THE
BOOK OF SUSAN

A Novel

BY

LEE WILSON DODD

"Though she track the wilds,
Though she breast the crags,
Choosing no path—
Her kirtle tears not,
Her ankles gleam,
Her sandals are silver."

NEW YORK
E. P. DUTTON & COMPANY
681 FIFTH AVENUE


Copyright, 1920,
BY E. P. DUTTON & COMPANY
All Rights Reserved

First printing April, 1920
Second printing April, 1920
Third printing June, 1920
Fourth printing June, 1920
Fifth printing July, 1920
Sixth printing July, 1920
Seventh printing August, 1920
Eighth printing August, 1920
Ninth printing August, 1920
Tenth printing August, 1920
Eleventh printing August, 1920
Twelfth printing August, 1920

JOSEPHI FRATRIBUS
NON QUOD VOLUI
SED QUOD POTUI


CONTENTS

PAGE
The First Chapter [1]
The Second Chapter [24]
The Third Chapter [62]
The Fourth Chapter [131]
The Fifth Chapter [153]
The Sixth Chapter [221]
The Last Chapter [238]

THE BOOK OF SUSAN


THE FIRST CHAPTER

I

IT happens that I twice saw Susan's mother, one of those soiled rags of humanity used by careless husbands for wiping their boots; but Susan does not remember her. John Stuart Mill studied Greek at three, and there is a Russian author who recalls being weaned as the first of his many bitter experiences. Either Susan's mental life did not waken so early or the record has faded. She remembers only the consolate husband, her father; remembers him only too well. The backs of his square, angry-looking hands were covered with an unpleasant growth of reddish bristles; his nostrils were hairy, too, and seemed formed by Nature solely for the purpose of snorting with wrath. It must not be held against Susan that she never loved her father; he was not created to inspire the softer emotions. Nor am I altogether certain just why he was created at all.

Nevertheless, Robert Blake was in his soberer hours—say, from Tuesdays to Fridays—an expert mechanic, thoroughly conversant with the interior lack of economy of most makes of automobiles. He had charge of the repair department of the Eureka Garage, New Haven, where my not-too-robust touring car of those primitive days spent, during the spring of 1907, many weeks of interesting and expensive invalidism. I forget how many major operations it underwent.

It was not at the Eureka Garage, however, that I first met Bob Blake. Nine years before I there found him again, I had defended him in court—as it happens, successfully—on a charge of assault with intent to kill. That was almost my first case, and not far—thank heaven—from my last. Bob's defense, I remember, was assigned to me by a judge who had once borrowed fifty dollars from my father, which he never repaid; at least, not in cash. There are more convenient methods. True, my father was no longer living at the time I was appointed to defend Bob; but that is a detail.

Susan was then four years old. I can't say I recall her, if I even laid eyes on her. But Mrs. Bob appeared as a witness, at my request—it was all but her final appearance, poor woman; she died of an embolism within a week—and I remember she told the court that a kinder husband and father than Bob had never existed. I remember, too, that the court pursed its lips and the gentlemen of the jury grinned approvingly, for Mrs. Bob could not easily conceal something very like the remains of a purple eye, which she attributed to hearing a suspicious noise one night down cellar, a sort of squeaking noise, and to falling over the cat on her tour of investigation—with various circumstantial minutiæ of no present importance.

The important thing is, that Bob went scot-free and was as nearly grateful as his temperament permitted. His assault—with an umbrella stand—had been upon a fellow reveller of no proved worth to the community, and perhaps this may have influenced the jury's unexpected verdict.

Of Susan herself my first impression was gained at the Eureka Garage. Bob Blake, just then, was lying beneath my car, near which I hovered listening to his voluble but stereotyped profanity. He had lost the nut from a bolt, and, unduly constricted, sought it vainly, while his tongue followed the line of least resistance. I was marveling at the energy of his wrath and the poverty of his imagination, when I became aware of a small being beside me, in plaid calico. She had eager black eyes—terrier's eyes—in a white, whimsical little face. One very long and very thin black pigtail dangled over her left shoulder and down across her flat chest to her waist, where it was tied with a shoe string and ended lankly, without even the semblance of a curl. In her right hand she bore a full dinner pail, and with her left thumb she pointed toward the surging darkness beneath my car.

"Say, mister, please," said the small being, "if I was to put this down, would you mind telling him his dinner's come?"

"Not a bit," I responded. "Are you Bob's youngster?"

"I'm Susan Blake," she answered; and very softly placed the dinner pail on the step of the car.

"Why don't you wait and see your father?" I suggested. "He'll come up for air in a minute."

"That's why I'm going now," said Susan.

Whereupon she gave a single half skip—the very ghost of a skip—then walked demurely from me and out through the great door.

II

Bob Blake, in those days, lived in a somewhat dilapidated four-room house, off toward the wrong end of Birch Street. His family arrangements were peculiar. He had never married again; but not very long after his wife's death a dull-eyed, rather mussy young woman, with a fondness for rouge pots, had taken up her abode with him—to the scandal and fascination of the neighborhood. It was an outrage, of course! With a child in the house, too! Something ought to be done about it!

Yet, oddly enough, nothing that much worried Bob ever was done about it, reckoning the various shocked-and-grieved forms of conversation as nothing. As he never tired of asserting, Bob didn't give a damn for the cackle of a lot of hens. He guessed he knew his way about; and so did Pearl. Let the damned hens cackle their heads off; he was satisfied!

And so, eventually, I am forced to believe, were the hens. In the earlier days of the scandal there was much clitter-clatter of having the law on him, serving papers, and the like; but, as hen cackle sometimes will, it came to precisely naught. Nor am I certain that, as the years passed, the neighborhood did not grow a little proud of its one crimson patch of wickedness; I am reasonably certain, indeed, that more than one drab life took on a little borrowed flush of excitement from its proximity.

Of course no decent, God-fearing woman would ever greet either Bob or Pearl; but every time one passed either of them without a nod or a "How's things to-day?" it gave one something to talk about, at home, or over any amicable fence.

As for the men, they too were forbidden to speak; but men, most of them, are unruly creatures if at large. You can't trust them safely five minutes beyond the sound of your voice.

There was even one man, old Heinze, proprietor of the Birch Street grocery store, who now and then cautiously put forth a revolutionary sentiment.

"Dey lifs alvays togedder—like man unt vife—nod? Vere iss der diffurunz, Mrs. Shay?"

"Shame on you for them words, Mr. Heinze!"

"Aber"—with a slow, wide smile—"vere iss der diffurunz, Mrs. Shay? I leaf id to you?"

That Pearl and Bob lived always together cannot be denied, and perhaps they also lived as some men and their lawful wives are accustomed to live—off toward the wrong end of city streets; and occasionally, no doubt, toward the right end of them as well. Midweek, things wore along dully enough, but over Sunday came drink and ructions. Susan says she has never been able to understand why Sunday happens to be called a day of rest. The day of arrest, she was once guilty of naming it.

Bob's neighbors, I fear, were not half so scandalized by his week-end drunkenness as by what Mrs. Perkins—three doors nearer the right end of Birch Street—invariably called his "brazen immorality." Intoxication was not a rare vice in that miscellaneous block or two of factory operatives. Nor can it be said that immorality, in the sense of Mrs. Perkins, was so much rare as it was nervously concealed. The unique quality of Bob's sin lay in its brazen element; that was what stamped him peculiarly as a social outlaw.

Bob accepted this position, if sober, with a grim disregard. He had a bitter, lowering nature at best, and when not profane was taciturn. As for Pearl, social outlawry may be said to have been her native element. She had a hazy mind in a lazy body, and liked better than most things just to sit in a rocking-chair and polish her finger nails, as distinguished from cleaning them. Only the guiltless member of this family group really suffered from its low social estate, but she suffered acutely. Little Susan could not abide being a social outlaw.

True, she was not always included in the general condemnation of her family by the grown-ups; but the children were ruthless. They pointed fingers, and there was much conscious giggling behind her back; while some of the daintier little girls—the very little girls whom Susan particularly longed to chum with—had been forbidden to play with "that child," and were not at all averse to telling her so, flatly, with tiny chins in air and a devastating expression of rectitude on their smug little faces. At such times Susan would fight back impending cataracts, stick her own freckled nose toward the firmament, and even, I regret to say, if persistently harassed, thrust forth a rigid pink tongue. This, Susan has since informed me, is the embryonic state of "swearing like anything."

