Lucy Maud Montgomery Short Stories, 1905 to 1906

Lucy Maud Montgomery Short Stories, 1905 to 1906

Lucy Maud Montgomery was born at Clifton (now New London), Prince Edward Island, Canada, on November 30, 1874. She achieved international fame in her lifetime, putting Prince Edward Island and Canada on the world literary map. Best known for her "Anne of Green Gables" books, she was also a prolific writer of short stories and poetry. She published some 500 short stories and poems and twenty novels before her death in 1942. The Project Gutenberg collection of her short stories was gathered from numerous sources and is presented in chronological publishing order:

Lucy Maud Montgomery Short Stories, 1896 to 1901
Lucy Maud Montgomery Short Stories, 1902 to 1903
Lucy Maud Montgomery Short Stories, 1904
Lucy Maud Montgomery Short Stories, 1905 to 1906
Lucy Maud Montgomery Short Stories, 1907 to 1908
Lucy Maud Montgomery Short Stories, 1909 to 1922

Short Stories 1905 to 1906

A Correspondence and A Climax[ToC]

At sunset Sidney hurried to her room to take off the soiled and faded cotton dress she had worn while milking. She had milked eight cows and pumped water for the milk-cans afterward in the fag-end of a hot summer day. She did that every night, but tonight she had hurried more than usual because she wanted to get her letter written before the early farm bedtime. She had been thinking it out while she milked the cows in the stuffy little pen behind the barn. This monthly letter was the only pleasure and stimulant in her life. Existence would have been, so Sidney thought, a dreary, unbearable blank without it. She cast aside her milking-dress with a thrill of distaste that tingled to her rosy fingertips. As she slipped into her blue-print afternoon dress her aunt called to her from below. Sidney ran out to the dark little entry and leaned over the stair railing. Below in the kitchen there was a hubbub of laughing, crying, quarrelling children, and a reek of bad tobacco smoke drifted up to the girl's disgusted nostrils.

Aunt Jane was standing at the foot of the stairs with a lamp in one hand and a year-old baby clinging to the other. She was a big shapeless woman with a round good-natured face—cheerful and vulgar as a sunflower was Aunt Jane at all times and occasions.

"I want to run over and see how Mrs. Brixby is this evening, Siddy, and you must take care of the baby till I get back."

Sidney sighed and went downstairs for the baby. It never would have occurred to her to protest or be petulant about it. She had all her aunt's sweetness of disposition, if she resembled her in nothing else. She had not grumbled because she had to rise at four that morning, get breakfast, milk the cows, bake bread, prepare seven children for school, get dinner, preserve twenty quarts of strawberries, get tea, and milk the cows again. All her days were alike as far as hard work and dullness went, but she accepted them cheerfully and uncomplainingly. But she did resent having to look after the baby when she wanted to write her letter.

She carried the baby to her room, spread a quilt on the floor for him to sit on, and gave him a box of empty spools to play with. Fortunately he was a phlegmatic infant, fond of staying in one place, and not given to roaming about in search of adventures; but Sidney knew she would have to keep an eye on him, and it would be distracting to literary effort.

She got out her box of paper and sat down by the little table at the window with a small kerosene lamp at her elbow. The room was small—a mere box above the kitchen which Sidney shared with two small cousins. Her bed and the cot where the little girls slept filled up almost all the available space. The furniture was poor, but everything was neat—it was the only neat room in the house, indeed, for tidiness was no besetting virtue of Aunt Jane's.

Opposite Sidney was a small muslined and befrilled toilet-table, above which hung an eight-by-six-inch mirror, in which Sidney saw herself reflected as she devoutly hoped other people did not see her. Just at that particular angle one eye appeared to be as large as an orange, while the other was the size of a pea, and the mouth zigzagged from ear to ear. Sidney hated that mirror as virulently as she could hate anything. It seemed to her to typify all that was unlovely in her life. The mirror of existence into which her fresh young soul had looked for twenty years gave back to her wistful gaze just such distortions of fair hopes and ideals.

Half of the little table by which she sat was piled high with books—old books, evidently well read and well-bred books, classics of fiction and verse every one of them, and all bearing on the flyleaf the name of Sidney Richmond, thereby meaning not the girl at the table, but her college-bred young father who had died the day before she was born. Her mother had died the day after, and Sidney thereupon had come into the hands of good Aunt Jane, with those books for her dowry, since nothing else was left after the expenses of the double funeral had been paid.

One of the books had Sidney Richmond's name printed on the title-page instead of written on the flyleaf. It was a thick little volume of poems, published in his college days—musical, unsubstantial, pretty little poems, every one of which the girl Sidney loved and knew by heart.

Sidney dropped her pointed chin in her hands and looked dreamily out into the moonlit night, while she thought her letter out a little more fully before beginning to write. Her big brown eyes were full of wistfulness and romance; for Sidney was romantic, albeit a faithful and understanding acquaintance with her father's books had given to her romance refinement and reason, and the delicacy of her own nature had imparted to it a self-respecting bias.

Presently she began to write, with a flush of real excitement on her face. In the middle of things the baby choked on a small twist spool and Sidney had to catch him up by the heels and hold him head downward until the trouble was ejected. Then she had to soothe him, and finally write the rest of her letter holding him on one arm and protecting the epistle from the grabs of his sticky little fingers. It was certainly letter-writing under difficulties, but Sidney seemed to deal with them mechanically. Her soul and understanding were elsewhere.

Four years before, when Sidney was sixteen, still calling herself a schoolgirl by reason of the fact that she could be spared to attend school four months in the winter when work was slack, she had been much interested in the "Maple Leaf" department of the Montreal weekly her uncle took. It was a page given over to youthful Canadians and filled with their contributions in the way of letters, verses, and prize essays. Noms de plume were signed to these, badges were sent to those who joined the Maple Leaf Club, and a general delightful sense of mystery pervaded the department.

Often a letter concluded with a request to the club members to correspond with the writer. One such request went from Sidney under the pen-name of "Ellen Douglas." The girl was lonely in Plainfield; she had no companions or associates such as she cared for; the Maple Leaf Club represented all that her life held of outward interest, and she longed for something more.

Only one answer came to "Ellen Douglas," and that was forwarded to her by the long-suffering editor of "The Maple Leaf." It was from John Lincoln of the Bar N Ranch, Alberta. He wrote that, although his age debarred him from membership in the club (he was twenty, and the limit was eighteen), he read the letters of the department with much interest, and often had thought of answering some of the requests for correspondents. He never had done so, but "Ellen Douglas's" letter was so interesting that he had decided to write to her. Would she be kind enough to correspond with him? Life on the Bar N, ten miles from the outposts of civilization, was lonely. He was two years out from the east, and had not yet forgotten to be homesick at times.

Sidney liked the letter and answered it. Since then they had written to each other regularly. There was nothing sentimental, hinted at or implied, in the correspondence. Whatever the faults of Sidney's romantic visions were, they did not tend to precocious flirtation. The Plainfield boys, attracted by her beauty and repelled by her indifference and aloofness, could have told that. She never expected to meet John Lincoln, nor did she wish to do so. In the correspondence itself she found her pleasure.

John Lincoln wrote breezy accounts of ranch life and adventures on the far western plains, so alien and remote from snug, humdrum Plainfield life that Sidney always had the sensation of crossing a gulf when she opened a letter from the Bar N. As for Sidney's own letter, this is the way it read as she wrote it:

"The Evergreens," Plainfield.

Dear Mr. Lincoln:

The very best letter I can write in the half-hour before the carriage will be at the door to take me to Mrs. Braddon's dance shall be yours tonight. I am sitting here in the library arrayed in my smartest, newest, whitest, silkiest gown, with a string of pearls which Uncle James gave me today about my throat—the dear, glistening, sheeny things! And I am looking forward to the "dances and delight" of the evening with keen anticipation.

You asked me in your last letter if I did not sometimes grow weary of my endless round of dances and dinners and social functions. No, no, never! I enjoy every one of them, every minute of them. I love life and its bloom and brilliancy; I love meeting new people; I love the ripple of music, the hum of laughter and conversation. Every morning when I awaken the new day seems to me to be a good fairy who will bring me some beautiful gift of joy.

The gift she gave me today was my sunset gallop on my grey mare Lady. The thrill of it is in my veins yet. I distanced the others who rode with me and led the homeward canter alone, rocking along a dark, gleaming road, shadowy with tall firs and pines, whose balsam made all the air resinous around me. Before me was a long valley filled with purple dusk, and beyond it meadows of sunset and great lakes of saffron and rose where a soul might lose itself in colour. On my right was the harbour, silvered over with a rising moon. Oh, it was all glorious—the clear air with its salt-sea tang, the aroma of the pines, the laughter of my friends behind me, the spring and rhythm of Lady's grey satin body beneath me! I wanted to ride on so forever, straight into the heart of the sunset.

Then home and to dinner. We have a houseful of guests at present—one of them an old statesman with a massive silver head, and eyes that have looked into people's thoughts so long that you have an uncanny feeling that they can see right through your soul and read motives you dare not avow even to yourself. I was terribly in awe of him at first, but when I got acquainted with him I found him charming. He is not above talking delightful nonsense even to a girl. I sat by him at dinner, and he talked to me—not nonsense, either, this time. He told me of his political contests and diplomatic battles; he was wise and witty and whimsical. I felt as if I were drinking some rare, stimulating mental wine. What a privilege it is to meet such men and take a peep through their wise eyes at the fascinating game of empire-building!

I met another clever man a few evenings ago. A lot of us went for a sail on the harbour. Mrs. Braddon's house party came too. We had three big white boats that skimmed down the moonlit channel like great white sea birds. There was another boat far across the harbour, and the people in it were singing. The music drifted over the water to us, so sad and sweet and beguiling that I could have cried for very pleasure. One of Mrs. Braddon's guests said to me:

"That is the soul of music with all its sense and earthliness refined away."

I hadn't thought about him before—I hadn't even caught his name in the general introduction. He was a tall, slight man, with a worn, sensitive face and iron-grey hair—a quiet man who hadn't laughed or talked. But he began to talk to me then, and I forgot all about the others. I never had listened to anybody in the least like him. He talked of books and music, of art and travel. He had been all over the world, and had seen everything everybody else had seen and everything they hadn't too, I think. I seemed to be looking into an enchanted mirror where all my own dreams and ideals were reflected back to me, but made, oh, so much more beautiful!

On my way home after the Braddon people had left us somebody asked me how I liked Paul Moore! The man I had been talking with was Paul Moore, the great novelist! I was almost glad I hadn't known it while he was talking to me—I should have been too awed and reverential to have really enjoyed his conversation. As it was, I had contradicted him twice, and he had laughed and liked it. But his books will always have a new meaning to me henceforth, through the insight he himself has given me.

It is such meetings as these that give life its sparkle for me. But much of its abiding sweetness comes from my friendship with Margaret Raleigh. You will be weary of my rhapsodies over her. But she is such a rare and wonderful woman; much older then I am, but so young in heart and soul and freshness of feeling! She is to me mother and sister and wise, clear-sighted friend. To her I go with all my perplexities and hopes and triumphs. She has sympathy and understanding for my every mood. I love life so much for giving me such a friendship!

This morning I wakened at dawn and stole away to the shore before anyone else was up. I had a delightful run-away. The long, low-lying meadows between "The Evergreens" and the shore were dewy and fresh in that first light, that was as fine and purely tinted as the heart of one of my white roses. On the beach the water was purring in little blue ripples, and, oh, the sunrise out there beyond the harbour! All the eastern Heaven was abloom with it. And there was a wind that came dancing and whistling up the channel to replace the beautiful silence with a music more beautiful still.

The rest of the folks were just coming downstairs when I got back to breakfast. They were all yawny, and some were grumpy, but I had washed my being in the sunrise and felt as blithesome as the day. Oh, life is so good to live!

Tomorrow Uncle James's new vessel, the White Lady, is to be launched. We are going to make a festive occasion of it, and I am to christen her with a bottle of cobwebby old wine.

But I hear the carriage, and Aunt Jane is calling me. I had a great deal more to say—about your letter, your big "round-up" and your tribulations with your Chinese cook—but I've only time now to say goodbye. You wish me a lovely time at the dance and a full programme, don't you?

Yours sincerely,
Sidney Richmond.

Aunt Jane came home presently and carried away her sleeping baby. Sidney said her prayers, went to bed, and slept soundly and serenely.

She mailed her letter the next day, and a month later an answer came. Sidney read it as soon as she left the post office, and walked the rest of the way home as in a nightmare, staring straight ahead of her with wide-open, unseeing brown eyes.

John Lincoln's letter was short, but the pertinent paragraph of it burned itself into Sidney's brain. He wrote:

I am going east for a visit. It is six years since I was home, and it seems like three times six. I shall go by the C.P.R., which passes through Plainfield, and I mean to stop off for a day. You will let me call and see you, won't you? I shall have to take your permission for granted, as I shall be gone before a letter from you can reach the Bar N. I leave for the east in five days, and shall look forward to our meeting with all possible interest and pleasure.

Sidney did not sleep that night, but tossed restlessly about or cried in her pillow. She was so pallid and hollow-eyed the next morning that Aunt Jane noticed it, and asked her what the matter was.

"Nothing," said Sidney sharply. Sidney had never spoken sharply to her aunt before. The good woman shook her head. She was afraid the child was "taking something."

"Don't do much today, Siddy," she said kindly. "Just lie around and take it easy till you get rested up. I'll fix you a dose of quinine."

Sidney refused to lie around and take it easy. She swallowed the quinine meekly enough, but she worked fiercely all day, hunting out superfluous tasks to do. That night she slept the sleep of exhaustion, but her dreams were unenviable and the awakening was terrible.

Any day, any hour, might bring John Lincoln to Plainfield. What should she do? Hide from him? Refuse to see him? But he would find out the truth just the same; she would lose his friendships and respect just as surely. Sidney trod the way of the transgressor, and found that its thorns pierced to bone and marrow. Everything had come to an end—nothing was left to her! In the untried recklessness of twenty untempered years she wished she could die before John Lincoln came to Plainfield. The eyes of youth could not see how she could possibly live afterward.

Some days later a young man stepped from the C.P.R. train at Plainfield station and found his way to the one small hotel the place boasted. After getting his supper he asked the proprietor if he could direct him to "The Evergreens."

Caleb Williams looked at his guest in bewilderment. "Never heerd o' such a place," he said.

"It is the name of Mr. Conway's estate—Mr. James Conway," explained John Lincoln.

"Oh, Jim Conway's place!" said Caleb. "Didn't know that was what he called it. Sartin I kin tell you whar' to find it. You see that road out thar'? Well, just follow it straight along for a mile and a half till you come to a blacksmith's forge. Jim Conway's house is just this side of it on the right—back from the road a smart piece and no other handy. You can't mistake it."

John Lincoln did not expect to mistake it, once he found it; he knew by heart what it appeared like from Sidney's description: an old stately mansion of mellowed brick, covered with ivy and set back from the highway amid fine ancestral trees, with a pine-grove behind it, a river to the left, and a harbour beyond.

He strode along the road in the warm, ruddy sunshine of early evening. It was not a bad-looking road at all; the farmsteads sprinkled along it were for the most part snug and wholesome enough; yet somehow it was different from what he had expected it to be. And there was no harbour or glimpse of distant sea visible. Had the hotel-keeper made a mistake? Perhaps he had meant some other James Conway.

Presently he found himself before the blacksmith's forge. Beside it was a rickety, unpainted gate opening into a snake-fenced lane feathered here and there with scrubby little spruces. It ran down a bare hill, crossed a little ravine full of young white-stemmed birches, and up another bare hill to an equally bare crest where a farmhouse was perched—a farmhouse painted a stark, staring yellow and the ugliest thing in farmhouses that John Lincoln had ever seen, even among the log shacks of the west. He knew now that he had been misdirected, but as there seemed to be nobody about the forge he concluded that he had better go to the yellow house and inquire within. He passed down the lane and over the little rustic bridge that spanned the brook. Just beyond was another home-made gate of poles.

Lincoln opened it, or rather he had his hand on the hasp of twisted withes which secured it, when he was suddenly arrested by the apparition of a girl, who flashed around the curve of young birch beyond and stood before him with panting breath and quivering lips.

"I beg your pardon," said John Lincoln courteously, dropping the gate and lifting his hat. "I am looking for the house of Mr. James Conway—'The Evergreens.' Can you direct me to it?"

"That is Mr. James Conway's house," said the girl, with the tragic air and tone of one driven to desperation and an impatient gesture of her hand toward the yellow nightmare above them.

"I don't think he can be the one I mean," said Lincoln perplexedly. "The man I am thinking of has a niece, Miss Richmond."

"There is no other James Conway in Plainfield," said the girl. "This is his place—nobody calls it 'The Evergreens' but myself. I am Sidney Richmond."

For a moment they looked at each other across the gate, sheer amazement and bewilderment holding John Lincoln mute. Sidney, burning with shame, saw that this stranger was exceedingly good to look upon—tall, clean-limbed, broad-shouldered, with clear-cut bronzed features and a chin and eyes that would have done honour to any man. John Lincoln, among all his confused sensations, was aware that this slim, agitated young creature before him was the loveliest thing he ever had seen, so lithe was her figure, so glossy and dark and silken her bare, wind-ruffled hair, so big and brown and appealing her eyes, so delicately oval her flushed cheeks. He felt that she was frightened and in trouble, and he wanted to comfort and reassure her. But how could she be Sidney Richmond?

"I don't understand," he said perplexedly.

"Oh!" Sidney threw out her hands in a burst of passionate protest. "No, and you never will understand—I can't make you understand."

"I don't understand," said John Lincoln again. "Can you be Sidney Richmond—the Sidney Richmond who has written to me for four years?"

"I am."

"Then, those letters—"

"Were all lies," said Sidney bluntly and desperately. "There was nothing true in them—nothing at all. This is my home. We are poor. Everything I told you about it and my life was just imagination."

"Then why did you write them?" he asked blankly. "Why did you deceive me?"

"Oh, I didn't mean to deceive you! I never thought of such a thing. When you asked me to write to you I wanted to, but I didn't know what to write about to a stranger. I just couldn't write you about my life here, not because it was hard, but it was so ugly and empty. So I wrote instead of the life I wanted to live—the life I did live in imagination. And when once I had begun, I had to keep it up. I found it so fascinating, too! Those letters made that other life seem real to me. I never expected to meet you. These last four days since your letter came have been dreadful to me. Oh, please go away and forgive me if you can! I know I can never make you understand how it came about."

Sidney turned away and hid her burning face against the cool white bark of the birch tree behind her. It was worse than she had even thought it would be. He was so handsome, so manly, so earnest-eyed! Oh, what a friend to lose!

John Lincoln opened the gate and went up to her. There was a great tenderness in his face, mingled with a little kindly, friendly amusement.

"Please don't distress yourself so, Sidney," he said, unconsciously using her Christian name. "I think I do understand. I'm not such a dull fellow as you take me for. After all, those letters were true—or, rather, there was truth in them. You revealed yourself more faithfully in them than if you had written truly about your narrow outward life."

Sidney turned her flushed face and wet eyes slowly toward him, a little smile struggling out amid the clouds of woe. This young man was certainly good at understanding. "You—you'll forgive me then?" she stammered.

"Yes, if there is anything to forgive. And for my own part, I am glad you are not what I have always thought you were. If I had come here and found you what I expected, living in such a home as I expected, I never could have told you or even thought of telling you what you have come to mean to me in these lonely years during which your letters have been the things most eagerly looked forward to. I should have come this evening and spent an hour or so with you, and then have gone away on the train tomorrow morning, and that would have been all.

"But I find instead just a dreamy romantic little girl, much like my sisters at home, except that she is a great deal cleverer. And as a result I mean to stay a week at Plainfield and come to see you every day, if you will let me. And on my way back to the Bar N I mean to stop off at Plainfield again for another week, and then I shall tell you something more—something it would be a little too bold to say now, perhaps, although I could say it just as well and truly. All this if I may. May I, Sidney?"

He bent forward and looked earnestly into her face. Sidney felt a new, curious, inexplicable thrill at her heart. "Oh, yes.—I suppose so," she said shyly.

"Now, take me up to the house and introduce me to your Aunt Jane," said John Lincoln in satisfied tone.

An Adventure on Island Rock[ToC]

"Who was the man I saw talking to you in the hayfield?" asked Aunt Kate, as Uncle Richard came to dinner.

"Bob Marks," said Uncle Richard briefly. "I've sold Laddie to him."

Ernest Hughes, the twelve-year-old orphan boy whom Uncle "boarded and kept" for the chores he did, suddenly stopped eating.

"Oh, Mr. Lawson, you're not going to sell Laddie?" he cried chokily.

Uncle Richard stared at him. Never before, in the five years that Ernest had lived with him, had the quiet little fellow spoken without being spoken to, much less ventured to protest against anything Uncle Richard might do.

"Certainly I am," answered the latter curtly. "Bob offered me twenty dollars for the dog, and he's coming after him next week."

"Oh, Mr. Lawson," said Ernest, rising to his feet, his small, freckled face crimson. "Oh, don't sell Laddie! Please, Mr. Lawson, don't sell him!"

"What nonsense is this?" said Uncle Richard sharply. He was a man who brooked no opposition from anybody, and who never changed his mind when it was once made up.

"Don't sell Laddie!" pleaded Ernest miserably. "He is the only friend I've got. I can't live if Laddie goes away. Oh, don't sell him, Mr. Lawson!"

"Sit down and hold your tongue," said Uncle Richard sternly. "The dog is mine, and I shall do with him as I think fit. He is sold, and that is all there is about it. Go on with your dinner."

But Ernest for the first time did not obey. He snatched his cap from the back of his chair, dashed it down over his eyes, and ran from the kitchen with a sob choking his breath. Uncle Richard looked angry, but Aunt Kate hastened to soothe him.

"Don't be vexed with the boy, Richard," she said. "You know he is very fond of Laddie. He's had to do with him ever since he was a pup, and no doubt he feels badly at the thought of losing him. I'm rather sorry myself that you have sold the dog."

"Well, he is sold and there's an end of it. I don't say but that the dog is a good dog. But he is of no use to us, and twenty dollars will come in mighty handy just now. He's worth that to Bob, for he is a good watch dog, so we've both made a fair bargain."

Nothing more was said about Ernest or Laddie. I had taken no part in the discussion, for I felt no great interest in the matter. Laddie was a nice dog; Ernest was a quiet, inoffensive little fellow, five years younger than myself; that was all I thought about either of them.

I was spending my vacation at Uncle Richard's farm on the Nova Scotian Bay of Fundy shore. I was a great favourite with Uncle Richard, partly because he had been much attached to my mother, his only sister, partly because of my strong resemblance to his only son, who had died several years before. Uncle Richard was a stern, undemonstrative man, but I knew that he entertained a deep and real affection for me, and I always enjoyed my vacation sojourns at his place.

"What are you going to do this afternoon, Ned?" he asked, after the disturbance caused by Ernest's outbreak had quieted down.

"I think I'll row out to Island Rock," I replied. "I want to take some views of the shore from it."

Uncle Richard nodded. He was much interested in my new camera.

"If you're on it about four o'clock, you'll get a fine view of the 'Hole in the Wall' when the sun begins to shine on the water through it," he said. "I've often thought it would make a handsome picture."

"After I've finished taking the pictures, I think I'll go down shore to Uncle Adam's and stay all night," I said. "Jim's dark room is more convenient than mine, and he has some pictures he is going to develop tonight, too."

I started for the shore about two o'clock. Ernest was sitting on the woodpile as I passed through the yard, with his arms about Laddie's neck and his face buried in Laddie's curly hair. Laddie was a handsome and intelligent black-and-white Newfoundland, with a magnificent coat. He and Ernest were great chums. I felt sorry for the boy who was to lose his pet.

"Don't take it so hard, Ern," I said, trying to comfort him. "Uncle will likely get another pup."

"I don't want any other pup!" Ernest blurted out. "Oh, Ned, won't you try and coax your uncle not to sell him? Perhaps he'd listen to you."

I shook my head. I knew Uncle Richard too well to hope that.

"Not in this case, Ern," I said. "He would say it did not concern me, and you know nothing moves him when he determines on a thing. You'll have to reconcile yourself to losing Laddie, I'm afraid."

Ernest's tow-coloured head went down on Laddie's neck again, and I, deciding that there was no use in saying anything more, proceeded towards the shore, which was about a mile from Uncle Richard's house. The beach along his farm and for several farms along shore was a lonely, untenanted one, for the fisher-folk all lived two miles further down, at Rowley's Cove. About three hundred yards from the shore was the peculiar formation known as Island Rock. This was a large rock that stood abruptly up out of the water. Below, about the usual water-line, it was seamed and fissured, but its summit rose up in a narrow, flat-topped peak. At low tide twenty feet of it was above water, but at high tide it was six feet and often more under water.

I pushed Uncle Richard's small flat down the rough path and rowed out to Island Rock. Arriving there, I thrust the painter deep into a narrow cleft. This was the usual way of mooring it, and no doubt of its safety occurred to me.

