THIS EDITION

DEDICATED TO THE HONOR OF THE

ACADÉMIE FRANÇAISE

IS LIMITED TO ONE THOUSAND NUMBERED AND REGISTERED SETS, OF WHICH THIS IS

NUMBER 358

THE ROMANCISTS

JULES CLARETIE

HIS EXCELLENCY THE MINISTER

BIBLIOTHÈQUE DES CHEFS-D'ŒUVRE DU ROMAN CONTEMPORAIN

HIS EXCELLENCY THE MINISTER

JULES CLARETIE

OF THE ACADÉMIE FRANÇAISE

PRINTED FOR SUBSCRIBERS ONLY BY

GEORGE BARRIE & SONS, Philadelphia

THIS EDITION OF

HIS EXCELLENCY THE MINISTER

HAS BEEN COMPLETELY TRANSLATED

HENRI ROBERTS

THE ETCHINGS ARE BY

EUGENE WALLET

AND DRAWINGS BY

ADRIEN MARIE

[To Alphonse Daudet]					[Preface]
[Part First]	[I]	[II]	[III]	[IV]	[V]	[VI]	[VII]	[VIII]
[Part Second]	[I]	[II]	[III]	[IV]	[V]	[VI]	[VII]	[VIII]	[IX]
[List of Illustrations]

TO ALPHONSE DAUDET

My dear friend,

Ideas sometimes float about in the air like the pollen of flowers. For years past I have been at work collecting notes for this book which I have decided to dedicate to you.

In one of your charming prefaces, you told us lately that you only painted from nature. We are both of us, I imagine, in our day and generation, quite captivated and carried away by that modern society from which in your exquisite creations you have so well understood how to extract the essence.

What is it that I have desired to do this time? That which we have both been trying to do at one and the same time: to seize, in passing, these stirring times of ours, these modern manners, that society which perpetuates the antediluvian uproar, that feverish, bustling world always posing before the footlights, that market for the sale of appetites, that kirmess of pleasure that saddens us a little and amuses us a great deal, and allows us romance-writers, simple seekers after truth, to smile in our sleeves at the constant seekers after portfolios.

This book is true, I have seen the events narrated in it pass before my own eyes, and I can say, as a spectator greatly interested in what I see, that I am delighted, my old fellow-traveller, to write your great and honored name on the first page of my book as a witness to the sincere affection and true comradeship of

Your devoted,

JULES CLARETIE.

PREFACE

There was once a Minister of State who presented to his native land the astonishing spectacle of a Cabinet Minister dying whilst in office. This action was so astounding to the nation at large that a statue has since been erected to his memory.

I saw his funeral procession defile past me, I think I even made one of the Committee sent by the Society of Men of Letters to march in the funeral convoy. It was superb. This lawyer from the Provinces, good honest man, eloquent orator, honest politician that he was, who came to Paris but to die there, was buried with the greatest magnificence.

De Musset had eight persons to follow him to the grave; his Excellency had one hundred thousand.

I returned home from this gorgeous funeral in a thoughtful mood, thinking how much emptiness there is in glory, and particularly in political glory. This man had been "His Excellency the Minister" and not only his own province, but the whole country had placed its hopes on him. But what had he done? He had left his home to cast himself into the great whirlpool of the metropolis. It was the romance of a great provincial plunged in Paris into the reality of contemporary history, and become as ordinary as the commonplace items of the Journals. "What a subject for a study at once profoundly modern and perfectly lifelike!" The funeral convoy had hardly left the church of the Madeleine when my plot of this romance was thought out, and appeared clearly before me in this title, very brief and simple: His Excellency the Minister.

I have not drawn any one in particular, I have thought of no individual person, I even forgot all about this departed Minister, whose face I hardly caught even a glimpse of, and of whose life I was completely ignorant; I had only in my mind's eye a hero or rather a heroine: Politics with all its discouragements, its vexations, its treacheries, its deceptions, its visions as fair as the blue sky of summer, suddenly bursting like soap bubbles; and to the woes of Politics, I naturally endeavored to add those of the pangs of love.

And this is how my book came to see the light. I have been frequently asked from what living person I borrowed the character of Vaudrey, with its sufferings, its disappointments, its falterings. From whom? An American translator, better informed, it appears, than myself, has, I believe, brought out in New York a key to the characters presented in my book. I should have publicly protested against this Key which unlocks nothing, however, had it been published in France. Reader, do not expect any masks to be raised here—there are no masks; it is only a picture of living people, of passions of our time. No portraits, however, only types. That, at least, is what I have tried to do. And if I expected to find indulgent critics, I have certainly succeeded, and the two special characters which I sought to portray in my romance—in Parisian and political life—have been fortunate enough to win the approval of two critics whose testimony to the truth of my portraitures I have set down here.

An author of rare merit and an authority on Statecraft, Monsieur J.-J. Weiss, was kind enough one day to analyze and praise, apropos of the comedy founded upon my book, the romance which I am to-day republishing. It has been extremely pleasant for me to put myself under the sponsorship of a man of letters willing to vouch for the truth of my portrayals. I must beg pardon for repeating his commendations of my work, so grateful are they to me, coming from the pen of a critic so renowned, and which I take some pride in reading again.

"I had already twice read Monsieur le Ministre," wrote Monsieur J.-J. Weiss in the Journal des Débats the day following the production at the Gymnase, "before having seen the drama founded on the book, and I do not regret having been obliged to read it for the third time. The romance is both well conceived and admirably executed. To have written it, a union of character and talent was necessary. A Republican tried and proved, permitting his ideal to be tarnished and sullied; a patriot wronged by the vices of the times in which he lived; an honest, clean-handed man; the representative of a family of rigid morality; the strict impartiality of the artist who cares for nothing but his ideas of art, and who protects those ideas from being injured or influenced by the pretensions of any group or coterie; a close and long acquaintanceship with the ins and outs of Parisian life; an eye at once inquiring, calm and critical, a courageous indifference, hatred for the mighty ones of the hour, and a loftiness of soul which refuses to yield to the unjust demands of timid friendship: such are the qualities that make the value of this matchless book. Monsieur Claretie has been accused of having gathered together and exposed to the public gaze two or three more or less scandalous episodes of private life, and using them as the foundation of his romance. The fictitious name of Vaudrey has been held to cloak that of such and such a Minister of State. Those, however, who search for vulgar gossip in this book, or who look for private scandal are far astray. They are quite mistaken as regards the tendency and moral of Monsieur Claretie's book. The Vaudrey of the romance is no minister in particular, neither this statesman nor that. He is the Minister whom we have had before our eyes for the last quarter of a century. He is that one, at once potential and universal. In him are united and portrayed all the traits by which the species may be determined. He had been elected to office without knowing why, and to do him this justice, at least without any fault of his; he was deposed from power without knowing the reason, and we have no hesitation in saying, without his having done anything either good or bad to deserve his fall. There he is minister, however; Minister of the Interior, and who knows? in a fair way, perhaps, to be swept by some favorable wind to the post of President of the Council; while not so very long ago to have been made sub-prefect of the first class, would have surpassed the wildest visions of his youth. In Monsieur Claretie's romance it is the old Member of Parliament, Collard—of Nantes—converted late in life to Republicanism, who chose the provincial Vaudrey for his Minister of the Interior; this may, with equal probability be Marshal MacMahon.

"In Monsieur Claretie's romance, Monsieur le Ministre is of the Left Centre or the so-called Moderate Party, he is therefore on the side of Law and Order. He enters into the Cabinet with the determination to reform every abuse, to recast everything; to seek for honest men, to make merit and not faction, the touchstone of advancement. In short, to apply in his political life the glorious principles which—and the noble maxims that—He is only, however, forty-eight hours in office when he becomes quite demoralized, paralyzed and stultified for the rest of his ministerial life. It is the phenomenon of crushing demoralization and of complete enervation of which the public, from the situation in which it is placed, sees only the results of which Monsieur Claretie, with a skilful hand describes for us the mechanism and the cause. This Minister of State, supposed to be omnipotent in office, has not even the power to choose an undersecretary of State for himself. The Minister who only the day before, from his seat upon one of the benches of the Opposition, sat with his head held aloft, his long body erect, with rigid dignity, as if made of triple brass, cannot now take the initiative in the appointment of a 'garde champêtre.' His undersecretaries of State, his gardes champêtres, he himself, his whole environment, in fact, are only painted dummies and the meek puppets that a director of the staff, a chief of a division, or a chief of a bureau sets in motion, to the tune he grinds out of his hand-organ, or moves them about at his will like pawns upon a chess-board. The Minister will read with smiling confidence the reports by which his subordinates who are his masters, inform him—what no one until then had thought of—that he has been called by the voice of the nation to his high office, and that he can in future count upon the entire and complete confidence of the country. To please these obliging persons, the hangers-on of governments that he has passed a quarter of his life infighting against and whom he will call gravely, and upon certain occasions, very drolly, the hierarchy, he will betray without any scruples all those whose disinterested efforts and great sacrifices have brought about the triumph of the cause which he represents.

"Monsieur le Ministre is from the Provinces! You understand. Solemn and pedantic, if his youth has been passed upon the banks of the Isère, a puppy with his muzzle held aloft and giddy, if Garonne has nourished him, broad faced and vulgarly pedantic if his cradle has been rocked in upper Limousin. But whether he comes from Corrèze, from Garonne or Isère, it is always as a Provincial that he arrives in Paris, the air of which intoxicates him. He is in the same situation and carries with him the same sentiments as Monsieur Jourdain when invited to visit the Countess Dorimène. For the first adventuress who comes along, a born princess who has strayed into a house of ill fame, or one who frequents such a house, who masquerades as a princess in her coquettish house in Rue Brèmontier, he will forsake father, mother, children, state documents, cabinet, councils, Chamber of Deputies, everything in fact. He will break away from his young wife who has grown up under his eyes in the same town with him, among all the sweet domestic graces, moulded amid all the fresh and sapid delicacies of the provinces, but pshaw! too provincial for a noble of his importance, and he will go in pursuit of some flower, no matter what, be it only redolent of Parisian patchouli. He will break the heart of the one, while for the other, he will bring before the councils of administration suspected schemes, blackmailings, concessions, treachery and ruin. Monsieur Claretie had shown us the Vaudrey of his romance involved in all these degradations, although he has checked him as to some, and in his novel, at least, with due submission to the exalted truth of art, he has not shrunk from punishing this false, great man and pretended tribune of the people, by the very vices he espoused.

"I do not stop to inquire if even in the story, Monsieur Claretie's 'Marianne Kayser' is frequently self-contradictory, and if in some features I clearly recognize his Guy de Lissac; two characters that play an important part in the narrative! But after all, what does it matter? It suffices for me that his Excellency the Minister and all his Excellency's entourage are fully grasped and clearly described. Granet, the low intriguer of the lobbies; Molina, the stock-company cut-throat and Bourse ruffian; Ramel, the melancholy and redoubtable publicist, who has made emperors without himself desiring to become one, who will die in the neighborhood of Montmartre and the Batignolles, forgotten but proud, poor, and unsullied by money, true to his ideals, among the ingrates enriched by his journal and who have reached the summit only by the influence of his authority with the public; Denis Garnier, the Parisian workman who has had an experience of the hulks as the result of imbibing too freely of sentimental prose and of lending too ready an ear to the golden speech of some tavern demagogue, who has now had enough of politics and who scarcely troubles to think what former retailer of treasonable language, what Gracchus of the sidewalk may be minister, Vaudrey or Pichereau, or even Granet: all these types are separately analyzed and vigorously generalized. Monsieur Claretie designated no one in particular but we elbow the characters in his book every day of our lives. He has, moreover, written a book of a robust and healthy novelty. The picture of the greenroom of the Ballet with which the tale opens and where we are introduced in the most natural way possible to nearly all the characters that play a part in the story of Vaudrey is masterly in execution and intention. It is Balzac, but Balzac toned down and more limpid."

I will stop here at the greenroom of the Ballet commended by Monsieur J.-J. Weiss, to give a slight sketch, clever as a drawing by Saint' Aubin or a lithograph by Gavarni, which Monsieur Ludovic Halévy has contributed to a journal and in which he also praises the romance that the feuilletoniste of the Débats has criticized with an authority so discriminating and a benevolence so profound.

It was very agreeable for me to observe that such a thorough Parisian as the shrewd and witty author of Les Petites Cardinal should find that the Opéra—which certainly plays a rôle in our politics—had been sufficiently well portrayed by the author of Monsieur le Ministre. And upon this, the first chapter of my book, Monsieur Ludovic Halévy adds, moreover, some special and piquant details which are well worth quoting:

"That which gave me very great pleasure in this tale of a man of politics is that politics really have little, very little place in the novel; it is love that dominates it and in the most despotic and pleasant way possible. This great man of Grenoble who arrives at Paris in order to reform everything, repair everything, elevate everything, falls at once under the sway of a most charming Parisian adventuress. See Sulpice Vaudrey the slave of Marianne. Marianne's gray eyes never leave him—But she in her turn meets her master—and Marianne's master is Adolphe Gochard, a horrid Parisian blackguard—who is so much her master that, after all, the real hero of the romance is Adolphe Gochard. Such is the secret philosophy of this brilliant and ingenious romance.

"I have, however, a little quarrel on my own account with Monsieur Jules Claretie. Nothing can be more brilliantly original than the introductory chapter of Monsieur le Ministre. Sulpice Vaudrey makes his first appearance behind the scenes of the Opéra, and from the sides of the stage, in the stage boxes, opera-glasses are turned upon him, and he hears whispered:

"'It is the new Minister of the Interior.'

"'Nonsense! Monsieur Vaudrey?'

"'Yes, Monsieur Vaudrey—'

"In short, the appearance of his Excellency creates a sensation, and it is against this statement that I protest. I go frequently to the Opéra, very frequently. During the last ten years I have seen defile before me in the wings, at least fifty Ministers of State, all just freshly ground out. Curiosity had brought them there and the desire to see the dancers at close quarters, and also the vague hope that by exhibiting themselves there in all their glory, they would create a sensation in this little world.

"Well, this hope of theirs was never realized. Nobody took the trouble to look at them. A minister nowadays is nobody of importance. Formerly to rise to such a position, to take in hand the reins of one of the great departments, it was necessary to have a certain exterior, a certain prominence, something of a past—to be a Monsieur Thiers, Monsieur Guizot, Monsieur Mole, Monsieur de Rémusat, Monsieur Villemain, Monsieur Duchátel, Monsieur de Falloux or Monsieur de Broglie—that is to say, an orator, an author, a historian, somebody in fact. But nowadays, all that is necessary to be a minister is the votes of certain little combinations of groups and subsidiary groups, who all expect a share of the spoils. Therefore we are ruled by certain personages illustrious perhaps at Gap or at Montélimar but who are quite unknown in the genealogical records of the Boulevard Haussmann. Why should you imagine that public attention would be attracted by news like this:

"'Look!—There is Monsieur X, or Monsieur Y, or Monsieur Z.'

"One person only during these last years ever succeeded in attracting the attention of the songstresses and ballet-girls of the Opéra. And that was Gambetta. Ah! when he came to claim Monsieur Vaucorbeil's hospitality, it was useless to crouch behind the cherry-colored silk curtains of the manager's box, many glances were directed toward him, and many prowling curiosities were awakened in the vicinity of the manager's box. Little lassies of ten or twelve came and seized your hand, saying:

"'Please, monsieur, point out Monsieur Gambetta to me—he is here—I would so much like to see him.'

"And then Gambetta was pointed out to them during the entr'acte—after which, delighted, they went off caracoling and pirouetting behind the scenes:

"'You did not see Monsieur Gambetta, but I saw him!'

"This was popularity—and it must be confessed that only one man in France to-day receives such marks of it. This man is Gambetta.

"Meanwhile Claretie's minister continues his walk through the corridors of the Opéra house. He reaches the greenroom of the ballet at last and exclaims:

"'And that is all!'

"Alas, yes, your Excellency, that is all!—"

And everything is only a "that is all," in this world. If one should set himself carefully to weigh power or fame,—power, that force of which Girardin said, however: "I would give fifty years of glory for one hour of power,"—even if one tilted the scale, one would not find the weight very considerable.

It would be necessary to have the resounding renown of a personality like that one who, if I am to believe Monsieur Halévy, alone enjoyed the privilege of revolutionizing the foyer of the ballet, in order to boast of having been someone, or of having accomplished something.

A rather witty skeptic once said to a friend of his who had just been appointed minister:

"My dear fellow, permit me as a practical man to ask you not to engage in too many affairs. Events in this world are accomplished without much meddling. If you attempt to do something to-day, everyone will cry out: 'What! he is going to demolish everything!' If you do nothing, they will cry: 'What! he does not budge! If I were minister, which God forbid, I would say nothing—and let others act—I would do nothing—and let others talk.'"

Everybody, very fortunately—and all ministers do not reason like this jester. But the truth is that it is very difficult for an honest man in the midst of political entanglements as Vaudrey was, to realize his dream. When opportunities arise—those opportunities that march only at a snail's pace—one is not allowed to make use of them, they are snatched from one. They arrive, only to take wings again. And in those posts of daily combat, one has not only against one the enemies who attack one openly, which would be but a slight matter, a touch with a goad or a prick of the spur, at most—but one has to contend with friends who compromise, and servants who serve one badly.

Every man who occupies an office, whatever it may be, has for his adversaries those who covet it, those who regret it, those who have once filled it, and those who desire to fill it. What assaults too! Against a successful rival, there is no infamy too base, no mine too deep, no villainy too cruel, no lie too poisoned to be made use of—and the minister, his Excellency, is like a hostage to Power.

And yet one more point, it is not in his enemies or his calumniators that his danger lies. The real, absolute evil is in the system of routine and ill-will which attack the statesmen of probity. It will be seen from these pages that there is a warning bell destined, alas! to keep away from those in power the messengers who would bring them the truth from outside, the unwelcome and much dreaded truth.

The novel may sometimes be this stroke of the bell,—a stroke honest and useful,—a disinterested warner, and I have striven to make Monsieur le Ministre precisely that, in a small degree, for the political world. I have essayed to paint this hell paved with some of the good intentions. The success which greeted the appearance of this book, might justify me in believing that I have succeeded in my task. I trust that it will enjoy under its new form—so flattering to an author, that an editor-artist is pleased to give it,—the success achieved under its first form.

Monsieur le Ministre is connected with more than one recollection of my life. I was called upon one day to follow to his last resting-place—and it is on an occasion like this that one discovers more readily and perceives more clearly life's ironies—one of those men "who do nothing but create other men," a journalist. It was bitterly cold and we stood before the open grave, just in front of a railway embankment, in an out of the way cemetery of Saint-Ouen,—the cemetery called Cayenne, because the dead are "deported" thither. We were but four faithful ones. Yes, four, but amongst these four must be included a young man, bare-headed and wearing the uniform of an officer, who stood by the deceased man's son.

Whilst one of us bade the last farewell to the departed on the brink of the grave, the scream of the railway engine cut short his words, and seemed to hiss for the last time the fate of the vanquished man lying there. As we were quitting the cemetery, a worthy man, a song-writer, observed to me: "Well, if all those whom Léon Plée helped during his lifetime had remembered him when he was dead, this little Campo Santo of Saint-Ouen would not have been large enough to hold them all!"

Doubtless. But they did not remember him.

And from the contrast between the shabby obsequies of the old journalist and the solemn pomp of that of the funeral service of the four days' minister came the idea of my book. It seemed to me that here was an appropriate idea and a useful reparation. Art has nothing to lose—rather the contrary, when it devotes itself to militant tasks.

Ah! I forgot—When one mentions to-day the name of this illustrious minister whose funeral convoy was in its day one of the great spectacles of Paris, and one of the great surprises to those who know how difficult it is for a minister to die in office—like the Spartan still grasping his shield—those best informed, shaking their heads solemnly will say:

"Ricard?—Oh! he had great talent, Ricard—I saw lately a portrait of Paul de Musset by him—It is superb!"

They confound him with the painter to whom no statue has been erected, but whose works remain.

Be, then, a Cabinet Minister!

JULES CLARETIE.

Viroflay, September 1, 1886.

HIS EXCELLENCY THE MINISTER

PART FIRST

I

The third act of L'Africaine had just come to a close.

The minister, on leaving the manager's box, said smilingly, like a man glad to be rid of the cares of State: "Let us go to the greenroom, Granet, shall we?"

"Let us go to the greenroom, as your Excellency proposes!"

They were obliged to cross the immense stage where the stage carpenters were busy with the stage accessories as sailors with the equipment of a vessel; and men in evening dress, with white ties, looked natty without their greatcoats, and with opera hats on their heads were going to and fro, picking their way amongst the ropes and other impedimenta which littered the stage, on their way to the greenroom of the ballet.

They had come here from all parts of the house, from the stalls and boxes; most of them humming as they went the air from Nélusko's ballad, walking lightly as habitués through the species of antechamber which separates the body of the house from the stage.

A servant wearing a white cravat, was seated at a table writing down upon a sheet of paper the names of those who came in. One side of this sheet bore a headline reading: Messieurs, and the other Médecin, in two columns. From time to time this man would get up from his chair to bow respectfully to some official personage whom he recognized.

"Have you seen Monsieur Vaudrey come in yet, Louis?" asked a still young man with a monocle in his eye, who seemed quite at home behind the scenes.

"His Excellency is in the manager's box, monsieur!" answered the servant civilly.

"Thank you, Louis!"

And as the visitor turned to go up the narrow stairway leading to the greenroom, the servant wrote down in the running-hand of a clerk, upon the printed sheet: Monsieur Guy de Lissac.

Upon the stage, Vaudrey, the Minister whom Lissac had been inquiring for, stood arm in arm with his companion Granet, looking in astonishment at the vast machinery of the opera, operated by this army of workmen, whom he did not know. He was quite astonished at the sight, as he had never beheld its like. His astonishment was so evident and artless that Granet, his friend and colleague in the Chamber of Deputies, could not help smiling at it from under his carefully waxed moustaches.

"I consider all this much more wonderful than the opera itself," observed his Excellency. The floor and wings were like great yellow spots, and the whole immense stage resembled a great, sandy desert. Vaudrey raised his head to gaze at the symmetrical arrangement of the chandeliers, as bright as rows of gas-jets, amongst the hangings of the friezes. A huge canvas at the back represented a sunlit Indian landscape, and in the enormous space between the lowered curtain and the scenery, some black spots seemed as if dancing, strange silhouettes of the visitors in their dress clothes, standing out clearly against the yellow background like the shadows of Chinese figures.

"It is very amusing; but let us see the greenroom," said the minister. "You are familiar with the greenroom, Granet?"

"I am a Parisian," returned the deputy, without too great an emphasis; but the ironical smile which accompanied his words made Vaudrey understand that his colleague looked upon his Excellency as fresh from the province and still smacking of its manners.

Sulpice hesitatingly crossed the stage in the midst of a hubbub like that of a man-of-war getting ready for action, caused by the methodical destruction and removal of the scenery comprising the huge ship used in L'Africaine by a swarm of workmen in blue vests, yelling and shoving quickly before them, or carrying away sections of masts and parts of ladders, hurrying out of sight by way of trap-doors and man-holes, this carcass of a work of art; this spectacle of a great swarm of human ants, running hither and thither, pulling and tugging at this immense piece of stage decoration, in the vast frame capable of holding at one and the same time, a cathedral and a factory, was rather awe-inspiring to the statesman, who stopped short to look at it, while the tails of his coat brushed against the fallen curtain.

From both sides of the stage, from the stage-boxes, opera-glasses were turned upon him here and there and a murmur like a breeze came wafted towards him.

"It is the new Minister of the Interior!"

"Nonsense! Monsieur Vaudrey?"

"Monsieur Vaudrey."

Vaudrey proudly drew himself up under the battery of opera-glasses levelled at him, while Granet, smiling, said to the master of the chorus who, dressed in a black coat, stood near him:

"It can be easily seen that this is his first visit here!"

Oh! yes, truly, it was the first time that the new minister had set his foot in the wings of the Opéra! He relished it with all the curiosity of a youth and the gusto of a collegian. How fortunate that he had not brought Madame Vaudrey, who was slightly indisposed. This rapid survey of a world unknown to him, had the flavor of an escapade. There was a little spice in this amusing adventure.

Behind the canvas in the rear, some musicians, costumed as Brahmins, with spectacles on their noses, the better to decipher their score, fingered their brass instruments with a weary air, rocking them like infants in swaddling clothes. Actors in the garb of Indians, with painted cheeks, and legs encased in chocolate-colored bandages, were yawning, weary and flabby, and stretching themselves while awaiting the time for them to present themselves upon the stage. Others, dressed like soldiers, were sleeping on the wooden benches against the walls, their mouths open, their helmets drawn down over their noses like visors. Others, their pikes serving them for canes, had taken off their headgear and placed it at their feet, the better to rest their heads against the wall, where they leaned with their eyes shut.

