Produced by Charles Aldarondo, Tiffany Vergon, Josephine

Paolucci, and Project Gutenberg Distributed Proofreaders

CHICO

THE STORY OF A HOMING PIGEON

By LUCY M. BLANCHARD

The Riverside Literature Series

1922

DEDICATED TO ALL WHO LOVE VENICE

FOREWORD

As is well known, the time for haphazard reading in the schools has passed. The carefully selected lists compiled by those who make the education of children their life work are adapted to the needs of every grade.

It is not enough that a book possess story interest and that it be worth while from a literary point of view. The great consideration is its influence upon the mental and moral development of the child. It must be stimulating and present to the pupil such ideals as will have a permanent influence upon the formation of character.

In CHICO, THE STORY OF A HOMING PIGEON, I believe present-day requirements have been met, and that the book will prove of real value as a supplementary reader in the primary grades.

It has been my aim to depict accurately the Italian atmosphere and to give information in such a way that children unconsciously will learn much of the country form a true idea of the scenes described.

Explanations of Italian words and phrases have been given when needed.

I believe that the book will be found particularly valuable from the standpoint of visual education, and well adapted also for silent reading and topical recitations.

The story was written out of a full heart, with the hope that it might foster the love and appreciation of birds, and that the boy's sacrifice of his precious homing pigeon to his country at a time of peril might carry an ethical appeal to every young reader.

THE AUTHOR

CONTENTS

I. OLD PAOLO

II. ANDREA'S WISH

III. MARIA'S BIRTHDAY

IV. CHICO

V. THE MEANEST CAT IN VENICE

VI. TRAINING

VII. DANGER AHEAD!

VIII. A TERRIBLE EXPERIENCE

IX. "COO-OO, COO-OO-OO. RUK-AT-A-COO"

X. A GALA DAY

XI. A LITTLE JOURNEY IN THE WORLD

XII. THE BLUE ROSETTE

XIII. AND ALL FOR ITALY!

XIV. EVVIVA VENEZIA! EVVIVA ITALIA!

XV. THE HERO OF THE SQUARE

[Illustration: CHICO]

CHAPTER I

OLD PAOLO

Some years before the Great War, there lived in a little house on one of the side canals of Venice, an honest workman and his family. Giovanni Minetti, for such was his name, was employed in a certain glass factory in Murano, while, in all Venice, there was no one with fingers more deft in the making of beautiful lace than Luisa, his wife.

At the time of our story, Andrea, the elder child, was nearly eight, and his little sister, Maria, two years younger.

Consigning the children to the care of her uncle (old Paolo, the caretaker of St. Mark's), Luisa would go each morning to the lace factory, returning just in time to prepare the simple dinner, at eventide.

Those were wonderful days for the children, for though they missed their father and mother, they were always happy with old Paolo.

"Buon giorno" [Footnote: Good-morning.] they would shout every morning when he stopped for them on his way to the famous church, and Maria, holding tight to one of the old man's hands, would trot along by his side, while Andrea, more independent, would run on ahead in his eagerness to thread the narrow streets catch the first glimpse of the Piazza, as St. Mark's Square is called.

Then, while the old man cleaned and dusted, the children wandered about the dusky interior, touching the gold mosaic figures with awed fingers, or gazing reverently at the great altar front of silver gilt.

After a little, hand in hand, they would scamper out into the bright sunshine where they never tired of the many wonderful objects that make St. Mark's Square a fairyland for young and old alike.

"'Roglo!" little Maria would cry, as she pointed upward to the great clock with its dial of blue and gold. It was the nearest she could come to pronouncing "orologio," the Italian word for clock. Then she would listen as hard as ever she could, hoping the bronze figures would strike the hour on the bell.

But Andrea loved best the horses that stood above the entrance of the church. In his little soul he almost worshiped the fiery steeds and loved to fancy himself seated on their backs. He even went so far as to plan to scale the wall in order to satisfy his ambition.

"Sometime, I will do it," he used to say, as he struck a determined attitude, and Maria would look at him with adoring eyes. How venturesome he was! He was taller than she by half a head, and his added two years gave him a place in dignity far above her.

It was no wonder the boy should be so crazy over the great bronze steeds when one remembers that Venice is practically horseless and that they were almost the only ones he had ever seen.

Perchance, even, as they talked, they would hear the flutter of wings, and some half-dozen pigeons, with soft coos, would light on their shoulders. Then Maria would laugh aloud with delight, and Andrea would forget his wild dreams as they stroked the glossy wings and admired the bright eyes, all the while feeding them dried peas or grain with which their mother never forgot to see their pockets were supplied.

If, by chance, they flung a handful on the ground, in a second there would be a whole flock of pigeons, lighting on the pavement.

Then Maria would clap her hands, and Andrea would have all he could do to see that no bird, greedier than the rest, got more than its share.

The children would be so absorbed that they would become quite unconscious of the tourists that would gather to watch the pretty group, for Venice was full of tourists in those days—people who came, even from far-off America, to see the wonderful St. Mark's Square, and hard-hearted, indeed, was the man or woman who could turn away without buying at least one bag of grain from insistent vendors and join the children in feeding the pigeons.

But I have not yet begun to tell the wonders of St. Mark's Square. This was in June, 1910; the Campanile was being built to replace the old one that had fallen in 1902, and to little Maria and Andrea, there was a fascination in watching the workmen lift the great stones into place from the confused debris at its base.

If the Piazza was wonderful, so, too, was the piazzetta with the Ducal Palace with the golden staircase and the two columns, the one surmounted by the winged lion of St. Mark, the other by St. Theodore, standing on a crocodile.

Sometimes, after having wandered to the edge of the Grand Canal and looked away to the blue dome of the church of Maria della Salute, they would run back to the Square and, hand in hand, go window-wishing among the shops that line its sides. No one who has never seen these shops of Venice can form any conception of how fascinating they are with their strands of glittering beads or yards upon yards of marvelous laces.

