DISTANT VIEW OF BARCELONA. FROM A DRAWING BY THE AUTHOR.

THE SUNNY SOUTH.
AN AUTUMN
IN SPAIN AND MAJORCA.

The Dragonera Rock, Majorca. From a Drawing by the Author.

BY

CAPTAIN J. W. CLAYTON, F.R.G.S.,
LATE 13th HUSSARS.

LONDON:
HURST AND BLACKETT, PUBLISHERS,
13, GREAT MARLBOROUGH STREET.
1869.

The Right of Translation is reserved.

THE SUNNY SOUTH.

I INSCRIBE THIS BOOK
TO
ISABEL AND HAROLD,
IN THE HOPE THAT THESE PASSAGES IN THE TRAVEL-LIFE OF
THEIR FATHER MAY BE SOME DAY NOT WITHOUT
INTEREST TO THEM.


CONTENTS.

[ CHAPTER I.]
FOLLOWERS OF MAXIMILIAN OF MEXICO.—HAVRE DE GRÂCE. —ROUEN.—THE CATHEDRAL.—INFLUENCE OF SACRED MUSIC.—HEART OF RICHARD I. OF ENGLAND.—ANCIENT QUARTERS OF ROUEN.—MOUNT ST CATHERINE.—THE SEINE.—NORMAN PEASANT GIRLS.—LISIEUX.—STOPPAGE AT MEZIDON1
[ CHAPTER II.]
LE MANS.—ANCIENT CITY BY NIGHT.—THE LUXURY OF BATHING.—CATHEDRAL OF ST. JULIEN.—TOURS.—POITIERS.—ANGOULÊME.—BORDEAUX.—EN ROUTE FOR BAYONNE.—A MERCANTILE DEFAULTER.—A LONELY REGION.—HOTEL INTERIOR.—INGENIOUS INVENTION.—TABLE D'HÔTE16
[ CHAPTER III.]
THE CITADEL.—BIARRITZ.—HOW THE VISITORS KILL TIME.—EN ROUTE FOR SPAIN.—ST. JEAN DE LUZ.—HENDAYE.—THE BIDASSOA CROSSED.—WINTER IN SPAIN.—IRUN.—CUSTOM-HOUSE OFFICIALS.—ST. SEBASTIAN.—THE ALAMEDA PROMENADE.—THE PLAIN OF VITTORIA34
[ CHAPTER IV.]
BURGOS.—THE FONDA DEL NORTE.—THE ODOUR OF SANCTITY.—SPANISH CHARACTERISTICS.—SCENES IN THE STREETS.—THE CONVENT OF LA CARTUJA.—TOMB OF JUAN AND ISABELLA.—THE CASTLE.—THE CID.—THE CATHEDRAL.—HOW PRIESTS MAKE MONEY 57
[ CHAPTER V.]
AGAIN ON THE RAIL.—VALLADOLID.—THE FONDA DEL SIGLO DE ORO.—THE COLEGIO MAYOR DE SANTA CRUZ.—CONVENT INTERIOR.—CHAMBER OF HORRORS.—COLEGIO DE SAN GREGORIO.—THE CATHEDRAL.—SPANISH CHARACTERISTICS.—THE THEATRE.—USE OF TOBACCO80
[ CHAPTER VI.]
EN ROUTE FOR MADRID.—TYPES OF NATIONAL CHARACTER.—GEOLOGICAL CONNECTION OF SPAIN AND AFRICA.—A STATION IN THE WILDERNESS.—AVILA.—A FUNERAL.—THE GUADARRAMA HILLS.—THE ADUANEROS.—MADRID.—HOTEL DE LOS PRINCIPES.—PUERTA DEL SOL103
[ CHAPTER VII.]
MADRID.—GREAT ENGINEERING FEAT.—THE PICTURE-GALLERY.—PASTIMES AND OCCUPATIONS OF THE MADRILEÑOS.—THE BATH AND TOILET.—QUEEN ISABEL AND THE KING CONSORT.—THE VIRGIN'S WARDROBE.—THE ROYAL ARMERIA.—REMARKABLE PAINTINGS.—CHURCH IN THE CALLE DE TOLEDO122
[ CHAPTER VIII.]
THE ESCORIAL.—ITS PRECINCTS.—SPIRIT AND CHARACTER OF THE EDIFICE.—MAUSOLEUM OF THE KINGS OF SPAIN.—MELANCHOLY GUIDE.—SUBTERRANEAN PASSAGES.—ROYAL REMAINS.—CHARLES V.—PHILIP II.—THE PLAZA MAYOR OF MADRID.—QUEEN ISABELLA AT THE OPERA142
[ CHAPTER IX.]
A BULL-FIGHT.—THE ARENA.—THE SPECTATORS.—PROCESSION.—THE BULL.—APPEARANCE OF THE MEN AND HORSES.—NIMBLE FOOTMEN.—THE COMBAT.—SCENE OF HORROR.—THE BANDERILLEROS.—THE ESPADA.—DEATH OF THE BULL158
[ CHAPTER X.]
TOLEDO.—VIEW OF THE CITY.—THE CATHEDRAL.—PROCESS OF SMOKE-DRYING.—ALMANZA.—VALENCIA.—THE FONDA DE MADRID.—A BENEVOLENT DOCTOR.—SPANISH MULETEERS.—HOW CONTROVERSIES ARE SETTLED171
[ CHAPTER XI.]
VOYAGE TO THE BALEARES.—MAJORCA—PALMA DE MALLORCA.—OUR APPREHENSION.—FONDA DE LAS TRES PALOMAS.—HISTORICAL NOTICES.—DON JAYME.—THE RAMBLA.—COSTUME.—LANGUAGE.—CLIMATE.—CHARACTER OF THE PEOPLE196
[ CHAPTER XII.]
THE VALE OF SOLLER.—INTRODUCTION OF THE TELEGRAPH.—SUPERSTITION OF THE PEASANTRY.—PRODUCTIONS OF THE ISLAND.—THE ROAD.—GUARDIA CIVIL.—OBLIGING LANDLADY.—BRIDGE OF LA MÀ.—BATTLE WITH THE TURKS219
[ CHAPTER XIII.]
THE PORT OF SOLLER.—CONVENT OF LLUCH.—A LEGEND OF THE MONASTERY.—CATHEDRAL OF PALMA.—REMAINS OF KING JAYME II.—ATTRACTIONS OF THE BALEARIC ISLES.—MINORCA.—ITS CONNECTION WITH ENGLISH HISTORY237
[ CHAPTER XIV.]
HOW TO STUDY SPANISH CHARACTER.—BULL-FIGHTS.—PROVISION FOR THE SPIRITUAL WELFARE OF BULL-FIGHTERS.—FIGHT BETWEEN AN ELEPHANT AND A BULL.—EXPEDITION TO THE CAVES OF ARTÀ249
[ CHAPTER XV.]
CONSIDERATIONS ON SANITARY MATTERS.—THE MEDICAL PROFESSION IN SPAIN.—THE ART OF PACKING.—NIGHT SIGNALS.—EL GRAO.—CHASSE AUX CALEÇONS ROUGES.—VALENCIA.—DRIVE THROUGH THE CITY.—THE CATHEDRAL267
[ CHAPTER XVI.]
DEPARTURE FROM VALENCIA.—A RAILWAY JOURNEY.—DIFFICULTIES TO WHICH TRAVELLERS ARE EXPOSED.—TARRAGONA.—SKETCHES OF ITS HISTORY.—ARRIVAL AT BARCELONA281
[ CHAPTER XVII.]
BARCELONA.—HISTORICAL REMINISCENCES.—CASTLE OF MONJUICH.—THE CATHEDRAL.—THE GRAND OPERA.—THE PLAZA DE TOROS.—THE LITTLE ROPE-WALKER.—MONTSERRAT295
[ CHAPTER XVIII.]
ANCIENT BRIDGE OF GERONA.—THE POPULATION.—A FIESTA.—SEARCH FOR AN HOTEL.—THE FONDA DE LA ESTRELLA.—LAST SIEGE OF GERONA.—THE CATHEDRAL.—A FEW CONCLUDING WORDS ON SPAIN313

CHAPTER I.

FOLLOWERS OF MAXIMILIAN OF MEXICO.—HAVRE DE GRÂCE.—ROUEN.—THE CATHEDRAL.—INFLUENCE OF SACRED MUSIC.—HEART OF RICHARD I. OF ENGLAND.—ANCIENT QUARTERS OF ROUEN.—MOUNT ST. CATHERINE.—THE SEINE.—NORMAN PEASANT GIRLS.—LISIEUX.—STOPPAGE AT MEZIDON.

IT was almost at the last moment when, after having bid farewell to all our friends, we found ourselves on board the steamer that was to take us from England on an autumn tour to the sunny south. There was great noise and bustle on deck; the friends of the departing passengers had all left the ship, and in a few minutes the anchor was weighed.

It was yet early morning, and the sun was rising with great brilliance in the east; but his appearance was only momentary, for while we were rejoicing in the prospect of a beautiful sunlit day, he suddenly withdrew from our sight, and hid his glorious visage behind a thick cloud. So unexpected was his obscuration, that we could almost have fancied he had covered his face with a veil to conceal from his sight a scene of unexampled squalor and misery that lay heaped upon the fore-deck. A band of fifty followers of the unfortunate Maximilian of Mexico, who had landed in England a day or two before, were now being wafted by a friendly breeze, not the less welcome that it came so late, towards their homes, with simply nothing left to them but their lives.

Without other clothing than a few parti-coloured rags, which but a short time back had composed the gay panoply of war, clinging to their festering bodies, without that glory which, in the lack of every other reward, is often sufficient to compensate soldiers for having left the happy hearths of their homes and the loving eyes of their kindred, these sons of fair-haired Austria were slowly returning, feeble in body and broken down in spirit, to their fatherland, carrying with them the mortifying recollection of a shameful defeat at the hands of a distant, half-barbarous race whom they had despised, and with the destruction of health for life, the loss of limbs, and the blighting of hopes which they had once nourished. Such were the subjects, such the colours, which composed this little illustrative picture of the pomp and circumstance of glorious war. Those young soldiers, all of whom were either suffering from wounds or prostrated by sickness, were standing on the deck in haggard groups, chatting about their native place, about the home of their youth, or about the plans which they intended to carry out when they arrived there. A few were groaning with pain, some of them suffering so severely as to be almost insensible to what was passing around them. Others who were in a comparatively sound condition were laughing and dancing, forgetting with the light spirit of soldiers both what they themselves had endured, and the anguish of their suffering comrades. The garb of all was in the most miserable and tattered condition, showing how soon the gaudy uniform of the soldier is tarnished in the tug of actual war. Falstaff's wretched band of followers did not exhibit more diversity in the colour and fashion of their habiliments than did these followers of an imperial prince.

One poor ragged wretch in a darkly stained red jacket, with a wisp of clotted canvas round his head, lay on his back helpless, without arms or legs, and totally blind. A cannon had burst close to him, and inflicted on him those injuries which must render him henceforward dependent on the bounty and kindness of others. I was informed that his mental sufferings from seeing himself reduced to such a miserable condition were so severe that they had partially affected his mind, and some fears were entertained that he might never recover the use of his faculties. His, in fact, was one of those cases in which mental eclipse would almost be the greatest of mercies. It was sad to see the poor fellow moving the stumps of his arms to and fro like fishes' fins, as they appeared to me; while from time to time some rough comrade tended him gently, and fed him like an infant.

These men, the followers of an emperor, were the intended regenerators of a barbarous state, the agents of the bright spirit of civilization; and what was their state now as they lay there, prostrate in filth, overcome by sorrow, suffering from wounds, and overrun with vermin? They were all swathed in the foul old clothes they had begged by the way, or tricked out in faded remnants of old uniforms, some of them spotted with blood, and others, that had perhaps belonged to officers, covered with rusty patches of gold lace. It is always a sad sight to see misery like this that one cannot relieve, and we were glad when our eyes no longer rested on such illustrations of the pomp and circumstance of glorious war. We came across them afterwards at Havre, enclosed in a sort of sheep-pen at a railway station. The mob were jeering at them through the railings, and the gentle passed them with a sigh.

After a pleasant passage, we glided quickly into the port of Havre, and landed amidst a jargon of bad English and worse French, the British Cockney preferring to explain all manner of difficulties in a foreign tongue, however imperfectly understood, while the cocked-hatted individual whom he addressed manfully persisted in his endeavours to make everything intelligible in his own peculiar mode of speaking the English language. Here at Le Havre, all good little boys and girls should remember, Bernardin de St. Pierre, the author of "Paul and Virginia" was born; also Casimir Delavigne. Here, too, Henry the Seventh embarked en route for Bosworth Field; and close by is Honfleur, where most of the new-laid eggs that one gets in London come from. Two thousand dozen are despatched per week to England.

Delightful old Rouen, city of a hundred memories, sitting by the winding waters of the Seine, which glide like memories away! Where can we go now-a-days, in this blessed nineteenth century, to see a city so complete an embodiment of the past? Perhaps Pompeii; certainly not the boulevards, the gas-lit streets, and the flaming shops of the generality of French towns. However, there before us is the glorious old cathedral, the handiwork of our Norman ancestors, defying shocks, storms, and time. The Gothic façade, the impression produced by which is so imposing, is a miracle of profuse lace-work petrified; and the dark towers and pinnacles, which rise high over all, are so richly ornamented as to resemble filigree work.

We lift a heavy curtain, and facing us as we enter, motionless, on a high stool placed in a corner, sits an awful creature, completely draped in a costume of coarse black serge, with bent head deeply veiled. It seems some living thing from a few low moans which issue occasionally from underneath the drapery, but otherwise is without form, though it can scarcely be called void. A pale skeleton hand nevertheless now and then slowly turns from one side to another a tin box full of copper coins. Throughout the live-long days, year after year, sits this dismal-looking being, concealing, it may be, beneath that dark veil and hood, some mystery which excites a painfully intense curiosity as one stands in its presence amongst the tombs and gloom of the old cathedral.

The grand Gothic arches are lofty and beautifully proportioned, meeting above and lessening away into perspective, like the great avenue of some old forest of an earlier world, with its stems and foliage now turned into everlasting stone. The large rose-windows let in from the day without floods of rich and mellow lights, colouring the dim, heavy air with a splendid diversity of hue. The chaunt of gaudily-robed priests rises upward with the pomp and incense of High Mass, and a dark crowd kneels on the cold stones which cover the bones of ancient chivalry. No language can describe the elevation of feeling which one experiences as he treads these solemn aisles where generations of worshippers have in succession raised their thoughts to Heaven. As the organ peals forth its solemn notes we feel inspired by the spirit of devotion, and are sensible of that diviner principle within us which carries the thoughts of man beyond the bounds of time and space. We have heard organs innumerable, but never have we listened to one which produced such an effect as that of which we were sensible on the occasion in question. A perfect storm of passion seemed to be swept from the great pipes, and when that was succeeded by the soft strains of the voix céleste, one felt as if he were yielding to the gentle influence of some radiant presence, not of this, but of a better world. When men can produce such music, we may naturally ask if the spirits of the departed are near, quickening the soul of the unconscious musician with a spark of the music-spirit of a higher world? This may be considered by many as wild talk; but there are still some human beings who, at least once in their lives, have felt a strain of melody fall with entrancing power upon their hearts, inspiring diviner thoughts than they had ever known before, and so subliming the feelings, that for a time they felt a consciousness of their heavenly origin. He who has never experienced an enthusiasm like this can have no soul for music, but must be entirely of the earth, earthy—"only a clod."

Near the high altar the lion-heart of Richard I. of England was buried. It is now in a very shrunken state, enclosed in a casket, and kept in the museum. It was left as a legacy to Rouen, for which favour no doubt the good inhabitants have been very grateful up to the present hour. His body is in the undisturbed possession of the population of Fontevrault.

Notwithstanding all the modern improvements which have swept away most of ancient Rouen, there still remain some wonderful old quarters, where the crazy wooden houses of centuries back nod towards each other, in a general state of paralysis, across the dark and narrow streets. How they manage to stand at all, leaning upon one another for support, is a mystery; and why they don't sit down bodily upon their occupants is a subject of painful speculation to those good people. It is most interesting to wander in the nooks and corners of this solemn old city; and if the visitor loses his way in the narrow old streets, he may come unexpectedly upon some venerable remnant of antiquity. In many parts every turn reveals some splendid relic of bygone days, of an age of cross-bows, of processions headed by men-at-arms bearing naming braziers through the dark streets, of gallant companies of splendid dames, and flaunting cavaliers in slashed doublets, trunk hose, and inconveniently long swords, all flashing and clanking in the glare as they pass; of an age of night broils, when the clash of arms was heard beneath the dark tower, grated window, and overhanging eaves. Within that ancient palace, ploughed and seamed from gabled roof to the carved monsters on the balustrades beneath, with one rich mass of florid Gothic fretwork, armorial bearings, and quaint gargoyles, we might see the cruel Cardinal of Winchester pacing to and fro in the oak-panelled hall, fretting that the preparations in the square outside, for the burning of Jeanne d'Arc, were proceeding so slowly as to make him late for dinner.