Little girls, all of them thin, and in short skirts, were already pirouetting, and humming airs. Older girls stood about with their legs crossed, or, half-stooping, displayed their bosoms while retying the laces of their pink shoes. Others, wearing a kind of Siamese headdress with ornaments of gold, were laughing and clashing together their little silver cymbals. Awkward fellows with false beards, dressed like high priests in robes of yellow, striped with red, elbowed past and jostled against the girls quite unceremoniously. An usher, dressed à la Française, and wearing a chain around his neck, paced, grave and melancholy, amongst these shameless young girls.

The greenroom at the end of the stage was entered through a large vestibule hung with curtains of grayish velvet shot with violet, and at the top of the steps where some men in dress-clothes were talking to ballet-girls, Vaudrey could see in the great salon beyond, blazing with light, groups of half-nude women surrounded by men, resembling, in their black clothes, beetles crawling about roses, the whole company reflected in a flood of light, in an immense mirror that covered one end of the room. Little by little, Vaudrey could make out above the paintings representing ancient dances, and the portraits by Camargo or Noverre, a confusion of gaudy skirts, pink legs, white shoulders, with the ubiquitous black coats sprinkled about here and there amongst these bright colors like large blots of ink upon ball-dresses.

Sulpice had often heard the greenroom of the ballet spoken about, and he was at once completely disillusioned. The glaring, brutal light ruthlessly exposed the worn and faded hangings; and the pretty girls in their full, short, gauzy petticoats, with their bare arms, smiling and twisting about, their satin-shod feet resting upon gray velvet footstools, seemed to him, as they occupied the slanting floor, to move in a cloud of dust, and to be robbed of all naturalness and freshness.

"And is this all?" the minister exclaimed almost involuntarily.

"What!" answered Granet, "you seem hard to please!"

Amongst all these girls, there had been manifested an expression of mingled curiosity, coquetry and banter on Vaudrey's appearance in their midst. His presence in the manager's box had been noticed and his coming to the greenroom expected. Every one had hurried thither. Sulpice was pointed out. He was the cynosure of all eyes. On the divans beneath the mirror, some young, well-dressed, bald men, surrounded—perhaps by chance—by laughing ballet-girls, now half-concealed themselves behind the voluminous skirts of the girls about them, and bent their heads, thus rendering their baldness more visible, just as a woman buries her nose in her bouquet to avoid recognizing an acquaintance.

Vaudrey, observing this ruse, smiled a slight, sarcastic smile. He recognized behind the shielding petticoats, some of his prefects, those from the environs of Paris, come from Versailles and Chartres, or from some sub-prefectures, and gallantly administering the affairs of France from the heart of the greenroom. Amiable functionaries of the Ministry of Fine Arts also came here to study æstheticism between the acts.

All members of the different régimes seemed to be fraternizing in ironical promiscuousness here, and Vaudrey in a whisper drew Granet's attention to this. Old beaux of the time of the Empire, with dyed and waxed moustaches, with dyed or grizzled hair flattened on their temples, their flabby cheeks cut across by stiff collars as jelly is cut by a knife, were hobnobbing, fat and lean, with young fops of the Republic, who with their sharp eyes, wide-open nostrils, their cheeks covered with brown or flaxen down, their hair carefully brushed, or already bald, seemed quite surprised to find themselves in such a place, and chattered and cackled among themselves like beardless conscripts, perverted and immoral but with some scruples still remaining and less cunning than these well-dressed old roués standing firmly at their posts like veterans.

"The licentiates and the pensioners," whispered Vaudrey.

"You have a quickness of sight quite Parisian, your Excellency," returned Granet.

"There are Parisians in the Provinces, my dear Granet," replied Sulpice with a heightened complexion, his blood flowing more rapidly than usual, due to emotions at once novel and gay.

"Ah! your Excellency," exclaimed a fat, animated man with hair and whiskers of quite snowy whiteness, and smiling as he spoke, "what in the world brought you here?"

He approached Vaudrey, bowing but not at all obsequiously, with the air of good humor due to a combination of wealth and embonpoint. Fat and rich, in perfect health, and carrying his sixty years with the lightness of forty, Molina—Molina the "Tumbler" as he was nicknamed—spent his afternoons on the Bourse and his evenings in the greenroom of the ballet.

He had a small interest in the theatre, but a large one in the coryphées, in a paternal way, his white hair giving him the right to be respected and his crowns the right to respect nothing. Beginning life very low down, and now enjoying a lofty position, the fat Molina haunted the Bourse and the greenroom of the Opéra. He glutted himself with all the earliest delicacies of the season, like a man who when young, has not always had enough to satisfy hunger.

Pictures that were famous, women of fashion, statues of marble and fair flesh, he must have them all. He collected, without any taste whatever, costly paintings, rare objects; he bought without love, girls who were not wholly mercenary. At a pinch he found them, taking pleasure in parading in his coupé, around the lake or at the races, some recruit in vice, and in watching the crowd that at once eagerly surrounded her, simply because she had been the mistress of the fat Molina. He had in his youth at Marseilles, in the Jewish quarter of the town, sold old clothes to the Piedmontese and sailors in port. Now it was his delight to behold the Parisians of the Boulevard or the clubs buy as sentimental rags the cast-off garments of his passion.

"You in the greenroom of the ballet, your Excellency?" continued the financier. "Ah! upon my word, I shall tell Madame Vaudrey."

Sulpice smiled, the mere name of his wife sounded strange to his ears in a place like this. It seemed to him that in speaking of her, she was being dragged into a strange circle, and one which did not belong to her. He had felt the same only a few days before upon his entrance into the cabinet, on seeing a report of his marriage, his dwelling minutely described, and a pen portrait of that Adrienne, who was the passion of his life.

"After all," continued Molina, "Madame Vaudrey must get used to it. The Opéra! Why, it is a part of politics! The key of many a situation is to be found in the greenroom!"

The financier laughed merrily, a laugh that had the ring of the Turcarets' jingling crowns.

He went on to explain to his Excellency all the little mysteries of the greenroom, as a man quite at home in this little Parisian province, and lightly, by a word, a gesture even, he gave the minister a rapid biography of the young girls who were laughing, jesting, romping there before them; flitting hither and thither lightly across the boards, barely touching them with the tips of their pink satin-shod feet.

Sulpice was surprised at everything he saw. He did not even take the pains to conceal his surprise. Evidently it was his first visit behind the scenes.

"Ah! your Excellency," said Molina, delighted with his rôle of cicerone, "it is necessary to be at home here! You should come here often! Nothing in the world can be more amusing. Here behind the scenes is a world by itself. One can see pretty little lasses springing up like asparagus. One sees running hither and thither a tall, thin child who nods to you saucily and crunches nuts like a squirrel. One takes a three months' journey, and passes a season at Vichy or at Dieppe, and when one returns, presto! see the transformation. The butterfly has burst forth from its cocoon. No longer a little girl, but a woman. Those saucy eyes of old now look at you with an expression which disturbs your heart. One might have offered, six months before, two sous' worth of chestnuts to the child; now, however, nothing less than a coupé will satisfy the woman. It used to jump on your knee at that time, now every one is throwing his arms around its pretty neck. Thus from generation to generation, one assists at the mobilization of a whole army of recruits, who first try their weapons here, pass from here into the regiment of veterans, build themselves a hospital in cut-stone out of their savings, and some of them mount very high through the tips of their toes if they are not suddenly attacked by the malady of the knee."

"Malady of the knee?" inquired Vaudrey.

"A phrase not to be found in the Dictionary of Political Economy by Maurice Block. It is a way of saying that ill-luck has overtaken one. A very interesting condition, this malady of the knee! It often not only shortens the leg but the career!"

"Is this malady a frequent one at the Opéra?"

"Ah! your Excellency, how can it be helped? There are so many slips in this pirouetting business! It is as risky as politics!"

Fat Molina shouted with laughter at this clumsy jest, and placing a binocle upon his huge nose, which was cleft down the middle like that of a hunting-hound, he exclaimed suddenly, turning towards the door as he spoke:

"Eh! Marie Launay? What is she holding in her hand?"

Light, nimble and graceful in her costume of a Hindoo dancing girl, a young girl of sixteen or seventeen summers, already betraying her womanhood in the ardent glances half-hidden in the depths of her large, deep-blue eyes, tripped into the greenroom, humming an air and holding in her hand a long sheet of paper.

She shook, as if embarrassed by it, the broad necklace of large imitation pearls that danced on her fine neck and fell on her undeveloped bosom; and looking in search of some one among the crowd of girls, cried out from a distance to a plump little brunette who was talking and laughing within a circle of dress-coats at the other end of the room:

"Eh! Anna, you have not subscribed yet!"

The brunette, freeing herself unceremoniously enough from her living madrigals, came running lightly up to Marie Launay, who held out towards her an aluminum pencil-case and the sheet of paper.

"What the devil is that?" asked Molina.

"Let us go and see," said Granet.

"Would it not be an indiscretion on our part?" asked Vaudrey, half seriously.

The financier, however, was by this time at the side of the two pretty girls, and asked the blonde what the paper contained, the names on which her companion was spelling out.

Marie Launay, a lovely girl with little ringlets of fair hair curling low down upon her forehead, smiled like a pretty, innocent and still timid child, under the luring glances of the fat man, and glancing with an expression of virgin innocence at Sulpice and Granet, who were standing beside him, replied:

"That—Oh! that is the subscription we are getting up for Mademoiselle Legrand."

"Oh! that is so," said Molina. "You mean to make her a present of a statuette?"

"On her taking her leave of us. Yes, every one has subscribed to it—even the boxholders. Do you see?"

Marie Launay quickly snatched the paper from her friend; on it were several names, some written in ink, others in pencil, the whole presenting the peculiar appearance of schoolboys' pot-hooks or the graceful lines traced by crawling flies, while the fantastic spelling offered a strange medley. Molina burst out laughing, his ever-present laugh that sounded like the shaking of a money-bag,—when he ran his eye over the list and found accompanying the names of ballet-dancers and members of the chorus, the distinguished particles of some habitués.

"Look! your Excellency—It is stupendous! Here: Amélie Dunois, 2 francs. Jeanne Garnot, 5 francs. Bel-Enfant—Charles—, 1 fr., 50 centimes. Warnier I., 2 francs. Warnier II., 2 francs. Gigonnet, 4 francs. Baron Humann, 100 francs. The baron!—the former prefect! Humann writing his name down here with Bel-Enfant and Gigonnet. Humann inscribing above his signature—I vill supscribe von hundertfranc! If one were to see it in a newspaper, one would not believe it! If only a reporter were here now! For a choice Paris echo what a rare one it would be!"

Granet examined little Marie Launay with sly glances, toying with his black moustache the while, and the other young girl Anna, very much confused at the coarse laughter of Molina the "Tumbler," kept turning around in her slender fingers the aluminum pencil-case and looking at Marie as much as to say:

"You know I can never muster up courage to write down my name before all these people!"

"Lend me your pencil, my child," Molina said to her.

She held it out towards him timidly.

"Where the baron has led the way, Molina the Tumbler may certainly follow!" said the financier.

He turned the screw of the pencil-case to extend the lead, and placing one of his huge feet upon a divan to steady himself, wrote rapidly with the paper on his knee, as a man used to scribbling notes at the Bourse:

"Solomon Molina, 500 francs."

"Ah! monsieur," exclaimed Marie Launay upon reading it, "that is handsome, that is! It is kind, very kind! If everybody were as generous as you, we could give a statue of Terpsichore in gold to Mademoiselle Legrand."

"If you should ever want one of Carpeaux's groups for yourself, my child," said Molina, "you may go to the studio in a cab to look at it, and fetch it away with you in—your own coupé."

The girl grew as red as a cherry under her powder, even her graceful, childish shoulders turned pink, enhancing her blonde and childlike beauty.

Vaudrey was conscious of a strange and subtle charm in this intoxicating circle,—a charm full of temptations which made him secretly uneasy. There passed before his eyes visions of other days, he beheld the phantoms of gay dresses, the apparitions of spring landscapes, he felt the breezes of youth, laden with the scents of the upspringing grass, the lilacs at Meudon, the violets of Ville-d'Avray, the souvenirs of the escapades of his student days. Their short, full skirts reminded him of white frocks that whisked gayly around the hazel-trees long ago, those ballet-girls bore a striking resemblance to the pink and white grisettes that he had flirted with when he was twenty.

He extended his hand in turn towards the sheet of paper to which Molina had just signed his name, saying to Marie Launay as he did so:

"Let me have it, if you please, mademoiselle."

Granet began to laugh.

"Ah! ah!" he cried, "you are really going to write down under Monsieur Gigonnet's signature the name of the Minister of the Interior?"

"Oh! bless me!" said Vaudrey, laughing, "that is true! You will believe it or not as you please, but I quite forgot that I was a minister."

"It was the same with me when I was decorated," said Molina. "I would not receive my great-coat from box-openers because I saw the morsel of red ribbon hanging on it, and I was sure the garment was not mine. But one grows used to it after a while! Now," and his laugh with the hundred-sou piece ring grew louder than ever, "I am really quite surprised not to find the rosette of red ribbon sticking to my flannel waistcoats."

Vaudrey left Marie Launay, greatly to her surprise, and listened to Molina's chronicles of the ballet.

Ah! if his Excellency had but the time, he would have seen the funniest things. For instance, there was amongst the dancers a marble cutter, who during the day sold and cut his gravestones and came here at night to grin and caper in the ballet. He was on the scent of every funeral from the Opéra; he would get orders for tombstones between two dances at the rehearsals. One day Molina had been present at one of these. It seems incredible, but there was a bank clerk in a gray coat, a three-cornered hat upon his head and a brass buckler on his arm, who sacrificed to Venus in the interval between his two occupations, dancing with the coryphées; a dancer by night and a receiver of money by day. A girl was rehearsing beside him, in black bands and skirt. Then Molina, astonished, inquired who she might be. He was told that it was a girl in mourning, whose mother had just died. The Opéra is a fine stage upon which to behold the ironies and contrasts of life.

The financier might have related to Sulpice Vaudrey a description of a journey to Timbuctoo and have found him less amused and less interested than now. It was a world new and strange to him, attractive, and as exciting as acid to this man, still young, whose success had been achieved by unstinted labors, and who knew Paris only by what he had learned of it years ago, when a law student: the pit of the Comédie Française, the Luxembourg galleries and those of the Louvre, the Public Libraries, the Hall of Archives, the balls in the Latin Quarter, the holidays and the foyer of the Opéra once or twice on the occasion of a masked ball. And, besides that?—Nothing. That was all.

The great man from Grenoble arrived in Paris with his appetite whetted for the life of the city, and now he was here, suddenly plunged into the greenroom of the ballet, and all eyes were turned towards him, almost frightened as he was, on catching a glimpse of his own image reflected in the huge mirror glittering under the numerous lights, in the heart of this strange salon and surrounded by half-clad dancing girls. Then, too, everybody was looking at him, quizzing him, shrinking from him through timidity or running after him through interest. The new Minister of State! The chief of all the personnel of prefects, under-prefects, and secretaries-general represented there, lolling on these velvet divans in this vulgar greenroom.

All the glances, all the whisperings of the women, the frowns of his enemies, the cringing attitudes of dandified hangers-on, were making Vaudrey feel very uncomfortable, when to his great relief he suddenly observed coming towards him, peering hither and thither through his monocle, evidently in search of some one, Guy de Lissac, who immediately on catching sight of Vaudrey came towards him, greeting him with evident cordiality, tinged, however, with a proper reserve.

Sulpice was not long in breaking through this reserve. He hurried up to Guy, and seizing him by the hand, cried gayly:

"Do you know that I have been expecting this visit! You are the only one of my friends who has not yet congratulated me!"

"You know, my dear Minister," returned Guy in the same tone, "that it is really not such a great piece of luck to be made Minister that every one of your friends should be expected to fall upon your neck, crying bravo! You have mounted up to the capitol, but after all, the capitol is not such a very cheerful place, that I should illuminate à giorno. I am happy, however, if you are. I congratulate you, if you wash your hands of it, and that is all."

"You and my old friend Ramel," answered Sulpice, "are the two most original men that I know."

"With this difference however, Ramel is a Puritan, an ancient, a man of marble, and I am a boulevardier and a skeptic. He is a man of bronze—your Ramel! And your friend Lissac of simili-bronze! The proof of it is that I have been seeking you for half the evening to ask you to do me a favor."

"What favor, my dear fellow?" cried Vaudrey, his face lighting up with joy. "Anything in the world to please you."

"I was in Madame Marsy's box,—you do not know Madame Marsy? She is a great admirer of yours and makes a point to applaud you in the Chamber. She has prayed for your advent. She saw you in the manager's box a while ago, and she has asked me to present you to her, or rather, to present her to you, for I presume for your Excellency the ceremony is modified."

"Madame Marsy!" said Vaudrey. "Is she not an artist's widow? Her salon is a political centre, is it not?"

"Exactly. A recent salon opened in opposition to that of Madame Evan. An Athenian Republic! You do not object to that?"

"On the contrary! A republic cannot be founded without the aid of women."

"Ah!" cried Lissac, laughing. "Politics and honors have not changed you, I see."

"Changed me? With the exception that I have twenty years over my head, and alas! not so much hair as I had then upon it, I am the same as I was in 1860."

"Hôtel Racine! Rue Racine!" said Lissac. "In those days, I dreamed of being Musset, I a gourmand, and what have I become? A spectator, a trifler, a Parisian, a rolling stone.—Nothing. And you who dreamed of being a second Barnave, Vergniaud or Barbaroux, your dream is realized."

"Realized!" said Vaudrey.

He made an effort to shake his head deprecatingly as if his vanity were not flattered by those honeyed words of his friend; but his glance displayed such sincere delight and so strong a desire to be effusive and in evidence, that he could not repress a smile upon hearing from the companion of his youth, such a confirmation of his triumph. They are our most severe critics, these friends of our youth, they who have listened to the stammering of our hopes and dreams of the future. And when at length we have conquered the future, these are often the very ones to rob us of it! Lissac, however, was not one of these envious ones.

"Let us go to Madame Marsy's box, my dear Guy," said Sulpice. "The more so because if she at all resembles her portrait at the last Salon, she must be lovely indeed."

He left the greenroom, leaning on the arm of Lissac, after throwing a glance backward, however, at the girls whirling about there, and where in the presence of their stiff, ancient superiors, the young sub-prefects still hid their faces behind their opera hats. Granet with Molina went to take leave of Vaudrey, leaving little Marie Launay smiling artlessly because the financier, the Tumbler, had said to her, in drawing down her eyelids with his coarse finger: "Will you close your periwinkles—you kid?"

"Your Excellency," the banker had said, cajoling his Excellency with his meaning glance, "I am always at your orders you know."

"To-morrow, at the Prisons' Commission, Monsieur le Ministre," said Granet. And amid salutations on every side Vaudrey withdrew, smiling and good-humored as usual.

In order to reach the box, Vaudrey had to cross the stage. The new scene was set. Buddhist temples with their grotesque shapes and huge statues stood out against a background of vivid blue sky, and on the canvas beyond, great pink flowers glowed amid refreshing verdure. Over all fell a soft fairy-like light from an electric lamp, casting on the floor a fantastic gleam, soft and clear as the rays of the moon. Sulpice smiled as he passed beneath this flood of light and saw his shadow projected before him as upon the glassy waters of a lake. It seemed to him that this sudden illumination, a sort of fantastic apotheosis as it were, was like the fairy-like aureole that attended his progress.

At the very moment of leaving the greenroom, Sulpice had jostled accidentally against a man of very grave aspect wearing a black coat closely buttoned. He was almost bald save for some long, thin, gray locks that hung about his huge ears, his cheeks had a hectic color and his skull was yellow. He entered this salon in a hesitating, inquisitive way, with wide-open eyes and a gourmand's movement of the nostrils, and gazed about the room, warm with lights and heavy with perfume.

Sulpice glanced at him carelessly and recognized him as the man whom he himself had superseded on Place Beauvau—a Puritan, a Huguenot, a widower, the father of five or six daughters, and as solemn and proper in his ordinary demeanor as a Sunday-school tract. Sulpice could not refrain from crying out merrily: "Bless me! Monsieur Pichereau!"

The other shook his butter-colored skull as if he had suddenly received a stinging blow on it with a switch, and his red face became crimson-hued at the sight of Sulpice, his successor in office, standing before him, politely holding out to him his two gloved hands.

Guy de Lissac was no longer laughing.

Their two Excellencies found themselves face to face at the foot of the greenroom staircase, in the midst of a crowd of brahmins, dancers, negresses, and female supernumeraries; two Excellencies meeting there; one smiling, the other grimacing beneath the glance of this curious, shrewd little world.

"Ah! I have caught you, my dear colleague," cried Sulpice, very much amused at Pichereau's embarrassed air, his coat buttoned close like a Quaker's and his little eyes blinking behind his spectacles, and looking as sheepish as a sacristan caught napping.

"Me?" stammered Pichereau. "Me? But my dear Minister, it's you—yes, you whom I came expressly to seek!"

"Here?" said Vaudrey.

"Yes, here!"

"Really?"

"I had something to say to you—I—yes, I wanted—"

The unlucky Pichereau mechanically pulled and jerked at his waistcoat, then assuming a dignified, grave air, he whistled and hesitated, and finally stammered:

"I wished to speak with you—yes—to consult with you upon a matter of grave importance—concerning Protestant communities."

Sulpice could not restrain his laughter.

Pichereau, with his look of a Calvinistic preacher, was throwing from behind his spectacles glowing looks in the direction where Marie Launay stood listening to and laughing at the badinage of Molina. Some newspaper reporters, scenting a handy paragraph, came sauntering up to overhear some fragment of the conversation between the minister of yesterday and him of to-day.

Guy de Lissac stood carelessly by, secretly very much amused at Pichereau, who did not move, but rubbing his hands nervously together was trying to appear at ease, yet by his sour smile at his successor allowing it to be plainly seen how gladly he would have strangled Vaudrey.

"My dear colleague," said Sulpice, gayly, "we will talk elsewhere about your communities. This is hardly the place. Non est hic locus! Good-bye!"

"Good-bye, your Excellency," replied Pichereau with forced politeness.

Vaudrey drew Lissac away, saying with a suppressed laugh:

"Oh! oh! the Quaker! He has laid down his portfolio, but he has kept the key to the greenroom, it seems."

"It would appear," replied Guy, "that the door leading into the greenroom may open to scenes of consolation for fallen greatness. The blue eyes of Marie Launay always serve as a sparadrap to a fallen minister!"

"Was the fat Molina right? To lose the votes of the majority is perhaps the malady of the knee of ministers," said Vaudrey merrily.

He laughed again, very much amused at the irritable, peevish yet cringing attitude of Pichereau, the Genevan doctrinaire, who sought consolation in the greenroom of the ballet, whilst his five or six daughters sat at home, probably reading some chaste English romance, or practising sacred music within the range of the green spectacles of their governess.

"But!" said he gayly, "to fall from power is nothing, provided one falls into the arms of ballet-girls."

Part First Chapter I

Molina burst out laughing ... when he ran his eye over the list and found accompanying the names of ballet-dancers and members of the chorus, the distinguished particles of some habitués.

II

Madame Marsy was awaiting Guy de Lissac's return from the greenroom. From the moment she caught sight of Vaudrey standing within the range of her opera-glasses, she was seized with the eager desire to make him an habitué of her salon, the new salon that had just been launched. Madame Marsy was bitten by that tarantula whose bite makes modern society move as if afflicted with Saint Vitus's dance. A widow, rich and still young, very much admired, she had set herself to play the rôle of a leader in society to pass away the time. She was one of those women forever passing before the reporters' note-book, as others pass in front of a photographic apparatus. Of her inner life, however, very little was known to the public. But the exact shade of her hair, the color of her eyes, the cut of her gowns, the address of her tradesmen, the menu of her dinners, the programme of her concerts, the names of her guests, the visitors to her salon, the address of her mansion, were all familiar to every one, and Madame Marsy was daily reported by the chroniclers to the letter, painted, dressed and undressed.

There was some romantic gossip whispered about her. It was said that she had formerly led Philippe Marsy, the artist, a hard life. This artist was the painter of Charity, the picture so much admired at the Luxembourg, where it hangs between a Nymph by Henner and a Portrait of a Lady by Carolus Duran. She was pretty, free, and sufficiently rich since the sale of the contents of Philippe Marsy's studio. His slightest sketches had fetched enormous sums under Monsieur Pillet's hammer at the Hôtel Drouot, and Sabine after an appropriate interval of mourning, opened her salon.