Often Andrea would exclaim, as they flattened their noses against the glass, "When I am a man, I will work in the glass factory as my father does, and, perhaps, who knows, I shall discover some new glaze which shall make all the world amazed?" He had never forgotten the day when his father had taken him to the factory and shown him the molten glaze and the workmen blowing the glass into marvelous shapes. That day he had decided upon his future career.

But little Maria cared more for the laces, and would shyly point to some especially beautiful piece and say softly:

"Perhaps, it was the madre who made that."

Once she followed an American woman into the shop and stood by her side watching her bargain for an exquisite collar. So intently she looked that the woman turned and met her gaze, remarking to her companion:

"Even the children have it in them—I mean the love for beautiful things; and did you see her fingers?—any one could tell they were meant for lace-making."

Sometimes the children lingered so long in this way that the bronze figures would strike twelve, and they would have to hurry back so as not to keep old Paolo waiting for his noonday lunch.

Then, in some little recess around the corner of the church, with countless pigeons waiting for the crumbs, they would sit with him, sharing his frugal meal. When they had finished, he would sometimes take them for a ride in his shabby gondola on the Grand Canal, and on the way they would beg to stop for just a moment at the famous well with two porphyry lions. Andrea was tall enough to clamber by himself after the manner of young Venetians, and nothing would do but Paolo must lift Maria, so she, too, would proudly straddle one of the fierce figures. There they would sit while the old caretaker would count the pigeons bathing and splashing in the water.

But, better than anything else, the children liked to snuggle close to their companion while he told them wonderful stories until it was time for him to go back to work.

While they watched with fascinated eyes, he would trace a diagram in the pavement to show how the Grand Canal, in its wanderings, exactly describes the letter "S." His eyes would glow as he told of the grandeur of Venice in the time of the Doges, or cause the children to shudder at gruesome accounts of how, in the olden time, the prisoners were thrown from the Bridge of Sighs, into the water below.

Perchance, he would tell of the wedding of the Adriatic and call Venice the Bride of the Sea, or give a vivid account of how the body of St. Mark was brought there in the long ago.

In fact, his tales were so realistic, that it almost seemed as if he must have been an eyewitness of every incident he narrated.

CHAPTER II

ANDREA'S WISH

Of all the old man's tales, there was not one the children liked so well as the story of St. Mark's pigeons.

It was strange that, as soon as he began to talk about them, there would be heard the whirr, whirr of wings, and in an instant, countless birds would light on every possible ledge, nestling among the statuary and filling the air with the soft music of their coos.

On this special day of which I am going to tell you, three of the very prettiest flew straight into Maria's lap and settled there, to her delight, with an air of proprietorship, while one particularly striking fellow perched inquisitively on Andrea's shoulder.

"See, Paolo," the boy cried, "isn't he—GREAT?" This was a new word that he had caught from one of the American tourists and he was immensely proud of having mastered its pronunciation. As he spoke, he pointed to the fine glossy wings and the bill that arched so delicately at the point.

"See," he cried again, calling attention to the iridescent colors, shining green and purple in the sunshine, then sighed disconsolately. "I do wish he belonged to me." And he stroked lovingly the feathered head. "I never have had a pet of any kind."

"Is it, then, a matter of such grief?" questioned the old caretaker, surprised at the lad's desire.

"Si," [Footnote: Yes.] he answered passionately, "I wish—oh, how I wish that I might have one for my very own!"—and he held the captive pigeon close against his cheek. "Do you understand?"

Paolo's answer came slowly. He had not forgotten an incident in his own boyhood when he had made a pet of a certain fledgling. It had been injured in some way and would have died had it not been for the careful nursing his rescuer bestowed. His eyes grew misty and, somewhat angrily, he hastily drew his coarse sleeve over them that the children might not perceive his weakness. It had been foolish enough to have grieved, as a child, because a pet pigeon had been shot by some heartless fellow for a pot-pie, but, after a lapse of over sixty years—He cleared his throat, then patted Andrea's dark hair.

"There is no reason why you should not have your wish. Patience! and the next fledgling that falls from the nest shall be yours."

"Grazie!" the boy cried joyfully; "mil grazie!" [Footnote: Thanks! A thousand thanks!] And in a paroxysm of delight, he seized one of his good friend's hands.

Laughing, Paolo turned to Maria who had sat quietly all the while, fondling the feathered creatures in her lap.

"How about you, little one? Would you, too, like a pigeon of your own?"

"No," she answered shyly, "I love them all too much." And the soft coo, coo-oo-oo from the lapful of birds seemed appreciative of her words.

"Very well, my dear, it shall be as you wish, and now that I have it all straight in my old head, what pleases each of you best, what say you, shall I begin the story?"

"Si! Si!" they cried in unison, settling back against the wall, anxious not to lose a single syllable.

"It was in the time of the Doge, Enrico Dandolo," he began, bending a questioning look at his eager listeners; "of course, you know that in the long ago, Venice was ruled by men who bore the title of Doge?"

The children nodded assent, and he went on, impressively:

"Dandolo was a great man. He was eighty years old at the time he came into the office, and blind, as well, but he was not too old to undertake mighty enterprises."

"When was it he lived?" asked Andrea meditatively.

"Oh, many, many years ago—I am inclined to think it must have been at least five or six hundred."

"Five or six hundred years ago!" repeated Andrea incredulously, his childish mind refusing to compass so great a lapse of time.

"Well—thereabouts," Paolo resumed, somewhat disturbed at the interruption; "it was in the time of the crusades. Have you ever heard of the crusades, my dear?" And he softly touched Maria's chin. Before she could reply, her brother put in, proudly, "I know, they were wars to rescue the holy lands from the—" he paused.

"Infidels," supplied Paolo approvingly. "That's right." And any one seeing the old man would surely have thought that he had himself fought against the infidels, such fire shot from his eyes, and so tense became his muscles. "It was in the Fourth Crusade that Venice played so mighty a part."

"Was Dandolo the leader?" asked Andrea, sitting bolt upright in his excitement, and forgetting the pigeon which, loosed by the sudden movement, escaped, and soared, with a quick spiral curve, to the blue sky.