Of course we are not going to describe Rouen and its wonderful architectural remains, nor conjure up visions of mailed Norman chiefs, nursed in war, whose unscrupulous will and iron hearts, backed by the moral weight of great warrior prelates, enforced submission upon all races between Normandy and the far East, from their stern old capital at Rouen. Tempting as is the subject, we have no intention of entering upon any disquisition regarding the vigorous race who founded the city, or of describing the antiquarian relics of which it possesses so rich a store.

It is pleasant to ascend the Mont St. Catherine, and look down upon the fine old town, with its broken walls and ramparts, which have witnessed the gallant struggles of the stout hearts of earlier days, which opposed the onset of Henry V. of England and Henry of Navarre, now overgrown with hoar moss or buried in labyrinths of modern streets, with scarce a thought bestowed upon the past of those mighty chiefs who in old times assailed or defended them—men who, by their deeds, laid the foundations of modern history. It is pleasant to see and feel the solemn air of repose or gentle majesty which hangs over the more silent streets where still stand those time-honoured buildings, the fortresses, palaces, and convents, with piles of toppling planks and wooden turrets, witnesses of ancient story and actors in its varied scenes. There, from the midst of the venerable city, spire up to the level of the wood-crowned heights surrounding Rouen, the fretted pinnacles of the cathedral towers, and beneath them the gables of Gothic houses pierce the air, while afar off the silver windings of the Seine, studded with green islets, lose themselves in the mist which hangs in the distance, seaward.

In the city below died the simple-minded, heroic, and betrayed Maid of Orleans. There, forsaken by his own sons, and his menials even, in agony and neglect, William, the Conqueror of England, and of our Saxon Harold, departed this life. There died also the great Clarendon; and there Corneille and Boieldieu were born.

It is pleasant to look at all this from afar, but very unpleasant to be in the midst thereof; for it is a remarkable fact, alike observable in Cologne as in Rouen, that the more historical the city, the more horrible the smells. Coleridge counted in the former city a certain and distinct number of odours vile; we wonder to what numerals his inquiring nose would have extended itself at Rouen. The prevailing type of flavour in the latter city seems to be a compound of extra-sour vinegar, stale slop pails, and burnt india-rubber. It is also unpleasant to be ferried over a rapid river in a thing like a worn-out gondola, with several holes in the direction of the keel, the portentous effects of which the strenuous baling powers of two men with a sardine box and a coffee cup could scarcely allay. It was, however, observed of us before we embarked, by a funny friend who accompanied us, and whose miserable puns often made us melancholy, that if we trusted ourselves to such a craft we should be in Seine.

No one in these parts, excepting idiots or princes, being in the habit of travelling in a first-class carriage, we started in a second (we mean no pun) en route for Le Mans, in the fresh and healthy society of some young Norman peasant girls. No abominable chignon disfigured the backs of their neat little heads, for there was no necessity with them to shine with borrowed plumes. Their smooth hair was neatly arranged beneath the small linen cap of snowy white, while a striped kerchief was drawn modestly across the breast. "There is no joy without alloy," however, and certainly the old peasant woman up in the corner, with a bottle of red acid liquor and a stout staff of bread—the real staff of life—guarding-like a halberdier the well-closed windows, did not strike the eye as anything peculiarly attractive, excepting perhaps at times, when, from the red acid which she occasionally imbibed, her face took a sympathetic tone, and being completely encircled by her large frill, produced an effect which a rather extravagant imagination might regard as something like that of the setting sun in a nightcap. The girls were young—she, doubtless, at some time or other had been so too; but grey moustaches are not generally associated with any distinct type of beauty in ladies. Notwithstanding the aforesaid head-gear she certainly could not be pronounced cap-tivating as our punning friend said and, wonderful to say, she knew it!

Our train passed through Lisieux, where Henry II. was married to Eleanor of Guienne, and where the modern inhabitants are chiefly employed in the manufacture of horse clothing and general flannelry. Near this not very striking town, M. Guizot spends his summer months, and in it, by-the-by, Thomas à Becket passed his banishment in 1169. About four o'clock p.m. our train turned us out high and dry, bag and baggage, on to a lonely wooden platform in the midst of a dreary flat tract of country, compared with which Cambridgeshire is extremely steep and alpine.

"Où sommes-nous donc?" asked we.

"À Mezidon, m'sieu," said an official. "Deux heures d'attente."

We immediately left our luggage with this trusty man, set our watches by the clocks of the gare, pulled our hats with determination on to our heads, and walked desperately four miles straight along a dusty high road, then turned round and walked four miles back; by which time the train was ready to start again.


CHAPTER II.

LE MANS.—ANCIENT CITY BY NIGHT.—THE LUXURY OF BATHING.—CATHEDRAL OF ST. JULIEN.—TOURS.—POITIERS.—ANGOULÊME.—BORDEAUX.—EN ROUTE FOR BAYONNE.—A MERCANTILE DEFAULTER.—A LONELY REGION.—HOTEL INTERIOR.—INGENIOUS INVENTION.—TABLE D'HÔTE.

AT midnight Le Mans was reached, amidst a deluge of rain and an insufficiency of street lamps. Gas, we believe, has found its way to Jerusalem, but not to Le Mans; and yet Le Mans is a large and important town, blessed with an enlightened and despotic government.

After settling ourselves, to our extreme inconvenience, in a vehicle like an opera-box drawn side-ways by a horse and bells, we bumped and jingled slowly on through long, dark streets, the houses in which were all so large and gloomy that they looked like prisons, and in which there appeared to be a general flushing of sewers.

Le Mans may or may not be the "trodden ground" our critics complain of, but we are quite sure it was not so when we arrived there, for not a living thing was seen in the great black town save a benighted cat or two and one very ancient rag-picker. A more forsaken and deserted-looking place could not be imagined—no, not even by Daniel the Prophet, with all his experience of "the abomination of desolation," &c.

The grey light of the skies showed us at last a great square opening before us, with a lofty stone building like a war tower rising dark in the midst. We stopped at an inn door in this square, and descended, the opera-box making a vigorous plunge to assist us in the operation. Repeated pulls at a cracked bell, which sounded dismally in some remote depth of the old house, eventually produced the effect desired, for a rattling of chains was heard, and then the heavy door swung slowly on its hinges, sufficiently to admit of the protrusion of a man's head. The head came out as far as the shoulders, and nothing more ghastly could be conceived, as for a few seconds it remained there motionless and isolated against the black background, like the decapitated skull of some malefactor nailed to a gibbet, the face gleaming deadly in the uncertain night-light. The dreary silence of the dark square was broken only by the lonely cry of some distant watchman, pacing the old streets here and there with a dull lamp, which served to deepen still more the darkness beyond, whilst, high, gaunt, and spectral against the dull grey air, loomed the fortress-like building. A gigantic lighted clock was poised on a high tower, the long hands thereof making great leaps of five minutes each along the dial, as if it were dozing, and then suddenly waking and making up for lost time by desperate strides. In fact, to anyone who had recently supped upon pork chops, or to the cheerful mind of the late lamented Mrs. Anne Radcliffe, of raw-head-and-bare-bones memory, this old tower and its clock might have appeared as the Ogre Time, or some huge Cyclopean ghoul of night, watching and gloating, with its burning eye, over the surely passing hours of the thousand slumberers lying for a season sweetly unconscious of the fleeting of life beneath, and counting each heave of breath which as it passes must bring all nearer and nearer to its maw.

The waiter who belonged to the head before mentioned turned out to be a most excellent young man, and, in his assiduous exertions to make himself agreeable to apparently the first British traveller he had ever beheld, danced about like an electrified frog. Indeed, we were grateful enough for this very sprightliness of his, for it acted as a corrective to the depressing effect of the entire establishment, which was pervaded by an air of dull, forlorn gloom. The walls appeared to be constantly in tears. The long cavernous passages and mysterious corridors were made doubly dark by the sulky gleam of a consumptive "short ten." The lofty bedrooms were provided with beds which had too close a resemblance to four-post hearses, and their furniture in general had too much of the faded grandeur of other days. The old wooden staircases creaked audibly before we began to walk upon them, as if some invisible ghost of a dead housemaid were waiting to show us up to bed, and when we ventured upon them we found they were leaning alarmingly on one side. We endeavoured as well as we could to keep in the middle, but they were so unsteady that their movement produced a sensation like that of mild intoxication or incipient sea-sickness. We were not without dread lest, supposing the balustrades showed equal signs of weakness, we might, if we did not hug the wall and coast along it very carefully, be shovelled neck and crop into the abyss below. Can anyone wonder, therefore, that in such a place we were grateful for the sprightliness of our waiter, whose good spirits and lively antics prevented us from indulging in depressing thoughts? Variety of any kind is pleasing. Who has not heard of the gentleman who got into such a depressed condition of mind from attending the debates in the House of Lords and the burlesques at the London theatres, that, with the view of obtaining a little beneficial change, he took occasional walks in Brompton Cemetery, attended executions at the Old Bailey, or paid frequent visits to an anatomical museum? It was the same gentleman who was said always to carry an umbrella with an ivory death's-head as the handle, who had a velvet coat made from a piece of his wife's pall, and who took to singing the songs of Claribel.

Le Mans is a grand old town, stately, but mouldy and only half alive. Throughout there is happily an absence of that white garish Parisian element. No whitewash, gilded railings, or sculptured gewgaws offend the genius of the spot. The solemn old houses and walls stand looking down on the quiet streets as sadly as on that day when the last remnant of the gallant Vendean army under Larochejaquelein, wearied with the toils of long campaigns, was cut to pieces beneath them in the year 1793. The face of the old town seems as sorrowful now as when the shrieks of dying women and children, remorselessly slaughtered before it by the conquering Republicans, died away upon the air, on that day when cannonades of grape and volleys of musketry swept through all the streets, among a helpless crowd of the wretched wives and little ones of the scattered Royalists, of whom ten thousand corpses lay red in that awful sunset.

In the early morning we nearly frightened to death some good citizens by bathing in the river Sarthe, and several crowded to the bank to witness the last gasps of two insane victims to the love of ablution. It was a fine warm day in September, yet the idea to them seemed madness. However, this little adventure brought to light what Diogenes had so long sought for—an honest man. As we were drying ourselves on the river bank, beneath the shadows of the old cathedral on the height above, a passer-by in course of conversation observed,—

"Pour moi, messieurs, I detest water—never touch it—ni chaude, ni froide."

Now we like this blunt truthfulness, so much better than the big talk of some people respecting their tubs and baths, who yet never go near them. We remember, upon one occasion, in a country house there was a gentleman who was always talking about the luxury of "tubbing," and whose constant refrain was, "What a brute a man must be who doesn't tub," &c. Being the occupant of the adjoining room to us, we happened, quite by accident, one fine morning, upon hearing a tremendous splashing and dashing, to look through the key-hole, and discovered, much to our astonishment, our friend standing up, half dressed, in knickerbockers, shirt, and diamond pin, squeezing a sponge into a tin bath, and shouting in a very loud whisper (which would have made his fortune in an "aside" on the stage), as if overpowered with the freshness of the water, "Oh! how delightful! By Jove, how cold! Ahi! phew! a—h! oh!"

The cathedral of St. Julien is a grand, imposing Gothic structure, grey with the hoar of age. Its lofty towers, which are so richly ornamented that they appear as if covered with fretwork, hang at a great elevation above the city, crowning a height. In it we found the monument of Berengaria of Sicily, Queen of Richard I. of England, and the tomb of Charles of Anjou.

Le Mans has the honour of having given birth to Henry II., the first Plantagenet king of England; and we suppose we ought here to mention, what every one on earth must know, that his father Geoffroi always wore in his cap a sprig of genêt, or broom, which grows luxuriantly throughout Maine and Anjou, and hence the name of a race of kings—Plante-a-genêt.

From Le Mans we took the railway to Tours. Upon nearing that city we passed an old red château, where Louis XI. shut himself up, dreading, like Oliver Cromwell and many great criminals, daily assassination. Gates within gates, castle within castle, like a remarkably strong Chinese ball-puzzle; such is the interior. On a plain near Tours—an old story—Charles Martel beat the Saracens in 731. No one writes on Tours who does not say, "If the Saracens had beaten Charles Martel, we should all be keeping harems, smoking tchibouques, and praying on bits of square carpets, or, whenever we had a moment or two to spare, on turnpike roads," &c.

After we had passed Tours the country was flat, ugly, and very uninteresting. Poitiers, which we reached in due course, is a picturesque, battlemented old town, built on the tops of precipices, the sides of hills, rocks, and ravines, with green slopes, gardens, and river. We say nothing about the Black Prince, Lord Chandos, and King John, at the battle of Poitiers. We wonder, indeed, if they were ever there; for was there not a man who once wrote a book to prove that there had been no such person as Napoleon?

After passing Angoulême, at which we stopped for a short interval, it became too dark to see or read, and we tried to sleep; but soon discovered what a quantity of hitherto unknown and extraordinary bumps and sharp angles the human form possesses. In spite, however, of our discomforts, the train rattled on, and we arrived at Bordeaux. After a good night's rest, the disagreeable effects of our journey disappeared; and getting up fresh and active in the morning, we set out to explore the city. But what did we see? Docks, et præterea nihil!

As we were taking our seats in the train for Bayonne, we perceived in the next carriage to us, guarded by three gendarmes, a pale, middle-aged man of gentle exterior, at whom several persons at the carriage window were hurling execrations. Being unfortunate in the management of his affairs, he had attempted to maintain his position by means which brought him within the clutch of the law, and the consequence was loss and ruin, not only to himself, but also to many who had placed entire confidence in his integrity. Now, doubtless, he regretted his folly, and formed many good intentions as to the future; but, alas, several years must pass over before he can put them into practice, and when he emerges once more into life, the world will laugh to scorn the fine sentiments of a man out of jail, and, securely mailed in the panoply of their own good luck,—we beg its pardon, high morality,—politely refer him to an observation of Seneca's:—"Quid est turpius quam senex vivere incipiens?" [1]

However, every proverb has its reverse, "Ogni medaglia ha il suo reverso;" and against Seneca we can pit Mr. Charles Reade, who thinks it "never too late to mend."

We were roused from our reverie by a voice exclaiming, "En voiture, messieurs!" and at the same time the whistle screamed, the bell rang, and that great leveller, the railway train, glided off. In a few minutes the spires and masts of Bordeaux had passed away, and with them every vestige of the bustle and clang of busy life. How strange it seemed that in so short a time we should have dashed into the midst of lonely regions where the tracks of civilization seemed all but lost! Onwards we scoured, over the desolate Landes, over brown trackless moor, and through the gloom of forests. The leaden heavens seemed stagnant and dead, and indeed a ray of sunlight or gleam of warmth in such a scene would seem but a mockery to the heart. On, through desert places where the wild bird and solitary wood-cutter alone quicken the deadness of the silent wastes which spread away in dark expanse to the horizon. Far and wide no life is seen, and no sign thereof, save an occasional group of wretched hovels buried in the recesses of the black woods, which are perceived only for a moment through a storm-torn gap as we fly along and then are gone, leaving the wilderness again in all its dead stillness under the fading light of the dreary skies.

The lights of Bayonne at length gladly broke upon us as the evening darkened, and in a short time we were rattling with horse and bells through the heavy stone gates, and over the moats and drawbridges of the city walls. The old narrow streets, with their tall houses covered with balconies, lattices, and coloured blinds, were a foretaste of those to be seen in Spain. The rows of lighted shops, beneath heavy low arcades built of hewn stone, and supported by stout pillars, brown with age, were all crowded with busy passengers, garbed with sash, velvet breech, and bonnet. The bright cafés—filled with loungers, small politicians, and trim waiters, with their hair mowed to the roots—were shedding on the roadway floods of yellow light.

On we rattled, over roads not paved yesterday, if ever paved at all, amidst bumping and jingling, forced to listen from time to time to periodic fits of shocking language addressed to the smoking horses, gay in coloured trappings, and trotting us merrily along. Now we dived into a narrow alley, black as pitch darkness could make it. Then we twisted out of it so sharply, round a corner, that, had our hair not been carefully oiled, it would have stood on end, and emerged into a wide street full of gas lamps, illuminated windows, and rows of bright green little trees, trimmed so artificially that they had as little resemblance to their natural growing congeners as those in a child's Noah's ark. It was pleasant, after our dreary day's journey, to find ourselves thus hurrying, in the brilliant flare of the night lamps, through a most picturesque old town, over bridges from which we could see in the rapid waters below the twinkling reflection of a hundred lights, along streets in which we passed companies of soldiers marching to the music of drums and bugles, and through busy quays all alive with bustle and loaded with merchandise. In fact,

"The city gates were opened; the market, all alive

With buyers and with sellers, was humming like a hive;

Blithely on brass and timber the craftsman's stroke was ringing;

And blithely o'er her panniers the peasant girl was singing."