Solitary, though surrounded by friends, she created no jealousy among her admirers, whose homage she received with perfect equanimity, as if become weary and desirous of a court but not of a favorite. She had a son at college who was growing up; he, however, was rarely to be met with in his mother's little hôtel in the Boulevard Malesherbes. This pale, slender youth in his student's uniform would sometimes steal furtively up the staircase to pay his mother a visit as a stranger might have done, never staying long, however, but hurrying off again to rejoin an old woman who waited at the corner of the street and who would take him by the arm and walk away with him—Madame Marsy, his grandmother.

It was the grandmother who was bringing up the boy. She and a kind-hearted fellow, François Charrière, a sculptor, who as he said himself, was nothing of a genius, but who, however, designed models and advantageously sold them to the manufacturers of lamps in the Rue Saint-Louis au Marais. It was Charrière who, in fulfilment of a vow made to his friend Marsy, acted as guardian to the boy.

Nobody in Paris now remembered anything about Philippe Marsy. In the course of time, all the little rumors are hushed in the roar and rattle of Parisian life. Only some semi-flattering rumors were connected with Sabine's name, together with some mysterious reminiscences. Moreover, she had the special attraction of a hostess who imparts to her salon the peculiar charm and flavor of unceremonious hospitality. One was only obliged to wear a white cravat about his throat, he did not have to starch his wits.

Only very recently had Sabine Marsy's salon acquired the reputation of being an easy-going one, where one was sure of a welcome, a sort of rendezvous where every one could be found as in the corridor of a theatre on the night of a first appearance, or on the sidewalk of a boulevard; a salon well-filled, that could rank with the semi-official and very distinguished one presided over by Madame Evan, and those others quieter, more sober—if a little Calvinistic—of the select Alsatian colony.

Sabine Marsy must have had a great deal of tact, force of character and perseverance in carrying out her plans, to have reached this point, more difficult to her, moreover, than it would have been to any other, as she had no political backing whatever. Her connection with society was entirely through the world of artists. Many of these, however, had brought to her salon some of the Athenians of the political world, connoisseurs, good conversationalists, handsome men, who freely declared with Vaudrey, that a republic could not exist without the assistance of women, that to women Orleanism was due, and those charming fellows had made Madame Marsy's hospitable salon the fashion.

Besides it is easy enough in Paris to have a salon if one knows how to give dinners. Some squares of Bristol board engraved by Stern and posted to good addresses, will attract with an almost disconcerting facility, a crowd of visitors who will swarm around a festive board like bees around a honeycomb.

Paris is a town of guests.

Then too, Madame Marsy was herself so captivating. She was always on the watch for some new celebrity, as a game-keeper watches for a hare that he means to shoot presently. One of her daily tasks was to read the Journal Officiel in order to discover in the orator of to-day the Minister of State of to-morrow. She was always well informed beforehand which artist or sculptor would be likely to win the medal of honor at the Salon, and was the first to invite such a one and to let him know that it was she who had discovered him. In literature, she encouraged the new school, liking it for the attention it attracted. It was also her aim to give to her salon a literary as well as a political color. Artists and statesmen elbowed one another there.

For some days now, she had thought of giving a reception which was to be a surprise to her friends. She had heard of Japanese exhibitions being given at other houses. She herself was determined to give a soirée exotique. It happened just then that a friend of Guy de Lissac, Monsieur José de Rosas, a great lounger, had returned from a journey around the world. What a piece of good fortune! She too had known De Rosas formerly, and if she could only get him to consent, she could announce a most attractive soirée: the travels of such a man as Monsieur de Rosas: a rare treat!

"The Comtesse d'Horville gives literary matinées," said Sabine, quite on fire with the idea; "Madame Evan has poems and tragedies read at her receptions, I shall have lecturers and savants, since that is fashionable."

And what a woman wishes, a grandee of Spain willed, it appeared. Monsieur de Rosas decided, egged on a little by Guy de Lissac, to come and relate to Madame Marsy's friends his adventures in strange lands. The invitations to the soirée were already out.

Madame Marsy had also obtained a promise from three Ministers of State that they would be present. She had spread the news far and wide. A little more and she would have had their names printed on the programmes for the evening. She had had a success quite unlooked for—a promise from Monsieur Pichereau to be present—from Pichereau, that starched Puritan, and all the newspapers had announced his intention. When suddenly—stupidly—a cabinet crisis had arisen at the most unexpected moment, a useless crisis. Granet had interpellated Pichereau with a view to succeed him, and Pichereau fell without Granet succeeding him. A Ministry had been hastily formed, with Collard at its head, and Sulpice Vaudrey as Minister of the Interior in place of Pichereau! And all those Ministers of State who had promised to be present to hear Monsieur de Rosas at Madame Marsy's, fell from power with Pichereau.

"Such a Cabinet!" Sabine had exclaimed in a rage. "A Cabinet of pasteboard capuchins."

"A Ministry of pasteboard, certainly," Guy had answered.

Madame Marsy was quite beside herself. Granet indeed! Why could he not have waited a day or two longer before upsetting the whole administration. It would have been quite as easy to have overthrown Pichereau a day after her soirée as a few days before. Was Granet then, in a great hurry to be made minister? Oh! her opinion of him had always been a correct one! An ambitious schemer. He had triumphed, or at least he had expected to triumph. And the consequence was that Sabine found herself without a Minister to introduce to her guests. It was as if Granet had purposely designed this.

No, she did not know a single member of the new Cabinet. She had spoken once to the President of the council, Collard, a former advocate of Nantes, at a reception at the Élysée. Collard had even, in passing by her, torn off a morsel of the lace of her flounce. How charmingly, too, he had excused himself! But this acquaintanceship with him would hardly justify her in asking him brusquely to honor her with his presence at this soirée upon which her social success depended.

Her intimate friend, pretty Madame Gerson, who assisted her in doing the honors of her salon until the time when she herself would have a rival salon and take Sabine's guests away from her, sought in vain to comfort her by assuring her that Pichereau would be sure to come. He had promised to do so. He was a sincere man, and his word could be relied on. He would, moreover, bring his former colleagues from the Departments of Public Instruction, and Post and Telegraph. He had promised. Oh! yes, Pichereau! Pichereau, however, mattered very little to Sabine now! Ex-ministers, indeed! she could always have enough of them. It was not that kind that she wanted. She did not care about her salon being called the Invalides as that of a rival was called the Salon des Refuseès. No, certainly not, that was something she would never consent to.

Granet's impatience had upset all her plans.

So Madame Marsy, side by side in her box with Madame Gerson, whose dark, brilliant beauty set off her own fair beauty, had listened with a bored and sulky manner to the first act of L'Africaine, while Monsieur Gerson conversed timidly, half under his breath, with Guy de Lissac, who made the fourth occupant of the box.

At the end of the second act, however, Lissac suddenly caught sight of Vaudrey's smiling countenance beside Granet's waxed moustaches in the manager's box.

"Ah!" he exclaimed, "there is Vaudrey!"

Madame Marsy, however, had already caught sight of him. She turned her opera-glass upon the new Cabinet Minister, whose carefully arranged blonde beard was parted in the middle and spread out in two light tufts over his white necktie, his silky moustaches turned jauntily upwards against his fleshy cheeks. Sabine, continuing to look at the newcomer through her glass, saw as he moved within the shadow of the box, this man of forty, with a very agreeable and still youthful face, and as he leaned over the edge of the box to look at the audience, she noted that he had a slight bald spot on the top of his skull between the fair tufts that adorned the sides of his head.

"Oh!" she exclaimed suddenly, "I thought that he was a dark man."

"No, no," answered Lissac, "on the contrary, he was a fair, handsome youth when we both studied law here in Paris together."

Madame Marsy, as if she had been touched by an electric spark, turned quickly round on her chair to look at Guy, displaying to him as she did so, a lovely face, surmounting the most beautiful shoulders imaginable.

"What! you know the minister so intimately?"

"Very intimately."

"Then, my dear Lissac, you can do me the greatest favor. No, I do not ask you to do it, I insist on it."

Over the pretty Andalusian features of Madame Gerson, a mocking smile played.

"I have guessed it," she exclaimed.

"And so have I," said Lissac. "You wish me to present the new Minister of the Interior to you? You have a friend you want appointed to a prefecture."

"Not at all. I only want him to take Pichereau's place at my reception. My dear Lissac, my kind Lissac," she continued in dulcet tones, and clasping her little gloved hands entreatingly, like a child begging for a toy, "persuade Monsieur Vaudrey to accept this invitation of mine and you will be a love, you understand, Lissac, a love!"

But Guy had already risen and with a touch of his thumb snapping out his crush hat, he opened the door of the box, saying to Sabine as he did so:

"Take notice that I ask nothing in return for this favor!"

Madame Marsy began to laugh.

"Ah!" she cried, "that is discreet, but I am willing to subscribe to any condition!"

"Selika is cold beside you," said Lissac as he disappeared through the open doorway, "I will bring you your minister in ten minutes."

Sabine waited nervously. The curtain had just fallen on the third act. The manager's box was empty. Guy would doubtless be obliged to rejoin Vaudrey, and neither the minister nor his friend would be seen again. Just then some one knocked at the door of the box. Monsieur Gerson, overcome by fatigue, and weary as only a man can be who is dragged against his will night after night to some place of amusement, was dozing in the rear of the box. At a word from his wife he got up and hastened to open the door. It proved to be an artist, an old friend of Philippe Marsy, who came to invite Sabine to his studio to "admire" his Envoy that he had just finished for the Salon. Sabine received him graciously, and promised him somewhat stiffly that she would do so. She tapped impatiently with her fan upon her fingers as the orchestra began to play the prelude to the fourth act. It was quite certain that Lissac had failed in his mission.

Suddenly, in the luminous space made by the open door, Guy's elegant figure appeared for a moment, disappearing immediately to allow a man to pass who entered, smiling pleasantly, and at whom a group of people, standing in the lobby behind, were gazing. He bowed as Lissac said to Sabine:

"Allow me, madame, to present to you His Excellency the Minister of the Interior."

Sabine, suddenly beaming with joy, saw no one but Sulpice Vaudrey amongst the group of men in dress-clothes who gave way to allow the dignitary to pass. She had eyes only for him!

She arose, pushing back her chair instinctively, as the Minister entered, Monsieur and Madame Gerson standing at one side and Sabine on the other and bowing to him,—Sabine triumphant, Madame Gerson curious, Monsieur Gerson flattered though sleepy.

Sulpice seated himself at Madame Marsy's side, with the amiable condescension of a great man charmed to play the agreeable, and to visit, at the solicitation of a friend, a fair woman whom all the world delighted to honor. It seemed to him to put the finishing touch to that success and power which had been his only a few days.

He went quite artlessly and by instinct wherever he might have the chance to inhale admiring incense. It seemed to him as if he were swimming in refreshing waters. Everything delighted him. He wished to be obliging to every one. It seemed to him but natural that a woman of fashion like Sabine should wish to meet him and offer him her congratulations, as he himself, without knowing her, should desire to listen to her felicitations. To speak in complimentary terms was as natural to him as to listen to the compliments of others.

He delighted in the atmosphere of adulation which surrounded him, these two pretty women who smiled upon him with a gratitude so impressive, pleased him. Sabine appeared especially charming to him when, speaking with the captivating grace of a Parisian, she said:

"I hardly know how to thank my friend Monsieur de Lissac for inducing you to listen to the entreaties of one who solicits—"

"Solicits, madame?" said the minister with an eagerness which seemed already to answer her prayer affirmatively.

"I hope your Excellency will consent to honor with your presence a reunion of friends at my house—a reunion somewhat trivial, for this occasion, but clever enough."

"A reunion?" replied Vaudrey, still smiling.

"Monsieur de Lissac has not told you then, what my hopes are?"

"We are too old friends, Lissac and I, for him not to allow me the pleasure of hearing from your own lips, madame, in what way I may be of service to you, or to any of your friends."

Sabine smiled at this well-turned phrase uttered in the most gallant tone.

Who then, could have told her that Vaudrey was a provincial? An intimate enemy or an intimate friend. But he was not at all provincial. On the contrary, Vaudrey was quite charming.

"Monsieur de Rosas has had the kindness, your Excellency, to promise to come to my house next Saturday and give a chatty account of his travels. He will be, I am quite sure, most proud to know that in his audience—"

Sulpice neatly and half modestly turned aside the compliment that was approaching.

He knew Monsieur de Rosas. He had read and greatly admired some translations of the Persian poets by that lettered nobleman, which had been printed for circulation only amongst the author's most intimate friends. Vaudrey had first met Monsieur de Rosas at a meeting of a scientific society. Rosas was an eminent man as well as a poet, and one whom he would be greatly pleased to meet again. A hero of romance as erudite as a Benedictine. Charming, too, and clever! Something like a Cid who has become a boulevard lounger on returning from Central Asia.

This portrait of Rosas was a clever one indeed, and Sabine nodded acquiescence again and again as each point was hit off by Vaudrey. He, in his turn, basked comfortably in the light of her smiles, and listened with pleasure to the sound of his own voice. He could catch glimpses through the box curtains from between these two charming profiles—one a brunette, the other a blonde—of the vast auditorium all crimson and gold, blazing with lights and crowded with faces. From this well-dressed crowd, from these boxes where one caught sight of white gleaming shoulders, half-gloved arms, flower-decked heads, sparkling necklaces, flashing glances, it seemed to Vaudrey as if a strange, subtle perfume arose—the perfume of women, an intoxicating odor, in the midst of this radiancy that rivaled the brilliant sun at its rising.

Upon the stage, amid the dazzling splendor of the ballet, in the milky ray of the electric light, the swelling skirts whirled, the pink slippers that he had seen but a moment before near by, and the gleaming, silver helmets, the tinfoil and the spangles shone in the dance. A fairy light enveloped all these stage splendors; and this luxurious ensemble, as seen from the depths of the box, seemed to him to be the glory of an unending apotheosis, a sort of fête given to celebrate his entrance on his public career.

Then, in the unconcealed effusion of his delight, without any effort at effect, speaking frankly to this woman, to Guy, and to Gerson, as if he were communing with himself to the mocking accompaniment of this Hindoo music, he revealed his joys, his prospects, and his dreams. He replied to Sabine's congratulations by avowing his intention to devote himself entirely to his country.

"In short, your Excellency," she said, "you are really going to do great things?"

He gazed dreamily around the theatre, smiling as if he beheld some lucky vision, and answered:

"Really, madame, I accepted office only because I felt it was my duty and as a means of doing good. I intend to be just—to be honest. I should like to discover some unappreciated genius and raise him from the obscurity in which an unjust fate has shrouded him, to the height where he belongs. If we are to do no better than those we have succeeded, it was useless to turn them out!"

"Ah! pardieu," said Lissac, while Madame Marsy smiled and nodded approval of Vaudrey's words, "you and your colleagues are just now in the honeymoon of your power."

"We will endeavor to make this honeymoon of as long duration as possible," laughingly replied Sulpice. "I believe in the case of power, as in marriage, that the coming of the April moon is the fault of the parties connected with it."

"It takes a shrewd person indeed to know why April moons rise at all!" said Guy. Vaudrey's thoughts turned involuntarily toward Adrienne, his own pretty wife, who was waiting for him in the great lonely apartments at the Ministry which they had just taken possession of as they might occupy rooms at a hotel.

He felt a sudden desire to return to her, to tell her of the incidents of this evening. Yes, to tell her everything, even to his visit behind the scenes—but he remained where he was, not knowing how to take leave of Madame Marsy just yet, and she, in her turn, divined from the slackened conversation that he was anxious to be off.

"I was waiting for that strain," said Madame Marsy to Guy, "now that it is over, I will go."

Vaudrey did not reply, awaiting Sabine's departure, so as to conduct her to her carriage.

People hurried out into the lobbies to see him pass by. Upon the staircases, attendants and strangers saluted him. It seemed to Vaudrey that he moved among those who were in sympathy with him. Lissac followed him with Madame Gerson on his arm; her jaded husband sighed for a few hours' sleep.

In the sharp, frosty air of a night in January, Sulpice, enveloped in otter fur, stood with Madame Marsy on his arm, waiting for the appearance of that lady's carriage, which was emerging from the luminous depths of the Place, accompanied by another carriage without a monogram or crest; it was that of the minister.

Sulpice gazed before him down the Avenue de l'Opéra, brilliant with light, and the bluish tints of the Jablockoff electric apparatus flooded him with its bright rays; it seemed to him as if all this brilliancy blazed for him, like the flattering apotheosis which had just before fallen upon him as he crossed the stage of the Opéra. It seemed like an aureole lighted up especially to encircle him!

Sabine asked Vaudrey as he escorted her to her carriage:

"Madame Vaudrey will, I trust, do me the honor to accompany your Excellency to my house? I will take the liberty to-morrow of calling on her to invite her."

The Minister bowed a gracious acquiescence.

Sabine finally thanked him by a gracious smile: her small gloved hand raised the window of the coupé, and the carriage was driven off rapidly, amid the din of horses' hoofs.

"Good-bye," said Lissac to Vaudrey.

"Cannot I offer you a seat in my carriage?"

"Thank you, but I am not two steps away from the Rue d'Aumale."

Vaudrey turned towards Madame Gerson; she and her husband bowed low.

"May I not set you down at your house, madame?"

"Your Excellency is very kind, but we have our own carriage!"

"Au revoir," said Vaudrey to Lissac, "come and breakfast with me to-morrow."

"With pleasure!"

"To the ministry!" said Vaudrey to the coachman as he stepped into his carriage.

He sank back upon the cushions with a feeling of delight as if glad to be alone. All the scenes of that evening floated again before his eyes. He felt once more in his nostrils the subtle, penetrating perfume of the greenroom, he saw again the blue eyes of the little danseuse. The admiring looks, the respectful salutes, the smiles of the women, the soft, caressing tones of Sabine, and Madame Gerson's pearly teeth, he saw or heard all these again, and above all, this word clear as a clarion, triumphant as a trumpet's blast: Success! All this came back again to him.

"You have succeeded!"

He heard Guy's voice again speaking this to him in joyous tones. Succeeded! It was certainly true.

Minister! Was it possible! He had at his beck and call a whole host of functionaries and servitors! He it was who had the power to make the whole machine of government move—he, the lawyer from Grenoble—who ten years ago would have thought it a great honor to have been appointed to a place in the department of Isère!

All those people whom he could see in the shadow of the lighted boulevards buying the newspapers at the kiosks, would read therein his name and least gesture and action.

"Monsieur le Ministre has taken up his residence on the Place Beauvau. Monsieur Vaudrey this morning received the heads of the Bureaus and the personnel of the Department of the Ministry of the Interior. Monsieur Vaudrey, with the assistance of Monsieur Henri Jacquier of Oise, undersecretary of State, is actively engaged in examining the reports of prefects and under-prefects. Monsieur will doubtless make some needed reforms in the administration of the prefectures." Everywhere, in all the newspapers, Monsieur Vaudrey! The Minister of the Interior! He, his name, his words, his projects, his deeds!

Success! Yes, it was his, it had come!

Never in his wildest visions had he dreamed of the success that he had attained. Never had he expected to catch sight of such bright rays as those which now shone down upon him from that star, which with the superstition of an ambitious man, he had singled out. Success! Success!

And now all the world should see what he would do. Already in his own little town, in his speeches, during the war, at the elections of 1871, and especially at Versailles, during the years of struggle and political intrigue, in the tribune, or as a commissioner or sub-commissioner, he had given proofs of his qualifications as a statesman, but the touchstone of man is power. Emerging from his semi-obscurity into the sunshine of success, he would at last show the world what he was and what he could do. Power! To command! To create! To impress his ideas upon a whole nation! To have succeeded! succeeded! succeeded! Sulpice's dreams were realized at last.

And whilst the ministerial carriage was driving at a gallop towards the Place Beauvau, Sabine, muffled up in her furs, her fine skin caressed by the blue-fox border of her pelisse, said to herself, quite indifferent to the man himself, but delighted to have a minister's name to enroll upon her list of guests:

"He is a simpleton—Vaudrey—but a very charming simpleton, nevertheless."

The iron gates of the Place Beauvau were thrown back for his Excellency's carriage to enter. The gravel creaked under the wheels, as the coupé turning off to the left, stopped under the awning over the door.

Sulpice alighted. The great door opened to admit him. Two white-cravatted servants occupied a bench while awaiting the minister's return.

Sulpice ran lightly up the great marble staircase leading to his private apartments. Handing his hat and coat to a servant in the antechamber, he gayly entered the little salon, where he found his wife sitting by a table reading La Revue by the light of a shaded lamp. At the sight of her pretty, fresh young face extended to greet him, with her blue eyes and smiling air, at the sound of her clear, sweet, but rather timid voice asking a little anxiously: "Well?" Sulpice took the fair face in both his hands and his burning lips imprinted a long kiss on the white forehead, over which a few curls of golden hair strayed.

"Well, my dear Adrienne, I have been greatly interested. All the kindness with which I was received, the evident delight with which the new cabinet has been welcomed by the people, even the grimaces of Pichereau whom I met,—if you only knew where—all gave me pleasure, delighted me, and yet made me fear. Minister! Do you know what I have been thinking of since I was made a minister?"

"Of what have you been thinking?" asked the young wife, who, with her hands folded, gazed trustingly and sweetly into Sulpice's feverish eyes.

"I?—I have been telling myself that it is not enough to be a minister. One must be a great minister! You understand, Adrienne, a great minister!"

As he spoke he took Adrienne's hands in his, and the young wife glanced up admiringly at this young man burning with hope, who stood there before her, declaring: "I will be great!"

She had never dreamed of his reaching such heights as these on that day when she felt the fingers of her fiancé trembling in her hand, the day that Sulpice had whispered the words in her ear which made her heart leap with joy: "I love you, Adrienne, I shall always love you—Always!"

III

Sulpice Vaudrey had married Adrienne for love. She brought to him from the convent at Grenoble where she had been educated, the charming innocence of a young girl and the innate devotion of a woman. She was an orphan with a considerable fortune, but although Sulpice had only moderate resources, he had scarcely thought of her wealth, not even inquiring of her guardian, Doctor Reboux, on the occasion of his formal demand for her hand, about the dowry of Mademoiselle Gérard.

He had met her at more than one soirée at Grenoble, where she appeared timid, dazzled and retiring, and quietly interrogating everything by her sweet glance. Some few words exchanged carelessly, music which they had listened to side by side, the ordinary everyday intercourse in society, had made Sulpice acquainted with his wife; but the sight of the pretty blonde—so sweet and gentle—the childlike timidity of this young girl, something rather pensive in the confiding smile of this blooming creature of eighteen summers, had won him completely. He was free, and alone, for he had lost, but a short time before, the only creature he loved in the world, his mother, of whom he was the son in the double sense of flesh and spirit, by the nourishment of her breast and by the patient teaching that she had implanted in his mind.

He remembered only his father's dreamy and refined face in the portrait of a young, sad-looking man in a lawyer's black gown, before which he had stood when quite small, and spelled out as he might have lisped a prayer, the four letters: papa. Alone in this little town of Grenoble, for which he had left his native village of Saint-Laurent-du-Pont, he had, just before meeting Adrienne, fallen a victim to a profound melancholy and realized the necessity of deciding upon his career.

He was then thirty-four. Except the years spent in the study of law at Paris amid the turmoil of the left bank of the Seine, he had always lived in the province—his own province of Dauphiné. He had grown up in the old house at Saint-Laurent, where every nook and corner kept for him its own sweet memory of his childhood and youth. The great white drawing-room with its wainscotings of the time of Louis XVI., which opened out upon a flight of steps leading down into a terraced garden; the portraits of obscure ancestors: lawyers in powdered wigs and wearing the robes of the members of the Third estate, fat and rosy with double chins resting upon their broad cravats, amiable old ladies with oddly arranged hair and flowered gowns, coquettish still as they smiled in their oval, wooden frames, and then the old books in their old-fashioned bindings slumbering in a great bookcase with glass doors, or piled up on shelves below the fowling-pieces, the game-bags and the powder-horns.

With this dwelling of which he thought so often now, his whole past was linked, about it still clung something of its past poetry, and it was sacred through the memories it preserved, and as the scene of the unforgotten joys of childhood. He could see again, the great stone-flagged kitchen, where they sat up at nights telling stories, the chamber above it, the bed with its heavy serge curtains, where he lay—sometimes shaking with terror—all alone, adjoining the room once occupied by his father, and the moonlight shining through the tall old trees in the courtyard outside, that entering by the half-open blinds cast shadows like trembling lace on the wall opposite to him. It seemed to Sulpice then that he could hear the sounds of the weird demon's chase as told by old Catherine, the cook, in bated tones during their vigils.

It was there that he went every year to pass his holidays with his mother, who had had the courage to send him away,—just as during winter she had plunged him into cold water—to the Lyceum at Grenoble, whence he would return to Saint-Laurent-du-Pont, "so thin, poor child!" as his mother said.

And how fat she would send him back again to school,—to make the masters ashamed of their stinginess.