I scrambled up the rock and around to the eastern end, where there was a broader space for standing and from which some capital views could be obtained. The sea about the rock was calm, but there was quite a swell on and an off-shore breeze was blowing. There were no boats visible. The tide was low, leaving bare the curious caves and headlands along shore, and I secured a number of excellent snapshots. It was now three o'clock. I must wait another hour yet before I could get the best view of the "Hole in the Wall"—a huge, arch-like opening through a jutting headland to the west of me. I went around to look at it, when I saw a sight that made me stop short in dismay. This was nothing less than the flat, drifting outward around the point. The swell and suction of the water around the rock must have pulled her loose—and I was a prisoner! At first my only feeling was one of annoyance. Then a thought flashed into my mind that made me dizzy with fear. The tide would be high that night. If I could not escape from Island Rock I would inevitably be drowned.

I sat down limply on a ledge and tried to look matters fairly in the face. I could not swim; calls for help could not reach anybody; my only hope lay in the chance of somebody passing down the shore or of some boat appearing.

I looked at my watch. It was a quarter past three. The tide would begin to turn about five, but it would be at least ten before the rock would be covered. I had, then, little more than six hours to live unless rescued.

The flat was by this time out of sight around the point. I hoped that the sight of an empty flat drifting down shore might attract someone's attention and lead to investigation. That seemed to be my only hope. No alarm would be felt at Uncle Richard's because of my non-appearance. They would suppose I had gone to Uncle Adam's.

I have heard of time seeming long to a person in my predicament, but to me it seemed fairly to fly, for every moment decreased my chance of rescue. I determined I would not give way to cowardly fear, so, with a murmured prayer for help, I set myself to the task of waiting for death as bravely as possible. At intervals I shouted as loudly as I could and, when the sun came to the proper angle for the best view of the "Hole in the Wall," I took the picture. It afterwards turned out to be a great success, but I have never been able to look at it without a shudder.

At five the tide began to come in. Very, very slowly the water rose around Island Rock. Up, up, up it came, while I watched it with fascinated eyes, feeling like a rat in a trap. The sun fell lower and lower; at eight o'clock the moon rose large and bright; at nine it was a lovely night, dear, calm, bright as day, and the water was swishing over the highest ledge of the rock. With some difficulty I climbed to the top and sat there to await the end. I had no longer any hope of rescue but, by a great effort, I preserved self-control. If I had to die, I would at least face death staunchly. But when I thought of my mother at home, it tasked all my energies to keep from breaking down utterly.

Suddenly I heard a whistle. Never was sound so sweet. I stood up and peered eagerly shoreward. Coming around the "Hole in the Wall" headland, on top of the cliffs, I saw a boy and a dog. I sent a wild halloo ringing shoreward.

The boy started, stopped and looked out towards Island Rock. The next moment he hailed me. It was Ernest's voice, and it was Laddie who was barking beside him.

"Ernest," I shouted wildly, "run for help—quick! quick! The tide will be over the rock in half an hour! Hurry, or you will be too late!"

Instead of starting off at full speed, as I expected him to do, Ernest stood still for a moment, and then began to pick his steps down a narrow path over the cliff, followed by Laddie.

"Ernest," I shouted frantically, "what are you doing? Why don't you go for help?"

Ernest had by this time reached a narrow ledge of rock just above the water-line. I noticed that he was carrying something over his arm.

"It would take too long," he shouted. "By the time I got to the Cove and a boat could row back here, you'd be drowned. Laddie and I will save you. Is there anything there you can tie a rope to? I've a coil of rope here that I think will be long enough to reach you. I've been down to the Cove and Alec Martin sent it up to your uncle."

I looked about me; a smooth, round hole had been worn clean through a thin part of the apex of the rock.

"I could fasten the rope if I had it!" I called. "But how can you get it to me?"

For answer Ernest tied a bit of driftwood to the rope and put it into Laddie's mouth. The next minute the dog was swimming out to me. As soon as he came close I caught the rope. It was just long enough to stretch from shore to rock, allowing for a couple of hitches which Ernest gave around a small boulder on the ledge. I tied my camera case on my head by means of some string I found in my pocket, then I slipped into the water and, holding to the rope, went hand over hand to the shore with Laddie swimming beside me. Ernest held on to the shoreward end of the rope like grim death, a task that was no light one for his small arms. When I finally scrambled up beside him, his face was dripping with perspiration and he trembled like a leaf.

"Ern, you are a brick!" I exclaimed. "You've saved my life!"

"No, it was Laddie," said Ernest, refusing to take any credit at all.

We hurried home and arrived at Uncle Richard's about ten, just as they were going to bed. When Uncle Richard heard what had happened, he turned very pale, and murmured, "Thank God!" Aunt Kate got me out of my wet clothes as quickly as possible, put me away to bed in hot blankets and dosed me with ginger tea. I slept like a top and felt none the worse for my experience the next morning.

At the breakfast table Uncle Richard scarcely spoke. But, just as we finished, he said abruptly to Ernest, "I'm not going to sell Laddie. You and the dog saved Ned's life between you, and no dog who helped do that is ever going to be sold by me. Henceforth he belongs to you. I give him to you for your very own."

"Oh, Mr. Lawson!" said Ernest, with shining eyes.

I never saw a boy look so happy. As for Laddie, who was sitting beside him with his shaggy head on Ernest's knee, I really believe the dog understood, too. The look in his eyes was almost human. Uncle Richard leaned over and patted him.

"Good dog!" he said. "Good dog!"

At Five O'Clock in the Morning[ToC]

Fate, in the guise of Mrs. Emory dropping a milk-can on the platform under his open window, awakened Murray that morning. Had not Mrs. Emory dropped that can, he would have slumbered peacefully until his usual hour for rising—a late one, be it admitted, for of all the boarders at Sweetbriar Cottage Murray was the most irregular in his habits.

"When a young man," Mrs. Emory was wont to remark sagely and a trifle severely, "prowls about that pond half of the night, a-chasing of things what he calls 'moonlight effecks,' it ain't to be wondered at that he's sleepy in the morning. And it ain't the convenientest thing, nuther and noways, to keep the breakfast table set till the farm folks are thinking of dinner. But them artist men are not like other people, say what you will, and allowance has to be made for them. And I must say that I likes him real well and approves of him every other way."

If Murray had slept late that morning—well, he shudders yet over that "if." But aforesaid Fate saw to it that he woke when the hour of destiny and the milk-can struck, and having awakened he found he could not go to sleep again. It suddenly occurred to him that he had never seen a sunrise on the pond. Doubtless it would be very lovely down there in those dewy meadows at such a primitive hour; he decided to get up and see what the world looked like in the young daylight.

He scowled at a letter lying on his dressing table and thrust it into his pocket that it might be out of sight. He had written it the night before and the writing of it was going to cost him several things—a prospective million among others. So it is hardly to be wondered at if the sight of it did not reconcile him to the joys of early rising.

"Dear life and heart!" exclaimed Mrs. Emory, pausing in the act of scalding a milk-can when Murray emerged from a side door. "What on earth is the matter, Mr. Murray? You ain't sick now, surely? I told you them pond fogs was p'isen after night! If you've gone and got—"

"Nothing is the matter, dear lady," interrupted Murray, "and I haven't gone and got anything except an acute attack of early rising which is not in the least likely to become chronic. But at what hour of the night do you get up, you wonderful woman? Or rather do you ever go to bed at all? Here is the sun only beginning to rise and—positively yes, you have all your cows milked."

Mrs. Emory purred with delight.

"Folks as has fourteen cows to milk has to rise betimes," she answered with proud humility. "Laws, I don't complain—I've lots of help with the milking. How Mrs. Palmer manages, I really cannot comperhend—or rather, how she has managed. I suppose she'll be all right now since her niece came last night. I saw her posting to the pond pasture not ten minutes ago. She'll have to milk all them seven cows herself. But dear life and heart! Here I be palavering away and not a bite of breakfast ready for you!"

"I don't want any breakfast until the regular time for it," assured Murray. "I'm going down to the pond to see the sun rise."

"Now don't you go and get caught in the ma'sh," anxiously called Mrs. Emory, as she never failed to do when she saw him starting for the pond. Nobody ever had got caught in the marsh, but Mrs. Emory lived in a chronic state of fear lest someone should.

"And if you once got stuck in that black mud you'd be sucked right down and never seen or heard tell of again till the day of judgment, like Adam Palmer's cow," she was wont to warn her boarders.

Murray sought his favourite spot for pond dreaming—a bloomy corner of the pasture that ran down into the blue water, with a dump of leafy maples on the left. He was very glad he had risen early. A miracle was being worked before his very eyes. The world was in a flush and tremor of maiden loveliness, instinct with all the marvellous fleeting charm of girlhood and spring and young morning. Overhead the sky was a vast high-sprung arch of unstained crystal. Down over the sand dunes, where the pond ran out into the sea, was a great arc of primrose smitten through with auroral crimsonings. Beneath it the pond waters shimmered with a hundred fairy hues, but just before him they were clear as a flawless mirror. The fields around him glistened with dews, and a little wandering wind, blowing lightly from some bourne in the hills, strayed down over the slopes, bringing with it an unimaginable odour and freshness, and fluttered over the pond, leaving a little path of dancing silver ripples across the mirror-glory of the water. Birds were singing in the beech woods over on Orchard Knob Farm, answering to each other from shore to shore, until the very air was tremulous with the elfin music of this wonderful midsummer dawn.

"I will get up at sunrise every morning of my life hereafter," exclaimed Murray rapturously, not meaning a syllable of it, but devoutly believing he did.

Just as the fiery disc of the sun peered over the sand dunes Murray heard music that was not of the birds. It was a girl's voice singing beyond the maples to his left—a clear sweet voice, blithely trilling out the old-fashioned song, "Five O'Clock in the Morning."

"Mrs. Palmer's niece!"

Murray sprang to his feet and tiptoed cautiously through the maples. He had heard so much from Mrs. Palmer about her niece that he felt reasonably well acquainted with her. Moreover, Mrs. Palmer had assured him that Mollie was a very pretty girl. Now a pretty girl milking cows at sunrise in the meadows sounded well.

Mrs. Palmer had not over-rated her niece's beauty. Murray said so to himself with a little whistle of amazement as he leaned unseen on the pasture fence and looked at the girl who was milking a placid Jersey less than ten yards away from him. Murray's artistic instinct responded to the whole scene with a thrill of satisfaction.

He could see only her profile, but that was perfect, and the colouring of the oval cheek and the beautiful curve of the chin were something to adore. Her hair, ruffled into lovable little ringlets by the morning wind, was coiled in glistening chestnut masses high on her bare head, and her arms, bare to the elbow, were as white as marble. Presently she began to sing again, and this time Murray joined in. She half rose from her milking stool and cast a startled glance at the maples. Then she dropped back again and began to milk determinedly, but Murray could have sworn that he saw a demure smile hovering about her lips. That, and the revelation of her full face, decided him. He sprang over the fence and sauntered across the intervening space of lush clover blossoms.

"Good morning," he said coolly. He had forgotten her other name, and it did not matter; at five o'clock in the morning people who met in dewy clover fields might disregard the conventionalities. "Isn't it rather a large contract for you to be milking seven cows all alone? May I help you?"

Mollie looked up at him over her shoulder. She had glorious grey eyes. Her face was serene and undisturbed. "Can you milk?" she asked.

"Unlikely as it may seem, I can," said Murray. "I have never confessed it to Mrs. Emory, because I was afraid she would inveigle me into milking her fourteen cows. But I don't mind helping you. I learned to milk when I was a shaver on my vacations at a grandfatherly farm. May I have that extra pail?"

Murray captured a milking stool and rounded up another Jersey. Before sitting down he seemed struck with an idea.

"My name is Arnold Murray. I board at Sweetbriar Cottage, next farm to Orchard Knob. That makes us near neighbours."

"I suppose it does," said Mollie.

Murray mentally decided that her voice was the sweetest he had ever heard. He was glad he had arranged his cow at such an angle that he could study her profile. It was amazing that Mrs. Palmer's niece should have such a profile. It looked as if centuries of fine breeding were responsible for it.

"What a morning!" he said enthusiastically. "It harks back to the days when earth was young. They must have had just such mornings as this in Eden."

"Do you always get up so early?" asked Mollie practically.

"Always," said Murray without a blush. Then—"But no, that is a fib, and I cannot tell fibs to you. The truth is your tribute. I never get up early. It was fate that roused me and brought me here this morning. The morning is a miracle—and you, I might suppose you were born of the sunrise, if Mrs. Palmer hadn't told me all about you."

"What did she tell you about me?" asked Mollie, changing cows. Murray discovered that she was tall and that the big blue print apron shrouded a singularly graceful figure.

"She said you were the best-looking girl in Bruce county. I have seen very few of the girls in Bruce county, but I know she is right."

"That compliment is not nearly so pretty as the sunrise one," said Mollie reflectively. "Mrs. Palmer has told me things about you," she added.

"Curiosity knows no gender," hinted Murray.

"She said you were good-looking and lazy and different from other people."

"All compliments," said Murray in a gratified tone.

"Lazy?"

"Certainly. Laziness is a virtue in these strenuous days, I was not born with it, but I have painstakingly acquired it, and I am proud of my success. I have time to enjoy life."

"I think that I like you," said Mollie.

"You have the merit of being able to enter into a situation," he assured her.

When the last Jersey was milked they carried the pails down to the spring where the creamers were sunk and strained the milk into them. Murray washed the pails and Mollie wiped them and set them in a gleaming row on the shelf under a big maple.

"Thank you," she said.

"You are not going yet," said Murray resolutely. "The time I saved you in milking three cows belongs to me. We will spend it in a walk along the pond shore. I will show you a path I have discovered under the beeches. It is just wide enough for two. Come."

He took her hand and drew her through the copse into a green lane, where the ferns grew thickly on either side and the pond waters plashed dreamily below them. He kept her hand in his as they went down the path, and she did not try to withdraw it. About them was the great, pure silence of the morning, faintly threaded with caressing sounds—croon of birds, gurgle of waters, sough of wind. The spirit of youth and love hovered over them and they spoke no word.

When they finally came out on a little green nook swimming in early sunshine and arched over by maples, with the wide shimmer of the pond before it and the gold dust of blossoms over the grass, the girl drew a long breath of delight.

"It is a morning left over from Eden, isn't it?" said Murray.

"Yes," said Mollie softly.

Murray bent toward her. "You are Eve," he said. "You are the only woman in the world—for me. Adam must have told Eve just what he thought about her the first time he saw her. There were no conventionalities in Eden—and people could not have taken long to make up their minds. We are in Eden just now. One can say what he thinks in Eden without being ridiculous. You are divinely fair, Eve. Your eyes are stars of the morning—your cheek has the flush it stole from the sunrise-your lips are redder than the roses of paradise. And I love you, Eve."

Mollie lowered her eyes and the long fringe of her lashes lay in a burnished semi-circle on her cheek.

"I think," she said slowly, "that it must have been very delightful in Eden. But we are not really there, you know—we are only playing that we are. And it is time for me to go back. I must get the breakfast—that sounds too prosaic for paradise."

Murray bent still closer.

"Before we remember that we are only playing at paradise, will you kiss me, dear Eve?"

"You are very audacious," said Mollie coldly.

"We are in Eden yet," he urged. "That makes all the difference."

"Well," said Mollie. And Murray kissed her.

They had passed back over the fern path and were in the pasture before either spoke again. Then Murray said, "We have left Eden behind—but we can always return there when we will. And although we were only playing at paradise, I was not playing at love. I meant all I said, Mollie."

"Have you meant it often?" asked Mollie significantly.

"I never meant it—or even played at it—before," he answered. "I did—at one time—contemplate the possibility of playing at it. But that was long ago—as long ago as last night. I am glad to the core of my soul that I decided against it before I met you, dear Eve. I have the letter of decision in my coat pocket this moment. I mean to mail it this afternoon."

"'Curiosity knows no gender,'" quoted Mollie.

"Then, to satisfy your curiosity, I must bore you with some personal history. My parents died when I was a little chap, and my uncle brought me up. He has been immensely good to me, but he is a bit of a tyrant. Recently he picked out a wife for me—the daughter of an old sweetheart of his. I have never even seen her. But she has arrived in town on a visit to some relatives there. Uncle Dick wrote to me to return home at once and pay my court to the lady; I protested. He wrote again—a letter, short and the reverse of sweet. If I refused to do my best to win Miss Mannering he would disown me—never speak to me again—cut me off with a quarter. Uncle always means what he says—that is one of our family traits, you understand. I spent some miserable, undecided days. It was not the threat of disinheritance that worried me, although when you have been brought up to regard yourself as a prospective millionaire it is rather difficult to adjust your vision to a pauper focus. But it was the thought of alienating Uncle Dick. I love the dear, determined old chap like a father. But last night my guardian angel was with me and I decided to remain my own man. So I wrote to Uncle Dick, respectfully but firmly declining to become a candidate for Miss Mannering's hand."

"But you have never seen her," said Mollie. "She may be—almost—charming."

"'If she be not fair to me, what care I how fair she be?'" quoted Murray. "As you say, she may be—almost charming; but she is not Eve. She is merely one of a million other women, as far as I am concerned. Don't let's talk of her. Let us talk only of ourselves—there is nothing else that is half so interesting."

"And will your uncle really cast you off?" asked Mollie.

"Not a doubt of it."

"What will you do?"

"Work, dear Eve. My carefully acquired laziness must be thrown to the winds and I shall work. That is the rule outside of Eden. Don't worry. I've painted pictures that have actually been sold. I'll make a living for us somehow."

"Us?"

"Of course. You are engaged to me."

"I am not," said Mollie indignantly.

"Mollie! Mollie! After that kiss! Fie, fie!"

"You are very absurd," said Mollie, "But your absurdity has been amusing. I have—yes, positively—I have enjoyed your Eden comedy. But now you must not come any further with me. My aunt might not approve. Here is my path to Orchard Knob farmhouse. There, I presume, is yours to Sweetbriar Cottage. Good morning."

"I am coming over to see you this afternoon," said Murray coolly. "But you needn't be afraid. I will not tell tales out of Eden. I will be a hypocrite and pretend to Mrs. Palmer that we have never met before. But you and I will know and remember. Now, you may go. I reserve to myself the privilege of standing here and watching you out of sight."

That afternoon Murray strolled over to Orchard Knob, going into the kitchen without knocking as was the habit in that free and easy world. Mrs. Palmer was lying on the lounge with a pungent handkerchief bound about her head, but keeping a vigilant eye on a very pretty, very plump brown-eyed girl who was stirring a kettleful of cherry preserve on the range.

"Good afternoon, Mrs. Palmer," said Murray, wondering where Mollie was. "I'm sorry to see that you look something like an invalid."

"I've a raging, ramping headache," said Mrs. Palmer solemnly. "I had it all night and I'm good for nothing. Mollie, you'd better take them cherries off. Mr. Murray, this is my niece, Mollie Booth."

"What?" said Murray explosively.

"Miss Mollie Booth," repeated Mrs. Palmer in a louder tone.

Murray regained outward self-control and bowed to the blushing Mollie.

"And what about Eve?" he thought helplessly. "Who—what was she? Did I dream her? Was she a phantom of delight? No, no, phantoms don't milk cows. She was flesh and blood. No chilly nymph exhaling from the mists of the marsh could have given a kiss like that."

"Mollie has come to stay the rest of the summer with me," said Mrs. Palmer. "I hope to goodness my tribulations with hired girls is over at last. They have made a wreck of me."

Murray rapidly reflected. This development, he decided, released him from his promise to tell no tales. "I met a young lady down in the pond pasture this morning," he said deliberately. "I talked with her for a few minutes. I supposed her to be your niece. Who was she?"

"Oh, that was Miss Mannering," said Mrs. Palmer.

"What?" said Murray again.

"Mannering—Dora Mannering," said Mrs. Palmer loudly, wondering if Mr. Murray were losing his hearing. "She came here last night just to see me. I haven't seen her since she was a child of twelve. I used to be her nurse before I was married. I was that proud to think she thought it worth her while to look me up. And, mind you, this morning, when she found me crippled with headache and not able to do a hand's turn, that girl, Mr. Murray, went and milked seven cows"—"only four," murmured Murray, but Mrs. Palmer did not hear him—"for me. Couldn't prevent her. She said she had learned to milk for fun one summer when she was in the country, and she did it. And then she got breakfast for the men—Mollie didn't come till the ten o'clock train. Miss Mannering is as capable as if she had been riz on a farm."

"Where is she now?" demanded Murray.

"Oh, she's gone."

"What?"

"Gone," shouted Mrs. Palmer, "gone. She left on the train Mollie come on. Gracious me, has the man gone crazy? He hasn't seemed like himself at all this afternoon."

Murray had bolted madly out of the house and was striding down the lane.

Blind fool—unspeakable idiot that he had been! To take her for Mrs. Palmer's niece—that peerless creature with the calm acceptance of any situation, which marked the woman of the world, with the fine appreciation and quickness of repartee that spoke of generations of culture—to imagine that she could be Mollie Booth! He had been blind, besottedly blind. And now he had lost her! She would never forgive him; she had gone without a word or sign.

As he reached the last curve of the lane where it looped about the apple trees, a plump figure came flying down the orchard slope.

"Mr. Murray, Mr. Murray," Mollie Booth called breathlessly. "Will you please come here just a minute?"

Murray crossed over to the paling rather grumpily. He did not want to talk with Mollie Booth just then. Confound it, what did the girl want? Why was she looking so mysterious?

Mollie produced a little square grey envelope from some feminine hiding place and handed it over the paling.

"She give me this at the station—Miss Mannering did," she gasped, "and asked me to give it to you without letting Aunt Emily Jane see. I couldn't get a chanst when you was in, but as soon as you went I slipped out by the porch door and followed you. You went so fast I near died trying to head you off."

"You dear little soul," said Murray, suddenly radiant. "It is too bad you have had to put yourself so out of breath on my account. But I am immensely obliged to you. The next time your young man wants a trusty private messenger just refer him to me."

"Git away with you," giggled Mollie. "I must hurry back 'fore Aunt Emily Jane gits wind I'm gone. I hope there's good news in your girl's letter. My, but didn't you look flat when Aunt said she'd went!"

Murray beamed at her idiotically. When she had vanished among the trees he opened his letter.

"Dear Mr. Murray," it ran, "your unblushing audacity of the morning deserves some punishment. I hereby punish you by prompt departure from Orchard Knob. Yet I do not dislike audacity, at some times, in some places, in some people. It is only from a sense of duty that I punish it in this case. And it was really pleasant in Eden. If you do not mail that letter, and if you still persist in your very absurd interpretation of the meaning of Eve's kiss, we may meet again in town. Until then I remain,

"Very sincerely yours,
"Dora Lynne Mannering."

Murray kissed the grey letter and put it tenderly away in his pocket. Then he took his letter to his uncle and tore it into tiny fragments. Finally he looked at his watch.

"If I hurry, I can catch the afternoon train to town," he said.

Aunt Susanna's Birthday Celebration[ToC]

Good afternoon, Nora May. I'm real glad to see you. I've been watching you coming down the hill and I hoping you'd turn in at our gate. Going to visit with me this afternoon? That's good. I'm feeling so happy and delighted and I've been hankering for someone to tell it all to.

Tell you about it? Well, I guess I might as well. It ain't any breach of confidence.

You didn't know Anne Douglas? She taught school here three years ago, afore your folks moved over from Talcott. She belonged up Montrose way and she was only eighteen when she came here to teach. She boarded with us and her and me were the greatest chums. She was just a sweet girl.

She was the prettiest teacher we ever had, and that's saying a good deal, for Springdale has always been noted for getting good-looking schoolmarms, just as Miller's Road is noted for its humly ones.

Anne had yards of brown wavy hair and big, dark blue eyes. Her face was kind o' pale, but when she smiled you would have to smile too, if you'd been chief mourner at your own funeral. She was a well-spring of joy in the house, and we all loved her.

Gilbert Martin began to drive her the very first week she was here. Gilbert is my sister Julia's son, and a fine young fellow he is. It ain't good manners to brag of your own relations, but I'm always forgetting and doing it. Gil was a great pet of mine. He was so bright and nice-mannered everybody liked him. Him and Anne were a fine-looking couple, Nora May. Not but what they had their shortcomings. Anne's nose was a mite too long and Gil had a crooked mouth. Besides, they was both pretty proud and sperrited and high-strung.

But they thought an awful lot of each other. It made me feel young again to see 'em. Anne wasn't a mossel vain, but nights she expected Gil she'd prink for hours afore her glass, fixing her hair this way and that, and trying on all her good clothes to see which become her most. I used to love her for it. And I used to love to see the way Gil's face would light up when she came into a room or place where he was. Amanda Perkins, she says to me once, "Anne Douglas and Gil Martin are most terrible struck on each other." And she said it in a tone that indicated that it was a dreadful disgraceful and unbecoming state of affairs. Amanda had a disappointment once and it soured her. I immediately responded, "Yes, they are most terrible struck on each other," and I said it in a tone that indicated I thought it a most beautiful and lovely thing that they should be so.

And so it was. You're rather too young to be thinking of such things, Nora May, but you'll remember my words when the time comes.

Another nephew of mine, James Ebenezer Lawson—he calls himself James E. back there in town, and I don't blame him, for I never could stand Ebenezer for a name myself; but that's neither here nor there. Well, he said their love was idyllic, I ain't very sure what that means. I looked it up in the dictionary after James Ebenezer left—I wouldn't display my ignorance afore him—but I can't say that I was much the wiser for it. Anyway, it meant something real nice; I was sure of that by the way James Ebenezer spoke and the wistful look in his eyes. James Ebenezer isn't married; he was to have been, and she died a month afore the wedding day. He was never the same man again.