Regretfully, the child watched the flight, but settled back as Paolo went on:

"Old though he was, he was the hero of the whole expedition. Even the French had no general to compare with him. And tell me, both of you, did you ever see a picture of a Doge of Venice?"

"I have!" Maria cried; "and he wore a coat all red and gold and a cap—"

"Si! si!" the old man interrupted, almost beside himself with excitement; "those were his robes of state, but in armor, and on horseback before the walls of Constantinople! Ah, then he must have been magnifico!"

"On horseback, did you say?" repeated Andrea, and his eyes wandered to the bronze steeds the manes of which glistened in the sunlight.

Paolo nodded, "And I have no doubt but that the one great Dandolo rode was like those very horses; and, by the way, my lad, did you ever hear that they were part of the spoils he brought from the East in triumph and placed above our own St. Mark's?"

Without allowing Andrea time to comment on the amazing fact, he went on, still more excitedly;

"It is said that Dandolo, great as he was, would not have been able to take the city had it not been for a messenger pigeon that brought him most important information. Nor is that all the part the brave birds played at this great time, for it was no other than some of our own fine homers that conveyed the first news of glorious victory to Venice. Hence it was, that when the Doge returned, in triumph, he issued a proclamation that the pigeons should evermore be held in reverence."

Paolo paused, well-nigh exhausted by his enthusiasm, and, reaching over, laid his withered hand on the birds that still cooed contentedly in Maria's lap.

"It's no wonder they're so tame when every one has been loving them for the last five or six hundred years!" she murmured.

"Paolo!" Andrea suddenly asked, with sparkling eyes, "do you suppose that we can teach my pigeon to carry messages?"

"I shouldn't be surprised," replied the old caretaker, entering into the lad's enthusiasm; "they're as intelligent now as they ever were. All they need is the training. It's funny how their little heads can hold so much."

Reaching over, he took one of the birds from Maria's lap and pointed to the bulge just above the tiny ear:

"Some people say that's where their sense of direction is located, but you can't convince me it isn't in their hearts. It's the love they have for their homes that makes 'em fly from any distance straight to their nesting-places. I've noticed that a good homing pigeon has bright eyes, and a stout heart, not to mention a keen sense of direction, and strong wings to carry him long distances, but more than all else, there must be the love of home."

Andrea had lost not a syllable of what the old man said. For a long time he had secretly cherished the desire to own one of the pretty fluttering creatures, but not, until now, had the possibility occurred to him that he might teach one to carry messages.

Long after Paolo had returned to his duties in the church, the boy sat watching the clouds of pigeons circling above, or flying double (bird and shadow), against the walls of the church.

He had made up his mind that as soon as Paolo fulfilled his promise, he would begin to train his fledgling.

"There's no knowing," he cried eagerly to Maria, "what important messages my bird will carry!"

In reply she only smiled—it was enough for her that the pigeons loved to have her stroke them as they nestled in her lap.

CHAPTER III

MARIA'S BIRTHDAY

Andrea was so possessed with his idea that he ran every step of the way home that afternoon, climbed up the narrow dark stairs, two steps at a time, and burst upon his mother in such excitement that she feared some misfortune had befallen the children.

"What is it?" she cried, looking up from the stiff porridge she was mixing, "are you hurt?—and Maria—where is she?"

"Nothing has happened," was the breathless answer; "that is, nothing dreadful, and Maria is behind with Paolo. It is only—" his dark cheeks flushed. "It is only that he has promised me a pigeon of my own!"

"Is that all?" Greatly relieved, his mother turned again to the polenta. [Footnote: Cake, or thick porridge made of maize.] What a child he was, to be sure, to be so pleased at the idea of the possession of a pigeon!

"But, madre," he protested, "I am going to train it to carry messages.
There's no knowing what my pigeon will do!"

"Si! Si!" She replied absently as she turned to see if the charcoal was right for the baking.

It was a mean little house, at least so it would seem to most American children—just three rooms overlooking one of the side canals, and over a fish shop. It was built of brick (no one knew, how long ago), and was wedged in between others, of exactly the same type.

But it was home, and whatever else it lacked, it had a front window, with shutters, and a balcony with an iron railing, and when tucked up in their beds at night, in the tiny dark alcove, the children could hear the soft swish of the water against the embankment.

In spite of the window, even the best room was never very light, and only an occasional streak of sunshine found its way in, but on those rare occasions it fell upon the choicest treasure of the home, a rude colored print of the Virgin, in a modest shrine, hung with gilded fringe. On the shelf above, Luisa took care to see that a lamp was ever burning, and on the table before it stood always a tiny vase of fresh flowers. What matter, that the carpet was old, and the furniture worn, the Virgin's shrine was there!

Unconsciously, the children trod gently in this room, and their laughter was subdued, but in the kitchen—ah, there, their spirits were unrestrained.

Maria was not long behind her brother, but the scampi,[Footnote: Fish.] were already frying in the pan, before Giovanni, in his working shirt, appeared in the doorway, hungry and ready for his dinner.

"Padre! Padre!" cried Andrea; "only guess—the pet I am to have!" Then, with scarcely an instant's pause, he went on, in a shrill voice, "A pigeon, padre, isn't that—GREAT?"

"Well, well!" Giovanni answered, taking his seat at the head of the table, "and so you are to have a pigeon for a pet. I might have guessed anything else—a parrot, a little singing bird, or perhaps, a couple of grilli [Footnote: Crickets.] in a tiny cage, but a pigeon! Why, you play with them all day long on St. Mark's Square."

"But that is not like having one of one's own," the boy protested.

He made a gesture of disgust. "A parrot, a singing bird, a couple of grilli! What was his father thinking of?" and in another moment he was explaining how he would train his bird to be a carrier pigeon, and how bright its eyes would be, and how strong its wings, until his father laughed and declared himself convinced that it would be the most wonderful thing in all the world to own a pigeon.

The fish had quite disappeared from the platter when Giovanni again spoke:

"To-morrow is the Sabbath, and it is the little Maria's birthday—what say you?"—he addressed himself particularly to Luisa—"shall we go to the Lido?"

