came."

"But, Colonel!" Mr. Jim Simmons insisted, "Addison Abercrombie would hold his head high if he never seen a dollar, and he'd have the right to do it. Him harbor niggers? Shucks, Colonel! You might as well tell me that the moon ain't nothing but a tater pudding."

"What do you see in the man?" Mr. Gossett asked with some irritation in the tones of his voice.

There was a pause, as though Mr. Simmons was engaged in getting his thoughts together. Finally he said:—

"Well, Colonel, I don't reckon I can make it plain to you, because when I come to talk about it I can't grab the identical idee that would fit what I've got in my mind. But I'll tell you what's the honest truth, in my opinion—and I'm not by myself, by a long shot—Addison Abercrombie is as fine a man as ever trod shoe leather. That's what."

"Humph!" grunted Mr. Gossett.

"Yes, sirree!" persisted Mr. Simmons, warming up a little. "It makes no difference where you see him, nor when you see him, nor how you see him, you can up and say: 'The Lord has made many men of many minds, and many men of many kinds, but not sence Adam has he made a better man than Addison Abercrombie.' That's the way I look at it, Colonel. I may be wrong, but if I am I'll never find it out in this world."

Plainly, Mr. Gossett was not prepared to hear such a tribute as this paid to Addison Abercrombie, and he winced under it. He hemmed and hawed, as the saying is, and changed his position on the fence. He was thoroughly disgusted. Now there was no disagreement between Mr. Gossett and Mr. Abercrombie,—no quarrel, that is to say,—but Gossett knew that Abercrombie regarded him with a feeling akin to contempt. He treasured in his mind a remark that Abercrombie had made about him the day he bought Aaron from the negro speculator. He never forgot nor forgave it, for it was an insinuation that Mr. Gossett, in spite of his money and his thrifty ways, was not much of a gentleman.

On this particular subject Mr. Gossett was somewhat sensitive, as men are who have doubts in their own minds as to their standing. Mr. Gossett had an idea that money and "prop'ty," as he called it, made a gentleman; but it was a very vague idea, and queer doubts sometimes pestered him. It was these doubts that made him "touchy" on this subject.

"What has this great man ever done for you, Simmons?" Mr. Gossett asked, with a contemptuous snort.

"Not anything, Colonel, on the top of the green globe. I went to him once to borrow some money, and he wanted to lend it to me without taking my note and without charging me any interest. I says to him, says I, 'You'll have to excuse me.'"

"That was right; you did perfectly right, Simmons. The man was trying to insult you."

"But, Colonel, he didn't go about it that way. Don't you reckon you could tell when anybody was trying to insult you? That was the time I come to you."

"I charged you interest, didn't I, Simmons?"

"You did, Colonel, fer a fact."

"I'm this kind of a man, Simmons," remarked Mr. Gossett, with a touch of sincere pride and gratification in his voice. "When I do business with a man I do business. When I do him a favor it must be outside of business. It's mixing the two things up that keeps so many people poor."

"What two things, Colonel?" gravely inquired Simmons.

"Why the doing of business and—er—the doing of favors."

"Oh, I see," said Mr. Simmons, as if a great light had been turned on the matter. Then he laughed and continued: "Yes, Colonel, I borrowed the money from you and just about that time the fever taken me down, and if it hadn't 'a' been fer Addison Abercrombie the note I give you would have swallowed my house and land."

"Is that so?" inquired Mr. Gossett.

"Ask my wife," replied Mr. Simmons. "One day while I was out of my head with the fever, Addison Abercrombie, he rid by and saw my wife setting on the front steps, jest a-boohooing,—you know how wimmen will do, Colonel; if they ain't a-jawing they're a-cryin'. So Addison Abercrombie, he ups and asks her what's the matter, and Jennie, she tells him. He got right off his hoss and come in, and set by my bed the better part of the morning. And all that time there I was a-running on about notes and a-firing off my troubles in the air. So the upshot of the business was that Addison Abercrombie left the money there to pay the note and left word for me to pay him back when I got good and ready; and Jennie hadn't hardly dried her eyes before here come a nigger on horseback with a basket on his arm, and in the basket was four bottles of wine. Wine! Why, Colonel, it was worse'n wine. Jennie says that if arry one of the bottles had 'a' had a load of buckshot in it, the roof would 'a' been blow'd off when the stopper flew out. And, Colonel! if ever you feel like taking a right smart of exercise, jest pass my house some day and stick your head over the palings and tell Jennie that Addison Abercrombie's got a streak of meanness in him."

"Have you ever paid Abercrombie?" Mr. Gossett inquired. His voice was harsh and businesslike.

"I was laying off to catch this nigger of yours and pay him some on account," replied Mr. Simmons.

"Why, it has been three years since you paid me," suggested Mr. Gossett.

"Two years or sech a matter," remarked Mr. Simmons complacently.

"Then that's the reason you think Abercrombie ain't harboring my nigger?" inquired Mr. Gossett scornfully.

"But, Colonel," drawled Mr. Simmons, "what under the sun ever got the idee in your head that Addison Abercrombie is harboring your nigger?"

"It's as simple as a-b ab," Mr. Gossett replied with energy. "He tried to buy the nigger off the block and couldn't, and now he thinks I'll sell if the nigger'll stay in the woods long enough. That's the reason he's harboring the nigger. And more than that: don't I know from my own niggers that the yaller rapscallion comes here every chance he gets? He comes, but he don't go in the nigger quarters. Now, where does he go?"

"Yes, where?" said Mr. Gossett's son George, who up to that moment had taken no part in the conversation. "Three times this month I've dealt out an extra rasher of bacon to two of our hands, and they tell the same tale."

"It looks quare," Mr. Simmons admitted, "but as sure as you're born Addison Abercrombie ain't the man to harbor a runaway nigger. If he's ever had a nigger in the woods, it's more'n I know, and when that's the case you may set it down fer a fact that he don't believe in runaway niggers." This was a lame argument, but it was the best that Mr. Simmons could muster at the moment.

"No," remarked Mr. Gossett sarcastically, "his niggers don't take to the woods because they do as they blamed please at home. It sets my teeth on edge to see the way things are run on this plantation. Why, I could take the stuff that's flung away here and get rich on it in five years. It's a scandal."

"I believe you!" assented his son George dutifully.

Chunky Riley heard this conversation by snatches, but he caught the drift of it. What he remembered of it was that some of his fellow servants were ready to tell all they knew for an extra "rasher" of meat, and that the hunt for Aaron would begin the next morning,—and it was now getting along toward dawn. He wanted to warn Aaron again. He wanted especially to tell Aaron that three men were sitting on the fence waiting for him. But this was impossible. The hour was approaching when Chunky Riley must be in his cabin on the Gossett plantation ready to go to work with the rest of the hands. He had slept soundly the first half of the night, and he would be as fresh in the field when the sun rose as those who had slept the night through. As he turned away from the fence a dog in the path leading from the spring to the stile suddenly began to bay. The men tried to drive him away, and one of them threw a stick at him, but the dog refused to be intimidated. He bayed them more fiercely, but finally retreated toward the spring, stopping occasionally to bark at the men on the fence.