SONGS UNSUNG

BY

LEWIS MORRIS

OF PENBRYN

M.A.; HONORARY FELLOW OF JESUS COLLEGE, OXFORD
KNIGHT OF THE REDEEMER OF GREECE, ETC., ETC.

"FIDE ET AMORE"

LONDON
KEGAN PAUL, TRENCH & CO., 1, PATERNOSTER SQUARE
1883

(The rights of translation and of reproduction are reserved.)

PREFACE.

After a silence of more than three years, due to other engrossing occupations, the writer once more appeals to his readers with a volume in which the leading features of his former works will probably be found combined. The story of "Odatis" is derived from Athenæus. That of "Clytæmnestra in Paris" follows accurately, in all matters of fact, the evidence given in the well-known Fenayrou trial of August, 1882. The "Three Breton Poems" are from the "Barzaz Breiz." One of them, "The Foster Brother," has, as the author has learnt since his version was written, already appeared in a volume of Translations from the same source, published some years ago.

PENBRYN, CARMARTHEN,
October, 1883.

CONTENTS.

[Pictures—I.]
[The Lesson of Time]
[Vendredi Saint]
["No more, no more"]
[The New Creed]
[A Great Gulf]
[One Day]
[Seasons]
[The Pathos of Art]
[In the Strand]
[Coelum non Animum]
[Niobe]
[Pictures—II.]
[A Night in Naples]
[Life]
[Cradled in Music]
[Odatis]
In Wild Wales—
I.—[At the Eisteddfod]
II.—[At the Meeting Field]
[Suffrages]
[Look out, O Love]
[Saint Christopher]
[Pictures—III.]
[Confession]
[Love Unchanged]
[Clytæmnestra in Paris]
[At the End]
Three Breton Poems—
I.—[The Orphan Girl of Lannion]
II.—[The Foster Brother]
III.—[Azenor]

SONGS UNSUNG.

PICTURES—I.

Above the abysmal undivided deep
A train of glory streaming from afar;
And in the van, to wake the worlds from sleep,
One on whose forehead shines the Morning-Star.

——————

Long-rolling surges of a falling sea,
Smiting the sheer cliffs of an unknown shore;
And by a fanged rock, swaying helplessly
A mast with broken cordage—nothing more.

——————

Three peaks, one loftier, all in virgin white,
Poised high in cloudland when the day is done,
And on the mid-most, far above the night,
The rose-red of the long-departed sun.

——————

A wild girl reeling, helpless, like to fall,
Down a hushed street at dawn in midsummer;
And one who had clean forgot their past and all,
From a lit palace casement looks at her.

——————

A young man, only clothed with youth's best bloom,
In mien and form an angel, not in eye;
Hard by, a fell worm creeping from a tomb,
And one, wide-eyed, who cries, "The Enemy!"

——————

A lake of molten fires which swell and surge
And fall in thunders on the burning verge;
And one a queen rapt, with illumined face,
Who doth defy the Goddess of the place.

——————

Eros beneath a red-cupped tree, asleep,
And floating round him, like to cherubim,
Fair rosy laughter-dimpled loves, who peep
Upon the languid loosened limbs of him.

——————

A darkling gateway, thronged with entering ghosts,
And a grave janitor, who seems to say:
"Woe, woe to youth, to life, which idly boasts;
I am the End, and mine the appointed Way."

——————

A young Faun making music on a reed,
Deep in a leafy dell in Arcady:
Three girl-nymphs fair, in musing thought take heed
Of the strange youth's mysterious melody.

——————

A flare of lamplight in a shameful place
Full of wild revel and unchecked offence,
And in the midst, one fresh scarce-sullied face,
Within her eyes, a dreadful innocence.

——————

A quire of seraphs, chanting row on row,
With lute and viol and high trumpet notes;
And, above all, their soft young eyes aglow—
Child angels, making laud from full clear throats.

——————

Some, on a cliff at dawn, in agony;
Below, a scaly horror on the sea,
Lashing the leaden surge. Fast-bound, a maid
Waits on the verge, alone, but unafraid.

——————

A poisonous, dead, sad sea-marsh, fringed with pines,
Thin-set with mouldering churches, old as Time;
Beyond, on high, just touched with wintry rime,
The long chain of the autumnal Apennines.

——————

A god-like Presence, beautiful as dawn,
Watching, upon an untrodden summit white,
The Earth's last day grow full, and fade in night;
Then, with a sigh, the Presence is withdrawn.

——————

A sheer rock-islet, frowning on the sea
Where no ship sails, nor ever life may be:
Thousands of leagues around, from pole to pole,
The unbounded lonely ocean-currents roll.

——————

Young maids who wander on a flower-lit lawn,
In springtide of their lives as of the year;
Meanwhile, unnoticed, swift, a thing of fear,
Across the sun, a deadly shadow drawn.

——————

Slow, hopeless, overborne, without a word,
Two issuing, as if from Paradise;
Behind them, stern, and with unpitying eyes,
Their former selves, wielding a two-edged sword.

——————

A weary woman tricked with gold and gem,
Wearing some strange barbaric diadem,
Scorn on her lips, and, like a hidden fire,
Within her eyes cruel unslaked desire.

Two agèd figures, poor, and blurred with tears;
Their child, a bold proud woman, sweeping by;
A hard cold face, which pities not nor fears,
And all contempt and evil in her eye.

Around a harpsichord, a blue-eyed throng
Of long-dead children, rapt in sounds devout,
In some old grange, while on that silent song
The sabbath twilight fades, and stars come out.

The end of things created; Dreadful night,
Advancing swift on sky, and earth, and sea;
But at the zenith a departing light,
A soaring countless blessed company.

THE LESSON OF TIME.

Lead thou me, Spirit of the World, and I
Will follow where thou leadest, willingly;
Not with the careless sceptic's idle mood,
Nor blindly seeking some unreal good;

For I have come, long since to that full day
Whose morning mists have fled and curled away—
That breathless afternoon-tide when the Sun
Halts, as it were, before his journey done.

Calm as a river broadening through the plain,
Which never plunges down the rocks again,
But, clearly mirrored in its tranquil deep,
Holds tower and spire and forest as in sleep.

How old and worn the metaphor appears,
Old as the tale of passing hopes and fears!
New as the springtide air, which day by day
Breathes on young lives, and speeds them on their way.

The Roman knew it, and the Hellene too;
Assyrian and Egyptian proved it true;
Who found for youth's young glory and its glow
Serener life, and calmer tides run slow.

And them oblivion takes, and those before,
Whose very name and race we know no more,
To whom, oh Spirit of the World and Man,
Thou didst reveal Thyself when Time began,—

They felt, as I, what none may understand;
They touched through darkness on a hidden hand;
They marked their hopes, their faiths, their longings fade,
And found a solitude themselves had made;

They came, as I, to hope which conquers doubt,
Though sun and moon and every star go out;
They ceased, while at their side a still voice said,
"Fear not, have courage; blessed are the dead."

They were my brothers—of one blood with me,
As with the unborn myriads who shall be:
I am content to rise and fall as they;
I watch the rising of the Perfect Day.

Lead thou me, Spirit, willing and content
To be, as thou wouldst have me, wholly spent.
I am thine own, I neither strive nor cry:
Stretch forth thy hand, I follow, silently.

VENDREDI SAINT.

This is Paris, the beautiful city,
Heaven's gate to the rich, to the poor without pity.
The clear sun shines on the fair town's graces,
And on the cold green of the shrunken river,
And the chill East blows, as 'twould blow for ever,
On the holiday groups with their shining faces.