To the Lido! The children's eyes sparkled. There was nothing they loved more to do than to play on the sand at the Lido.

"Si!" Luisa answered with ready acquiescence; "and on the way let us spend a little time at the Accademia—it has been long since I have seen the pictures of the great Titian and even Maria is quite old enough."

So it was settled, and the children talked of nothing else the rest of the evening, dropping off to sleep without once giving a thought to the lapping of the water.

When they woke, it was late; their mother had been up for a long time, getting everything ready for the day's excursion. Already the lunch-basket was packed, and as soon as the children were dressed and the breakfast eaten, it was time to start.

At first, Andrea walked with his mother, insisting upon carrying the basket, but after a little his arms became weary and, without expostulation, he allowed his father to take it from him, while he ran joyfully ahead, eager to catch a glimpse of the bronze horses, and dabble his fingers a few moments in the well with the bathing pigeons.

As for Maria, she was most conscious of the fact that she was six years old, and with shining eyes walked carefully by her mother's side. She wore a string of gay beads about her neck (a birthday gift from her father) and red tassels dangled bewitchingly from the tops of her new shoes.

It was only a ten-minutes walk from St. Mark's to the Accademia, and after a number of turns through one narrow calle after another, they came to the bridge that led directly to the entrance.

Maria was awed at the imposing doorway, but Andrea, boylike, marched in unabashed, and, after a cursory glance in various directions, declared himself ready to leave. He would far rather be outdoors and could scarcely wait to get on to the Lido.

"Not so soon, my lad, there is much that you should see." And, taking him by the hand, Giovanni led him into a great room with two immense pictures. One was the Assumption of the Virgin by the great Titian and before it even restless Andrea was stilled, feeling a little of the spell that has made of this place a world shrine for all lovers of art—the wonderful figure of the Virgin, in billowy robes, rising to heaven, while countless angels, each one seeming more adorable than the other, seem to bear her up in her glad flight.

"Listen," Luisa whispered, "do you not hear them singing 'Halleleujah'?"

There were other pictures in the same room, and one especially that interested Andrea. It was Tintoretto's Miracle of St. Mark, and he listened attentively as his father told the story:

How a certain pious slave, forbidden to visit and venerate the house of St. Mark, disobeyed the command and went, notwithstanding. His master, angered, ordered that the poor fellow's eyes be put out. But lo, a miracle stayed the hands of those who were sent to carry out the cruel sentence. The slave was freed, and his master converted.

Then Luisa led Maria into another room, saying:

"Here is the picture I most wanted you to see, for you are named for the blessed Virgin. Have you not heard how, when Mary was scarcely more than a child, she was taken to the temple and consecrated to the service of the church?"

Maria shook her head; her childish heart was full; and with solemn eyes she looked long and earnestly at the little girl, with tightly braided hair, slowly mounting the long flight of steps to the high priest who, though he seemed stern and austere, held out his hand in kindly greeting.

Long Maria lingered, noticing every detail, the blue dress, the lighted taper, the halo round the head, and she was loath to leave, even when her father came to the door, and her mother said gently:

"Come, we must be off, if we would be at the Lido for our lunch."

Soon they were in the steamer which chugged so merrily that Andrea forgot all about the pictures he had seen in his interest in watching the wheels go around and the white foam in the vessel's wake, but Maria sat in a kind of dream until they reached the landing.

Then, in the hurry that ensued and the many distractions on the shore, the picture of the brave little girl, for the time, faded from her mind, and she, too, gave herself up with undisguised pleasure to the fascinations of the Lido.

It is a strip of shore extending along the mouth of the Lagoon and forming a bulwark of Venice against the Adriatic. It was here that the wedding ceremony was performed in the long ago, and the view is most beautiful from this point.

They sat on a bench in front of the Aquarium to eat their luncheon, and the children could scarcely wait to finish, they were so eager to press their noses against the glass and watch the funny creatures swimming in the tanks. Maria clapped her hands and declared the best of all were the sea-horses—"Cavalli marini," she called them.

Then, what a glorious afternoon they had on the smooth beach, hunting for shells and digging in the sand. How Andrea laughed when his father took him away out and let the breakers roll over him. Then Maria, holding tight to her brother's hand, who still seemed much bigger and stronger, even if this was her birthday, ventured far into the waves.

Much too quickly the happy hours sped, and before they knew it it was six o'clock.

All the way home on the steamer Andrea held tightly to the dried starfish he had found on the sand, while Maria was the happiest child in Venice, with a brooch made from the pearl shell of the Lido, which Luisa called "fior di mare," or flower of the sea.

As they stumbled sleepily across the Square in the darkening twilight, holding fast to the hands of their mother and father, their ears failed to catch the faint cheep of a baby bird in distress, and they reached home entirely unaware of the tragedy that had happened in pigeon-land.

CHAPTER IV

CHICO

When Paolo called for the children Monday morning, there was an air of mystery about him that was distinctly puzzling. Then, too, he walked unusually fast, so that Andrea found it difficult to keep up with him, and finally demanded curiously, "What's the matter?" without, however, receiving any answer.

"What's the matter?" echoed Maria, falling behind after a futile effort to keep up, Paolo slackened his pace with a laconic "Wait and see," that was even more mystifying.

On reaching the Piazza, his manner showed still greater excitement.

"Venite!" [Footnote: "come here">[ he exclaimed, leading the way to a small shed back of the church where he was accustomed to keep his tools.

"Venite!" he repeated, entering by a rear into the gloomy interior.

It was several moments before the eyes of the children became sufficiently accustomed to the dim light to really see what was being pointed out. High above their heads was a small window, close to which had been placed a wooden box.

The old man stopped a moment, listened, reached up his hand, then drew it back with an air of satisfaction, while the youngsters, fascinated, watched without in the least surmising what it was all about.

With a finger on his lips to enjoin silence, he suddenly seized Andrea and raised him to the level of the window ledge.

"There!" he cried, "don't be afraid. Put your hand into the box."

