The
Folk of Furry Farm

The Romance of an Irish Village

By
K. F. Purdon

With an Introduction by
George A. Birmingham

G. P. Putnam’s Sons
New York and London
The Knickerbocker Press
1914

Copyright, 1914
BY
G. P. PUTNAM’S SONS
The Knickerbocker Press, New York

CONTENTS

INTRODUCTION
WITH A NOTE ON THE PEOPLE OF THE PLAIN
By George A. Birmingham

It is the duty of the writer of an introduction, as I understand his position, to provide what Mr. Bernard Shaw calls “First Aid to Critics.” That is to say, it is my business to explain the position which Miss Purdon holds in modern Irish literature and to say why her work is interesting and in what respects it is good. I do not feel in the least inclined to point out the weaknesses of her writing. For one thing, there are plenty of reviewers in the world who will do that, and apparently take pleasure in doing it. For another, although like all human works this book is imperfect, I have enjoyed reading it and have been too much interested in what I read to be impressed by the faults which must, no doubt, exist. I shall, therefore, provide aid only to the kinder sort of critic, to him who is sufficiently wise to appreciate Miss Purdon’s work. I shall save him a lot of trouble, for, if he reads this introduction, he will be able to allow himself to enjoy Miss Purdon’s writing without bothering himself about what he is to say in his review. I shall tell him that.

The first point about The Folk of Furry Farm to which I wish to draw attention is that it is written in prose. This may seem to be a commonplace and obvious kind of fact, but in reality it has a certain importance which might very well be overlooked. Miss Purdon belongs to the Irish Literary Movement, and it has, as yet, produced very little prose and less prose fiction. At the beginning the movement was inspired by the hero tales of ancient Ireland and the mysticism in which they are enveloped. These tales came down from the days of paganism, and paganism, as everybody who appreciates the Irish Literary Movement knows, was a wonderful and romantic thing, far superior to the dowdy materialism of Christianity. Also, our literary movement fed a good deal upon fairies. Who could write in ordinary prose about subjects so fascinating as folk-lore and fairies? Mr. Yeats and his followers could not. They wrote mystic and, as time went on, rather incomprehensible verse. With them were a number of what we may call politically patriotic poets like “Ethna Carbery” and Miss Milligan. They were easier to understand, but were still a long way from the commonplace things of ordinary life. Then came another band of writers, headed by Mr. Padraic Colm, who gave us splendid poems about ploughers and drovers, but still felt it necessary to drag in Dana and Wotan occasionally. Mr. James Stephens, in his verse, went a step beyond them, for his is the genius which can make the back street beautiful. Poetry can get no nearer to realism than James Stephens and Joseph Campbell.

Meanwhile the Abbey Theatre had been founded and the energies of many young Irish writers were absorbed in composing plays for it. It developed in much the same way as the poetry did. At first the drama was almost as mystic and far-away as the early lyrics. Then came Synge, the greatest of all the Abbey Theatre writers, who put a gorgeous language into the mouths of rather squalid but intensely human peasants. The tendency of his followers had been to emphasise the squalidness but to leave out the poetry and a good deal of the human nature. The lines written by Max Beerbohm about Mr. Masefield might very well be applied to some of them:

A swear word in a village slum

A simple swear word is to some;

To ... something more.

In verse and drama alike the mystic has given way to the materialist, high poetry to realism. But as yet the Irish Literary Revival has produced very little ordinary prose literature and hardly any fiction. Apart from Lady Gregory’s poetic “Kiltartan” prose, the best that has been produced has generally been of a journalistic kind. I do not mean that it has been journalese, but that it has appeared in newspapers and periodicals, and has been concerned primarily with questions of the day. To mention only two examples, no modern work of its kind has been more brilliant than the articles in The Homestead written by “AE.,” while Mr. Arthur Griffith’s editorials for The United Irishman and Sinn Féin are often worthy of comparison with the best that came from the pen of Mitchel. Of a more permanent kind were the critical articles of “John Eglinton,” many of them published originally in the now defunct Dana.

There have been, of course, a number of Irish novelists and essayists who have made great names for themselves, but they have not drawn their inspiration from the movement which produced the poets. Mr. George Moore has viewed the Irish Literary Revival as a spectator. His original inspiration was not from Ireland. Miss Somerville and Miss Ross are the successors of Lever. No corner of the mantle of Mr. Standish O’Grady has fallen upon them. They would have written just the same if there had been no Gaelic League, no fairies, and no ancient Irish heroes. For Oscar Wilde and Bernard Shaw Ireland can claim just the same sort of credit, and no more, as she can claim for Sheridan and Goldsmith. Standish O’Grady, the father of the whole movement, wove historical romances out of incidents in Irish history. He has had few or no followers.

There are signs now that the literary movement, having worked from the highest to the most materialistic in prose and drama, is going to follow the natural course of development and express itself in prose fiction. Mr. James Stephens, one of the most brilliant of our poets, has deserted verse and taken, quite suddenly, to novel-writing. Already he has earned fame and an assured position. I am inclined to think that he is typical of a wide change of which Miss Purdon is another example. If she had published a book ten or fifteen years ago it would probably have been verse. Happily this is to-day, and she has found a scope for her abilities more suitable to them than poetry.

I hope that Miss Purdon will not resent being called part of a movement. When she has written a few more books and read reviews of them she will become quite accustomed to this particular kind of insult. In reality she holds a position a little apart from other Irish authors. Her distinction is that she has chosen a new part of the country to write about. I do not know exactly where the Furry Farm is, but I am inclined to place it somewhere in the western part of Leinster, in Meath or Kildare, on the great plain which fattens cattle for the market. Other Irish writers, whether they wanted humour, romance, or mysticism, have gone to the maritime counties for their material. Galway, Cork, and Wicklow provide scenes for most of the plays which are acted in the Abbey Theatre. Some poets write about Donegal, others prefer North-East Ulster, and a few brave spirits have ventured into the streets and suburbs of Dublin. But I cannot remember that any plays or poems of importance have been written about the people of the central plain. They are regarded, for some reason obscure to me, as unworthy of a place in literature. They have, so one would gather, lost the virtues of Gaeldom without acquiring the sentimental regard for them which rescues Dublin from the reproach of “seoninism.” The accepted view of literary Ireland is that the people of Meath are as uninteresting as the bullocks which they herd.

Miss Purdon comes to us to prove the contrary. A great merit of her work is the fidelity with which she reproduces the dialect of the peasants about whom she writes. I do not know the western Leinster speech myself, but I am certain that Miss Purdon deals with it faithfully. She could not—no single person could—have invented all the phrases and expressions which she has put into the mouths of the characters of her stories. We have in her book the living tongue spoken by a neglected class of Irishmen. I do not say that the people of Meath and Kildare have the magic glamour of Celtic mysticism. I am no judge of such things. I have seldom succeeded in recognising it even in places where I know that it must be. But Miss Purdon’s people have imagination. How else would they say of a lonely place, “There wasn’t a neighbour within the bawl of an ass of it”? If they had not humour, they would not think of saying, “His pockets would be like sideboards, the way he’d have them stuck out with meat and eggs and so on.” The men who use expressions like these cannot possibly be stupid, and Miss Purdon makes them very real. They are, as their speech shows, of a type different from that of the peasantry of the Atlantic coast. Perhaps they have no appeal to make to poets; but they must certainly be capable of providing material for many plays and novels. Miss Purdon has discovered a new country, found a fresh subject for the pens of Irish writers.

G. A. B.

The
Folk of Furry Farm

The Folk of Furry Farm

CHAPTER I
THE FURRY FARM

There isn’t one now at Ardenoo that could tell you rightly about the Heffernans, or when the first of the name had come in upon the Furry Farm. People would remark that they were “the oldest standards about the place, and had been there during secula.” And some said that in the real old ancient times, it was Heffernans that had owned the whole countryside, and had been great high Quality then, until they were turned out of their home, through their being Catholics. Of course such things did occur, but not often. There would not be many willing to be mixed up in such dirty work. And, moreover, those that came in on land in that way, mostly always did it to keep their place warm for whoever had had to quit out. There’s a lot of nature in people, more than they get credit for. That’s how things don’t turn out as bad as you might expect very often. And of course along with all, there’s a great satisfaction in getting the better of the law.

It’s likely some friend of the Heffernans had stood to them in this way, when they had had to leave, and had just held the land for them, till they could slip back upon it again. But they had never said how it was. A queer, silent sort they were ever and always, that would never have much talk out of them about anything that would be going on, let alone about themselves.