For this is the one solemn day of the season,
When all the swift march of her gay unreason
Pauses a while, and a thin mask of sadness
Is spread o'er the features of riot and madness,
And the churches are crowded with devotees holy,
Rich and poor, saint and sinner, the great and the lowly.

******

Here is a roofless palace, where gape
Casements in rows without form or shape:
A sordid ruin, whose swift decay
Speaks of that terrible morning in May
When the whole fair city was blood and fire,
And the black smoke of ruin rose higher and higher,

And through the still streets, 'neath the broad Spring sun,
Everywhere murder and rapine were done;
Women lurking, with torch in hand,
Evil eyed, sullen, who soon should stand
Before the sharp bayonets, dripping with blood,
And be pierced through and through, or shot dead where they stood.

******

This is the brand-new Hôtel de Ville,
Where six hundred wretches met death in the fire;
Ringed round with a pitiless hedge of steel,
Not one might escape that swift vengeance. To-day
The ruin, the carnage, are clean swept away;
And the sumptuous façades, and the high roofs aspire,

And, upon the broad square, the white palace face
Looks down with a placid and meaningless grace,
Ignoring the bloodshed, the struggle, the sorrow,
The doom that has been, and that may be to-morrow,
The hidden hatred, the mad endeavour,
The strife that has been and shall be for ever.

******

Here rise the twin-towers of Notre Dame,
Through siege, and revolt, and ruin the same.
See the people in crowds pressing onward, slowly,
Along the dark aisles to the altar holy—
The altar, to-day, wrapt in mourning and gloom,
Since He whom they worship lies dead in the tomb.

There, by a tiny acolyte tended,
A round-cheeked child in his cassock white,
Lies the tortured figure to which are bended
The knees of the passers who gaze on the sight,
And the people fall prostrate, and kiss and mourn
The fair dead limbs which the nails have torn.

And the passionate music comes from the quire,
Full of soft chords of a yearning pity
The mournful voices accordant aspire
To the far-off gates of the Heavenly City;
And the soft clear alto, soaring high and higher,
Mounts now a surging fountain, now a heavenward fire.

Ay, eighteen centuries after the day,
A world-worn populace kneel and pray,
As they pass by and gaze on the limbs unbroken.
What symbol is this? of what yearnings the token?
What spell this that leads men a part to be
Of this old Judæan death-agony?

And I asked, Was it nought but a Nature Divine,
That for lower Natures consented to die?
Could a greater than human sacrifice,
Still make the tears spring to the world-worn eye?
One thought only it was that replied, and no other:
This man was our brother.

******

As I pass from the church, in the cold East wind,
All its solemn teachings are left behind:
Here, once again, by the chill blue river,
The blighted buds on the branches shiver;
Here, again, are the holiday groups, with delight
Gaping in wonder at some new sight

'Tis an open doorway, squalid and low,
And crowds which ceaselessly come and go.
Careless enough ere they see the sight
Which leaves the gay faces pallid and white:
Something is there which can change their mood,
And check the holiday flow of the blood.

For the face which they see is the face of Death.
Strange, such a thing as the ceasing of breath
Should work such miraculous change as here:
Turn the thing that we love, to a thing of fear;
Transform the sordid, the low, the mean,
To a phantasm, pointing to Depths unseen.

There they lie, the dead, unclaimed and unknown,
Each on his narrow and sloping stone.
The chill water drips from each to the ground;
No other movement is there, nor sound.
With the look which they wore when they came to die,
They gaze from blind eyes on the pitiless sky.

No woman to-day, thank Heaven, is here;
But men, old for the most part, and broken quite,
Who, finding this sad world a place of fear,
Have leapt forth hopelessly into the night,
Bankrupt of faith, without love, unfriended,
Too tired of the comedy ere 'twas ended.

But here is one younger, whose ashy face
Bears some faint shadow of former grace.
What brought him here? was it love's sharp fever?
Was she worse than dead that he bore to leave her?
Or was his young life, ere its summer came,
Burnt by Passion's whirlwinds as by a flame.

Was it Drink or Desire, or the die's sure shame,
Which led this poor wanderer to deep disgrace?
Was it hopeless misfortune, unmixed with blame,
That laid him here dead, in this dreadful place?
Ah Heaven, of these nineteen long centuries,
Is the sole fruit this thing with the sightless eyes!

Yesterday, passion and struggle and strife,
Hatreds, it may be, and anger-choked breath;
Yesterday, fear and the burden of life;
To-day, the cold ease and the calmness of death:
And that which strove and sinned and yielded there,
To-day in what hidden place of God's mysterious air?

Whatever he has been, here now he lies,
Facing the stare of unpitying eyes.
I turn from the dank and dishonoured face,
To the fair dead Christ by his altar place,
And the same thought replies to my soul, and no other—
This, too, was our brother.

"NO MORE, NO MORE."

"No more, no more," the autumnal shadows cry;
"No more, no more," our failing hearts reply:
Oh! that our lives were come to that calm shore
Where change is done, and fading is no more.

But should some mightier hand completion send,
And smooth life's stream unrippled to its end,
Our sated souls, filled with an aching pain,
Would yearn for waning days and years again.

Thrice blessèd be the salutary change
Which day by day brings thoughts and feelings strange!
Our gain is loss, we keep but what we give,
And only daily dying may we live.

THE NEW CREED.

Yesterday, to a girl I said—
"I take no pity for the unworthy dead,
The wicked, the unjust, the vile who die;
'Twere better thus that they should rot and lie.
The sweet, the lovable, the just
Make holy dust;
Elsewhere than on the earth
Shall come their second birth.
Until they go each to his destined place,
Whether it be to bliss or to disgrace,
'Tis well that both shall rest, and for a while be dead."
"There is nowhere else," she said.
"There is nowhere else." And this was a girl's voice,
Who, some short tale of summers gone to-day,
Would carelessly rejoice,
As life's blithe springtide passed upon its way
And all youth's infinite hope and bloom
Shone round her; nor might any shadow of gloom
Fall on her as she passed from flower to flower;
Love sought her, with full dower
Of happy wedlock and young lives to rear;
Nor shed her eyes a tear,
Save for some passing pity, fancy bred.
All good things were around her—riches, love,
All that the heart and mind can move,
The precious things of art, the undefiled
And innocent affection of a child.
Oh girl, who amid sunny ways dost tread,
What curse is this that blights that comely head?
For right or wrong there is no further place than here,
No sanctities of hope, no chastening fear?
"There is nowhere else," she said.

"There is nowhere else," and in the wintry ground
When we have laid the darlings of our love—
The little lad with eyes of blue,
The little maid with curls of gold,
Or the beloved aged face
On which each passing year stamps a diviner grace—
That is the end of all, the narrow bound.
Why look our eyes above
To an unreal home which mortal never knew—
Fold the hands on the breast, the clay-cold fingers fold?
No waking comes there to the uncaring dead!
"There is nowhere else," she said.

Strange; is it old or new, this deep distress?
Or do the generations, as they press
Onward for ever, onward still,
Finding no truth to fill
Their starving yearning souls, from year to year
Feign some new form of fear
To fright them, some new terror
Couched on the path of error,
Some cold and desolate word which, like a blow,
Forbids the current of their faith to flow,
Makes slow their pulse's eager beat,
And, chilling all their wonted heat,
Leaves them to darkling thoughts and dreads a prey,
Uncheered by dawning shaft or setting ray?