As the boy timidly obeyed, he went on, "Now tell me, what do you feel?
Speak!"

The frightened look on Andrea's face gave way, first to one of mystification, then to an expression of joy as his hand touched something warm:

"L'uccello!" [Footnote: The bird.] he cried; then, in an ecstasy of delight, "Is it mine?"

Paolo nodded, and, after putting the boy down on the floor, gently lifted Maria so that she, too, might put her fingers into the nest he had made for the fledgling he had found on the pavement the evening before.

"It's a baby pigeon," she softly murmured.

"Si! Si!" the old caretaker declared, delighted at the sensation he had caused, "I came across him all huddled up by yonder column."

"And may I really have him?" queried Andrea, finding it hard to realize that he had gained his heart's desire.

"Why not? I doubt if the old birds will even notice he has gone. You know when the mother has other eggs to take her attention, she gives the fledglings into the care of the father bird, and it isn't very long before he pushes them out to shift for themselves. There is no reason why this particular one should not belong to you: in fact, I imagine he's a bit lonesome in this strange place, though, to be sure, I did all I could to make him comfortable, with a wisp of hay and a few dried sticks, but, at best, I'm not much of a nest-maker. Come now, would you like to have a look at him?"

"Si! Si!" the children cried together. And with that Paolo, after lighting a bit of discarded candle and giving it to Andrea to hold, stretched up and took the pigeon from the nest.

In the flickering light the children bent lovingly over the little fluttering thing in the old man's hand; they had never before seen a young bird at such close range and they looked with wonder at the soft, shapeless body, the big eyes, the ugly bill, wide open in insistent demand for food.

"May I give him a crumb to eat?" asked Andrea in an odd tone.

"Si," was the ready assent; "I expect he's hungry enough, with no one to wait on him. By the way, did you ever see a baby pigeon fed?"

The children shook their heads and listened most eagerly as the old man went on:

"This is a matter in which both father and mother take a hand, and the first food is a liquid secreted in their crops and called 'pigeons' milk.' When mealtime comes, the parents open wide their beaks, the little birds thrust in their bills, and the fun begins. I tell you it takes a great deal of effort and bobbing of heads for Baby Pigeon to get a satisfactory meal."

"How can we—ever—feed him?" Andrea anxiously interrupted, as if he felt that his charge might prove somewhat of a responsibility.

"Don't worry," was the comforting response as Paolo nodded his wise old head; "he may not be able to shift for himself, but I am willing to wager he will manage to eat whatever you offer him. You see this particular kind of infant food only lasts a few days; after that the milk gradually thickens and becomes mixed with bits of grain. Almost before he knows it, Baby Pigeon is independent of his parents and eats quite as if fully grown."

With that the old caretaker held out a piece of cracked wheat to the fledgling who devoured it greedily and opened his beak for more.

The children laughed aloud and clapped their hands in glee, continuing to feed him until Paolo declared the bird had had a royal breakfast and carefully replaced him in the nest.

Then, with Andrea on one side and Maria holding tightly to the other hand, he led them out of the shed and into the bright sunshine.

They stopped for a moment under the window for a lingering glance upward while Paolo called their attention to the dry-goods box he had placed on end for their special convenience.

"By standing on this," he explained, "you can get on a level with the nest without being dependent on me."

All the morning the children hung around the shed, delighted when there was an occasional sound from the nest above, and from time to time they clambered up to whisper soft nothings to the sharp ears of Baby Pigeon.

At noon, when eating their luncheon, they plied the old caretaker with questions some of which, it must be confessed, taxed all his ingenuity to answer satisfactorily.

"How long will it be before I can begin to train him?" interrupted Andrea, on fire with his desire at once to realize his ambition.

Paolo laughed. "One question at a time. I notice some soft down already beginning to show, so I fancy it will not be many weeks until he can boast as much in the way of fine clothes as his own father and mother. As for his training, it's quite too soon to think of that; so, my boy, you will have to possess your soul in patience for a while longer. By the way, your bird should have a name. Have you any in mind?"

"Not yet, although I've been thinking about that very thing," Andrea answered meditatively; "no name seems good enough."

"I think 'bambino' would be nice," suggested Maria; "he's such a darling baby."

"Si, but he will soon be grown up" put in Andrea; "I was wondering how
Marco would do."

"Well, I don't say it wouldn't do," Paolo answered reflectively; "but it seems to me something like 'caro' or 'amato' [Footnote: Dear—beloved] might be appropriate for such a pet."

Andrea shook his head. And, after again racking his brain in an effort to suggest a really appropriate name, the old man finally slapped his hand on his side:

"It just comes to me this instant, something I heard one of those touristas call a little curly dog by. At the time it occurred to me that it sounded more like a name for a pigeon."

"What was it?" Andrea inquired eagerly.

"Chico," Paolo answered, lingering on the first syllable, exactly as the tourista had done—"Chee-ko."

Andrea was charmed, agreeing that there was something about it that seemed to suit a saucy pigeon, and, vastly pleased, he repeated over and over, "Chico, Chico," while Maria echoed softly "Chee-ko."

CHAPTER V

THE MEANEST CAT IN VENICE

It is hard to imagine a more forlorn experience in the life of a young bird than to be suddenly pushed from the nest and find himself alone on a hard pavement. It is bad enough when it happens as the result of premeditation on the part of an unfeeling parent who has made up his mind that his offspring are quite able to shift for themselves, but, when it occurs from accident, it is nothing short of tragic.

Poor Chico, this was what had happened to him, and he had huddled, shivering, close to the column of St. Theodore and tried in vain to reason everything out in his pigeon mind. Many things had happened of late that he had not been able to understand. His mother, hitherto most attentive to his sister and himself, had suddenly ceased feeding them with the nice soft food they loved so well, at the same time refusing to cuddle them under her warm breast.

He remembered vaguely hearing her impatiently coo to his father, that he would have to look out for the fledglings, her duty was to the eggs. At the time he hadn't understood what she meant by eggs, although once or twice he had caught a glimpse of two white oval things under her breast which she seemed to be dreadfully proud of.