But however it came to pass, at the time I am going to tell you about, there was nothing left of what had been once a very great fine kind of a place, only a bit of a ruined house, like, with the remains of a roof made of slabs of bog-oak over part of it, and it all reducing away under the weather.

Whatever it used to be, the Heffernans I knew would just fasten a calf in it, maybe, or put a goose to hatch there the way her mind wouldn’t be riz, it being a very quiet corner. And it was necessary to have every such little business as that going on at the Furry Farm, if you wanted to be able even to pay the rent, let alone live yourself out of the land. For the Heffernans had to pay rent now, as well as another; and for land that was no great shakes, being very poor and thin. The best of it they never got back at all.

Betimes you’d hear it remarked in Ardenoo, how that they and their land were well matched. For if some of their bottom-land was sour, so was the Heffernan temper; and they could be as crabbed and contrary in their ways as the furze that was bristling over their own hills. And in another thing they were like their farm. Whatever treatment they got, that’s what they’d give. If you acted well by a Heffernan, they’d do the same by you; but they’d never pass over a bad turn; and, troth! there’s more than the Heffernans of the opinion that it’s only a fool that forgets! And so by their land. Hungry as it was, it would always return some sort of a crop, in proportion to the way it was tilled and manured. But it and its owners weren’t much to look at; you had to know them well, before you could find out the good there was in them.

In the course of time, there was a Heffernan in the Furry Farm, Michael by name, that was what you might call a chip of the old block. Quiet-going in himself, he was; silent and fond of industering; and a bit near about money, on the top of all. You’ll often see people like that; as if them that worked hard had no time for enjoying what they make; whereas people that are poor and through-other will spend their last penny twice as free as what one like Heffernan would spend his first. And what’s more, they’ll get far better value out of it, too.

But that was just Michael’s way of going on; he’d sooner be putting up money in the old stocking than spending it on an odd spree. And he had every right to please himself. For he had no one else, barring a sister, older than himself, and twice as curious in her ways, and she with a tongue in her head as long as to-day and to-morrow. Many’s the time she let Mickey feel the length and breadth of it, but he had the fashion of never making her an answer, no matter what. It was the best of his play to say nothing. A man scarce ever can get the better of a woman that starts to give him a tongue-thrashing. Sure they do have great practice at it; and small blame to them! isn’t it the only thing they can do, to have their say out? Heffernan held his whisht in particular, because he knew well what would happen. The sister would get that outrageous mad with him, when she couldn’t make him as angry as herself, that she’d have to quit out; go away for weeks at a time she would, to friends in Dublin. Then poor Mickey would have great ease.

As far as she was concerned, that is, for he’d have the place to himself. But he never slackened on the work, only would be at it, early and late; so much so, that the people would be wondering why he’d bother his head with it all.

“And he ’ithout one in it, only himself!” they’d cry; “and no signs of he to be looking out for a wife, either! A middling stale boy poor Mickey should be, at this present!”

That was true enough, and along with that, he was no great beauty, to look at. The sister was worse again; as ugly as if she was bespoke. Still in all, she never gave up all hopes of she getting married. But that’s the way with a-many a one, as well as Julia Heffernan.

Well, there came the day that she riz a shocking row all out with Mickey; and for what, neither man nor mortal could tell; no, nor Julia herself, let alone Mickey. Off with her, to some third or fourth cousin of theirs in England.

“Luck’s a king and Luck’s a beggar!” says she; “and a body never knows whose flure it’s waiting on, for you!”

“Sure it’s leaving it behind you, maybe, you are! going off that-a-away in such a hurry!” says Mickey.

Not but what he was praying for she to be gone. But he knew if he let on to her how anxious he was to get shut of her, the sorra toe she’d stir. The same as if you were driving a pig. You must pull it back, if you want it to go on.

“Leaving it behind me, indeed!” says she; “no, but it’s hardship and a dog’s life I’m leaving! I’ve stopped here long enough, slaving the skin off me bones for ye!” says she.

So Mickey said no more, only drove her off himself on the side-car to the train, with her box; and when she was gone, “A good riddance of bad rubbish!” said Mickey to himself; and was getting up on the car again, when he perceived on the platform, as if he was after getting off the train, a young boy, a sort of a cousin of his own, by the name of Art Heffernan.

They passed the time of day, of course, and then had some further discourse, and it appeared that Art was out of a job. He had no means, no, nor a home; not one belonging to him any nearer nor Mickey. All his people were either gone to America, or to the old churchyard of Clough-na-Rinka, he said.

So Mickey then preffered him the chance of coming back with him to the Furry Farm for a bit, till he’d have time to look about him.

“I don’t mind if I do,” says Art; “but if I stop awhile and work about the place, what will you do for me in the way of payment?”

“Duck’s wages; the run of your bill,” says Mickey.

“Throw in a shuit of clothes and a pair of brogues, twice a year; and the grass of the little heifer I have,” says Art, “and I don’t mind trying how we’ll get on for a bit.”

Mickey agreed to that. He was at a short at that time, with Julia gone off, and no one likely at hand to do the work about the house, let alone the farm. And Art was well worthy of what he got. He was a smart, willing boy; able and ready to put his hand to whatever was required to be done about the whole place. And Mickey was contented with him. By this plan, he hadn’t to pay out money in wages; a thing he never had any wish for was, to part money.

It all went on very well. Art worked early and late, and was always agreeable and civil-spoken; so that the two of them, Heffernans both, appeared always to be the best of friends. And the people began saying among themselves, that Art was as apt as not to be coming in on the Furry Farm, when the present man would be done with it. That would be natural enough. But the thing turned out very different, in the heel of the hunt, from what any one was laying out then about the Heffernans.

There chanced to be a poor widow woman living in a little bit of a house that was edged in upon the Furry Farm. She paid some small trifle of rent to Mickey for it and a garden there was to it. She had no one in this living world in it only herself and a young slip of a girl, a daughter of hers.

In a case of the kind, you’ll mostly always find there will be some one or other ready to do the lone woman a good turn, such as the lend of a hand in the getting of the turf, and the planting of the potatoes, and so and so on. And Heffernan that was always counted to be a good enough neighbour, in his own way, would say to Art of an evening, “When you have this, that, and th’other done ... the pigs fed, and the horses made up for the night, and water and turf left into the kitchen, you may’s well take and mosey off down to the Widdah Rafferty’s, and see does she want a hand with anything there.”

“All right!” Art would cry, he being, as I said, a very willing, handy boy, ready for any job as soon as he’d have the one in hand completed. So off he’d go; and Mickey would sit down in the chimney-corner, and light his pipe, and swell himself out with the satisfaction of thinking how that the poor widdah’s work was getting done, and still he to be at no loss in life about it.

This went on for some time, till Heffernan began to take notice how that Art appeared to be getting more and more anxious for his evening job.

He thought this over for a while, and then says he to Art: “You’re in a tearing hurry to-night to get all done,” he says; “and to be off from about the place,” says he; “I doubt did you take time to more than half milk them cows!” he says.

“The cows is right enough!” says Art, and he scrubbing away at himself with a lump of yellow soap, and pumping water over himself till you’d think he wanted to flood the yard.

“And where’s the sense in going to all that nicety?” says Mickey, “and you about planting praties! washing your hands and face, no less, as if it was a Sundah morning!”

Art got very red, but he made Mickey no answer, nor never did. He just put the spade on his shoulder, and h-away with him to the Widdah Rafferty’s.

When he came back that night, “I dunno in this earthly world what you do be at, at all at all,” says Mickey to him, “but it appears as if your whole illemint was for Rafferty’s and spending your time doing the work there. A body would think that the girl there should be middling sizeable and strong by this, and able to do her share of whatever small matter of business they’d have in a place of the kind, and for they to not be looking for so much assistance. It was another thing altogether, while she was a child!”

Thinks Art to himself, “It was, so!” and out loud says he, “I never do go in it, only when the day’s work here is over.”

This vexed Mickey; for wasn’t it as much as to say, up to his face, that he begrudged the widdah woman what Art did for her; whereas he had no objections in life to it, as long as his own business wasn’t interfered with. There’s plenty of that kind of good-nature in the world; the same as the way people have of giving away things they can’t use themselves, and then they expect great praise for doing what costs them nothing. But sure, you mightn’t expect too much from the likes of Heffernan.

He said no more then, only the very next evening a while after Art had quit off to Rafferty’s didn’t Mickey make up his mind to take a waddle off there himself, and see what was going on.