And "blithely" we eventually entered the Hotel * * *, and sat down to a remarkably good dinner of fresh sardines, wild boar, paté de foie de canard, and a dish of beccaficoes. "Our bore," the inevitable Cockney across the table, fired off a sickly joke at the expense of those little birds, to the effect that, if we had never yet eaten beccaficoes, we ought-to-learn (ortolan). Now really! Oh! who can minister to the "mind diseased" that produces such monstrosities?

The hotel was a great square house, with a wonderful collection of keys on a board by the entrance door, as if they had been fired there like grape-shot out of a gun. The passages and staircases were liberally supplied by day with sand and saliva, and by night with cockroaches of remarkable size. Hanging on the walls of the salle-à-manger were advertisements of bull-fights to come off in various towns of Spain, and also others of various hotels in different countries. There was one of a boarding-house in Weymouth Street, Portland Place, London, with a picture of the same. Now we do not wish to set up as art-critics, but merely state that we have once or twice in the course of our lives had occasion to find ourselves in that salubrious district, but don't remember noticing any detached house or Italian villa in a park, with palm trees waving over it, and a plantain in full growth. There was another picture of a hotel in Granada, with the Moors walking about the streets and conversing with the waiters at the door, as if Abderrhaman was still residing in Spain.

In the courtyard of our inn a fountain was playing, and a vine formed a large shady arbour for smokers and idlers beneath. There was not much to complain of, and notwithstanding the general smell of garlic, and an odour resembling that of steamboat cabins, with which the bedrooms were perfumed, we slept most comfortably for a short time with calm consciences and clean sheets, gratefully manufacturing a proverb for the occasion, to the effect that fine feathers make fine beds, to say nothing of good housemaids. We even glided into dreams, in which we held conversations with individuals of every possible complexion, dressed in scarlet Scotch bonnets, velveteen jackets, broken out into a nettle-rash of metal buttons, red sashes, breeches, and hose, in Basque, Spanish, French, English, and all sorts of patois, all at once, and with incredible ease, coherence, and velocity. We say we slept most comfortably for a short time, and one must have been very deaf, or stolid, or philosophical,—in a word, insensible to all sorts of disturbance,—to have slept comfortably after 2 a.m. in such a place. For diligence after diligence coming from somewhere or other, and going in the same direction, rolled by every quarter of an hour immediately underneath our windows, accompanied with loud shouts, cracking of whips, and jangling of bells.

Between the quarters of the hours a gentleman and his wife enlightened the entire hotel with a domestic wrangle in one of the rooms in our neighbourhood, and at 5 a.m. some person or persons overhead, probably experimentalising with a cold tub for the first time in their lives, apparently found it impossible to restrain themselves from giving vent to the natural exhilaration produced by the bath in what seemed, by the trampling they made, to be an Indian war-dance. Added to this, there was a clock in our apartment which struck six when it should have struck four, and eight when it should have struck six, thereby becoming a source of much anxiety to the half-dormant mind, torturing it with vague speculations when it should have been at rest.

The bedroom bell was ingenious enough, going off like an alarum when a knob of wood fixed in the wall was touched; and the invention would be still more valuable if it would at the same time induce any servants to answer it. As it was, the only chance, after prodding it for a good quarter of an hour without any other result than a sore thumb and a great deal of noise, was to seat oneself in an arm-chair before it with the latest newspaper, or some interesting book, and, the elbow firmly pressed against the knob, so to remain, if needs be, for the whole afternoon until some one below was sick of the rattle, and condescended to come and inquire the cause of the summons.

A table-d'hôte breakfast in places like Bayonne is very trying to a delicate stomach, especially when an opposite lady is in the habit of wearing a false nose, and when the gentlemen wear diamond rings and very dirty wristbands. Individuals of excited imaginations may possibly regale themselves with potage à paté d'Italie, but to minds of ordinary level it appears but as some mystic and not very inviting fluid with things like boiled gentles in it. Rognons sautés en champagne is a dish also considered by the sanguine as something quite unique, whereas a philosopher (at all events at so early a meal as breakfast) is apt to connect that condiment in a general way with old hats and hot water.

FOOTNOTE:

[1] What is more miserable than to see an old man just entering on the practice of virtue?


CHAPTER III.

THE CITADEL.—BIARRITZ.—HOW THE VISITORS KILL TIME.—EN ROUTE FOR SPAIN.—ST. JEAN DE LUZ.—HENDAYE.—THE BIDASSOA CROSSED.—WINTER IN SPAIN.—IRUN.—CUSTOM-HOUSE OFFICIALS.—ST. SEBASTIAN.—THE ALAMEDA PROMENADE.—THE PLAIN OF VITTORIA.

WHEN after breakfast we looked out of our window, we perceived on the opposite side of the way a grim old castle, with little grated windows sunk deep into its walls, like the eyes in a consumptive face. And well, indeed, should that old building hide its eyes from all creation, for did not its walls give shelter to the guilty trio who planned within them the devilish scheme of the massacre of St. Bartholomew,—the Duke of Alva, Catherine de' Medici, and her miserable offspring, Charles IX.?

A walk about Bayonne brings to notice of course a great amount of fortification, especially the citadel of Vauban, where Marshal Soult and the Duke of Wellington fought very hard and sacrificed a great number of the soldiers of their respective countries. Proceeding in another direction outside the town, the tourist will come to a cemetery where lie forgotten, mouldering in the dust of a foreign land, the remains of the officers of the British guards who fell during the fruitless siege of Bayonne. Down in a dim dell, amongst old trees whispering a requiem in the breeze of falling night, we stood over those solitary graves, near which there was no sign of life, and where the brambles of the wilderness did their utmost to impede the tributary footsteps of the two English pilgrims to this forgotten shrine of their brave countrymen, on which the last beams of sunset threw what seemed in imagination a bloody light.

On a fine southern morning, we climbed on to the top of a crazy diligence, swinging in a very top-heavy and uncomfortable manner over some very high wheels. The vehicle swayed to and fro in such a way that the last carriage of an express train on the narrow gauge would appear immovable compared with it. The banquette, with its hood, in which we were travelling for pleasure, seemed quite overburdened with politeness, and bowed in the most humble manner to everybody and everything it met. We were now on our way to Biarritz, a place we reached after an hour's drive in which there is nothing very remarkable to attract the traveller's attention.

Biarritz is a town situated on the shores of the Bay of Biscay, and consists chiefly of hotels and boarding-houses built on rocks. It is peopled generally by emperors, waiters, hawkers of spurious Spanish goods, and very idle ladies and gentlemen. Creatures like mermaids, with their extremities encased in mackintosh, are seen nearly all day long sporting about in the waters which break upon the yellow sand, and dancing quadrilles in the sea with very odd-looking fish of the male gender, also swathed in curious garments, which cause them at a little distance to resemble very badly rolled-up umbrellas, or an imperfect class of sausages. Barring the bathing, the amusements of Biarritz, or Biarits, as some of the natives write it, are very dear and rather silly. People revolve nightly on their own axes to the solemn strains of a horn band in a large casino, with expressions of countenance as serious and business-like as if they were undergoing a course of rotatory exercise recommended by their medical advisers as a stimulant after the chills of the bath; while the day is consumed, one hardly knows how, except it be in flirting, aquatics, scandal, abuse of one's neighbours, or in buying from gaudy coffee-coloured Spaniards trumpery which, under no conceivable circumstances, could the most ingenious mind ever turn to any account. There is certainly grand food for the eye whichever way it may turn, "whene'er we take our walks abroad," for the long jagged line of the Spanish mountains is seen, now clear, dark, and sharp, now wild and storm-wrapped, rising loftily from the far blue main; and there is always playing on one's cheek, or with the flowing tress of many a pretty damsel, the pure strengthening air of the Bay of Biscay, sweeping with untainted breath from across the dark, wild waves of the rolling Atlantic. From the summits of the various sea-worn rocks and pinnacles which jut out from the land may be seen beautiful views of the white amphitheatre of Biarritz, formed by clusters of villas, casinos, and bathing pavilions along the curving shore, or piled on gentle hills, rising one above the other in picturesque confusion, with their sunny walls shaded here and there by green shrubberies, or gay with flaunting banners waving over shining terrace and grassy slope, the stately Villa Eugénie of the Empress commanding the whole. In front the restless waves are ever rolling in on the yellow sands, in their ceaseless chase from the Bay of Biscay, spread out so broad, blue, and beautiful; while to the south the distant skies seem walled up by that grand dark chain of the Spanish mountains, towering through clouds and tempests in wild and lofty grandeur, or melting away on the far horizon into the heat of the golden day and the spume of the tossing sea.

The people at Biarritz seem to be in a chronic state of masquerade. In some the disease takes a severe and malignant form, in others simply that of a mild and harmless lunacy. Very fierce and dirty individuals prowl about the streets, in what is popularly supposed to be the Spanish costume, namely, shabby velveteen inexpressibles, jackets covered with a perfect eruption of buttons and bobbins, and the calves of their legs swathed in linen bandages, as if they were in a general state of poultice. These individuals have dreadful long Spanish knives to sell, knives which, when any Englishman is so infatuated as to decline buying Birmingham cutlery at Biarritz, they grasp in a very portentous manner, opening and shutting them with an air of determination which is most alarming to the weak and nervous.

"Who comes in foreign trashery

Of tinkling chain and spur,

A walking haberdashery

Of feathers, lace, and fur?"

Who indeed? the poet might well ask on the afternoon parade at Biarritz; and it is not at all certain that the people know themselves. There are gentlemen in short white jackets made of blanket, lemon-coloured tights, and Napoleon boots, or in knickerbockers and top-boots, Scotch plaids, and very tall hats, with brims so narrow as to be rather problematical. The British traveller is, of course, to be seen there, as everywhere else, with a beard in that state which one does not know whether to attribute to neglect or intention.

The ladies simply dress at one another, and the extravagance of their costumes can only be conceived by minds of the calibre of Gilray, or by such as can picture to themselves Paris fashion gone mad. We saw one lady in short skirts and Hessian boots, with little bells for tassels. The dress itself was so stiff with embroidery and needlework that it would have made a capital diving-bell; and the jacket was so profusely embroidered with lace that it seemed made of solid gold. Nearly every lady finds it necessary, for some at present inscrutable reason,—which, however, like other mysteries will some day be made known,—to walk about with a slender white wand with a nail at the end. What are these sticks? Are they fetishes, or are they connected with any form of superstition. Why are they adorned with nails? And for what reason are they carried like toothpicks between the finger and thumb of a tight kid-gloved hand? We should also like to ask why do young English ladies at foreign tables d'hôte always appear as if somebody was perpetually on the point of whispering something improper to them? Their frightened air, indeed, as one out of common politeness prepares to address them with some commonplace remark, is so infectious that it is a wonder one does not fall plump into a perfect mire of mistakes and gaucheries, a miserable martyr to the cause of amiability.

It certainly is a marvel how people manage to thrive on the fare provided at these entertainments,—ghostly entertainments, we may call them,—for there, as surely as the clock tolls forth the hour, appears the spectre "cock and salad," which, with the perversity of fate, ever haunts the path of the European tourist, to scare and depress his appetite. The old philosopher, in observing

"Ὁ ἁνθρωπος εὑεργετος πεφυκως," [2]

must have had some prophetic revelation of the after-times of modern civilization, and particularly of Biarritz tables d'hôte; for if man was not naturally a benevolent creature how could he endure with equanimity day after day the same plateful of luke-warm water—potage à l'eau chaude, it ought to be called—apparently stirred up with a tallow candle to give it a flavour; the same recurring square phids of old dry rug (rosbif) of which the soup was made; the same perdreaux aux choux, which sound so magnificent in theory, but when reduced to sad reality consist mainly of choux and the bones of some small specimens of the feathered tribe? Then the filets de bœuf—can they be made of old door-mats?—what labour must one undergo before he can persuade the "too solid flesh to melt!"

At these gastronomic revels we are sure to meet an English paterfamilias, with mamma and daughters. When we say English, we do not mean moderately English, but downright and awfully British—British in the dogged look of plethoric, stupid self-complacency and general superiority over everybody and everything not British—British in that moneyed bovine state of mind which distinguishes the inferior specimens of the nouveau riche fresh from Albion. The mamma and daughters, too, are British to a degree, as they sit enveloped in a dull atmosphere of Clapham gentility, striving to their utmost to appear easy and graceful "at meals and in company." But in spite of these laudable endeavours, it is a difficult point to decide which is preferable to witness—the alarming efforts of people endeavouring to eat and drink elegantly, holding their knives and forks like pens, and a wine-glass between a finger and thumb, with the rest of the fingers outstretched to their fullest tension, ending in the little finger pointing away in far perspective; or honestly at once scratching themselves with a spoon, lapping up gravy with a knife at the fearful risk of widening their mouths to the extent of the aperture of a letter-box, and when thirsty taking a hearty draught of water from the finger-basins. As for the juste milieu people talk about, that at most tables d'hôte seems quite Utopian and might form an innocent branch of study for the Reform League.

Bathing goes on during the whole morning and afternoon, and the method is in this wise. We walk down across the sands from the bathing cabinets, a distance of a hundred and fifty yards, barefooted, like some ancient friar going on a pilgrimage. We are wrapt in the white flowing folds of a long garment resembling a Knight Templar's cloak, and are attended in state by two men rolled up in oil-cloth. When we have arrived at the brink of the sea, our attendants venture in with us to a depth perhaps of twelve inches, and we are recommended by them to put a little water into the hollow of the hand and pour it carefully on to the top of the head. This ordeal being safely accomplished, we commence a polite little dance hand-in-hand with one of the bathing men in the presence of the crowd—it may be the whole town—on the beach. After jumping up a few times as high as possible, in order to avoid every wave as it approaches, the two bathing attendants inquire after Monsieur's health, and how he carries himself—comment se porte-il?—and finally they lead us back by the tips of our fingers, and on the points of their toes, across the sandy plain, still in full view of the assembled populace, to the row of sentry boxes or cabinets on the grand parade, where we pass in a very depressed condition through the centre of a large concourse of splendidly attired ladies and gentlemen. If we are in luck, perhaps an old lady or two may smile blandly at us as we pass, as if to congratulate us on our escape from the perils we have encountered. If we wish to keep in the highest mode, a slight walking-stick or cane is considered an elegant and useful accompaniment to the bath.

Young ladies are conducted singly into the water in the same manner by the men in mackintosh, and upon these occasions they seem to disport themselves in the most playful manner. They of course do not neglect this opportunity of adorning themselves with the most singular costumes, and look in their tunics, trousers, and straw hats very androgynous. They never wet their heads, and on their return deposit their feet immediately in very hot water, to draw the blood from the brain. We preferred, however, to bathe in our own native style, and found it very pleasant to walk into the sea at the Port Vieux, and swim out, far away from bathers and bathees, until we could disport in the open sea. We swam past the two opposite capes which form the entrance to the little bay, where the buoyant water supports us as a sofa; and from the bosom of the deep, on which we reclined, we enjoyed the splendid panorama of the distant Pyrenees which our own unaided efforts had procured us. It is pleasant to stand on any of the island rocks of Biarritz and hear the great waves below dash amidst the caverns they have hewn out, sounding like far artillery. It is amusing, when one is not in a critical mood, to meet a funny Briton now and then at the table d'hôte, who tells you little innocent lies to the effect that his uncle, being evangelical, had four sons named Matthew, Mark, Luke, and John, and when a fifth was born, called him "The Acts of the Apostles." But the most pleasant thing of all is to find one's back turned, after a sojourn of four days, upon this stupid little town, where there is so much frivolity and, curious as it may seem, no less dulness.

Eh bien, nous voici enfin well started for Spain! We reflected we should arrive at Burgos at twelve at night. However (as a Spanish railway accident is an awful affair), better late than never. The hotels would, no doubt, all be closed, and we should find ourselves in rather an awkward position. We neither speak nor understand a word of Spanish, but the people at Burgos are much in the same predicament, as they have a patois or dialect of their own. Most of the silver money of the country is bad, and the keepers of hotels or fondas in Spain, are as fond as (the author of this bright idea was our funny friend) innkeepers in England of practising a little harmless extortion upon travellers,—in fact, fonder.