Ah, old it is, indeed, and nowise new.
This is the poison-growth that grew
In the old thinkers' fancy-haunted ground.
They, blinded by some keen too-vivid gleam
Of the Unseen, to which all things did seem
To shape themselves and tend,
Solved, by some Giant Force, the Mystery of Things,
And, soaring all too high on Fancy's wings,
Saw in dead matter both their Source and End.
They felt the self-same shock and pain
As I who hear these prattlings cold to-day.
Not otherwise of old the fool to his heart did say.
"There is no other place of joy or grief,
Nor wrong in doubt, nor merit in belief:
There is no God, nor Lord of quick and dead;
There is nowhere else," they said.

And, indeed, if any to whom life's path were rough
Should say as you, he had cause maybe at sight.
For lo, the way is steep and hard enough,
And wrong is tangled and confused with right;
And from all the world there goes a solemn sound
Of lamentations, rising from the ground,
Confused as that which shocks the wondering ear
Of one who, gliding on the still lagune,
Finds the oar's liquid plash and tune
Broken by wild cries of frenzy and of fear,
And knows the Isle of Madness drawing near;
And the scheme of things, if scheme there be indeed,
Is a book deeper than our eyes may read,
Full of wild paradox, and vain endeavour,
And hopes and faiths which find completion never.
For such a one, in seasons of dismay
And deep depression and despair,
Clouds come ofttimes to veil the face of day,
And there is no ray left of all the beams of gold,
The glow, the radiance bright, the unclouded faith of old.

But you, poor child forlorn,
Ah! better were it you were never born;
Better that you had thrown your life away
On some coarse lump of clay;
Better defeat, disgrace, childlessness, all
That can a solitary life befall,
Than to have all things and yet be
Self-bound to dark despondency,
And self-tormented, beyond reach of doubt,
By some cold word that puts all yearnings out.

"There is nowhere else," she said:
This is the outcome of their crude Belief
Who are, beyond all rescue and relief,
Being self-slain and numbered with the dead.
"There is no God but Force,
Which, working always on its destined course,
Speeds on its way and knows no thought of change.
Within the germ the molecule fares free,
Holding the potency of what shall be;
Within the little germ lurks the heaven-reaching tree:
No break is there in all the cosmic show.
What place is there, in all the Scheme Immense,
For a remote unworking Excellence
Which may not be perceived by any sense,
Which makes no humble blade of grass to grow,
Which adds no single link to things and thoughts we know?"

"For everything that is, indeed,
Bears with it its own seed;
It cannot change or cease and be no more:
For ever all things are even as they were before
Or if, by long degrees and slow,
More complex doth the organism grow,
It makes no break in the eternal plan;
There is no gulf that yawns between the herb and man."

Poor child, what is it they have taught,
Who through deep glooms and desert wastes of thought
Have brought to such as you their dreary creed?
Have they no care, indeed,
For all the glorious gains of man's long past,
For all our higher hope of what shall be at last?
"All things are moulded in one mould;
They spring, they are, they fade by one compulsion cold—
Some dark necessity we cannot know,
Which bids them wax and grow,—
That is sufficient cause for all things, quick and dead!"
"There is no Cause else," she said.

Oh, poor indeed, and in evil case,
Who shouldst be far from sound of doubt
As a maiden in some restful place
Whose busy life, year in year out,
Is made of gentle worship, homely days
Marked by their growing sum of prayer and praise,
The church spire pointing to the longed-for sky,
The heaven that opens to the cloistered eye.
For us, for us, who mid the weary strife
And jangling discords of our life
Are day by day opprest,
'Twere little wonder were our souls distrest,
God, and the life to be, and all our early trust
Being far from us expelled and thrust;
But for you, child, who cannot know at all
To what hidden laws we stand or fall,
To what bad heights the wrong within may grow,
To what dark deeps the stream of hopeless lives may flow!

For let the doubter babble as he can,
There is no wit in man
Which can make Force rise higher still
Up to the heights of Will,—
No phase of Force which finite minds can know
Can self-determined grow,
And of itself elect what shall its essence be:
The same to all eternity,
Unchanged, unshaped, it goes upon its blinded way;
Nor can all forces nor all laws
Bring ceasing to the scheme, nor any pause,
Nor shape it to the mould in which to be—
Form from the wingèd seed the myriad-branching tree,—
Nor guide the force once sped, so that it turn
To Water-floods that quench or Fires that burn,
Or now to the electric current change,
Or draw all things by some attraction strange.
Or in the brain of man, working unseen, sublime,
Transcend the narrow bounds of Space and Time.

Whence comes the innate Power which knows to guide
The force deflected so from side to side,
That not a barren line from whence to where
It goes upon its way through the unfettered air?
What sways the prisoned atom on its fruitful course?
Ah, it was more than Force
Which gave the Universe of things its form and face!
Force moving on its path through Time and Space
Would nought enclose, but leave all barren still
A higher Power, it was, the worlds could form and fill;
And by some pre-existent harmony
Were all things made as Fate would have them be—
Fate, the ineffable Word of an Eternal Will.

All things that are or seem,
Whether we wake who see or do but dream,
Are of that Primal Will phantasms, if no more;
He who sees these sees God, and seeing doth adore.
Joy, suffering, evil, good,
Whatever our daily food,
Whate'er the mystery and paradox of things,
Low creeping thoughts and high imaginings.
The laughters of the world, the age-long groan,
Bring to his mind one name, one thought alone;
All beauty, right, deformity, or wrong,
Sing to his ear one high unchanging song;
And everything that is, to his rapt fancy brings
The hidden beat through space of the Eternal Wings.

Where did the Idea dwell,
At first, which was of all the germ and seed?
Which worked from Discord order, from blind Force
Sped all the Cosmos on its upward course?
Which held within the atom and the cell
The whole vast hidden Universe, sheltered well,
Till the hour came to unfold it, and the need?

What did the ever-upward growth conceive,
Which from the obedient monad formed the herb, the tree,
The animal, the man, the high growths that shall be?
Ever from simpler to more complex grown,
The long processions from a source unknown
Unfold themselves across the scene of life.
Oh blessed struggle and strife,
Fare onward to the end, since from a Source
Thou art, which doth transcend and doth determine Force!
Fare onward to the end; not from Force, dead and blind,
Thou comest, but from the depths of the Creative Mind.

Fare on to the end, but how should ending be,
If Will be in the Universe, and plan?
Some higher thing shall be, that which to-day is Man.
Undying is each cosmic force:
Undying, but transformed, it runs its endless course;
It cannot wane, or sink, or be no more.
Not even the dust and lime which clothe us round
Lose their own substance in the charnel-ground,
Or carried far upon the weltering wind;
Only with other growths combined,
In some new whole they are for ever—
They are, and perish never.
The great suns shed themselves in heat and light
Upon the unfilled interstellar air,
Till all their scattered elements unite
And are replenished as before they were.
Nothing is lost, nor can be: change alone,
Unceasing, never done,
Shapes all the forms of things, and keeps them still
Obedient to the Unknown Perfect Will.
And shall the life that is the highest that we know,
Shall this, alone, no more increase, expand and grow?

Nay, somewhere else there is, although we know not where,
Nor what new shape God gives our lives to wear.
We are content, whatever it shall be;
Content, through all eternity,
To be whatever the Spirit of the World deem best;—
Content to be at rest;
Content to work and fare through endless days;
Content to spend ourselves in endless praise:
Nay, if it be the Will Divine,
Content to be, and through long lives to pine,
Far from the light which vivifies, the fire
Which breathes upon our being and doth inspire
All soaring thoughts and hopes which light our pathway here;
Content, though with some natural thrill of fear,
To be purged through by age-long pain,
Till we resume our upward march again;
Content, if need, to take some lower form,
Some humbler herb or worm
To be awhile, if e'er the eternal plan
Go back from higher to lower, from man to less than man.
Not so, indeed, we hold, but rather this—
That all Time gone, that all that was or is,
The scarpèd cliff, the illimitable Past,
This truth alone of all truths else hold fast:—
From lower to higher, from simple to complete,
This is the pathway of the Eternal Feet;
From earth to lichen, herb to flowering tree,
From cell to creeping worm, from man to what shall be.
This is the solemn lesson of all time,
This is the teaching of the voice sublime:
Eternal are the worlds, and all that them do fill;
Eternal is the march of the Creative Will;
Eternal is the life of man, and sun, and star;
Ay, even though they fade a while, they are;
And though they pause from shining, speed for ever still.