“An’ a fine evening it is, too,” he says to himself, quite cheerful-like; “and the ground in the finest of order for getting in the spuds.”[1]

For it was one of those long, clear spring’s days, when the birds are just beginning to tune up, and you can imagine to see a growth in the grass, and a change taking place upon the trees and hedges, as if some one was hanging veils of purple and green between you and them. But the sorra leaf is out on them yet! There’s nothing to be seen only bare branches, and the sting of winter is in the wind still. The days does be long and bright, so much so that a body is apt to imagine that the hard weather is all gone away, and that there’s to be nothing only what’s warm and pleasant from that out. And still in all, it’s the lonesomest time, and the time you’ll fret the most, of the whole year.

Heffernan had none of these things in his mind, and he making his way along to the Widdah Rafferty’s; only planning he was how to get up a-nigh it, without he to be seen himself.

It was along a bit of a boreen[2] the house was; and as Mickey came within sight of it, “I see no signs of work to be doing presently in this garden!” says he, and he craning his neck, and making himself as small as he could. And what he was after saying was true enough. You could just take notice of Art’s spade, stuck up straight in a half-dug furrow. But sight nor light of man nor mortal there wasn’t to be seen in the garden that Art was supposed to be planting.

On steps Heffernan; and now he begins to hear the pleasant little hum-hum of a spinning-wheel. The sound of it inside must have deadened the noise of his brogues and he going along the rough boreen, so as that he was enabled to get up close to the house annonst-like, and have a peep at what was going on there, without any one knowing he was in it at all.

Well, he looked in, and troth, there was no delay on him to do so. He mightn’t have been so cautious. For the people inside were too much taken up with themselves and their own goings-on to think of looking round for any one else.

There was the Widdah Rafferty, sitting in the chimney-corner at her wheel; but the sorra much spinning she was doing, with the way Art had her laughing, going on with his antics, himself and the daughter. In spite of all the hardship, Mrs. Rafferty was a very contented sort of a person, never going to meet trouble, as the saying is. Laughing at Art she was, and her daughter, Rosy. The two of them were sitting on a form, letting on to be very hard at work, cutting the seed potatoes, and they with a kish[3] upon the floor foreninst them, to throw the seed into, according as they’d have it ready.

“That’s never Rosy Rafferty!” thinks Heffernan to himself. Mickey, as you know, was never one to be having much discourse with the neighbours, beyond that he’d just pass the time of day with them. And that’s how he had never chanced to see the girl, no more than that he might meet her now and then, going along the road, with her shawl over her head, and her eyes on the ground, and she with the mother, on their way to Mass. Poor and all as the Widdah Rafferty was, she made a shift someways or other to rear this one child of hers very nice and tender. She’d never agree to let her go off to dances at the cross-roads, or the like of that, without she could be with her, herself. And in troth, Rosy Rafferty was as beautiful a young creature as ever the sun shone down upon; with cheeks like hedge roses, and a pair of big, soft eyes that you’d think ... well, in fact, it would be a thing impossible to put down upon paper what such a girl looks like. Every eye forms a beauty for itself. What delights me, you wouldn’t maybe give a thraneen[4] for. But it was given up to Rosy that there wasn’t the peel of her in all Ardenoo, in the regard of looks, and along with that, she was as shy as a filly, and as sweet as a little bird.

To Mickey Heffernan in especial, that had never passed much remarks about any girl, it appeared something altogether strange and new, to see the bright little face of her, shining there in the dim, smoky cabin, like a lovely poppy among the weeds of a potato-patch.

“Mind yer eye!” she was saying to Art, “or you’ll cut the hand off of yourself!”

“Which eye?” says Art, and he with his own two eyes turned full upon Rosy; and, in troth, what a fool he’d be to have them anywhere else; “which eye do ye mane? Is it the eye in me head, or the eye in me hand I’m to mind?” Meaning, of course, the bud of the potato he was after cutting. “Och, begorra! there’s the knife after slipping on me....”

“There now!” says Rosy, “didn’t I tell you!” and with that she turns gashly pale, at the sight of the blood. So it was the mother that had to see to Art’s wound. She stopped the wheel, and came over to look at it.

“Phoo! what at all!” she says; “sure, that’s a thing of nothing! It will be well afore you’re twice marrit!”

“I dunno about that!” says Art, not wanting to be done out of Rosy’s commiseration; “there’s an imminse pain in it at this present.”

“Think as little of that as I do, and there won’t be a bother on ye!” says the Widdah; “and what’s this you’re after giving me to bandage it with, Rosy? Sure it’s not your good silk hankercher that I bought for you, off of Tommy the Crab, only last Easter was a twelvemonth! Pshat! girl dear, won’t any old polthogue do well enough for that cut thumb of Art’s!”

At this word, Rosy whips the purty little scarf into her pocket, and she with cheeks upon her as red as scarlet. Well! to see the look Art gave her! If Rosy was a Queen, and she after offering to bestow her crown upon him, he couldn’t have appeared more thankful and delighted. And sure, may be after all, a Queen would have one crown for using every day, and a good one laid by for Sundays as well; whereas, all the neckerchers that Rosy had in this wide world was just that pink one the mother had bought her out of Tommy the Crab’s basket.

Well, that all passed off, and when the mother was back at her wheel, and Rosy beginning on the praties again, says she to Art, Rosy I mean, “You’ll cut no more seed here to-night,” she says, “and you may’s well be making the road back to Heffernan’s short now as you’re no more use here,” says she.

“Is that all you want wid me?” says Art; “if so, it’s as good for me to be off at wanst, as to be staying here, and wearing out me welcome!”

“What a hurry you’re in!” says Rosy then to him, and she looking up at him with a laugh in her eyes that would coax the birds off of the bushes; “but sure maybe it’s what you’d liefer, to be back with Mr. Heffernan beyant....”

“Is it him?” says Art; “troth, it’s him that’s the quare ould company to spend an evening wid! and no more diversion in him, nor there’s fur on a frog....”

Art was at this time picking the praties out of the sack, and handing them to Rosy according as she’d be ready to cut them. And this was to help on with the work, by the way of; but every time he done that, wouldn’t he double his big fist over her little fingers and hold them tight, the way he’d get her to look up at him; and then they’d both take to go laugh.

“Look at that, for a Murphy!” says Art, holding up a big potato; queer and lumpy and long-shaped it was; “isn’t that the very livin’ image of ould Mickey himself! See here; the big nose ... and the weeny slit eyes, like pig’s eyes ... and the mouth, like nothing so much as a burst slipper ...” and that was all true enough.

“You’ll see likenesses that-a-way often,” says the Widdah Rafferty, checking the wheel to join in the chat; “I remimber to see a head of cabbage wanst, flat Dutch it was, and it as like ould Father Mulhall as could be, the heavens be his bed, I pray! very round-about and fat in the body he was. And that kittle there, hasn’t it the very appearance upon it of ould Tommy the Crab? wid the quare pintey little nose of him? And that puts me in mind ... it’s time to be wettin’ the sup of tay. Off to the well wid the two of yiz....”

Heffernan outside the door heard this, and waited for no more, only slipped off, quiet and easy, afore any of them had put a stir upon themselves. And that gave him no trouble; for Art and Rosy were that taken up with one another, that the Widdah had to chastise them more than once, afore she could get them to go. So Heffernan was able to quit, without being seen by any of them.

He had heard all he wanted; ay, and more than he liked! But divil’s cure to him! what call had he to take and go listen to what wasn’t meant for him! He was all in a flutter and he going off home with himself. He didn’t like being made fun of; and faith! there’s few of us does! But that was the least part of what was working in his mind, like the wind on a field of ripe oats, twisting and turning it hither and over. And the storm that was stirring Heffernan’s thoughts was, the look of Rosy and she sitting there smiling up at Art. That was what had him upset.

Young boys and girls are a bit too ready to forget that a man’s courting days doesn’t be always over, when the grey begins to show in his beard. No, in troth! and so by Heffernan. There was a warm stir about his heart and he stepping along up the boreen, back to his own place, and a feel like the spring sunshine came over him, and he tried to sing a bit of “The Bunch of Green Rushes,” but sure he hadn’t it right, nor couldn’t remember it, he hadn’t heard it those years past.

When he got back to his own place, what should he do, only root out a little cracked looking-glass that had been thrown by since God knows when! He took it down off of the top of the dresser, and he rubbed the dust from it with the sleeve of his old coat, and then he went over to the door with it in his hand, to get the last of the daylight on it, the way he’d see did he look as old all out as he knew himself that he was.

Well, what he seen there was noways encouraging; so he flings the glass back again, and goes over to the chimney-corner, and sits down. It was just the end of the day, as I said; the light was beginning to fail, and still there was too much of it for him to want to shut up the house or go light a candle, or that. And it was too cold for a body to care for being outside, unless they had some business to attend to.