It wouldn't have been so bad if his father had been as affectionate as usual, but, on the contrary, he had treated his sister and himself as if they were in the way, and it was easy to see Father Pigeon would have greatly preferred crowding on the nest with his mate to getting food for two greedy fledglings.

In fact, that was how the accident had happened. Chico had been so unfortunate as to get in the way, with the result that he had been pushed out and had fallen to the ground.

Poor little naked fledgling, he had shivered and huddled close to the friendly column, for, even in summer, the breeze from the Adriatic often blows fresh and cool.

He had just begun to wonder how he should get anything to eat, when suddenly a shadow had come over him, causing him to crouch low in even, greater terror, while his heart thumped horribly, but before he could utter a sound he had been seized by a big warm hand, and a voice that was not unkindly had exclaimed:

"Did the little pigeon fall from the nest?"

In the warm comfort of Paolo's hand the bird had forgotten his fear, and his little heart had ceased to thump as he reflected this must be a human, and his mother had always taught him that "humans" were kind to birds in St. Mark's Square. So, with a feeling akin to confidence, he had allowed himself to be carried somewhere he did not know, and deposited In what he supposed was meant for a nest, although it was not bit like the nice, soft one to which he had accustomed.

He had even managed to eat a crumb or two, and, in spite of the fact that he was very lonely without his sister to keep him company, he had finally succeeded in going to sleep.

In the morning the big hand had grasped him again and had shown him to two long-legged creatures who he had guessed were human children, because they looked much as his mother had described them in one of her favorite lullaby coos. He had not been afraid of them, but, flattered by their delighted exclamations, had eaten everything they had offered him.

By the time the second night had come, Chico had so far become accustomed to his strange surroundings that he slept almost as well as if he had been under his mother's wings.

He was still dreaming when he heard a voice call, "Chico, Chico—are you still there, Chico?"

He roused instantly, reminded of his friends who had given him his breakfast the morning before.

He raised his head. There was a sound of other little feet climbing upon the dry-goods box, and a softer voice called, "Chico, Chico!"

Still he made no movement, listening while the children speculated as to whether or not their pet had been spirited away during the night.

"Chico! Chico!" There was something so pleading in the boy's voice that the baby pigeon thrust his open bill out of the window on the ledge.

"He's here, he's here!" Andrea shouted, almost losing his balance in his excitement, but he saved himself in time to put a bit of cracked wheat into the wide-open mouth. It was greedily swallowed and the open bill demanded more. This performance was repeated until the boy's supply was exhausted. Then the bill was withdrawn, and Chico disappeared from view. But between the boy and the bird had been established a bond that would never be broken. From that time on, Chico was his pigeon in every sense of the word, and, at Andrea's first call, the greedy bill would immediately appear.

So it went on, until one bright morning, when the children turned the corner of the church, they found Chico, perched on the window ledge, faking a sun-bath and waiting for his friends.

My! what excitement there was! Andrea could scarcely wait to climb up on the box, and was delighted when Chico cocked his head on one side and actually permitted his caresses.

"Bambino!" murmured Maria; "dear little baby bird. Oh, see! he's actually getting feathers!"

It was true, the soft down with which he was covered in some places was beginning to give way to the first pin feathers, his bill did not seem so awkwardly large, and the soft, shapeless body already showed signs of developing future grace.

After this Chico was always waiting for the children, and would cock his head on one side when he saw them coming, uttering little squeaky noises that did not sound in the least like cooing. All the time his feathers were growing and his wings becoming stronger.

Then came a day when Paolo declared that Chico must have his first lesson in flying, and the children watched, with abated breath, as the old man took the bird from his nest and placed him on the pavement, at the same time stationing himself at a little distance and holding an enticing morsel. At first the baby pigeon flopped aimlessly about when, suddenly, Maria caught Andrea's arm, whispering excitedly, "He's going to do it, oh, he's going to do it!" and, miracle of miracles! after awkwardly raising one wing and then another, he actually mastered the first lesson and, in consequence, was treated to a royal breakfast. It was a great exertion, and, after satisfying his hunger, he then and there closed his weary eyes and took a nap on the pavement, much to Paolo's amusement.

"Well," he exclaimed, "it's the first time I ever taught a bird to fly. One never knows what one can do until one tries."

After that not a day passed that Chico did not make short flights, to Andrea from Maria, and from her to the old man's shoulder, until, one morning, he greatly amazed them by flying into his own window box.

Gaining confidence, Chico must have had it in his pigeon mind one morning to fly from his nest and greet his friends upon the pavement. But alas, he miscalculated his strength, even as human beings often do, and while he spread his wings most boldly, he lost his balance and fell ignominiously to the ground. That would not of itself have been so bad, for, like children learning to walk, baby pigeons must have many a disaster before the art of flying is completely mastered, but, by some strange chance, it happened that a lean tortoise-shell kitten was prowling about one of the side streets and at that moment poked her head into St. Mark's Square. Now, in Venice, there are very few cats—in fact, because of the esteem in which pigeons are held, they are not popular pets. More than that, they are positively prohibited from St. Mark's Square, as any well-trained feline should know.

Where this cat came from, and to whom she belonged, ever remained a mystery, but as she curiously poked her head into the forbidden precinct she caught sight of Chico, lying stunned and helpless from his fall. Here was her chance. Straightway flinging caution to the winds, with a quick spring she landed full upon the trembling bird, at the same time seizing him with her paws and burying her cruel teeth in his tender flesh.

What would have been the result I shudder to reflect, had not Andrea at that moment appeared upon the scene. With a scream of terror he rushed forward, clapping his hands and making such an outcry that the kitten, frightened, dropped her prey and disappeared down the side street from which she had ventured.

When Paolo arrived on the scene a few moments later he found Andrea, well-nigh distracted, hugging his wounded pet to his breast, and whispering over and over again:

"Chico, Chico, you mustn't die—you mustn't die!"

It took Paolo but a few moments to assure himself that Chico was not seriously hurt, although he bore the scar made by the cruel claws for many a day, and it was weeks before he dared again to try the flight from his nest to the pavement.