Well, to get back to Gilbert and Anne. When Anne's school year ended in June she resigned and went home to get ready to be married. The wedding was to be in September, and I promised Anne faithful I'd go over to Montrose in August for two weeks and help her to get her quilts ready. Anne thought that nobody could quilt like me. I was as tickled as a girl at the thought of visiting with Anne for two weeks, but I never went; things happened before August.

I don't know rightly how the trouble began. Other folks—jealous folks—made mischief. Anne was thirty miles away and Gilbert couldn't see her every day to keep matters clear and fair. Besides, as I've said, they were both proud and high-sperrited. The upshot of it was they had a terrible quarrel and the engagement was broken.

When two people don't care overly much for each other, Nora May, a quarrel never amounts to much between them, and it's soon made up. But when they love each other better than life it cuts so deep and hurts so much that nine times out of ten they won't ever forgive each other. The more you love anybody, Nora May, the more he can hurt you. To be sure, you're too young to be thinking of such things.

It all came like a thunderclap on Gil's friends here at Greendale, because we hadn't ever suspected things were going wrong. The first thing we knew was that Anne had gone up west to teach school again at St. Mary's, eighty miles away, and Gilbert, he went out to Manitoba on a harvest excursion and stayed there. It just about broke his parents' hearts. He was their only child and they just worshipped him.

Gil and Anne both wrote to me off and on, but never a word, not so much as a name, did they say of each other. I'd 'a' writ and asked 'em the rights of the fuss if I could, in hopes of patching it up, but I can't write now—my hand is too shaky—and mebbe it was just as well, for meddling is terribly risky work in a love trouble, Nora May. Ninety-nine times out of a hundred the last state of a meddler and them she meddles with is worse than the first.

So I just set tight and said nothing, while everybody else in the clan was talking Anne and Gil sixty words to the minute.

Well, last birthday morning I was feeling terrible disperrited. I had made up my mind that my birthday was always to be a good thing for other people, and there didn't seem one blessed thing I could do to make anybody glad. Emma Matilda and George and the children were all well and happy and wanted for nothing that I could give them. I begun to be afraid I'd lived long enough, Nora May. When a woman gets to the point where she can't give a gift of joy to anyone, there ain't much use in her living. I felt real old and worn out and useless.

I was sitting here under these very trees—they was just budding out in leaf then, as young and cheerful as if they wasn't a hundred years old. And I sighed right out loud and said, "Oh, Grandpa Holland, it's time I was put away up on the hill there with you." And with that the gate banged and there was Nancy Jane Whitmore's boy, Sam, with two letters for me.

One was from Anne up at St. Mary's and the other was from Gil out in Manitoba.

I read Anne's first. She just struck right into things in the first paragraph. She said her year at St. Mary's was nearly up, and when it was she meant to quit teaching and go away to New York and learn to be a trained nurse. She said she was just broken-hearted about Gilbert, and would always love him to the day of her death. But she knew he didn't care anything more about her after the way he had acted, and there was nothing left for her in life but to do something for other people, and so on and so on, for twelve mortal pages. Anne is a fine writer, and I just cried like a babe over that letter, it was so touching, although I was enjoying myself hugely all the time, I was so delighted to find out that Anne loved Gilbert still. I was getting skeered she didn't, her letters all winter had been so kind of jokey and frivolous, all about the good times she was having, and the parties she went to, and the new dresses she got. New dresses! When I read that letter of Anne's, I knew that all the purple and fine linen in the world was just like so much sackcloth and ashes to her as long as Gilbert was sulking out on a prairie farm.

Well, I wiped my eyes and polished up my specs, but I might have spared myself the trouble, for in five minutes, Nora May, there was I sobbing again; over Gilbert's letter. By the most curious coincidence he had opened his heart to me too. Being a man, he wasn't so discursive as Anne; he said his say in four pages, but I could read the heartache between the lines. He wrote that he was going to Klondike and would start in a month's time. He was sick of living now that he'd lost Anne. He said he loved her better than his life and always would, and could never forget her, but he knew she didn't care anything about him now after the way she'd acted, and he wanted to get as far away from her and the torturing thought of her as he could. So he was going to Klondike—going to Klondike, Nora May, when his mother was writing to him to come home every week and Anne was breaking her heart for him at St. Mary's.

Well, I folded up them letters and, says I, "Grandpa Holland, I guess my birthday celebration is here ready to hand." I thought real hard. I couldn't write myself to explain to those two people that they each thought the world of each other still—my hands are too stiff; and I couldn't get anyone else to write because I couldn't let out what they'd told me in confidence. So I did a mean, dishonourable thing, Nora May. I sent Anne's letter to Gilbert and Gilbert's to Anne. I asked Emma Matilda to address them, and Emma Matilda did it and asked no questions. I brought her up that way.

Then I settled down to wait. In less than a month Gilbert's mother had a letter from him saying that he was coming home to settle down and marry Anne. He arrived home yesterday and last night Anne came to Springdale on her way home from St. Mary's. They came to see me this morning and said things to me I ain't going to repeat because they would sound fearful vain. They were so happy that they made me feel as if it was a good thing to have lived eighty years in a world where folks could be so happy. They said their new joy was my birthday gift to them. The wedding is to be in September and I'm going to Montrose in August to help Anne with her quilts. I don't think anything will happen to prevent this time—no quarrelling, anyhow. Those two young creatures have learned their lesson. You'd better take it to heart too, Nora May. It's less trouble to learn it at second hand. Don't you ever quarrel with your real beau—it don't matter about the sham ones, of course. Don't take offence at trifles or listen to what other people tell you about him—outsiders, that is, that want to make mischief. What you think about him is of more importance than what they do. To be sure, you're too young yet to be thinking of such things at all. But just mind what old Aunt Susanna told you when your time comes.

Bertie's New Year[ToC]

He stood on the sagging doorstep and looked out on the snowy world. His hands were clasped behind him, and his thin face wore a thoughtful, puzzled look. The door behind him opened jerkingly, and a scowling woman came out with a pan of dishwater in her hand.

"Ain't you gone yet, Bert?" she said sharply. "What in the world are you hanging round for?"

"It's early yet," said Bertie cheerfully. "I thought maybe George Fraser'd be along and I'd get a lift as far as the store."

"Well, I never saw such laziness! No wonder old Sampson won't keep you longer than the holidays if you're no smarter than that. Goodness, if I don't settle that boy!"—as the sound of fretful crying came from the kitchen behind her.

"What is wrong with William John?" asked Bertie.

"Why, he wants to go out coasting with those Robinson boys, but he can't. He hasn't got any mittens and he would catch his death of cold again."

Her voice seemed to imply that William John had died of cold several times already.

Bertie looked soberly down at his old, well-darned mittens. It was very cold, and he would have a great many errands to run. He shivered, and looked up at his aunt's hard face as she stood wiping her dish-pan with a grim frown which boded no good to the discontented William John. Then he suddenly pulled off his mittens and held them out.

"Here—he can have mine. I'll get on without them well enough."

"Nonsense!" said Mrs. Ross, but less unkindly. "The fingers would freeze off you. Don't be a goose."

"It's all right," persisted Bertie. "I don't need them—much. And William John doesn't hardly ever get out."

He thrust them into her hand and ran quickly down the street, as though he feared that the keen air might make him change his mind in spite of himself. He had to stop a great many times that day to breathe on his purple hands. Still, he did not regret having lent his mittens to William John—poor, pale, sickly little William John, who had so few pleasures.

It was sunset when Bertie laid an armful of parcels down on the steps of Doctor Forbes's handsome house. His back was turned towards the big bay window at one side, and he was busy trying to warm his hands, so he did not see the two small faces looking at him through the frosty panes.

"Just look at that poor little boy, Amy," said the taller of the two. "He is almost frozen, I believe. Why doesn't Caroline hurry and open the door?"

"There she goes now," said Amy. "Edie, couldn't we coax her to let him come in and get warm? He looks so cold." And she drew her sister out into the hall, where the housekeeper was taking Bertie's parcels.

"Caroline," whispered Edith timidly, "please tell that poor little fellow to come in and get warm—he looks very cold."

"He's used to the cold, I warrant you," said the housekeeper rather impatiently. "It won't hurt him."

"But it is Christmas week," said Edith gravely, "and you know, Caroline, when Mamma was here she used to say that we ought to be particularly thoughtful of others who were not so happy or well-off as we were at this time."

Perhaps Edith's reference to her mother softened Caroline, for she turned to Bertie and said cordially enough, "Come in, and warm yourself before you go. It's a cold day."

Bertie shyly followed her to the kitchen.

"Sit up to the fire," said Caroline, placing a chair for him, while Edith and Amy came round to the other side of the stove and watched him with friendly interest.

"What's your name?" asked Caroline.

"Robert Ross, ma'am."

"Oh, you're Mrs. Ross's nephew then," said Caroline, breaking eggs into her cake-bowl, and whisking them deftly round. "And you're Sampson's errand boy just now? My goodness," as the boy spread his blue hands over the fire, "where are your mittens, child? You're never out without mittens a day like this!"

"I lent them to William John—he hadn't any," faltered Bertie. He did not know but that the lady might consider it a grave crime to be mittenless.

"No mittens!" exclaimed Amy in dismay. "Why, I have three pairs. And who is William John?"

"He is my cousin," said Bertie. "And he's awful sickly. He wanted to go out to play, and he hadn't any mittens, so I lent him mine. I didn't miss them—much."

"What kind of a Christmas did you have?"

"We didn't have any."

"No Christmas!" said Amy, quite overcome. "Oh, well, I suppose you are going to have a good time on New Year's instead."

Bertie shook his head.

"No'm, I guess not. We never have it different from other times."

Amy was silent from sheer amazement. Edith understood better, and she changed the subject.

"Have you any brothers or sisters, Bertie?"

"No'm," returned Bertie cheerfully. "I guess there's enough of us without that. I must be going now. I'm very much obliged to you."

Edith slipped from the room as he spoke, and met him again at the door. She held out a pair of warm-looking mittens.

"These are for William John," she said simply, "so that you can have your own. They are a pair of mine which are too big for me. I know Papa will say it is all right. Goodbye, Bertie."

"Goodbye—and thank you," stammered Bertie, as the door closed. Then he hastened home to William John.

That evening Doctor Forbes noticed a peculiarly thoughtful look on Edith's face as she sat gazing into the glowing coal fire after dinner. He laid his hand on her dark curls inquiringly.

"What are you musing over?"

"There was a little boy here today," began Edith.

"Oh, such a dear little boy," broke in Amy eagerly from the corner, where she was playing with her kitten. "His name was Bertie Ross. He brought up the parcels, and we asked him in to get warm. He had no mittens, and his hands were almost frozen. And, oh, Papa, just think!—he said he never had any Christmas or New Year at all."

"Poor little fellow!" said the doctor. "I've heard of him; a pretty hard time he has of it, I think."

"He was so pretty, Papa. And Edie gave him her blue mittens for William John."

"The plot deepens. Who is William John?"

"Oh, a cousin or something, didn't he say Edie? Anyway, he is sick, and he wanted to go coasting, and Bertie gave him his mittens. And I suppose he never had any Christmas either."

"There are plenty who haven't," said the doctor, taking up his paper with a sigh. "Well, girlies, you seem interested in this little fellow so, if you like, you may invite him and his cousin to take dinner with you on New Year's night."

"Oh, Papa!" said Edith, her eyes shining like stars.

The doctor laughed. "Write him a nice little note of invitation—you are the lady of the house, you know—and I'll see that he gets it tomorrow."

And this was how it came to pass that Bertie received the next day his first invitation to dine out. He read the little note through three times in order fully to take in its contents, and then went around the rest of the day in deep abstraction as though he was trying to decide some very important question. It was with the same expression that he opened the door at home in the evening. His aunt was stirring some oatmeal mush on the stove.

"Is that you, Bert?" She spoke sharply. She always spoke sharply, even when not intending it; it had grown to be a habit.

"Yes'm," said Bertie meekly, as he hung up his cap.

"I s'pose you've only got one day more at the store," said Mrs. Ross. "Sampson didn't say anything about keeping you longer, did he?"

"No. He said he couldn't—I asked him."

"Well, I didn't expect he would. You'll have a holiday on New Year's anyhow; whether you'll have anything to eat or not is a different question."

"I've an invitation to dinner," said Bertie timidly, "me and William John. It's from Doctor Forbes's little girls—the ones that gave me the mittens."

He handed her the little note, and Mrs. Ross stooped down and read it by the fitful gleam of light which came from the cracked stove.

"Well, you can please yourself," she said as she handed it back, "but William John couldn't go if he had ten invitations. He caught cold coasting yesterday. I told him he would, but he was bound to go, and now he's laid up for a week. Listen to him barking in the bedroom there."

"Well, then, I won't go either," said Bertie with a sigh, it might be of relief, or it might be of disappointment. "I wouldn't go there all alone."

"You're a goose!" said his aunt. "They wouldn't eat you. But as I said, please yourself. Anyhow, hold your tongue about it to William John, or you'll have him crying and bawling to go too."

The caution came too late. William John had already heard it, and when his mother went in to rub his chest with liniment, she found him with the ragged quilt over his head crying.

"Come, William John, I want to rub you."

"I don't want to be rubbed—g'way," sobbed William John. "I heard you out there—you needn't think I didn't. Bertie's going to Doctor Forbes's to dinner and I can't go."

"Well, you've only yourself to thank for it," returned his mother. "If you hadn't persisted in going out coasting yesterday when I wanted you to stay in, you'd have been able to go to Doctor Forbes's. Little boys who won't do as they're told always get into trouble. Stop crying, now. I dare say if Bertie goes they'll send you some candy, or something."

But William John refused to be comforted. He cried himself to sleep that night, and when Bertie went in to see him next morning, he found him sitting up in bed with his eyes red and swollen and the faded quilt drawn up around his pinched face.

"Well, William John, how are you?"

"I ain't any better," replied William John mournfully. "I s'pose you'll have a great time tomorrow night, Bertie?"

"Oh, I'm not going since you can't," said Bertie cheerily. He thought this would comfort William John, but it had exactly the opposite effect. William John had cried until he could cry no more, but he turned around and sobbed.

"There now!" he said in tearless despair. "That's just what I expected. I did s'pose if I couldn't go you would, and tell me about it. You're mean as mean can be."

"Come now, William John, don't be so cross. I thought you'd rather have me home, but I'll go, if you want me to."

"Honest, now?"

"Yes, honest. I'll go anywhere to please you. I must be off to the store now. Goodbye."

Thus committed, Bertie took his courage in both hands and went. The next evening at dusk found him standing at Doctor Forbes's door with a very violently beating heart. He was carefully dressed in his well-worn best suit and a neat white collar. The frosty air had crimsoned his cheeks and his hair was curling round his face.

Caroline opened the door and showed him into the parlour, where Edith and Amy were eagerly awaiting him.

"Happy New Year, Bertie," cried Amy. "And—but, why, where is William John?"

"He couldn't come," answered Bertie anxiously—he was afraid he might not be welcome without William John. "He's real sick. He caught cold and has to stay in bed; but he wanted to come awful bad."

"Oh, dear me! Poor William John!" said Amy in a disappointed tone. But all further remarks were cut short by the entrance of Doctor Forbes.

"How do you do?" he said, giving Bertie's hand a hearty shake. "But where is the other little fellow my girls were expecting?"

Bertie patiently reaccounted for William John's non-appearance.

"It's a bad time for colds," said the doctor, sitting down and attacking the fire. "I dare say, though, you have to run so fast these days that a cold couldn't catch you. I suppose you'll soon be leaving Sampson's. He told me he didn't need you after the holiday season was over. What are you going at next? Have you anything in view?"

Bertie shook his head sorrowfully.

"No, sir; but," he added more cheerfully, "I guess I'll find something if I hunt around lively. I almost always do."

He forgot his shyness; his face flushed hopefully, and he looked straight at the doctor with his bright, earnest eyes. The doctor poked the fire energetically and looked very wise. But just then the girls came up and carried Bertie off to display their holiday gifts. And there was a fur cap and a pair of mittens for him! He wondered whether he was dreaming.

"And here's a picture-book for William John," said Amy, "and there is a sled out in the kitchen for him. Oh, there's the dinner-bell. I'm awfully hungry. Papa says that is my 'normal condition,' but I don't know what that means."

As for that dinner—Bertie might sometimes have seen such a repast in delightful dreams, but certainly never out of them. It was a feast to be dated from.

When the plum pudding came on, the doctor, who had been notably silent, leaned back in his chair, placed his finger-tips together, and looked critically at Bertie.

"So Mr. Sampson can't keep you?"

Bertie's face sobered at once. He had almost forgotten his responsibilities.

"No, sir. He says I'm too small for the heavy work."

"Well, you are rather small—but no doubt you will grow. Boys have a queer habit of doing that. I think you know how to make yourself useful. I need a boy here to run errands and look after my horse. If you like, I'll try you. You can live here, and go to school. I sometimes hear of places for boys in my rounds, and the first good one that will suit you, I'll bespeak for you. How will that do?"

"Oh, sir, you are too good," said Bertie with a choke in his voice.

"Well, that is settled," said the doctor genially. "Come on Monday then. And perhaps we can do something for that other little chap, William, or John, or whatever his name is. Will you have some more pudding, Bertie?"

"No, thank you," said Bertie. Pudding, indeed! He could not have eaten another mouthful after such wonderful and unexpected good fortune.

After dinner they played games, and cracked nuts, and roasted apples, until the clock struck nine; then Bertie got up to go.

"Off, are you?" said the doctor, looking up from his paper. "Well, I'll expect you on Monday, remember."

"Yes, sir," said Bertie happily. He was not likely to forget.

As he went out Amy came through the hall with a red sled.

"Here is William John's present. I've tied all the other things on so that they can't fall off."

Edith was at the door-with a parcel. "Here are some nuts and candies for William John," she said. "And tell him we all wish him a 'Happy New Year.'"

"Thank you," said Bertie. "I've had a splendid time. I'll tell William John. Goodnight."

He stepped out. It was frostier than ever. The snow crackled and snapped, the stars were keen and bright, but to Bertie, running down the street with William John's sled thumping merrily behind him, the world was aglow with rosy hope and promise. He was quite sure he could never forget this wonderful New Year.

Between the Hill and the Valley[ToC]

It was one of the moist, pleasantly odorous nights of early spring. There was a chill in the evening air, but the grass was growing green in sheltered spots, and Jeffrey Miller had found purple-petalled violets and pink arbutus on the hill that day. Across a valley filled with beech and fir, there was a sunset afterglow, creamy yellow and pale red, with a new moon swung above it. It was a night for a man to walk alone and dream of his love, which was perhaps why Jeffrey Miller came so loiteringly across the springy hill pasture, with his hands full of the mayflowers.

He was a tall, broad-shouldered man of forty, and looking no younger, with dark grey eyes and a tanned, clean-cut face, clean-shaven save for a drooping moustache. Jeffrey Miller was considered a handsome man, and Bayside people had periodical fits of wondering why he had never married. They pitied him for the lonely life he must lead alone there at the Valley Farm, with only a deaf old housekeeper as a companion, for it did not occur to the Bayside people in general that a couple of shaggy dogs could be called companions, and they did not know that books make very excellent comrades for people who know how to treat them.

One of Jeffrey's dogs was with him now—the oldest one, with white breast and paws and a tawny coat. He was so old that he was half-blind and rather deaf, but, with one exception, he was the dearest of living creatures to Jeffrey Miller, for Sara Stuart had given him the sprawly, chubby little pup years ago.

They came down the hill together. A group of men were standing on the bridge in the hollow, discussing Colonel Stuart's funeral of the day before. Jeffrey caught Sara's name and paused on the outskirts of the group to listen. Sometimes he thought that if he were lying dead under six feet of turf and Sara Stuart's name were pronounced above him, his heart would give a bound of life.

"Yes, the old kunnel's gone at last," Christopher Jackson was saying. "He took his time dyin', that's sartain. Must be a kind of relief for Sara—she's had to wait on him, hand and foot, for years. But no doubt she'll feel pretty lonesome. Wonder what she'll do?"

"Is there any particular reason for her to do anything?" asked Alec Churchill.

"Well, she'll have to leave Pinehurst. The estate's entailed and goes to her cousin, Charles Stuart."

There were exclamations of surprise from the other men on hearing this. Jeffrey drew nearer, absently patting his dog's head. He had not known it either.

"Oh, yes," said Christopher, enjoying all the importance of exclusive information. "I thought everybody knew that. Pinehurst goes to the oldest male heir. The old kunnel felt it keen that he hadn't a son. Of course, there's plenty of money and Sara'll get that. But I guess she'll feel pretty bad at leaving her old home. Sara ain't as young as she used to be, neither. Let me see—she must be thirty-eight. Well, she's left pretty lonesome."

"Maybe she'll stay on at Pinehurst," said Job Crowe. "It'd only be right for her cousin to give her a home there."

Christopher shook his head.

"No, I understand they're not on very good terms. Sara don't like Charles Stuart or his wife—and I don't blame her. She won't stay there, not likely. Probably she'll go and live in town. Strange she never married. She was reckoned handsome, and had plenty of beaus at one time."

Jeffrey swung out of the group and started homeward with his dog. To stand by and hear Sara Stuart discussed after this fashion was more than he could endure. The men idly watched his tall, erect figure as he went along the valley.

"Queer chap, Jeff," said Alec Churchill reflectively.

"Jeff's all right," said Christopher in a patronizing way. "There ain't a better man or neighbour alive. I've lived next farm to him for thirty years, so I ought to know. But he's queer sartainly—not like other people—kind of unsociable. He don't care for a thing 'cept dogs and reading and mooning round woods and fields. That ain't natural, you know. But I must say he's a good farmer. He's got the best farm in Bayside, and that's a real nice house he put up on it. Ain't it an odd thing he never married? Never seemed to have no notion of it. I can't recollect of Jeff Miller's ever courting anybody. That's another unnatural thing about him."

"I've always thought that Jeff thought himself a cut or two above the rest of us," said Tom Scovel with a sneer. "Maybe he thinks the Bayside girls ain't good enough for him."

"There ain't no such dirty pride about Jeff," pronounced Christopher conclusively. "And the Millers are the best family hereabouts, leaving the kunnel's out. And Jeff's well off—nobody knows how well, I reckon, but I can guess, being his land neighbour. Jeff ain't no fool nor loafer, if he is a bit queer."

Meanwhile, the object of these remarks was striding homeward and thinking, not of the men behind him, but of Sara Stuart. He must go to her at once. He had not intruded on her since her father's death, thinking her sorrow too great for him to meddle with. But this was different. Perhaps she needed the advice or assistance only he could give. To whom else in Bayside could she turn for it but to him, her old friend? Was it possible that she must leave Pinehurst? The thought struck cold dismay to his soul. How could he bear his life if she went away?

He had loved Sara Stuart from childhood. He remembered vividly the day he had first seen her—a spring day, much like this one had been; he, a boy of eight, had gone with his father to the big, sunshiny hill field and he had searched for birds' nests in the little fir copses along the crest while his father plowed. He had so come upon her, sitting on the fence under the pines at the back of Pinehurst—a child of six in a dress of purple cloth. Her long, light brown curls fell over her shoulders and rippled sleekly back from her calm little brow; her eyes were large and greyish blue, straight-gazing and steadfast. To the end of his life the boy was to carry in his heart the picture she made there under the pines.

"Little boy," she had said, with a friendly smile, "will you show me where the mayflowers grow?"

Shyly enough he had assented, and they set out together for the barrens beyond the field, where the arbutus trailed its stars of sweetness under the dusty dead grasses and withered leaves of the old year. The boy was thrilled with delight. She was a fairy queen who thus graciously smiled on him and chattered blithely as they searched for mayflowers in the fresh spring sunshine. He thought it a wonderful thing that it had so chanced. It overjoyed him to give the choicest dusters he found into her slim, waxen little fingers, and watch her eyes grow round with pleasure in them. When the sun began to lower over the beeches she had gone home with her arms full of arbutus, but she had turned at the edge of the pineland and waved her hand at him.

That night, when he told his mother of the little girl he had met on the hill, she had hoped anxiously that he had been "very polite," for the little girl was a daughter of Colonel Stuart, newly come to Pinehurst. Jeffrey, reflecting, had not been certain that he had been polite; "But I am sure she liked me," he said gravely.

A few days later a message came from Mrs. Stuart on the hill to Mrs. Miller in the valley. Would she let her little boy go up now and then to play with Sara? Sara was very lonely because she had no playmates. So Jeff, overjoyed, had gone to his divinity's very home, where the two children played together many a day. All through their childhood they had been fast friends. Sara's parents placed no bar to their intimacy. They had soon concluded that little Jeff Miller was a very good playmate for Sara. He was gentle, well-behaved, and manly.

Sara never went to the district school which Jeff attended; she had her governess at home. With no other boy or girl in Bayside did she form any friendship, but her loyalty to Jeff never wavered. As for Jeff, he worshipped her and would have done anything she commanded. He belonged to her from the day they had hunted arbutus on the hill.

When Sara was fifteen she had gone away to school. Jeff had missed her sorely. For four years he saw her only in the summers, and each year she had seemed taller, statelier, further from him. When she graduated her father took her abroad for two years; then she came home, a lovely, high-bred girl, dimpling on the threshold of womanhood; and Jeffrey Miller was face to face with two bitter facts. One was that he loved her—not with the boy-and-girl love of long ago, but with the love of a man for the one woman in the world; and the other was that she was as far beyond his reach as one of those sunset stars of which she had always reminded him in her pure, clear-shining loveliness.