The little boys, on the whole, were better. They often said cruel things, but Susan felt that they said them in a quite different spirit from their instinctively snobbish and Grundyish sisters—said them merely by way of bravado, or just for the fun of seeing whether or not she would cry. And then they often let her join in their games, and on those happy occasions treated her quite as an equal, with an impartial and, to Susan, entirely blissful roughness. Susan early decided that she liked boys much better than girls.

There was, for example, Jimmy Kane, whose widowed mother took in washing, and so never had any time to clean up her huddled flat, over Heinze's grocery store, or her family of four—two boys and two girls. No one ever saw skin, as in itself it really is, on the faces of Mrs. Kane's children, and Jimmy was always, if comparison be possible, the grimiest of the brood. For some reason Jimmy always had a perpetual slight cold, and his funny flat button of a nose wept, winter and summer alike, though never into an unnecessary handkerchief. His coat-sleeve served, even if its ministrations did not add to the tidiness of his countenance.

Susan often wished she might scrub him, just to see what he really looked like; for she idolized Jimmy. Not that Jimmy ever had paid any special attention to her, except on one occasion. It was merely that he accepted her as part of the human scheme of things, which in itself would almost have been enough to win Susan's affectionate admiration. But one day, as I have hinted, he became the god of her idolatry.

The incident is not precisely idyllic. A certain Joe—Giuseppe Gonfarone; ætat. 14—whose father peddled fruit and vegetables, had recently come into the neighborhood; a black-curled, brown-eyed little devil, already far too wise in the manifold unseemliness of this sad old planet. Joe was strong, stocky, aggressive, and soon posed as something of a bully among the younger boys along Birch Street. Within less than a month he had infected the minds of many with a new and rich vocabulary of oaths and smutty words. Joe was not of the unconsciously foul-mouthed; he relished his depravity. In fact, youngster as he was, Joe had in him the makings of that slimiest product of our cities—the street pimp, or cadet.

It was one fine spring day, three years or so before I met Susan in the Eureka Garage, that Joe, with a group of Birch Street boys, was playing marbles for keeps, just at the bottom of the long incline which carries Birch Street down to the swamp land and general dump at the base of East Rock. Susan was returning home from Orange Street, after bearing her father his full dinner pail, and as she came up to the boys she halted on one foot, using the toe of her free foot meanwhile to scratch mosquito bites upward along her supporting shin.

"H'lo, Susan!" called Jimmy Kane, with his perfunctory good nature. "What's bitin' you?"

Then it was his turn to knuckle-down. Susan, still balanced cranelike, watched him eager-eyed, and was so delighted when he knocked a fine fat reeler of Joe's out of the ring, jumping up with a yell of triumph to pocket it, that she too gave a shrill cheer: "Oh, goody! I knew you'd win!"

The note of ecstasy in her tone infuriated Joe. "Say!" he shrieked. "You getta hell outta here!"

Susan's smile vanished; her white, even teeth—she had all her front ones, she tells me; she was ten—clicked audibly together.

"It's no business of yours!" she retorted.

"You're right; it ain't!" This from Jimmy, still in high good humor. "You stay here if you want. You're as good as him!"

"Who's as good as me?"

"She is!"

"Her?" Joe's lips curled back. He turned to the other boys, who had all scrambled to their feet by this time and, instinctively scenting mischief, were standing in a sort of ring. "He says she's good as me!"

Two of the smallest boys tittered, from pure excitement. Susan's nose went up.

"I'm better. I'm not a dago!"

Joe leaped toward Susan and thrust his dense, bull-like head forward, till his eyes were glaring into hers.

"Mebbe I live lika you—eh? Mebbe I live," cried Joe, "with a dirty whore!"

There was a gasp from the encircling boys as Susan fell back from this word, which she did not wholly comprehend, but whose vileness she felt, somehow, in her very flesh. Joe, baring gorilla teeth, burst into coarse jubilation.

It was just at this point that Jimmy Kane, younger than Joe by a year or more, and far slighter, jumped on the little ruffian—alas, from behind!—and dealt him as powerful a blow on the head as he could compass; a blow whose effectiveness, I reluctantly admit, was enhanced by the half brick with which Jimmy had first of all prudently provided himself. Joe Gonfarone went to earth, inert, but bleeding profusely.

There was a scuttling of frightened feet in every direction. Susan herself did not stop running until she reached the very top of the Birch Street incline. Then she looked back, her eyes lambent, her heart throbbing, not alone from the rapid ascent. Yes, there was Jimmy—her Jimmy!—kneeling in the dust by the still prostrate Joe. Susan could not hear him, but she knew somehow from his attitude that he was scared to death, and that he was asking Joe if he was hurt much. She agonized with her champion, feeling none the less proud of him, and she waited for him at the top of the rise, hoping to thank him, longing to kiss his hands.

But Jimmy, when he did pass her, went by without a glance, at top speed. He was bound for a doctor. So Susan never really managed to thank Jimmy at all. She merely idolized him in secret, a process which proved, however, fairly heart-warming and, in the main, satisfactory.

It took three stitches to mend Joe's head—a fact famous in the junior annals of Birch Street for some years—and soon after he appeared, somewhat broken in spirit, in the street again, his parents moved him, Margharita and the sloe-eyed twins to Bridgeport—very much, be it admitted, to the relief of Jimmy Kane, who had lived for three weeks nursing a lonely fear of dark reprisals.

III

There was one thing about Bob Blake's four-room house—it exactly fitted his family. The floor plan was simple and economically efficient. Between the monolithic door slab—relic of a time when Bob's house had been frankly "in the country"—and the public street lay a walk formed of a single plank supported on chance-set bricks. From the door slab one stepped through the front doorway directly into the parlor. Beyond the parlor lay the kitchen, from which one could pass out through a narrow door to a patch of weed-grown back yard. A ladderlike stair led up from one side of the kitchen, opposite to the single window and the small coal range. At the top of the stair was a slit of unlighted hallway with a door near either end of it. The door toward Birch Street gave upon the bedroom occupied by Bob and Pearl; the rearward door led to Susan's sternly ascetic cubiculum. No one of these four rooms could be described as spacious, but the parlor and Bob's bedroom may have been twelve by fifteen or thereabouts. Susan's quarters were a scant ten by ten.

The solider and more useful pieces of furniture in the house belonged to the régime of Susan's mother—the great black-walnut bed which almost filled the front bedroom; Susan's single iron cot frame; the parlor table with its marble top; the melodeon; the kitchen range; and the deal table in the kitchen, upon which, impartially, food was prepared and meals were served. To these respectable properties Pearl had added from time to time certain other objects of interest or art.

Thus, in the parlor, there was a cane rocking-chair, gilded; and on the wall above the melodeon hung a banjo suspended from a nail by a broad sash of soiled blue ribbon. On the drumhead of the banjo someone had painted a bunch of nondescript flowers, and Pearl always claimed these as her own handiwork, wrought in happier days. This was her one eagerly contested point of pride; for Bob, when in liquor, invariably denied the possibility of her ever having painted "that there bouquet." This flat denial was always the starting point for those more violent Sunday-night quarrels, which had done so much to reduce the furniture of the house to its stouter, more imperishable elements.

During the brief interval between the death of Susan's mother and the arrival of Pearl, Bob had placed his domestic affairs in the hands of an old negro-woman, who came in during the day to clean up, keep an eye on Susan and prepare Bob's dinner. Most of the hours during Bob's absence this poor old creature spent in a rocking-chair, nodding in and out of sleep; and it was rather baby Susan, sprawling about the kitchen floor, who kept an eye on her, than the reverse. Pearl's installation had changed all that. Bob naturally expected any woman he chose to support to work for her board and lodging; and it may be that at first Pearl had been too grateful for any shelter to risk jeopardizing her good luck by shirking. There seems to be no doubt that for a while she did her poor utmost to keep house—but the sloven in her was too deeply rooted not to flower.