As for the cat, although the old caretaker sallied forth vowing vengeance, she was never again seen.

Soon it was time for the children to go to school in the old building situated some distance from St. Mark's, not far from the Rialto.

There was now only time in the morning for a brief visit with Chico before lessons began, and a hurried half-hour with him at luncheon. Hence the moments after four o'clock and the full holiday on Saturday were most precious, and on those occasions no one was happier than Chico, flying from one to another, and usually ending by perching coquettishly on Andrea's shoulder.

"There isn't a pigeon in Venice to compare with him," remarked Andrea, lovingly touching the daintily arched bill, and looking into the clear eyes. "Tell me, Paolo, did you ever see so fine a bird?"

In answer the old man thoughtfully stretched out the well-shaped wings, saying, as the colors shone iridescent green and blue in the sunshine: "They're as beautiful as any wings I ever saw, and better than that, they're strong. Wings like that can carry a pigeon any distance. Yes," he continued, more to himself than to the children, "if he's to be a homer, it seems to me it's full time to begin his training."

Andrea started in an ecstasy of delight.

"Do you mean it, Paolo? Do you really mean it?"

The old man nodded. "Yes, and if you have no objections, we'll give him the first lesson next Saturday morning."

As if surmising that he was the subject of discussion, Chico flew back to Andrea's shoulder, where he coo-ooed blissfully, while Paolo unfolded to his eager listeners the details as he had planned them.

CHAPTER VI

TRAINING

As a first step he had secured a wicker basket with a close-fitting cover which roused the liveliest curiosity and caused Andrea to ask, doubtfully:

"What has a basket to do with teaching a pigeon?"

"Just about everything," the old man wisely replied. "By carrying the bird in a dark basket to the place from which he is to make his flight, he will have no way of acquainting himself with the direction in which he traveled, and, when released, must depend entirely upon his homing instinct."

"Chico won't like being shut up in a dark prison," interrupted Maria, stretching up to caress the glossy neck; "it's like being blindfolded."

"Perhaps not," was the rejoinder, "but if he is going to be trained to be a faithful homer, he will have to spend a good deal of time in the same dark prison. It's part of the discipline of his life." As he finished, he began tracing figures on the pavement, and the children, wondering still more, watched him, fascinated.

"There's no doubt," he mused, more to himself than to his listeners, "but that he could find his way from such near-by points as the Ducal Palace and the Bridge of Sighs—I'm disposed to take him farther away for his first trial—say to the Rialto."

"Bene! bene!" [Footnote: Good! good!] shouted Andrea, clapping his hands.

"Then," continued the old man, without paying any attention to the interruption, "if he does well from such distances as that, we'll gradually take him farther away—perhaps to the Lido and—"

"To the Lido," repeated Andrea, to whom this seemed a great distance. "Do you think he could find his way from there?"

"Without the least difficulty," was the answer, "and within a few weeks, unless I miss my guess; after a while we'll have to arrange to try him from other parts of Italy—Milan, for instance."

"Milan! Other parts of Italy!" The children found it hard to fancy cooing little Chico finding his way home from distant cities, and in spite of himself, Andrea's eyes filled with tears, as he faltered, "I—wouldn't—want—him to get—lost!"

"Not much danger of that, I fancy. If he doesn't fall down on the easy flights, he'll be able to take the longer ones.

"Why, lad," Paolo went on kindly, touched by the boy's dejection, "if you want Chico to be a real homing pigeon, you must expect him to run some risks. Don't you remember Dandolo's bird that carried the glad news from Constantinople?"

Andrea nodded, doubtfully. While he had thought much of the possible glory Chico might gain as a faithful messenger, for the first time he trembled lest, in realizing the ambition, the safety of the bird might be endangered. Thoughts of possible perils filled his mind with foreboding, but he didn't wish Paolo to think he was turning the white feather, so he swallowed hard and forced himself to say:

"I guess it will be all right."

"All right! I should say it would be," was the hearty response; "and just remember, my boy, if you expect your bird to have a stout heart you must keep up your own courage."

At last Saturday came, the day Paolo had set for the training to begin. Andrea was so excited he had no appetite for breakfast and would have rushed from the house without a mouthful if Luisa had not insisted that he eat at least one piece of the hot polenta. But that was all—he almost bolted it whole, and, without waiting for Paolo, was out of the house and in St. Mark's Square at least half an hour earlier than ever before.

Not that it was much satisfaction, for hardhearted Paolo had carefully placed the pigeon in the basket the night before, saying as he secured the cover:

"He must not be allowed his freedom until we reach the Rialto, then he will be hungry and doubly anxious to reach home."

"Can't we give him anything to eat?" Andrea asked anxiously.

"Not a morsel!" was the stern reply. "If he is to be trained at all, it must be done right. Come, children, give me your promise not to interfere."

"We won't," they answered in unison, and though Andrea still thought the treatment very harsh, he dared not again raise his voice in further protest.

It seemed very forlorn not to find Chico waiting on his window ledge when he turned the corner of the church, and with heart aching for the imprisoned bird, he entered the dark little shed and looked anxiously for the basket. There it was, in the corner where Paolo had left it, but, as he called once, and then again, there was no answering "coo."

Andrea's heart sank; perhaps the bird was sick. Beset by anxious thoughts he crossed the room, took the basket in his hand and held it to his ear. Not a sound! Genuinely frightened, he regretted bitterly that he had ever wished the bird trained. Why had he not been content with him as he was—the most beautiful bird in St. Mark's Square?

Turning the basket about, he looked it all over carefully. There was a slight stir. He breathed a sigh of relief, then joyfully caught his breath as he suddenly discovered two bright eyes looking straight at him through one of the cracks.

"Chico!" he cried joyfully; "Chico! Are you all right?" Placing his ear to the wicker prison, he caught a faint answering "coo," and a minute later the very tip of the bird's bill found its way through one of the cracks. It was heartrending, and it was only with the greatest difficulty that Andrea restrained himself from tearing off the cover of the basket and feeding his hungry pet, but he had given his promise, so he was obliged to content himself with holding the basket close to his cheek and murmuring soft words into the responsive ears of the prisoner.