A GREAT GULF.

If any tender sire
Who sits girt round by loving faces
And happy childhood's thousand graces,
Through sudden crash or fire

Should 'scape from this poor life to some mysterious air,
And, dwelling solitary there,
Should feel his unfilled yearning father's heart
Pierced through by some intolerable smart;
And, sickening for the dear lost lives again,
Should through his overmastering pain
Break through the awful bounds the Eternal sets between
That which lives Here, and There, the Seen and the Unseen;
And having gained once more
The confines of the Earth, the scarce-left place
Which greets him with unchanged familiar face—
The well-remembered door,
The rose he watered blooming yet,
Nought to remember or forget,
No change in all the world except in him,
Nor there save in some sense, already dim
Before the unchanged past, so that he seem
A mortal spirit still, and what was since, a dream;

And in the well-known room
Should find the blithe remembered faces
Grown sad and blurred by recent traces
Of a new sorrow and gloom,
And when his soul to comfort them is fain
Finds his voice mute, his form unknown, unseen,
And thinks with irrepressible pain
Of all the happy days which late have been,
And feels his new life's inmost chambers stirred
If only of his own, he might be seen or heard;

Then if, at length,
The father's yearning and overburdened soul
Burst into shape and voice which scorn control
Of its despairing strength,—
Ah Heaven! ah pity for the present dread
Which strikes the old affection, dull and dead!
Ah, better were it far than this thing to remain,
Voiceless, unseen, unloved, for ever and in pain!

So when a finer mind,
Knowing its old self swept by some weird change
And the old thought deceased, or else grown strange,
Turns to those left behind,
With passionate stress and mighty yearning stirred,—
It strives to stand revealed in shape and word
In vain; or by strong travail visible grown,
Finds but a world estranged, and lives and dies alone!

ONE DAY.

One day, one day, our lives shall seem
Thin as a brief forgotten dream:
One day, our souls by life opprest,
Shall ask no other boon than rest.

And shall no hope nor longing come,
No memory of our former home,
No yearning for the loved, the dear
Dead lives that are no longer here?

If this be age, and age no more
Recall the hopes, the fears of yore,
The dear dead mother's accents mild,
The lisping of the little child,

Come, Death, and slay us ere the blood
Run slow, and turn our lives from good
For only in such memories we
Consent to linger and to be.

SEASONS.

The cold winds rave on the icy river,
The leafless branches complain and shiver,
The snow clouds sweep on, to a dreary tune,—
Can these be the earth and the heavens of June?—

When the blossoming trees gleam in virginal white,
And heaven's gate opens wide in the lucid night,
And there comes no sound on the perfumed air
But the passionate brown bird, carolling fair,

And the lush grass in upland and lowland stands deep,
And the loud landrail lulls the children to sleep,
And the white still road and the thick-leaved wood
Are haunted by fanciful solitude;

And by garden and lane men and maidens walk,
Busied with trivial, loverlike talk;
And the white and the red rose, newly blown,
Open each, with a perfume and grace of its own.

The cold wind sweeps o'er the desolate hill,
The stream is bound fast and the wolds are chill;
And by the dead flats, where the cold blasts moan,
A bent body wearily plods alone.

THE PATHOS OF ART.

Oft seeing the old painters' art,
We find the tear unbidden start,
And feel our full hearts closer grow
To the far days of long ago.

Not burning faith, or godlike pain,
Can thus our careless thought enchain;
The heavenward gaze of souls sublime,
At once transcends, and conquers time.

Nor pictured form of seer or saint,
Which hands inspired delight to paint;
Art's highest aims of hand or tongue,
Age not, but are for ever young.

But some imperfect trivial scene,
Of homely life which once has been,
Of youth, so soon to pass away,
Of happy childhood's briefer day;

Or humble daily tasks portrayed—
The thrifty mistress with her maid;
The flowers, upon the casement set,
Which in our Aprils blossom yet;

The long processions, never done;
The time-worn palace, scarce begun;
The gondolier, who plies his oar
For stately sirs or dames of yore;

The girl with fair hair morning-stirred,
Who swings the casement for her bird;
The hunt; the feast; the simple mirth
Which marks the marriage or the birth;

The burly forms, from side to side
Swift rolling on the frozen tide;
The long-haired knights; the ladies prim
The chanted madrigal or hymn;

The opera, with its stately throng;
The twilight church aisles stretching long
The spires upon the wooded wold;
The dead pathetic life of old;—

These all the musing mind can fill—
So dead, so past, so living still:
Oh dear dead lives, oh hands long gone,
Whose life, whose Art still lingers on!

IN THE STRAND.

In the midst of the busy and roaring Strand,
Dividing life's current on either hand,
A time-worn city church, sombre and grey,
Waits, while the multitude passes away.

Beside it, a strait plot of churchyard ground
Is fenced by a time-worn railing around;
And within, like a pavement, the ground is spread
With the smooth worn stones of the nameless dead.

But here and there, in the spaces between,
When the slow Spring bursts, and the fields grow green,
Every year that comes, 'mid the graves of the dead
Some large-leaved flower-stem lifts up its head.

In the Spring, though as yet the sharp East be here,
This green stem burgeons forth year by year:
Through twenty swift summers and more, have I seen
This tender shoot rise from its sheath of green.

New busy crowds pass on with hurrying feet,
The young lives grow old and the old pass away;
But unchanged, 'mid the graves, at the fated day,
The green sheath bursts upwards and grows complete.

From the grave it bursts forth, 'mid the graves it shall die,
It shall die as we die, as it lives we shall live;
And this poor flower has stronger assurance to give,
Than volumes of learning, which blunder or lie.

For out of the dust and decay of the tomb,
It springs, the sun calling, to beauty and bloom;
And amid the sad city, 'mid death and 'mid strife,
It preaches its mystical promise of life.

COELUM NON ANIMUM.

Oh fair to be, oh sweet to be
In fancy's shallop faring free,
With silken sail and fairy mast
To float till all the world be past.

Oh happy fortune, on and on
To wander far till care be gone,
Round beetling capes, to unknown seas,
Seeking the fair Hesperides!

But is there any land or sea
Where toil and trouble cease to be—
Some dim, unfound, diviner shore,
Where men may sin and mourn no more?

Ah, not the feeling, but the sky
We change, however far we fly;
How swift soe'er our bark may speed,
Faster the blessed isles recede.

Nay, let us seek at home to find
Fit harvest for the brooding mind,
And find, since thus the world grows fair,
Duty and pleasure everywhere.

Oh well-worn road, oh homely way,
Where pace our footsteps, day by day,
The homestead and the church which bound
The tranquil seasons' circling round!

Ye hold experiences which reach
Depths which no change of skies can teach,
The saintly thought, the secret strife
Which guide, which do perturb our life.

NIOBE.

ON SIPYLUS.