By the time Susan was six or seven the interior condition of Bob's house was too crawlingly unpleasant to bear exact description; and even Bob, though callous enough in such matters, began to have serious thoughts of giving Pearl the slip—not to mention his landlord—and of running off with Susan to some other city, where he could make a fresh start and perhaps contrive now and then to get something decent to eat set before him. It never occurred to him to give Susan the slip as well—which would have freed his hands; not because he had a soft spot somewhere for the child, nor because he felt toward her any special sense of moral obligation. Simply, it never occurred to him. Susan was his kid; and if he went she went with him, along with his pipe, his shop tools, and his set of six English razors—his dearest possession, of which he was jealously and irascibly proud.

But, as it happens, Bob never acted upon this slowly forming desire to escape; the desire was quietly checked and insensibly receded; and for this Susan herself was directly responsible.

Very early in life she began to supplement Pearl's feeble housewifery, but it was not until her ninth year that Susan decided to bring about a domestic revolution. Whether or no hatred of dirt be inheritable, I leave to biologists, merely thumbnailing two facts for their consideration: Susan's mother had hated dirt with an unappeasable hatred; her nightly, after-supper, insensate pursuit of imaginary cobwebs had been one of Bob's choicest grievances against her. And little Susan hated dirt, in all its forms, with an almost equal venom, but with a brain at once more active and more unreeling. She had good reason to hate it. She must either have hated it or been subdued to it. For five years, more or less, she had lived in the midst of dirt and suffered. It had seemed to her one of the inexpungable evils of existence, like mosquitoes, or her father's temper, or the smell of Pearl's cheap talcum powder when warmed by the fumes of cooking cabbage. But gradually it came upon her that dirt only accumulated in the absence of a will to removal.

Once her outreaching mind had grasped—without wordily formulating—this physical and moral law, her course was plain. Since the will to removal was dormant or missing in Pearl, she must supply it. Within the scope of her childish strength, she did supply it. Susan insists that it took her two years merely to overcome the handicap of Pearl's neglect. Her self-taught technique was faulty; proper tools were lacking. There was a bucket which, when filled, she could not lift; a broom that tripped her; high corners she could not reach—corners she had to grow up to, even with the aid of a chair. But in the end she triumphed. By the time she was thirteen—she was thirteen when I first saw in the Eureka Garage—Bob's four rooms were spotless six and one-half days out of every seven.

Even Pearl, in her flaccid way, approved the change. "It beats hell," she remarked affably to Bob one night, "how that ugly little monkey likes to scrub things. She's a real help to me, that child is. But no comp'ny. And she's a sight."

"Well," growled Bob, "she comes by that honest. So was the old woman." They were annoyed when Susan, sitting by them, for the first time within their memory burst into flooding, uncontrollable tears.

IV

I should probably, in my own flaccid way, have lost all track of Susan, if it had not been for certain ugly things that befell in Bob's four-room house one breathless evening—June twentieth of the year 1907. It is a date stamped into my consciousness like a notarial seal. For one thing it happened to be my birthday—my thirty-third, which I was not precisely celebrating, since it was also the anniversary of the day my wife had left me, two years before. Nor was I entirely pleased to have become, suddenly, thirty-three. I counted it the threshold of middle-age. Now that eleven years have passed, and with them my health and the world's futile pretense at peace, I am feeling younger.

This book is about Susan, but it will be simpler if you know something, too, concerning her scribe. Fortunately there is not much that it will be needful to tell.

I was—in those bad, grossly comfortable old days—that least happy of Nature's experiments, a man whose inherited income permitted him to be an idler, and whose tastes urged him to write precious little essays about precious little for the more precious reviews. My half-hearted attempt to practice law I had long abandoned. I lived in a commodious, inherited mansion on Hillhouse Avenue—an avenue which in all fairness must be called aristocratic, since it has no wrong end to it. It is right at both ends, so, naturally, though broad, it is not very long. My grandfather, toward the end of a profitably ill-spent life, built this mansion of sad-colored stone in a somewhat mixed Italian style; my father filled it with expensive and unsightly movables—the spoils of a grand European tour; and I, in my turn, had emptied it of these treasures and refilled it with my own carefully chosen collection of rare furniture, rare Oriental carpets, rare first editions, and costly objets d'art. This collection I then anxiously believed, and do still in part believe, to be beautiful—though I am no longer haunted by an earlier fear lest the next generation should repudiate my taste and reverse my opinion. Let the auction rooms of 1960 decide. Neither in flesh nor in spirit shall I attend them.

The tragi-comedy of my luckless marriage I shall not stop here to explain, but its rather mysterious ending had at first largely cut me off from my old family friends and my socially correct acquaintances. When Gertrude left me, their sympathies, or their sense of security, went with her. I can hardly blame them. There had been no glaring scandal, but the fault was inferentially mine. To speak quite brutally, I did not altogether regret their loss. Too many of them had bored me for too many years. I was glad to rely more on the companionship of certain writers and painters which my scribbling had quietly won for me, here and in France. I traveled about a good deal. When at home, I kept my guest rooms filled—often, in the horrid phrase, with "visitors of distinction."

In this way I became a social problem, locally, of some magnitude. Visitors of distinction—even when of eccentric distinction—cannot easily be ignored in a university town. Thus it made it a little awkward, perhaps, that I should so often prove to be their host; a little—less, on the whole, than one would suppose. Within two years—just following Ballou's brief stay with me, on his way to introduce that now forgotten nine-days wonder, Polymorphous Prose, among initiates of the Plymouth Rock Poetry Guild, at Boston—my slight remaining ineligibility was tacitly and finally ignored. The old family friends began to hint that Gertrude, though a splendid woman, had always been a little austere. Possibly there were faults on both sides. One never knew.

And it was just at this hour of social reëstablishment that my birthday swung round again, for the thirty-third time, and brought with it a change in my outer life which was to lead on to even greater changes in all my modes of thinking and feeling. Odd, that a drunken quarrel in a four-room house toward the wrong end of Birch Street could so affect the destiny of a luxurious dilettante, living at the very center of bonded respectability, in a mansion of sad-colored stone, on a short broad avenue which is right at both ends!

V

"Never in this (obviously outcast) world!" grumbled Bob Blake, bringing his malletlike fist down on the marble top of the parlor table.

The blow made his half-filled glass jump and clinkle; so he emptied it slowly, then poured in four fingers more, forgetting to add water this time, and sullenly pushed the bottle across to Pearl. But Pearl was fretful. Her watery blue eyes were fixed upon the drumhead of the banjo, where it hung suspended above the melodeon.

"I did so paint them flowers. And well you know it. What's the good of bein' so mean? If you wasn't heeled you'd let me have it my way. Didn't I bring that banjo with me?"

"Hungh! Say you did. What does that prove?"

"I guess it proves somethin', all right."

"Proves you swiped it, likely."

"Me! I ain't that kind, thanks."

"The hell you ain't."

"If you're tryin' to get gay, cut it out!"

"Not me."

"Well, then—quit!"

This was shortly after supper. It was an unusually hot, humid evening; doors and windows stood open to no purpose; and Susan was sitting out on the monolithic door slab, fighting off mosquitoes. She found that this defensive warfare partly distracted her from the witless, interminable bickering within. Moreover, the striated effluvia of whisky, talcum powder, and perspiration had made her head feel a little queer. By comparison, the fetid breath from the exposed mud banks of the salt marsh was almost refreshing.

Possibly it was because her head did feel a little queer that Susan began presently to wonder about things. Between her days at the neighboring public school and her voluntary rounds of housework, Susan had not of late years had much waking time to herself. In younger and less crowded hours, before her father had been informed by the authorities that he must either send his child to school or take the consequences, Susan had put in all her spare moments at wondering. She would see a toad in the back yard, for example, under a plantain leaf, and she would begin to wonder. She would wonder what it felt like to be a toad. And before very long something would happen to her, inside, and she would be a toad. She would have toad thoughts and toad feelings. . . . There would stretch above her a dim, green, balancing canopy—the plantain leaf. All about her were soaring, translucent fronds—the grass. It was cool there under the plantain leaf; but she was enormously fat and ugly, her brain felt like sooty cobwebs, and nobody loved her.