We passed St. Jean de Luz, a queer tumble-down old town on the borders of the sea, in whose cathedral the Grand Monarque was married to Maria Theresa, daughter of Philip IV. of Spain, and in the great red house in the square the happy couple lived for a fortnight or so in nuptial beatitude. Some way off rises the mountain of Bayonnetta, down whose slopes a spirited band of peasants once charged their enemies with poles, to the ends of which they had lashed their long-bladed knives. Some find in this fact the origin of the bayonet. The town is inhabited by whale-fishers, a few soldiers, and some centipedes.

When we arrived, the loungers at the station were still talking over the recent accident which had well nigh upset all the calculations that Napoleon III. has made as to his dynasty. The sea is generally very rough at the entrance to the little harbour; and on the occasion in question, as the Empress was landing in a small boat from her steamer, the boat was upset close to land. The Empress and Prince both struck out, the one shouting as much as was consistent with a mouthful of water, "Save my son!" the other, "Save my mother!" This was as it should be. Eugénie and the heir to the imperial throne were saved, but the poor pilot was drowned.

We shortly reached Hendaye, the last French town, and the Bidassoa, which here divides the two countries, was crossed. There are some low swampy lands visible at low water between the sea and the bridge over the river, and no one but amphibious creatures would, one would imagine, venture upon them. In 1813, the Duke of Wellington, however, persuaded his army to wade through them; thereby succeeding in both astonishing Marshal Soult and taking his position.

We next arrived at Irun, the first Spanish town, in a storm of sleet and rain, and in a hurricane of wind. In fact, it had rained, and blown great guns and small arms, almost incessantly for the last four days at Bayonne and Biarritz, and the farther south we got the worse got the weather. People for some inscrutable reason go to Spain for the winter. They had surely better remain in the mild and even climate of Ventnor or Torquay; for if the sample of autumn we were favoured with was supposed to be genial, the Fates and common sense defend us against experimentalising with our miserable bodies upon the Spanish winter! To winter amidst the damps, or rather wets (for damp is a mild expression indeed), the violent winds and the shelterless plains of the north of Spain would, we fancy, be sufficient to send a Laplander into a consumption. What effect it would produce upon a delicate English female, we cannot attempt to decide upon our own authority. We doubt not, however, that Seville, Valencia, Granada, or even Barcelona, with their sunny skies and favourable position, may be more favourable to the invalid, and melt the icy fingers of winter ere they can reach him; though, alas! the frost of death will strike down its victims even under warm and radiant skies. True, it seems at times as if death might be touched with a temporary remorse, and be persuaded to defer the fatal blow; but what matter a few moments longer in a dreary world? Of what value is another year amidst a sea of troubles—an ocean of toils and cares? Whether our life be a dream of sorrow or of bliss, it must shortly end. If the former, why should we care to prolong it? If the latter, it is like the one joyous life-hour of the butterfly,—'tis gone at our sunset, when the poor heart has beaten itself out. The blushing flowers of summer, even as we bend over them, fade, wither, and die; and the music of a woman's whisper faints away even as it is uttered. All that is mortal, all that is lovely, must pass away into darkness, and the objects of our fondest affections must disappear in the shifting sands of Time!

At Irun the aduaneros, who are all mustachios and impertinence, are supposed to be very exacting, and one is warned not to look cross or anxious as one's portmanteaux are plumbed, and rummaged, and mauled by the fingers of gentlemen who seem to think that smoking and eating garlic are nearer to godliness than cleanliness. So, taking advantage of this advice, we immediately on our arrival called up a ready-made and vacant smile, and assumed such an air of nonchalance, that the aduaneros must have thought we were stupidly regardless of our personal property. One sharp-eyed little official, however, not quite understanding how any sane man could travel about Europe with a washing apparatus, seized greedily upon our friend's india-rubber bath with a little growl of ferocity. This convenient article, as all know, is fluted round the edges; and the little man consequently came to the conclusion that the fluted divisions must constitute some kind of infernal machine, provided with a certain number of barrels, the explosion of which would blow up the Queen of Spain and her Ministry; and that we, of course, were a couple of daring revolutionists. It was with some difficulty that we succeeded in convincing the important official that he was in error, and then we were allowed to proceed.

The rain still descended in cataracts, the wind blew with unrestrained violence, and everything looked damp, dirty, and dull, as we once more entered the railway carriage. Here we rashly fired off a sentence of Spanish in the reckless manner of one who fires off his gun when "Woodcock" is suddenly shouted in a plantation, viz., shutting the eyes, firing in the air, and trusting to Providence.

"No se cambia coches Burgos?" gasped we.

"No, señor," answered the guard.

We restrained all further desire for conversation with that functionary, as vain, weak, and unprofitable, for it is said, "Set a beggar on horseback, and he will ride to"—a gentleman not usually mentioned in polite society. But for our part, we make it a golden rule, when we wish to air our French or Italian, never to address persons of a stern aspect, never to make linguistic experiments upon hard-looking men. It is better to single out an individual with a mild and rather fatuous countenance for the purpose in question. We avoid individuals of imposing presence, and seek out humble little men who slink into corners, and, if possible, people of delicate constitution. A quiet young man in spectacles, for instance, who is going to Mentone for health, and who has a box by his side labelled, "Fragile—Huile de foie de morue," is a good subject; in fact, any one who is too feeble to be astonished at anything.

As we continued our journey into Spain, the lower spurs of the Pyrenees rose darkly over the sea, and waved away in lofty undulations of vale and mountain, with their slopes up to their summits clothed in green woods, or dotted here and there with pretty Swiss-looking cottages, while through the drifting scud a stray sunbeam occasionally found its way, and ever and anon fell in a flash of glory athwart the golden tints of the autumnal woods.

At length a high citadel and some turret-crested hills came into view, looking down upon a clustering group of grotesque old houses, fishermen's huts and vessels, the masts and sails of merchant craft, while whitewashed Basque cottages were seen in all directions peeping out from thick foliage, and appearing very bright and clean. This was San Sebastian. Here the upper ten thousand of Madrid resort for bathing in the summer season, when the shores of the little bay are turned into a perfect camp of tents, pavilions, and bathing-machines.

The Alameda promenade is crowded on afternoons with hundreds of people in quaint Basque costumes. The bull-ring and the theatre are also favourite resorts of the inhabitants and visitors.

The fair amount of beauty met with amongst the females of this fine semi-barbarous Celtic race occasionally tempts the passing traveller to remain a day or two in this curious and pleasant old town.

All seems so peaceful now in and around San Sebastian, the sleepy quiet of which is broken only by the roar of distant waves, that it is difficult to conjure up the scenes of carnage which, after the defeat of the French garrison by the English, took place here—the rush of hissing shot, the crash of falling houses, and the shrieks of women and children dying midst flames and smoke! Who can imagine the condition of a town given up to drunken soldiers, maddened with lust, success, and wine? England has glorious annals in her history, and well may her sons rejoice in their English birth; but there have been times when devils might have rejoiced and angels wept at the deeds done by Englishmen, and the day of the sack of San Sebastian was one of them.

After a short stoppage we proceeded onwards again through sombre gorges, rocky defiles, and verdant valleys. We swept across dry and arid plains, with the long line of the retiring Pyrenees bounding their horizon, and past wonderful old villages, mostly in ruins, built in the chinks and crannies of rocky mountains, and inhabited by wild-looking men and women. The plashing rain descended and the wind whistled as we dashed through the spume and mist, with great rocks, old castles, and majestic trees looming in the midst thereof like uncouth ghosts. Then—

"One long last peal of thunder,

The clouds are cleared away;

And the glorious sun once more looks down

Upon the dazzling day."

When light once more shone on our path, we looked up and beheld high overhead beetling crags and detached boulders of rock, suspended apparently so insecurely that a breath might dislodge them from their lofty shelves, and dash them down in ruin upon the passing pigmies beneath. On that spiring pinnacle sits a mouldering castle, where Roderick, last of the Goths, transported the lovely La Cava, who cost him his sceptre and his life.

The plains of Vittoria at last appeared spread before us, indistinctly seen in the darkening twilight, with a lunar rainbow hanging over them.

Oh! the oppressive heat of Spain! Oh! the suffocating and sultry air! But the Spanish climate is often subject to great changes, and we can only say right glad were we that we took a fool's counsel, viz., our own, and had brought no end of wrappers. Like Job, we had our comforters, and fortunately had carried with us a stout great-coat to this broiling land!

FOOTNOTE:

[2] Man is naturally a benevolent creature.—Antonin.


CHAPTER IV.

BURGOS.—THE FONDA DEL NORTE.—THE ODOUR OF SANCTITY.—SPANISH CHARACTERISTICS.—SCENES IN THE STREETS.—THE CONVENT OF LA CARTUJA.—TOMB OF JUAN AND ISABELLA.—THE CASTLE.—THE CID.—THE CATHEDRAL.—HOW PRIESTS MAKE MONEY.

WE arrived at Burgos in the midst of a hurricane of piercing wind—wind that was more easily felt by us than it will be understood by our friends in England, who cling to the obstinate notion of the incessant heat of Spain. The cold of that October night, far more intense than an ordinary mid-winter night in England, was made more severe by the utter absence of all comforts, and by the piteous appearance of the natives who shiver and shake all over the country, rolled up into peripatetic bundles of drapery, like denizens of frozen regions. There are people who leave off fires and flannel waistcoats in England because it is the first of April, although, snow may be on the ground; and we have no doubt that several of our friends would have had us array ourselves in white jane pantaloons and linen jackets because we were in Spain. No, there is no reason that, because a man is clever and au fait at all that concerns that state of life to which God has called him in the British metropolis, his meteorological and thermal assertions respecting other countries are to be believed in unreservedly by his friends.

Meanwhile, "Burgos!" was suddenly shouted by the guard of the train, and on looking out, we found we had arrived at that station. About a mile off was the great cathedral, so well portrayed by our David Roberts, looming before us ghostly in the dim light of the watery moon. We descended on to the platform half asleep, and anxious about the portmanteaux, while the train whisked off, leaving us alone, like stranded mariners on an unknown shore. We looked about us, and saw uncouth figures gliding about here and there with lanterns gleaming in the darkness, shapeless forms wrapped up to the eyes in dirty coloured blankets—their heads extinguished with steeple hats and other romantic and curious gear.

A small crowd gradually gathered around us as we sat upon our pieces of baggage, like Marius among the ruins of Carthage, and then everybody began to talk at once with the most frightful velocity and alarming gestures. The chorus, not very unlike that of evil demons in some weird opera, continued for several minutes, raging with great vigour and such rapidity that we could not make even the wildest guess at their meaning, because, amidst the babel no words of their patois could be distinctly singled out. However, directed we suppose by the special providence which presides over British tourists, we eventually made a desperate resolution to follow our luggage and cling to it to the last. Following these tactics, we found ourselves in a short time seated in an elongated vehicle, innocent of all springs, which had some resemblance to a schoolroom on wheels, with all the candles put out. In this conveyance we had the further advantage of the uninterrupted society of a monkish gentleman with sandals, cowl, rope, and what seemed to be a long hairy dressing-gown. Now, we have often heard of the odour of sanctity, but if the odour by which this holy person was accompanied was the article in question, we must say we didn't think much of it.

The vehicle in which we were seated started with a shout, a crack, and a jerk, very suddenly, and, to any one a little absent, without sufficient warning. After rattling over the most fearful pavement, past grey, gaunt buildings, and through dark, narrow, shadowy streets, illuminated at long intervals by a misty lamp swung across from house to house, we were landed at the door of the Fonda del Norte.

At this juncture, the fact that in this life confidence in things as they should be, instead of suspicion of things as they are, is a mistake, was forced upon us very decisively; for had we, on descending from the omnibus, not considered it natural that there should be a step upon which to place the foot, instead of regarding it as possible that there might not be one,—especially if it was at all required,—we should not have fallen heavily out into the road, and been smeared all over with dirt and mire.

After holding out a handful of small coins, thus simplifying matters by letting the omnibus-driver help himself, we were escorted in slow procession,—the luggage going first,—by a train of four damsels, and a very brown old woman, bearing candles, through winding passages all whitewashed, up cold stone flights of stairs, the walls of which seemed to be covered with any amount of black-beetles, until we were ushered into a small double-bedded room, also whitewashed, and adorned with violently coloured prints of saints and martyrs, with what appeared to be fireworks fizzing and exploding out of the backs of their heads. We were then presented with a cup of some darkly red and rather muddy-looking fluid called chocolate, highly flavoured with what to us is the most nauseous thing in the world,—cinnamon. A piece of black bread, and a pat of something which might once have been butter, but now resembled railway wheel-grease, or cheese, was then given to us. Half of a cold bird, of a species, we should imagine, nearly extinct, seemed as little calculated to please the appetite as the bread, butter, and chocolate. These luxuries were placed upon a chest of drawers, there being no table; and as no chair could be found of sufficient altitude to raise us to a proper level with these delicacies, we were constrained to stand at our feast.

The procession of curious followers had now halted, and deployed into a semicircle around us, doubtless to watch the effects of this astonishing banquet upon our weak minds and empty stomachs. To taste of the half-bird was at once to come to the conclusion that the poultry in Spain is fed chiefly on gravel. The black-eyed young ladies who lingered round us wonderingly while we were regaling ourselves, as if we were two specimens of some remarkable race of men, or inhabitants of the planet Jupiter dropped into their hotel, were at length swept off tittering by the brown old female, and we were left alone with the pyrotechnical saints, the whitewashed walls, a couple of iron bedsteads, two chairs, and the chest of drawers, which still groaned beneath the weight of the remains of the viands that had formed our initiatory banquet in the land of Spain. The wild cry of the watchman moaning through the narrow, silent streets, the distant clang of the great cathedral bell sounding the hour, and the misty moonlight streaming through the casement, gave a peculiar finish to our novel experiences of men and things; and so to bed—to a sleep confused with all sorts of impressions, blurred and running into each other on the palette of the mind.

Here we were in Spain; Spain, the land of historical memories—Iberian, Celtic, Phœnician, Greek, Carthaginian, and Roman. From the Phœnicians sprang Cadiz, Seville, Malaga, and Cordova. From the Greeks, Rhodians, and Zanteans, arose Rosas in Cataluña, the populations of the Balearic Isles, and the immortal Saguntum (Murviedro), which heroically resisted Hannibal, and caused the second Punic war. From the Carthaginians, who conquered Southern Spain (b.c. 237), sprang Carthagena, and also Barcelona. All Spain fell beneath the Roman yoke, and continued under it for a period of four centuries.

Spain, the land of historic memories, Gothic, Moorish, French, British; the land of the Cid and of chivalry; the land of the Inquisition and of bigotry, of the religious monster, Torquemada, [3] and of the great and cruel Duke of Alva; the land of the conquerors of Mexico and Peru, of Cervantes, Lope de Vega, and Calderon; the land of Velasquez, Murillo, and the Ideal, not to speak of extortionate hotel-keepers who are much attached to the Real; [4] the land of impecuniosity, bigotry, intolerance, and fleas; the land of love and revenge, mantillas and stilettos; the land of plenty and horror, gazelle-eyed women, and the blue cholera; the land of bull-fights, cigarettes, blue blood, beggars, monks, and dinners cooked in oil; the land of the wondrous architecture of the sombre Goth and sensuous Moor; the land of a corrupted and vicious court—of lounging, intrigue, procrastination, and pride; the land of staunch, changeless, and noble characters, and of pure and chivalrous hearts; the land of the vine, orange, and cypress—of purple mountains and dreaming sea; the land of light and shadow, of love and hatred, glory and gloom;—in fine, the land of a sensitive, generous, warm-hearted, and graceful people, but the worst government in Christendom.

We are in Spain, certainly; but how cold and sepulchral a city Burgos is! It is chill and damp, and subject to violent attacks of wind, being situated on an elevated, exposed, and treeless plain, 3075 feet above the level of the sea, and surrounded by a wide Arabian-like yellow desert, which, however, waves one vast sea of corn in summer, for it is the granary of Spain. It is sepulchral because, for all the purposes of an advanced and enlightened age, it is a buried city; and there is nothing a Burgolese hates so much as improvement. We are many hundred miles south of England; but how much more bleak and inhospitable is the climate than that of our temperate Northern isle; and we can well understand the proverb relating to the weather in this place, "Diez meses de invierno y dos de infierno."

Burgos is, as we have said, much behind its time. There is no particular trade, excepting in the simple articles considered necessary for the population. The hotels are but second-rate, and are used chiefly as eating-houses for the higher class of tradespeople. Few foreigners seek their shelter.