So Mickey just sat there, with no one only himself, in the dusky kitchen; and all the cheerfulness he thought to see before was gone. The place seemed to him to have a desolate appearance upon it, that he had never noticed before. But the sorra change was on it, no more than the night will have got any darker really, when you go out into it after you being for a while in a room that was full up of light. It was himself that was different, after seeing into Rafferty’s, where the fire was small enough, God knows! but the hearth was swep’ up tidy and nice. The table was old and shaky there, but it was scoured as white as the snow. And the wheel was singing its own little song of cheerful work, and there was talk and laughing going on; and, above all, the gay shining little head of Rosy, that lit it up, like a bit of sunshine come down out of the skies. Whereas Heffernan’s kitchen was all through-other, just as they had got up after their dinners ... plates and pots and praty-skins all lying hither and over. The fire was nigh-hand out, and it all as silent as the grave.

“And not a sod of turf left in!” says Heffernan to himself; “that’s a nice way for Art to be leaving the place, and he ped to mind it!”

Out with him to the clamp, to get an armful of turf; and didn’t the two pigs meet him full, and they coming back from the garden, after they rooting there to their heart’s content.

“There’s more of it, now!” he thinks to himself; “and a nice job I’ll have of it, striving to get them back to their sty! Bad scran to Art! I never seen such work! Cock him up, indeed! going off to his randy-voos, instead of minding his business!”

But it was really himself that Mickey ought to have blamed in regard to the pigs, with his fidgeting about and not fastening the door of the pigsty right, that had a loose hinge and required humouring, and had a right to be mended, along with all. But to the day of his death, Heffernan blamed them pigs on Art. And, still, he never let on a word to him of what was after happening about them. He was too angry, besides having a slow tongue. It was only in to himself he’d talk and argue.

“I wondher, now, what else Art neglected here,” he thought, “to make off wid himself to Rafferty’s! How anshis he is, about the Widdah’s work! In troth, it’s kissin’ the child for the sake of the nurse he is! Coortin’, are ye? Maybe there’ll be more nor one word to be said about that! I might manage to clip yer wings for ye, me boyo, as sure as there’s a leg in a pot! And of all the chat he was having out of him...! But sure Art could talk down a hedgeful of sparrows, anny day of the year!”

There’s the way he kept thinking over the thing, and there’s how he began first having a bad suspicion of Art, that the poor boy never earned. But just because he never spoke of what was in his mind, it kept rolling over and over there, till there was nothing so bad but what he thought Art was capable of it.

Art never minded. Heffernan was always a bit dark in himself. So Art never got the chance of saying a word for himself, nor knew he was being watched and blamed and he going on the one way, off wid himself every evening to Rafferty’s, and would come back that happy and smiling that Mickey would be madder nor a wet hen, looking at him.

So there’s the way it went on with the two of them; Heffernan sour and silent and miserable in himself; and Art noways put about, only quite gay and satisfied from morning till night.

At last Heffernan made up his mind what he’d do. There came an evening ... a summer’s evening it was, more betoken ... and when Art walked into Rafferty’s as usual, he found Rosy drowned in grief, and she crying down the tears as if she was after losing all belonging to her.

“Ora, what’s a trouble to ye, Rosheen acushla!” says Art; but it was a while afore he could get an answer out of her she was that fretted and put about. But at long last she told him. Mr. Heffernan, she said, that was wanting to marry her.

“What!” says Art, bursting out into a big laugh; “ould Heffernan to think to marry you! he that might be your father! ay, or your grandfather to the back of that, ready!”

But Art was wrong about that. Heffernan wasn’t that far on at all.

“That’s a nice joke to be putting out upon a body!” he says, “for of coorse it’s only nonsense ...” and he looks hard at her; “say it’s only joking y’are, Rosy!”

“The sorra joke!” says poor Rosy, and she looking at him most pitiful, and her cheeks and eyes wet with the tears; so much so that Art thought well of doing his best to dry them for her; and Rosy went on, “He was down here this morning, talking to me mother....”

“Well?”

“Well, sure, what was I to do, only say that I wouldn’t agree to him; and then he got vexed, and says he to me mother, ‘Go off,’ he says, ‘to Father Connellan, and let him at her, to see to bring her to raison!’ And och! Art, jewel, what will I do, at all at all!”

“Sure, never heed them!” says Art, very stout.

“That’s all very fine! but they’ll all be agin me! Too sure I am that Father Connellan will be for Mickey, on account of the good wedding ... all the money he has! And he has promised me mother to bring her to the Furry Farm, as well as me, and to give her every comfort. He says he’s after getting word of some one that is going to marry his sister beyant there in England. So then, there wouldn’t be Julia on the flure, to contind wid. And me mother is to have a side-car to drive to Mass of a Sundah; and a slip of a sarvint-girl to be ordhering about, and every comfort, if only I’ll agree to take him. And of coorse she’s getting middling ould and wakely in herself ... so there it is now!”

“Well, don’t you cry any more, annyhow, Rosy!” says Art; “look-at-here, if he wants a wife so terrible bad, and is so anshis to have your mother at the Furry Farm, why wouldn’t he take her there, and l’ave the two of us in p’ace and qui’tness?”

“That’s only foolishness!” says Rosy.

Still, the notion started her off to laugh, and that was what Art wanted. But sure, when people is young, it’s easy diverting their minds from whatever has them annoyed. So Rosy and Art began talking and going on, and before very long they had clean forgotten old Heffernan and everything else, only theirselves.

That was all well enough, for that turn. But soon it became well known to them both, that it was apt to turn out no laughing matter for them. For, as Rosy had said, they were all against Art and for Heffernan. And the mother, in particular, gave Rosy neither ease nor rest, morning, noon, and night, only fighting the girl to take a man that, as she said, had a good means, and could keep her like a Princess.

A woman like the Widdah Rafferty is not to be blamed for doing the like of that. She couldn’t but be a bit cowardly in herself, and she left the way she was, without one to come between her and the world. Gay and pleasant as she was mostly, she knew enough of hardship to think a power of the offer Heffernan was after making, saying he would do for her as well as for Rosy. And the thoughts of the Furry Farm! All the stock upon it, and the kitchen with full and plenty in it; sides of bacon, and lashins and lavins of milk and turf and praties and meal ... well, sure she couldn’t but be tempted with all that, for herself as well as for Rosy. Indeed she was of the opinion that she was doing the best she could for her child, as often as she’d begin argufying with her; abusing poor Art, and puffing up Heffernan.

But all she done by that was, to make poor Rosy fret; and what else did she expect?

Through it, not a word ever passed between the two men upon the business. Heffernan, as I said, was always a good warrant to hold his tongue. He thought now he had the thing so sure that he need only wait a bit. He knew how poor the Raffertys were. He didn’t want any upset or unpleasantness with Art, that maybe the boy would take and quit off, and leave him there wid himself, and not as much as one about the place to do a hand’s turn there.

Heffernan was a slow-going sort of a man. The people all had it that he was a bit thick. But, anyway, he knew well enough what he was able for, and what he ought to let alone. He had no wish in life for getting shut of Art, till he’d have some one in his place, in on the ways of the Furry Farm. And he wanted to make sure of Rosy and the mother there, afore his own sister would be maybe hearing about it, and he knew her to be that conthrary, that he wouldn’t put it past her to come off home at once, to spoil all his plans. He scarce ever heard a word from her, only there was a sketch going round Ardenoo of some talk of a match being made for her, what Rosy had mentioned to Art. Mickey was beginning to have good hopes out of that, thinking she might get some man to marry her there that wouldn’t know the differ. So he was doing his endeavours to hurry the thing up with Rosy, or at least with the mother; and sorra word out of his head to Art; and Art the same with him.

But Art would be nigh-hand mad betimes, with the way old Heffernan would look at him, as much as to say, “I have ye now, me boyo!” But he never axed to pass any remarks, good or bad. Why would he? He was sure of Rosy, so there would be neither use nor sense in having words with Mickey, that could do you a bad turn, as soon as look at you. And Art then took the notion that the Widdah Rafferty wasn’t all out as agreeable and pleasant-spoken to him as she had a right to be; not that she was to be blemt in that! So he and Rosy took to meeting with one another outside the house; at the well, maybe, or gathering sprigs for the fire, or the like of that; and it wasn’t their fault if they did it secretly.

It was in this way that Rosy was coming from the Chapel one evening, when Art met up with her, by the purest of accidents, of course. They had plenty to talk about, as is always the way with the likes of them. And if it was mostly about themselves, sure, that’s what most of us finds very interesting and agreeable.

“I’m in dread,” says Rosy, “this while back, that it’s what Mr. Heffernan has some iday of coming at me mother soon now for the rent....”