Still, she didn't care much. She could feel her soft gray throat, like a blown-into glove finger, pulsing slowly—which was almost as soothing a sensation as letting the swing die down. It made her feel as if Someone—some great unhappy cloudlike Being—were making up a song, a song about most everything; chanting it sleepily to himself—or was it herself?—somewhere; and as if she were part of this beautiful, unhappy song. But all the time she knew that if that white fluffy restlessness—that moth miller—fluttered only a little nearer among those golden-green fronds, she knew if it reached the cool rim of her plantain shade, she knew, then, that something terrible would happen to her—knew that something swift and blind, that she couldn't help, would coil deep within her like a spring and so launch her forward, open-jawed. It was awful—awful for the moth miller—but she couldn't not do it. She was a toad. . . .

And it was the same with her father. There were things he couldn't not do. She could be—sitting very still in a corner—be her father, when he was angry; and she knew he couldn't help it. It was just a dark slow whirling inside, with red sparks flying swiftly out from it. And it hurt while it lasted. Being her father like that always made her sorry for him. But she wished, and she felt he must often wish, that he couldn't be at all. There were lots of live things that would be happier if they weren't live things; and if they weren't, Susan felt, the great cloudlike Being would be less unhappy too.

Naturally, I am giving you Susan's later interpretations of her pre-schoolday wonderings; and a number of you would gasp a little, knowing what firm, delicate imaginings all Susan Blake's later interpretations were, if I should give you her pen name as well—which I have promised myself not to do. This is not an official study of a young writer of peculiar distinction; it is merely an unpretending book about a little girl I knew and a young married woman I still know—one and the same person. It is what I have named it—that only: The Book of Susan.

Meanwhile, this humid June night—to the sordid accompaniment of Bob and Pearl snarling at each other half-drunkenly within—Susan waits for us on the monolithic door slab; and there is a new wonder in her dizzy little head. I can't do better than let her tell you in her own words what this new wonder was like.

"Ambo, dear"—my name, by the way, is Ambrose Hunt; Captain Hunt, of the American Red Cross, at the present writing, which I could date from a sleepy little village in Southern France—"Ambo, dear, it was the moon, mostly. There was a pink bud of light in the heat mist, way off beyond East Rock, and then the great wild rose of the moon opened slowly through it. Papa, inside, was sounding just like a dog when he's bullying another dog, walking up on the points of his toes, stiff legged, round him. So I tried to escape, tried to be the moon; tried to feel floaty and shining and beautiful, and—and remote. But I couldn't manage it. I never could make myself be anything not alive. I've tried to be stones, but it's no good. It won't work. I can be trees—a little. But usually I have to be animals, or men and women—and of course they're animals too.

"So I began wondering why I liked the moon, why just looking at it made me feel happy. It couldn't talk to me; or love me. All it could do was to be up there, sometimes, and shine. Then I remembered about mythology. Miss Chisholm, in school, was always telling us about gods and goddesses. She said we were children, so we could recreate the gods for ourselves, because they belonged to the child age of the world. She talked like that a lot, in a faded-leaf voice, and none of us ever understood her. The truth is, Ambo, we never paid any attention to her; she smiled too much and too sadly, without meaning it; and her eyelashes were white. All the same, that night somehow I remembered Artemis, the virgin moon goddess, who slipped silently through dark woods at dusk, hunting with a silvery bow. Being a virgin seemed to mean that you didn't care much for boys. But I did always like boys better than girls, so I decided I could never be a virgin. And yet I loved the thought of Artemis from that moment. I began to think about her—oh, intensely!—always keeping off by herself; cool, and shining, and—and detached. And there was one boy she had cared for; I remembered that, too, though I couldn't remember his name. A naked, brown sort of boy, who kept off by himself on blue, distant hills. So Artemis wasn't really a virgin at all. She was just—awfully particular. She liked clean, open places, and the winds, and clear, swift water. What she hated most was stuffiness! That's why I decided then and there, Ambo, that Artemis should be my goddess, my own pet goddess; and I made up a prayer to her. I've never forgotten it. I often say it still. . . .

Dearest, dearest Far-Away,
Can you hear me when I pray?
Can you hear me when I cry?
Would you care if I should die?
No, you wouldn't care at all;
But I love you most of all.

"It isn't very good, Ambo, but it's the first rhyme I ever made up out of my own head. And I just talked it right off to Artemis without any trouble. But I had hardly finished it, when——"

What had happened next was the crash of glassware, followed by Bob's thick voice, bellowing: "C'm ba' here! Damned slut! Tell yeh t' c'm ba' an'—an' 'pol'gize!"

Susan heard a strangling screech from Pearl, the jar of a heavy piece of furniture overturned. The child's first impulse was to run out into Birch Street and scream for help. She tells me her spine knew all at once that something terrible had happened—or was going to happen. Then, in an odd flash of hallucination, she saw Artemis poised the fleetingest second before her—beautiful, a little disdainful, divinely unafraid. So Susan gulped, dug her nails fiercely into her palms, and hurried back through the parlor into the kitchen, where she stumbled across the overturned table and fell, badly bruising her cheek.

As she scrambled to her feet a door slammed to, above. Her father, in a grotesque crouching posture, was mounting the ladderlike stair. On the floor at the stair's foot lay the parchment head of Pearl's banjo, which he had cut from its frame. Susan distinctly caught the smudged pinks and blues of the nondescript flowers. She realized at once that her father was bound on no good errand. And Pearl was trapped. Susan called to her father, daringly, a little wildly. He slued round to her, leaning heavily on the stair rail, his face green-white, his lips held back by some evil reflex in a fixed, appalling grin.

It was the face of a madman. . . . He raised his right hand, slowly, and a tiny prismatic gleam darted from the blade of an opened razor—one of his precious set of six. He had evidently used it to destroy the banjo head, which he would never have done in his right mind. But now he made a shocking gesture with the blade, significant of other uses; then turned, crouching once more, to continue upward. Susan tried to cry out, tried to follow him, until the room slid from its moorings into a whirlpool of humming blackness. . . .


That is all Susan remembers for some time. It is just as well.

VI

What Susan next recalls is an intense blare of light, rousing her from her nothingness, like trumpets. Her immediate confused notion was that the gates of hell had been flung wide for her; and when a tall black figure presently cut across the merciless rays and towered before her, she thought it must be the devil. But the intense blare came from the head lights of my touring car, and the tall black devil was I. A greatly puzzled and compassionate devil I was too! Maltby Phar—that exquisite anarchist—was staying with me, and we had run down to the shore for dinner, hoping to mitigate the heat by the ride, and my new sensation of frustrate middle-age by broiled live lobsters. It was past eleven. I had just dropped Maltby at the house and had run my car round to the garage where Bob worked, meaning to leave it there overnight so Bob could begin patching at it the first thing in the morning. It had been bucking its way along on three cylinders or less all day.

Bob's garage lay back from the street down a narrow alley. Judge, then, of my astonishment as I nosed my car up to its shut double doors! There, on the concrete incline before the doors, lay a small crumpled figure, half-curled, like an unearthed cut-worm, about a shining dinner pail. I brought the car to a sudden dead stop. The small figure partly uncrumpled, and a white, blinded little face lifted toward me. It was Bob's youngster! What was she up to, lying there on the ribbed concrete at this time of night? And in heaven's name—why the dinner pail? I jumped down to investigate.

"You're Susan Blake, aren't you?"

"Yes"—with a whispered gasp—"your Royal Highness."

Susan says she doesn't know just why she addressed the devil in that way, unless she was trying to flatter him and so get round him.

"I'm not so awfully bad," she went on, "if you don't count thinking things too much!"

The right cheek of her otherwise delicately modeled child's face was a swollen lump of purple and green. I dropped down on one knee beside her.

"Why, you poor little lady! You're hurt!"

Instantly she sprang to her feet, wild-eyed.

"No, no! It's not me—it's Pearl! Oh, quick—please! He had a razor!"

"Razor? Who did?" I seized her hands. "I'm Mr. Hunt, dear. Your father often works on my car. Tell me what's wrong!"

She was still half dazed. "I—I can't see why I'm down here—with papa's dinner pail. Pearl was upstairs, and I tried to stop him from going." Then she began to whimper like a whipped puppy. "It's all mixed. I'm scared."

"Of course—of course you are; but it's going to be all right." I led her to the car and lifted her to the front seat. "Hold on a minute, Susan. I'll be back with you in less than no time!"

I sounded my horn impatiently. After an interval, a slow-footed car washer inside the garage began trundling the doors back to admit me. I ran to him.

No. Bob, he left at six, same as usual. He hadn't been round since. . . . His kid, eh? Mebbe the heat had turned her queer. Nuff to addle most folks, the heat was. . . .