As the morning broke we were favoured with a glimpse of the sun, which cheered us with its vivifying beams for about one hour, and then the dull leaden clouds once more passed over the face of day, while the cold winds swept down from the bare and dusty hills overlooking the town. However, as one wanders through the quiet old streets, one experiences a feeling of indolence which is soothing after the busy roar of other cities. The various colouring of the quaint Spanish streets, with the picturesque irregularity of the houses, as looked at in perspective, is light and lively. The appearance of the balconies, coloured matting, and painted shutters and blinds, is pleasing to the eye of the stranger from its novelty. There are never too many passengers to mar the repose of the scene; and on such as glide quietly past us we look with no small degree of curiosity. How interesting it is to see the good priest with the shovel hat, long black skirts, and stomach-buckle of "Il Barbiere," politely saluting the olive-coloured young lady with the graceful mantilla as she sweeps along with natural and queen-like dignity!

However offensive may be some of the sights we see in this country, however reluctant may be many of its fair denizens to part with their birthright of dirt, there is grace everywhere—grace innocent of the slightest attempt at effect, or of the smallest appearance of affectation; natural indigenous grace, worn by all, either in manner, dress, or bearing, from the highest to the lowest in the land. Even the vermin-hunting beggar, sunning his idle self beneath the carved church door, can be graceful in his rags; and an old rug flung loosely around his form, with the folds caught up here and there, and falling in an easy and becoming manner from his shoulder to his feet, gives to his figure, as he paces calmly by, an air of dignity rarely to be met with elsewhere; while the worn broad-brimmed velvet sombrero, jauntily poised on the coloured napkin which is bound round the head and falls in a knot on the nape of the neck, completes the well-known picture of the proud but beggarly Don, and places him in propriâ personâ before our eyes.

At every turn the eye may fall upon beautiful old gems of Gothic architecture, quaint and solemn old houses, carved with heraldic blazonry, or with statues of illustrious warriors dead ages ago set in their walls. Column, pillar, and arch are so intertwined and twisted in all directions, that the buildings look as if they had been suddenly paralysed whilst writhing all over in a fit of agony. One may pass under some beautifully fretted arch, and find oneself within a ruined court of the most graceful Saracenic device. No step breaks the sleepy silence of its light arcades; some goats only are quietly cropping the rank grass amongst the broken pavements of its great square; and the clouds are passing on softly above.

In the outskirts of the town we observed some massive yellow walls, with noble Gothic arches and windows, deep and barred, standing all alone amidst the dust of this arid climate, and looking upon the barren hills in the distance; but there was no living soul to attest whether they were convent or prison. Here and there, too, some rich relics of ancient sculpture were seen built up amidst the bricks of a barn or storehouse—the tottering Past nursed in the arms of the strong Present! In and around the city, feudal towers, grand old gateways, and the palaces of ancient nobles, of the old constables of Castile, with their façades ornamented with wonderful devices, armorial bearings, and heraldic monsters, are frequent objects of interest to him who can read a country's history in its antiquarian remains. From the eminence on which is built the convent of La Cartuja, situated about two miles from the city, a general view of Burgos is obtained, with the lace-like pinnacles of the Cathedral spiring to the skies, surrounded on all sides by the desolate hills and far-stretching Sahara-like plains, with scarce a patch of verdure for the aching eye to rest upon in any direction. We, in a weak moment, hired a calèche to convey us to the convent; but as the road thither was over the most harassing ground, now following the track of a water-course strewn with great stones, then across level ground in which we sank up to the axles in white dust, we came to the conclusion that, like the man in the sedan-chair when the bottom came out, if it were not for the honour of the thing, we might just as well walk. Indeed, we might as well have owned to walking at once,—walking ostensibly, for though the carriage of honour was by our side, we really had to walk half the way.

Upon arriving at the gloomy portal of the convent, with its yellow walls, grated windows, and strong buttresses, upon which the long weeds were waving in the blast like the wild straws in the head of some melancholy maniac, we lifted a heavy knocker, and with it produced some blows which sounded dismally and preternaturally loud amidst the silence within. In answer to our summons, a cavernous, lean, pale face appeared for a second or so at a grating to inspect the intruders, and our exterior probably attesting the fact that no danger was to be apprehended from us, the heavy door was swung open by a poor dilapidated son of religion, in a long serge gown and sandals, who looked so depressed and shy with life-long dulness and superstition, that it was no wonder he could not lift his eyes higher than the knees of his visitors. We then entered an elegant little church with pointed arches, of the florid Gothic style, beneath a façade emblazoned with the arms of Castile and Leon. In the midst of the subdued light of the holy place, there suddenly broke upon us the magnificent tomb of Juan II. and Queen Isabella of Portugal, formed of white marble. It is truly wonderful that in the recesses of these lonely and decaying walls, in this forlorn spot of earth, inhabited only by five wretched and poverty-stricken monks, are seen objects of interest which, in their marvellous beauty, are unequalled, perhaps, in the world. Executed in pure Carrara marble, octagonal in shape, and raised about six feet from the pavement, with a circumference of nearly thirty-six feet, the tomb of Juan and Isabella perfectly tortures the eye by the amazing intricacy of its detail. Sixteen lions, bearing the royal escutcheons, stand in pairs at each angle; groups of innumerable statuettes, each individual a masterpiece of itself, appear resting under filigree canopies, and within a perfect network of marble lace of infinite delicacy; while festoons and bowers of feathery foliage, fruits and flowers, support birds and insects treading in their marble imagery with the springy touch of life. The statues of the royal pair lie side by side, robed in drapery which might be the finest needlework were it not stone.

In a recess in the wall near by is another wonderful tomb of the same profuse ornament and delicate finish, that of Don Alonzo, son of the above. Over the high altar is a retablo, a mass of gorgeous gilt woodwork representing angels sitting on very solid clouds, while whole coveys of little winged cherubim, with very red cheeks, hover round the great central figure of Christ hanging on the cross, and surmounted by a pelican tearing her breast to feed her young. The entire height of the retablo, from the kneeling figures of the king and queen below to the summit of the topmost clouds amidst which the Assumption of the Virgin is represented, must be nearly forty feet. The gilding with which this magnificent work is profusely adorned, is said to be part of the gold brought by Columbus from America. The finely-carved walnut-wood stalls of the choir are specimens of the wonderful industry and exquisite taste of olden times, and a characteristic of all Spanish churches.

In the central ground of the silent convent cloisters the rank weeds wave over some hundred graves of Carthusian monks. As time rolls on the weeds rise higher and tangle thicker, but the stoneless mound gradually sinks down to the general level of the earth. However worthy the actions or great the deeds of the poor, their graves are ever silent, their names are but writ in water, and the very grass above them withers not so soon as their memory.

After having seen everything that attracted our curiosity, we returned through the deep white dust, and over the stony tracts, with our very useful vehicle jolting behind us, the coachman wrapping more closely round him his ample garment,—a garment with considerably more pretension to hair than to shape, being composed of the skins of many goats. I suppose he rarely, if ever, took it off, night or day; and it is probable, if he ever ventured to dispense with a vestment which had become almost a part of himself, he might have felt the consequences of his rashness.

We fear it is our painful duty to remind the reader that Burgos and the Duke of Wellington were once associated together. Glory is a fine thing, but it is apt after a time to become a bête noire to many excellent readers; however, that is their look-out. In November, 1808, Burgos became the head-quarters of Napoleon. Wellington, fresh from his victory of Salamanca, invested the town; but, in consequence of the insufficient support of the Spanish general, was compelled to raise the siege in order to escape being captured by Marshal Soult, who was approaching with an enormous force. To join Hill was the Duke's necessary object, as his troops were few in number, badly provisioned, and worn out by a continued struggle against great odds and many disadvantages, the little band having with them to carry on the siege but three field-pieces and five howitzers, against twenty-six of the French. After a loss of two thousand men, the retreat of the English was carried out with much hazard; but in June, 1813, the fortune of war was changed, and King Joseph, upon the approach of the Duke of Wellington, evacuated the citadel, after blowing up the fortifications, and with them several hundred Frenchmen.

In the Castle at Burgos, once a sumptuous palace as well as a citadel, the marriage of the Cid took place; also that of Edward the First of England and Eleanor of Castile. Burgos is illustrious among cities, as having given birth to the Cid, who in 1040, first saw the light in a house which stood on the spot where now stands an obelisk, in the Calle Alta, erected by Charles III. in 1784. There are, of course, a large number of people who know all about the Cid, and the derivation of the word. But as we are equally certain there are a fair amount who do not, we may as well mention the following particulars in connection with that semi-mysterious personage, to whom frequent allusions are unavoidable in a book about Spain.

Don Rodrigo Diaz de Bivar, otherwise the Cid, was a gentleman of very warlike tendencies, and spent most of his time in giving vent to the martial ardour within him. He has consequently been regarded by his countrymen of all times as their national hero, and wrapped in a bright haze of fabulous glory and fame. He, however, accomplished a good deal of the work attributed to him, and chased, harassed, conquered, and imprisoned the Moors throughout Spain to a most satisfactory extent. His love for the beautiful and heroic Ximena exemplifies the adage that none but the brave deserve the fair, and shows his prowess in the bowers of Venus as well as in the field of Mars. Shortly after his death a grand poetical glorification of his exploits was offered to his manes in the "Chronicle of the Cid;" and another, a very long time after, by the immortal Corneille in his masterpiece of "Le Cid." Upon the occasion of a great victory, some Moorish notables came to the hero and prostrated themselves at his feet, saluting him with the title of Seid Campeador, or Champion Prince—whence the appellation Cid.

Valencia was the last Moorish stronghold which fell to his arms; and there, after hanging up his spurs and horse-bit upon the Cathedral wall, where they remain to this day, he died in the year 1099. Any inquiring traveller may now satisfy the combined bent of a historical and anatomical mind by inspecting within a wooden urn in the Town Hall of Burgos, the bones of the immortal Don Rodrigo and his lovely Ximena.

Only to see the Cathedral of Burgos would amply serve as a grateful end to a pilgrimage from the uttermost parts of the earth. Coming suddenly from round the angle of some narrow street, there bursts upon the eye that glorious Gothic pile, with all its airy pinnacles. In the interior how rich is this majestic temple with that unequalled pomp so significant of the Roman Catholic faith, while the solemn walls are fretted with chaste ornaments of the rarest beauty, and with groups of slender, graceful pillarets which rise arrow-like to the lofty roof. When one views it, as Scott recommends us to view Melrose, in the pale moonlight, how profound is the impression produced by the weird-like appearance of the immense building, the design of which is so noble, so perfect! The awed pilgrim from other lands, when his eyes first rest on this unequalled shrine, stands enchanted, as if rooted to the spot, his soul leaping within him, transported with the beauty of so rare a spectacle.

As the great carved door swings back behind us, and shuts out from the senses the glare of the Spanish day, the head is instinctively bowed, and the knee bends in worship; for everything in this consecrated temple of the Divinity is calculated to excite the spirit of adoration, and to raise our faith heavenward. When we stand silent on the threshold of that holy place, beneath the lofty arches of the vaulted roof, supported by rows of colossal columns melting away into the distance; when we slowly pace the long aisles, with the tombs of the mighty dead on each side; or when we kneel with the devout worshippers before the altars in the various chapels, gemmed by hundreds of star-like lamps, the soul feels the reality of things unseen; while with the deep diapason of the organ, blended with the holy song of bands of choristers, its aspirations mount like clouds of incense to heaven. Never shall I forget the profound impression which I experienced when, in that noble fane, I felt that religious faith was at once the grandest and the most genuine growth of the human soul.

The staircase, which descends in graceful curvings from the altar to the marble floor beneath, with great griffin heads terminating the balustrades, is very beautiful, and was much admired by our own David Roberts. How magnificent, too, is the choir, with its two hundred stalls, adorned with spires, which are ornamented with the richest and most minute carving! The dark walnut-wood is all chased, chiselled, and traced from pinnacle to floor with one mass of amazing ornamentation, amidst the intricacies of which the sight loses itself, and becomes dim. The choir is entirely surrounded by tall brass railings of exquisite workmanship; and in the fifteen chapels, each enclosing objects of marvellous interest or beauty, the altars are supported by jasper pillars and columns of rarest marbles, while the retablo rises to the roof—a perfect labyrinth of gilt wood-carving, crowded with subjects of wondrous device. On a shelf in a sacristy is mouldering away into chips a great wooden chest which belonged to the Cid, for the indulgence of looking at which not very remarkable article of this hero's outfit a priest did not charge us more than a shilling a head.

FOOTNOTES:

[3] In the course of sixteen years, Torquemada, first Inquisitor-General of Spain, committed to the flames eight thousand eight hundred victims.

[4] About twopence halfpenny. The real is the basis of the whole monetary system of Spain.


CHAPTER V.

AGAIN ON THE RAIL.—VALLADOLID.—THE FONDA DEL SIGLO DE ORO.—THE COLEGIO MAYOR DE SANTA CRUZ.—CONVENT INTERIOR.—CHAMBER OF HORRORS.—COLEGIO DE SAN GREGORIO.—THE CATHEDRAL.—SPANISH CHARACTERISTICS.—THE THEATRE.—USE OF TOBACCO.

AS the train moved away from Burgos, the city and the great cathedral melted away from our sight, and we glided over the wide African-like plains and dried-up watercourses, past the stony hills which, extending to the far horizon, reflected the dazzling rays of the sun. Not a blade of grass or sprig of green was there to refresh the eye of man, or for cattle to ruminate on. No wonder the butter of the country is made of lard, or the milk we drink taken from the mare!

At a little station where the train stopped, an old lady, closely hooded in black serge, and looking like the popular representation of Old Bogey, entered our carriage, together with a monk. Where they came from it was impossible to conjecture, as there was no sign of village or habitation within sight of this very purposeless station in the desert. They were attended, however, by the usual escort in vogue in this country, a portion of which immediately leapt upon us and bit us. The poor insects had made but a scanty meal of their innutritious monk, and came to us for their chasse café, or rather chasse moine.

We arrived in the evening at Valladolid, once the capital town of Spain. Indeed, in spite of its position in the centre of a wide, wind-swept, sandy plain, which causes the city to be the sport of a chronic simoom, it seems to be a capital town still. For trade and agriculture the situation appears convenient, for, wonderful to say, they have got some water amidst the tierras de campos, which consequently yield abundant produce; added to which, the river Duero connects the city with the Atlantic—in a rather difficult and spasmodic manner, however—and the railroad maintains its commercial relations with the south and north. The name of Valladolid is supposed to be derived from the Moorish Belad Walid, or land of the Walid. This may be, however, as "our bore" said at the table d'hôte, "inwalid," and not to be relied upon.

In the Plaza Mayor of this city, the great Alvarez de Luna, "Spain's haughty constable," was beheaded. "Uneasy lies the head that wears a crown," and how uneasy must sit the head that trusts in princes, especially old princes who marry young queens, for all sense of honour, justice, and gratitude seems to walk out of the door when uxoriousness comes in at the window.

Here, in 1506, Columbus departed this life, and Philip II., the fortunate possessor of our sweet queen, Mary of England, came into it on May 21st, 1527. Here, in the sixteenth century, auto-da-fés and periodical bonfires of heretics were kept up with great spirit,—one being under the especial patronage of the above-mentioned blessed monarch, upon a scale of unprecedented magnificence. Here, Cervantes lived and wrote, and here, we regret to be obliged to add, the Duke of Wellington made his public entry, and took up his residence in the bishop's palace.

The Fonda del Siglo de Oro, although rather ambitious in its choice of a name, is a tolerable house enough, and the provision for the necessaries of life is not quite so primitive here as at Burgos. As regards that essential element of civilisation, the bath, the Spaniard seems still proudly wrapped in primeval darkness. On the morning after our arrival at the Hotel of the Golden Age,—where one would think all would be surrounded by pure delights,—the egregious desire for a bath took possession of us as usual; but, as in other places, we had some difficulty in obtaining that refreshing article. We pull the bell, the waiter appears; we utter the word "baños," in a low and rather humble tone, as if knowing it was vain to expect a favourable reply. The waiter inquires, "Caliente?" We answer, "No, frio." "Frio!" screams the waiter, with blanched visage, and instantly disappears like a harlequin through a trap. Presently, however, he reappears with another waiter, both looking as scared and uncomfortable as if they expected to be cross-examined at a coroner's inquest as two suspicious witnesses connected with our decease. Again we venture to ask timidly for "baños." Both waiters exclaim, in a tone of helpless amazement, "Frio?" to which query we reply in the affirmative by a nod, and they withdraw, muttering and gesticulating all down the stairs. The Spanish pathologist observes that the fit of hydromania generally attacks the Englishman between the hours of eight and ten.

In a few minutes, after a deal of scuffling outside the door, the two waiters appeared again, followed by the landlord, his wife, and a strange gentleman, carrying between them an object which had some resemblance to the state-chair of St. Peter in the basilica of that name at Rome. When this ponderous piece of furniture was settled in the middle of our room, we discovered that the seat had been removed, and a square tin pan fixed beneath, containing about two pints of brown water. Into this we madly plunged, and although perfectly sober at the time, imagined we were enjoying a refreshing sponge bath. However, this sort of thing is one of the cosas de España, so we suppose it was all right.

À propos of the general wonder expressed at any one wishing for cold water to wash in, there seems in Spain to be an equal terror of fresh air. Upon one occasion we had been in bed but a short time when a waiter entered the room to inquire if Señor had all he required. His eyes had no sooner rested upon the open window, which admitted the clear night air, than his whole countenance became locked and rigid, as if some dreadful personage—the travelling prophet of Khorassan, it might be—had suddenly presented himself at the window. The functionary in question, however, soon recovered his presence of mind, and having cast one anxious glance at our bed, to satisfy himself that all was right with us, he flew across the room with a bound and an oath, slammed the casements together, and the shutters after them, flinging the cross bar into its socket with such force as to show that he intended it to remain there.

The hotels in Spain, in the larger towns, are generally clean and well kept; though some persons, perhaps, might be able to dispense with a little of that universal odour of onions and ammonia which constantly prevails throughout the house; and the goods and chattels of travellers in the various rooms would not be absolutely endangered if common beggars from the streets were prevailed upon not to spend quite so much of their time on the stairs between the bed-chambers and the ground-floor.

Valladolid being a town of considerable importance in the history of Spain, we were eager to see it, and were soon threading our way through the sunny streets, underneath the broad band of blue overhead, until we found ourselves face to face with the Colegio Mayor de Santa Cruz, a grand old palace founded by Cardinal Mendoza in 1479, and now standing with all its beautiful fretwork clogged with wild weeds, and its light arcades, Saracenic columns, and Gothic porches mouldering away in sun and silence. On we wandered, through the long galleries, till we reached the library, apparently so called on account of the total absence of books, but which is filled with a mine of wealth in the shape of a profusion of specimens of the most exquisite carvings in walnut wood and dark oak. There are salas after salas filled with old musty pictures, carvings, and wooden sculptures, collected from the various convents at the period of their suppression. The pictures are mostly bad, though many of them are curious. Of course there are numbers of hoary old saints in rags, with gold quoits fixed on to the backs of their heads, glorifying in the lying label placed beneath them. A long room is filled with fearful painted figures carved in wood, representing troops of gigantic ruffians in the act of persecuting Christ, more grotesquely hideous than anything we could imagine in our worst dreams. Is it in order to inspire a due reverence and affection for Our Saviour that the figure of the Redeemer is represented in these productions as a meagre, wan, and emaciated skeleton of a man, covered all over with blood, dirt, the marks of stripes, and tangled masses of real red hair? or is it to render more intense the dislike with which we regard his persecutors? These individuals are represented belabouring their unfortunate victim with cudgels considerably larger than their own bodies, which have the most revolting appearance from deformity and disease, enormous tumours being generally appended to their throats.

In the midst of these delectable horrors, and placed on a large plate, is a painted wood-carving of the decapitated head of St. Paul, with which any amateur executioner may regale himself to his heart's content. So faithfully rendered is the last look of horror in the half-closed glass eyes, that one cannot help doubting, when he first glances at it, whether it is only a model. We were glad to escape from this religious Madame Tussaud's into the bright sun and open air, where we could dismiss the fancies inspired by such horrible sights.

We felt quite relieved when we found ourselves again in the great square, alive with dark-skinned men and women, with their gay dresses and sonorous voices. The jingling mules even were a pleasant sight to us, and we gazed with delight on the white walls, reflecting with such dazzling brilliance the rays of the sun, and on the universal dust, which almost half choked us, not to speak of the blue sky and the green acacia trees. In fact, the very odour of garlic was not so detestable to us as it used to be. Certainly those vast, prison-like convents standing on the outskirts of the town, are most fitting places in which to immure for life young men and women—fitting for their purpose, that is, inasmuch as there is nought to be seen from the grated windows to tempt them back to the world they have left. They may strain their dimming eyes as much as they please through the bars, they will see no stirring crowds in pursuit of business or pleasure, no happy pairs, no manly form or sweet face, to make the still warm heart thrill with joyful memories; they will see nought but wild tracts of desert, and yellow plains fading into the hot horizon, and spreading away like a burning ocean. We have by chance upon rare occasions caught sight of faces at convent gratings, and their glance fell like an icicle on the heart—faces which, though young in years, were aged in sadness, and perchance with the remorse—most probably with the regret—that comes too late. I saw, on one occasion, two young girls, pale from confinement within the yellow walls of a religious prison at Valladolid, and the bloodless cheek rendered the dark blaze of the gazelle-like eyes almost unnaturally bright with a false lustre, the lustre caught from the soul loosened by the partial decay of its prison-house, and struggling to be free. How strange that so much young, ardent life, so much beauty, so many loving hearts, and so much generous energy should choose to rot uselessly away in such prison-houses, like pale and lonely lamps flickering in a tomb! Strange that their mission as tender women, who might have soothed the griefs and tempered the hardness of many an honest man, who in return might have loved them as his life, his pride, his all, should be—as citizens of the world—tied to a destiny so awfully aimless, hopeless, and loveless: so dead in their life, and in only too many cases so utterly heart-weary and forlorn!

Well, to proceed with our stroll through the picturesque old Spanish streets. We say Spanish,—for it is not every town even in Spain that is Spanish in the character of its architecture. Madrid, for instance, with the exception of a few of the old quarters, has nothing nationally characteristic about it. The sun was now beginning to make itself felt with more than usual vigour; but that was to be expected here, for it is one of the cosas de España. From the yellow walls of churches and palaces, its rays were reflected, while overhead there hung one spotless lake of blue. Down a melancholy silent street, where lean dogs were quarrelling for offal, and fierce-eyed, ragged fowl were pecking savagely amongst the dust, was a plain square house, with a few small windows closed by shutters. In this house Columbus died, as the stranger is informed by the following inscription over the door: "Acqui murio Colon."

A little further on we came upon an avenue of dry poplars, bordering a small sluggish stream, through which was seen a telescopic view of hot, yellow hills beyond, dotted here and there with rare patches of green, as if the genius of fecundity, in flying over them, had by accident occasionally dropped from his cornucopia a huge bunch of cress. By the side of a ditch, we observed hundreds of washerwomen on their knees, washing shirts in mud, with a large stone. The chattering they made induced "our bore," whom we suddenly met on the bridge, to observe that "there seemed to be a great deal more talking about one thing and another than about anything else." What he meant, goodness knows! A little beyond, was a boy on his stomach, drinking from the stream, not, like the wolf in the fable, above the lamb, here typified by the washerwomen, but below. No wonder cholera is more than usually fatal in Spain, for, certainly, many of their practices invite the approach of pestilence!

It seems an innocent practice enough, the taking notes occasionally in a pocket-book; but here, in the Peninsula, it is rather nervous work. For example, we had scarcely finished a few lines in pencil on one occasion, when we became aware of the close proximity of two gendarmes, who were both looking aslant over our shoulder, into the book. For half an hour or so, they followed us persistently wherever we went, occasionally stopping and conferring earnestly together, until we feared we were going to be apprehended and thrown into a dungeon for plotting against Queen Isabel, now dethroned, and taking notes of the weak points in the character of her government and people, of which, by the way, the mode of washing linen is one.

In all the walks outside Valladolid, everything reminds us forcibly of the East, and affords evidence of the Oriental descent of the Spaniard. There is, in fact, much truth in the assertion that Spain is but l'Afrique qui continue. There are the same hot, white, dusty roads, bordered by feathery acacias, and giving birth to the aloe; the same brazen, dry, and wide sandy plains and stunted trees. There are many of the same flat-roofed houses, against whose dazzling walls the fig and oleander cast their shadows. There are the same brown, semi-nude urchins, shouting Arabic-sounding words and whacking mules harnessed with coloured drapery.

When we look towards the town, we see vast convent walls standing defiantly, as those of fortresses, and pile after pile of great square buildings, domes, and towers, rising against the blue, sleepy sky in all their solemn beauty. When we enter the city, and walk along the cool high streets, leaving the sultry plains behind us baking in dust and glare, the eye turns upon old palaces converted into barracks and alms-houses, and upon Moorish courts and Gothic halls, apparently tenantless of any one save flea-bitten beggars, mumbling Babel only knows what language, who crawl about, scratching themselves, half asleep, amidst princely porticoes and noble columns. Everywhere we observe groups of graceful, hooded women, men swathed in red sash, striped cloak, and yellow shirt, looking out keenly from beneath the sombrero's shade. The Spaniard seems to delight in gaudy hues. Mules are clad in gay trappings, and the houses are painted in bright colours; yet everywhere, too, we see dirt, decay, and sloth, and are repelled by abominable smells.

In our rambles we went past the façade of the church of San Pablo, the stone ornaments of which are like lace-work executed three hundred years ago. This, one of the finest façades in Castile, was begun in the fifteenth century by the Abbot of Valladolid, Fr. Juan de Torquemada, and finished by the Duke of Lerma at the beginning of the seventeenth century. We passed into the beautiful patio and court of the Colegio de San Gregorio, and walked amidst the tall spiral pillarets, supporting Gothic arches, light and lovely. We then sauntered up the rich staircase, with its carved stone balustrades, diminishing away in needle-like delicacy, and looked out upon the open court with all its chiselled galleries. Even in these beautiful structures neglect was visible. Weeds in many places covered the marble, and the smell of death seemed somehow to linger around.

To a dreamy mind, or to one which easily vibrates to a touch of poetry, it is a grand luxury to turn into those fine old churches, where the light is subdued and the air is cool, from the scorching sun and glare without. We thus, occasionally, lifted the curtain, and passed under the porch of the cathedral of Valladolid. Its enormous square Corinthian columns stand in all their granite strength, as if to outwatch the world. The colour prevailing in this church is grey and sober. There is something grand and harmonious in its huge proportions; but in its simplicity it appears more like some massive sepulchre of the past than the temple of an ostentatious religion. Scattered groups of women are kneeling before the altars, and the still forms of devotees are bending on the cold pavement. Brazen gates and lofty railings surround the choir, through which coloured figures move indistinctly, as in a dream. There is some magnificent dark oak carving. Clusters of tapers pierce through the gloom, and the melancholy chaunt of distant choristers echoes softly through the aisles. Out again into a sunny market-place, with gipsy-like women squatting on the ground, amongst the melons and tomatoes, the pots and pans. Dirty though graceful men, smoking cigarettes, and entangled in rusty cloaks, with their heads tied up in gaudy kerchiefs, are lounging about in picturesque squalor; while others in black sombrero, velveteen breeches, and jacket adorned with metal buttons, are lading great mules, decked in vivid housings. Farther on are more Moorish-looking women, with pitcher on head, resting by a fountain side; and above are little boys, perched in the belfries, clanging the church bells with hearty good-will.

The Spaniard is certainly very courteous by nature, and although generally shy of foreigners, most anxious to please them when he finds them chez lui, and to send them away with good impressions both of his country and of himself. We were looking, on one occasion, at some monument in the town, when two young gentlemen of finished manners suddenly addressed us by raising their hats, and after politely offering us cigarettes, requested us to oblige them by an inspection of their club. Of course we were glad to do so. This establishment, which we found to be cool and comfortable enough, consisted of a suite of lofty rooms, decorated à la Watteau, filled with little knots of polite young men of easy manners, all dressed very soberly in black cloth, and with remarkably tall hats of the latest Parisian fashion. Most of them were chatting, playing cards, or smoking the cigarette, around a small billiard table, with very large balls and a set of skittles in the centre. A small fireplace, recently put up, was introduced to our notice, and we were favoured with a description of its functions, which could not have been given with greater pride if it had been some grand scientific discovery intended to enlighten and benefit the world. After we had been entertained for a short time, we took leave of this society of very pleasant young gentlemen, who again took off their tall hats as we bowed to them, exchanged expressions of undying respect, and favoured us with a few more cigarillos.

Spaniards seem to be generally very accommodating persons; but they must never be hurried, and never asked twice for a light for the same cigarette. They are ordinarily reserved, and have a keen sense of private dignity; but when treated with perfect consideration, are most gracious in return. Their politeness may proceed, perhaps, from a sense of patriotic obligation more than from any serious love for your person.

The ladies possess the same characteristics, and although exacting as to formalities, are generally agreeable and good-natured. It must be admitted, however, that they are very idle, entirely lacking the quick vivacity and wit of their lively neighbours, the French. The languid blood of their Moorish ancestors, and their sultry, oppressive climate, may account greatly for the indolence which is common to both sexes.

The Gran Teatro Calderon has a very pretty interior, and is quite Parisian in appearance. When filled almost exclusively with sparkling dresses and gorgeous uniforms, it has a brilliant effect. Notwithstanding recent events, the Spanish people, when we were at Valladolid, seemed to be enthusiastically loyal. Just before the performance began, a large picture of Queen Isabel, placed in the centre of the house, immediately over the royal box, was suddenly unveiled. All in the theatre with one accord stood up, turning reverentially towards it. The gendarmes posted in various parts of the salle presented arms, and the orchestra played the national hymn. The performance of some never-before-heard-of opera, with a title that, to us foreigners, was incomprehensible, did not, in a musical sense, do much credit to Spanish talent. However, if the prompter perhaps had not shouted so loud all through the piece, we should have heard the singers to better advantage. As it was, there was one singular duet, at all events, between a very fat, square little tenor and a long, lean baritone, of which no adequate idea can be presented, unless it be that of a two-part song performed by some person in the agonies of death and an old hound shut up in a kennel when the rest of the pack are out hunting.

What we liked very much, at all events while on our travels, was to be able to light cigarettes at the lamps in the grand saloon. Here in Spain one smokes well nigh everywhere. Oftentimes in the middle of the table d'hôte, if the entr'acte between the courses be at all a long one, cigarettes are lighted, and thrown away after a dozen puffs or so. Now women cannot naturally dislike tobacco, for in Spain tobacco is smoked everywhere, and the ladies don't faint or turn up the whites of their eyes in pretended horror of the filthy weed. On the contrary, smoking with themselves is a favourite pastime in private, if not in public, and the ladies' apartments are often fragrant with more than a soupçon of that herb the odour of which was so abominable to the British Solomon. And, indeed, why should it not be so? There are many worse smells that are endured without a murmur than the fresh aroma of pure Havanna tobacco, King James's Counterblast notwithstanding.

After the before-mentioned exhilarating duet, we thought that for the first dose we had better not exceed or try the human system too much; for, like the people who can in the course of time and practice take as much laudanum as would kill an ox, there was no knowing what we might be brought to endure. We strolled, therefore, into the Teatro Lope, where a farce "was on," as they say in dramatic phrase. The sources of amusement—the characters, plots, and style of playing—appeared to be pretty nearly the same as they are in England. There were, as on our stage, heavy fathers, walking ladies, housemaids, lovers concealed in cupboards, rejected suitors favoured by stern parents, but suffering much from the practical jokes of the faithful groom of the family, all shaken up together into a confused plot, and holding hands in a row when the piece was brought to the usual happy termination. When the curtain falls, cigars are lighted, and the tobacco smoke rises in clouds, until the entire house, as well as the brains of the audience, is entirely befogged. All the private boxes at this house were thickly padded with stuffed and quilted leather, with what object it was difficult to conjecture. The orchestral arrangements were conducted upon rather a laissez aller principle; and the boy who played the cymbals seemed scarcely to be what we should call a regular musician, but one engaged for the nonce. Being a quick-witted, sharp-eyed lad, however, he managed, by keeping his gaze steadily fixed on the leader, to play his noisy instrument with some discretion, guided by an occasional wink from that functionary. He was probably paid so much a smash, like the man with the great drum at Jullien's concerts, who received twopence per whack.

Valladolid is an exceedingly pleasant place, and we enjoyed very much this existence de flâneur, going about during the day from sight to sight, and passing the evening in the theatre. Indeed, when one is associated with a kindred spirit, what more charming holiday can there be than to be carried past a panorama of ever-changing scenes, and, with all care left behind with the London fogs and lawyers, to witness views of life, nature, and character dissolving one into the other by easy gradations, now light, now grave, now humorous, now gently sad? It was with equal delight that we wandered through the busy city and in the mountain breeze, under balmy skies, and over the azure sea. So, then, Valladolid, addios!


CHAPTER VI.

EN ROUTE FOR MADRID.—TYPES OF NATIONAL CHARACTER.—GEOLOGICAL CONNECTION OF SPAIN AND AFRICA.—A STATION IN THE WILDERNESS.—AVILA.—A FUNERAL.—THE GUADARRAMA HILLS.—THE ADUANEROS.—MADRID.—HOTEL DE LOS PRINCIPES.—PUERTA DEL SOL.