Ah me, ah me! on this high mountain peak,
Which far above the seething Lydian plains
Takes the first dawn-shaft, and the sunset keeps
When all the fields grow dark—I, Niobe,
A mother's heart, hid in a form of stone,
Stand all day in the vengeful sun-god's eye,
Stand all night in the cold gaze of the moon,
Who both long ages since conspiring, slew
My children,—I a childless mother now
Who was most blest, a living woman still,
Bereft of all, and yet who cannot die.

Ah day, ill-fated day, which wrecked my life!
I was the happy mother of strong sons,
Brave, beautiful, all in their bloom of age:
From him my first-born, now a bearded man,
Through the fair promise of imperfect youth,
To the slim stripling who had scarcely left
The women's chambers, on whose lip scant shade
Of budding manhood showed, I loved them all;
All with their father's eyes, and that strange charm
Of rhythmic grace, and musical utterance
As when, in far-off Thebes, the enchanted wall
Rose perfect, to the music of his lyre.

Ah me, the fatal day! For at high noon
I sate within my Theban palace fair—
Deep summer-time it was—and marked the crowd
From the thronged city street, to the smooth plain,
Stream joyously: the brave youths, full of life,
Stripped for the mimic fray, the leap, the race,
The wrestling; and the princes, my strong sons,
The fair limbs I had borne beneath my zone
Grown to full stature, such as maidens love,—
The sinewy arms, the broad chests, and strong loins
Of manhood; the imperfect flower-like forms,
Eager with youth's first fires; my youngest born,
My darling, doffing his ephebic robe
Which late he donned with pride, a child in heart,
In budding limbs a youth;—I see them go
Their fair young bodies glistening in the sun,
Which kissed the shining olive. As they went,
The joyous concourse winding towards the plain,
My happy eyes o'erflowed, and as I turned
And saw my daughters round me, fair grown lives
And virgin, sitting spinning the white flax,
Each with her distaff, beautiful and fit
To wed with any stately king of men
And reign a queen in Hellas, my glad heart
Broke forth in pride, and as I looked I thought,
"Oh happy, happy mother of such sons!
Oh happy, happy mother of such girls!
For whom full soon the joyous nuptial rites
Shall bring the expectant bridegroom and the bride,
And soon once more the little childish hands
Which shall renew my early wedded years,
When the king loved me first. Thrice blest indeed.
There is no queen in Hellas such as I,
Dowered with such fair-grown offspring; not a queen
Nor mother o'er all earth's plain, around which flows
The wide salt stream of the surrounding sea,
As blest as I am. Nay, in Olympus' self
What offspring were they to all-ruling Zeus
That Leto bore? Phoebus and Artemis,
A goodly pair indeed, but two alone.

Poor mother, that to such a lord as Zeus
Bare only those, no fairer than my own.
Nay, I am happier than a goddess' self;
I would not give this goodly train of mine
For that scant birth. I ask no boon of Zeus,
Nor of the Olympian Gods; for I am glad
No fruitful mother in a peasant's hut,
Scorning the childless great, thinks scorn of me,
Being such as I. Nay, let Queen Leto's self
Know, that a mortal queen has chanced to bear
As fair as she, and more."

Even as I spoke,
While the unholy pride flashed through my soul,
There pierced through the closed lattice one keen shaft
Of blinding sun, which on the opposite wall
Traced some mysterious sign, and on my mind
Such vague remorse and consciousness of ill,
That straightway all my pride was sunk and lost
In a great dread, nor could I longer bear
To look upon the fairness of my girls,
Who, seeing the vague trouble in my eyes,
Grew pale, and shuddered for no cause, and gazed
Chilled 'midst the blaze of sunlight.

Then I sought
To laugh my fears away, as one who feels
Some great transgression weigh on him, some load
Which will not be removed, but bears him down,
Though none else knows it, pressing on his heart.

But when the half unuttered thought grew dim
And my fear with it, suddenly a cry
Rose from the city street, and then the sound
Of measured hurrying feet, and looking forth
To where the youth had passed so late, in joy,
Came two who carried tenderly, with tears,
A boy's slight form. I had no need to look,
For all the mother rising in me knew
That 'twas my youngest born they bore; I knew
What fate befell him—'twas the vengeful sun,
And I alone was guilty, I, his mother,
Who being filled with impious pride, had brought
Death to my innocent child. I hurried down
The marble stair and met them as they came,
And laid him down, and kissed his lips and called
His name, yet knew that he was dead; and all
His brothers stood regarding us with tears,
And would have soothed me with their loving words,
Me guilty, who were guiltless, oh, my sons!
Till as I looked up from the corpse,—a cry
Of agony,—and then another fell
Struggling for life upon the earth, and then
Another, and another, till the last
Of all my stalwart boys, my life, my pride,
Lay dead upon the field, and the fierce sun
Frenzied my brain, and all distraught with woe
I to the palace tottered, while they bore
Slowly the comely corpses of my sons.

That day I dare not think of where they lay,
White shrouded, in the darkened palace rooms,
Like sculptured statues on a marble hearse.
How calm they looked and happy, my dear sons!
There was no look of pain within their eyes,
The dear dead eyes which I their mother closed;
Me miserable! I saw the priests approach,
And ministers of death; I saw my girls
Flung weeping on the brothers whom they loved.
I saw it all as in a dream. I know not
How often the dead night woke into day,
How often the hot day-time turned to night.
I did not shudder even to see the Sun
Which slew my sons; but in the still, dead night,
When in that chill and lifeless place of death,
The cold, clear, cruel moonlight seemed to play
Upon the rangéd corpses, and to mock
My mother's heart, and throw on each a hue
Of swift corruption ere its time, I knew
Some secret terror lest the jealous gods
Might find some further dreadful vengeance still,
Taking what yet was left.

At set of sun
The sad procession to the place of graves
Went with the rites of royal sepulchre,
The high priest at its head, the nobles round
The fair white shrouded corpses, last of all
I went, the guilty one, my fair sweet girls
Clinging to me in tears; but I, I shed not
A single tear—grief dried the fount of tears,
I had shed all mine.

Only overmastering fear
Held me of what might come.
When they were laid,
Oh, wretched me, my dear, my well-loved sons!
Within the royal sepulchre, the sun
Had set, and in his stead the rising moon,
Behind some lofty mountain-peak concealed,
Filled all with ghastly twilight. As we knelt,
The people all withdrawn a little space,
I and my daughters in that place of death,
I lifted up my suppliant voice, and they
With sweet girl voices pure, and soaring hymn,
To the great Powers above.
But when at last
I heard my hollow voice pleading alone
And all the others silent, then I looked,
And on the tomb the cold malignant moon,
Bursting with pale chill beams of light, revealed
My fair girls kneeling mute and motionless,
Their dead eyes turned to the unpitying orb,
Their white lips which should offer prayer no more.

Such vengeance wreaked Phoebus and Artemis
Upon a too proud mother. But on me
Who only sinned no other punishment
They took, only the innocent lives I loved—
If any punishment, indeed, were more
Than this to one who had welcomed death. I think
My children happier far in death than I
Who live to muse on these things. When my girls
Were buried, I, my lonely palace gate
Leaving without a tear, sped hither in haste
To this high rock of Sipylus where erst
My father held his court; and here, long years,
Summer and winter, stay I, day and night
Gazing towards the far-off plain of Thebes,
Wherein I was so happy of old time,
Wherein I sinned and suffered. Turned to stone
They thought me, and 'tis true the mother's heart
Which knows such grief as I knew, turns to stone,
And all her life; and pitying Zeus, indeed,
Seeing my repentance, listened to my prayer
And left me seeming stone, but still the heart
Of the mother grows not hard, and year by year
When comes the summer with its cloudless skies,
And the high sun lights hill and plain by day,
And the moon, shining, silvers them by night,
My old grief, rising dew-like to my eyes,
Quickens my life with not unhappy tears,
And through my penitent and yearning heart
I feel once more the pulse of love and grief:
Love triumphing at last o'er Fate and Death,
Grief all divine and vindicating Love.