He looked these facts unflinchingly in the face until he had grown used to them, and then he laid down his course for himself. He loved Sara—and he did not wish to conquer his love, even if it had been possible. It were better to love her, whom he could never win, than to love and be loved by any other woman. His great office in life was to be her friend, humble and unexpectant; to be at hand if she should need him for ever so trifling a service; never to presume, always to be faithful.

Sara had not forgotten her old friend. But their former comradeship was now impossible; they could be friends, but never again companions. Sara's life was full and gay; she had interests in which he had no share; her social world was utterly apart from his; she was of the hill and its traditions, he was of the valley and its people. The democracy of childhood past, there was no common ground on which they might meet. Only one thing Jeffrey had found it impossible to contemplate calmly. Some day Sara would marry—a man who was her equal, who sat at her father's table as a guest. In spite of himself, Jeffrey's heart filled with hot rebellion at the thought; it was like a desecration and a robbery.

But, as the years went by, this thing he dreaded did not happen. Sara did not marry, although gossip assigned her many suitors not unworthy of her. She and Jeffrey were always friends, although they met but seldom. Sometimes she sent him a book; it was his custom to search for the earliest mayflowers and take them to her; once in a long while they met and talked of many things. Jeffrey's calendar from year to year was red-lettered by these small happenings, of which nobody knew, or, knowing, would have cared.

So he and Sara drifted out of youth, together yet apart. Her mother had died, and Sara was the gracious, stately mistress of Pinehurst, which grew quieter as the time went on; the lovers ceased to come, and holiday friends grew few; with the old colonel's failing health the gaieties and lavish entertaining ceased. Jeffrey thought that Sara must often be lonely, but she never said so; she remained sweet, serene, calm-eyed, like the child he had met on the hill. Only, now and then, Jeffrey fancied he saw a shadow on her face—a shadow so faint and fleeting that only the eye of an unselfish, abiding love, made clear-sighted by patient years, could have seen it. It hurt him, that shadow; he would have given anything in his power to have banished it.

And now this long friendship was to be broken. Sara was going away. At first he had thought only of her pain, but now his own filled his heart. How could he live without her? How could he dwell in the valley knowing that she had gone from the hill? Never to see her light shine down on him through the northern gap in the pines at night! Never to feel that perhaps her eyes rested on him now and then as he went about his work in the valley fields! Never to stoop with a glad thrill over the first spring flowers because it was his privilege to take them to her! Jeffrey groaned aloud. No, he could not go up to see her that night; he must wait—he must strengthen himself.

Then his heart rebuked him. This was selfishness; this was putting his own feelings before hers—a thing he had sworn never to do. Perhaps she needed him—perhaps she had wondered why he had not come to offer her such poor service as might be in his power. He turned and went down through the orchard lane, taking the old field-path across the valley and up the hill, which he had traversed so often and so joyfully in boyhood. It was dark now, and a few stars were shining in the silvery sky. The wind sighed among the pines as he walked under them. Sometimes he felt that he must turn back—that his pain was going to master him; then he forced himself to go on.

The old grey house where Sara lived seemed bleak and stricken in the dull light, with its leafless vines clinging to it. There were no lights in it. It looked like a home left soulless.

Jeffrey went around to the garden door and knocked. He had expected the maid to open it, put Sara herself came.

"Why, Jeff," she said, with pleasure in her tones. "I am so glad to see you. I have been wondering why you had not come before."

"I did not think you would want to see me yet," he said hurriedly. "I have thought about you every hour—but I feared to intrude."

"You couldn't intrude," she said gently. "Yes, I have wanted to see you, Jeff. Come into the library."

He followed her into the room where they had always sat in his rare calls. Sara lighted the lamp on the table. As the light shot up she stood clearly revealed in it—a tall, slender woman in a trailing gown of grey. Even a stranger, not knowing her age, would have guessed it to be what it was, yet it would have been hard to say what gave the impression of maturity. Her face was quite unlined—a little pale, perhaps, with more finely cut outlines than those of youth. Her eyes were clear and bright; her abundant brown hair waved back from her face in the same curves that Jeffrey had noted in the purple-gowned child of six, under the pines. Perhaps it was the fine patience and serenity in her face that told her tale of years. Youth can never acquire it.

Her eyes brightened when she saw the mayflowers he carried. She came and took them from him, and her hands touched his, sending a little thrill of joy through him.

"How lovely they are! And the first I have seen this spring. You always bring me the first, don't you, Jeff? Do you remember the first day we spent picking mayflowers together?"

Jeff smiled. Could he forget? But something held him back from speech.

Sara put the flowers in a vase on the table, but slipped one starry pink cluster into the lace on her breast. She came and sat down beside Jeffrey; he saw that her beautiful eyes had been weeping, and that there were lines of pain around her lips. Some impulse that would not be denied made him lean over and take her hand. She left it unresistingly in his clasp.

"I am very lonely now, Jeff," she said sadly. "Father has gone. I have no friends left."

"You have me," said Jeffrey quietly.

"Yes. I shouldn't have said that. You are my friend, I know, Jeff. But, but—I must leave Pinehurst, you know."

"I learned that tonight for the first time," he answered.

"Did you ever come to a place where everything seemed ended—where it seemed that there was nothing—simply nothing—left, Jeff?" she said wistfully. "But, no, it couldn't seem so to a man. Only a woman could fully understand what I mean. That is how I feel now. While I had Father to live for it wasn't so hard. But now there is nothing. And I must go away."

"Is there anything I can do?" muttered Jeffrey miserably. He knew now that he had made a mistake in coming tonight; he could not help her. His own pain had unmanned him. Presently he would say something foolish or selfish in spite of himself.

Sara turned her eyes on him.

"There is nothing anybody can do, Jeff," she said piteously. Her eyes, those clear child-eyes, filled with tears. "I shall be braver—stronger—after a while. But just now I have no strength left. I feel like a lost, helpless child. Oh, Jeff!"

She put her slender hands over her face and sobbed. Every sob cut Jeffrey to the heart.

"Don't—don't, Sara," he said huskily. "I can't bear to see you suffer so. I'd die for you if it would do you any good. I love you—I love you! I never meant to tell you so, but it is the truth. I oughtn't to tell you now. Don't think that I'm trying to take any advantage of your loneliness and sorrow. I know—I have always known—that you are far above me. But that couldn't prevent my loving you—just humbly loving you, asking nothing else. You may be angry with my presumption, but I can't help telling you that I love you. That's all. I just want you to know it."

Sara had turned away her head. Jeffrey was overcome with contrition. Ah, he had no business to speak so—he had spoiled the devotion of years. Who was he that he should have dared to love her? Silence alone had justified his love, and now he had lost that justification. She would despise him. He had forfeited her friendship for ever.

"Are you angry, Sara?" he questioned sadly, after a silence.

"I think I am," said Sara. She kept her stately head averted. "If—if you have loved me, Jeff, why did you never tell me so before?"

"How could I dare?" he said gravely. "I knew I could never win you—that I had no right to dream of you so. Oh, Sara, don't be angry! My love has been reverent and humble. I have asked nothing. I ask nothing now but your friendship. Don't take that from me, Sara. Don't be angry with me."

"I am angry," repeated Sara, "and I think I have a right to be."

"Perhaps so," he said simply, "but not because I have loved you. Such love as mine ought to anger no woman, Sara. But you have a right to be angry with me for presuming to put it into words. I should not have done so—but I could not help it. It rushed to my lips in spite of me. Forgive me."

"I don't know whether I can forgive you for not telling me before," said Sara steadily. "That is what I have to forgive—not your speaking at last, even if it was dragged from you against your will. Did you think I would make you such a very poor wife, Jeff, that you would not ask me to marry you?"

"Sara!" he said, aghast. "I—I—you were as far above me as a star in the sky—I never dreamed—I never hoped——"

"That I could care for you?" said Sara, looking round at last. "Then you were more modest than a man ought to be, Jeff. I did not know that you loved me, or I should have found some way to make you speak out long ago. I should not have let you waste all these years. I've loved you—ever since we picked mayflowers on the hill, I think—ever since I came home from school, I know. I never cared for anyone else—although I tried to, when I thought you didn't care for me. It mattered nothing to me that the world may have thought there was some social difference between us. There, Jeff, you cannot accuse me of not making my meaning plain."

"Sara," he whispered, wondering, bewildered, half-afraid to believe this unbelievable joy. "I'm not half worthy of you—but—but"—he bent forward and put his arm around her, looking straight into her clear, unshrinking eyes. "Sara, will you be my wife?"

"Yes." She said the word clearly and truly. "And I will think myself a proud and happy and honoured woman to be so, Jeff. Oh, I don't shrink from telling you the truth, you see. You mean too much to me for me to dissemble it. I've hidden it for eighteen years because I didn't think you wanted to hear it, but I'll give myself the delight of saying it frankly now."

She lifted her delicate, high-bred face, fearless love shining in every lineament, to his, and they exchanged their first kiss.

Clorinda's Gifts[ToC]

"It is a dreadful thing to be poor a fortnight before Christmas," said Clorinda, with the mournful sigh of seventeen years.

Aunt Emmy smiled. Aunt Emmy was sixty, and spent the hours she didn't spend in a bed, on a sofa or in a wheel chair; but Aunt Emmy was never heard to sigh.

"I suppose it is worse then than at any other time," she admitted.

That was one of the nice things about Aunt Emmy. She always sympathized and understood.

"I'm worse than poor this Christmas ... I'm stony broke," said Clorinda dolefully. "My spell of fever in the summer and the consequent doctor's bills have cleaned out my coffers completely. Not a single Christmas present can I give. And I did so want to give some little thing to each of my dearest people. But I simply can't afford it ... that's the hateful, ugly truth."

Clorinda sighed again.

"The gifts which money can purchase are not the only ones we can give," said Aunt Emmy gently, "nor the best, either."

"Oh, I know it's nicer to give something of your own work," agreed Clorinda, "but materials for fancy work cost too. That kind of gift is just as much out of the question for me as any other."

"That was not what I meant," said Aunt Emmy.

"What did you mean, then?" asked Clorinda, looking puzzled.

Aunt Emmy smiled.

"Suppose you think out my meaning for yourself," she said. "That would be better than if I explained it. Besides, I don't think I could explain it. Take the beautiful line of a beautiful poem to help you in your thinking out: 'The gift without the giver is bare.'"

"I'd put it the other way and say, 'The giver without the gift is bare,'" said Clorinda, with a grimace. "That is my predicament exactly. Well, I hope by next Christmas I'll not be quite bankrupt. I'm going into Mr. Callender's store down at Murraybridge in February. He has offered me the place, you know."

"Won't your aunt miss you terribly?" said Aunt Emmy gravely.

Clorinda flushed. There was a note in Aunt Emmy's voice that disturbed her.

"Oh, yes, I suppose she will," she answered hurriedly. "But she'll get used to it very soon. And I will be home every Saturday night, you know. I'm dreadfully tired of being poor, Aunt Emmy, and now that I have a chance to earn something for myself I mean to take it. I can help Aunt Mary, too. I'm to get four dollars a week."

"I think she would rather have your companionship than a part of your salary, Clorinda," said Aunt Emmy. "But of course you must decide for yourself, dear. It is hard to be poor. I know it. I am poor."

"You poor!" said Clorinda, kissing her. "Why, you are the richest woman I know, Aunt Emmy—rich in love and goodness and contentment."

"And so are you, dearie ... rich in youth and health and happiness and ambition. Aren't they all worth while?"

"Of course they are," laughed Clorinda. "Only, unfortunately, Christmas gifts can't be coined out of them."

"Did you ever try?" asked Aunt Emmy. "Think out that question, too, in your thinking out, Clorinda."

"Well, I must say bye-bye and run home. I feel cheered up—you always cheer people up, Aunt Emmy. How grey it is outdoors. I do hope we'll have snow soon. Wouldn't it be jolly to have a white Christmas? We always have such faded brown Decembers."

Clorinda lived just across the road from Aunt Emmy in a tiny white house behind some huge willows. But Aunt Mary lived there too—the only relative Clorinda had, for Aunt Emmy wasn't really her aunt at all. Clorinda had always lived with Aunt Mary ever since she could remember.

Clorinda went home and upstairs to her little room under the eaves, where the great bare willow boughs were branching athwart her windows. She was thinking over what Aunt Emmy had said about Christmas gifts and giving.

"I'm sure I don't know what she could have meant," pondered Clorinda. "I do wish I could find out if it would help me any. I'd love to remember a few of my friends at least. There's Miss Mitchell ... she's been so good to me all this year and helped me so much with my studies. And there's Mrs. Martin out in Manitoba. If I could only send her something! She must be so lonely out there. And Aunt Emmy herself, of course; and poor old Aunt Kitty down the lane; and Aunt Mary and, yes—Florence too, although she did treat me so meanly. I shall never feel the same to her again. But she gave me a present last Christmas, and so out of mere politeness I ought to give her something."

Clorinda stopped short suddenly. She had just remembered that she would not have liked to say that last sentence to Aunt Emmy. Therefore, there was something wrong about it. Clorinda had long ago learned that there was sure to be something wrong in anything that could not be said to Aunt Emmy. So she stopped to think it over.

Clorinda puzzled over Aunt Emmy's meaning for four days and part of three nights. Then all at once it came to her. Or if it wasn't Aunt Emmy's meaning it was a very good meaning in itself, and it grew clearer and expanded in meaning during the days that followed, although at first Clorinda shrank a little from some of the conclusions to which it led her.

"I've solved the problem of my Christmas giving for this year," she told Aunt Emmy. "I have some things to give after all. Some of them quite costly, too; that is, they will cost me something, but I know I'll be better off and richer after I've paid the price. That is what Mr. Grierson would call a paradox, isn't it? I'll explain all about it to you on Christmas Day."

On Christmas Day, Clorinda went over to Aunt Emmy's. It was a faded brown Christmas after all, for the snow had not come. But Clorinda did not mind; there was such joy in her heart that she thought it the most delightful Christmas Day that ever dawned.

She put the queer cornery armful she carried down on the kitchen floor before she went into the sitting room. Aunt Emmy was lying on the sofa before the fire, and Clorinda sat down beside her.

"I've come to tell you all about it," she said.

Aunt Emmy patted the hand that was in her own.

"From your face, dear girl, it will be pleasant hearing and telling," she said.

Clorinda nodded.

"Aunt Emmy, I thought for days over your meaning ... thought until I was dizzy. And then one evening it just came to me, without any thinking at all, and I knew that I could give some gifts after all. I thought of something new every day for a week. At first I didn't think I could give some of them, and then I thought how selfish I was. I would have been willing to pay any amount of money for gifts if I had had it, but I wasn't willing to pay what I had. I got over that, though, Aunt Emmy. Now I'm going to tell you what I did give.

"First, there was my teacher, Miss Mitchell. I gave her one of father's books. I have so many of his, you know, so that I wouldn't miss one; but still it was one I loved very much, and so I felt that that love made it worth while. That is, I felt that on second thought. At first, Aunt Emmy, I thought I would be ashamed to offer Miss Mitchell a shabby old book, worn with much reading and all marked over with father's notes and pencillings. I was afraid she would think it queer of me to give her such a present. And yet somehow it seemed to me that it was better than something brand new and unmellowed—that old book which father had loved and which I loved. So I gave it to her, and she understood. I think it pleased her so much, the real meaning in it. She said it was like being given something out of another's heart and life.

"Then you know Mrs. Martin ... last year she was Miss Hope, my dear Sunday School teacher. She married a home missionary, and they are in a lonely part of the west. Well, I wrote her a letter. Not just an ordinary letter; dear me, no. I took a whole day to write it, and you should have seen the postmistress's eyes stick out when I mailed it. I just told her everything that had happened in Greenvale since she went away. I made it as newsy and cheerful and loving as I possibly could. Everything bright and funny I could think of went into it.

"The next was old Aunt Kitty. You know she was my nurse when I was a baby, and she's very fond of me. But, well, you know, Aunt Emmy, I'm ashamed to confess it, but really I've never found Aunt Kitty very entertaining, to put it mildly. She is always glad when I go to see her, but I've never gone except when I couldn't help it. She is very deaf, and rather dull and stupid, you know. Well, I gave her a whole day. I took my knitting yesterday, and sat with her the whole time and just talked and talked. I told her all the Greenvale news and gossip and everything else I thought she'd like to hear. She was so pleased and proud; she told me when I came away that she hadn't had such a nice time for years.

"Then there was ... Florence. You know, Aunt Emmy, we were always intimate friends until last year. Then Florence once told Rose Watson something I had told her in confidence. I found it out and I was so hurt. I couldn't forgive Florence, and I told her plainly I could never be a real friend to her again. Florence felt badly, because she really did love me, and she asked me to forgive her, but it seemed as if I couldn't. Well, Aunt Emmy, that was my Christmas gift to her ... my forgiveness. I went down last night and just put my arms around her and told her that I loved her as much as ever and wanted to be real close friends again.

"I gave Aunt Mary her gift this morning. I told her I wasn't going to Murraybridge, that I just meant to stay home with her. She was so glad—and I'm glad, too, now that I've decided so."

"Your gifts have been real gifts, Clorinda," said Aunt Emmy. "Something of you—the best of you—went into each of them."

Clorinda went out and brought her cornery armful in.

"I didn't forget you, Aunt Emmy," she said, as she unpinned the paper.

There was a rosebush—Clorinda's own pet rosebush—all snowed over with fragrant blossoms.

Aunt Emmy loved flowers. She put her finger under one of the roses and kissed it.

"It's as sweet as yourself, dear child," she said tenderly. "And it will be a joy to me all through the lonely winter days. You've found out the best meaning of Christmas giving, haven't you, dear?"

"Yes, thanks to you, Aunt Emmy," said Clorinda softly.

Cyrilla's Inspiration[ToC]

It was a rainy Saturday afternoon and all the boarders at Mrs. Plunkett's were feeling dull and stupid, especially the Normal School girls on the third floor, Cyrilla Blair and Carol Hart and Mary Newton, who were known as The Trio, and shared the big front room together.

They were sitting in that front room, scowling out at the weather. At least, Carol and Mary were scowling. Cyrilla never scowled; she was sitting curled up on her bed with her Greek grammar, and she smiled at the rain and her grumbling chums as cheerfully as possible.

"For pity's sake, Cyrilla, put that grammar away," moaned Mary. "There is something positively uncanny about a girl who can study Greek on Saturday afternoons—at least, this early in the term."

"I'm not really studying," said Cyrilla, tossing the book away. "I'm only pretending to. I'm really just as bored and lonesome as you are. But what else is there to do? We can't stir outside the door; we've nothing to read; we can't make candy since Mrs. Plunkett has forbidden us to use the oil stove in our room; we'll probably quarrel all round if we sit here in idleness; so I've been trying to brush up my Greek verbs by way of keeping out of mischief. Have you any better employment to offer me?"

"If it were only a mild drizzle we might go around and see the Patterson girls," sighed Carol. "But there is no venturing out in such a downpour. Cyrilla, you are supposed to be the brainiest one of us. Prove your claim to such pre-eminence by thinking of some brand-new amusement, especially suited to rainy afternoons. That will be putting your grey matter to better use than squandering it on Greek verbs out of study limits."

"If only I'd got a letter from home today," said Mary, who seemed determined to persist in gloom. "I wouldn't mind the weather. Letters are such cheery things:—especially the letters my sister writes. They're so full of fun and nice little news. The reading of one cheers me up for the day. Cyrilla Blair, what is the matter? You nearly frightened me to death!" Cyrilla had bounded from her bed to the centre of the floor, waving her Greek grammar wildly in the air.

"Girls, I have an inspiration!" she exclaimed.

"Good! Let's hear it," said Carol.

"Let's write letters—rainy-day letters—to everyone in the house," said Cyrilla. "You may depend all the rest of the folks under Mrs. Plunkett's hospitable roof are feeling more or less blue and lonely too, as well as ourselves. Let's write them the jolliest, nicest letters we can compose and get Nora Jane to take them to their rooms. There's that pale little sewing girl, I don't believe she ever gets letters from anybody, and Miss Marshall, I'm sure she doesn't, and poor old Mrs. Johnson, whose only son died last month, and the new music teacher who came yesterday, a letter of welcome to her—and old Mr. Grant, yes, and Mrs. Plunkett too, thanking her for all her kindness to us. You knew she has been awfully nice to us in spite of the oil stove ukase. That's six—two apiece. Let's do it, girls."

Cyrilla's sudden enthusiasm for her plan infected the others.

"It's a nice idea," said Mary, brightening up. "But who's to write to whom? I'm willing to take anybody but Miss Marshall. I couldn't write a line to her to save my life. She'd be horrified at anything funny or jokey and our letters will have to be mainly nonsense—nonsense of the best brand, to be sure, but still nonsense."

"Better leave Miss Marshall out," suggested Carol. "You know she disapproves of us anyhow. She'd probably resent a letter of the sort, thinking we were trying to play some kind of joke on her."

"It would never do to leave her out," said Cyrilla decisively. "Of course, she's a bit queer and unamiable, but, girls, think of thirty years of boarding-house life, even with the best of Plunketts. Wouldn't that sour anybody? You know it would. You'd be cranky and grumbly and disagreeable too, I dare say. I'm really sorry for Miss Marshall. She's had a very hard life. Mrs. Plunkett told me all about her one day. I don't think we should mind her biting little speeches and sharp looks. And anyway, even if she is really as disagreeable as she sometimes seems to be, why, it must make it all the harder for her, don't you think? So she needs a letter most of all. I'll write to her, since it's my suggestion. We'll draw lots for the others."

Besides Miss Marshall, the new music teacher fell to Cyrilla's share. Mary drew Mrs. Plunkett and the dressmaker, and Carol drew Mrs. Johnson and old Mr. Grant. For the next two hours the girls wrote busily, forgetting all about the rainy day, and enjoying their epistolary labours to the full. It was dusk when all the letters were finished.

"Why, hasn't the afternoon gone quickly after all!" exclaimed Carol. "I just let my pen run on and jotted down any good working idea that came into my head. Cyrilla Blair, that big fat letter is never for Miss Marshall! What on earth did you find to write her?"

"It wasn't so hard when I got fairly started," said Cyrilla, smiling. "Now, let's hunt up Nora Jane and send the letters around so that everybody can read his or hers before tea-time. We should have a choice assortment of smiles at the table instead of all those frowns and sighs we had at dinner." Miss Emily Marshall was at that moment sitting in her little back room, all alone in the dusk, with the rain splashing drearily against the windowpanes outside. Miss Marshall was feeling as lonely and dreary as she looked—and as she had often felt in her life of sixty years. She told herself bitterly that she hadn't a friend in the world—not even one who cared enough for her to come and see her or write her a letter now and then. She thought her boarding-house acquaintances disliked her and she resented their dislike, without admitting to herself that her ungracious ways were responsible for it. She smiled sourly when little ripples of laughter came faintly down the hall from the front room where The Trio were writing their letters and laughing over the fun they were putting into them.

"If they were old and lonesome and friendless they wouldn't see much in life to laugh at, I guess," said Miss Marshall bitterly, drawing her shawl closer about her sharp shoulders. "They never think of anything but themselves and if a day passes that they don't have 'some fun' they think it's a fearful thing to put up with. I'm sick and tired of their giggling and whispering."

In the midst of these amiable reflections Miss Marshall heard a knock at her door. When she opened it there stood Nora Jane, her broad red face beaming with smiles.

"Please, Miss, here's a letter for you," she said.

"A letter for me!" Miss Marshall shut her door and stared at the fat envelope in amazement. Who could have written it? The postman came only in the morning. Was it some joke, perhaps? Those giggling girls? Miss Marshall's face grew harder as she lighted her lamp and opened the letter suspiciously.

"Dear Miss Marshall," it ran in Cyrilla's pretty girlish writing, "we girls are so lonesome and dull that we have decided to write rainy-day letters to everybody in the house just to cheer ourselves up. So I'm going to write to you just a letter of friendly nonsense."

Pages of "nonsense" followed, and very delightful nonsense it was, for Cyrilla possessed the happy gift of bright and easy letter-writing. She commented wittily on all the amusing episodes of the boarding-house life for the past month; she described a cat-fight she had witnessed from her window that morning and illustrated it by a pen-and-ink sketch of the belligerent felines; she described a lovely new dress her mother had sent her from home and told all about the class party to which she had worn it; she gave an account of her vacation camping trip to the mountains and pasted on one page a number of small snapshots taken during the outing; she copied a joke she had read in the paper that morning and discussed the serial story in the boarding-house magazine which all the boarders were reading; she wrote out the directions for a new crocheted tidy her sister had made—Miss Marshall had a mania for crocheting; and she finally wound up with "all the good will and good wishes that Nora Jane will consent to carry from your friend, Cyrilla Blair."

Before Miss Marshall had finished reading that letter she had cried three times and laughed times past counting. More tears came at the end—happy, tender tears such as Miss Marshall had not shed for years. Something warm and sweet and gentle seemed to thrill to life within her heart. So those girls were not such selfish, heedless young creatures as she had supposed! How kind it had been in Cyrilla Blair to think of her and write so to her. She no longer felt lonely and neglected. Her whole sombre world had been brightened to sunshine by that merry friendly letter.