WE had the advantage of an American gentleman's society in the railway carriage when we started for Madrid; also that of a rather pedantic Englishman—both types of their respective nations. It was most interesting to observe how, by asking both the same question, the peculiarity of their separate nationalities was brought into curious contrast.

"Do you prefer the opera house at Valladolid to Her Majesty's?" asked we, in the course of conversation, of the Englishman.

"Sir," replied he, "upon the occasion of an examination at a public school, I was once requested to name the greater prophets, and then to name the less. I immediately refused, and observed to my examiner that I never made invidious distinctions. I now make you the same answer."

We then put the question to the American, who said,—

"Waal, stranger, I guess I prefer neither, for the manner in which you conduct operatics in Europe is a caution to snakes, and aside of being ridiculian in manner, I put it down slick as base and tyrannical, which howsomever is only as how yew poor Eurōpean critturs is suckled to enjure, except Irish cutes, who, I calculate, are absquatulating from the rotten old world, and making pretty quick tracks across the fish-pond to the Almighty States, and that's a faact."

At this juncture it seemed necessary to lead our friend back to the subject of the opera, else he would have probably dilated upon very inconvenient subjects, until, as he himself had occasion to observe, "Eternity's bell rang."

It came out, however, that the English method of conducting operatic matters was worthy only of an effete and senseless old aristocracy. In England we were assured by our independent compagnon de voyage that a prima donna who happened to have a bad sore throat was still compelled to sing as well as if her voice was in the best condition. Was there ever such cruelty? Notwithstanding the danger to that delicate and costly organ of song, the human throat, she was forced to come forward and execute the most elaborate and difficult airs, with variations, to amuse a public the most exacting and the least sympathetic in the world; whereas in America, if the lady's throat was at all in a delicate condition, she was at once excused by her enlightened audience, who never expected that impossibilities were to be accomplished for their gratification. In fact, according to this gentleman's account, America must be so free and enlightened a country, that it is a wonder that such old-fashioned notions as obligation, contract, &c., &c., should exist therein, or that prima donnas should ever sing at all during an opera, unless perfectly convenient to themselves. In fine, if our friend's judgment was to be trusted, the national motto of Columbia should be the accommodating one of that much respected establishment, suppressed a century ago, the Hell-Fire Club—to wit:—"Fay ce que voudras." [5]

The commencement of the journey, after leaving Valladolid en route for Madrid, lay through vast tracts of sandy plains, with the far horizon bounded by brazen hills like those of Africa, and long, lofty table-lands, beneath which the Nile might well be streaming. But this is indeed, at this season at all events, a dry and barren land, where no water is. However, many broad acres of this now arid country were a few months ago smiling with waving corn. Still desolation must in a great measure be the general characteristic of the scene, with Oriental-looking mountains of bare sand, on which nothing can grow but stones, and where life is rarely seen in any form save that of the wild goat, the vulture, and the outlaw. There is little doubt that, at one of those far distant epochs with which geological science makes us familiar, the two continents joined at the spot where are now the Straits of Gibraltar, and that Spain was then continuous with Africa. In point of fact, the soil of Spain, as far as Burgos, has precisely the same characteristics as that of Africa.

So on we glide, over plains and tracts of glaring sand, enlivened only here and there by a solitary peasant driving a flock of black sheep over the white expanse to places where a few miserable patches of some rank vegetation offer a meagre grazing ground for the poor animals. At long intervals there appears, seated on the plain like some low, flat island, a wretched poverty-stricken town, the burning rays of the sun reflected from its broken house-tops and off its yellow walls. In the far distance the eye may perhaps distinguish another, and after we have passed it, yet another, rising far away, isolated on the dreary waste. A large church seems to domineer over the hovels beneath, its toppling spire leaning as it were with neglect and exhaustion. Scarce a soul appears amidst these mural wildernesses. There is none of that stir, animation, and cheerfulness which generally accompany city, town, or village life in other countries. The burning sun, the sandy desert, the monotonous wilderness, have evidently left their impress on the character of the people. As we proceed rapidly over the plain, a pile of tower and battlement in ruins—a relic of heroic story, and of the glories of other days—appears before us, standing midst the solitude like the skeleton of some long-forgotten animal which had fallen there when the world was yet young, and over which now the wild birds scream and whirl, while the long, rank weeds which nearly cover it sigh to the passing breeze.

This bright October weather is like the finest July days in England, tempered by a fresh, gentle, and wholesome breeze. We stop at little stations in the midst of the wilderness; in fact, it seems that we stop pretty nearly as often as it suits the guards or engine-drivers, for the stoppages are not confined to stations or villages, but sometimes take place in the middle of fields, where there is no sign of habitation. Some woman, perhaps, may rise from the border of a ditch, where she has been resting, with a child in her arms, and all the officials will get down and have a chat with her, while the good-natured passengers, who take the stoppage as a matter of course, get out and smoke cigarettes.

When some lone station, which is represented by one small house, is reached, the carriage windows are immediately surrounded by tottering old men in ancient velvet hats with very broad brims, and with little silk balls dangling therefrom. They are all swathed in a wonderful collection of rags, pinned, sewed, nailed, and tied on to their bodies anyhow, while their legs are bound up in pieces of sacking, and their feet apparently encased in poultices. Where they come from none can tell, nor can man's ears divine their speech—some patois which even native Spaniards can hardly understand.

Amongst the specimens of drapery composing the toilet of one poor old man, whose face was simply black from dirt and sun, who seemed actually rotting alive, and who appeared to think there was nothing in his condition to regret, there were two triangular patches of green damask, with roses worked thereon, fastened somehow on to his back, together with a remnant of a sail-cloth shirt. One sleeve of the latter was of yellow cotton, while the other arm was concealed from view by a short mat of horse-hair and a piece of carpet sewn together. A sash of faded scarlet encircled his waist, and his lower extremities were enclosed in inexpressibles made of goat-skin with the hair outside. He had a long stick in his hand, and was accompanied by a lynx-like dog, who devoured greedily grape-skins as they fell from a carriage window. This poor old man had no teeth, only one eye, and was very much bent. He and the other ancients were such masses of dirt that they must have been designed by Providence as places of refuge for destitute insects.

These beggars are generally seen in small companies, and it is not advisable to approach them too nearly, as there is a deal of esprit de corps amongst them. Whence the poor wretches come, and where they live, no one can tell, for there is not even one of those decaying old towns, with the big church before mentioned, near their usual haunts. They seem to exist simply—because they don't die—from mere force of habit. There are beggars, of course, in all countries; but such degraded, miserable beings as we meet in beautiful Italy and brilliant Spain, are to be seen in no other part of the world.

After this purposeless stoppage, our express train moves on again at a good six miles per hour, and there is no further halt till we reach the ancient city of Avila, founded by Hercules, and the birth-place of St. Theresa. Its decaying old streets, its high mouldering castle, its Gothic houses, and its large churches, have all a very forsaken aspect. It is surrounded by great military walls, lofty, massive, and grey, [6] through which the listless-looking natives have egress from the city into the wilderness around by means of gateways of enormous thickness. There is something sad and impressive in seeing this ancient city, in which there are so many remains of power and grandeur, now given up to the inexorable hand of time and the cold blight of desolation. What a sermon might be preached from such a text on the mutability of all earthly grandeur!

As if to make the solemnity of the scene more complete, while we were sauntering during our hour's halt through the dark old streets of Avila, a funeral procession came by, preceded by a troupe of ghoul-like creatures, bearing their stiff and soul-less burden, hooded in black from crown to sole, with scarce a semblance of humanity in them, save the unholy-looking eyes, which, amidst the deep drapery, glanced furtively at us from out the cavernous eyeholes in the masks which they wore. The mournful procession consisted, as usual, of shaven priests, attendants bearing flambeaux, and children singing the Miserere; in a word, there was all the empty pageantry with which the Catholic Church deposits the dead in their last earthly home. The coffin was painted a bright crimson colour, and a key was fastened near the lock by a chain, to be in readiness at the Day of Judgment.

When we had taken our places in the train again, the steam was put on, and we moved off, gradually increasing our speed till it reached the unprecedented velocity of nine miles an hour. This greatly alarmed a lady in the carriage, who, no doubt, was of that Spanish Conservative party which prefers things as they are. People in America, even the ladies, take matters much more quietly. An ancient dame was travelling by rail for the first time in her life, and when the "smash up," which is almost a matter of course among our go-a-head friends, came, and fatigue-parties arrived to carry her off with the other wounded on a stretcher, she was quite astonished when told that it was an accident, as she had thought the whole thing a regular pre-arranged part of the business of every-day railway travelling, and took it all quite comfortably. In fact, she was rather interested than otherwise in her initiation into one of those stirring incidents which it is the fortune of travellers to encounter more frequently in America than elsewhere.

Meanwhile we glide on through dreary regions, the far distance bounded by barren mountains. We pass over vast treeless plains strewn in all directions, as far as the horizon, with huge broken masses and boulders of granite. A scene more expressive of gloom and desolation cannot be imagined. The huge fragments, scattered about as far as the eye can reach, are piled up occasionally into enormous heaps, which look like the remains of ruined cities of an unknown age; or spread widely over the grey expanse, like the tombs of the races which once inhabited these regions. It is impossible, indeed, to conceive anything more austere than the effect produced by a scene at once so grand and so desolate.

The railroad now began to ascend by gradual inclines, making wide casts over the stony tracts. The amount of engineering skill, money, patience, and gunpowder it must have taken to cut through, in some places, miles of solid granite, must have been great. We were now commencing the ascent of the Guadarrama Mountains, which overlook from afar the capital of Spain. This fine ferrocarril, the construction of which is somewhat similar to that of the railroad over the Sömmering Pass near Trieste, surmounts altitudes by curves and gradual inclines.

The Guadarrama Mountains, with other sierras, of which the principal are the Somo Sierra, the Sierra Morena, the Alpuxarras, the Sierra Nevada, and the Sierra de Ronda, are remarkable features in the aspect of Spain. Surrounding the plains of Castile and La Mancha, the highest of such extent in Europe, with strong natural bulwarks, they are invaluable to the Spaniard in the defence of his native land. They even seem to constitute distinct moral divisions of the inhabitants. The whole country thus appears to be formed of several intrenched camps, and is admirably adapted for a war of posts—particularly for guerilla warfare, by their skill in which the Spanish mountaineers were enabled to offer such a successful resistance to their French invaders.

Higher and higher wound the road, until we suddenly burst into a region of pine forests, which darkened the sides of the mountains. The profound gorges, the aspect of which was so savage, were rapidly filling with purple mist as the sunset left them, to fall in various tints of farewell glory upon the loftier ranges of distant mountains, which seemed to melt away, wave on wave, against the clear, far heavens. The middle ground was filled with a broad expanse of warm, rose-lit plains, from the bosom of which, at unequal distances, towered enormous rocks, clothed to their summits with pine-trees. What a prospect it was! Such a scene of mingled gloom and glory the pencil of Salvator alone could render—the funereal plumage of the deep forests waving on the mountain's side, and the long rays of the sinking sun shooting through the darkness like celestial arrows, while high above a few feathery cloudlets sailed tranquil through the liquid ether, like troops of supernal messengers.

The shades of evening were falling upon the earth, when a vast, grey edifice of gloomy majesty loomed ghostly in the twilight, resting under the shadows of a darkening mountain, and all alone amidst a region of wild and desolate grandeur. This was the Escorial, the grand convent-palace of Philip II., and the burial-house of the Spanish kings. Such an edifice, almost the vastest in the world, in such a spot, and seen for the first time at such an hour, impressed one with a feeling of wonder and awe. We had little more than a glimpse of this historical building as we glided past. Our carriage moved on, now filled with dark women with brown babies, and soldiers with white kepis and red trousers; while, of course, a dash of garlic was not wanting, with the odour of five cigarettes going simultaneously, to render unbearable the atmosphere in the carriage, all the windows of which were hermetically closed, in order to exclude the terrible fresh air.

At last, however, to our joy, Madrid was reached. Nothing could exceed the extreme polish and urbanity of the aduaneros, of whose severity we had heard so much. Instead of ransacking the luggage, and making hay of one's shirts, a very handsome dark young man in uniform, having satisfied himself of the truth of our statement, that we were not professional smugglers, offered us a cigarette, gave us a light from his own, took off his hat, observed that he immensely admired the British Constitution, and then ordered us a brougham. The existence of such a class of officials at a terminus is really not an unmixed good. Imagine what might have occurred had we been susceptible daughters of Albion on their travels with an invalid or sleepy mamma! We tremble for the peace of mind of future English young ladies, travellers to Madrid.

Madrid, looked upon merely as the capital town of Spain, is extremely disappointing, [7] and simply a bad imitation of Paris, with little or nothing in it of original Spanish customs or life. The street architecture is modern, garish; it has a gingerbread appearance, and the use of whitewash has been too liberal. Although in the centre of Spain there are no remains of the Moorish or mediæval periods, nothing to represent the better class of art; and if you would find a bit of downright, dirty, picturesque Spanish street, you must penetrate to the back settlements, or the St. Giles's of Madrid—in fact, to the Calle de Toledo. There, beneath a blue sky, with squatting brown women suckling naked brown babies in the sun, gaudy churches, squalid houses, priests and beggars, not to speak of fish, vegetables, offal, and dogs, you may, after removing your handkerchief for one moment from your nose, imagine yourself amongst the slums of Naples.

With the exception of some few women of the middle and lower classes, who pin black silk aprons on to the backs of modern chignons, and on Sunday, or at the bull-fight, perhaps a bit of old lace, none are seen wearing the graceful mantilla, or those dark robes with ample skirts that sweep the streets. The traveller has rarely an opportunity of observing in the capital that delicate and piquant flirting with the fan which we always associate with our ideas of Spanish ladies; but he may occasionally remark very bright and meaning glances directed to the opposite sex by eyes of dazzling lustre. To see the romance of old Spain, however, one must go down south to warm Seville and historic Granada, where, by the way, we do not intend to go, as everybody has been there before; and it has now become a matter of legitimate pride to be able to say: "Behold before you a man who has not been to the Alhambra!"

The men in Madrid, although sometimes wrapped from heel to nose in the orthodox conspirator cloak, make themselves very eccentric in appearance by crowning their heads with that latest invention of the Evil One, the modern French chimney-hat; and that, too, in a very exaggerated form. The utter incongruity of these two articles of manly dress must be seen and felt to be thoroughly appreciated. To a tourist, indeed, who travels at a vast outlay of time and expense—to say nothing of cheerfully delivering up his body as a pasture-ground for innumerable fleas—in order to see Spain and the Spaniards as they ought to be, it really enters like iron into the soul (although, for the life of us, we could never understand that anatomical operation), to see Spain and Spaniards, in the matter of costume, at all events, as they are, and as they ought not to be.

However, here we are, for better or for worse, safely landed at the best hotel in Madrid, on the Puerta del Sol, and we are bound to say we did not find it as a married man, on the authority of a well-known anecdote, is said to have found his wife,—all worse and no better. The Hotel de los Principes will take a deal of beating from any hotel in Europe in point of comfort, cleanliness, and civility. Situated on the sunny side of the Puerta del Sol one has the pleasure of looking on an ever-changing and busy scene below, as he smokes the morning cigarillo in the balcony. On this spot, in former days, according to a popular legend, there stood a church upon whose door the sun, for some mystic reason, remained long after it had left all other doors. The gateway or door of this church was consequently called La Puerta del Sol, from which the present plaza derives its name.

This open space is the life and heart of Madrid, all the principal arteries of the city proceeding from it. Here, all business is done, and pleasure taken; speculations are entered into, and politics discussed (as much as is consistent with personal security); and, consequently, it is the first place to which foreigners resort. It is the exchange, the betting-ring, and the general lounge. The garrison, with flags and band, march through it once a day; and to those who were so minded, here was the best chance, at the time of our visit, of looking upon the countenance of Queen Isabel II., as she passed in her chariot and four-in-hand of mules.

FOOTNOTES:

[5] Motto in old French, now to be seen over the Abbey door of Medmenham, near Harleyford, the seat of Sir W. R. Clayton, Bart., where the Hell-Fire Club held its carousals.

[6] Some of the walls composing the fortifications, which are a sample of the engineering skill of the eleventh century, are forty feet in height and twelve in breadth.

[7] The Madrileños, however, are very proud of their city, hence the proverb:—"Hay una ventana en el cielo para mirar Madrid."


CHAPTER VII.

MADRID.—GREAT ENGINEERING FEAT.—THE PICTURE-GALLERY.—PASTIMES AND OCCUPATIONS OF THE MADRILEÑOS.—THE BATH AND TOILET.—QUEEN ISABEL AND THE KING CONSORT.—THE VIRGIN'S WARDROBE.—THE ROYAL ARMERIA.—REMARKABLE PAINTINGS.—CHURCH IN THE CALLE DE TOLEDO.