How pleasant were the reminiscences of those sunny days amongst the mountains, the excursions to Grande Chartreuse, where the murmuring brook trickled among the rocks, the halts at Guiers-Mort or under the trees in the stillness of a drowsy day in summer; how delightful to stretch one's self out at the foot of the cliffs or on a grassy slope with a book, pausing now and then to indulge in day-dreams or glance up at the fleecy clouds floating in the blue sky above his head and watch them gathering, then vanishing and melting away like smoke wreaths! Ah! how sweet were those long, idle days full of dreams, when the noise of the waterfall dashing over the rocks lulled the senses like some merry song, or a nurse's tender, crooning lullaby.

In those days Sulpice made no plans for his future, where he would go, what he would do, or what would become of him; but he felt within himself unbounded hope, a hope as limitless and bright as the azure sky above him, the inspiration of devotion, love and poetry. He asked himself whether he should be a missionary or a representative of the people. It seemed to him that his heart was large enough to contain a world, and as he grew up he began to ask himself the terrible question: "Will a woman ever love me?"

To be loved! What a dream! One day he put this question to one of his comrades at college, Guy de Lissac, the son of a country gentleman in the neighborhood, who answered:

"Booby! every one is loved some day or other, and there are some who are loved even too much!"

Sulpice had received a patriarchal and half-puritanical training, but softened materially by his mother's almost excessive care, it had left, as it were, a kind of poetic perfume that clung about him and never left him.

Even during the days of his struggle in crowded Paris, in the heat of political strife, his thoughts would fly back to the old home at Saint-Laurent-du-Pont, recalling to mind the old armchair where his father used to sit, the father whose kiss he had never known, hearing again his mother's voice from the great oak staircase with its heavy balusters, and he recalled at the same moment, the landscape with its living figures, the spotted, steel-colored guinea-fowl screaming from the branches of the elms, the vineyard hands returning from work, to trample with bare feet the great clusters of grapes piled up in the wine-vat in the cellar whose odor intoxicated! Even as a representative or minister, musing over his past that seemed but yesterday, Sulpice wandered again in thought to this quiet country spot, so loved by him, so sweet, so still, reposing in the silence of provincial calm—far away, removed from all the noise and bustle of Paris.

The farmers of Dauphiné generally think of making their sons tillers of the soil, sending them to school and to college, perhaps to begin later the study of law or medicine, but welcoming them joyfully back again to their native fields, to their farms, where the youths soon forget all they may have learned of the Code or the Codex and lead the healthy, hardy life of the country. Good, well-built fellows, their chests enlarged by their daily exercise, their thighs strengthened by mountain-climbing, gay young men, liking to hunt and drink on the banks of the Isère and caring more for good harvests than for the songs of the wind amongst the branches of the poplars upon the river-banks.

Sulpice had an old uncle on his father's side who proposed to his sister-in-law to give up his broad acres—a fortune in themselves—to Sulpice, if his nephew would consent to marry his daughter. Sulpice refused. He would not marry for money.

"Fiddle-faddle!" cried his uncle. "Sickly sentimentality! If he cultivates that grain, my brother's son will not make much headway."

"There is where you are mistaken, brother-in-law. What my poor Raymond had not time to become, his child will be: a lawyer at once eloquent and honest."

"Well, well," replied the uncle, "but he shall not have my girl."

Sulpice, after finishing his studies at Paris, returned to his mother at Grenoble, took her away from the old house at Saint-Laurent and installed her in the town with himself, where he began the practice of law and attracted everybody's attention from the first. He made pleading a sacred office and not a trade. Everyone was astonished that he had not remained in Paris.

Why? He loved his native province, the banks of the Isère, the healthy, poetic atmosphere hanging over the desert of the Chartreuse and the snows of the Grand-Som. A talented man could make his way anywhere,—moreover, it was his pleasure to consider it a duty not to leave this secluded corner of the earth where he would cause freedom of speech to be known. Sulpice, whose heart was open to every ardent and generous manifestation of human thought, had imbibed from his mother, as well as from his father's writings and books, and from the Encyclopædia that Raymond Vaudrey had interlined with notes and reflections, not merely traditional information, but also, so to speak, the baptism of liberty. He had lived in the feverish days of the past eighty years, through his reading of the Gazette Nationale of those stormy days. The speeches that he found in those pages—speeches that still burned like uncooled lava—of Mirabeau, Barnave, and Condorcet, a son of Grenoble, seemed to impart a glow to his fingers and fire to his glance. Then, too, the magnificent dreams of freedom proclaimed from the tribune inflamed his mind and made his heart beat fast. He saw as in a vision applauding crowds, tricolors gleaming in the clear and golden sunlight, processions moving, files marching past, and heard eternal truths proclaimed and acclaimed.

His mother smiled at all this enthusiasm. She did not however try to repress it. It would vanish at the touch of years, just as the leaves of the trees fly before the winds of October. And besides, the dear woman herself was in sympathy with his hopes, his dreams and visions, remembering that her lost Raymond had loved what his son in his turn so much adored.

The termination of the war and the fall of the empire found Sulpice a popular man at Grenoble; loved by all, by the populace who knew how generous he was, and by the middle-class who regarded him as a prudent man, hence the February elections saw him sent to Bordeaux, a member of the National Assembly. He had just passed his thirty-fourth year.

His mother lived long enough to see this event, and to be dazzled by this brilliant launch on his career.

With what deep emotion, even to-day, Vaudrey recalled that Sunday in February, a foul, wet day, when he returned home in a closed carriage with a friend, from an electioneering tour. The day before he had made a speech in a wineshop to an audience of peasants, who listened, open-mouthed, but withal suspicious, examining their candidate as they would have handled a beast offered at the market, and who, step by step, applauded his remarks, stretching out their rasp-like hands as he left them, and crying out: "You are our man!"

That very morning he returned to Grenoble in the rain, passing through villages where the posters bearing his name and those of his friends, half-demolished by the rain, flapped dismally in the wind. Before the mayor's office, little groups were gathered, peaceful folk; a gendarme paced slowly to and fro, and bulletins littered the muddy thoroughfare. But there was no excitement. Nothing more. Not even a quickened pulse-beat was felt by those stolid men upon whose votes depended the fate of the nation. Sulpice could not help marvelling at so much indifference, but he reflected that it was thus throughout all France, and that not only his name but the destiny of the nation was involved in the struggle.

Moreover, at night, with what feverish transport he watched the returns of the election as they reached the Palais de Justice, black with the crowd, and filled with uproar! With what a fearfully fast-beating heart he saw the rapidly swelling number of ballots cast for him! Dispatches came, and pedestrians hurried in from the country, waving their bulletins above their heads, and Sulpice heard on every lip the same cry: "Vaudrey leads!"

Some cried bravo, while others clapped their hands. A crowd quickly gathered about Vaudrey. It already seemed to him that he was lifted up by a great wave and carried to a new world.

A friend seized him by the arm and drew him into a corner of the hall, away from the others, and hurriedly said: "You know I am not one to ask much of you, to ask anything of you, in fact. I merely reckon on a receivership. That is easily done, eh? A mere nothing?"

Sulpice, whose feelings were overcome by this great popular consecration, felt a kind of anger stir his heart against this solicitor, who, in the triumph of a great popular cause, saw only a means of self-advancement, of securing an appointment. The deputy—for he was a deputy now, each commune adding its total to the Vaudrey vote—was moved by a feeling of disgust.

The crowd followed him home that evening, shouting in triumph.

Amid the joy of victory, Sulpice felt the burden of the anxiety caused by duties to be done: a treaty of peace to be signed, and what a peace! Must he, alas! append his signature to a document devoted to the dismemberment of his country? Far into the night he stood in reverie in his chamber, his brow resting against the cold window-pane.

He retired to rest very late, and arose with the gray dawn of February, but without having slept.

He looked across the street to a convent garden, with its square and lozenge-shaped beds regularly arranged, its bare trees and box-wood borders, that he had often gazed upon. Some nuns in their black robes passed slowly across this cold and calm horizon that for many years had also been the range of his vision.

Henceforth this familiar spot, this sad garden, whose cloistral associations charmed him, would be lost to his view. It was Paris now that awaited him, feverish Paris, burning with anger and odorous of saltpetre. Its very pavements must burn. Sulpice was in haste, however, to see it once more, to pass with head aloft beneath the garrets where he had once dreamed as a student, fagging and striving to get knowledge. How often he would regret that convent garden, those familiar flower-beds, the deep silence that enveloped him as he sat working by the open window, the passage of a bird near him, as if to fan him with its wing, and the vague murmur of the canticles of the sisters ascending to his window like the echo of a prayer!

In the recess during one of the years following his election to the Assembly, he married Mademoiselle Gérard. Doctor Reboux, her guardian, charmed to give his ward to a man with a future like Vaudrey's, had not hesitated long about consenting to the marriage. Adrienne delighted Sulpice, and the young girl herself was quite happy to be chosen by this good-natured, distinguished young man whom everybody at Grenoble, not excepting his political adversaries, admired and spoke well of. With large, brilliant, black eyes lighting up a thin, fair face, a full beard, a high forehead with a deep furrow between the eyebrows, giving to his usually wandering, keen and restless glance a somewhat contemplative expression, Sulpice was a decidedly attractive man. He was not a handsome or a charming fellow, but a good-natured, agreeable, refined man, a fine conversationalist, persuasive, enthusiastic and alert; learned without being pedantic, a man who could inspire in a young girl a perfect passion. Adrienne joyfully married him, as he had sought her from love.

And now all the poetry and romance of his youth blossomed again in his heart, in the thick of the political struggle in which he was engaged; he forgot, amid the idyllic scenes of domestic life, the storms of Versailles, the political troubles, forebodings as to the future, all anxieties of the present, the routine life of the Assembly into which he plunged with all his mind, and the excitement of his labors, his debates and his duties.

Sulpice thought again and again of the summer morning when he led his wife to the altar, and compared it to a day's halt in the course of a journey under the blaze of the sun; he recalled the old house full of noisy stir, the crowd of relatives and friends in festive attire, the stamping of the horses' feet before the great open gate, the neighbors standing at the windows, and the little street-boys scuffling upon the pavement, all the joyous bustle of that happy day. It seemed to Sulpice that the sunlight came streaming in with Adrienne's entrance into the vast salon, from the walls of which her pictured ancestresses in their huge leg-of-mutton sleeves seemed to smile at her.

Beneath the orange wreath sent from Paris, her face expressed the happy, surprised, and sweetly anxious look of a young communicant wrapped in her veil.

Sulpice had never seen her look more beautiful. How prettily she came towards him, blushing vividly, and holding out her two little white gloved hands! He, somewhat bored by the company that surrounded them, cast an involuntary glance at a mirror hanging opposite and decided that he looked awkward and formal with his hair too carefully arranged. How they had laughed since then and always with new pleasure at these recollections, so sweet even now.

His happiness on that joyous day would have been complete had his mother been present, when in the presence of the old priest who had instructed Adrienne in her catechism, Sulpice stood forward and took by its velvet shield the taper that seemed so light to him, and awkwardly held the wafer that the priest extended to him. It was a great event in Grenoble when the leader of the Liberal Party, who headed the list at the last election, was seen being married like a believing bourgeois. The organ pealed forth its tender vibrations, some Christmas anthem, mysterious and tremulous, like an alleluia sounding through the aisles of centuries; the light streamed through the windows in floods and rested upon Adrienne, who was kneeling with her childlike head leaning on her gloved hands, kissing her fair locks with sunlight and illumining the gleaming satin of her dress with its long train spreading out over the carpet.

Sulpice took away from this ceremony in the presence of a crowded congregation an impression at once perfumed and dazzling: the perfumes of flowers, the play of light, the greetings of the organ, and within and about him, all the intoxication of love, singing a song of happiness.

All that was now far away! nearly six years had elapsed since that day, six years of bitter struggle, during which Vaudrey fought the harder, defended his ideas of liberty with fervid eloquence, disputed step by step, and through intense work came to the front, living at Paris just as he did in the province, having his books brought from there to his apartment in the Rue de la Chaussée d'Antin, close to the railroad that he took every morning when he regretfully left Adrienne, Adrienne to whom he returned every evening that political meetings and protracted sittings did not rob him of those happy evenings, which were in truth the only evenings that he really lived.

Adrienne seldom went out, not caring to display herself and shunning the bustle, living at Paris, as at Grenoble, in peaceful seclusion, caring only for the existence of her husband, his work, and his speeches that he prepared with so much courageous labor. She sat up with him until very late, glancing over the books, the summaries of the laws and the old parliamentary reports.

At times she was terrified at the ardor with which Sulpice devoted himself to these occupations. She greatly desired to take her part and was grieved at being unable to assist him by writing from his dictation, or by examining these old books. She felt terribly anxious when Vaudrey had to make a speech from the tribune. She dared not go to hear him, but knowing that he was to speak, she had not the courage to remain at home. Anxiously she ascended to the public gallery. She shuddered and was almost ready to faint, when she heard the voice of the president break what seemed to her an icy silence, with the words: Monsieur Vaudrey has the ear of the Assembly.

The sound of Sulpice's voice seemed changed to her. Fearfully she asked herself if fright was strangling him. She dared not look at him. It seemed to her that the people were laughing, making a disturbance and coughing, but not listening to him. Why had she come? She would never do so again. An icy chill took possession of her. Then suddenly she heard a storm of applause that seemed like an outburst of sympathy. Hands were clapped, voices applauded. She half raised herself, and leaning upon the rail of the gallery, saw Sulpice between the crowded heads, towering above the immense audience, radiant and calm, standing with his arms folded or his hands resting on the tribune, below the chair occupied by a motionless, white-cravatted man, and throwing back his fair head, hurling, as from a full heart, his words, his wishes and his faith. All this she saw with supreme happiness and felt proud of the man whose name she bore.

At that moment, she would fain have cried out to every one that she was his, that she adored him, that he was her pride, even as she was his joy! She would like to have folded him to her, to cling to his neck and to repeat before all that crowd: I love you!

But she reserved all her tender effusions for the intimacy of their home, in order to calm the enthusiasm, oftentimes desperate, of this nervous man whom everything threw into a feverish excitement, this grand man, as they called him at Grenoble, who was for her only a great child whom she adored and kept in check by her girlish devotion combined with her motherly, delicate attentions.

Vaudrey, however, more ambitious to do good than to obtain power, and spending his life in the conflicts of the Chamber, saw the years slipping away without realizing that he was making any progress, not a single step forward in the direction of his goal. Since the war, the years had passed for him as well as for those of his generation, with confusing rapidity, and suddenly, all at once, after having been in some sense slumbering, flattering himself that a man of thirty has a future before him, he was rudely awakened to the astonishing truth that he was forty.

Forty! Sulpice had experienced a certain melancholy in advancing the figure by ten, and whatever position he had acquired within his party, within the circle of his friends, his dream was to reach still higher, he was tired of playing second-rate parts, and eager to stand before the footlights in full blaze, in the first rôle.

In the snug interior that Adrienne furnished, he enjoyed all material happiness. She soothed him, brought his dreams back to the region of the real, terrified at times by his discouragements, his anger, and still more by his illusions concerning men and things.

Sulpice often reproached her for having clipped the wings of his ambition.

"I!" she would say, "it is rather the fans of your windmills that I break, you Don Quixote!"

He would then smile at her, and look earnestly into the depths of the timid creature's lovely blue eyes, causing her to blush as if ashamed of having seemed to be witty.

Her chief aim was to be the devoted, loving friend of this man whom she thought so superior to herself, and although she was totally ignorant of political intrigues, she was by virtue of the mere instinct of love, his best and most perspicacious adviser and felt delighted only when Vaudrey, by chance, listened to her counsel.

"I love you so dearly!" she confessed with the unlimited candor of a poor creature who has but a single affection, a single pretext for loving.

He saw in the life he led, only the penumbra: his neglected youth, his hopes fled, his fears, the disgust which at times filled him as he thought of the never-ending recommencements and trickeries of political life. So dearly cherished, so beloved, it seemed to him, nevertheless, that his life lacked something. He would have liked a child, a son to bring up, a domestic tie, since political conditions prevented him from accomplishing a civic duty. Ah! yes, a son, a being to mould, a brow to kiss, a soul to fashion after the image of his own, a child who would not know all the sorrows of life that his own generation had laid on him! Perhaps it was only a child that he needed. Something, however, he evidently lacked.

Still he smiled, always in love with that young woman of twenty-four years, delicate, slender, and full of the fears and artlessness of a child. Accustomed to the quiet solitude of the house of her guardian, she, when at Paris, in her husband's study, arranging his books, his papers, his legislative plans and reports, sought to surround her dear Sulpice with the comforting felicity of bourgeois happiness that was enjoyed calmly, like a cordial sipped at the fireside.

Then suddenly one day, the news of a startling political change broke in on this household.

Sulpice reached home one evening at one and the same time nervous, anxious, and happy.

His name was on almost every lip, in connection with a ministerial combination. His last speech on domestic policy had more than ever brought him into prominence and he was considered to have boldly contributed to the development of a fearful crisis.

A minister! he might, before the morning, be a minister! His policy was triumphant.

The advocate Collard—of Nantes,—who was pointed out as the future head of the Cabinet, was one of his intimate friends. It was suggested—positively—that Sulpice should be intrusted with one of the most important portfolios, that of the Interior or of Foreign Affairs, the lesser portfolios being considered those of Public Instruction and of Agriculture and Commerce, the former of which concerns itself with the spiritual welfare of the people, and the latter with their food supply.

Sulpice told all this to Adrienne while eating his dinner mechanically and without appetite.

There was to be a meeting of his coterie at eight o'clock. It was already seven. He hurried.

Adrienne saw that he was very pale. She experienced a strange sensation, evidently a joyful one although mingled with anxiety. Politics drew him away from his wife so frequently, and for so long a time, that she was already compelled to live in such solitude that the secluded creature wondered if in future she would not be condemned to still greater isolation. But all anxiety disappeared under the influence of Sulpice's manifest joy. He was feverishly impatient. It seemed to him that never had he known so decisive a moment in his life.

The sound of the bell, suddenly ringing out its clear note in the silence, caused him to start.

The dining-room door was opened by a servant, who handed a letter to Vaudrey, bearing on one corner of the envelope the word: Urgent.

Sulpice recognized the writing.

It was from Collard of Nantes.

Adrienne saw her husband's cheek flush as he read this letter, which Sulpice promptly handed her, while his eyes sparkled with delight.

"It is done! Read!"

Adrienne turned pale.

Collard notified his "colleague" that the ministerial combination of which he was the head had succeeded. The President awaited at the Élysée the arrival of the new ministers. He tendered Vaudrey the portfolio of the Interior.

"A minister!" said Adrienne, now overcome with delight.

Vaudrey had risen and, a little uneasy, was mechanically searching for something, still holding his napkin in his hand.

"My hat," he said. "My overcoat. A carriage."

Adrienne, with her hands clasped in a sort of childish admiration, looked at him as if he had become suddenly transformed. All his being, in fact, expressed complete satisfaction. He embraced Adrienne almost frantically, kissed her again and again, and left her, then descended the staircase with the speed of a lover hastening to a rendezvous.

This political honeymoon was still at its height at the moment when the delighted Vaudrey, seeing everything rosy-hued, was satisfying his astonished curiosity in the greenroom of the ballet. He entered office, animated by all the good purposes inspired by absolute faith. It seemed to him that he was about to save the world, to regenerate the government, and to destroy abuses.

"It is very difficult to become a minister," he said, smiling, "but nothing is easier than to be a great minister. It only demands a determination to do good!"

"And the power to do it," replied his friend Granet, somewhat ironically.

What! power? Nothing was more simple, since Vaudrey held the reins of power!—If others wrecked the hopes of their friends, it was because they had not dared, because they had not the will!

They would now see what he would do himself! Not to-morrow either, nor in a month—but at once.

He entered the ministry boldly, like a good-natured despot, determined to reform, study and rearrange everything; and a victim to the feverish and glorious zeal of a neophyte, he was a little surprised to encounter, at the very outset, the obstinate resistance of routine, ignorance, and the unyielding mechanism of that vast machine, more eternal than empires: Ad-min-is-tra-tion.

Bah! he would have satisfaction! Patience would overcome all. After all, time is on one's side.

"Time? Already!" replied Granet, who was a perpetual scoffer.

Adrienne, overwhelmed with surprise, enjoyed the reflections from the golden aurora of power that so sweetly tinted Sulpice's life. She shared her husband's triumphs without haughtiness, and now, however she might love her domestic life, it was incumbent upon her to pass more of her time in society than formerly, to show herself, as Sulpice said, and, surrounded by the success and flattery she enjoyed, she felt that that obligation was only an added joy, whose contentment she reflected on her husband.

When she entered a salon, she was greeted with a flattering murmur of admiration and good-natured curiosity. The women looked at her and the men surrounded her.

"Madame Vaudrey?"

"The minister's wife!"

"Charming!"

"Quite young!"

"Somewhat provincial!"

"So much the more attractive!"

"That is true, as fresh as a peach!"

She endeavored to atone by a gracious, very sincere modesty, for the enviable position in which chance had suddenly placed her. It was said of her that she accepted a compliment as timidly as a boarding-school miss receives a prize. They forgave her for retaining her rosy cheeks because of her white and exquisitely shaped hands. She was not considered to be "trop de Grenoble." Witty people called her the pretty Dauphinoise, and the flatterers the little Dauphine.

In short, her success was great! So said the chroniclers; the entrance of a fashionable woman into a salon being daily compared with that of an actress on the stage.

It was especially because Vaudrey appeared to be so happy, that his young wife was so contented. She felt none of the vainglory of power. Generally alone in the vast, deserted apartments of the ministry, with all their commonplace, luxurious appointments, she more than once regretted the home in the Chaussée-d'Antin, where they enjoyed—but too rarely—a renewal of the cherished solitude of the first months of their union, the familiar chats of the Grenoble days, the prolonged conversations, exchanges of thoughts, hopes and reminiscences—already! only recollections,—and she sometimes said to Sulpice, who was feverishly excited and glowed with delight at having reached the summit of power:

"Do you know what this place suggests to me? Why, living in a hotel!"

"And you are right," Vaudrey gaily answered; "we are at a hotel, but it is the hotel in which the will of France lodges!"

"You understand, my dear, that if you are happy—"

"Very happy! it is only now that I can show what I am made of. You shall see, Adrienne, you shall see what I will do and become within a year."

Within a year!

IV

Guy de Lissac occupied a small summer-house forming a residence situated at the end of a court on Rue D'Aumale. He had given carte-blanche for the arrangement of this bachelor's nest,—a nest in which sitting-hens without eggs succeeded each other rapidly,—to one of those upholsterers who installed, in regulation style, the knickknacks so much in vogue, and who sell at very high prices to Bourse operators and courtesans the spurious Clodions and imitation Boulles that they pick up by chance at auction sales.

Lissac, who had sufficient taste to discover artistic nuggets in the gutters of Paris, had found it very convenient to wake up one fine morning in a little mansion crowded with Japanese bric-à-brac, Chinese satin draperies, tapestries, Renaissance chests and terra-cotta figures writhing upon their sculptured bases. The upholsterer had taste, Lissac had money. The knickknacks were genuine. There was a coquettish attractiveness about the abode that made itself evident in every detail.

This bachelor's suite lacked, however, something personal, something living, some cherished object, the mark of some particular taste, some passion for a period, for a thing, or pictures or books. In this jumble of ill-matched curiosities, where ivory netzkés on tables surrounded Barye bronzes and Dresden figures, there lacked some evidence of an individual character that would give a dominant tone, an original key, to the collection. This worldly dwelling, with its white lacquered bed and Louis XV. canopy and its heads of birds carved in wood like the queen's bed at Trianon, vaguely resembled the apartments of a fashionable woman.

But Guy had hung around here and there a Samouraï sabre, Malay krises, Oriental daggers in purple velvet sheaths, and upon the green tapestry background of the antechamber a panoply on which keen-bladed swords with steel guards were mingled with Scotch claymores with silver hilts, thus giving a masculine character to this hôtel of a fashionable lounger, steeped with the odor of ylang-ylang like the little house of a pretty courtesan.

This Guy enjoyed in Paris a free and easy life, leaving to Vaudrey, his old college-comrade at Grenoble, the pursuit of the pleasures of political life, and, as Lissac said in that bantering tone which is peculiar to Parisian gossip, the relish of the "sweets of power"; for himself, what kept him in Paris was Paris itself, just that and nothing more:—its pleasures, its first nights, its surprises, its women, that flavor of scandal and perfume of refined immorality that seemed peculiar to his time and surroundings.