Mrs. Plunkett's table was surrounded by a ring of smiling faces that night. Everybody seemed in good spirits in spite of the weather. The pale little dressmaker, who had hardly uttered a word since her arrival a week before, talked and laughed quite merrily and girlishly, thanking Cyrilla unreservedly for her "jolly letter." Old Mr. Grant did not grumble once about the rain or the food or his rheumatism and he told Carol that she might be a good letter writer in time if she looked after her grammar more carefully—which, from Mr. Grant, was high praise. All the others declared that they were delighted with their letters—all except Miss Marshall. She said nothing but later on, when Cyrilla was going upstairs, she met Miss Marshall in the shadows of the second landing.

"My dear," said Miss Marshall gently, "I want to thank you for your letter, I don't think you can realize just what it has meant to me. I was so—so lonely and tired and discouraged. It heartened me right up. I—I know you have thought me a cross and disagreeable person. I'm afraid I have been, too. But—but—I shall try to be less so in future. If I can't succeed all at once don't mind me because, under it all, I shall always be your friend. And I mean to keep your letter and read it over every time I feel myself getting bitter and hard again." "Dear Miss Marshall, I'm so glad you liked it," said Cyrilla frankly. "We're all your friends and would be glad to be chummy with you. Only we thought perhaps we bothered you with our nonsense."

"Come and see me sometimes," said Miss Marshall with a smile. "I'll try to be 'chummy'—perhaps I'm not yet too old to learn the secret of friendliness. Your letter has made me think that I have missed much in shutting all young life out from mine as I have done. I want to reform in this respect if I can."

When Cyrilla reached the front room she found Mrs. Plunkett there.

"I've just dropped in, Miss Blair," said that worthy woman, "to say that I dunno as I mind your making candy once in a while if you want to. Only do be careful not to set the place on fire. Please be particularly careful not to set it on fire."

"We'll try," promised Cyrilla with dancing eyes. When the door closed behind Mrs. Plunkett the three girls looked at each other.

"Cyrilla, that idea of yours was a really truly inspiration," said Carol solemnly.

"I believe it was," said Cyrilla, thinking of Miss Marshall.

Dorinda's Desperate Deed[ToC]

Dorinda had been home for a whole wonderful week and the little Pages were beginning to feel acquainted with her. When a girl goes away when she is ten and doesn't come back until she is fifteen, it is only to be expected that her family should regard her as somewhat of a stranger, especially when she is really a Page, and they are really all Carters except for the name. Dorinda had been only ten when her Aunt Mary—on the Carter side—had written to Mrs. Page, asking her to let Dorinda come to her for the winter.

Mrs. Page, albeit she was poor—nobody but herself knew how poor—and a widow with five children besides Dorinda, hesitated at first. She was afraid, with good reason, that the winter might stretch into other seasons; but Mary had lost her own only little girl in the summer, and Mrs. Page shuddered at the thought of what her loneliness must be. So, to comfort her, Mrs. Page had let Dorinda go, stipulating that she must come home in the spring. In the spring, when Dorinda's bed of violets was growing purple under the lilac bush, Aunt Mary wrote again. Dorinda was contented and happy, she said. Would not Emily let her stay for the summer? Mrs. Page cried bitterly over that letter and took sad counsel with herself. To let Dorinda stay with her aunt for the summer really meant, she knew, to let her stay altogether. Mrs. Page was finding it harder and harder to get along; there was so little and the children needed so much; Dorinda would have a good home with her Aunt Mary if she could only prevail on her rebellious mother heart to give her up. In the end she agreed to let Dorinda stay for the summer—and Dorinda had never been home since.

But now Dorinda had come back to the little white house on the hill at Willowdale, set back from the road in a smother of apple trees and vines. Aunt Mary had died very suddenly and her only son, Dorinda's cousin, had gone to Japan. There was nothing for Dorinda to do save to come home, to enter again into her old unfilled place in her mother's heart, and win a new place in the hearts of the brothers and sisters who barely remembered her at all. Leicester had been nine and Jean seven when Dorinda went away; now they were respectively fourteen and twelve.

At first they were a little shy with this big, practically brand-new sister, but this soon wore off. Nobody could be shy long with Dorinda; nobody could help liking her. She was so brisk and jolly and sympathetic—a real Page, so everybody said—while the brothers and sisters were Carter to their marrow; Carters with fair hair and blue eyes, and small, fine, wistful features; but Dorinda had merry black eyes, plump, dusky-red cheeks, and a long braid of glossy dark hair, which was perpetually being twitched from one shoulder to another as Dorinda whisked about the house on domestic duties intent.

In a week Dorinda felt herself one of the family again, with all the cares and responsibilities thereof resting on her strong young shoulders. Dorinda and her mother talked matters out fully one afternoon over their sewing, in the sunny south room where the winds got lost among the vines halfway through the open window. Mrs. Page sighed and said she really did not know what to do. Dorinda did not sigh; she did not know just what to do either, but there must be something that could be done—there is always something that can be done, if one can only find it. Dorinda sewed hard and pursed up her red lips determinedly.

"Don't you worry, Mother Page," she said briskly. "We'll be like that glorious old Roman who found a way or made it. I like overcoming difficulties. I've lots of old Admiral Page's fighting blood in me, you know. The first step is to tabulate just exactly what difficulties among our many difficulties must be ravelled out first—the capital difficulties, as it were. Most important of all comes—"

"Leicester," said Mrs. Page.

Dorinda winked her eyes as she always did when she was doubtful.

"Well, I knew he was one of them, but I wasn't going to put him the very first. However, we will. Leicester's case stands thus. He is a pretty smart boy—if he wasn't my brother, I'd say he was a very smart boy. He has gone as far in his studies as Willowdale School can take him, has qualified for entrance into the Blue Hill Academy, wants to go there this fall and begin the beginnings of a college course. Well, of course, Mother Page, we can't send Leicester to Blue Hill any more than we can send him to the moon."

"No," mourned Mrs. Page, "and the poor boy feels so badly over it. His heart is set on going to college and being a doctor like his father. He believes he could work his way through, if he could only get a start. But there isn't any chance. And I can't afford to keep him at school any longer. He is going into Mr. Churchill's store at Willow Centre in the fall. Mr. Churchill has very kindly offered him a place. Leicester hates the thought of it—I know he does, although he never says so."

"Next to Leicester's college course we want—"

"Music lessons for Jean."

Dorinda winked again.

"Are music lessons for Jean really a difficulty?" she said. "That is, one spelled with a capital?"

"Oh, yes, Dorinda dear. At least, I'm worried over it. Jean loves music so, and she has never had anything, poor child, not even as much school as she ought to have had. I've had to keep her home so much to help me with the work. She has been such a good, patient little girl too, and her heart is set on music lessons."

"Well, she must have them then—after we get Leicester's year at the academy for him. That's two. The third is a new—"

"The roof must be shingled this fall," said Mrs. Page anxiously. "It really must, Dorinda. It is no better than a sieve. We are nearly drowned every time it rains. But I don't know where the money to do it is going to come from."

"Shingles for the roof, three," said Dorinda, as if she were carefully jotting down something in a mental memorandum. "And fourth—now, Mother Page, I will have my say this time—fourthly, biggest capital of all, a Nice, New Dress and a Warm Fur Coat for Mother Page this winter. Yes, yes, you must have them, dearest. It's absolutely necessary. We can wait a year or so for college courses and music lessons to grow; we can set basins under the leaks and borrow some more if we haven't enough. But a new dress and coat for you we must, shall, and will have, however it is to be brought about."

"I wouldn't mind if I never got another new stitch, if I could only manage the other things," said Mrs. Page stoutly. "If your Uncle Eugene would only help us a little, until Leicester got through! He really ought to. But of course he never will."

"Have you ever asked him?" said Dorinda.

"Oh, my dear, no; of course not," said Mrs. Page in a horrified tone, as if Dorinda had asked if she had ever stolen a neighbour's spoons.

"I don't see why you shouldn't," said Dorinda seriously.

"Oh, Dorinda, Uncle Eugene hates us all. He is terribly bitter against us. He would never, never listen to any request for help, even if I could bring myself to make it."

"Mother, what was the trouble between us and Uncle Eugene? I have never known the rights of it. I was too small to understand when I was home before. All I remember is that Uncle Eugene never came to see us or spoke to us when he met us anywhere, and we were all afraid of him somehow. I used to think of him as an ogre who would come creeping up the back stairs after dark and carry me off bodily if I wasn't good. What made him our enemy? And how did he come to get all of Grandfather Page's property when Father got nothing?"

"Well, you know, Dorinda, that your Grandfather Page was married twice. Eugene was his first wife's son, and your father the second wife's. Eugene was a great deal older than your father—he was twenty-five when your father was born. He was always an odd man, even in his youth, and he had been much displeased at his father's second marriage. But he was very fond of your father—whose mother, as you know, died at his birth—and they were good friends and comrades until just before your father went to college. They then quarrelled; the cause of the quarrel was insignificant; with anyone else than Eugene a reconciliation would soon have been effected. But Eugene never was friendly with your father from that time. I think he was jealous of old Grandfather's affection; thought the old man loved your father best. And then, as I have said, he was very eccentric and stubborn. Well, your father went away to college and graduated, and then—we were married. Grandfather Page was very angry with him for marrying me. He wanted him to marry somebody else. He told him he would disinherit him if he married me. I did not know this until we were married. But Grandfather Page kept his word. He sent for a lawyer and had a new will made, leaving everything to Eugene. I think, nay, I am sure, that he would have relented in time, but he died the very next week; they found him dead in his bed one morning, so Eugene got everything; and that is all there is of the story, Dorinda."

"And Uncle Eugene has been our enemy ever since?"

"Yes, ever since. So you see, Dorinda dear, that I cannot ask any favours of Uncle Eugene."

"Yes, I see," said Dorinda understandingly. To herself she added, "But I don't see why I shouldn't."

Dorinda thought hard and long for the next few days about the capital difficulties. She could think of only one thing to do and, despite old Admiral Page's fighting blood, she shrank from doing it. But one night she found Leicester with his head down on his books and—no, it couldn't be tears in his eyes, because Leicester laughed scornfully at the insinuation.

"I wouldn't cry over it, Dorinda; I hope I'm more of a man than that. But I do really feel rather cut up because I've no chance of getting to college. And I hate the thought of going into a store. But I know I must for Mother's sake, and I mean to pitch in and like it in spite of myself when the time comes. Only—only—"

And then Leicester got up and whistled and went to the window and stood with his back to Dorinda.

"That settles it," said Dorinda out loud, as she brushed her hair before the glass that night. "I'll do it."

"Do what?" asked Jean from the bed.

"A desperate deed," said Dorinda solemnly, and that was all she would say.

Next day Mrs. Page and Leicester went to town on business. In the afternoon Dorinda put on her best dress and hat and started out. Admiral Page's fighting blood was glowing in her cheeks as she walked briskly up the hill road, but her heart beat in an odd fashion.

"I wonder if I am a little scared, 'way down deep," said Dorinda. "I believe I am. But I'm going to do it for all that, and the scareder I get the more I'll do it."

Oaklawn, where Uncle Eugene lived, was two miles away. It was a fine old place in beautiful grounds. But Dorinda did not quail before its splendours; nor did her heart fail her, even after she had rung the bell and had been shown by a maid into a very handsome parlour, but it still continued to beat in that queer fashion halfway up her throat.

Presently Uncle Eugene came in, a tall, black-eyed old man, with a fine head of silver hair that should have framed a ruddy, benevolent face, instead of Uncle Eugene's hard-lipped, bushy-browed countenance.

Dorinda stood up, dusky and crimson, with brave, glowing eyes. Uncle Eugene looked at her sharply.

"Who are you?" he said bluntly.

"I am your niece, Dorinda Page," said Dorinda steadily.

"And what does my niece, Dorinda Page, want with me?" demanded Uncle Eugene, motioning to her to sit down and sitting down himself. But Dorinda remained standing. It is easier to fight on your feet.

"I want you to do four things, Uncle Eugene," she said, as calmly as if she were making the most natural and ordinary request in the world. "I want you to lend us the money to send Leicester to Blue Hill Academy; he will pay it back to you when he gets through college. I want you to lend Jean the money for music lessons; she will pay you back when she gets far enough along to give lessons herself. And I want you to lend me the money to shingle our house and get Mother a new dress and fur coat for the winter. I'll pay you back sometime for that, because I am going to set up as a dressmaker pretty soon."

"Anything more?" said Uncle Eugene, when Dorinda stopped.

"Nothing more just now, I think," said Dorinda reflectively.

"Why don't you ask for something for yourself?" said Uncle Eugene.

"I don't want anything for myself," said Dorinda promptly. "Or—yes, I do, too. I want your friendship, Uncle Eugene."

"Be kind enough to sit down," said Uncle Eugene.

Dorinda sat.

"You are a Page," said Uncle Eugene. "I saw that as soon as I came in. I will send Leicester to college and I shall not ask or expect to be paid back. Jean shall have her music lessons, and a piano to practise them on as well. The house shall be shingled, and the money for the new dress and coat shall be forthcoming. You and I will be friends."

"Thank you," gasped Dorinda, wondering if, after all, it wasn't a dream.

"I would have gladly assisted your mother before," said Uncle Eugene, "if she had asked me. I had determined that she must ask me first. I knew that half the money should have been your father's by rights. I was prepared to hand it over to him or his family, if I were asked for it. But I wished to humble his pride, and the Carter pride, to the point of asking for it. Not a very amiable temper, you will say? I admit it. I am not amiable and I never have been amiable. You must be prepared to find me very unamiable. I see that you are waiting for a chance to say something polite and pleasant on that score, but you may save yourself the trouble. I shall hope and expect to have you visit me often. If your mother and your brothers and sisters see fit to come with you, I shall welcome them also. I think that this is all it is necessary to say just now. Will you stay to tea with me this evening?"

Dorinda stayed to tea, since she knew that Jean was at home to attend to matters there. She and Uncle Eugene got on famously. When she left, Uncle Eugene, grim and hard-lipped as ever, saw her to the door.

"Good evening, Niece Dorinda. You are a Page and I am proud of you. Tell your mother that many things in this life are lost through not asking for them. I don't think you are in need of the information for yourself."

Her Own People[ToC]

The Taunton School had closed for the summer holidays. Constance Foster and Miss Channing went down the long, elm-shaded street together, as they generally did, because they happened to board on the same block downtown.

Constance was the youngest teacher on the staff, and had charge of the Primary Department. She had taught in Taunton school a year, and at its close she was as much of a stranger in the little corps of teachers as she had been at the beginning. The others thought her stiff and unapproachable; she was unpopular in a negative way with all except Miss Channing, who made it a profession to like everybody, the more so if other people disliked them. Miss Channing was the oldest teacher on the staff, and taught the fifth grade. She was short and stout and jolly; nothing, not even the iciest reserve, ever daunted Miss Channing.

"Isn't it good to think of two whole blessed months of freedom?" she said jubilantly. "Two months to dream, to be lazy, to go where one pleases, no exercises to correct, no reports to make, no pupils to keep in order. To be sure, I love them every one, but I'll love them all the more for a bit of a rest from them. Isn't it good?"

A little satirical smile crossed Constance Foster's dark, discontented face, looking just then all the more discontented in contrast to Miss Channing's rosy, beaming countenance.

"It's very good, if you have anywhere to go, or anybody who cares where you go," she said bitterly. "For my own part, I'm sorry school is closed. I'd rather go on teaching all summer."

"Heresy!" said Miss Channing. "Rank heresy! What are your vacation plans?"

"I haven't any," said Constance wearily. "I've put off thinking about vacation as long as I possibly could. You'll call that heresy, too, Miss Channing."

"It's worse than heresy," said Miss Channing briskly. "It's a crying necessity for blue pills, that's what it is. Your whole mental and moral and physical and spiritual system must be out of kilter, my child. No vacation plans! You must have vacation plans. You must be going somewhere."

"Oh, I suppose I'll hunt up a boarding place somewhere in the country, and go there and mope until September."

"Have you no friends, Constance?"

"No—no, I haven't anybody in the world. That is why I hate vacation, that is why I've hated to hear you and the others discussing your vacation plans. You all have somebody to go to. It has just filled me up with hatred of my life."

Miss Channing swallowed her honest horror at such a state of feeling.

"Constance, tell me about yourself. I've often wanted to ask you, but I was always a little afraid to. You seem so reserved and—and, as if you didn't want to be asked about yourself."

"I know it. I know I'm stiff and hateful, and that nobody likes me, and that it is all my own fault. No, never mind trying to smooth it over, Miss Channing. It's the truth, and it hurts me, but I can't help it. I'm getting more bitter and pessimistic and unwholesome every day of my life. Sometimes it seems as if I hated all the world because I'm so lonely in it. I'm nobody. My mother died when I was born—and Father—oh, I don't know. One can't say anything against one's father, Miss Channing. But I had a hard childhood—or rather, I didn't have any childhood at all. We were always moving about. We didn't seem to have any friends at all. My mother might have had relatives somewhere, but I never heard of any. I don't even know where her home was. Father never would talk of her. He died two years ago, and since then I've been absolutely alone."

"Oh, you poor girl," said Miss Channing softly.

"I want friends," went on Constance, seeming to take a pleasure in open confession now that her tongue was loosed. "I've always just longed for somebody belonging to me to love. I don't love anybody, Miss Channing, and when a girl is in that state, she is all wrong. She gets hard and bitter and resentful—I have, anyway. I struggled against it at first, but it has been too much for me. It poisons everything. There is nobody to care anything about me, whether I live or die."

"Oh, yes, there is One," said Miss Channing gently. "God cares, Constance."

Constance gave a disagreeable little laugh.

"That sounds like Miss Williams—she is so religious. God doesn't mean anything to me, Miss Channing. I've just the same resentful feeling toward him that I have for all the world, if he exists at all. There, I've shocked you in good earnest now. You should have left me alone, Miss Channing."

"God means nothing to you because you've never had him translated to you through human love, Constance," said Miss Channing seriously. "No, you haven't shocked me—at least, not in the way you mean. I'm only terribly sorry."

"Oh, never mind me," said Constance, freezing up into her reserve again as if she regretted her confidences. "I'll get along all right. This is one of my off days, when everything looks black."

Miss Channing walked on in silence. She must help Constance, but Constance was not easily helped. When school reopened, she might be able to do something worthwhile for the girl, but just now the only thing to do was to put her in the way of a pleasant vacation.

"You spoke of boarding," she said, when Constance paused at the door of her boarding-house. "Have you any particular place in view? No? Well, I know a place which I am sure you would like. I was there two summers ago. It is a country place about a hundred miles from here. Pine Valley is its name. It's restful and homey, and the people are so nice. If you like, I'll give you the address of the family I boarded with."

"Thank you," said Constance indifferently. "I might as well go there as anywhere else."

"Yes, but listen to me, dear. Don't take your morbidness with you. Open your heart to the summer, and let its sunshine in, and when you come back in the fall, come prepared to let us all be your friends. We'd like to be, and while friendship doesn't take the place of the love of one's own people, still it is a good and beautiful thing. Besides, there are other unhappy people in the world—try to help them when you meet them, and you'll forget about yourself. Good-by for now, and I hope you'll have a pleasant vacation in spite of yourself."

Constance went to Pine Valley, but she took her evil spirit with her. Not even the beauty of the valley, with its great balmy pines, and the cheerful friendliness of its people could exorcise it.

Nevertheless, she liked the place and found a wholesome pleasure in the long tramps she took along the piney roads.

"I saw such a pretty spot in my ramble this afternoon," she told her landlady one evening. "It is about three miles from here at the end of the valley. Such a picturesque, low-eaved little house, all covered over with honeysuckle. It was set between a big orchard and an old-fashioned flower garden with great pines at the back."

"Heartsease Farm," said Mrs. Hewitt promptly. "Bless you, there's only one place around here of that description. Mr. and Mrs. Bruce, Uncle Charles and Aunt Flora, as we all call them, live there. They are the dearest old couple alive. You ought to go and see them, they'd be delighted. Aunt Flora just loves company. They're real lonesome by times."

"Haven't they any children?" asked Constance indifferently. Her interest was in the place, not in the people.

"No. They had a niece once, though. They brought her up and they just worshipped her. She ran away with a worthless fellow—I forget his name, if I ever knew it. He was handsome and smooth-tongued, but he was a scamp. She died soon after and it just broke their hearts. They don't even know where she was buried, and they never heard anything more about her husband. I've heard that Aunt Flora's hair turned snow-white in a month. I'll take you up to see her some day when I find time."

Mrs. Hewitt did not find time, but thereafter Constance ordered her rambles that she might frequently pass Heartsease Farm. The quaint old spot had a strange attraction for her. She found herself learning to love it, and so unused was this unfortunate girl to loving anything that she laughed at herself for her foolishness.

One evening a fortnight later Constance, with her arms full of ferns and wood-lilies, came out of the pine woods above Heartsease Farm just as heavy raindrops began to fall. She had prolonged her ramble unseasonably, and it was now nearly night, and very certainly a rainy night at that. She was three miles from home and without even an extra wrap.

She hurried down the lane, but by the time she reached the main road, the few drops had become a downpour. She must seek shelter somewhere, and Heartsease Farm was the nearest. She pushed open the gate and ran up the slope of the yard between the hedges of sweetbriar. She was spared the trouble of knocking, for as she came to a breathless halt on the big red sandstone doorstep, the door was flung open, and the white-haired, happy-faced little woman standing on the threshold had seized her hand and drawn her in bodily before she could speak a word.

"I saw you coming from upstairs," said Aunt Flora gleefully, "and I just ran down as fast as I could. Dear, dear, you are a little wet. But we'll soon dry you. Come right in—I've a bit of a fire in the grate, for the evening is chilly. They laughed at me for loving a fire so, but there's nothing like its snap and sparkle. You're rained in for the night, and I'm as glad as I can be. I know who you are—you are Miss Foster. I'm Aunt Flora, and this is Uncle Charles."

Constance let herself be put into a cushiony chair and fussed over with an unaccustomed sense of pleasure. The rain was coming down in torrents, and she certainly was domiciled at Heartsease Farm for the night. Somehow, she felt glad of it. Mrs. Hewitt was right in calling Aunt Flora sweet, and Uncle Charles was a big, jolly, ruddy-faced old man with a hearty manner. He shook Constance's hand until it ached, threw more pine knots in the fire and told her he wished it would rain every night if it rained down a nice little girl like her.

She found herself strangely attracted to the old couple. The name of their farm was in perfect keeping with their atmosphere. Constance's frozen soul expanded in it. She chatted merrily and girlishly, feeling as if she had known them all her life.

When bedtime came, Aunt Flora took her upstairs to a little gable room.

"My spare room is all in disorder just now, dearie, we have been painting its floor. So I'm going to put you here in Jeannie's room. Someway you remind me of her, and you are just about the age she was when she left us. If it wasn't for that, I don't think I could put you in her room, not even if every other floor in the house were being painted. It is so sacred to me. I keep it just as she left it, not a thing is changed. Good night dearie, and I hope you'll have pleasant dreams."

When Constance found herself alone in the room, she looked about her with curiosity. It was a very dainty, old-fashioned little room. The floor was covered with braided mats; the two square, small-paned windows were draped with snowy muslin. In one corner was a little white bed with white curtains and daintily ruffled pillows, and in the other a dressing table with a gilt-framed mirror and the various knick-knacks of a girlish toilet. There was a little blue rocker and an ottoman with a work-basket on it. In the work-basket was a bit of unfinished, yellowed lace with a needle sticking in it. A small bookcase under the sloping ceiling was filled with books.

Constance picked up one and opened it at the yellowing title-page. She gave a little cry of surprise. The name written across the page in a fine, dainty script was "Jean Constance Irving," her mother's name!

For a moment Constance stood motionless. Then she turned impulsively and hurried downstairs again. Mr. and Mrs. Bruce were still in the sitting room talking to each other in the firelight.

"Oh," cried Constance excitedly. "I must know, I must ask you. This is my mother's name, Jean Constance Irving, can it be possible she was your little Jeannie?"

A fortnight later Miss Channing received a letter from Constance.

"I am so happy," she wrote. "Oh, Miss Channing, I have found 'mine own people,' and Heartsease Farm is to be my own, own dear home for always.

"It was such a strange coincidence, no, Aunt Flora says it was Providence, and I believe it was, too. I came here one rainy night, and Aunty put me in my mother's room, think of it! My own dear mother's room, and I found her name in a book. And now the mystery is all cleared up, and we are so happy.

"Everything is dear and beautiful, and almost the dearest and most beautiful thing is that I am getting acquainted with my mother, the mother I never knew before. She no longer seems dead to me. I feel that she lives and loves me, and I am learning to know her better every day. I have her room and her books and all her little girlish possessions. When I read her books, with their passages underlined by her hand, I feel as if she were speaking to me. She was very good and sweet, in spite of her one foolish, bitter mistake, and I want to be as much like her as I can.

"I said that this was almost the dearest and most beautiful thing. The very dearest and most beautiful is this—God means something to me now. He means so much! I remember that you said to me that he meant nothing to me because I had no human love in my heart to translate the divine. But I have now, and it has led me to Him.

"I am not going back to Taunton. I have sent in my resignation. I am going to stay home with Aunty and Uncle. It is so sweet to say home and know what it means.

"Aunty says you must come and spend all your next vacation with us. You see, I have lots of vacation plans now, even for a year ahead. After all, there is no need of the blue pills!