“Sure, what’s that, only a flea-bite!” says Art.

“Ah, but isn’t there four years owing? and how is that going to be ped? unless we can get to pacify him someways. And we behindhand at the Shop ... and do you mind how the young turkeys died ‘on’ us last year? and that has left us very short ever since. And now the praties isn’t looking any too well....”

“In spite of you telling me to mind me eye, and we cutting the seed!” says Art; and then the both of them had to laugh, thinking how simple he near cut the thumb off of himself that evening. It’s a small thing will amuse a boy and girl like Rosy and Art. God knows they’ll have whips to fret and worry over, before their day is done here! So why wouldn’t they laugh as long as they can?

Well, and so Art would laugh right enough while he’d be in company with Rosy. But all the whole time he’d keep thinking and planning; and when the next fair-day of Clough-na-Rinka came round, and he had to be up and off before daylight with stock of Heffernan’s to sell there, didn’t he bring his own bullock amongst them! Grass for him was in Art’s agreement with Mickey, and I needn’t say that that animal hadn’t the worst spot of the farm, neither was there any fear of he to be overlooked at foddering-time, as long as there was a wad of hay left. But sure that’s only human nature, to look after your own. No matter how kind you are to others, you’ll always have the most heart for yourself.

Art’s bullock was that fine a beast, that he was sold at top price, and the money was in Art’s pocket, long before Mickey Heffernan came bowling up to the fair-green, on the side-car, in time for the regular business of the day. And how he got on there, and what price he got for his stores, is neither here nor there now. Art passed no remarks to him in regard to his own sale; sure, why would he? And as soon as he had done with Heffernan’s cattle, he slipped off with himself, and Mickey went home without seeing him again.

The next morning, when Heffernan went to go to get up, behould ye! sight nor light of Art there wasn’t to be got about the whole town.

“And it’s too sure I am,” thinks Mickey to himself, “that he wasn’t in till late, whatever divilmint he was at! for I’d have heard him, up to nine o’clock, annyway! Nice conduction it is for he to be having, stopping out that-a-way, and neglecting his business, that he’s ped to do here for me! And now, where at all should he be, and isn’t here seeing about things this morning, only leaving all to me! But I’ll not fau’t him; sure it’s not long he’ll be in it. I can bid him to go, in another little while, anny day I like! Only, where the mischief is he now! Maybe it’s what he’s taking to go to Rafferty’s, airly as well as late. Sure it’s only losing his time he is, and making a laugh of himself he is as well; but divil mend him! standing up wid impidence he is, this minute!”

Off with Heffernan then to Rafferty’s, without even waiting to break his fast. When he got there, who should he see, only Tommy the Crab, airly and all as it was; and he with his pack upon the ground and talking away to the Widdah Rafferty.

She that gave the lepp when she seen Heffernan! the same as if she was half afraid of he hearing what Tommy had to say. But Mickey never said a word, only made a kind of a bow of the head when she passed him the time of day, and stood there.

“Good mornin’, Mr. Heffernan,” says Tommy, that had a tongue in his head like the clapper of a bell; “I hope I see you as well as I’d wish you and all belonging to ye! and that you may never be sick till I’m doctor enough to cure ye! and that won’t happen, till you’re that small, that you’ll have to stand up upon a sod of turf, to look into a naggin! Well, sure, you’re just in time here to get the news that I’m about telling to Mrs. Rafferty.”

Heffernan never said one word, not even to ax, “What is it?” and so Tommy goes on, “I slep’ out last night, under the big furzy bush there below at the cross-roads, bekase I was a bit late and I coming from the fair. And along wid all, I had no great command of meself, after me day there, you persave. So, as I was a-loath to disturb any dacint house, knocking the people up to ax a bed from them, I just laid meself down there, where I had the best of shelter. Ay, and slep’ the best, too, till this morning, bright and airly, when I wakened hearing voices. And what should it be, only young Art, from beyant at your place, Mr. Heffernan, and little Rosy Rafferty, and they coming along the road to’arst me!”

“The Lord save us!” says the Widdah; “sure it’s not in airnest you are! and I having it laid out that it was what she was just a piece off from me in the fields, and she gethering a few sprigs for kindling....”

“Well, sure, you should know! and maybe that’s what she was at; and that Art was helping her. I couldn’t rightly say. Only, if they were at that, they must have changed their minds, and have left the sprigs in the gaps they were stopping ...” and as he said the word, Heffernan gave a kind of a snort, for there was nothing he had more enmity to, than the fashion women does have, of pulling the bushes out of holes in the fences that he’d be after getting filled up. The weight of them would liefer do that, nor to pick up what little kindling-wood they’d want off the ground, and mostly always there’s plenty lying loose to their hand.

Tommy went on with his story, and a smirk on his face when he saw the way he had Mickey annoyed about the sprigs.

“Ay indeed! Nobody else in this earthly world, only their two selves! There they were, and they coming along, looking half proud of themselves, and half afraid; and their eyes round over their shoulders every minute, as if they were afraid of some one coming after them. And the big hurry there appeared to be on them!

“When they seen me, they stopped short.

“‘In the name of God,’ says I to them, ‘where are yiz off to, at this hour,’ says I, ‘and the stars not out of the sky yet?’

“Art laughed, but Rosy blushed up.

“‘Oho!’ says I, ‘what colour’s red? and is this what yiz are up to?’

“But they said nothing, only Art whips a whole big handful of money out of his pocket carelesslike, as if it was just that much dirt.

“‘What have you there?’ says he; and begins turning over every ha’porth in the pack on the ground beside me, the mouth of it being open; and his hands shaking as if he was all of a thrimble; and Rosy watching him with her eyes dancing, and still not asking to touch annything herself.

“‘I have all soarts here,’ says I to him, making answer, ‘but sure it’s what I’m thinking it should some kind of a ring yous will be wanting....’

“‘You just got it!’ he says; ‘but I doubt have you one good enough for us ... ah! there’s a nice neckercher ... we’ll take that, at anny rate ... do you remimber, Rosy? Is this as good as the one you offered to tie up that cut of mine...?’ and they both laughed out.

“‘I’d wish it a taste brighter,’ he says.

“‘Sure, isn’t it grand!’ says she ... ‘but Art! look at them for pickthers!’ and couldn’t stop herself, only taking up first one and then another....

“‘Would you wish e’er a one of them?’ he says.

“‘They’d be aisy carrit,’ says I; ‘and more betoken, yous wouldn’t be getting them so raisonable as I can sell them, from them that has shops and rent to pay....’

“‘They’d look pleasant and homely, annywhere we’d be!’ says Rosy.

“So they chose out a half-dozen or so; the Death of Lord Edward; and Emmet in the Dock, and so and so on; and they bid me to bring this one to you, and I was to say how that they were off to the Big Smoke[5] to have the wedding there, at your sister’s....”

“Ay, she’s there in Dublin, this linth of time,” says the Widdah, quite composed now, and she smiling all over with joy.

For there’s the way it is wid women. When they get a daughter marrit, no matter to who, they’ll be that proud, the weight of them, that they wouldn’t call the King their cousin. And along with all, of course, Art Heffernan was known to be a very choice boy, only for he being poor. But, as it was often said at Ardenoo, why need that stop him in the getting of a wife? Why mightn’t he as well be a poor man as a poor boy?

“And to think of them sending me a keepsake!” says the mother; “dear, but that pickther is beautiful, the way it’s drew out!”

“There’s a crack across the face of it,” says Mickey; and there’s the only word he had out of them.

“So there is! and I never to observe it till you spoke!” says the Widdah, and she looking ready to go cry.

“Sure it will never be noticed!” says Tommy, “and moreover, I took a pinny off of the price, in compliment to that little defect,” and I’m not saying but he did. “Here!” says Tommy, “I’ll give you a nail into the bargain to hang it up by; and there’s a brave lump of a stone, to drive it in, and make it all safe upon the wall. Where will you wish to have it, mam?”

“Here, where I can be seeing it, and I sitting at the wheel,” says she.

So Tommy hammered in the nail.

“What’s the name of the pickther?” says the Widdah, and she standing back a piece off, the way she could get a good look at it.

“It’s called ‘The Flight of the Wild Geese,’” says Tommy, with a grin.

And Heffernan just gave one laugh out of him; like the cough of a sick sheep it was, and turned about and went home.

CHAPTER II
THE GAME LEG

Heffernan’s house at the Furry Farm stood very backwards from the roadside, hiding itself, you’d really think, from any one that might be happening by. As if it need do that! Why, there was no more snug, well-looked-after place in the whole of Ardenoo than Heffernan’s always was, with full and plenty in it for man and beast, though it wasn’t to say too tasty-looking.

