Here again America presents a rich field for the scientific explorer. It is now known that each linguistic stock has a distinct mythology, and as in some of these stocks there are many languages differing to a greater or less extent, so there are many like differing mythologies.
As in language, so in mythology, investigation has proceeded from, the known to the unknown—from the higher to the lower mythologies. In each step of the progress of opinion on this subject a particular phenomenon may be observed. As each lower status of mythology is discovered it is assumed to be the first in origin, the primordial mythology, and all lower but imperfectly understood mythologies are interpreted as degradations, from this assumed original belief; thus polytheism was interpreted as a degeneracy from monotheism; nature worship, from psychotheism; zoölotry, from ancestor worship; and, in order, monotheism has been held to be the original mythology, then polytheism, then physitheism or nature worship, then ancestor worship.
With a large body of mythologists nature worship is now accepted as the primitive religion; and with another body, equally as respectable, ancestor worship is primordial. But nature worship and ancestor worship are concomitant parts of the same religion, and belong to a status of culture highly advanced and characterized by the invention of conventional pictographs. In North America we have scores or even hundreds of systems of mythology, all belonging to a lower state of culture.
Let us hope that American students will not fall into this line of error by assuming that zoötheism is the lowest stage, because this is the status of mythology most widely spread on the continent.
Mythology is primitive philosophy. A mythology—that is, the body of myths current among any people and believed by them—comprises a system of explanations of all the phenomena of the universe discerned by them; but such explanations are always mixed with much extraneous matter, chiefly incidents in the history of the personages who were the heroes of mythologic deeds.
Every mythology has for its basis a theology—a system of gods who are the actors, and to whom are attributed the phenomena to be explained—for the fundamental postulate in mythology is "some one does it," such being the essential characteristic of subjective reasoning. As peoples pass from one stage of culture to another, the change is made by developing a new sociology with all its institutions, by the development of new arts, by evolution of language, and, in a degree no less, by a change in philosophy; but the old philosophy is not supplanted. The change is made by internal growth and external accretion.
Fragments of the older are found in the newer. This older material in the newer philosophy is often used for curious purposes by many scholars. One such use I wish to mention here. The nomenclature which has survived from the earlier state is supposed to be deeply and occultly symbolic and the mythic narratives to be deeply and occultly allegoric. In this way search is made for some profoundly metaphysic cosmogony; some ancient beginning of the mythology is sought in which mystery is wisdom and wisdom is mystery.
The objective or scientific method of studying a mythology is to collect and collate its phenomena simply as it is stated and understood by the people to whom it belongs. In tracing back the threads of its historical development the student should expect to find it more simple and childlike in every stage of his progress.
It is vain to search for truth in mythologic philosophy, but it is important to search for veritable philosphies, that they may be properly compared and that the products of the human mind in its various stages of culture may be known; important in the reconstruction of the history of philosophy; and important in furnishing necessary data to psychology. No labor can be more fruitless than the search in mythology for true philosophy; and the efforts to build up from the terminology and narratives of mythologies an occult symbolism and system of allegory is but to create a new and fictitious body of mythology.
There is a symbolism inherent in language and found in all philosophy, true or false, and such symbolism was cultivated as an occult art in the early history of civilization when picture-writing developed into conventional writing, and symbolism is an interesting subject for study, but it has been made a beast of burden to carry packs of metaphysic nonsense.