I saw that he knew nothing, and snapped him off with a sharp request to crank the car for me. As he did so, I jumped in beside Susan.

"Where do you live, Susan? Oh, yes, of course—Birch Street. Bob told me that. . . . Eh? You don't want to go home?"

"Never, please. Never, never! I won't!" Proclaiming this, she flung Bob's dinner pail from her and it bounced and clattered down the asphalt. "It's too late," she added, in a frightened whisper: "I know it is!"

Then she seized my arm—thereby almost wrecking us against a fire hydrant—and clung to me, sobbing. I was puzzled and—yes—alarmed. Bob was a bad customer. The child's bruised face . . . something she had said about a razor——? And instantly I made up my mind.

"I'll take you to my house, Susan. Mrs. Parrot"—Mrs. Parrot was my housekeeper—"will fix you up for to-night. Then I'll go round and see Bob; see what's wrong." I felt her thin fingers dig into my arm convulsively. "Yes," I reassured her, taking a corner perilously at full speed, "that will be much better. You'll like Mrs. Parrot."

Rather recklessly, I hoped this might prove to be true; for Mrs. Parrot was a little difficult at times. . . .

It was Maltby Phar who saw me coming up the steps with a limp child in my arms, and who opened the screen door for me. "Aha!" he exclaimed. "Done it this time, eh! Always knew you would, sooner or later. You're too damned absent-minded to drive a car. You——"

"Nonsense!" I struck in. "Tell Mrs. Parrot to ring up Doctor Stevens. Then send her to me." And I continued on upstairs with Susan.

When Mrs. Parrot came, Susan was lying with closed eyes in the middle of a great white embroidered coverlet, upon which her shoes had smeared greasy, permanent-looking stains.

"Mercy," sighed Mrs. Parrot, "if you've killed the poor creature, nobody's sorrier than I am! But why couldn't you have laid her down on the floor? She wouldn't have known."

In certain respects Mrs. Parrot was invaluable to me; but then and there I suspected that Mrs. Parrot would, in the not-too-distant future, have to go.

Within five minutes Doctor Stevens arrived, and, after hurried explanations, Maltby and I left him in charge—and then made twenty-five an hour to Birch Street.

However, Susan's intuitions had been correct. We found Bob's four-room house quite easily. It was the house with the crowd in front of it. . . . We were an hour too late.

"Cut her throat clean acrost; and his own after," shrilled Mrs. Perkins to us—Mrs. Perkins, who lived three doors nearer the right end of Birch Street. "But it's only what was to be looked for, and I guess it'll be a lesson to some. You can't expect no better end than that," perorated Mrs. Perkins to us and her excited neighbors, while her small gray-green eyes snapped with electric malice, "you can't expect no better end than that to sech brazen immorality!"

"My God," groaned Maltby, as we sped away, "How they have enjoyed it all! Why, you almost ruined the evening for them when you told them you'd found the child! They were hoping to discover her body in the cellar or down the well. Ugh! What a world!

"By the way," he added, as we turned once more into the dignified breadth of Hillhouse Avenue, "what'll you do with the homely little brat? Put her in some kind of awful institution?"

The bland tone of his assumption irritated me. I ground on the brakes.

"Certainly not! I like her. If she returns the compliment, and her relatives don't claim her, she'll stay on here with me."

"Hum. Bravo. . . . About two weeks," said Maltby Phar.


THE SECOND CHAPTER

I

IT was not Susan who left me at the end of two weeks; it was Mrs. Parrot. Maltby had departed within three days, hastening perforce to editorial duties in New York. He then edited, with much furtive groaning to sympathetic friends, the Garden Exquisite, a monthly magazine de luxe, devoted chiefly to advertising matter, and to photographs taken—by request of far-seeing wives and daughters—at the country clubs and on the country estates of our minor millionaires. For a philosophical anarch, rather a quaint occupation! Yet one must live. . . . Maltby, however, had threatened a return as soon as possible, "to look over the piteous débâcle." There was no probability that Mrs. Parrot would ever return.

"You cannot expect me," maintained Mrs. Parrot, "to wait on the child of a murdering suicide. Especially," she added, "when he was nothing but a common sort of man to begin with. I'm as sorry for that poor little creature as anybody in New Haven; but there are places for such."

That was her ultimatum. My reply was two weeks' notice, and a considerable monetary gift to soften the blow.

Hillhouse Avenue, in general, so far as I could discover, rather sympathized with Mrs. Parrot. She at once obtained an excellent post, becoming housekeeper for the Misses Carstairs, spinster sisters of incredible age, who lived only two doors from me in a respectable mansion whose portico resembled an Egyptian tomb. Wandering freshmen from the Yale campus frequently mistook it for the home office of one of the stealthier secret societies.

There, silently ensconced, Mrs. Parrot burned with a hard, gemlike flame, and awaited my final downfall. So did the Misses Carstairs, who, being cousins of my wife, had remained firmly in opposition. And rumor had it that other members of neighboring families were suffering discomfort from the proximity of Susan. It was as if a tiny, almost negligible speck of coal dust had blown into the calm, watchful eye of the genius loci, and was gradually inflaming it—with resultant nervous irritation to all its members.

Susan was happily unconscious of these things. Her gift of intuition had not yet projected itself into that ethereal region which conserves the more tenuous tone and the subtler distinction—denominate "society." For the immediate moment she was bounded in a nutshell, yet seemed to count herself a princess of infinite space—yes, in spite of bad dreams. We—Doctor Stevens and I—had put her to bed in the large, coolly distinguished corner room formerly occupied by Gertrude. This room opened directly into my own. Doctor Stevens counselled bed for a few days, and Susan seemed well content to obey his mandate. Meanwhile, I had requested Mrs. Parrot to buy various necessities for her—toothbrushes, nightdresses, day dresses, petticoats, and so on. Mrs. Parrot had supposed I should want the toilet articles inexpensive, and the clothing plain but good.

"Good, by all means, Mrs. Parrot," I had corrected, "but not plain. As pretty and frilly as possible!"

Mrs. Parrot had been inclined to argue the matter.

"When that poor little creature goes from here," she had maintained, "flimsy, fussy things will be of no service to her. None. She'll need coarse, substantial articles that will bear usage."

"Do you like to wear coarse, substantial articles, Mrs. Parrot?" I had mildly asked. "So far as I am permitted to observe——"

Mrs. Parrot had resented the implication. "I hope in my outer person, Mr. Hunt, that I show a decent respect for my employers, but I've never been one to pamper myself on linjery, if I may use the word—not believing it wholesome. Nor to discuss it with gentlemen. But if I don't know what it's wisest and best to buy in this case, who," she had demanded of heaven, "does?"

"Possibly," heaven not replying, had been my response, "I do. At any rate, I can try."

It was fun trying. I ran down on the eight o'clock to New York and strolled up and down Fifth Avenue, shopping here and there as the fancy moved me. Shopping—with a well-filled pocketbook—is not a difficult art. Women exaggerate its difficulties for their own malign purposes. In two hours of the most casual activity I had bought a great number of delightful things—for my little daughter, you know. Her age? . . . Oh, well—I should think about fourteen. Let's call it 'going on fourteen.' Then it's sure to be all right.

It was all right—essentially. By which I mean that the parties of the first and second parts—to wit, Susan and I—were entirely and blissfully satisfied.

Susan liked particularly a lacy sort of nightgown all knotted over with little pink ribbony rosebuds; there was a coquettish boudoir cap to match it—suggestive somehow of the caps village maidens used to wear in old-fashioned comic operas; and a pink silk kimono embroidered with white chrysanthemums, to top off the general effect. Needless to say, Mrs. Parrot disapproved of the general effect, deeming it, no doubt with some reason, a thought flamboyant for Gertrude's coolly distinguished corner room.

But Susan, propped straight up by now against pillows, wantoned in this finery. She would stroke the pink silk of the kimono with her thin, sensitive fingers, sigh deeply, happily, then close her eyes.

There was nothing much wrong with her. The green-and-purple bruise on her cheek—a somber note which would not harmonize with the frivolity of the boudoir cap—was no longer painful. But, as Doctor Stevens put it, "The little monkey's all in." She was tired, tired out to the last tiny filament of her tiniest nerve. . . .