And it was terrible lonesome. There wasn’t a neighbour within the bawl of an ass of it. Heffernan of course had always been used to it, so that he didn’t so much mind; still, he missed Art, after he going off with little Rosy Rafferty. That was nigh-hand as bad upon him as losing the girl herself. He had got to depend on Art for every hand’s turn, a thing that left him worse when he was without him. And he was very slow-going. As long as Julia was there, she did all, and Heffernan might stand to one side and look at her. And so he missed her now, more than ever; and still he had no wish to see her back, though even to milk the cows came awkward to him.

He was contending with the work one evening, and the calves in particular were leaving him distracted, above all, a small little white one that he designed for Rosy, when he’d have her Woman of the House at the Furry Farm. That calf, I needn’t say, was not the pick of the bunch, but as Mickey thought to himself, a girl wouldn’t know any better than choose a calf by the colour, and there would be no good wasting anything of value on her. At all events it would be “child’s pig and daddy’s bacon,” most likely, with that calf. But, sure, what matter! Rosy was never to have any call to it, or anything else at the Furry Farm.

Those calves were a very sweet lot, so that Mickey might have been feeling all the pleasure in life, just watching them, with their soft little muzzles down in the warm, sweet milk, snorting with the pure enjoyment. But Mickey was only grousing to get done, and vexed at the way the big calves were shoving the little ones away, and still he couldn’t hinder them. Art used to regulate them very simple by means of a little ash quick he kept, to slap the forward calves across the face when they’d get too impudent. But as often as Mickey had seen him do that, he couldn’t do the same. The ash quick was so close to him that if it had been any nearer it would have bitten him. Stuck up in a corner of the bit of ruin that had once been Castle Heffernan it was. But it might as well have been in America for all the good it was to Mickey.

“I wish to God I was rid of the whole of yous, this minute!” says he to himself, and he with his face all red and steamy, and the milk slobbering out of the pail down upon the ground, the way the calves were butting him about the legs.

That very minute, he heard a sound behind him. He turned about, and my dear! the heart jumped into his mouth, as he saw a great, immense red face, just peeping over the wall that shut in his yard from the boreen. That wall was no more than four feet high. Wouldn’t any one think it strange to see such a face, only that far from the ground! and it with a bushy black beard around it, and big rolling eyes, and a wide old hat cocked back upon it? You’d have to think it was something “not right”; an Appearance or Witchery work of some kind.

But, let alone that, isn’t there something very terrifying and frightful in finding yourself being watched, when you think you’re alone; and, of all things, by a man? The worst of a wild beast wouldn’t put the same bad fear in your heart.

“Good-evening, Mr. Heffernan,” says the newcomer, with a grin upon him, free and pleasant; “that’s a fine lot of calves you have there!”

Heffernan was so put about that he made no answer, and the man went on to say, “Is it that you don’t know me? Sure, you couldn’t forget poor old Hopping Hughie as simple as that!”

And he gave himself a shove, so that he raised his shoulders above the wall. A brave big pair they were, too, but they were only just held up on crutches. Hughie could balance himself upon them, and get about, as handy as you please. But he was dead of his two legs.

“Oh, Hughie...!” says Heffernan, pretty stiff, “well, and what do you want here?”

“Och, nothing in life....”

“Take it then, and let you be off about your business!” says Mickey as quick as a flash for once; and he that was proud when he had it said!

Hughie had a most notorious tongue himself, but he knew when to keep it quiet, and he thought it as good to appear very mild and down in himself now, so he said, “My business! sure, what word is that to say to a poor old fellah on crutches! Not like you, Mr. Heffernan, that’ll be off to the fair of Balloch to-morrow morning, bright and early, with them grand fine calves of yours. The price they’ll go! There isn’t the peel of them in Ardenoo!”

“Do you tell me that?” says Heffernan, that a child could cheat.

“That’s what they do be telling me,” says Hughie. He could build a nest in your ear, he was that cunning. He thought he saw a chance of getting to the fair himself, and a night’s lodging as well, if he managed right.

“I wish to goodness I could get them there, so,” says Mickey, “and hasn’t one to drive them for me!”

“Would I do?” says Hughie.

Heffernan looked at him up and down.

“Sure you’d not be able!”

“Whoo! Me not able? Maybe I’m like the singed cat, better than I look! I’m slow, but fair and easy goes far in a day! Never you fear but I’ll get your calves to Balloch, the same way the boy ate the cake, very handy....”

The simplest thing would have been for Heffernan to take and drive the calves himself. But he never had the fashion of doing such things. Anyway it wouldn’t answer for the people to see a man with a good means of his own, like Mickey, turning drover that way.

So he thought again, while Hughie watched him; and then says he, “You’ll have to be off out of this before the stars have left the sky!”

“And why wouldn’t I?” says Hughie; “only give me a bit of supper and a shakedown for the night, the way I’ll be fresh for the road to-morrow.”

Hughie was looking to be put sitting down in the kitchen alongside Heffernan himself, and to have the settle-bed foreninst the fire to sleep in. But he had to content himself with the straw in the barn and a plateful carried out to him. Queer and slow-going Heffernan might be, but he wasn’t thinking of having the likes of Hopping Hughie in his chimney-corner, where he had often thought to see little Rosy Rafferty and she smiling at him.

Hughie took it all very contented. Gay and happy he was after his supper, and soon fell asleep on the straw, with his ragged pockets that empty, that the Divil could dance a hornpipe in them and not strike a copper there; while Mickey above in bed in his own house, with his fine farm and all his stock about him, calves and cows and pigs, not to speak of the money in the old stocking under the thatch ... Mickey couldn’t sleep, only worrying, thinking was he right to go sell the calves at all; and to be letting Hughie drive them!

“I had little to do,” he thought, “to be letting him in about the place at all, and couldn’t tell what divilment he might be up to, as soon as he gets me asleep! Hughie’s terrible wicked, and as strong as a ditch! I done well to speak him civil, anyway. But I’ll not let them calves stir one peg out of this with him! I’d sooner risk keeping them longer....”

There’s the way he was going on, tossing and tumbling and tormenting himself; as if bed wasn’t a place to rest yourself in and not be raking up annoyances.

So it wasn’t till near morning that Mickey dozed off, and never wakened till it was more than time to be off for the fair.

Up he jumped and out to stop Hughie. But the yard was silent and empty. Hughie and the calves were gone.

Mickey was more uneasy than ever.

“A nice bosthoon[6] I must be,” he thought, “to go trust my good-looking calves to a k’nat[7] like Hughie! And he to go off without any breakfast, too...!”

Heffernan was a good warrant to feed man or beast. But he mightn’t have minded about Hughie, that had plenty of little ways of providing for himself. His pockets would be like sideboards, the way he would have them stuck out with meat and eggs and so on, that he would be given along the road. Hughie was better fed than plenty that bestowed food upon him.

Balloch, where the fair is held, is the wildest and most lonesome place in Ardenoo, with a steep rough bit of road leading up to it, very awkward to drive along. Up this comes Heffernan, on his side-car, driving his best, and in a great hurry to know where would he come on Hughie. He had it laid out in his own mind that sight nor light of his calves he never would get in this world again. So it was a great surprise to him to find them there before him, safe and sound. His heart lightened at that as if a millstone was lifted off it.

And the fine appearance there was upon them! Not a better spot in the fair-green, than where Hughie had them, opposite a drink-tent where the people would be thronging most. And it was a choice spot for Hughie too. Happy and contented he was, his back against a tree, leaning his weight on one crutch and the other convenient to his hand.

“So there’s where you are!” says Mickey, when he came up.

“Ah, where else!” says Hughie, a bit scornful. Sure it was a foolish remark to pass, and the man there before him, as plain as the nose on your face. But Hughie was puzzled, too, by the look of relief he saw on Mickey’s face. He understood nothing of what Heffernan was after passing through. It’s an old saying and a true one, “Them that has the world has care!” but them that hasn’t it, what do they know about it?

While Hughie was turning this over in his mind, Mickey was throwing an eye upon the calves, and then, seeing they were all right, he was bandying off with himself, when Hughie said, “Terrible dry work it is, driving stock along them dusty roads since the early morning!” and he rubbed the back of his hand across his mouth with a grin.

At that, Mickey put his hand into his pocket and felt round about, and then pulled it out empty.

“I’ll see you later, Hughie,” says he, “I’ll not forget you, never fear! Just let you wait here, till I have the poor mare attended to that drew me here....”

So he went off to do this, and then into the drink-tent with him, the way he could be getting a sup himself. But no sign of he to give anything to Hughie. And there now is where Mickey made a big mistake.