"I feel like a new creature, made over from the heart and soul out. I look back with shame and contrition on the old Constance. I want you to forget her and only remember your grateful friend, the new Constance."

Ida's New Year Cake[ToC]

Mary Craig and Sara Reid and Josie Pye had all flocked into Ida Mitchell's room at their boarding-house to condole with each other because none of them was able to go home for New Year's. Mary and Josie had been home for Christmas, so they didn't really feel so badly off. But Ida and Sara hadn't even that consolation.

Ida was a third-year student at the Clifton Academy; she had holidays, and nowhere, so she mournfully affirmed, to spend them. At home three brothers and a sister were down with the measles, and, as Ida had never had them, she could not go there; and the news had come too late for her to make any other arrangements.

Mary and Josie were clerks in a Clifton bookstore, and Sara was stenographer in a Clifton lawyer's office. And they were all jolly and thoughtless and very fond of one another.

"This will be the first New Year's I have ever spent away from home," sighed Sara, nibbling chocolate fudge. "It does make me so blue to think of it. And not even a holiday—I'll have to go to work just the same. Now Ida here, she doesn't really need sympathy. She has holidays—a whole fortnight—and nothing to do but enjoy them."

"Holidays are dismal things when you've nowhere to holiday," said Ida mournfully. "The time drags horribly. But never mind, girls, I've a plummy bit of news for you. I'd a letter from Mother today and, bless the dear woman, she is sending me a cake—a New Year's cake—a great big, spicy, mellow, delicious fruit cake. It will be along tomorrow and, girls, we'll celebrate when it comes. I've asked everybody in the house up to my room for New Year's Eve, and we'll have a royal good time."

"How splendid!" said Mary. "There's nothing I like more than a slice of real countrified home-made fruit cake, where they don't scrimp on eggs or butter or raisins. You'll give me a good big piece, won't you, Ida?"

"As much as you can eat," promised Ida. "I can warrant Mother's fruit cake. Yes, we'll have a jamboree. Miss Monroe has promised to come in too. She says she has a weakness for fruit cake."

"Oh!" breathed all the girls. Miss Monroe was their idol, whom they had to be content to worship at a distance as a general thing. She was a clever journalist, who worked on a paper, and was reputed to be writing a book. The girls felt they were highly privileged to be boarding in the same house, and counted that day lost on which they did not receive a businesslike nod or an absent-minded smile from Miss Monroe. If she ever had time to speak to one of them about the weather, that fortunate one put on airs for a week. And now to think that she had actually promised to drop into Ida's room on New Year's Eve and eat fruit cake!

"There goes that funny little namesake of yours, Ida," said Josie, who was sitting by the window. "She seems to be staying in town over the holidays too. Wonder why. Perhaps she doesn't belong anywhere. She really is a most forlorn-appearing little mortal."

There were two Ida Mitchells attending the Clifton Academy. The other Ida was a plain, quiet, pale-faced little girl of fifteen who was in the second year. Beyond that, none of the third-year Ida Mitchell's set knew anything about her, or tried to find out.

"She must be very poor," said Ida carelessly. "She dresses so shabbily, and she always looks so pinched and subdued. She boards in a little house out on Marlboro Road, and I pity her if she has to spend her holidays there, for a more dismal place I never saw. I was there once on the trail of a book I had lost. Going, girls? Well, don't forget tomorrow night."

Ida spent the next day decorating her room and watching for the arrival of her cake. It hadn't come by tea-time, and she concluded to go down to the express office and investigate. It would be dreadful if that cake didn't turn up in time, with all the girls and Miss Monroe coming in. Ida felt that she would be mortified to death.

Inquiry at the express office discovered two things. A box had come in for Miss Ida Mitchell, Clifton; and said box had been delivered to Miss Ida Mitchell, Clifton.

"One of our clerks said he knew you personally—boarded next door to you—and he'd take it round himself," the manager informed her.

"There must be some mistake," said Ida in perplexity. "I don't know any of the clerks here. Oh—why—there's another Ida Mitchell in town! Can it be possible my cake has gone to her?"

The manager thought it very possible, and offered to send around and see. But Ida said it was on her way home and she would call herself.

At the dismal little house on Marlboro Road she was sent up three flights of stairs to the other Ida Mitchell's small hall bedroom. The other Ida Mitchell opened the door for her. Behind her, on the table, was the cake—such a fine, big, brown cake, with raisins sticking out all over it!

"Why, how do you do, Miss Mitchell!" exclaimed the other Ida with shy pleasure. "Come in. I didn't know you were in town. It's real good of you to come and see me. And just see what I've had sent to me! Isn't it a beauty? I was so surprised when it came—and, oh, so glad! I was feeling so blue and lonesome—as if I hadn't a friend in the world. I—I—yes, I was crying when that cake came. It has just made the world over for me. Do sit down and I'll cut you a piece. I'm sure you're as fond of fruit cake as I am."

Ida sat down in a chair, feeling bewildered and awkward. This was a nice predicament! How could she tell that other Ida that the cake didn't belong to her? The poor thing was so delighted. And, oh, what a bare, lonely little room! The big, luxurious cake seemed to emphasize the bareness and loneliness.

"Who—who sent it to you?" she asked lamely.

"It must have been Mrs. Henderson, because there is nobody else who would," answered the other Ida. "Two years ago I was going to school in Trenton and I boarded with her. When I left her to come to Clifton she told me she would send me a cake for Christmas. Well, I expected that cake last year—and it didn't come. I can't tell you how disappointed I was. You'll think me very childish. But I was so lonely, with no home to go to like the other girls. But she sent it this year, you see. It is so nice to think that somebody has remembered me at New Year's. It isn't the cake itself—it's the thought behind it. It has just made all the difference in the world. There—just sample it, Miss Mitchell."

The other Ida cut a generous slice from the cake and passed it to her guest. Her eyes were shining and her cheeks were flushed. She was really a very sweet-looking little thing—not a bit like her usual pale, timid self.

Ida ate the cake slowly. What was she to do? She couldn't tell the other Ida the truth about the cake. But the girls she had asked in to help eat it that very evening! And Miss Monroe! Oh, dear, it was too bad. But it couldn't be helped. She wouldn't blot out that light on the other Ida's face for anything! Of course, she would find out the truth in time—probably after she had written to thank Mrs. Henderson for the cake; but meanwhile she would have enjoyed the cake, and the supposed kindness back of it would tide her over her New Year loneliness.

"It's delicious," said Ida heartily, swallowing her own disappointment with the cake. "I'm—I'm glad I happened to drop in as I was passing." Ida hoped that speech didn't come under the head of a fib.

"So am I," said the other Ida brightly. "Oh, I've been so lonesome and downhearted this week. I'm so alone, you see—there isn't anybody to care. Father died three years ago, and I don't remember my mother at all. There is nobody but myself, and it is dreadfully lonely at times. When the Academy is open and I have my lessons to study, I don't mind so much. But the holidays take all the courage out of me."

"We should have fraternized more this week," smiled Ida, regretting that she hadn't thought of it before. "I couldn't go home because of the measles, and I've moped a lot. We might have spent the time together and had a real nice, jolly holiday."

The other Ida blushed with delight.

"I'd love to be friends with you," she said slowly. "I've often thought I'd like to know you. Isn't it odd that we have the same name? It was so nice of you to come and see me. I—I'd love to have you come often."

"I will," said Ida heartily.

"Perhaps you will stay the evening," suggested the other Ida. "I've asked some of the girls who board here in to have some cake, I'm so glad to be able to give them something—they've all been so good to me. They are all clerks in stores and some of them are so tired and lonely. It's so nice to have a pleasure to share with them. Won't you stay?"

"I'd like to," laughed Ida, "but I have some guests of my own invited in for tonight. I must hurry home, for they will most surely be waiting for me."

She laughed again as she thought what else the guests would be waiting for. But her face was sober enough as she walked home.

"But I'm glad I left the cake with her," she said resolutely. "Poor little thing! It means so much to her. It meant only 'a good feed,' as Josie says, to me. I'm simply going to make it my business next term to be good friends with the other Ida Mitchell. I'm afraid we third-year girls are very self-centred and selfish. And I know what I'll do! I'll write to Abby Morton in Trenton to send me Mrs. Henderson's address, and I'll write her a letter and ask her not to let Ida know she didn't send the cake."

Ida went into a confectionery store and invested in what Josie Pye was wont to call "ready-to-wear eatables"—fancy cakes, fruit, and candies. When she reached her room she found it full of expectant girls, with Miss Monroe enthroned in the midst of them—Miss Monroe in a wonderful evening dress of black lace and yellow silk, with roses in her hair and pearls on her neck—all donned in honour of Ida's little celebration. I won't say that, just for a moment, Ida didn't regret that she had given up her cake.

"Good evening, Miss Mitchell," cried Mary Craig gaily. "Walk right in and make yourself at home in your own room, do! We all met in the hall, and knocked and knocked. Finally Miss Monroe came, so we made bold to walk right in. Where is the only and original fruit cake, Ida? My mouth has been watering all day."

"The other Ida Mitchell is probably entertaining her friends at this moment with my fruit cake," said Ida, with a little laugh.

Then she told the whole story.

"I'm so sorry to disappoint you," she concluded, "but I simply couldn't tell that poor, lonely child that the cake wasn't intended for her. I've brought all the goodies home with me that I could buy, and we'll have to do the best we can without the fruit cake."

Their "best" proved to be a very good thing. They had a jolly New Year's Eve, and Miss Monroe sparkled and entertained most brilliantly. They kept their celebration up until twelve to welcome the new year in, and then they bade Ida good night. But Miss Monroe lingered for a moment behind the others to say softly:

"I want to tell you how good and sweet I think it was of you to give up your cake to the other Ida. That little bit of unselfishness was a good guerdon for your new year."

And Ida, radiant-faced at this praise from her idol, answered heartily:

"I'm afraid I'm anything but unselfish, Miss Monroe. But I mean to try to be more this coming year and think a little about the girls outside of my own little set who may be lonely or discouraged. The other Ida Mitchell isn't going to have to depend on that fruit cake alone for comfort and encouragement for the next twelve months."

In the Old Valley[ToC]

The man halted on the crest of the hill and looked sombrely down into the long valley below. It was evening, and although the hills around him were still in the light the valley was already filled with kindly, placid shadows. A wind that blew across it from the misty blue sea beyond was making wild music in the rugged firs above his head as he stood in an angle of the weather-grey longer fence, knee-deep in bracken. It had been by these firs he had halted twenty years ago, turning for one last glance at the valley below, the home valley which he had never seen since. But then the firs had been little more than vigorous young saplings; they were tall, gnarled trees now, with lichened trunks, and their lower boughs were dead. But high up their tops were green and caught the saffron light of the west. He remembered that when a boy he had thought there was nothing more beautiful than the evening sunshine falling athwart the dark green fir boughs on the hills.

As he listened to the swish and murmur of the wind, the earth-old tune with the power to carry the soul back to the dawn of time, the years fell away from him and he forgot much, remembering more. He knew now that there had always been a longing in his heart to hear the wind-chant in the firs. He had called that longing by other names, but he knew it now for what it was when, hearing, he was satisfied.

He was a tall man with iron-grey hair and the face of a conqueror—strong, pitiless, unswerving. Eagle eyes, quick to discern and unfaltering to pursue; jaw square and intrepid; mouth formed to keep secrets and cajole men to his will—a face that hid much and revealed little. It told of power and intellect, but the soul of the man was a hidden thing. Not in the arena where he had fought and triumphed, giving fierce blow for blow, was it to be shown; but here, looking down on the homeland, with the strength of the hills about him, it rose dominantly and claimed its own. The old bond held. Yonder below him was home—the old house that had sheltered him, the graves of his kin, the wide fields where his boyhood dreams had been dreamed.

Should he go down to it? This was the question he asked himself. He had come back to it, heartsick of his idols of the marketplace. For years they had satisfied him, the buying and selling and getting gain, the pitting of strength and craft against strength and craft, the tireless struggle, the exultation of victory. Then, suddenly, they had failed their worshipper; they ceased to satisfy; the sacrifices he had heaped on their altars availed him nothing in this new need and hunger of his being. His gods mocked him and he wearied of their service. Were there not better things than these, things he had once known and loved and forgotten? Where were the ideals of his youth, the lofty aspirations that had upborne him then? Where was the eagerness and zest of new dawns, the earnestness of well-filled, purposeful hours of labour, the satisfaction of a good day worthily lived, at eventide the unbroken rest of long, starry nights? Where might he find them again? Were they yet to be had for the seeking in the old valley? With the thought came a great yearning for home. He had had many habitations, but he realized now that he had never thought of any of these places as home. That name had all unconsciously been kept sacred to the long, green, seaward-looking glen where he had been born.

So he had come back to it, drawn by a longing not to be resisted. But at the last he felt afraid. There had been many changes, of that he felt sure. Would it still be home? And if not, would not the loss be most irreparable and bitter? Would it not be better to go away, having looked at it from the hill and having heard the saga of the firs, keeping his memory of it unblurred, than risk the probable disillusion of a return to the places that had forgotten him and friends whom the varying years must certainly have changed as he had changed himself? No, he would not go down. It had been a foolish whim to come at all—foolish, because the object of his quest was not to be found there or elsewhere. He could not enter again into the heritage of boyhood and the heart of youth. He could not find there the old dreams and hopes that had made life sweet. He understood that he could not bring back to the old valley what he had taken from it. He had lost that intangible, all-real wealth of faith and idealism and zest; he had bartered it away for the hard, yellow gold of the marketplace, and he realized at last how much poorer he was than when he had left that home valley. His was a name that stood for millions, but he was beggared of hope and purpose.

No, he would not go down. There was no one left there, unchanged and unchanging, to welcome him. He would be a stranger there, even among his kin. He would stay awhile on the hill, until the night came down over it, and then he would go back to his own place.

Down below him, on the crest of a little upland, he saw his old home, a weather-grey house, almost hidden among white birch and apple trees, with a thick fir grove to the north of it. He had been born in that old house; his earliest memory was of standing on its threshold and looking afar up to the long green hills.

"What is over the hills?" he had asked of his mother. With a smile she had made answer,

"Many things, laddie. Wonderful things, beautiful things, heart-breaking things."

"Some day I shall go over the hills and find them all, Mother," he had said stoutly.

She had laughed and sighed and caught him to her heart. He had no recollection of his father, who had died soon after his son's birth, but how well he remembered his mother, his little, brown-eyed, girlish-faced mother!

He had lived on the homestead until he was twenty. He had tilled the broad fields and gone in and out among the people, and their life had been his life. But his heart was not in his work. He wanted to go beyond the hills and seek what he knew must be there. The valley was too narrow, too placid. He longed for conflict and accomplishment. He felt power and desire and the lust of endeavour stirring in him. Oh, to go over the hills to a world where men lived! Such had been the goal of all his dreams.

When his mother died he sold the farm to his cousin, Stephen Marshall. He supposed it still belonged to him. Stephen had been a good sort of a fellow, a bit slow and plodding, perhaps, bovinely content to dwell within the hills, never hearkening or responding to the lure of the beyond. Yet it might be he had chosen the better part, to dwell thus on the land of his fathers, with a wife won in youth, and children to grow up around him. The childless, wifeless man looking down from the hill wondered if it might have been so with him had he been content to stay in the valley. Perhaps so. There had been Joyce.

He wondered where Joyce was now and whom she had married, for of course she had married. Did she too live somewhere down there in the valley, the matronly, contented mother of lads and lassies? He could see her old home also, not so far from his own, just across a green meadow by way of a footpath and stile and through the firs beyond it. How often he had traversed that path in the old days, knowing that Joyce would be waiting at the end of it among the firs—Joyce, the playmate of childhood, the sweet confidante and companion of youth! They had never been avowed lovers, but he had loved her then, as a boy loves, although he had never said a word of love to her. Joyce alone knew of his longings and his ambitions and his dreams; he had told them all to her freely, sure of the understanding and sympathy no other soul in the valley could give him. How true and strong and womanly and gentle she had always been!

When he left home he had meant to go back to her some day. They had parted without pledge or kiss, yet he knew she loved him and that he loved her. At first they corresponded, then the letters began to grow fewer. It was his fault; he had gradually forgotten. The new, fierce, burning interests that came into his life crowded the old ones out. Boyhood's love was scorched up in that hot flame of ambition and contest. He had not heard from or of Joyce for many years. Now, again, he remembered as he looked down on the homeland fields.

The old places had changed little, whatever he might fear of the people who lived in them. There was the school he had attended, a small, low-eaved, white-washed building set back from the main road among green spruces. Beyond it, amid tall elms, was the old church with its square tower hung with ivy. He felt glad to see it; he had expected to see a new church, offensively spick-and-span and modern, for this church had been old when he was a boy. He recalled the many times he had walked to it on the peaceful Sunday afternoons, sometimes with his mother, sometimes with Joyce.

The sun set far out to sea and sucked down with it all the light out of the winnowed dome of sky. The stars came out singly and crystal clear over the far purple curves of the hills. Suddenly, glancing over his shoulder, he saw through an arch of black fir boughs a young moon swung low in a lake of palely tinted saffron sky. He smiled a little, remembering that in boyhood it had been held a good omen to see the new moon over the right shoulder.

Down in the valley the lights began to twinkle out here and there like earth-stars. He would wait until he saw the kitchen light from the window of his old home. Then he would go. He waited until the whole valley was zoned with a glittering girdle, but no light glimmered out through his native trees. Why was it lacking, that light he had so often hailed at dark, coming home from boyish rambles on the hills? He felt anxious and dissatisfied, as if he could not go away until he had seen it.

When it was quite dark he descended the hill resolutely. He must know why the homelight had failed him. When he found himself in the old garden his heart grew sick and sore with disappointment and a bitter homesickness. It needed but a glance, even in the dimness of the summer night, to see that the old house was deserted and falling to decay. The kitchen door swung open on rusty hinges; the windows were broken and lifeless; weeds grew thickly over the yard and crowded wantonly up to the very threshold through the chinks of the rotten platform.

Cuthbert Marshall sat down on the old red sandstone step of the door and bowed his head in his hands. This was what he had come back to—this ghost and wreck of his past! Oh, bitterness!

From where he sat he saw the new house that Stephen had built beyond the fir grove, with a cheerful light shining from its window. After a long time he went over to it and knocked at the door. Stephen came to it, a stout grizzled farmer, with a chubby boy on his shoulder. He was not much changed; Cuthbert easily recognized him, but to Stephen Marshall no recognition came of this man with whom he had played and worked for years. Cuthbert was obliged to tell who he was. He was made instantly and warmly welcome. Stephen was unfeignedly glad to see him, and Stephen's comely wife, whom he remembered as a slim, fresh-cheeked valley girl, extended a kind and graceful hospitality. The boys and girls, too, soon made friends with him. Yet he felt himself the stranger and the alien, whom the long, swift-passing years had shut forever from his old place.

He and Stephen talked late that night, and in the morning he yielded to their entreaties to stay another day with them. He spent it wandering about the farm and the old haunts of wood and stream. Yet he could not find himself. This valley had his past in its keeping, but it could not give it back to him; he had lost the master word that might have compelled it.

He asked Stephen fully about all his old friends and neighbours with one exception. He could not ask him what had become of Joyce Cameron. The question was on his lips a dozen times, but he shrank from uttering it. He had a vague, secret dread that the answer, whatever it might be, would hurt him.

In the evening he yielded to a whim and went across to the Cameron homestead, by the old footpath which was still kept open. He walked slowly and dreamily, with his eyes on the far hills scarfed in the splendour of sunset. So he had walked in the old days, but he had no dreams now of what lay beyond the hills, and Joyce would not be waiting among the firs.

The stile he remembered was gone, replaced by a little rustic gate. As he passed through it he lifted his eyes and there before him he saw her, standing tall and gracious among the grey trees, with the light from the west falling over her face. So she had stood, so she had looked many an evening of the long-ago. She had not changed; he realized that in the first amazed, incredulous glance. Perhaps there were lines on her face, a thread or two of silver in the soft brown hair, but those splendid steady blue eyes were the same, and the soul of her looked out through them, true to itself, the staunch, brave, sweet soul of the maiden ripened to womanhood.

"Joyce!" he said, stupidly, unbelievingly.

She smiled and put out her hand. "I am glad to see you, Cuthbert," she said simply. "Stephen's Mary told me you had come. And I thought you would be over to see us this evening."

She had offered him only one hand but he took both and held her so, looking hungrily down at her as a man looks at something he knows must be his salvation if salvation exists for him.

"Is it possible you are here still, Joyce?" he said slowly. "And you have not changed at all."

She coloured slightly and pulled away her hands, laughing. "Oh, indeed I have. I have grown old. The twilight is so kind it hides that, but it is true. Come into the house, Cuthbert. Father and Mother will be glad to see you."

"After a little," he said imploringly. "Let us stay here awhile first, Joyce. I want to make sure that this is no dream. Last night I stood on those hills yonder and looked down, but I meant to go away because I thought there would be no one left to welcome me. If I had known you were here! You have lived here in the old valley all these years?"

"All these years," she said gently, "I suppose you think it must have been a very meagre life?"

"No. I am much wiser now than I was once, Joyce. I have learned wisdom beyond the hills. One learns there—in time—but sometimes the lesson is learned too late. Shall I tell you what I have learned, Joyce? The gist of the lesson is that I left happiness behind me in the old valley, when I went away from it, happiness and peace and the joy of living. I did not miss these things for a long while; I did not even know I had lost them. But I have discovered my loss."

"Yet you have been a very successful man," she said wonderingly.

"As the world calls success," he answered bitterly. "I have place and wealth and power. But that is not success, Joyce. I am tired of these things; they are the toys of grown-up children; they do not satisfy the man's soul. I have come back to the old valley seeking for what might satisfy, but I have little hope of finding it, unless—unless—"

He was silent, remembering that he had forfeited all right to her help in the quest. Yet he realized clearly that only she could help him, only she could guide him back to the path he had missed. It seemed to him that she held in her keeping all the good of his life, all the beauty of his past, all the possibilities of his future. Hers was the master word, but how should he dare ask her to utter it?

They walked among the firs until the stars came out, and they talked of many things. She had kept her freshness of soul and her ideals untarnished. In the peace of the old valley she had lived a life, narrow outwardly, wondrously deep and wide in thought and aspiration. Her native hills bounded the vision of her eyes, but the outlook of the soul was far and unhindered. In the quiet places and the green ways she had found what he had failed to find—the secret of happiness and content. He knew that if this woman had walked hand in hand with him through the years, life, even in the glare and tumult of that world beyond the hills, would never have lost its meaning for him. Oh, fool and blind that he had been! While he had sought and toiled afar, the best that God had meant for him had been here in the home of youth. When darkness came down through the firs he told her all this, haltingly, blunderingly, yearningly.

"Joyce, is it too late? Can you forgive my mistake, my long blindness? Can you care for me again—a little?"

She turned her face upward to the sky between the swaying fir tops and he saw the reflection of a star in her eyes. "I have never ceased to care," she said in a low tone. "I never really wanted to cease. It would have left life too empty. If my love means so much to you it is yours, Cuthbert—it always has been yours."

He drew her close into his arms, and as he felt her heart beating against his he understood that he had found the way back to simple happiness and true wisdom, the wisdom of loving and the happiness of being loved.

Jane Lavinia[ToC]

Jane Lavinia put her precious portfolio down on the table in her room, carefully, as if its contents were fine gold, and proceeded to unpin and take off her second-best hat. When she had gone over to the Whittaker place that afternoon, she had wanted to wear her best hat, but Aunt Rebecca had vetoed that uncompromisingly.

"Next thing you'll be wanting to wear your best muslin to go for the cows," said Aunt Rebecca sarcastically. "You go right back upstairs and take off that chiffon hat. If I was fool enough to be coaxed into buying it for you, I ain't going to have you spoil it by traipsing hither and yon with it in the dust and sun. Your last summer's sailor is plenty good enough to go to the Whittakers' in, Jane Lavinia."

"But Mr. Stephens and his wife are from New York," pleaded Jane Lavinia, "and she's so stylish."

"Well, it's likely they're used to seeing chiffon hats," Aunt Rebecca responded, more sarcastically than ever. "It isn't probable that yours would make much of a sensation. Mr. Stephens didn't send for you to show him your chiffon hat, did he? If he did, I don't see what you're lugging that big portfolio along with you for. Go and put on your sailor hat, Jane Lavinia."

Jane Lavinia obeyed. She always obeyed Aunt Rebecca. But she took off the chiffon hat and pinned on the sailor with bitterness of heart. She had always hated that sailor. Anything ugly hurt Jane Lavinia with an intensity that Aunt Rebecca could never understand; and the sailor hat was ugly, with its stiff little black bows and impossible blue roses. It jarred on Jane Lavinia's artistic instincts. Besides, it was very unbecoming.

I look horrid in it, Jane Lavinia had thought sorrowfully; and then she had gone out and down the velvet-green springtime valley and over the sunny birch hill beyond with a lagging step and a rebellious heart.

But Jane Lavinia came home walking as if on the clear air of the crystal afternoon, her small, delicate face aglow and every fibre of her body and spirit thrilling with excitement and delight. She forgot to fling the sailor hat into its box with her usual energy of dislike. Just then Jane Lavinia had a soul above hats. She looked at herself in the glass and nodded with friendliness.