During those first days with me she asked no awkward questions; and few of any kind. Indeed, she rarely spoke at all, except with her always-speaking black eyes. For the time being the restless-terrier-look had gone from them; they were quiet and deep, and said "Thank you," to Doctor Stevens, to Mrs. Parrot, to me, with a hundred modulating shades of expression. In spite of a clear-white, finely drawn face, against which the purple bruise stood out in shocking relief; in spite of entirely straight but gossamery black hair; in spite of a rather short nose and a rather wide mouth—there was a fascination about the child which no one, not even the hostile Mrs. Parrot, wholly escaped.

"That poor, peeny little creature," admitted Mrs. Parrot, on the very morning she left me, "has a way of looking at you—so you can't talk to her like you'd ought to. It's somebody's duty to speak to her in a Christian spirit. She never says her prayers. Nor mentions her father. And don't seem to care what's happened to him, or why she's here, or what's to come to her. And what is to come to her," demanded Mrs. Parrot, "if she stays on in this house, without a God-fearing woman, and one you can't fool most days? Not that I could be persuaded, having made other arrangements. And if I may say a last word, the wild talk I've heard here isn't what I've been used to. Nor to be approved of. No vulgarity. None. I don't accuse. But free with matters better left to the church; or in the dark—where they belong. All I hold is, that some things are sacred, and some unmentionable; and conversation should take cognizance of such!"

I had never known her so moved or so eloquent. I strove to reassure her.

"You are quite right, Mrs. Parrot. I apologize for any painful moments my friends and I have given you. But don't worry too much about Susan. So far as Susan's concerned, I promise to 'take cognizance' in every possible direction."

It was clear to me that I should have to expend a good deal of care upon engaging another housekeeper at once. And, of course, a governess—for lessons and things. And a maid? Yes; Susan would need a maid, if only to do her mending. Obviously, neither the housekeeper, the governess, nor I could be expected to take cognizance of that.

II

But I anticipate. Two weeks before Mrs. Parrot's peroration, on the very evening of the day Maltby Phar had left me, Susan and I had had our first good talk together. My memorable shopping tour had not yet come off, and Susan, having pecked birdlike at a very light supper, was resting—semi-recumbent—in bed, clothed in a suit of canary-yellow pajamas, two sizes too big for her, which I was rather shaken to discover belonged to Nora, my quiet little Irish parlor maid. I had not supposed that Nora indulged in night gear filched from musical comedy. However, Nora had meant to be kind in a good cause; though canary yellow is emphatically a color for the flushed and buxom and should never be selected for peeny, anemic little girls. It did make Susan look middling ghastly, as if quarantined from all access to Hygeia, the goddess! Perhaps that is why, when I perched beside her on the edge of Gertrude's colonial four-poster, I felt an unaccustomed prickling sensation back of my eyes.

"How goes it, canary bird?" I asked, taking the thin, blue-threaded hand that lay nearest to me.

Susan's fingers at once curled trustfully to mine, and there came something very like a momentary glimmer of mischief into her dark eyes.

"If I was an honest-to-God canary, I could sing to you," said Susan. "I'd like to do something for you, Mr. Hunt. Something you'd like, I mean."

"Well, you can, dear. You can stop calling me 'Mr. Hunt'! My first name's pretty awkward, though. It's Ambrose."

For an instant Susan considered my first name, critically, then very slowly shook her head. "It's a nice name. It's too nice, isn't it—for every day?"

I laughed. "But it's all I have, Susan. What shall we do about it?"

Then Susan laughed, too; it was the first time I had heard her laugh. "I guess your mother was feeling kind of stuck up when she called you that!"

"Most mothers do feel kind of stuck up over their first babies, Susan."

She considered this, and nodded assent, "But it's silly of them, anyway," she announced. "There are so many babies all the time, everywhere. There's nothing new about babies, Ambo."

"Aha!" I exclaimed. "You knew from the first how to chasten my stuck-up name, didn't you? 'Ambo' is a delightful improvement."

"It's more like you," said Susan, tightening her fingers briefly on mine.

And presently she closed her eyes. When, after a long still interval, she opened them, they were cypress-shaded pools.

"Tell me what happened, Ambo."

"He's dead, Susan. Pearl's dead, too."

She closed her eyes again, and two big tears slipped out from between her lids, wetting her thick eyelashes and staining her bruised and her pallid cheek.

"He couldn't help it. He was made like that, inside. He was no damn good, Ambo. That's what he was always saying to Pearl—'You're no damn good.' She wasn't, either. And he wasn't, much. I guess it's better for him and Pearl to be dead."

This—and the two big tears—was her good-by to Bob, to Pearl, to the four-room house; her good-by to Birch Street. It shocked me at the time. I released her hand and stood up to light a cigarette—staring the while at Susan. Where had she found her precocious brains? And had she no heart? Had something of Bob's granitic harshness entered into this uncanny, this unnatural child? Should I live to regret my decision to care for her, to educate her? When I died, would she say—to whom?—"I guess it's better for him to be dead. Poor Ambo! He was no damn good."

But even as I shuddered, I smiled. For, after all, she was right; the child was right. She had merely uttered, truthfully, thoughts which a more conventional mind, more conventionally disciplined, would have known how to conceal—yes, to conceal even from itself. Genius was very like that.

"Susan!" I suddenly demanded. "Have you any relatives who will try to claim you?"

"Claim me?"

"Yes. Want to take care of you?"

"Mamma's sister-in-law lives in Hoboken," said Susan. "But she's a widow; and she's got seven already."

"Would you like to stay here with me?"

For all answer she flopped sidelong down from the pillows and hid her bruised face in the counterpane. Her slight, canary-clad shoulders were shaken with stifled weeping.

"That settles it!" I affirmed. "I'll see my lawyer in the morning, and he'll get the court to appoint me your guardian. Come now! If you cry about it, I'll think you don't want me for guardian. Do you?"

She turned a blubbered, wistful face toward me from the counterpane. Her eyes answered me. I leaned over, smoothed a pillow and slipped it beneath her tired head, then kissed her unbruised cheek and walked quietly back into my own room—where I rang for Mrs. Parrot.

When she arrived, "Mrs. Parrot," I suggested, "please make Susan comfortable for the night, will you? And I'll appreciate it if you treat her exactly as you would my own child."

It took Mrs. Parrot at least a minute to hit upon something she quite dared to leave with me.

"Very well, Mr. Hunt. Not having an own child, and not knowing—you can say that. Not that it's the same thing, though you do say it! But I'll make her comfortable—and time tells. In darker days, I hope you'll be able to say that poor, peeny little creature has done the same by you."

"Thank you, Mrs. Parrot. Good-night."

"A good night to you, Mr. Hunt," elaborated Mrs. Parrot, not without malice; "many of them, Mr. Hunt; many of them, I'm sure."

III

By the time Mrs. Parrot left us, housekeeper, governess, and maid had been obtained in New York through agencies of the highest respectability.

Miss Goucher, the housekeeper, proved to be a tall, big-framed spinster, rising fifty; a capable, taciturn woman with a positive talent for minding her own affairs. She had bleak, light-gray eyes, a rudderlike nose, and a harsh, positive way of speech that was less disagreeable than it might have been, because she so seldom spoke at all. Having hoped for a more amiable presence, I was of two minds over keeping her; but she took charge of my house so promptly and efficiently, and effaced herself so thoroughly—a difficult feat for so definite a figure—that in the end there was nothing I could complain of; and so she stayed.

Miss Disbrow on the other hand, who came as governess, was all that I had dared to wish for; a graceful, light-footed, soft-voiced girl—she was not yet thirty—with charming manners, a fluent command of the purest convent-taught French, a nice touch on the piano, and apparently some slight acquaintance with the solider branches. Merely to associate with Miss Disbrow would, I felt, do much for Susan.

I was less certain about Sonia, the maid. I had asked for a middle-aged English maid. Sonia was Russian, and she was only twenty-three. But she was sent directly to me from service with Countess Dimbrovitski—formerly, as you know, Maud Hochstetter, of Omaha—and brought with her a most glowing reference for skill, honesty, and unfailing tact. Countess Dimbrovitski did not explain in the reference, dated from Newport, why she had permitted this paragon to slip from her; nor did it occur to me to investigate the point. But Sonia later explained it all, in intimate detail, to Susan—as we shall see.

I had feared that Susan might be at first a little bewildered by the attentions of Sonia and of Miss Disbrow; so I explained the unusual situation to Miss Goucher and Miss Disbrow—with certain reservations—and asked them to make it clear to Sonia. Miss Goucher merely nodded, curtly enough, and said she understood. Miss Disbrow proved more curious and more voluble.

"How wonderful of you, Mr. Hunt!" she exclaimed. "To take in a poor little waif and do all this for her! Personally, I count it a privilege to be allowed some share in so generous an action. Oh, but I do—I do. One likes to feel, even when forced to work for one's living, that one has some little opportunity to do good in the world. Life isn't," asked Miss Disbrow, "all money-grubbing and selfishness, is it?" And as I found no ready answer, she concluded: "But I need hardly ask that of you!"

For the fleetingest second I found myself wondering whether Miss Disbrow, deep down in her hidden heart, might not be a minx. Yet her glance, the happiest mixture of frankness, timidity, and respectful admiration, disarmed me. I dismissed the unworthy suspicion as absurd.

I was a little troubled, though, when Susan that same evening after dinner came to me in the library and seated herself on a low stool facing my easy-chair.

"Ambo," she said, "I've been blind as blind, haven't I?"

"Have you?" I responded. "For a blind girl, it's wonderful how you find your way about!"

"But I'm not joking—and that's just it," said Susan.

"What's wrong, dear?" I asked. "I see something is."

"Yes. I am. The wrongest possible. I've just dumped myself on you, and stayed here; and—and I've no damn business here at all!"

"I thought we were going to forget the damns and hells, Susan?"

"We are," said Susan, coloring sharply and looking as if she wanted to cry. "But when you've heard them, and worse, every minute all your life—it's pretty hard to forget. You must scold me more!" Then with a swift movement she leaned forward and laid her cheek on my knee. "You're too good to me, Ambo. I oughtn't to be here—wearing wonderful dresses, having a maid to do my hair and—and polish me and button me and mend me. I wasn't meant to have an easy time; I wasn't born for it. First thing you know, Ambo, I'll get to thinking I was—and be mean to you somehow!"

"I'll risk that, Susan."

"Yes, but I oughtn't to let you. I could learn to be somebody's maid like Sonia; and if I study hard—and I'm going to!—some day I could be a governess like Miss Disbrow; only really know things, not just pretend. Or when I'm old enough, a housekeeper like Miss Goucher! That's what you should make me do—work for you! I can clean things better than Nora now; I never skip underneaths. Truly, Ambo, it's all wrong, my having people work for me—at your expense. I know it is! Miss Disbrow made it all clear as clear, right away."

"What! Has Miss Disbrow been stuffing this nonsense into your head!" I was furious.

"Oh, not in words!" cried Susan. "She talks just the other way. She keeps telling me how fortunate I am to have a guardian like you, and how I must be so careful never to annoy you or make you regret what you've done for me. Then she sighs and says life is very hard and unjust to many girls born with more advantages. Of course she means herself, Ambo. You see, she hates having to work at all. She's much nicer to look at and talk to, but she reminds me of Pearl. She's no damn—she's no good, Ambo dear. She's hard where she ought to be soft, and soft where she ought to be hard. She tries to get round people, so she can coax things out of them. But she'll never get round Miss Goucher, Ambo—or me." And Susan hesitated, lifting her head from my knee and looking up at me doubtfully, only to add, "I—I'm not so sure about you."

"Indeed. You think, possibly, Miss Disbrow might get round me, eh?"

"Well, she might—if I wasn't here," said Susan. "She might marry you."

My explosion of laughter—I am ordinarily a quiet person—startled Susan. "Have I said something awful again?" she cried.

"Dreadful!" I sputtered, wiping my eyes. "Why, you little goose! Don't you see how I need you? To plumb the depths for me—to protect me? I thought I was your guardian, Susan; but that's just my mannish complacency. I'm not your guardian at all, dear. You're mine."

But I saw at once that my mirth had confused her, had hurt her feelings. . . . I reached out for her hands and drew her upon my knees.

"Susan," I said, "Miss Disbrow couldn't marry me even if she got round me, and wanted to. You see, I have a wife already."

Susan stared at me with wide, frightened eyes. "You have, Ambo? Where is she?"

"She left me two years ago."

"Left you?" It was evident that she did not understand. "Oh—what will she say when she comes home and finds me here? She won't like it; she won't like me!" wailed Susan. "I know she won't."

"Hush, dear. She's not coming home again. She made up her mind that she couldn't live with me any more."

"What's her name?"

"Gertrude."

"Why couldn't she live with you, Ambo?"

"She said I was cruel to her."

"Weren't you good to her, Ambo? Why? Didn't you like her?"

The rapid questions were so unexpected, so searching, that I gasped. And my first impulse was to lie to Susan, to put her off with a few conventional phrases—phrases that would lead the child to suppose me a wronged, lonely, broken-hearted man. This would win me a sympathy I had not quite realized that I craved. But Susan's eyes were merciless, and I couldn't manage it. Instead, I surprised myself by blurting out: "That's about it, Susan. I didn't like her—enough. We couldn't hit it off, somehow. I'm afraid I wasn't very kind."

Instantly Susan's thin arms went about my neck, and her cheek was pressed tight to mine.

"Poor Ambo!" she whispered. "I'm so sorry you weren't kind. It must hurt you so." Then she jumped from my knees.

"Ambo!" she demanded. "Is my room—her room? Is it?"

"Certainly not. It isn't hers any more. She's never coming back, I tell you. She put me out of her life once for all; and God knows I've put her out of mine!"

"If you can't let me have another room, Ambo—I'll have to go."

"Why? Hang it all, Susan, don't be silly! Don't make difficulties where none exist! What an odd, overstrained child you are!" I was a little annoyed.

"Yes," nodded Susan gravely, "I see now why Gertrude left you. But she must be awfully stupid not to know it's only your outside that's made like that!"

Next morning, without a permissive word from me, Susan had Miss Goucher move all her things to a small bedroom at the back of the house, overlooking the garden. This silent flitting irritated me not a little, and that afternoon I had a frank little talk with Miss Disbrow—franker, perhaps, than I had intended. Miss Disbrow at once gave me notice, and left for New York within two hours, letting it be known that she expected her trunks to be sent after her.

"Gutter-snipes are not my specialty," was her parting word.

IV

There proved to be little difficulty in getting myself appointed Susan's guardian. No one else wanted the child.

I promised the court to do my best for her; to treat her, in fact, as I would my own flesh and blood. It might well be, I said, that before long I should legally adopt her. In any event, if this for some unforeseen reason proved inadvisable, I assured the court that Susan's future would be provided for. The court benignly replied that, as it stood, I was acting very handsomely in the matter; very handsomely; no doubt about it. But there was a dim glimmer behind the juridic spectacles that seemed to imply: "Handsomely, my dear sir, but whether wisely or no is another question, which, as the official champion of widows and orphans, I am not called upon to decide."

It was with a new sense of responsibility that I opened an account in Susan's name with a local savings bank, and a week later added a short but efficient codicil to my will.

In the meantime—but with alert suspicions—I interviewed several highly recommended applicants for Miss Disbrow's deserted post; only to find them wanting. Poor things! Combined, they could hardly have met all the requirements, æsthetic and intellectual, which I had now set my heart upon finding in one lone governess for Susan! It would have needed, by this, a subtly modernized Hypatia to fulfill my ideal.

I might, of course, have waited for October to send Susan to a select private school in the vicinage, patronized by the little daughters of our more cautious families. It was, by neighborly consent, an excellent school, where carefully sterilized cultures—physical, moral, mental, and social—were painlessly injected into the blue blood streams of our very nicest young girls. I say that I might have done so, but this is a euphemism. On the one hand, I shrank from exposing Susan to possible snubs; on the other, a little bird whispered that Miss Garnett, principal of the school, would not care to expose her carefully sterilized cultures to an alien contagion. Bearers of contagion—whether physical, moral, mental, or social—were not sympathetic to Miss Garnett's clientèle. In Mrs. Parrot's iron phrase, there are places for such.