He met up with a couple or three that he was acquainted with in the tent, and they began to talk of this thing and that thing, so that it was a gay little while before Mickey came out again.

When he did, “What sort is the drink in there, Mr. Heffernan?” says Hughie.

Now what Mickey had taken at that time was no more than would warm the cockles of his heart. So he looked quite pleasant and said, “Go in yourself, Hughie, and here’s what will enable you to judge it!”

And he held out a shilling to Hughie.

“A bird never yet flew upon the one wing, Mr. Heffernan!” said Hughie, that was looking to get another shilling, and that would be only his due for driving the calves.

Mickey said nothing one way or the other, only went off, and left Hughie standing there, holding out his hand in front of him with the shilling in it, lonesome.

He that was vexed! He got redder in the face than ever, and gave out a few curses, till he remembered there wasn’t one to hear him. So he stopped and went into the tent and I needn’t say he got the best value he could there.

But all the time, he was thinking how badly Heffernan was after treating him, putting him off without enough to see him through the fair even, let alone with a trifle in his pockets to help him on his rounds. He began planning how he could pay out Mickey.

He got himself back to the same spot, near the calves, to see what would happen. After a time he saw Heffernan coming back, and little Barney Maguire was with him. A very decent boy Barney was, quiet and agreeable; never too anxious for work, but very knowledgeable about how things should be done, from a wake to a sheep-shearing. Heffernan always liked to have Barney with him at a fair.

The two of them stood near the calves, carelesslike, as if they took no interest in them at all.

A dealer came up.

“How much for them calves? Not that I’m in need of the like,” says he.

“Nobody wants you to take them, so,” says Barney, “but the price is three pounds ... or was it guineas you’re after saying, Mr. Heffernan?”

Heffernan said nothing, and the dealer spoke up very fierce, “Three pounds! Put thirty shillings on them, and I’ll be talking to ye!”

Mickey again only looked at his adviser, and says Barney, “Thirty shillings! ’Tis you that’s bidding wide, this day! May the Lord forgive you! Is it wanting a present you are, of the finest calves in all Ardenoo!”

Heffernan swelled out with delight at that; as if Barney’s word could make his calves either better or worse.

“Wasn’t it fifty-seven and sixpence you’re after telling me you were offered only yesterday, Mr. Heffernan,” says Barney, “just for the small ones of the lot?”

“Och! I dare say! don’t you?” says the dealer; “the woman that owns you it was that made you that bid, to save your word!”

Poor Mickey! and he that hadn’t a woman at all! The dealer of course being strange couldn’t know that, nor why Hughie gave a laugh out of him then.

But that didn’t matter. Mickey took no notice. A man that’s a bit “thick” escapes many a prod that another would feel sharp. So in all things you can see how them that are afflicted are looked after in some little way we don’t know.

The dealer looked at the calves again.

“Troth, I’m thinking it’s the wrong ones yous have here! Yous must have forgotten them fine three-pound calves at home!”

And Mickey began looking very anxiously at them, as if he thought maybe he had made some mistake.

“Them calves,” says the dealer slowly, “isn’t like a pretty girl, that every one will be looking to get! And, besides, they’re no size! A terrible small calf they are!”

“Small!” said Barney, “it’s too big they are! And if they’re little, itself, what harm! Isn’t a mouse the prettiest animal you might ask to see!”

“Ay is it!” says the dealer, “but it’ll take a power of mice to stock a farm!” and off with him, in a real passion, by the way of.

But Barney knew better than to mind. The dealer came back, and at long last the calves were sold and paid for. Then the luck-penny had to be given. Hard-set Barney was to get Heffernan to do that. In the end, Mickey was so bothered over it, that he dropped a shilling just where Hughie was standing leaning his weight on the one crutch as usual.

As quick as a flash, he had the other up, and made a kind of a lurch forward, as if to look for the money. But he managed to get the second crutch down upon the shilling, to hide it; and then he looked round about upon the ground, as innocent as a child, as if he was striving his best to find the money for Mickey.

“Where should it be, at all at all?” says Hughie; “bewitched it should be, to say it’s gone like that!”

And Heffernan standing there with his mouth open, looked as if he had lost all belonging to him. Then he began searching about a good piece off from where the shilling fell.

“It’s not there you’ll get it!” said Barney; “sure you ought always look for a thing where you lost it!”

He went over to Hughie.

“None of your tricks, now! It’s you has Mr. Heffernan’s money, and let you give it up to him!”

“Is it me have it? Sure if I had, what would I do, only hand it over to the man that owns it!” says Hughie.

On the word, he let himself down upon the ground, and slithered over on top of the shilling.

But quick and all as he was, Barney was quicker.

“Sure you have it there, you vagabone you! Give it up, and get off out of this with yourself!”

And he caught Hughie a clip on the side of the head that sent him sprawling on the broad of his back. And there, right enough, under him was the shilling.

So Barney picked it up, and for fear of any other mistake, he handed it to the dealer himself.

“It’s an ugly turn whatever, to be knocking a poor cripple about that-a-way!” said the dealer, dropping the luck-penny into his pocket.

“Ach, how poor he is, and let him be crippled, itself!” says Barney; “it’s easy seeing you’re strange to Ardenoo, or you’d not be compassionating Hughie so tender!”

No more was said then, only into the tent with them again to wet the bargain. Hughie gathered himself up. He was in the divil’s own temper. Small blame to him, too! Let alone the disappointment about the shilling, and the knock Barney gave him, the people all had a laugh at him. And he liked that as little as the next one. You’d think he’d curse down the stars out of the skies this time, the way he went on.

And it wasn’t Barney’s clout he cared about, half as much as Mickey’s meanness. It was that had him so mad. He felt he must pay Heffernan out.

He considered a bit; then he gave his leg a slap.

“I have it now!” he said to himself.

He beckoned two young boys up to him, that were striving to sell a load of cabbage plants they had there upon a donkey’s back, and getting bad call for them.

“It’s a poor trade yous are doing to-day,” said Hughie; “and I was thinking in meself yous should be very dry. You wouldn’t care to earn the price of a pint?”

“How could we?” says the boys.

“I’ll tell you! Do you see that car?” and Hughie pointed to where Heffernan had left his yoke drawn up, and the old mare cropping a bit as well as she could, being tied by the head; “well, any one that will pull the linch-pin out of the wheel, on the far side of that car, needn’t be without tuppence to wet his whistle ...” and Hughie gave a rattle to a few coppers he had left in his pocket.

“Yous’ll have to be smart about it too,” said he, “or maybe whoever owns that car will have gone off upon it, afore yous have time to do the primest bit of fun that ever was seen upon this fair-green!”

“Whose is the car?”

“Och, if I know!” says Hughie; “but what matter for that? One man is as good as another at the bottom of a ditch! ay and better. It will be the hoith of divarsion to see the roll-off they’ll get below there at the foot of the hill....”

“Maybe they’d get hurted!” said the boys.

“Hurted, how-are-ye!” says Hughie; “how could any one get hurted so simple as that? I’d be the last in the world to speak of such a thing in that case! But if yous are afraid of doing it....”

“Afraid! that’s queer talk to be having!” says one of them, very stiff, for like all boys he thought nothing so bad as to have “afraid” said to him; “no, but we’re ready to do as much as the next one!”

“I wouldn’t doubt yiz!” said Hughie; “h-away with the two of you now! Only mind! don’t let on a word of this to any sons of man....”

Off they went, and Hughie turned his back on them and the car, and stared at whatever was going on the other end of the fair. He hadn’t long to wait, before Heffernan and Barney and the dealer came out of the drink-tent. Hughie took a look at them out of the corner of his eye.

“Ah!” he said to himself, “all ‘purty-well-I-thank-ye!’ after what they drank inside! But wait a bit, Mickey Heffernan....”

The three men went over to where Heffernan’s car was waiting. The boys were gone. The other two men helped Mickey to get his yoke ready. Then he got up, and they shook hands a good many times. Heffernan chucked at the reins and started off.

Hughie was watching, and when he saw how steadily the old mare picked her way down the steep boreen, he began to be afraid he hadn’t hit on such a very fine plan at all. And if Mickey had only had the wit to leave it all to the poor dumb beast, she might have brought him home safe enough.

But nothing would do him, only to give a shout and a flourish of the whip, half-way down the hill. The mare started and gave a jump. She was big and awkward, much like Mickey himself. Still, it was no fault of her, that, when she got to the turn, the wheel came off and rolled away to one side. Down came the car, Mickey fell off, and there he lay, till some people that saw what was going on ran down the hill after him, and got the mare on to her feet, and not a scratch on her.

But poor Mickey! It was easy to see with half an eye that he was badly hurt.

“Some one will have to drive him home, whatever,” said Barney, coming up the hill to look for more help, after doing his best to get Mickey to stand up; and, sure, how was he to do that, upon a broken leg? “A poor thing it is, too, to see how a thing of the kind could occur so simple! and a decent man like Heffernan to be nigh-hand killed....”

“’Deed and he is a decent man!” said Hughie; “and why wouldn’t he? I’d be a decent man meself if I had the Furry Farm and it stocked....”

“He’s in a poor way now, in any case,” said Barney. “I doubt will he ever get over this rightly! That’s apt to be a leg to him, all his life!”

“Well, and so, itself!” said Hughie; “haven’t I two of them lame legs? and who thinks to pity Hughie?”

“It’s another matter altogether, with a man like Mr. Heffernan,” said Barney; “what does the like of you miss, by not being able to get about, compared with a man that might spend his time walking a-through his cattle, and looking at his crops growing, every day in the week?”

“To be sure, he could be doing all that!” said Hughie, “but when a thing of this kind happens out so awkward, it’s the will of God, and the will of man can’t abate that!”

CHAPTER III
THE “REST OF HIM”

This is how it happened with poor Mickey Heffernan that he was left with a “game” leg, soon after he had had that falling-out with Art and the Raffertys, on account of the little girl there. His sister Julia came home, of course, as soon as she got word about the accident. She looked after him well, and not alone that, but she managed the outside work about the place too, till Mickey was so far recovered as to be able to get about himself; at first on two crutches like Hughie himself, and then by degrees he was well enough to do with just a stick.

Well and good. As long as he was helpless, and depending on Julia for everything, she and he hit it off together, all right. A contrary woman is often like that. She’ll let you do nothing, as long as you are well, and would be able for a bit of sport and amusement. But once you are laid up so that you could enjoy nothing, she’ll encourage you to do the very things that would enrage her at other times.

This explains how it was that Julia flew into a tearing rage one morning, when Mickey was on his feet again, because he asked for a second egg for his breakfast. While he was in bed, she would be trying to force food on him, when he had no appetite for anything; I’m not saying that this is why she pressed the things on him; but anyway, now that he was up again and had a wish for food, it seemed as if she grudged it to him.

With Julia, one word borrowed another, although Mickey never made her answer. It saves quarrelling most times, but not with Julia. She would work herself into a rage all the more when he kept quiet and seemed to take no notice. Of course, that is an annoying thing. The end of it was, that Julia went off again, to stay with some friends in Dublin it was, this time.

It was a foolish step for Julia to take, but to be sure she did not know what was in Mickey’s mind, nor how having lost little Rosy Rafferty had not put him off the notion of getting a wife. It was only more anxious than ever he was now to be married. He was just as glad to be quit of Julia, the way he could be looking about him, without any interference from her. In fact, he knew very well that his only chance would be to take the ball at the hop, and look out for a woman that would be suitable, when Julia would be out of the way.

How he managed in the long run to rid himself of Julia was a most curious affair. Of all the people in Ardenoo, Peter Caffrey was the last that he would have expected help from in the business.

Peter, or Peetcheen as he was mostly always called, was the only boy that was left of the Caffreys at the cross-roads, before you come to the turn leading on to Clough-na-Rinka. A very long, weak family of them there used to be there. The poor mother found it hard to keep going at all, particularly after the father died. In fact, Dark Molly Reilly would say, she really thought Almighty God must have some little way of His own of feeding people like the Caffreys, that no one knew anything about.

They had the house for nothing, anyway. But a bad house it was; the roof let in wet, every time rain fell, the same as if it was coming through a sieve. And the smoke from the hearth curled up in clouds, and escaped by the door just as freely as it did through the chimney. It was old Peter Caffrey, Peetcheen’s grandfather, that he was called after, that had built the house himself, and had managed to edge it in on a piece of waste ground that no one could claim; so that’s how there was no rent to be paid. That is a great help to any one, to be rent-free; let alone to the Caffreys, that were always as poor as Job’s dog. There never was one of them had two halfpence to jingle on a tombstone. But still, poor and all as they were, they managed to be cheerful and contented and would suffer on, someway. It was the mother that saw to that.

One of the longest things that Peetcheen could look back on was the way Miss O’Farrell from the Big House laughed one day that she happened to be passing by and overheard Dark Moll passing the time of day with his father.

“How are you, Jack?” said Moll, “and how’s the rest of ye, man dear?”

By that word, “the rest,” she meant his wife, the other part of him. But Miss O’Farrell took it up wrong.

“The Rest?” she said; “why, that name fits Mrs. Caffrey like her skin! And it’s you that are the lucky man, Jack Caffrey, to have Rest! For there’s nothing like rest, in all this wide world!”

With that, she gave a little sob or sigh; it may have been because she was out of breath, for she was walking very fast. What else could it be? What trouble could be on the likes of Miss O’Farrell, living in a fine house, with full and plenty of everything she could want in it, and no one to interfere with her, except the father, and he doted down on her, his only child?

“Won’t you come in and take a heat of the fire, miss?” said Mrs. Caffrey, coming to the door very smiling. It would do you good to see her, she was so nice and quiet and easy-going. Nothing ever hurried her or put her about.

“I’m afraid I haven’t time to-day, thank you, Mrs. Caffrey,” said the young lady, and off she went, at a sweep’s trot, you might say; and left them standing there, Mrs. Caffrey with her hands under her apron, looking after her till she was out of sight.

All that remained in Peetcheen’s mind. He was just after coming from the well, he and the next smallest child, with a can of water slung on a stick between them. It was pretty heavy, and they got it hard to carry it; although before they had it landed into the kitchen for their mother, more than half of it had spilled out, because they could not keep it steady. And when they were rid of their burden, whatever the other child did, Peetcheen just went off to rest himself; what he was just in time to hear Miss O’Farrell say was such a good thing!

But without any such word from her, rest was a thing Peetcheen was always ready for. He took after the mother in that. If there was no stool ready for him ... and in houses like Caffrey’s furniture is never too plentiful; nothing is, except children; every seat there was, two would be wanting it; and the same with the food ... well Peetcheen would just step aside, and wait.

Truth to tell, he was one of the sort that really is anxious for nothing so much as to keep out of the way, and will let every one else get in ahead of them. Above all, with work. Whenever there was talk of a job to be done, Peetcheen was the last to make any attempt at it; frightened, as it were, at the thought of it. This is how it came about that when all the others of the Caffrey family went off, one here, another there, according as a chance turned up, and as many as could to America, Peetcheen was left on at home.

At Ardenoo, there was nothing scarcer than work; unless, maybe, money. The labour went out when the machines came in. The tillage was all given up, in any case. Every side you could see only grass farms, that there would be no labour wanted for, only a herd with his collie-dog. The farmers are blamed for this, but why would they not do what would bring them in the best return? It’s only human nature, that nothing can alter, only God, for every one to do the best he can for himself.

Besides, when there would be two or three looking for every job, why wouldn’t a man take the best he could get to do it for him? That is how Peetcheen was always left out in the cold. He never was the best at anything. Civil-spoken and willing the creature was always. Somehow, whatever he would attempt would go contrary on him though.

“I don’t know at all what sort of a gaum you must be, Peetcheen!” said Big Cusack to him, one day that they were drawing home his turf from the bog, and Peetcheen had come along with no more than a half-load; “a body would think it was teacakes for ladies you had laid out so careful, instead of sods of turf!”

Peetcheen was standing, with his mouth open, staring at the half-empty cart, and at last he said, “Sure I’m stupid, and always was! I filled that cart full, when I was leaving the bog.... It’s what I have a right to be hommered!”

“What use would it be, to go thrash ye?” said Cusack; “only a waste of time! Letting the fine turf dribble out along the road, for the want of fastening the creel in the back of the cart! You give me a disgoost with yer foolishness! I have no patience with the like!”

Peetcheen made him no answer, and Big Cusack got madder than ever.

“It’s ashamed of yourself you ought to be,” he began again, “a big gobbeen like you, sitting at home, and taking the bit out of your poor old mother’s mouth! Don’t let me see your big, useless carcass here again! What ails you, that you can’t be a man or a mouse? Why don’t ye strike off somewhere for yourself, where the people don’t know you, and you might have a chance?”

“Well, from this out!” said poor Peetcheen.

The very next day, it was all over Ardenoo that Peetcheen was after quitting.

Dark Moll went to see his mother about it.

“It’s not true what they’re all saying below there at the Shop, Mrs. Caffrey, mam,” said she, “that Peetcheen has wint off from you?”