"You'll do something yet," she said. "Mr. Stephens said you would. Oh, I like you, Jane Lavinia, you dear thing! Sometimes I haven't liked you because you're nothing to look at, and I didn't suppose you could really do anything worthwhile. But I do like you now after what Mr. Stephens said about your drawings."

Jane Lavinia smiled radiantly into the little cracked glass. Just then she was pretty, with the glow on her cheeks and the sparkle in her eyes. Her uncertainly tinted hair and an all-too-certain little tilt of her nose no longer troubled her. Such things did not matter; nobody would mind them in a successful artist. And Mr. Stephens had said that she had talent enough to win success.

Jane Lavinia sat down by her window, which looked west into a grove of firs. They grew thickly, close up to the house, and she could touch their wide, fan-like branches with her hand. Jane Lavinia loved those fir trees, with their whispers and sighs and beckonings, and she also loved her little shadowy, low-ceilinged room, despite its plainness, because it was gorgeous for her with visions and peopled with rainbow fancies.

The stained walls were covered with Jane Lavinia's pictures—most of them pen-and-ink sketches, with a few flights into water colour. Aunt Rebecca sniffed at them and deplored the driving of tacks into the plaster. Aunt Rebecca thought Jane Lavinia's artistic labours a flat waste of time, which would have been much better put into rugs and crochet tidies and afghans. All the other girls in Chestercote made rugs and tidies and afghans. Why must Jane Lavinia keep messing with ink and crayons and water colours?

Jane Lavinia only knew that she must—she could not help it. There was something in her that demanded expression thus.

When Mr. Stephens, who was a well-known artist and magazine illustrator, came to Chestercote because his wife's father, Nathan Whittaker, was ill, Jane Lavinia's heart had bounded with a shy hope. She indulged in some harmless manoeuvring which, with the aid of good-natured Mrs. Whittaker, was crowned with success. One day, when Mr. Whittaker was getting better, Mr. Stephens had asked her to show him some of her work. Jane Lavinia, wearing the despised sailor hat, had gone over to the Whittaker place with some of her best sketches. She came home again feeling as if all the world and herself were transfigured.

She looked out from the window of her little room with great dreamy brown eyes, seeing through the fir boughs the golden western sky beyond, serving as a canvas whereon her fancy painted glittering visions of her future. She would go to New York—and study—and work, oh, so hard—and go abroad—and work harder—and win success—and be great and admired and famous—if only Aunt Rebecca—ah! if only Aunt Rebecca! Jane Lavinia sighed. There was spring in the world and spring in Jane Lavinia's heart; but a chill came with the thought of Aunt Rebecca, who considered tidies and afghans nicer than her pictures.

"But I'm going, anyway," said Jane Lavinia decidedly. "If Aunt Rebecca won't give me the money, I'll find some other way. I'm not afraid of any amount of work. After what Mr. Stephens said, I believe I could work twenty hours out of the twenty-four. I'd be content to live on a crust and sleep in a garret—yes, and wear sailor hats with stiff bows and blue roses the year round."

Jane Lavinia sighed in luxurious renunciation. Oh, it was good to be alive—to be a girl of seventeen, with wonderful ambitions and all the world before her! The years of the future sparkled and gleamed alluringly. Jane Lavinia, with her head on the window sill, looked out into the sunset splendour and dreamed.

Athwart her dreams, rending in twain their frail, rose-tinted fabric, came Aunt Rebecca's voice from the kitchen below, "Jane Lavinia! Jane Lavinia! Ain't you going for the cows tonight?"

Jane Lavinia started up guiltily; she had forgotten all about the cows. She slipped off her muslin dress and hurried into her print; but with all her haste it took time, and Aunt Rebecca was grimmer than ever when Jane Lavinia ran downstairs.

"It'll be dark before we get the cows milked. I s'pose you've been day-dreaming again up there. I do wish, Jane Lavinia, that you had more sense."

Jane Lavinia made no response. At any other time she would have gone out with a lump in her throat; but now, after what Mr. Stephens had said, Aunt Rebecca's words had no power to hurt her.

"After milking I'll ask her about it," she said to herself, as she went blithely down the sloping yard, across the little mossy bridge over the brook, and up the lane on the hill beyond, where the ferns grew thickly and the grass was beset with tiny blue-eyes like purple stars. The air was moist and sweet. At the top of the lane a wild plum tree hung out its branches of feathery bloom against the crimson sky. Jane Lavinia lingered, in spite of Aunt Rebecca's hurry, to look at it. It satisfied her artistic instinct and made her glad to be alive in the world where wild plums blossomed against springtime skies. The pleasure of it went with her through the pasture and back to the milking yard; and stayed with her while she helped Aunt Rebecca milk the cows.

When the milk was strained into the creamers down at the spring, and the pails washed and set in a shining row on their bench, Jane Lavinia tried to summon up her courage to speak to Aunt Rebecca. They were out on the back verandah; the spring twilight was purpling down over the woods and fields; down in the swamp the frogs were singing a silvery, haunting chorus; a little baby moon was floating in the clear sky above the white-blossoming orchard on the slope.

Jane Lavinia tried to speak and couldn't. For a wonder, Aunt Rebecca spared her the trouble.

"Well, what did Mr. Stephens think of your pictures?" she asked shortly.

"Oh!" Everything that Jane Lavinia wanted to say came rushing at once and together to her tongue's end. "Oh, Aunt Rebecca, he was delighted with them! And he said I had remarkable talent, and he wants me to go to New York and study in an art school there. He says Mrs. Stephens finds it hard to get good help, and if I'd be willing to work for her in the mornings, I could live with them and have my afternoons off. So it won't cost much. And he said he would help me—and, oh, Aunt Rebecca, can't I go?"

Jane Lavinia's breath gave out with a gasp of suspense.

Aunt Rebecca was silent for so long a space that Jane Lavinia had time to pass through the phases of hope and fear and despair and resignation before she said, more grimly than ever, "If your mind is set on going, go you will, I suppose. It doesn't seem to me that I have anything to say in the matter, Jane Lavinia."

"But, oh, Aunt Rebecca," said Jane Lavinia tremulously. "I can't go unless you'll help me. I'll have to pay for my lessons at the art school, you know."

"So that's it, is it? And do you expect me to give you the money to pay for them, Jane Lavinia?"

"Not give—exactly," stammered Jane Lavinia. "I'll pay it back some time, Aunt Rebecca. Oh, indeed, I will—when I'm able to earn money by my pictures!"

"The security is hardly satisfactory," said Aunt Rebecca immovably. "You know well enough I haven't much money, Jane Lavinia. I thought when I was coaxed into giving you two quarters' lessons with Miss Claxton that it was as much as you could expect me to do for you. I didn't suppose the next thing would be that you'd be for betaking yourself to New York and expecting me to pay your bills there."

Aunt Rebecca turned and went into the house. Jane Lavinia, feeling sore and bruised in spirit; fled to her own room and cried herself to sleep.

Her eyes were swollen the next morning, but she was not sulky. Jane Lavinia never sulked. She did her morning's work faithfully, although there was no spring in her step. That afternoon, when she was out in the orchard trying to patch up her tattered dreams, Aunt Rebecca came down the blossomy avenue, a tall, gaunt figure, with an uncompromising face.

"You'd better go down to the store and get ten yards of white cotton, Jane Lavinia," she said. "If you're going to New York, you'll have to get a supply of underclothing made."

Jane Lavinia opened her eyes.

"Oh, Aunt Rebecca, am I going?"

"You can go if you want to. I'll give you all the money I can spare. It ain't much, but perhaps it'll be enough for a start."

"Oh, Aunt Rebecca, thank you!" exclaimed Jane Lavinia, crimson with conflicting feelings. "But perhaps I oughtn't to take it—perhaps I oughtn't to leave you alone—"

If Aunt Rebecca had shown any regret at the thought of Jane Lavinia's departure, Jane Lavinia would have foregone New York on the spot. But Aunt Rebecca only said coldly, "I guess you needn't worry over that. I can get along well enough."

And with that it was settled. Jane Lavinia lived in a whirl of delight for the next week. She felt few regrets at leaving Chestercote. Aunt Rebecca would not miss her; Jane Lavinia thought that Aunt Rebecca regarded her as a nuisance—a foolish girl who wasted her time making pictures instead of doing something useful. Jane Lavinia had never thought that Aunt Rebecca had any affection for her. She had been a very little girl when her parents had died, and Aunt Rebecca had taken her to bring up. Accordingly she had been "brought up," and she was grateful to Aunt Rebecca, but there was no closer bond between them. Jane Lavinia would have given love for love unstintedly, but she never supposed that Aunt Rebecca loved her.

On the morning of departure Jane Lavinia was up and ready early. Her trunk had been taken over to Mr. Whittaker's the night before, and she was to walk over in the morning and go with Mr. and Mrs. Stephens to the station. She put on her chiffon hat to travel in, and Aunt Rebecca did not say a word of protest. Jane Lavinia cried when she said good-by, but Aunt Rebecca did not cry. She shook hands and said stiffly, "Write when you get to New York. You needn't let Mrs. Stephens work you to death either."

Jane Lavinia went slowly over the bridge and up the lane. If only Aunt Rebecca had been a little sorry! But the morning was perfect and the air clear as crystal, and she was going to New York, and fame and fortune were to be hers for the working. Jane Lavinia's spirits rose and bubbled over in a little trill of song. Then she stopped in dismay. She had forgotten her watch—her mother's little gold watch; she had left it on her dressing table.

Jane Lavinia hurried down the lane and back to the house. In the open kitchen doorway she paused, standing on a mosaic of gold and shadow where the sunshine fell through the morning-glory vines. Nobody was in the kitchen, but Aunt Rebecca was in the little bedroom that opened off it, crying bitterly and talking aloud between her sobs, "Oh, she's gone and left me all alone—my girl has gone! Oh, what shall I do? And she didn't care—she was glad to go—glad to get away. Well, it ain't any wonder. I've always been too cranky with her. But I loved her so much all the time, and I was so proud of her! I liked her picture-making real well, even if I did complain of her wasting her time. Oh, I don't know how I'm ever going to keep on living now she's gone!"

Jane Lavinia listened with a face from which all the sparkle and excitement had gone. Yet amid all the wreck and ruin of her tumbling castles in air, a glad little thrill made itself felt. Aunt Rebecca was sorry—Aunt Rebecca did love her after all!

Jane Lavinia turned and walked noiselessly away. As she went swiftly up the wild plum lane, some tears brimmed up in her eyes, but there was a smile on her lips and a song in her heart. After all, it was nicer to be loved than to be rich and admired and famous.

When she reached Mr. Whittaker's, everybody was out in the yard ready to start.

"Hurry up, Jane Lavinia," said Mr. Whittaker. "Blest if we hadn't begun to think you weren't coming at all. Lively now."

"I am not going," said Jane Lavinia calmly.

"Not going?" they all exclaimed.

"No. I'm very sorry, and very grateful to you, Mr. Stephens, but I can't leave Aunt Rebecca. She'd miss me too much."

"Well, you little goose!" said Mrs. Whittaker.

Mrs. Stephens said nothing, but frowned coldly. Perhaps her thoughts were less of the loss to the world of art than of the difficulty of hunting up another housemaid. Mr. Stephens looked honestly regretful.

"I'm sorry, very sorry, Miss Slade," he said. "You have exceptional talent, and I think you ought to cultivate it."

"I am going to cultivate Aunt Rebecca," said Jane Lavinia.

Nobody knew just what she meant, but they all understood the firmness of her tone. Her trunk was taken down out of the express wagon, and Mr. and Mrs. Stephens drove away. Then Jane Lavinia went home. She found Aunt Rebecca washing the breakfast dishes, with the big tears rolling down her face.

"Goodness me!" she cried, when Jane Lavinia walked in. "What's the matter? You ain't gone and been too late!"

"No, I've just changed my mind, Aunt Rebecca. They've gone without me. I am not going to New York—I don't want to go. I'd rather stay at home with you."

For a moment Aunt Rebecca stared at her. Then she stepped forward and flung her arms about the girl.

"Oh, Jane Lavinia," she said with a sob, "I'm so glad! I couldn't see how I was going to get along without you, but I thought you didn't care. You can wear that chiffon hat everywhere you want to, and I'll get you a pink organdy dress for Sundays."

SHE EYED CHESTER SOURLY.

Mackereling Out in the Gulf[ToC]

The mackerel boats were all at anchor on the fishing grounds; the sea was glassy calm—a pallid blue, save for a chance streak of deeper azure where some stray sea breeze ruffled it.

It was about the middle of the afternoon, and intensely warm and breathless. The headlands and coves were blurred by a purple heat haze. The long sweep of the sandshore was so glaringly brilliant that the pained eye sought relief among the rough rocks, where shadows were cast by the big red sandstone boulders. The little cluster of fishing houses nearby were bleached to a silvery grey by long exposure to wind and rain. Far off were several "Yankee" fishing schooners, their sails dimly visible against the white horizon.

Two boats were hauled upon the "skids" that ran from the rocks out into the water. A couple of dories floated below them. Now and then a white gull, flashing silver where its plumage caught the sun, soared landward.

A young man was standing by the skids, watching the fishing boats through a spyglass. He was tall, with a straight, muscular figure clad in a rough fishing suit. His face was deeply browned by the gulf breezes and was attractive rather than handsome, while his eyes, as blue and clear as the gulf waters, were peculiarly honest and frank.

Two wiry, dark-faced French-Canadian boys were perched on one of the boats, watching the fishing fleet with lazy interest in their inky-black eyes, and wondering if the "Yanks" had seined many mackerel that day.

Presently three people came down the steep path from the fish-houses. One of them, a girl, ran lightly forward and touched Benjamin Selby's arm. He lowered his glass with a start and looked around. A flash of undisguised delight transfigured his face.

"Why, Mary Stella! I didn't expect you'd be down this hot day. You haven't been much at the shore lately," he added reproachfully.

"I really haven't had time, Benjamin," she answered carelessly, as she took the glass from his hand and tried to focus it on the fishing fleet. Benjamin steadied it for her; the flush of pleasure was still glowing on his bronzed cheek, "Are the mackerel biting now?"

"Not just now. Who is that stranger with your father, Mary Stella?"

"That is a cousin of ours—a Mr. Braithwaite. Are you very busy, Benjamin?"

"Not busy at all—idle as you see me. Why?"

"Will you take me out for a little row in the dory? I haven't been out for so long."

"Of course. Come—here's the dory—your namesake, you know. I had her fresh painted last week. She's as clean as an eggshell."

The girl stepped daintily off the rocks into the little cream-coloured skiff, and Benjamin untied the rope and pushed off.

"Where would you like to go, Mary Stella?"

"Oh, just upshore a little way—not far. And don't go out into very deep water, please, it makes me feel frightened and dizzy."

Benjamin smiled and promised. He was rowing along with the easy grace of one used to the oar. He had been born and brought up in sound of the gulf's waves; its never-ceasing murmur had been his first lullaby. He knew it and loved it in every mood, in every varying tint and smile, in every change of wind and tide. There was no better skipper alongshore than Benjamin Selby.

Mary Stella waved her hand gaily to the two men on the rocks. Benjamin looked back darkly.

"Who is that young fellow?" he asked again. "Where does he belong?"

"He is the son of Father's sister—his favourite sister, although he has never seen her since she married an American years ago and went to live in the States. She made Frank come down here this summer and hunt us up. He is splendid, I think. He is a New York lawyer and very clever."

Benjamin made no response. He pulled in his oars and let the dory float amid the ripples. The bottom of white sand, patterned over with coloured pebbles, was clear and distinct through the dark-green water. Mary Stella leaned over to watch the distorted reflection of her face by the dory's side.

"Have you had pretty good luck this week, Benjamin? Father couldn't go out much—he has been so busy with his hay, and Leon is such a poor fisherman."

"We've had some of the best hauls of the summer this week. Some of the Rustler boats caught six hundred to a line yesterday. We had four hundred to the line in our boat."

Mary Stella began absently to dabble her slender brown hand in the water. A silence fell between them, with which Benjamin was well content, since it gave him a chance to feast his eyes on the beautiful face before him.

He could not recall the time when he had not loved Mary Stella. It seemed to him that she had always been a part of his inmost life. He loved her with the whole strength and fidelity of a naturally intense nature. He hoped that she loved him, and he had no rival that he feared. In secret he exalted and deified her as something almost too holy for him to aspire to. She was his ideal of all that was beautiful and good; he was jealously careful over all his words and thoughts and actions that not one might make him more unworthy of her. In all the hardship and toil of his life his love was as his guardian angel, turning his feet from every dim and crooked byway; he trod in no path where he would not have the girl he loved to follow. The roughest labour was glorified if it lifted him a step nearer the altar of his worship.

But today he felt faintly disturbed. In some strange, indefinable way it seemed to him that Mary Stella was different from her usual self. The impression was vague and evanescent—gone before he could decide wherein the difference lay. He told himself that he was foolish, yet the vexing, transient feeling continued to come and go.

Presently Mary Stella said it was time to go back. Benjamin was in no hurry, but he never disputed her lightest inclination. He turned the dory about and rowed shoreward.

Back on the rocks, Mosey Louis and Xavier, the French Canadians, were looking through the spyglass by turns and making characteristic comments on the fleet. Mr. Murray and Braithwaite were standing by the skids, watching the dory.

"Who is that young fellow?" asked the latter. "What a splendid physique he has! It's a pleasure to watch him rowing."

"That," said the older man, with a certain proprietary pride in his tone, "is Benjamin Selby—the best mackerel fisherman on the island. He's been high line all along the gulf shore for years. I don't know a finer man every way you take him. Maybe you'll think I'm partial," he continued with a smile. "You see, he and Mary Stella think a good deal of each other. I expect to have Benjamin for a son-in-law some day if all goes well."

Braithwaite's expression changed slightly. He walked over to the dory and helped Mary Stella out of it while Benjamin made the painter fast. When the latter turned, Mary Stella was walking across the rocks with her cousin. Benjamin's blue eyes darkened, and he strode moodily over to the boats.

"You weren't out this morning, Mr. Murray?"

"No, that hay had to be took in. Reckon I missed it—pretty good catch, they tell me. Are they getting any now?"

"No. It's not likely the fish will begin to bite again for another hour."

"I see someone standing up in that off boat, don't I?" said Mr. Murray, reaching for the spyglass.

"No, that's only Rob Leslie's crew trying to fool us. They've tried it before this afternoon. They think it would be a joke to coax us out there to broil like themselves."

"Frank," shouted Mr. Murray, "come here, I want you."

Aside to Benjamin he said, "He's my nephew—a fine young chap. You'll like him, I know."

Braithwaite came over, and Mr. Murray put one hand on his shoulder and one on Benjamin's.

"Boys, I want you to know each other. Benjamin, this is Frank Braithwaite. Frank, this is Benjamin Selby, the high line of the gulf shore, as I told you."

While Mr. Murray was speaking, the two men looked steadily at each other. The few seconds seemed very long; when they had passed, Benjamin knew that the other man was his rival.

Braithwaite was the first to speak. He put out his hand with easy cordiality.

"I am glad to meet you, Mr. Selby," he said heartily, "although I am afraid I should feel very green in the presence of such a veteran fisherman as yourself."

His frank courtesy compelled some return. Benjamin took the proffered hand with restraint.

"I'm sorry there's no mackerel going this afternoon," continued the American. "I wanted to have a chance at them. I never saw mackerel caught before. I suppose I'll be very awkward at first."

"It's not a very hard thing to do," said Benjamin stiffly, speaking for the first time since their meeting. "Most anybody could catch mackerel for a while—it's the sticking to it that counts."

He turned abruptly and went back to his boat. He could not force himself to talk civilly to the stranger, with that newly born demon of distrust gnawing at his heart.

"I think I'll go out," he said. "It's freshening up. I shouldn't wonder if the mackerel schooled soon."

"I'll go, too, then," said Mr. Murray. "Hi, up there! Leon and Pete! Hi, I say!"

Two more French Canadians came running down from the Murray fish-house, where they had been enjoying a siesta. They fished in the Murray boat. A good deal of friendly rivalry as to catch went on between the two boats, while Leon and Mosey Louis were bitter enemies on their own personal account.

"Think you'll try it, Frank?" shouted Mr. Murray.

"Well, not this afternoon," was the answer. "It's rather hot. I'll see what it is like tomorrow."

The boats were quickly launched and glided out from the shadow of the cliffs. Benjamin stood at his mast. Mary Stella came down to the water's edge and waved her hand gaily.

"Good luck to you and the best catch of the season," she called out.

Benjamin waved his hat in response. His jealousy was forgotten for the moment and he felt that he had been churlish to Braithwaite.

"You'll wish you'd come," he shouted to him. "It's going to be a great evening for fish."

When the boats reached the fishing grounds, they came to and anchored, their masts coming out in slender silhouette against the sky. A row of dark figures was standing up in every boat; the gulfs shining expanse was darkened by odd black streaks—the mackerel had begun to school.

Frank Braithwaite went out fishing the next day and caught 30 mackerel. He was boyishly proud of it. He visited the shore daily after that and soon became very popular. He developed into quite an expert fisherman; nor, when the boats came in, did he shirk work, but manfully rolled up his trousers and helped carry water and "gib" mackerel as if he enjoyed it. He never put on any "airs," and he stoutly took Leon's part against the aggressive Mosey Louis. Even the French Canadians, those merciless critics, admitted that the "Yankee" was a good fellow. Benjamin Selby alone held stubbornly aloof.

One evening the loaded boats came in at sunset. Benjamin sprang from his as it bumped against the skids, and ran up the path. At the corner of his fish-house he stopped and stood quite still, looking at Braithwaite and Mary Stella, who were standing by the rough picket fence of the pasture land. Braithwaite's back was to Benjamin; he held the girl's hand in his and was talking earnestly. Mary Stella was looking up at him, her delicate face thrown back a little. There was a look in her eyes that Benjamin had never seen there before—but he knew what it meant.

His face grew pale and rigid; he clenched his hands and a whirlpool of agony and bitterness surged up in his heart. All the great blossoms of the hope that had shed beauty and fragrance over his rough life seemed suddenly to shrivel up into black unsightliness.

He turned and went swiftly and noiselessly down the road to his boat. The murmur of the sea sounded very far off. Mosey Louis was busy counting out the mackerel, Xavier was dipping up buckets of water and pouring it over the silvery fish. The sun was setting in a bank of purple cloud, and the long black headland to the west cut the golden seas like a wedge of ebony. It was all real and yet unreal. Benjamin went to work mechanically.

Presently Mary Stella came down to her father's boat. Braithwaite followed slowly, pausing a moment to exchange some banter with saucy Mosey Louis. Benjamin bent lower over his table; now and then he caught the dear tones of Mary Stella's voice or her laughter at some sally of Pete or Leon. He knew when she went up the road with Braithwaite; he caught the last glimpse of her light dress as she passed out of sight on the cliffs above, but he worked steadily on and gave no sign.

It was late when they finished. The tired French Canadians went quickly off to their beds in the fish-house loft. Benjamin stood by the skids until all was quiet, then he walked down the cove to a rocky point that jutted out into the water. He leaned against a huge boulder and laid his head on his arm, looking up into the dark sky. The stars shone calmly down on his misery; the throbbing sea stretched out before him; its low, murmuring moan seemed to be the inarticulate voice of his pain.

The air was close and oppressive; fitful flashes of heat lightning shimmered here and there over the heavy banks of cloud on the horizon; little wavelets sobbed at the base of the rocks.

When Benjamin lifted his head he saw Frank Braithwaite standing between him and the luminous water. He took a step forward, and they came face to face as Braithwaite turned with a start.

Benjamin clenched his hands and fought down a hideous temptation to thrust his rival off the rock.

"I saw you today," he said in a low, intense tone. "What do you think of yourself, coming down here to steal the girl I loved from me? Weren't there enough girls where you came from to choose among? I hate you. I'd kill you—"

"Selby, stop! You don't know what you are saying. If I have wronged you, I swear I did it unintentionally. I loved Stella from the first—who could help it? But I thought she was virtually bound to you, and I did not try to win her away. You don't know what it cost me to remain passive. I know that you have always distrusted me, but hitherto you have had no reason to. But today I found that she was free—that she did not care for you! And I found—or thought I found—that there was a chance for me. I took it. I forgot everything else then."

"So she loves you?" said Benjamin dully.

"Yes," said Braithwaite softly.

Benjamin turned on him with sudden passion.

"I hate you—and I am the most miserable wretch alive, but if she is happy, it is no matter about me. You've won easily what I've slaved and toiled all my life for. You won't value it as I'd have done—but if you make her happy, nothing else matters. I've only one favour to ask of you. Don't let her come to the shore after this. I can't stand it."

August throbbed and burned itself out. Affairs along shore continued as usual. Benjamin shut his sorrow up in himself and gave no outward sign of suffering. As if to mock him, the season was one of phenomenal prosperity; it was a "mackerel year" to be dated from. He worked hard and unceasingly, sparing himself in no way.

Braithwaite seldom came to the shore now. Mary Stella never. Mr. Murray had tried to speak of the matter, but Benjamin would not let him.

"It's best that nothing be said," he told him with simple dignity. He was so calm that Mr. Murray thought he did not care greatly, and was glad of it. The older man regretted the turn of affairs. Braithwaite would take his daughter far away from him, as his sister had been taken, and he loved Benjamin as his own son.