So Paolo found him. Andrea started guiltily as the old caretaker stepped in the door, but drew himself up proudly at the sharp inquiry:

"Is it possible that you are feeding Chico?"

"No," was the quick reply, "I am only talking to him. Surely there isn't any harm in that!"

"No harm at all," the old man answered; "and now I propose to take him to the Rialto and there give him his freedom, while you wait here and see if he knows enough to come home. Notice the time by the big clock; if he returns promptly, you may reward him with a good breakfast and plenty of water to drink, for he will be thirsty."

Andrea's face lighted up with joy. He had a pocket full of choice morsels, and, with a happy face, watched Paolo set out, carefully holding the basket with its precious load, while he and Maria settled themselves to await developments.

The Rialto is one of the busiest spots in all Venice; especially is it so at this time in the morning, for hither come the black boats from the island laden with fruits and vegetables to provision the city. On every side, amid the jostling throngs of people, one sees mountains of watermelons, piles of garlic, old scows and worn-out gondolas, heaped with all manner of strange-looking fish. Crossing over the bridge to the end where the jewelers have their shops, and elbowing through the crowd of young girls and matrons, with their gay-colored handkerchiefs and strands of bright beads, Paolo came to a more secluded quarter. Here he stopped, and, with careful deliberation, lifted the cover of the basket, saying as he laid his hand affectionately on Chico's glossy head, "Now fly, my bird, straight to your house!"

Without a moment's delay Chico was out of his prison and with a quick, spiral curve had soared into the blue Venetian sky. Pausing for an imperceptible instant, as though in search of some familiar object, he was off in the direction of St. Mark's Square.

In the meantime Andrea and Maria waited impatiently enough. They knew it would take time for Paolo to reach his destination, for the old man's steps were not as quick as they had once been. And then the awful thought would come that Chico might not fly straight home—might be beguiled elsewhere for some reason.

Full well Andrea knew how much depended upon this first flight.

Just as the figures on the great clock struck the hour of ten there was a whirr of wings. An arrow of silver shot through the air, and in another instant Chico was in his nest.

"Urra! Urra!" the boy shouted, throwing his cap into the air; then boisterously seizing his pet, "You did it, you did it! Chico, old bird! My, but I'm proud of you!" Then remembering that Paolo had said there would be a message concealed about the bird's leg, his hand felt for the closely wound bit of tissue paper, and tense with excitement he shouted aloud Chico's first message:

"Evviva Italia!" [Footnote: Long live Italy!]

Again he hugged his pet until he suddenly discovered a hungry bill in his pocket, and he remembered that Chico hadn't had his breakfast.

When Paolo arrived upon the scene, puffing from his unaccustomed exertion, he found Chico greedily eating while Maria was still repeating, "Viva Italia!"

Upon comparing his watch with the clock Paolo's delight knew no bounds at finding that Chico had made the flight in one minute and a half, fully one half a minute shorter time than Paolo had allowed.

"Bene! bene!" he cried excitedly, "I told you he had the points of a good homing pigeon. All he needs is training." Then, laying his hand on Andrea's shoulder, he added, "My boy, you have a bird of which you may well be proud."

While he was thus under discussion Chico, seemingly unconscious that he had done anything at all remarkable, with his crop fairly bulging with the good things which he had eaten, perched serenely on the window ledge diligently preening his feathers.

This was but the first of many flights: the next time it was Paolo who stayed to watch the nest while Andrea set off, carrying the bird in his basket. He was especially delighted because the Colleoni statue was his destination, for there was no place in Venice (except the Piazza of St. Mark's) which possessed a greater fascination for him than the Campo of Giovanni e Paolo. The sight of the stalwart figure of Colleoni in his coat of mail astride the splendid steed never failed to rouse in his young heart the fires of ambition.

"It's a great thing, Chico!" he exclaimed, peering through the cracks at the bright eyes—"a great thing to be so brave and do so much for Venice. Perhaps, who knows, you and I may do as much some day."

With that he loosed the prisoner who straightway flew into the air, and after gracefully circling for an instant around the statue, without further hesitation was off and was soon a mere speck in the blue sky.

Once the boy had the felicity of keeping Chico in his home all night. Then nothing would do but Luisa must admire his fine plumage, and his father must declare that he was quite the finest pigeon he had ever seen. It took the combined force of the family to consider what message they should send old Paolo in the morning, and, after a great deal of discussion, Giovanni's stiff old hand penned the simple words on a bit of paper:

"Buon giorno!"

So the days passed; every few mornings Chico essayed some new flight until Paolo declared he was satisfied that the bird knew his way perfectly within a certain radius and must now venture farther from home. After this it was not so easy, and on several occasions Chico had adventures that tried even his stout little heart, and brought many an hour of anxiety to his friends.

CHAPTER VII

DANGER AHEAD!

The earnest little fellow carrying his bird in a basket was now a familiar object in Venice and attracted much attention from tourists and bystanders who often collected in little groups to watch the graceful flights. To some it was the subject of jest, and to them it seemed nothing short of folly to spend so much time in the training of a pigeon, while others were loud in exclamations of delight.

"Bello! Bello Colombo! [Footnote: Beautiful! Beautiful pigeon!] He's a mighty fine bird, my boy!"

As for Chico, one could see that he greatly enjoyed his experience. He no longer showed resentment at being shut up in the basket, but evidently considered that a necessary prelude to his glorious flights.

One morning Andrea set out for the Arsenal, which is, as every one acquainted with the city knows, one of the show places of Venice. In the olden days, when the Venetians were first in the art of shipbuilding, it was the working spring of their strength, their enemies looking upon the stronghold with envious eyes as symbolizing her supremacy over the Adriatic, and even now there was always a large number of strangers in its vicinity.

Andrea approached and took his station, near one of the two great lions that guard the entrance. He was accosted by a well-dressed Austrian: