I will ask my readers kindly to understand that this book is altogether a work of fiction. The characters it portrays, their circumstances and the episodes in which they play a part, are my own invention.

Every sincere and scientific student of human nature and the social scene must, of necessity, depend upon direct observation of life for his general types—the said types being the composite photographs with which study and observation have supplied him. But, for the shaping of individual characters out of the said types, he should, in my opinion, rely exclusively upon his imagination and his sense of dramatic coherence. Exactly in proportion as he does this can he claim to be a true artist. Since the novel, to be a work of art, must be impersonal, neither autobiographical nor biographical.—I am not, of course, speaking of the historical novel, whether the history involved be ancient or contemporary, nor am I speaking of an admitted satire.

I wish further to assure my readers that the names of my characters have been selected at random; and belong, certainly in sequence of Christian and surname, to no persons with whom I am, or ever have been, acquainted. I may also add that although I have often visited Stourmouth and its neighborhood—of which I am very fond—my knowledge of the social life of the district is of the smallest, while my knowledge of its municipal and commercial life is nil.

Finally, the lamented disappearance of La Gioconda, from the Salon Carré of the Louvre, took place when the whole of my manuscript was already in the hands of the printers. May I express a pious hope that this most seductive of women will be safely restored to her former dwelling-place before any copies of my novel are in the hands of the public?

LUCAS MALET.
August 28, 1911

I
CONCERNING THE DEAD AND THE LIVING

ADRIAN SAVAGE

CHAPTER I
IN WHICH THE READER IS INVITED TO MAKE THE
ACQUAINTANCE OF THE HERO OF THIS BOOK

Adrian Savage—a noticeably distinct, well-groomed, and well-set-up figure, showing dark in the harsh light of the winter afternoon against the pallor of the asphalt—walked rapidly across the Pont des Arts, and, about half-way along the Quai Malaquais, turned in under the archway of a cavernous porte-cochère. The bare, spindly planes and poplars, in the center of the courtyard to which this gave access, shivered visibly. Doubtless the lightly clad, lichen-stained nymph to whom they acted as body-guard would have shivered likewise had her stony substance permitted, for icicles fringed the lip of her tilted pitcher and caked the edge of the shell-shaped basin into which, under normal conditions, its waters dripped with a not unmusical tinkle. Yet the atmosphere of the courtyard struck the young man as almost mild compared with that of the quay outside, along which the northeasterly wind scourged bitingly. Upon the farther bank of the turgid, gray-green river the buildings of the Louvre stood out pale and stark against a sullen backing of snow-cloud. For the past week Paris had cowered, sunless, in the grip of a black frost. If those leaden heavens would only elect to unload themselves of their burden the weather might take up! To Adrian Savage, in excellent health and prosperous circumstances, the cold in itself mattered nothing—would, indeed, rather have acted as a stimulus to his chronic appreciation of the joy of living but for the fact that he had to-day been suddenly and unexpectedly called upon to leave Paris and bid farewell to one of its inhabitants eminently and even perplexingly dear to him. Having, for all his young masculine optimism, the artist's exaggerated sensibility to the aspects of outward things, and equally exaggerated capacity for conceiving—highly improbable—disaster, it troubled him to make his adieux under such forbidding meteorologic conditions. His regrets and alarms would, he felt, have been decidedly lessened had kindly sunshine set a golden frame about his parting impressions.

Nevertheless, as—raising his hat gallantly to the concierge, seated in her glass-fronted lodge, swathed mummy-like in shawls and mufflers—he turned shortly to the left along the backs of the tall, gray houses, a high expectation, at once delightful and disturbing, took possession of him to the exclusion of all other sensations. For the past eighteen months—ever since, indeed, the distressingly sudden death of his old friend, the popular painter Horace St. Leger—he had made this selfsame little pilgrimage as frequently as respectful discretion permitted. And invariably, at the selfsame spot—it was where, as he noted amusedly, between the third and fourth of the heavily barred ground-floor windows a square leaden water-pipe, running the height of the house wall from the parapet of the steep slated roof, reached the grating in the pavement—this quickening of his whole being came upon him, however occupied his thoughts might previously have been with his literary work, or with the conduct of the bi-monthly review of which he was at once assistant editor and part proprietor. This quickening remained with him, moreover, as he entered a doorway set in the near corner of the courtyard and ran up the flights of waxed wooden stairs to the third story. In no country of the civilized world, it may be confidently asserted, do affairs of the heart, even when virtuous, command more indulgent sympathy than in France. It followed that Adrian entertained his own emotions with the same eager and friendly amenity which he would have extended to those of another man in like case. He was not in the least contemptuous or suspicious of them. He permitted cynicism no smallest word in the matter. On the contrary, he hailed the present ebullience of his affections as among those captivating surprises of earthly existence upon which one should warmly congratulate oneself, having liveliest cause for rejoicing.

To-day, as usual, there was a brief pause before the door of the vestibule opened. A space of delicious anxiety—-carrying him back to the poignant hopes and despairs of childhood, when the fate of some anticipated treat hangs in the balance—while he inquired of the trim waiting-maid whether her mistress was or was not receiving. Followed by that other moment, childlike, too, in its deliciously troubled emotion and vision, when, passing from the corridor into the warm, vaguely fragrant atmosphere of the long, pale, rose-red and canvas-colored drawing-room, he once again beheld the lady of his desires and of his heart.

From the foregoing it may be deduced, and rightly, that Adrian Savage was of a romantic temperament, and that he was very much in love. Let it be immediately added, however, that he was a young gentleman whose head, to employ a vulgarism, was most emphatically screwed on the right way. Only child of an eminent English physician of good family, long resident in Paris, and of a French mother—a woman of great personal charm and some distinction as a poetess—he had inherited, along with a comfortable little income of about eighteen hundred pounds a year, a certain sagacity and decision in dealing with men and with affairs, as well as quick sensibility in relation to beauty and to drama. Artist and practical man of the world went, for the most part, very happily hand and hand in him. At moments, however, they quarreled, to the production of complications.

The death of both his parents occurred during his tenth year, leaving him to the guardianship of a devoted French grandmother. Under the terms of Doctor Savage's will one-third of his income was to be applied to the boy's maintenance and education until his majority, the remaining two-thirds being set aside to accumulate until his twenty-third birthday. "At that age," so the document in question stated, "I apprehend that my son will have discovered in what direction his talents and aptitudes lie. I do not wish to fetter his choice of a profession; still I do most earnestly request him not to squander the considerable sum of money into possession of which he will then come, but to spend it judiciously, in the service of those talents and aptitudes, with the purpose of securing for himself an honorable and distinguished career." This idea that something definite, something notable even in the matter of achievement was demanded from him, clung to the boy through school and college, acting—since he was healthy, high-spirited, and confident—as a wholesome incentive to effort. Even before fulfilling his term of military service, Adrian had decided what his career should be. Letters called him with no uncertain voice. He would be a writer—dramatist, novelist, an artist in psychology, in touch at all points with the inexhaustible riches of the human scene. His father's science, his mother's poetic gift, should combine, so he believed, to produce in him a very special vocation. His ambitions at this period were colossal. The raw material of his selected art appeared to him nothing less than the fee-simple of creation. He planned literary undertakings beside which the numerically formidable volumes of Balzac or Zola shriveled to positive next-to-nothingness. Fortunately fuller knowledge begot a juster sense of proportion, while his native shrewdness lent a hand to knocking extravagant conceptions on the head. By the time he came into possession of the comfortable sum of money that had accumulated during his minority and he was free to follow his bent, Adrian found himself contented with quite modest first steps in authorship. For a couple of years he traveled, resolved to broaden his acquaintance with men and things, to get some clear first-hand impressions both of the ancient, deep-rooted civilizations of the East and the amazing mushroom growths of America. On his return to Paris, it so happened that a leading bi-monthly review, which had shown hospitality to his maiden literary productions, stood badly in need of financial support. Adrian bought a preponderating interest in it; and by the time in question—namely, the winter of 190- and the dawn of his thirtieth year—had contrived to make it not only a powerful factor in contemporary criticism and literary output, but a solid commercial success.

To be nine-and-twenty, the owner of a well-favored person, of admitted talent and business capacity, and to be honestly in love, is surely to be as happily circumstanced as mortal man can reasonably ask to be. That the course of true love should not run quite smooth, that the beloved one should prove elusive, difficult of access, that obstacles should encumber the path of achievement, that mists of doubt and uncertainty should drift across the face of the situation, obscuring its issues, only served in Adrian's case to heighten interest and whet appetite. The last thing he asked was that the affair should move on fashionable, conventional lines, a matter for newspaper paragraphs and social gossip. The justifying charm of it, to his thinking, resided in precisely those elements of uncertainty and difficulty. If, in the twentieth century, a man is to subscribe to the constraints of marriage at all, let it at least be in some sort marriage by capture! And, as he told himself, what man worth the name, let alone what artist, what poet—vowed by his calling to confession of the transcendental, the eternally mystic and sacred in this apparently most primitive, even savage, of human relations—would choose to capture his exquisite prey amid the blatant materialism, the vulgar noise and chaffer of the modern social highway; rather than pursue it through the shifting lights and shadows of mysterious woodland places, the dread of its final escape always upon him, till his feet were weary with running, and his hands with dividing the thick, leafy branches, his ears, all the while, tormented by the baffling, piercing sweetness of the half-heard Pipes of Pan?

Not infrequently Adrian would draw himself up short in the midst of such rhapsodizings, humorously conscious that the artistic side of his nature had got the bit, so to speak, very much between its teeth and was running away altogether too violently with its soberer, more practical, stable companion. For, as he frankly admitted, to the ordinary observer it must seem a rather ludicrously far cry from Madame St. Leger's pleasant, well-found flat, in the center of cosmopolitan twentieth-century Paris, to the arcana of pagan myth and legend! Yet, speaking quite soberly and truthfully, it was of such ancient, secret, and symbolic things he instinctively thought when looking into Gabrielle St. Leger's golden-brown eyes and noting the ironic loveliness of her smiling lips. That was just the delight, just the provocation, just what differentiated her from all other women of his acquaintance, from any other woman who, so far, had touched his heart or stirred his senses. Her recondite beauty—to quote the phrase of this analytical lover—challenged his imagination with the excitement of something hidden; though whether hidden by intentional and delicate malice, or merely by lack of opportunity for self-declaration, he was at a loss to determine. Daughter, wife, mother, widow—young though she still was, she had sounded the gamut of woman's most vital experiences. Yet, it seemed to him, although she had fulfilled, and was fulfilling, the obligations incident to each of these several conditions in so gracious and irreproachable a manner, her soul had never been effectively snared in the meshes of any net. Good Catholic, good housewife, sympathetic hostess, intelligent and discriminating critic, still—he might be a fool for his pains, but what artist doesn't know better than to under-rate the fine uses of folly?—he believed her to be, either by fate or by choice, essentially a Belle au Bois Dormant; and further believed himself, thanks to the workings of constitutional masculine vanity, to be the princely adventurer designed by providence for the far from disagreeable duty of waking her up. Only just now providence, to put it roughly, appeared to have quite other fish for him to fry. And it was under compulsion of such prospective fish-frying that he sought her apartment overlooking the Quai Malaquais, this afternoon, reluctantly to bid her farewell.

CHAPTER II
WHEREIN A VERY MODERN YOUNG MAN TELLS A
TIME-HONORED TALE WITH BUT SMALL ENCOURAGEMENT

Disappointment awaited him. Madame St. Leger was receiving; but, to his chagrin, another visitor had forestalled his advent—witness a woman's fur-lined wrap lying across the lid of the painted Venetian chest in the corridor. Adrian bestowed a glance of veritable hatred upon the garment. Then, recognizing it, felt a little better. For it belonged to Anastasia Beauchamp, an old friend, not unsympathetic, as he believed, to his suit.

Sympathy, however, was hardly the note struck on his entrance. Miss Beauchamp and Madame St. Leger stood in the vacant rose-red carpeted space at the far end of the long room, in front of the open fire. Both were silent; yet Adrian was aware somehow they had only that moment ceased speaking, and that their conversation had been momentous in character. The high tension of it held them to the point of their permitting him to walk the whole length of the room before turning to acknowledge his presence. This was damping for Adrian, who, like most agreeable young men, thought himself entitled to and well worth a welcome. But not a bit of it! The elder woman—high-shouldered, short-waisted, an admittedly liberal sixty, her arms disproportionate in their length and thinness to her low stature—continued to hold her hostess's right hand in both hers and look at her intently, as though enforcing some request or admonition.

Miss Beauchamp, it may be noted in passing, affected a certain juvenility of apparel. To-day she wore a short purple serge walking-suit. A velvet toque of the same color, trimmed with sable and blush-roses, perched itself on her elaborately dressed hair, which, in obedience to the then prevailing fashion, showed not gray but a full coppery red. Her eyebrows and eyelids were darkly penciled, and powder essayed to mask wrinkles and sallowness of complexion. Yet the very frankness of these artifices tended to rob them of offense; or, in any serious degree—the first surprise of them over—to mar the genial promise of her quick blue-gray eyes and her thin, witty, strongly marked, rather masculine countenance. Adrian usually accepted her superficial bedizenments without criticism, as just part of her excellent, if somewhat bizarre, personality. But to-day—his temper being slightly ruffled—under the cold, diffused light of the range of tall windows, they started, to his seeing, into quite unpardonable prominence—a prominence punctuated by the grace and the proudly youthful aspect of the woman beside her.

Madame St. Leger was clothed in unrelieved black, from the frill, high about her long throat, to the hem of her trailing cling skirts. Over her head she had thrown a black gauze scarf, soberly framing her heart-shaped face in fine semi-transparent folds, and obscuring the burnished lights in her brown hair, which stood away in soft, dense ridges on either side the parting and was gathered into a loose knot at the back of her head. Her white skin was very clear, a faint scarlet tinge showing through it in the round of either cheek. But just now she was pale. And this, along with the framing black gauze scarf, developed the subtle likeness which—as Adrian held—she bore, in the proportions of her face and molding of it, to Leonardo's world-famous "Mona Lisa" in Salon Carré of the Louvre. The strange recondite quality of her beauty, and the challenge it offered, were peculiarly in evidence; thereby making, as he reflected, cruel, though unconscious, havoc of the juvenile pretensions of poor Anastasia. And this was painful to him. So that in wishing—as he incontestably did—the said Anastasia absent, his wish may have been dictated almost as much by chivalry as by selfishness.

All of which conflicting perceptions and emotions tended to rob him of his habitual and happy self-assurance. His voice took on quite plaintive tones, and his gay brown eyes a quite pathetic and orphaned expression, as he exclaimed:

"Ah! I see that I disturb you. I am in the way. My visit is inconvenient to you!"

The faint tinge of scarlet leaped into Madame St. Leger's cheeks, and an engaging dimple indicated itself at the left corner of her closed and smiling mouth. Meanwhile Anastasia Beauchamp broke forth impetuously:

"No, no! On the contrary, it is I who am in the way, though our dear, exquisite friend is too amiable to tell me so. I have victimized her far too long already. I have bored her distractingly."

"Indeed, it is impossible you should ever bore me," the younger woman put in quietly.

"Then I have done worse. I have just a little bit angered you," Miss Beauchamp declared. "Oh! I know I have been richly irritating, preaching antiquated doctrines of moderation in thought and conduct. But 'les vérités bêtes' remain 'les vérités vraies,' now as ever. With that I go. Ma toute chère et belle, I leave you. And," she added, turning to Adrian, "I leave you, you lucky young man, in possession. Retrieve my failures! Be as amusing as I have been intolerable.—But see, one moment, since the opportunity offers. Tell me, you are going to accept those articles on the Stage in the Eighteenth Century, by my poor little protégé, Lewis Byewater, for publication in the Review?"

"Am I not always ready to attempt the impossible for your sake, dear Mademoiselle?" Adrian inquired gallantly.

"Hum—hum—is it as bad as that, then? Are his articles so impossible? Byewater has soaked himself in his subject. He has been tremendously conscientious. He has taken immense trouble over them."

"He has taken immensely too much; that is just the worry. His conscience protrudes at every sentence. It prods, it positively impales you!" The speaker raised his neat black eyebrows and broad shoulders in delicate apology. "Alas! he is pompous, pedantic, I grieve to report; he is heavy, very heavy, your little Byewater. The eighteenth-century stage was many things which it had, no doubt, much better not have been, but was it heavy? Assuredly not."

"Ah! poor child, he is young. He is nervous. He has not command of his style yet. You should be lenient. Give him opportunity and encouragement, and he will find himself, will rise to the possibilities of his own talent. After all," she added, "every writer must begin some time and somewhere!"

"But not necessarily in the pages of my Review," Adrian protested. "With every desire to be philanthropic, I dare not convert it into a crèche, a foundling hospital, for the maintenance of ponderous literary infants. My subscribers might, not unreasonably, object."

"You floated René Dax."

"But he is a genius," Madame St. Leger remarked quietly.

"Yes," Adrian asserted, "there could be no doubt about his value from the first. He is extraordinary."

"He is extraordinarily perverted," cried Miss Beauchamp.

"I am much attached to M. René Dax." Madame St. Leger spoke deliberately; and a little silence followed, as when people listen, almost anxiously, to the sound of a pebble dropped into a well, trying to hear it touch bottom. Miss Beauchamp was the first to break it. She did so laughing.

"In that case, ma toute belle, you also are perverse, though I trust not yet perverted. It amounts to this, then," she continued, pulling her long gloves up her thin arms: "I am to dispose of poor Byewater, shatter his hopes, crush his ambitions, tell him, in short, that he won't do. Just Heaven, you who have arrived, how soon you become cruel!" She looked from the handsome black-bearded young man to the beautiful enigmatic young woman, and her witty, accentuated face bore a singular expression. "Good-by, charming Gabrielle," she said. "Forgive me if I have been tedious, for truly I am devotedly fond of you. And good-by to you, Mr. Savage. Yes! I go to dispose of the ill-fated Byewater. But ah! ah! if you only knew all I have done this afternoon, or tried to do, to serve you!"

Whereupon Adrian, smitten by sudden apprehension of deep and possibly dangerous issues, followed her to the door, crying eagerly:

"Wait, I implore you, dear Mademoiselle. Do not be too precipitate in disposing of Byewater. I may have underrated the worth of his articles. I will re-read, I will reconsider. Nothing presses. I have to leave Paris for a week or two. Let the matter rest till my return. I may find it possible, after all, to accept them."

Then, the door closed, he came back and stood on the vacant space of rose-red carpet in the pleasant glow of the fire.

"She is a clever woman," he said, reflectively. "She has cornered me, and that is not quite fair—on the Review. For they constitute a veritable atrocity of dullness, those articles by her miserable little Byewater."

"It is part of her code of friendship—it holds true all round. If she helps others—"

Madame St. Leger left her sentence unfinished and, glancing with a hint of veiled mockery at her guest, sat down in a carven, high-backed, rose-cushioned chair at right angles to the fireplace, and picked up a bundle of white needlework from the little table beside it.

"You mean that Miss Beauchamp does her best for me, too?" Adrian inquired, tentatively.

But the lady was too busy unfolding her work, finding needle and thimble to make answer.

"I foresee that I shall be compelled to print the wretched little Byewater in the end," he murmured, still tentatively.

"Did you not tell Miss Beauchamp you were going away?" Gabrielle asked. She had no desire to continue the conversation on this particular note.

"Yes, I leave Paris to-night. That is my excuse for asking to see you this afternoon. But I feel that my visit is ill-timed. I observed directly I came in that you looked a little fatigued. I fear you are suffering. Ought you to undertake the exertion of receiving visitors? I doubt it. Yet I should have been desolated had you refused me. For I leave, as I say, to-night in response to a sudden call to England upon business—that of certain members of my father's family. I am barely acquainted with them. But they claim my assistance, and I cannot refuse it. I could not do otherwise than tell you of this unexpected journey, could I? It distresses me to find you suffering."

Gabrielle had looked at him smiling, her lips closed, the little dimple again showing in her left cheek. His eagerness and volubility were diverting to her. They enabled her to think of him as still very young; and she quite earnestly wished thus to think of him. To do so made for security. At this period Madame St. Leger put a very high value upon security.

"But, indeed," she said, "I am quite well. The corridor is chilly, and I have been going to and fro preparing a little fête for Bette. She has her friends, our neighbor Madame Bernard's two little girls, from the floor below, to spend the afternoon with her. My mother is now kindly guarding the small flock. But I could not burden her with preliminaries.—I am quite well, and, for the moment, I am quite at leisure. Bring a chair. Sit down. It is for me to condole with you rather than for you to condole with me," she went on, in her quiet voice, "for this is far from the moment one would select for a cross-Channel journey! But then you are more English than French in all that. Hereditary instincts assert themselves in you. You have the islander's inborn sense of being cramped by the modest proportions of his island, and craving to step off the edge of it into space."

The young man placed his hat on the floor, opened the fronts of his overcoat, and drew a chair up to the near side of the low work-table whence he commanded an uninterrupted view of his hostess's charming person.

"That is right," she said. "Now tell me about this sudden journey. Is it for long? When may we expect you back?"

"What do I know?" he replied, spreading out his hands quickly. "It may be a matter of days. It may be a matter of weeks. I am ignorant of the amount of business entailed. The whole thing has come upon me as so complete a surprise. What induced my venerable cousin to select me as his executor remains inexplicable. I remember seeing him when, as a child, I visited England with my parents. I remember, also, that he filled me with alarm and melancholy. He lived in a big, solemn house on the outskirts of a great, noisy, dirty, manufacturing town in Yorkshire. It was impressed upon me that I must behave in his presence with eminent circumspection, since he was very religious, very intellectual. I fear I was an impertinent little boy. He appeared to me to worship a most odious deity, who permitted no amusements, no holidays, no laughter; while his conversation—my cousin's, I mean, not that of the Almighty—struck me as quite the dullest I had ever listened to. I cried, very loud and very often, to the consternation of the whole establishment, and demanded to be taken home to Paris at once. I never saw him again until three years ago, when he spent a few days here, on a return journey from Carlsbad. As in duty bound, I did what I could to render their stay agreeable to him and his companions." Adrian's expression became at once apologetic and merry. "My efforts were not, as I supposed, crowned with at all flattering success. My venerable cousin still filled me with melancholy and alarm. In face of his immense seriousness I appeared to myself as some capering harlequin. Therefore it is, as you will readily understand, with unqualified amazement that I learn he has intrusted the administration of his very considerable estate to my care. Really, his faith in me constitutes a vastly embarrassing compliment. I wish to heaven he had formed a less exalted estimate of my probity and business acumen and looked elsewhere for an executor!"

"He had no children, poor man?" Madame St. Leger inquired, sympathetically.

"On the contrary, he leaves twin daughters. And it is in conjunction with the—briefly—elder of these two ladies that I am required to act."

Gabrielle moved slightly in her chair. Her eyelids were half-closed. She looked at the young man sideways without turning her head. Her resemblance to the Mona Lisa was startling just then; but it was Mona Lisa in a most mischievous humor.

"In many ways you cannot fail to find that interesting," she said. "You are a professional psychologist, a student of character. And then, too, it is your nature to be untiring in kindness and helpfulness to women."

"To women of flesh and blood, yes, possibly, if they are amiable enough to accept my services," Adrian returned, somewhat warmly, a lover's resentment of any ascription of benevolence toward the sex, merely as such, all agog in him. "But are these ladies really of flesh and blood? They affected me, when I last saw them, rather as shadowy and harassed abstractions. I gazed at them in wonder. They are not old. But have they ever been young? I doubt it, with so aggressively ethical and educative a father. I was at a loss how to approach them; they were so silent, so restrained, so apparently bankrupt in the small change of social intercourse. If they did not add sensibly to my alarm they most unquestionably contributed to my melancholy—the humiliating, disintegrating melancholy of harlequin, capering in conscious fatuity before an audience morally and physically incapable of laughter. All this was bad enough when our connection was but superficial and transitory. It will be ten thousand times worse when we are forced into a position of unnatural intimacy."

During this tirade, Gabrielle had shaken out the thin folds of her needlework and begun setting quick stitches methodically. Her hands were strong, square in the palm and the finger-tips, finely modeled, finely capable—more fitted, as it might seem, to hold maul-stick and palate, or even wield mallet and chisel, than to put rows of small, even, snippety stitches in a child's lawn frock. If the fifteenth century and the voluptuous humanism of the Italian Renaissance found subtle reflection in her face, the twentieth century and its awakening militant feminism found expression in her firm hands and their promise of fearless and ready strength.

"I believe you do both yourself and those two ladies an injustice," she said, her head bent over her stitching. "It will not be the very least in the character of harlequin that they receive you, but rather in that of a savior, a liberator. For you will be delightful to them—ah! I see it all quite clearly—tactful, considerate, reassuring. That is your rôle, and you will play it to perfection. How can you do otherwise, since not only your sense of dramatic necessity but your goodness of heart will be engaged? And, take it from me, the enjoyment will not be exclusively on their side. For you will find it increasingly inspiring to act providence to those two shadowy old-young ladies as you see age vanish and youth return. I envy you. Think what an admirable mission you are about to fulfil!"

She glanced up suddenly, her eyes and the turn of her mouth conveying to unhappy Adrian a distracting combination of friendliness—detestable sentiment, since it went no further!—and of raillery. Then, her face positively brilliant with mischief, she gave him a final dig.

"What a thousand pities, though, that there are two of these abstractions whom it is your office to materialize! Had there been but one, how far simpler the problem of your position!"

The young man literally bounded on to his feet, his expression eloquent of the liveliest repudiation and reproach. But Madame St. Leger's head was bent over her needlework again. She stitched, stitched, in the calmest manner imaginable, talking, meanwhile, in a quiet, even voice.

"Did I not tell you we are en fête? Bette has her friends, the little Bernards, to spend the afternoon with her. It is an excuse for keeping her indoors. The modern craze for sending children out in all weathers does not appeal to me. I do not believe in a system of hardening."

"Indeed?" Adrian commented, with meaning.

"For little girls?" she inquired. "Oh no, decidedly not. For grown-up people, especially for men when they are young and in good health, it may, of course, have excellent results."

"Ah!" he said, resentfully.

"They—the children, I mean—are busy in the dining-room making rather terrible culinary experiments with a new doll's cooking stove. Shall we go and see how they are getting on? I ought, perhaps, to just take a look at them and assure myself they are not tiring my mother too much. And then they will be distressed, my mother and Bette, if they do not have an opportunity to bid you good-by before your journey."

For once Adrian was guilty of ignoring his hostess's suggestions. He stood leaning one elbow upon the chimneypiece, and—above the powder-blue Chinese jars and ivory godlings adorning it—scrutinizing his own image in the looking-glass. He had just suffered a sharp and, to his thinking, most uncalled-for rebuff. He smarted under it, unable for the moment to recover his equanimity. But, contemplating the image held by the mirror, his soul received a sensible measure of comfort. The smooth, opaque, colorless complexion; the pointed black beard, so close cut as in no degree to hide the forcible line of the jaw or distort the excellent proportions of the mask; the thick, well-trimmed mustache, standing upward from the lip and leaving the curved mouth free; the straight square-tipped nose, with its suggestion of pugnacity; let alone the last word of contemporary fashion in collar and tie and heavy box-cloth overcoat, the cut of which lent itself to the values of a tall, well-set-up figure—all these went to form a far from discouraging picture. Yes! surely he was a good-looking fellow enough! One, moreover, with the promise of plenty of fight in him; daring, constitutionally obstinate, not in the least likely tamely to take "No" for an answer once his mind was made up.

Then, in thought, he made a rapid survey of the mental, social, moral, and financial qualifications of those who had formed the circle of poor Horace St. Leger's friends, and who, during the years of his marriage, had been permitted the entrée of his house. A varied and remarkable company when one came to review it—savants, artists, politicians, men of letters, musicians, journalists, from octogenarian M. de Cubières, Member of the Senate, Member of the Academy, and Chevalier of the Legion of Honor, to that most disconcerting sport of wayward genius, vitriolic caricaturist and elegant minor poet, René Dax, whose immense domed head and neat little toy of a body had won him at school the nickname of le tetard—the tadpole—an appellation as descriptive as it was unflattering, and which—rather cruelly—had stuck to him ever since. Adrian marshaled all these, examined their possible claims, and pronounced each, in turn, ineligible. Some, thank Heaven! were securely married already. Others, though untrammeled by the bonds of holy matrimony, were trammeled by bonds in no wise holy, yet scarcely less prohibitive. Some were too old, others too young or too poor. Some, as, for example, René Dax, were altogether too eccentric. True, Madame St. Leger had just now declared herself warmly attached to him. But wasn't that the best proof of the absence of danger? A woman doesn't openly affirm her regard for a man unless that regard is of purely platonic and innocuous character. And then, after all—excellent thought!—was it not he, Adrian Savage, who had been admitted even during the tragic hours of poor Horace's agony; who had watched by the corpse through a stifling summer night, a night too hot for sleep, restless with the continual sound of footsteps and voices, the smell of the asphalt and of the river? And, since then, was it not to him Gabrielle and her mother, Madame Vernois, had repeatedly turned for advice in matters of business?

Fortified by which reflections, stimulated, though stung, by her teasing, defiant of all other possible and impossible lovers, the young man wheeled round and stood directly in front of Gabrielle St. Leger.

"Listen, très chère Madame et amie, listen one little minute," he said, "I implore you. It is true that I go to-night, and for how long a time I am ignorant, to arrange the worldly affairs of my alarming old relative, Montagu Smyrthwaite, and, incidentally, to adjust those of his two dessicated daughters. But it is equally true—for I vehemently refuse such a solution of the problem of my relation to either of those ladies as your words seem to prefigure—I repeat, it is equally true that I shall return at the very earliest opportunity. And return in precisely the same attitude of mind as I go—namely, wholly convinced, wholly faithful, incapable of any attachment, indifferent to any sentiment save one."

The corners of his mouth quivered and his gay brown eyes were misty with tears.

"I do not permit myself to enlarge upon the nature of that sentiment to-day. To do so might seem intrusive, even wanting in delicacy. But I do permit myself—your own words have procured me the opportunity—both to declare its existence and to assert my profound assurance of its permanence. You may not smile upon it, dear Madame. You may even regard it as an impertinence, a nuisance. Yet it is there—there." Adrian drummed with his closed fist upon the region of his heart. "It has been there for a longer period than I care to mention. And it declines to be eradicated. While life remains, it remains, unalterable. It is idle, absolutely idle, believe me, to invite it to lessen or to depart."

Madame St. Leger had risen, too, laying her work down on the little table. Her face was grave to the point of displeasure. The tinge of scarlet had died out in the round of her cheeks. She was about to speak, but the young man spread out his hands with an almost violent gesture.

"No—no," he cried. "Do not say anything. Do not, I entreat, attempt to answer me. When I came here this afternoon I had no thought of making this avowal. It has been forced from me, and may well appear to you premature. Therefore I entreat you for the moment ignore it. Let everything between us remain as before. That is so easy, you see, since I am going away. Only," he added, more lightly, "I think, if you will excuse me, I will not join that interesting conference of amateur chefs in the dining-room. My mind, I confess, at this moment is slightly preoccupied, and I might prove a but clumsy and distracted assistant. May I ask you, therefore, kindly to express to your mother, Madame Vernois, and to the ravishing Mademoiselle Bette my regret at being unable to make my farewells in person?"

He picked up his hat, buttoned his overcoat, and, without attempting to take his hostess's hand, backed away from her.

"With your permission I shall write at intervals during my unwilling exile," he said. "But merely to recount my adventures—nothing beyond my adventures, rest assured. These are likely to possess a certain piquancy, I imagine, and may serve to amuse you."

Something of his habitual happy self-confidence had returned to him. His air was high-spirited, courteous, instinct with the splendid optimism of his vigorous young manhood, as he paused, hat in hand, for a last word in the doorway.

"Au revoir, très chère Madame," he cried. "I go to a land of penetrating fogs and a household of pensive abstractions, but I shall come back unaffected by either, since I carry a certain memory, a certain aspiration in my heart. Au revoir. God keep you. Ah! very surely, and with what a quite infinite gladness I shall come back!"

CHAPTER III
TELLING HOW RENÉ DAX COOKED A SAVORY OMELETTE,
AND WHY GABRIELLE ST. LEGER LOOKED OUT OF
AN OPEN WINDOW AT PAST MIDNIGHT

Wrapped in a wadded silk dressing-gown, with frilled muslin cape and under-sleeves to it, Gabrielle St. Leger had made her nightly round. Had seen that lights were switched off, fires safe, shutters bolted, and the maids duly retired to their bedchamber. Had embraced her mother, and looked into details of night-light and spirit-lamp, lest the excessive cold should render some hot beverage advisable for the elder lady in the course of the night. Had visited Bette in the little room adjoining her own, and found the child snuggled down in her cot profoundly and deliciously asleep. Then, being at last free of further obligation to house or household, she turned the key in the lock of her bedroom door and sat down to think.

Until the day's work, its courtesies as well as its duties, was fully done she had agreed with herself not to think. For even startling events and agitating experiences should, in her opinion, be dealt with methodically in their proper season and order, without fear and without haste. Only so could you be both just and clear-sighted in respect of them. All of which—-had she known it—went to prove a theory of Adrian's—namely, that in her case, as in that of so many modern women between the ages of eighteen and, say, eight and twenty, the reasoning, the intellectual, rather than the sensuous and emotional elements are in the ascendant.

And, indeed, Gabrielle honestly regretted that which had to-day happened by the conversion of a valued friend into a declared lover. It was tiresome, really tiresome to a degree! Nor was her vexation lessened by the fact that she could not excuse herself of blame. The catastrophe had been precipitated by her fatal habit of teasing. How constantly she resolved to be staid and serious in the presence of mankind! And then, all uninvited, a sprickety, mischievous humor would take her, making it irresistible delicately to poke fun at those large, self-confident, masculine creatures, to plague and trick them, placing them at a disadvantage; and, by so doing, to lower, for a moment at least, the crest of their over-weening self-complacency. Only this afternoon, as she ruefully admitted, she had gone unwisely far, letting malice tread hard on the heels of mere mischief. This was what vexed her most. For why should malice find entrance in this particular connection? Gabrielle would gladly have shirked the question. But it stood out in capital letters right in front of her, with a portly note of interrogation at the end of the sentence, asking, almost audibly, "Why? Why? Why?"

With a movement of her hands, at once impatient and deprecatory, the young woman lay back in her long chair. In part it was Anastasia Beauchamp's fault. Anastasia had come rather close, venturing to criticize and to warn. Anastasia was anti-feministe, distrustful of modern tendencies, of independence, of woman's life and outlook in and for itself. This genial unbeliever preached orthodoxy; this unmarried woman—with a legend, for there were those who reported events in the far past—preached matrimony. "In the end," she said, "in the end independence proved a mistake." And not improbably she was right in as far as her own generation was concerned. But now the world had moved forward a big piece. The conditions were different. And in this, Gabrielle's generation, how, save by experiment, could you possibly prove that independence mightn't very much pay? Whereupon her thought began to march down alluring avenues of speculation guarded by vague, masterful theories of feminine supremacy.

The crimson shades of the electric lights above her dressing-table, the crimson silk coverlet of her bed, gave an effect of warmth and comfort to the otherwise cool-colored room, its carved, white furniture and blue-green carpet, curtains, and walls. Formerly this had been a guest-chamber. But, since her husband's death, Gabrielle had taken it for her own. Her former room was too peopled with experiences and memories for solitude. And, like all strong and self-realized natures, Gabrielle demanded solitude at times—a place not only for rest, but for those intimate unwitnessed battles which necessarily beset the strong.

Just now, however, the desired solitude was almost too complete. Presently her attention began to be occupied by it to the exclusion of all other things. In the stillness of the sleeping house she heard the wind crying along the steep house-roofs and hissing against the windows. There was a note of homelessness, even of desolation, in the sound. Involuntarily her thought returned upon Adrian Savage. She saw the mail steamer thrashing out from Calais harbor into the black welter of blizzard and winter sea. Saw, too, the young man's momentarily tremulous lips and tearful eyes as he declared his love. And the subsequent fine recovery of his natural gladness of aspect, as, standing hat in hand in the doorway, a notably gallant and handsome figure, he had asserted his speedy return rather than bade her good-by.

For quite an appreciable space of time she gazed at this visualized recollection of him. Then, shutting her eyes, she turned her back on it, and lay sideways in the long chair. She determined to be rid of it. Almost fiercely she told it to go. For it was useless to deny that it both charmed and moved her. And she didn't want that and all which it involved and stood for. Earnestly, honestly, she didn't want it!—Ah! what misguided temerity to have teased! For she wanted—yes she did, Anastasia Beauchamp's middle-aged wisdom notwithstanding—to retain her but lately acquired freedom; not only the repose, but the stimulating clarity of mind and obligation, the conscious development of personality and broadening of thought which went along with that freedom. She had passed straight from the obedience of young girlhood to the obedience of young wifehood. Now she wanted to belong wholly and exclusively to herself, not to be the property of any man, however devoted, talented, charming—not ever—not certainly for a long while yet.

This craving for the conservation of her freedom took its rise neither in the fact that the memory of her husband was hateful to her, nor that it was so dear as to render the thought of a second marriage a desecration, shocking to the heart. She remembered Horace St. Leger with affection, in many respects with gratitude. He had been considerate, watchfully protective of her beauty and her youth. As the mother of his child he had yielded her a worship touched by an immense tenderness. He had been irreproachably loyal and indulgent. All this she admitted and valued. Wasn't it, indeed, very much?—The circumstances of her marriage, moreover, had not been without their romantic aspect. Madame Vernois, after the death of her husband, who held a professorship at the Collège de France, both from motives of economy and the wish to be near her own family, had retired to her native Chambéry, in the Haute Savoie. It was in this strangely picturesque town, rich in remarkable buildings and in traditions both literary and historic, guarded by fantastic mountains and traversed by unruly torrents, that Gabrielle Vernois passed her childhood—mixing in a society both refined and devout though somewhat prejudiced and circumscribed of outlook, the members of it being more distinguished for the magnitude of their united ages and the multitude of their quarterings, than for the length of their purses or their acquaintance with the world as it now actually is.

And it was here, too—she being barely nineteen, he little short of fifty—that Horace St. Leger had met her; had been captivated by her singular type of beauty and the delicious combination of her innocence and ready wit. He was something of a connoisseur in women. Now he surely discovered a unique specimen! Naturally he wished to acquire that specimen for himself. The years of his apprenticeship were over. He had made a name; had, within the limits of his capacity, evolved his style and mastered the exacting technique of his art. He was young for his age, too; well-preserved, in the plentitude of his popularity. He had made money and he had spent money, but he had never, to all appearance, been more secure of continuing to make. He could well afford to indulge his tastes, even when they took the expensive form of a serious establishment and a seductive wife. He hastened back to Paris, put a final and satisfactory termination to a connection which had long lost its pristine ardors and begun to pall upon him, and then returned to Chambéry, officially to offer this enchanting child of nineteen the sum total of his life's achievement in respect of fame, fortune, social opportunity, along with that suavity of temper and outlook which result from the successful cultivation of a facile talent untroubled by the torments and dislocations of genius.

The young girl's dowry was of the slenderest. The marriage offered not only a secure and agreeable future for herself; but—and this influenced her decision at least equally—relief to her mother from straitened means and their attendant deprivations and anxieties. The subtle unrest, the haunting ambitions and curiosities of her awakening womanhood stirred in her, while the disparity of age between herself and her suitor seemed, to her inexperience, a matter of indifference. The marriage took place in due course, and ostensibly all went well. Yet, looking back upon it now, sitting here alone in her bedchamber while the wind cried along the house-roofs and Paris cowered in the grip of the bitter frost, Gabrielle St. Leger knew that she had learned life, the actualities both of human nature and civilized society, in a hard enough school.

For indisputably the thirty years' difference in age between herself and her husband, which, before marriage, had seemed so negligible a quantity, entailed consequences that intruded themselves at every turn. St. Leger's character and opinions were fixed, crystallized, insusceptible of change, while her own were still, if not in the actually fluid, yet in the distinctly malleable stage. This rendered any equality of intercourse impossible. Her husband treated her as a child, whose ignorance one finds exquisitely entertaining, and enlightens with high, if indulgent, amusement—his attitude toward her quasi-paternal in its serene assumption of omniscience. Yet, being quick-witted and observant, she soon perceived that assumption did not receive, by any means, universal indorsement. Among the younger generation of the artistic and literary brotherhood it became evident to her that, though the man was held in affection, the painter was regarded as a bit of a charlatan, destitute of illumination and sincerity of method—as one who had never possessed the courage or the capacity to attempt any lifting the veil of Isis and penetration of the mysteries it conceals. Nor was she slow to learn, hearing the witty talk and covert allusions of the dinner-table and studio—although her guests made honest and honorable effort to restrain their tongues in her presence—that the rule of faith and morals which had been so earnestly enjoined upon her in her childhood was very much of a dead letter to the average man and woman of the world. The general scheme of existence was a far more complicated affair than she had been taught to suppose. The dividing line between the sheep and the goats was by no means always easy of recognition. Delightful people did very shady, not to say very outrageous and abominable, things. She suffered moments of cruel perspicacity and consequent disgust, during which she was tempted to accuse even her dearly loved mother of having purposely misled and lied to her. For was it not idle to suppose that her husband differed from other men? Or that his passion for her was unique, without predecessors? Was it not very much more reasonable to see, in the perfection of tactful delicacy with which he treated her, proof positive of a large and varied emotional experience?

Then followed a further discovery. In this marriage she had looked confidently for a brilliant future. But, in plain truth, what future remained? St. Leger had reached the zenith of his career. He was well on in middle life. The only possible future for him lay in the direction of decline and decay. She recognized that her mission, therefore, was not to share a brightening glory, but to maintain a fondly cherished illusion, to soften the asperities of his declension and mask the approach of age and lessening powers by the stimulus of her own radiant youth.

One by one these revelations came upon her with the shock of detected and abiding deceptions. Her pride suffered. Her jealous respect for her own intelligence and personality was rudely shaken. But she kept her own counsel, making neither complaint nor outcry. Silently, after a struggle which left its impress in the irony of her smiling eyes and lips, she faced each discovery in turn and reckoned with it. Then she ranged herself, dismissing once and for all, as she believed, high-flown heroic conceptions of love between man and woman, accepting human nature and human relations as they actually are and forgiving—though it shrewdly taxed her longanimity—all those pious frauds which, from time immemorial, civilized parents and teachers have supposed it their duty to practise upon the children whom they at once adore and betray.

It remained to her credit, however, that, even in the most searching hours of disillusionment, Gabrielle did not lose her sense of justice or fail to discriminate, to the best of her ability, between that for which the society in which he moved and that for which her husband, personally, should be held responsible. So doing she admitted, and gladly, that any legitimate cause of quarrel with him was of the smallest. Taking all the circumstances of the case into account, he had behaved well, even admirably, by her. The way of the world, its habits and standards, the constitution of human nature, rather than Horace St. Leger, was in fault. And it was precisely on that finding, as she told herself now, having reasoned it out sitting here alone in her bedchamber, that she deprecated any change of estate, the contraction of any fresh and intimate relation. If she had not known it might have been different—and there she paused a little wistfully, sorrowfully. But she did know, and therefore she could not consent to part with her freedom, with the repose of mind and the large liberty of thought and action her freedom permitted her. Her body was her own. Her soul, her emotions were her own. Almost fiercely she protested they should remain so. Hence it was useless, useless, that Anastasia should warn, or that the image of Adrian Savage should solicit her, standing there handsome, devoted, and how maddeningly self-confident! She could not listen. She would not listen. No, no, simply she would not.

Having thus analyzed the position, summed up and delivered judgment upon it, clearly it was the part of common-sense to go to bed and to sleep. Gabrielle stretched out her hand for the crystal and silver rosary lying, along with her missal and certain books of devotion, on a whatnot beside her chair. She fingered it, making an effort to concentrate and compose her thoughts. But they refused to be composed, darting hither and thither like a flight of startled birds. Restlessness still possessed her, making recitation of the hallowed invocations which mark each separate bead trench perilously on profanity. She let the rosary drop and pressed her hands over her eyes. Certain words, over and above the disturbing ones spoken by Adrian Savage, haunted her. For the agitations of the afternoon had not ended with his declaration and exit. A subsequent episode had contributed, in no small degree, to produce her existing state of perturbation.

It had happened thus. A few minutes after Adrian left her, going out on to the gallery, which runs the length of the flat from the vestibule and studio at one end to the dining-room and offices at the other, she had been struck by the strangely cold, haggard light filling it. The ceiling stared, while details of pictures and china upon the walls, the graceful statuette of a slim, unclad boy carrying a hooded hawk on his wrist, and, farther on, a portrait bust of Horace St. Leger—each set on an antique porphyry column—started into peculiar and shadowless prominence. The windows of the gallery gave on to the courtyard. Gabrielle held aside one of the vitrine curtains and looked out.

Snow was falling. Countless thin, fine flakes circled and eddied, drifted earthward, and swept up again caught in some local draught. Through the lace work of black, quivering branches the backs of the houses across the courtyard showed pallid and gaunt. Far below, on the frost-bitten grass-plat, the lichen-stained nymph tilted her ice-bound pitcher above the frozen basin. The familiar scene in its present aspect was indescribably dreary, provocative of doubting, distrustful thoughts. With a movement of impatience, her expression hard, her charming lips compressed, the young woman turned away, conscious of being foolishly, unreasonably out of conceit with most things. Doing so, the bust of her husband confronted her, seeming to watch her from out the blank cavities in the eyeballs which so uncomfortably travesty sight. An expression of amused, slightly cynical inquiry rested upon the sculptured face. This, in her present somewhat irritable and over-sensitized condition, she resented, finding it singularly unpleasant. She moved rapidly away along the gallery. Then stopped dead.

From the dining-room came a joyful racket. But, to her astonishment, cutting through the rippling staccato of children's talk and laughter, came the grave tones of a man's voice. Hearing which, steady of nerve and strong though she was, Gabrielle turned faint. The blood left her heart. She made for the nearest window-seat and sank down on it.—Horace was there, in the dining-room, playing with Bette and her little friends as he so dearly loved to play. The fact of her widowhood, the past eighteen months of freedom, became as though they were not. In attitude and sentiment she found herself relegated to an earlier period, against which her whole nature rose in rebellion. She realized how quite horribly little she wanted to see Horace again, or renew his and her former relation. Realized her jealousy of him in respect of her child. Realized, indeed, that, notwithstanding his many attractive qualities and invariable kindness, his resurrection must represent to her something trenching upon despair.

Yet it was cruel, she knew, heartless, to feel thus. She glanced in positive mental torment at the marble bust. It still watched her, through the haggard clarity of the snow-glare, with the same effect of cynically questioning criticism and amusement, almost, so she thought, as one should say: "My dear, be consoled. Even had I the will, I am powerless to return and to claim you. Follow your own fancy. Make yourself perfectly easy. Have no fear but that I am very effectually wiped out of your life."

The blood rushed back to her heart. Her face flamed. She felt humiliated, as though detected in a secret villainy, in an act of detestable meanness. It is an ugly thing to pillage the dead. But she was also very angry, for she understood what had happened. Not Horace—poor, undesired Horace—but Adrian Savage was there in the dining-room. He had changed his mind after all; and, in the hope of somehow working upon her, had stayed to bid grandmother and grandchild good-by. This was a plot, a plant, and she was furious, her sense of justice suffering violent eclipse. For was it not abominable of him to have placed her in so unworthy and mortifying a position in respect of her dead husband, and, incidentally, to have given her such a dreadful fright? Regardless of reason she piled his offenses mountain-high. However, this simplified matters in a way, disposing of a certain question forever. Marry him? She'd as soon marry a ragpicker, a scavenger! She hoped devoutly he would have an atrocious crossing when he did at last seek foreign shores.

Thereupon she rose and swept onward, in the stateliest manner imaginable, with trailing, somber skirts, over the polished, shining floor.

As she threw open the dining-room door a slender, white-frocked, black-silk-legged figure rushed upon her and clasped her about the hips with ecstatic cries.

"Ah! mamma," it piped. "At last you have come! I am so excited. We have waited and listened. But it was a secret. He forbade us to tell you he was here. It was to be a great surprise. Now you may look, but you must promise not to interrupt with conversation. That is very important, you understand, because the next few moments are critical. M. Dax is cooking an omelette in my tiny, weeny frying-pan for our dolls and Teddy-bears."

And so, once again upon this day of self-revelations, Madame St. Leger had to revise her position and own herself in the wrong. Yet the relief of finding neither resuscitated husband nor importunate lover, but simply M. René Dax, in possession was so great that she greeted that eccentric and gifted young man with warm cordiality—wholly ignoring his affectations and the rumors current regarding his moral aberrations, remembering only the irreproachable correctness of his dress and manners, and the quaintly pathetic effect of his small, tired face, great domed head and bulging forehead—like those of a hydrocephalic baby—and the ingeniously fascinating qualities he displayed as self-elected playfellow of Bette and her little friends.

Yes, she told herself, she really had a great regard for René Dax. He touched her. And now she, undoubtedly, passed a wholly delightful three-quarters of an hour in his and the little girls' company, Madame Vernois looking on, meanwhile, sympathetic yet slightly perplexed. For Gabrielle, in her reaction of feeling, forgetful of her black dress and twenty-seven years, and the rather tedious restraints and dignities of her matronhood, was taken with the sprightliest humor. She remembered that three-quarters of an hour now with a degree of regret. If only it could have stopped at that! But, unfortunately, things went further.

For, at parting, she had lingered in the gallery, where the haggard whiteness of the snow-glare struggled with the deepening twilight, thanking René Dax for his kindness to the children and for the happy afternoon he had given them. The sense of holiday, of playtime, was still upon her and she spoke with unaccustomed gaiety and intimacy of tone.

The young man looked up at her attentively, queerly—the top of his head barely level with her shoulder—and answered, a certain harshness observable in his carefully modulated voice:

"Do not spoil it all by accusing me of a good action. In accusing me of that you do my intelligence a gross injustice. My conduct has been dictated, as always, by calculated selfishness."

And, when she smilingly protested, he went on:

"I have many faults, no doubt. But I am guiltless of the weakness of altruism—contemptible word, under which the modern mind tries to conceal its cowardice and absence of all sound philosophy. I am an egoist, dear Madame, believe me, an egoist pure and simple."

He paused, looking down with an effect of the utmost gravity at his very small and exquisitely shod feet.

"It happened, for reasons with which it is superfluous to trouble you, that to-day I required a change of atmosphere. I needed to bathe myself in innocence. I cast about for the easiest method of performing such ablutions, and my thought traveled to Mademoiselle Bette. The weather being odious, it was probable I should find her in the house. My plan succeeded to admiration. Have no delusions under that head. It is invariably the altruist, not the egoist, whose plans miscarry or are foiled!"

He took a long breath, stretching his puny person.

"I am better. I am cleansed," he said. "For the moment at least I am restored, renewed. And for this restoration the reason is at once simple and profound. You must understand," he went on, in a soft conversational manner, as one stating the most obvious common-place, "my soul when it first entered my body was already old, immeasurably old. It had traversed countless cycles of human history. It had heard things no man may repeat and live. It had fed on gilded and splendid corruptions. It had embraced the forbidden and hugged nameless abominations to its heart. It had gazed on the naked face of the Ultimate Self-Existent Terror whose breath drives the ever-turning Wheel of Being. It had galloped back, appalled, through the blank, shouting nothingness, and clothed itself in the flesh of an unborn, unquickened infant, thus for a brief space obtaining unconsciousness and repose."

René Dax looked up at her again, his little, tired face very solemn, his eyes glowing as though a red lamp burned behind them.

"Has it ever occurred to you why we worship our mothers?" he asked. "It is not because they bring us into life, but because for nine sacred months they procure us blessed illusion of non-living. How can we ever thank them sufficiently for this? And that," he added, "is why at times, as to-day, I am driven to seek the society of young children. It rests and refreshes me to be near them, because they have still gone but a few steps along the horrible, perpetually retrodden pathway. They have not begun to recognize the landmarks. They have not yet begun to remember. They fancy they are here for the first time. Past and future are alike unrealized by them. The aroma of the enchanted narcotic of non-living, which still exhales from their speech and laughter, renders their neighborhood infinitely soothing to a soul like mine, staggering beneath the paralyzing burden of a knowledge of accumulated lives."

Whether the young man had spoken sincerely, giving voice to a creed he actually, however mistakenly, held, or whether his utterances were merely a pose, the outcome of a perverse and morbid effort at singularity, Madame St. Leger was uncertain. Still it was undeniable that those utterances—whether honest or not—and the somber visions evoked by them remained, distressing and perplexing her with a dreary horror of non-progression, of perpetual and futile spinning in a vicious circle, of perpetual and futile actual sameness throughout perpetual apparent change.

So far all the essentials of the Faith in which she had been born and educated remained to her. Yet, too often now, as she sorrowfully admitted, her declaration of that Faith found expression in the disciple's cry, "Lord, I believe; help Thou my unbelief." For unbelief, reasoned not merely scoffing, had, during these years of intercourse with the literary and artistic world of Paris, become by no means inconceivable to her. More than half the people she met smiled at, if they might not openly repudiate, Christianity. It followed that she no longer figured the Faith to herself as a "fair land and large" wherein she could dwell in happy security, but rather as a fortress set on an island of somewhat friable rock, against which winds and waves beat remorselessly. And truly, at moments—cruel moments, which she dreaded—the onslaught of modern ideas, of the modern attitude in its contempt of tradition and defiance of authority—flinging back questions long since judged and conclusions long established into the seething pot of individual speculation—seemed to threaten final undermining of that rock and consequent toppling of the fortress of Faith surmounting it into the waters of a laughing, envious, all-swallowing sea. This troubled her the more because certain modern ideas—notably that of emancipated and self-sustained womanhood—appealed to and attracted her. Was there no middle way? Was no marriage between the old Faith and the new science, the new democracy, possible? If you accepted the latter, did negations and denials logically follow, compelling you to let the former go?

And so it came about that to-night, she alone waking in the sleeping house, the gloomy pictures called up by René Dax's strange talk held her painfully. They stood between her and sleep, between her and prayer, heightening her restlessness and suggesting thoughts very subversive of Christian theology and Christian ethics.

Gabrielle rose from her chair and moved to and fro, her hands clasped behind her. She never remembered to have felt like this before. The room seemed too narrow, too neat, its appointments too finicking and orderly, to contain her erratic and overflowing mental activity. The abiding mystery which not only surrounds each individual life, but permeates each individual nature, the impassable gulf which divides even the nearest and most unselfishly loved—even she herself and her own darling little Bette—from one another, presented itself oppressive and distressing as a nightmare. Just now it appeared to her inconceivable that to-morrow she would rise just as usual, satisfied to accept conventions, subscribe to compromises, take things in general at their face value, while contentedly expending her energies of brain and body upon trivialities of clothes, housekeeping, gossip, the thousand and one ephemeral interests and occupations of a sheltered, highly civilized woman's daily existence. The inadequacy, the amazing futility of it all!

Then, half afraid of the great stillness, she stood perfectly quiet, listening to the desolate cry of the wind along the house-roofs and its hissing against the window-panes.

"'My soul has gazed on the Ultimate Self-Existent Terror whose breath drives the ever-turning Wheel of Being,'" she murmured as she listened. "'It galloped back, appalled, through the blank, shouting nothingness'"—

Yes, that was dreadful conception of human fate! But what if it were true? Millions believed it, or something very closely akin to it, away in the East, in those frightening lands of yellow sunrise and yellow, expressionless peoples of whom it always alarmed her to think! Swiftly her mind made a return upon the three men, living and dead, who to-day had so deeply affected her, breaking up her practised calm and self-restraint. She ranged them side by side, and, in her present state of exaltation, they severally and equally—though for very different reasons—appeared to her as enemies against whom she was called upon to fight. Seemed to her as tyrants, either of whom to sustain his own insolent, masculine supremacy schemed to enslave her, to rob her of her intellectual and physical freedom, of her so jealously cherished ownership of herself.

"'It galloped back through the blank, shouting nothingness,'" she repeated. But there came the sharpest sting of the situation. For to what covert? Where could her soul take sanctuary since friendship and marriage proved so full of pitfalls, and her fortress of Faith was just now, as she feared, shaken to the base?

Then, the homeless cry of the wind finding echo in her homelessness of spirit, a sort of anger upon her, blind anger against things as they are, she moved over to the window, drew back the curtains and opened the locked casements. The cold clutched her by the throat, making her gasp for breath, making her flesh sting and ache. Yet the apprehension of a Presence, steadying and fortifying in its great simplicity of strength, compelled her to remain. She knelt upon the window-seat and leaned out between the inward opening casements, planting her elbows on the window-ledge and covering her mouth with her hands to protect her lips from the blistering chill.

Outside was the wonder of an unknown Paris, a vacant, frozen, voiceless Paris, wrapped in a winding-sheet of newly fallen snow. Under the lamps, along the quay immediately below, that winding-sheet glittered in myriad diamond points, a uniform surface as yet unbroken by wheel tracks or footprints—misery, pleasure, business, alike in hiding from the bitter frost. Elsewhere it spread in a heavy, muffling bleachedness, from the bosom of which walls, buildings, bridges reared themselves strangely unsubstantial, every ledge and projection enameled in white. Beneath the Pont des Arts on the right and the Pont des Saints Pères on the left—each very distinct with glistening roadway and double row of lamps—the river ran black as ink. The trees bordering the quays were black, a spidery black, in their agitated, wind-tormented bareness. And the sky was black, too, impenetrable, starless, low and flat, engulfing the many domes, monuments, and towers of Paris, engulfing even the roofs and pavilions of the Louvre along the opposite bank of the Seine, inclosing and curiously isolating the scene. This effect of an earth so much paler and, for the most part, so much less solid than the sky above it, this effect of buildings rising from that pallor to lose themselves in duskiness, was unnatural and disquieting in a high degree. The sentiment of this desert, voiceless Paris was more disquieting still. For Gabrielle retained something of the provincial's persistent distrust of the siren personality of la ville lumière. The wonderful and brilliant city had enthralled her imagination, but had never quite conquered her affections. Now, leaning out of the high-set window, she gazed as far as sight carried, east, west, and north, while a vague, deep-seated excitement possessed her. It was as though she touched the verge of some extraordinary revelation, some tremendous crisis of the cosmic drama. Had universal paralysis seized the heart of things, she asked herself, of which this desert, voiceless Paris was the symbol? Had the ever-turning Wheel of Being ceased to turn, struck into immobility, as the world-famous city appeared to be, by some miracle of incalculable frost?

The cry of the wind answered. So the wind, at least, was alive and awake yet, as were the black seaward-flowing waters of the river.

Then suddenly, unexpectedly, along with that homeless cry of the wind hailing from she knew not what immense desolation of polar spaces, came a small, plaintive, human cry close at hand.

Hearing which last the young woman sprang down from her kneeling place, locked the gaping casements together, and ran lightly and swiftly into the adjoining room. There in the warm dimness, her hands outstretched grasping the rail of her cot on either side, slim little Bette sat woefully straight up on end.

"Mamma, mamma," she wailed, "come and hold me tight, very tight! I have had a bad dream. I am frightened. M. René Dax touched all my toys, all my darling, tiny saucepans and kettles, all my dolls and Teddy-bears with his little walking-cane. And it was terrifying. They all came alive and chased me. Hold me tight. I am so frightened. They rushed along. They chased me and chased me. They panted. Their mouths were open. I could see their red tongues. And they yelped as the little pet dogs do in the public gardens when they try to catch the sparrows. I called and called to you, but you were not there. You did not come. I tried very hard to run away, but my feet stuck to the floor. They were so very heavy I could not lift them. It is not true? Tell me it is not true. He cannot touch all my toys with his little cane and make them come alive? I think I shall be afraid ever to play with them any more. They were so dreadfully unkind. Tell me it is not true!"

"No, no, my angel," Gabrielle declared, soothingly. "It is not true, not in the very least true. It is only a silly dream. All the poor toys are quite good. You will find them obedient and loving, asking ever so prettily to be played with again to-morrow morning."

She took the slender, soft, warm body up in her arms—it was sweet with the flower-like sweetness of perfect cleanliness and health—and held it close against her. And for the moment perplexities, far-reaching speculations and questionings were obliterated in a passion of tenderness for this innocent life, this innocent body, which was the fruit of her own life and her own body. All else fell away from her, leaving her motherhood triumphant and supreme.

The child, making good the opportunity, began to wheedle and coax.

"I think it is really very cold in my bed," she said. "I am sure it would be far warmer in yours. And I may dream M. Dax came back and touched my toys with his little walking-cane and made them naughty if I remain here by myself. Do not you think it would be rather dangerous to leave me here alone? I might wake grandmamma if I were to be terrified again and to scream. I like your big bed so very much best."

The consequence of all of which was that Gabrielle St. Leger said her rosary that night fingering the beads with one hand while the other clasped the sleeping child, whose pretty head lay on her bosom. Her mind grew calm. The fortress of Faith stood firm again, as she thankfully believed, upon its foundation of rock. She recovered her justness of attitude toward departed husband and absent lover. But she determined to reduce her intercourse with M. René Dax to a minimum, since the tricks he played with his little walking-cane seemed liable to be of so revolutionary and disintegrating a character.

CHAPTER IV
CLIMBING THE LADDER

The snow had been cleared away from the drive and carriage sweep, but still lay in thick billowy masses upon the branches of the fir and pine trees and upon the banks of laurel and rhododendron below. At sunset the sky had cleared somewhat, and a scarlet glow touched the under side of the vast perspective of pale, folded cloud, and blazed on the upper south westward-facing windows of the Tower House as with a dazzle of fierce flame. Joseph Challoner, however, was unaware of these rather superb impressionist effects as, with his heavy, lunging step, he came out of the house on to the drive. The drawing-room had been hot, and he had gone through a somewhat emotional interview. A man at once hard and sentimental, just now sentiment was, so to speak, on the top. His upright face and head were decidedly flushed. He felt warm. He also felt excited, perceiving perspectives quite other than those presented by the folded clouds and the afterglow.

Usually Joseph Challoner affected a country-gentleman style of dress—tweeds of British manufacture, noted for their wear and wet-resisting qualities, symbolic of those sturdy, manly, no-nonsense sort of virtues, of which he reckoned himself so conspicuous an exponent, and which have, as we all know, gone to make England what she is. But to-day out of respect for his late client, Montagu Smyrthwaite, he had put on garments of ceremony, black braid-edged coat and waistcoat, pepper-and-salt-mixture overcoat with black-velvet collar, striped dove-gray and black trousers—which had served at a recent local wedding—and top hat. This costume tended to make an awkwardness of gait and action which belonged to him the more observable. Over six feet in height, he was commonly described by his admirers—mostly women—as "a splendid-looking man." Others, doubtless envious of his success with the fair sex and of his inches, compared him, with his straight, thick, up-and-down figure, as broad across the loins as at the shoulders, his large paw-like hands and feet and flattened, slightly Mongolian caste of countenance, to a colossal infant. His opinion of his own appearance, concerning which he was in a chronic state of anxiety, fluctuated between these two extremes, with hopeful leanings toward the former. At the present moment, for private reasons, he hoped fervently that he was "a splendid-looking man."

That he was a moist and hot one was undeniable. He took off his hat and passed his hand over his straight, shiny, reddish hair—carefully brushed across impending calvities—and sucked the ends of his rather ragged mustache nervously into the corners of his mouth.

He was touched, very much touched. He had not felt so upset for years. He admired his own sensibility. Yes, most distinctly he trusted that he was "a splendid-looking man"—and that she so regarded him. Then, coming along the drive toward him, between the snow-patched banks of evergreen, he caught sight of the short, well-bred, well-dressed, busy, not to say fussy, little figure of that cherished institution of the best Stourmouth society, Colonel Rentoul Haig. This diverted his thoughts into another channel, or, to be perfectly accurate, set a second stream running alongside the first. Both, it may be added, tended in the direction of personal self-aggrandizement.

"Good-day to you, Challoner. Glad to meet you," Colonel Haig said, a hint of patronage in his tone. "I heard the sad news from Woodward at the club at luncheon-time, and I took the tram up as far as the County Gates as soon as I could get away. We had a committee meeting at two-thirty. I felt it would be only proper to come and inquire."

"Yes," the other answered, in a suitably black-edged manner, "our poor friend passed away early this morning. I was sent for immediately."

Having a keen sense of the value of phrases, Colonel Haig pricked up his ears, so to speak. His attitude of mind was far from democratic, and "our poor friend" from a local solicitor struck him as a trifle familiar. He looked up sharply at the speaker. He felt very much tempted to teach the man his place. But there was such a lot he wanted to hear which only this man could tell him. And so, the inquisitive nose and puckered, gossipy mouth getting the better of the commanding military eye, he decided to postpone the snubbing of Challoner to a more convenient season.

"I came round this afternoon chiefly to see Miss Margaret," the latter continued. "She was terribly distressed and felt unequal to seeing me this morning. She is very sensitive, very sensitive and feminine. Her father's death came as a great shock to her. And then owing to some mistake or neglect she was not present at the last. As she told me, she feels that very much indeed." The speaker's voice took a severe tone. He shifted his weight from one massive foot to the other, rather after the manner of a dancing bear. "Her grief was painful to witness. And I think you'll agree with me, Colonel, it was just one of the neglects which ought not to have occurred."

"A pity, a pity!" the other admitted. "But on such occasions people will lose their heads. It's unavoidable. Look here, Challoner, I must go on and leave cards. But I sha'n't be more than five minutes. I shall not ask to see either of the ladies to-day. So if you'll wait I'll walk as far as the County Gates with you, supposing you're going in my direction."

The Mongolian caste of countenance is conveniently non-committal, lending itself to no compromising play of expression. Challoner was more than willing to wait. He had certain things to say, a favor, indeed, to ask. And it always looked well, moreover—conferred a sort of patent of social solvency upon you—to be seen in public with Colonel Haig. He wished the weather had been less inclement so that more people might be about! But he betrayed no eagerness. Took out his watch, even, and noted the hour before answering.

"Yes, I think I may allow myself the pleasure," he said. "I have been too much engaged here to get down to my office to-day, and there will be a mass of business waiting for me at home—no taking it easy in my profession if you're to do your duty by your clients—but, yes, I shall be happy to wait for you."

Then, left alone in the still, clear cold, he became absorbed in thought again.

When Joseph Challoner, the elder, settled at Stourmouth in the early sixties of the last century, that famous health-resort had consisted of a single street of small shops, stationed along a level space about half a mile up the fir and pine clad valley from the sea, plus some dozen unattractive lodging-houses perched on the top of the West Cliff. The beginnings of business had been meager. Now Stourmouth and the outlying residential districts to which it acts as center—among them the great stretch of pine-land known as the Baughurst Park Estate—covers the whole thirteen miles, in an almost unbroken series of shops, boarding-houses, hotels, villas, and places of amusement, from the ancient abbey-town of Marychurch at the junction of the rivers Wilmer and Arn, on the east, to Barryport, the old sea-faring town, formerly of somewhat sinister reputation, set beside a wide, shallow, island-dotted, land-locked harbor to the west. Along with the development of Stourmouth the elder Challoner's fortunes developed. So that when, as an old man, he died in the last of the eighties, his son, the younger Joseph, succeeded to a by no means contemptible patrimony.

As business increased other members came into the firm, which now figured as that of Challoner, Greatrex & Pewsey. But, and that not in virtue of his senior partnership alone, Joseph Challoner's interest remained the largely predominant one. He was indefatigable, quick to spot a good thing, and, so some said, more clever than scrupulous in his pursuit of it. He came to possess the reputation of a man who it is safer to have for your friend than your enemy. So much for the hard side of his character.

As to the sentimental side. When a youth of twenty he had fallen head over ears in love with the daughter of a local retail chemist, a pretty, delicate girl, with the marks of phthisis already upon her. She brought him a few hundred pounds. They married. And he was quite a good husband to her—as English husbands go. Still this marriage had been, he came to see, a mistake. The money, after all, was but a modest sum, while her ill-health proved decidedly costly. And then he had grown to know more of the world, grown harder and stronger, grown to perceive among other things that connection with a shop is a handicap. The smell of it sticks. There's no ridding yourself of it. Joseph Challoner may be acquitted of being more addicted to peerage or money worship, to being a greater snob, in short, than the average self-respecting Anglo-Saxon; yet it would be idle to deny that when an all-wise and merciful providence permitted his poor, pretty young wife—after several unsuccessful attempts at the production of infant Challoners—to die of consumption, her husband felt there were compensations. He recognized her death as a call, socially speaking, to come up higher. He set himself to obey that call, but he did not hurry. For close upon thirteen years now, though of an amorous and domestic disposition, he had remained a widower. And this of set purpose, for he proposed that the last whiff of the shop should have time to evaporate. By the period immediately in question he had reason to believe it really had done so. Privately he expended a considerable sum in procuring his father-in-law a promising business near London. Stourmouth knew that retail chemist no more. And so it followed that the dead wife's compromising origin was, practically, forgotten; only admiration of the constancy of the bereaved husband remained. To complete the divorce between past and present, Challoner, some few years previously, had let the "upper part" over the firm's offices, at the corner where the Old Marychurch Road opens upon the public gardens and The Square in the center of Stourmouth, to his junior partner, Mr. Pewsey, and removed to Heatherleigh, a fair-sized villa on the Baughurst Park Estate, which he bought at bargain price owing to the insolvency of its owner. Here, with a married couple at the head of his household, as butler and cook-housekeeper, he lived in solid British comfort—so-called—giving tea and tennis parties at intervals during the summer months, and somewhat heavy dinners during the winter ones, followed by bridge and billiards.

Granted the man and his natural tendencies, it was impossible that the thirteen years which had elapsed since the death of his wife should have been altogether free from sentimental complications. These had, in point of fact, been numerous. Upon several of them he could not look back with self-congratulation. Still the main thing was that he had escaped, always managing to sheer off in time to avoid being "had," being run down and legally appropriated. The retreat may not have been graceful, might not, to a scrupulous conscience, even figure as strictly honorable, but it had been accomplished. And for that—standing here, now, to-day, on the snow-powdered carriage sweep of the Tower House—with a movement of unsuspected cynicism and profanity he gave thanks, sober, heartfelt, deliberate thanks to God his Maker. For his chance had come, the chance of a lifetime! He turned fiercely, grimly angry at the bare notion that any turn of events might have rendered him not free to embrace it. And his anger, as anger will, fixed itself vindictively upon a concrete object, upon a particular person.

But, at this point, his meditations were broken in upon by the sound of Colonel Haig's slightly patronizing speech and the ring of his brisk returning footsteps over the hard gravel.

"Very obliging of you to wait for me, Challoner," he said. "There are several things which I should be glad to hear, in confidence, about all this matter. Since their father's death I feel a certain responsibility toward the Miss Smyrthwaites. They have only acquaintances here in the south of England—no old friends, no relatives. I really stand nearest to them, though we are but distantly connected."

"I was not aware of even a distant connection," Challoner returned.

"Probably not. I suppose hardly any one here is aware of it. In a watering-place like Stourmouth, a place that has come up like a mushroom in a night, as you may say, only a very small and exclusive circle do know who is who. That is one of the things one has to put up with, though I confess I find it annoying at times. Well, you see, my grandmother and poor Smyrthwaite's mother were first cousins once removed—both Savages, the Yorkshire, not the Irish, branch of the family. I have reason to believe there was a good deal of opposition to Mrs. Smyrthwaite's marriage. She was not a Roman Catholic, like most of her people. But they all were—and all are, I am thankful to say—people of very solid standing, landed gentry, soldiers, and so on. Naturally they objected to a marriage with a manufacturer and a Non-conformist. I am quite prepared to admit Unitarians have more breeding than most dissenters, but still it isn't pleasant, it isn't quite the thing, you know. Prejudice? Perhaps. But gentle-people are naturally prejudiced in favor of their own class. And, upon my word, I am inclined to believe it is very happy for the community at large they should be so."

The two men reached the gate opening from the grounds of the Tower House on to the public road—a broad, straight avenue, the foot-paths on either side divided from the carriage-way by a double line of Scotch firs rising from an undergrowth of rhododendron and laurel. At intervals the roofs, gables, and turrets of other jealously secluded villas—in widely differing styles and no-styles of architecture—were visible. But these struck the eye as accidental. The somber, far-stretching fir and pine woods were that which held the attention. They, and the great quiet of them; in which the cracking of a branch over-weighted with snow, the distant barking of a dog, or the twittering of a company of blue-tits foraging from tree-stem to tree-stem where the red scaling bark gave promise of insect provender, amounted to an arresting event.

After a moment of just perceptible hesitation Joseph Challoner pushed open the heavy gate for the elder man and let him pass out first. Several points in Colonel Haig's discourse pleased him exceedingly little, but, in dealing with men as with affairs, he never permitted minor issues to obscure his judgment regarding major ones. If the old lad chose to be a bit impertinent and showy, never mind. Let him amuse himself that way if he wanted to. Challoner had a use for him just now, and could be patient till he had used him—used him right up, in fine, and no longer had any use left for him. It followed that as, side by side, the two turned north-eastward up The Avenue he answered in a noticeably conciliatory tone:

"I really am indebted to you, Colonel, for telling me this. I own my position looked awkward in some respects. I foresaw I might want to consult some one, unofficially, you understand, about the Miss Smyrthwaites' affairs; and, as you truly say, they've nothing beyond acquaintances here. I recognized there really wasn't a soul to whom I should feel at liberty to speak. But now that I know of your connection with and the interest you take in the family, I feel I have some one to turn to if I should need advice. It is a great relief."

Colonel Haig's self-importance was agreeably tickled.

"I am very happy to have the opportunity of being of service to you, Challoner," he said, graciously, "particularly in connection with my cousin's affairs." Then he became eminently businesslike. "The disposition of the property is intricate?" he asked.

"No, not exactly. The provisions of the will—I drew it—are simple enough—in a way. But there is such a large amount of property to deal with."

"Yes, yes, Smyrthwaite was very close, of course, very reticent. Still I have always supposed there was a good deal of money. Now, what about is the amount, approximately, I mean—if you are free to tell me?"

"Under the circumstances I see no reason why I should not tell you—in strict confidence, of course."

"That is understood, my dear Challoner. Whatever you may feel it advisable, in the interests of these ladies, to say to me goes no farther, absolutely no farther."

This from one whose face was irradiated with the joy of prospective gossipings struck his hearer as a trifle simple-minded. Never mind. The said hearer had the game well in hand.

"I take that for granted, Colonel," he answered. "Professional instinct made me allude to it. One gets so much into the habit of insisting on silence regarding confidential communications that one insists when, as in the present case, there's not the slightest necessity for doing so. A form of words—nothing more. With you I know I'm safe. Well, the estate stands at about two hundred thousand, rather more than less, with a considerable yearly income from the mills at Leeds in addition."

Haig stopped short. He went very red in the face.

"Yes, it makes a very tidy heiress of each of the ladies," Challoner said, parenthetically.

"It all goes to them?"

"Practically all of it."

"I doubt if women should be left so much money," Colonel Haig exclaimed, explosively. Remembrance of his own eight or nine hundred a year disgusted him. What a miserable pittance! He moved forward again, still red from mingled surprise and disgust, his neat, frizzly, gray mustache positively bristling. "Yes, I doubt, I very much doubt," he repeated, "whether it is doing any woman a kindness, an unmarried woman, in particular, to leave her so much money. It opens the door to all sorts of risks. Women have no idea of money. It's not in them. The position of an heiress is a most unfortunate one, in my opinion. It places her at the mercy of every description of rascally, unscrupulous fortune hunter."

"You're perfectly right, Colonel—I agree," Challoner said. "It does."

His face was unmoved, but his voice shook, gurgling in his throat like that of a man on the edge of a boisterous horse-laugh. For a few steps the two walked in silence, then he added: "And that is why I am so relieved at having you to turn to, Colonel. Unscrupulous fortune hunters are just the sort of dirty gentry we shall have to protect the two ladies against."

"You may be sure of me, Challoner," Colonel Haig said, with much seriousness. "We must work together."

"Yes, we must work together, Colonel—in a good cause—that's it." And again his voice shook.

"Are you executor?" the other inquired, after a pause.

"No, and, between ourselves, I am glad of it. I shall be able to safeguard the Miss Smyrthwaites' interests better since I am not dealing directly with the property. Miss Joanna and a distant relative are the executors. I think the second appointment a bad one, and ventured to say as much to Mr. Smyrthwaite when I drew this new will for him about two years ago."

"A new will?"

"Yes; a name occurred in the earlier one which he wished to have cut out."

The speaker paused, and the other man rose, metaphorically speaking, as a fish at a neatly cast fly.

"Ah! his son's, I suppose. Poor Bibby's—William, I mean, William Smyrthwaite. Everybody knew him as Bibby."

"Yes," Challoner said, "his son, William Smyrthwaite. Of course I am aware something went wrong there, but, to tell you the truth, Colonel, I have never got fairly at the story."

"Well you may take it from me the story is a disgraceful one. I am a man of the world, Challoner, and not squeamish. I can make excuses, but, you may take it from me, young Smyrthwaite was a hopelessly bad lot. A low, vicious, ill-conditioned young fellow—degenerate, that is the only word, I am sorry to say. He was several years younger than his sisters. I heard all about it at the time through friends. There were nasty rumors about him at Rugby, and he was expelled—quite properly. His father put him into the business. Then things happened at Leeds—gambling, chorus girls, drink. I need not go into particulars. There was some question, too, of embezzlement, and young Smyrthwaite had to disappear. It was a terrible blow to his father. He decided to leave Leeds. He came south, bought the Tower House and settled here. I think he was quite right. The position was a very humiliating one, especially for his wife and daughters."

Joseph Challoner listened carefully.

"And what became of the boy?"

"Oh, dead—fortunately for everybody concerned, dead."

"Dead? Very fortunate. But a proven case of death or only an accepted one?"

"Oh, proven, I take it. Yes, unquestionably proven. I never heard there was the slightest doubt about that."

"What a chattering fool the old bird is!" Challoner said to himself irreverently, adding, aloud: "Apparently, then, we may leave Master Bibby out of our count. That's a good thing, anyhow. I am extremely obliged to you for giving me such a clear account of the whole matter, Colonel. It explains a great deal. Really I can't be sufficiently glad that I happened to run across you this afternoon. I may call it providential. But now to go back to another young gentleman, Miss Joanna's coexecutor, who is not in the very least dead."

"Yes?" Haig inquired, with avidity. "Speak without reserve, Challoner. Ask me anything you are in any difficulty about."

"I don't want to abuse your good nature. And I don't forget you have seen a lot more of the world than I have. Your point of view may be different. I shall be only too glad if you can reassure me. For I tell you, Colonel, it makes me uneasy. England's good enough for me, England and Englishmen. I may be narrow-minded and insular, but I can do without the foreigner."

"Yes, and I'm not sure you are not right in that," the other said, rising at another clever cast. "Yes?"

"I am glad you agree. Well, this coexecutor whom we have to look after is, to all intents and purposes, a foreigner, that is to say, born abroad—a Parisian and a journalist. Ah, exactly! I am not sorry to see it strikes you as it did me, Colonel, when poor Mr. Smyrthwaite first broached the subject. Doesn't sound very substantial, does it? And when you remember the amount of money that will pass through his hands! Still you may be able to reassure me. By the way, I suppose he must be a relative of yours. His name is Adrian Savage."

"Never heard of him in my life," Haig exclaimed, irritably. Then, afraid he had altogether too roundly given away his ignorance, he went on:

"But wait a moment, wait! Yes, now I come to think, I do recollect that one of the Savages, a younger son, went into the medical profession. I never saw anything of him. There was a strong feeling in the family about it. Like marriage with a dissenter, they felt doctoring wasn't exactly the thing for a Savage. So he was advised, if he must follow the medical profession, to follow it at a distance. I remember I heard he settled in Paris and married there. This journalist fellow may be a son of his." The speaker cleared his throat. He was put about, uncertain what line it would be best to take. "At one time I used to be over there often. As a young man I knew my Paris well enough—"

"I'll be bound you did, Colonel," Challoner put in, with a flattering suggestiveness. "Silly old goat!" he said to himself.

"Yes, I do not deny I have amused myself there a little in the past," the other acknowledged. "But somehow I never looked Doctor Savage up. It was unfriendly, perhaps, but—well—in point of fact I never did."

"Had neater and sweeter things to look up, eh, Colonel?" Challoner put in again. "I believe you. Wish I'd ever had your luck."

Here resisted laughter got the better of him, jarring the quiet of the woods with a coarseness of quality startling even to his own ears. Nothing betrays lack of breeding more than a laugh. He knew this, and it galled him. He felt angry, and hastened in so far as he might to recover himself.

"Seriously, though, joking apart, I very much wish, as things turn out, you had kept in touch with the doctor," he said. "Then you would have been in a position to give me your views on this son of his. Mr. Smyrthwaite seems to have taken an awful fancy to him. But I don't attach much importance to that. He was ill and crotchety, just in the state of health to take unreasoning likes and dislikes. And I can't help being anxious, I tell you, Colonel. It does not affect my pocket in any way—I'm not thinking of myself. And I am no sentimentalist. My line of business leaves neither time nor room for that. Still I tell you candidly it goes tremendously against the grain with me to think of some irresponsible, long-haired, foreign, Bohemian chap being mixed up with the affairs of two refined English gentlewomen like the Miss Smyrthwaites. Of course he may turn out a less shadowy individual than I anticipate. Nothing would please me better than that he should. But, in any case, I mean to keep my eye upon him. He's not going to play hanky-panky with the ladies' money if Joseph Challoner can prevent it. I hold myself responsible to you, as well as to them and to my own conscience, Colonel, to keep things straight."

"I am confident you will do your best," the other replied, graciously. "And I trust you to consult me whenever you think fit. Don't hesitate to make use of me."

"I won't, Colonel. Make yourself easy on that point. I am greatly indebted to you. I won't."

The end of the long avenue had come into sight, where, between high stone gate-posts—surmounted by just-lighted gas-lamps—it opens upon the main road and tram-line running from Stourmouth to Barryport. After the silence and solitude of the woods the street appeared full of movement. A row of shop-fronts, across the roadway, threw a yellow glare over the pavement and on to the snow-heaps piled in the gutter. The overhead wires hummed in the frosty air. A gang of boys snowballed one another in the middle of the street, scattering before some passing cart, and rushed back, shouting, to renew the fight. Groups of home-going workmen tramped along the pavement, their breath and the smoke of their pipes making a mist about their heads in the cold winter dusk.

Challoner held out a paw-like hand.

"You'll excuse me if I leave you, Colonel?" he said. "I have outstayed my time already. I am afraid I must be getting home—a lot of work waiting for me. Good-night."

He turned away. Then, just inside the gates, a sudden thought apparently striking him, he hesitated and came back.

"By the way," he said, "I had been meaning to write a line to you to-day, but this sad business at the Tower House put it clean out of my head. I may just as well ask you by word of mouth. It'll save you the bother of a note. Woodford has nominated me for election at the club. Your name, as one of the oldest and most influential members, of course, carries much weight. If you second me you'll do me a great kindness."

Here the towering, well-lighted tram from Barryport sailed majestically up, with a long-drawn growl, ending in a heavy clang and thin shriek as the powerful brakes gripped, bringing it to a stop.

"All right. I may take it for settled, then. I have your promise. Really I am awfully obliged to you. Don't let me make you miss your tram, though. Hi! conductor, steady a minute. Colonel Haig's going with you.—Thanks, Colonel, good-night," Challoner cried, all in a breath, without giving the hustled, harried, almost apoplectic ex-warrior time to utter a syllable good or bad.

"Had him neatly," he said to himself, as he turned once more into the stillness and twilight of the woods. "He can't back out—daren't back out. Their swagger, aristocratic, d——-your-impudence Stourmouth Club taken by assault!"

And again he laughed, but this time the coarse quality of the sound failed to jar him. On the contrary, he rather relished its stridency. He was winning all along the line, so he could afford—for a little while here alone under the snow-laden fir-trees in the deepening dusk—to be himself.

In the hall at Heatherleigh his man-servant—a thin, yellowish, gentle, anxious-looking person, who played the part of shuttlecock to the battledores of his strong master and of a commanding wife, ten years his senior—met him.

"Mr. Pewsey is waiting for you in the smoke-room, sir," he said, while helping Challoner off with the pepper-and-salt-mixture overcoat. "And Mrs. Spencer, sir, called to leave this note. She said there was no answer, but I was to be sure and give it to you directly you came in."

Challoner took the note, and stopped for a minute under the hanging, colored-glass gas-lantern to read it. It was written in a large, showy, yet tentative hand, on highly scented mauve paper with a white border to it, and ran thus:

"B. gone to Mary church to dine and sleep. Alone. Come round if you can after dinner. Want you. Quite safe. Love. GWYNNIE."

Challoner rolled the small scented sheet into a ball and tossed it viciously on to the fire, watching till the flame licked it up.

"No, there's no answer. Quite true, Mrs. Gwynnie—even even less answer than you suppose or will in the least bit like," he said, between his teeth.

Then he opened the door and passed into the smoking-room to join his junior partner, with a quite expressionless face.

CHAPTER V
PASSAGES FROM JOANNA SMYRTHWAITE'S LOCKED BOOK

"You won't go sitting up writing to-night, Miss Joanna? You should get right into bed, for you are properly worn out."

"It would be useless for me to attempt to sleep yet, Isherwood, but I shall not sit up late."

This, between two women standing on the gallery of the spacious, heavily carpeted stair-head. Save for the feeble light of their glass-shaded candles the place was in darkness. The atmosphere, oppressive from the heat given off by radiators in the hall below and upon the landing itself, was permeated by the clinging odor of some disinfectant. They spoke in subdued voices, covered and whispering as those of reverent-minded persons unwillingly compelled to hold conversation in church. The northeasterly wind—which, at this same hour, cried homeless along the steep house-roofs of the Quai Malaquais to the disturbance of Gabrielle St. Leger's meditations upon the deceptions of modern marriage—raked the thick-set fir and pine trees bordering the carriage-drive outside, and shattered against the elaborately leaded panes of the high staircase windows, making the thick velvet curtains which covered them sway and quiver in the draught.

"You had better let me wait and brush your hair as usual, Miss Joanna. It might soothe your nerves," the elder of the two women said. She was a comely, vigilant-eyed person, a touch of mustache on her long upper lip and a ruddiness upon her high cheek-bones as of sun-ripened fruit. Though well on in the sixties, her carriage was upright, and her hair, looped window-curtain fashion over her ears and plaited in a round at the back of her head, still showed as black as her close-fitted black silk dress. First nurse in the Smyrthwaite family, now for many years lady's maid and housekeeper, capable, prejudiced, caustic of speech, untiring in faithful devotion to those—the very few—whom she loved, Mrs. Isherwood, virgin and spinster, represented a domestic type becoming all too rapidly extinct.

The younger woman made no immediate answer. Her bearing and attitude bespoke a great lassitude as she stood resting her right hand on the ball of the newel-post. The light of the candle she carried was thrown upward, showing a face making but small claim to beauty. A thick, pasty complexion, straight, heavy, yellowish auburn hair turned back over a pad from the high, square forehead. No sufficient softening of the pale, anxious, blue-gray eyes by eyelash or eyebrow. An acquiline nose with upcut winged nostrils, and a mouth, which, but for the compression of the lips, might have argued a certain coarseness of nature. A face, in fine, almost painful in its effect of studied self-repression, patient as it was unsatisfied, an arrested, consciously resisted violence of feeling perceptible in every line of it.

"I could hardly bear having my hair brushed to-night, I am afraid, Isherwood," she said, presently. "I am really only fit to be alone. You say Margaret is quite composed now? You think she will sleep?"

"Oh! dear me, yes, Miss Joanna, Miss Margaret will sleep. She drank a full tumbler of hot milk and fairly settled off before I left her. I wish I was half as easy about your night's rest as I am about hers."

"My good Isherwood," Miss Smyrthwaite said, softly, as she moved away across the landing. Suddenly she paused and came hurriedly back.

"Isherwood, Isherwood," she called under her breath, "the smell of that disinfectant seems so very strong. You're sure the door of—of papa's room is shut and locked?"

"Dear me, yes, Miss Joanna. I have the key here in my pocket. Mr. Smallbridge and I went in the last thing before I came up, and I locked the door myself. You've got the smell of that nasty stuff in your nose. Anybody would, the amount those nurses used of it! Now you promise you'll ring, Miss Joanna, if you should feel nervous or poorly in the night? You know it never troubles me the least to get up."

"My good Isherwood!" the younger woman said again.

From the age of fourteen Joanna Smyrthwaite had been encouraged to keep a diary. For the diary was an acknowledged part of the system of feminine education—"forming the character," it used euphemistically to be called—that obtained so largely among serious-minded persons of leisure during the earlier half of the Victorian Era. Thoughtfulness, reserve, methodical habits, the saving of time, hands never unemployed, the conforming of one's own conduct to and testing of the conduct of others by certain wholly arbitrary and conventional standards—these nominal rather than real virtues were perpetually pressed home upon the minds and consciences of the "well-brought-up" female child. Inevitable reaction carried the majority of fin-de-siècle female children notably far in the quite opposite direction. But in some instances the older system survived its appointed span—that of the Smyrthwaite family may be cited as a case in point. The consequences were of doubtful benefit; since conditions have changed, and adaptability to environment is a necessity of mental as well as of physical health.

Joanna Smyrthwaite was now in her twenty-ninth year. She still kept a diary. Written in a very small, neat, scholarly hand, it filled many octavo volumes, bound in dark-purple leather, each with a clasp and lock to it, her initials and the date stamped in gold lettering on the back. She was a diarist absolutely innocent of any thought or wish of eventual print. A fierce modesty, indeed, overlay the whole matter of her diary. That it should be secret, unseen by any eyes save her own, gave it its value. She regarded it with a singular jealousy of possession. As nothing else belonging to her, her diaries were exclusively, inviolably her own. It may almost be asserted that she took refuge in them, as weaker women, under stress of unsatisfied passion, will take refuge in a drug.

And so to-night, without waiting to make any change in her dress, feverishly, as one at last set free from unwelcome observation, she pushed back the cylinder of the handsome satinwood bureau in her bedroom, set lighted candles upon the flat desk of it, took the current volume of the diary out of one of the pigeon-holes, and sat down, her thin hands trembling with mingled fatigue and excitement, to write.

"Wednesday, Jan. 12, 190-

"It has been impossible to put down anything for some days. The strain of nursing and the demands upon my time have been incessant and too great. I do not know that I am justified in writing to-night. Isherwood begged me not to do so, but it is a relief. It will quiet me, and bring me into a more normal relation to myself and to my own thought. For days I have been a mere beast of burden, bearing the anxieties of the sick-room and of the household upon my back. My intellectual life has been at a standstill. I have read nothing, not even the newspapers—The Times or last week's Spectator. There has been perpetual friction between the servants and the nurses which I have had to adjust. Margaret could not be looked to for help in this. She is too easily influenced, being disposed always to take sides with the person who last spoke to her. Mr. Savage cannot arrive before to-morrow afternoon. I am glad of this breathing space, for the thought of his coming is oppressive to me. He appeared so lively and so much a man of society, when we met him in Paris, that I felt shy and awkward in talking to him. But it is useless to dwell upon this. He is coming. I must accept the fact. My head aches. I keep on fancying there are strange sounds in the house. But, as Isherwood says, I am overtired. I meant to state quite simply what has occurred since I last wrote; but I find it difficult to concentrate my attention.

"Papa died just before five o'clock this morning. It was snowing and the wind was high. Isherwood and I were in the room, with the night-nurse. Margaret had gone to lie down and I did not call her. She has reproached me for this since and will probably continue to do so. Perhaps I acted wrongly in not calling her, but I was dazed. Everything appeared unreal, and I did not grasp what was occurring until they told me. We had watched so long that I had grown dull and unresponsive. I was sitting upon the ottoman—in which mamma's evening gowns used to be kept—at the foot of the bed, when Isherwood came close to me and said, 'Miss Joanna, Mr. Smyrthwaite's going.' I said, 'Where?' not understanding what she meant. 'You had better be quick,' the night-nurse said. Her manner has never been respectful. I got up and went to the side of the bed. Papa's eyes were open. They seemed to stare at something which made him angry. He used to look thus at poor Bibby. I felt a spirit of opposition arise in me. This I now regret, for it was not a proper state of mind. Presently the night-nurse felt his pulse and held a hand-mirror to his mouth. I saw that the surface of it remained unblurred. She looked across at Isherwood and nodded familiarly. 'I thought so,' she said. Then I understood that papa was dead; and I felt sorry for him, both because I knew how much he disliked the idea of dying, and also because I should never be afraid of him any more.

Adrian Savage: A Novel

AdrianSavage

ICONCERNING THE DEAD AND THE LIVING

CHAPTER IIN WHICH THE READER IS INVITED TO MAKE THEACQUAINTANCE OF THE HERO OF THIS BOOK

CHAPTER IIWHEREIN A VERY MODERN YOUNG MAN TELLS ATIME-HONORED TALE WITH BUT SMALL ENCOURAGEMENT

CHAPTER IIITELLING HOW RENÉ DAX COOKED A SAVORY OMELETTE,AND WHY GABRIELLE ST. LEGER LOOKED OUT OFAN OPEN WINDOW AT PAST MIDNIGHT

CHAPTER IVCLIMBING THE LADDER