MADRID is by far the most flourishing town of Spain; and if there is such a thing as progress, artistic, political, or social, it is of course to be found therein. It suffers, however, under an unfortunate agglomerate of disadvantages, such as a river without water; [8] a great elevation in the midst of barren sandy plains, over whose treeless surface the winds are ever blowing—in summer hot and blighting, in winter with keen and piercing breath, from the snows of the Guadarrama range; streets periodically liable to showers, not of rain, but of bullets; careless government; a distrustful population; and a total want of private enterprise, which has been all but stamped out.

One hears, however, a great deal about Progresista ministers, who have certainly instituted various companies of credit, to which is owing the web of railways which is rapidly spreading throughout the country, and connecting the capital with the Mediterranean, the Atlantic, and the North. Drought, which was once much dreaded, is now at least rendered impossible, as a river, the Lozoya, has been conducted from twelve leagues off, amongst the Guadarrama mountains, to the city; [9] an engineering feat that the Progresistasts are never tired of bringing before the notice of the intelligent foreigner, and which the priests look upon with great suspicion, as some of the first-fruits of the great Antichrist, Civilisation, the attendant fiends on which, in their opinion, are Industry and Progress. A fountain of real water(!) now plays in the centre of the Puerta del Sol, of which the inhabitants are extremely proud.

Some of the larger buildings of Madrid are ambitious in design, but somehow they appear as flimsy as if the material used in their construction were pasteboard. The general aspect of the streets, compared with those of the old Spanish cities, with their massive and venerable buildings, is modern and paltry. There is none of that imposing magnificence which in some of the old provincial capitals seems to accord so perfectly with our conception of Spanish dignity and grandeur. There are twelve theatres, a splendid bull-ring, an enormous palace, the finest gallery of pictures in the world—for which the Spaniards are indebted to a great extent to Cromwell, who blindly sold them the fine collection which he appropriated from his king's effects after he had brought his plot for the judicial murder of Charles I. to a successful issue. In a long promenade called the Prado, the winds are ever blowing, but the flowers never; and although there are two melancholy rows of little trees, which in some measure remind one of those in a Noah's-ark, their attempts to reach anything like a decent growth, from a soil of hardened sand and stones, are singularly disheartening. Among other places provided for the amusement of the Madrileños, there is a casino, where they may play at the lucrative game of trente-et-quarante. Though the metropolis of the kingdom, there is no cathedral in Madrid. Some of the shops are very splendid; and to finish this rapid survey, I need scarcely mention that there is hardly a single mouth without a cigar in it, or a solitary spot that is not perfumed with the odour of tobacco smoke.

Art is here at a standstill, and the moral and material resources which raise a nation in the respect of the world are but slowly and feebly developed. Literature, which the Inquisition in past times rendered a perilous occupation, has never been able to recover the ground it has lost, and is now almost abandoned. [10] Fierce political contests and party animosities occupy all the spare time of the Madrileños; and in these the angry Dons are always ready to engage, generally with more spirit than discretion. The lounge, if not the bath, is, however, a favourite way of passing the time in Madrid, as in London. In the Prado, as in Rotten Row, one meets with some very alarming dandies, who favour one with a cold stare, as if they intended to measure him from head to foot. Yet from the best authority, as well as from our own observation, we know perfectly well that in this country, which is a very poor one, these dazzling señors and señoras find that pride has a hard struggle to maintain against poverty, and that consequently all is not gold that glitters. Although the boot is bright, it frequently contains no stocking. Although the scarf be vivid, and the pin stuck into it be gorgeous, there may be no shirt beneath. And so these beautiful Apollos, whom we behold sucking the knobs of their canes with such dignified grace, while ogling "partial beauty" over railings, may often be compared not only to whitened, but to painted sepulchres. As an illustration of Spanish manners, we have learned on good authority that an illustrious minister of government, a man of high education and taste, remained a fortnight in an hotel, and would never during that period allow the garçon to change the water in his washhand basin. "The farther South, the farther the bath," might well be a Spanish proverb, if it is not; and, in fact, as all geographers know, the Wash is only to be found in the North.

Now if ablution is so little practised by the higher classes, we may well ask what must be the state of the lowest? When the unsavoury truth is told, one can only exclaim with a gasp, What do they do, then? Those beautiful girls, so well soignées, so gaily dressed, and so fair to behold—what substitute have they for this first necessary of the toilet? "Well," we are told, "they are instructed from early youth by their medical advisers that water is unwholesome, and, as it renders the skin coarse and rugose, must be avoided. Consequently, once a week they attempt to clean themselves, as Dejazet used to do, with cold cream, a dry towel, and some white sand."

The Spaniards, in fact, are an indolent people, and have no desire to correct their slothful habits by the bracing effects of cold water; and although the great ladies, in the utter absence of all occupation, have no other task than that of fostering their beauty and pampering their vanity, they do not consider water necessary to these ends: moreover, water is scarce, and therefore dear. The medical men beyond the Pyrenees, who might be expected to correct so grave an error, are creatures of habit, conservative from force of education, and comparatively cut off from the remainder of the scientific world. The Spaniard too, besides being an hydrophobist, has always a shivering dread of fresh air. Whenever he is asked to go anywhere, it is always muy frio with him. And yet in spite of these customs he is not, we suppose, more unhealthy than other men.

Lounging one day on the Prado, a great clattering of hoofs was heard, and the Queen of Spain, in an open carriage, drawn by six magnificent mules, all over silver and gold, dashed past, escorted by a detachment of cavalry. By her side sat an ordinary-looking young man, who, we were informed, was the King-Consort. Every Saturday afternoon, Her Majesty visits the Church Atocha [11] to pay her respects to a coarse, black wooden doll, which is wrapped, in a very grotesque manner, in garments encrusted with gold and stiff with precious stones of sufficient value to build half a dozen hospitals and endow the poor of Madrid for life. This image, which is supposed to have been carved by St. Luke, is said to have been brought from Antioch, and popular superstition ascribes to it the power of performing miracles.

Within this church we were shown the court dress in which the Queen was arrayed some years ago when an attempt was made upon her life. It is, of course, very splendid, and the blood-stained robes were presented to the Virgin as an offering of the Queen's gratitude for her deliverance from the arm of the assassin. As the gift is repeated every year on the anniversary day, the Virgin [12] has now about as splendid a wardrobe as any modern Queen of Sheba.

While the verger, or whatever he called himself, was explaining this remarkable exemplification of his Monarch's piety, we observed that he was smoking a cigarette; upon which we, naturally thinking it was the correct thing, proceeded to do likewise. That functionary, however, put an end to our delusion at once, by observing,—

"Señor, the profane may not smoke here. I am within the bosom of the church, and my actions are consecrated."

Regarding this as one of those singular cosas de España to which the stranger must submit, we presented the holy, but rather dirty, gentleman with the cigarette from which our too confiding lips were so cruelly divorced.

Within the Royal Armeria are many interesting objects. Although the veneration with which we regard a sword which the hand of Cortes once upon a time touched, or a particular suit of armour in which the body of Columbus was once encased, like a jelly in a mould, may savour, perhaps, of hero-worship, idolatry, and superstition, we must acknowledge the imputation that we are subject to it. Here are the swords of Philip II. and of Francisco Pizarro, conquerors of Peru, and there that of Charles V., Emperor of Germany, together with his entire armour—the actual suit in which he was painted by Titian. Several revolvers of the seventeenth century, and a war-saddle of the Cid, are also exhibited.

For anyone who wishes to enjoy a feast of pictures uninterruptedly, and we suppose that is not an unnatural taste, the Madrid gallery is the place. Few but English travellers go there, the Spaniards seeming to care as little about the glories of their Murillos and Velasquez', as they do about Leech or Cruikshank, and perhaps not so much. There is plenty of space for the loiterer in the gallery, and in its silence he may dream away in peace a few happy hours. There are pictures here, of course, on which genius has stamped its impress, and on which all who are capable of appreciating the beauty of art gaze with admiration. That wondrous Crucifixion, for instance, by Velasquez, produces at once an impression which roots one to the spot. In the midst of a waste of lonely darkness, hangs heavily on a coarse stake of wood the dead form of the wearied man. The end of all his misery, the relief brought by death, seems to be distinctly delineated in the attitude of that forsaken, emaciated form,—with half its face veiled by the dank hair which falls over it as the head bows forward at the last mortal spasm,—a sight at which the words "It is finished" rise instinctively to our lips while we gaze at that marvellous production of perfect art. The next picture on which the eye falls is one of a brighter character—The Assumption of the Virgin, by Murillo. The look of childish, confiding innocence in the gentle face is beyond expression. As there have been inspired writers, surely there have been also inspired painters, and this Spanish master must have been one of them, during the composition of this immortal work. Close at hand is the famous picture of the infant St. John, by the same hand. Beside the beautiful boy is a gentle lamb. The little animal has crept confidingly, without a symptom of fear, to the child's side. As it should be with so pure a subject, the colouring and general treatment are nobly simple, and that is the source of its beauty.

Velasquez, of course, is represented in all his strength. Whether the subject of his portraiture be the haughty noble or the loathsome pauper, he is the quintessence of strength and truth, and the highest delineator of national character. The splendid colouring and fine chiaroscuro of Ribera can be recognised in several of his most beautiful productions. In the centre of the long gallery the steps are suddenly arrested before a painting which really deserves the title that the catalogue gives it—a marvel, El Pasmo de Sicilia, one of the masterpieces of Raffaelle. The subject is that of Christ falling under the cross; and in truth, it is a noble example of power, colouring, and harmony. The development of the human form is at once muscular and graceful, and the sufferer's sorrow is expressed with wonderful force. The grouping of the figures, most of which are nearly, if not quite, the size of life, is perfection. For force of treatment the work is a worthy rival of the Transfiguration in the Vatican, albeit the latter is celestial and mystic; while this represents the pure earthly side of Christ's nature, depicting him as a man ennobled by sorrow, untainted by sin, and purified by suffering. The expression of the Saviour's countenance, as his eyes meet those of his mother, at the moment when, smarting under blow and taunt, he faintly endeavours to rise from his bruised knees, is beyond everything that has been depicted on canvas.

Farther on, amongst this embarras of gems, which includes a long array of pictures any single one of which would add to a city's fame, hangs a noble Titian. Mounted (life-size) on his sturdy Flemish charger, is a grand old mediæval knight, dressed in chased and damascened armour. His round, dogged-looking head is thrust well into a simple morion, and his beard of a week's growth shows a disregard of personal foppery not unbecoming in those who make war a business, and perhaps unavoidable in the life of the camp. With stern and steady look, his long lance grasped in his nervous hand, ready to place in rest at a moment's need, he gallops towards the fray.

A San Sebastian of Guido, is a painting which it would be impossible to match, except by that in the capitol at Rome, by the same hand. This is, indeed, a noble picture of the young martyr. One can see by the ecstatic expression of the countenance that he is exulting in a hope that carries him, on the wings of faith, beyond the persecutions and sufferings of this world, and reveals to him the dawn of a higher, better, and purer life. What to him are the arrows burying themselves one after the other deep in his fair flesh? His soul is above, far away from pain, and in the joy of opening immortality is no longer sensible of the agonies of its earthly body.

There is a beautiful picture by Barbalunga of a dying girl. The dull grey of twilight is gradually deepening to night in the lonely chamber, and the film of death is slowly gathering on the flickering eye, symbolising the end of all that is beautiful on earth. We particularly noted one fine production by Guercino. Some wicked-looking old men are stealthily approaching Susanna bathing, creeping onward from behind with outstretched hands, as if they were going to catch a butterfly. Two naked ladies, by Titian, in his most untrammeled style, are distinctly of the flesh, fleshy; but they are splendid specimens of that great master's proficiency in delineating the human form—of his consummate fidelity to truth in colouring and expression.

The vast picture by Rubens of the Adoration of the Magi shows plainly—with many hundred others, however—how Art, longa as it may be, must, like all things mortal, have a limit. This limit, in the present instance, is where, the mirror being held up to Nature, Nature herself cries out with delight at her own reflection, mistaking it for another self. The limitation here attained is Perfection. We suppose that expression of adoration, as seen in the fifty faces delineated, is beyond imitation. Then how admirable is the grouping, how gorgeous the colouring, how perfect the arrangement of light and shade, never surpassed, or perhaps equalled, either by the master himself or by Titian. What an advantage to modern art it would be if we could gain some insight into the chemistry of the colours used in past centuries! Why should our Reynolds and Lawrences fade away, in some cases into mere outlines filled up with pale tints, when the paintings of the sixteenth century still retain the hues on their canvas in all their pristine splendour? The crimson drapery of one of the Magi in the picture in question seems as fresh and as brilliant as it was on the day when it was painted by the master's hand.

Of course it appears something like presumption in us to add our feeble commentaries upon the numerous gems in this matchless collection to those of the great judges who have preceded us; yet, perchance, in his simple worship of art, a little outburst of enthusiasm upon the subjects which strike a sympathetic chord within the humbler pilgrim as he passes, may be pardoned.

The great picture by Velasquez called Las Meniñas—The Favourites—is worthy of the distinguished reward bestowed on its painter by his patron, Philip IV. On the left, as one views the work, the great artist is seen at his easel taking the portrait of the Infanta Margarita, daughter of the king, as she stands amidst her attendant meniñas. The depth of the background, on which is painted the distant wall of the great oaken chamber, with a mirror in which is seen reflected the faces of Philip and his consort, is admirably given, although we are rather mystified in endeavouring to explain how persons are to be reflected in a glass when nobody is in front of it except those who are not reflected. The sombre air of the interior of the old room is truth itself. Monotony in the effect of the brown tones is saved by the distant light streaming in through an open door. On the right, in the foreground, two favourite dwarfs are toying with a large dog. The picture is a noble rendering of the domestic arrangements of Spanish royalty in the seventeenth century.

When it was finished, Velasquez inquired of the king whether anything was wanting in the work. "Yes, there is one thing, and one only," replied Philip; and, taking a brush from the artist, he traced with his own hand the red cross of Santiago, the highest order in Spain, on the painter's breast.

There are, of course, as in all galleries, no end of dead Christs and live Apostles; and also very vivid productions in the horror-line by one Goya, whose life appears to have been, besides that of an artist, court favourite, and bull-fighter, a mixture of that of Don Juan and Baron Munchausen. It would take volumes to describe half of the works worthy of high admiration contained in this richest of collections; for it holds, besides the general mass of its treasures, ten Raphaels, sixty-two Rubens', forty-six Murillos, fifty-three Teniers', sixty-four Velasquez', forty-three Titians, thirty Tintorettos, twenty-two Vandycks, fifty-four Breughels, nineteen Poussins, ten Claudes, twenty-three Snyders, fifty-five Giordanos, fifty-eight Riberas, ten Wouvvermans, cum multis aliis. They have been collected chiefly from the palaces of La Granja, the Escorial, and El Pardo. When it is said it is the finest collection in the world, the expression alludes more particularly to the number of actual gems and masterpieces contained therein, than to any complete chronological series of schools gradually developed before the eye.

The exterior of the gallery, or Real Museo de Pinturas, as seen from the Prado, is elegant and classic, but not too pure; and it is decidedly too long for its height.

Of course in every continental town there is always that architectural black-dose, the Cathedral, to be done. But, praise be to the divinity presiding over the weary Cockney, there is none at Madrid. There is nothing nearer to a cathedral than a dirty, big church in the Calle de Toledo, where we were regaled with the sight of various delectable relics: such as a saint's toe in pickle and a martyr's tooth on a velvet cushion. This church is amongst the quartiers of the poorer classes. It was natural, consequently, that we, poor benighted foreigners, should be supposed to be able to see, do, or understand nothing without assistance. We were, therefore, escorted all over the building by a sickly-looking old hag of a lady, who, with the one remaining tusk sticking out of her jaw like a dilapidated milestone, created sad havoc in her attempts to articulate "la lingua dulce de España." What she said no pronouncing dictionary could have enabled us to interpret. She seemed particularly enthusiastic about the saint's toe, and, as she pointed it out, smiled sweetly on the side of her mouth where the one tooth was. Now, when we are shown such things as saints' toes in pickle, or the bottled tears of martyrs, we make a point of never appearing to doubt the authenticity of the same for a moment. Firstly, we assume an appearance of credulity from motives of good taste; secondly, for the reason that if the old lady who exhibits them sees one is interested in the articles brought to notice, there is no knowing what may not be eventually produced for one's delectation, even to a phial of ink which was once shown to one of our friends, in a church in Italy, as "some of the darkness which covered Egypt." We never came across anyone yet whose tongue so fairly bolted with her as this yellow old lady, who followed us like a shadow into the very streets, scratching herself with one hand, while with the other she tried to arrange into a round knot the stubble on the top of an otherwise bald head.