One afternoon Benjamin stood by his boat and looked anxiously at sea and sky. The French Canadians were eager to go out, for the other boats were catching.

"I don't know about it," said Benjamin doubtfully. "I don't half like the look of things. I believe we're in for a squall before long. It was just such a day three years ago when that terrible squall came up that Joe Otway got drowned in."

The sky was dun and smoky, the glassy water was copper-hued, the air was heavy and breathless. The sea purred upon the shore, lapping it caressingly like some huge feline creature biding its time to seize and crunch its victim.

"I reckon I'll try it," said Benjamin after a final scrutiny. "If a squall does come up, we'll have to run for the shore mighty quick, that's all."

They launched the boat speedily; as there was no wind, they had to row. As they pulled out, Braithwaite and Leon came down the road and began to launch the Murray boat.

"If dem two gits caught in a squall dey'll hav a tam," grinned Mosey Louis. "Dat Leon, he don't know de fust ting 'bout a boat, no more dan a cat!"

Benjamin came to anchor close in, but Braithwaite and Leon kept on until they were further out than any other boat.

"Reckon dey's after cod," suggested Xavier.

The mackerel bit well, but Benjamin kept a close watch on the sky. Suddenly he saw a dark streak advancing over the water from the northwest. He wheeled around.

"Boys, the squall's coming! Up with the anchor—quick!"

"Dere's plenty tam," grumbled Mosey Louis, who hated to leave the fish. "None of de oder boats is goin' in yit."

The squall struck the boat as he spoke. She lurched and staggered. The water was tossing choppily. There was a sudden commotion all through the fleet and sails went rapidly up. Mosey Louis turned pale and scrambled about without delay. Benjamin was halfway to the shore before the sail went up in the Murray boat.

"Don' know what dey're tinkin' of," growled Mosey Louis. "Dey'll be drown fust ting!"

Benjamin looked back anxiously. Every boat was making for the shore. The gale was steadily increasing. He had his doubts about making a landing himself, and Braithwaite would be twenty minutes later.

"But it isn't my lookout," he muttered.

Benjamin had landed and was hauling up his boat when Mr. Murray came running down the road.

"Frank?" he gasped. "Him and Leon went out, the foolish boys! They neither of them know anything about a time like this."

"I guess they'll be all right," said Benjamin reassuringly. "They were late starting. They may find it rather hard to land."

The other boats had all got in with more or less difficulty. The Murray boat alone was out. Men came scurrying along the shore in frightened groups of two and three.

The boat came swiftly in before the wind. Mr. Murray was half beside himself.

"It'll be all right, sir," said one of the men. "If they can't land here, they can beach her on the sandshore."

"If they only knew enough to do that," wailed the old man. "But they don't—they'll come right on to the rocks."

"Why don't they lower their sail?" said another. "They will upset if they don't."

"They're lowering it now," said Benjamin.

The boat was now about 300 yards from the shore. The sail did not go all the way down—it seemed to be stuck.

"Good God, what's wrong?" exclaimed Mr. Murray.

As he spoke, the boat capsized. A yell of horror rose I from the beach. Mr. Murray sprang toward Benjamin's boat, but one of the men held him back.

"You can't do it, sir. I don't know that anybody can."

Braithwaite and Leon were clinging to the boat. Benjamin Selby, standing in the background, his lips set, his hands clenched, was fighting the hardest battle of his life. He knew that he alone, out of all the men there, possessed the necessary skill and nerve to reach the boat if she could be reached at all. There was a bare chance and a great risk. This man whom he hated was drowning before his eyes. Let him drown, then! Why should he risk—ay, and perchance lose—his life for his enemy? No one could blame him for refusing—and if Braithwaite were out of the way, Mary Stella might yet be his!

The temptation and victory passed in a few brief seconds. He stepped forward, cool and self-possessed.

"I'm going out. I want one man with me. No one with child or wife. Who'll go?"

"I will," shouted Mosey Louis. "I haf some spat wid dat Leon, but I not lak to see him drown for all dat!"

Benjamin offered no objection. The French Canadian's arm was strong and he possessed skill and experience. Mr. Murray caught Benjamin's arm.

"No, no, Benjamin—not you—I can't see both my boys drowned."

Benjamin gently loosed the old man's hold.

"It's for Mary Stella's sake," he said hoarsely. "If I don't come back, tell her that."

They launched the large dory with difficulty and pulled out into the surf. Benjamin did not lose his nerve. His quick arm, his steady eye did not fail. A dozen times the wild-eyed watchers thought the boat was doomed, but as often she righted triumphantly.

At last the drowning men were reached and somehow or other hauled on board Benjamin's craft. It was easier to come back, for they beached the boat on the sand. With a wild cheer the men on the shore rushed into the surf and helped to carry the half-unconscious Braithwaite and Leon ashore and up to the Murray fish-house. Benjamin went home before anyone knew he had gone. Mosey Louis was left behind to reap the honours; he sat in a circle of admiring lads and gave all the details of the rescue.

"Dat Leon, he not tink he know so much now!" he said.

Braithwaite came to the shore next day somewhat pale and shaky. He went straight to Benjamin and held out his hand.

"Thank you," he said simply.

Benjamin bent lower over his work.

"You needn't thank me," he said gruffly. "I wanted to let you drown. But I went out for Mary Stella's sake. Tell me one thing—I couldn't bring myself to ask it of anyone else. When are you to be—married?"

"The 12th of September."

Benjamin did not wince. He turned away and looked out across the sea for a few moments. The last agony of his great renunciation was upon him. Then he turned and held out his hand.

"For her sake," he said earnestly.

Frank Braithwaite put his slender white hand into the fisherman's hard brown palm. There were tears in both men's eyes. They parted in silence.

On the morning of the 12th of September Benjamin Selby went out to the fishing grounds as usual. The catch was good, although the season was almost over. In the afternoon the French Canadians went to sleep. Benjamin intended to row down the shore for salt. He stood by his dory, ready to start, but he seemed to be waiting for something. At last it came: a faint train whistle blew, a puff of white smoke floated across a distant gap in the sandhills.

Mary Stella was gone at last—gone forever from his life. The honest blue eyes looking out over the sea did not falter; bravely he faced his desolate future.

The white gulls soared over the water, little swishing ripples lapped on the sand, and through all the gentle, dreamy noises of the shore came the soft, unceasing murmur of the gulf.

Millicent's Double[ToC]

"'Nonsense,' said Millicent, pointing to their reflected faces"

When Millicent Moore and Worth Gordon met each other on the first day of the term in the entrance hall of the Kinglake High School, both girls stopped short, startled. Millicent Moore had never seen Worth Gordon before, but Worth Gordon's face she had seen every day of her life, looking at her out of her own mirror!

They were total strangers, but when two girls look enough alike to be twins, it is not necessary to stand on ceremony. After the first blank stare of amazement, both laughed outright. Millicent held out her hand.

"We ought to know each other right away," she said frankly. "My name is Millicent Moore, and yours is—?"

"Worth Gordon," responded Worth, taking the proffered hand with dancing eyes. "You actually frightened me when you came around that corner. For a moment I had an uncanny feeling that I was a disembodied spirit looking at my own outward shape. I know now what it feels like to have a twin."

"Isn't it odd that we should look so much alike?" said Millicent. "Do you suppose we can be any relation? I never heard of any relations named Gordon."

Worth shook her head. "I'm quite sure we're not," she said. "I haven't any relatives except my father's stepsister with whom I've lived ever since the death of my parents when I was a baby."

"Well, you'll really have to count me as a relative after this," laughed Millicent. "I'm sure a girl who looks as much like you as I do must be at least as much relation as a stepaunt."

From that moment they were firm friends, and their friendship was still further cemented by the fact that Worth found it necessary to change her boarding-house and became Millicent's roommate. Their odd likeness was the wonder of the school and occasioned no end of amusing mistakes, for all the students found it hard to distinguish between them. Seen apart it was impossible to tell which was which except by their clothes and style of hairdressing. Seen together there were, of course, many minor differences which served to distinguish them. Both girls were slight, with dark-brown hair, blue eyes and fair complexions. But Millicent had more colour than Worth. Even in repose, Millicent's face expressed mirth and fun; when Worth was not laughing or talking, her face was rather serious. Worth's eyes were darker, and her nose in profile slightly more aquiline. But still, the resemblance between them was very striking. In disposition they were also very similar. Both were merry, fun-loving girls, fond of larks and jokes. Millicent was the more heedless, but both were impulsive and too apt to do or say anything that came into their heads without counting the cost. One late October evening Millicent came in, her cheeks crimson after her walk in the keen autumn air, and tossed two letters on the study table. "It's a perfect evening, Worth. We had the jolliest tramp. You should have come with us instead of staying in moping over your books."

Worth smiled ruefully. "I simply had to prepare those problems for tomorrow," she said. "You see, Millie dear, there is a big difference between us in some things at least. I'm poor. I simply have to pass my exams and get a teacher's licence. So I can't afford to take any chances. You're just attending high school for the sake of education alone, so you don't really have to grind as I do."

"I'd like to do pretty well in the exams, though, for Dad's sake," answered Millicent, throwing aside her wraps. "But I don't mean to kill myself studying, just the same. Time enough for that when exams draw nigh. They're comfortably far off yet. But I'm in a bit of a predicament, Worth, and I don't know what to do. Here are two invitations for Saturday afternoon and I simply must accept them both. Now, how can I do it? You're a marvel at mathematics—so work out that problem for me.

"See, here's a note from Mrs. Kirby inviting me to tea at Beechwood. She called on me soon after the term opened and invited me to tea the next week. But I had another engagement for that afternoon, so couldn't go. Mr. Kirby is a business friend of Dad's, and they are very nice people. The other invitation is to the annual autumn picnic of the Alpha Gammas. Now, Worth Gordon, I simply must go to that. I wouldn't miss it for anything. But I don't want to offend Mrs. Kirby, and I'm afraid I shall if I plead another engagement a second time. Mother will be fearfully annoyed at me in that case. Dear me, I wish there were two of me, one to go to the Alpha Gammas and one to Beechwood—Worth Gordon!"

"What's the matter?"

"There are two of me! What's the use of a double if not for a quandary like this! Worth, you must go to tea at Beechwood Saturday afternoon in my place. They'll think you are my very self. They'll never know the difference. Go and keep my place warm for me, there's a dear."

"Impossible," cried Worth. "I'd never dare! They'd know there was something wrong."

"They wouldn't—they couldn't. None of the Kirbys have ever seen me except Mrs. Kirby, and she only for a few minutes one evening at dusk. They don't know I have a double and they can't possibly suspect. Do go, Worth. Why, it'll be a regular lark, the best little joke ever! And you'll oblige me immensely besides. Worthie, please."

Worth did not consent all at once; but the idea rather appealed to her for its daring and excitement. It would be a lark—just at that time Worth did not see it in any other light. Besides, she wanted to oblige Millicent, who coaxed vehemently. Finally, Worth yielded and promised Millicent that she would go to Beechwood in her place.

"You darling!" said Millicent emphatically, flying to her table to write acceptances of both invitations.

Saturday afternoon Worth got ready to keep Millicent's engagement. "Suppose I am found out and expelled from Beechwood in disgrace," she suggested laughingly, as she arranged her lace bertha before the glass.

"Nonsense," said Millicent, pointing to their reflected faces. "The Kirbys can never suspect. Why, if it weren't for the hair and the dresses, I'd hardly know myself which of those reflections belonged to which."

"What if they begin asking me about the welfare of the various members of your family?"

"They won't ask any but the most superficial questions. We're not intimate enough for anything else. I've coached you pretty thoroughly, and I think you'll get on all right."

Worth's courage carried her successfully through the ordeal of arriving at Beechwood and meeting Mrs. Kirby. She was unsuspectingly accepted as Millicent Moore, and found her impersonation of that young lady not at all difficult. No dangerous subject of conversation was introduced and nothing personal was said until Mr. Kirby came in. He looked so scrutinizingly at Worth as he shook hands with her that the latter felt her heart beating very fast. Did he suspect?

"Upon my word, Miss Moore," he said genially, "you gave me quite a start at first. You are very like what a half-sister of mine used to be when a girl long ago. Of course the resemblance must be quite accidental."

"Of course," said Worth, without any very clear sense of what she was saying. Her face was uncomfortably flushed and she was glad when tea was announced.

As nothing more of an embarrassing nature was said, Worth soon recovered her self-possession and was able to enter into the conversation. She liked the Kirbys; still, under her enjoyment, she was conscious of a strange, disagreeable feeling that deepened as the evening wore on. It was not fear—she was not at all afraid of betraying herself now. It had even been easier than she had expected. Then what was it? Suddenly Worth flushed again. She knew now—it was shame. She was a guest in that house as an impostor! What she had done seemed no longer a mere joke. What would her host and hostess say if they knew? That they would never know made no difference. She herself could not forget it, and her realization of the baseness of the deception grew stronger under Mrs. Kirby's cordial kindness.

Worth never forgot that evening. She compelled herself to chat as brightly as possible, but under it all was that miserable consciousness of falsehood, deepening every instant. She was thankful when the time came to leave. "You must come up often, Miss Moore," said Mrs. Kirby kindly. "Look upon Beechwood as a second home while you are in Kinglake. We have no daughter of our own, so we make a hobby of cultivating other people's."

When Millicent returned home from the Alpha Gamma outing, she found Worth in their room, looking soberly at the mirror. Something in her chum's expression alarmed her. "Worth, what is it? Did they suspect?"

"No," said Worth slowly. "They never suspected. They think I am what I pretended to be—Millicent Moore. But, but, I wish I'd never gone to Beechwood, Millie. It wasn't right. It was mean and wrong. It was acting a lie. I can't tell you how ashamed I felt when I realized that."

"Nonsense," said Millicent, looking rather sober, nevertheless. "No harm was done. It's only a good joke, Worth."

"Yes, harm has been done. I've done harm to myself, for one thing. I've lost my self-respect. I don't blame you, Millie. It's all my own fault. I've done a dishonourable thing, dishonourable."

Millicent sighed. "The Alpha Gamma picnic was horribly slow," she said. "I didn't enjoy myself a bit. I wish I had gone to Beechwood. I didn't think about it's being a practical falsehood before. I suppose it was. And I've always prided myself on my strict truthfulness! It wasn't your fault, Worth! It was mine. But it can't be undone now."

"No, it can't be undone," said Worth slowly, "but it might be confessed. We might tell Mrs. Kirby the truth and ask her to forgive us."

"I couldn't do such a thing," cried Millicent. "It isn't to be thought of!"

Nevertheless, Millicent did think of it several times that night and all through the following Sunday. She couldn't help thinking of it. A dishonourable trick! That thought stung Millicent. Monday evening Millicent flung down the book from which she was vainly trying to study.

"Worthie, it's no use. You were right. There's nothing to do but go and 'fess up to Mrs. Kirby. I can't respect Millicent Moore again until I do. I'm going right up now."

"I'll go with you," said Worth quietly. "I was equally to blame and I must take my share of the humiliation."

When the girls reached Beechwood, they were shown into the library where the family were sitting. Mrs. Kirby came smilingly forward to greet Millicent when her eyes fell upon Worth. "Why! why!" she said. "I didn't know you had a twin sister, Miss Moore."

"Neither I have," said Millicent, laughing nervously. "This is my chum, Worth Gordon, but she is no relation whatever."

At the mention of Worth's name, Mr. Kirby started slightly, but nobody noticed it. Millicent went on in a trembling voice. "We've come up to confess something, Mrs. Kirby. I'm sure you'll think it dreadful, but we didn't mean any harm. We just didn't realize, until afterwards."

Then Millicent, with burning cheeks, told the whole story and asked to be forgiven. "I, too, must apologize," said Worth, when Millicent had finished. "Can you pardon me, Mrs. Kirby?"

Mrs. Kirby had listened in amazed silence, but now she laughed. "Certainly," she said kindly. "I don't suppose it was altogether right for you girls to play such a trick on anybody. But I can make allowances for schoolgirl pranks. I was a school girl once myself, and far from a model one. You have atoned for your mistake by coming so frankly and confessing, and now we'll forget all about it. I think you have learned your lesson. Both of you must just sit down and spend the evening with us. Dear me, but you are bewilderingly alike!"

"I've something I want to say," interposed Mr. Kirby suddenly. "You say your name is Worth Gordon," he added, turning to Worth. "May I ask what your mother's name was?"

"Worth Mowbray," answered Worth wonderingly.

"I was sure of it," said Mr. Kirby triumphantly, "when I heard Miss Moore mention your name. Your mother was my half-sister, and you are my niece."

Everybody exclaimed and for a few moments they all talked and questioned together. Then Mr. Kirby explained fully. "I was born on a farm up-country. My mother was a widow when she married my father, and she had one daughter, Worth Mowbray, five years older than myself. When I was three years old, my mother died. Worth went to live with our mother's only living relative, an aunt. My father and I removed to another section of the country. He, too, died soon after, and I was brought up with an uncle's family. My sister came to see me once when she was a girl of seventeen and, as I remember her, very like you are now. I never saw her again and eventually lost trace of her. Many years later I endeavoured to find out her whereabouts. Our aunt was dead, and the people in the village where she had lived informed me that my sister was also dead. She had married a man named Gordon and had gone away, both she and her husband had died, and I was informed that they left no children, so I made no further inquiries. There is no doubt that you are her daughter. Well, well, this is a pleasant surprise, to find a little niece in this fashion!"

It was a pleasant surprise to Worth, too, who had thought herself all alone in the world and had felt her loneliness keenly. They had a wonderful evening, talking and questioning and explaining. Mr. Kirby declared that Worth must come and live with them. "We have no daughter," he said. "You must come to us in the place of one, Worth."

Mrs. Kirby seconded this with a cordiality that won Worth's affection at once. The girl felt almost bewildered by her happiness.

"I feel as if I were in a dream," she said to Millicent as they walked to their boarding-house. "It's really all too wonderful to grasp at once. You don't know, Millie, how lonely I've felt often under all my nonsense and fun. Aunt Delia was kind to me, but she was really no relation, she had a large family of her own, and I have always felt that she looked upon me as a rather inconvenient duty. But now I'm so happy!"

"I'm so glad for you, Worth," said Millicent warmly, "although your gain will certainly be my loss, for I shall miss my roommate terribly when she goes to live at Beechwood. Hasn't it all turned out strangely? If you had never gone to Beechwood in my place, this would never have happened."

"Say rather that if we hadn't gone to confess our fault, it would never have happened," said Worth gently. "I'm very, very glad that I have found Uncle George and such a loving welcome to his home. But I'm gladder still that I've got my self-respect back. I feel that I can look Worth Gordon in the face again."

"I've learned a wholesome lesson, too," admitted Millicent.

The Blue North Room[ToC]

"This," said Sara, laying Aunt Josephina's letter down on the kitchen table with such energy that in anybody but Sara it must have been said she threw it down, "this is positively the last straw! I have endured all the rest. I have given up my chance of a musical education, when Aunt Nan offered it, that I might stay home and help Willard pay the mortgage off—if it doesn't pay us off first—and I have, which was much harder, accepted the fact that we can't possibly afford to send Ray to the Valley Academy, even if I wore the same hat and coat for four winters. I did not grumble when Uncle Joel came here to live because he wanted to be 'near his dear nephew's children.' I felt it my Christian duty to look pleasant when we had to give Cousin Caroline a home to save her from the poorhouse. But my endurance and philosophy, and worst of all, my furniture, has reached a limit. I cannot have Aunt Josephina come here to spend the winter, because I have no room to put her in."

"Hello, Sally, what's the matter?" asked Ray, coming in with a book. It would have been hard to catch Ray without a book; he generally took one even to bed with him. Ray had a headful of brains, and Sara thought it was a burning shame that there seemed to be no chance for his going to college. "You look all rumpled up in your conscience, beloved sis," the boy went on, chaffingly.

"My conscience is all right," said Sara severely. "It's worse than that. If you please, here's a letter from Aunt Josephina! She writes that she is very lonesome. Her son has gone to South America, and won't be back until spring, and she wants to come and spend the winter with us."

"Well, why not?" asked Ray serenely. Nothing ever bothered Ray. "The more the merrier."

"Ray Sheldon! Where are we to put her? We have no spare room, as you well know."

"Can't she room with Cousin Caroline?"

"Cousin Caroline's room is too small for two. It's full to overflowing with her belongings now, and Aunt Josephina will bring two trunks at least. Try again, bright boy."

"What's the matter with the blue north room?"

"There is nothing the matter with it—oh, nothing at all! We could put Aunt Josephina there, but where will she sleep? Where will she wash her face? Will it not seem slightly inhospitable to invite her to sit on a bare floor? Have you forgotten that there isn't a stick of furniture in the blue north room and, worse still, that we haven't a spare cent to buy any, not even the cheapest kind?"

"I'll give it up," said Ray. "I might have a try at squaring the circle if you asked me, but the solution of the Aunt Josephina problem is beyond me."

"The solution is simply that we must write to Aunt Josephina, politely but firmly, that we can't have her come, owing to lack of accommodation. You must write the letter, Ray. Make it as polite as you can, but above all make it firm."

"Oh, but Sally, dear," protested Ray, who didn't relish having to write such a letter, "isn't this rather hasty, rather inhospitable? Poor Aunt Josephina must really be rather lonely, and it's only natural she should want to visit her relations."

"We're not her relations," cried Sara. "We're not a speck of relation really. She's only the half-sister of Mother's half-brother. That sounds nice and relationy, doesn't it? And she's fussy and interfering, and she will fight with Cousin Caroline, everybody fights with Cousin Caroline—"

"Except Sara," interrupted Ray, but Sara went on with a rush, "And we won't have a minute's peace all winter. Anyhow, where could we put her even if we wanted her to come? No, we can't have her!"

"Mother was always very fond of Aunt Josephina," said Ray reflectively. Sara had her lips open, all ready to answer whatever Ray might say, but she shut them suddenly and the boy went on. "Aunt Josephina thought a lot of Mother, too. She used to say she knew there was always a welcome for her at Maple Hollow. It does seem a pity, Sally dear, for your mother's daughter to send word to Aunt Josephina, per my mother's son, that there isn't room for her any longer at Maple Hollow."

"I shall leave it to Willard," said Sara abruptly. "If he says to let her come, come she shall, even if Dorothy and I have to camp in the barn."

"I'm going to have a prowl around the garret," said Ray, apropos of nothing.

"And I shall get the tea ready," answered Sara briskly. "Dorothy will be home from school very soon, and I hear Uncle Joel stirring. Willard won't be back till dark, so there is no use waiting for him."

At twilight Sara decided to walk up the lane and meet Willard. She always liked to meet him thus when he had been away for a whole day. Sara thought there was nobody in the world as good and dear as Willard.

It was a dull grey November twilight; the maples in the hollow were all leafless, and the hawthorn hedge along the lane was sere and frosted; a little snow had fallen in the afternoon, and lay in broad patches on the brown fields. The world looked very dull and dispirited, and Sara sighed. She could not help thinking of the dark side of things just then. "Everything is wrong," said poor Sara dolefully. "Willard has to work like a slave, and yet with all his efforts he can barely pay the interest on the mortgage. And Ray ought to go to college. But I don't see how we can ever manage. To be sure, he won't be ready until next fall, but we won't have the money then any more than now. It would take every bit of a hundred and fifty dollars to fit him out with books and clothes, and pay for board and tuition at the academy. If he could just have a year there he could teach and earn his own way through college. But we might as well hope for the moon as one hundred and fifty dollars."

Sara sighed again. She was only eighteen, but she felt very old. Willard was nineteen, and Willard had never had a chance to be young. His father had died when he was twelve, and he had run the farm since then, he and Sara together indeed, for Sara was a capital planner and manager and worker. The little mother had died two years ago, and the household cares had all fallen on Sara's shoulders since. Sometimes, as now, they pressed very heavily, but a talk with Willard always heartened her up. Willard had his blue spells too, but Sara thought it a special Providence that their blue turns never came together. When one got downhearted the other was always ready to do the cheering up.

Sara was glad to hear Willard whistling when he drove into the lane; it was a sign he was in good spirits. He pulled up, and Sara climbed into the wagon.

"Things go all right today, Sally?" he asked cheerfully.

"There was a letter from Aunt Josephina," answered Sara, anxious to get the worst over, "and she wants to come to Maple Hollow for the winter. I thought at first we just couldn't have her, but I decided to leave it to you."

"Well, we've got a pretty good houseful already," said Willard thoughtfully. "But I suppose if Aunt Josephina wants to come we'd better have her. I always liked Aunt Josephina, and so did Mother, you know."

"I don't know where we can put her. We haven't any spare room, Will."

"Ray and I can sleep in the kitchen loft. You and Dolly take our room, and let Aunt Josephina take yours."

"The kitchen loft isn't really fit to sleep in," said Sara pessimistically. "It's awfully cold, and there're mice and rats—ugh! You and Ray will get nibbled in spots. But it's the only thing to do if we must have Aunt Josephina. I'll get Ray to write to her tomorrow. I couldn't put enough cordiality into the letter if I wrote it myself."

Ray came in while Willard was at supper. There were cobwebs all over him from his head to his heels. "I've solved the Aunt J. problem," he announced cheerfully. "We will furnish the blue north room."

"With what?" asked Sara disbelievingly.

"I've been poking about in the garret and in the carriage house loft," said Ray, "and I've found furniture galore. It's very old and cobwebby—witness my appearance—and very much in want of scrubbing and a few nails. But it will do."