PICTURES—II.

A lurid sunset, red as blood,
Firing a sombre, haunted wood;
And from the shadows, dark and fell,
One hurrying with the face of Hell.

——————

Two at a banquet board alone,
In dalliance, the feast being done.
And one behind the arras stands,
Grasping an axe with quivering hands.

——————

A high cliff-meadow lush with Spring;
Gay butterflies upon the wing;
Beneath, beyond, unbounded, free,
The foam-flecked, blue, pervading sea.

——————

A clustering hill-town, climbing white
From the grey olives up the height,
And on the inland summits high
Thin waters spilt as from the sky.

——————

A rain-swept moor at shut of day,
And by the dead unhappy way
A lonely child untended lies:
Against the West a wretch who flies.

——————

Cold dawn, which flouts the abandoned hall
And one worn face, which loathes it all;
In his ringed hand a vial, while
The grey lips wear a ghastly smile.

——————

Corinthian pillars fine, which stand
In moonlight on a desert sand;
Others o'erthrown, in whose dark shade
Some fire-eyed brute its lair has made.

——————

Mountainous clouds embattled high
Around a dark blue lake of sky;
And from its clear depths, shining far,
The calm eye of the evening star.

——————

A moonlight chequered avenue;
Above, a starlit glimpse of blue:
Amid the shadows spread between,
The grey ghost of a woman seen.

A NIGHT IN NAPLES.

This is the one night in all the year
When the faithful of Naples who love their priest
May find their faith and their wealth increased;
For just as the stroke of midnight is here,

Those who with faithful undoubting mind
Their "Aves" mutter, their rosaries tell,
They without doubt shall a recompence find;
Yea, their faith indeed shall profit them well.

Therefore, to-night, in the hot thronged street
By San Gennaro's, the people devout,
With banner, and relic, and thurible meet,
With some sacred image to marshal them out.

For a few days hence, the great lottery
Of the sinful city declared will be,
And it may be that Aves and Paters said
Will bring some aid from the realms of the dead.

And so to the terrible place of the tomb
They go forth, a pitiful crowd, through the gloom,
To where all the dead of the city decay,
Waiting the trump of the judgment day.

For every day of the circling year
Brings its own sum of corruption here;
Every day has its great pit, fed
With the dreadful heap of the shroudless dead

And behind a grated rust-eaten door,
Marked each with their fated month and day,
The young and the old, who in life were poor,
Fester together and rot away.

Silence is there, the silence of death,
And in silence those poor pilgrims wearily pace,
And the wretched throng, pitiful, holding its breath,
Comes with shuffling steps to the dreadful place.

Till before these dark portals, the silent crowd
Breaks at length into passionate suffrages loud,
Waiting the flickering vapour thin,
Bred of the dreadful corruption within.

And here is a mother who kneels, not in woe,
By the vault where her child was flung months ago;
And there is a strong man who peers with dry eyes
At the mouth of the gulph where his dead wife lies.

Till at last, to reward them, a faint blue fire,
Like the ghost of a soul, flickers here or there
At the gate of a vault, on the noisome air,
And the wretched throng has its low desire;

And with many a praise of the favouring saint,
And curses if any refuses to heed,
Full of low hopes and of sordid greed,
To the town they file backward, weary and faint.

And a few days hence, the great lottery
Of the sinful city declared will be,
And a number thus shewn to those sordid eyes,
May, the saints being willing, attain the prize.

Wherefore to Saint and Madonna be said,
All praise and laud, and the faithful dead.

*****

It was long, long ago, in far-off Judæa,
That they slew Him of old, whom these slay to-day;
They slew Him of old, in far-off Judæa,—
It is long, long ago; it was far, far away!

LIFE.

Like to a star, or to a fire,
Which ever brighter grown, or higher,
Doth shine forth fixed, or doth aspire;

Or to a glance, or to a sigh;
Or to a low wind whispering by,
Which scarce has risen ere it die;

Or to a bird, whose rapid flight
Eludes the dazed observer's sight,
Or a stray shaft of glancing light,

That breaks upon the gathered gloom
Which veils some monumental tomb;
Or some sweet Spring flowers' fleeting bloom;—

Mixed part of reason, part belief,
Of pain and pleasure, joy and grief,
As changeful as the Spring, and brief;—

A wave, a shadow, a breath, a strife,
With change on change for ever rife:—
This is the thing we know as life.

CRADLED IN MUSIC.

A bright young mother, day by day,
I meet upon the crowded way,
Who turns her dark eyes, deep and mild,
Upon her little sleeping child

For on the organ laid asleep,
In childish slumbers light, yet deep,
Calmly the little infant lies;
The long fair lashes veil its eyes.

There, o'er its childish slumbers sweet,
The winged hours pass with rapid feet;
Far off the music seems to cheer
The child's accustomed drowsy ear.

Hymn tune and song tune, grave and gay,
Float round him all the joyous day;
And, half remembered, faintly seem
To mingle with his happy dream.

Poor child, o'er whose head all day long
Our dull hours slip by, winged with song;
Who sleeps for half the tuneful day,
And wakes 'neath loving looks to play;

Whose innocent eyes unconscious see
Nothing but mirth in misery.
The mother smiles, the sister stands
Smiling, the tambour in her hands.

And with the time of hard-earned rest,
'Tis his to press that kindly breast;
Nor dream of all the toil, the pain,
The weary round begun again,—

The fruitless work, the blow, the curse,
The hunger, the contempt, or worse;
The laws despite, the vague alarms,
Which pass not those protecting arms.

Only, as yet, 'tis his to know
The bright young faces all aglow,
As down the child-encumbered street
The music stirs the lightsome feet

Only to crow and smile, as yet
Soon shall come clouds, and cold, and wet;
And where the green leaves whisper now,
The mad East flinging sleet and snow.

And if to childhood he shall come—
Childhood that knows not hearth or home,—
Coarse words maybe, and looks of guile,
Shall chase away that constant smile.

Were it not better, child, than this,
The burden of full life to miss;
And now, while yet the time is May,
Amid the music pass away,

And leave these tuneless strains of wrong
For the immortal ceaseless song;
And change this vagrant life of earth
For the unchanged celestial birth;

And see, within those opened skies,
A vision of thy mother's eyes;
And hear those old strains, faint and dim,
Grown fine, within the eternal hymn?

Nay, whatsoe'er our thought may deem,
Not that is better which may seem;
'Twere better that thou camest to be,
If Fate so willed, in misery.

What shall be, shall be—that is all;
To one great Will we stand and fall.
"The Scheme hath need"—we ask not why,
And in this faith we live and die.

ODATIS.

AN OLD LOVE-TALE.

Chares of Mytilené, ages gone,
When the young Alexander's conquering star
Flamed on the wondering world, being indeed
The comrade of his arms, from the far East
Brought back this story of requited love.

——————

A Prince there was of Media, next of blood
To the great King Hystaspes, fair of form
As brave of soul, who to his flower of age
Was come, but never yet had known the dart
Of Cypris, being but a soldier bold,
Too much by trenchèd camps and wars' alarms
Engrossed, to leave a thought for things of love.

Now, at this selfsame time, by Tanais
Omartes ruled, a just and puissant king.
No son was his, only one daughter fair,
Odatis, of whose beauty and whose worth
Fame filled the furthest East. Only as yet,
Of all the suitors for her hand, came none
Who touched her maiden heart; but, fancy free,
She dwelt unwedded, lonely as a star.