He had squandered two fortunes, one after the other, without feeling any regret; he had made a brush at journalism, tried finance, won at the Bourse, lost at the clubs, knew everybody and was known by all, had a smiling lip, was sound of tooth, loved the girls, was dreaded by the men, was of fine appearance, and was unquestionably noble, which permitted him to enjoy all the frolics of Bohemian life without sullying himself, having always discovered a forgotten uncle or met some considerate friend to pay his gambling debts and adjust his differences on the Bourse speculations at the very nick of time; just now he was well in the saddle and decidedly attractive, with a sound heart and a well-lined pocket, enjoying, not disliking life, which seemed to him a term of imprisonment to be passed merrily—a Parisian to the finger-tips and to the bottom of his soul, worse than a Parisian in fact, a Parisianized provincial inoculated with Parisine, just as certain sick persons are with morphine, judging men by their wit, actions by their results, women by the size of their gloves; as sceptical as the devil, wicked in speech and considerate in thought, still agile at forty, claiming even that this is man's best time—the period of fortune and gallantry—sliding along in life and taking things as he found them, wisely considering that a day's snow or rain lasts no longer than a day's sunshine, and that, after all, a wretched night is soon over.

On leaving Vaudrey the previous night, Lissac had passed part of the night at his club on Place Vendôme. He had played and won. He had gone to sleep over a fashionable novel, very faithfully written, but wearisome in the extreme, and he had awakened late and somewhat heavy-headed. There were fringes of snow upon the window-sills and upon the house facing his little mansion. The roofs were hidden under a large white sheet and half lost in the grayish-white background of the sky.

"Detestable weather! So much the better," thought Lissac, "I shall have no visitors."

"I will see no one," he said to his servant. "In such weather no one but borrowers will come."

He had just finished his déjeuner, plunging a Russian enamelled silver spoon into his egg, his tea smoking at his side in a burnished silver teapot with Japanese designs, when, notwithstanding his orders, the servant handed him a card written in pencil on a scrap of paper torn from a note-book.

"It is not a borrower, monsieur!"

Guy seized the paper disdainfully, thinking, in spite of the servant's opinion, that he would find the name of a beggar who had not even had his name printed on a piece of Bristol-board, and, adjusting his glass, he deciphered the fine writing on the paper; then after involuntarily exclaiming: Ah! bah! and well! well! greatly astonished, he said as he rose:

"Show her in!"

He had thrown on a chair his damask napkin of Muscovite pattern, and instinctively glanced at himself in the mirror, just as a coquette might do before a rendezvous, smoothing out his flannel vest and spreading out his cravat that only half-fastened the blue foulard collar of his dressing-gown.

At the moment that he was examining the folds made on his red leather slippers by his ample flannel trousers, a woman half-raised the satin portière, and, standing within a frame formed by the folds of yellow satin, looked at the young man, displaying her brilliant teeth as she smilingly said:

"Good-morning, Guy!"

Lissac went straight toward her with outstretched hands.

She allowed the large satin portière to fall behind her, and after having permitted her little suède gloved hands to be raised for a moment, she boldly abandoned them to Guy, laughing the while, as they looked at each other face to face. He betrayed some little astonishment, gazing at her as a person examines one whom one has not seen for a long time, and the young woman raised her head unabashed, displaying her features in full light, as if submitting to an inspection with confidence.

"You did not expect me, eh?"

"I confess—"

"Doubtless it is a considerable time since you thought of me."

Guy was inclined to bow and, as his only reply, to kiss the tips of her fingers; but he reflected that, since they last met, the parting of his brown locks had been devilishly widened, and he remained standing, answering with the conceit of a handsome man:

"You are mistaken, I often think of you."

She had, with, a sweeping glance around the room, examined the furniture of the apartment, the framed pictures, the designs and the gilding, and, on sitting down near the fire with her little feet crossed, she expressed her opinion:

"Very stylishly ensconced! You always had good taste, I know, my dear Guy."

"I have less now than formerly, my dear Marianne," he said, giving to this airy remark the turn of a compliment.

Marianne shrugged her shoulders and smiled.

"Do you find me very much altered?" she asked abruptly.

"Yes, rejuvenated."

"I don't believe a word of it."

"Upon my honor. You look like a communicant."

"Good heavens! what kind?" said Marianne, laughing in a clear, ringing, but slightly convulsive tone.

He was still looking at her curiously, seated thus near the fireplace.

The bright and sparkling fire cast its reflections on the gold frames in waving and rosy tints that brightened the somewhat pale complexion of this young woman and imparted a warm tone to her small and brilliant gray eyes. She half turned her fair face toward him, her retroussé nose was tiny, spirituelle and mobile, her large sensuous mouth was provoking and seductive, and suggested by its upturned corners, encouragement or a challenge.

She had allowed her cloak, whose fur trimming was well-worn, to slip from her shoulders, exposing her form to the waist; she trembled slightly in her tight-fitting dress, and golden tints played on her bare neck, which was almost hidden under the waves of her copper-colored hair.

She had just taken off her suède gloves with a jerky movement and was abstractedly twisting them between her fingers.

In spite of the somewhat depressing effect of her worn garments, she displayed a natural elegance, a perfect form and graceful movements, and Guy, accustomed as he was to estimate at a glance the material condition of people, divined that this woman felt some embarrassment. She whom he had known four or five years previously so charming amid the din of a life of folly, and the coruscation of an ephemeral luxury, was now burned out like an exploded rocket.

Marianne Kayser!

Of all the women whom he had met, he had certainly loved her the most sincerely, with an absolute love, unreflecting, passionate and half-mad. She was not dissolute but merely turbulent, independent and impatient of restraint. Too poor to be married, too proud to be a courtesan, too rebellious to accept the humiliations of destiny.

She was an orphan, and had been brought up by her uncle, Simon Kayser, a serious painter, indifferent to all that did not concern his art,—its morality, its dignity, its superiority—who had, under cover of his own ignorance, allowed the ardent dreams of his niece and her wayward fits to develop freely like poisonous plants; near this man, in the vicious atmosphere of an old bachelor's disorderly household, Marianne had lived the bitter life of a young woman out of her element, poor, but with every instinct unswervingly leaning towards the enjoyments of luxury.

She had grown up amid the incongruous society of models and artists and, as it were, in the fumes of paradoxes and pipes. A little creature, she served as a plaything for this painter without talent, and he allowed her to romp, bound and leap on the divans like a kitten. Moreover, the child lighted his stove and filled his pipe.

The studio was littered with books. As chance offered, she read them all eagerly and examined with curiosity the pictures drawn by an Eisen or a Moreau, depicting passionate kisses exchanged under arbors, where behind curtains, short silk skirts appeared in a rumpled state. She had rapidly reached womanhood without Kayser's perceiving that she could comprehend and judge for herself.

This falsely inspired man, entirely devoted to mystical compositions, vaguely painted—philosophical and critical, as he said—this thinker, whose brush painted obscure subjects as it might have produced signs, did not dream that the girl growing up beside him was also in love with chimeras, and drawn toward the abyss, not however to learn the mysteries hidden by the clouds, but the mystery of life, the secret of the visions that haunted her, of the disquieting temptations that filled her with such feverish excitement.

If Uncle Kayser could for one moment have descended from the nebulous regions, and touched the earth, he would have found an impatient ardor in the depth of Marianne's glance, and something feverish and restless in her movements. But this huge, ruddy, rotund man, speaking above his rounded stomach, cared only for the morality of art, æsthetic dignity, and the necessity of raising the standard of art, of creating a mission for it, an end, an idea—art the educator, art the moralizer,—and allowed this feverish, wearied, impulsive creature, moulded by vice, who bore his name, to wander around his studio like a stray dog.

Isolated, forgotten, the young girl sometimes passed whole days bending over a book, her lips dry, her face pale, but with a burning light in her gray eyes, while her fingers were thrust through her hair, or she rested upon a window-sill, following afar off, some imaginary picture in the depths of the clouds.

The studio overlooked a silent, gloomy street in which no sound was heard save the slow footfalls of weary and exhausted pedestrians. It was stifling behind this window and Marianne's gloomy horizon was this frame of stones against which her wandering thoughts bruised themselves as a bird might break its wings.

Ah! to fly away, to escape from the solemn egotism and the theories of Simon Kayser, and to live the passionate life of those who are free, loved, rich and happy! Such was the dream upon which Marianne nourished herself.

She had perpetually before her eyes, as well as before her life, the gray wall of that high house opposite the painter's studio, pierced with its many eyes, and whether on summer's stifling evenings, the shutters closed—the whole street being deserted, the neighbors having gone into the country—or in winter, with its gray sky, the roofs covered with the snow that was stained all too soon, when the brilliant lights behind the curtains looked like red spots on the varnished paper, Marianne ever felt in her inmost being the bitter void of Parisian melancholy, the overwhelming sadness of black loneliness, of hollow dreams, gnawing like incurable sorrows.

She grew up thus, her mind and body poisoned by this dwelling which she never left except to drag her feet wearily through the galleries of the Louvre, leaning on the arm of her uncle, who invariably repeated before the same pictures, in the loud and bombastic tone of a comediante, the same opinions, and grew enthusiastic and excited according as the pictures of the masters agreed with his style, his system, his creed. One should hear him run the gamut of all his great phrases: My sys-tem! Marianne knew when the expression was coming. All these Flemish painters! Painters of snuff-boxes, without any ideal, without grasp! "And the Titian, look at this Titian! Where is thought expressed in this Titian? And mo-ral-i-ty? Titian! A vendor of pink flesh! Art should have a majesty, a dignity, a purity, an ideality very different."

Ah! these words in ty, solemn, bombastic, pedantic, with a false ring, they entered Marianne's ears like burning injections.

These visits to the museum impressed her with a gloom such as a ramble in a cemetery would create, she returned to the house with depressing headaches and muttering wrathful imprecations against destiny. She even preferred that studio with its worn-out divans and its worm-eaten tapestries that were slowly shredding away.

There, at least, she was all alone, face to face with herself, consumed by a cowardly fear—the fear of the future—this young girl who had read everything, learned everything, understood everything, knew everything, sullied by all the jokes of the Kayser studio, which, in spite of the exalted, sacrosanct, æsthetic discussions which took place therein, sometimes shockingly resembled a smoking-room—this physical virgin without any virginity of mind, could there take refuge in herself, and there in the solitude to which she was condemned, she questioned herself as to the end to which her present life would lead her.

Of dowry she had none. Her father had left her nothing. Kayser was poor and in debt. She had no occupation. To run about giving private lessons on the piano, seemed to Marianne to degrade her almost to the level of domestic service. Those who wished to pose for the Montyon prize might do so! She never would!

Ah! what sufferings! what would be the end of such a life? Marriage? But who desired her? One of those talentless painters, who ventilated at Kayser's house, not merely their contemptuous theories, but also their down-at-the-heel shoes? To fall from one Bohemian condition to another, from exigency to want, to be the wife of one of these greasy-haired dreamers? Her whole nature shuddered in revolt at this idea. Through the open window, the tepid breath of nature wafted toward her the odor of the rising sap in gentle, warm whiffs that filled her with a feverish astonishment. Stretched on the patched divan, her eyes closed and her lovely form kissed by the tepid breeze, she dreamed, dreamed, dreamed—

The awakening was folly, a rash act, an elopement.

In the house on Rue de Navarin there happened to be one fellow more daring than the rest, he was an artist who, in the jostling daily life, kindled his love at the strange flame that burned in the lustful virgin's eyes. A glance revealed all.

The meeting with a rake determined the life of this girl. She fell, not through ignorance or curiosity, but moved by anger and, as it were, out of bravado. Since she was without social position, motherless and isolated, having no family, without a prop and unloved, well, she threw off the yoke absolutely. She broke through her shackles at one bound. She rebelled!—

She eloped with this man.

He was a handsome fellow, who thirsted for pleasure, and took his prize boldly about, plunging Marianne into the ranks of vulgar mistresses, and had not the mad woman's superior intelligence, will, and even her disgust, ruled at once over this first lover and the equivocal surroundings into which he had thrust her, she would have become a mere courtesan.

Kayser had experienced only astonishment at the flight of his niece. How was it that he had never suspected the cause that disturbed her thoughts? "These diabolical women, nobody knows them, not even those who made them. A father even would not have detected anything. The more excuse therefore for an uncle!" So he resumed his musing on elevated art, quieting his displeasure—for his comrades jeered him—by the fumes of his pipe.

Moreover, all things considered, the painter added, Marianne had followed the natural law. Full liberty for everybody, was still one of Simon Kayser's pet theories. Marianne was of age and could dispose of her lot without the necessity of submitting to a strict endorsement of her conduct. When she had "sounded all the depths of the abyss,"—and Kayser pronounced these words while puffing his tobacco—she would return. Uncle Kayser would always keep a place for her at what he called his fireside.

"The fireside of your pipe," Marianne once remarked to him.

So Kayser consoled himself for this escapade by the sacredness of art, the only sacredness he recognized. On that indeed he yielded nothing. What mattered it to the world, if a girl went astray, even if that girl were his niece? Public morality was not hurt thereby. Ah! if he, Kayser, had exhibited to the world a lewd picture, it would have been "a horse of a different color"! The dignity, seriousness, purity of art, that was right enough!—But a woman! Pshaw! a woman!—Nor was he heard once to express any uneasiness as to what might become of Marianne.

In the course of her perilous career, which, however, was not that of a courtesan, but that of a freed woman avenging herself, Marianne had met Guy de Lissac and loved him as completely as her nature allowed her to love. Guy entertained her. With him she talked over everything, she gave herself up to him, and made plans for the future. Why should they ever separate? They adored each other. Guy was rich, or at any rate he lived sumptuously. Marianne was a lovely mistress, clever, in fact, ten women in one. Guy became madly attached to her and he felt himself drawn closer to her day by day. She often repeated with perfect sincerity that she had never loved any one before.

The first lover, then? She did not even know his name now!

There was no reason why they should not live together for ever, a life of mutual joy and happiness, led by the same fancies, stirred by the same desires. Why ever leave each other, even once? But it was just this that induced Guy to abandon this pretty girl. He was afraid. He saw no end to such a union as theirs. The little love-affair that enticed him assumed another name: The Chain. He sometimes debated with himself seriously about marrying this Marianne, whose adventures he knew, but who so intoxicated him that he forgot all the past.

Uncle Kayser, entirely engrossed in the "dignity of art," and occupied with the composition of an allegorical production entitled The Modern Family,—a page of pure, mystic, social, regenerative art,—had certainly forgotten his niece; nevertheless, Lissac at times felt somewhat tempted to restore her to him. He was grieved at the thought of abandoning Marianne to another. His dread of marriage triumphed over his jealousy. One fine day, Guy suddenly brought about a separation. Feeling ill, he took to his bed, when one morning Marianne came to him and said in passionate tones:

"Now I will never leave you again! You are in danger, and I am here to save you!"

Guy now felt himself lost. His rapid perception, whose operation was as sudden as a blow of the fist, warned him that if he allowed this woman to install herself in his house, he might say good-by to liberty, and probably also to his life. This Parisian had laid down as a principle, that a man should always be unfettered. He held in horror this shameful half-marriage that the language of slang had baptized, as with a stain: Collage. He therefore decided to play his life against his liberty, and during the temporary absence of this nurse established at his bedside, he packed his clothes in his trunk at random, shivering as he was with fever, threw himself into a hack, and, with chattering teeth and a morbid shudder creeping over his entire body, had himself driven to the railroad station and departed for Italy.

Marianne was heartbroken anew at this unexpected departure. A hope had vanished. She loved Guy very sincerely, and she vainly hoped that she would hold him. He fled from her! Whither had he gone? For a moment, she was tempted to rejoin him when she received his letters. She surmised, however, that Guy, desiring to avoid her, caused his brief notes to be sent by some friend from towns that he had left. To play there the absurd part of a woman chasing her lover would have been ridiculous. She remained, therefore, disgusted, heartbroken for a moment like a widow in despair, then she retraced her steps to the Rue de Navarin, and returned to the fold, where she found Uncle Kayser still quite unruffled, with the almost finished picture of The Modern Family.

"That is, I verily believe, the best I have done, the most moral," said Kayser to her. "In art, morality before everything, my girl! Come, sit down and tell me your little adventures."

It was five years—five whole years—since Lissac had seen Marianne. Their passion had subsided little by little into friendship,—expressed though by letters. Marianne wrote, Guy replied. All the bitter reproofs had been exchanged through the post, yet, in spite of this correspondence, neither had sought the opportunity nor felt the desire to meet. The fancy was dead! Nevertheless, they had loved each other well!

Suddenly, without overtures, on this bitingly cold morning, Marianne arrived, half shivering, in the new apartment, warmed her tiny feet at the fire and raised to him the rosy tip of her cold nose.

Guy was somewhat surprised.

He looked with a curiosity not unmixed with pain at that woman whom he had loved truly enough to suffer love's pangs,—the innocents say to die of it. He tried to find again in the depths of those gray eyes, sparkling and malicious, the old burning passion, extinguished without leaving even a fragment of its embers. To think that he had risked his life for that woman; that he should have sacrificed his name; that he should have torn himself from her with such harsh bravado; that he should have cut deep into his own being in order to leave her; that he had fled, leaving for Italy with a craving desire for solitude and forgetfulness! Eh! yes, Marianne had been his true love, the true love of this blasé Parisian sceptic and braggart, and he sought, while again looking at the lovely girl, to recover some of the sensations that had flown, to recall some of those reminiscences which more than once had agreeably affected him.

Marianne evidently understood what was passing in Guy's mind. She smiled strangely. Buried in the armchair, whose back supported her own, and half-bending her fair neck that reclined on the lace-covered head-rest, she looked at Lissac fixedly with an odd expression, the sidelong glance of a woman, that seems to be her keenest scrutiny.

Through her half-closed lashes he seemed to feel that a malicious glance embraced him. The mobile nostrils of her delicate nose dilated with a nervous trembling that intensified the mocking smile betrayed by her curling lips. Her hands were resting upon her plump arms, and with a trembling motion of the fingers beat a feverish little march as if she were playing a scale on a keyboard.

Guy sought to evoke from the well-set, gracefully reclining form, from the half-sly and half-concealed glance, from the palpitating nostrils, something that reminded him of his former ecstasies. Again he saw, shadowed by the chin, that part of her neck where he loved to bury his brow and to rest his lips, greedily, lingeringly, as when one sips a liqueur. A strange emotion seized him. All that had not yet been gratified of his shattered, but not wholly destroyed love, surged within him.

Were it fancy or reminiscence, beside this woman he still felt as of old, a feeling that oppressed his heart and caused him that delightful sensation of uneasiness to which he had been a stranger in connection with his many later easy love adventures. A light, penetrating and sweet odor floated around Marianne, reminding Lissac of the intoxicating perfume of vanished days, an irritating odor as of new-mown hay.

He said nothing, while she awaited his remarks with curiosity. Guy's mute interrogation possibly embarrassed her, for she suddenly shook her head and rose to her feet.

"May one smoke here?" she said, as she opened a Russia leather cigarette-case bearing her monogram.

"What next?" said Guy, lighting a sponge steeped in alcohol that stood in a silver holder and offering it to Marianne.

She quickly closed her fine teeth on the end of the paper cigarette that she had rolled between her fingers and lighted it at the flame. The gleam of the alcohol brightened her eyes and slightly flushed her pale cheeks, which Guy regarded with strange feelings.

"Your invention is an odd one!" she said, as she returned him the little sponge upon which a tongue of blue flame played.

He extinguished it, and abandoning himself to the disturbing charm of reminiscences, watched Marianne who was already half-enveloped in a light cloud of smoke.

"There is one thing you do not know," he said. "More than once—on my honor—at the corner of the street, at some chance meeting, my old Parisian heart has beaten wildly on seeing in some coquettish outline, or in some fair hair falling loosely over an otter-skin cloak, or in some fair, vanishing profile with a pearl set in the lobe of the ear, something that resembled you. Those fur toques with little feathers that everybody wears now, you wore before any one else, on your fair head. Whenever I see one, I follow it. On my word, though, not for her. The fair unknown trotted before me, making the sidewalks echo to the touch of the high heels of her little shoes, while I continued to follow her under the sweet illusion that she would lead me at the end of the journey to a spot where it seemed to me a little of paradise had been scattered. It is thus that phantoms of loved ones course through the streets of Paris in broad daylight, and I am not the only one, Marianne, who has felt the anguish and heart-fluttering that I have experienced. Often have I found my eyes moist after such an experience; but if it were winter, I attributed my tears simply to a cold. Tell me, Marianne, was it really the cold that moistened my eyes?"

Marianne laughed.

"Come, but you are idyllic, my dear Guy," said she, looking at Lissac.

"Melancholy, nothing more."

"Let us say elegiac. Those little fits have come upon you rather late in the day, have they not? A little valerian and quinine, made up into silver-coated pills, is a sovereign remedy."

"You are making fun of me."

"No," she said. "But it was so easy then, seeing that the recollection of me could inspire you with so many poetic ideas and cause you to trot along for such a distance behind plumed toques—it was so easy not to take the train for Milan and not to fly away from me as one skips from a creditor."

Guy could not refrain from smiling.

"Ah! it is because—I loved you too dearly!"

"I know that!" exclaimed Marianne with a tone, in contrast with her elegance, of an artist's model giving a pupil a retort. "A madrigal that has not answered, no; does it rain?"

"I have perhaps been stupid, how can it be helped?" said Lissac.

"Do not doubt it, my dear friend. It is always stupid to deprive one's self of the woman who adores one. Such rarities are not common."

"You remember, dear Marianne," said Guy, "the day when you boldly wrote upon the photographs to some one who loved you dearly: 'To him I love more than every one else in the world?'"

"Yes," said Marianne, blowing a cloud of smoke upward. "Such things as that are never forgotten when one writes them with the least sincerity."

"And you were sincere?"

"On the faith of an honest man," she answered laughingly.

"And yet I have been assured since that time, that you adored another before that one."

"It is possible," said Marianne with sudden bitterness; "but, in the life that I have led, I have been so often purchased that I have been more than once able to mistake for love the pleasure that I have derived."

In those words, uttered sharply, and in a hissing tone like the stroke of a whip-lash in the air, she had expressed so much suffering and hidden anger that Lissac was strangely affected.

Guy, the Parisian, experienced a sentiment altogether curious and unexpected, and this woman whose bare neck was resting on the back of the armchair, allowing the smoke that issued from her lips in puffs to enter her quivering nostrils, seemed to him a new creature, a stranger who had come there to tempt him. In her languishing and, as it were, abandoned pose, he followed the outline of her graceful body, blooming in its youth, the fulness of her bust, the lines of her skirt closely clinging to her exquisite hips, and the unlooked-for return of the lost mistress, the forgotten one, assumed in his eyes the relish of a caprice and an adventure. And then, that bitter remark, spoken in the course of their light Parisian gossip, whetted his curiosity still further and awoke, perhaps, all the latent force of a passion formerly suddenly severed.

He was seated on an ottoman beside Marianne, gazing into the young woman's clear eyes, his hand endeavoring to seize a white hand that nimbly eluded his grasp. The movement of his hands suggested the embrace that his feelings prompted.

Marianne suddenly looked him full in the face and curtly said, in a tone of raillery, that suggested a past that refused to reopen an account for the future:

"Oh! oh! but is that making love, my friend?"

Lissac smiled.

"Come," she said, "nonsense! That is a romance whose pages you have already often turned over."

"The romance of my life," whispered Lissac in Marianne's ear.

"The more reason that it should not be read again. It is true there are books one never reads but once. And for that reason, probably, one never forgets them."

She rose abruptly, threw the stump of her cigarette into the fire and looked with a bright, penetrating glance, into Lissac's surprised eyes.

"Ah! it is a long while, you see, since you spoke laughingly—we have both heartily laughed at it—of the 'caprices of Marianne.' Do you know what I am, my dear Guy? Yes, where is the mad creature who was formerly your mistress? Abandoned to dark, profound and incurable ennui, I yawn my life away, as some one said, I yawn it away even to the point of dislocating my jaw. The days seem dull to me, people stupid, books insipid, while fools seem idiots and witty people fools. It is to have the blues, if you will, or rather to have the grays, to hate colorless objects, to be weary of the commonplace, to thirst for the impossible. A thirst that cannot be allayed, let me add. The pure, fresh spring that should slake my thirst has not yet gushed."

She talked in a dry, bitter tone, with a smile that frequently gave way to slight outbreaks of convulsive laughter almost as if she were attacked with a fit of coughing. From time to time, she blew away a cloud of smoke that escaped from her lips, for she had resumed her cigarette, or with the tip of her nail struck her papelito, knocking the ashes on the carpet.

Moved and greatly puzzled, but no longer thinking of the temptation of a moment before, Guy looked at her and nodded his head gravely, like a physician who finds a patient's illness more serious than the latter is willing to acknowledge.

"You are very unhappy, Marianne!" he remarked.

"I? Nonsense! Weary, disgusted, bored, yes; but not unhappy. There is still something great in misery. That can be battled against. It is like thunder. But the rain, the eternal rain, incessantly falling, with its liquid mud, that—ah! that, ugh! that is crushing. And in my life it rains, it rains with terrible constancy."

As she uttered these words, she stretched her arms out with a movement that expressed boundless weariness and disclosed to Guy the dull dejection that followed a great deception and a hopeless fall.

"Life? My life? A mere millstone mechanically revolving. A perpetual round of joyless love-episodes and intoxication without thirst. Do you understand? The life of a courtesan endured by a true woman. My soul is mine, my spirit and my intellect, but these are chained to a body that I abandon to others—whom I have abandoned, thank God! for I am satiated at length and have now no lover, nor do I desire one. I desire to be my own mistress, in short, and not the mistress of any person. I have but one desire, hear—"

"What?" asked Guy, who was deeply moved by this outburst of anger and suffering, this cry of pain that declared itself involuntarily, his feelings vacillating between doubt and pity.

"My pleasure," Marianne replied, "is to shut myself up alone in a little room that I have rented at the end of an unfrequented lane near the Jardin des Plantes, whither I have had transported all the wreckage saved from my past life: books, knickknacks, portraits, and I know not what. My intention is that I shall remain there unknown to all, my name, whence I come, where I go, my thoughts, my hatred, my past loves, everything, in fact, a secret. I shall cloister myself. I shall stretch myself out on a reclining-chair and think that if, by chance,—as happens sometimes—an aneurism, a congestion, or I don't know what, should strike me down in that solitude, no one would know who I am, nobody, nobody, and my body would be taken to the Morgue, or to the grave, it matters little to me, that body of which the little otter-trimmed toques recall to you the graceful, serpentine line. Ah! those plans are not very lively, are they? Well, my dear, such are my good moments. Judge of the others, then."

Lissac was profoundly stirred and very greatly puzzled. To call on him: that implied a need of him. But there was no attempt to find the marker at the place where the romance had been interrupted: therefore the visit was not to renew the relations that had been severed, yet not broken.

What, then, brought this creature, still charming and giddy, whose heart was gnawed and wrung with grief? And was she the woman—Guy knew her so well!—to return thus, only to conjure up the vanished recollections, to communicate the secret of her present sorrows and to permit Lissac to inhale the odor of a departed perfume, more airy than the blue smoke-wreaths that escaped from her cigarette?

After entrusting Guy with the secret of her yearning for solitude, she again indulged in her sickly smile, and still looking at Guy:

"You are, I am told, a constant guest at Sabine Marsy's receptions?" she said abruptly.

"Yes," replied Lissac. "But I have no great liking for political salons."

"It is a political centre, and yet not, seemingly. It is about to become a scientific one, if one may believe the reporters—Monsieur de Rosas is announced.—By the way, my dear Guy, you still see Monsieur de Rosas!"

While Marianne uttered this name with an indifferent tone, she slightly bent her head in order to scrutinize Guy.

He did not reply at once, seeking first to discover what object Marianne had in speaking to him about De Rosas. In a vague way he surmised that the great Castilian noble counted for something in Marianne's visit.

"I always see him when he is in Paris," he said after a moment's pause.

"Then you will see him very soon, for he will arrive to-morrow."

"Who told you that?"

"The newspapers. You don't read the newspapers, then?—He is returning from the East. Madame Marsy is bent on his narrating his travels, on the occasion of a special soirée. A lecture! Our Rosas must have altered immensely. He was wild enough of old."

"A shy fellow, which is quite different. But," asked Lissac after a moment, "what about Rosas?"

"Tell me, in the first place, that you know perfectly well that he will arrive to-morrow."

"I know it through the reporters, as you say. To-day, it is through the reporters that one learns news of one's friends."

"The important fact is that you know him, and it is because I am particularly anxious to hear Monsieur de Rosas that I come to ask you to present me at Madame Marsy's."

"Oh! that is it?" Guy began.

"Yes, that is it. I am weary. I am crazy over the Orient. You remember Félicien David's Desert that I used to play for you on the piano? I would like to hear this story of travel. It would make me forget Paris."

"You shall hear it, my dear Marianne. Madame Marsy asked me to introduce Vaudrey to her the other evening. You ask me to present you to Madame Marsy. I am both crimp and introducer; but I am delighted to introduce you to a salon that you will, I trust, find less gloomy than your little room of the Jardin des Plantes. In fact, I thought you were one of Sabine Marsy's friends. Did I dream so?"

"I have occasionally met her, and have found her very agreeable. She invited me to call on her, but I have not dared—my hunger for solitude—my den yonder—"

"Is the little room forbidden ground, is one absolutely prohibited from seeing it?" said Guy with a smile.

"It is not forbidden, but it is difficult. Moreover, I have nothing hidden from my friends," said Marianne, "on one condition, which is, that they are my friends—"

She emphasized the words: "Nothing but my friends."

"Friendship," said Guy, "is all very well, it is very good, very agreeable, but—"

"But—?"

"Love—"

"Do not mention that to me! That takes wings, b-r-r! Like swallows. It flits. It leaves for Italy. But friendship—"

She extended her small firm hand as rigid as steel.

"When you desire to visit me over there, I shall be at home. I will give you the address. But it is not Guy who will come, but Monsieur de Lissac, remember. Is that understood?"

"I should be very silly if I answered yes."

Marianne shrugged her shoulders.

"Compliments! How foolish you are! Keep that sort of talk for others. It is a long time since they were addressed to me."

She took that man's face between her hands and kissed his cheeks in a frank, friendly way. Guy became somewhat pale.

"I have loved you, and truly, that is enough. Do not complain or ask aught besides."

Ah! what an eager desire now prompted him to possess her again, to find in her his mistress once more, to restrain her from leaving until she had become his, as of old.

She had already thrown her cloak over her shoulders, and said, as she gently pushed open the door:

"So it is agreed? I am to go to Madame Marsy's?"

"To Madame Marsy's. I will have an invitation sent you."

"And I will call for you and take you. Yes, I, here, like a jolly companion. Or I'll go with my uncle. You will present me to Rosas. We shall see if he recognizes me."

She burst out laughing. "You will also introduce me—since that is your occupation—" and here her smile disclosed her pretty, almost mischievous-looking teeth—"to Monsieur Vaudrey, your comrade. A minister! Such people are always useful for something. Addio, caro!"

Guy de Lissac had hardly taken two steps toward Marianne before she had vanished behind the heavy folds of the Japanese portière that fell in its place behind her. He opened the door. Mademoiselle Kayser was already in the hall, with her hand on the handle of the door.

"At nine o'clock I shall be with you," she said to Lissac as she disappeared.

She waved a salutation, the valet de chambre hastened to open the door, and her outline, that for a moment stood out in the light of the staircase, vanished. Guy was almost angry, and returned to his room.

Now that she had left, he opened his window quickly. It seemed to him that a little blue smoke escaped from the room, the cloud emitted by Marianne's cigarette. And with this bluish vapor also disappeared the odor of new-mown hay, bearing with it the passing intoxication that for a moment threatened to ensnare this disabused man.

The cold outside air, the bright sunshine, entered in quivering rays. Without, the snow-covered roofs stood out clearly against a soft blue sky, limpid and springlike. Light wreaths of smoke floated upward in the bracing atmosphere.

Guy freely inhaled this buoyant atmosphere that chased away the blended odor of tobacco and that exhaled from the woman. It seemed to him that a sort of band had been torn from his brow which, but a moment ago, felt compressed. The fresh breeze bore away all trace of Marianne's kisses.

"Must I always be a child?" he thought. "It is not on my account that she came here, but on Rosas's. Our friends' friends are our lovers. Egad! on my word, I was almost taken in again, nevertheless! Compelled, in order to cut adrift again, to make another journey to Italy,—at my age."

Then, feeling chilly, he closed the window, laughing as he did so.

V

On the pavement of the Boulevard Malesherbes, two policemen, wrapped in their hooded coats, restrained the crowd that gathered in front of the huge double-door of the house occupied by Madame Marsy. A double row of curious idlers stood motionless, braving benumbed fingers while watching the carriages that rolled under the archway, which, after quickly depositing at the foot of the brilliantly lighted perron women enveloped in burnooses and men in white gloves, their faces half-hidden by fur collars, turned and crossed the row of approaching coupés.

For an hour past there had been a double file of carriages, and a continuous stream of guests arriving on foot, who threw their cigars at the foot of the perron, chatting as they ascended the steps, which were protected by a covering of glass. The curious pointed out the faces of well-known persons. It was said in the neighborhood that the greater part of the ministers had accepted invitations.

Madame Marsy's salons were brilliant under the blazing lights. Guests jostled each other in the lobbies. Overcoats and mantles were thrown in heaps or strung up in haste, the gloved hands reaching out as in the lobby of a theatre to receive the piece of numbered pasteboard.

"You have No. 113," said Monsieur de Lissac to Marianne, who had just entered, wearing a pale blue cloak, and leaning on his arm.

She smiled as she slipped the tiny card into her pocket.

"Oh! I am not superstitious!"

She beamed with satisfaction.

People in the hall stood aside in order to allow this pretty creature to pass by; her fair hair fell over her plump, though slender, white shoulders, and the folds of her satin skirt, falling over her magnificent hips, rustled as she walked.

Lissac, with his eyeglass fixed, and ceremoniously carrying his flattened opera-hat, advanced toward the salon, amid the greedy curiosity of the guests who contemplated the exquisite grace of the lovely girl as if they were inhaling its charm.

Madame Marsy stood at the entrance of the salon, looking attractive in a toilet of black silk which heightened her fair beauty, and, with extended hands, smilingly greeted all her guests, while the charming Madame Gerson, refined and tactful, aided her in receiving.

Sabine appeared perfectly charmed on perceiving Marianne. She had felt the influence formerly of this ready, keen and daring intelligence. She troubled herself but little about Marianne's past. Kayser's niece was received everywhere, and had not Kayser decided to accompany her? He followed in the rear of the young girl. People had not observed him. He chatted with a man about sixty years old, with a white beard and very gentle eyes who listened to him good-naturedly while thinking perhaps of something else.

"Ah! my old Ramel, how glad I am to see you!" he said with theatrical effusion.

"It is a fact that we rarely see each other. What has become of you, Kayser?"

"I? I work. I protest, you know, I have never compromised—Never—The dignity of art—"

Their voices were drowned by the hubbub of the first salon, already filled with guests; Sabine meanwhile took Marianne, whom Lissac surrendered, and led her toward a larger salon with red decorations, wherein the chairs were drawn up in lines before an empty space, forming, thanks to the voluminous folds of the curtains, a sort of stage on which, doubtless, some looked-for actor was about to appear.

Nearly all these chairs were already occupied. The lovely faces of the women were illuminated by the dazzling light. Everybody turned toward Marianne as she entered the room, under the guidance of Sabine, who led her quickly toward one of the unoccupied seats, close to the improvised stage on which, evidently, Monsieur de Rosas was going to speak.

Madame Gerson had taken her seat near Marianne, who searched her black, bright eyes with a penetrating glance in order to interrogate the thoughts of this friend of the family. Madame Gerson was delighted. Sabine, dear Sabine, had achieved a success, yes, a success! Monsieur Vaudrey was there! And Madame Vaudrey, too! And Monsieur Collard—of Nantes—the President of the Council! And Monsieur Pichereau, who, after all, had been a minister!

"That makes almost three ministers, one of whom is President of the Council! Sabine is overcome with joy, yes, absolutely crazy! Think of it: Madame Hertzfield, Sabine's rival, never had more than two ministers at a time in her salon."

She added, prattling in soft, linnet-like tones, that Madame Hertzfield's salon was losing its prestige. Only sub-prefects were created there. But Sabine's salon was the antechamber to the prefectures!

"And if you knew how charming Monsieur Vaudrey is—a delightful conversationalist—he has dined excellently—he was twice served with an entrée!"

Marianne listened, but her mind was wandering far away. She was debating with herself as to when Monsieur de Rosas would appear on that narrow strip of waxed floor before her.

Guy had correctly surmised: it was Rosas and Rosas only whom this woman was seeking in Sabine's salon. She wished to see him again, to talk to him, to tempt destiny. A fancy.—A final caprice. Why not?

Marianne thought that she played a leading part there. She remembered this José very well, having met him more than once in former days with Guy. A Parisian Castilian, more Parisian than Spanish, he spoke with exquisite finish the classic tongue, and with the free-and-easy manner of a frequenter of the boulevards, chatted in the slang of the pavement or of the greenroom; he was an eminent virtuoso and collector, an author when the desire seized him, but only in his own interest, liberal in his opinions, lavish in his disposition, attractive in his manners; an eager traveller, he had, at thirty years of age, seen all that was to be seen, he had visited India and Japan, drunk camel's milk under the tents of the Kirgheez, and eaten dates with the Kabyles, and narrated with a sort of appetizing irony, love adventures which might have seemed romantic brag, if it were not that he lessened their improbability by his raillery. He was a kind of belated Byron, who might have been cured of his romantic tastes by the wounds and contact of reality.

She especially recalled a visit in Guy's company to José at an apartment that the duke had furnished in Rue de Laval. He occupied a painter's large studio, draping it with Oriental tapestry, crowding it with knickknacks and panoplies of weapons: an extravagant luxury,—something like the embarrassment of riches in a plundered caravansary. It was there that José had regaled Marianne and Guy with coffee served in Turkish fashion, and while they chatted, they had smoked that pale Oriental tobacco, that the Spaniard, quoting some Persian poets, gallantly compared to the perfumed locks of Mademoiselle Kayser.

During her years of hardship, she had many a time recalled that auburn-haired, handsome fellow, with his blue eye, pensive and searching, and lower lip curled disdainfully over his tawny beard trimmed in Charles V. style, as he reclined there, stretched on Hindoo rugs, chanting some monotonous song as slow as the movement of a caravan.

"Isn't my friend Rosas a delightful fellow?" Guy had asked her.

"Delightful!"

"And clever! and learned! and entertaining! and, what is not amiss, a multi-millionaire!"

Marianne thought of the absolute power, satisfied desires, whims and possible dreams that were linked with that man. He was a mass of perambulating gold. How many times she had dreamed, in the mists of her recollection, of that somewhat haughty smile that curled his delicate mustache, and those keen-edged teeth gleaming though his reddish beard, as if greedy to bury themselves deep in flesh!

But where was the duke now? Among the Kabyles or the Mormons? At Tahiti, Greenland, or gone to the devil? The papers had once announced that he was organizing an expedition to the North Pole. Perhaps he was lost among the icebergs in the Arctic Seas! She smiled at that, sighing involuntarily with sincere emotion, but prompted by selfish regret.

It had seemed to her that José had more than once permitted himself to express his affection for her. Politely, correctly, of course, as a gallant man addresses a friend's mistress, but manifesting in his reserve a host of understood sentiments and tender restraint that suggested hidden or implied declarations. Marianne had pretended not to understand him. At that time, she loved Guy or thought that she loved him, which amounts to the same thing. She contented herself with smiling at the flirtation of Monsieur de Rosas.

"I have perhaps been very stupid," she said to herself. "Pshaw! he might have been as silly as I, if occasion demanded. The obligations of friendship! The phantom of Guy!"

She suddenly stopped and this name escaped her lips: José—Joseph!

Nevertheless, this was one of the vexations of this girl: she was angry because she had acted rightly. Others suffer remorse for their ill deeds, but she suffered for her virtue. She often thought of the Duc de Rosas, as her mother Eve must have thought of Paradise lost. She would have stirred, astonished, conquered, crushed Paris, if she had been the mistress of Rosas.

"What then! Whose fault was it? How foolish of one not to dare everything!"

Now see how suddenly and unexpectedly, just as an adversary might offer an opportunity for revenge, chance, at the turning-point of her life, had brought back to Paris this José whom she had never forgotten, and who perhaps remembered her, and by whom she would be recognized most assuredly, in any case. It was an unhoped, unlooked-for opportunity that restored Marianne's faith in herself, superstitious as she was, like all successful gamblers.

She had fallen, but how she could raise herself by the arms of the duke! One must be determined.

Guy and Sabine were met on the way, like two helpers. She profited by this circumstance, using the one to reach the other and to gain Rosas from the latter. She bore a grudge, nevertheless, against Guy de Lissac, the insolent and silly fellow who had formerly left her. Bah! before taking vengeance on him, it was most important to make use of him, and, after all, revenge is so wearisome and useless.

Now Kayser's niece, Guy's mistress, a woman who had given herself or who had been taken, who had sold herself or who had been purchased, a young girl who remained so in features, gracefulness and the virgin charms that clothed her courtesan's body—her smile a virgin's, her glance full of frolic—Marianne was now within a few feet of him whom she expected, wishing for him as a seducer desires a woman.

"If he has loved me one moment, one single moment, Rosas will love me," she thought.

The salon was stiflingly hot, but Marianne was determined to keep herself in the first row, to be directly under the eye of the duke.

She felt the waves of over-heated air rise to her temples, and at times she feared that she would faint, half-stifled as she was and unaccustomed now to attend soirées. She remained, however, looking anxiously toward the door, watching for the appearance of the traveller and wondering when the pale face of the Spaniard would show itself.

At a short distance from her there was a young woman of twenty-three or twenty-four, courted like a queen and somewhat confused by the many questions addressed to her; robed in a white gown, she was extremely pretty, fair, and wore natural roses in her ash-colored hair, her eyes had a wondering expression, her cheeks were flushed, and in her amiable, gracious manner, she disclosed a touch of provincialism, modesty and hesitation—Marianne heard Madame Gerson say to her neighbors:

"It is the minister's wife."

"Madame Vaudrey?"

"Yes! Very charming, isn't she?"

"Ravishingly pretty! Fresh-looking!"

Then in lowered tone:

"Too fresh!"

"Rather provincial!"

And one voice replied, in an ironical, apologetic tone:

"Bless me, my dear, nothing dashing! Hair and complexion peculiarly her own! So much the better."

Notwithstanding the low tone of this conversation, Marianne heard it all. One by one, every one looked at this young woman who borrowed her golden tints from the rising sun. She bore the popular name of the new minister. She entered into prominence with him, accepting gracefully and unaffectedly the weight of his fame. Her timid, almost restless, uncertain smile, seemed to crave from the other women pardon for her own success, and there, surrounded by a group of men seated near the window, were two persons for whom chairs had just been placed, one of whom was a young, happy man, who exhaled an atmosphere of joy, and looked from time to time toward Adrienne and Marianne as if to see if the young wife were annoyed.

"Where is Monsieur Vaudrey then?" Marianne asked Madame Gerson.

"Why, he is just opposite to you! There on your right, beside Monsieur Collard, and he is devouring you with his glances."

"Ah, bah!" said Marianne with an indifferent smile.

And she looked in her turn.

She had, in fact, already noticed this very elegant man who had been watching her for some time.

But how could she know that he was Monsieur Vaudrey? He was delightful, moreover, sprightly in manner and of keen intelligence. A few moments before, she had heard him, as she passed by him under Sabine's guidance, utter some flattering remarks which had charmed her and made her smile.

Ah! that was Vaudrey?

She had often heard him spoken of. She had read of his speeches. She had even frequently seen his photograph in the stationers' windows.

The determined air of this young man, whom she knew to be eloquent, had pleased her. She ought then to have recognized him. He was exactly as his photographs represented him.

Of all the glances bestowed on the minister, Marianne's especially attracted Sulpice. A moment previously he had felt a singular charm at the appearance of this woman, threading her way directly between the rows of men by whom she was so crowded as to be in danger of having her garments pulled from her body. In his love of definitions and analyses, Vaudrey had never pictured the Parisian woman otherwise, with her piquant and instantaneous seductiveness, as penetrating as a subtle essence.

Marianne, smiling restlessly, looked at him and allowed him to look at her.

Her cheeks, which were extremely pale, suddenly became flushed as if their color were heightened by some feverish attack, when, amid the stir caused by the curiosity of the guests, and a greeting manifested by the shuffling of feet and the murmuring of voices, Monsieur de Rosas appeared; his air was somewhat embarrassed, he offered his arm to Madame Marsy, who conducted him to the narrow stage as if to present him.

"At last! ah! it is he!"

"It is really the Duc de Rosas, is it not?"

"Yes, yes, it is he!"

"He is charming!"

The name of Rosas, although only repeated in an undertone by the lips of these women, rung in Marianne's ears, sounding like a quickstep played on a clarion. It seemed to her that a decisive moment in her life was announced fantastically in those utterances. Even now, while burning with the very fever of her eagerness, she felt the gambler's superstition. As soon as she saw José, she said to herself at once that if he saw her and recognized her first glance, then he had not forgotten her and she could hope for everything. Everything! "Men happily forget less quickly than women," she thought. "Through egotism, or from regret, some abandon themselves to their reminiscences with complacency, like this Guy, and recognize on our countenances the lines of their own youth. Others, perhaps, mourn over the lost opportunity, and the duke is sentimental enough to be of that class."

She thought that Rosas must look at her, yes, at any cost; and with body inclined, her chin resting on her gloved right hand, while the other handled her fan with the skill peculiar to the Spanish women, she darted at the duke a rapid glance, a glance burning with desire and in which she expressed her whole will. The human eye has within it all the power of attraction possessed by a magnetic needle. As if he had experienced the actual effect of that glance fixed on his countenance, the duke raised his head after a polite but somewhat curtly elegant bow, to look at the audience of lovely women whom Sabine had gathered to greet him, and, as if only Marianne had been present, he at once saw the motionless young woman silently contemplating him.

Rosas, as he appeared within the frame formed by the red curtains, his thin, regular and ruddy face looking pale against the white of his cravat and the bosom of his shirt, looked like a portrait of a Castilian of the time of Philip II., clothed in modern costume, his fashionable black clothes relieved only by a touch of vermilion, a red rosette. But however fashionable the cut of his clothes might be, on this man with the vague blue eyes, and looking contemplative and sad with his upturned moustache, the black coat assumed the appearance of a doublet of old, on which the red ribbon of the Legion of Honor looked like a diminutive cross of Calatrava upon a velvet cloak.

In fixing, to some extent, his wandering glance on the fervent look of Marianne, this melancholy Spanish face was instinctively lighted up with a fleeting smile that immediately passed and was followed by a slight, respectful bow, quite sufficient, however, to surround the young woman with an atmosphere that seemed to glow.

"He has recognized me! at once! come!—I am not forgotten."

As in the glorious moment of victory, her bloodless face was overspread with a dazzling expression of joy. Boldly raising her head and inviting his glances as she had braved them, she listened, with glowing eyes, drinking each word that flowed from his lips, her nostrils distended as if to scent the approach of an Oriental perfume, to the recital of the narrative commenced by the duke in a measured, cajoling tone, which grew animated and louder.

Everybody listened to Rosas. Only the slight fluttering of fans was heard like a beating of wings. Without changing the tone of his discourse, and recounting his travels to his audience as if he were addressing only Marianne, he told in a voice more Italian than Spanish, in musical, non-guttural cadences, of his experiences on the borders of the Nile, of the weariness of the caravans, of the nights passed under star-strewn skies, of the songs of the camel-driver, slowly intoned like prayers, of the gloom of solitary wastes and of the poetic associations of the ruins slumbering amid the red sands of the desert. At times he recited a translation of an Arabian song or remarked in passing, on some mournful ballad, refined as a Sennett, deep as the infinite, in which the eternal words of love, tender and affecting in all languages, assumed an intensely poetic character under the influence of their Semitic nature; songs in which passers-by, strangers, lovers dead for centuries, who had strewed, as it were, their joys and their sobs over the sands of the desert, told the color of the hair and of the eyes of their dear ones, pleaded with their betrothed dead for the alms of love, and promised to spectres of women rose-colored garments and flowers that time would never wither.

These songs of Arabs dying for Nazarenes, of sons of Mohammed sacrificing themselves for the daughters of Aïssa were so translated by this Castilian that the exquisite charm of the original, filtered through his rendering, lost none,—even in French,—of the special characteristics of his own nation, a half-daughter of the Orient. And inevitably, with its melancholy repetition, the poetry he spoke of dwelt on wounded, suffering love, on the anguish of timid hearts, and the sobs of unknown despairing Arabs, buried for ages under the sands of the desert.

The duke seemed to take pleasure in dwelling on these poetic quotations rather than on the reminiscences of his travels. His individuality, his own impressions vanished before this passionate legacy bequeathed by one human race to another. Marianne trembled, believing that she could see even in Rosas's thoughts a desire to speak especially for her and to her. Was it not thus that he spoke in his own house in the presence of Lissac, squatting on his divan like an Arab story-teller?

She felt her youth renewed by the memory of all those past years. She thought herself back once more in the studio on Rue de Laval. Sabine Marsy's salon disappeared, Rosas was whispering in her ear, looking at her, and allowing the love that he felt to be perceived, in spite of Guy.

Guy! who was Guy? Marianne troubled herself about no one but De Rosas. Only the duke existed now. Had Guy been blended with her life but for a single moment? She embraced Rosas with her burning glance.

She no longer saw Sulpice, but he never looked away from Mademoiselle Kayser. He thought her a most charming woman. A magnetic fluid, as it were, flowed from her to this man, and he, with wandering mind, did not hear one word of Monsieur de Rosas's narrative, but concentrated his thoughts upon that pretty, enticing woman, whom he could not refrain from comparing with his wife, sitting so near her at this moment.

Adrienne was very pretty, her beauty was more regular than the other's. Her smooth, blond hair was in contrast with the tumbled, auburn locks of Marianne, and yet, extraordinary as it was—Adrienne had never seemed to be so cold as on that evening, as she sat there motionless, watching, while a timid habitual smile played over her lips.

Sulpice suffered somewhat in consequence of this awkwardness on Adrienne's part, contrasted as it was with the clever freedom of manner, graceful attitude, and flowing outlines of that disturbing neighbor, with her dull white countenance, half-closed mouth, strange curl of her lips, which seemed turned up as if in challenge. She was decidedly a Parisian, with all her intoxicating charms, that alluring, if vicious attraction that flows from the eyes of even modest girls. Some words spoken by Monsieur de Rosas reaching Vaudrey's ears—a description of the somewhat fantastical preparation of poison by the Indians, explained by the duke by way of parenthesis—suggested to Sulpice that the most subtle, the gentlest and most certainly deadly poison was, after all, the filtering of a woman's glance through the very flesh of a man, and he thirsted for that longed-for poison, intoxicating and delicious—

He was anxious for the duke to finish his remarks. What interest had he in all those travels, those Arabic translations, that Oriental poetry, or that poison from America? He was seized with the desire to know what such a charming creature as Marianne thought. Ah! what a pretty girl! He had already inquired her name; he happened to know Uncle Kayser; the painter had formerly sent him a printed memoir On the Method of Moralizing Art through the Mind.

The minister experienced on hearing Rosas the feeling of enervation that attacked him in the Chamber when, near the dinner-hour, an orator became too long-winded in his speech. He was unable to resist remarking in a whisper to the President of the Council, who was near him:

"Suppose we call for the clôture?"

Monsieur Collard in a diplomatic way expressed his approval of Rosas by a look that at the same time rebuked his colleague Vaudrey for his lack of sufficient gravity.

The duke did not tire any one except Sulpice. He was listened to with delight. The sentimental exterior of this man concealed a jester's nature, and the sober appearance of this Castilian wore all the characteristics of a polished lounger. The least smile that animated his passive countenance became at once attractive. Marianne thought him most delightful, or rather, she found him just what she had formerly believed him to be, a refined, delicate and very simple man in spite of his graciously haughty manner. When he concluded, the room echoed with the thunder of the applause. Even in the adjoining rooms the people applauded, for silence had been secured so as to hear his remarks. With a wave of his gloved hand, Rosas seemed to disclaim that his discourse merited the applause, and he received the greetings as a man of the world receives a salutation, not as a tenor acknowledging the homage paid to him. He strove to make his way through the group of young men who were stationed behind him.

"At last!" said Vaudrey, in a half-whisper.

It was the moment for which he had been waiting. He would be able now to address himself to Mademoiselle Kayser!

He hastened to offer his arm to Marianne.

Madame Marsy, eagerly and quickly, had already appropriated Monsieur de Rosas, who was moreover surrounded and escorted by a crowd who congratulated him noisily. Except for that, Marianne would have gone direct to him in obedience to her desires.

Vaudrey's arm, however, was not to be despised. The new minister was the leading figure in the assembly. She looked at Sulpice full in the face as if to inquire the cause of his eagerness in placing himself at her side, and observing that this somewhat mocking interrogation disconcerted him, she smiled at him graciously.

She passed on smiling, amid the double row of guests who bowed as she passed. She suddenly felt a sort of bewilderment, it seemed to her that all these salutations were for her benefit. She believed herself created for adoration. Inwardly she felt well-disposed towards Sulpice now, because he had so gallantly chosen and distinguished her among all these women.

After all, she would easily find Rosas again. And who knows? It would perhaps be better that the duke should seek her. Meanwhile, she crossed the salons, leaning on the arm of the minister. It was a kind of triumph.

Good-naturedly and politely, but without pride, the minister received all these attentions, becoming as they were to him in his official capacity, and as he moved on he uttered from time to time some commonplace compliment to Marianne, reserving his more intimate remarks for the immediate future.

Before the buffet, brilliant with light and the gleaming of crystal, the golden-tinted champagne sparkling in the goblets, the ruddy tone of the punch, the many fruits, the bright-colored granite and the ices, Vaudrey stopped, releasing the arm of the young girl but remaining beside her and passing her the sherbet which a lackey handed him over the piled-up plates.

Groups were always encircling him; searching, half-anxious glances greeted his. An eager hunt after smiles and greetings accompanied the hunt for tutti frutti. But the minister confined his attentions to Marianne, chafing under the eagerness of his desires, though bearing them with good grace, as if he were really the lover of the pretty girl.

Marianne stood stirring the sherbet with the point of a silver-plated spoon, examining this statesman, as seductive as a fashionable man, with that womanly curiosity that divines a silent declaration. A gold weigher does not balance more keenly in his scales an unfamiliar coin than a woman estimates and gauges the value of a stranger.

Marianne readily understood that she had fascinated Vaudrey. This Vaudrey! Notwithstanding that he possessed a charming wife, he still permitted himself to recognize beauty in other women, and to tell them so, for he so informed Marianne! He declared it by his smile, his sparkling eyes, and the protecting bearing that he instinctively manifested in the presence of this creature who glanced at him with perfect composure.

In the confusion attending the attack on the buffet and in the presence of the crowd that formed a half-circle round the minister, it was not possible for him to commit himself too much; and the conversation, half-drowned by the noise of voices, was carried on by fits and starts; but in order to make themselves understood, Vaudrey and Marianne drew nearer each other and found themselves occasionally almost pressed against each other, so that the light breath of this woman and the scent of new-mown hay that she exhaled, wafted over Sulpice's face. He looked at her so admiringly that it was noticeable. She was laced in a light blue satin gown that showed her rosy arms to the elbows, and her shoulders gleamed with a rosy tint that suggested the rays of a winter sun lighting up the pure snow. A singular animation, half-feverish, beamed in her small, piercing, restless eyes, and her delicate ears with their well-marked rims were quite red. The light that fell from the wax candles imparted to her hair a Titian red tint as if she had bound her locks with henna during the night. She was visibly assured of her power and smiled with a strange and provoking air.

Vaudrey felt really much disturbed, he was attracted and half-angered by this pretty girl with dilating nostrils who calmly swallowed her glass of sherbet. He thought her at once exquisite and lovely, doubly charming with her Parisian grace and in her ball costume, her bare flesh as lustrous as mother-of-pearl under the brilliant light.

Her corsage was ornamented on the left side by an embroidered black butterfly, with outstretched wings of a brownish, brilliant tint, and Vaudrey, with a smile, asked her, without quite understanding what he said, if it were an emblematic crest.

She smiled.

"Precisely," she replied. "What I wear in my corsage I have in my mind. Black butterflies—or blue devils, as you choose."

"You are not exceptional," said Sulpice. "All women are such."

"All women in your opinion then, are a little—what is it called? a little out of the perpendicular—or to speak more to the point, a little queer, Monsieur le Ministre?"

The minister smiled in his turn, and looked at Marianne, whose eyes, seen between the blinking lids, gleamed as the electric eyes of a cat shine between its long lashes.

"No," he said, "no, but I blame them somewhat for loving the blue only in the butterflies of which you speak, the blue devils that penetrate their brain! They are born for blue, however, for that which the provincial poets style 'the azure', and they shun it as if blue were detestable. Blue! Nonsense! Good for men, those simpletons, who in the present age, are the only partisans of blue in passion and in life."

Whether he desired it or not, he had drawn still closer to this creature who studied him like a strategist while he fawned on her with his glances, losing himself in that "blue" of which he spoke with a certain elegance, in which he desired to express mockery, but which was nevertheless sincere. In the same jesting tone, pointing to the light blue of her gown, she said:

"You see, your Excellency, that all women do not dislike blue."

"If it is fashionable, parbleu! And if it becomes their beauty as well as this stuff of yours, they would adore it, most assuredly."

"They love it otherwise, too—In passion and in life. That depends on the women—and on men," she added, showing her white teeth while smiling graciously.

She dropped her spoon in the saucer and handed the sherbet to a servant. With an involuntary movement—or perhaps, after all, it was a shrewdly calculated one—she almost grazed Sulpice's cheek and lips when she extended her round and firm arm, and Sulpice, who was somewhat bewildered, was severely tempted, like some collegian, to kiss it in passage.

He closed his eyes and a moment after, on reopening them, the disturbing element having passed, he saw Marianne before him with her fan in her hand, and as if the image of which he spoke only now recurred to his memory, he said:

"Mademoiselle, it seems to me that in this very costume and as charming as you are at this moment, I have seen your portrait at the Salon; is it not so?"

"Yes," she said. "It is the very best painting that my uncle has produced."

"I thought it excellent before seeing you," said Sulpice, "but now—"

She did not feel satisfied with the smile that accompanied the compliment. She wished to hear the entire phrase.

"Now—?" said she, as a most seductive smile played on her lips.

"Now, I find it inferior to the original!"

"One always says so, your Excellency, except perhaps to the artist; but I was greatly afraid that you would not think me so, arrayed in this—this famous blue—this sky-blue that you love so much."

"And that I love a hundred times more from this evening forward," said he, in a changed and genuinely affected tone.

She did not reply, but looked at him full in the face as if to inform him that she understood him. He was quite pale.

"Would you not like to be one of the bright ornaments of my salon, as you are of that of Madame Marsy?" said he, in a whisper.

"With the greatest happiness, your Excellency."

What Sulpice said was not heard by the others; but Marianne felt that she was observed, envied already, and manifested her complete satisfaction with a toss of her head. In this atmosphere of flattery, oppressive as with the heavy odor of incense, she experienced a sensation of omnipotence, the intoxication of that power with which Vaudrey was invested, whose envied reflection was cast on her by that simple aside spoken in the midst of the crowd.

She was delighted and exceedingly proud. She almost forgot that her visit had been made on Rosas's account.

Vaudrey was about to add something, when Madame Marsy in passing to greet her guests, noticed Marianne and grasping her hand:

"I beg your pardon, your Excellency," she said, "but I must take her away from you. I have been asked for her."

"By whom?" said Vaudrey.

"Monsieur de Rosas!"

Vaudrey looked at Marianne. He observed distinctly a flash of joy illuminate her pale face and he felt a sudden and singular discontent, amounting almost to physical anguish. And why, great heavens?

Marianne smiled a salutation; he half-bowed and watched her as she went away, with a sort of angry regret, as if he had something further to say to this woman who was almost a stranger to him, and who, guided by Sabine, now disappeared amid the crowd of black coats and bright toilets. And then, almost immediately and suddenly, he was surrounded and besieged by his colleagues of the Chamber, men either indifferent or seeking favors, who only awaited the conclusion of the conversation with Mademoiselle Kayser, which they would certainly have precipitated, except for the fear of acting indiscreetly, in order to precipitate themselves on him. Amid all those unknown persons who approached him, Vaudrey sought a friend as he felt himself lost and taken by assault by this rabble.

The sight of the face of a friend, older than himself, a spare man with a white beard very carefully trimmed, caused him a feeling of pleasure, and he joyfully exclaimed:

"Eh! pardieu! why, here is Ramel!"

He immediately extended both hands in warm greeting to this man of sixty years, wearing a white cravat twisted round his neck, like a neckerchief in the old-fashioned style, and whose black waistcoat with its standing collar of ancient pattern was conspicuous amid the open waistcoats of the fashionably-dressed young men who had been very eagerly surrounding the minister for the last few moments.

"Good day, Ramel!—How delighted I am to see you!"—

"And I also," said Ramel in a friendly and affectionate tone, while his face, that seemed severe, but was only good-natured and masculine, suddenly beamed. "It is not a little on your account that I came here."

"Really?"

"Really. I was anxious to shake hands with you. It is so long since I saw you. How much has happened since then!"

"Ah! Ramel, who the devil would have said that I should be minister when I took you my first article for the Nation Française!" said Vaudrey. "Bah! who is not a minister?" said Ramel. "You are. Remember what Napoléon said to Bourrienne as he entered the Tuileries: 'Here we are, Bourrienne! now we must stay here!'"

"That is exactly what Granet said to me when he told me of the new combination."

"Granet expressed in that more of an after-thought than your old Ramel."

"My best friend," said Sulpice with emotion, grasping this man's hands in his.

"It is so much more meritorious on your part to tell me that," said Ramel, "seeing that now you do not lack friendships."

"You are still a pessimist, Ramel?"

"I—A wild optimist, seeing that I believe everything and everybody! But I must necessarily believe in the stupidity of my fellows, and upon this point I am hardly mistaken."

"But what brings you to Madame Marsy's, you who are a perfect savage?"

"Tamed!—Because, I repeat to you, I knew that you were coming and that Monsieur de Rosas was to speak on the subject of savages, and these please me. If I had been rich or if I only had enough to live on, I should have passed my life in travelling. And in the end, I shall have lived between Montmartre and Batignolles: a tortoise dreaming that he is a swallow—"

"Ramel, my dear fellow," said the minister, "would you wish me to give you a mission where you could go and study whatever seemed good to you?"

"With my rheumatism? Thanks, your Excellency!" said Ramel, smiling. "No, I am too old, and never having asked any one for anything, I am not going to begin at my age."

"You do not ask, it is offered you."

"Well, I have no desire for that. I am at the hour of the far niente that precedes the final slumber. It is a pleasant condition. One has seen so many things and persons that one has no further desires."

"The fact is," said the minister, "that if all the people you have obligated in your life had solicited an invitation from Madame Marsy, these salons would not be large enough to contain them."

"Bah! they have all forgotten as I have, myself," said Ramel, with a shake of his head and smiling pleasantly.

Vaudrey felt intense pleasure in meeting, in the midst of this crowd of indifferent or admiring persons, the man who had formerly seen him arrive in Paris, and with whom he had corresponded from the heart of his province, as with a kinsman. There was, in fact, between them, a relationship of mind and soul that united this veteran of the press with this young statesman.

The ideal sought was the same, but the temperaments were different. Ramel, although he had known them, had for a long time avoided those excitements of struggle and power that inflamed Vaudrey's blood.

"It was a glorious day when my pulse became regulated," he said. "Experience brought me the needed tonic."

Denis Ramel was a wise man. He took life as he found it, without enthusiasm as without bitterness. He was not wealthy. More than sixty years old, he found himself, after a life of hard, rough and continuous struggle, as badly off as when he started out on his career, full of burning hopes. He had passed his life honorably as a journalist—a journalist of the good old times, of the school of thought, not of news-tellers,—he had loyally and conscientiously exercised a profession in which he took pleasure; he had read much, written much, consumed much midnight oil, touched upon everything; put his fingers into every kind of pie without soiling them, and after having valiantly turned the heavy millstone of daily labor incessantly renewed for forty years, he had reached the end of his journey, the brink of the grave, almost penniless, after having skirted Fortune and seen Opportunity float toward him her perfumed and intoxicating locks more than a hundred times. Bent, weary, almost forgotten, and unknown and misunderstood by the new generation, that styled this enthusiasm, more eager, moreover, than that of juvenile faith, "old"—he saw the newcomers rise as he might have beheld the descent of La Courtille.

"It amuses me."

Ramel had, in the course of his career as a publicist, as a dealer in fame, assisted without taking part therein, in the formation of syndicates, allotments of shares and financial intrigues; and putting his shoulder to the wheel of enterprises that appeared to him to be solid, while seeking to strike out those which appeared to be doubtful, he had created millionaires without asking a cent from them, just as he had made ministers without accepting even a thread of ribbon at their hands.

This infatuating craft of a maker of men pleased him. All those pioneers in the great human comedy, he had seen on their entrance, hesitating and crying to him for assistance. This statesman, swelling out with his importance in the tribune, had received the benefit of his correction of his earlier harangues. He had encouraged, during his competition for the Prix de Rome, this member of the Institute who to-day represented national art at the Villa Médicis; he had seen this composer, now a millionaire, beg for a private rehearsal as he might ask alms, and slip into one's hands concert tickets for the Herz hall. He was the first to point out the verses of the poet who now wore l'habit vert. He had first heralded the fame of the actor now in vogue, of the tenor who to-day had his villas at Nice, yes, Ramel was the first to say: "He is one of the chosen few!"

Old, weary and knowing, very gentle and refined in his banter, and refusing to be blinded or irritated by the trickeries of destiny, Denis Ramel, when asked why, at his age and with his talents, he was neither a deputy, nor a millionaire, nor a member of the Institute, but only a Warwick living like a poor devil, smiled and said, with the tone of a man who has probed to the bottom the affairs of life:

"Bah! what is the use? All that is not so very desirable. Ministers, academicians, millionaires, prefects, men of power, I know all about them. I have made them all my life. The majority of those who strut about at this very time, well! well! it is I who made them!"

And, like a philosopher allowing the rabble to pass him, who might have been their chief, but preferred to be their judge, he locked himself in his apartments with his books, his pictures, his engravings, his little collection slowly gathered year by year, article by article, smoking his pipe tranquilly, and at times reviewing the pages of his life, just as he might have fingered the leaves of a portfolio of engravings, thinking when he chanced to meet some notable person of the day who shunned him or merely saluted him curtly and stiffly:

"You were not so proud when you came to ask me to certify your pay-slip for the cashier of the journal."

Ramel had always greatly esteemed Sulpice Vaudrey. This man seemed to him to be more refined and less forgetful than others. Vaudrey had never "posed." As a minister, he recalled with deep emotion the period of his struggles. Ramel, the former manager of the Nation Française, was one of the objects of his affection and admiration. He would have been delighted to snatch this man from his seclusion and place him in the first rank, to make this sexagenarian who had created and moulded so many others, noteworthy by a sudden stroke.

Amid the tumultuous throng, and feeling overjoyed to find once more one whom he could trust, to whom he could abandon himself entirely, he repeated to him in all sincerity:

"Come, Ramel! Would you consent to be my secretary general?"

"No! your Excellency," Ramel answered, as a kindly smile played beneath his white moustaches.

"To oblige me?—To help me?"

"No—Why, I am an egotist, my dear Vaudrey. Truly, that would make me too jealous. Take Navarrot," he added, as he pointed to a fashionable man, elegantly cravatted, carrying his head high, who had just greeted Vaudrey, using the same phrase eight times: "My dear minister—your Excellency—my minister—"

"Navarrot?"

"He appears to be very much attached to you!"

"You are very wicked, Ramel. He holds to the office and not to the man. He is not the friend of the minister, but of ministers. He is one of the ordinary touters of the ministry. He applauds everything that their Excellencies choose to say."

"Oh! I know those touters," said the old journalist. "When a minister is in power, they cheer him to the echo; when he is down, they belabor him."

Vaudrey looked at him and laughingly said: "Begone, journalist!"

"But at any rate,"—and here he extended his hand to Ramel,—"you will see me this evening?"

"Certainly."

"And you still live at—?"

"Rue Boursault, Boulevard des Batignolles."

"Till then, my dear Ramel! If occasion require, you will not refuse to give me your advice?"

"Nor my devotion. But without office, remember without office," said Ramel, still smiling.

Vaudrey took great delight in chatting with his old friend, but for a moment he had been seized with an eager desire to find amid the increasing crowd that thronged the salons, the pretty girl who had appeared to him like a statue of Desire, whetted desire, but even in her charms somewhat unwholesome, yet disturbing and appetizing.

He had come to Sabine Marsy's only by chance and as if to display in public the joy of his triumph, just as a newly decorated man willingly accepts invitations in order to show off his new ribbon, but he now felt happy for having done so. He had promised himself only to put himself in evidence and then disappear with Adrienne to the enjoyment of their usual chats, to taste that intimacy that was so dear to him, but which, since his establishment on Place Beauvau, had vanished.

He habitually disliked such receptions as that in which he now took part, those soirées as fatiguing as those crowds where one packs six hundred persons in salons capable of holding only sixty: commonplace receptions, where the master of the house is as happy when he refuses invitations as a theatre-manager when his play is the rage; where one is stifled, crushed, and where one can only reach the salon after a pugilistic encounter, and where the capture of a glass of syrup entails an assault, and the securing of an overcoat demands a battle. He held in horror those salons where there is no conversation, where no one is acquainted, where, because of the hubbub of the crowd or the stifling silence attending a concert, one cannot exchange either ideas or phrases, not even a furtive handshake, because of the packing and crushing of the guests. It was a miracle that he had just been able to exchange a few words with Mademoiselle Kayser and Ramel. The vulgarity of the place had at once impressed him,—the more so because he was the object of attraction for all those crowded faces.

All that gathering of insignificant, grave and pretentious young men, who, while they crowded, made their progress in the ranks of the sub-prefects, councillors of prefectures, picking up nominations under the feet of the influential guests as they would cigar stumps, disgusted him; men of twenty years, born, as it were, with white cravats, pretentious and pensive, creatures of office and not of work, haunting the Chambers and the antechambers, mere collectors of ideas, repeaters of serious commonplaces, salon democrats who would not offer their ungloved hand to a workman on the street; staff-majors ambitious of honors and not of devotion, whom he felt crowding around him, with smiles on their lips and applications in their pockets. How he preferred the quiet pleasure of reading at the fireside, a chat with a friend, or listening to one of Beethoven's sonatas, or a selection from Mendelssohn played by Adrienne, whose companionship made the unmarked flight of the hours pass more sweetly.

It was for that that he was created. At least he thought so and believed it. And now this salon that he had simply desired to traverse, at once seemed altogether delightful to him. And all this was due to his meeting a divine creature in the midst of this crowd. He was eager to find Marianne, to see her again. She aroused his curiosity as some enigma might.

What, then, was this woman, was she virtuous or of questionable status? Ah! she was a woman, or rather ten women in one, at the very least! A woman from head to foot! A woman to her finger tips, a refined, Parisian woman, perverse even in her virginity, and a virgin perhaps in her perversity. A problem in fair flesh.

As Vaudrey hurriedly left the buffet, every one made way for him, and he crossed the salons, eagerly looking out for Marianne. As he passed along, he saw Guy de Lissac sitting on a chair upholstered in garnet satin, his right hand resting on the gilded back and chatting with Adrienne who was fanning herself leisurely. On noticing Sulpice, the young woman smiled at him even at a distance, the happy smile of a loving woman, and she embraced him with a pure glance, asking a question without uttering a word, knowing well that he habitually left in great haste.

"Do you wish to return?" was the meaning of her questioning glance.

He passed before her, replying with a smile, but without appearing to have understood her, and disappeared in another salon, while Lissac said to Adrienne:

"What about the ministry, madame?"

"Oh! don't speak to me of it!—it frightens me. In those rooms, it seems to me that I am not at home. Do you know just what I feel? I fancy myself travelling, never, however, leaving the house. Ministers certainly should be bachelors. Men have all the honor, but their wives endure all the weariness."

"There must, however, be at the bottom of this weariness, some pleasure, since they so bitterly regret to take leave of it."

"Ah! Dieu!" said Adrienne. "Already I believe that I should regret nothing. No, I assure you, nothing whatever."

She, too, might have desired,—as Vaudrey did formerly—to leave the soirée, to be with her husband again, and she thought that Sulpice found it necessary to remain longer, since he had not definitely decided on going away.

The new salon that he entered, communicated with a smaller, circular one, hung with Japanese silk draperies, and lighted by a Venetian chandelier that cast a subdued light over the divans upon which some of the guests sat chatting. Sulpice immediately divined, as if by instinct, that Marianne was there. He went straight in that direction, and as he entered the doorway, through the opening framed by two pale blue portières, he saw in front of him, sitting side by side, the pretty girl and the Duc de Rosas to whom she had listened so attentively, almost devotedly, a little earlier; he recalled this now.

The light fell directly on Mademoiselle Kayser's shoulders and played over her fair hair. The duke was looking at her.

Vaudrey took but a single step forward.

He experienced an altogether curious and inexplicable sensation. This tête-à-tête displeased him.

At that moment, on half-turning round,—perhaps by chance—she perceived the minister and greeting him with a sweet smile, she rose and beckoned to him to approach her.

The sky-blue satin hangings, on which the light fell, seemed like a natural framework for the beautiful blonde creature.

"Your Excellency," she said, "permit me to introduce my friend, the Duc de Rosas, he is too accomplished not to appreciate eloquence and he entertains the greatest admiration for you."

Rosas had risen in his turn, and greeted the minister with a very peculiar half-inclination, not as a suitor in the presence of a powerful man, but as a nobleman greeting a man of talent.

Vaudrey sought to discover an agreeable word in the remarks of this man but he failed to do so. He had, nevertheless, just before applauded Rosas's remarks, either out of condescension or from politeness. But it seemed to him that here the duke was no longer the same man. He gave him the impression of an intruder who had thrust himself in the way that led to some possible opportunity. He nevertheless concealed all trace of the ill-humor that he himself could not define or explain, and ended by uttering a commonplace phrase in praise of the duke, but which really meant nothing.

As he was about to move away, Marianne detained him by a gesture:

"Well, your Excellency," she remarked, with a charming play of her lips as she smiled, "you see,"—and she pointed to the blue draperies of the little salon, as dainty as a boudoir—"you see that there are some women who like blue."

"Yes, Madame Marsy!—" Vaudrey answered, with an entirely misplaced irony that naturally occurred to him, as a reproach.

"So do I," said Marianne. "We have only chatted together five minutes, but I have found that time enough to discover that you and I have many tastes in common. I am greatly flattered thereby."

"And I am very happy," replied Vaudrey, who was disturbed by her direct glances that pierced him like a blade.

She had resumed her place on the divan, but Vaudrey had already forgiven her tête-à-tête with Rosas—and in truth, what had he to forgive?—This burning glance had effaced everything. He bore it away like a bright ray and still shuddered at the sensation he experienced.

He was in a hurry to leave. He now felt a sudden attack of nervousness. He was at the same moment charmed and bored. Again he resumed—amid the throng that made way for him, humbly performing its duty as a crowd—his rôle of minister, raising his head, and greeting with his official smile, but, at the bottom of his heart, really consumed by an entirely different thought. His brain was full of blue, of floating clouds, and he still heard Marianne's voice ringing in his ears with an insinuating tone, whispering: "We have many tastes in common," together with all kinds of mutual understandings which, as it were, burned like a fire in his heart.

He saw Adrienne still seated in the same place and smiling sweetly at him,—a smile of ardent devotion, but which seemed to him to be lukewarm. He leaned toward her, reached his hands out and said to De Lissac, hurriedly, as he grasped his hand: "We meet later, do we not, Guy?" Then he disappeared in the antechamber, while the servants hurried toward Madame Vaudrey, bearing her cloak, and as Vaudrey put on his overcoat, a voice called out:

"His Excellency's carriage."

"I am exhausted," said Adrienne, when she had taken her place in the carriage. "What about yourself?"

"I? not at all! I am not at all tired. It was very entertaining! One must show one's self now—"

"I know that very well," the young wife replied.

Like a child who is anxious to go to sleep, she gently rested her hood-covered head on Sulpice's shoulder. Her tiny hands sought her husband's hand, to press it beneath her cloak, as warm as a nest; and after she had closed her eyes, overcome as she was by weariness, her breathing seemed to become gradually almost as regular as in slumber, and Sulpice Vaudrey recalled once more, beneath the light of the chandeliers, that pretty blonde, with her half-bare arms and shoulders, and strange eyes, who moistened her dry lips and smiled as she swallowed her sherbet.

VI

In the pretty little Japanese salon, with its panels of sky-blue satin, framed with gilded bamboo, Marianne was seated on the divan, half-facing the duke as if to penetrate his inward thoughts, and she seemed to the Castilian as she did to Vaudrey, to be a most charming creature amid all those surroundings that might have been made expressly to match her fair beauty. Moreover, with Rosas, her freedom of manner was entirely different from that which she manifested to Sulpice, and she embraced the young man with a passionate, fervent glance.

José felt himself grow pale in the presence of this exquisite creature whose image, treasured in the depths of his heart, he had borne with him wherever his fancy had led him to travel. He gazed at her as a man looks at a woman whom he has long desired, but whom some urgent necessity has kept out of his way, and who by chance is suddenly brought near him, fate putting within our reach the dream—

She was prettier than ever, graceful and blooming, "more matured," like a fruit whose color is more tempting to the appetite. Sabine had just before very naturally brought these two together and instinctively, as if they had to exchange many confidences, they had immediately sought a retired spot away from that crowd and were seated there in that salon where Vaudrey, already half-jealous, guessed that Marianne would be.

Yes, indeed, she had many confidences to impart to that man who had suddenly entered the sphere of her life and had suddenly disappeared, remaining during several years as if dead to her. It seemed to her as they sat face to face that this flight of wasted time had made her still younger, and Rosas, notwithstanding his cold demeanor, allowed his former passion to be divined: the women one loves unmask one's secret before a man can himself explain what he feels.

She felt a profound, sincere joy. She recalled a similar conversation with José in his studio, that Oriental corner hidden in the Rue de Laval. The Japanese satin enhanced the illusion.

"Do you know that it seems to me," she said, "that I have been dreaming, and that I am not a whit older?"

"You are not altered, in fact," said Rosas. "I am mistaken—"

"Yes, I know. I have grown lovelier. That is a compliment that I am used to—Lissac has told me that already, only the other morning."

She bit her lips almost imperceptibly, as if to blame herself for her imprudence, but had she mentioned Guy's name designedly, she could not have been better satisfied with the result. Monsieur de Rosas, usually very pale, became pallid, and a slight curl of his lip, although immediately suppressed, gave an upward turn to his reddish moustache.

"Ah!" he said, "You still see Guy."

"I!—I had not spoken a single word to him until I asked him to have an invitation sent me for this soirée, and then it was merely because I knew you would be here."

"Ah!" said José again, without adding a word.

Marianne was satisfied. She knew now that the duke still loved her, since the mention of Lissac's name had made him tremble. Well! she had shrewdly understood her Rosas.

"And what have you been doing, my dear duke, for such an age?" she said.

She looked at him as she had looked at Vaudrey, with her sweet and shrewd smile, which moved him profoundly, and her glance penetrated to the inmost depths of his being.

"You know the old saying: 'I have lived.' It is great folly, perhaps, but it is the truth."

"And I wager," boldly said Marianne, "that you have never thought of me."

"Of you?"

"Of me. Of that mad Marianne, who is the maddest creature of all those you have met in your travels from the North Pole to Cambodia, but who has by no means a wicked heart, although a sufficiently unhappy one, and that has never ceased to beat a little too rapidly at certain reminiscences which you do not recall, perhaps—who knows?"

"I remember everything," replied the duke in a grave voice.

Marianne looked at him and commenced to laugh.

"Oh! how you say that, mon Dieu! Do you remember I used to call you Don Carlos? Well, you have just reminded me of Philip II. 'I remember everything!' B-r-r! what a funereal tone. Our reminiscences are not, however, very dramatic."

"That depends on the good or ill effects that they cause," said Rosas very seriously.

"Ah! God forgive me if I have ever willingly done you the least harm, my dear Rosas. Give me your hand. I have always loved you dearly, my friend."

She drew him gently toward her, half bending her face under the cold glance of the young man:

"Look at me closely and see if I lie."

The duke actually endeavored to read the gray-blue eyes of Marianne; but so strange a flash darted from them, that he recoiled, withdrawing his hands from the pressure of those fingers.

"Come, come!" she said, "I see that my cat-like eyes still make you afraid. Are they, then, very dreadful?"

She changed their expression to one of sweetness, humility, timidity and winsomeness.

"After all, that is something to be proud of, my dear duke. It is very flattering to make a man tremble who has killed tigers as our sportsmen kill partridges."

"You know very well why I am still sufficiently a child to tremble before you, Marianne," murmured José. "At my age, it is folly; but I am as superstitious as gamblers—or sailors, those other gamblers, who stake their lives, and I have never met you without feeling that I was about to suffer."

"To suffer from what?"

"To suffer through you," said the duke. "Do you know that if I had never met you, it is probable that I should never have seen all those countries of which I spoke just now, and that I should have been married long ago, at Madrid or at Toledo?"

"And I prevented you?—"

Rosas interrupted Marianne, saying abruptly, and smiling almost sadly:

"Ah! my dear one, if you only knew—you have prevented many things."

"If I have prevented you from being unhappy, I am delighted. Besides, it is evident that you have never had a very determined inclination for marriage, seeing that you have preferred to trot around the world."

"Like Don Quixote, eh? Do you know, moreover, since we are talking of all these things, that you have saved me from dying in the corner like an abandoned dog?"

"I?" said Marianne.

"You or your songs, as you please. Yes, in Egypt I suffered from fever something like typhus. They left me for dead, as after a battle, in the most wretched and frightful of native villages. No doctors, who might, perhaps, have cured me, not a bed, not even a mattress. My servants, believing me past hope, abandoned me—or rather, for I prefer your Parisian word—cast me adrift—there is no other expression. There I was, stretched out on a heap of damp straw—in short, on a dunghill—"

"You, Rosas?"

"In all conscience, I correctly portrayed Job there; lean, with a three months' old beard, and with the death-rattle in my throat; in the open air—don't alarm yourself, the nights were warm. In the evening the fellah-women gathered round me, while I watched the sun that tinted their cheeks with bronze—there were some pretty ones among them, I have painted them in water-colors from memory—they poured out their insults upon me in guttural tones, which I unfortunately understood, as I am an Orientalist,"—he smiled—"and in addition to those insults they threw mud at me, a fetid mass of filth. The women were charming, although they took part in it. These people did not like the roumi, the shivering Christian. Besides, women do not like men who have fallen. They do not like feeble creatures.—"

"Bah!—and where were the hospitals, the Sisters of Charity?"

"Are you quite sure that the Sisters of Charity are women, my dear Marianne?—In a word, I swear that I asked only one thing, as I lay on that devilish, poisonous dunghill, and that was, to end the matter in the quickest possible way, that I might be no longer thought of, when—don't know why, or, rather, I know very well—in my fever, a certain voice reached me—whence?—from far away it commenced humming,—I should proclaim it yours among a thousand—a ridiculously absurd refrain that we heard together one evening at the Variétés, at an anniversary celebration. And this Boulevard chant recurred to me there in the heart of that desert, and transported me at a single bound to Paris, and I saw you again and these fair locks that I now look at, I saw them, too, casting upon your forehead the light shadow that they do now. I heard your laugh. I actually felt that I had you beside me in one of the stage-boxes at the theatre, listening to the now forgotten singer humming the refrain that had so highly amused you, Guy and myself—"

It seemed to Marianne that the duke hesitated for a moment before pronouncing Guy's name. It was an almost imperceptible hesitation, rather felt than seen.

Rosas quickly recovered:

"On my word, you will see directly that the Boulevard lounger was hidden under your gloomy Castilian,—that refrain took such a hold on my poor wandering brain, such an entire possession, that I clung to it when the fever was at its height—I hummed it again and again, and on my honor, it banished the fever, perhaps by some homeopathic process, for at any other time, this deuced refrain would have aroused a fever in me."

"Why?—Because it was I who formerly hummed it?"

"Yes," said Rosas in a lowered tone. "Well! yes, just for that reason!—"

He drew closer to her on the divan, and she said to him, laughingly:

"How fortunate it is that Faure is singing yonder! He attracts everybody and so leaves us quite alone in this salon. It is very pleasant. Would you like to go and applaud Faure? It is some years since I heard him."

"You are very malicious, Marianne," said the duke. "Let me steal this happy, fleeting hour. I am very happy."

"You are happy?"

"Profoundly happy, and simply because I am near you, listening to you and looking at you—"

"My poor Job," she said, still laughing, "would you like me to sing you the refrain that we heard at the Variétés?"

De Rosas did not reply, but simply looked at her.

He felt as if he were surrounded with all the perfume of youth. On a console beside Marianne, stood a vase of inlaid enamel containing sprigs of white lilacs which as she leaned forward, surrounded her fair head as with an aureole of spring. Her locks were encircled with milk-white flowers and bright green leaves, transparent and clear, like the limpid green of water; and at times these sprigs were gently shaken, dropping a white bud on Marianne's hair, that looked like a drop of milk amid a heap of ruddy gold.

Ah! how at this moment, all the poetry, all the past with its unacknowledged love swelled Rosas's heart and rushed to his lips. In this brilliantly-lighted salon, under the blaze of the lights, amid the shimmering reflections of the satin draperies, he forgot everything in his rapture at the presence of this woman, lovely to adoration, whose glance penetrated his very veins and filled him with restless thoughts.

The distant music, gentle, penetrating and languishing, some soothing air from Gounod, reached them like a gentle breeze wafted into the room.

José believed himself to be in a dream.

"Ah! if you only knew, madame," he said, becoming more passionate with each word that he spoke, as if he had been gulping down some liqueur, "if you only knew how you have travelled with me everywhere, in thought, there, carried with me like a scapular—"

"My portrait?" said Marianne. "I remember it. I was very slender then, prettier, a young girl, in fact."

"No! no! not your portrait. I tore that up in a fit of frenzy."

"Tore it up?"

"Yes, as I thought that those eyes, those lips and that brow belonged to another."

Marianne's cheeks became pallid.

"But I have taken with me something better than that portrait: I preserved you, you were always present, and pretty, so pretty—as you are now, Marianne—Look at yourself! No one could be lovelier!"

"And why," she said slowly, speaking in a deep, endearing tone, "why did you not speak to me thus, of old?"

"Ah! of old!" said the duke angrily.

She allowed her head to fall on the back of the divan; looking at this man as she well knew how, and insensibly creeping closer to him, she breathed in his ears these burning words:

"Formerly, one who was your friend was beside me, is that not so?"

"Do not speak to me of him," José said abruptly.

"On the contrary, I am determined to tell you that even if I had loved him, I should not have hesitated for a moment to leave him and follow you. But I did not love him."

"Marianne!"

"You won't believe me? I never loved him. I have never been his mistress."

"I do not ask your secret. I do not speak of him," said the duke, who had now become deadly pale.

"And I am determined to speak to you of him. Never, you understand, never was Guy de Lissac my lover. No, in spite of appearances; he has never even kissed my lips. I thought I loved him, but before yielding, I had time to discover that I did not love him! And I waited, I swear to you, expecting that you would say to me: 'I love you!'"

"I?"

"You," said Marianne, in a feeble tone. "You never guessed then?"

And she crept with an exquisitely undulating movement still closer to Rosas, who, as if drawn by some magnetic fluid, surrendered his face to this woman with the wandering eyes, half-open lips, from which a gentle sigh escaped and died away in the duke's hair.

He said nothing, but hastily seizing Marianne's hand, he drew her face close to his lips, her pink nostrils dilated as if the better to breathe the incense of love; and wild, distracted, intoxicated, he pressed his feverish, burning lips upon that fresh mouth that he felt exhaled the perfume of a flower that opens to the morning dew.

"I love you now, I loved you then!—" Marianne said to him, after that kiss that paled his cheeks.

Rosas had risen: a thunder of applause greeted the termination of a song in the other salon and the throng was pouring into the smaller salon. Marianne saw Uncle Kayser, who was arguing with Ramel, whose kindly, lean face wore an expression of weariness. She also rose, grasped the duke's hands with a nervous pressure and said as she still gazed at him:

"There is my uncle. We shall see each other again, shall we not?"

She crushed Rosas with her electric glance.

Preceding the duke, she went straight to Kayser and took his arm, leaning on it as if to show that she was not alone, that she had a natural protector, and was not, as Rosas might have supposed, a girl without any position.

Kayser was almost astonished at the eagerness of his niece.

"Let us go!" she said to him.

"What! leave? Why, there is to be a supper."

"Well! we will sup at the studio," she replied nervously. "We will discuss the morality of art."

She had now attained her end. She realized that anything she might add would cool the impression already made on the duke. She wished to leave him under the intoxication of that kiss.

"Let us go!" said Kayser, drawing himself up in an ill-humored way. "Since you wish it—what a funny idea!—Ramel," he said, extending his hand to the old journalist, "if your feelings prompt you, I should like to show you some canvases."

"I go out so rarely," said Ramel.

"Huron!" said the painter.

"Puritan!" said Marianne, also offering her hand to Denis Ramel.

Rosas looked after her and saw her disappear amongst the guests in the other salon, under the bright flood of light shed by the chandeliers; and when she was gone, it seemed to him that the little Japanese salon was positively empty and that night had fallen on it. Profound ennui at once overcame him, while Marianne, in a happy frame of mind, on returning to Kayser's studio, reviewed the incidents of that evening, recalling Vaudrey's restless smile, and seeming again to hear Rosas's confidences, while she thought: "He spoke to me of the past almost in the same terms as Lissac. Is human nature at the bottom merely commonplace, that two men of entirely different characters make almost identical confessions?" While she was recalling that passionate moment, the duke was experiencing a feeling of disappointment because of their interrupted conversation, and he reproached himself for not having followed Marianne, for having allowed her to escape without telling her—

But what had he to tell her?

He had said everything. He had entirely surrendered, had opened his soul, as transparent as crystal. And this notwithstanding that he had vowed in past days that he would keep his secret locked within him. He had smothered his love under his frigid Castilian demeanor. And now, suddenly, like a child, on the first chance meeting with that woman, he had allowed himself to be drawn into a confession that he had been rigidly withholding!

Ah! it was because he loved her, and had always loved her. There was only one woman in the whole world for him,—this one. He did not lie. Marianne's smile haunted him, wherever he was. In her glance was a poison that he had drunk, which set his blood on fire. He was hers. Except for the image of Lissac, he would most certainly have returned long since to Paris to seek Mademoiselle Kayser.

But Lissac was there. He recalled how much Guy had loved her. He had more than once made the third in their company. He had often accompanied Lissac to Marianne's door. How then had she dared to say just now that she had never been his mistress?

But how was he to believe her?

And why, after all, should she have lied? What interest had she?—

In proportion as Rosas considered the matter, he grew more angry with himself, and in the very midst of the crowd, he was seized with a violent attack of frenzy, such as at times suddenly determined him to seek absolute solitude. He was eager to escape.

In order to avoid Madame Marsy, who was perhaps seeking him, he slipped through the groups of people and reached the door without being seen, leaving without formal salutation, as the English do.

He was in the hall, putting on his overcoat, while a servant turned up its otter-fur collar, when he heard Guy say:

"You are going, my dear duke? Shall we bear each other company?"

The idea was not distasteful to Rosas. Involuntarily, perhaps, he thought that a conversation with Lissac was, in some way, a chat with Marianne. These two beings were coupled in his recollections and preoccupations; besides, he really liked Guy. The Parisian was the complement of the Castilian. They had so many reminiscences in common: fêtes, suppers, sorrows, Parisian sadnesses, girls who sobbed to the measure of a waltz. Then they had not seen each other for so long.

Rosas experienced a certain degree of pleasure in finding himself once more on the boulevard with Guy. It made him feel young again. Every whiff of smoke that ascended from his cigar in the fresh air, seemed to breathe so many exhalations of youth. They had formerly ground out so many paradoxes as they strolled thus arm in arm, taking their recreation through Paris.

In a very little time, and after the exchange of a few words, they had bridged the long gap of years, of travel and separation. They expressed so much in so few words. Rosas, as if invincibly attracted by the name of Marianne, was the first to pronounce it, while Guy listened with an impassive air to the duke's interrogations.

In this way they went toward the boulevard, along which the rows of gas-jets flamed like some grand illumination.

"Paris!" said Rosas, "has a singular effect on one. It resumes its dominion over one at once on seeing it again, and it seems as if one had never left it. I have hardly unpacked my trunks, and here I am again transformed into a Parisian."

"Paris is like absinthe!" said Guy. "As soon as one uncorks the bottle, one commences to drink it again."

"Absinthe! there you are indeed, you Frenchmen, who everlastingly calumniate your country. What an idea, comparing Paris with absinthe!"

"A Parisian's idea, parbleu! You have not been here two days and you are already intoxicated with Parisine, you said so yourself. The hasheesh of the boulevard."

"Perhaps it is not Parisine only that has, in fact, affected my brain," said Rosas.

"No doubt, it is also the Parisienne. Madame Marsy is very pretty."

"Charming," said Rosas coldly.

"Less charming than Mademoiselle Kayser!"

Guy sent a whiff of smoke from his cigar floating on the night breeze, while awaiting the duke's reply; but José pursued his way beside his friend, without uttering a word, as if he were suddenly absorbed, and Lissac, who had allowed the conversation to lapse, sought to reopen it: "Then," he said suddenly,—dropping the name of Mademoiselle Kayser:—"You will be in Paris for some time, Rosas?"

"I do not in the least know."

"You will not, I hope, set out again for the East?"

"Oh! you know what a strange fellow I am. It won't do to challenge me to!"

Lissac laughed.

"I don't challenge you at all, I only ask you not to leave the fortifications hereafter. We shall gain everything. You are not a Spaniard, you are a born Parisian, as I have already told you a hundred times. If I were in your place, I would set myself up here and stick to Paris. Since it is the best place in the world, why look for another?"

"My dear Guy," interrupted the duke, who had not listened, "will you promise to answer me, with all frankness, a delicate, an absurd question, if you will, one of those questions that is not generally put, but which I am going to ask you, nevertheless, without preface, point-blank?"

"To it and to any others that you put me, my dear duke, I will answer as an honest man and a friend should."

"Have you been much in love with Mademoiselle Kayser?"

"Very much."

"And has she loved you—a little?"

"Not at all."

"That is not what she has just told me."

"Ah!" said Lissac, as he threw away his cigar. "You spoke of me, then?"

"She told me that she believed she loved you sincerely."

"That is just what I had the pleasure of telling you."

"And—Marianne?—"

"Marianne?" repeated Lissac, who perfectly understood the question from De Rosas's hesitation.

"My dear friend, when a man feels sufficiently anxious, or sufficiently weak, or sufficiently smitten, whichever you please, to stake his life on the throw of the dice, he is permitted to put one of those misplaced questions to which I have just referred. Well! you can tell me what, perhaps, none other than I would dare to ask you: Have you been Marianne's lover?"

Before replying, Guy took the arm of the duke in a friendly way, and, leaning upon it, felt that it trembled nervously. Then, touching his hand by chance, he observed that Rosas was in a burning fever.

"My dear fellow, it is the everlasting question of honor between men and of duty to a woman that you put before me. Had I been Marianne's lover, I should be bound to tell you that Marianne had never been my mistress. These falsehoods are necessary. No; I have not been Marianne's lover, but I advise you, if you do not wish to be perfectly miserable, not to seek to become so. You are one of those men who throw their hearts open as wide as a gateway. She is a calculating creature, who pursues, madly enough I admit, without consistency or constancy in her ideas, any plan that she may have in view. She might be flattered to have you as a suitor, as I was, or as a lover, as I have been assured others were. I do not affirm this, remember; but she will never be moved by your affection. She is a pure Parisian, and is incapable of loving you as you deserve, but you could not deceive her, as they say she has been."

"Deceived?" asked Rosas, in a tone of pity that struck Lissac.

"Deceived! yes! deceit is the complementary school of love."

"Then—if I loved Marianne?" asked Rosas.

"I would advise you to tell it to her at first, and prove it afterward, and finally to catalogue it in that album whose ashes are sprinkled at the bottom of the marriage gifts."

"You speak of Mademoiselle Kayser as you would speak of a courtesan," said the duke, in a choking voice.

"Ah! I give you my word," said Lissac, "that I should speak very differently of Mademoiselle Alice Aubry, or of Mademoiselle Cora Touchard. I would say to you quite frankly: They are pretty creatures; there is no danger."

"And Marianne, on the contrary, is dangerous."

"Oh! perfectly, for you."

"And why is she not dangerous for you?"

"Why, simply, my dear duke, because I am satisfied to love her as you have hitherto done and because I had, as I told you, the good fortune not to be her lover."

"But you brought her to Madame Marsy's this evening?"

"Oh! her uncle accompanied us, but I was there."

"You offer your arm then to a woman whom, as you have just told me, you consider dangerous?"

"Not for Sabine!—and then, that is a drop of the absinthe, a little of the hasheesh of which I spoke to you. One sees only concessions in Paris, and even when one is dead, one needs a further concession, but in perpetuity. One only becomes one's self"—and Guy's jesting tone became serious,—"when a worthy fellow like you puts one a question that seems terribly like asking advice. Then one answers him, as I have just answered you, and cries out to him: 'Beware!'"

"I thank you," said Rosas, suddenly stopping short on the pavement. "You treat me like a true friend."

"And if I seem to you to be too severe," added Lissac, smiling, "charge that to the account of bitterness. A man that has loved a woman is never altogether just toward her. If he has ceased to love her, he slights her, if he still loves her, he slanders her. I have perhaps, traduced Marianne, but I have not slighted you, that is certain. Now, take advantage of this gossip. But when?"

"I don't know," replied the duke. "I will write you. I shall perhaps leave Paris!"

"What is that?"

"Just what I say."

"The deuce!" said Lissac. "Do you know that if you were to fly from the danger in question, I should be very uneasy? It would be very serious."