Public schools, to wit! But in those long-past days—before Susan taught me that there are just two kinds of persons, big and little; those you can do nothing for, because they can do nothing for themselves, and those you can do nothing for, because they can do everything for themselves—in those days, I admit that I had my own finicky fears. Public schools were all very well for the children of men who could afford nothing better. They had, for example, given Bob Blake's daughter a pretty fair preliminary training; but they would never do for Ambrose Hunt's ward. Noblesse—or, at any rate, largesseoblige.

Yet here was a quandary: Public schools, in my estimation, being too vulgar for Susan; and Susan, in the estimation of Hillhouse Avenue, being too vulgar for private ones; yea, and though I still took cognizance, no subtly modernized Hypatia coming to me highly recommended for a job—how in the name of useless prosperity was I to get poor little Susan properly educated at all!

It was Susan who solved this difficulty for me, as she was destined to solve most of my future difficulties, and all of her own.

She soon turned the public world about her into an extra-select, super-private school. She impressed all who came into contact with her, and made of them her devoted—if often unconscious—instructors. And she began by impressing Miss Goucher and Nora and Sonia, and Philip Farmer, assistant professor of philosophy in Yale University; and Maltby Phar, anarchist editor of The Garden Exquisite; and—first and chiefly—me.

The case of Phil Farmer was typical. Phil and I had been classmates in the dark backward and abysm, and we were still, in a manner of speaking, friends. I mean that, though we had few tastes in common, we kept on liking each other a good deal. Phil was a gentle-hearted, stiff-headed sort of man, with a conscience—formed for him and handed on by a long line of Unitarian ministers—a conscience which drove him to incredible labor at altitudes few of us attain, and where even Phil, it seemed to me, found breathing difficult. Not having been thrown with much feminine society on his chosen heights, he had remained a bachelor. The Metaphysical Mountains are said to be infested with women, but they cluster, I am told, below the snow line. Phil did not even meet them by climbing through them; he always ballooned straight up for the Unmelting; and when he occasionally dropped down, his psychic chill seldom wore entirely off before he was ready to ascend again. This protected him; for he was a tall, dark-haired fellow whose features had the clear-cut gravity of an Indian chieftain; his rare, friendly smile was a delight. So he would hardly otherwise have escaped.

Perhaps once a week it was his habit to drop in after dinner and share with me three or four pipes' worth of desultory conversation. We seldom talked shop; since mine did not interest him, nor his me. Mostly we just ambled aimlessly round the outskirts of some chance neutral topic—who would win the big game, for example. It amused neither of us, but it rested us both.

One night, perhaps a month after Susan had come to me, I returned late from a hot day's trip to New York—one more unsuccessful quest after Hypatia Rediviva—and found Phil and Susan sitting together on the screened terrace at the back of my house, overlooking the garden. It was not my custom to spend the muggy midsummer months in town, but this year I had been unwilling to leave until I could capture and carry off Hypatia Rediviva with me. Moreover, I did not know where to go. The cottage at Watch Hill belonged to Gertrude, and was in consequence no longer used by either of us. As a grass widower I had, in summer, just travelled about. Now, with a ward of fourteen to care for, just travelling about no longer seemed the easiest solution; yet I hated camps and summer hotels. I should have to rent a place somewhere, that was certain; but where? With the world to choose from, a choice proved difficult. I was marking time.

My stuffy fruitless trip had decided me to mark time no longer. Hypatia or no Hypatia, Susan must be taken to the hills or the sea. It was this thought that simmered in my brain as I strolled out to the garden terrace and overheard Susan say to Phil: "But I think it's much easier to believe in the devil than it is in God! Don't you? The devil isn't all-wise, all-good, all-everything! He's a lot more like us."

I stopped short and shamelessly listened.

"That's an interesting concept," responded Phil, with his slow, friendly gravity. "You mean, I suppose, that if we must be anthropomorphic, we ought at least to be consistent."

"Wouldn't it be funny," said Susan, "if I did mean that without knowing it?" There was no flippancy, no irony in her tone. "'An-thro-po-mor-phic . . . '" she added, savoring its long-drawn-outness. Susan never missed a strange word; she always pounced on it at once, unerringly, and made it hers.

"That's a Greek word," explained Phil.

"It's a good word," said Susan, "if it has a tremendous lot packed up in it. If it hasn't, it's much too long."

"I agree with you," said Phil; "but it has."

"What?" asked Susan.

"It would take me an hour to tell you."

"Oh, I'm glad!" cried Susan. "It must be a wonderful word! Please go on till Ambo comes!"

I decided to take a bath, and tiptoed softly and undetected away.

V

After that evening Phil began to drop in every two or three nights, and he did not hesitate to tell me that the increasing frequency of his visits was due to his progressive interest in Susan.

"She's a curious child," he explained; which was true in any sense you chose to take it, and all the way back to the Latin curiosus, "careful, diligent, thoughtful; from cura, care," and so on. . . .

"I've never seen much of children," Phil continued; "never had many chances, as it happens. My sister has three boys, but she's married to a narrow-gauge missionary, and lives—to call it that—in Ping Lung, or some such place. I've the right address somewhere, I think—in a notebook. Bertha sends me snapshots of the boys from time to time, but I can't say I've ever felt lonely because of their exile. Funny. Perhaps it's because I never liked Bertha much. Bertha has a sloppy mind—you know, with chance scraps of things floating round in it. Nothing coheres. But you take this youngster of yours, now—I call her yours——"

"Do!" I interjected.

"Well, there's the opposite extreme! Susan links everything up, everything she gets hold of—facts, fancies, guesses, feelings; the whole psychic menagerie. Chains them all together somehow, and seems to think they'll get on comfortably in the same tent. Of course they won't—can't—and that's the danger for her! But she's stimulating, Hunt"—Phil always called me Hunt, as if just failing whole-heartedly to accept me—"she's positively stimulating! A mind like that must be trained; thoroughly, I mean. We must do our best for her."

The "we" amused me and—yes, I confess it—nettled me a little.

"Don't worry about that," I said, and more dryly than I had meant to; "I'm combing the country now for a suitable governess."

"Governess!" Phil snorted. "You don't want a governess for Susan. You want, for this job," he insisted, "a male intellect—a vigorous, disciplined male intellect. Music, dancing, water colors—pshaw! Deportment—how to enter a drawing-room! Fiddle-faddle! How to enter the Kingdom of God! That's more Susan's style," cried Phil, with a most unaccustomed heat.

I laughed at him.

"Are you willing to take her on, Phil?" I asked. "I believe it's been done; Epicurus had a female pupil or two."

"I have taken her on," Phil replied, quite without resentment. "Hadn't you noticed it?"

"Yes," I said; "only, it's the other way round."

"I've been appropriated, is that it?"

"Yes; by Susan. We all have, Phil. That vampire child is simply draining us, my dear fellow."

"All right," said Phil, after a second's pause, "if she's a spiritual vampire, so much the better. Only, she'll need a firm hand. We must give her suck at regular hours; draw up a plan. You can tackle the languages, if you like—æsthetics, and all that. I'll pin her down to math and logic—teach her to think straight. We can safely leave her to pick up history and sociology and such things for herself. You've a middling good library, and she'll browse."

"Oh, she'll browse! She's browsing now."

"Poetry?" demanded Phil, suspicion in his tone, anxiety in his eyes. "If she runs amuck with poetry too soon, there's no hope for her. She'll get to taking sensations for ideas, and that's fatal. A mind like Susan's——"

What further he said I missed; a distant tinkle from the front-door bell had distracted me.

It was Maltby Phar. He came out to us on the garden terrace, unexpected and unannounced.

"Whether you like it or not," he sighed luxuriously, "I'm here for a week. How's the great experiment—eh? Am I too late for the bust-up?" Then he nodded to Phil. "How are you, Mr. Farmer? Delighted to meet an old adversary! Shall it be swords or pistols this time? Or clubs? But I warn you, I'm no fit foe; I'm soft. Making up our mammoth Christmas Number in July always unnerves me. By the time I had looked over a dozen designs for our cover this morning and found Gaspar, Melchior, and Balthazar in every one of them, mounted on fancy camels, and heading for an exaggerated star in the right upper dark-blue corner, I succumbed to heat and profanity, turned 'em all face downward, shuffled 'em, grabbed one at random, and then fled for solace! Solace," he added, dropping into a wicker armchair, "can begin, if you like, by taking a cool, mellow, liquid form."