Till one fair night in springtide, when the heart
Blossoms as does the earth, Cypris, the Queen,
Seeing that love is sweet for all to taste,
And pitying these loveless parted lives,
Deep in the sacred silence of the night,
From out the ivory gate sent down on them
A happy dream, so that the Prince had sight
Of fair Odatis in her diadem
And habit as she lived, and saw the charm

And treasure of her eyes, and knew her name
And country as it was; while to the maid
There came a like fair vision of the Prince
Leading to fight the embattled Median hosts,
Young, comely, brave, clad in his panoply
And pride of war, so strong, so fair, so true,
That straight, the virgin coldness of her soul
Melted beneath the vision, as the snow
In springtime at the kisses of the sun.

And when they twain awoke to common day
From that blest dream, still on their trancèd eyes
The selfsame vision lingered. He a form
Lovelier than all his life had known, more pure
And precious than all words; she a strong soul
Yet tender, comely with the fire, the force
Of youthful manhood; saw both night and day

Nor ever from their mutual hearts the form
Of that celestial vision waned nor grew
Faint with the daily stress of common life,
As do our mortal phantasies, but still
He, while the fiery legions clashed and broke,
Saw one sweet face above the flash of spears;
She in high palace pomps, or household tasks,
Or 'mid the glittering courtier-crowded halls
Saw one brave ardent gaze, one manly form.

Now while in dreams of love these lovers lived
Who never met in waking hours, who knew not
Whether with unrequited love they burned, or whether
In mutual yearnings blest; the King Omartes,
Grown anxious for his only girl, and knowing
How blest it is to love, would bid her choose
Whom she would wed, and summoning the maid,
With fatherly counsels pressed on her; but she:

"Father, I am but young; I pray you, ask not
That I should wed; nay, rather let me live
My life within your house. I cannot wed.
I can love only one, who is the Prince
Of Media, but I know not if indeed
His love is his to give, or if he know
My love for him; only a heavenly vision,
Sent in the sacred silence of the night,
Revealed him to me as I know he is.
Wherefore, my father, though thy will be law,
Have pity on me; let me love my love,
If not with recompense of love, alone;
For I can love none else."

Then the King said:
"Daughter, to me thy happiness is life,
And more; but now, I pray thee, let my words
Sink deep within thy mind. Thou canst not know
If this strange vision through the gate of truth
Came or the gate of error. Oftentimes
The gods send strong delusions to ensnare
Too credulous hearts. Thou canst not know, in sooth,
If 'twas the Prince thou saw'st, or, were it he,
If love be his to give; and if it were,
I could not bear to lose thee, for indeed
I have no son to take my place, or pour
Libations on my tomb, and shouldst thou wed
A stranger, and be exiled from thy home,
What were my life to me? Nay, daughter, dream
No more, but with some chieftain of my realm
Prepare thyself to wed. With the new moon
A solemn banquet will I make, and bid
Whatever of high descent and generous youth
Our country holds. There shalt thou make thy choice
Of whom thou wilt, nor will I seek to bind
Thy unfettered will; only I fain would see thee
In happy wedlock bound, and feel the touch
Of childish hands again, and soothe my age
With sight of thy fair offspring round my knees."

Then she, because she loved her sire and fain
Would do his will, left him without a word,
Obedient to his hest; but day and night
The one unfading image of her dream
Filled all her longing sight, and day and night
The image of her Prince in all the pride
And bravery of battle shone on her.
Nor was there any strength in her to heal
The wound which love had made, by reasonings cold,
Or musing on the phantasies of love;
But still the fierce dart of the goddess burned
Within her soul, as when a stricken deer
O'er hill and dale escaping bears with her
The barb within her side; and oft alone
Within her secret chamber she would name
The name of him she loved, and oft by night,
When sleep had bound her fast, her pale lips formed
The syllables of his name. Through the long hours,
Waking or sleeping, were her thoughts on him;
So that the unfilled yearning long deferred
Made her heart sick, and like her heart, her form
Wasted, her fair cheek paled, and from her eyes
Looked out the silent suffering of her soul

Now, when the day drew near which brought the feast,
One of her slaves, who loved her, chanced to hear
Her sweet voice wandering in dreams, and caught
The Prince's name; and, being full of grief
And pity for her pain, and fain to aid
The gentle girl she loved, made haste to send
A messenger to seek the Prince and tell him
How he was loved, and when the feast should be,
And how the King would have his daughter wed.
But to the Princess would she breathe no word
Of what was done, till, almost on the eve
Of the great feast, seeing her wan and pale
And all unhappy, falling at her knees,
She, with a prayer for pardon, told her all.

But when the Princess heard her, virgin shame—
Love drawing her and Pride of Maidenhood
In opposite ways till all distraught was she—
Flushed her pale cheek, and fired her tearful eyes.
Yet since she knew that loving thought alone
Prompted the deed, being soft and pitiful,
She bade her have no fear, and though at first
Unwilling, by degrees a newborn hope
Chased all her shame away, and once again
A long unwonted rose upon her cheek
Bloomed, and a light long vanished fired her eyes.

Meanwhile upon the plains in glorious war
The brave Prince led his conquering hosts; but still,
Amid the shock of battle and the crash
Of hostile spears, one vision filled his soul
Amid the changes of the hard-fought day,
Throughout the weary watches of the night,
The dream, the happy dream, returned again.
Always the selfsame vision of a maid
Fairer than earthly, filled his eyes and took
The savour from the triumph, ay, and touched
The warrior's heart with an unwonted ruth,
So that he shrank as never yet before
From every day's monotony of blood,
And saw with unaccustomed pain the sum
Of death and pain, and hopeless shattered lives,
Because a softer influence touched his soul.

Till one night, on the day before the feast
Which King Omartes destined for his peers,
While now his legions swept their conquering way
A hundred leagues or more from Tanais,
There came the message from the slave, and he
Within his tent, after the well-fought day,
Resting with that fair image in his eyes,
Woke suddenly to know that he was loved.

Then, in a moment, putting from him sleep
And well-earned rest, he bade his charioteer
Yoke to his chariot three unbroken colts
Which lately o'er the endless Scythian plain
Careered, untamed; and, through the sleeping camp,
Beneath the lucid aspect of the night,
He sped as speeds the wind. The great stars hung
Like lamps above the plain; the great stars sank
And faded in the dawn; the hot red sun
Leapt from the plain; noon faded into eve;
Again the same stars lit the lucid night;
And still, with scarce a pause, those fierce hoofs dashed
Across the curved plain onward, till he saw
Far off the well-lit palace casements gleam
Wherein his love was set.

Then instantly
He checked his panting team, the rapid wheels
Ceased, and his mail and royal garb he hid
Beneath a white robe such as nobles use
By Tanais; and to the lighted hall
He passed alone, afoot, giving command
To him who drove, to await him at the gate.

Now, when the Prince drew near the vestibule,
The feast long time had sped, and all the guests
Had eaten and drunk their fill; and he unseen,
Through the close throng of serving men and maids
Around the door, like some belated guest
To some obscurer station slipped, and took
The wine-cup with the rest, who marvelled not
To see him come, nor knew him; only she
Who sent the message whispered him a word:
"Have courage; she is there, and cometh soon.
Be brave; she loves thee only; watch and wait."

Even then the King Omartes, where he sate
On high among his nobles, gave command
To summon from her maiden chamber forth
The Princess. And obedient to the call,
Robed in pure white, clothed round with maiden shame,
Full of vague hope and tender yearning love,
To the high royal throne Odatis came.

And when the Prince beheld the maid, and saw
The wonder which so long had filled his soul—
His vision of the still night clothed with life
And breathing earthly air—and marked the heave
Of her white breast, and saw the tell-tale flush
Crimson her cheek with maiden modesty,
Scarce could his longing eager arms forbear
To clasp the virgin round, so fair she seemed.
But, being set far down from where the King
Sat high upon the daïs 'midst the crowd
Of eager emulous faces looking love,
None marked his passionate gaze, or stretched-forth hands;
Till came a pause, which hushed the deep-drawn sigh
Of admiration, as the jovial King,
Full tender of his girl, but flushed with wine,
Spake thus to her:

"Daughter, to this high feast
Are bidden all the nobles of our land.
Now, therefore, since to wed is good, and life
To the unwedded woman seems a load
Which few may bear, and none desire, I prithee,
This jewelled chalice taking, mingle wine
As well thou knowest, and the honeyed draught
Give to some noble youth of those thou seest
Along the well-ranged tables, knowing well
That him to whom thou givest, thou shalt wed.
I fetter not thy choice, girl. I grow old;
I have no son to share the weight of rule,
And fain would see thy children ere I die."

Then, with a kiss upon her blushing cheek,
He gave the maid the cup. The cressets' light
Fell on the jewelled chalice, which gave back
A thousand answering rays. Silent she stood
A moment, half in doubt, then down the file
Of close-ranked eager faces flushed with hope,
And eyes her beauty kindled more than wine,
Passed slow, a breathing statue. Her white robe
Among the purple and barbaric gold
Showed like the snowy plumage of a dove,
As down the hall, the cup within her hands,
She, now this way regarding and now that,
Passed, with a burning blush upon her cheek;
And on each youthful noble her large eyes
Rested a moment only, icy cold,
Though many indeed were there, brave, fair to see,
Fit for a maiden's love; but never at all
The one overmastering vision of her dream
Rose on her longing eyes, till hope itself
Grew faint, and, ere she gained the end, she turned
Sickening to where, along the opposite wall,
Sate other nobles young and brave as those,
But not the fated vision of her dream.

Meanwhile the Prince, who 'mid the close-set throng
Of humbler guests was hidden, saw her come
And turn ere she had marked him, and again
Down the long line of princely revellers
Pass slow as in a dream; and all his soul
Grew sick with dread lest haply, seeing not
The one expected face, and being meek
And dutiful, and reverencing her sire,
She in despair might make some sudden choice
And leave him without love. And as she went
He could not choose but gaze, as oft in sleep
Some dreadful vision chains us that we fail
To speak or move, though to be still is death.
And once he feared that she had looked on him
And passed, and once he thought he saw her pause
By some tall comely youth; and then she reached
The opposite end, and as she turned her face
And came toward him again and where the jars
Of sweet wine stood for mingling, with a bound
His heart went out to her; for now her cheek
Pale as the white moon sailing through the sky,
And the dead hope within her eyes, and pain
And hardly conquered tears, made sure his soul,
Knowing that she was his.

But she, dear heart,
Being sick indeed with love, and in despair,
Yet reverencing her duty to her sire,
Turned half-distraught to fill the fated cup
And with it mar her life.

But as she stood
Alone within the vestibule and poured
The sweet wine forth, slow, trembling, blind with tears,
A voice beside her whispered, "Love, I am here!"
And looking round her, at her side she saw
A youthful mailed form—the festal robe
Flung backward, and the face, the mouth, the eyes
Whereof the vision filled her night and day.

Then straight, without a word, with one deep sigh,
She held the wine-cup forth. He poured forth first
Libation to the goddess, and the rest
Drained at a draught, and cast his arms round her,
And down the long-drawn sounding colonnade
Snatched her to where without, beneath the dawn,
The brave steeds waited and the charioteer.
His robe he round her threw; they saw the flare
Of torches at the gate; they heard the shouts
Of hot pursuit grow fainter; till at last,
In solitude, across the rounding plain
They flew through waking day, until they came
To Media, and were wed. And soon her sire,
Knowing their love, consented, and they lived
Long happy lives; such is the might of Love.

——————

That is the tale the soldier from the East,
Chares of Mytilené, ages gone,
Told oftentimes at many a joyous feast
In Hellas; and he said that all the folk
In Media loved it, and their painters limned
The story in the temples of their gods,
And in the stately palaces of kings,
Because they reverenced the might of Love.

IN WILD WALES.

I.

AT THE EISTEDDFOD.

The close-ranked faces rise,
With their watching, eager eyes,
And the banners and the mottoes blaze above;
And without, on either hand,
The eternal mountains stand,
And the salt sea river ebbs and flows again,
And through the thin-drawn bridge the wandering winds complain.

Here is the Congress met,
The bardic senate set,
And young hearts flutter at the voice of fate;
All the fair August day
Song echoes, harpers play.
And on the unaccustomed ear the strange
Penillion rise and fall through change and counter-change.

Oh Mona, land of song!
Oh mother of Wales! how long
From thy dear shores an exile have I been!
Still from thy lonely plains,
Ascend the old sweet strains,
And at the mine, or plough, or humble home,
The dreaming peasant hears diviner music come.

This innocent, peaceful strife,
This struggle to fuller life,
Is still the one delight of Cymric souls—
Swell, blended rhythms! still
The gay pavilions fill.
Soar, oh young voices, resonant and fair;
Still let the sheathed sword gleam above the bardic chair.

******

The Menai ebbs and flows,
And the song-tide wanes and goes,
And the singers and the harp-players are dumb;
The eternal mountains rise
Like a cloud upon the skies,
And my heart is full of joy for the songs that are still,
The deep sea and the soaring hills, and the steadfast
Omnipotent Will.

II.

AT THE MEETING FIELD.

Here is the complement of what I saw
When late I sojourned in the halls of song,
The greater stronger Force, the higher Law,
Of those which carry Cymric souls along.

No dim Cathedral's fretted aisles were there,
No gay pavilion fair, with banners hung:
The eloquent pleading voice, the deep hymns sung,
The bright sun, and the clear unfettered air,

These were the only ritual, this the fane,
A poor fane doubtless and a feeble rite
For those who find religion in dim light,
Strange vestments, incensed air, and blazoned pane.

But the rapt crowd, the reverent mute throng,
When the vast listening semi-circle round,
Rang to the old man's voice serenely strong,
Or swept along in stormy bursts of sound.

Where found we these in temples made with hands?
Where the low moan which marks the awakened soul?
Where, this rude eloquence whose strong waves roll
Deep waters, swift to bear their Lord's commands?

Where found we these? 'neath what high fretted dome?
I know not. I have knelt 'neath many, yet
Have heard few words so rapt and burning come,
Nor marked so many eyes divinely wet,

As here I knew—"What will you do, oh friends,
When life ebbs fast and the dim light is low,
When sunk in gloom the day of pleasure ends,
And the night cometh, and your being runs slow,

And nought is left you of your revelries,
Your drunken days, your wantonness, your ill—
And lo! the last dawn rises cold and chill,
And lo! the lightning of All-seeing eyes,

What will you do?" And when the low voice ceased,
And from the gathered thousands surged the hymn,
Some strong power choked my voice, my eyes grew dim,
I knew that old man eloquent, a priest.

There is a consecration not of man,
Nor given by laid-on hands nor acted rite,
A priesthood fixed since the firm earth began,
A dedication to the eye of Light,

And this is of them. What the form of creed
I care not, hardly the fair tongue I know,
But this I know that when the concourse freed
From that strong influence, went sedate and slow,

I thought when on the Galilean shore
By the Great Priest the multitudes were led,
The bread of life, miraculously more,
Sufficed for all who came, and they were fed.